Yamaha M7CL-48, M7CL-32, M7CL-48ES User Manual
M7CL-32
M7CL-48
M7CL-48ES
Owner’s Manual
EN
FCC INFORMATION (U.S.A.)
1. IMPORTANT NOTICE: DO NOT MODIFY THIS
UNIT!
This product, when installed as indicated in the instructions
contained in this manual, meets FCC requirements. Modifications not expressly approved by Yamaha may void your
authority, granted by the FCC, to use the product.
2. IMPORTANT: When connecting this product to accesso-
ries and/or another product use only high quality shielded
cables. Cable/s supplied with this product MUST be used.
Follow all installation instructions. Failure to follow instructions could void your FCC authorization to use this product
in the USA.
3. NOTE: This product has been tested and found to comply
with the requirements listed in FCC Regulations, Part 15 for
Class “B” digital devices. Compliance with these requirements provides a reasonable level of assurance that your
use of this product in a residential environment will not
result in harmful interference with other electronic devices.
This equipment generates/uses radio frequencies and, if
not installed and used according to the instructions found in
the users manual, may cause interference harmful to the
operation of other electronic devices. Compliance with FCC
* This applies only to products distributed by YAMAHA CORPORATION OF AMERICA. (class B)
COMPLIANCE INFORMATION STATEMENT
(DECLARATION OF CONFORMITY PROCEDURE)
Responsible Party : Yamaha Corporation of America
Address : 6600 Orangethorpe Ave., Buena Park,
Telephone : 714-522-9011
Type of Equipment : DIGITAL MIXING CONSOLE
Model Name : M7CL-48, M7CL-32, M7CL-48ES
This device complies with Part 15 of the FCC Rules.
Operation is subject to the following two conditions:
1) this device may not cause harmful interference, and
2) this device must accept any interference received including
interference that may cause undesired operation.
See user manual instructions if interference to radio reception is suspected.
* This applies only to products distributed by
YAMAHA CORPORATION OF AMERICA.
Calif. 90620
(FCC DoC)
regulations does not guarantee that interference will not
occur in all installations. If this product is found to be the
source of interference, which can be determined by turning
the unit “OFF” and “ON”, please try to eliminate the problem
by using one of the following measures:
Relocate either this product or the device that is being
affected by the interference.
Utilize power outlets that are on different branch (circuit
breaker or fuse) circuits or install AC line filter/s.
In the case of radio or TV interference, relocate/reorient the
antenna. If the antenna lead-in is 300 ohm ribbon lead,
change the lead-in to co-axial type cable.
If these corrective measures do not produce satisfactory
results, please contact the local retailer authorized to distribute this type of product. If you can not locate the appropriate retailer, please contact Yamaha Corporation of
America, Electronic Service Division, 6600 Orangethorpe
Ave, Buena Park, CA90620
The above statements apply ONLY to those products distributed by Yamaha Corporation of America or its subsidiaries.
IMPORTANT NOTICE FOR THE UNITED KINGDOM
Connecting the Plug and Cord
WARNING: THIS APPARATUS MUST BE EARTHED
IMPORTANT. The wires in this mains lead are coloured in
accordance with the following code:
As the colours of the wires in the mains lead of this apparatus
may not correspond with the coloured markings identifying the
terminals in your plug proceed as follows:
The wire which is coloured GREEN-and-YELLOW must be
connected to the terminal in the plug which is marked by the
letter E or by the safety earth symbol or colored GREEN or
GREEN-and-YELLOW.
The wire which is coloured BLUE must be connected to the
terminal which is marked with the letter N or coloured BLACK.
The wire which is coloured BROWN must be connected to the
terminal which is marked with the letter L or coloured RED.
• This applies only to products distributed by
Yamaha-Kemble Music (U.K.) Ltd.
GREEN-AND-YELLOW : EARTH
BLUE : NEUTRAL
BROWN : LIVE
(3 wires)
This product contains a battery that contains perchlorate
material.
Perchlorate Material—special handling may apply,
See www.dtsc.ca.gov/hazardouswaste/perchlorate.
* This applies only to products distributed by YAMAHA
CORPORATION OF AMERICA.
In Finland: Laite on liitettävä suojamaadoituskoskettimilla varustettuun pistorasiaan.
In Norway: Apparatet må tilkoples jordet stikkontakt.
In Sweden: Apparaten skall anslutas till jordat uttag.
M7CL Owner’s Manual
2
(Perchlorate)
This product contains a high intensity lamp that contains a
small amount of mercury. Disposal of this material may be regulated due to environmental considerations.
For disposal information in the United States, refer to the Electronic Industries Alliance web site:
www.eiae.org
* This applies only to products distributed by
YAMAHA CORPORATION OF AMERICA.
(class1_hokuo)
(mercury)
ADVARSEL!
Lithiumbatteri—Eksplosionsfare ved fejlagtig
håndtering. Udskiftning må kun ske med batteri
af samme fabrikat og type. Levér det brugte batteri tilbage til leverandoren.
VARNING
Explosionsfara vid felaktigt batteribyte. Använd
samma batterityp eller en ekvivalent typ som rekommenderas av apparattillverkaren. Kassera
använt batteri enligt fabrikantens instruktion.
VAROITUS
Paristo voi räjähtää, jos se on virheellisesti asennettu. Vaihda paristo ainoastaan laitevalmistajan
suosittelemaan tyyppiin. Hävitä käytetty paristo
valmistajan ohjeiden mukaisesti.
(lithium caution)
NEDERLAND / THE NETHERLANDS
• Dit apparaat bevat een lithium batterij voor geheugen back-up.
• This apparatus contains a lithium battery for memory back-up.
• Raadpleeg uw leverancier over de verwijdering van de batterij op het
moment dat u het apparaat ann het einde van de levensduur of
gelieve dan contact op te nemen met de vertegenwoordiging van
Yamaha in uw land.
•For the removal of the battery at the moment of the disposal at the
end of life please consult your retailer or Yamaha representative
office in your country.
• Gooi de batterij niet weg, maar lever hem in als KCA.
• Do not throw away the battery. Instead, hand it in as small chemical
waste.
(lithium disposal)
CAUTION
RISK OF ELECTRIC SHOCK
DO NOT OPEN
CAUTION: TO REDUCE THE RISK OF
ELECTRIC SHOCK, DO NOT REMOVE
COVER (OR BACK). NO USER-SERVICEABLE
PARTS INSIDE. REFER SERVICING TO
QUALIFIED SERVICE PERSONNEL.
The top half of the above warning is located on the top or the
rear panel of the unit.
IMPORTANT SAFETY INSTRUCTIONS
Explanation of Graphical Symbols
The lightning flash with arrowhead symbol
within an equilateral triangle is intended to
alert the user to the presence of
uninsulated “dangerous voltage” within
the product’s enclosure that may be of
sufficient magnitude to constitute a risk of
electric shock to persons.
The exclamation point within an
equilateral triangle is intended to alert the
user to the presence of important operating
and maintenance (servicing) instructions
in the literature accompanying the product.
1 Read these instructions.
2Keep these instructions.
3 Heed all warnings.
4 Follow all instructions.
5 Do not use this apparatus near water.
6 Clean only with dry cloth.
7 Do not block any ventilation openings. Install in
accordance with the manufacturer’s instructions.
8 Do not install near any heat sources such as
radiators, heat registers, stoves, or other apparatus
(including amplifiers) that produce heat.
9 Do not defeat the safety purpose of the polarized or
grounding-type plug. A polarized plug has two blades
with one wider than the other. A grounding type plug
has two blades and a third grounding prong. The wide
blade or the third prong are provided for your safety. If
the provided plug does not fit into your outlet, consult
an electrician for replacement of the obsolete outlet.
10 Protect the power cord from being walked on or
pinched particularly at plugs, convenience
receptacles, and the point where they exit from the
apparatus.
11 Only use attachments/accessories specified by the
manufacturer.
12 Use only with the cart, stand,
tripod, bracket, or table
specified by the manufacturer,
or sold with the apparatus.
When a cart is used, use
caution when moving the cart/
apparatus combination to
avoid injury from tip-over.
13 Unplug this apparatus during lightning storms or
when unused for long periods of time.
14 Refer all servicing to qualified service personnel.
Servicing is required when the apparatus has been
damaged in any way, such as power-supply cord or
plug is damaged, liquid has been spilled or objects
have fallen into the apparatus, the apparatus has
been exposed to rain or moisture, does not operate
normally, or has been dropped.
WARNING
TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK, DO NOT EXPOSE THIS APPARATUS TO RAIN OR MOISTURE.
(98-6500)
M7CL Owner’s Manual
3
PRECAUTIONS
PLEASE READ CAREFULLY BEFORE PROCEEDING
* Please keep this manual in a safe place for future reference.
WARNING
Always follow the basic precautions listed below to avoid the possibility of serious injury or even death from electrical
shock, short-circuiting, damages, fire or other hazards. These precautions include, but are not limited to, the following:
Power supply/Power cord
• Only use the voltage specified as correct for the device. The required voltage is
printed on the name plate of the device.
• Use only the included power cord. Use only the specified power supply
(PW800W), if you use an external power supply. If you intend to use the device
in an area other than in the one you purchased, the included power cord may not
be compatible. Please check with your Yamaha dealer.
• Do not place the power cord near heat sources such as heaters or radiators, and
do not excessively bend or otherwise damage the cord, place heavy objects on
it, or place it in a position where anyone could walk on, trip over, or roll anything
over it.
• Be sure to connect to an appropriate outlet with a protective grounding
connection. Improper grounding can result in electrical shock.
Do not open
• Do not open the device or attempt to disassemble the internal parts or modify
them in any way. The device contains no user-serviceable parts. If it should
appear to be malfunctioning, discontinue use immediately and have it inspected
by qualified Yamaha service personnel.
CAUTION
Water warning
• Do not expose the device to rain, use it near water or in damp or wet conditions,
or place containers on it containing liquids which might spill into any openings.
If any liquid such as water seeps into the device, turn off the power immediately
and unplug the power cord from the AC outlet. Then have the device inspected
by qualified Yamaha service personnel.
• Never insert or remove an electric plug with wet hands.
If you notice any abnormality
• If the power cord or plug becomes frayed or damaged, or if there is a sudden
loss of sound during use of the device, or if any unusual smells or smoke
should appear to be caused by it, immediately turn off the power switch,
disconnect the electric plug from the outlet, and have the device inspected by
qualified Yamaha service personnel.
• If this device power supply should be dropped or damaged, immediately turn off
the power switch, disconnect the electric plug from the outlet, and have the
device inspected by qualified Yamaha service personnel.
Always follow the basic precautions listed below to avoid the possibility of physical injury to you or others, or damage
to the device or other property. These precautions include, but are not limited to, the following:
Power supply/Power cord
• Remove the electric plug from the outlet when the device is not to be used for
extended periods of time, or during electrical storms.
• When removing the electric plug from the device or an outlet, always hold the
plug itself and not the cord. Pulling by the cord can damage it.
Location
• When transporting or moving the device, always use two or more people.
Attempting to lift the device by yourself may damage your back, result in other
injury, or cause damage to the device itself.
• When transporting or moving the device, do not hold the display.
• Before moving the device, remove all connected cables.
• When setting up the device, make sure that the AC outlet you are using is easily
accessible. If some trouble or malfunction occurs, immediately turn off the
power switch and disconnect the plug from the outlet. Even when the power
switch is turned off, electricity is still flowing to the product at the minimum
level. When you are not using the product for a long time, make sure to unplug
the power cord from the wall AC outlet.
•Avoid setting all equalizer controls and faders to their maximum. Depending on
the condition of the connected devices, doing so may cause feedback and may
damage the speakers.
• Do not expose the device to excessive dust or vibrations, or extreme cold or heat
(such as in direct sunlight, near a heater, or in a car during the day) to prevent
the possibility of panel disfiguration or damage to the internal components.
• Do not place the device in an unstable position where it might accidentally fall
over.
• Do not block the vents. This device has ventilation holes at the rear to prevent
the internal temperature from becoming too high. In particular, do not place the
device on its side or upside down. Inadequate ventilation can result in
overheating, possibly causing damage to the device(s), or even fire.
• Do not use the device in the vicinity of a TV, radio, stereo equipment, mobile
phone, or other electric devices. Doing so may result in noise, both in the device
itself and in the TV or radio next to it.
• Do not place the device in a location where it may come into contact with
corrosive gases or salt air. Doing so may result in malfunction.
Connections
• Before connecting the device to other devices, turn off the power for all devices.
Before turning the power on or off for all devices, set all volume levels to
minimum.
M7CL Owner’s Manual
4
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Handling caution Backup battery
• When turning on the AC power in your audio system, always turn on the power
amplifier LAST, to avoid speaker damage. When turning the power off, the power
amplifier should be turned off FIRST for the same reason.
• Condensation can occur in the device due to rapid, drastic changes in ambient
temperature—when the device is moved from one location to another, or air
conditioning is turned on or off, for example. Using the device while
condensation is present can cause damage. If there is reason to believe that
condensation might have occurred, leave the device for several hours without
turning on the power until the condensation has completely dried out.
• Do not insert your fingers or hands in any gaps or openings on the device
(vents).
•Avoid inserting or dropping foreign objects (paper, plastic, metal, etc.) into any
gaps or openings on the device (vents) If this happens, turn off the power
immediately and unplug the power cord from the AC outlet. Then have the
device inspected by qualified Yamaha service personnel.
• Do not use the device or headphones for a long period of time at a high or
uncomfortable volume level, since this can cause permanent hearing loss. If you
experience any hearing loss or ringing in the ears, consult a physician.
• Do not rest your weight on the device or place heavy objects on it, and avoid use
excessive force on the buttons, switches or connectors.
• Do not apply oil, grease, or contact cleaner to the faders. Doing so may cause
problems with electrical contact or fader motion.
• This device has a built-in backup battery that maintains data in internal memory
even when the device’s power is switched off. The backup battery will eventually
become depleted, however, and when that happens the contents of the internal
memory will be lost.* To prevent loss of data be sure to replace the backup
battery before it becomes fully depleted. When the backup battery is running
low, the LCD display indicates “Low Battery!” when you starting up the system,
(In this case, the Battery field indicates “LOW” or “NO” in the SETUP screen.)
immediately save the data to a USB storage device, then have qualified Yamaha
service personnel replace the backup battery. The average life of the internal
backup battery is approximately 5 years, depending on operating conditions.
* Data items maintained in the internal memory by the backup battery are as
follows:
• Current scene parameters and number.
• Library data.
XLR-type connectors are wired as follows (IEC60268 standard): pin 1: ground, pin 2: hot (+), and pin 3: cold (-).
Yamaha cannot be held responsible for damage caused by improper use or modifications to the device, or data that is lost or destroyed.
Always turn the power off when the device is not in use.
The performance of components with moving contacts, such as switches, volume controls, and connectors, deteriorates over time. Consult qualified Yamaha service
personnel about replacing defective components.
Accessories
• Power cord
• Cord clamp
• Dust cover
European models
Purchaser/User Information specified in EN55103-1 and EN55103-2.
Inrush Current: 21 A
Conforms to Environments: E1, E2, E3 and E4
• Owner’s Manual (this book)
Information for Users on Collection and Disposal of Old Equipment
This symbol on the products, packaging, and/or accompanying documents means that used electrical and electronic products should not be mixed with general household waste.
For proper treatment, recovery and recycling of old products, please take them to applicable collection points, in accordance with your national legislation and the Directives 2002/96/EC.
By disposing of these products correctly, you will help to save valuable resources and prevent any potential negative effects
on human health and the environment which could otherwise arise from inappropriate waste handling.
For more information about collection and recycling of old products, please contact your local municipality, your waste disposal service or the point of sale where you purchased the items.
[For business users in the European Union]
If you wish to discard electrical and electronic equipment, please contact your dealer or supplier for further information.
[Information on Disposal in other Countries outside the European Union]
This symbol is only valid in the European Union. If you wish to discard these items, please contact your local authorities or
dealer and ask for the correct method of disposal.
(weee_eu)
(5)-8
2/2
M7CL Owner’s Manual
5
Contents
1. Introduction 9
Thank you ...................................................................9
An overview of the M7CL........................................... 9
About the models ..................................................... 11
The M7CL’s channel structure ................................ 14
About the MIX bus types (VARI / FIXED)................15
About word clock .....................................................15
Conventions in this manual.....................................15
About the firmware version.....................................16
2. Panels and controls 17
Top panel...................................................................17
Rear panel ................................................................. 24
Under the front pad .................................................. 27
3. Basic operation of the M7CL 29
Basic operations in the top panel / touch screen..29
Pressing the touch screen ................................... 29
Multiple selection (specifying a range) ................29
Special operations for keys .................................29
Encoder operations .............................................29
Multifunction encoder operations......................... 30
The on-screen user interface ..................................30
Tabs..................................................................... 30
Buttons ................................................................30
Faders / Knobs ....................................................31
List windows ........................................................31
Keyboard window ................................................31
Popup windows ...................................................32
Dialog boxes........................................................32
Viewing the touch screen ........................................ 32
Function access area ..........................................32
Main area............................................................. 33
Entering names ........................................................34
Using the tool buttons .............................................35
About the tool buttons.......................................... 35
Using libraries......................................................35
Initializing settings ...............................................39
Copying/pasting settings .....................................40
Comparing two settings ....................................... 40
5. Input channel operations 57
Signal flow for input channels.................................57
Specifying the channel name and icon ..................59
Making HA (Head Amp) settings .............................61
Sending the signal from an input channel
to the STEREO/MONO buses ..............................63
Sending the signal from an input channel
to a MIX bus ..........................................................67
Using the SELECTED CHANNEL section ...........67
Using the Centralogic section ..............................69
Using the faders (SENDS ON FADER mode) .....70
Sending the signal from an input channel
to the MATRIX buses ...........................................72
Using the SELECTED CHANNEL section ...........72
Using the Centralogic section ..............................74
Using the faders (SENDS ON FADER mode) .....75
Channel library operations ......................................77
6. Output channel operations 79
Signal flow for output channels ..............................79
Specifying the channel name and icon ..................81
Sending signals from MIX channels
to the STEREO/MONO bus ..................................82
Sending signals from MIX channels and
STEREO/MONO channels to MATRIX buses .....85
Using the SELECTED CHANNEL section ...........85
Using the Centralogic section ..............................86
Channel library operations ......................................88
7. Operations in the
SELECTED CHANNEL section 89
About the SELECTED CHANNEL section...............89
About the SELECTED CHANNEL VIEW screen .....90
Operations in the SELECTED CHANNEL section..91
8. Operations in the Centralogic section 97
About the Centralogic section.................................97
About the OVERVIEW screen ..................................98
Operations in the Centralogic section..................100
Fixing the channels or DCA groups
of the Centralogic section .................................104
4. Connections and setup 43
Connecting SB168-ES units to the M7CL-48ES
using the STAGE BOX SETUP function............. 43
Audio input/output connections ............................. 46
Setup items required when you
start up the M7CL for the first time .................... 50
Restoring the current scene to the default state..50
Word clock connections and settings ..................50
Making HA (Head Amp) gain settings .................51
Sending an input channel signal
to the STEREO bus......................................... 54
M7CL Owner’s Manual
6
9. Input/output patching 105
Changing the output patch settings .....................105
Changing the input patch settings........................108
Inserting an external device into a channel .........110
Directly outputting an INPUT channel ..................112
10. EQ and Dynamics 115
About EQ and dynamics ........................................115
Using EQ..................................................................115
Using dynamics ......................................................118
Using the EQ or Dynamics libraries......................121
EQ library ...........................................................121
Dynamics library ................................................121
Contents
11. Grouping and linking 123
About DCA Groups and Mute Groups..................123
Using DCA groups..................................................123
Assigning channels to a DCA group..................123
Controlling DCA groups.....................................125
Using mute groups................................................. 126
Assigning channels to mute groups................... 126
Controlling mute groups ....................................127
Using the Mute Safe function ............................129
The Channel Link function ....................................130
Linking the desired input channels ....................130
Copying, moving, or initializing a channel...........132
Copying the parameters of a channel................ 132
Moving the parameters of a channel .................133
Initializing the parameters of a channel ............. 134
12. Scene memory 135
About scene memories..........................................135
Using scene memories ..........................................135
Storing a scene.................................................. 135
Recalling a scene ..............................................138
Using user-defined keys to recall ......................139
Editing scene memories ........................................ 140
Sorting and renaming scene memories.............140
Scene memory editing.......................................142
Copying/pasting a scene ...................................142
Clearing a scene................................................ 143
Cutting a scene.................................................. 144
Inserting a scene ...............................................144
Using the Global Paste ..........................................145
Using the Global Paste function ........................145
Using the Focus function ......................................147
Using the Recall Safe function.............................. 148
Using the Fade function.........................................151
13. Monitor/Cue 153
About the monitor/cue functions..........................153
Using the Monitor function.................................... 154
Using the Cue function .......................................... 157
About cue groups ..............................................157
Operating the Cue function ................................... 158
14. Talkback / Oscillator 161
About the talkback and oscillator functions........ 161
Using talkback ........................................................ 162
Using the oscillator ................................................ 164
15. Meters 167
Operations in the METER screen.......................... 167
Using the MBM7CL meter bridge (option)............ 169
16. Graphic EQ and effects 171
About the virtual rack.............................................171
Virtual rack operations .......................................172
Graphic EQ operations...........................................175
About the graphic EQ.........................................175
Inserting a GEQ in a channel.............................175
Using the 31BandGEQ ......................................177
Using the Flex15GEQ ........................................178
About the internal effects ......................................180
Using an internal effect via send/return .............181
Inserting an internal effect into a channel ..........183
Editing the internal effect parameters ................184
Using the Tap Tempo function...........................186
Using the Freeze effect......................................188
Using the graphic EQ and effect libraries ............189
Using an external head amp ..................................190
Connecting the M7CL-32/48 to the AD8HR.......190
Connecting the M7CL-48ES to the AD8HR .......191
Connecting the M7CL-32/48 to the SB168-ES ..192
Remotely controlling
an external head amp....................................193
17. MIDI 197
MIDI functionality on the M7CL .............................197
Basic MIDI settings.................................................198
Using program changes to recall scenes and library
items ....................................................................200
Using control changes to control parameters .....203
Using parameter changes to control parameters 205
18. User settings (Security) 207
User Level settings.................................................207
User types and user authentication keys ...........207
Setting the Administrator password ...................208
Creating a user authentication key ....................209
Logging-in ..........................................................209
Changing the password .....................................211
Editing a user authentication key .......................212
Changing the user level .....................................212
Preferences .............................................................214
User-defined keys...................................................216
Console lock ...........................................................217
Locking the console ...........................................217
Unlocking the console........................................217
Using a USB storage device to save/load data....218
Saving the M7CL’s internal data
on a USB storage device...............................218
Loading a file from a
USB storage device.......................................219
Converting and loading the file
content from a USB storage device...............220
Editing the files saved on
a USB storage device....................................221
Formatting media on a USB storage device ......224
M7CL Owner’s Manual
7
Contents
8
19. Help function 225
Loading a Help file from a USB storage device... 225
Loading a text file from a USB storage device .... 226
Viewing Help ........................................................... 227
Using user-defined keys to recall Help directly...227
20. Other functions 229
About the SETUP screen ....................................... 229
Word Clock and Slot settings................................230
Using cascade connections .................................. 232
Operations on the cascade slave M7CL............ 232
Operations on the cascade
master M7CL................................................ 233
Basic settings for MIX buses and
MATRIX buses.................................................... 234
Setting the date and time of the internal clock.... 235
Setting the network address .................................236
Specifying the brightness of the touch screen,
LEDs, and lamps ................................................237
Initializing the M7CL’s internal memory............... 238
Adjusting the detection point of the touch screen
(Calibration function)......................................... 239
Adjusting the faders (Calibration function) .........240
Adjusting the input/output gain
(Calibration function)......................................... 241
Connecting SB168-ES units to the M7CL-48ES
using the Stage Box Setup function ................ 242
Changing settings to suit the connection...........242
Changing the EtherSound settings from
AVS-ESMonitor (M7CL-48ES) ........................... 243
Appendices 245
EQ Library List ........................................................245
DYNAMICS Library List ..........................................246
Dynamics Parameters ............................................249
Effect Type List .......................................................252
Effects Parameters .................................................253
Effects and tempo synchronization ......................265
Scene Memory/Effect Library
to Program Change Table..................................266
Parameters that can be assigned
to control changes .............................................270
Control change parameter assignments ..............272
NRPN parameter assignments ..............................274
Mixing parameter operation applicability.............277
Functions that can be assigned
to user-defined keys ..........................................280
MIDI Data Format ....................................................282
Warning/Error Messages .......................................289
Troubleshooting .....................................................291
General Specifications ...........................................293
Input/output characteristics ..................................293
Electrical characteristics .......................................295
Mixer Basic Parameters .........................................297
Pin Assignment.......................................................298
Dimensions .............................................................299
Installing the MBM7CL meter bridge (option) ......300
MIDI Implementation Chart ....................................301
Index ........................................................................302
Block Diagram...................................... End of Manual
Level Diagram ......................................End of Manual
• The illustrations and screen displays as shown in this Owner’s manual are for instructional purposes
only, and may be different from the ones on your device.
• Centralogic is trademark of Yamaha Corporation.
• Ethernet is a trademark of Xerox Corporation.
• EtherSound is a registered trademark of Digigram S.A.
• The company names and product names in this Owner’s Manual are the trademarks or registered
trademarks of their respective companies.
M7CL Owner’s Manual
■ Effects and graphic EQ that can be
patched into a desired signal path
Chapter 1
Introduction
1
Introduction
Thank you
Thank you for purchasing the Yamaha M7CL digital mixing console. In order to take full advantage of the M7CL’s superior functionality and enjoy years of trouble-free use, please read this
manual before you begin using the product. After you have read the manual, keep it in a safe
place.
An overview of the M7CL
The M7CL is a digital mixing console with the following features.
■ A mixing system that delivers
both cutting-edge digital
technology and analog-style operation
The M7CL is a full-digital mixing console containing the
latest digital technology, designed for installed systems or
SR applications. 24-bit linear AD/DA converters are used
to deliver up to 108 dB of dynamic range and amazing
sound quality.
The M7CL features 32 (M7CL-32 model) or 48 (M7CL48 model) monaural INPUT channels, and four stereo ST
IN channels. The M7CL-48ES model features EtherSound
input channels and eight monaural INPUT channels
(OMNI IN).
As output channels, it provides 16 MIX channels, eight
MATRIX channels, a STEREO channel, and a MONO
channel. L/C/R three-channel output using the STEREO/
MONO channels is also supported.
The user interface has been completely redesigned for
simple and intuitive operation.
A dedicated channel strip with fader, cue, and on/off control is provided for all frequently-used input channels and
the STEREO/MONO channels. This mixer can be comfortably operated even by users who are new to digital
consoles.
The SELECTED CHANNEL section located at the left of
the display lets you use the knobs to control the main
parameters (gain, EQ, dynamics threshold, bus send levels, etc.) for the particular channel on which you’re focusing. This section can be operated just like a module on an
analog mixer.
In the center of the top panel is located the newly developed Centralogic section, which lets you control eight
channels at once. You can control fader, cue, and on/off
settings for the eight channels or DCA groups recalled to
this section by pressing a single key. The display is a touch
screen. You can turn functions on/off or select items simply by touching buttons or knobs in the screen.
Mix parameter settings, including head amp gain and
phantom power for input channels, can be stored and
recalled as “scenes.” All faders on the panel are motorized
moving faders, so that when you recall a scene, the previous fader locations are reproduced immediately.
High-quality multi-effect processors are built in, with up
to four available simultaneously. Effects such as reverb,
delay, multiband compression, and various modulation
effects can be routed via internal buses or inserted into the
desired channel. 31-band graphic EQ and a newly developed Flex15GEQ are also provided, and can be inserted in
any channel or output.
The Flex15GEQ allows you to adjust the gain for any fifteen of the thirty-one bands.
Since two GEQ units can be mounted in the same rack, a
total of up to sixteen GEQ units can be used simultaneously. To use effects or graphic EQ, you mount them in
the eight virtual racks shown in the touch screen. The currently-mounted modules can be seen at a glance, and you
can switch modules and change input/output patching in
an intuitive manner.
M7CL Owner’s Manual
9
10
An overview of the M7CL
■ Cascade connections
in the digital domain
A second M7CL unit or a digital mixer such as the
Yamaha PM5D connected via a digital I/O card installed
in a slot can be cascade-connected in the digital domain.
Of the MIX buses, MATRIX buses, STEREO/MONO
buses, and CUE bus, up to twenty-four buses can be cascaded individually.
■ Security functions that can be
specified at user-level or system-level
The available functionality can be restricted for users
other than the administrator, with three levels of security;
Administrator, Guest, and User. Passwords can be specified for the administrator and users, preventing important
settings from being changed accidentally.
Information specific to each user (user level, system settings, and user-defined key settings) can be stored on a
USB storage device as a “user authentication key.” By
loading your own user authentication key from a USB
storage device, you can instantly set up the ideal operating
environment for yourself.
■ I/O card expansion
The rear panel provides three slots in which separately
sold mini-YGDAI cards can be installed. AD cards, DA
cards, or digital I/O cards can be installed in these slots to
add inputs and outputs. If an external head amp unit (such
as the Yamaha AD8HR) that supports a special protocol is
connected to the REMOTE connector, the phantom power
and gain settings of the external head amp can also be
remotely controlled from the M7CL.
■ Propagation via SB168-ES
Using the Stage Box SB168-ES or similar product enables
you to set up remote inputs and outputs away from the
console, such as on stage, for an improved system design
that features more flexible cabling. Using the SB168-ES
along with the M7CL-48ES significantly facilitates necessary setups. You can easily set the SB168-ES’s DIP
switches and use the STAGE BOX SETUP function via
the console’s EXT-HA field to quickly set up head amp
remote control, audio patches, etc.
M7CL Owner’s Manual
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About the models
About the models
The M7CL is available in three models; the M7CL-48, the M7CL-32, and the M7CL-48ES. These
models differ as follows.
■ M7CL-48
This model features 48 INPUT jacks, 4 ST IN jacks and 16 OMNI OUT jacks, enabling you to use 48 INPUT channels. It
also features a REMOTE jack that enables you to remotely control an external head amp device that supports a special protocol.
INPUT jacks 1–32 are located at the right side of the rear panel, and INPUT jacks 33–48 are located at the left side of the
rear panel.
1
Introduction
4
2
INPUT jacks 1–32
INPUT jacks 33–48
ST IN jacks 1–4
REMOTE jack
OMNI OUT jacks 1–16
In addition to the channel strip for INPUT channels 1–32 located at the left side of the front panel, there is a channel strip
for INPUT channels 33–48 located at the right side of the front panel.
3
15
12
Channel strip for INPUT channels 1–32
Channel strip for INPUT channels 33–48
M7CL Owner’s Manual
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12
1
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1
About the models
■ M7CL-32
This model features 32 INPUT jacks, 4 ST IN jacks and 16 OMNI OUT jacks, enabling you to use 32 INPUT channels. It
also features a REMOTE jack that enables you to remotely control an external head amp device that supports a special protocol.
INPUT jacks 1–32 are located at the right side of the right panel, just as on the M7CL-48 model, but there are no INPUT
jacks at the left side of the rear panel.
3 2
4
1
INPUT jacks 1–32
ST IN jacks 1–4
REMOTE jack
OMNI OUT jacks 1–16
The channel strip for INPUT channels 1–32 is located in the left side of the front panel, just as on the M7CL-48 model, but
there is no channel strip for INPUT channels in the right side.
1
Channel strip for INPUT channels 1–32
HINT
• In this owner’s manual, whenever there is a difference between the M7CL-32 model and the M7CL-48 model, specifications
that apply only to the M7CL-48 model are enclosed in curly brackets { } (e.g., INPUT jacks 1–32 {1–48}).
M7CL Owner’s Manual
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About the models
■ M7CL-48ES
This model features eight OMNI IN jacks, eight OMNI OUT jacks and EtherSound connectors, enabling you to use 48
INPUT and 24 OUTPUT channels.
You can expand the number of inputs and outputs by connecting up to three SB168-ES units or other equivalent EtherSound
devices. You can remotely control via the EtherSound connector an external head amp device that supports a special protocol.
12 3
1
Introduction
OMNI IN jacks 1–8
EtherSound connectors
OMNI OUT jacks 1–8
In addition to the channel strip for INPUT channels 1–32 located at the left side of the front panel, there is a channel strip
for INPUT channels 33–48 located at the right side of the front panel.
12
Channel strip for INPUT channels 1–32
Channel strip for INPUT channels 33–48
M7CL Owner’s Manual
13
The M7CL’s channel structure
The M7CL’s channel structure
The M7CL provides the following input channels and output channels.
●
●
●
●
●
■ Input channels
This section processes an input signal and sends it to various buses (STEREO, MONO, MIX, MATRIX). There are
two types of input channel, as follows.
INPUT channels
These channels are used to process monaural signals. By
default, the input signals from monaural analog INPUT
jacks (on the M7CL-32 and M7CL-48 models) or input
signals from the EtherSound connector (on the M7CL48ES model) are assigned to these channels.
ST IN channels
These channels are used to process stereo signals. By
default, the input signals from EFFECT RETURN 1–4 are
assigned to these channels.
Signal assignments to the input channels can be changed
as desired.
■ Output channels
This section mixes the signals sent from input channels
etc., and sends them to the corresponding output ports or
output buses. There are three types of output channel, as
follows.
MIX channels
These channels process the signals sent from input channels to the MIX buses, and send them from the output
ports. These are used mainly to send signals to the monitor
system or to external effects. The signals of MIX channels
1–16 can also be sent to the STEREO bus, MONO bus, or
MATRIX buses.
When the M7CL is in the default state, the following output ports are assigned.
• M7CL-32/48 port assignment
MIX channels 1–12
MIX channels 13–16
MIX channels 1–8
MIX channels 9–16
OMNI OUT jacks 1–12
Rack 5–8
Slot 1 output channels 1–8, 9–16
Slot 2 output channels 1–8, 9–16
MATRIX channels
These channels process the signals that are sent from input
channels, MIX channels, STEREO channel, and MONO
channel to the MATRIX buses, and send them from the
output ports. Using the STEREO and MONO buses, different combinations of signals and mix balances can be
sent out from the M7CL.
When the M7CL is in the default state, the following output ports are assigned.
• M7CL-32/48 port assignment
MATRIX channels 1/2
MATRIX channels 1–8
• M7CL-48ES port assignment
MATRIX channels 1–8
MATRIX channels 1–6
MATRIX channels 1–4
OMNI OUT jacks 13/14
Slot 3 output channels 1–8, 9–16
Slot 3 output channels 1–8, 9–16
EtherSound output channels 17–22
OMNI OUT 1–4
STEREO channel / MONO channel
These channels process the signals that are sent from the
input channels or MIX channels, and send them to the corresponding output port. These channels are used as the
main stereo output and monaural output.
The STEREO channel and MONO channel can be used
either to output independent signals, or for three-channel
L/C/R playback.
When the M7CL is in the default state, the following output ports are assigned.
• M7CL-32/48 port assignment
STEREO channel L OMNI OUT jack 15, 2TR OUT DIGITAL jack L
STEREO channel R OMNI OUT jack 16, 2TR OUT DIGITAL jack R
MONO channel
• M7CL-48ES port assignment
STEREO channel L
STEREO channel R
MONO channel
No assignment
OMNI OUT jack 7, 2TR OUT DIGITAL jack L,
EtherSound output channels 7,15, and 23
OMNI OUT jack 8, 2TR OUT DIGITAL jack R,
EtherSound output channels 8,16, and 24
No assignment
• M7CL-48ES port assignment
MIX channels 1–8
MIX channels 9–16
MIX channels 1–6
MIX channels 7–12
MIX channels 13–16
M7CL Owner’s Manual
14
Slot 1 output channels 1–8, 9–16
Slot 2 output channels 1–8, 9–16
EtherSound output channels 1–6
EtherSound output channels 9–14
Rack 5–8
Port assignments to the output channels can be changed as
desired.
●
●
About the MIX bus types (VARI / FIXED) • About word clock • Conventions in this manual
About the MIX bus types (VARI / FIXED)
The sixteen MIX buses provided on the M7CL can be assigned either as VARI or FIXED types in
pairs of adjacent odd-numbered/even-numbered buses ( → p. 234). Each type has the following
characteristics.
1
VARI
This type allows the send level of the signal sent from the
input channels to the MIX bus to be varied. The point at
which the signal is sent from the input channel to a VARI
type MIX bus can be chosen from before the EQ, before
the fader, or after the [ON] key (after the fader). This type
is used mainly for sending the signal to a monitor system
or external effect.
FIXED
With this type, the send level of the signal sent from the
input channels to the MIX bus is fixed to unity (0 dB). The
signal sent from an input channel to a FIXED type MIX
bus is taken from immediately after the [ON] key (after
the fader). This type is used mainly when you want to distribute signals to an external device at the same mix balance as the STEREO/MONO buses.
About word clock
“Word clock” refers to the clock that provides the basis of timing for digital audio signal processing.
Normally, one device transmits a reference word clock signal, and the other devices receive this
word clock signal and synchronize to it.
In order to transmit or receive digital audio signals to or from an external device via a digital I/O
card installed in a slot of the M7CL or EtherSound jacks of the M7CL-48ES. The word clock must
be synchronized between the devices. Be aware that if the word clock is not synchronized, the
signal will not be sent correctly, or there may be unpleasant noise. (For details on synchronizing
the M7CL’s word clock with an external device → p. 230).
Introduction
Conventions in this manual
In this manual, switch-type controls on the panel are called “keys.” Of the control knobs on the
panel, those that turn from a minimum value to a maximum value are called “knobs,” while those
that turn endlessly are called “encoders.”
Controls located on the panel are enclosed in square
brackets [ ] (e.g., [CUE] key) in order to distinguish them
from the virtual buttons and knobs displayed in the screen.
For some controls, the name of the section is given before
the [ ] (e.g., SCENE MEMORY [STORE] key).
Whenever there is a difference between the M7CL-32
model and the M7CL-48 model, specifications that apply
only to the M7CL-48 model are enclosed in curly brackets
{ } (e.g., INPUT jacks 1–32 {1–48}).
M7CL Owner’s Manual
15
About the firmware version
About the firmware version
You can view the firmware version number in the SETUP screen ( → p. 229).
You can also download the most recent firmware version from the website.
http://www.yamahaproaudio.com/downloads/
When you are using the M7CL-48ES along with the
SB168-ES, the SB168-ES firmware must be the following
version or higher:
SB168-ES unit firmware : V1.1
EtherSound module firmware : C16
For information on checking the version number and
updating the firmware, please refer to the “SB168-ES
Firmware Update Guide.”
The SB168-ES firmware can be updated from a computer
connected to the rear-panel NETWORK connector.
Information about the latest versions and firmware downloads are available on the Yamaha pro audio website
SB168-ES product page:
http://www.yamahaproaudio.com/products/
The EtherSound module firmware can be updated from a
computer connected to the EtherSound connector.
Information about the latest versions and firmware downloads are available at the AuviTran website:
http://www.auvitran.com/
view.php?downloads_updates.php
M7CL Owner’s Manual
16
• This illustration shows the top panel of the M7CL-48/48ES. The
M7CL-32 does not have the INPUT section at the right (channels
33–48).
Chapter 2
Panels and controls
2
This chapter explains the names and functions of each part of the M7CL.
Top panel
The top panel of the M7CL is divided into the following sections.
Panels and controls
Display section (P. 20)
SELECTED CHANNEL
section (P. 19)
Meter bridge (option)
(P. 19)
SCENE MEMORY/
MONITOR section
(P. 22)
INPUT section (P. 18)
ST IN (Stereo Input)
section (P. 18)
Centralogic section (P. 21)
USER DEFINED KEYS section (P. 22)
NOTE
INPUT section (P. 18)
STEREO/MONO MASTER
section (P. 23)
NAVIGATION KEYS
section (P. 23)
M7CL Owner’s Manual
17
18 1
Top panel
B
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■ INPUT section
In this section you can control the main parameters of
monaural input channels 1–32 {1–48}.
1
2
3
4
5
■ ST IN (Stereo Input) section
In this section you can control the principal parameters for
the stereo ST IN channels 1–4. With the exception that the
object of control will alternate between the L and R channels each time you press the [SEL] key, these controls
operate in the same way as for the INPUT channels.
1
2
3
4
5
[SEL] key
These keys select the channel to be controlled. When you
press this key to make the LED light, that channel will be
selected for control in the SELECTED CHANNEL section and in the touch screen.
In SENDS ON FADER mode, the [SEL] keys of all channels will light.
[CUE] key
These keys select the channel to be cue-monitored. If cue
is on, the LED will light.
Meter LEDs
These LEDs indicate the input level of the channel.
[ON] key
This switches the channel on/off. If a channel is on, the
key LED will light. In SENDS ON FADER mode, this is
an on/off switch for the signal sent from each channel to
the currently selected MIX/MATRIX bus.
Fader
Adjusts the input level of the channel. In SENDS ON
FADER mode, this adjusts the send level of the signal
from each channel to the currently selected MIX/
MATRIX bus.
M7CL Owner’s Manual
1 2
• The PAD will be internally switched on or off when the HA gain is
adjusted between -14 dB and -13 dB. Keep in mind that noise may
be generated if there is a difference between the Hot and Cold
output impedance of the external device connected to the INPUT
connector when using phantom power.
•You can link this setting to the PAN setting for signals sent to
a MIX or MATRIX for which the BUS TYPE is set to STEREO.
(
→
p. 234)
1
B
1
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■ Meter bridge (option)
B
C
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●
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Top panel
If an optional MBM7CL meter bridge is installed, the
MIX/MATRIX channel levels can be monitored at all
times. The monitoring position can be selected from PRE
EQ (immediately before attenuator), PRE FADER (immediately before the fader), or POST ON (immediately after
the [ON] key).
■ SELECTED CHANNEL section
In this section you can control the mix parameters for the
currently selected input channel or output channel.
1 2 3
4
MIX meters
These indicate the level of MIX channels 1–16.
MATRIX meters
These indicate the level of MATRIX channels 1–8.
2
Panels and controls
[HA] encoder
Adjusts the head amp gain of an input channel. This does
nothing if another type of channel is selected.
NOTE
[MIX/MATRIX] encoders
When an input channel is selected
This adjusts the send level of the signal sent from that
channel to the MIX/MATRIX buses.
When a MIX/STEREO/MONO channel is
selected
This adjusts the send level of the signal sent from the
selected MIX/STEREO/MONO channel to the
MATRIX buses.
When a MATRIX channel is selected
This adjusts the send level of the signal sent from each
MIX channel to the selected MATRIX bus.
When SENDS ON FADER mode
Push in an encoder to select the corresponding destination bus.
NOTE
• If the SIGNAL TYPE of the destination bus is set to STEREO,
use the left encoders to adjust PAN and the right encoders to
adjust the send level.
5
6
7
[PAN] encoder
When an input channel is selected
This adjusts the panning of the signal that is sent from
the selected channel to the L/R channels (or L/C/R
channels) of the STEREO bus.
NOTE
When a ST IN channel is selected
This adjusts the left/right balance of the signals that
are sent from the selected two channels to the STEREO bus.
When a MIX channel (MONO x 2) is selected
This adjusts the panning of the signal that is sent from
the selected channel to the L/R channels of the STEREO bus.
When a MIX channel (STEREO) is selected
This adjusts the left/right balance of signals that are
sent from the two selected channels to the L/R channels of the STEREO bus or the left/right balance of the
output signals.
When a MATRIX channel (MONO x 2) is
selected
This encoder will be disabled.
When a MATRIX channel (STEREO) is selected
This adjusts the left/right balance of signals that are
output from the two selected channels.
When a STEREO channel is selected
This adjusts the left/right balance of the signals that
are output from the L/R channels of the STEREO bus.
M7CL Owner’s Manual
19
Top panel
20 D
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E
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F
G
1
B
[DYNAMICS 1] encoder
When an input channel is selected
Adjusts the THRESHOLD parameter of the gate, etc.
When a MIX, MATRIX, or STEREO/MONO
channel is selected
Adjusts the THRESHOLD parameter of the compressor, etc.
[DYNAMICS 2] encoder
When an input channel is selected
Adjusts the THRESHOLD parameter of the compressor, etc.
When a MIX, MATRIX, or STEREO/MONO
channel is selected
No function.
■ Display section
This is a touch screen that you can operate by touching the
surface of the screen. A USB connector is provided on the
right side of the display.
[HPF] encoder
Adjusts the HPF cutoff frequency for an input channel.
This does nothing for other types of channel.
EQ [Q], EQ [FREQUENCY], EQ [GAIN] encoders
For each band of the four-band EQ, these adjust the Q,
center frequency (cutoff frequency), and gain.
Press the EQ [Q] and EQ [GAIN] encoders simultaneously to reset the GAIN setting for each band to the
default setting (0.0 dB).
Display (touch screen)
This display shows the information you need to operate
the M7CL, and lets you make system-wide settings and
control mix parameters for input and output channels.
Since this is a touch screen, you can use your finger on the
screen to select menus or set parameters. However, you
cannot press two or more locations to operate them simultaneously.
NOTE
• If the touch screen becomes dirty, wipe it with a soft dry cloth.
CAUTION
•Never use a sharp or pointed object such as your fingernail to
operate the touch screen. Doing so may scratch the screen
and render the touch screen inoperable.
2
1
USB connector
You can connect a USB storage device here to save/load
internal data. USER KEY data that determines the user
level can be saved on a USB storage device to limit the
functionality that can be operated by each user.
NOTE
•You can connect a USB storage device to the USB connector.
However, operation is guaranteed only with USB flash memory.
M7CL Owner’s Manual
• An ACCESS indicator is shown in the function access area
while data is being accessed (saved, loaded, or deleted). Do
not disconnect the USB connector or power-off the M7CL
while this indicator is shown. Doing so may damage your storage media, or may damage the data in the M7CL or on your
media.
1
B
C
D
E
F
→
■
■
Top panel
USB storage device capacities and formats
The operation of storage media with capacities of
up to 16GB has been verified. (However, this does
not necessarily guarantee the operation of all USB
storage media.) The FAT12, FAT16 and FAT32 formats are supported. On the M7CL V1.12 or higher,
storage media with a capacity of 4GB or larger will
be formatted in FAT32 and storage media with a
capacity of 2GB or smaller will be formatted in
FAT16.
Prevention of accidental erasure
Some USB storage devices have a write protect
setting that lets you prevent data from being erased
accidentally. If your storage device contains important data, it’s a good idea to use the write protect
setting to prevent accidental erasure.
On the other hand, you’ll need to make sure that
your USB storage device’s write protect setting is
turned off before you save data.
■ Centralogic section
CAUTION
2
Panels and controls
In this section you can control a group of (up to) eight
channels or DCA groups selected in the NAVIGATION
KEYS section.
1
2
3
4
5
6
Multi-function encoders
According to the type of screen that is currently selected,
these encoders control the knobs selected in the touch
screen.
[SEL] key
These keys select the channel to be controlled. When you
press this key to make the LED light, that channel will be
selected for control in the SELECTED CHANNEL section and in the touch screen.
[CUE] key
These keys select the channel to be cue-monitored. If cue
is on, the LED will light.
Meter LEDs
These LEDs indicate the input/output level of the channel.
[ON] key
This switches the channel on/off. If a channel is on, the
key LED will light.
Fader
This adjusts the input/output level of the channel. You can
also make internal settings (
are used as controllers to adjust the gain of each GEQ
band.
p. 177) so that these faders
M7CL Owner’s Manual
21
Top panel
■ SCENE MEMORY/MONITOR section
22
1
B
In this section you can perform operations for scene memory and monitoring.
421
3
SCENE MEMORY [STORE] key
This key stores the current mix parameter settings into a
dedicated scene memory.
SCENE MEMORY [RECALL] key
This key recalls previously-saved settings from a scene
memory.
C SCENE MEMORY [▲]/[▼] keys
Use these keys to select the scene number that you want to
store or recall. The number of the currently selected scene
is shown in the function access area in the right of the
touch screen. You can press the [▲]/[▼] keys simultaneously to return to the current scene number.
D [MONITOR LEVEL] knob
Adjusts the signal level of the monitor output. If the
PHONES LEVEL LINK function is turned on in the
MONITOR screen, this will also adjust the level of the
front panel [PHONES] jack.
■ USER DEFINED KEYS section
These keys execute the functions that have been assigned
by the user.
1
1 User defined keys [1]–[12]
These keys execute the functions that have been assigned
by the user (scene changes, switching the talkback or
internal oscillator on/off, etc.).
M7CL Owner’s Manual
■ STEREO/MONO MASTER section
Top panel
In this section you can control the principal parameters of
the STEREO/MONO channels.
1
2
3
4
1 [SEL] key
This key selects the channel to be controlled. When you
press this key to make the LED light, that channel will be
selected for control in the SELECTED CHANNEL section and in the touch screen.
For the STEREO channel, the selected object of control
will alternate between the L and R channels each time you
press the [SEL] key.
B [CUE] key
This key selects the channel to be cue-monitored. If cue is
on, the LED will light.
C [ON] key
This key switches the channel on/off. If a channel is on,
the key LED will light. If the FADER ASSIGN MODE for
MONITOR FADER is set to MONO or STEREO, this key
switches the monitor output on or off.
D Fader
This adjusts the output level of the channel. If the FADER
ASSIGN MODE for MONITOR FADER is set to MONO
or STEREO, this fader adjusts the monitor output level.
2
Panels and controls
■ NAVIGATION KEYS section
In this section you can select the channels that will be controlled by the Centralogic section and in the touch screen.
NOTE
• If you press and hold a navigation key for two seconds or longer,
that key will blink. At this time, only the object of control for the
Centralogic section will be changed to the corresponding channels and fixed. If you press a different navigation key while the first
key is blinking, only the object of control in the touch screen will
be changed.
9 8
3 4
1 52
76
L
J K
1 [IN 1-8] key
B [IN 9-16] key
C [IN 17-24] key
D [IN 25-32] key
These keys select INPUT channels 1–8, 9–16, 17–24, and
25–32 respectively.
E [ST IN] key
This key selects ST IN channels 1–4.
F [DCA] key
This key selects the DCA groups.
G [MIX 1-8] key
H [MIX 9-16] key
These keys select MIX channels 1–8 and 9–16 respectively.
I [MATRIX] key
This key selects MATRIX channels 1–8.
J [STEREO] key
This key assigns the STEREO channel L/R and the
MONO channel to modules 1–3 of the Centralogic section. In this case, modules 4–8 are not used.
K [IN 33-40] key (M7CL-48/48ES only)
L [IN 41-48] key (M7CL-48/48ES only)
These keys select INPUT channels 33–40 and 41–48
respectively.
M7CL Owner’s Manual
23
Rear panel
Rear panel
NJIHGFD CPD
1 EQ O 1 1R
PLMN
1
1 INPUT jacks (M7CL-32/48)
These are balanced XLR-3-31 female input jacks for
inputting analog audio signals from line level devices or
microphones. Nominal input level is -62 dBu to +10 dBu.
M7CL-48
244 689J
5Q KR O
M7CL-48ES
2
B OMNI IN jacks (M7CL48-ES)
These are balanced XLR-3-31 female input jacks for
inputting analog audio signals from line level devices or
microphones. Nominal input level is -62 dBu to +10 dBu.
Male XLR plug
1 (ground)
3 (cold)
Male XLR plug
M7CL Owner’s Manual
24
1 (ground)
3 (cold)
2 (hot)
2 (hot)
D
FGJ 9H
• The DME-N Network Driver required for connection to the Ethernet connector, the Studio Manager required for starting up M7CL
V3 Editor, and the M7CL V3 Editor itself can be downloaded from
the following Yamaha website.
http://www.yamahaproaudio.com/downloads/
C
C ST IN jacks 1–4 (M7CL-38/48)
These are balanced XLR-3-31 female input jacks for
inputting analog audio signals from line level devices or
microphones. Nominal input level is -62 dBu to +10 dBu.
Male XLR plug
1 (ground)
3 (cold)
2 (hot)
D LAMP connector
This is a four-pin female XLR output jack that supplies
power to a separately sold gooseneck lamp (such as the
Yamaha LA1L). (The M7CL-32 features this connector at
one location.)
E
E OMNI OUT jacks
These are XLR-3-32 male output jacks that output analog
audio signals. These are used mainly to output the signals
of MIX channels or MATRIX channels. Nominal output
level is +4 dBu.
Female XLR plug
2 (hot)
3 (cold)
Rear panel
F 2TR OUT DIGITAL jack
This is an AES/EBU (XLR-3-32 male) jack that outputs
the digital audio signal of a desired channel in AES/EBU
format. This is used mainly to output the signal of the
STEREO/MONO channel.
G REMOTE connector (M7CL-32/48)
This is a D-sub 9-pin male connector for remotely controlling an external head amp device (e.g., Yamaha AD8HR)
that supports a special protocol. It can also be used to
transmit/receive MIDI messages to/from an external
device. Refer to the pin assignment table for information
on pin assignments. (→ p. 298)
On the M7CL-48ES, the EtherSound connector duplicates
the function of this connector.
H WORD CLOCK IN/OUT connectors
These are BNC connectors used to transmit/receive word
clock signals to/from an external device. The WORD
CLOCK IN connector is internally terminated by 75
ohms.
I MIDI IN/OUT connectors
These connectors are used to transmit and receive MIDI
messages to and from external MIDI devices. The MIDI
IN connector receives messages from an external device,
and the MIDI OUT connector transmits messages from
the M7CL. These are used mainly to record M7CL parameter operations or scene/library selections on an external
device, or to control M7CL parameters from an external
device.
J NETWORK connector
This RJ-45 connector allows the M7CL to be connected to
a computer via an Ethernet cable (CAT5e or higher recommended). This is used mainly to control mix parameters or
edit scene memories and libraries from the dedicated
“M7CL V3 Editor” application program.
NOTE
2
Panels and controls
NOTE
• Although OMNI OUT jacks have a nominal input/output level of +4
dBu (maximum level +24 dBu), an internal switch allows this to be
changed to -2 dBu (maximum level +18 dBu) if necessary. (A fee
will be charged for this procedure.) For details, contact to your
Yamaha dealer.
1 (ground)
M7CL Owner’s Manual
25
26 K
L
M
N
Rear panel
O
P
Q
R
M MKL
EtherSound [IN]/[OUT] connectors
These EtherCon (RJ-45) connectors allow the M7CL48ES to be connected to an SB168-ES or another EtherSound device via Ethernet cables (CAT5e or higher recommended). The [IN] and [OUT] connectors also allow
daisy chain or ring connection of EtherSound devices.
Either a straight or cross Ethernet cable can be used.
NOTE
• The use of Ethernet cables with Neutrik EtherCon® compatible
RJ-45 plugs is recommended. Standard RJ45 plugs can also be
used.
• Use an STP (shielded twisted pair) cable to prevent electromagnetic interference. Make sure that the metal parts of the plugs are
electrically connected to the STP cable shield by conductive tape
or comparable means.
• Refer to the following EtherSound website for information on the
length of cable that can be used.
http://www.ethersound.com/
[3rd] connector
This RJ-45 connector allows the M7CL-48ES to be connected via an Ethernet cable (CAT5e or higher recommended) to a computer on which the AVS-ES Monitor
application has been installed. Either a straight or cross
Ethernet cable can be used. The [LINK/ACT] indicator
lights when the console is connected to a computer, and
the indicator flashes when the console is communicating
with the computer. The [100] indicator lights when the
console is connected to a computer via 100BASE-TX.
NOTE
• Use an STP (shielded twisted pair) cable to prevent electromagnetic interference (USA, Canada, Korea).
IN/OUT [TX]/[RX] indicator
The appropriate indicator flashes when data is transmitted
(TX) from or received (RX) at the EtherSound [IN]/
[OUT] connectors.
NOTE
• All four indicators will flash when you click the M7CL-48ES [Identify] button in the AVS-ES Monitor application, and will continue to
flash until you click the button a second time.
NRPQO
Slots 1–3
These slots allow separately sold mini-YGDAI I/O cards
to be installed to expand the input/output ports.
AC IN (power supply input) connector
Connect the included power cord to this connector.
Securely clamp the AC power cord using the cord clamp
to prevent accidental disconnection from the AC IN connector.
Attaching the cord clamp
Power switch
When the power switch is set to , the power to the unit
is on. When the power switch is set to , the power to
the unit is off.
CAUTION
•Turning the power switch on and off rapidly and repeatedly
may cause malfunction. After turning the power off, wait for
about six seconds before turning it on again.
DC POWER INPUT connector
You can connect the separately sold PW800W power supply here as a backup external power supply. If the
PW800W is connected, the M7CL will continue receiving
power from the PW800W even if its own internal power
supply shuts down due to a problem.
CAUTION
• If you connect the PW800W, you must be sure to first poweroff both the M7CL and the PW800W. Then use the optional
power supply cable (PSL360) to make the connection. Failure
to observe this will cause malfunctions or electric shock.
HINT
• If the PW800W is connected, the M7CL will operate correctly
whether its own internal power supply and the PW800W are both
turned on, or whether just one of these is turned on.
• If both power supplies are on, and an abnormality is detected in
one of the power supplies, the M7CL will automatically switch to
the other power supply. If this occurs, the touch screen will show a
message to indicate this.
M7CL Owner’s Manual
Grounding screw
The AC power cord is a 3-wire type. If the AC outlet used
is earthed (grounded), this device will be properly earthed
as well.
Also, grounding the screw sometimes reduces hum and
interference noise.
Under the front pad
Under the front pad
1234
1 PHONES LEVEL knob
Adjusts the level of the signal that is output from the
PHONES OUT jack.
B PHONES OUT (headphone output) jack
This headphone jack lets you monitor the MONITOR
OUT or CUE signal.
C TALKBACK jack
This is a balanced XLR-3-31 jack to which a talkback mic
can be connected. You can make settings in the screen to
supply +48V phantom power to this jack. This is used to
send instructions from the mixer operator to the desired
output channel.
D TALKBACK GAIN knob
This adjusts the input level of the mic connected to the
TALKBACK jack.
2
Panels and controls
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27
M7CL Owner’s Manual
28
• This makes it easy to select a range of buttons to be turned on/off
together.
Special operations for keys
Encoder operations
Chapter 3
Basic operation of the M7CL
This chapter explains the M7CL’s user interface and its basic operations.
3
Basic operations in the top panel / touch screen
This section explains the basic procedures you can perform in the M7CL’s top panel and touch
screen. In general, you will operate the M7CL using the appropriate combination of the operations explained here.
Pressing the touch screen
Place your fingertip on a button, knob, or field in the touch
screen, and press lightly. You will mainly use this operation to switch screens and pages, to select the parameter to
be operated, and to turn a button on/off. Depending on the
type of button, the number may increase or decrease
depending on the location you press.
Basic operation of the M7CL
Multiple selection (specifying a range)
While pressing your finger on the touch panel, move it in
the left/right direction to specify a range within a character
string. You will use this mainly when assigning a name to
a scene or library.
For the channel select buttons, you can select multiple buttons by moving your finger across the touch screen while
continue to press.
HINT
Normally you will press a top panel key once, but in some
cases you can access a special function by rapidly pressing
a key twice in succession.
Normally, encoders are turned left/right to change the
value of the corresponding parameter. By pressing an
encoder you can recall a specific screen. For some parameters, you can adjust the value in finer steps (greater
detail) by turning the encoder while pressing it.
M7CL Owner’s Manual
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30
→
Basic operations in the top panel / touch screen • The on-screen user interface
Multifunction encoder operations
Multifunction encoders 1–8 are used to operate the knobs
selected for operation in the touch screen (
When you press to select a knob that can be controlled by
the multifunction encoders, a thick line appears around it.
(Normally, a knob of this type corresponds to the multifunction encoder located immediately below that knob,
allowing you to control up to eight parameters simultaneously.) While a knob is selected, turning the multifunction encoder located immediately below that knob will
change the value of the corresponding parameter.
In the SCENE LIST screen, you can make a multiple
selection by turning a multifunction encoder while pressing it.
p. 31).
Press the touch
screen to select
the knob you
want to operate.
Using the multifunction encoders to control
parameters.
The on-screen user interface
Operations such as mixing and adjusting the sound of each channel are performed using the top
panel faders, keys, and encoders. However to make more detailed settings, you will need to
access the appropriate function and edit the parameter values in the touch screen. The section
below explains the various user interface components shown in the touch screen, and how to
use them.
Tabs Buttons
Some screens shown in the display consist of multiple
pages. In screens of this type, the page name is shown at
the top and bottom. The area of the display showing a
page name is called a “tab.” Tabs are used to switch
between pages within the same screen.
Buttons in the display are used to execute specific functions, to switch parameters on/off, or to select one of multiple choices. Buttons that perform an on/off operation are
shown in a color such as white, yellow, or green while
turned on, and blue or black while they are turned off.
When you press a button that has a
window will open, allowing you to make detailed settings.
▼
symbol, a separate
M7CL Owner’s Manual
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