Anthem AVM-50 Owners manual

AVM 50

OPERATING MANUAL

UPDATES: www.anthemAV.com

SOFTWARE VERSION 1.0x

™

SAFETY PRECAUTIONS

READ THIS SECTION CAREFULLY BEFORE PROCEEDING!

The lightning flash with arrowpoint within an equilateral triangle warns of the presence of uninsulated “dangerous voltage” within the product’s enclosure that may be of sufficient magnitude to constitute a risk of electric shock to persons.

The exclamation point within an equilateral triangle warns users of the presence of important operating and maintenance (servicing) instructions in the literature accompanying the appliance.

WARNING: TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK, DO NOT EXPOSE THIS PRODUCT TO RAIN OR MOISTURE.

CAUTION: TO PREVENT ELECTRIC SHOCK, MATCH WIDE BLADE OF PLUG TO WIDE SLOT, FULLY INSERT.

CAUTION: FOR CONTINUED PROTECTION AGAINST RISK OF FIRE, REPLACE THE FUSE ONLY WITH THE SAME AMPERAGE

AND VOLTAGE TYPE. REFER REPLACEMENT TO QUALIFIED SERVICE PERSONNEL.

WARNING: UNIT MAY BECOME HOT. ALWAYS PROVIDE ADEQUATE VENTILATION TO ALLOW FOR COOLING. DO NOT PLACE NEAR A HEAT SOURCE, OR IN SPACES THAT CAN RESTRICT VENTILATION.

IMPORTANT SAFETY INSTRUCTIONS

WARNING: TO REDUCE THE RISK OF ELECTRIC SHOCK, DO NOT REMOVE COVER (OR BACK). NO USER-SERVICEABLE PARTS INSIDE. REFER SERVICING TO QUALIFIED SERVICE PERSONNEL.

RISK OF ELECTRIC SHOCK

DO NOT OPEN

WARNING

1. Read Instructions – All the safety and operating instructions should be read before the product is operated.

2. Retain Instructions – The safety and operating instructions should be retained for future reference.

3. Heed Warnings – All warnings on the product and in the operating instructions should be adhered to.

4. Follow Instructions – All operating and use instructions should be followed.

5. Cleaning – Unplug this product from the wall outlet before cleaning. Do not use liquid cleaners or aerosol cleaners. Use

a damp, soft cloth for cleaning.

6. Water and Moisture – Do not use this product near water – for example, near a bath tub, wash bowl, kitchen sink, or laundry tub; in a wet basement; or near a swimming pool; and the like.

7. Accessories – Do not place this product on an unstable cart, stand, tripod, bracket, or table. The product may fall, causing serious injury to a child or adult, and serious damage to the product. Use only with a cart, stand, tripod, bracket, or table recommended by the manufacturer, or sold with the product. Any mounting of the product should follow manufacturer’s instructions, and should use a mounting accessory recommended by the manufacturer.

8. Ventilation – Slots and openings in the cabinet are provided for ventilation and to ensure reliable operation of the product and to protect it from overheating, and these openings must not be blocked or covered. The openings should never be blocked by placing the product on a bed, sofa, rug, or other similar surface. This product should not be placed in a built-in installation such as a bookcase or rack unless proper ventilation is provided or the manufacturer’s instructions have been adhered to.

9. Power Sources – This product should be operated only from the type of power source indicated on the marking label.

If you are not sure of the type of power supply to your home, consult your product dealer or local power company. For products intended to operate from battery power, or other sources, refer to the operating instructions.

10. Grounding and Polarization – This product may be equipped with a polarized alternating-current line plug (a plug having one blade wider than the other). This plug will fit into the power outlet only one way. This is a safety feature. If you are unable to insert the plug fully into the outlet, try reversing the plug. If the plug should still fail to fit, contact your electrician to replace your obsolete outlet. Do not defeat the safety purpose of the polarized plug.

11. Power-cord Protection – Power-supply cords should be routed so that they are not likely to be walked on or pinched by items placed upon or against them, paying particular attention to cords at plugs, convenience receptacles, and the point where they exit from the product.

12. Outdoor Antenna Grounding – If an outside antenna or cable system is connected to the product, be sure the antenna or cable system is grounded so as to provide some protection against voltage surges and built-up static charges. Article 810 of the National Electrical Code, ANSI/NFPA 70, provides information with regard to the proper grounding of the mast and supporting structure, grounding of the lead-in wire to an antenna-discharge unit, size of grounding conductors, location of antenna-discharge unit, connection to grounding electrodes, and requirements for the grounding electrode.

13. Lightning – For added protection for this product during a lightning storm, or when it is left unattended and unused for

long periods of time, unplug it from the wall outlet and disconnect the antenna or cable systems. This will prevent damage to the product due to lightning and power-line surges.

14. Power Lines – An outside antenna system should not be located in the vicinity of overhead power lines or other electric

light or power circuits, or where it can fall into such power lines or circuits. When installing an outside antenna system, extreme care should be taken to keep from touching such power lines or circuits as contact with them might be fatal.

15. Overloading – Do not overload wall outlets, extension cords, or integral convenience receptacles as this can result in

a risk of fire or electric shock.

Antenna Lead-In Wire

Antenna-Discharge Unit 

(NEC Section 810-20)

Grounding Conductors 

(NEC Section 810-21)



Power Service Grounding

Electronic System

(NEC ART 250. Part H)

NEC-National Electrical Code

Electrical Service 

Equiptment

Ground Clamp

Ground Clamps



S2898A

may not be reproduced in whole or in part without our express written permission.

Anthem, AnthemLogic and the Anthem logo are trademarks or registered trademarks of Sonic Frontiers International. Paradigm

is a registered trademark of Paradigm Electronics Inc. All other trademarks are the property of their respective owners.

Sonic Frontiers International reserves the right to change specifications and/or features

without notice as design improvements are incorporated.

Manufactured under license from Dolby Laboratories. “Dolby”, “Pro Logic”, “Surround EX” and the

double-D symbol are trademarks of Dolby Laboratories.

“DTS”, “DTS-ES Extended Surround” and “Neo:6” are trademarks of Digital Theater Systems, Inc.

Manufactured under license from THX Ltd. U.S. patent numbers 5,043,970; 5,189,703; and/or 5,222,059. European patent

number 0323830. Other U.S. and foreign patents pending. Ultra2 and THX are trademarks or registered trademarks of THX

Ltd. Lucasfilm is a trademark of Lucasfilm Ltd. Surround EX is a trademark of Dolby Laboratories. Used under authorization.

HDMI, the HDMI logo and High-Definition Multimedia Interface are trademarks or registered trademarks of HDMI Licensing LLC.

VXP, Visual Excellence Processing and the VXP logo are trademarks or registered trademarks of Gennum Corporation.

This product incorporates copyright protection technology that is protected by U.S. patents and other intellectual property rights. Use of this copyright protection technology must be authorized by Macrovision, and is intended for home and other

limited viewing uses only unless otherwise authorized by Macrovision. Reverse engineering or disassembly is prohibited.

RECYCLING AND REUSE GUIDELINES (Europe) In accordance with the European Union WEEE (Waste Electrical and Electronic Equipment) directive effective August 13, 2005, we would like to notify you that this product may contain regulated materials which, upon disposal, require special reuse and recycling processing. For this reason Paradigm Electronics Inc. (the manufacturer of Paradigm speakers and Anthem electronic products) has arranged with its distributors in European Union member nations to collect and recycle this product at no cost to you. To find your local distributor please contact the dealer from whom you purchased this product or go to our website at www.paradigm.com.

Please note that only the product falls under the WEEE directive. When disposing of packaging and other shipping material we encourage you to recycle through the normal channels.

16. Object and Liquid Entry – Never push objects of any kind through openings as they may touch dangerous voltage points

or short-out parts that could result in a fire or electric shock. Never spill liquid of any kind on this product. This product shall not be exposed to dripping or splashing. No objects filled with liquids such as vases shall be placed on this product.

17. Servicing – Do not attempt to service this product yourself, as opening or removing covers may expose you to

dangerous voltage or other hazards. Refer all servicing to qualified service personnel.

18. Damage Requiring Service – Unplug this product from the wall outlet and refer servicing to qualified personnel under

the following conditions:

• When power-supply cord or plug is damaged.

• If liquid has been spilled, or objects have fallen into the product.

• If the product has been exposed to rain or water.

• If the product does not operate normally by following the operating instructions. Adjust only those controls that are covered by the operating instructions as an improper adjustment of other controls may result in damage and will require extensive work by a qualified technician to restore the product to its normal operation.

• If the product has been dropped or damaged in any way.

• If the product exhibits a distinct change in performance – this indicates a need for service.

19. Replacement Parts – When replacement parts are required, be sure the technician has used replacement parts specified by the manufacturer or have the same characteristics as the original part. Unauthorized substitutions may result in fire, electric shock, or other hazards.

20. Safety Check – Upon completion of any service or repairs to this product, ask the service technician to perform safety

checks to determine that the product is in proper operating condition.

21. Heat – The product should be situated away from heat sources such as radiators, heat registers, stoves, or other

products (including amplifiers) that produce heat.

SECTION PAGE

1. INTRODUCTION

1.1 Before Operating Your AVM 50 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1

1.2 Power Requirements. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1

1.3 In-Use Notices . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1

1.4 Front Panel. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2

1.5 Front Panel Display . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3

1.6 Rear Panel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4

1.7 Remote Control . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5

1.8 Speaker Placement. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6

1.9 Interconnects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7

2. CONNECTIONS

2.1 Video Connections. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8

2.2 Audio Connections . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9

2.3 FM • AM Antennas . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 11

2.4 12 Volt Triggers . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 11

2.5 Powered I.R. (Infra Red) Receivers. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 11

2.6 I.R. (Infra Red) Emitters. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 11

3. SETUP MENU

Entering / Navigating / Exiting . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 15

3.1 Set Time and Timers. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 16

3.2 Speaker Configuration. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 19

3.3 Listener Position . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 24

3.4 Speaker Level Calibration . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 25

3.5 Source Setup and Presets. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 27

3.6 Adjust Input Levels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 31

3.7 ADC and Audio Output . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 32

3.8 Video Output . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 33

3.9 Volumes and Rename Paths . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 35

3.10 Triggers, IR, and RS-232 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 36

3.11 Displays and Timeout. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 38

3.12 Save and Restore Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 40

3.13 Lockout and Passwords . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 42

4. OPERATION

4.1 Power On and Off . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 43

4.2 Path Selection. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 43

4.3 Manually Copying the Main Path to Zone2/3 and Record. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 44

4.4 Source Selection . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 44

4.4.1 FM • AM Tuner 45

4.4.2 Simulcast 45

4.5 Volume Control . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 46

4.6 Surround Mode Levels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 46

4.7 Bass, Treble, and Balance . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 47

4.8 Surround Modes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 47

4.8.1 AnthemLogic 48

4.8.2 Dolby Digital 2.0 48

4.8.3 Surround Modes for 2.0-Channel Source Material 49

4.8.4 Dolby Digital EX and Pro Logic IIx for 5.1-Channel Source Material 50

4.8.5 DTS-ES 50

4.8.6 THX Ultra2 and THX Surround EX 50

4.8.7 Mode and THX Operation for 2.0-Channel Source Material 54

4.8.8 Mode and THX Operation for Dolby Digital 5.1 and 6-Ch S/E 55

4.8.9 Mode and THX Operation for DTS Source Material 56

4.8.10 Dynamics 57

4.9 Lip-Sync Delay . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 57

4.10 Display Brightness . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 57

4.11 Video Source Adjustment . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 57

Picture 58 Crop Input 59 Scale Output 60 Test Pattern 61 Info 61

4.12 Sleep Timer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 62

4.13 Enable and Disable Timers . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 62

4.14 Status Display. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 62

5. REMOTE CONTROL CUSTOMIZATION

5.1 Entering Preset Memory Codes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 63

5.2 Searching for a Code . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 63

5.3 Volume Lock . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 63

5.4 Learning a Command . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 64

5.5 Programming Macros . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 65

5.6 Resetting the Remote to Factory Defaults . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 65

6. SOFTWARE UPDATING

6.1 Software Version Identification . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 66

6.2 Software Updating Via Your Dealer. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 66

6.3 Software Updating Via Your Computer and the Internet . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 66

Appendix A – IR Macros for Surround Modes and FM • AM Banks 68

Appendix B – Preset Memory Codes 69

Specifications 76

Warranty 79

Big Pictures of Front and Rear Panels Inside Back Cover

1. INTRODUCTION

Thank you for purchasing the Anthem AVM 50.

The AVM 50 is a cutting-edge home theater audio and video processor with independent multizone capabilities and FM/AM tuner. Anthem products are engineered to recreate the passion of a live musical performance and thrill of the very best movie theaters by using the highest level of circuit design, proprietary software, superior build quality, innovative features, and intuitive ergonomics with tremendous flexibility.

1.1 BEFORE OPERATING YOUR AVM 50

Check that you have received everything in the Packing List below and report any discrepancies to your dealer as soon as possible. Retain all packing materials and use them for any future shipment.

Packing List:

• AVM 50 • FM Antenna • IR Terminal Block (on rear panel)

• Remote Control • FM Antenna Adapter • Power Cord

• 2 ‘AA’ Batteries • AM Loop Antenna • Operating Manual

Keep the invoice that you received from your authorized Anthem dealer at time of purchase – without it, service will not be provided under warranty.

Safety Instructions:

• Read all safety precautions and instructions at the beginning of this manual.

• Do not connect power if there are any signs of damage to any part of the exterior.

• The Front Panel power buttons and the Rear Panel AC switch do not disconnect the product from the AC line. Ensure that the power cord remains readily accessible at all times.

• To connect power, only use the supplied double-insulated power cord.

• Allow adequate ventilation to ensure reliable operation and to prevent overheating. The amount of space required above the unit for radiation depends on ambient air temperature and circulation. Installation inside a cabinet with a front that can be closed is not recommended unless a fan is also installed to adequately draw air away from the top of the unit.

• Failing to comply with any safety instruction, precaution, or warning in this Operating Manual is in direct violation of the standards of design, manufacture, and intended use of the product.

• Anthem, Sonic Frontiers International, our agents, and any related party assume no liability whatsoever for the user’s failure to comply with any of these requirements.

1.2 POWER REQUIREMENTS

In countries where the line voltage is 120V, this product (low voltage version) operates from a single phase AC power source that supplies between 108V and 132V at a frequency of 60 Hz.

In countries where the line voltage is 220, 230, or 240V, this product (high voltage version) operates from a single phase AC power source that supplies between 216V and 264V at a frequency of 50 or 60 Hz.

1.3 IN-USE NOTICES

• Disconnect the power cord before connecting or disconnecting any components.

• Do not remove the top cover.

• Do not modify the product.

1.4 FRONT PANEL

1 – Path selection

2 – Mode / Surround Decoder indicators

3 – Display

4 – FM • AM Preset selection

5 – FM • AM Tuning / Setup navigation

6 – Master Control Knob

•V

olume

•Tune for FM • AM

• Setting Adjustment for Mode, DD Dynamics, THX Options, Surround Mode Level / Bass / Treble / Balance, Path Bass / Treble / Balance, Display Brightness

• Setup Adjustment

for Letters, Numbers, and Times

7 – Surround Mode / Headphone settings for Level /

Bass / Treble / Balance

8 – Subwoofer / LFE Level settings

9 – Power On / Stand-By (MAIN / ZONE2 / ZONE3)

10 – Mute

11 – Status review / Setup (press and hold for 3 seconds)

12 – Balance setting

13 – Bass / Treble settings

14 – LED / Display Brightness setting (see section 3.11)

15 – Front Panel Remote Control IR Sensor

16 – Surround Mode / Dynamics / THX Options settings

17 – Headphone Jack

18 – Source selection

1. INTRODUCTION continued …

For a larger diagram, see inside back cover.

1718 16 15 14 13 12 11 10 9

5 64321

1.5 FRONT PANEL DISPLAY

MAIN Display Example:

1 – Source selection.

2 – Audio Input Format or Sleep indication if engaged.

3 – Path that the information on the display refers to.

4 – i) Video input

resolution, ii) Volume while it’s adjusted, iii) Muting indication.

5 – Surround Mode.

FM • AM Display Example:

1 – Band+Bank+Preset. The tuner has three FM banks (FM1, FM2, and FM3) and one AM bank.

2 – FM mode. Displays “St” when in stereo, “HB” when in Hi-Blend, or “Mn” when in mono.

3 – Seek and scan indications.

4 – Currently tuned FM • AM frequency to the nearest 0.1 MHz for FM and to nearest 10 kHz for AM.

If changes take place simultaneously in different Paths, the hierarchy of the display info is:

i) Volume changes, ii) Front Panel activity, iii) MAIN, iv) ZONE2, v) ZONE3, vi) RECORD, vii) HEADPHONE.

1. INTRODUCTION continued …

DVD Dolby D MAIN

5. 1+PLIIx Movie 480i

FM2-5 St Sk > MAIN

101. 3 MHz -18. 5 dB

120V 60Hz

MAX

EXPANSION PORT

SHOCK HAZARD DO NOT OPEN.

RISQUE DE CHOC ÉLECTRIQUE

NE PAS OUVRIR

MAIN AUDIO-OUT (BALANCED)

SUB 2

MAIN AUDIO-OUT

1 – 7 composite video inputs

2 – 7 S-Video inputs

3 – 5 S-Video outputs

4 – 5 composite video outputs

5 – HDMI output

6 – 2 component video outputs (3 jacks/ea)

7 – 3 12 Volt trigger outputs

8 – 4 component video inputs (3 jacks/ea)

9 – 4 HDMI inputs

10 – FM and AM antenna connections

11 – Expansion port

12 – 2 I.R. emitters

13 – Main audio output (10 balanced jacks)

14 – 3 Infra Red (IR) extension inputs with 12V supply

15 – RS-232 interface (bidirectional)

16 – Main audio output (10 jacks)

17 – 6-channel analog audio input

18 – AES/EBU digital audio input

19 – Analog audio balanced L/R input

20 – ZONE2, ZONE3, and REC analog audio outputs

21 – 3 optical digital audio inputs

22 – 2 digital audio REC outputs

23 – 7 analog audio L/R inputs

24 – 7 digital audio coaxial inputs

25 – Ground terminal

26 – Power cord connection

1.6 REAR PANEL

For a larger diagram, see inside back cover.

1. INTRODUCTION continued …

151617 1418

8 95 6

1.7 REMOTE CONTROL

1 – IR Transmitter (front face) 2 – LED 3 – Power ON for MAIN, ZONE2, and ZONE3 control modes

Power ON/OFF for other control modes (see #4)

This key does not turn the AVM 50 off (see #31)

4 – Control mode (to control other components)

These are not the source selection keys (see #19)

5 – FM • AM Preset setting and selection 6 – Tone Bypass 7 – Surround Mode 8 – Dynamics setting 9 – FM • AM Preset Up 10 – FM • AM Preset Down 11 – Sleep Timer selection / Timers setting 12 – Center Channel selection for Level / Bass / Treble 13 – Back (for Setup) 14 – Subwoofer / LFE selection for Level 15 – Setup (Press & Hold for 3 seconds) 16 – Source Seek 17 – Balance 18 – RECORD Path selection (Must be in MAIN – see #4) 19 – Source selection 20 – Copy MAIN when ZONE2, ZONE3, or RECORD is selected 21 – Bass selection 22 – Treble selection 23 – Surrounds / Rears selection for Level / Bass / Treble / Balance 24 –• Tune for FM • AM

• Adjustment

for Surround Mode, Dynamics, THX,

Levels, Bass / Treble, Timers, Display Brightness

• Navigation

for Setup

25 – • Seek for FM • AM

• Adjustment for Balance

• Navigation

for Setup

26 – Status / FM • AM Direct Entry / Setup selection 27 – Fronts / Headphones selection for Level / Bass / Treble / Balance 28 – Volume Down 29 – THX selection 30 – Volume Up 31 – Power OFF when in MAIN, ZONE2, or ZONE3 control mode 32 – Mute 33 – Front Panel LED / Display Brightness setting / Lip-Sync Delay 34 – On-Screen display of current front panel display 35 – Scaler menu (Press & Hold for 3 seconds) 36 – Learn (for customization of remote)

Rear: Battery cover (when batteries are running low and a key is

pressed, the backlight stops working and the LED blinks twice)

1. INTRODUCTION continued …



SAT VCR

6-Ch

SAT

ENTERMUTE

BACK

SETUP

SUB LFE

REC

FM AM

VCR

SSP PATH

MAIN

DVD

1 2

FM/AM PRE-SETS

VOLUME CH PRE-SET

GUIDE

FRT CTR

INFO

SUR RR

PIP SWAP MOVE

COPY

DVD

LAST

INPUT

SLEEP

TUNE SEEK

SELECT

SOURCE SEEK

2-Ch

AUX TAPE

SSP SOURCE

*Dipole speakers shown with ‘null’ facing listening area. Direct radiating speakers are shown below.

1. Front-Left

2. Center

3. Front-Right

4. Surround-Right*

5. Rear-Right*

6. Rear-Left*

7. Surround-Left*

8. Subwoofer

1.8 SPEAKER PLACEMENT

These illustrations show the typical speaker placement for a 7.1-channel surround system (the ‘.1’ speaker is the subwoofer). Ideally, the Surround and Rear speakers should be positioned 2-3 feet above ear level. The subwoofer can be placed in any location where severe resonances are prevented – see section 3.2.

1. INTRODUCTION continued …

Placement with dipole surrounds

Placement with direct radiating surrounds

slightly behind listening position

5 and 6 are not

used in a 5.1 system

N R

D C

T A P

3 Z

M V A

C V

N I A

S V T

D V D

E R P

M A / M

E T U M

T E S

E R P

M U L O V

R T C

T C E L E S

B U S E F L

E E

S E

R U O S

E V

O M

C E R

P A W

- 6

P I P

h C

M F M

A Y P O C

A T X U A

R C

V D C

E C R

U O S

V T

M V A

D V D

D C

T A P

3 Z

M V A

C V

N I A

S V T

D V D

E R P

M A / M

R E

E T U M

T S A L

T E S

E R P

P E E L S

M U L O V

T U

N I

R T C

K E E S E N U T

T C E L E S

B U S E F L

E E

R U O S

E V

O M

C E R

P A W

- 6

P I P

h C

M F M

A Y P O C

T X U A

V D C

O S

V T

M V A

D V D

110˚ from center

1.9 INTERCONNECTS

These illustrations show various audio, video, and 12V trigger connectors that are used between source components, the AVM 50, monitors, and power amplifiers. Note that when RCA cables have coaxial construction and their impedance is 75 ohms, they are equally suitable for analog video and digital audio.

For digital video, a cable with DVI connection on one end and HDMI connection on the other can be used to connect equipment that has DVI jacks. This cable is more reliable than using a DVI to HDMI adapter on one end of a cable that has the same connector type on both ends.

Important notes regarding HDMI cables:

1080p uses twice the bandwidth that 720p and 1080i do – make sure that the cable is suitable for your application, especially when using a long cable, otherwise the picture may contain pixel dropouts or not even play at all. For runs longer than approximately 25 feet, you may need a repeater or an HDMI optical connection – contact your dealer.

BE CAREFUL WHEN INSERTING HDMI CABLES. The connector should slide into the jack easily – do not insert it on an angle and do not force it in. Each connector contains 19 delicate pins, and cables with damaged pins can damage the jack. Jacks damaged through misuse are not cover

ed under warranty. If your HDMI cables have been connected so many times that they are about to wear out, we strongly recommend that you replace them to prevent damage to any HDMI jacks in your system.

Optical

XLR Female

(connects to output)

XLR Male

(connects to input)

Digital Audio

Analog Balanced

or AES/EBU

Analog Balanced

or AES/EBU

Analog Left

Channel

RCA Black or

White

RCA Red

RCA Yellow

1/4” Stereo

Analog Right

Channel

Digital Audio or

Composite Video

Headphone

3.5mm

Mini (Mono)

12V Trigger

IR Emitter

RCA Green:

Component Y

RCA Blue:

Component Pb

RCA Red:

Component Pr

Mini DIN

HDMI

S-Video

Digital Video

and Audio

1. INTRODUCTION continued …

2.1 VIDEO CONNECTIONS

The best choice for video connection depends on your monitor(s) and source components. Any video input can be assigned to any number of Sources. To configure inputs, see section 3.5 and to configure video outputs see section 3.8.

Composite Video (analog): This traditional format combines the black/white and color information for transmission on a single coaxial cable. To be displayed, it has to be comb-filtered apart, a process that degrades video quality substantially. Maximum resolution is 480i. If you use a VCR, one with S-Video output is recommended since comb filtering does not apply, and because Composite video can not be fed to the AVM 50’s video processing section.

S-Video (analog): With S-Video, maximum resolution is also 480i, though better video quality results from its multi-conductor connection that keeps color and brightness signals separate. S-Video input can be converted to Component video and HDMI output (MAIN only).

Component Video (analog): Component video uses three coaxial cables and has a maximum resolution of 1080p in bypass mode (switching only) or 1080i if processed. The second Component video output can be assigned three different ways – as processed Main output, unprocessed Main output, or unprocessed ZONE2 output (see section 3.8). Component video input can be converted to HDMI output. If the source material is copy-protected with

Macrovision, then maximum resolution using Component video output is 480p (see section 4.14).

HDMI (digital):

Audio and video are transmitted from source components to the AVM 50. Maximum video resolution is 1080p. Audio is transmitted as Dolby Digital, DTS, or up to eight channels of PCM. Connect HDMI output to a monitor with HDMI or DVI input – one with High Definition Content Protection (HDCP) is required to display protected material. Note: HDMI switching requires a minimum of two seconds for copy protection ‘handshaking’. If the

source material is copy-protected with HDCP, then only HDMI video output is active (see section 4.14).

2. CONNECTIONS

2.2 AUDIO CONNECTIONS

There are two methods of transmitting audio signals: Analog and Digital. Analog is an electrical waveform representation of sound and requires one cable for each channel. Digital represents sound using a sequence of numbers and requires only one cable for all channels.

Any audio input in the AVM 50 can be changed from the factory setting to either Digital or Analog, except 2-Ch BAL and 6-Ch, which accept analog signals only. Any analog input can be set to be used with Digital Signal Processing for bass management, bass/treble control, time alignment, surround modes, and THX post-processing, or to Direct and bypass all digital stages. As well, Auto-Dig uses the digital connection when there’s a digital signal at the input, and when there isn’t, it switches to analog connection with DSP. For more information see sections 3.2, 3.3, 3.5, 4.7, and 4.8.

Digital Audio Inputs and Outputs:

Digital audio source components can be connected with a coaxial, optical, balanced, or HDMI cable. These carry 2-channel PCM, Dolby Digital, and DTS. HDMI also carries up to eight channels of PCM.

Use the HDMI inputs if your monitor has HDCP-compliant HDMI or DVI input, otherwise use the coaxial or optical inputs. The AVM 50 also provides one balanced AES/EBU connection, which is used on professional equipment. Any digital input can be assigned to any number of Sources that are set to ‘Digital’. To change

digital audio connection from the factory default assignments, see section 3.5.

Digital Rec-Out can provide a signal to the digital audio input of a Mini Disc recorder, CD recorder, etc., from any Source set to ‘Digital’ (except HDMI) or ‘Anlg-DSP’ – see sections 3.5 to 3.7.

Analog Audio Inputs:

Analog audio connections are made with RCA or XLR cables.

If you are going to use ZONE2, ZONE3, or RECORD, connect both the digital and

analog outputs from the source components. ZONE2, ZONE3, and RECORD require analog connection unless they’re set to ‘copy’ MAIN (see sections 3.5 and 4.3).

6-Ch Analog Input:

The 6-Ch input is for connecting DVD-Audio and multichannel SACD players. When 6-Ch is selected, the video signal from DVD input is routed to the video outputs by factory default – to change this, see section 3.5.

2. CONNECTIONS continued …

Should you need audio from the HDMI output to your display, it’s 2-channel PCM.

2. CONNECTIONS continued …

Analog Audio Outputs:

Balanced connection offers the highest transmission quality over long cable lengths, because it rejects noise and hum pickup. In the AVM 50, XLR output voltage is twice that of RCA (6 dB higher). The RCA outputs and the XLR outputs are active at the same time.

Parallel outputs are provided for a second center channel speaker and/or subwoofer. If your screen is large, you might want to use one speaker above it and another one below it. One way to tame room resonances is by using multiple subwoofers playing the same signal from different locations in the room.

If you are not using the second set of Balanced SUB2 and CENTER2 outputs, they can be reassigned as ZONE2 L/R outputs to ensure noise rejection if the ZONE2 amplifier has balanced input and it’s far away from the AVM 50 (see section 3.7).

If you’re using one Rear channel, use the Rear-L output to connect it (see section 3.2).

Shown below are the analog audio RECORD outputs, which connect to the inputs of tape recorders and VCRs, together with the outputs that connect to amplifiers for ZONE2 and ZONE3:

For ZONE2, ZONE3, and RECORD to have any output, the source components being used there must be connected to the AVM 50 with the same type of connection. For example, if you’re using HDMI video output for MAIN, to use ZONE2, the source components must be connected to the AVM 50’s inputs (in addition to HDMI) with analog L/R for audio, plus Component video, S-Video, or Composite video – whichever type the monitor in ZONE2 uses.

The only exception is when using Copy mode for audio – see section 4.3.

MAIN AUDIO-OUT (BALANCED)

SUB 2

MAIN AUDIO-OUT

2. CONNECTIONS continued …

2.3 FM • AM ANTENNAS

To connect the AM loop antenna, press the spring-loaded tabs of the AM ANTENNA connector and insert the bare ends of the two wires. Move the antenna until best reception is found.

To connect the FM antenna, connect the two wires to the screw terminals of the 75-ohm to 300-ohm adapter, then connect the adapter to the FM ANTENNA connector. Move the antenna until best reception is found – this is usually a “T” formation. If your cable company provides FM service, you can connect the cable directly to the AVM 50.

2.4 12 VOLT TRIGGERS

If your other components have provisions for a trigger, you can automatically turn them on and off together with the AVM 50, or when a specified Source is selected. Connect a trigger output from the AVM 50 to the trigger input of your power amplifier, TV monitor, etc., using a cable with 3.5mm mono mini plugs.

Trigger3 is designed to provide the extra current (up to 200 mA) required by relays in larger projectors and motorized screens. Depending on the equipment, a thicker wire gauge may be required (consult your dealer).

The AVM 50 provides flexible trigger options. From the factory, all the triggers are disabled. Through the Setup Menu, you can specify the conditions for enabling triggers (see section 3.10).

2.5 POWERED I.R. (INFRA RED) RECEIVERS

External IR receivers allow the Remote Control to be used from other locations in your home. Once an IR receiver is wired to a selected room, connect it to one of the three I.R. RECEIVER inputs through the removable terminal block. To use the terminal block, remove it from the AVM 50, loosen the proper screw, insert the wire in the slot, tighten the screw onto the wire, and insert the terminal block into the AVM 50. See section 3.10 for Setup information.

In addition, there is no need for an external 12V supply to power the receivers – use the AVM 50’s built-in supply instead for up to three IR receivers, and connect according to the IR receiver manufacturer’s instructions.

Custom Installers: The AVM 50’s IR inputs sense modulated 38 kHz carrier, not demodulated data. With some control systems, an emitter face-to-face with an IR receiver may be needed.

2.6 I.R. (INFRA RED) EMITTERS

External IR emitters allow control of your source components from any location in your home that has an IR receiver wired to the back of the AVM 50. After positioning the IR emitter according to its instructions, connect it to I.R. EMITTER output. Commands that come in through the r

ear I.R. RECEIVER connections are

re-transmitted through the IR emitters.

75-ohm to 300-ohm adapter

Example 1: DVD Player to AVM 50 to Main TV

HDTV receivers are connected the same way as DVD players.

2. CONNECTIONS continued …

Connect if using digital REC-OUT or if source’s video output is DVI

HDMI IN

COAX

OUT

AUDIO

OUT

HDMI

OUT

YPbPr OUT

Connect for MAIN

Connect if

using

ZONE2/3 or

REC

Connect if

using ZONE2

DVD

SHOCK HAZARD DO NOT OPEN.

RISQUE DE CHOC ÉLECTRIQUE

NE PAS OUVRIR

120V 60Hz

MAX

EXPANSION PORT

SUB 2

MAIN AUDIO-OUT

MAIN AUDIO-OUT (BALANCED)

2. CONNECTIONS continued …

Example 2: Video Recorder to AVM 50

AUDIO

OUT

AUDIO

For ZONE2, ZONE3, and REC, in most cases you must use the same input type as the output type. If MAIN uses a different input connection, all you need to do is add these connections for ZONE2, ZONE3, and REC.

VIDEO

OUT

VIDEO

VCR

EJECT

SHOCK HAZARD DO NOT OPEN.

RISQUE DE CHOC ÉLECTRIQUE

NE PAS OUVRIR

120V 60Hz

MAX

EXPANSION PORT

SUB 2

MAIN AUDIO-OUT

MAIN AUDIO-OUT (BALANCED)

2. CONNECTIONS continued …

Example 3: AVM 50 to Amplifiers and Subwoofer (Balanced connection shown, single-ended is similar)

Trigger Setup Suggestion:

If it is not necessary to have both amplifiers turned on when stereo sources are playing, set triggers to turn on only the 2-channel amplifier when a stereo source is selected (see section 3.9).

To powered

subwoofer

SHOCK HAZARD DO NOT OPEN.

RISQUE DE CHOC ÉLECTRIQUE

NE PAS OUVRIR

120V 60Hz

MAX

MCA 50

SUB 2

MAIN AUDIO-OUT

EXPANSION PORT

MAIN AUDIO-OUT (BALANCED)

MCA 20

RISK OF HAZARDOUS ENERGY! MAKE PROPER SPEAKER CONNECTIONS. SEE OPERATING MANUAL BEFORE USING.

WARNING

3. SETUP MENU

For optimum performance and enjoyment, it is crucial that your AVM 50 be properly set up. This may appear like a lot of work, however, most settings do not need to be changed from the factory defaults.

The most important things are entering how many speakers you have (the factory default is 7.1-channel) and the distance from each speaker to the listening area (menu 3), balancing speaker output levels to one another (menu 4), and entering information about your monitor (menu 8). The rest are largely for fine tuning and personal preference – the surround mode presets in menu 5, for example, should be set up after you have played a variety of source material and have decided which surround modes you like best.

Menus that involve audio test signals should be set up in the order that they appear. Illustrations throughout this section show the On-Screen display menus in that order. For ease of viewing, use of the On-Screen display is recommended, although the Front Panel display shows similar information.

Alternatively, most of the setup can be done on your personal computer through RS-232 connection and a program called Settings Editor (available from our web site). Settings Editor can also save your configuration as a backup file. Settings Editor cannot play test tones – calibration still has to be done with the Setup Menu.

HOW TO ENTER THE SETUP MENU

The Setup Menu can be accessed from either MAIN or ZONE2. The On-Screen display shows only in that Path (MAIN – any output except Composite, ZONE2 – S-Video only). Audio test signals only play from MAIN.

To enter the Setup Menu:

Remote Control Front Panel

Make sure the appropriate control mode is set, Make sure the appropriate Path is selected, then press then press SUB/LFE (SETUP) for 2 seconds. and hold STATUS (Setup) for 2 seconds.

HOW TO NAVIGATE INSIDE THE SETUP MENU

• Use the  buttons to scroll through menus.

• Press SELECT to choose a menu item.

• Use the  and  buttons to change settings.

• Press BACK to return to previous item or menu.

HOW TO EXIT FROM THE SETUP MENU

Press BACK as many times as necessary. Each time BACK is pressed, the previous item or menu returns. The Setup will exit automatically if not used for 5 minutes to prevent burning of a permanent On-Screen display image in the projector/monitor.

SSP PATH

MAIN

FRT CTR

SUR

TUNE

SEEK

SELECT

SUB LFE

3. SETUP MENU continued …

SETTING UP THE AVM 50

When you enter the Setup Menu, your On-Screen display will show the menu below. Only 8 menu items can be displayed at one time. To go to a submenu, highlight a menu item in red and then press SELECT.

3.1 SET TIME / TIMERS

The time and day, plus 6 different timers are set in this menu. The timers in the AVM 50 are like an alarm clock, but allow two different timer settings for each of MAIN, ZONE2, and ZONE3.

To set Current Time and Day:

• Enter the Setup Menu. Go to ‘1. SET TIMERS/TIME’ and press SELECT.

• Press the  button until you reach ‘c. TIME FORMAT: 12 Hr’.

• Use the  buttons and choose ‘12 Hr’ or ‘24 Hr’.

• Press the  button to go to ‘a. CURRENT TIME: 12:00 AM’.

• Press SELECT. ‘12’ will be highlighted in red.

• Use the Master Control Knob or the  buttons to set the current hour.

• Press the button. ‘00’ minutes will be highlighted.

• Use the Master Control Knob or the  buttons to set current minutes.

• Press BACK to return to the menu line.

• Press the  button to go to ‘b. CURRENT DAY: Sunday’.

• Use the  buttons to set the current day.

All Timers:

This allows you to simultaneously ‘Enable’ or ‘Disable’ all Timers for MAIN, ZONE2, and ZONE3.

ANTHEM AVM 50 SETUP MENU

1. SET TIME / TIMERS

2. SPEAKER CONFIGURATION

3. LISTENER POSITION

4. SPEAKER LVL CALIBRATION

5. SOURCE SETUP / PRESETS

6. ADJUST INPUT LEVELS

7. ADC / AUDIO OUTPUT

8. VIDEO OUTPUT

9. VOLUMES / RENAME PATHS

10. TRIGGERS / IR / RS-232

11. DISPLAYS / TIMEOUT

12. SAVE / RESTORE SETTINGS

13. LOCKOUT / PASSWORDS

1. SET TIME / TIMERS

a. CURRENT TIME : 12:00 AM b. CURRENT DAY: Sunday c. TIME FORMAT : 12 Hr d. ALL TIMERS : Disabled e. SET MAIN TIMERS f. SET ZONE2 TIMERS g. SET ZONE3 TIMERS

3. SETUP MENU continued …

Highlighting ‘e. SET MAIN TIMERS’ in menu 1 and then pressing SELECT displays this menu:

Timer Options:

There are two Timers for Main and each Zone to allow greater flexibility. You can set individual week and weekend auto-on/off times twice – once for the morning and again for the evening, for example.

Using the  buttons, TIMER 1 and TIMER 2 choices are:

• ‘Off’ – Timer is disabled and will not come on at any time or day.

• ‘Week’ – Timer will operate for Monday to Friday only.

• ‘Wkend’ – Timer will operate for Saturday and Sunday only.

• ‘Wk+Wkend’ – Timer will operate for every day of the week.

On and Off Times:

Individual auto-on/off times are entered for:

T1 or T2 WEEKDAY ON: Sets the Monday to Friday turn-on time.

T1 or T2 WEEKDAY OFF: Sets the Monday to Friday turn-off time.

T1 or T2 WEEKEND ON: Sets the Saturday and Sunday turn-on time.

T1 or T2 WEEKEND OFF: Sets the Saturday and Sunday turn-off time.

Timers may also be set to only turn on or only turn off (see Example 2) – this way, the AVM 50 can be set to turn on automatically, and it won’t turn off until you turn it off manually when you’re done for the day.

If the AVM 50 is already on, ‘Timer On’ settings are ignored to ensure that Source and Volume are not changed when you are already listening to a program.

Select Source:

Select what you want playing when a Timer turns the power on – any Source, any preset FM • AM station, or Last Stn (the tuner setting when AVM 50 was last turned off). Be sure that the source component and the power amplifier are turned on or will be on at the Timer turn-on time. If your components have trigger inputs, you can set a AVM 50 trigger to turn them on automatically (see section 3.10).

Auto-On Volume:

Sets the Volume that will play when a Timer turns the power on. The volume increases slowly until the setting is reached.

1e. SET MAIN TIMERS

- - - - - - - - TIMER 1 : Off - - - - - - - a. T1 WEEKDAY ON : 8:00 AM b. T1 WEEKDAY OFF : 11:00 PM c. T1 WEEKEND ON : 10:00 AM d. T1 WEEKEND OFF : 11:00 PM e. SELECT SOURCE : Last Stn f. AUTO-ON VOLUME : –35.0 dB

- - - - - - - - TIMER 2 : Off - - - - - - - a. T2 WEEKDAY ON : 8:00 AM b. T2 WEEKDAY OFF : 11:00 PM c. T2 WEEKEND ON : 10:00 AM d. T2 WEEKEND OFF : 11:00 PM e. SELECT SOURCE : Last Stn f. AUTO-ON VOLUME : –35.0 dB

Example 1: Select a Source for the ZONE2 Timer:

• Enter the Setup Menu. Go to ‘1. SET TIME/TIMERS’ and press SELECT.

• Press the  button until you reach ‘f. SET ZONE2 TIMERS’.

• Press SELECT. The ‘1f. SET ZONE2 TIMERS’ submenu will appear.

• Press the  button until you reach ‘e. SELECT SOURCE’.

• Use the  buttons to change to desired Source.

• Press BACK to leave this submenu and return to the SET TIME/TIMERS menu.

To have the Timer turn on to a Preset Station, do the following from the ‘e. SELECT SOURCE’ menu line:

• Use the  buttons to change to ‘Last Stn’.

• Press SELECT to highlight ‘Last Stn’.

• Use the  buttons to change to the desired FM • AM Preset. These will scroll from ‘AM 1-1’ to ‘AM 1-6’ then from ‘FM1-1’ to ‘FM3-6’ and back to ‘Last Stn’.

• Press BACK once you have selected a preset.

The Timer submenu setup procedure is the same for MAIN, ZONE2, and ZONE3.

Example 2: Change ZONE2, TIMER2 to come on Weekdays at 7:35 AM.

• Enter the Setup Menu. Go to ‘1. SET TIME/TIMERS’ and press SELECT.

• Press the  button until you reach ‘f. SET ZONE2 TIMERS’.

• Press SELECT. The ‘1f. SET ZONE2 TIMERS’ submenu will appear.

• Press the  button to reach ‘TIMER 2: Off’.

• Use the  buttons to change to ‘Week’.

• Press the  button until you reach ‘a. T2 WEEKDAY ON: 8:00 AM’.

• Press SELECT. The hour is now in red, use the Master Control Knob or the  buttons to set the hour to ‘7’ AM. (Continuing through ‘12’ will advance the AM/PM settings.)

• Press the  button. ‘00’ minutes will be highlighted.

• Use the Master Control Knob or the  buttons to set the minutes to ‘35’.

• Press BACK to leave this submenu and return to SET TIME/TIMERS menu.

When scrolling between ‘11 PM’ and ‘12 AM’ settings, the display shows ‘--:--’. Timers set in the ‘--:--’ position will be skipped. Thus, to set the Timer to only turn on, set the Off time to ‘--:--’. To set the Timer to only turn off, set the On time to ‘--:--’.

3. SETUP MENU continued …

3.2 SPEAKER CONFIGURATION

The Speaker Configuration Setup allows you to enter information about how many speakers you have in your system, and their relative size and type. Here you will also set up the bass management. Entering information about the size of your speakers will enable the AVM 50 to control bass information so it is not lost or distorted by smaller speakers that are unable to reproduce large amounts of bass.

Cinema and Music Configurations:

The AVM 50 allows you to set two separate bass management configurations – Music can be tailored for music (and movies that do not contain a Low Frequency Effects ‘.1’ track), and Cinema for source material that contains LFE, including all 5.1/6.1 channel movie and music sources. These configurations can be assigned to each Source.

Use of the Music configuration is optional. Once you enter menu 2b. MUSIC SPKR CONFIGURATION, it asks whether or not you want to use the same settings as the Cinema configuration – ‘Yes’ is the factory default.

Setting up a configuration is described later in this section. Assigning a configuration to a Source or enabling automatic activation according to presence/absence of LFE is explained in section 3.5.

Surround and Rear Speaker Quantity and Type:

Surround speakers fall under two radiation pattern categories: Direct and Dipole. No delay is necessary in channels using dipole speakers – the sound is already delayed through room reflections. When dipoles are selected as the SURROUND TYPE and/or REAR TYPE, their distance will automatically equal the greatest distance in menu 3. LISTENER POSITION (see section 3.3).

If you are using one Rear speaker, set d. REAR QTY/TYPE to 1 speaker and use the Rear-L output.

If you are using no Rear speakers, skip the d. REAR QTY/TYPE setting. It makes no difference what it’s set to.

Center EQ:

When a center channel speaker sits on top of or below a vertical surface such as a TV screen, frequency response can be altered by the reflections, making dialog less natural. With Anthem’s unique CENTER EQ set to ‘Yes’, timbre can be restored using response curves specifically made to cancel effects of TV screens.

TV Size For EQ :

This is used to determine the frequency ranges of CENTER EQ. Since room/TV/furniture acoustics vary, as do characteristics of center channel speakers from model to model, you may wish to spend a little time experimenting to determine which setting works best – play 3 or 4 different DVDs and listen to center channel dialog to find the setting that sounds the clearest.

• Select the TV size category that is one higher than what you are using, then listen and compare to other settings. The settings are: 18”- 30” / 30”- 42” / 42”- 54” / 54”- 66” / 66”- 78”.

• Leave it in the setting that provides the clearest dialog, even if it doesn’t actually match the size of your TV. Turning the Center EQ off completely may even sound best. Let your ears be the final judge!

2. SPEAKER CONFIGURATION

a. CINEMA SPKR CONFIGURATION b. MUSIC SPKR CONFIGURATION c. SURROUND TYPE : Dipole d. REAR QTY / TYPE : 2 Dipole e. CENTER EQ : No f. TV SIZE FOR EQ : 30-42 in g. ROOM RESONANCE FILTER h. SET BASS PEAK LEVEL

+ 63 hidden pages

Anthem AVM-50 Owners manual

Specifications and Main Features

Frequently Asked Questions

User Manual

TABLE of CONTENTS