E-MU 1616 v2 PCI, 1212M v2 PCI Owner`s manual
Owner’s ManualOwner’s Manual
E-MU 1616/1616m/1212m PCI
Digital Audio System
Owner’s Manual
© 2006 E-MU Systems
All Rights Reserved
Software Version: 1.82
E-MU World Headquarters
E-MU Systems
1500 Green Hills Road
Scotts Valley, CA 95066
USA
Asia Pacific, Africa, Middle East
Creative Technology Ltd
31 International Business Park
Creative Resource. Singapore 609921
SINGAPORE
2 Creative Professional
Europe
Creative Labs
Ballycoolin Business Park
Blanchardstown
Dublin 15
IRELAND
E-MU Japan
Creative Media K K
Kanda Eight Bldg., 3F
4-6-7 Soto-Kanda
Chiyoda-ku, Tokyo 101-0021
JAPAN
Table of Contents
1- Introduction ................................................................. 7
Welcome!.............................................................................................................................. 7
All Systems Include: ......................................................................................................... 9
E-MU 1212M System ....................................................................................................... 9
E-MU 1616 System .......................................................................................................... 9
E-MU 1616M System ....................................................................................................... 9
PatchMIx DSP ................................................................................................................. 10
Notes, Tips and Warnings ..........................................................................................10
2 - Installation ................................................................ 11
Setting Up the Digital Audio System ................................................................................ 11
Notes for Installation ................................................................................................. 11
Safety First! ................................................................................................................. 12
Connector Types ............................................................................................................ 12
Installing the E-MU 1010 PCI Card .................................................................................. 13
Install the Sync Daughter Card or 0202 Daughter Card.................................................. 14
WARNING : E-MU 0202 & MicroDock .................................................................... 14
Connecting the MicroDock ...............................................................................................15
Software Installation .......................................................................................................... 16
Installing the E-MU 1010 Drivers .............................................................................16
Windows XP ...............................................................................................................16
Uninstalling all Audio Drivers and Applications ..................................................... 16
Note About Windows Logo Testing .......................................................................... 16
3 - PCI Card & Interfaces ................................................. 17
The E-MU 1010 PCI Card.................................................................................................. 17
Important .................................................................................................................... 17
Connections ................................................................................................................... 17
EDI Connector ............................................................................................................ 17
S/PDIF Digital Audio Input & Output ...................................................................... 17
ADAT Optical Digital Input & Output ......................................................................17
The 0202 Daughter Card ................................................................................................... 18
Connections ................................................................................................................... 18
Analog Inputs and Outputs ....................................................................................... 18
MIDI In/Out ............................................................................................................... 18
E-MU PCI Digital Audio Systems 3
The MicroDock...................................................................................................................19
Front Panel Connections ............................................................................................... 20
Preamp Section ........................................................................................................... 20
S/PDIF Digital Audio Input & Output ...................................................................... 20
ADAT Optical Digital Input & Output ......................................................................21
Headphone Output & Volume Control .................................................................... 21
Rear Panel Connections ................................................................................................. 23
Line Level Analog Inputs ...........................................................................................23
Turntable Inputs & Ground Lug ................................................................................23
Line Level Analog Outputs ........................................................................................23
Computer Speaker Analog Outputs .......................................................................... 24
MIDI 1 & 2 In/Outs .................................................................................................... 24
EDI Connector (Card) ...............................................................................................24
4 - The PatchMix DSP Mixer ............................................. 27
PatchMix DSP..................................................................................................................... 27
Overview of the Mixer........................................................................................................ 27
Mixer Window ................................................................................................................ 28
Mixer Block Diagram ..................................................................................................... 28
Pre Fader or Post Fader ..............................................................................................28
E-MU Icon in the Windows Taskbar ................................................................................. 29
The Toolbar ........................................................................................................................ 29
The Session ......................................................................................................................... 30
New Session ....................................................................................................................30
Open Session .................................................................................................................. 31
Save Session .................................................................................................................... 31
Session Settings .............................................................................................................. 31
System Settings ........................................................................................................... 31
Using External Clock .................................................................................................. 32
I/O Settings ................................................................................................................. 32
Input Mixer Strips............................................................................................................... 34
Input Type ................................................................................................................... 34
Mixer Strip Creation........................................................................................................... 35
Multichannel WAVE Files .............................................................................................. 36
Windows Media Player/DVD/Surround Sound Playback ....................................... 36
Insert Section .................................................................................................................. 37
Working with Inserts ..................................................................................................37
The Insert Menu ......................................................................................................... 38
ASIO Direct Monitor Send/Return ............................................................................ 39
Meter Inserts ............................................................................................................... 40
To Set the Input Levels of a Strip ................................................................................... 41
Making the Best Possible Recording ......................................................................... 41
Trim Pot Insert ............................................................................................................ 42
Test Tone/Signal Generator Insert ............................................................................. 43
Managing Your Inserts ................................................................................................... 44
Aux Section ..................................................................................................................... 45
Sidechain Diagram ..................................................................................................... 45
Pre or Post Fader Aux Sends ......................................................................................46
Level, Pan, Solo & Mute Controls ................................................................................. 47
Main Section....................................................................................................................... 48
TV Screen & Selectors ..................................................................................................... 49
Effect ........................................................................................................................... 49
Input ........................................................................................................................... 50
Output ........................................................................................................................ 50
4 Creative Professional
Auxiliary Effects & Returns ............................................................................................ 51
Sidechain Diagram ..................................................................................................... 51
Sync/Sample Rate Indicators ......................................................................................... 51
Output Section ............................................................................................................... 52
Main Inserts ................................................................................................................ 52
Main Output Fader ..................................................................................................... 52
Output Level Meters ...................................................................................................52
Monitor Output Level ................................................................................................ 52
Monitor Balance Control ...........................................................................................52
Monitor Output Mute ................................................................................................ 52
5 - Effects ....................................................................... 53
Overview.............................................................................................................................53
The Effects Palette............................................................................................................... 53
FX Insert Chains ............................................................................................................. 54
Creating, Renaming & Deleting Categories or Presets ............................................. 55
Importing and Exporting Core FX Presets and FX Insert Chains ............................. 56
FX Edit Screen.....................................................................................................................57
User Preset Section ......................................................................................................... 58
Core Effects and Effects Presets .....................................................................................59
List of Core Effects.............................................................................................................. 60
DSP Resource Usage ....................................................................................................... 60
Core Effects Descriptions................................................................................................... 61
1-Band Para EQ .............................................................................................................. 61
1-Band Shelf EQ ............................................................................................................. 61
3-Band EQ ......................................................................................................................62
4-Band EQ ......................................................................................................................63
Auto-Wah ........................................................................................................................ 64
Chorus ............................................................................................................................ 65
Compressor .................................................................................................................... 65
Basic Controls ............................................................................................................. 66
Distortion ....................................................................................................................... 67
Flanger ............................................................................................................................ 68
Freq Shifter .....................................................................................................................69
Leveling Amp .................................................................................................................. 70
Lite Reverb ...................................................................................................................... 71
Mono Delays - 100, 250, 500, 750, 1500, 3000 .......................................................... 72
Phase Shifter ................................................................................................................... 73
Rotary .............................................................................................................................. 73
Speaker Simulator .......................................................................................................... 74
Stereo Delays - 100, 250, 500, 750, 1500 .................................................................... 75
Vocal Morpher ................................................................................................................ 77
E-MU PowerFX ................................................................................................................... 78
Automating E-MU PowerFX .......................................................................................... 80
E-MU PowerFX Resource Availability ........................................................................... 80
Rendering Audio with E-MU PowerFX .............................................................................82
General Tips for Rendering using PowerFX .............................................................. 82
Tips for using Freeze Mode on Cubase LE ................................................................ 82
Using E-MU PowerFX with WaveLab and SoundForge ...............................................82
E-MU VST E-Wire ...............................................................................................................83
E-Delay Compensator ....................................................................................................84
E-Delay Compensator Use ......................................................................................... 85
E-Delay Units Parameter ............................................................................................ 85
Grouping Tracks ......................................................................................................... 86
E-MU PCI Digital Audio Systems 5
6 - Appendix ................................................................... 87
Using High Sample Rates .................................................................................................. 87
Overview ......................................................................................................................... 87
WDM Recording and Playback Behavior ...................................................................... 89
Sync Daughter Card Supplement...................................................................................... 90
SMPTE Conversion ........................................................................................................ 90
SMPTE Features .......................................................................................................... 90
SMPTE Options .............................................................................................................. 90
SMPTE Modes of Operation .......................................................................................... 91
Host Mode .................................................................................................................. 91
External Mode ............................................................................................................ 91
Flywheel Mode ........................................................................................................... 91
Flywheel Modes .......................................................................................................... 91
Stripe Mode ................................................................................................................ 92
Example SMPTE Connection ......................................................................................... 92
MIDI Time Code (MTC) .................................................................................................... 93
Word Clock In/Out ............................................................................................................ 93
Getting in Sync ................................................................................................................... 95
Useful Information ............................................................................................................96
Cables - balanced or unbalanced? ................................................................................ 96
Balanced Cables ......................................................................................................... 96
Unbalanced Cables ....................................................................................................96
Adapter Cables ...............................................................................................................97
1/8” Mini-phone to 1/4” Adapters ............................................................................ 97
Cinch (RCA) to 1/4” Adapters ................................................................................... 97
Digital Cables .................................................................................................................97
AES/EBU to S/PDIF Cable Adapter ...............................................................................97
Grounding ......................................................................................................................98
Phantom Power .............................................................................................................. 98
Appearance Settings in Windows .................................................................................. 98
Technical Specifications.....................................................................................................99
Internet References...........................................................................................................107
Forums ...................................................................................................................... 107
Index ............................................................................ 111
6 Creative Professional
•
•
•
1- Introduction
Welcome!
Thank you for purchasing the E-MU 1616 PCI, E-MU 1616M PCI, or 1212M PCI Digital
Audio System. Your computer is about to be transformed into a powerful audio
processing workstation. We’ve designed this E-MU digital audio system to be logical,
intuitive and above all, to provide you with pristine sound quality. These systems offer
unprecedented quality and value by providing studio-class, 24-bit/192kHz multichannel recording and playback to any PCI card bus equipped PC.
1- Introduction
Welcome!
1616 PCI System Components
E-MU 1616 PCI
• E-MU 1010 PCI Card
• MicroDock
• EDI (E-MU Digital Interface Cable)
• +48VDC AC Adapter
MIDI Breakout Cable
Digital Audio System Software/Driver Installation CD-ROM
Production Tools Software Bundle CD-ROM
• Quick Start Guide
Inputs & Outputs
(8) Channel ADAT Digital Optical Input
(8) Channel ADAT Digital Optical Output
(2) Channel S/PDIF Digital Input
(2) Channel S/PDIF Digital Output
(2) MIDI Inputs & Outputs
(4) 24-bit Balanced Line Inputs
(6) 24-bit Balanced Line Outputs
(2) Microphone/Line Preamp Inputs
(2) Turntable Preamp Inputs
(1) Stereo Headphone Output
(3) Stereo Computer Speaker Outputs
(allows 32 MIDI channels)
(with +48V phantom power)
(with RIAA equalized preamplifier)
(with volume control)
(with 1/8” jacks to connect powered speakers)
E-MU PCI Digital Audio Systems 7
•
•
•
•
1- Introduction
Welcome!
1616M PCI System Components
E-MU 1616M PCI
• E-MU 1010 PCI Card
• MicroDockM
• Sync Card
• EDI (E-MU Digital Interface Cable)
• +48VDC AC Adapter
MIDI Breakout Cable
Digital Audio System Software/Driver Installation CD-ROM
Production Tools Software Bundle CD-ROM
• Quick Start Guide
Inputs & Outputs
(8) Channel ADAT Digital Optical Input
(8) Channel ADAT Digital Optical Output
(2) Channel S/PDIF Digital Input
(2) Channel S/PDIF Digital Output
(2) MIDI Inputs & Outputs
(allows 32 MIDI channels)
(4) 24-bit Balanced Line Inputs
(6) 24-bit Balanced Line Outputs
(2) Microphone/Line Preamp Inputs
(2) Turntable Preamp Inputs
(with RIAA equalized preamplifier)
(1) Stereo Headphone Output
(3) Stereo Computer Speaker Outputs
(with +48V phantom power)
(with volume control)
(with 1/8” jacks to connect powered speakers)
(1) Word Clock In & Out
(1) SMPTE (LTC) In & Out
1212M PCI System Components
E-MU 1212M
• E-MU 1010 PCI Card
• E-MU 0202 I/O Daughter Card
• 0202 I/O Card Cable
• (2) MIDI Adapter Cables
• Digital Audio System Software/Driver Installation CD-ROM
Production Tools Software Bundle CD-ROM
• Quick Start Guide
Inputs & Outputs
(8) Channel ADAT Digital Optical Input
(8) Channel ADAT Digital Optical Output
(2) Channel S/PDIF Digital Input
(2) Channel S/PDIF Digital Output
(1) MIDI Input & Output
(allows 16 MIDI channels)
(2) 24-bit Balanced Line Inputs
(2) 24-bit Balanced Line Outputs
8 Creative Professional
All Systems Include:
The E-MU 1010 PCI Card is the heart of all three systems. Its powerful hardware DSP
processor allows you to use over 16 simultaneous hardware-based effects, which place
minimal load on your computer’s CPU. The E-MU 1010 PCI Card also provides eightchannels of ADAT® optical digital input and output, as well as a S/PDIF stereo digital
input and output.
The PatchMix DSP mixer application is included in all the systems. PatchMix DSP
delivers unmatched flexibility in routing your audio between physical inputs and
outputs, virtual (ASIO/WAVE) inputs and outputs and internal hardware effects and
buses—no external mixer needed. You can add digital effects, EQs, meters, level controls
and ASIO/WAVE sends anywhere you like in the signal chain.
Because the effects and mixing are hardware-based, there is no latency when you record.
You can even record a dry signal while monitoring yourself with effects! Mixer setups
can be saved and instantly recalled for specific purposes such as recording, mixdown,
jamming, special effect setups, playing games, watching DVDs, or general computer use.
1- Introduction
Welcome!
E-MU 1212M System
The E-MU 1212M includes the 0202 Daughter Card, which provides 2 line level,
balanced analog inputs, 2 line level, balanced analog outputs, plus MIDI input and
output. This is no-compromise audio interface, using ultra-high performance
24-bit/192kHz A/D - D/A converters to deliver an unbelievable 120dB dynamic range.
E-MU 1616 System
The E-MU 1616 includes the MicroDock, which is a half rack-space, audio interface. The
MicroDock adds the following input and output capabilities to the system: two mic/line
inputs with custom low-noise preamps, 4 balanced line level analog inputs, an RIAA
stereo turntable preamp, 6 balanced line level outputs, an assignable headphone
output, two sets of MIDI I/O ports, an additional S/PDIF optical output, and four stereo
mini phone jacks for easy connection to powered speaker systems. Of course, professional-quality, 24-bit A/D and D/A converters with automatic DC blocking are used
throughout.
E-MU 1616M System
The E-MU 1616M system includes the MicroDockM, a no compromise, mastering-grade
system, which includes all the features of the 1616 system. The 1616M system is distinguished by the addition of ultra-high performance 24-bit/192kHz A/D - D/A converters
which deliver an incredible 120dB of dynamic range.
The Sync Daughter Card comes standard with the 1616M system and can be purchased
as an optional upgrade for the 1616 MicroDock and 1212M systems. The Sync Card
adds Word Clock in and out for sample-synchronizing outboard digital equipment and
SMPTE longitudinal time code in/out for syncing other recording equipment. A separate
MIDI Time Code output port on the Sync Card eliminates timing problems caused by
combining MTC with MIDI performance data.
E
Note: The digital I/O
on the 1010 PCI card are
not used when you have
the MicroDock.
You’ll want to keep up with the latest software and options for your E-MU digital audio
system. You can find all of this, plus other helpful information, at the E-MU Website:
http://www.emu.com.
E-MU PCI Digital Audio Systems 9
1- Introduction
Welcome!
PatchMIx DSP
PatchMix DSP offers unmatched flexibility in routing your audio between physical
inputs/outputs, virtual (ASIO/WAVE) inputs/outputs, internal hardware effects and
buses. No external mixer is needed. You can add digital effects, EQs, meters, level
controls and ASIO/WAVE sends anywhere you like in the signal chain.
Because the effects and mixing are hardware-based, you can record using effects with
near zero-latency. You can even record a dry signal while monitoring yourself with
effects! Mixer setups can be saved and instantly recalled for specific purposes such as
recording, mixdown, jamming, special effect setups, playing games, watching DVDs, or
general computer use.
You’ll want to keep up with the latest software and options for your E-MU digital audio
system. You can find all of this, plus other helpful information, at the E-MU Website:
http://www.emu.com.
Notes, Tips and Warnings
Items of special interest are presented in this document as notes, tips and warnings.
f Notes provide additional information related to the topic being discussed. Often,
notes describe the interaction between the topic and some other aspect of the
system.
E Tips describe applications for the topic under discussion.
Warnings are especially important, since they help you avoid activities that can
cause damage to your files, your computer or yourself.
10 Creative Professional
2 - Installation
Setting Up the Digital Audio System
There are six basic steps to installing your E-MU system:
Remove any other sound cards you have in your computer. (Once you are sure that
1.
the E-MU card works properly, your old sound card can be reinstalled if desired.)
Install the E-MU 1010 PCI card in your computer. Go there.
2.
Install the 0202 Daughter Card or Sync Daughter Card (if applicable). Go there.
3.
4.
Connect the MicroDock (if applicable).
5.
Install the PatchMix DSP software onto your computer.
Connect audio, MIDI and synchronization cables between the E-MU system and
6.
your other gear.
Notes for Installation
2 - Installation
Setting Up the Digital Audio System
• IF AT ANY TIME DURING THIS INSTALLATION YOU SEE NO RESPONSE:
Use the Alt-Tab feature to select other applications. One of them may be the
Microsoft Digital Signature warning. It is possible for this warning to appear
behind the installation screen.
•Make sure you have the latest Windows Service Packs from Microsoft
(Windows XP - SP 1 or higher).
• Disable onboard sound and uninstall all other sound cards. (If you wish to try
using multiple sound cards in your system, do so after you have confirmed that
your E-MU Digital Audio System is operating normally.)
• InstallShield “IKernel Application Error” on Windows XP: When installing this
software on Windows XP, you may be confronted with a “kernel error” at the very
end of installation. This is an issue with the InstallShield program, which is what
we use to install software on your computer. Please do not be alarmed by this, as
the error is innocuous.
To read more about this error, and obtain instructions on how to avoid getting
the message, please visit this website:
http://support.installshield.com/kb/view.asp?articleid=q108020
•Multiple Digital Audio System sound cards are not supported.
E-MU PCI Digital Audio Systems 11
2 - Installation
Setting Up the Digital Audio System
Please read the following sections as they apply to your system as you install the E-MU
1010, paying special attention to the various warnings they include.
Prior to installing the hardware, take a few moments to write down the 18-digit serial
number, which is located on the back of the box and on the 1010 PCI Card. This
number can help EMU Customer Service troubleshoot any problems you may
encounter—by writing the number down now, you’ll avoid having to open your
computer to find it later on.
Safety First!
• To avoid possible permanent damage to your hardware, make sure that all connections are made with the host computer’s power off. Unplug the computer’s
power cable to make sure that the computer is not in sleep mode .
• Take care to avoid static damage to any components of your system. Internal
computer surfaces, the E-MU 1010 PCI board and the interfaces are susceptible to
electrostatic discharge, commonly known as “static.” Electrostatic discharge can
damage or destroy electronic devices. Here are some procedures you can follow
when handling electronic devices in order to minimize the possibility of causing
electrostatic damage:
As you install
hardware components,
observe the following
general precautions to
avoid damage to your
equipment and yourself.
• Avoid any unnecessary movement, such as scuffing your feet when handling
electronic devices, since most movement can generate additional charges of static
electricity.
• Minimize the handling of the PCI card. Keep it in its static-free package until needed.
Transport or store the board only in its protective package.
• When handling a PCI card, avoid touching its connector pins. Try to handle the
board by its edges only.
• Before installing a PCI card into your computer, you should be grounded. Use a
ground strap to discharge any static electric charge built up on your body. The
ground strap attaches to your wrist and any unpainted metal surface within your
computer. If you don’t have a ground strap, you can ground yourself by touching
the metal case of another piece of grounded equipment.
• Before connecting a cable to your interface or between PCI cards, touch the
connector sleeve of the cable to the sleeve of the jack to which you’ll be connecting
the cable in order to discharge any static build-up.
Connector Types
These connector types are used to connect the E-MU 1010 hardware components. They
will be referred to by the name shown in the first column of the following chart:
Name Description Connects
Card/External CAT5 Connector 1010 PCI card and MicroDock
S/PDIF In RCA Connector S/PDIF digital audio devices
S/PDIF Out RCA Connector S/PDIF digital audio devices
ADAT Optical In TOSLINK Optical Connector ADAT digital audio devices (or S/PDIF)
ADAT Optical Out TOSLINK Optical Connector ADAT digital audio devices (or S/PDIF)
Warning: Please verify that all cables are connected only to the proper components
before powering up your system.
12 Creative Professional
Installing the E-MU 1010 PCI Card
Note: This installation is very simple but if you are not familiar with the installation
of computer peripherals and add-in boards, please contact your authorized E-MU
Systems dealer or an approved computer service center to arrange for the installation.
To install the 1010 PCI card into your computer
1.
Make sure that the power switch on your computer is off.
IMPORTANT: Unplug the power cord from the wall outlet!
2.
Touch a metal plate on your computer to ground yourself and to discharge any
static electricity.
Follow the computer manufacturer’s recommended procedure for opening the case.
3.
4.
Remove the metal brackets from two adjacent PCI slots. If you have the E-MU 1820
system (non-M) you only need to remove the bracket from a single PCI slot. Put the
screw(s) aside for use later. See figure 1 below.
Figure 1 Figure 2
2 - Installation
Installing the E-MU 1010 PCI Card
Note: Some
E
computer cases don’t use
screws to secure PCI
cards. In this case, follow
the instructions that
came with your
computer.
PCI Slots
(may not be present
ISA Slots
on your computer)
Align the E-MU 1010 PCI card with the slot and press gently but firmly down into
5.
the slot as shown in figure 2.
Do not force the E-MU 1010 card into the slot. Make sure that the gold finger
6.
connector of the card is aligned with the PCI bus connector on the motherboard
before you insert the card into the PCI slot. If it doesn’t fit properly, gently remove it
and try again.
Secure the card into the slot using one of the screws you placed aside earlier.
7.
E-MU PCI Digital Audio Systems 13
2 - Installation
Install the Sync Daughter Card or 0202 Daughter Card
Install the Sync Daughter Card or 0202 Daughter Card
E-MU 1616 - If you’re planning to use Word Clock. MIDI Time Code or SMPTE
sync, unwrap the Sync Daughter Card and get ready to install it. If you don’t need
these options or don’t have an empty PCI slot, you can skip these next few steps.
• E-MU 0202 - Unwrap the 0202 Daughter Card and get ready to install it.
1.
Connect the ribbon cable provided with the kit between the E-MU 1010 card and
the 0202 Daughter card or Sync Daughter Card as shown in figures 3 & 4. The cables
are keyed so they cannot be incorrectly inserted. Seat the connectors firmly in the
sockets and arrange the cables neatly.
2.
Align the Sync Daughter Card or the 0202 Daughter Card with the slot and press
gently but firmly down into the slot as shown in figure 2 on the preceding page.
3.
Do not force the E-MU Card into the slot. Make sure that the tab at the rear of the
card is aligned with the PCI bus connector on the motherboard before you insert
the card into the PCI slot. If it doesn’t fit properly, gently remove it and try again.
Secure the card into the slot using one of the screws you placed aside earlier.
4.
•
Figure 3 Figure 4
Sync Daughter
Card
After all components have been installed and securely fastened, close the computer
5.
0202 Daughter
Card
case.
6.
Connect the supplied network-type cable from the 10 BaseT jack on the E-MU 1010
PCI card labeled “EDI” to the matching connector labeled “EDI” on the MicroDock.
The cable supplied with the MicroDock is specially shielded to prevent unwanted
RF emissions.
Plug the power cord back into the wall outlet and turn on your computer.
7.
WARNING: E-MU 0202 & MicroDock
If you have both the E-MU 0202 I/O card and the MicroDock, DO NOT connect both to
the E-MU 1010 PCI card.
CAUTION: Do not
connect the supplied
CAT5 cable to the
Ethernet or network
connector on your
computer. Doing so may
result in permanent
damage to either your
computer, the E-MU 1010
or both.
14 Creative Professional
Connecting the MicroDock
1.
Connect the supplied EDI cable between the 1010 PCI Card and the MicroDock.
Connect the supplied +48 volt DC adapter to the +48VDC jack on the rear of the
2.
MicroDock. See the diagram below.
3.
Connect your audio inputs and outputs to the MicroDock as shown on page
Turn the MicroDock on by turning the Headphone Volume control.
4.
+48V DC Adapter
48
VDC
+
-
23.
2 - Installation
Connecting the MicroDock
The 1616 and 1616
MicroDocks cannot be
used with older 1010 PCI
cards identified by the
1394 FireWire port.
m
EDI
The Headphone
Volume Control is
the Power Switch.
1010 PCI Card
Warning:
The MicroDock has been designed to use readily available and
inexpensive standard computer system cables. This makes it easy for you to find
replacement cables if your original cable becomes damaged or lost. However, because
these standard cables types are used for other purposes, you must use caution to avoid
connecting the cables incorrectly. DO NOT connect the supplied EDI cable to the
Ethernet or network connector on your computer. Doing so may result in permanent
damage to either your computer, the E-MU 1010 PCI card, or the MicroDock.
E-MU PCI Digital Audio Systems 15
2 - Installation
Software Installation
Software Installation
Installing the E-MU 1010 Drivers
The first time you restart your PC after installing the E-MU 1010 PCI card, you will need
to install the PatchMix DSP software and E-MU 1010 PCI card drivers.
Windows XP
The software is not compatible with other versions of Windows.
1.
After you have installed your Digital Audio System, turn on your computer.
Windows automatically detects the Digital Audio System and searches for device
drivers.
2.
When prompted for the audio drivers, click the
3.
Insert the E-MU software Installation CD into your CD-ROM drive. If Windows
AutoPlay mode is enabled for your CD-ROM drive, the CD starts running automatically. If not, from your Windows desktop, click
(replace
and double-click
4. The installation splash screen appears. Follow the instructions on the screen to
d:\
with the drive letter of your CD-ROM drive). You can also open the CD
Setup.exe
.
complete the installation.
5. Choose “Continue Anyway” when you encounter the “Windows Logo Testing”
warning screen. See the note below for more information.
6. When prompted, restart your computer.
Cancel
button.
Start->Run
and type
d:\setup.exe
E
Serial Number -
During the registration
process, you will be asked
to enter your 18-digit
serial number. The serial
number is located on the
back of the box and on
the 1010 PCI Card.
Uninstalling all Audio Drivers and Applications
At times you may need to uninstall or reinstall some or all of the audio card's applications and device drivers to correct problems, change configurations, or upgrade
outdated drivers or applications. Before you begin, close all audio card applications.
Applications still running during the uninstallation will not be removed.
1. Click Start -> Settings -> Control Panel.
2. Double-click the Add/Remove Programs icon.
3. Click the Install/Uninstall tab (or Change or Remove Programs button).
4. Select the E-MU driver/application entries and then click the Add/Remove (or
Change/Remove) button.
5. In the InstallShield Wizard dialog box, select the Remove option.
6. Click the Yes button. Restart your computer when prompted.
7. You may now re-install existing or updated E-MU 1010 PCI card device drivers or
applications.
Note About Windows Logo Testing
When you install the Digital Audio System drivers, you will see a dialog box that
informs you that the driver has not passed Windows Logo testing.
The Digital Audio System drivers are not signed because the driver does not support
some of the consumer audio features that the Microsoft driver signing program requires,
most notably Digital Rights Management.
However, the Digital Audio System drivers have been rigorously tested using the same
test procedures that a signed driver requires, and it passes in all important categories,
including those that measure the relative stability of the driver. So, it is perfectly safe to
install these drivers on your computer.
16 Creative Professional
3 - PCI Card & Interfaces
The E-MU 1010 PCI Card
The E-MU 1010 PCI card is the heart of the system and contains E-MU’s powerful E-DSP
chip. The powerful hardware DSP on this card leaves more power free on your CPU for
additional software plug-ins and other tasks.
Important
When the MicroDock is connected to the 1010 PCI card, the digital I/O on the PCI
card is disabled. Use the digital I/O on the MicroDock.
Connections
EDI Connector
Connects to the MicroDock using the supplied EDI
cable. This cable provides a a two-way data link
EDI
Connects to
MicroDock
via EDI Cable
S/PDIF
In/Out
between the E-MU 1010 and the MicroDock as well as
supplying power to the MicroDock.
S/PDIF Digital Audio Input & Output
RCA phono jacks are standard connectors used for
S/PDIF (Sony/Philips Digital InterFace) connections.
Each jack carries two channels of digital audio. The
E-MU 1010 receives digital audio data with word
lengths of up to 24-bits. Data is always transmitted at
24-bits.
3 - PCI Card & Interfaces
The E-MU 1010 PCI Card
S/PDIF digital I/O can be used for the reception and/
or transmission of digital data from external digital
devices such as a DAT external analog-to-digital
ADAT
or S/PDIF
Optical
In/Out
converter or an external signal processor equipped
with digital inputs and outputs.
The S/PDIF out can be configured in either Professional or Consumer mode in the Session Settings
menu. The 1010 PCI card can also send and receive
AES/EBU digital audio through the use of a cable
adapter. See AES/EBU to S/PDIF Cable Adapter for
details.
The S/PDIF input and outputs are usable at the
44.1kHz, 48kHz 88.2kHz and 96kHz sample rates,
but are disabled for 176.4kHz and 192kHz. The word
clock contained in the input data stream can be used
as a word clock source. See System Settings.
ADAT Optical Digital Input & Output
The ADAT optical connectors transmit and receive 8 channels of 24-bit audio using the
ADAT type 1 & 2 formats. The word clock contained in the input data stream can be
used as a word clock source. See System Settings. Optical connections have certain
advantages such as immunity to electrical interference and ground loops. Make sure to
use high quality glass fiber light pipes for connections longer than 1.5 meters.
Important: When
using any type of digital
I/O such as S/PDIF or
ADAT, you MUST sample
sync the two devices or
clicks and pops in the
audio will result.
E-MU PCI Digital Audio Systems 17
3 - PCI Card & Interfaces
The 0202 Daughter Card
At the 96kHz or 192kHz sample rates, the industry standard S/MUX interleaving
scheme is used for ADAT input and output. S/MUX uses additional ADAT channels to
achieve the required bandwidth. See the chart below or go here for additional information.
Sample Rate Number of Audio Channels
44kHz/48kHz 8 channels of 24-bit audio
88.2kHz/96kHz 4 channels of 24-bit audio, using S/MUX standard
176.4kHz/192kHz 2 channels of 24-bit audio, using S/MUX standard
The 0202 Daughter Card
The 0202 Daughter card is the companion card for E-MU 1010 systems which don’t
include the MicroDock. The 0202 Daughter card provides one pair of 24-bit balanced
analog inputs and one pair of 24-bit balanced analog outputs, plus MIDI in and out.
Connections
Analog Inputs and Outputs
The 0202 Daughter Card provides two balanced,
analog inputs and two balanced, line level analog
outputs. The inputs can be connected to any line level
Left / Right
Line Inputs
stereo signal from keyboards, CD-players, cassette
decks, etc. The analog inputs are assigned to a mixer
strip in the mixer application.
The outputs can feed any line level input such as a
Left / Right
Line Outputs
mixing board, the auxiliary input on your stereo or a
set of powered speakers. The line outputs are not
designed to drive headphones directly. Connect the
line outputs to a stereo receiver or mixer with a
headphone jack to obtain the proper current drive.
MIDI
In/Out
Either TRS (tip-ring-sleeve) balanced or TS unbalanced
cables can be used. Balanced cables provide better
noise immunity and +6dB higher signal level. The
output line level can be set to accommodate the
consumer -10dBV standard, or the pro audio +4 dBu
standard in the I/O screen of the Session Settings
dialog box. See I/O Settings.
MIDI In/Out
The MIDI input and output port can be assigned in your specific MIDI application.
Connect the MIDI adapter cable that came with your 0202 Daughter card to the miniDIN connectors on the card. The adapter cables convert the mini-DIN to standard DIN
connectors used on most keyboards and synthesizers. Connect MIDI Out to the MIDI In
port of your synthesizer and MIDI Out of your synth to MIDI In of the 0202 Daughter
Card.
18 Creative Professional
The MicroDock
The MicroDock connects to the E-MU 1010 PCI card via the EDI cable.
The MicroDock provides (4) balanced analog inputs, (2) microphone preamp inputs,
(6) balanced line-level analog outputs, (3) stereo 1/8” outputs for connecting powered
computer speakers, (2) MIDI inputs, (2) MIDI outputs, a stereo headphone output, and
a RIAA equalized turntable preamp section which is “normalled” into line input 2L and
2R, 8 channels of ADAT digital input/output, and stereo S/PDIF digital input/output.
3 - PCI Card & Interfaces
The MicroDock
f The MicroDock is
completely “hot
pluggable”— It’s OK to
plug or unplug the
MicroDock while the
computer is turned on.
Out
Line
A
In
Mic
Clip
SL
-15
Line -
0
Mic -
1L
1R
1L
1R
Line
B
-3
-6
-12
-20
+50
+65
2L
2L
Mic
Clip
-3
-6
SL
-12
-20
-15
0
Phono
2R
2R
2L
3L
48V
+50
+65
2R
Gnd
3R
S/PDIF
In
MIDI Cable
Out
2
1
The inputs are configured as follows:
(2) mono microphone/line inputs (2 inputs)
(2) stereo pairs of line level inputs (4 inputs)
(1) stereo pair of S/PDIF/AES digital inputs (2 inputs)
(4) stereo pairs of ADAT channels on the ADAT optical input (8 inputs)
Out
It’s a good idea to
mute MicroDock inputs 2
in the PatchMix DSP
Off
mixer when nothing is
plugged in, since the
turntable preamp has a
very high gain (60dB)
and could contribute
48
VDC
+
-
3
EDI
extra noise to your mix/
monitor bus.
(1) RIAA equalized turntable preamp input allows you to connect a turntable without using
an expensive external preamp.
Note: These inputs are automatically disconnected
when plugs are inserted into inputs 2L & 2R.
(2) MIDI input ports using the supplied breakout cable
The outputs are configured as:
(3) stereo pairs of line level outputs
(1) stereo pair driving a stereo headphone jack
(1) stereo pair of S/PDIF/AES digital outputs
(4) stereo pairs of ADAT channels on the ADAT optical output
(3) stereo 1/8” computer speaker outputs. These outputs carry the same signals as the 3
stereo line level outputs and are provided as a convenience for connecting computer or
powered speaker systems.
(2) MIDI output ports using the supplied breakout cable
E-MU PCI Digital Audio Systems 19
(Share the same routing as Line Outs 1L/1R)
3 - PCI Card & Interfaces
The MicroDock
Front Panel Connections
Preamp Section
The front panel mono Mic/Line inputs A & B can be used as balanced microphone
inputs, hi-Z guitar pickup inputs, or line level inputs. The Neutrik combination jack
accepts microphones using a standard XLR connector or line level/hi-Z inputs (such as
an electric guitar) using a standard 1/4 inch TRS/TS connector.
Each preamp has a level control which sets the preamp gain from 0dB to +65dB for the
XLR input and from -15dB to +50dB for the Hi-Z line input. The line markings around
the knobs are calibrated in 10dB increments. The heavy hash marks on the gain controls
indicate unity analog gain to the converter inputs (~5dBV input = 0dBFS output).
A phantom power switch enables +48 volt phantom power supplied to both microphones. A red LED illuminates to indicate phantom power is enabled. The audio mutes
for a second when phantom power is turned on. After turning phantom power off, wait
two full minutes before recording to allow the DC bias to drain. See Phantom Power for
additional information.
Each microphone input has its own input level meters and clipping indicators. The LED
meters indicate signal presence. Adjust the input gain so that the yellow LEDs are illuminated. The red Clip LED indicates that the gain is set too high and the signal is clipping
the input. These LEDs monitor the signal directly at the analog-to-digital converters and
before any processing by the rest of the system. When setting the levels for signals being
sent into the MicroDock, the red clip indicator should never flash.
Phantom Power
Caution: Some
microphones (notably
ribbon types) cannot
tolerate phantom power
and may be damaged.
Check the specifications
and requirements of your
microphone before using
phantom power.
S/PDIF Digital Audio Input & Output
RCA phono jacks are standard connectors used for coaxial S/PDIF (Sony/Philips Digital
InterFace) connections. Each jack carries two channels of digital audio. The MicroDock
sends or receives digital audio data at 44.1k, 48k, 88.2k, 96k, 176.4k or 192k sample
rates. Data is always transmitted at 24-bits, but lower word widths can be read. The word
clock contained in the input data stream can be used as a word clock source. See System
Settings.
S/PDIF digital I/O can be used for the reception and/ or transmission of digital data
from external digital devices such as a DAT, external analog-to-digital converter or an
external signal processor equipped with digital inputs and outputs.
The S/PDIF out can be configured in either Professional or Consumer mode in the
Session Settings menu. The MicroDock can also send and receive AES/EBU digital audio
through the use of a cable adapter. See Cables - balanced or unbalanced? for details.
20 Creative Professional
ADAT Optical Digital Input & Output
The ADAT optical connectors transmit and receive 8 channels of 24-bit audio using the
ADAT type 1 & 2 formats. The word clock contained in the input data stream can be
used as a word clock source. See System Settings. Optical connections have certain
advantages such as immunity to electrical interference and ground loops. Make sure to
use high quality glass fiber light pipes for connections longer than 1.5 meters.
At the 88.2k, 96k, 176.4k or 192k sample rates, the industry standard S/MUX interleaving scheme is used for ADAT input and output. S/MUX uses additional ADAT
channels to gain additional bandwidth on the existing interface. See the chart below or
go here for additional information.
Sample Rate Number of Audio Channels
44kHz/48kHz 8 channels of 24-bit audio
88kHz or 96kHz 4 channels of 24-bit audio, using S/MUX standard interleaving
176kHz or 192kHz 2 channels of 24-bit audio, using S/MUX standard interleaving
The ADAT inputs and outputs can be configured in the System Settings (page 31) to
send and receive S./PDIF optical data at 44.1k, 48k, 88.2k, or 96k sample rates.
S/PDIF Optical is not supported at 176.4k or 196k.
3 - PCI Card & Interfaces
The MicroDock
Important: When
using any type of digital
I/O such as S/PDIF or
ADAT, you MUST sample
sync the two devices or
clicks and pops in the
audio will result.
Headphone Output & Volume Control
The headphone output drives standard stereo headphones and the adjacent volume
control sets the listening level. The headphone amplifier can drive headphones with
impedance as low as 24 ohms. The headphone output uses a high-current version of the
high-quality output amplifiers used on the other channels. For this reason it has a very
clean signal that can be used as another stereo output if you need it.
E Note: PatchMix DSP
does not support AC3
passthrough at this time.
E-MU PCI Digital Audio Systems 21
3 - PCI Card & Interfaces
The MicroDock
Front Panel
Analog Connections
Use the 3-pin XLR jack
for Low Impedance
microphones.
Mic
Line
Line -
Mic -
Mic
Clip
-3
-6
SL
-12
-20
-15
0
A
Use the center
Phone Jack for
High Impedance
Instrument
instruments such
as electric guitar
or bass.
Digital Connections
ADAT
(Optical)
In
Out
Line
B
+50
+65
Mic
Clip
-3
-6
SL
-12
-20
-15
0
+50
+65
48V
S/PDIF
Out
In
Off
On/Off
& Phone Volume
Stereo
Headphones
External A/D - D/A Converter
Out
Optical
1 2 3 4 5 6 7 8
In
(8 more analog inputs & outputs)
DAT or CD
Digital Audio Device with S/PDIF
Out
In
MIDI Keyboard
REAL TIME CONTROLLERS
ASSIGNABLE KEYS
SEQUENCER
Audio Outs
PRESET
SAMPLE
LEVEL
EXIT
ENTER
PAGE
PRESET SELECT
RETURN
EMULATOR
0.987654321
S/PDIF
(Coax)
In
MIDI 1
In
Out
Coaxial
MIDI Out
MIDI In
Out
INC/YES
DEC/NO
ENTER
ESCAPE
Audio Outs
TRIGGERS
ABC
DEF
123
JKL
MNO
GHI
456
TUV
WXY
PRS
789
QZ
0
MIDI
MIDI Sound Module
In
MIDI 2
Out
MIDI In
I
O
VOLUME
22 Creative Professional
MASTER/GLOBAL
TRANSPOSE DIGITAL PROCESSINGSAMPLE MANAGEMENT
MULTIMODE
PRESET MANAGEMENT DYNAMIC PROCESINGPRESET DEFINITION
SAMPLE
PRESET
DRIVE SELECT LOAD SAVE AUDITION TRIGGER MODE
Rear Panel Connections
3 - PCI Card & Interfaces
The MicroDock
4 Balanced Line Level Inputs
(configured as 2 stereo pairs)
1L
1R
In
Out
1L
1R
(configured as 3 stereo pairs)
Turntable Inputs
(tied to line input 2)
Phono
2L
2R
2L
2L
2R
2R
3R
3L
Turntable
Ground
Gnd
Out
2
1
Alternate Outputs6 Balanced Line Level Outputs
(same as outputs 1-3)
MIDI Cable
3
MIDI Port
Connector
48 Volt DC
Power Input
48
VDC
+
-
EDI
Connect to
E-MU 1010 PCI Card
Line Level Analog Inputs
4 balanced 24-bit, line-level, analog inputs are provided (1-2). These can be used to
input any line level signal from keyboards, CD-players, cassette decks, etc. The analog
inputs are assigned to mixer strips in the mixer application. The line level inputs can be
set to accommodate the consumer -10dBV standard, or the pro audio +4 dBu standard
in the I/O screen of the Session Settings dialog box. See I/O Settings.
The maximum input level is 18dBV (=20.2dBu).
Either TRS balanced or TS unbalanced cables can be used. See page 96 for additional
information about unbalanced cables and connectors. The line-level inputs are all
servo-balanced, enabling them to convert unbalanced signals to balanced signals
internally to reduce noise.
Turntable Inputs & Ground Lug
The RCA turntable inputs feed an RIAA equalized preamp designed for moving magnet
type phono cartridges with 60 dB of gain. Connect the ground lead from your turntable
to the ground lug to prevent hum.
The turntable inputs share line level inputs 2L and 2R. Inserting a plug into Line Input 2
disconnects the turntable preamp from that channel. Do NOT leave your turntable
connected when using inputs 2L and 2R, since this can cause a ground loop.
Important: Do NOT plug in line level signals to the turntable inputs. The turntable
inputs are designed to accept the extremely low-level signal from a phonograph
cartridge. Use RCA to 1/4” adapters to connect line level signals to the line level analog
inputs.
Line Level Analog Outputs
Six balanced 24-bit, line-level, analog outputs are provided (1-3). Output pair 1 is designated as the Monitor Output and is fed by the monitor bus of the PatchMix DSP mixer
application. We suggest that you plug your speakers in here. Special anti-pop circuitry
mutes the analog outputs when power is turned on or off.
Like the analog line inputs, either TRS balanced or TS unbalanced cables can be used.
Balanced cables provide better noise immunity and +6dB higher signal level. The output
line level can be set to accommodate the consumer -10dBV standard, or the pro audio
+4 dBu standard in the I/O screen of the Session Settings dialog box. See I/O Settings.
The maximum input and output line levels are matched when the input and output
settings are set to the same mode (pro or consumer) in the I/O preferences screen.
It’s also a good idea
to mute the Dock In strip
2L/2R in the PatchMix
DSP mixer when nothing
is plugged in, since the
turntable preamp has a
very high gain (60dB)
and could contribute
extra noise to your mix/
monitor bus.
Balanced Cables:
You should ONLY use
balanced (TRS) cables if
BOTH pieces of
equipment use balanced
connections. Connecting
balanced cables between
balanced outputs and
unbalanced inputs can
actually increase noise
and introduce hum.
E-MU PCI Digital Audio Systems 23
3 - PCI Card & Interfaces
table
The MicroDock
Computer Speaker Analog Outputs
These stereo mini-phone (3.5mm) jacks duplicate line level outputs 1-3 with a lower
output level to accommodate consumer speakers. These line level outputs are designed
to interface easily with powered speakers.
Computer Speaker Output Duplicates Line Level Output
1 L/R Tip = 1L Ring = 1R
2 L/R Tip = 2L Ring = 2R
3 L/R Tip = 3L Ring = 3R
MIDI 1 & 2 In/Outs
MIDI input and output ports allow you to interface any type of MIDI equipment such as
keyboards, effect units, drum or guitar controllers (anything with MIDI). The MIDI
drivers were installed when you installed your PatchMix DSP software and the MIDI
ports will appear in your system control panel under “Sounds and Audio Devices”.
There are two completely independent sets of MIDI input and output ports on the
MicroDock, which can be assigned in your specific MIDI applications.
Connect the MIDI breakout cable to the D-connector on the MicroDock. Connect MIDI
Out to the MIDI In port of your synthesizer and MIDI Out of your synth to MIDI In of
the MicroDock MIDI cable.
EDI Connector (Card)
Connects the MicroDock to the E-MU 1010 PCI card using a CAT5-type computer cable.
The cable supplied with the MicroDock is specially shielded to prevent unwanted RF
emissions.
Basic
Connections
Audio
from
Synthesizer
In
Out
Audio
to
Monitors
MIDI Synthesizer
1L
1R
1L
1R
Mixer
Speakers
**
2R
2L
2L
2R
&
MIDI In
Out
MIDI 1
MIDI Out
Phono
2L
2R
3R
3L
Gnd
MIDI Cable
Out
2
1
In
48
VDC
+
3
EDI
Connect
Desktop
Speakers to
1/8" jacks
e
r
o
e
t
S
Turn
-
AC Adapter
1010 PCI
Card
Powered
Desktop
Speakers
* Note: Line Inputs 2L/2R and Phono 2L/2R cannot be used at the same time.
24 Creative Professional
5.1 Surround Speaker Connections
3 - PCI Card & Interfaces
The MicroDock
Center
Left
Front
Phono
2L
2R
1L
In
Out
1L
2L
1R
1R
2L
2R
2R
3R
3L
Gnd
MIDI Cable
Out
2
1
3
Left
Rear
Front Rear Ctr/Sub
Sub-Woofer
(with built-in power amps)
The 1/8” stereo jacks make it easy to connect to powered surround sound speakers. Only
three stereo cables are necessary with many speaker systems (see above). The 1/8” jacks
duplicate the 1/4” outputs.
48
VDC
+
-
EDI
Right
Front
Right
Rear
You can connect the 1/8” stereo jacks to your surround speakers and connect the 1/4”
outputs to your other gear for music creation. When you want to monitor in surround,
simply open the 5.1 Session and turn on your surround speakers.
The chart below shows how to connect the outputs for 5.1 surround sound playback.
Multichannel WAVE to Surround Sound Speaker Channels
(using the factory 5.1 DVD Playback Session)
WAVE Strip Surround Channels 1/4” Outputs 1/8” Outputs
E-DSP WAVE 1/2 Front Left / Front Right 1L = FL 1R = FR 1 (Tip = FL Ring = FR)
E-DSP WAVE 3/4 Center / Subwoofer 3L = C 3R = Sub 3 (Tip = C Ring = Sub)
E-DSP WAVE 5/6 Rear Left / Rear Right 2L = RL 2R = RR 2 (Tip = RL Ring = RR)
E-DSP WAVE 7/8 Side Left / Side Right N/A N/A
E-MU PCI Digital Audio Systems 25
3 - PCI Card & Interfaces
The MicroDock
26 Creative Professional
4 - The PatchMix DSP Mixer
PatchMix DSP
The PatchMix DSP Mixer is a virtual console which performs all of the functions of a
typical hardware mixer and a multi-point patch bay. With PatchMix, you may not even
need a hardware mixer. PatchMix DSP performs many audio operations such as ASIO/
WAVE routing, volume control, stereo panning, equalization, effect processing, effect
send/return routing, main mix and monitor control and allows you to store and recall
these “Sessions” at will.
To Invoke the PatchMix DSP Mixer
1.
Left-click once on the E-MU icon on the Windows System Tray. The PatchMix
DSP mixer window appears.
Overview of the Mixer
Add New
Strip
Physical Input Strips
ASIO Input Strip
Toolbar
4 - The PatchMix DSP Mixer
PatchMix DSP
f Click on the buttons
and knobs in the mixer
screen below to jump to
the description of the
control.
Display
Select
Buttons
Delete
Strip
Channel
Insert
Section
Pan
Controls
Aux
Sends
Volume
Fader
Solo/Mute
Buttons
“TV”
Screen
Aux
Effects
Section
Sync/
Sample
Rate
Indicators
Monitor
User
Definable
Scribble Strip
E-MU PCI Digital Audio Systems 27
Controls Windows Source Audio
(Direct Sound, Windows Media, etc.)
WAVE Strip
Main
Inserts
Current
Session
Name
Main Mix
Output Volume
& Meters
Volume/Balance
/Mute Controls
4 - The PatchMix DSP Mixer
Overview of the Mixer
Mixer Window
The Mixer consists of four main sections.
Application Toolbar Lets you manage sessions and show/hide the various views.
Main Section Controls all the main levels, aux buses, and their inserts. This section
also has a “TV” which shows parameters for the currently selected
effect and the input/output patching. It also shows the session’s
current sample rate and whether it’s set to internal or external clock.
Mixer Strips This section is located to the left of the Main Section and shows all
the currently instantiated mixer strips. Mixer strips can represent
Physical analog/digital inputs, or Host inputs such as ASIO or
Direct Sound. Mixer strips can be added or deleted as necessary.
This section can be resized by dragging the left edge of the frame.
Effects Palette This popup window is invoked by pressing the FX button in the
toolbar. Iconic representations of all effects presets are shown here,
organized by category. From this window, you can drag and drop
effect presets into the insert slots available on the mixer strips and
main section aux buses and main inserts.
A simplified diagram of the mixer is shown below.
Input
Post-Fader Strip
Insert
Section
Panning
Input
Pre-Fader Strip
Insert
Section
Fader
MUTE
Aux 1
Aux
Bus 1
Aux 1
Send
Amount
Aux
Effects
Insert
Section
Aux 2
Aux
Bus 2
Aux 2
Send
Amount
Insert
Section
Fader
MUTE
Main Bus
Return
Amount
Return
Amount
Mixer Block Diagram
Meter
Main Bus
Effects
Insert
Section
Main
Level
Monitor
Out
MUTE
Monitor
Level
Main
Out
Output 1L/1R
& Headphones
Pre Fader or Post Fader
When creating a new Mixer Strip, you have the option for the Aux Sends to be placed
Post Fader (both Aux Sends come after the channel fader) or Pre Fader (both Aux Sends
come before the channel fader). The Pre-fader option allows you to use either Aux Send
as another mix bus, which is unaffected by the channel fader. More Information.
28 Creative Professional
E-MU Icon in the Windows Taskbar
Right-clicking on the E-MU icon in the Windows taskbar calls the following window.
Right-Click Here
Opens the PatchMix DSP Mixer.
Calls the PatchMix DSP help system.
Disables the splash screen that appears at
boot-up.
When unchecked, FX are not loaded until
needed, resulting in faster computer boot.
Restores the default PatchMix DSP and
driver settings.
Closes the PatchMix DSP background
program, disabling use of all audio I/O
from the E-MU hardware. Open the PatchMix DSP application to start audio again.
4 - The PatchMix DSP Mixer
E-MU Icon in the Windows Taskbar
f Restore Defaults:
Always try this option first
if PatchMix is crashing or if
you are having any other
strange audio problems.
The Toolbar
New
Session
Open
Session
New Session
Open Session Calls up the standard “Open” dialog box, allowing you to open a
Save Session Calls up the standard “Save” or “Save As…” dialog boxes, allowing
Show/Hide Effects Toggle button that shows or hides the FX palette.
Session Settings Calls up the Sessions Settings window. Session Settings.
Save
Session
“About”
PatchMix DSP
Show/Hide
Effects
Session
Settings
Global
Prefs
Calls up the “New Session” dialog box. New Session.
saved Session.
you to save the current Session.
f Click the buttons in
the toolbar to learn about
their function.
Global Preferences Calls up the Global Preferences window.
About PatchMix DSP Right-Click on the E-MU logo to view the “About PatchMix DSP”
screen, which provides the software and firmware version
numbers and other information.
E-MU PCI Digital Audio System 29
4 - The PatchMix DSP Mixer
The Session
The Session
The current state of the PatchMix DSP mixer (fader settings, effects routings…everything!) can be saved as a Session. Whenever you create or modify a mixer setup, all you
have to do is Save it to be able to recall it at a later time.
Before you begin using PatchMix DSP, you need to set it up to be compatible with the
other software applications you may be running. The most important consideration is
your system sample rate. PatchMix DSP and any applications or other digital gear you
are using must be set to the same sample rate. PatchMix DSP can run at 44.1kHz,
48kHz, 88kHz, 96kHz, 176.4 kHz or 192kHz, but its complete set of features are only
available at 44.1kHz or 48kHz. See Chapter 6 - Using High Sample Rates for details.
Once the sample rate is set, you can only easily switch between 44.1k and 48k. You
cannot switch between 44/48k and 88k/96k/176k/192k. With a change to these high
sample rates, you must start a new session.
You can also set up an external sync source, thereby obtaining the sample rate from
some other device or application. External sync can be obtained from the ADAT input or
S/PDIF input. If the session is set at 44.1kHz or 48kHz and the external source is
coming in at a higher rate (such as 96k), the Sync Indicator will be extinguished (off),
but PatchMix will attempt to receive the external data. The two units are NOT sample
locked however, and you should correct this condition to avoid intermittent clicks in the
audio. Always check for the presence of the LOCKED indicator whenever you are
using a digital interface.
PatchMix DSP comes with several session templates to choose from so when you create
a new session you can either create a “blank” session based around a designated sample
rate, or select from a list of template starting points.
In a PatchMix DSP session the number of strips in the mixer is dynamically configurable. This allows you to create only those strips you need up to a maximum number
determined by available DSP resources and available inputs.
Important: When
using any form of digital
input, you MUST
synchronize the Digital
Audio System to the
external digital device
(S/PDIF/ADAT).
New Session
You create a new session by clicking the “New Session” button in the PatchMix DSP
main Toolbar. The following dialog box appears.
Select a Template or new
Session at the desired
sample rate
Session Description
Add your own comment
or note about the Session
Check this if you want to
edit the New Session.
30 Creative Professional
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