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International Headquarters
Mailing AddressCyberLink Corporation
15F, #100, Min Chuan Road, Hsin Tian City
Taipei County, Taiwan, R.O.C.
This chapter introduces CyberLink PowerDirector and the digital
video editing process. It provides a discussion of the different
kinds of technology you will use in the digital movie-making
process, as well as system requirements for working smoothly with
CyberLink PowerDirector.
This chapter contains the following sections:
• Welcome on p.2
• The Movie-Making Process on p.3
• General Preferences on p.5
• System Requirements on p.7
• PowerDirector Versions on p.8
1
CyberLink PowerDirector
Welcome
Welcome to the CyberLink family of digital
video tools! PowerDirector is a digital video
editing program that can help you create
professional-looking video movies, complete
with music, voice-over, special effects, and
transition effects.
If you don’t have experience making movies, don’t worry.
CyberLink PowerDirector provides home users with a simple
tool to help them do something a little more creative with their
home videos. You don’t have to be a video professional or have
aspirations of a box office hit to enjoy using PowerDirector.
Where to Begin Reading
Of course, we hope that you will read through the entire User’s
Guide for complete information on working with CyberLink
PowerDirector. However, some people like to just jump in and
get working on specific projects. If you are one of those people,
please refer to the list below for the page numbers of the
information you are looking for.
• If you have questions about the program or the digital
movie-making process, start by reading the Introduction
on p.1, then the Visual Overview on p.9.
• If you want to capture media, read Capturing Media on
p.25
• If you want to put your media clips together into a story,
start by reading Editing Clips on p.56.
• If you want to modify your media clips, read Working
with Media Clips on p.45.
• If you want to modify your story, read Working with
Effects on p.69.
• If you want to create a disc, start by reading Producing
Your Movie on p.93, then Burning Your Movie to Disc on
p.123.
2
Chapter 1: Introduction
The Movie-Making Process
The digital movie production process involves a
combination of artistry and technology, beginning
with raw video footage and ending with a movie
production. CyberLink PowerDirector provides the
easiest way to produce your finished movie and
publish it to the medium of your choice.
Pre-Production
Before you edit your movie using CyberLink
PowerDirector, you must first create (or gather)
its component parts: video clips, photos, music,
and narrative voice-overs.
You may collect raw footage yourself with a camcorder or other
recording device, or you may simply use non-copyright
protected media files that you have on hand.
You should have all of the bits and pieces of your movie on hand
so that the video editing process goes as smoothly as possible.
Editing
When you have your raw footage on hand, you might expect to
use CyberLink PowerDirector to perform the following tasks:
1.Acquire video and audio content.
2.Trim video and audio content to a desired length.
3.Add a special effect to a video clip.
4.Adjust the sharpness, contrast, and color of a video clip.
5.Mix your background and voice-over tracks.
6.Add transition effects between video clips.
7.Preview your production.
8.Burn your production to CD/DVD.
3
CyberLink PowerDirector
PowerDirector Projects
Whatever changes you make to your video clips, audio files, or
photos in CyberLink PowerDirector does not affect your original
media. Since your settings are all saved in the project file, you
can trim, edit, or delete clips in PowerDirector, but still keep your
original files on your hard drive, untouched. So let yourself get
creative! If you end up changing things too drastically, you can
always start over.
You can open and save a PowerDirector project file just like any
other file in Windows. You can also create a new file or save the
current file under a different file name.
Ready to Burn
When you are ready to burn your movie to
disc, you should have several discs on hand
that are compatible with your burning drive.
Make sure not only that the media type is
correct (i.e.: that you have DVDs for a DVD
drive and CDs for a CD drive), but that your
discs are all in the correct format (for example,
CD-R or DVD+RW).
Keep several discs on hand in case your drive encounters errors,
or to make duplicate copies when you are satisfied with the
results.
4
Chapter 1: Introduction
General Preferences
CyberLink PowerDirector offers a range of choices to set your
video production environment to better suit the way you work.
To set your working preferences, do this:
1.Click Edit > Preferences... The Preferences dialog box
opens.
2.Set your preferences:
• Import directory: Set the folder where PowerDirector
looks by default for media clips when you load media
files. To change this folder, click Browse and select a new
folder.
• Export directory: Set the folder where PowerDirector
saves captured media files by default. To change this
folder, click Browse and select a new folder.
• Durations: Set default durations (in seconds) for image
files, titles, transitions, and video effects.
• Undo levels: Enter a number (between 0 and 100) of
levels of undo you would like to make available while
you work on your movie production. Setting a higher
number of undo consumes more CPU resources.
5
CyberLink PowerDirector
Recently used file list: Enter a number (between 0 and
•
20) of recently used files that you would like to make
available in the File menu when you open
PowerDirector.
• TV format: Select the TV format (NTSC or PAL) of the
region in which you would like to produce your movie.
This format should correspond to the format of the
region in which you plan to play your movie (if you burn
it to disc).
• Always prompt me when TV format conflicts: Check
this option to enable a warning message when you add a
video clip to the workspace whose TV format (NTSC/
PAL) conflicts with that of the video clips already located
in the workspace.
• Default mode: Select to open PowerDirector in Timeline
or Storyboard mode by default.
• Production preview: Select On to enable the video
preview window during production. Select Off to
disable the preview window during production and
reduce production time.
• Automatically load the most recent project: Check this
option to load the project you have been working on
most recently whenever you open PowerDirector.
• Enable file deletion from hard drive and ask me for
confirmation: Check this option if you would like to be
able to delete files located on your hard drive using a
menu option in the Library.
3.Click OK.
6
Chapter 1: Introduction
System Requirements
The system requirements listed below are recommended as
minimums for general digital video production work. You may
find that your system, while meeting these recommended
minimums, requires expanded capacity during specific DV
editing tasks.
MinimumRecommended
Screen
Resolution
OS
Memory
CPU
HDD
Space
Video
Capture
CD/DVD
Burning
Mic
1024 x 768, 16-bit color1024 x 768, 32-bit color
Windows XP/2000/ME/
98SE
128MB256MB DDR
• Capture/Produce AVI: P2-450
• Capture/Produce MPEG-1: P3-600
• Capture/Produce MPEG2: P4-2G
• Optimized for CPU with SSE, SSE2, 3DNow!, and
HyperThreading technology
• 1GB for making VCD/
SVCD/MiniDVD
• 10GB for making DVD
• PCI or USB1.0/2.0 capture device compliant with WDM
standard (For example, PC Camera and TV tuner with
WDM driver)
• DV/D8 camcorders connected via OHCI-compliant
IEEE1394
CD or DVD burner (CD-R/RW, DVD+-R/+-RW) is required to
burn VCD/DVD/SVCD/MiniDVD titles
A microphone is required to record a voice-over
Windows XP/2000
• 3GB for making VCD/
SVCD/MiniDVD
• 15GB for making DVD
• 7200RPM drive
7
CyberLink PowerDirector
PowerDirector Versions
PowerDirector is available in many different OEM versions and
the full retail version. File format support, editing features, discmaking functions, and other features vary depending on the
version that you have. For information on the availability of
specific functions in the PowerDirector version that you are
using, please check the PowerDirector Readme file.
8
Chapter 2:
Visual Overview
This chapter introduces the CyberLink PowerDirector program
and the components that are available in PowerDirector’s
different modes. Descriptions in this chapter focus on the
appearance of the program, not on procedures for using the
program. For instructions on how to use the program, refer to the
many function-specific sections throughout the rest of the
manual.
This chapter contains the following sections:
• The PowerDirector Program on p.10
• Capture Mode on p.12
• Edit Mode on p.13
• Library on p.14
• Media Room on p.15
• Effect Room on p.15
• Title Room on p.15
• Transition Room on p.15
• Audio Mixer on p.16
• Voice-over Recording Room on p.17
• The Workspace on p.18
• Preview Window on p.20
• Media Viewer on p.21
• Media Editor on p.22
• Production Mode on p.23
• Burn Mode on p.24
9
CyberLink PowerDirector
The PowerDirector Program
When you first open PowerDirector, the program appears as
follows:
Library
Contains media clips, effects,
and transitions
Preview window
Mode buttons
Click to switch working
modes
Provides playback controls to
preview clips and movies
Smart Guide
Provides function-specific tips
10
Media tracks
Insert media clips here
Chapter 2: Visual Overview
PowerDirector has four modes that enable you to perform
different tasks: Capture, Edit, Produce, and Burn.
Click to switch to the capture interface. See Capture
Mode on p.12.
Click to switch to the editing interface. See Edit Mode
on p.13.
Click to switch to the production interface, which
opens the Disc Wizard. See Production Mode on p.23.
Click to switch to the burning interface, which opens
the PowerProducer tool. See Burn Mode on p.24.
The PowerDirector program changes appearance depending on
mode. (By default, the program opens in Edit mode.) In addition,
certain parts of the program may change within a specific mode.
For example, the Library changes display when you click an
editing function button, and the workspace can toggle between
Timeline and Storyboard views. The different modes and the
varying appearances they bring to the PowerDirector program
are all described in the sections that follow.
11
CyberLink PowerDirector
Capture Mode
When you click the button, PowerDirector enters
Capture mode, in which you can capture media from a variety of
capture devices. In Capture mode, the program appears as
follows:
Capture preview window
Displays media clips during capture.
Captured Clips area
Displays media clips after
capture.
Capture device selection area
Allows you to switch capture devices
and set capture limits
Information display area
Displays information about
captured file size and
available HDD space
For more information on capturing media, see Capturing Media
on p.25.
12
Chapter 2: Visual Overview
Edit Mode
When you click the button, PowerDirector enters Edit
mode, in which you can edit your video production. In Edit
mode, the program appears as follows:
Edit function buttons
Open editing rooms dedicated
to a specific task
Workspace view buttons
Click to switch between
Timeline and Storyboard views
For more information on editing a video production, see
Working with Media Clips on p.45 and Working with Effects on
p.69.
13
CyberLink PowerDirector
Library
The Library is the storeroom in which all of the media clips used
in your projects are kept. In addition, the Library displays all of
the different types of effects that can be applied to media clips.
The Library appears as follows:
Filter drop-down list
Library menu button
Load media button
Library contents
Detect scenes button
Which contents the Library displays depends on the edit
function button you click. These buttons are shown below:
Media Room button
Effects Room button
Titles Room button
Transitions Room button
Audio Mixer button
Voice-over Room button
Each of these buttons opens an editing ‘room’ dedicated to a
specific task. By default, the Library opens to the Media Room.
However, the Library retains the same buttons and functions in
each of these views.
14
Media Room
The Media Room is the storage area for the media
that you will use in your video editing project. Which
type of media clips appear in the Media Room
depends on the selection you make in the Filter dropdown list.
Effect Room
The Effect Room contains all of the special effects that
can be applied to video or image clips in the
workspace.
Title Room
The Title Room contains all of the title effects that can
be applied to the workspace.
Chapter 2: Visual Overview
Transition Room
The Transition Room contains all of the transition
effects that can be applied between video or image
clips in the workspace.
15
CyberLink PowerDirector
Audio Mixer
The Audio Mixer contains audio mixing controls for
the different audio tracks in the workspace. The
Audio Mixer appears as follows:
Audio mixing controls
16
Chapter 2: Visual Overview
Voice-over Recording Room
The Voice-over Recording Room contains controls for
recording a narration from a microphone while
watching the video clip the voice-over is destined to
accompany. The Voice-over Recording Room appears
as follows:
Recording options buttons
Record button
Recording volume controls
17
CyberLink PowerDirector
The Workspace
The edit interface consists of a workspace to which you can add
clips. You can set which view opens by default in the Preferences
dialog box. You can also switch views by clicking the Timeline or
Storyboard buttons.
Timeline View
When you first open PowerDirector, the program opens to the
Edit interface in whichever mode you have set in your
preferences.
To switch to Timeline view, click . The workspace
appears as follows:
The Media Tracks
Video
Effect
PiP
Title
Vo i ce
Music
18
Contains your movie’s main video and/or image clips.
Contains special effects that apply to the video or image clip
in the Video track at the same location.
Contains video/image clips, which are overlaid on any clip
in the Video track that appears during the PiP effect’s
duration.
Contains title effects that appear over any clips in the Video
track that occur during the title effect’s duration.
Contains a narrative voice-over or second audio clip.
Contains your movie’s main audio clip.
Chapter 2: Visual Overview
Resizing the Ruler
You can resize the ruler for a more expanded or more condensed
view of your production. The graphics below show the effect of a
condensed versus an expanded ruler:
Condensed ruler:
Expanded ruler:
To resize the ruler, click inside the ruler and drag. Expand the
ruler for more a precise view, which is especially handy when
aligning clips and effects, or condense the ruler for a global
overview of your entire production.
Storyboard View
You can switch to Storyboard view while editing your movie for
a simpler view of the clips that your movie contains.
To switch to storyboard view, click . The workspace
appears as follows:
19
CyberLink PowerDirector
Preview Window
The preview window to the right of the Library allows you to
preview both media clips located in the Library as well as your
entire movie production.
Slider
Time display
Volume
Open Media Viewer/Media Editor
Fast forward
Next frame
Previous frame
Stop
Play
Movie mode
Clip mode
20
Chapter 2: Visual Overview
Media Viewer
The Media Viewer allows you to preview media clips as well as
your entire movie production in a large, resizable window. The
Media Viewer appears as follows:
Preview window
Provides playback controls to
preview your movie
Playback controls
Allow you to control playback of clips
21
CyberLink PowerDirector
Media Editor
The Media Editor is similar to the Media Viewer but offers
additional functions for trimming video clips. The Media Editor
appears as follows:
Preview window
Provides playback controls to
preview your movie
22
Playback controls
Allow you to control playback
and editing of clips
Precise Cut sliders
Allow you to trim long videos
accurately
Chapter 2: Visual Overview
Production Mode
When you click the button, PowerDirector enters
Production mode, in which you can compile your movie into a
file that is ready for a variety of destinations, including burning
to disc. In Production mode, PowerDirector opens the
Production Wizard. The Production Wizard appears as follows:
Preview window
Provides playback controls to
preview your movie
Information display area
Information display area
Production mode buttons
For more information on producing your movie, see Producing
Your Movie on p.93.
23
CyberLink PowerDirector
Burn Mode
When you click the button, PowerDirector enters Burn
mode, in which you can burn your produced movie to disc. In
Burn mode, PowerDirector opens the PowerProducer. For more
information on burning your movie to disc, see PowerProducer
help.
24
Chapter 3:
Capturing
Media
This chapter explains how to acquire media for use in CyberLink
PowerDirector. You can acquire video and audio from a wide
variety of sources, including a webcam, camcorder, TV, VCR,
microphone, and audio CD.
This chapter contains the following sections:
• Capture Preferences on p.26
• Capture Options on p.28
• Capture from DV Camcorder on p.35
• Capture from TV on p.40
• Capture from Webcam on p.41
• Capture from Microphone on p.42
• Rip Audio Tracks from CD on p.43
• Record a Voice-over on p.44
25
CyberLink PowerDirector
Capture Preferences
Before you begin to capture, make sure your capture
environment is set according to your preferred working
methods.
1.To set your capture preferences, click Edit > Preferences.
The Preferences dialog box opens.
2.Click the Capture/Export tab and set your preferences, if
necessary:
• Add captured files to Library: Check this option to
import captured files into the Library, and switch to Edit
mode.
• Add captured files to workspace: Check this option to
import captured files into the workspace, and switch to
Edit mode.
• Use video overlay for capture: Keep this option checked
during capture unless you have an older VGA card that
does not support video overlay. (Unchecking this option
in this event avoids the unsupported overlay display
error.)
• Enable automatic file replacement during voice-over:
Check this option to overwrite existing audio if the
voice-over overlaps during recording.
26
Chapter 3: Capturing Media
Captured video filename: Enter a default name for
•
captured video files. PowerDirector automatically
appends a sequential number to this name to create a
unique filename for each captured file.
• Always prompt me to confirm filename: Check this
option if you would like PowerDirector to prompt you to
enter a filename each time you capture video (or take a
snapshot).
• Snapshot filename: Enter a default name for snapshot
captures. PowerDirector automatically appends a
sequential number to this name to create a unique
filename for each captured file. Select a file format from
the drop-down list.
• Snapshot destination: Select a destination for snapshot
captures from the drop-down list.
• Do not detect scenes during capture: Check this option
if you do not want to activate the scene detection
function during capture.
• After capture, detect scenes by changing of video
frames: Check this option to perform scene detection
during video capture. In scene detection, PowerDirector
compares captured frames to decide when there is a
scene change. Each scene is saved as a file as recording
continues.
• During capture, detect scenes by timecode, and save
each scene as a separate file (DV-VCR mode only):
Check this option to detect scene-break signals and to
save each scene as a separate file. (DV camcorder
generate a scene-break signal on the tape whenever users
release the REC button.) This feature is only available in
DV tape capture.
• DV Parameters button: Click this button to set the buffer
parameters for your DV camcorder. Setting a buffer time
ensures that your DV camcorder and your batch capture
or DV writing device begin at the same time. Without a
buffer, batch capturing or writing to tape may begin
before the camcorder is engaged.
3.Click OK.
27
CyberLink PowerDirector
Capture Options
Many of the options for capturing are shared by different capture
modes. These options are described below. Not all of the options
described in this section are available in all capture modes.
Descriptions of options specific to a single capture mode are
found in the section that describes that mode.
Note: PowerDirector’s capture functions vary, depending on
version. For information on the availability of specific
features in the PowerDirector version that you are
using, please check the Readme file.
Capture Limit Options
You can set limits on the size or duration of video that
PowerDirector captures. When the limit you set is reached,
capture automatically stops.
To set a maximum capture length, check Time limit, then enter a
time in the timecode box.
To set a maximum captured file size, check Size limit, then enter
a size limit (in MB).
28
Profile Options
Click Profile. The Profile Setup dialog box opens.
• For more information on MPEG profiles, see Create a
New MPEG-1/MPEG-2 Profile on p.99. For more
information on AVI options, see Windows AVI on p.104.
• Click the Comments and Details buttons for more
information about the profile.
Chapter 3: Capturing Media
29
CyberLink PowerDirector
Analog Video Capture Options
Click Video. The Analog Video Settings dialog box opens,
displaying the Video Setup tab. You may select your capture
source here.
Click the Video Adjustment tab and set the video options, if
necessary.
Click the TV Setup tab and set the TV options, if necessary.
30
Chapter 3: Capturing Media
Audio Capture Options
Before you capture from microphone, there are several options
you can set.
Drag the volume level slider to set the input volume level.
Check Begin with fade-in to start an audio capture in with a
fade-in from silence.
Check End with fade-out to end an audio capture with a fadeout to silence.
Click Audio. The Audio Setup dialog box opens. You may select
your audio input device, audio input source, and input volume
here.
31
CyberLink PowerDirector
Webcam Video Capture Options
When capturing from a webcam, click Video to set up your
webcam capture profile. Under the Video Setup tab, you can
select your capture source. Click Advanced Settings for more
options.
Click the Video Adjustment tab and drag the sliders to increase
or decrease the intensity of the video attributes here.
32
• Click Revert to clear the changes you have just made.
• Click Default to reset the attributes to their original
levels.
Chapter 3: Capturing Media
CD/Microphone Capture Profile Setup
When recording from CD or microphone, click Profile to set up
your CD or microphone recording profile. You may select an
audio quality here.
• You can save a profile using a unique name by clicking
the Save As... button. Click Remove to remove the new
profiles you create.
33
CyberLink PowerDirector
Captured Clip Options
After you capture clips, a number of options are available for
managing them. Some of these options appear in the dialog box
immediately after capture, while others are available in the
Captured Clips area of the Capture window.
Click Change Folder to set a different destination folder for
captured clips.
Note: Set this option before capturing clips.
Post-Cap ture Options
To delete a captured file, click Delete in the dialog box that
appears after recording.
To name a captured file, enter a name in the dialog box that
appears after recording. To use default names for captured files,
check the Don’t ask me to rename files again option in the
dialog box that appears after recording.
Captured Clips Area Options
Captured clips appear in the Captured Clips area. Right-clicking
clips in this area displays a menu that provides several options:
34
• Delete from Disk: Select this option to remove the clip
from the Detected Scenes area and delete the source file
from your hard disk.
• Remove Item: Select this option to remove the clip from
the Detected Scenes area.
• Play in Media Viewer: Select this option to view the clip
in the Media Viewer. See Preview a Clip in the Media
Viewer on p.68.
• Detect Scenes: Select this option to detect the scenes
contained in a video clip. See Detect Scenes in a Video
Clip on p.50.
Chapter 3: Capturing Media
Capture from DV Camcorder
DV camcorders are popular among video hobbyists, as they
record in a digital format that does not require conversion before
being used on a computer, and often provide a number of
advanced recording options. You can capture a single scene or a
number of scenes in a batch from your camcorder. Procedures for
both methods are described below.
Capture a Single Scene
You can capture a single segment of video from your camcorder.
This function is particularly useful, for example, if you want to
acquire a long video segment in its entirety without skipping
over sections.
To capture a single scene from a DV camcorder, do this:
Note: Make sure your camcorder is in VRC mode before
capturing.
1.Click to open Capture mode.
2.Click to open the DV camcorder capture function. (You
may have to wait a few moments as PowerDirector switches
devices.)
35
CyberLink PowerDirector
3.Locate the position at which you would like to begin
capturing. You may do this in one of the following ways:
• Use the playback buttons.
• Drag the time slider.
• Enter a timecode, then click to seek to that timecode.
4.Set your capture options (if necessary). See Capture Options
on p.28.
• Check Non-realtime to continue processing captured
video after the original video stops playing in order to
ensure that no frames are dropped. Capturing video at a
higher speed reduces processing time, but yields video
of a lower quality. Capturing better quality video
requires more CPU power and more time to complete.
5.Click to begin capture. The video plays in the preview
window as you capture.
• Click to stop capture before completion.
6.Enter a name in the dialog box that appears. The clips you
have captured appear in the Captured Clips area.
36
Chapter 3: Capturing Media
Batch Capture
Batch capturing may seem intimidating, but in reality, it is an
incredibly convenient method of capturing multiple video clips
automatically. If you take a few minutes to familiarize yourself
with batch capturing, you will save yourself loads more time
when you capture video from your camcorder. PowerDirector
scans your DV for intervals, then allows you to batch capture
from the clips created using intervals.
To batch capture from a DV camcorder, do this:
Note: Make sure your camcorder is in VRC mode before
capturing.
1.Click to open Capture mode.
2.Click to open the DV device capture function. (You may
have to wait a few moments as PowerDirector switches
devices.)
3.Set your capture options (if necessary). See Capture Options
on p.28.
• Check Non-realtime to continue processing captured
video after the original video stops playing in order to
ensure that no frames are dropped.
37
CyberLink PowerDirector
4.Click . The DV Quick Scan dialog box opens.
• Click Note for important information on how to use the
DV Quick Scan function.
5.Locate the position at which you would like to begin
scanning for intervals. You may do this in one of the
following ways:
• Use the playback buttons.
• Drag the time slider.
• Enter a timecode, then click to seek to that timecode.
6.Click Start Scan to start scanning for intervals.
PowerDirector scans for intervals.
7.Click Stop Scan after all of the video segments you want to
capture have been scanned. Scanned intervals appear as
thumbnails in the window.
38
Chapter 3: Capturing Media
Click Back to return to the Quick Scan function.
•
8.Check the thumbnails of the intervals you want to batch
capture.
• You can change the profile of the clips to be captured. To
do this, click Profile and select a new profile.
• To combine sequential intervals into a single interval,
check the intervals, then click Merge. Click Auto-Merge
to combine intervals to combine all checked intervals in
sequence or to merge all of the clips in an interval that
you can set.
9.Click Start Capture to begin batch capture. PowerDirector
rewinds your tape to the position of first clip, then begins
capturing all of the intervals you have checked. The video
plays in the preview window as you capture. The clips you
have captured appear in the Captured Clips area.
• Click Stop Capture to stop the capture process.
10. Click Finished to return to Capture mode.
39
CyberLink PowerDirector
Capture from TV
You may wish to add segments from your favorite TV programs
to your movie production, or simply record other segments for
different uses.
To capture from TV, do this:
1.Click to open Capture mode.
2.Click to open the TV capture function. (You may have to
wait a few moments as PowerDirector switches devices.)
3.Set your capture options (if necessary). See Capture Options
on p.28.
• Click if you have CATV, or click if your TV has an
antenna.
4.Locate the channel you want to capture. You may do this in
one of the following ways:
• Click to go up a channel or to go down a channel.
• Click to return to the previous channel.
• Enter a channel number in the channel box.
5.Click to begin capture.
6.Click to stop capture.
7.Enter a name in the dialog box that appears. The clips you
have captured appear in the Captured Clips area.
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Chapter 3: Capturing Media
Capture from Webcam
Webcams (also known as PC cameras) are inexpensive, handy
video cameras that you can use for simple video capturing.
To capture from webcam, do this:
1.Click to open Capture mode.
2.Click to open the webcam capture function. (You may
have to wait a few moments as PowerDirector switches
devices.)
3.Set your capture options (if necessary). See Capture Options
on p.28.
4.Click to begin capture.
5.Click to stop capture.
6.The clips you capture appear in the Captured Clips area.
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Capture from Microphone
Your movie may require a narrative voice-over, or you may elect
to record dialog in a studio for better acoustics. No matter what
kind of audio tracks you record, they can be captured with a
microphone for use in your PowerDirector project.
To capture from microphone, do this:
1.Click to open Capture mode.
2.Click to open the microphone capture function. (You
may have to wait a few moments as PowerDirector switches
devices.)
3.Set your capture options (if necessary). See Capture Options
on p.28.
• Click to add a fade-in effect.
• Click to add a fade-out effect.
4.Set your master audio level. To do this, click , then drag
the slider to the desired recording level. (You may also
adjust audio levels on the fly while recording.)
5.Click to begin capture. Recording begins after a three-
second countdown.
6.Click to stop capture.
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Chapter 3: Capturing Media
Rip Audio Tracks from CD
Using your favorite music can help you to create a really fun,
personalized movie. If you have music stored on an audio CD,
you can rip the songs you want and then add them as audio
tracks in PowerDirector.
To rip audio tracks from CD, do this:
1.Click to open Capture mode.
2.Click to open the CD capture function. (You may have
to wait a few moments as PowerDirector switches devices.)
3.Select a drive.
4.Select the track you want to rip.
5.Set your capture options (if necessary). See Capture Options
on p.28.
6.Click to begin capture.
• Click to stop capture.
7.Enter a file name for the captured file and click OK.
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Record a Voice-over
The Voice-over Recording Room is located in the Library in Edit
mode. Using the Voice-over Room, you can record a voice-over
narration while watching the accompanying video. When you
capture your narration, the audio track is synched with the video
portion.
To record a voice-over, do this:
1.Click to open the Voice-over Recording Room.
2.Set your voice-over options. See Capture Options on p.28.
• Click to add a fade-in effect.
• Click to add a fade-out effect.
3.Locate the point in your movie at which you want to begin
recording a voice-over. You may do this in one of the
following ways:
• Drag the Timeline slider.
• Drag the preview window slider.
• Use the playback buttons.
• Enter a timecode in the timecode box.
4.Drag the Recording volume level slider to set the input
volume level.
5.Click to begin recording. Record your voice-over as you
watch the video in the preview window.
6.Click to stop recording.
7.Click to close the Voice-over Recording Room.
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Chapter 4:
Working with
Media Clips
This chapter discusses how to load media into the Library for use
in your projects, how to add your media clips to the workspace,
then how to manipulate and edit media clips once they are
loaded into the workspace. Adding and manipulating media
clips allows you to construct the framework of your movie
production - to lay out and organize the story you want to tell.
This chapter contains the following sections:
• Managing Media in the Library on p.46
• Managing Clips in the Workspace on p.52
• Editing Clips on p.56
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Managing Media in the Library
After you have obtained the media files you want to work with,
the next step is to add them into the Library (where they become
media “clips”) in order to make them available for your movie.
Once your clips are loaded, you can change the display of your
media clips in the Library and delete unnecessary clips.
Load Clips into the Library
When loading media clips into PowerDirector’s Library, you
have two options: to load media files individually, or to load an
entire folder that contains media files you want to use in your
current project.
Note: PowerDirector’s file format support varies, depending
on version. For information on the availability of
specific features in the PowerDirector version that you
are using, please check the Readme file.
Load Individual Media Files
To specify individual media files to load into the Library, do this:
1.Click to open the Media Room in the Library.
2.Select the type of media you want to
load (or All Media) from the Filter
drop-down list.
Note: By selecting a media type (other
than All Media) in this dropdown list, you restrict the type of
media displayed in the Library,
and consequently, the type of
media that you can import.
3.Click and select Load media file(s). A dialog box
opens.
4.Locate and open the file(s) you want to add. Thumbnails of
each of the media files you have selected appear in the
Library.
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Chapter 4: Working with Media Clips
Load a Media Folder
To load all of the media files in a particular folder, do this:
1.Click to open the Media Room in the Library.
2.Click and select Load a media folder. A dialog box
opens.
3.Locate the folder you want to open, then click OK. All of the
media files in that folder are loaded into the Library.
Sort Clips in the Library
Once your media clips are loaded into the Library, you can
restrict the display to a certain type of media for a simpler view,
and you can also sort media files using different criteria.
• Select the type of media you want
to view (or All Media) from the
Filter drop-down list. Only those
clips that belong to the media type
you have selected are displayed in
the Media Room.
• To change the way media files are
sorted, click . Select Sort by, then choose a sorting
option (Name, Duration, File size, Date, Type).
Note: Color boards can be sorted by Name, R (Red), G
(Green), and B (Blue), or Date.
To change the way media files are displayed, click .
•
Select Display by, then choose a display option
(Thumbnails or Details).
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Remove a Clip from the Library
To remove a media clip from the Library, do this:
1.Click to open the Media Room in the Library.
2.Select the clip(s) you want to remove, then do one of the
following:
• Press the Delete key.
• Click and select Delete selected.
• Right-click the clip(s), then select Remove from Library
or Delete from disk.
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Note: The Remove from Library option makes the clip
unavailable in the Library but does not affect the
original media file on your hard disk. The Delete from disk option both removes the clip from the Library and
deletes the original file on your hard disk.
Chapter 4: Working with Media Clips
Rename a Clip in the Library
Clips you import into the Library retain their original file names,
which are often non descriptive and difficult to use in a video
editing project. By using an alias, you can rename any clip in the
Library to better suit your project. (For example, you may wish
to use the alias “first video clip” instead of “video_005.mpg.)
To rename a clip using an alias, do this:
1.Right-click the clip you want to rename and select Use alias.
2.Enter a name and press Enter on your keyboard or click
outside the name box. The clip appears in the Library using
the alias.
Restore a Clip’s Original File Name
Although using an alias is handy while working on your video
project, you may find it necessary to view the original name of
the clip (for example to verify which version of a clip you are
using).
To restore a clip’s original name, right-click the clip you want to
rename and select Restore original clip name. The clip now
appears in the Library using the original clip name.
View Clip Properties
If you need to view information about a
media clip in the Library or the
workspace (such as its format, file path,
size, frame rate, etc.), you can view the
clip’s properties.
To view clip properties, right-click the
clip and select Properties. The Properties
dialog box opens.
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Detect Scenes in a Video Clip
The scene detection function automatically creates individual
clips based on the individual scenes contained within a video
clip. Detected scenes are not split from the original clip, but can
be added to the workspace like any other media clip. Likewise,
they may also be merged together or removed entirely without
changing the original video clip.
1.To detect scenes in a video clip in the Library, do this:
2.Select the video clip whose scenes you want to detect.
3.Click . The Scene Detection window opens.
4.Increase or decrease scene detection sensitivity, if necessary.
Increased or decreased scene detection sensitivity yields an
increased or decreased number of scenes that are detected.
You may do this in one of the following ways:
• Drag the Sensitivity slider.
• Click the or buttons.
5.Click Settings and set your scene detection options, if
necessary:
• The Detection Method section pertains to video clips that
have been captured. (If the video clip was not captured,
the Detection Method options are disabled.) If you have
a DV AVI clip that contains multiple timecodes (i.e.:
timecodes are automatically set when you start and stop
recording) and you wish to split up your clip in this
manner, select Detect by changing of timecodes.
Otherwise, use Detect by changing of video frames.
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Chapter 4: Working with Media Clips
To detect more precisely within a video clip that contains
•
fades, check the Ignore fade-ins/outs option.
• To detect more precisely within a video clip that contains
bright flashes (for example, camera flash), check the
Ignore flashing lights option.
6.Locate the position at which you would like to begin
detecting scenes. You may do this in one of the following
ways:
• Use the playback buttons.
• Drag the time slider.
• Enter a timecode.
Note: You may, of course, detect scenes from the start of the
clip.
7.Click Detect. The video clip plays in the Preview Window
from the point you have set.
Note: To set scenes manually, click Split instead of Detect.
•
To stop the scene detection process before completion,
click Stop or press the <Esc> key.
• After the original scene detection, you may further detect
scenes within a newly generated scene. To detect scenes
manually (including changing detection sensitivity),
select a scene, then repeat the steps for detecting scenes.
To detect scenes automatically, right-click a scene and
select Detect again from this scene.
• To remove a scene after detection, select the scene and
click Remove, or right-click the scene and select Remove
scene.
8.Click OK to close the Scene Detection window.
• To return to the Library, click Up One Level.
Clips created by the new scenes are displayed in a subfolder
under the original video clip. They can be added to the
workspace and managed in the Library like any other video clip.
Video clips that contain detected scenes show a
small folder icon in the lower right-hand corner of
the clip when displayed in the Library. To display a
clip’s scenes, click the folder icon.
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Managing Clips in the
Workspace
Once you have loaded media files into the Library, they are ready
to be used in your movie. You can load different types of media
clips into the different tracks in the workspace, move them to
different locations in your story, and delete them from the
workspace.
Add a Clip to the Workspace
The different types of media clips may only be added to specific
tracks. The sections below describe the procedures for adding
each kind of media clip into the workspace.
Note: You may prefer to add clips in Storyboard view, since
this view is simpler than the Timeline view. However,
clips can only be added to the Video track in this view.
Therefore, this section uses the Timeline view in all of
the procedures.
Add Video & Image Clips
You can add video and image clips to either the Video track or
the PiP (picture-in-picture) track. To create the basic framework
of your movie, add video and image clips to the Video track.
Add clips to the PiP track only to create a picture-in-picture
effect.
Note: For more information on using PiP effects, see Replace
an Effect in the Timeline on p.73 and Modifying a PiP
Effect on p.79.
To add video or image clips to the workspace, do this:
1.Click to open the Media Room in the Library.
2.Select Video, Image, or All Media from the Filter drop-
down list to sort the clips in the Media Room.
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Chapter 4: Working with Media Clips
3.Select a clip, then add it to the workspace. You may do this
in one of the following ways:
• Click to add the clip to the Video track or
to add the clip to the PiP track.
• Drag clips to a desired position in the Video or PiP track.
When adding clips to the Video track, you cannot leave
an empty gap between the last clip and the new clips you
are adding. Clips added to the end of the Video track
follow immediately after the final clip in that track.
Note: You may select several clips and drag them together
into the same track, provided all of the clips are
compatible with the destination track.
Add Color Boards
Using color boards allows you to insert solid frames of color into
your movie. You might, for example, want to fade in to or out
from a certain color, or add a solid background to a picture-inpicture effect.
Color boards are not media files as such, but they can be applied
to the workspace and managed in the Library just like video and
image clips. You can add color boards to either the Video or the
PiP track.
To add a color board to the workspace, do this:
1.Click to open the Media Room in the Library.
2.Select Color boards from the Filter drop-down list. The
current color boards appear in the Library.
3.Select a color board, then add it to the workspace. You may
do this in one of the following ways:
• Click to add the color board to the Video track
or to add the color board to the PiP track.
• Drag one or more color boards to a desired position in
the Video or PiP track. When adding clips to the Video
track, you cannot leave an empty gap between the last
clip and the new clips you are adding. Clips added to the
end of the Video track follow immediately after the final
clip in that track.
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Add Audio Clips
Using audio clips allows you to add background music or a
narrative voice-over to your movie. PowerDirector provides two
tracks for audio media (the Music and Voice tracks), which you
can use interchangeably.
Note: Audio files can only be added to the workspace in
Timeline view. If you drag an audio file to the
workspace in Storyboard view, the workspace
automatically switches to Timeline view.
To add an audio clip to the workspace, do this:
1.Click to open the Media Room in the Library.
2.Select Audio or All Media from the Filter drop-down list.
3.Select an audio clip, then add it to the workspace. You may
do this in one of the following ways:
• Click to add the audio clip to the Voice track or
to add the audio clip to the Music track.
• Drag one or more audio clips to a desired position in the
Voice or Music track. Audio clips can be added at any
point in this track.
Move a Clip in the Workspace
Once a clip has been added to the workspace, you can drag it to a
different location on the track it is currently located in. However,
you cannot drag clips between tracks.
Note: You may find moving media clips easier in Storyboard
view, especially if the clip has an extremely short
duration, or if you need to move it a relatively long
distance over the workspace.
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Chapter 4: Working with Media Clips
Cut/Copy/Paste a Clip in the Workspace
You can cut, copy, and paste media clips in PowerDirector’s
workspace.
• Use the Ctrl key to select multiple, noncontiguous clips.
• Use the Shift key to select clips in a series.
When you paste, clips appear at the current position of the
Timeline slider. If that position occurs within the duration of a
media clip, the new clip is pasted immediately after that clip. If
the Timeline slider is positioned in a gap between clips, the new
clip is pasted and truncated (if necessary) to fit in the gap (PiP/
Music/Voice tracks only). If the Timeline slider is positioned
after the last clip, the new clip is pasted immediately after the last
clip.
Remove a Clip from the Workspace
To remove a media clip from the workspace, select the clip(s) you
want to remove, then do one of the following:
• Press the Delete key.
• Click
• Right-click the clip, then select Delete.
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Editing Clips
‘Editing’ is a broad term that encompasses a number of different
functions: you can, for example, trim unwanted sections from
video or audio clips, increase or decrease the speed of a video
clip, or apply a special effect. This section describes all of the
editing processes that you can perform on the different types of
media clips.
Note: The functions in this section can only be performed in
Timeline view.
Split a Clip
You can split a media clip into two clips at the current position of
the Timeline slider. The procedure is the same for any type of
media: audio, video, image, or color board.
To split a media clip, do this:
1.Select the clip you want to modify.
2.Place your cursor at the position at which you want to split
the clip.
3.Click Split. The clip is split into two independent clips that
can be moved or modified separately in the workspace.
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Note: Splitting a video or audio clip does not delete any
portion of the content. Both halves of a split video or
audio clip can be stretched back to any length up to
the original duration.
Chapter 4: Working with Media Clips
Trim a Video or Audio Clip
Video clips captured from external capture devices often contain
unwanted portions at the beginning, between scenes, or at the
end. These unwanted portions can easily be removed in
PowerDirector using the Trim function.
Likewise, if you want to tailor your audio clip to fit the duration
of a video clip, you can easily trim your audio clip to a desired
length.
Note: Trimming a video or audio clip does not delete any
portion of the content.
Trim Using the Trim Button
To trim a video or audio clip, do this:
1.Select the clip you want to modify.
2.Click Tr i m . The Trim option panel opens.
3.Enter a mark in and mark out time.You may do this in one
of the following ways:
• Click inside the timecode box and enter a time using
your keyboard.
• Drag the mark in/mark out sliders to the correct time
position.
• Navigate to the desired time position using the playback
buttons.
4.Click the Mark in and Mark out buttons.
5.Click to close the option panel.
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Trim by Dragging an Edge
You can trim any kind of media clip in the Timeline (including
audio, video, and image clips and color boards) by dragging
either edge of that clip. You may find trimming a clip in this way
easier if you first expand the ruler.
Note: Video and audio clips cannot be lengthened beyond
their original duration.
To trim a media clip by dragging an edge, do this:
1.Select the clip you want to modify.
2.Position your cursor at one end of the clip and drag the end
of the clip to the new position.
Note: You can drag the edge of a clip to lengthen it or to
shorten it. If you compress the start of a video or audio
clip, playback begins at a later frame within the clip. If
you compress the ending, playback ends at an earlier
frame within the clip.
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Chapter 4: Working with Media Clips
Trim a Video Clip Using Precise Cut
If you need to trim video extremely accurately (for example at
the frame level), use the Precise Cut feature in the Media Editor
window. The Media Editor is a large, resizable preview window
that offers a magnified timeline that is particularly useful for
accurate trimming of longer videos.
To trim a video clip using the Precise Cut feature in the Media
Editor, do this:
1.Select the clip you want to modify.
2.Click Tr i m .
• Click Clip on the preview window, if necessary.
3.Click . The Media Editor window opens.
4.Click to enable the Precise Cut magnifier, then click
to zoom the timeline in or to zoom out.
5.Enter a mark in and mark out time. You may do this in one
of the following ways:
• Click inside the timecode box and enter a time using
your keyboard.
• Drag the mark in/mark out sliders to the correct time
position.
• Use the playback buttons.
Note: Drag the bottom slider for more precise control.
6.Click the Mark in and Mark out buttons.
7.Click or press the <Esc> key to close the Media Editor
window.
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Take a Still Snapshot of a Video Clip
You can capture a single frame from a video clip and
automatically load the snapshot in the Library.
To take a snapshot of a video clip, do this:
1.Select the clip you want to modify.
2.Click Tr i m .
3.Navigate to the frame you want to capture using the
playback buttons.
4.Click Snapshot. The frame is captured and stored in the
Library as an image file.
Change the Speed of a Video Clip
Slow-motion or fast-motion effects can grab your audience’s
attention as well as break up the rhythm of a movie.
Note: Video clips can be located in either the Video or PiP
track.
To change the speed of a video clip, do this:
1.Select the clip you want to modify.
2.Click Speed. The speed option panel opens.
3.Set the new speed (between .5x and 2x). You may do this in
one of two ways:
• Drag the slider to increase or decrease the speed.
• Enter a timecode in the New video length box. (This
method allows more accurate control, as you can specify
a length down to the frame level.)
4.Click to close the option panel.
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Chapter 4: Working with Media Clips
Stretch the Audio Portion of a Video Clip
When you alter the speed of a video clip, you may wish to stretch
the audio portion at the same proportion as the video portion.
To change the speed of a video clip, do this:
1.Select the clip you want to modify.
2.Click Speed. The speed option panel opens.
3.Click Stretch Audio. This option stretches the video clip’s
audio portion (between .5x and 2x). The pitch of the audio
portion remains unchanged to avoid unexpected audio
results.
4.Click to close the option panel.
Mute the Audio Portion of a Video Clip
When you alter the speed of a video clip, you may wish to mute
the audio portion in order to avoid unintended audio effects.
To change the speed of a video clip, do this:
1.Select the clip you want to modify.
2.Click Speed. The speed option panel opens.
3.Click Mute Audio. This option silences the video clip’s
audio portion during playback (between .1x and 10x).
4.Click to close the option panel.
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Change the Color of a Visual Media Clip
You may wish to change the color attributes of a video or image
clip or a color board in order to produce a surprising effect, or
simply to emulate reality more closely. Either result is easy to
achieve in PowerDirector.
To ch an ge the c ol or of a v isual media clip, do this:
1.Select the clip you want to modify.
2.Click Color. The color option panel opens.
3.Set the color options that you want to apply:
• Brightness: the brightness/darkness of the image
• Contrast: the difference in proportion between lights and
darks in the image
• Hue: the individual colors in the image
• Saturation: the depth of the colors in the image
• Sharpness: the clarity of details in the image
4.Click to close the option panel.
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Chapter 4: Working with Media Clips
Set a Video Clip’s Interlacing Format
All video clips have an interlacing (TV) format, which specifies
how frames are displayed. Using video clips with conflicting (or
incorrect) TV formats can result in degraded video quality in
your final production.
Before you produce your movie, set all of the video clips to the
same format. (You do not need to know what the format of each
clips is, as PowerDirector can detect this for you.) While
PowerDirector can normally detect and suggest the correct
format, some interlaced video (such as a video with very little
motion) may be misjudged as a progressive video.
PowerDirector automatically produces interlaced video for DVD,
SVCD, and DV-AVI. Only change this setting if you are sure that
PowerDirector has wrongly set the format.
Note: This is an extremely important step to take before
production, as it can drastically affect final video
quality!
To set a video clip’s TV format, do this:
1.Right-click the video clip whose interlacing format you
want to set and select Set TV format. The Interlace and
Progressive Settings dialog box opens.
2.Select an interlacing option:
• If you know the interlacing format you want to use,
select the corresponding option
• If you do not know the interlacing formation you want to
use, select Scan and Suggest Format. PowerDirector
scans the clip and automatically selects the best format.
3.Click OK.
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Change Audio Clip Volume Levels
Your movie may contain audio portions in the Music track, the
Voice track, as well as in the video clips you have added. Since all
of these tracks have probably been recorded at different levels,
the result of so many audio sources can produce an
overwhelming and confusing sound track. However, the audio
levels of all of these different tracks can be mixed to produce a
more harmonious sound track to your movie. Audio levels can
be mixed in the audio mixer or inside the audio clips in the
Music and Voice tracks.
In-Track Audio Mixing
You can change the level of volume at any point within an audio
clip in the Timeline.
To change the volume level of an audio track in the Timeline, do
this:
1.Select the clip you want to modify.
2.Click on the audio level line at the point where you want to
change the audio level to set a volume key. Drag the volume
key up to increase the volume or down to decrease the
volume.
64
• Set levels at fewer volume keys along the track for
subtler changes in volume, or more volume keys for
more extreme changes in volume.
• To remove a volume key, drag it outside the clip’s
borders.
Chapter 4: Working with Media Clips
Mix Audio Levels in the Audio Mixer
Using the Audio Mixer gives you very precise control over the
volume levels of the audio clips in the workspace.
To mix audio in the Audio Mixer, do this:
1.Click . The Audio Mixer opens.
2.Click Play.
3.Use the sliders to mix the volume levels of the
corresponding tracks.
• Use the vertical sliders to set volume keys to increase or
decrease the volume of the track on the fly.
• Use the horizontal sliders to increase or decrease the
volume of the entire track.
4.Click to close the Audio Mixer.
Add a Fade Effect to an Audio Clip
To add a fade-in/fade-out effect to an audio clip, do this:
1.Click . The Audio Mixer opens.
2.Click the button corresponding to the type of fade effect you
want:
• Click to add a fade-in effect.
• Click to add a fade-out effect.
3.Click to close the Audio Mixer.
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Mute an Entire Audio Clip
You may wish to mute the audio output of an entire track. To do
this, right-click the track and deselect Mute track. Any audio
volume keys you have added are hidden.
To unmute the track, right-click the track and select Mute track.
The audio volume keys you have added are restored.
Restore an Audio Clip’s Volume Levels
If you are dissatisfied with the volume level of any audio clip
after manually setting volume keys, you can easily restore the
clip’s original volume level. To do this, right-click the track and
select Restore original volume level. Any audio volume keys
you have added are permanently removed.
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Chapter 4: Working with Media Clips
Preview a Clip
As you add media to your production, it is important to preview
the effect your media clips have on the story you are telling. You
may want to preview imported clips, for example, to verify their
content, or to preview clips you have captured to see if they
contain sections you need to trim.
Preview a Clip in the Preview Window
The easiest way to preview a media clip is by playing it in the
preview window. Any media clip that appears in the Library or
the workspace can be previewed in this window. However,
playback controls are only available for video and audio media.
To preview a media clip in the preview window, do this:
1.Click the clip or effect you want to preview. The clip appears
in the preview window.
Note: When previewing clips in the workspace, ensure that
the preview window is in Clip mode. If the preview is in
Movie mode, click the Clip button before previewing
a clip.
2.Locate the point at which you want to begin your preview.
You may do this in one of the following ways:
• Drag the Timeline slider.
• Drag the preview window slider.
• Enter a timecode in the timecode box.
3.Press Play. The preview starts from the point you have
specified.
4.Use the playback buttons to control the preview.
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Preview a Clip in the Media Viewer
Previewing clips in the Media Viewer gives you a larger preview
picture than the preview window.
To preview a clip in the Media Viewer, do this:
1.Right-click the clip in the Library.
2.Select Play in Media Viewer. The clip appears in the Media
Viewer.
3.Locate the point at which you want to begin your preview.
You may do this in one of the following ways:
• Drag the Timeline slider.
• Drag the preview window slider.
• Enter a timecode in the timecode box.
4.Press Play. The preview starts from the point you have
specified.
5.Use the playback buttons to control the preview.
Note: Use the slider in the magnified timeline for more
precise preview control.
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Chapter 5:
Working with
Effects
Working with effects is probably the most exciting part of video
editing, as you can radically change the appearance of media
clips or tastefully transition from one scene to another. You can
add many different types of effects to clips in the Timeline,
including video effects, title effects, PiP (picture-in-picture)
effects, and video transition effects.
This chapter contains the following sections:
• Managing Effects in the Library on p.70
• Managing Effects in the Timeline on p.72
• Modifying Effects on p.75
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Managing Effects in the Library
You can restrict the display of the numerous effects found in
PowerDirector to a certain type of effect for a simpler view, and
you can create a Favorites category in which you can store the
effects you use most frequently.
Since PiP effects contain video or image clips, they are added to
the workspace and managed like media clips. For information on
managing clips in a PiP effect, see Managing Clips in the
Workspace on p.52.
Note: The number and type of PowerDirector’s effects vary,
depending on version. For information on the
availability of specific features in the PowerDirector
version that you are using, please check the Readme
file.
Sort Effects in the Library
To change the way effects are sorted, click , then select Sort
by. You can sort the effects by Name or Type.
Restrict the Display of Effects
To restrict the display of effects in the Library, select the type of
effect you want to view from the Filter drop-down list. Only
those clips that belong to the media type you have selected are
displayed in the Library.
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Chapter 5: Working with Effects
Add an Effect to My Favorites
You can add video, title, and transition effects to the Favorites
category for quicker access to the effects you use most frequently.
To add an effect to the Favorites category, right-click the effect,
then select Add to Favorites. When you select My Favorites from
the Filter drop-down list, only the effects you have specifically
added to this category appear.
Remove an Effect from My Favorites
To remove an effect from the Favorites category, select My
Favorites from the Filter drop-down list. Right-click the effect,
then select Remove from Favorites. The effect no longer appears
in the My Favorites category.
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Managing Effects in the
Timeline
Effects are added to tracks in the Timeline that are specific to
each type of effect. (Effect tracks cannot contain effects of any
other kind, nor can they contain media clips.) This section
describes how to add effects to the proper track and how to
manage effects once they have been added to the Timeline.
Note: Since PiP effects contain video or image clips, they are
added to the workspace and managed like media
clips. For information on managing clips in a PiP effect,
see Managing Clips in the Workspace on p.52.
Add a Video/Title/Transition Effect
The procedure below describes how to add video, title, and
transition effects to the Timeline.
To add a video/title/transition effect to the Timeline, do this:
1.Click an effect button to display the type of effect you want
to add in the Library.
2.Select an effect from the Library and drag it into the desired
position in the correct track. (This position is directly
beneath the clip(s) in the Video track that you want to
affect.)
• When a video or title effect is selected, you may click a
button located below the Library to add the effect to the
appropriate track at the current position of the Timeline
slider.
• You can randomly add an effect at the current position of
the Timeline slider. Click , then select the random
option.
• Transition effects are randomly applied between all of
the clips currently in the Timeline.
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Chapter 5: Working with Effects
Replace an Effect in the Timeline
You can replace any effect in the Timeline with a different effect
that you select in the Effect Room without having to delete one
effect and add another.
To replace an effect in the Timeline, do this:
1.Position the Timeline slider on the effect that you want to
replace.
2.Click to open the Effect Room.
3.Right-click a new effect in the Effect Room, then select Add/
Replace in Timeline. The new effect replaces the effect in
the Timeline.
Delete an Effect
The procedure below describes how to delete a Video, Title, PiP,
or Transition effect from the Timeline.
To delete an effect, do this:
1.Select the effect you want to delete.
2.Delete the effect. You may do this in one of the following
ways:
• Press the Delete key.
• Click .
• Right-click the effect, then select Delete.
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Move an Effect in the Workspace
Once an effect has been added to the workspace, you can drag it
to a different location on the track it is currently located in.
However, you cannot drag clips between tracks.
Cut/Copy/Paste an Effect in the
Workspace
You can cut, copy, and paste effects in PowerDirector’s
workspace. Use the Ctrl key to select multiple, noncontiguous
effects or the Shift key to select effects in a series. When you
paste, effects appear at the current position of the Timeline slider.
If that position occurs within the duration of another effect, the
new effect is pasted immediately after that effect. If the Timeline
slider position is located in a gap that contains no effects, the new
effect is pasted and truncated (if necessary) to fit in the gap.
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Chapter 5: Working with Effects
Modifying Effects
Most effects boast a number of options that you can set
individually to increase or decrease the intensity of the effect, or
to achieve more creative results. In fact, this section describes
some of the most creative functions found within the
PowerDirector program. Mastering the procedures found in this
section will go a long way towards making you a digital video
editing expert!
Set an Effect’s Hold Time
Some effects (title and PiP effects in particular) contain inherent
motion, moving across the screen as they affect the video in your
movie. You can set the relative amount of time the effect remains
still onscreen between its arrival and departure in both the
preview window and the Media Editor.
To set an effect’s hold time, do this:
1.Set a title or PiP effect.
2.Click the effect in the Timeline.
3.Preview it in either the preview window or the Media
Editor. For more information on the preview window, see
Preview an Effect in the Preview Window on p.91. For more
information on the Media Editor, see Preview an Effect in
the Media Editor on p.92.
4.Drag the Mark in and Mark out sliders to set the effect’s
hold time. (The orange bar represents the hold time.)
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Split a Video, Title, or PiP Effect
You can split an effect into two sections at the current position of
the Timeline slider. The procedure is the same for video, title, and
PiP effects. Transition effects cannot be split.
To split an effect, do this:
1.Select the effect you want to split.
2.Navigate to the point at which you want to split the effect.
(You can do this by dragging the Timeline slider or by using
the slider and navigation controls in the preview window.)
3.Click Split.
Set an Effect’s Duration
The procedure below describes how to set the duration of a
video, title, or transition effect. The procedure for PiP effects has
only a slight difference.
Set an Effect’s Duration Using the Duration Setting Box
To set an effect’s duration using the Duration Setting box, do this:
1.Select the effect you want to modify.
2.Display the timecode box. You may do this in one of the
following ways:
• Video/title/transition effects: Click Duration. The
Duration Setting dialog opens.
• PiP effects: Click Tr im . The PiP Trim Options panel
opens, displaying the timecode box in the upper righthand corner.
Note: To set a PiP effect’s duration using the Trim options, see
Trim a Video or Audio Clip on p.57.
3.Set the duration, then do one of the following:
• Video/title/transition effects: Click OK.
• PiP effects: Click to close the options panel and
return to the normal Library view.
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Chapter 5: Working with Effects
Set an Effect’s Duration Manually
You can set an effect’s duration manually by dragging the edges
of the effect in the Timeline. The procedure for dragging the
edges of an effect is the same for video, title, PiP, and transition
effects.
Note: Video clips used in a PiP cannot be lengthened
beyond their original duration. Transitions can be
lengthened to half of the duration of the shortest clip
they affect.
To set an effect’s duration manually, do this:
1.Select the effect whose duration you want to set manually.
2.Position your cursor at one end of the effect and drag the
end of the clip to the new position.
Note: You can drag the edge of a clip to lengthen it or to
shorten it. If you compress the start of a video or audio
clip, playback begins at a later frame within the clip. If
you compress the ending, playback ends at an earlier
frame within the clip.
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Modifying a Video Effect
Video effects are applied to the Effect track at the time position of
the video or image clip(s) that you want to affect. Video effects
only affect the clips in the Video track that appear within the
effect’s duration.
To modify a video effect, do this:
1.Select the video effect in the Effect track and click Modify.
The Effect Modifications Options panel opens.
2.Set the intensity level of the video effect. A preview of the
effect appears in the preview window. (Options vary
according to the video effect you select.)
• Many options provide a slider to increase or decrease the
intensity of the effect.
• Some effects provide a drop-down list in which you can
choose an effect option.
• Click to change two settings in proportion with each
other.
• Click Reset to restore the original effect settings.
3.Click to close the options panel and return to the normal
Library view.
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Chapter 5: Working with Effects
Modifying a PiP Effect
A picture-in-picture effect allows you to insert an image or a
video into an existing image or video clip in your movie,
effectively overlaying the picture-in-picture clip on top of the
existing clip. You can modify the degree of transparency of the
overlapping clip, as well as its position, motion, and other
properties.
PiP effects have many options that you can modify
independently. These include a border, a shadow, a motion effect,
a color filter, size and position, and transparency.
Change the Speed of a PiP Effect
Slow-motion or fast-motion effects can grab your audience’s
attention as well as break up the rhythm of a movie.
To change the speed of a PiP effect, do this:
1.Select the PiP effect video clip that you want to modify.
2.Click Speed. The speed option panel opens.
3.Drag the slider to set the new speed (between .1x and 10x).
4.Click to close the option panel.
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Add a Border to a PiP Effect
You can add a border around the clip in a PIP effect. Available
options allow you to change the border’s color and size and to
add a transparency or blur effect.
To change the border of a PiP effect, do this:
1.Select the PiP effect video clip that you want to modify, then
click Modify. The PiP Modification Options panel opens.
2.Click . The PiP Designer opens.
3.Set the PiP border options that you want to apply:
Apply border
Size
Blur
Transparency
Uniform color
Gradient color
80
Check to apply the font face settings.
Uncheck to remove the font face settings.
Drag the slider to increase or decrease the
size of the border.
Drag the slider to increase or decrease the
blur effect of the border.
Drag the slider to increase or decrease the
transparency of the border.
Check to set the border in a single color.
Click the eyedropper to open the Color
dialog box, in which you can select a color.
Check to set the border in a color gradient.
Chapter 5: Working with Effects
Begin
End
Gradient direction
Note: Whenever you set an option in the PiP Designer, a
preview of the effect is instantly displayed.
Click the eyedropper to open the Color
dialog box, in which you can select the
color at the start of the gradient.
Click the eyedropper to open the Color
dialog box, in which you can select the
color at the end of the gradient.
Click a dimple to indicate the direction of
the gradient.
4.Click OK to close the PiP Designer.
Add a Shadow to a PiP Effect
You can add a shadow around the clip in a PIP effect. Available
options allow you to change the shadow’s color and size and to
add a transparency or blur effect.
To add a shadow to a PiP effect, do this:
1.Select the PiP effect video clip that you want to modify, then
click Modify. The PiP Modification Options panel opens.
2.Click . The PiP Designer opens.
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3.Set the PiP shadow options that you want to apply:
Apply shadow
Distance
Blur
Transparency
Fill shadow
Color picker
Shadow direction
Note: Whenever you set an option in the PiP Designer, a
preview of the effect is instantly displayed.
Check to apply the shadow settings. Uncheck
to remove the shadow settings.
Drag the slider to increase or decrease the
distance between the shadow and the font face.
Drag the slider to increase or decrease the blur
effect of the shadow.
Drag the slider to increase or decrease the
transparency of the shadow.
Check to fill in the gap between the shadow
and the font face.
Click the eyedropper to open the Color dialog
box, in which you can select the color of the
shadow.
Click a dimple to indicate the direction of the
shadow.
4.Click OK to close the PiP Designer.
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Chapter 5: Working with Effects
Add Motion to a PiP Effect
You can add a motion to the clip in a PIP effect. Available options
allow you to set the start and end locations, add a fade-in or fadeout, and begin or end the effect off screen.
To add motion to a PiP effect, do this:
1.Select the PiP effect video clip that you want to modify, then
click Modify. The PiP Modification Options panel opens.
2.Click . The PiP Designer opens.
3.Set the PiP motion options that you want to apply:
PiP starting position
Start off screen
Fade-in
PiP ending position
Select the position at which you want the PiP
clip to begin its motion from the drop-down
list. (Select
clip to move at the beginning of the effect.)
Check this option if you want the PiP clip to
begin off screen.
Check this option if you want the PiP clip to
fade in at the beginning of the effect.
Select the position at which you want the PiP
clip to end its motion from the drop-down
list. (Select Still if you do not want the PiP
clip to move at the end of the effect.)
Still if you do not want the PiP
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Fade-out
End off screen
Note: Whenever you set an option in the PiP Designer, a
preview of the effect is instantly displayed.
Check this option if you want the PiP clip to
fade out at the end of the effect.
Check this option if you want the PiP clip to
end off screen.
4.Click OK to close the PiP Designer.
Add a Color Filter to a PiP Effect
When you add a color filter to a clip in a PiP effect, portions of
the underlying clip show through the overlaid clip wherever the
selected color occurs.
To add a color filter to a PiP effect, do this:
1.Click the media clip in the PiP track you want to modify,
then click Modify. The PiP Modification Options panel
opens.
2.Check Apply color filter. This filters the selected color out
of the image (i.e.: makes that color transparent).
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Chapter 5: Working with Effects
3.Click the eyedropper tool. A dialog box opens, in which you
can select a color from the media clip in your PiP effect.
4.Select the color from the clip that you would like to make
transparent, then click OK.
• To select more accurately, you can zoom in or out of the
image. To do this, click select a magnification percentage
from the drop-down list, then click the button to
zoom in or the button to zoom out.
5.Set a To l er a n ce level to extend or restrict the range of colors
affected by the filter. You may do this in one of the following
ways:
• Drag the Tolerance level slider.
• Click the button to increase the level or the button
to decrease the level.
6.Click to close the options panel and return to the normal
Library view.
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CyberLink PowerDirector
Modify a PiP Effect’s Size and Position
You can change both the size and the position of the media clip in
a PiP effect. Resizing options are unrestricted. You can reduce the
clip to miniature size or enlarge it to completely obscure the
underlying media file.
To modify a PiP effect’s size and position, do this:
1.Click the media clip in the PiP track, then click Modify. The
PiP Modification Options panel opens.
2.Modify the PiP clip’s size and position:
• Drag the PiP clip to a desired location over the
underlying clip.
• Drag the edge of the PiP clip to a desired size. Check
Keep aspect ratio to constrain the ratio of the length and
width of the PiP clip. Uncheck this option to change the
aspect ratio freely.
3.Click to close the options panel and return to the normal
Library view.
Modify a PiP Effect’s Transparency Level
You can modify the transparency level of the media clip in a PiP
effect. Transparency options range from entirely transparent to
totally opaque.
To modify a PiP effect’s transparency level, do this:
1.Click the media clip in the PiP track, then click Modify. The
PiP Modification Options panel opens.
2.Set the Transparency level to increase or decrease the
transparency of the superimposed clip.
3.Click to close the options panel and return to the normal
Library view.
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Chapter 5: Working with Effects
Modify a Title Effect
Using title effects allows you to add text to your movie - as a title
at the beginning, an element during the main story, or as credits
at the very end. Besides changing the look of the text itself, you
can also send the text running on a path across the screen. Title
effects only affect the clips in the Video track that appear within
the effect’s duration.
Title effects contain font face and shadow options, which you can
modify to best suit your movie. All of these options are found in
the Title Designer.
Modify a Title Effect’s Font Face
You can modify the font used in a title effect, including the size,
color, font type used, weight, alignment, transparency, and blur
effect. Further tools aid in the precise positioning of the title on
the screen and indicate the on-screen area that is safe for TV
display.
1.Select a title effect in the Title track, then click Modify. The
Title Designer opens.
2.Set the text font face options that you want to apply:
Click to select a title effect.
Click to select a font type.
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CyberLink PowerDirector
Click to select a font size.
Click to make text bold.
Click to make text Italicized.
Click to left-align text.
Click to center-align text.
Click to right-align text.
Click to add/remove a title mask.
Click to add/remove grid lines that can
aid in the precise positioning of text on the
screen. Grid lines do not appear when you
preview or produce your movie.
Click to add/remove the TV Safe Zone
outline, which represents the area in which
video content from your movie is certain
to appear on TV screens, which have a
smaller display area than computer
monitors. The TV Safe Zone outline does
not appear when you preview or produce
your movie.
Apply font face
Blur
Transparency
Uniform color
Gradient color
88
Check to apply the font face settings.
Uncheck to remove the font face settings.
Drag the slider to increase or decrease the
blur effect of the font face.
Drag the slider to increase or decrease the
transparency of the font face.
Check to set the font face in a single color.
Click the eyedropper to open the Color
dialog box, in which you can select a color.
Check to set the font face in a color
gradient.
Chapter 5: Working with Effects
Begin
End
Gradient direction
Note: Whenever you set an option in the Title Designer, a
preview of the effect is instantly displayed.
Click the eyedropper to open the Color
dialog box, in which you can select the
color at the start of the gradient.
Click the eyedropper to open the Color
dialog box, in which you can select the
color at the end of the gradient.
Click a dimple to indicate the direction of
the gradient.
3.Click OK to close the Title Designer.
Mask a Title Effect
Masking a title effect hides the portion of the title effect that is
located within the mask.
To mask a title effect, do this:
1.Select a title effect in the Title track, then click Modify. The
Title Designer opens.
2.Click . Bars appear around the perimeter of the clip.
3.Drag the title mask bars to specify the area you want to
mask. Any text that appears outside this area does not
appear when the clip is played.
4.Click OK to close the Title Designer.
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Add a Shadow to a Title Effect
You can add a shadow around the text in a title effect. Available
options allow you to change the shadow’s color and size and to
add a transparency or blur effect.
1.Click to open the Shadow settings.
2.Set the text shadow options that you want to apply:
Apply shadow
Distance
Blur
Transparency
Fill shadow
Color picker
Shadow direction
Check to apply the shadow settings. Uncheck to
remove the shadow settings.
Drag the slider to increase or decrease the
distance between the shadow and the font face.
Drag the slider to increase or decrease the blur
effect of the font face.
Drag the slider to increase or decrease the
transparency of the font face.
Check to fill in the gap between the shadow and
the font face.
Click the eyedropper to open the Color dialog
box, in which you can select the color of the
shadow.
Click a dimple to indicate the direction of the
shadow.
3.Click OK to close the Title Designer.
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Chapter 5: Working with Effects
Preview an Effect
Previewing effects is an important step in ensuring not only that
the effect is applied to the proper clip in the proper location, but
that the intensity of the effect is suitable for that location in the
movie. You will likely preview effects constantly as you apply
them to the workspace, and it is a good idea to preview your
movie at regular intervals to ensure that your editing is
proceeding as you planned.
Preview an Effect in the Preview Window
To preview an effect in the preview window, do this:
1.Click the effect in the Timeline. The media clip the effect is
applied to appears in the preview window.
2.Locate the point at which you want to begin your preview.
You may do this in one of the following ways:
• Drag the Timeline slider.
• Drag the preview window slider.
• Enter a timecode in the timecode box.
3.Press Play. The preview starts from the point you have
specified.
4.Use the playback buttons to control the preview.
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Preview an Effect in the Media Editor
The Media Editor is a resizable preview window that offers a
larger screen than the preview window, a zoomable timeline, and
the ability to add mark in and mark out points for effects.
To preview an effect in the Media Editor, do this:
1.Click the effect in the Timeline.
2.Click . The Media Editor opens.
3.Locate the point at which you want to begin your preview.
You may do this in one of the following ways:
• Drag the Timeline slider.
• Drag the preview window slider.
• Enter a timecode in the timecode box.
4.Press Play. The preview starts from the point you have
specified.
5.Use the playback buttons to control the preview.
Note: Use the slider in the magnified timeline for more
precise preview control.
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Chapter 6:
Producing Your
Movie
After your movie has been completely edited, you are ready to
produce your movie. Producing a movie simply means compiling
(or rendering) the separate elements it contains into one
playable movie file. As your movie can be destined for different
uses, PowerDirector has several options to produce movies suited
to any need.
Note: Before producing your movie, make sure that all of your
video clips have the same interlacing format. This is an
extremely important step to take before production, as it
can drastically affect final video quality! If you produce
your movie and find the video quality unsatisfactory, verify
that the interlacing format of all of your video clips is the
same. If your clips have different interlacing formats, set
them all to the same format, then produce your movie
again. For more information, see Set a Video Clip’s
Interlacing Format on p.63.
This chapter contains the following sections:
• Preview Your Movie on p.94
• The Production Wizard on p.96
• Produce a Disc on p.97
• Create a File on p.101
• Create a Streaming File on p.112
• Write Back to DV Tape on p.120
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Preview Your Movie
Before you commit your movie to disc, it’s a good idea to
preview it to make sure all of your clips and effects are working
to create the movie you want. It is highly recommended that you
preview your movie at least once before production so you can
solve problems without spending time unnecessarily in
production.
Preview Your Movie in the Preview
Window
You can preview your movie at any point during the editing
process in order to ensure that your editing is going smoothly.
Using the Timeline slider, you can preview your movie
production from any point within the Timeline.
Note: When previewing clips in the workspace, ensure that
the preview window is in Movie mode. If the preview is
in Clip mode, click the Movie button before
previewing your movie production.
1.Click the Movie button in the preview window.
2.Locate the point at which you want to begin your preview.
You may do this in one of the following ways:
• Drag the Timeline slider.
• Drag the preview window slider.
• Enter a timecode in the timecode box.
3.Press Play. The preview starts from the point you have
specified.
4.Use the playback buttons to control the preview.
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