Behringer BEQ700 Product Information

Product Information Document
Bass Stompboxes
BEQ700
Ultimate 7-Band Graphic Equalizer
Shape your sound and eliminate
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feedback with 7 bands ofequalization
This BEHRINGER product has been
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designed to compete head to head with leading products on the market
Wide frequency range from 50 Hz to
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10 kHz with a powerful 15 dB boost/ cut per band
Status LED for e ect on/o and
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battery check
Runs on 9 V battery or the
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BEHRINGER PSU-SB DC power supply (not included)
Master of Tone
With 15 dB available boost or cut per
band, the BEQ700’s seven frequency
bands have been carefully chosen to
provide the ultimate tools for EQing
the bass guitar, even extended range
instruments. Of course, to make full
use of its capabilities, you should  rst
understand some basics about the
frequency range of your axe.
First-class electronic On/O switch
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for noise-free operation
High-quality components and
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exceptionally rugged construction ensure long life
3-Year Warranty Program*
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Conceived and designed by
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BEHRINGER Germany
The BEQ700 covers the audio
spectrum from below 50 Hz to over 10kHz, allowing you to e ectively cut
or boost speci c frequencies that help focus your sound. Special attention
has been paid to the critical midrange frequencies, which can either make
or break your sound. Thefollowing section o ers tips that will have you
sculpting the perfect bass sound in no time at all.
How Does Equalization Work?
Imagine the audio frequency range as a very wide highway with lots of “lanes”. Each of these lanes represents a speci c frequency band.
The middle lanes make up the fundamental zone of most musical instruments and the male and female vocals
The right-hand lanes have all the high­frequency stu , such as snare drums, cymbals, higher pitched percussion instruments and the content that adds sizzle to the mix
*Warrant y details can be fo und at music-group.c om.
Product Information Document
Bass Stompboxes
BEQ700
Ultimate 7-Band Graphic Equalizer
Applying EQ to Bass Instruments
When frequencies from 20 Hz - 200 Hz are boosted or cut, the bass is a ected dramatically, since sounds in this range are often felt, as well as being heard. Boosting frequencies within this range can increase the sensation of power and punch. Conversely, reductions in this range can weaken or muddy low-frequency response.
The fundamental notes of most basses fall within the 40 Hz - 1000 Hz range. Even slight changes in this range can cause a tremendous variation in overall bass energy and impact, as the human ear is especially sensitive to this range. Boosting frequencies around 200 Hz often gives the bass warmth and body, without a loss of de nition, while boosting frequencies in the 500 Hz to 1000 Hz range tend to make bass sounds brittle. Often, better EQ results can be achieved by reducing the frequency bands that are o ending, and by turning up the overall volume rather than boosting one speci c band.
How the speci c frequency bands of the BEQ700 can shape your sound
• 50 Hz (sub-bass) Boost: To thicken up sub-bass content, which is mostly felt rather than heard Cut: To eliminate stage “rumble” and sub-bass content that can rob sound system power
• 120 Hz (soft bass) Boost: To enhance the lower end of the bass spectrum Cut: To reduce the tendency of low frequency content to overwhelm a small room
• 400 Hz (hard bass) Boost: To enhance the “hard” bass punch of fundamental tones Cut: To reduce punch for better linkage with the kick drum
•500 Hz Boost: or Cut: To control clarity and warmth
•800 Hz Boost: To add an aggressive edge to the overall bass sound Cut: For reducing somewhat nasal or horn-like content
•4.5 kHz Boost: To make the bass cut through the mix. Creates a more distinctive plucked tone Cut: To eliminate harshness
• 10 kHz Boost: To bring out the upper harmonics and add edge to the overall bass tonality Cut: Apply a cut to reduce harsh high-frequency content or hissYou Are Covered
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