Casio WK-6600, CTK-6200, WK-7600, CTK-7200 User Manual

CTK-6200/CTK-6300/CTK-7200/CTK-7300
WK-6600/WK-7600
MIDI Implementation
CASIO COMPUTER CO., LTD.
Contents
I MIDI Message Overview 8
1 Product Configuration as a MIDI Device 8
1.1 System Section . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8
1.2 Performance Controller Section . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8
1.3 Sound Generator Section . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8
II Channel Message 11
10.1 Bank Select (00H,20H) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 13
10.2 Modulation (01H) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 13
10.3 Data Entry (06H,26H) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 13
10.4 Volume (07H) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 13
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10.5 Pan (0AH) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 14
10.6 Expression (0BH) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 14
10.7 General Use Controllers 1 through 8 (10H through 13H, 50H through 53H) . . . . . . . . 14
10.8 Hold1 (40H) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 15
10.9 Sostenuto (42H) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 15
10.10 Soft (43H) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 16
10.11 Drawbar Position 16’(46H)(Drawbar tone selected) . . . . . . . . . . . . . . . . . . . . . . 16
10.12 Drawbar Position 5 1/3’(47H)(Drawbar tone selected) . . . . . . . . . . . . . . . . . . . . 16
10.13 Release Time (48H) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 17
10.14 Drawbar Position 8’(48H)(Drawbar tone selected) . . . . . . . . . . . . . . . . . . . . . . 17
10.15 Attack Time (49H) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 17
10.16 Drawbar Position 4’(49H)(Drawbar tone selected) . . . . . . . . . . . . . . . . . . . . . . 17
10.17 Filter Cut Off (4AH) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 18
10.18 Drawbar Position 2 2/3’(4AH)(Drawbar tone selected) . . . . . . . . . . . . . . . . . . . . 18
10.19 Drawbar Position 2’(4BH)(Drawbar tone selected) . . . . . . . . . . . . . . . . . . . . . . 18
10.20 Vibrato Rate (4CH) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 19
10.21 Drawbar Position 1 3/5’(4CH)(Drawbar tone selected) . . . . . . . . . . . . . . . . . . . . 19
10.22 Vibrato Depth (4DH) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 19
10.23 Drawbar Position 1 1/3’(4DH)(Drawbar tone selected) . . . . . . . . . . . . . . . . . . . . 19
10.24 Vibrato Delay (4EH) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 20
10.25 Drawbar Position 1’(4EH)(Drawbar tone selected) . . . . . . . . . . . . . . . . . . . . . . 20
10.26 Drawbar Organ Type(4FH)(Drawbar tone selected) . . . . . . . . . . . . . . . . . . . . . 20
10.27 Drawbar Organ 2nd Percussion(54H)(Drawbar tone selected) . . . . . . . . . . . . . . . . 21
10.28 Drawbar Organ 3rd Percussion(55H)(Drawbar tone selected) . . . . . . . . . . . . . . . . 21
10.29 Drawbar Organ Percussion Decay Time(56H)(Drawbar tone selected) . . . . . . . . . . . 21
10.30 Drawbar Organ Key On Click(57H)(Drawbar tone selected) . . . . . . . . . . . . . . . . . 21
10.31 Drawbar Organ Key Off Click(58H)(Drawbar tone selected) . . . . . . . . . . . . . . . . . 22
10.32 Vibrato Rate (59H)(Drawbar tone selected) . . . . . . . . . . . . . . . . . . . . . . . . . . 22
10.33 Vibrato Depth (5AH)(Drawbar tone selected) . . . . . . . . . . . . . . . . . . . . . . . . . 22
10.34 Reverb Send (5BH) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 23
10.35 Chorus Send (5DH) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 23
10.36 NRPN (62H,63H) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 23
10.37 RPN (64H,65H) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 27
11.1 All Sound Off (78H) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 28
11.2 Reset All Controllers (79H) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 28
11.3 All Notes Off (7BH) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 29
11.4 Omni Off (7CH) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 29
11.5 Omni On (7DH) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 29
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11.6 Mono (7EH) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 29
11.7 Poly (7FH) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 29
III System Message 32
19.1 Universal Real Time System Exclusive Message . . . . . . . . . . . . . . . . . . . . . . . . 33
19.2 Instrument-Specific System Exclusive Message . . . . . . . . . . . . . . . . . . . . . . . . 36
IV Instrument-Specific System Exclusive Messages 37
20.1 Message Classifications . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 37
20.2 Basic Message Structure . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 37
20.3 Format of Each Field . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 38
22.1 Communication Modes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 46
22.2 One-way Mode Communication Flow . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 47
22.3 Handshake Mode Communication Flow . . . . . . . . . . . . . . . . . . . . . . . . . . . . 48
V Parameter List 56
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24.1 System Information Parameter . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 56
24.2 System Exclusive Protocol Parameter . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 57
24.3 Data Management Parameter . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 57
25.1 Analog Input Tune Parameter . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 59
25.2 Card Audio Parameter . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 59
25.3 DSP Output Parameter . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 59
25.4 DSP Setup Parameter . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 59
25.5 Master Tune Parameter . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 60
25.6 Master Mixer Parameter . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 60
25.7 Part Parameter . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 60
26.1 Drawbar Parameter . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 60
26.2 Tone Parameter . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 61
26.3 Modulation Setting Parameter . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 61
27.1 DSP Basic . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 61
28.1 All Directory Info . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 62
29.1 Sequence Directory Info . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 62
30.1 Registration Directory Info . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 62
31.1 Rhythm Directory Info . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 62
VI Parameter Set List 63
32.1 CTK-6200/CTK-6300/WK-6600 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 63
32.2 CTK-7200/CTK-7300/WK-7600 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 63
VII DSP Parameter List 64
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33.1 Single DSP . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 64
33.2 Dual DSP . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 65
34.1 Wah . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 65
34.2 Compressor . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 66
34.3 Distortion . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 66
34.4 Enhancer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 66
34.5 Pan . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 66
34.6 Tremolo . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 66
34.7 Phaser . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 66
34.8 Flanger . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 67
34.9 Chorus . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 67
34.10 Delay . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 67
34.11 Reflection . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 67
34.12 Rotary . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 68
34.13 Ring Modulator . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 68
34.14 LoFi . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 68
34.15 Wah Compressor . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 69
34.16 Wah Distortion . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 69
34.17 Wah Chorus . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 69
34.18 Wah Flanger . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 69
34.19 Wah Reflection . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 70
34.20 Wah Tremolo . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 70
34.21 Wah Pan . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 70
34.22 Compressor Wah . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 71
34.23 Compressor Distortion . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 71
34.24 Compressor Chorus . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 71
34.25 Compressor Flanger . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 71
34.26 Compressor Reflection . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 71
34.27 Compressor Tremolo . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 72
34.28 Compressor Pan . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 72
34.29 Distortion Wah . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 72
34.30 Distortion Compressor . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 72
34.31 Distortion Chorus . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 72
34.32 Distortion Flanger . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 73
34.33 Distortion Reflection . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 73
34.34 Distortion Tremolo . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 73
34.35 Distortion Pan . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 73
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34.36 Chorus Reflection . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 73
34.37 Chorus Pan . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 74
34.38 Flanger Reflection . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 74
34.39 Flanger Pan . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 74
34.40 Reflection Distortion . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 74
34.41 Reflection Chorus . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 75
34.42 Reflection Pan . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 75
34.43 Tremolo Distortion . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 75
34.44 Tremolo Chorus . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 75
34.45 Tremolo Flanger . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 76
34.46 Tremolo Reflection . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 76
VIII Setting Values and Send/ Receive Values 77
35.1 Off/On Setting Value Table . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 77
35.2 –64 - 0 - +63 Setting Value Table . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 77
35.3 –/+ Setting Value Table . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 77
35.4 Pan Setting Value Table . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 77
35.5 Fine Tune Setting Value Table . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 77
35.6 Scale Setting Value Table . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 78
35.7 Reverb Type Setting Value Table . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 78
35.8 Reverb Time Setting Value Table . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 78
35.9 Chorus Type Setting Value Table . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 79
35.10 Drawbar Position Setting Value Table . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 79
35.11 Normal/Vintage Setting Value Table . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 79
35.12 0-3 Setting Value Table . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 79
35.13 0-5 Setting Value Table . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 80
35.14 Chorus Mode Setting Value Table . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 80
35.15 Delay Level Setting Value Table . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 80
35.16 Delay Type Setting Value Table . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 80
35.17 LFO Wave Form1 Setting Value Table . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 80
35.18 LFO Wave Form2 Setting Value Table . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 80
35.19 LFO Wave Form3 Setting Value Table . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 80
35.20 LoFi Noise Level Setting Value Table . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 81
35.21 Reflection Setting Value Table . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 81
35.22 Ring Type Setting Value Table . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 81
35.23 Rotate/Brake Setting Value Table . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 81
35.24 Slow/Fast Setting Value Table . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 81
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IX MIDI Implementation Notation 82
36.1 Hexadecimal Notation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 82
36.2 Binary Notation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 82
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Part I
MIDI Message Overview
1 Product Configuration as a MIDI Device
As a MIDI device, this Instrument consists of the System Section, Sound Generator Section, and Per­formance Controller Section described below. Each of these sections can send and receive specific MIDI Messages in accordance with its function.
1.1 System Section
The System Section manages the Instrument status and user data. A communication method known as a “bulk dump” can be used for two-way transfer of user data between the Instrument and a computer.
1.2 Performance Controller Section
The Performance Controller Section performs keyboard play and controller operations, and generates performance messages in accordance with auto play, etc. Basically, generated performance messages are sent to external destinations while also being transmitted to the Sound Generator Section. The channel number of the sent channel message is in accordance with the Instrument’s instrument part number.
MIDI Output Performance Information The following describes the performance information that is output and is not output as MIDI signals.
Output performance
Keyboard play and controller operations by the musician
Auto accompaniment
Recorded song playback
Non-output performance
Demo Songs
Card song playback
1.3 Sound Generator Section
The Sound Generator Section mainly performs receive of performance information and sound source setting information. It consists of a common part that do es not depend on the channel and a musical instrument part that is independent of each channel.
1.3.1 Sound Generator Common Block
The common block consists of system effects, master control, etc. These can be controlled by Instrument mixer function and/or general universal system exclusive messages, and the Instrument’s system exclusive messages.
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1.3.2 Instrument Part Block
The instrument part section consists of a total of 32 instrument parts, divided into two groups, named Group A and Group B of 16 instruments each. Each part can perform operations and setting changes us­ing the Instrument mixer function, and/or channel messages and Instrument’s system exclusive messages. Only Group B can be controlled by external channel messages.
As shown in the following table, there is a fixed relationship between channel message receive channel
numbers and instrument parts.
Number Name MIDI Receive Ch MIDI Send Ch Assigned Function
00 A01 - 01-16(Note1) Keyboard UPPER 1 01 A02 - 02 Keyboard UPPER 2 02 A03 - 03 Keyboard LOWER 03 A04 - 04 Auto Harmonize 04 A05 - 05 Song Sequencer system track UPPER 1 05 A06 - 06 Song Sequencer system track UPPER 2 06 A07 - 07 Song Sequencer system track LOWER 07 A08 - - Metronome 08 A09 - 09 Auto Accompaniment (Percussion) 09 A10 - 10 Auto Accompaniment (Drum) 10 A11 - 11 Auto Accompaniment (Bass) 11 A12 - 12 Accompaniment (Chord 1) 12 A13 - 13 Accompaniment (Chord 2) 13 A14 - 14 Accompaniment (Chord 3) 14 A15 - 15 Accompaniment (Chord 4) 15 A16 - 16 Accompaniment (Chord 5) 16 B01 01 01 MIDI/Auto Performance Functions 17 B02 02 02 MIDI/Auto Performance Functions 18 B03 03 03 MIDI/Auto Performance Functions 19 B04 04 04 MIDI/Auto Performance Functions 20 B05 05 05 MIDI/Auto Performance Functions 21 B06 06 06 MIDI/Auto Performance Functions 22 B07 07 07 MIDI/Auto Performance Functions 23 B08 08 08 MIDI/Auto Performance Functions 24 B09 09 09 MIDI/Auto Performance Functions 25 B10 10 10 MIDI/Auto Performance Functions(Note2) 26 B11 11 11 MIDI/Auto Performance Functions 27 B12 12 12 MIDI/Auto Performance Functions 28 B13 13 13 MIDI/Auto Performance Functions 29 B14 14 14 MIDI/Auto Performance Functions 30 B15 15 15 MIDI/Auto Performance Functions 31 B16 16 16 MIDI/Auto Performance Functions
Note1 : Can be changed by the Keyboard Channel setting. Note2 : This instrument part is basically a drum-only part. To specify a sound with a MIDI message, specify a drum sound
whose setting is supported by the Instrument mixer.
9
2 Timbre Type Specific Operation
The sound source operation performed for a sound generator instrument receive message may depend on the value of the Timbre Type (see “About the Timbre Type” in “12 Program Change”) of each part’s operation mode. For details, see the explanation for each message.
3 Controlling Send/Receive of MIDI Messages in Each Instru-
ment Part
Send/receive of MIDI messages in each instrument part can be enabled/disabled by the Instrument’s mixer, the NRPN message explained under “10.36.1 Part Enable”, and the Part Enable Parameter explained under “25.7 Part Parameter”.
4 Conditions that Disable Message Send and Receive
All MIDI message send and receive is temporarily disabled while “Please Wait ...” is displayed.
10
Part II
Channel Message
5 Receive Channel
The channel number of the channel message received by each part is shown in the table under “1.3.2 Instrument Part Block”.
6 Send Channel
Basically, the MIDI channel of the channel message sent when the Instrument is played coincides with the MIDI channel of the part being played. Note, however, that the MIDI channel of the performance information that corresponds to the keyboard main part depends on the Keyboard Channel setting value.
7 Note Off
Message Format: 8nH kkH vvH
9nH kkH 00H(receive only)
n: MIDI Channel Number
kk: Key Number
vv: Velocity(Send:40H, Receive:Ignored)
Send Sent when the keyboard is played, when play is performed using Auto Accompaniment, and when recorded song data is played back. The key number changes in accordance with on the Transpose function and Octave Shift function.
Receive Receipt stops a note being sounded by a note on message.
8 Note On
Message Format: 9nH kkH vvH
n: MIDI Channel Number
kk: Key Number
vv: Velocity
Send Sent when the keyboard is played, when play is performed using Auto Accompaniment, and when recorded song data is played back. The key number changes in accordance with on the Transpose function and Octave Shift function.
Receive Receipt sounds a note of the corresponding instrument part.
9 Polyphonic Key Pressure
11
Message Format: AnH kkH vvH
n: MIDI Channel Number
kk: Key Number
vv: Pressure Value
Send This message is not sent by this Instrument.
Receive This message is not received by this Instrument.
10 Control Change
Message Format: BnH ccH vvH
n: MIDI Channel Number
cc: Control Number
vv: Value
Send Sent when the Instrument’s pedal is operated or when Instrument settings are changed.
Receive Receipt changes the pedal and other performance conditions, and Instrument settings.
Drawbar Operation by Control Change Message When a drawbar tone is selected on the ap-
plicable MIDI channel (n: MIDI Channel Number), control change messages can be used to perform various drawbar parameter operations. (Drawbar tone selection is supported by the CTK-7200, CTK­7300, WK-7600 only.) Specifically, control change message assignment can be switched as shown below when a non-drawbar tone is selected or when a drawbar tone is selected.
Control Change Number Non-drawbar tone selected Drawbar tone selected 46H - Drawbar Position 16’ 47H - Drawbar Position 5 1/3’ 48H Release Time Drawbar Position 8’ 49H Attack Time Drawbar Position 4’ 4AH Filter Cut Off Drawbar Position 2 2/3’ 4BH - Drawbar Position 2’ 4CH Vibrato Rate Drawbar Position 1 3/5’ 4DH Vibrato Depth Drawbar Position 1 1/3’ 4EH Vibrato Delay Drawbar Position 1’ 4FH - Drawbar Organ Type 54H - Drawbar Organ 2nd Percussion 55H - Drawbar Organ 3rd Percussion 56H - Drawbar Organ Percussion Decay Time 57H - Drawbar Organ Key On Click 58H - Drawbar Organ Key Off Click 59H - Vibrato Rate 5AH - Vibrato Depth
For details about messages, see each section of this manual that covers them.
12
10.1 Bank Select (00H,20H)
Message Format: BnH 00H mmH (MSB)
BnH 20H llH (LSB)
n: MIDI Channel Number
mm: MSB Value(Note1)
ll: LSB Value(Send:00H, Receive:Ignored)
Note1 : For details about the relationship between the MSB value and the tone, see the Tone List that comes with the
Instrument.
Send Sent when a tone is selected.
Receive Receipt causes a change in the tone bank number stored in Instrument memory, but the
tone is not actually changed until a Program Change message is received. For details, see “12 Program Change”.
10.2 Modulation (01H)
Message Format: BnH 01H vvH
n: MIDI Channel Number
vv: Value
Send Sent when the modulation button is operated (CTK-7200, CTK-7300, WK-7600 only).
Receive Receipt adds, to the tone being sounded, modulation of a depth specified by the value. In
the case of a tone that already has modulation applied, receipt of this message increases the modulation depth. The modulation effect differs according to the tone b eing used.
10.3 Data Entry (06H,26H)
Message Format: BnH 06H mmH (MSB)
BnH 26H llH (LSB)
n: MIDI Channel Number
mm: MSB Value
ll: LSB Value
Send Sent when there is a change to the parameter assigned to RPN, NRPN.
Receive Receipt changes the parameter assigned to RPN, NRPN.
10.4 Volume (07H)
Message Format: BnH 07H vvH
n: MIDI Channel Number
vv: Value
13
Send Sent when the volume of any part is changed.
Receive Receipt changes the volume of the corresponding part.
10.5 Pan (0AH)
Message Format: BnH 0AH vvH
n: MIDI Channel Number
vv: Value(Note1)
Note1 : For information about the relationship between setting values and send/receive values, see “35.4 Pan Setting Value
Table” in “VIII Setting Values and Send/Receive Values”.
Send Sent when the pan of any part is changed.
Receive Receipt changes the pan of the corresponding part.
10.6 Expression (0BH)
Message Format: BnH 0BH vvH
n: MIDI Channel Number
vv: Value
Send Sent when Auto Accompaniment is used and during recorded song playback.
Receive Receipt changes the Expression value.
10.7 General Use Controllers 1 through 8 (10H through 13H, 50H through 53H)
On this Instrument, these messages are used to control DSP operation.
Message Format: BnH 10H vvH DSP Parameter7[1]
BnH 11H vvH DSP Parameter7[2]
BnH 12H vvH DSP Parameter7[3]
BnH 13H vvH DSP Parameter7[4]
BnH 50H vvH DSP Parameter7[5]
BnH 51H vvH DSP Parameter7[6]
BnH 52H vvH DSP Parameter7[7]
BnH 53H vvH DSP Parameter7[8]
n: MIDI Channel Number
vv: Value
Send Sent when the DSP parameter setting is configured.
14
Receive Receipt changes the value of DSP Parameter 7 [1 to 8] (7-bit parameter) assigned to the part specified by the MIDI Channel Number. Any message received that corresponds to the parameter of a number not being used by the currently selected DSP is ignored. For details about Parameter 7 of each DSP, see the explanations under “VII DSP Parameter List”.
Received values and parameter setting values The range of the value of each DSP Parameter 7 array element depends on the selected DSP or array number. Unlike manipulation of a DSP parameter using a System Exclusive Message, a value received by this control change message is always in the range of 0 to 127, but the range is changed in accordance with the setting range of the applicable parameter setting. Because of this, it is impossible for a value to b e outside of the range. Conversion to the parameter setting value from the value received with the message can be represented in general terms by the expression shown below.
Parameter Setting Value = Parameter Minimum Value + (Parameter Maximum Value Parameter Minimum Value)
Received Value
127
10.8 Hold1 (40H)
Message Format: BnH 40H vvH
n: MIDI Channel Number
vv: Value (Note1)
Note1 : For information about the relationship between setting values and send/receive values, see the “35.1 Off/On Setting
Value Table” in “VIII Setting Values and Send/Receive Values” of this document.
Send Sent when a pedal that has a sustain (damper) function is operated.
Receive Receipt performs an operation equivalent to a sustain pedal operation.
Timbre Type Specific Operation This operation differs in accordance with the Timbre Type (see
“About the Timbre Type” in “12 Program Change”) setting.
Timbre Type: Melody or Drawbar
Sustain off/on control is performed in accordance with the value of the received message.
«
Timbre Type: Piano
Continuous control of the piano tone is performed in accordance with the value of the received message.
Timbre Type: Drum
The received message does not affect sound source operation.
10.9 Sostenuto (42H)
Message Format: BnH 42H vvH
n: MIDI Channel Number
vv: Value (Note1)
15
Note1 : For information about the relationship between setting values and send/receive values, see the “35.1 Off/On Setting
Value Table” in “VIII Setting Values and Send/Receive Values” of this document.
Send Sent when a pedal that has a sostenuto function is operated.
Receive Receipt performs an operation equivalent to a sostenuto pedal operation.
10.10 Soft (43H)
Message Format: BnH 43H vvH
n: MIDI Channel Number
vv: Value (Note1)
Note1 : For information about the relationship between setting values and send/receive values, see the “35.1 Off/On Setting
Value Table” in “VIII Setting Values and Send/Receive Values” of this document.
Send Sent when a pedal that has a soft function is operated.
Receive Receipt performs an operation equivalent to a soft pedal operation.
10.11 Drawbar Position 16’(46H)(Drawbar tone selected)
Note : This message is valid only when a drawbar tone is selected for the MIDI channel.
Message Format: BnH 46H vvH
n: MIDI Channel Number
vv: Value (Note1)
Note1 : For information about the relationship between setting values and send/receive values, see the “35.10 Drawbar
Position Setting Value Table” in “VIII Setting Values and Send/Receive Values” of this document.
Send Sent when a drawbar 16’ is operated.
Receive Receipt changes the drawbar 16’ position.
10.12 Drawbar Position 5 1/3’(47H)(Drawbar tone selected)
Note : This message is valid only when a drawbar tone is selected for the MIDI channel.
Message Format: BnH 47H vvH
n: MIDI Channel Number
vv: Value (Note1)
Note1 : For information about the relationship between setting values and send/receive values, see the “35.10 Drawbar
Position Setting Value Table” in “VIII Setting Values and Send/Receive Values” of this document.
Send Sent when a drawbar 5 1/3’ is operated.
Receive Receipt changes the drawbar 5 1/3’ position.
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10.13 Release Time (48H)
Message Format: BnH 48H vvH
n: MIDI Channel Number
vv: Value (Note1)
Note1 : For information about the relationship between setting values and send/receive values, see the “35.2 –64 - 0 - +63
Setting Value Table” in “VIII Setting Values and Send/Receive Values” of this document.
Send Sent when the release time setting is configured.
Receive Receipt makes a relative change in the time it takes for a note to decay to zero after a key is
released.
10.14 Drawbar Position 8’(48H)(Drawbar tone selected)
Note : This message is valid only when a drawbar tone is selected for the MIDI channel.
Message Format: BnH 48H vvH
n: MIDI Channel Number
vv: Value (Note1)
Note1 : For information about the relationship between setting values and send/receive values, see the “35.10 Drawbar
Position Setting Value Table” in “VIII Setting Values and Send/Receive Values” of this document.
Send Sent when a drawbar 8’ is operated.
Receive Receipt changes the drawbar 8’ position.
10.15 Attack Time (49H)
Message Format: BnH 49H vvH
n: MIDI Channel Number
vv: Value (Note1)
Note1 : For information about the relationship between setting values and send/receive values, see the “35.2 –64 - 0 - +63
Setting Value Table” in “VIII Setting Values and Send/Receive Values” of this document.
Send Sent when the attack time setting is configured.
Receive Receipt makes a relative change in the time it takes for a note to rise to its maximum level.
10.16 Drawbar Position 4’(49H)(Drawbar tone selected)
Note : This message is valid only when a drawbar tone is selected for the MIDI channel.
Message Format: BnH 49H vvH
n: MIDI Channel Number
vv: Value (Note1)
17
Note1 : For information about the relationship between setting values and send/receive values, see the “35.10 Drawbar
Position Setting Value Table” in “VIII Setting Values and Send/Receive Values” of this document.
Send Sent when a drawbar 4’ is operated.
Receive Receipt changes the drawbar 4’ position.
10.17 Filter Cut Off (4AH)
Message Format: BnH 4AH vvH
n: MIDI Channel Number
vv: Value (Note1)
Note1 : For information about the relationship between setting values and send/receive values, see the “35.2 –64 - 0 - +63
Setting Value Table” in “VIII Setting Values and Send/Receive Values” of this document.
Send Sent when the filter cut off setting is configured.
Receive Receipt changes how the cut-off filter is applied.
10.18 Drawbar Position 2 2/3’(4AH)(Drawbar tone selected)
Note : This message is valid only when a drawbar tone is selected for the MIDI channel.
Message Format: BnH 4AH vvH
n: MIDI Channel Number
vv: Value (Note1)
Note1 : For information about the relationship between setting values and send/receive values, see the “35.10 Drawbar
Position Setting Value Table” in “VIII Setting Values and Send/Receive Values” of this document.
Send Sent when a drawbar 2 2/3’ is operated.
Receive Receipt changes the drawbar 2 2/3’ position.
10.19 Drawbar Position 2’(4BH)(Drawbar tone selected)
Note : This message is valid only when a drawbar tone is selected for the MIDI channel.
Message Format: BnH 4BH vvH
n: MIDI Channel Number
vv: Value (Note1)
Note1 : For information about the relationship between setting values and send/receive values, see the “35.10 Drawbar
Position Setting Value Table” in “VIII Setting Values and Send/Receive Values” of this document.
Send Sent when a drawbar 2’ is operated.
Receive Receipt changes the drawbar 2’ position.
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10.20 Vibrato Rate (4CH)
Message Format: BnH 4CH vvH
n: MIDI Channel Number
vv: Value (Note1)
Note1 : For information about the relationship between setting values and send/receive values, see the “35.2 –64 - 0 - +63
Setting Value Table” in “VIII Setting Values and Send/Receive Values” of this document.
Send Sent when the vibrato rate setting is configured.
Receive Receipt changes the note vibrato rate.
10.21 Drawbar Position 1 3/5’(4CH)(Drawbar tone selected)
Note : This message is valid only when a drawbar tone is selected for the MIDI channel.
Message Format: BnH 4CH vvH
n: MIDI Channel Number
vv: Value (Note1)
Note1 : For information about the relationship between setting values and send/receive values, see the “35.10 Drawbar
Position Setting Value Table” in “VIII Setting Values and Send/Receive Values” of this document.
Send Sent when a drawbar 1 3/5’ is operated.
Receive Receipt changes the drawbar 1 3/5’ position.
10.22 Vibrato Depth (4DH)
Message Format: BnH 4DH vvH
n: MIDI Channel Number
vv: Value (Note1)
Note1 : For information about the relationship between setting values and send/receive values, see the “35.2 –64 - 0 - +63
Setting Value Table” in “VIII Setting Values and Send/Receive Values” of this document.
Send Sent when the vibrato depth setting is configured.
Receive Receipt changes the degree of pitch modulation.
10.23 Drawbar Position 1 1/3’(4DH)(Drawbar tone selected)
Note : This message is valid only when a drawbar tone is selected for the MIDI channel.
Message Format: BnH 4DH vvH
n: MIDI Channel Number
vv: Value (Note1)
19
Note1 : For information about the relationship between setting values and send/receive values, see the “35.10 Drawbar
Position Setting Value Table” in “VIII Setting Values and Send/Receive Values” of this document.
Send Sent when a drawbar 1 1/3’ is operated.
Receive Receipt changes the drawbar 1 1/3’ position.
10.24 Vibrato Delay (4EH)
Message Format: BnH 4EH vvH
n: MIDI Channel Number
vv: Value (Note1)
Note1 : For information about the relationship between setting values and send/receive values, see the “35.2 –64 - 0 - +63
Setting Value Table” in “VIII Setting Values and Send/Receive Values” of this document.
Send Sent when the vibrato delay setting is configured.
Receive Receipt changes the time it takes until note vibrato starts.
10.25 Drawbar Position 1’(4EH)(Drawbar tone selected)
Note : This message is valid only when a drawbar tone is selected for the MIDI channel.
Message Format: BnH 4DH vvH
n: MIDI Channel Number
vv: Value (Note1)
Note1 : For information about the relationship between setting values and send/receive values, see the “35.10 Drawbar
Position Setting Value Table” in “VIII Setting Values and Send/Receive Values” of this document.
Send Sent when a drawbar 1’ is operated.
Receive Receipt changes the drawbar 1’ position.
10.26 Drawbar Organ Type(4FH)(Drawbar tone selected)
Note : This message is valid only when a drawbar tone is selected for the MIDI channel.
Message Format: BnH 4FH vvH
n: MIDI Channel Number
vv: Value (Note1)
Note1 : For information about the relationship between setting values and send/receive values, see the “35.11 Nor-
mal/Vintage Setting Value Table” in “VIII Setting Values and Send/Receive Values” of this document.
Send This message is not sent by this Instrument.
Receive Receipt changes the drawbar parameter type.
20
10.27 Drawbar Organ 2nd Percussion(54H)(Drawbar tone selected)
Note : This message is valid only when a drawbar tone is selected for the MIDI channel.
Message Format: BnH 54H vvH
vv n: MIDI Channel Number
vv: Value (Note1)
Note1 : For information about the relationship between setting values and send/receive values, see the “35.1 Off/On Setting
Value Table” in “VIII Setting Values and Send/Receive Values” of this document.
Send Sent when the 2nd percussion button is operated.
Receive Receipt changes the drawbar parameter 2nd percussion.
10.28 Drawbar Organ 3rd Percussion(55H)(Drawbar tone selected)
Note : This message is valid only when a drawbar tone is selected for the MIDI channel.
Message Format: BnH 55H vvH
n: MIDI Channel Number
vv: Value (Note1)
Note1 : For information about the relationship between setting values and send/receive values, see the “35.1 Off/On Setting
Value Table” in “VIII Setting Values and Send/Receive Values” of this document.
Send Sent when the 3rd percussion button is operated.
Receive Receipt changes the drawbar parameter 3rd percussion.
10.29 Drawbar Organ Percussion Decay Time(56H)(Drawbar tone selected)
Note : This message is valid only when a drawbar tone is selected for the MIDI channel.
Message Format: BnH 56H vvH
n: MIDI Channel Number
vv: Value
Send This message is not sent by this Instrument.
Receive Receipt changes the percussion decay time.
10.30 Drawbar Organ Key On Click(57H)(Drawbar tone selected)
Note : This message is valid only when a drawbar tone is selected for the MIDI channel.
Message Format: BnH 57H vvH
n: MIDI Channel Number
vv: Value (Note1)
21
Note1 : For information about the relationship between setting values and send/receive values, see the “35.1 Off/On Setting
Value Table” in “VIII Setting Values and Send/Receive Values” of this document.
Send This message is not sent by this Instrument.
Receive Receipt changes the drawbar parameter key on click.
10.31 Drawbar Organ Key Off Click(58H)(Drawbar tone selected)
Note : This message is valid only when a drawbar tone is selected for the MIDI channel.
Message Format: BnH 58H vvH
n: MIDI Channel Number
vv: Value (Note1)
Note1 : For information about the relationship between setting values and send/receive values, see the “35.1 Off/On Setting
Value Table” in “VIII Setting Values and Send/Receive Values” of this document.
Send This message is not sent by this Instrument.
Receive Receipt changes the drawbar parameter key off click.
10.32 Vibrato Rate (59H)(Drawbar tone selected)
Note : This message is valid only when a drawbar tone is selected for the MIDI channel.
Message Format: BnH 59H vvH
n: MIDI Channel Number
vv: Value (Note1)
Note1 : For information about the relationship between setting values and send/receive values, see the “35.2 –64 - 0 - +63
Setting Value Table” in “VIII Setting Values and Send/Receive Values” of this document.
Send Sent when the vibrato rate setting is configured.
Receive Receipt changes the note vibrato rate.
10.33 Vibrato Depth (5AH)(Drawbar tone selected)
Note : This message is valid only when a drawbar tone is selected for the MIDI channel.
Message Format: BnH 5AH vvH
n: MIDI Channel Number
vv: Value (Note1)
Note1 : For information about the relationship between setting values and send/receive values, see the “35.2 –64 - 0 - +63
Setting Value Table” in “VIII Setting Values and Send/Receive Values” of this document.
Send Sent when the vibrato depth setting is configured.
22
Receive Receipt changes the degree of pitch modulation.
10.34 Reverb Send (5BH)
Message Format: BnH 5BH vvH
n: MIDI Channel Number
vv: Value
Send Sent when the reverb send of any part is changed.
Receive Receipt changes the reverb send of the corresponding part.
10.35 Chorus Send (5DH)
Message Format: BnH 5DH vvH
n: MIDI Channel Number
vv: Value
Send Sent when the chorus send of any part is changed.
Receive Receipt changes the chorus send of the corresponding part.
10.36 NRPN (62H,63H)
Message Format: BnH 62H llH (LSB)
BnH 63H mmH (MSB)
n: MIDI Channel Number
ll: LSB Value
mm: MSB Value
10.36.1 Part Enable
Message Format: BnH 62H 00H
BnH 63H 02H
BnH 06H mmH
BnH 26H llH
n: MIDI Channel Number
mm: Value (Note1)
ll: (Send:00H, Receive:Ignored)
Note1 : For information about the relationship between setting values and send/receive values, see the “35.1 Off/On Setting
Value Table” in “VIII Setting Values and Send/Receive Values” of this document.
Send Sent when each part’s Part On/Off operation is performed.
Receive Receipt changes the part on/off setting of the corresponding part.
23
10.36.2 DSP Enable
Message Format: BnH 62H 01H
BnH 63H 02H
BnH 06H mmH
BnH 26H llH
n: MIDI Channel Number
mm: Value (Note1)
ll: (Send:00H, Receive:Ignored)
Note1 : For information about the relationship between setting values and send/receive values, see the “35.1 Off/On Setting
Value Table” in “VIII Setting Values and Send/Receive Values” of this document.
Send Sent when each part’s DSP Line On/Off operation is performed.
Receive Receipt changes the DSP on/off setting of the corresponding part.
10.36.3 Mixer Scale Tune Enable
Message Format: BnH 62H 00H
BnH 63H 03H
BnH 06H mmH
BnH 26H llH
n: MIDI Channel Number
mm: Value (Note1)
ll: (Send:00H, Receive:Ignored)
Note1 : For information about the relationship between setting values and send/receive values, see the “35.1 Off/On Setting
Value Table” in “VIII Setting Values and Send/Receive Values” of this document.
Send Sent when each part’s Scale On/Off operation is performed.
Receive Receipt changes the scale on/off setting of the corresponding part.
10.36.4 Drawbar Position
Message Format: BnH 62H ffH
BnH 63H 40H
BnH 06H mmH
BnH 26H llH
n: MIDI Channel Number
ff: Drawbar Foot(Feet) (Note1)
mm: Value (Note2)
ll: (Send:00H, Receive:Ignored)
24
Note1 : The following shows the relationship between the Drawbar Foot value and the actual foot bar.
ff Foot Bar
00 Ft16’ 01 Ft5 1/3’ 02 Ft8’ 03 Ft4’ 04 Ft2 2/3’ 05 Ft2’ 06 Ft1 3/5’ 07 Ft1 1/3’ 08 Ft1’
Note2 : For information about the relationship between setting values and send/receive values, see the “35.10 Drawbar
Position Setting Value Table” in “VIII Setting Values and Send/Receive Values” of this document.
Send Sent when a drawbar is operated (CTK-7200, CTK-7300, WK-7600 only).
Receive Receipt changes the drawbar position in accordance with the message contents (CTK-7200,
CTK-7300, WK-7600 only).
10.36.5 Drawbar Organ Click
Message Format: BnH 62H 09H
BnH 63H 40H
BnH 06H mmH
BnH 26H llH
n: MIDI Channel Number
mm: Value (Note1)
ll: (Not sent, Receive:Ignored)
Note1 : For information about the relationship between setting values and send/receive values, see the “35.1 Off/On Setting
Value Table” in “VIII Setting Values and Send/Receive Values” of this document.
Send This message is not sent by this Instrument.
Receive Receipt changes the drawbar parameter click (CTK-7200, CTK-7300, WK-7600 only).
10.36.6 Drawbar Organ 2nd Percussion
Message Format: BnH 62H 0AH
BnH 63H 40H
BnH 06H mmH
BnH 26H llH
n: MIDI Channel Number
mm: Value (Note1)
ll: (Send:00H, Receive:Ignored)
Note1 : For information about the relationship between setting values and send/receive values, see the “35.1 Off/On Setting
Value Table” in “VIII Setting Values and Send/Receive Values” of this document.
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