E-MU 1616 v2 PCI, 1212M v2 PCI Owner`s manual

Owner’s Manual

E-MU 1616/1616m/1212m PCI Digital Audio System

Owner’s Manual

© 2006 E-MU Systems

All Rights Reserved

Software Version: 1.82

E-MU World Headquarters

E-MU Systems

1500 Green Hills Road

Scotts Valley, CA 95066

USA

Asia Pacific, Africa, Middle East

Creative Technology Ltd

31 International Business Park

Creative Resource. Singapore 609921

SINGAPORE

Europe

Creative Labs

Ballycoolin Business Park

Blanchardstown

Dublin 15

IRELAND

E-MU Japan

Creative Media K K

Kanda Eight Bldg., 3F

4-6-7 Soto-Kanda

Chiyoda-ku, Tokyo 101-0021

JAPAN

2	Creative Professional

Table of Contents

1- Introduction .................................................................	7
Welcome!..............................................................................................................................	7
All Systems Include: .........................................................................................................	9
E-MU 1212M System .......................................................................................................	9
E-MU 1616 System ..........................................................................................................	9
E-MU 1616M System .......................................................................................................	9
PatchMIx DSP .................................................................................................................	10
Notes, Tips and Warnings ..........................................................................................	10
2 - Installation ................................................................	11
Setting Up the Digital Audio System ................................................................................	11
Notes for Installation .................................................................................................	11
Safety First! .................................................................................................................	12
Connector Types ............................................................................................................	12
Installing the E-MU 1010 PCI Card ..................................................................................	13
Install the Sync Daughter Card or 0202 Daughter Card..................................................	14
WARNING : E-MU 0202 & MicroDock ....................................................................	14
Connecting the MicroDock ...............................................................................................	15
Software Installation ..........................................................................................................	16
Installing the E-MU 1010 Drivers .............................................................................	16
Windows XP ...............................................................................................................	16
Uninstalling all Audio Drivers and Applications .....................................................	16
Note About Windows Logo Testing ..........................................................................	16
3 - PCI Card & Interfaces .................................................	17
The E-MU 1010 PCI Card..................................................................................................	17
Important ....................................................................................................................	17
Connections ...................................................................................................................	17
EDI Connector ............................................................................................................	17
S/PDIF Digital Audio Input & Output ......................................................................	17
ADAT Optical Digital Input & Output ......................................................................	17
The 0202 Daughter Card ...................................................................................................	18
Connections ...................................................................................................................	18
Analog Inputs and Outputs .......................................................................................	18
MIDI In/Out ...............................................................................................................	18

E-MU PCI Digital Audio Systems

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The MicroDock...................................................................................................................	19
Front Panel Connections ...............................................................................................	20
Preamp Section ...........................................................................................................	20
S/PDIF Digital Audio Input & Output ......................................................................	20
ADAT Optical Digital Input & Output ......................................................................	21
Headphone Output & Volume Control ....................................................................	21
Rear Panel Connections .................................................................................................	23
Line Level Analog Inputs ...........................................................................................	23
Turntable Inputs & Ground Lug ................................................................................	23
Line Level Analog Outputs ........................................................................................	23
Computer Speaker Analog Outputs ..........................................................................	24
MIDI 1 & 2 In/Outs ....................................................................................................	24
EDI Connector (Card) ...............................................................................................	24
4 - The PatchMix DSP Mixer .............................................	27
PatchMix DSP.....................................................................................................................	27
Overview of the Mixer........................................................................................................	27
Mixer Window ................................................................................................................	28
Mixer Block Diagram .....................................................................................................	28
Pre Fader or Post Fader ..............................................................................................	28
E-MU Icon in the Windows Taskbar .................................................................................	29
The Toolbar ........................................................................................................................	29
The Session .........................................................................................................................	30
New Session ....................................................................................................................	30
Open Session ..................................................................................................................	31
Save Session ....................................................................................................................	31
Session Settings ..............................................................................................................	31
System Settings ...........................................................................................................	31
Using External Clock ..................................................................................................	32
I/O Settings .................................................................................................................	32
Input Mixer Strips...............................................................................................................	34
Input Type ...................................................................................................................	34
Mixer Strip Creation...........................................................................................................	35
Multichannel WAVE Files ..............................................................................................	36
Windows Media Player/DVD/Surround Sound Playback .......................................	36
Insert Section ..................................................................................................................	37
Working with Inserts ..................................................................................................	37
The Insert Menu .........................................................................................................	38
ASIO Direct Monitor Send/Return ............................................................................	39
Meter Inserts ...............................................................................................................	40
To Set the Input Levels of a Strip ...................................................................................	41
Making the Best Possible Recording .........................................................................	41
Trim Pot Insert ............................................................................................................	42
Test Tone/Signal Generator Insert .............................................................................	43
Managing Your Inserts ...................................................................................................	44
Aux Section .....................................................................................................................	45
Sidechain Diagram .....................................................................................................	45
Pre or Post Fader Aux Sends ......................................................................................	46
Level, Pan, Solo & Mute Controls .................................................................................	47
Main Section.......................................................................................................................	48
TV Screen & Selectors .....................................................................................................	49
Effect ...........................................................................................................................	49
Input ...........................................................................................................................	50
Output ........................................................................................................................	50

4	Creative Professional

Auxiliary Effects & Returns ............................................................................................	51
Sidechain Diagram .....................................................................................................	51
Sync/Sample Rate Indicators .........................................................................................	51
Output Section ...............................................................................................................	52
Main Inserts ................................................................................................................	52
Main Output Fader .....................................................................................................	52
Output Level Meters ...................................................................................................	52
Monitor Output Level ................................................................................................	52
Monitor Balance Control ...........................................................................................	52
Monitor Output Mute ................................................................................................	52
5 - Effects .......................................................................	53
Overview.............................................................................................................................	53
The Effects Palette...............................................................................................................	53
FX Insert Chains .............................................................................................................	54
Creating, Renaming & Deleting Categories or Presets .............................................	55
Importing and Exporting Core FX Presets and FX Insert Chains .............................	56
FX Edit Screen.....................................................................................................................	57
User Preset Section .........................................................................................................	58
Core Effects and Effects Presets .....................................................................................	59
List of Core Effects..............................................................................................................	60
DSP Resource Usage .......................................................................................................	60
Core Effects Descriptions...................................................................................................	61
1-Band Para EQ ..............................................................................................................	61
1-Band Shelf EQ .............................................................................................................	61
3-Band EQ ......................................................................................................................	62
4-Band EQ ......................................................................................................................	63
Auto-Wah ........................................................................................................................	64
Chorus ............................................................................................................................	65
Compressor ....................................................................................................................	65
Basic Controls .............................................................................................................	66
Distortion .......................................................................................................................	67
Flanger ............................................................................................................................	68
Freq Shifter .....................................................................................................................	69
Leveling Amp ..................................................................................................................	70
Lite Reverb ......................................................................................................................	71
Mono Delays - 100, 250, 500, 750, 1500, 3000 ..........................................................	72
Phase Shifter ...................................................................................................................	73
Rotary ..............................................................................................................................	73
Speaker Simulator ..........................................................................................................	74
Stereo Delays - 100, 250, 500, 750, 1500 ....................................................................	75
Vocal Morpher ................................................................................................................	77
E-MU PowerFX ...................................................................................................................	78
Automating E-MU PowerFX ..........................................................................................	80
E-MU PowerFX Resource Availability ...........................................................................	80
Rendering Audio with E-MU PowerFX .............................................................................	82
General Tips for Rendering using PowerFX ..............................................................	82
Tips for using Freeze Mode on Cubase LE ................................................................	82
Using E-MU PowerFX with WaveLab and SoundForge ...............................................	82
E-MU VST E-Wire ...............................................................................................................	83
E-Delay Compensator ....................................................................................................	84
E-Delay Compensator Use .........................................................................................	85
E-Delay Units Parameter ............................................................................................	85
Grouping Tracks .........................................................................................................	86

E-MU PCI Digital Audio Systems

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6 - Appendix ...................................................................	87
Using High Sample Rates ..................................................................................................	87
Overview .........................................................................................................................	87
WDM Recording and Playback Behavior ......................................................................	89
Sync Daughter Card Supplement ......................................................................................	90
SMPTE Conversion ........................................................................................................	90
SMPTE Features ..........................................................................................................	90
SMPTE Options ..............................................................................................................	90
SMPTE Modes of Operation ..........................................................................................	91
Host Mode ..................................................................................................................	91
External Mode ............................................................................................................	91
Flywheel Mode ...........................................................................................................	91
Flywheel Modes ..........................................................................................................	91
Stripe Mode ................................................................................................................	92
Example SMPTE Connection .........................................................................................	92
MIDI Time Code (MTC) ....................................................................................................	93
Word Clock In/Out ............................................................................................................	93
Getting in Sync ...................................................................................................................	95
Useful Information ............................................................................................................	96
Cables - balanced or unbalanced? ................................................................................	96
Balanced Cables .........................................................................................................	96
Unbalanced Cables ....................................................................................................	96
Adapter Cables ...............................................................................................................	97
1/8” Mini-phone to 1/4” Adapters ............................................................................	97
Cinch (RCA) to 1/4” Adapters ...................................................................................	97
Digital Cables .................................................................................................................	97
AES/EBU to S/PDIF Cable Adapter ...............................................................................	97
Grounding ......................................................................................................................	98
Phantom Power ..............................................................................................................	98
Appearance Settings in Windows ..................................................................................	98
Technical Specifications.....................................................................................................	99
Internet References...........................................................................................................	107
Forums ......................................................................................................................	107
Index ............................................................................	111

6	Creative Professional

1- Introduction

Welcome!

1- Introduction

Welcome!

Thank you for purchasing the E-MU 1616 PCI, E-MU 1616M PCI, or 1212M PCI Digital Audio System. Your computer is about to be transformed into a powerful audio processing workstation. We’ve designed this E-MU digital audio system to be logical, intuitive and above all, to provide you with pristine sound quality. These systems offer unprecedented quality and value by providing studio-class, 24-bit/192kHz multichannel recording and playback to any PCI card bus equipped PC.

1616 PCI System Components

E-MU 1616 PCI

•E-MU 1010 PCI Card

•MicroDock

•EDI (E-MU Digital Interface Cable)

•+48VDC AC Adapter

•MIDI Breakout Cable

•Digital Audio System Software/Driver Installation CD-ROM

•Production Tools Software Bundle CD-ROM

•Quick Start Guide

Inputs & Outputs

(8) Channel ADAT Digital Optical Input

(8) Channel ADAT Digital Optical Output

(2)Channel S/PDIF Digital Input

(2)Channel S/PDIF Digital Output

(2)MIDI Inputs & Outputs (allows 32 MIDI channels)

(4)24-bit Balanced Line Inputs

(6)24-bit Balanced Line Outputs

(2)Microphone/Line Preamp Inputs (with +48V phantom power)

(2)Turntable Preamp Inputs (with RIAA equalized preamplifier)

(1)Stereo Headphone Output (with volume control)

(3)Stereo Computer Speaker Outputs (with 1/8” jacks to connect powered speakers)

E-MU PCI Digital Audio Systems

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1- Introduction

Welcome!

1616M PCI System Components

E-MU 1616M PCI

•E-MU 1010 PCI Card

•MicroDockM

•Sync Card

•EDI (E-MU Digital Interface Cable)

•+48VDC AC Adapter

•MIDI Breakout Cable

•Digital Audio System Software/Driver Installation CD-ROM

•Production Tools Software Bundle CD-ROM

•Quick Start Guide

Inputs & Outputs

(8) Channel ADAT Digital Optical Input

(8) Channel ADAT Digital Optical Output

(2)Channel S/PDIF Digital Input

(2)Channel S/PDIF Digital Output

(2)MIDI Inputs & Outputs (allows 32 MIDI channels)

(4)24-bit Balanced Line Inputs

(6)24-bit Balanced Line Outputs

(2)Microphone/Line Preamp Inputs (with +48V phantom power)

(2)Turntable Preamp Inputs (with RIAA equalized preamplifier)

(1)Stereo Headphone Output (with volume control)

(3)Stereo Computer Speaker Outputs (with 1/8” jacks to connect powered speakers)

(1)Word Clock In & Out

(1)SMPTE (LTC) In & Out

1212M PCI System Components

E-MU 1212M

•E-MU 1010 PCI Card

•E-MU 0202 I/O Daughter Card

•0202 I/O Card Cable

•(2) MIDI Adapter Cables

•Digital Audio System Software/Driver Installation CD-ROM

•Production Tools Software Bundle CD-ROM

•Quick Start Guide

Inputs & Outputs

(8) Channel ADAT Digital Optical Input

(8) Channel ADAT Digital Optical Output

(2) Channel S/PDIF Digital Input

(2) Channel S/PDIF Digital Output

(1)MIDI Input & Output (allows 16 MIDI channels)

(2)24-bit Balanced Line Inputs

(2) 24-bit Balanced Line Outputs

8	Creative Professional

All Systems Include:

The E-MU 1010 PCI Card is the heart of all three systems. Its powerful hardware DSP processor allows you to use over 16 simultaneous hardware-based effects, which place minimal load on your computer’s CPU. The E-MU 1010 PCI Card also provides eightchannels of ADAT® optical digital input and output, as well as a S/PDIF stereo digital input and output.

The PatchMix DSP mixer application is included in all the systems. PatchMix DSP delivers unmatched flexibility in routing your audio between physical inputs and outputs, virtual (ASIO/WAVE) inputs and outputs and internal hardware effects and buses—no external mixer needed. You can add digital effects, EQs, meters, level controls and ASIO/WAVE sends anywhere you like in the signal chain.

Because the effects and mixing are hardware-based, there is no latency when you record. You can even record a dry signal while monitoring yourself with effects! Mixer setups can be saved and instantly recalled for specific purposes such as recording, mixdown, jamming, special effect setups, playing games, watching DVDs, or general computer use.

E-MU 1212M System

The E-MU 1212M includes the 0202 Daughter Card, which provides 2 line level, balanced analog inputs, 2 line level, balanced analog outputs, plus MIDI input and output. This is no-compromise audio interface, using ultra-high performance 24-bit/192kHz A/D - D/A converters to deliver an unbelievable 120dB dynamic range.

E-MU 1616 System

The E-MU 1616 includes the MicroDock, which is a half rack-space, audio interface. The MicroDock adds the following input and output capabilities to the system: two mic/line inputs with custom low-noise preamps, 4 balanced line level analog inputs, an RIAA stereo turntable preamp, 6 balanced line level outputs, an assignable headphone output, two sets of MIDI I/O ports, an additional S/PDIF optical output, and four stereo mini phone jacks for easy connection to powered speaker systems. Of course, profes- sional-quality, 24-bit A/D and D/A converters with automatic DC blocking are used throughout.

E-MU 1616M System

The E-MU 1616M system includes the MicroDockM, a no compromise, mastering-grade system, which includes all the features of the 1616 system. The 1616M system is distinguished by the addition of ultra-high performance 24-bit/192kHz A/D - D/A converters which deliver an incredible 120dB of dynamic range.

The Sync Daughter Card comes standard with the 1616M system and can be purchased as an optional upgrade for the 1616 MicroDock and 1212M systems. The Sync Card adds Word Clock in and out for sample-synchronizing outboard digital equipment and SMPTE longitudinal time code in/out for syncing other recording equipment. A separate MIDI Time Code output port on the Sync Card eliminates timing problems caused by combining MTC with MIDI performance data.

You’ll want to keep up with the latest software and options for your E-MU digital audio system. You can find all of this, plus other helpful information, at the E-MU Website: http://www.emu.com.

1- Introduction

Welcome!

E Note: The digital I/O on the 1010 PCI card are not used when you have the MicroDock.

E-MU PCI Digital Audio Systems

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1- Introduction

Welcome!

PatchMIx DSP

PatchMix DSP offers unmatched flexibility in routing your audio between physical inputs/outputs, virtual (ASIO/WAVE) inputs/outputs, internal hardware effects and buses. No external mixer is needed. You can add digital effects, EQs, meters, level controls and ASIO/WAVE sends anywhere you like in the signal chain.

Because the effects and mixing are hardware-based, you can record using effects with near zero-latency. You can even record a dry signal while monitoring yourself with effects! Mixer setups can be saved and instantly recalled for specific purposes such as recording, mixdown, jamming, special effect setups, playing games, watching DVDs, or general computer use.

You’ll want to keep up with the latest software and options for your E-MU digital audio system. You can find all of this, plus other helpful information, at the E-MU Website: http://www.emu.com.

Notes, Tips and Warnings

Items of special interest are presented in this document as notes, tips and warnings.

fNotes provide additional information related to the topic being discussed. Often, notes describe the interaction between the topic and some other aspect of the system.

E Tips describe applications for the topic under discussion.

Warnings are especially important, since they help you avoid activities that can cause damage to your files, your computer or yourself.

10	Creative Professional

2 - Installation

Setting Up the Digital Audio System

2 - Installation

Setting Up the Digital Audio System

There are six basic steps to installing your E-MU system:

1.Remove any other sound cards you have in your computer. (Once you are sure that the E-MU card works properly, your old sound card can be reinstalled if desired.)

2.Install the E-MU 1010 PCI card in your computer. Go there.

3.Install the 0202 Daughter Card or Sync Daughter Card (if applicable). Go there.

4.Connect the MicroDock (if applicable).

5.Install the PatchMix DSP software onto your computer.

6.Connect audio, MIDI and synchronization cables between the E-MU system and your other gear.

Notes for Installation

•IF AT ANY TIME DURING THIS INSTALLATION YOU SEE NO RESPONSE: Use the Alt-Tab feature to select other applications. One of them may be the Microsoft Digital Signature warning. It is possible for this warning to appear behind the installation screen.

•Make sure you have the latest Windows Service Packs from Microsoft (Windows XP - SP 1 or higher).

•Disable onboard sound and uninstall all other sound cards. (If you wish to try using multiple sound cards in your system, do so after you have confirmed that your E-MU Digital Audio System is operating normally.)

•InstallShield “IKernel Application Error” on Windows XP: When installing this software on Windows XP, you may be confronted with a “kernel error” at the very end of installation. This is an issue with the InstallShield program, which is what we use to install software on your computer. Please do not be alarmed by this, as the error is innocuous.

To read more about this error, and obtain instructions on how to avoid getting the message, please visit this website: http://support.installshield.com/kb/view.asp?articleid=q108020

•Multiple Digital Audio System sound cards are not supported.

E-MU PCI Digital Audio Systems

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2 - Installation

Setting Up the Digital Audio System

Please read the following sections as they apply to your system as you install the E-MU 1010, paying special attention to the various warnings they include.

Prior to installing the hardware, take a few moments to write down the 18-digit serial number, which is located on the back of the box and on the 1010 PCI Card. This number can help EMU Customer Service troubleshoot any problems you may encounter—by writing the number down now, you’ll avoid having to open your computer to find it later on.

Safety First!

•To avoid possible permanent damage to your hardware, make sure that all connections are made with the host computer’s power off. Unplug the computer’s power cable to make sure that the computer is not in sleep mode.

•Take care to avoid static damage to any components of your system. Internal computer surfaces, the E-MU 1010 PCI board and the interfaces are susceptible to electrostatic discharge, commonly known as “static.” Electrostatic discharge can damage or destroy electronic devices. Here are some procedures you can follow when handling electronic devices in order to minimize the possibility of causing electrostatic damage:

•Avoid any unnecessary movement, such as scuffing your feet when handling electronic devices, since most movement can generate additional charges of static electricity.

•Minimize the handling of the PCI card. Keep it in its static-free package until needed. Transport or store the board only in its protective package.

•When handling a PCI card, avoid touching its connector pins. Try to handle the board by its edges only.

•Before installing a PCI card into your computer, you should be grounded. Use a ground strap to discharge any static electric charge built up on your body. The ground strap attaches to your wrist and any unpainted metal surface within your computer. If you don’t have a ground strap, you can ground yourself by touching the metal case of another piece of grounded equipment.

•Before connecting a cable to your interface or between PCI cards, touch the connector sleeve of the cable to the sleeve of the jack to which you’ll be connecting the cable in order to discharge any static build-up.

Connector Types

These connector types are used to connect the E-MU 1010 hardware components. They will be referred to by the name shown in the first column of the following chart:

Name	Description	Connects
Card/External	CAT5 Connector	1010 PCI card and MicroDock
S/PDIF In	RCA Connector	S/PDIF digital audio devices
S/PDIF Out	RCA Connector	S/PDIF digital audio devices
ADAT Optical In	TOSLINK Optical Connector	ADAT digital audio devices (or S/PDIF)
ADAT Optical Out	TOSLINK Optical Connector	ADAT digital audio devices (or S/PDIF)

Warning: Please verify that all cables are connected only to the proper components before powering up your system.

As you install hardware components, observe the following general precautions to avoid damage to your equipment and yourself.

12	Creative Professional

2 - Installation

Installing the E-MU 1010 PCI Card

Installing the E-MU 1010 PCI Card

Note: This installation is very simple but if you are not familiar with the installation of computer peripherals and add-in boards, please contact your authorized E-MU Systems dealer or an approved computer service center to arrange for the installation.

To install the 1010 PCI card into your computer

1.Make sure that the power switch on your computer is off.

IMPORTANT: Unplug the power cord from the wall outlet!

2.Touch a metal plate on your computer to ground yourself and to discharge any static electricity.

3.Follow the computer manufacturer’s recommended procedure for opening the case.

4.Remove the metal brackets from two adjacent PCI slots. If you have the E-MU 1820 system (non-M) you only need to remove the bracket from a single PCI slot. Put the screw(s) aside for use later. See figure 1 below.

Figure 1			Figure 2
			PCI
			Slo
			ts
on(may	ISA
no
your	t	Slots
	c be
	omputer		t
		presen
		)

5.Align the E-MU 1010 PCI card with the slot and press gently but firmly down into the slot as shown in figure 2.

6.Do not force the E-MU 1010 card into the slot. Make sure that the gold finger connector of the card is aligned with the PCI bus connector on the motherboard before you insert the card into the PCI slot. If it doesn’t fit properly, gently remove it and try again.

7.Secure the card into the slot using one of the screws you placed aside earlier.

E Note: Some computer cases don’t use screws to secure PCI cards. In this case, follow the instructions that came with your computer.

E-MU PCI Digital Audio Systems

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2 - Installation

Install the Sync Daughter Card or 0202 Daughter Card

Install the Sync Daughter Card or 0202 Daughter Card

•E-MU 1616 - If you’re planning to use Word Clock. MIDI Time Code or SMPTE sync, unwrap the Sync Daughter Card and get ready to install it. If you don’t need these options or don’t have an empty PCI slot, you can skip these next few steps.

•E-MU 0202 - Unwrap the 0202 Daughter Card and get ready to install it.

1.Connect the ribbon cable provided with the kit between the E-MU 1010 card and the 0202 Daughter card or Sync Daughter Card as shown in figures 3 & 4. The cables are keyed so they cannot be incorrectly inserted. Seat the connectors firmly in the sockets and arrange the cables neatly.

2.Align the Sync Daughter Card or the 0202 Daughter Card with the slot and press gently but firmly down into the slot as shown in figure 2 on the preceding page.

3.Do not force the E-MU Card into the slot. Make sure that the tab at the rear of the card is aligned with the PCI bus connector on the motherboard before you insert the card into the PCI slot. If it doesn’t fit properly, gently remove it and try again.

4.Secure the card into the slot using one of the screws you placed aside earlier.

	Figure 3	Figure 4
	Sync Daughter	0202 Daughter
		Card
	Card

5.After all components have been installed and securely fastened, close the computer case.

6.Connect the supplied network-type cable from the 10 BaseT jack on the E-MU 1010 PCI card labeled “EDI” to the matching connector labeled “EDI” on the MicroDock. The cable supplied with the MicroDock is specially shielded to prevent unwanted RF emissions.

7.Plug the power cord back into the wall outlet and turn on your computer.

WARNING: E-MU 0202 & MicroDock

If you have both the E-MU 0202 I/O card and the MicroDock, DO NOT connect both to the E-MU 1010 PCI card.

CAUTION: Do not connect the supplied CAT5 cable to the Ethernet or network connector on your computer. Doing so may result in permanent damage to either your computer, the E-MU 1010 or both.

14	Creative Professional

Connecting the MicroDock

1.Connect the supplied EDI cable between the 1010 PCI Card and the MicroDock.

2.Connect the supplied +48 volt DC adapter to the +48VDC jack on the rear of the MicroDock. See the diagram below.

3.Connect your audio inputs and outputs to the MicroDock as shown on page 23.

4.Turn the MicroDock on by turning the Headphone Volume control.

+48V DC Adapter

48 VDC + -

EDI	The Headphone

Volume Control is the Power Switch.

1010 PCI Card

Warning: The MicroDock has been designed to use readily available and inexpensive standard computer system cables. This makes it easy for you to find replacement cables if your original cable becomes damaged or lost. However, because these standard cables types are used for other purposes, you must use caution to avoid connecting the cables incorrectly. DO NOT connect the supplied EDI cable to the Ethernet or network connector on your computer. Doing so may result in permanent damage to either your computer, the E-MU 1010 PCI card, or the MicroDock.

2 - Installation

Connecting the MicroDock

The 1616 and 1616m MicroDocks cannot be used with older 1010 PCI cards identified by the 1394 FireWire port.

E-MU PCI Digital Audio Systems

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2 - Installation

Software Installation

Software Installation

Installing the E-MU 1010 Drivers

The first time you restart your PC after installing the E-MU 1010 PCI card, you will need to install the PatchMix DSP software and E-MU 1010 PCI card drivers.

Windows XP

The software is not compatible with other versions of Windows.

1.After you have installed your Digital Audio System, turn on your computer. Windows automatically detects the Digital Audio System and searches for device drivers.

2.When prompted for the audio drivers, click the Cancel button.

3.Insert the E-MU software Installation CD into your CD-ROM drive. If Windows AutoPlay mode is enabled for your CD-ROM drive, the CD starts running automatically. If not, from your Windows desktop, click Start->Run and type d:\setup.exe (replace d:\ with the drive letter of your CD-ROM drive). You can also open the CD and double-click Setup.exe.

4.The installation splash screen appears. Follow the instructions on the screen to complete the installation.

5.Choose “Continue Anyway” when you encounter the “Windows Logo Testing” warning screen. See the note below for more information.

6.When prompted, restart your computer.

Uninstalling all Audio Drivers and Applications

At times you may need to uninstall or reinstall some or all of the audio card's applications and device drivers to correct problems, change configurations, or upgrade outdated drivers or applications. Before you begin, close all audio card applications. Applications still running during the uninstallation will not be removed.

1.Click Start -> Settings -> Control Panel.

2.Double-click the Add/Remove Programs icon.

3.Click the Install/Uninstall tab (or Change or Remove Programs button).

4.Select the E-MU driver/application entries and then click the Add/Remove (or Change/Remove) button.

5.In the InstallShield Wizard dialog box, select the Remove option.

6.Click the Yes button. Restart your computer when prompted.

7.You may now re-install existing or updated E-MU 1010 PCI card device drivers or applications.

Note About Windows Logo Testing

When you install the Digital Audio System drivers, you will see a dialog box that informs you that the driver has not passed Windows Logo testing.

The Digital Audio System drivers are not signed because the driver does not support some of the consumer audio features that the Microsoft driver signing program requires, most notably Digital Rights Management.

However, the Digital Audio System drivers have been rigorously tested using the same test procedures that a signed driver requires, and it passes in all important categories, including those that measure the relative stability of the driver. So, it is perfectly safe to install these drivers on your computer.

E Serial Number -

During the registration process, you will be asked to enter your 18-digit serial number. The serial number is located on the back of the box and on the 1010 PCI Card.

16	Creative Professional

3 - PCI Card & Interfaces

The E-MU 1010 PCI Card

The E-MU 1010 PCI card is the heart of the system and contains E-MU’s powerful E-DSP chip. The powerful hardware DSP on this card leaves more power free on your CPU for additional software plug-ins and other tasks.

Important

When the MicroDock is connected to the 1010 PCI card, the digital I/O on the PCI card is disabled. Use the digital I/O on the MicroDock.

Connections

Connects to MicroDock via EDI Cable

S/PDIF

In/Out

ADAT or S/PDIF Optical In/Out

EDI

EDI Connector

Connects to the MicroDock using the supplied EDI cable. This cable provides a a two-way data link between the E-MU 1010 and the MicroDock as well as supplying power to the MicroDock.

S/PDIF Digital Audio Input & Output

RCA phono jacks are standard connectors used for S/PDIF (Sony/Philips Digital InterFace) connections. Each jack carries two channels of digital audio. The E-MU 1010 receives digital audio data with word lengths of up to 24-bits. Data is always transmitted at 24-bits.

S/PDIF digital I/O can be used for the reception and/ or transmission of digital data from external digital devices such as a DAT external analog-to-digital converter or an external signal processor equipped with digital inputs and outputs.

The S/PDIF out can be configured in either Professional or Consumer mode in the Session Settings menu. The 1010 PCI card can also send and receive AES/EBU digital audio through the use of a cable adapter. See AES/EBU to S/PDIF Cable Adapter for details.

The S/PDIF input and outputs are usable at the 44.1kHz, 48kHz 88.2kHz and 96kHz sample rates, but are disabled for 176.4kHz and 192kHz. The word clock contained in the input data stream can be used as a word clock source. See System Settings.

ADAT Optical Digital Input & Output

The ADAT optical connectors transmit and receive 8 channels of 24-bit audio using the ADAT type 1 & 2 formats. The word clock contained in the input data stream can be used as a word clock source. See System Settings. Optical connections have certain advantages such as immunity to electrical interference and ground loops. Make sure to use high quality glass fiber light pipes for connections longer than 1.5 meters.

3 - PCI Card & Interfaces

The E-MU 1010 PCI Card

Important: When using any type of digital I/O such as S/PDIF or ADAT, you MUST sample sync the two devices or clicks and pops in the audio will result.

E-MU PCI Digital Audio Systems

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3 - PCI Card & Interfaces

The 0202 Daughter Card

At the 96kHz or 192kHz sample rates, the industry standard S/MUX interleaving scheme is used for ADAT input and output. S/MUX uses additional ADAT channels to achieve the required bandwidth. See the chart below or go here for additional information.

Sample Rate	Number of Audio Channels
44kHz/48kHz	8 channels of 24-bit audio
88.2kHz/96kHz	4 channels of 24-bit audio, using S/MUX standard
176.4kHz/192kHz	2 channels of 24-bit audio, using S/MUX standard

The 0202 Daughter Card

The 0202 Daughter card is the companion card for E-MU 1010 systems which don’t include the MicroDock. The 0202 Daughter card provides one pair of 24-bit balanced analog inputs and one pair of 24-bit balanced analog outputs, plus MIDI in and out.

Connections

Left / Right

Line Inputs

Left / Right

Line Outputs

MIDI

In/Out

MIDI In/Out

Analog Inputs and Outputs

The 0202 Daughter Card provides two balanced, analog inputs and two balanced, line level analog outputs. The inputs can be connected to any line level stereo signal from keyboards, CD-players, cassette decks, etc. The analog inputs are assigned to a mixer strip in the mixer application.

The outputs can feed any line level input such as a mixing board, the auxiliary input on your stereo or a set of powered speakers. The line outputs are not designed to drive headphones directly. Connect the line outputs to a stereo receiver or mixer with a headphone jack to obtain the proper current drive.

Either TRS (tip-ring-sleeve) balanced or TS unbalanced cables can be used. Balanced cables provide better noise immunity and +6dB higher signal level. The output line level can be set to accommodate the consumer -10dBV standard, or the pro audio +4 dBu standard in the I/O screen of the Session Settings dialog box. See I/O Settings.

The MIDI input and output port can be assigned in your specific MIDI application. Connect the MIDI adapter cable that came with your 0202 Daughter card to the miniDIN connectors on the card. The adapter cables convert the mini-DIN to standard DIN connectors used on most keyboards and synthesizers. Connect MIDI Out to the MIDI In port of your synthesizer and MIDI Out of your synth to MIDI In of the 0202 Daughter Card.

18	Creative Professional

The MicroDock

The MicroDock connects to the E-MU 1010 PCI card via the EDI cable.

The MicroDock provides (4) balanced analog inputs, (2) microphone preamp inputs,

(6) balanced line-level analog outputs, (3) stereo 1/8” outputs for connecting powered computer speakers, (2) MIDI inputs, (2) MIDI outputs, a stereo headphone output, and a RIAA equalized turntable preamp section which is “normalled” into line input 2L and 2R, 8 channels of ADAT digital input/output, and stereo S/PDIF digital input/output.

A Line	Mic		B Line	Mic			S/PDIF
	Clip	-3		Clip	-3	48V
	SL	-6		SL	-6
		-12			-12
		-20			-20

In

Out

Line -

-15

+50

-15

+50

Off

Mic -

0

+65

0

+65

1L

1R

2L

2R

2L Phono 2R

Gnd

MIDI Cable

In

48 VDC

+

-

Out

1

2

3

Out

EDI

1L

1R

2L

2R

3L

3R

The inputs are configured as follows:

(2)

mono microphone/line inputs (2 inputs)

(2)

stereo pairs of line level inputs (4 inputs)

(1)

stereo pair of S/PDIF/AES digital inputs (2 inputs)

(4)

stereo pairs of ADAT channels on the ADAT optical input (8 inputs)

(1)

RIAA equalized turntable preamp input allows you to connect a turntable without using

an expensive external preamp. Note: These inputs are automatically disconnected

when plugs are inserted into inputs 2L & 2R.

(2)

MIDI input ports using the supplied breakout cable

The outputs are configured as:

(3)

stereo pairs of line level outputs

(1)

stereo pair driving a stereo headphone jack (Share the same routing as Line Outs 1L/1R)

(1)

stereo pair of S/PDIF/AES digital outputs

(4)

stereo pairs of ADAT channels on the ADAT optical output

(3)

stereo 1/8” computer speaker outputs. These outputs carry the same signals as the 3

stereo line level outputs and are provided as a convenience for connecting computer or

powered speaker systems.

(2)

MIDI output ports using the supplied breakout cable

3 - PCI Card & Interfaces

The MicroDock

f The MicroDock is completely “hot pluggable”— It’s OK to plug or unplug the MicroDock while the computer is turned on.

It’s a good idea to mute MicroDock inputs 2 in the PatchMix DSP mixer when nothing is plugged in, since the turntable preamp has a very high gain (60dB) and could contribute extra noise to your mix/ monitor bus.

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3 - PCI Card & Interfaces

The MicroDock

Front Panel Connections

Preamp Section

The front panel mono Mic/Line inputs A & B can be used as balanced microphone inputs, hi-Z guitar pickup inputs, or line level inputs. The Neutrik combination jack accepts microphones using a standard XLR connector or line level/hi-Z inputs (such as an electric guitar) using a standard 1/4 inch TRS/TS connector.

Each preamp has a level control which sets the preamp gain from 0dB to +65dB for the XLR input and from -15dB to +50dB for the Hi-Z line input. The line markings around the knobs are calibrated in 10dB increments. The heavy hash marks on the gain controls indicate unity analog gain to the converter inputs (~5dBV input = 0dBFS output).

A phantom power switch enables +48 volt phantom power supplied to both microphones. A red LED illuminates to indicate phantom power is enabled. The audio mutes for a second when phantom power is turned on. After turning phantom power off, wait two full minutes before recording to allow the DC bias to drain. See Phantom Power for additional information.

Each microphone input has its own input level meters and clipping indicators. The LED meters indicate signal presence. Adjust the input gain so that the yellow LEDs are illuminated. The red Clip LED indicates that the gain is set too high and the signal is clipping the input. These LEDs monitor the signal directly at the analog-to-digital converters and before any processing by the rest of the system. When setting the levels for signals being sent into the MicroDock, the red clip indicator should never flash.

S/PDIF Digital Audio Input & Output

RCA phono jacks are standard connectors used for coaxial S/PDIF (Sony/Philips Digital InterFace) connections. Each jack carries two channels of digital audio. The MicroDock sends or receives digital audio data at 44.1k, 48k, 88.2k, 96k, 176.4k or 192k sample rates. Data is always transmitted at 24-bits, but lower word widths can be read. The word clock contained in the input data stream can be used as a word clock source. See System Settings.

S/PDIF digital I/O can be used for the reception and/ or transmission of digital data from external digital devices such as a DAT, external analog-to-digital converter or an external signal processor equipped with digital inputs and outputs.

The S/PDIF out can be configured in either Professional or Consumer mode in the Session Settings menu. The MicroDock can also send and receive AES/EBU digital audio through the use of a cable adapter. See Cables - balanced or unbalanced? for details.

Phantom Power Caution: Some microphones (notably ribbon types) cannot tolerate phantom power and may be damaged. Check the specifications and requirements of your microphone before using phantom power.

20	Creative Professional

ADAT Optical Digital Input & Output

The ADAT optical connectors transmit and receive 8 channels of 24-bit audio using the ADAT type 1 & 2 formats. The word clock contained in the input data stream can be used as a word clock source. See System Settings. Optical connections have certain advantages such as immunity to electrical interference and ground loops. Make sure to use high quality glass fiber light pipes for connections longer than 1.5 meters.

At the 88.2k, 96k, 176.4k or 192k sample rates, the industry standard S/MUX interleaving scheme is used for ADAT input and output. S/MUX uses additional ADAT channels to gain additional bandwidth on the existing interface. See the chart below or go here for additional information.

Sample Rate	Number of Audio Channels
44kHz/48kHz	8 channels of 24-bit audio
88kHz or 96kHz	4 channels of 24-bit audio, using S/MUX standard interleaving
176kHz or 192kHz	2 channels of 24-bit audio, using S/MUX standard interleaving

The ADAT inputs and outputs can be configured in the System Settings (page 31) to send and receive S./PDIF optical data at 44.1k, 48k, 88.2k, or 96k sample rates.

S/PDIF Optical is not supported at 176.4k or 196k.

Headphone Output & Volume Control

The headphone output drives standard stereo headphones and the adjacent volume control sets the listening level. The headphone amplifier can drive headphones with impedance as low as 24 ohms. The headphone output uses a high-current version of the high-quality output amplifiers used on the other channels. For this reason it has a very clean signal that can be used as another stereo output if you need it.

3 - PCI Card & Interfaces

The MicroDock

Important: When using any type of digital I/O such as S/PDIF or ADAT, you MUST sample sync the two devices or clicks and pops in the audio will result.

E Note: PatchMix DSP does not support AC3 passthrough at this time.

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3 - PCI Card & Interfaces

The MicroDock

Front Panel				Mic
Analog Connections
Use the 3-pin XLR jack
for Low Impedance
microphones.
A Line Mic	B Line	Mic			S/PDIF
Clip	-3	Clip -3		48V
SL	-6	SL	-6
	-12		-12
	-20		-20

In

Out

Line -	-15	+50	-15	+50
Mic -	0	+65	0	+65

Use the center
Phone Jack for	Instrument
High Impedance
instruments such
as electric guitar
or bass.

Off	On/Off

& Phone Volume

Stereo

Headphones

Digital Connections		Out	External A/D - D/A Converter
			1	2	3	4	5	6	7	8
		In	(8 more analog inputs & outputs)
		Optical
ADAT	In					DAT or CD
(Optical)	Out
			Digital Audio Device with S/PDIF
			Out
S/PDIF	In	Coaxial	In
(Coax)	Out	MIDI Out MIDI Keyboard								Audio Outs

	In	EMULATOR
	MIDI 1	MIDI In
	Out
		Audio Outs
		MIDI Sound Module

In	I O	1	2	3
		SAMPLE	TRIGGERS
MIDI 2		PRESET
		4	5	6
	VOLUME
		7	8	9
	MIDI In		0	MIDI
Out

22	Creative Professional

Rear Panel Connections

4 Balanced Line Level Inputs				Turntable Inputs			Turntable	MIDI Port		48 Volt DC
(configured as 2 stereo pairs)				(tied to line input 2)			Ground	Connector		Power Input
1L	1R	2L	2R	2L Phono 2R		Gnd	MIDI Cable
In										48 VDC
										+	-
							Out
						1	2	3
Out											EDI
1L	1R	2L	2R	3L	3R
	6 Balanced Line Level Outputs					Alternate Outputs				Connect to
	(configured as 3 stereo pairs)					(same as outputs 1-3)			E-MU 1010 PCI Card

Line Level Analog Inputs

4 balanced 24-bit, line-level, analog inputs are provided (1-2). These can be used to input any line level signal from keyboards, CD-players, cassette decks, etc. The analog inputs are assigned to mixer strips in the mixer application. The line level inputs can be set to accommodate the consumer -10dBV standard, or the pro audio +4 dBu standard in the I/O screen of the Session Settings dialog box. See I/O Settings.

The maximum input level is 18dBV (=20.2dBu).

Either TRS balanced or TS unbalanced cables can be used. See page 96 for additional information about unbalanced cables and connectors. The line-level inputs are all servo-balanced, enabling them to convert unbalanced signals to balanced signals internally to reduce noise.

Turntable Inputs & Ground Lug

The RCA turntable inputs feed an RIAA equalized preamp designed for moving magnet type phono cartridges with 60 dB of gain. Connect the ground lead from your turntable to the ground lug to prevent hum.

The turntable inputs share line level inputs 2L and 2R. Inserting a plug into Line Input 2 disconnects the turntable preamp from that channel. Do NOT leave your turntable connected when using inputs 2L and 2R, since this can cause a ground loop.

Important: Do NOT plug in line level signals to the turntable inputs. The turntable inputs are designed to accept the extremely low-level signal from a phonograph cartridge. Use RCA to 1/4” adapters to connect line level signals to the line level analog inputs.

Line Level Analog Outputs

Six balanced 24-bit, line-level, analog outputs are provided (1-3). Output pair 1 is designated as the Monitor Output and is fed by the monitor bus of the PatchMix DSP mixer application. We suggest that you plug your speakers in here. Special anti-pop circuitry mutes the analog outputs when power is turned on or off.

Like the analog line inputs, either TRS balanced or TS unbalanced cables can be used. Balanced cables provide better noise immunity and +6dB higher signal level. The output line level can be set to accommodate the consumer -10dBV standard, or the pro audio +4 dBu standard in the I/O screen of the Session Settings dialog box. See I/O Settings.

The maximum input and output line levels are matched when the input and output settings are set to the same mode (pro or consumer) in the I/O preferences screen.

3 - PCI Card & Interfaces

The MicroDock

It’s also a good idea to mute the Dock In strip 2L/2R in the PatchMix DSP mixer when nothing is plugged in, since the turntable preamp has a very high gain (60dB) and could contribute extra noise to your mix/ monitor bus.

Balanced Cables:

You should ONLY use balanced (TRS) cables if BOTH pieces of equipment use balanced connections. Connecting balanced cables between balanced outputs and unbalanced inputs can actually increase noise and introduce hum.

E-MU PCI Digital Audio Systems

23

3 - PCI Card & Interfaces

The MicroDock

Computer Speaker Analog Outputs

These stereo mini-phone (3.5mm) jacks duplicate line level outputs 1-3 with a lower output level to accommodate consumer speakers. These line level outputs are designed to interface easily with powered speakers.

Computer Speaker Output	Duplicates Line Level Output
1 L/R	Tip = 1L	Ring = 1R
2 L/R	Tip = 2L	Ring = 2R
3 L/R	Tip = 3L	Ring = 3R

MIDI 1 & 2 In/Outs

MIDI input and output ports allow you to interface any type of MIDI equipment such as keyboards, effect units, drum or guitar controllers (anything with MIDI). The MIDI drivers were installed when you installed your PatchMix DSP software and the MIDI ports will appear in your system control panel under “Sounds and Audio Devices”.

There are two completely independent sets of MIDI input and output ports on the MicroDock, which can be assigned in your specific MIDI applications.

Connect the MIDI breakout cable to the D-connector on the MicroDock. Connect MIDI Out to the MIDI In port of your synthesizer and MIDI Out of your synth to MIDI In of the MicroDock MIDI cable.

EDI Connector (Card)

Connects the MicroDock to the E-MU 1010 PCI card using a CAT5-type computer cable. The cable supplied with the MicroDock is specially shielded to prevent unwanted RF emissions.

Basic

Connections

MIDI Synthesizer

MIDI In	Out
	Turntable

MIDI 1

					MIDI Out			In
Audio
from
Synthesizer
		*	*
1L	1R	2L	2R	2L Phono 2R Gnd		MIDI Cable
In								48 VDC
								+ -
						Out		AC Adapter
					1	2	3
Out								EDI
1L	1R	2L	2R	3L	3R			1010 PCI
								Card
Audio						Connect
						Desktop
to								Powered
						Speakers to
Monitors
								Desktop
						1/8" jacks
								Speakers
						te	re
							o
						S

Mixer

&

Speakers

* Note: Line Inputs 2L/2R and Phono 2L/2R cannot be used at the same time.

24	Creative Professional

3 - PCI Card & Interfaces

The MicroDock

5.1 Surround Speaker Connections
						Center
Left	1L	1R	2L	2R	2L Phono 2R		Gnd	MIDI Cable			Right
									48VDC
Front	In										Front
									+	-
								Out
							1	2	3
	Out								EDI
	1L	1R	2L	2R	3L	3R
Left											Right
Rear											Rear
							Front	Rear	Ctr/Sub
	Sub-Woofer
	(with built-in power amps)

The 1/8” stereo jacks make it easy to connect to powered surround sound speakers. Only three stereo cables are necessary with many speaker systems (see above). The 1/8” jacks duplicate the 1/4” outputs.

You can connect the 1/8” stereo jacks to your surround speakers and connect the 1/4” outputs to your other gear for music creation. When you want to monitor in surround, simply open the 5.1 Session and turn on your surround speakers.

The chart below shows how to connect the outputs for 5.1 surround sound playback.

Multichannel WAVE to Surround Sound Speaker Channels

(using the factory 5.1 DVD Playback Session)

WAVE Strip	Surround Channels	1/4” Outputs			1/8” Outputs
E-DSP WAVE 1/2	Front Left / Front Right	1L	= FL	1R = FR	1	(Tip = FL	Ring = FR)
E-DSP WAVE 3/4	Center / Subwoofer	3L	= C 3R = Sub		3	(Tip = C	Ring = Sub)
E-DSP WAVE 5/6	Rear Left / Rear Right	2L	= RL	2R = RR	2	(Tip = RL	Ring = RR)
E-DSP WAVE 7/8	Side Left / Side Right	N/A			N/A

E-MU PCI Digital Audio Systems

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3 - PCI Card & Interfaces

The MicroDock

26	Creative Professional

4 - The PatchMix DSP Mixer

PatchMix DSP

4 - The PatchMix DSP Mixer

PatchMix DSP

The PatchMix DSP Mixer is a virtual console which performs all of the functions of a typical hardware mixer and a multi-point patch bay. With PatchMix, you may not even need a hardware mixer. PatchMix DSP performs many audio operations such as ASIO/ WAVE routing, volume control, stereo panning, equalization, effect processing, effect send/return routing, main mix and monitor control and allows you to store and recall these “Sessions” at will.

To Invoke the PatchMix DSP Mixer

1.Left-click once on the E-MU icon on the Windows System Tray. The PatchMix DSP mixer window appears.

Overview of the Mixer

Physical Input Strips	ASIO Input Strip	Toolbar
Add New
Strip

Delete

Strip

f Click on the buttons and knobs in the mixer screen below to jump to the description of the control.

Display

Select

Buttons

	Channel				“TV”
					Screen
	Insert
	Section
	Pan
	Controls
	Aux				Aux
	Sends				Effects
					Section
					Sync/
	Volume				Sample
					Rate
	Fader
					Indicators
	Solo/Mute
	Buttons
					Monitor
	User				Volume/Balance
					/Mute Controls
	Definable
		WAVE Strip	Main	Current	Main Mix
	Scribble Strip
		Controls Windows Source Audio	Inserts	Session	Output Volume
		(Direct Sound, Windows Media, etc.)		Name	& Meters

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4 - The PatchMix DSP Mixer

Overview of the Mixer

Mixer Window

The Mixer consists of four main sections.

Application Toolbar	Lets you manage sessions and show/hide the various views.
Main Section	Controls all the main levels, aux buses, and their inserts. This section
	also has a “TV” which shows parameters for the currently selected
	effect and the input/output patching. It also shows the session’s
	current sample rate and whether it’s set to internal or external clock.
Mixer Strips	This section is located to the left of the Main Section and shows all
	the currently instantiated mixer strips. Mixer strips can represent
	Physical analog/digital inputs, or Host inputs such as ASIO or
	Direct Sound. Mixer strips can be added or deleted as necessary.
	This section can be resized by dragging the left edge of the frame.
Effects Palette	This popup window is invoked by pressing the FX button in the
	toolbar. Iconic representations of all effects presets are shown here,
	organized by category. From this window, you can drag and drop
	effect presets into the insert slots available on the mixer strips and
	main section aux buses and main inserts.

A simplified diagram of the mixer is shown below.

Input	Input	Mixer Block Diagram
Post-Fader Strip	Pre-Fader Strip

Insert	Insert
Section	Section
Panning
Fader			Aux	Meter
MUTE		Send		Return
			Effects
Aux 1	Aux 1
Aux		Amount		Amount
Bus 1			Insert		Monitor
			Section
					Out
Aux 2	Aux 2	Send		Return
Aux		Amount		Amount	MUTE
Bus 2			Insert		Output 1L/1R
					& Headphones
			Section
Fader				Main Bus
					Monitor
				Effects
MUTE					Level
				Insert
Main Bus				Section	Main
				Main
				Level	Out

Pre Fader or Post Fader

When creating a new Mixer Strip, you have the option for the Aux Sends to be placed Post Fader (both Aux Sends come after the channel fader) or Pre Fader (both Aux Sends come before the channel fader). The Pre-fader option allows you to use either Aux Send as another mix bus, which is unaffected by the channel fader. More Information.

28	Creative Professional

4 - The PatchMix DSP Mixer

E-MU Icon in the Windows Taskbar

E-MU Icon in the Windows Taskbar

Right-clicking on the E-MU icon in the Windows taskbar calls the following window.

Right-Click Here

Opens the PatchMix DSP Mixer.

Calls the PatchMix DSP help system.

Disables the splash screen that appears at boot-up.

When unchecked, FX are not loaded until needed, resulting in faster computer boot.

Restores the default PatchMix DSP and driver settings.

Closes the PatchMix DSP background program, disabling use of all audio I/O from the E-MU hardware. Open the PatchMix DSP application to start audio again.

The Toolbar

New	Save	“About”	Session
Session	Session	PatchMix DSP	Settings

f Restore Defaults: Always try this option first if PatchMix is crashing or if you are having any other strange audio problems.

f Click the buttons in the toolbar to learn about their function.

Open	Show/Hide	Global
Session	Effects	Prefs

New Session	Calls up the “New Session” dialog box. New Session.
Open Session	Calls up the standard “Open” dialog box, allowing you to open a
	saved Session.
Save Session	Calls up the standard “Save” or “Save As…” dialog boxes, allowing
	you to save the current Session.
Show/Hide Effects	Toggle button that shows or hides the FX palette.
Session Settings	Calls up the Sessions Settings window. Session Settings.
Global Preferences	Calls up the Global Preferences window.
About PatchMix DSP	Right-Click on the E-MU logo to view the “About PatchMix DSP”
	screen, which provides the software and firmware version
	numbers and other information.

E-MU PCI Digital Audio System

29

4 - The PatchMix DSP Mixer

The Session

The Session

The current state of the PatchMix DSP mixer (fader settings, effects routings…everything!) can be saved as a Session. Whenever you create or modify a mixer setup, all you have to do is Save it to be able to recall it at a later time.

Before you begin using PatchMix DSP, you need to set it up to be compatible with the other software applications you may be running. The most important consideration is your system sample rate. PatchMix DSP and any applications or other digital gear you are using must be set to the same sample rate. PatchMix DSP can run at 44.1kHz, 48kHz, 88kHz, 96kHz, 176.4 kHz or 192kHz, but its complete set of features are only available at 44.1kHz or 48kHz. See Chapter 6 - Using High Sample Rates for details.

Once the sample rate is set, you can only easily switch between 44.1k and 48k. You cannot switch between 44/48k and 88k/96k/176k/192k. With a change to these high sample rates, you must start a new session.

You can also set up an external sync source, thereby obtaining the sample rate from some other device or application. External sync can be obtained from the ADAT input or S/PDIF input. If the session is set at 44.1kHz or 48kHz and the external source is coming in at a higher rate (such as 96k), the Sync Indicator will be extinguished (off), but PatchMix will attempt to receive the external data. The two units are NOT sample locked however, and you should correct this condition to avoid intermittent clicks in the audio. Always check for the presence of the LOCKED indicator whenever you are using a digital interface.

PatchMix DSP comes with several session templates to choose from so when you create a new session you can either create a “blank” session based around a designated sample rate, or select from a list of template starting points.

In a PatchMix DSP session the number of strips in the mixer is dynamically configurable. This allows you to create only those strips you need up to a maximum number determined by available DSP resources and available inputs.

New Session

You create a new session by clicking the “New Session” button in the PatchMix DSP main Toolbar. The following dialog box appears.

Important: When using any form of digital input, you MUST synchronize the Digital Audio System to the external digital device (S/PDIF/ADAT).

Select a Template or new Session at the desired sample rate

Session Description

Add your own comment or note about the Session

Check this if you want to edit the New Session.

30	Creative Professional