DiGiCo D5T User Manual
Operation Manual
Issue A, September 2004 (Software Versions 2.4+)
Copyright © 2004 Digico UK Ltd
All rights reserved.
No part of this publication may be reproduced, transmitted, transcribed, stored in a retrieval system, or translated into any language in any
form by any means without the written permission of Digico UK Ltd. Information in this manual is subject to change without notice, and
does not represent a commitment on the part of the vendor. Digico UK Ltd shall not be liable for any loss or damage whatsoever arising
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All repair and service of the D5TT product should be undertaken by Digico UK Ltd or its authorised agents. Digico UK Ltd cannot accept
any liability whatsoever for any loss or damage caused by service, maintenance, or repair by unauthorised personnel.
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product. Any unauthorised duplication or use of Digico UK Ltd software, in whole or in part, in print or in any other storage and retrieval
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The D5T logo and D5T name are trademarks, and Digico UK Ltd and the Digico UK Ltd logo are registered trademarks of Digico UK Ltd.
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Manual Issue and Date: Issue A - September 2004 - For Version 2.4+ Software
Licence Agreement
"Product": D5T software product produced by Digico UK Ltd intended for use on Target Platform identified below.
"Target Platform": Digico D5T Digital Console system.
In return for the payment of the one-time fee, the Customer (identified at the end of this Agreement) receives from Digico UK Ltd a
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D5T Contents
1.1 The Console ...................................................................................... 1-3
1.2 Hardware Configuration ................................................................... 1-4
1.2.1 Connections .................................................................................. 1-4
1.2.2 The DiGiConfig Program .............................................................. 1-5
1.3 Getting Started .................................................................................. 1-6
1.3.1 The New Session Panel................................................................ 1-8
1.3.2 Consoles and Racks .................................................................... 1-8
1.3.3 Selecting an Input Source ............................................................ 1-9
1.3.4 Routing the Channel Signal ....................................................... 1-11
1.3.5 Routing Busses To Outputs ...................................................... 1-12
1.3.6 Matrix Inputs ............................................................................... 1-13
1.3.7 Matrix Processing ....................................................................... 1-13
1.3.8 Routing Matrix Groups To Outputs ........................................... 1-14
1.3.9 Save As New File ........................................................................ 1-16
1.3.10 Save Session............................................................................. 1-16
1.3.11 EQ............................................................................................... 1-17
1.3.12 Dynamics ................................................................................... 1-17
1.3.13 Auxiliaries .................................................................................. 1-18
1.3.14 Control Groups ......................................................................... 1-19
1.3.15 Master Fader Banks.................................................................. 1-20
1.3.16 Monitoring ................................................................................. 1-21
2.1 The Input Channels .......................................................................... 2-3
2.1.1 Channel Assignment .................................................................... 2-3
2.1.2 Worksurface Channels ................................................................. 2-3
2.1.3 Input Screen - The Standard View ............................................... 2-4
2.1.4 Input Meters .................................................................................. 2-4
2.1.5 Assigning a Channel .................................................................... 2-5
2.2 Expanding a Processing Module ..................................................... 2-5
2.2.1 Input Module ................................................................................. 2-6
2.2.2 Equaliser Module .......................................................................... 2-8
2.2.3 Dynamics Module ....................................................................... 2-10
2.2.4 Pan / Aux Module ...................................................................... 2-12
2.2.5 Routing Module .......................................................................... 2-14
2.2.6 The ALL Button ........................................................................... 2-17
2.2.7 Undo / Redo Button .................................................................... 2-17
2.2.8 Channel LCD Function Buttons ................................................ 2-17
2.3 Ganging ........................................................................................... 2-20
2.3.1 Creating a Gang .......................................................................... 2-20
2.3.2 Clearing or Editing a Gang ........................................................ 2-20
2.3.3 How a Gang Works ..................................................................... 2-20
2.4 Layout .............................................................................................. 2-21
2.4.1 External Screens ......................................................................... 2-21
2.4.2 Overview Setup ........................................................................... 2-22
2.4.3 Channel Banks ............................................................................ 2-22
2.4.4 Master Banks .............................................................................. 2-23
2.4.5 Move Channels ........................................................................... 2-24
2.4.6 Copy Channels............................................................................ 2-24
2.4.7 Duplicate Channel ...................................................................... 2-25
2.4.8 Channel Overview ....................................................................... 2-26
3.1 Busses and Outputs ......................................................................... 3-3
3.1.1 Buss Outputs Display .................................................................. 3-3
3.1.2 Expanding the Buss Output View ............................................... 3-4
3.2 Output and Buss Controls ............................................................... 3-4
3.2.1 Label .............................................................................................. 3-5
3.2.2 Buss Control Button..................................................................... 3-5
3.2.3 Level Trim ...................................................................................... 3-6
3.2.4 Limiter ............................................................................................ 3-6
3.2.5 Mute ............................................................................................... 3-6
3.2.6 Meters ............................................................................................ 3-6
3.2.7 Output Channel Routing .............................................................. 3-6
3.2.8 Buss Signals as Input Sources ................................................... 3-7
3.2.9 Headphones .................................................................................. 3-7
3.2.10 Output Insert ............................................................................... 3-7
3.3 The Matrix.......................................................................................... 3-8
3.3.1 Matrix Inputs ................................................................................. 3-8
3.3.2 Matrix Processing ......................................................................... 3-8
3.3.3 Routing Matrix Groups To Outputs ............................................. 3-9
4.1 Master Section .................................................................................. 4-3
4.1.1 The Master Screen ........................................................................ 4-3
4.1.2 The Menu Buttons ........................................................................ 4-4
4.1.3 Console Security .......................................................................... 4-5
4.1.4 Consoles and Racks .................................................................... 4-5
4.2 Configuring the Console .................................................................. 4-6
4.2.1 Session Files Menu ...................................................................... 4-6
4.2.2 The New Session Panel................................................................ 4-6
4.2.3 Clearing Settings .......................................................................... 4-7
4.2.4 The Load Session Button ............................................................ 4-7
4.2.5 The Save As New File Button ...................................................... 4-8
4.2.6 The Save Session Button............................................................. 4-8
4.2.7 USB Data Port ............................................................................... 4-8
4.2.8 Managing Presets ......................................................................... 4-8
4.2.9 Monitoring ..................................................................................... 4-9
4.2.10 Master Section Meters .............................................................. 4-11
4.2.11 Meter Bridge Options ............................................................... 4-11
4.2.12 Meter Ballistics ......................................................................... 4-12
4.2.13 Restart and Recovery ............................................................... 4-12
4.3 Talkback .......................................................................................... 4-12
4.3.1 Talkback Configuration Button ................................................. 4-13
4.3.2 Talkback Mic Setup .................................................................... 4-13
4.3.3 The Talkback Mixer..................................................................... 4-14
4.3.4 Talkback Presets ........................................................................ 4-14
4.4 Control Groups ............................................................................... 4-14
4.4.1 Creating Control Groups ............................................................ 4-14
4.4.2 Naming Control Groups ............................................................. 4-15
4.4.3 Mode Option ................................................................................ 4-15
4.4.4 Auto-Mute Option ....................................................................... 4-15
4.5 Master LCD Function Buttons ....................................................... 4-16
4.7 Transport / Timecode Configuration ............................................. 4-21
4.8 Audio Synchronisation ................................................................... 4-22
4.8.1 Internal Sync - Console As Master ............................................ 4-22
4.8.2 External Sync .............................................................................. 4-22
4.8.3 External Sync Sources ............................................................... 4-23
4.8.4 Sample Rate and Conversion .................................................... 4-23
5.1 Cue List ............................................................................................. 5-3
5.1.1 Normal, Master and Relative Cues .............................................. 5-4
5.1.2 Storing a Cue ................................................................................ 5-4
5.1.3 Recalling a Cue ............................................................................. 5-4
5.1.4 Replacing a Cue ............................................................................ 5-5
5.1.5 Update Master ............................................................................... 5-5
5.1.6 Editing Multiple Cues ................................................................... 5-5
5.1.7 Moving a Cue ................................................................................ 5-6
5.1.8 Renaming a Cue ............................................................................ 5-6
5.1.9 Renumbering Cues ....................................................................... 5-6
5.1.10 Deleting a Cue ............................................................................. 5-6
5.1.11 Cue Undo ..................................................................................... 5-6
5.1.12 The Cue Scope Editor ................................................................ 5-7
5.1.13 Channel Scope ............................................................................ 5-7
5.1.14 Controller Scope ......................................................................... 5-7
5.1.15 Cue Timing .................................................................................. 5-8
5.1.16 Cues and MIDI ............................................................................. 5-9
5.1.17 MIDI Patches ............................................................................... 5-9
5.2 Live Update ..................................................................................... 5-10
5.2.1 Live Update Rules....................................................................... 5-10
5.2.2 Fader Examples .......................................................................... 5-12
5.2.2 Other dB Controller Examples .................................................. 5-13
5.2.3 Non dB Controller Examples ..................................................... 5-13
5.2.4 Inverted Option Logic Examples ............................................... 5-13
5.3 Cue Editor Software ....................................................................... 5-14
5.3.1 The Toolbar ................................................................................. 5-14
5.3.2 Session Management ................................................................. 5-14
5.3.3 Input Channels and Sets ............................................................ 5-15
5.3.4 Cue List ....................................................................................... 5-16
5.3.5 Cue Notes .................................................................................... 5-17
5.3.6 Control Groups ........................................................................... 5-17
5.3.7 Relays .......................................................................................... 5-18
5.3.8 MIDI Channel Names .................................................................. 5-18
5.3.9 MIDI Program Changes .............................................................. 5-19
5.3.10 MIDI Controllers ........................................................................ 5-19
5.3.11 Machine Control ........................................................................ 5-20
6.1 Real Time Automation ...................................................................... 6-2
6.1.2 Isolate Mode .................................................................................. 6-2
6.1.3 Record Mode ................................................................................. 6-2
6.1.4 Play (Update) Mode ...................................................................... 6-3
6.1.5 Automation Options ..................................................................... 6-3
6.1.6 Safe Mode (Dynamic Automation) ............................................... 6-4
6.1.7 Offset Time .................................................................................... 6-4
6.1.8 Edit Block ...................................................................................... 6-5
6.1.9 Trim Block ..................................................................................... 6-6
6.1.10 Cue Automation .......................................................................... 6-7
6.1.11 MIDI Patches ................................................................................ 6-8
6.2 The Automation Mix Editor .............................................................. 6-8
6.2.1 Channel Display ............................................................................ 6-8
6.2.2 Scaling the Automation Editor Display....................................... 6-9
6.2.3 The Time-Line ............................................................................. 6-10
6.2.4 Event Display .............................................................................. 6-10
6.2.5 Automation Mode Buttons ......................................................... 6-12
6.2.6 Selecting and Editing Events..................................................... 6-13
6.2.7 The Selection Tools .................................................................... 6-13
6.2.8 The Editing Tools ....................................................................... 6-15
6.2.9 The Event Tools .......................................................................... 6-15
6.2.10 Write to Start and Write to End ............................................... 6-16
7.1 Configure Effects .............................................................................. 7-3
7.1.1 Selecting Effects ........................................................................... 7-3
7.1.2 Effects and Routing ...................................................................... 7-4
7.1.3 Effects and Auxiliaries ................................................................. 7-4
7.1.4 Output Insert ................................................................................. 7-5
7.2 Effects Control .................................................................................. 7-6
7.2.1 Effects Parameters ....................................................................... 7-6
7.2.2 Output Processing Parameters ................................................... 7-6
8.1 Troubleshooting................................................................................ 8-3
Appendix A - The Theatre Masters Controller ...................................... A-3
A.1 Overview ......................................................................................... A-3
A.2 Connection and Setup ................................................................... A-4
A.3 Consoles and Racks Panel ........................................................... A-4
A.4 Sync Session .................................................................................. A-5
A.5 Mirroring ......................................................................................... A-5
A.6 Masters............................................................................................ A-6
A.7 Cue Control ..................................................................................... A-6
A.8 Global Safe and Mute Buttons ...................................................... A-7
A.9 Macros............................................................................................. A-7
Appendix B - Multiple Console Setups ................................................ B-3
B.1.1 Front Of House and Monitors Setup ......................................... B-3
B.1.2 Gain Tracking Settings ............................................................... B-5
B.1.3 Gain Tracking Procedures.......................................................... B-6
B.1.4 Gain Tracking and Cues ............................................................. B-6
B.2.1 Redundant Optical Loop ............................................................ B-7
B.2.2 Redundant Engine or Mirror Console ....................................... B-7
B.2.3 DiGiConfig – Hardware Configuration ...................................... B-8
B.2.4 Consoles and Racks Panel ........................................................ B-9
B.2.5 Sync Session ............................................................................. B-10
B.2.6 Mirroring .................................................................................... B-10
B.2.7 DiGiRack Control .......................................................................B-11
B.2.8 Normal Operation ...................................................................... B-12
B.3.1 PC Remote Control ................................................................... B-15
B.3.2 Remote PC Setup ...................................................................... B-15
B.3.3 Remote PC Operation ............................................................... B-15
Index .............................................................................................................
Chapter 1
Chapter 1
Getting Started
1-1
Chapter 1
1-2
Chapter 1
1.1 The Console
The Digico D5T consists of a worksurface, and up to 4 Input/Output Rack Units. The Rack Units are connected to the console by optical
fibre and/or MADI links, which carry all the audio input and output signals.
The console worksurface consists of 3 Input Banks, and a Master Section.
Each input bank has 8 assignable faders and 8 sets of assignable on-screen channel controls, the Master Section has 16 assignable
faders and a master fader. The Master section controls outputs, monitoring and configuration.
The console's buss architecture is dynamic, and can support mono, stereo, LCRS and 5.1 configurations.
Multiple console setups can provide:
Front of House and Monitoring with shared stage racks and gain tracking.
Redundant Mirroring of Front of House and/or Monitoring consoles.
Remote control of console via an ethernet link with a laptop computer.
The D5-TC Theatre Masters Controller provides extended master fader controls, eight programmable macro buttons and a dedicated
script space.
This manual is divided into chapters, each dealing with one aspect of the console.
• Chapter 1 is a quick start guide that provides an overview of the basic console functions.
• Chapter 2 describes how to use the assignment and channel controls provided on an Input channel bank.
• Chapter 3 describes the Output channels, including Sub Group, Direct, Aux and Matrix Group Outputs.
• Chapter 4 describes most of the Master Section functions, including console configuration, monitoring and
timecode and transport control.
• Chapter 5 describes the console's cue system.
• Chapter 6 describes the console's dynamic automation system.
• Chapter 7 describes the onboard Effects.
• Chapter 8 provides help with troubleshooting common problems.
1-3
Chapter 1
1.2 Hardware Configuration
1.2.1 Connections .........................................................................
Detailed information on the various systems of connection is provided in the Interconnection and System Setup Manual but the
following diagram provides an overview of a single console setup.
For Multiple Console Setups see Appendix B
CONNECTION WITH MADI
STAGE RAC KS
MAIN MADI IN
MADI PORT 1 OUT MADI PORT 3 OUT
MAIN M ADI IN
MAIN MADI OUT MAIN MADI OUT
MADI P ORT 1 IN MADI P ORT 3 IN
MADI
PORT 2 OUT
LOCAL RACK
MAIN M ADI IN
MADI
PORT 2 IN
MAIN MADI OUT
CONNECTION WITH OPTICAL FIBRE
OPTO ID 30
STAGE RAC KS
MADI
PORT 2 OUT
FOH
AUDIO SYNC = MASTER
OPTO ID 32
OPTO A
MAIN MADI IN
OPTO B
OPTION AL
REDUNDANT
LOOP
OPTO A
MADI
PORT 2 OUT
OPTO A
OPTO ID 20
MADI
PORT 2 IN
MAIN MADI OUT
OPTO B
OPTO B
FOH
AUDIO SYNC = OPTO
1-4
Chapter 1
FOH Main C
1.2.2 The DiGiConfig Program .....................................................
The following example shows how to run the DiGiConfig program from the D5T software in order to configure you hardware:
1) Open the System / Service menu.
2) Press the Configure Hardware button, the D5T software will close and DiGiConfig will open.
3) Press the relevant buttons for all the consoles that you wish to configure.
The example below shows the settings for a system with a Main Front of House console and its Redundant Engine, a Monitor console and
its Redundant Engine and a Remote Controlller or Theatre Controller for the Front of House console.
All the devices should have all of the components of the system selected but the “THIS ONE?” button should be selected according to
which device you are setting up.
4) This will apply the correct configuration but the details can be further edited by pressing the Edit Details button.
5) Press OK to return to D5T software.
onsole
1-5
Chapter 1
A
f
s
1.3 Getting Started
Input Section
Master Section
Input Gain and Phase
ux / Pan / Dynamics Controls
Assignable Rotary and Switch
Mute and Interactive LCD
Function Button
Channels Faders
Channel Meter Status
Channel Insert On / Off
4 Band Parametric EQ
High and Low Pass Filters
Dynamics Thresholds and On / Of
Joystick
Undo / Redo Butt on
Channel Fader Banks
Meter Status
Master Screen
Mute and Interactive LCD
Output / Control Group
Faders
Mute and Interactive LCD
Function Button
Screen
Scroll
Function Button
Output / Control Group
Faders
Tal k ba c k
Cues
Monit orin g
Master Fader Banks
Matrix Controls
Flip Master Fader Bank
Maste r Mute
Previous Cue Button
Master Fader Banks
Master Fader
Next Cue Button
1-6
Input Channel
Input Gain
Phase
Input Module
Analogue Gain
Digital Trim
EQ Module
Chapter 1
Master Screen
Screen Scroll
Assign Rotary
Assign Button
LCD Function
Aux Send & Compressor Controls
Aux On/Off & Compressor Controls
Aux Send & Gate Controls
Aux On/Off & Gate Controls
Assigned Rotary Level
Assigned Button On/Off
Mute
Interactive LCD Button
Channel Fader
Dynamics Module
Aux / Pan Module
Routing Module
1-7
Chapter 1
1.3.1 The New Session Panel .......................................................
To create a new session, touch the Session Files button on the master screen and then touch the New Session button. The following panel will appear:
The Main Buss Mode defines the format of the Main buss as Stereo, LCRS Surround or 5.1 Surround. This also affects the options for
selecting the Sub Group and Aux buss formats: if the Main buss is stereo, the other busses cannot use the Surround formats, and if the
main buss is Surround format, the other busses cannot use a different Surround format (although they can be stereo).
The Sub Groups and Auxes settings allow you to define the format and number of the Aux and Sub Group busses.
The total amount of busses cannot exceed 72.
Note: The total number of busses available will affect the choice of solo mode selected in the Setup Menu / Monitoring panel.
For example, if you wish to use AFL within a 5.1 Surround console configuration, an extra 6 busses will have to be reserved for that
purpose.
Clearing Settings
When you start a new session all current settings will be inherited by default but the Mix Automation and Cue List will be cleared.
The buttons at the bottom of the New Session panel allow you to clear settings according to your own requirements. When the buttons
are pressed, the relevant settings will be cleared. If you are simply adjusting the buss configuration of an existing console you are unlikely
to wish to clear all of your current settings.
You may also choose to Set all Input Direct Sends to Pre-Mute/Pre-Fader, Post-Mute/Pre-Fader or Post-Mute/Post-Fader for the new
session. Remember that when all settings are cleared, any labelling or routing which you have done will be lost.
1.3.2 Consoles and Racks ............................................................
If the console is the only one in the system, the Consoles & Racks panel will not open automatically and the console will be fully
connected to the racks with its Master Audio Outputs Active by default. This panel can also be opened from the System menu.
If the system has been defined as consisting of more than one device, the Consoles & Racks panel will automatically open on boot up or
load session.
If the Ethernet crossover cable or Ethernet switch has been connected, then the Ethernet Connected line should show a green OK light
and not a red cross.
The initial state will have no connection between the devices (Independent) or the racks (Isolated) and the panel appears in order to
prompt the operator to make the necessary connections.
In this state, any gain adjustments made on the console will have no effect as the racks will not be receiving any data. The console’s MASTER Audio Outputs Active button will normally be highlighted in orange to show that it is the master responsible for
audio processing at this time.
The same button on the other mirrored or remote devices in the system should not be highlighted at all.
The MADI Rack’s connect states Receive Only and Full Connect are enabled/disabled and set according to the Audio Master active state
– an inactive engine cannot output to a MADI rack.
Main Console Redundant Engine, Mirror Console or Remote
To enable control of the DiGiRacks, press the Full Connect buttons for the Optocore and MADI racks. You will then be required to confirm
the action, the session settings will be sent to the racks and the console will have full control over them.
1-8
Chapter 1
r
If you have a system where more than one console is sharing the racks you may wish to use the Receive Only mode where the console will receive the rack’s existing settings but will not be able to control the gain on the racks.
Options are:
Isolate where the console will not communicate with the racks and therefore any adjustment of input gain or +48V switch will have no
effect on the rack settings.
Receive Only where the console will receive the rack’s existing settings but will not be able to control the gain etc on the racks. Full Connect where the console will send its settings to the racks and change them accordingly. For more information on the use of this panel please see the chapter on Multiple Console Setups.
1.3.3 Selecting an Input Source ...................................................
First select the Fader Bank that you require by pressing one of the bank of buttons next to the channel faders.
Holding a Fader Bank button for more than half a second will switch all input banks to view the same Fader Bank row.
You can display the Input Module for a fader by touching the top of the fader's on-screen channel strip, where the channel label is
displayed. You can then hide the module by touching the same area again.
Gain / Phase
Signal Label
Stereo Channel Mode Selecto
Signal Group Selector
Signal Selector
Phantom Power
(Mic i/p only)
Preset Selector
Signal Delay
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Chapter 1
Input sources are divided into groups of signals eg. Stage 1-8 or Line 1-16.
To select an input source:
1) Touch the top of the input screen to open the input panel.
2) Touch the name of the Signal Group to view the signal names.
3) Touch the name of the signal to assign it to the channel.
4) Adjust the gain (analogue rack gain or digital trim selected by touching the required on screen control) with the worksurface rotary
control at the top of the channel.
5) Touch the top of the input screen again to return to the standard view.
Note: Touch the Lab box and type a name for the channel if required.
GAIN
1
4
5
2
3
If the Stereo is pressed, the input channel functions will control two input signals, the one which has been selected and the next one in the rack.
eg. If Stage 1 is selected and the stereo button is pressed Stage 2 will also be controlled.
To Solo a channel use the Channel LCD Buttons just below the mute buttons in the channel strip.
mutemute mutemute mute mute mute mute
LCD
FUNCTION
01 Mo
MIC 1
PFL
02 Mo
MIC 2
PFL
03 Mo
MIC 3
PFL
04 Mo
MIC 4
PFL
05 Mo
MIC 5
PFL
06 Mo
MIC 6
PFL
07 Mo
MIC 7
PFL
08 Mo
MIC 8
PFL
These are multi-function buttons and by pressing the Channel LCD Function button on the left hand side you can select which function they are currently assigned to.
LCD
FUNCTION
1
SOLO SAFE
2
AUX SEND
>FADERS
BUILD
GANGS
SOLO
1OR2
DISP LAY
ONLY
NAME
FADER
ASSIGNS
CHANNEL
SOLO
ASSIGNS
CHANNEL
1-10
1.3.4 Routing the Channel Signal ................................................
The channel signal can be routed to Sub Groups and Direct Outputs.
To Route to a Sub Group:
1) Touch the bottom of the input screen to open the routing panel.
2) Touch the Sub Groups button if it is not already highlighted.
3) Touch the Sub Group button(s) that you require eg. Master, SubGrp1 etc
4) Touch the bottom of the input screen again to return to the standard view.
2
3
Chapter 1
1
4
To Route to a Direct Output:
1) Touch the bottom of the input screen to open the routing panel.
2) Touch the Directs button if it is not already highlighted.
3) Touch the name of the Socket Group to view the output socket names.
4) Touch the Output Socket button(s) that you require eg. Loc op 1, Loc op 2 etc.
5) Touch the Pre/Post button to specify the position of the Direct Out, relative to the channel fader, in the signal path.
6) Touch the bottom of the input screen again to return to the standard view.
2
4
3
5
1
6
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Chapter 1
1.3.5 Routing Busses To Outputs ...............................................
The Master, Sub Group and Auxiliary busses may be routed to output sockets as part of the initial configuration.
This is achieved by using the buss output routing panel in the Master Screen:
1) Touch the Buss Outputs button at the top of the master screen.
2) Touch the on screen meter of the relevant buss to expand the view.
3) Touch the Route button at the bottom of the panel.
4) Touch the name of the Socket Group that contains the output you require eg. Loc op 1-8.
5) Touch the Output Socket button(s) that you require eg. Loc op 1, Loc op 2 etc
6) Touch the Route button at the bottom of the panel to close the routing.
7) Touch the area around the on screen meter to return to the standard view.
8) Press the Master Fader Bank button for the relevant row of outputs to adjust the output level with the worksurface master faders.
NOTE: For a stereo buss, select the output for the left hand signal and the next consecutive output is used automatically for the right hand
signal.
1
2
5
4
3
6
7
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n
1.3.6 Matrix Inputs .........................................................................
The 32x32 way matrix is accessed by touching the Matrix Inputs button on the master screen or the Matrix button on the far right of the worksurface master section.
Inputs are selected in the same way as the input channels (See Section 1.3.1).
To route a Sub Group into the Matrix:
1) Touch the Matrix Inputs button on the master screen to open the panel.
2) Touch the top of the input screen to open the input panel.
2) Touch the Stereo Buss or Mono Buss button to view the names of the Sub Groups.
3) Touch the name of the signal to assign it to the channel eg.SubGrp1L
4) Touch the top of the input screen again to return to the standard view.
Touch the on screen matrix send controls to select which ones you wish to adjust and they will become highlighted.
Use the worksurface Matrix Send control and On/Off switch to adjust the settings for all highlighted sends.
At the bottom of the panel there are buttons to Clear All Assignment, Load and Save Presets and Scroll buttons to view the other
inputs and outputs.
1
2
Matrix Send
Send On/Of
Open Matrix
Matrix PresetsClear All Selections Scroll Inputs
1.3.7 Matrix Processing ................................................................
Each of the 32 Matrix groups is controlled on its own channel in the input banks labelled matGrp1 to matGrp4.
Press the required input bank button to show the following panel and touch the relevant on screen area to expand the views.
Input Trim
Delay Con trols
Switch Direct
Output On/Off
EQ controllled by 3 rows of rotaries/switches below the input screen
EQ Mod ule
Dynamics Module
Meter / Mu te / AFL
Label
Routing Module
Compressor controllled by first row of rotaries/switches b elow the input scree
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Worksurface controls are as follows:
Trim
Mute
Solo
Label
Output Routin
Delay Time
These channels provide Trim, Delay up to 510ms, Compression and 6 Band Parametric EQ.
1.3.8 Routing Matrix Groups To Outputs ...................................
Matrix Group signals may be routed to a pre EQ, pre fader direct output and/or a post fader output
To Route a Matrix Group to a post fader Output:
1) Touch the bottom of the matrix group screen to open the routing panel.
2) Touch the Outputs button if it is not already highlighted.
3) Touch the name of the Socket Group to view the output socket names.
4) Touch the Output Socket button(s) that you require eg. Loc op 1, Loc op 2 etc.
5) Touch the bottom of the input screen again to return to the standard view.
2
Delay In/Out
Compressor
Threshold
Compressor
In/Out
1-14
4
3
1 5
To Route a Matrix Group to a pre EQ, pre fader Direct Output:
1) Touch the bottom of the matrix group screen to open the routing panel.
2) Touch the Direct button if it is not already highlighted.
3) Touch the name of the Socket Group to view the output socket names.
4) Touch the Output Socket button(s) that you require eg. Loc op 1, Loc op 2 etc.
5) Touch the bottom of the input screen again to return to the standard view.
6) Touch the Direct On button to turn the output on.
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4
3
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6
1 5
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Chapter 1
1.3.9 Save As New File ..................................................................
When you change the configuration of the session you may save it to the console's flash drive under a new filename or simply overwrite
the current file. To save under a new filename:
1) Touch the Session Files button at the top of the Master Screen to view the menu.
2) Touch the Save as New File button in the Sessions menu to open the panel.
3) Touch the C:\Projects folder button at the bottom of the panel to select the file destination.
4) Touch the New Filename box and type the chosen name (with a maximum of 8 letters and no spaces or punctuation).
5) Touch the Session Title box and type a description of the session if required.
6) Touch the Save button in the bottom right of the panel to save the session file.
Note: If you touch a session name on the existing list, this name will automatically be selected as the new file name and
touching Save will overwrite the old file.
1
2
4
3
5
6
1.3.10 Save Session ......................................................................
This button which is found above the Save As New File button will save the existing session in the same location and under the same file name as it was previously saved or loaded from. It therefore serves as a "Quick Save" option to update an existing session.
Remember that this function will overwrite your last saved version.
If you wish to save the session under a new name use the Session Files menu button and select Save As New File (See above).
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Chapter 1
1.3.11 EQ ........................................................................................
The EQ section comprises four user-configurable parametric filters and a pair of swept High-pass and Low-pass filters.
The EQ is accessed by touching the on screen display to Assign the channel (the colour changes to orange) and then using the
controls on the right hand side of the input module.
When a control is adjusted the expanded view seen below appears in the input screen but this view can be seen at any time by touching
the EQ response graph on the screen.
NOTE: If the expanded view does not appear when a control is adjusted open the System / Options panel and press the Automatically
expand EQ view when adjusted button.
Filter Centre Frequencies
Response Graph
Reset EQ
Preset Selector
Para metric 1 (Yellow)
Curve Select for Parametric 1
Parametric 2 (Blue)
EQ In/Out
Parametric 3 (Green)
Curve Select for Parametric 4
Parametric 4 (Red)
Lopass In/Out
Hipass / L opass Filters
Hipass In/Out
Note: The four band EQ and each of the filters have their own in/out switches.
The type of filter used by bands one and four can be changed by successive presses of the Curve Select button for that band. There are
three possible settings for each band.
1.3.12 Dynamics ............................................................................
The dynamics are accessed by touching the words Comp or Gate just below the EQ graph on screen to open the dynamics panel.
The worksurface controls beneath the screen control the various parameters. Touching the panel again will close it.
Dedicated Threshold controls and In/Out switches can be found on the right hand side of the input section worksurface. These can
control the Assigned channel's dynamics whether the on screen dynamics panel is open or not.
Compressor Controls
Gate Controls
The third row of buttons in the input section can be assigned to any of the dynamics on/off switches. Hold the Assign Switch button on the left of the input section and touch the dynamics section on the screen. The selected control is shown by the Status Display.
Note: These switches can also be assigned to other functions - See section 2.1.3
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1.3.13 Auxiliaries ...........................................................................
The auxiliaries are accessed by touching the auxiliary row on screen or using the Screen Scroll buttons on the left of the input section.
Aux Sends
Aux On/Off and Pre/Post
Screen Scroll
Aux Sends
Aux On/Off and Pre/Post
ssign Rotary
Assign Switch
Using either of these methods, the highlighted auxiliaries on the input screen will change. The rotary controls and switches beneath the
screen are used as auxiliary sends, pans, on/off and pre/post switches in the following way.
Assignable Rotary and Switch
Labels with Value Readouts
MONO AUX STEREO AUX
FIRST MONO AUX SEND
FIRST MONO AUX ON/OFF
(PRE/POSTWHENSENDISDOWN)
SECOND MONO AUX SEND
SECOND MONO AUX ON/OFF
(PRE/POSTWHENSENDISDOWN)
The third rotary control and button in the section can be assigned to any of the auxiliary sends or on/off switches. Hold the Assign Rotary or Assign Switch button on the left of the input section and touch the required auxiliary row on the screen. The selected auxiliary name is shown by the Assignable Rotary Display.
(PRE/POST WHEN SEND IS DOWN)
assign
AND
STEREO AUX SEND
STEREO AUX ON/OFF
STEREO AUX PAN
STEREO AUX PAN
TOGGLE TO CENTRE
assign
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Chapter 1
1.3.14 Control Groups ..................................................................
Any number of input channels and output channels can be connected to one or more of the 24 Control Groups. They can then all be
operated from a single worksurface control. Changes to the Control Group fader, mute or solo or controls will affect all channels connected to the group.
To set up Control Groups:
1) Touch the Control Groups button on the Master screen.
2) Touch the Touch Faders To Join/Leave button on the required Control Group (1-24).
3) Touch the faders on the channels that you want to include. (Touching the fader again will remove it from the group).
4) Touch the Touch Faders To Join/Leave button again to turn the function off.
5) Press the on screen Mode button to select Moving faders, VCA style static faders or Mutes only.
6) Press the Auto-Mute button if required to select this mode for the Control Group.
With Auto-Mute on, any Control Group member which is removed from the group will be automatically muted and any member that joins a
group will be automatically unmuted.
7) Use the worksurface fader, mute and solo to adjust settings for the Control Group members.
A list of all the connected channels and their names is displayed above each Control Group display, touch the area above the Clear button
to expand this list.
When a fader is touched it is highlighted in the list.
You can also clear all the channels from a Control Group by pressing Clear.
When a channel is a member of a Control Group, its own controls can still be adjusted independently of the other Group members.
Adjustments to fader levels are transmitted to the Group members as dB changes, so that a level increase of 2dB on the Group fader will
increase all the member levels by 2dB, irrespective of the relative levels of the individual channel faders.
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Chapter 1
1.3.15 Master Fader Banks ...........................................................
The faders in the console Master section control the output levels for busses, auxiliaries and the matrix. To select a bank, press the
relevant Master Fader Bank button for the Upper faders.
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