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To the extent allowed by the laws, POWERDIRECTOR IS PROVIDED "AS IS", WITHOUT
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LIMITATION ANY WARRANTY FOR INFORMATION, SERVICES, OR PRODUCTS
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The terms and conditions here under shall be governed and construed in accordance with the laws of
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PowerDirector is a registered trademark along with other company and product names mentioned in
this publication, used for identification purposes and remain the exclusive property of their respective
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International Headquarters: CyberLink Corporation, 15F, No.100, Min-Chiuan Road, Hsin-Tian
City, Taipei Hsien, Taiwan, R.O.C.
Index ........................................................................... 117
iii
iv
CHAPTER 1:
INTRODUCTION
Ever thought about directing your own movie? How about having all the creative
controls and being in charge of the entire editing and post-production process? Well,
today’s computing technology has made all this possible for anyone who has
recording devices, capture devices, a computer, and of course, the sensational new
software application, PowerDirector Standard.
Admittingly, video editing software is not without its drawbacks. Since the advent of
computers and its incredible growth in usage and processing speed power, video
editing software applications have taken off to astronomical heights. Yet, a great
inherent limitation, such as requiring a huge amount of disk space because of the
raw video data it captures, still remains. This is why many still choose to edit with
analog devices.
What makes PowerDirector the megastar of its industry in one quick flash is its
ability to save precious producing time because of its Smart Video Rendering
Technology (SVRT). Say goodbye to raw video data, which is usually captured in
.AVI format, and say hello to plenty of hard drive space with the MPEG and DV AVI
formats. No additional compression nor decompression is required when producing
scenes with MPEG or DV AVI formats that do not contain effects, which saves you
huge amounts of time compared to our competitors that compress and decompress
the entire movie regardless!
And adding SVRT wonderful features that simply enthrall, amaze and stupefy
including:
altering video speeds
detecting scenes
capturing directly from DV camcorders in real-time or non real-time
adding titles to clips
adding audio streams to clips
picture-in-pictures (adding video or images to an existing video clip)
1
Chapter 1
a huge collection of transitions, video and titles effects
master audio files
watermarks
...and there is nothing left to be desired!
2
Introduction
The Digital Video Universe
Profit outlooks and shrinking demand in the technology industry not-withstanding,
the digital video revolution is well underway. There are still home videos to be
edited, videos to be distributed, and full length movies to be produced. In previous
generations, video editing and recording was accomplished through analog means
by video professionals who had access to high-priced machinery and video
equipment. Thus, many of those who wished to edit home footage or videos, if they
were lucky enough to have it recorded in the first place, never had the chance to
display their creative prowess when it came to video editing unless it involved
enrolling in film schools and obtaining access to production studios.
When the computer descended upon our lives and immersed itself in our world, it
was only a matter of time until processing speeds were incredibly fast and disk
space was vast enough to begin editing video at home with software applications
that didn’t require expensive video specialists, equipment or any other gadgets.
And coinciding with the computer industry’s major influence was the birth of the
DV (digital video) format, an international standard intended for consumer use,
back in 1995.
The DV Format: A Brief History
Like a seamless emergence and natural coalescence with desktop video editing, the
advent and proliferation of DV camcorders were sure to spark continued interest in
the infinite possibilities of digital video. What began back in 1995 and a DV format
agreement reached by a consortium of companies that included Hitachi, Ltd., Sony
Corp, Sharp Corporation, Thompson Multimedia, Mitsubishi Electric Corporation,
Victor Corporation of Japan (JVC), Matsushita Electric Industrial Corp. (Panasonic),
Philips Electronics, Sanyo Electric Co. Ltd., and Toshiba Corporation, is still being
ironed out until this day in terms of a consensual format.
The frontrunners at the time and still are until this day, are Sony and Matsushita
(Panasonic), which beat out the competition with their consumer releases hitting the
market first. Soon after though, the format wars began with professional DV
variants such as DVCAM (Sony) and DVCPRO (JVC) despite the DV format
agreement. Luckily, the basic DV format is still intact, but other factors were altered
(i.e. tape type, track pitch and width) so we are still left with backward-compatible
formats or incompatible formats between models from differing companies.
Hopefully, this won’t impact or trickle down to the consumer segment anytime soon.
What exactly is the DV format then? To start with, it has a 5:1 compression ratio and
its compression technology is quite similar to MPEG (e.g. DVD Video format).
Tips : For more information on MPEG, refer to "What Is MPEG?" on page 109.
3
Chapter 1
The difference is that it relies more on intraframe compression where each
compressed frame will depend entirely on itself and not on data from preceding or
following frames like MPEG. However, the DV format does incorporate the use of
adaptive interfield compression where two extremely similar interlaced fields of a
frame will be compressed together to save space.
The analog generation is slowly witnessing its demise. There is still room left for
analog technology, but as the DV format perfects its compression technology and
enhances their non-linear editing (NLE) friendliness, the analog generation will soon
be outdated, fainting memories from a bygone era. Add to this the continued
popularity of video editing software and the uncompromising blazing speed of
computer processing power, and the perfect union between DV recording and
editing couldn’t be any more natural or fitting.
FireWire
In the early courting stages of video editing software and DV format recording, there
had to be an intermediary between the two technologies to make it a success,
because as you know from analog transference, there is always data lost from the
original source. FireWire, or IEEE-1394, is this unerring technology when it comes to
data loss, as in “lossless” transfer. A serial data transfer protocol and interconnection
(bi-directional) system, FireWire transmits digital video (DV) offering a higher
transfer rate and incorporating the use of hot-plugging technology (i.e. connecting
and disconnecting without shutting down the host computer).
4
Introduction
System Requirements
Windows 98SE, ME, 2000, XP
Hardware Requirements
Pentium II 450 or above
Note: For hardware requirements when capturing from your DV camcorder or analog
devices, please refer to the most up-to-date Readme.
200MB of free hard drive disk (HDD) space
Video capture devices (optional)
capture cards (PCI, USB, FireWire or other FireWire formats)
DV camcorder or DV VCR
analog camcorders or VCRs in 8mm, Hi8, VHS, VHS-C or Beta formats
digital camera
PC camera
Playback
Internet Streaming: Pentium II 266 with MMX Technology, Microsoft
Windows Media Player 7.0, IE 5.0
Desktop Slide Show: Pentium II 266 with MMX Technology
5
Chapter 1
6
CHAPTER 2:
A VISUAL OVERVIEW
Note: Images of the Modes Wheel contained in this chapter will be based on the
PowerDirector Pro version.
13A B C42
Button/IconDescription
Ai-PowerActivates i-Power on the Web for resources
BMinimizeMinimizes PowerDirector
D
7
Chapter 2
Button/IconDescription
CExitExits PowerDirector
DVolumeAdjusts volume
1LibraryRefer to "1. Library" on page 9
2StoryboardRefer to "2. Storyboard" on page 10
3Preview
Refer to "3. Preview Window" on page 11
Windo w
4Modes WheelRefer to "4. Modes Wheel" on page 13
8
1. Library
ACDBEHIF GA
Button/IconDescription
AShow All MediaShows all media files in Library
BShow VideoShows all video files in Library
A Visual Overview
CShow AudioShows all audio files in Library
DShow ImagesShows all image files in Library
EDetect ScenesDetects scenes for a selected file in the Library
FImport MediaImports media files
GImport DirectoryImports all media files in a directory
HLarge IconsDisplays Library media files as large icons
IDetailsDisplays Library media files with file details
9
Chapter 2
2. Storyboard
A
B
C
D
E
Button/IconDescription
APlay MoviePlays your movie (preview before producing)
BMaster WatermarkActivates Master Watermark mode
CMaster AudioActivates Master Audio mode
DScroll LeftScrolls Storyboard left
EScroll RightScrolls Storyboard right
10
3. Preview Window
A Visual Overview
ADBFCGHIE
Button/IconDescription
APausePauses file
BStopStops playing file
CPlayPlays file
DStartTo start of file
EApplyApplies clip to Storyboard (if applicable)
FEndTo end of file
GPrevious FrameMoves to previous frame
HNext FrameMoves to next frame
11
Chapter 2
Button/IconDescription
IRecordRecords file (if applicable depending on mode)
12
4. Modes Wheel
A
B
C
D
E
F
G
H
Button/IconDescription
APreview ModeSwitches to the default Preview Mode
BTrim ModeSwitches to Trim Mode
CSpeed ModeSwitches to Speed Mode
DTitles ModeSwitches to Titles Mode
EEffects ModeSwitches to Effects Mode
A Visual Overview
I
J
FPiP ModeSwitches to Picture-in-Picture (PiP) Mode
GAudio ModeSwitches to Audio Mode
HTransitions
Mode
ICapture ModeSwitches to Capture Mode
JProduce MovieSwitches to Produce Movie
Switches to Transitions Mode
13
Chapter 2
Capture Mode
ABDC
Button/IconDescription
AAudio CaptureCaptures audio source only
BVideo CaptureCaptures video and audio source (if applicable)
CDV Capture Captures DV source
DSetupSetups for audio/video sources and profiles
14
DV VCR Capture Mode
HNJLGADICFEBKMO
A Visual Overview
Button/IconDescription
ATotal TimeDenotes total time captured from DV tape
BPausePauses DV tape playback
Current Tape
C
Timec ode
DStopStops recording file (may also stop DV tape
EPlayPlays DV tape
FSeekSeeks tape’s timecode
GRewindRewinds DV tape
HFast ForwardFast forwards DV tape
IPrevious FrameGoes to DV tape’s previous frame
Denotes current time position of your DV tape
playback)
15
Chapter 2
Button/IconDescription
JShuttleShuttles DV tape
KNext FrameGoes to DV tape’s next frame
LRecordRecords/captures DV tape content
MNon Real-time/
Real-time
Captures in non real-time (default) or real-time
Capture
NInstant/Batch
Capture Modes
Switches from Instant Capturing to Batch
Capturing and vice-versa
OSnapshotTakes an instant snapshot
16
DV Batch Capture Mode
FJK LMHEACGBDI
A Visual Overview
Button/IconDescription
AMark InMarks in for beginning of batch task
Current Tape
B
Timec ode
CStopStops batch capturing
DSeekSeeks tape’s timecode
ERewindRewinds DV tape
FFast ForwardFast forwards DV tape
GMark OutMarks out for beginning of batch task
HShuttleShuttles DV tape
INon Real-time/
Real-time Capture
Denotes current time position of your DV tape
Captures in non real-time (default) or real-time
17
Chapter 2
Button/IconDescription
JInstant/Batch
Capture Modes
Switches from Instant Capturing to Batch
Capturing (not pictured) and vice-versa
KAdd TaskAdds new batch capturing task
LRemove TaskRemoves batch capturing task
MStart Selected
Starts selected batch capturing task(s)
Ta sk (s )
18
Trim Mode
A Visual Overview
CBDAGJEIFH
Button/IconDescription
AMark InMarks in for beginning of trimmed clip
Time Slider
B
Position
CMark OutMarks out for end of trimmed clip
DTotal TimeTotal time of trimmed clip
ESplit VideoSplits current clip into two at the time slider
FReset Mark InResets mark in position
GRevertReverts to clip’s original trim effects
HReset Mark OutResets mark out position
ISnapshotTakes snapshot
Denotes current time slider position
position
19
Chapter 2
Button/IconDescription
JClearClears all trim effects
20
Speed Mode
A Visual Overview
BADC
Button/IconDescription
ADecrease SpeedDecreases speed of video
BRevertReverts to clip’s original speed effects
CClearClears all speed effects
DIncrease SpeedIncreases speed of video
21
Chapter 2
Titles Mode
BADGFCE
Button/IconDescription
AMark InMarks in for beginning of title effect
BMark OutMarks out for end of title effect
CAdd TitleAdds new title to clip
DRevertReverts to clip’s original title effects
ERemove TitleRemoves title from clip
FSet FontSets font options
GClearClears all title effects
22
Effects Mode
Button/IconDescription
A Visual Overview
AB
ARevertReverts to clip’s original video effects
BClearClears all video effects
23
Chapter 2
Picture-in-Picture Mode
ACB
Button/IconDescription
ARevertReverts to clip’s original picture effects
Eyedropper
B
CClearClears all picture effects
24
Selects image color to be filtered
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