Yamaha HTR-5450RDS User Manual

HTR-5450RDS

Natural Sound AV Receiver
Ampli-tuner audio-vidéo

G B

OWNER’S MANUAL

MODE D’EMPLOI

BEDIENUNGSANLEITUNG

BRUKSANVISNING

MANUALE DI ISTRUZIONI

MANUAL DE INSTRUCCIONES

GEBRUIKSAANWIJZING

CAUTION: READ THIS BEFORE OPERATING YOUR UNIT.

1 To assure the finest performance, please read this

manual carefully. Keep it in a safe place for future
reference.

2 Install this unit in a well ventilated, cool, dry, clean

place with at least 30 cm on the top, 20 cm on the
right and left, and 10 cm at the back of this unit for
ventilation space — away from direct sunlight, heat
sources, vibration, dust, moisture, and/or cold.

3 Locate this unit away from other electrical

appliances, motors, or transformers to avoid
humming sounds. To prevent fire or electrical shock,
do not place this unit where it may get exposed to
rain, water, and/or any type of liquid.

4 Do not expose this unit to sudden temperature

changes from cold to hot, and do not locate this unit
in a environment with high humidity (i.e. a room with
a humidifier) to prevent condensation inside this unit,
which may cause an electrical shock, fire, damage to
this unit, and/or personal injury.

5 On the top of this unit, do not place:

– Other components, as they may cause damage

and/or discoloration on the surface of this unit.

– Burning objects (i.e. candles), as they may cause

fire, damage to this unit, and/or personal injury.

– Containers with liquid in them, as they may cause

electrical shock to the user and/or damage to this
unit.

6 Do not cover this unit with a newspaper, tablecloth,

curtain, etc. in order not to obstruct heat radiation. If
the temperature inside this unit rises, it may cause
fire, damage to this unit, and/or personal injury.

7 Do not plug in this unit to a wall outlet until all

connections are complete.

8 Do not operate this unit upside-down. It may

overheat, possibly causing damage.

9 Do not use force on switches, knobs and/or cords.

10 When disconnecting the power cord from the wall

outlet, grasp the plug; do not pull the cord.

11 Do not clean this unit with chemical solvents; this

might damage the finish. Use a clean, dry cloth.

12 Only voltage specified on this unit must be used.

Using this unit with a higher voltage than specified is
dangerous and may cause fire, damage to this unit,
and/or personal injury. YAMAHA will not be held
responsible for any damage resulting from use of this
unit with a voltage other than specified.

13 To prevent damage by lightning, disconnect the

power cord from the wall outlet during an electrical
storm.

14 Take care of this unit so that no foreign objects and/

or liquid drops inside this unit.

15 Do not attempt to modify or fix this unit. Contact

qualified YAMAHA service personnel when any
service is needed. The cabinet should never be
opened for any reasons.

16 When not planning to use this unit for long periods of

time (i.e. vacation), disconnect the AC power plug
from the wall outlet.

17 Be sure to read the “TROUBLESHOOTING” section

on common operating errors before concluding that
this unit is faulty.

18 Before moving this unit, press STANDBY/ON to set

this unit in the standby mode, and disconnect the AC
power plug from the wall outlet.

This unit is not disconnected from the AC power source
as long as it is connected to the wall outlet, even if this
unit itself is turned off. This state is called the standby
mode. In this state, this unit is designed to consume a
very small quantity of power.

■ For U.K. customers

If the socket outlets in the home are not suitable for the plug
supplied with this appliance, it should be cut off and an
appropriate 3 pin plug fitted. For details, refer to the
instructions described below.

Note

• The plug severed from the mains lead must be destroyed, as a
plug with bared flexible cord is hazardous if engaged in a live
socket outlet.

■ Special Instructions for U.K. Model

IMPORTANT

THE WIRES IN MAINS LEAD ARE COLOURED IN
ACCORDANCE WITH THE FOLLOWING CODE:

Blue: NEUTRAL
Brown: LIVE

As the colours of the wires in the mains lead of this
apparatus may not correspond with the coloured
markings identifying the terminals in your plug, proceed
as follows:
The wire which is coloured BLUE must be connected to
the terminal which is marked with the letter N or
coloured BLACK. The wire which is coloured BROWN
must be connected to the terminal which is marked with
the letter L or coloured RED.
Making sure that neither core is connected to the earth
terminal of the three pin plug.

CAUTION

INTRODUCTION

CONTENTS

INTRODUCTION

FEATURES .......................................................... 2

GETTING STARTED ......................................... 3

Checking the Package Contents ............................. 3

Battery Installation in the Remote Control ............ 3

Battery Replacement .............................................. 3

CONTROLS AND FUNCTIONS ....................... 4

Front Panel ............................................................. 4

Remote Control ...................................................... 6

Using the Remote Control ...................................... 7

Display ................................................................... 8

Rear Panel .............................................................. 9

PREPARATION

SPEAKER SETUP ............................................ 10

Speakers to Be Used ............................................ 10

Speaker Placement ............................................... 10

CONNECTIONS ............................................... 11

Before Connecting Components ........................... 11

Connecting Audio Components ........................... 12

Connecting an External Decoder ......................... 12

Connecting Video Components............................ 14

Connecting Speakers ............................................ 16

IMPEDANCE SELECTOR Switch ..................... 18

Connecting the Power Supply Cords ................... 18

ADJUSTING THE SPEAKER BALANCE .... 19

Before You Start Adjusting .................................. 19

Using the Test Tone .............................................. 19

BASIC OPERATION

PLAYING A SOURCE ...................................... 21

Input Modes and Indications ................................ 23

Selecting a DSP Program ..................................... 24

Canceling the Sound Effect (turning off the effect

speakers) ........................................................... 25

TUNING ............................................................. 26

Connecting the Antennas ..................................... 26

Automatic Tuning ................................................ 27

Manual Tuning ..................................................... 27

Automatic Preset Tuning

(for RDS stations only) .................................... 28

Manual Preset Tuning .......................................... 29

To Recall a Preset Station .................................... 29

Exchanging Preset Stations .................................. 30

RECEIVING RDS STATIONS ........................ 31

Description of RDS Data ..................................... 31

Changing the RDS Mode ..................................... 31

PTY SEEK Function ............................................ 32

EON Function ...................................................... 33

RECORDING A SOURCE ............................... 34

ADVANCED OPERATION

SET MENU ......................................................... 35

Adjusting the Items on the SET MENU .............. 35

1 SPEAKER SET (speaker mode settings) .......... 36

2 HP TONE CTRL (headphone tone control) ...... 37

3 I/O ASSIGN ...................................................... 37

4 INPUT MODE (initial input mode) .................. 38

5 DOLBY D. SET (Dolby Digital set) ................. 38

6 DTS SET (DTS LFE level) ............................... 38

7 SP DLY TIME (center delay) ............................ 39

8 DISPLAY SET .................................................. 39

9 MEM. GUARD (memory guard) ...................... 39

DELAY TIME AND SPEAKER OUTPUT

LEVELS .......................................................... 40

Delay Time ........................................................... 40

Sound Output Level of the Center, Right Rear

and Left Rear Speakers, and Subwoofer .......... 40

Adjusting Method ................................................ 41

SLEEP TIMER .................................................. 42

Setting the SLEEP Timer ..................................... 42

Canceling the SLEEP Timer ................................ 42

PRESET REMOTE CONTROL ...................... 43

Component Selector Buttons ............................... 43

Controlling the Components Connected to

This Unit .......................................................... 43

Description of Each Mode ................................... 44

Setting the Manufacturer Code ............................ 48

Returning to the Factory Setting .......................... 49

SOUND FIELD PROGRAM ............................ 50

Hi-Fi DSP Programs ............................................ 50

CINEMA DSP Programs ...................................... 50

APPENDIX

TROUBLESHOOTING .................................... 53

SPECIFICATIONS............................................ 57

GLOSSARY ....................................................... 58

INDEX ................................................................ 60

INTRODUCTION

PREPARATION

BASIC OPERATION

ADVANCED OPERA

TION

APPENDIX

English

11

FEATURES

5-Channel Power Amplification

◆ Minimum RMS Output

(0.06% THD, 20 Hz – 20 kHz)
Main: 70 W + 70 W (8 Ω)
Center: 70 W (8 Ω)
Rear: 70 W + 70 W (8 Ω)

Multi-mode Digital Sound Field
Processing

◆ DTS Decoder

◆ Dolby Pro Logic Decoder

◆ Dolby Digital Decoder

◆ Hi-Fi DSP

◆ CINEMA DSP: Combination of YAMAHA DSP

Technology and Dolby Digital, Dolby Pro Logic or
DTS

◆ Virtual CINEMA DSP

◆ SILENT CINEMA

Sophisticated FM/AM Tuner

◆ 40-Station Random Access Preset Tuning

◆ Automatic Preset Tuning

◆ Preset Station Shifting Capability (Preset Editing)

◆ Multi-Functions for RDS Broadcast Reception

Other Features

◆ 96-kHz/24-bit D/A Converter

◆ “SET MENU” which Provides You with 9 Items

for Optimizing This Unit for Your Audio/Video
System

◆ Test Tone Generator for Easier Speaker Balance

Adjustment

◆ 6-Channel External Decoder Input for Other Future

Formats

◆ Video Signal Input and Output Capability

(Including S Video Connections)

◆ Optical and Coaxial Digital Signal Input Jacks

◆ SLEEP Timer

◆ Remote Control with Preset Manufacturer Codes

• y indicates a tip for your operation.

• Some operations can be performed by using either the buttons on the main unit or on the remote control. In cases when

the button names differ between the main unit and the remote control, the button name on the remote control is given in
parentheses in this manual.

Manufactured under license from Dolby Laboratories.

“Dolby”, “AC-3”, “Pro Logic” and the double-D symbol are
trademarks of Dolby Laboratories.
Confidential Unpublished Works. ©1992-1997 Dolby Laboratories,
Inc. All rights reserved.

Manufactured under license from Digital Theater Systems, Inc. US
Pat. No. 5,451,942 and other world-wide patents issued and
pending. “DTS” and “DTS Digital Surround” are trademarks of
Digital Theater Systems, Inc. Copyright 1996 Digital Theater
Systems, Inc. All Rights Reserved.

2

GETTING STARTED

Checking the Package Contents

Check that the following items are included in your package.

Remote control Batteries (AAA, R03, UM-4 type) AM loop antenna

Indoor FM antenna

75-ohm/300-ohm antenna adapter
(U.K. model only)

Quick reference card

Connection guide

INTRODUCTION

PREPARATION

BASIC OPERATION

Battery Installation in the Remote Control

2

1

3

1 Turn the remote control over and slide the

battery compartment cover in the direction of
the arrow.

2 Insert the batteries (AAA, R03 or UM-4 type)

according to the polarity markings on the
inside of the battery compartment.

3 Close the battery compartment cover.

Battery Replacement

If the remote control operates only when it is close to the
unit, the batteries are weak. Replace all the batteries with
new ones.

Be sure to replace the batteries within about two minutes.
If it takes longer than two minutes, the codes preset for
the remote control will return to the factory settings.

Notes

• Use only AAA, R03 or UM-4 batteries for replacement.

• Be sure the battery polarity is correct. (See the illustration inside
the battery compartment.)

• Remove the batteries if the remote control will not be used for an
extended period of time.

• If the batteries have leaked, dispose of them immediately. Avoid
touching the leaked material or letting it come into contact with
clothing, etc. Clean the battery compartment thoroughly before
installing new batteries.

ADVANCED OPERA

TION

APPENDIX

English

3

Front Panel

CONTROLS AND FUNCTIONS

1

STANDBY

/ON

BASS BALANCE SPEAKERS

TREBLE

– +

– +

q w

LR

e

2

DIGITAL

SURROUND

AB

OFF

ON

r

t

PROGRAM

PHONES S VIDEO VIDEO L AUDIO R OPTICAL

SILENT VIDEO AUX

y

u

1 STANDBY/ON

Press this switch to turn on the power of this unit or to set
this unit in the standby mode. Before turning the power on,
set the volume at the minimum level.

Standby mode

In this mode, this unit consumes a very small quantity of
power to receive infrared-signals from the remote
control.

2 Remote control sensor

This receives signals from the remote control.

3 Display

This shows various information.

4 PTY SEEK MODE

Press this button to set the unit in the PTY SEEK mode.

5 RDS MODE/FREQ

When an RDS station is received, press this button to
change the display mode among the PS mode, PTY mode,
RT mode, CT mode (if the station offers those RDS data
services) and/or frequency display mode in turn.

PTY SEEK

EON

FM/AM

TUNING

MODE

6

ds

7

8

fa g

9

VOLUME

6CH INPUTINPUT MODE

INPUT

3

DIGITAL

i

4

PRESET/TUNINGEFFECT A/B/C/D/E

o

p

5

RDS MODE/FREQ

MODE START

PRESET
/TUNING

EDIT

MEMORY

MAN'L/AUTO FM AUTO/MAN'L MONO

6 EON

Press this button to select the desired program type (NEWS,
INFO, AFFAIRS, SPORT) when you want to tune in to a
radio program of that type automatically.

7 PTY SEEK START

Press this button to begin searching for a station after the
desired program type has been selected in the PTY SEEK
mode.

8 INPUT MODE

Press this button to select the input mode among AUTO,
DTS and ANALOG for the sources that send two or more
types of signals to this unit.

9 VOLUME

Turn this control to turn up or down the volume.

0 6CH INPUT

Press this button to select the source connected to the 6CH
INPUT jacks. The source selected by pressing 6CH INPUT
takes priority over the source selected with INPUT l / h
(or the input selector buttons on the remote control).

0

4

CONTROLS AND FUNCTIONS

q BASS

Turn this control clockwise to increase or counterclockwise
to decrease the low-frequency response.

w TREBLE

Turn this control clockwise to increase or counterclockwise
to decrease the high-frequency response.

Note

• If you increase or decrease the high-frequency or the low­frequency sound to an extreme level, the tonal quality from the
center and rear speakers may not match that of the left and right
main speakers.

e BALANCE

This control is only effective for the sound from the main
speakers.
Turn the control to adjust the balance of the output volume
from the right and left main speakers to compensate for
sound imbalance caused by the speaker location or listening
room conditions.

r SPEAKERS A/B

Set A or B (or both A and B) to the ON position for the main
speaker system (connected to this unit) that you want to use.
Set the button(s) to the OFF position for the main speaker
system that you don’t want to use.

i VIDEO AUX jacks

Connect an auxiliary audio or video input source such as a
game console to these jacks. To reproduce source signals
from these jacks, select V-AUX as the input source.

o PRESET/TUNING l / h

When “ z ” appears on the display:
This button is used to select a preset station number (1 to 8).
Press l to select a lower and h to select a higher preset
station number.
When “ z ” goes off from the display:
This button is used for tuning. Press l to tune in to lower
frequencies, and h to tune in to higher frequencies.
When this unit is in the PTY SEEK mode, press this button
to select a program type.

p A/B/C/D/E

Press this button to select one of 5 preset station groups (A
to E).

a PRESET/TUNING (EDIT)

Press this button to turn on or off “ z ” on the display and
switch the function between for storing a broadcasting
station (preset tuning) and for tuning. This button is also
used to exchange the assignment of two preset stations with
each other.

INTRODUCTION

PREPARATION

BASIC OPERATION

t PROGRAM l / h

Press l or h to select a DSP program when the effect
speakers (center and rear) are turned on. The name of the
selected program appears on the display.

y EFFECT

Press this button to turn on or off the effect speakers (center
and rear). If you turn them off, all Dolby Digital and DTS
audio signals except for the LFE channel are directed to the
right and left main speakers. In that case, the output levels
of the right and left speakers may not match.

u PHONES jack

Connect the headphones to the PHONES jack so that this
unit outputs audio signals for private listening.
When listening with headphones privately, set both
SPEAKERS A/B to the OFF position.

s MEMORY (MAN’L/AUTO FM)

Press this button to store the broadcasting stations. Hold
down this button for more than 3 seconds to begin
automatic preset tuning (for FM stations only).

d TUNING MODE (AUTO/MAN’L MONO)

Press this button to switch the tuning mode between
automatic and manual. To use the automatic tuning method,
press this button so that the “AUTO” indicator lights up on
the display. To use the manual tuning method, press this
button so that the “AUTO” indicator goes off.

f FM/AM

Press this button to switch the reception band between FM
and AM.

g INPUT l / h

Press these buttons to select the input source (DVD, AUX,
MD/CD-R, TUNER, CD, V-AUX, VCR, D-TV/CBL) that
you want to listen to or watch. The name of the selected
input source appears on the display.

ADVANCED OPERA

TION

APPENDIX

English

5

CONTROLS AND FUNCTIONS

Remote Control

This section describes basic operation of this unit with the
remote control. First, press AMP(TUNER) on the
component selector. Refer to “PRESET REMOTE
CONTROL” for full details.

1

Press
AMP(TUNER).

2

3

q

w

4

e

5

6

TV VOLUME

7
8

TV INPUT

9

r

0

t

1 Indicator

This flashes in red when pressing a button on the remote
control. If it flashes rapidly several times, press the selected
button again.

2 Component selector buttons

Press one of these buttons which corresponds to the
component you want to control with the remote control.
(The proper code must be set for your component. Refer to
“Setting the Manufacturer Code”.) When the component
selector button has been pressed, the remote control is set to
that component operation mode.

3 POWER

Each time you press this button, the unit switches between
the power on and standby mode.

4 TEST

Press this button to output the test tone for each speaker.

5 A/B/C/D/E, PRESET –/+

These buttons are used to select a preset station.
A/B/C/D/E: To select one of a group (A to E) of preset

stations

PRESET –/+: To select a preset station number (1 to 8)

6 MUTE

Press this button to mute the sound. To cancel mute, press
this button again.

7 VOLUME

These buttons are used to adjust the volume level.

u: To turn up the volume
d: To turn down the volume

8 SLEEP

Press this button to set the SLEEP timer.

9 –/+

These buttons adjust the settings of the SET MENU and
TIME/LEVEL mode.

0 TIME/LEVEL

Press this button to select the items in the TIME/LEVEL
mode.

q Input selector buttons

These buttons select the input source.
CD: To play a CD
TUNER: To listen to an FM (RDS) or AM broadcast
MD/CD-R: To play an MD or CD recorder (or tape

deck)
DVD: To play a DVD
D-TV/CBL: To watch a TV/digital TV or cable TV
VCR: To play a video cassette
AUX: To use another audio component
V-AUX: To use another audio/video component

w 6CH INPUT

Press this button to play a source connected to the 6CH
INPUT jacks.

6

CONTROLS AND FUNCTIONS

e EFFECT

Press this button to turn on or off the effect speakers (center
and rear).

r PRG+, PRG–

Press these buttons to select a DSP program.
Once you press SET MENU, these buttons are used for
selecting the SET MENU item.

t SET MENU

Press this button to select the items in the SET MENU.

Using the Remote Control

Remote control
sensor

Within approximately 6 m
(20 feet)

The remote control transmits a directional infrared beam. Be
sure to aim the remote control directly at the infrared sensor
during operation. When the sensor is covered or there is a
large object between the remote control and the sensor, the
sensor cannot receive signals. The sensor may not be able to
receive signals properly when it is exposed to direct sunlight
or a strong artificial light (such as a fluorescent or strobe
light). In this case, change the direction of the light or
reposition the unit to avoid direct lighting.

Notes

• Handle the remote control with care.

• Do not spill water, tea or other liquids on the remote control.

• Do not drop the remote control.

• Do not leave or store the remote control in the following

conditions:

– high humidity or temperature such as near a heater, stove or

bath;

– dusty places; or
– extremely low temperature.

INTRODUCTION

PREPARATION

BASIC OPERATION

ADVANCED OPERA

TION

APPENDIX

English

7

CONTROLS AND FUNCTIONS

Display

2

VIRTUAL

DIGITAL

PRO LOGIC

DSP

ASPB

3

DOLBY DTS
DIGITAL
PRO LOGIC
ENHANCED

w

4

MONO TV SPORTS
MOVIE THEATER 1 2
ENTERTAINMENT
DISCO 5CH STEREO

0

1

PCM

q

1 t indicator

The “t” indicator lights up when the built-in DTS
decoder is turned on.

2 VIRTUAL indicator

This lights up when using Virtual CINEMA DSP.

3 g and o indicators

“ g ” lights up when the built-in Dolby Digital
decoder is on and the signals of the selected source are
encoded with Dolby Digital. “ o ” lights up when
the built-in Dolby Pro Logic decoder is on.

4 DSP program indicators

This indicates the name of the selected DSP program.

5 PTY HOLD indicator

This lights up while searching for stations in the PTY SEEK
mode.

6 RDS mode indicators

The name(s) of the RDS data offered by the currently
received RDS station light(s) up. Illumination of the red
indicator next to the RDS data name shows that the
corresponding RDS mode is now selected.

7 EON indicator

This lights up when an RDS station that offers the EON data
service is being received.

8 AUTO indicator

This lights up when the unit is in the automatic tuning
mode.

5

CONCERT HALL
JAZZ CLUB PTY HOLD

GAME

BASS EXT.

e

PS PTY RT CT

NEWSINFOROCK CONCERT

MEMORY SLEEP

r

6 7

EON
AFFAIRS SPORT
TUNED

t

y

8

AUTO

STEREO

dB
ms

KZ

H

9

u

9 STEREO indicator

This lights up when an FM stereo broadcast with sufficient
signal strength is being received.

0 x indicator

“ x ” lights up when the built-in digital sound
field processor is on.

q v indicator

This lights up when this unit is reproducing PCM (pulse
code modulation) digital audio signals.

w Headphones indicator

This lights up when headphones are connected.

e Multi-information display

This display shows various information: for example the
name of the selected input source and the various settings
during adjustment with the SET MENU. The current station
frequency and band (FM or AM) also appear when the tuner
is selected as the input source.

r MEMORY indicator

This flashes for about 5 seconds after pressing MEMORY.
During this period, the displayed station can be stored in the
memory.

t Program type name indicators

The name of the selected program type lights up when the
“EON” indicator lights up.

y TUNED indicator

This lights up when this unit tunes in to a station.

u SLEEP indicator

This lights up while the built-in SLEEP timer is on.

8

Rear Panel

1

3 4

CONTROLS AND FUNCTIONS

2

DIGITAL

INPUT
CD

COAXIAL

OPTICAL

D-TV/CBL

DVD

MD/CD-R

OPTICAL

MD/CD-R

DIGITAL

OUTPUT

MAIN

AUX

6CH INPUT

SURROUND

RLR

CD

L

9

AM ANT GND

CENTER

SUB WOOFER

IN(PLAY)

MD/CD-R

FM ANT

75

UNBAL.

DVD

D-TV/CBL

OUT(REC)

DVD

D-TV/CBL

AUDIO SIGNAL

As this terminal is used
for an examination in the

TUNER

VIDEO SIGNAL

VCR 1

IN

IN

VCR 1

5

OUT

OUT

MONITOR OUT

L

R

factory, do not connect
any equipment to this
terminal.

1 DIGITAL OUTPUT jacks

2 DIGITAL INPUT jacks

3 6CH INPUT jacks

See pages 12 and 13 for connection information.

4 Antenna input terminals

See page 26 for connection information.

5 Video component jacks

See pages 14 and 15 for connection information.

6 Speaker terminals

See pages 16 and 17 for connection information.

6

SPEAKERS

+ –

R L

– +

A

MAIN

B

VIDEO

S VIDEO

SUB

WOOFER

CENTER REAR

+

–

OUTPUT

R

(SURROUND)

L

0 q

8 AC OUTLET(S)

Use these outlets to supply power to your other audio/video
components (see page 18).

9 Audio component jacks

See pages 12 and 13 for connection information.

0 SUBWOOFER jack

See page 17 for connection information.

q IMPEDANCE SELECTOR switch

Use this switch to match the amplifier output to your
speaker impedance. Set this unit in the standby mode before
you change the setting of this switch (see page 18).

IMPEDANCE SELECTOR

SET BEFORE POWER ON

MAIN A OR B: 4

A + B: 8
CENTER
REAR

MAIN A OR B: 8

CENTER
REAR

MIN. /SPEAKER
MIN. /SPEAKER

: 6

MIN. /SPEAKER

: 6

MIN. /SPEAKER

A + B:16

MIN. /SPEAKER
MIN. /SPEAKER

: 8

MIN. /SPEAKER

: 8

MIN. /SPEAKER

7

MAINS

AC OUTLETS

SWITCHED

100W MAX. TOTAL

(Europe model)

8

INTRODUCTION

PREPARATION

BASIC OPERATION

ADVANCED OPERA

TION

7 AC power cord

Connect to a power outlet.

APPENDIX

English

9

PREPARATION

SPEAKER SETUP

Speakers to Be Used

This unit is designed to provide the best sound-field quality
with a 5-speaker system, using main speakers, rear speakers
and a center speaker. If you use different brands of speakers
(with different tonal qualities) in your system, the tone of a
moving human voice and other types of sound may not shift
smoothly. We recommend that you use speakers from the
same manufacture to ensure even tonal quality.

The main speakers are used for the main source sound plus
the effect sounds. They will probably be the speakers from
your present stereo system. The rear speakers are used for
the effect and surround sounds, and the center speaker is for
the center sounds (dialog, vocals, etc.). If for some reason it
is not practical to use a center speaker, you can do without
it. Best results, however, are obtained with the full system.

The main speakers should be high-performance models and
have enough power-handling capacity to accept the
maximum output of your audio system. The other speakers
do not have to be equal to the main speakers. For precise
sound localization, however, it is ideal to use high­performance models that can reproduce sounds over the full
range for the center speaker and the rear speakers.

■ Use of a subwoofer expands your
sound field

It is also possible to further expand your system with the
addition of a subwoofer. The use of a subwoofer is effective
not only for reinforcing bass frequencies from any or all
channels, but also for reproducing the LFE (low frequency
effect) channel with high fidelity when playing back a
source encoded with Dolby Digital or DTS. The YAMAHA
Active Servo Processing Subwoofer System is ideal for
natural and lively bass reproduction.

Speaker Placement

Refer to the following diagram when you place the
speakers.

Main speaker (R)

Rear speaker (R)

Subwoofer

Main
speaker (L)

Center speaker

■ Main speakers

Place the right and left main speakers an equal distance
from the ideal listening position. The distance of each
speaker from each side of the TV monitor should be the
same.

■ Rear speakers

Place these speakers behind your listening position, facing
slightly inwards, nearly 1.8 m (approx. 6 feet) above the
floor.

■ Center speaker

Align the front face of the center speaker with the front face
of your TV monitor. Place the speaker as close to the
monitor as possible, such as directly over or under the
monitor and centrally between the main speakers.

Note

• If the center speaker is not used, the sound will be heard from the
right and left main speakers. In that case, “CENTER SP” in the
SET MENU is set to the NON position.

1.8 m

Rear speaker (L)

10

■ Subwoofer

The position of the subwoofer is not so critical, because low
bass sounds are not highly directional. But it is better to
place the subwoofer near the main speakers. Turn it slightly
toward the center of the room to reduce the wall reflections.

CAUTION

Please use magnetically shielded speakers.
Sometimes a video monitor may be adversely affected
even when magnetically shielded speakers are used.
Separate the speakers from the monitor if this happens.

CONNECTIONS

V V

C C

L

R

L

R

Before Connecting Components

CAUTION

Never connect this unit and other components to mains power until all connections between components have been
completed.

Be sure all connections are made correctly, that is to say L (left) to L, R (right) to R, “+” to “+” and “–” to “–”. Some
components require different connection methods and have different terminal names. Refer to the instructions for each
component to be connected to this unit.

When you connect other YAMAHA audio components (such as a tape deck, MD recorder and CD player or changer), connect
it to the jacks with the same number labels as !, #, $ etc.

Use RCA-type pin plug cables for connecting audio/video components with the exception described later.

The input and output jacks for pin plugs can be distinguished as follows:

Yellow video signals (composite)

White analog audio signals for the left channel

Red analog audio signals for the right channel

coaxial digital signals

After completing all connections, check them again to make sure they are correct.

INTRODUCTION

PREPARATION

BASIC OPERATION

ADVANCED OPERA

TION

APPENDIX

English

11

CONNECTIONS

Connecting Audio Components

■ Connecting to digital jacks

This unit has digital jacks for direct transmission of digital
signals through either coaxial or fiber optic cables. You can
use the digital jacks to input PCM, Dolby Digital and DTS
bitstreams. When you connect components to both the
COAXIAL and OPTICAL jacks, priority is given to the
input signals from the COAXIAL jack. All digital input
jacks are acceptable for 96-kHz sampling digital signals.

y

• You can designate the input for each digital jack according to
your component by using “3 I/O ASSIGN” in the SET MENU.

About the dust protection cap

Pull out the cap from the optical jack before
you connect the fiber optic cable. Do not
discard the cap. When you are not using the
optical jack, be sure to put the cap back in
place. This cap protects the jack from dust.

Note

• The OPTICAL jacks on this unit conform to the EIA standard. If
you use a fiber optic cable that does not conform to this standard,
this unit may not function properly.

■ Connecting a CD player

y

• The COAXIAL jack is available for a CD player which has
coaxial digital output jack.

• When you connect a CD player to both the analog and digital
jacks, priority is given to the input signals from the digital jack.

■ Connecting an MD recorder, CD
recorder or tape deck

y

• When you connect your recording component to both the analog

and digital input and output jacks, the priority is given to the
digital signal.

Notes

• When you connect a recording component to this unit, keep its

power on while using this unit. If the power is off, this unit may
distort the sound from other components.

• Since digital output and analog output (REC OUT) are

independent of each other, the analog signal is output only to the
analog jack, while the digital signal is output only to the digital
jack.

Connecting an External Decoder

This unit is equipped with 6 additional input jacks (left and
right MAIN, CENTER, left and right SURROUND and
SUBWOOFER) for discrete multi-channel input from an
external decoder, sound processor or pre-amplifier.

Connect the output jacks on your external decoder to the
6CH INPUT jacks. Be sure to match the left and right
outputs to the left and right input jacks for the main and
surround channels.

Notes

• When you select 6CH INPUT as the input source, this unit

automatically turns off the digital sound field processor, and you
cannot listen to DSP programs.

• When you select 6CH INPUT as the input source, changing items

of “1 SPEAKER SET” in the SET MENU is not affected (except
“MAIN LVL”).

12

CONNECTIONS

OUTPUT

R

L

(Europe model)

CD player

C

DIGITAL

INPUT

CD

COAXIAL

OPTICAL

D-TV/CBL

DVD

MD/CD-R

OPTICAL

MD/CD-R

DIGITAL

OUTPUT

COAXIAL
OUTPUT

MAIN

RLR

AUX

6CH INPUT

SURROUND

CD

AM ANT GND

CENTER

L

SUB WOOFER

IN(PLAY)

MD/CD-R

OUT(REC)

FM ANT

75

UNBAL.

DVD

D-TV/CBL

DVD

D-TV/CBL

AUDIO SIGNAL

TUNER

OUTPUT

VIDEO SIGNAL

VCR 1

IN

IN

VCR 1

OUT

OUT

MAIN

L

MONITOR OUT

L

R

R

VIDEO

S VIDEO

External decoder

R

L

SURROUND
OUTPUT

SUBWOOFER
OUTPUT

CENTER
OUTPUT

INTRODUCTION

PREPARATION

BASIC OPERATION

L R

Audio component

indicates signal direction

L

indicates left analog cables

R

indicates right analog cables

O

indicates optical cables

C

indicates coaxial cables

INPUT OUTPUTOUTPUT

OPTICAL

INPUT

L R

MD recorder or

CD recorder

L R

OPTICAL
OUTPUT

OO

ADVANCED OPERA

TION

APPENDIX

English

13

CONNECTIONS

Connecting Video Components

■ Audio signal jacks

Be sure to connect the right channel (R), left channel (L), input (IN) and output (OUT) properly.

■ Video signal jacks

Be sure to connect the input (IN) and output (OUT) properly.

■ TV monitor with a 21-pin connector

Make a connection as shown on page 15 with a commercially available SCART-plug connector cable.

■ S VIDEO jacks

OUT

S

MONITOR OUT

S VIDEO IN

Video monitor

S VIDEO IN

S

VIDEO

S VIDEO

S

S Video signal

Signal flow

DVD player

S VIDEO OUT

TV/digital TV,

cable TV or

satellite tuner

S VIDEO OUT

S

S

VIDEO SIGNAL

DVD D-TV/CBLINVCR 1

S

S VIDEO
OUT

VCR

■ VIDEO AUX jacks (on the front panel)

S VIDEO VIDEO L AUDIO R OPTICAL

VIDEO AUX

S

V

O

R

L

If your video component has “S” (high-resolution) video
jacks, they can be connected to this unit’s S VIDEO jacks.
Otherwise, connect the composite video jacks of your video
component to this unit’s composite video jacks.

Notes

• Use a special S VIDEO cable (commercially available) for the S

VIDEO connection.

• If video signals are input from both the S VIDEO input and

composite input jacks, the signals will be directed to their
respective output jacks.

These jacks are used to connect any video input source such
as a game console to this unit.

14

OPTICAL OUT

AUDIO OUT R

AUDIO OUT L

VIDEO OUT

S VIDEO OUT

Game console

OPTICAL

OUTPUT

DVD player

CONNECTIONS

Video monitor

SCART-plug

INTRODUCTION

O

OPTICAL
OUTPUT

AUDIO

OUTPUT

O

TV/satellite tuner

S VIDEO
OUTPUT

R

L

DIGITAL

INPUT
CD

COAXIAL

OPTICAL

D-TV/CBL

DVD

MD/CD-R

OPTICAL

MD/CD-R

DIGITAL

OUTPUT

S

S VIDEO
OUTPUT

TV/digital TV

or cable

S

6CH INPUT

MAIN

SURROUND

RLR

CD

AUX

VIDEO

OUTPUT

VIDEO
OUTPUT

V

AM ANT GND

CENTER

L

SUB WOOFER

IN(PLAY)

V

MD/CD-R

OUT(REC)

FM ANT

75

UNBAL.

DVD

D-TV/CBL

DVD

D-TV/CBL

AUDIO SIGNAL

L

S VIDEO

TUNER

VIDEO SIGNAL

VCR 1

MONITOR OUT

IN

OUT

IN

OUT

VCR 1

R

R

L

AUDIO
INPUT

VIDEO

S VIDEO

L

R

S

R

L

INPUT

SUB

WOOFER

OUTPUT

S VIDEO
OUTPUT

VIDEO

INPUT

S

S

S VIDEO
INPUT

VCR

AUDIO OUTPUTAUDIO OUTPUT VIDEO INPUT

V

V

No connection

(Europe model)

V

VIDEO
OUTPUT

L

R

PREPARATION

BASIC OPERATION

V

ADVANCED OPERA

indicates signal direction

L

indicates left analog cables

R

indicates right analog cables

O

indicates optical cables

V

indicates video cables

S

indicates S-video cables

When using an LD player

Connect the LD player output to the DVD jack.
If the LD player has an OPTICAL digital output jack, connect it to this unit’s OPTICAL DVD jack. If it has analog jacks,
connect it to the analog DVD jacks. If it has an “RF OUTPUT jack” to output a Dolby Digital RF signal (AC-3), use a
commercially available RF demoduclator and connect it to the OPTICAL DVD jack.
If connecting a DVD player and an LD player, connect the LD player to the digital input jack (ex. D-TV/CBL) or the analog
input jack (D-TV/CBL or VCR 1). For details on connections and operations, refer to the operation instructions for the LD
player.
Note that this unit’s remote control can be used to operate the LD player by setting the corresponding manufacturer code for
the DVD/LD mode.

15

TION

APPENDIX

English

CONNECTIONS

Connecting Speakers

Be sure to connect the right channel (R), left channel (L), “+” (red) and “–” (black) properly. If the connections are faulty, no
sound will be heard from the speakers, and if the polarity of the speaker connections is incorrect, the sound will be unnatural
and lack bass.

CAUTION

• Use speakers with the specified impedance shown on the rear panel of this unit.

• Do not let the bare speaker wires touch each other and do not let them touch any metal part of this unit. This could

damage the unit and/or speakers.

■ Speaker cables

10 mm (3/8”)

from each of the speaker cables.

2 Twist the exposed wires of the cable together

1 Remove approx. 10 mm (3/8”) of insulation

12

■ Connecting to the MAIN SPEAKERS terminals

Red: positive (+)
Black: negative (–)

1

2

3

■ Connecting to the REAR and CENTER SPEAKERS terminals

Red: positive (+)
Black: negative (–)

1

3

2

to prevent short circuits.

1 Unscrew the knob.
2 Insert one bare wire into the hole in the side of

each terminal.

3 Tighten the knob to secure the wire.

1 Open the tab.
2 Insert one bare wire into the hole of each

terminal.

3 Return the tab to secure the wire.

■ Main speaker terminals

One or two speaker systems can be connected to these terminals. If you use only one speaker system, connect it to either of
the SPEAKERS A or B terminals.

■ Rear speaker terminals

A rear speaker system can be connected to these terminals.

■ Center speaker terminals

A center speaker can be connected to these terminals.

16

CONNECTIONS

Right

SUB

WOOFER

OUTPUT

Main speakers A

SPEAKERS

+

–

R L

A

MAIN

B

CENTER REAR

R

(SURROUND)

+

–

Main speakers B

INTRODUCTION

Left

–

+

Right Left

(Europe model)

MAINS

PREPARATION

IMPEDANCE SELECTOR

SET BEFORE POWER ON

MAIN A OR B: 8

A + B: 8

CENTER
REAR

MIN. /SPEAKER
MIN. /SPEAKER

: 6

MIN. /SPEAKER

: 6

MIN. /SPEAKER

A + B:16

MIN. /SPEAKER
MIN. /SPEAKER

: 8

MIN. /SPEAKER

: 8

MIN. /SPEAKER

L

MAIN A OR B: 4

CENTER
REAR

AC OUTLETS

SWITCHED

100W MAX. TOTAL

BASIC OPERATION

Right Left

Subwoofer

Center speaker Rear speakers

system

■ Subwoofer connection

When using a subwoofer with built-in amplifier, including
the YAMAHA Active Servo Processing Subwoofer System,
connect the input jack of the subwoofer system to this jack.
Low bass signals distributed from the main, center and/or
rear channels are directed to this jack. (The cut-off
frequency of this jack is 90 Hz.) The LFE (low-frequency
effect) signals generated when Dolby Digital or DTS is
decoded are also directed if they are assigned to this jack.

Notes

• Adjust the subwoofer volume according to the operation
instructions for the subwoofer. (Fine adjustment is possible using
this unit’s output level control of the effect speakers.)

• Depending on the settings of “1 SPEAKER SET”, “LFE LEVEL
(5 DOLBY D. SET)” and “6 DTS SET” in the SET MENU, some
signals may not be output from the SUBWOOFER jack.

ADVANCED OPERA

TION

APPENDIX

English

17

CONNECTIONS

IMPEDANCE SELECTOR Switch

WARNING

Do not change the IMPEDANCE SELECTOR switch setting while the power to this unit is on, otherwise the unit may be
damaged.
If this unit fails to turn on when STANDBY/ON (or POWER) is pressed, the IMPEDANCE SELECTOR switch may not
be fully slid either position. If so, slide the switch to either position fully when this unit is in the standby mode.

Select the right or left position according to the impedance of speakers in your system. Be sure to move this switch only
when this unit is in the standby mode.

(Europe model)

IMPEDANCE

SELECTOR

IMPEDANCE SELECTOR

SET BEFORE POWER ON

MAIN A OR B: 8

A + B:16

MIN. /SPEAKER

CENTER

: 8

MIN. /SPEAKER

REAR

: 8

A + B: 8

MIN. /SPEAKER
MIN. /SPEAKER

: 6

MIN. /SPEAKER

: 6

MIN. /SPEAKER

MIN. /SPEAKER

MAIN A OR B: 4

CENTER
REAR

MIN. /SPEAKER

AC OUTLETS

SWITCHED

100W MAX. TOTAL

Switch
position

MAINS

Left

Speaker

Impedance level

If you use one set of main speakers, the impedance of

Main

each speaker must be 4 Ω or higher.

If you use two sets of main speakers, the impedance of
each speaker must be 8 Ω or higher.

Center The impedance must be 6 Ω or higher.

Rear The impedance of each speaker must be 6 Ω or higher.

If you use one set of main speakers, the impedance of

Main

Right

each speaker must be 8 Ω or higher.

If you use two sets of main speakers, the impedance of
each speaker must be 16 Ω or higher.

Center The impedance must be 8 Ω or higher.

Rear The impedance of each speaker must be 8 Ω or higher.

Connecting the Power Supply Cords

After completing all connections, connect the AC power cord to an AC power outlet. Disconnect the AC power cord if you
will not use this unit for a long period of time.

■ AC OUTLETS (SWITCHED)

IMPEDANCE SELECTOR

SET BEFORE POWER ON

MAIN A OR B: 4

A + B: 8
CENTER
REAR

MAIN A OR B: 8

CENTER
REAR

MIN. /SPEAKER
MIN. /SPEAKER

: 6

MIN. /SPEAKER

: 6

MIN. /SPEAKER

A + B:16

MIN. /SPEAKER
MIN. /SPEAKER

: 8

MIN. /SPEAKER

: 8

MIN. /SPEAKER

(Europe model)

MAINS

AC OUTLETS

SWITCHED

100W MAX. TOTAL

Europe model .................................................... 2 OUTLETS

U.K. model .......................................................... 1 OUTLET

Use these outlets to connect the power cords only from your
audio/video components to this unit. The power to the AC
OUTLET(S) is controlled by this unit’s STANDBY/ON (or
POWER). These outlets will supply power to any connected
component whenever this unit is turned on. The maximum
power (total power consumption of components) that can be
connected to the AC OUTLET(S) is 100 W.

18

To AC outlet

SWITCHED

ADJUSTING THE SPEAKER BALANCE

1

2,6

5

3

TEST
LEFT

TEST

RIGHT

TEST L SUR. TEST R SUR.

TEST CENTER

This procedure lets you adjust the sound output level
balance between the main, center and rear speakers by using
the built-in test tone generator. When this adjustment is
performed, the sound output level heard at the listening
position will be the same from each speaker. This is
important for the best performance of the digital sound field
processor, the Dolby Pro Logic decoder, Dolby Digital
decoder and DTS decoder.

Note

• Since this unit cannot enter the test mode while headphones are
connected to this unit, be sure to unplug the headphones from the
PHONES jack when using the test tone.

Before You Start Adjusting

12

VOLUME

EON

FM/AM

TUNING

MODE

6CH INPUTINPUT MODE

INPUT

STANDBY

/ON

TREBLE

BASS BALANCE SPEAKERS

–

+

LR

–

+

DIGITAL

SURROUND

AB

ON

OFF

DIGITAL

PROGRAM

PHONES S VIDEO VIDEO L AUDIO R OPTICAL

SILENT VIDEO AUX

PRESET/TUNINGEFFECT A/B/C/D/E

RDS MODE/FREQ

PTY SEEK

MODE START

PRESET
/TUNING

EDIT

MEMORY

MAN'L/AUTO FM AUTO/MAN'L MONO

Using the Test Tone

The adjustment of each speaker sound output level should
be performed at your listening position with the remote
control.

1 Press AMP(TUNER) on the

component selector.

2 Press TEST.

“TEST LEFT” appears on the display.

INTRODUCTION

PREPARATION

BASIC OPERATION

3

4

1 Set the volume at the

minimum level.

2 Turn the power on.

3 Press SPEAKERS A or B

to select the main
speakers to be used.

If you use two main speaker
systems, press both A and B.

4 Set BASS, TREBLE and BALANCE to the

center position.

BASS BALANCE

– +

TREBLE

– +

VOLUME

STANDBY

/ON

SPEAKERS

AB

ON

LR

OFF

3 Turn up the volume.

You will hear a test tone (like pink noise) from each
speaker for about two seconds in following order: left
main speaker, center speaker, right main speaker, right
rear speaker and left rear speaker. The display changes
as shown below.

Notes

• If the test tone cannot be heard, turn down the volume, set the unit
in the standby mode and check the speaker connections.

• If the test tone cannot be heard from the center speaker, check the
setting of “CENTER SP” in the SET MENU.

ADVANCED OPERA

TION

APPENDIX

English

19

ADJUSTING THE SPEAKER BALANCE

4 Adjust BALANCE on the

BALANCE

front panel so that the
sound output level of the
right main speaker and the
left main speaker is the

LR

Front panel

same.

5 Press –/+ repeatedly to

adjust the output level of
the speaker currently
outputting the test tone so
that it becomes almost the
same as that of the main
speakers.

While adjusting, the test tone is heard from the selected
speaker.

6 When the adjustment is complete, press TEST.

The test tone stops.

Notes

• If “CENTER SP” in the SET MENU is set to the NON position,
the sound output level of the center speaker cannot be adjusted in
step 5. The center channel sound is automatically output from the
right and left main speakers.

• For details on adjusting the subwoofer speaker, refer to “DELAY
TIME AND SPEAKER OUTPUT LEVELS” on page 40.

• After adjusting with the test tone, it is possible to adjust the
speaker level to taste while listening to the playback of an actual
source. Refer to “DELAY TIME AND SPEAKER OUTPUT
LEVELS” on page 40.

y

• Once you have completed the adjustments, you can only adjust
the overall volume level of your audio system by using VOLUME
(or VOLUME (u/d)).

• If there is insufficient sound output from the center and rear
speakers, you may decrease the main speaker output level by
setting “MAIN LVL” in the SET MENU to “–10 dB”.

20

BASIC OPERATION

PLAYING A SOURCE

When using the remote control, press AMP(TUNER) on
the component selector.

2

VOLUME

EON

FM/AM

INPUT

TUNING
MODE

4

STANDBY

/ON

BASS BALANCE SPEAKERS

TREBLE

– +

LR

– +

6

DIGITAL

SURROUND

AB

OFFON

3

DIGITAL

PROGRAM

PHONES S VIDEO VIDEO L AUDIO R OPTICAL

SILENT VIDEO AUX

7

PRESET/TUNINGEFFECT A/B/C/D/E

RDS MODE/FREQ

PTY SEEK

MODE START

PRESET
/TUNING

EDIT

MEMORY

MAN'L/AUTO FM AUTO/MAN'L MONO

6

2

4

7

1,6

6CH INPUTINPUT MODE

4 Select the desired input source with INPUT

l / h (or the input selector buttons). (Turn on

the video monitor for video sources.)

The name of the selected input source appears on the
display.

INPUT

or

Front panel

Input source

To select a source connected to the 6CH INPUT
jacks

Press 6CH INPUT so that “6CH INPUT” appears on the
display.

6CH INPUT

or

Front panel

Remote control

Remote control

INTRODUCTION

PREPARATION

BASIC OPERATION

1 Set the volume at the

minimum level.

2 Turn the power on.

STANDBY

/ON

Front panel Remote control

3 Press SPEAKERS A or B

to select the main
speakers to be used.

If you use two main speaker
systems, press both A and B.

or

VOLUME

Front panel

SPEAKERS

AB

OFF

ON

Front panel

Notes

• An audio source can not be played if “6CH INPUT” appears.
Press 6CH INPUT to turn off “6CH INPUT”.

• If you select and play a video source when “6CH INPUT”
appears, the playback result will be a video image from the video
source and the sound from the audio source selected by using
“6CH INPUT”.

y

• The current input mode is also shown. Refer to “Input Modes and
Indications” on page 23 for details.

ADVANCED OPERA

TION

APPENDIX

English

21

PLAYING A SOURCE

5 Play the source.

Refer to the instructions for the source component (and
“TUNING” for details).

Note

• When controlling an audio/video component (MD recorder, CD
player, DVD player, tape deck, etc.) with the remote control, press
one of the component selector buttons, (TAPE/MD, CD, DVD/
LD, etc.), which corresponds to the component you want to
control. Refer to “PRESET REMOTE CONTROL”.

6 Adjust the volume to the desired output level.

VOLUME

or

Front panel Remote control

If desired, adjust BASS, TREBLE, BALANCE, etc.
These controls are only effective for the sound from the
main speakers.

• BASS controls the low-frequency response.

• TREBLE controls the high-frequency response.

• BALANCE adjusts the balance of the output volume

from the right and left main speakers.

BASS BALANCE

–

+

Front panel

TREBLE

–

+

LR

7 Use the digital sound field processor.

Refer to “Selecting a DSP Program”.

PROGRAM

or

■ Notes on the digital signal

The digital input jacks of this unit can also handle
96-kHz sampling digital signals. (To utilize this, use a
source that supports 96-kHz sampling digital signals and set
the player for digital output. Refer to the operation
instructions for the player.) Note the following when a
96-kHz sampling digital signal is input to this unit:

1. The following indication will appear on the display.

PCM

KZ

H

2. DSP programs cannot be selected. Sound will be output
as normal 2-channel stereo sound from only the left and
right main speakers.

Note

• If “MAIN SP” in the SET MENU is set to SMALL and

“BASS OUT” is set to SWFR or “BASS OUT” is set to

BOTH, the sound is also output from the subwoofer.

3. Adjustment of the speaker output level described on
page 40 cannot be made (except the level of the
subwoofer).

■ BGV (background video) function

The BGV function allows you to combine a video image
from a video source with a sound from an audio source.
(For example, you can listen to classical music while you
are watching a video.) This function can only be controlled
with the remote control.

Play a video source, and then select an audio source with
the input selector buttons on the remote control. The BGV
function does not work if you select the audio source with
INPUT l / h on the front panel.

Front panel

Remote control

■ To mute the sound

Use this when you want to temporarily mute audio output.

Press MUTE on the remote
control.

To restore the audio output to
the previous volume level, press
MUTE again.

Note

• During muting, “MUTE ON” appears on the display.

■ When you have finished using this
unit

Press STANDBY/ON (or POWER) to set this
unit in the standby mode.

22

PLAYING A SOURCE

Input Modes and Indications

When using the remote control, press AMP(TUNER) on
the component selector.

This unit comes with various input jacks. If your component
is connected to more than one type of input jack, you can set
the priority of the input signal.

Press INPUT MODE (or the input selector
button that you have pressed to select the
input source on the remote control) repeatedly
until the desired input mode is shown on the
display.

INPUT MODE

or

Front panel

AUTO: In this mode, the input signal is

automatically selected in the following
order:

1) Dolby Digital or DTS signal

2) Digital (PCM) signal

3) Analog signal

DTS: In this mode, only the digital input

signal encoded with DTS is selected
even if another signal is input at the
same time.

ANALOG (ANLG): In this mode, only the analog input

signal is selected even if a digital
signal is input at the same time.

Notes

• If digital signals are input from both the COAXIAL and
OPTICAL jacks, the digital signal from the COAXIAL jack is
selected.

• When AUTO is selected, this unit automatically determines the
type of signal. If this unit detects a Dolby Digital or DTS signal,
the decoder automatically switches to the appropriate setting and
reproduces 5.1 channel source.

• The sound output may be interrupted for some LD players and
DVD players in the following situation:
When the input mode has been set to AUTO and a search is
performed while playing the source encoded with a Dolby Digital
or DTS signal, the sound may delay for a moment when playback
is resumed.

• Depending on the LD player, playback may not be made when
playing an LD that is not digitally recorded with the input mode
set to AUTO. If this happens, set the input mode to ANALOG.

Remote control

Input mode

■ Notes on playing a source
encoded with a DTS signal

• If the digital output data of the player has been processed

in any way, you may not be able to perform DTS
decoding even if you make a digital connection between
this unit and the player.

• If you play a source encoded with a DTS signal and set

the input mode to ANALOG, this unit reproduces the
noise of an unprocessed DTS signal. When you want to
play a DTS source, be sure to connect the source to a
digital input jack and set the input mode to AUTO or
DTS.

• If you switch the input mode to ANALOG while playing

a source encoded with a DTS signal, this unit reproduces
no sound.

• The following phenomena may occur if the input mode

is set to AUTO when playing back a source encoded with
DTS:

– If you continue to play a source encoded with a DTS

signal, this unit automatically switches to the “DTS-
decoding” mode to prevent noise from being generated
during subsequent operation. (The “t” indicator
lights up on the display.) The “t” indicator may flash
immediately after playback of a source encoded with a
DTS signal has finished. Only a source encoded with a
DTS signal can be played back while this indicator is
flashing. (The indicator will flash for less than a minute.)
If you want to play a normal PCM source soon, set the
input mode back to AUTO.

– The “t” indicator may flash when a search or skip

operation is performed. If this status continues for a
certain length of time, the unit will automatically switch
from the “DTS-decoding” mode to PCM digital signal
input mode and the “t” indicator will go out.

INTRODUCTION

PREPARATION

BASIC OPERATION

ADVANCED OPERA

TION

APPENDIX

English

23

PLAYING A SOURCE

DSP

DIGITAL

MOVIE THEATER 1

BASS EXT.

Selecting a DSP Program

You can enhance your listening experience by selecting a
DSP program. Refer to “SOUND FIELD PROGRAM” for
details about each program.

y

• Make sure that the sound effect is turned on (see page 25).

■ On the remote control

1

2

1 Press AMP(TUNER) on the

component selector.

2 Press PRG+ or PRG–

repeatedly to select the
desired program.

The name of the selected
program appears for a moment
and the selected DSP program
indicator lights up on the
display.

DIGITAL

DSP

MOVIE THEATER 1

DSP program name

BASS EXT.

■ On the front panel

DIGITAL

PROGRAM

PHONES S VIDEO VIDEO L AUDIO R OPTICAL

SILENT VIDEO AUX

STANDBY

/ON

TREBLE

BASS BALANCE SPEAKERS

– +

LR

– +

DIGITAL

SURROUND

AB

ON

OFF

PROGRAM /

Press PROGRAM l or h
repeatedly to select the
desired program.

The name of the selected
program appears for a moment
and the selected DSP program
indicator lights up on the
display.

DSP program name

PRESET/TUNINGEFFECT A/B/C/D/E

RDS MODE/FREQ

PTY SEEK

MODE START

PRESET
/TUNING

EDIT

MEMORY

MAN'L/AUTO FM AUTO/MAN'L MONO

EON

FM/AM

TUNING

MODE

PROGRAM

VOLUME

6CH INPUTINPUT MODE

INPUT

y

• If desired, adjust the delay time and the sound output level of each
speaker. (Refer to “DELAY TIME AND SPEAKER OUTPUT
LEVELS” on page 40 for details.)

Notes

• Choose a DSP program based on your listening preference, and
not on the name of the program. The acoustics of your listening
room affect the DSP program. Minimize the sound reflections in
your room to maximize the effect created by the program.

• When you select an input source, this unit automatically selects
the last DSP program used with that source.

• When you set this unit in the standby mode, the current source
and DSP program are memorized and are automatically selected
when you turn on the power again.

• If a Dolby Digital or DTS signal is input when the input mode is
set to AUTO, the DSP program automatically switches to the
appropriate decoding program.

• When a monaural source is being played with PRO LOGIC/
NORMAL or PRO LOGIC/ENHANCED, no sound will be heard
from the main speakers and the rear speakers. Sound can only be
heard from the center speaker. However, if “CENTER SP” in the
SET MENU is set to NON, the center channel sound is output
from the main speakers.

• When a source connected to the 6CH INPUT jack of this unit is
selected, the digital sound field processor cannot be used.

• When 96-kHz sampling digital signals are input to this unit, the
DSP program cannot be selected. In this case, the sound is
reproduced as normal 2-channel stereo.

24

PLAYING A SOURCE

■ Virtual CINEMA DSP and SILENT
CINEMA

Virtual CINEMA DSP

Virtual CINEMA DSP allows you to enjoy the sound field
effects of the DSP program without rear speakers. Using
YAMAHA original technology, natural surround
reproduction is possible through the generation of a virtual
speaker.

The sound field processing is changed to the Virtual
CINEMA DSP mode by setting “REAR LR SP” on the SET
MENU to NON. Virtual CINEMA DSP is performed by
using the main speakers.

Note

• This unit is not set in the Virtual CINEMA DSP mode even if

“REAR LR SP” is set to NON in the following cases:

– when the 5CH STEREO, PRO LOGIC/NORMAL, DOLBY

DIGITAL/NORMAL or DTS/NORMAL program is selected;

– when the sound effect is turned off;
– when 6CH INPUT is selected as the input source;
– when 96-kHz sampling digital signals are input to this unit;
– when the Dolby Digital KARAOKE source is played;
– when using the test tone; or
– when connecting the headphones (you will hear SILENT

CINEMA).

Canceling the Sound Effect (turning off the effect speakers)

Press EFFECT to cancel the sound effect and
monitor only the main sound.

Press EFFECT again to turn the sound effect back on.

EFFECT

or

Front panel

Notes

• If the sound effect is canceled when Dolby Digital or DTS is
decoding, the sounds of the center and rear channels are mixed
and output from the main speakers.

• If you turn off the sound effect when Dolby Digital or DTS is
decoding, it may happen that the sound is output faintly or not
output normally, depending on the source. In that case, turn back
on the sound effect.

Remote control

INTRODUCTION

PREPARATION

BASIC OPERATION

SILENT CINEMA

SILENT CINEMA allows you to enjoy the realistic feel of
the DSP program while using headphones. This feature
delivers powerful surround reproduction just as if listening
through the speakers.

You can listen to SILENT CINEMA by connecting your
headphones to the PHONES jack while the effect speakers
are on.

ADVANCED OPERA

TION

APPENDIX

English

25

TUNING

Connecting the Antennas

Both AM and FM indoor antennas are included with this unit. In general, these antennas should provide sufficient signal
strength.

Connect each antenna correctly to the designated terminals.

AM loop
antenna
(included)

AM ANT GND

TUNER

FM ANT

75

UNBAL.

Ground (GND terminal)

For maximum safety and
minimum interference, connect
the antenna GND terminal to a
good earth ground. A good earth
ground is a metal stake driven
into moist earth.

Indoor FM
antenna
(included)

3 Release the tab to lock the lead wires.

Lightly pull the lead wires to confirm a good
connection.

4 Attach the loop antenna to the antenna stand.
5 Orient the AM loop antenna so that the best

reception is obtained.

y

• The AM loop antenna can be removed from the stand and

attached to a wall, etc.

Notes

• The AM loop antenna should be placed away from this unit.

• The AM loop antenna should always be connected, even if an

outdoor AM antenna is connected to this unit.

A properly installed outdoor antenna provides clearer
reception than an indoor one. If you experience poor
reception quality, an outdoor antenna may improve the
quality. Consult the nearest authorized YAMAHA dealer
or service center about the outdoor antennas.

■ Connecting the indoor FM antenna

Connect the included indoor FM antenna to the FM ANT
75Ω UNBAL. terminal.

Note

• Do not connect an outdoor FM antenna and the indoor FM
antenna at the same time.

■ Connecting the AM loop antenna

3

1

4

Antenna stand

2

5

1 Press and hold the tab to unlock the terminal

hole.

2 Insert the AM loop antenna lead wires into the

AM ANT and GND terminals.

Connecting a coaxial cable to the included
75-ohm/300-ohm antenna adapter (U.K. model
only)

1

Cover

Open the cover of the
included 75-ohm/300-ohm
antenna adapter.

2

11 (7/16)

8 (5/16)
6 (1/14)

Cut the external sleeve of
the 75-ohm coaxial cable
and prepare it for
connection.

Unit: mm
(inch)

3

Lead wire

Cut the lead wire and
remove it.

54

Clamp
with
pliers.

Insert the cable wire into the
slot, and clamp it with
pliers.

Clamp with
pliers.

Insert the wire
into the slot.

Snap the cover into
place.

26

TUNING

Automatic Tuning

Automatic tuning is effective when station signals are
strong and there is no interference.

DIGITAL

PROGRAM

PHONES S VIDEO VIDEO L AUDIO R OPTICAL

SILENT VIDEO AUX

PRESET/TUNINGEFFECT A/B/C/D/E

STANDBY

/ON

BASS BALANCE SPEAKERS

TREBLE

– +

LR

– +

DIGITAL

SURROUND

AB

OFF

ON

1 Use INPUT l / h to select

RDS MODE/FREQ

PTY SEEK

MODE START

PRESET
/TUNING

EDIT

MEMORY

MAN'L/AUTO FM AUTO/MAN'L MONO

4

VOLUME

EON

FM/AM

TUNING
MODE

2

3

INPUT

6CH INPUTINPUT MODE

INPUT

1

TUNER as the input
source.

2 Press FM/AM to select the reception band (FM

or AM).

“FM” or “AM” appears on the display.

FM/AM

or

3 Press TUNING MODE (AUTO/MAN’L MONO) so

that the “AUTO” indicator lights up on the
display.

TUNING

MODE

AUTO/MAN'L MONO

If “ z ” appears on the display next to the band
indication, press PRESET/TUNING (EDIT) to turn it
off.

PRESET

/TUNING

EDIT

Lights up

Turn “ z ” off

Manual Tuning

If the signal from the station you want to select is weak, you
must tune in to it manually.

1 Use INPUT l / h to select

INPUT

TUNER as input source.

2 Press FM/AM to select the reception band (FM

or AM).

“FM” or “AM” appears on the display.

FM/AM

or

3 Press TUNING MODE (AUTO/MAN’L MONO) so

that the “AUTO” indicator goes off.

TUNING

MODE

AUTO/MAN'L MONO

Goes off

If “ z ” appears on the display next to the band
indication, press PRESET/TUNING (EDIT) to turn it
off.

PRESET
/TUNING

EDIT

Turn “ z ” off

4 Press PRESET/TUNING l or h to tune in to

the desired station.

To continue the tuning search, hold down the button.

Note

• If you tune in manually to an FM station, it will be automatically
received in monaural mode to increase the signal quality.

PRESET/TUNING

INTRODUCTION

PREPARATION

BASIC OPERATION

ADVANCED OPERA

TION

4 Press PRESET/TUNING l once to tune in to a

lower frequency and h once to tune in to a
higher frequency.

Press the button again if the tuning search does not stop
at the desired station.

PRESET/TUNING

y

• Use the manual tuning method if the tuning search does not stop
at the desired station (because the signal from the station is weak).

• When tuned in to a station, the “TUNED” indicator lights up and
the frequency of the received station is shown on the display. If an
RDS station that offers the PS data service is being received, the
station name is shown instead of the frequency on the display.

APPENDIX

English

27

TUNING

Automatic Preset Tuning (for RDS stations only)

You can make use of the automatic preset tuning function
for RDS stations only. This function enables the unit to
automatically tune in with strong signals and to sequentially
store up to 40 RDS stations (5 groups x 8 stations).

VOLUME

EON

FM/AM

TUNING
MODE

6CH INPUTINPUT MODE

INPUT

STANDBY

/ON

BASS BALANCE SPEAKERS

TREBLE

– +

LR

– +

DIGITAL

SURROUND

AB

OFF

ON

DIGITAL

PROGRAM

PHONES S VIDEO VIDEO L AUDIO R OPTICAL

SILENT VIDEO AUX

PRESET/TUNINGEFFECT A/B/C/D/E

RDS MODE/FREQ

PTY SEEK

MODE START

PRESET
/TUNING

EDIT

MEMORY

MAN'L/AUTO FM AUTO/MAN'L MONO

213

1 Press FM/AM to select the FM band.

FM/AM

2 Press TUNING MODE (AUTO/MAN’L MONO) so

that the “AUTO” indicator lights up on the
display.

TUNING

MODE

AUTO/MAN'L MONO

Lights up

3 Hold down MEMORY (MAN’L/AUTO FM) for

about 3 seconds.

The preset number, the “MEMORY” and “AUTO”
indicators flash. After about 5 seconds, automatic
preset tuning begins from the frequency currently
displayed toward the higher frequencies.
Received stations are sequentially stored as A1, A2 ...
A8. If more than 8 stations have been tuned, they are
stored as preset station numbers in other groups (B, C,
D and E) in that order.

MEMORY

MAN'L/AUTO FM

Flashes

BASS EXT.

MEMORY

■ Automatic preset tuning options

You can select the preset number from which the unit will
store RDS stations and/or begin tuning toward lower
frequencies. Before automatic preset tuning begins (after
pressing MEMORY in step 3),

1. Press A/B/C/D/E and PRESET/TUNING l or h to

select the preset number with which the first station will
be stored. The automatic preset tuning will stop when
stations have all been stored up to E8.

2. Press PRESET/TUNING (EDIT) to turn “ z ” off and
then press PRESET/TUNING l to begin tuning toward
lower frequencies.

■ When automatic preset tuning is

completed

The display shows the frequency of the last preset station.
Check the contents and the number of preset stations by
following the procedure in the section “To Recall a Preset
Station” on page 29.

Notes

• A new setting can be stored in place of the former one.

• The reception mode is stored along with the station frequency.

• You can manually replace a preset station with another FM or AM

station by simply using the manual preset tuning method.

• Automatic preset tuning will be performed for all RDS network

stations until all have been stored up to E8. Even if the number of
received stations is not enough to be stored up to E8, automatic
preset tuning is automatically ended after searching for all
stations.

• Only RDS stations with sufficient signal strength are stored by

automatic preset tuning. If the station you want to store is weak in
signal strength, tune in to it manually in monaural mode and store
it by using the manual preset tuning method. (There may be a
case that this unit cannot receive a station which could be
received by using the automatic tuning method. This is because
this unit receives a large amount of PI (Program Identification)
data along with the station.)

Memory back-up

The memory back-up circuit prevents the stored data
from being lost when this unit is set in the standby mode.
If, however, the power cord is disconnected from the AC

AUTO

power outlet or the power is cut for more than one week,
the memory will be erased. If so, store the stations again
by using preset tuning methods.

28

TUNING

1
2

PRESET/TUNING

Manual Preset Tuning

You can also store up to 40 stations (5 groups x 8 stations)
manually.

VOLUME

EON

FM/AM

TUNING

MODE

6CH INPUTINPUT MODE

INPUT

STANDBY

/ON

BASS BALANCE SPEAKERS

TREBLE

– +

LR

– +

DIGITAL

SURROUND

AB

OFF

ON

DIGITAL

PROGRAM

PHONES S VIDEO VIDEO L AUDIO R OPTICAL

SILENT VIDEO AUX

PRESET/TUNINGEFFECT A/B/C/D/E

4

3

RDS MODE/FREQ

PTY SEEK

MODE START

PRESET
/TUNING

EDIT

MEMORY

MAN'L/AUTO FM AUTO/MAN'L MONO

2,5

1 Tune in to the desired station.

Refer to “Automatic/Manual Tuning” for the tuning
procedure.

2 Press MEMORY (MAN’L/AUTO FM).

The “MEMORY” indicator flashes for about 5 seconds.

MEMORY

MAN'L/AUTO FM

Flashes

3 Press A/B/C/D/E repeatedly to select the

desired group (A to E) of preset stations
before the “MEMORY” indicator goes off.

Make sure that “ z ” appears on the display. The
selected group appears on the display.

A/B/C/D/E

4 Press PRESET/TUNING l or h to select a

preset station number (1 to 8) with which you
want to store the station before the “MEMORY”
indicator goes off.

Press l to select a lower preset

PRESET/TUNING

station number and h to select
a higher preset station number.

5 Press MEMORY (MAN’L/AUTO FM) before the

“MEMORY” indicator goes off.

The displayed station has been stored as the preset
group and number you have selected, and the reception
band and frequency appear and the “TUNED” indicator
lights up on the display.

MEMORY

MAN'L/AUTO FM

TUNED

To Recall a Preset Station

You can recall any desired station simply by selecting the
preset station number with which it was stored.

You can also recall a preset station with the remote control.
Press AMP(TUNER) on the component selector and press
TUNER on the input selector.

DIGITAL

PROGRAM

PHONES S VIDEO VIDEO L AUDIO R OPTICAL

SILENT VIDEO AUX

PRESET/TUNINGEFFECT A/B/C/D/E

2

1

STANDBY

/ON

TREBLE

BASS BALANCE SPEAKERS

– +

LR

– +

DIGITAL

SURROUND

AB

ON

OFF

1 Press A/B/C/D/E to select the required group

of preset stations.

Make sure that “ z ” appears on the display.

A/B/C/D/E

Front panelorRemote control

2 Press PRESET/TUNING l or h (or PRESET

–/+) to select a preset station number (1 to 8).

The preset group and number appear on the display
along with the reception band, frequency, and the
“TUNED” indicator lights up.

or

STEREO

Front panel

AUTO

Remote control

RDS MODE/FREQ

PTY SEEK

MODE START

PRESET
/TUNING

EDIT

MEMORY

MAN'L/AUTO FM AUTO/MAN'L MONO

EON

FM/AM

TUNING

MODE

TUNED

STEREO

INTRODUCTION

VOLUME

6CH INPUTINPUT MODE

INPUT

PREPARATION

BASIC OPERATION

ADVANCED OPERA

TION

APPENDIX

AUTO

6 Repeat steps 1 to 5 to store other stations.

Notes

• A new setting can be stored in place of the former one.

• The reception mode is stored along with the station frequency.

English

29

TUNING

Exchanging Preset Stations

You can exchange the assignment of two preset stations
with each other.

Example: Exchange preset station “E1” with “A5”

VOLUME

EON

FM/AM

TUNING
MODE

6CH INPUTINPUT MODE

INPUT

STANDBY

/ON

BASS BALANCE SPEAKERS

TREBLE

– +

LR

– +

DIGITAL

SURROUND

AB

OFF

ON

DIGITAL

PROGRAM

PHONES S VIDEO VIDEO L AUDIO R OPTICAL

SILENT VIDEO AUX

PRESET/TUNINGEFFECT A/B/C/D/E

RDS MODE/FREQ

PTY SEEK

MODE START

PRESET
/TUNING

EDIT

MEMORY

MAN'L/AUTO FM AUTO/MAN'L MONO

2,4

1 Recall preset station “E1”.

Refer to the procedure in the section “To Recall a
Preset Station” on page 29.

2 Hold down (PRESET/

TUNING) EDIT for about
3 second.

PRESET

/TUNING

EDIT

“E1” and the “MEMORY”
indicator flash.

BASS EXT.

MEMORY

Flashes

3 Recall preset station “A5” by using the buttons

on the front panel.

“A5” and the “MEMORY” indicator flash.

Flashes

4 Press (PRESET/TUNING)

EDIT again.

The display shows the
exchange of stations has been
completed.

30

BASS EXT.

MEMORY

MEMORY

PRESET
/TUNING

EDIT

RECEIVING RDS STATIONS

RDS MODE/FREQ

Radio Data System (RDS) is a data transmission system by
FM stations in many countries. Stations using this system
transmit an inaudible stream of data in addition to the
normal radio signal.

RDS data contains various information such as PI (Program
Identification), PS (Program Service name), PTY (Program
Type), RT (Radio Text), CT (Clock Time), EON (Enhanced
Other Networks), etc. The RDS function is carried out
among the network stations.

Description of RDS Data

This unit can receive PI, PS, PTY, RT, CT, and EON data
when receiving RDS broadcasting stations.

■ PS (Program Service name) mode:

The name of the RDS station being received is displayed.

■ PTY (Program Type) mode:

The program type on the RDS station being received is
displayed. There are 15 program types to classify RDS
stations. You can make this unit search for a station which is
broadcasting a program of the desired type. Refer to “PTY
SEEK Function” for details.

■ RT (Radio Text) mode:

Information about the program (such as the title of the song,
name of the singer, etc.) on the RDS station being received
is displayed by a maximum of 64 alphanumeric characters,
including the umlaut symbol. If other characters are used for
RT data, they are displayed with under-bars.

Changing the RDS Mode

The four modes are available in this unit for displaying RDS
data. When an RDS station is being received, PS, PTY, RT
and/or CT that correspond to the RDS data services offered
by the station light up on the display. Press RDS MODE/
FREQ repeatedly to change the display mode among the
RDS data offered by the transmitting station in the order
shown below. Illumination of the red indicator next to the
RDS mode indicator shows that the corresponding RDS
mode is now selected.

Notes

• When an RDS station is being received, do not press RDS
MODE/FREQ until one or more RDS mode indicators light up on
the display. If you press the button before the indicators light up
on the display, the mode cannot be changed. This is because the
unit has not yet received all of the RDS data on the station.

• RDS data not offered by the station cannot be selected.

• The RDS data service cannot be utilized by this unit if the

received signal is not strong enough. In particular, the RT mode
requires a large amount of data to be received, so it is possible
that the RT mode may not be displayed even if other RDS modes
(PS, PTY, etc.) are displayed.

• RDS data cannot sometimes be received under poor reception
conditions. If so, press TUNING MODE so that the “AUTO”
indicator goes off from the display. Although the reception mode
is changed to monaural by this operation, when you change the
display to RDS mode, RDS data may be displayed.

• If the signal strength is weakened by external interference during
the reception of an RDS station, the RDS data service may be cut
off suddenly and “...WAIT” will appear on the display.

PS mode

INTRODUCTION PREPARATION

BASIC OPERATION

ADVANCED OPERA

■ CT (Clock Time) mode:

The current time is displayed and updated every minute. If
the data are accidentally cut off, “CT WAIT” may appear.

■ EON (Enhanced Other Networks):

Refer to “EON Function” on page 33.

PTY mode

RT mode

CT mode

Frequency

display mode

TION

APPENDIX

English

31

RECEIVING RDS STATIONS

PTY SEEK Function

If you select the desired program type, the unit
automatically searches all preset RDS stations that are
broadcasting a program of the required type.

31

VOLUME

EON

FM/AM

INPUT

TUNING
MODE

STANDBY

/ON

TREBLE

BASS BALANCE SPEAKERS

–

+

LR

–

+

DIGITAL

SURROUND

AB

ON

OFF

DIGITAL

PROGRAM

PHONES S VIDEO VIDEO L AUDIO R OPTICAL

SILENT VIDEO AUX

PRESET/TUNINGEFFECT A/B/C/D/E

RDS MODE/FREQ

PTY SEEK

MODE START

PRESET

/TUNING

EDIT

MEMORY

MAN'L/AUTO FM AUTO/MAN'L MONO

2

1 Press PTY SEEK MODE to set the unit in the

PTY SEEK mode.

The program type of the station being received or
“NEWS” flashes on the display.

PTY SEEK

MODE START

Flashes

2 Press PRESET/TUNING l or h to select the

desired program type.

The selected program type flashes on the display.

■ To cancel this function

Press PTY SEEK MODE twice.

■ Program types in the PTY mode

There are 15 program types to classify RDS stations.

NEWS News

AFFAIRS Current affairs
INFO General information

SPORT Sports

6CH INPUTINPUT MODE

EDUCATE Education
DRAMA Drama

CULTURE Culture

SCIENCE Science
VARIED Light entertainment

POP M Pops

ROCK M Rock
M.O.R. M Middle-of-the-road music (easy-listening)

LIGHT M Light classics

CLASSICS Serious classics
OTHER M Other music

PRESET/TUNING

Flashes

3 Press PTY SEEK START to begin searching all

preset RDS stations.

The selected program type flashes and the “PTY
HOLD” indicator lights up on the display while
searching for stations.

PTY SEEK

MODE START

The selected program type flashes.

• If a station that is broadcasting a program of the
required type is found, the unit stops at that station.

• If the called station is not the desired one, press PTY
SEEK START again. The unit begins searching for
another station that is broadcasting a program of the
same type.

Light up

PS PTY RT CT

PTY HOLD

BASS EXT.

AUTO

32

RECEIVING RDS STATIONS

EON Function

This function uses the EON data service on the RDS station
network. If you simply select the desired program type
(NEWS, INFO, AFFAIRS or SPORT), the unit
automatically searches for all preset RDS stations that are
scheduled to broadcast a program of the required type and
switches from the station being currently received to the
new station when the broadcasts starts.

Note

• This function can only be used when an RDS station that offers
the EON data service is being received. When such a station is
being received, the “EON” indicator lights up on the display.

2

VOLUME

EON

FM/AM

TUNING

MODE

6CH INPUTINPUT MODE

INPUT

STANDBY

/ON

BASS BALANCE SPEAKERS

TREBLE

–

+

LR

–

+

DIGITAL

SURROUND

AB

OFF

ON

DIGITAL

PROGRAM

PHONES S VIDEO VIDEO L AUDIO R OPTICAL

SILENT VIDEO AUX

PRESET/TUNINGEFFECT A/B/C/D/E

RDS MODE/FREQ

PTY SEEK

MODE START

PRESET
/TUNING

EDIT

MEMORY

MAN'L/AUTO FM AUTO/MAN'L MONO

1 Make sure that the “EON” indicator lights up

on the display.

If the “EON” indicator does not light up, tune in to
another RDS station so that the “EON” indicator lights
up.

Lights up

PS PTY RT CT

BASS EXT.

AB

EON

TUNED

STEREO

AUTO

2 Press EON repeatedly to select the desired

program type (NEWS, INFO, AFFAIRS or
SPORT).

The selected program type name indicator lights up on
the display.

AB

• If a preset RDS station of the selected program type
starts broadcasting, the unit will automatically switch
from the program being currently received to that
program. The program type name indicator flashes.

• When broadcasting of the required program ends, the
previously received station (or another program on
the same station) is recalled.

AB

■ To cancel this function

Press EON repeatedly until no program type name lights up
on the display.

EON

Lights up

PS PTY RT CT

NEWS

BASS EXT.

Flashes

PS PTY RT CT

NEWS

BASS EXT.

PS PTY RT CT

BASS EXT.

EON

TUNED

EON

TUNED

EON

TUNED

STEREO

STEREO

AUTO

STEREO

AUTO

AUTO

INTRODUCTION PREPARATION

BASIC OPERATION

ADVANCED OPERA

33

TION

APPENDIX

English

RECORDING A SOURCE

Recording adjustments and other operations are performed
from the recording component. Refer to the instructions for
these components.

DIGITAL

STANDBY

/ON

BASS BALANCE SPEAKERS

–

+

SURROUND

TREBLE

AB

ON

–

+

LR

OFF

DIGITAL

PROGRAM

PHONES S VIDEO VIDEO L AUDIO R OPTICAL

SILENT VIDEO AUX

PRESET/TUNINGEFFECT A/B/C/D/E

RDS MODE/FREQ

PTY SEEK

MODE START

PRESET
/TUNING

EDIT

MEMORY

MAN'L/AUTO FM AUTO/MAN'L MONO

EON

FM/AM

TUNING
MODE

1,4

VOLUME

6CH INPUTINPUT MODE

INPUT

2

4

2

1 Set the volume at the

minimum level.

VOLUME

Front panel

2 Select the source you want to record.

INPUT

or

Front panel

Remote control

Notes

• Do a test recording before you start an actual recording.

• When this unit is set in the standby mode, you cannot record

between other components connected to this unit.

• The DSP program and the setting of VOLUME, BASS, TREBLE
and BALANCE have no effect on the material being recorded.

• A source connected to the 6CH INPUT jacks of this unit cannot
be recorded.

• Composite video and S video signals pass independently through
this unit’s video circuits. Therefore, when recording or dubbing
video signals, if your video source component is connected to
provide only an S video (or only a composite video) signal, you
can record only an S video (or only a composite video) signal by
your VCR.

• A given input source is not output on the same REC OUT
channel. (For example, the signal input from VCR 1 IN is not
output on VCR 1 OUT.)

• Check the copyright laws in your country to record from records,
CDs, radio, etc. Recording of copyrighted material may infringe
copyright laws.

If you play back a video source that uses scrambled or
encoded signals to prevent it from being dubbed, the
picture itself may be disturbed due to those signals.

■ Special considerations when

recording DTS software

The DTS signal is a digital bitstream. Attempting to
digitally record the DTS bitstream will result in noise being
recorded. Therefore, if you want to use this unit to record
sources that have DTS signals recorded on them, the
following considerations and adjustments need to be made.

For DVDs and CDs encoded with DTS

Only 2-channel analog audio signals may be recorded.
Set the DVD player (or CD player) as described in the
player’s operation instructions so that the audio signals are
output from the player’s analog outputs.

3 Begin recording by the recording component

connected to this unit.

4 Play the source and then turn up the volume to

confirm the input source.

VOLUME

Front panel

or

Remote control

34

ADVANCED OPERATION

SET MENU

The SET MENU consists of 9 items including the speaker
mode setting. Use the SET MENU to enjoy the optimum
audio/video playback for your system.

y

• You can adjust the items on the SET MENU while playing a
source.

1 SPEAKER SET

CENTER SP

MAIN SP

REAR LR SP

BASS OUT

MAIN LVL

2 HP TONE CTRL

3 I/O ASSIGN

4 INPUT MODE

5 DOLBY D. SET

LFE LEVEL

D-RANGE

6 DTS SET

1 Press AMP(TUNER) on the

component selector.

2 Press SET MENU to enter the SET MENU.

3 Press PRG– (or PRG+) repeatedly to select the

item (1 to 9) you want to adjust.

y

• By pressing SET MENU repeatedly, you can select items in the
same order as when pressing PRG–.

4 Press – or + once to enter the setup mode of

the selected item.

The last setting you adjusted appears on the display.

INTRODUCTION

PREPARATION

BASIC OPERATION

7 SP DLY TIME

8 DISPLAY SET

9 MEM. GUARD

Adjusting the Items on the SET MENU

Adjustment should be made with the remote control.

1

3,6

4,5
2

Note

• Some items require extra steps to change to the desired setting.

Depending on the item, press PRG– (or PRG+) to
select a sub item.

5 Press – or + repeatedly to change the setting

of the item.

6 Press PRG– (or PRG+)

repeatedly until the input
source name appears to
exit from the SET MENU.

ADVANCED OPERA

TION

APPENDIX

English

35

SET MENU

Memory back-up

The memory back-up circuit prevents the stored data
from being lost even if this unit is set in the standby
mode, the power cord is disconnected from the AC
outlet, or the power supply is temporarily cut due to
power failure. However, if the power is cut for more than
one week, the settings of the SET MENU you adjusted
will return to the factory settings. If so, adjust the items
again.

1 SPEAKER SET (speaker mode

settings)

Use this feature to select suitable output modes for your
speaker configuration.

Notes

• When 96-kHz sampling digital signals are input to this unit, level
adjustments in items “MAIN SP”, “BASS OUT” and “MAIN
LV L” are possible, but those in items “CENTER SP” and “REAR
LR SP” are not affected.

• When 6CH INPUT is selected as the input source, level
adjustments in items of “1 SPEAKER SET” are not affected
(except “MAIN LVL”).

■ CENTER SP (center speaker mode)

By adding a center speaker to your speaker configuration,
the unit can provide good dialog localization for many
listeners and superior synchronization of sound and images.

Choices: LRG (large), SML (small), NON (none)
Initial setting: LRG

■ MAIN SP (main speaker mode)

Choices: LARGE, SMALL
Initial setting: LARGE

LARGE

Select this if you have large main speakers. The entire range
of the left and right main channel signal is directed to the
left and right main speakers.

SMALL

Select this if you have small main speakers. The low­frequency signals (90 Hz and below) of the main channel
are directed to the speakers selected with “BASS OUT”.

Note

• When you select MAIN for “BASS OUT”, the low-frequency
signals (90 Hz and below) of the main channel are directed to the
main speakers even if you select SMALL for the main speaker
mode.

■ REAR LR SP (rear speaker mode)

Choices: LRG (large), SML (small), NON (none)
Initial setting: LRG

LRG

Select this if you have large left and right rear speakers or if
a rear subwoofer is connected to the rear speakers. The
entire range of the rear channel signal is directed to the left
and right rear speakers.

LRG

Select this if you have a large center speaker. The entire
range of the center channel signal is directed to the center
speaker.

SML

Select this if you have a small center speaker. The low­frequency signals (90 Hz and below) of the center channel
are directed to the speakers selected with “BASS OUT”.

NON

Select this if you do not have a center speaker. All of the
center channel signals are directed to the left and right main
speakers.

36

SML

Select this if you have small left and right rear speakers. The
low-frequency signals (90 Hz and below) of the rear
channel are directed to the speakers selected with “BASS
OUT”.

NON

Select this if you do not have rear speakers.

y

• This unit is set in the Virtual CINEMA DSP mode by selecting
NON for “REAR LR SP”.

SET MENU

dB

dB

■ BASS OUT (bass out mode)

LFE signals carry low-frequency effects when this unit
decodes a Dolby Digital or DTS signal. Low-frequency
signals are defined as 90 Hz and below.

Choices: SWFR (subwoofer), MAIN, BOTH
Initial setting: BOTH

SWFR

Select this if you use a subwoofer. The LFE signals are
directed to the subwoofer.

MAIN

Select this if you do not use a subwoofer. The LFE signals
are directed to the main speakers.

BOTH

Select this if you use a subwoofer and you want to mix the
main channel low-frequency signals with the LFE signals.

Notes

• When playing a 2-channel source (CD, MD, tape, video cassette
etc.), select BOTH position to direct low bass signals (below
90 Hz) to the SUBWOOFER jack.

• When you select SMALL (SML) for items “CENTER SP”,
“MAIN SP” and “REAR LR SP”, the low-frequency signals

(90 Hz and below) from those channels are added to the LFE and
output to the subwoofer.

2 HP TONE CTRL (headphone tone

control)

Use this feature to adjust the level of the bass and treble
when you use your headphones.

Control range (dB): –6 to +3
Initial setting: 0 dB for both BASS and TRBL (treble)

3 I/O ASSIGN

It is possible to assign jacks according to the component to
be used if this unit’s DIGITAL INPUT/OUTPUT jack
settings (component names for terminals) differ from that
component. This makes it possible to change the jack
assignment and effectively connect more component.
Once you assign, you can select that component with
INPUT l / h (or the input selector buttons).

■ 3A (1) (for the OPTICAL OUTPUT
jack)

Initial setting: (1) MD/CD-R

INTRODUCTION

PREPARATION

BASIC OPERATION

■ MAIN LVL (main level mode)

Change this setting if you cannot match the output level of
the center and rear speakers with the main speakers because
of the unusually high-efficiency performance of the main
speakers.

Choices: NORM (normal), –10 dB
Initial setting: NORM

NORM (normal)

Normally select this setting.

–10 dB

Select this if you cannot match the output level of your
effect speakers with that of your main speakers when using
the test tone. This setting decreases the main speaker output
level to about one-third of the normal level.

■ 3B (2) to (4) (for the OPTICAL
INPUT jacks)

Initial settings: (2) MD/CD-R

(3) DVD
(4) D-TV/CBL

ADVANCED OPERA

TION

APPENDIX

English

37

SET MENU

■ 3C (5) (for the COAXIAL INPUT
jack)

Initial setting: (5) CD

Note

• You cannot select an item more than once for the same type of

jack.

4 INPUT MODE (initial input mode)

Use this feature to designate the input mode when turning
on the power of this unit with the source component
connected to more than one type of input jacks.

Choices: AUTO, LAST
Initial setting: AUTO

AUTO

Select this to allow this unit to automatically detect the type
of input signal and select the appropriate input mode.

LAST

Select this to set this unit to automatically select the last
input mode used for that source.

5 DOLBY D. SET (Dolby Digital set)

This setting is effective only when this unit decodes Dolby
Digital signals.

■ LFE LEVEL

Use this feature to adjust the output level of the LFE (low­frequency effect) channel when playing back a Dolby
Digital signal. The LFE signal carries the low-frequency
special effect sound which is only added to certain scenes.

Control value (dB): –20 to 0
Initial setting: 0 dB

dB

■ D-RANGE (dynamic range)

Use this feature to adjust the dynamic range (the difference
between the maximum level and the minimum level of
sounds).

Choices: MAX, STD (standard), MIN
Initial setting: MAX

• Select MAX for feature films.

• Select STD for general use.

• Select MIN for listening to sources at an extremely low

volume level.

MAX

Dialog
level

Output level

Input level

MIN

Dialog
level

Input level

Dialog
level

1.0

Output level

L-LEVEL BST

STD

H-LEVEL CUT

0.0

Input level

0.0

1.0

Output level

Note

• When you select MIN, the sound output may be faint because
some Dolby Digital signals are not compatible with the
minimum-level dynamic range. In this case, select MAX or STD.

6 DTS SET (DTS LFE level)

This setting is effective only when this unit decodes DTS
signals.

Use this feature to adjust the output level of the LFE (low­frequency effect) channel when playing back a DTS signal.
The LFE signal carries the low-frequency special effect
sound which is only added to certain scenes.

Notes

• Adjust the LFE level according to the capacity of your subwoofer.

• Normally, around –6 dB to –8 dB is most suitable for listening at

home.

38

Control range (dB): –10 to +10
Initial setting: 0 dB

dB

Note

• Adjust the LFE level according to the capacity of your subwoofer.

SET MENU

7 SP DLY TIME (center delay)

Use this feature to adjust the delay of the center channel
sound. This feature works when this unit decodes a Dolby
Digital or DTS signal. Ideally, the center speaker should be
the same distance from the listening position as the left and
right main speakers. However, in most home situations, the
center speaker is placed in line with the main speakers. By
delaying the sound from the center speaker, the apparent
distance from the center speaker to the listening position can
be adjusted to make it seem the same as the distance
between the left and right main speakers to the listening
position. Adjusting the delay time for the center speaker is
especially important for giving depth to the dialog.

Control range (ms): 0 to 5
Initial setting: 0 ms

ms

Center speaker image

C

L

RL

R

C

RR

8 DISPLAY SET

■ DIMMER

You can adjust the brightness of the display.

Control range : –4 to 0
Initial setting: 0

9 MEM. GUARD (memory guard)

Use this feature to prevent accidental changes to the setting
of the SET MENU and other settings on this unit.

Choices: ON, OFF
Initial setting: OFF

Select ON to protect the following features:

• All SET MENU items

• Center, rear speakers and subwoofer levels

• Delay time adjusted by using TIME/LEVEL

Notes

• When “9 MEM. GUARD” is set to ON, you cannot use the test
tone.

• When “9 MEM. GUARD” is set to ON, you cannot select any
other SET MENU items.

INTRODUCTION

PREPARATION

BASIC OPERATION

ADVANCED OPERA

y

• Increasing the delay by 1 ms simulates moving the speaker
about 30 cm (one foot) farther away from the actual position of
the center speaker.

TION

APPENDIX

English

39

DELAY TIME AND SPEAKER OUTPUT LEVELS

When using the digital sound field processor with the
Dolby Pro Logic decoder, Dolby Digital decoder or DTS
decoder, you can adjust the delay time between the main
sound and sound effect, and each speaker’s output level as
you wish.

Delay Time

You can adjust the time difference between the beginning
of the sound from the main speakers and the beginning of
the sound effect from the rear speakers. The larger the
value, the later the sound effect is generated. The delay
time can be individually adjusted to all DSP programs.

Notes

• Adding too much delay will cause an unnatural effect with some

sources.

• The sound is momentarily interrupted while adjusting the delay

time.

Program Preset value (ms)

1. CONCERT HALL 45

2. JAZZ CLUB 30

3. ROCK CONCERT 15

4. DISCO 26

5CH STEREO 2

GAME 36

5. TV SPORTS 10

6. MONO MOVIE 69

7. 70 mm SPECTACLE 23
DGTL SPECTACLE 13

DTS SPECTACLE 13

70 mm SCI-FI 20
DGTL SCI-FI 16

DTS SCI-FI 16

8. 70 mm ADVENTURE 20
DGTL ADVENTURE 15

DTS ADVENTURE 15

70 mm GENERAL 20
DGTL GENERAL 15

DTS GENERAL 15

9. PRO LOGIC/NORMAL 20
DOLBY DIGITAL/NORMAL 5

DTS DIGITAL SUR./NORMAL 5

PRO LOGIC/ENHANCED 20
DOLBY DIGITAL/ENHANCED 5

DTS DIGITAL SUR./ENHANCED 5

Sound Output Level of the Center, Right Rear and Left Rear Speakers, and Subwoofer

If desired, you can adjust the sound output level of each
speaker even if it has already been adjusted in
“ADJUSTING THE SPEAKER BALANCE” procedure.

Notes

• If “CENTER SP” in the SET MENU is set to the NON position,
the sound output level of the center speaker cannot be adjusted.
This is because the center channel sound is automatically output
from the right and left main speakers.

• Once the sound output level has been adjusted, the level will be
the same for all DSP programs.

Speaker Preset value (dB)

Center 0
Right rear 0

Left rear 0

Subwoofer 0

40

DELAY TIME AND SPEAKER OUTPUT LEVELS

Adjusting Method

Adjustments should be performed with the remote control
while watching the information on the display.

1

3
2

1 Press AMP(TUNER) on the

component selector.

2 Press TIME/LEVEL repeatedly to select the

item you want to adjust.

Each time you press TIME/LEVEL, the selected item
changes and appears on the display as below.

3 Press – or + to adjust the

delay time or speaker
output levels.

4 Repeat steps 2 and 3 to adjust the settings of

any other item.

Notes

• If “CENTER SP” or “REAR LR SP” is set to NON, or “BASS
OUT” is set to MAIN, the output level of that speaker cannot be
adjusted.

• When you adjust the output level with TIME/LEVEL, the settings
you made with the test tone will be changed.

• To adjust speakers other than the subwoofer, the adjusting
procedure using test tones on page 19 is recommended.

Memory back-up

The memory back-up circuit prevents the stored data
from being lost when this unit is set in the standby mode.
If, however, the power cord is disconnected from the AC
power outlet or the power is cut for more than one week,
the latest values for the delay time and the center/rear/
subwoofer output levels that were set will automatically
return to the preset values. If so, adjust the delay time
and output levels again.

INTRODUCTION

PREPARATION

BASIC OPERATION

DELAY

CENTER

R SUR.

L SUR.

SWFR

Delay time

Center speaker output level

Right rear speaker output level

Left rear speaker output level

Subwoofer output level

Note

• Depending on the setting of the SET MENU, you may not be able
to select all these items.

ADVANCED OPERA

TION

APPENDIX

English

41

SLEEP TIMER

The SLEEP timer can be used to automatically set this unit
in the standby mode. This timer is useful when you are
going to sleep while enjoying a broadcast or other desired
input source. The SLEEP timer can only be set with the
remote control.

Notes

• First press AMP(TUNER), TAPE/MD, CD or DVD/LD on the

component selector to set the SLEEP timer for this unit.

• The SLEEP timer is effective for the components connected to the

AC OUTLET(S) on the rear panel of this unit.

Setting the SLEEP Timer

1 Play a source you want to enjoy when you are

going to sleep.

2 Press SLEEP repeatedly to

select the desired SLEEP
time.

Each time you press SLEEP, the
SLEEP time will change as
below:

120 90 60 30

The SLEEP timer is off

(SLEEP OFF).

(This is the state before

SLEEP is pressed.)

Canceling the SLEEP Timer

Press SLEEP repeatedly until “SLEEP OFF”
appears on the display.

It will soon disappear and the “SLEEP” indicator will
go off.

Note

• The SLEEP timer can also be canceled by setting the unit in the
standby mode by using POWER on the remote control (or
STANDBY/ON), or by disconnecting the AC power cord from
the AC power outlet.

BASS EXT.

SLEEP

Flashes

3 The “SLEEP” indicator soon lights up on the

display after the SLEEP timer has been set.

The display returns to the previous indication.

STEREO

TUNED

SLEEP

Lights up

42

PRESET REMOTE CONTROL

It is possible to control this unit and other YAMAHA A/V components using the remote control supplied with this unit. It is
also possible to control components from other manufacturers (or some YAMAHA components) by setting the proper
manufacturer code (a signal assigned to each manufacturer and component).

Note

• For the notes on batteries, operating distance and names and functions of the remote control, refer to each description in this manual.

Component Selector Buttons

There are eight component selector buttons. Press one of these buttons which corresponds to the component you want to
control with the remote control. For example, if you press CD on the component selector, the remote control is set to the CD
operation mode, allowing the CD player to be controlled.

AMP(TUNER)

You can perform the basic operations of this
unit.

CD

The code for a YAMAHA CD player is
factory set.

DVD/LD & DVD MENU

An LD player can be controlled in
the DVD/LD mode. A DVD player can be
controlled in the DVD/LD and DVD MENU
modes. The code for a YAMAHA DVD
player is factory set.

Notes

• The button functions on the remote control differ depending on the operation mode. Refer to the following pages for details.

• When shipped from the factory, the YAMAHA manufacturer codes listed on page 49 are set for each dial position. If unable to operate your

YAMAHA A/V component, please try using another YAMAHA code.

TAPE/MD

The code for a YAMAHA MD deck is factory
set. (The code for the YAMAHA CD recorder
and tape deck can also be set.)

VCR

A VCR can be controlled.

TV

A TV can be controlled.

CBL/SAT

A cable TV or satellite tuner can be controlled.

INTRODUCTION

PREPARATION

BASIC OPERATION

Controlling the Components Connected to This Unit

■ Example: To control YAMAHA CD
player

5

7

2
3

4

6

1 Make sure that the volume is set at the

minimum level.

2 Press AMP(TUNER) on the

component selector.

3 Turn on the power.

4 Press CD on the input selector.

5 Press CD on the

component selector.

6 Press p.

Refer to “Description of Each
Mode” for the CD player
operation buttons.

7 Adjust the volume.

If you set the remote control with the manufacturer codes
listed from page i at the end of this manual, you
can control other brands of components. Refer to
“Setting the Manufacturer Code” for details.

ADVANCED OPERA

TION

APPENDIX

English

43

PRESET REMOTE CONTROL

Description of Each Mode

■ TAPE/MD MODE

Note

• TV VOLUME functions if you have set the code for your TV.

POWER

This button turns this unit on if you have set the code
for a YAMAHA tape deck, MD recorder or CD
recorder. This button turns on the tape deck, MD
recorder or CD recorder that has a remote control with
a power button if you have set the code.

Press TAPE/MD.

Input selector buttons

6CH INPUT

VOLUME

MUTE

SLEEP

r REC/PAUSE

This button gives a pause in recording on a tape deck
or MD recorder.

p PLAY

This button plays a tape, an MD or CD-R.

b DIR A (TAPE)

This button selects the playing direction of deck A.

SKIP– (MD/CD-R)

This button skips to the previous track.

w REWIND (TAPE)

This button rewinds a tape.

SEARCH (MD/CD-R)

This button initiates a backward search on the track
that is playing to find the point from which you want
to listen.

EFFECT

TV VOLUME

DISPLAY (MD/CD-R)

DECK A/B (TAPE)

This button selects deck A or B on a double-cassette
tape deck.

e PAUSE (MD/CD-R)

This button gives a pause in operation.

a DIR B (TAPE)

This button selects the playing direction of deck B.

SKIP+ (MD/CD-R)

This button skips to the next track.

s STOP

This button stops operation on a tape deck, MD
recorder or CD recorder.

f FAST FORWARD (TAPE)

This button winds a tape fast forward.

SEARCH (MD/CD-R)

This button initiates a fast-forward search on the
track that is playing to find the point from which you
want to listen.

• The dark-shaded buttons do not function even if you have set up the manufacturer code.

• Some of them may not function depending on the component you have. In this case, use the original remote control

supplied with your component.

44

■ CD MODE

Note

• TV VOLUME and TV INPUT function if you have set the code for your TV.

Press CD.

PRESET REMOTE CONTROL

INTRODUCTION

POWER

This button turns this unit on if you have set the code
for a YAMAHA CD player. This button turns on the CD
player that has a remote control with a power button if
you have set the code.

VOLUME

y

PAUSE/STOP function

Press the button once to give a pause
in operation and press once more to
stop operation.

p PLAY

This button plays a CD.

b SKIP–

This button skips to the beginning of the previous
track.

w SEARCH

This button initiates a backward search on the track
that is playing to find the point from which you want
to listen.

MUTE

SLEEP

Input selector buttons

6CH INPUT

EFFECT

DISC SKIP –/+ (for a CD player with CD
changer)

These buttons skip to the next or previous CD.

TV VOLUME

DISPLAY

TV INPUT

e PAUSE

This button gives a pause in operation. The
button functions as PAUSE/STOP* for operating
a YAMAHA CD player under factory setting.

a SKIP+

This button skips to the beginning of the next
track.

s STOP

This button stops operation. The button functions
as PAUSE/STOP* for operating YAMAHA CD
players.

f SEARCH

This button initiates a fast-forward search on the
track that is playing to find the point from which
you want to listen.

PREPARATION

BASIC OPERATION

ADVANCED OPERA

TION

APPENDIX

• The dark-shaded buttons do not function even if you have set up the manufacturer code.

• Some of them may not function depending on the component you have. In this case, use the original remote control

supplied with your component.

English

45

PRESET REMOTE CONTROL

■ DVD/LD MODE

Note

• TV VOLUME and TV INPUT function if you have set the code for your TV.

Press DVD/LD.

POWER

This button turns this unit on if you have
set the code for a YAMAHA DVD or LD
player. This button turns on the DVD or
LD player that has a remote control with a
power button if you have set the code.

Input selector buttons

6CH INPUT

EFFECT

DISC SKIP –/+

VOLUME

MUTE

SLEEP

PAUSE

SKIP –

STOP

SEARCH

■ DVD MENU MODE

Notes

• TV VOLUME and TV INPUT function if you have set the code for your TV.

• DVD MENU operations cannot be performed for some DVD players.

Press DVD MENU.

POWER

This button turns this unit on if you have
set the code for a YAMAHA DVD or LD
player. This button turns on the DVD or
LD player that has a remote control with
a power button if you have set the code.

DISC SKIP –/+

VOLUME

MUTE

RETURN

MENU UP

MENU LEFT

MENU DOWN

TITLE

TV VOLUME

DISPLAY

TV INPUT

SKIP +
PLAY

SEARCH

Numeric buttons

CLEAR
+10

TV VOLUME

INDEX

TV INPUT

MENU RIGHT
MENU SELECT

MENU

• The dark-shaded buttons do not function even if you have set up the manufacturer code.

• Some of them may not function depending on the component you have. In this case, use the original remote control

supplied with your component.

46

PRESET REMOTE CONTROL

■ VCR MODE

Note

• TV VOLUME, TV INPUT and TV SLEEP function if you have

set the code for your TV.

VCR POWER

VCR CHANNEL –/+

VOLUME

MUTE

TV SLEEP

VCR REC

Press this button twice to
start recording.

VCR STOP

VCR REWIND

Press VCR.

CHANNEL

EFFECT

CHANNEL
ENTER

TV VOLUME

DISPLAY

TV INPUT

VCR PAUSE

VCR PLAY
VCR

FAST FORWARD

■ CBL/SAT MODE

Note

• TV VOLUME, TV INPUT and TV SLEEP function if you have
set the code for your TV.

CBL/SAT POWER

Press CBL/SAT.

CHANNEL

+100

CBL/SAT

CHANNEL –/+

VOLUME

MUTE

TV SLEEP

MENU UP

MENU LEFT

MENU DOWN

RECALL

CHANNEL
ENTER

TV VOLUME

DISPLAY

TV INPUT

MENU RIGHT
MENU SELECT

MENU

INTRODUCTION

PREPARATION

BASIC OPERATION

■ TV MODE

Note

• You can control your VCR if you have set the
code for it.

TV POWER

TV CHANNEL –/+

VOLUME

TV MUTE

TV SLEEP

VCR REC

Press this button twice.

VCR STOP

VCR REWIND

• The dark-shaded buttons do not function even if you have set up the manufacturer code.

• Some of them may not function depending on the component you have. In this case, use the original remote control

supplied with your component.

Press TV.

CHANNEL

EFFECT

CHANNEL
ENTER

TV VOLUME

DISPLAY
TV INPUT

VCR PAUSE

VCR PLAY
VCR
FAST FORWARD

ADVANCED OPERA

TION

APPENDIX

English

47

PRESET REMOTE CONTROL

Setting the Manufacturer Code

You can set the code for the manufacturer of your
component after pressing the component selector buttons
other than AMP(TUNER).

1 Turn on your component to be used.
2 Press one of the

component selector
buttons which
corresponds to the
component to be
controlled.

3 Press both VOLUME

buttons (u/d) at the same
time for about four
seconds.

The indicator flashes twice.

4 Use the numeric buttons to

enter the four-digit
manufacturer code for the
component to be used.
Make sure that the
indicator flashes twice.

If the indicator does not flash,
repeat step 3 and re-enter the
code.

■ To use a second (and third) VCR

You can control a second (and third) VCR in the CBL/SAT
and DVD MENU modes if a cable TV or satellite tuner, or
DVD player is not being used.

Note

• In order to set a second (and third) VCR in the DVD MENU
mode, it is necessary to first set up the code for an LD player in
the DVD/LD mode.

1 Turn on the VCR to be used.
2 Press CBL/SAT or DVD

MENU on the component
selector.

3 Press both VOLUME

buttons (u/d) at the same
time for about four
seconds.

The indicator flashes twice.

4 Use the numeric buttons to

enter the four-digit code
for the second (and third)
VCR. Make sure that the
indicator flashes twice.

If the indicator does not flash,
repeat step 3 and re-enter the
code.

5 Press POWER (or any other button) on the

remote control to check if you have set the
code correctly.

If your component cannot be
controlled with the remote
control, try setting another code
for the same manufacturer.

Notes

• You can set only one code for one mode.

• In the DVD/LD and DVD MENU modes:

Be sure to press DVD/LD on the component selector before
entering the code for the DVD/LD player. You cannot set the code
for a DVD player after pressing DVD MENU on the component
selector. The code set in the DVD/LD mode is also
simultaneously set in the DVD MENU mode.

• If your component does not respond to any of the codes listed for
the manufacturer, use the original remote control supplied with
your component.

5 Press POWER (or any other button) on the

remote control to check if you have set the
code correctly.

If the VCR cannot be controlled
with the remote control, try
setting another code for the
same manufacturer.

48

PRESET REMOTE CONTROL

Returning to the Factory Setting

■ To return to the factory-set codes
in all modes

1 Press one of the

component selector
buttons other than
AMP(TUNER).

2 Press both VOLUME

buttons (u/d) at the same
time for about four
seconds.

The indicator flashes twice.

3 Enter the code number

“9990”.

Make sure that the indicator
flashes twice.

■ To return to the factory-set codes
in each mode

1 Press one of the

component selector
buttons which
corresponds to the
component to be returned
to the factory-set code.

2 Press both VOLUME

buttons (u/d) at the same
time for about four
seconds.

The indicator flashes twice.

3 Enter the code number

“0000”.

Make sure that the indicator
flashes twice.

INTRODUCTION

PREPARATION

BASIC OPERATION

The following codes are factory set.

Component selector button Component Code Set component Set code

TV TV 0101

CBL/SAT Cable TV 0006
VCR VCR 0002

DVD/LD DVD player 0008 (YAMAHA DVD player)

CD CD player 0005 (YAMAHA CD player)
TAPE/MD MD recorder 0024 (YAMAHA MD recorder)

We recommend that you write all the code numbers you have set on the table above.

ADVANCED OPERA

TION

APPENDIX

English

49

SOUND FIELD PROGRAM

A digital sound field processor (DSP) based on the latest YAMAHA technology is built into this unit. It is possible to play
back various sound fields for the source you are listening to.

Note

• Regardless of the program name and characteristics listed in the table below, select the sound field program that sounds best to you.

Hi-Fi DSP Programs

■ For audio sources: Nos. 1 to 4

No. Program (group) Sub-program Features

1 CONCERT HALL —

2 JAZZ CLUB —

3 ROCK CONCERT —

4 ENTERTAINMENT DISCO

5CH STEREO

A large round concert hall with a rich surround effect. Pronounced reflections from
all directions emphasize the extension of sounds. The sound field has a great deal of
presence, and your virtual seat is near the center, close to the stage.

This is the sound field at stage front in “The Bottom Line”, a famous New York jazz
club. The floor can seat 300 people to the left and right in a sound field offering a
real and vibrant sound.

The ideal program for lively, dynamic rock music. The data for this program was
recorded at LA’s “hottest” rock club. The listener’s virtual seat is at the center-left of
the hall.

This program recreates the acoustic environment of a lively disco in the heart of a big
city. The sound is dense and highly concentrated. It is also characterized by a high­energy, “immediate” sound.

Using this program increases the listening position range. This is a sound field
suitable for background music at parties.

Note

• Reverberations (sound effects) for realizing the sound field and unprocessed stereo from the left and right main speakers is output. The
sound is not output from the center speaker. (The sound is output when one of these programs is selected while playing a source encoded
with a Dolby Digital or DTS signal. If 5CH STEREO is selected, the sound is output from all speakers regardless of the input source.)

CINEMA DSP Programs

■ For audio-video sources: Nos. 4 to 6

No. Program (group) Sub-program Features

4 ENTERTAINMENT GAME

5 TV SPORTS — Although the presence sound field is relatively narrow, the surround sound field

6 MONO MOVIE —

This program adds a deep and spatial feeling to video game sounds.

employs the sound environment of a large concert hall. With this program, you can
enjoy watching various TV programs such as news, variety shows, music programs
or sports programs. In a stereo broadcast of a sports game, the commentator is
oriented at the center position, and the shouts and the atmosphere in the stadium
spread on the surround side, while their spread to the rear is properly restrained.

This program is provided for reproducing monaural video sources (such as old
movies). The program produces the optimum reverberation to create sound depth by
using only the presence sound field.

50

■ For movie programs: Nos. 7 to 9

No. Program (group) Sub-program Input source Features

7 MOVIE THEATER 1 SPECTACLE 70 mm

SPECTACLE

DGTL
SPECTACLE

DTS SPECTACLE DTS

Analog, PCM,
Dolby Digital
in 2-channel

Dolby Digital
(5.1-channel)

This program creates the extremely wide sound
field of a 70-mm movie theater. It precisely
reproduces the source sound in detail, making both
the video and the sound field incredibly real. This is
ideal for any kind of video source encoded with
Dolby Surround, Dolby Digital or DTS (especially
large-scale movie productions).

SOUND FIELD PROGRAM

INTRODUCTION PREPARATION

SCI-FI 70 mm SCI-FI Analog, PCM,

DGTL SCI-FI Dolby Digital

DTS SCI-FI DTS

8 MOVIE THEATER 2 ADVENTURE 70 mm

ADVENTURE

DGTL
ADVENTURE

DTS ADVENTURE DTS

GENERAL 70 mm GENERAL This program is for reproducing sounds from

DGTL GENERAL Dolby Digital

DTS GENERAL DTS

9 q/DTS

SURROUND

NORMAL PRO LOGIC/

NORMAL

DOLBY DIGITAL/
NORMAL

DTS DIGITAL
SUR./NORMAL

ENHANCED PRO LOGIC/

ENHANCED

DOLBY DIGITAL/
ENHANCED

DTS DIGITAL
SUR./
ENHANCED

Dolby Digital
in 2-channel

(5.1-channel)

Analog, PCM,
Dolby Digital
in 2-channel

Dolby Digital
(5.1-channel)

Analog, PCM,
Dolby Digital
in 2-channel

(5.1-channel)

Analog, PCM,
Dolby Digital
in 2-channel

Dolby Digital
(5.1-channel)

DTS

Analog, PCM,
Dolby Digital
in 2-channel

Dolby Digital
(5.1-channel)

DTS

This program clearly reproduces dialog and sound
effects in the latest sound form of science fiction
films, thus creating a broad and expansive
cinematic space amid the silence. You can enjoy
science fiction films in a virtual-space sound field
that includes Dolby Surround, Dolby Digital and
DTS-encoded software employing the most
advanced techniques.

This program is ideal for precisely reproducing the
sound design of the newest 70-mm and
multichannel soundtrack films. The sound field is
made to be similar to that of the newest movie
theaters, so the reverberations of the sound field
itself are restrained as much as possible.

70-mm and multichannel soundtrack films, and is
characterized by a soft and extensive sound field.
The presence sound field is relatively narrow. It
spatially spreads all around and toward the screen,
restraining the echo effect of conversations without
losing clarity. For the surround sound field, the
harmony of music or chorus sounds beautifully in a
wide space at the rear of the sound field.

The built-in decoder precisely reproduces sounds
and sound effects from sources.
The highly efficient decoding process improves
crosstalk and channel separation, and makes sound
positioning smoother and more precise.
In this program, the digital sound field processor is
not turned on.

This program ideally simulates the multi-surround
speaker systems of the 35-mm film theaters. Dolby
Pro Logic decoding, Dolby Digital decoding or
DTS decoding and digital sound field processing
create precise effects without altering the original
sound orientation.
The surround effects produced by this sound field
wrap around the viewer naturally from the back to
the left and right, and toward the screen.

BASIC OPERATION

ADVANCED OPERA

TION

APPENDIX

Notes

• The “ x ” indicator does not light up when selecting the sub-program “NORMAL” of the q/DTS SURROUND program.

• If “CENTER SP” in the SET MENU is set to NON, no sound is output from the center speaker.

• The effect sound is output from the main speakers when a monaural source is played with CINEMA DSP program groups 4 (GAME) and 5

to 8.

51

English

SOUND FIELD PROGRAM

■ MOVIE THEATER 1 and 2

Most commercially available movie software has 4-channel (left, center, right and surround) sound information encoded by
Dolby Surround matrix processing and stored on the left and right tracks. These signals are processed by the Dolby Pro Logic
decoder. The MOVIE THEATER programs are designed to recreate the spaciousness and delicate nuances of sound that tend
to be lost in the encoding and decoding processes.

The 6-channel soundtracks found on 70-mm film produce precise sound field localization and rich, deep sound without using
matrix processing. This unit’s MOVIE THEATER 70 mm programs provide the same quality of sound and sound localization
that 6-channel soundtracks do.

When the input source is analog, PCM or encoded with Dolby Digital in 2-channel

These programs express an immense sound field and a large

Presence DSP
sound field

Surround DSP
sound field

The built-in Dolby Digital or DTS decoder brings the professional-quality sound designed for movie theaters into your home.
With the unit’s MOVIE THEATER programs, you can recreate a dynamic sound that gives you the feeling of being at a
public theater in your listening room by using Dolby Digital or DTS technology.

surround effect. They also give depth to the sound from the
main speakers to recreate the realistic sound of a Dolby Stereo
theater.

70 mm SPECTACLE
70 mm SCI-FI
70 mm ADVENTURE
70 mm GENERAL

When the input source is encoded with Dolby Digital (5.1-channel) or DTS (Tri-Field CINEMA DSP)

These programs use YAMAHA’s tri-field DSP processing on
each of the Dolby Digital or DTS signals for the front, left
surround and right surround channels. This processing enables
this unit to reproduce the immense sound field and surround

Presence DSP
sound field

expression of a Dolby Digital- or DTS-equipped movie theater
without sacrificing the clear separation of all channels.

DGTL SPECTACLE
DTS SPECTACLE
DGTL SCI-FI
DTS SCI-FI

Left surround DSP
sound field

Right surround DSP
sound field

DGTL ADVENTURE
DTS ADVENTURE
DGTL GENERAL
DTS GENERAL

y

• If a Dolby Digital signal or DTS signal is input when the input mode is set to AUTO, the DSP program will be automatically switched to
the Dolby Digital playback sound field or DTS playback sound field.

52

APPENDIX

TROUBLESHOOTING

Refer to the chart below when the unit does not function properly. If the problem you are experiencing is not listed below or
if the instruction below does not help, set this unit in the standby mode, disconnect the power cord and contact the nearest
authorized YAMAHA dealer or service center.

■ General

Problem Cause Remedy

The unit fails to turn on
when STANDBY/ON (or
POWER) is pressed, or
enters in the standby
mode soon after the
power has been turned
on.

No sound and/or no
picture.

The picture does not
appear.

The sound suddenly
goes off.

Only the speaker on one
side can be heard.

The power cord is not connected or the plug is
not completely inserted.

The IMPEDANCE SELECTOR switch on the
rear panel is not fully set to the left or right
position.

The protection circuit has been activated.

Incorrect input or output cable connections. Connect the cables properly. If the problem

An appropriate input source has not been
selected.

The speaker connections are not secure. Secure the connections.

The main speakers to be used have not been
selected properly.

The volume is turned down. Turn up the volume.

The sound is muted.

Digital signals other than PCM audio, Dolby
Digital or DTS signal which this unit cannot
reproduce are being input to this unit by playing
a CD-ROM, etc.

The output and input for the video are
connected to different types of video jacks.

The protection circuit has been activated
because of a short circuit, etc.

The sleep timer has functioned.

The sound is muted.

Incorrect cable connections. Connect the cables properly. If the problem

Firmly connect the power cord.

Set the switch fully to the left or right position
when the unit is in the standby mode.

Make sure all speaker wire connections on this
unit and on all speakers are secure and that the
wire for each connection does not touch
anything other than its respective connection.

persists, the cables may be defective.

Select an appropriate input source with INPUT
l / h or 6CH INPUT (or the input selector
buttons).

Select the main speakers with SPEAKERS A
and/or B.

Press MUTE or any operation buttons to cancel
a mute and adjust the volume.

Play a source whose signals this unit can
reproduce.

Make connections using the same type of jack
(between composites, S-VIDEOs, or
components) for both the input and output.

Check the IMPEDANCE SELECTOR switch is
set to the appropriate position and then turn the
unit back on.

Check the speaker wires are not touching each
other and then turn the unit back on.

Turn on the power, and play the source again.

Press MUTE or any operation buttons to cancel
a mute and adjust the volume.

persists, the cables may be defective.

Refer to
page

18

18

16, 17

12 – 15

21

16, 17

21

22

22

—

14, 15

18

16, 17

42

22

12 – 17

INTRODUCTION

PREPARATION

BASIC OPERATION

ADVANCED OPERA

TION

APPENDIX

53

English

TROUBLESHOOTING

Problem Cause Remedy

No sound from the effect
speakers.

No sound from the
center speaker.

No sound from the rear
speakers.

No sound from the
subwoofer.

Poor bass reproduction.

A “humming” sound can
be heard.

The sound effect is off.

A Dolby Surround, Dolby Digital or DTS
decoding DSP program is being used with
material not encoded with Dolby Surround,
Dolby Digital or DTS.

A 96-kHz sampling digital signal is being input
to this unit.

The output level of the center speaker is set to
minimum.

“CENTER SP” in the SET MENU is set to
NON.

One of the Hi-Fi DSP programs (1 to 4) has been
selected.

The source encoded with a Dolby Digital or
DTS signal does not have a center channel
signal.

The output level of the rear speakers is set to
minimum.

A monaural source is being played with the
program 9.

“BASS OUT” in the SET MENU is set to
MAIN when a Dolby Digital or DTS signal is
being played.

“BASS OUT” in the SET MENU is set to
SWFR or MAIN when a 2-channel source is
being played.

The source does not contain low bass signals
(90 Hz and below).

“BASS OUT” in the SET MENU is set to
SWFR or BOTH and your system does not
include a subwoofer.

The output mode for each speaker (main, center
or rear) in the SET MENU does not match your
speaker configuration.

Incorrect cable connections.

Press EFFECT to turn it on.

Select another DSP program.

Raise the level of the center speaker.

Select the appropriate mode for your center
speaker.

Select another DSP program.

Raise the output level of the rear speakers.

Select another DSP program.

Select SWFR or BOTH.

Select BOTH.

Select MAIN.

Select the appropriate output mode for each
speaker based on the size of the speakers in
your configuration.

Firmly connect the audio plugs. If the problem
persists, the cables may be defective.

Refer to
page

25

50, 51

22

40

36

50, 51

—

40

50, 51

37

37

—

37

36, 37

12 – 15

54

TROUBLESHOOTING

Problem Cause Remedy

The volume level cannot
be increased, or the
sound is distorted.

The effect and surround
sounds cannot be
recorded.

A source cannot be
recorded by a digital
recording component
connected to the
DIGITAL OUTPUT jack of
this unit.

The settings of the SET
MENU and some other
settings on this unit
cannot be changed.

This unit does not
operate properly.

The sound is degraded
when listening with
headphones connected
to a tape deck or CD
player that is connected
to this unit.

There is noise
interference from digital
or high-frequency
equipment, or the unit.

The component connected to the REC OUT
jacks of this unit is turned off.

It is not possible to record the effect and
surround sounds by a recording component.

A source component is only connected to the
analog input jacks of this unit.

“9 MEM. GUARD” in the SET MENU is set
to ON.

The internal microcomputer has been frozen by
an external electric shock (such as lightning or
excessive static electricity) or by a power
supply with low voltage.

This unit is in the standby mode.

The unit is too close to the digital or high­frequency equipment.

Turn on the power to the component.

Connect the source component to the digital
input jacks of this unit.

Select OFF.

Disconnect the AC power cord from the outlet
and then plug it in again after about 30 seconds.

Turn on the power of the unit.

Move the unit further away from such
equipment.

Refer to
page

—

34

12 – 15

39

—

—

—

INTRODUCTION

PREPARATION

BASIC OPERATION

ADVANCED OPERA

TION

APPENDIX

English

55

TROUBLESHOOTING

■ Tuner

Problem

FM stereo reception
is noisy.

There is distortion,
and clear reception
cannot be obtained
even with a good FM

FM

antenna.

The desired station
cannot be tuned in
with the automatic
tuning method.

Previously preset
stations can no
longer be tuned in.

The desired station
cannot be tuned in
with the automatic
tuning method.

There are continuous
crackling and hissing

AM

noises.

There are buzzing and
whining noises
(especially in the
evening).

Cause

The characteristics of FM stereo broadcasts
may cause this problem when the transmitter is
too far away or the antenna input is poor.

There is multipath interference. Adjust the antenna position to eliminate

The station is too weak.

The unit has been disconnected for a long
period.

The signal is weak or the antenna connections
are loose.

Noises result from lightning, fluorescent lamps,
motors, thermostats and other electrical
equipment.

A TV set is being used nearby.

Check the antenna connections.
Try using a high-quality directional FM
antenna.

Use the manual tuning method. 27

multipath interference.

Use the manual tuning method.

Use a high-quality directional FM antenna.

Re-store the stations.

Tighten the AM loop antenna connections and
orient it for best reception.

Use the manual tuning method.

Use an outdoor antenna and a ground wire. This
will help somewhat, but it is difficult to
eliminate all noise.

Move this unit away from the TV.

Remedy

Refer to
page

26

26

27

26

28

26

27

26

—

■ Remote control

Problem Cause Remedy

The remote control does
not work nor function
properly.

The unit or other
component cannot be
controlled.

Wrong distance or angle. The remote control will function within a

Direct sunlight or lighting (from an inverter type
of fluorescent lamp, etc.) is striking the remote
control sensor of this unit.

The batteries are weak.

The component to be controlled has not been
selected.

The remote control cannot control system
components.

The manufacturer code has not been set up
properly.

Depending on the manufacturer or the model,
some components cannot be controlled with this
unit’s remote control even though the code has
been set up properly.

maximum range of 6 m (20 feet) and no more
than 30 degrees off-axis from the front panel.

Reposition the unit.

Replace all batteries with new ones.

Press one of the component selector buttons,
corresponding to the component to be
controlled.

Enter the code again.

Try setting another code for the same
manufacturer.

Use the original remote control supplied with
your component.

After this unit has been exposed to a strong external electric shock (such as lightning and strong static electricity) or if you
mishandle the operation of this unit, it may not function properly. In these cases, set this unit in the standby mode, disconnect
the power cord, plug it back in after 30 seconds, and start operating.

Refer to
page

7

7

3

43

—

48

—

56

SPECIFICATIONS

AUDIO SECTION

• Minimum RMS Output Power for Main, Center, Rear

20 Hz to 20 kHz, 0.06% THD, 8 ohms ...................................... 70 W

1 kHz, 0.7% THD, 8 ohms ......................................................... 85 W

• DIN Standard Output Power
[Europe model only]

1 kHz, 0.7% THD, 4 ohms ....................................................... 105 W

• IEC Output Power
[Europe model only]

1 kHz, 0.06% THD, 8 ohms ....................................................... 75 W

• Dynamic Power (IHF)

8/6/4/2 ohms ......................................................... 95/115/135/155 W

• Damping Factor

20 Hz to 20 kHz, 8 ohms ................................................... 60 or more

• Frequency Response
CD, etc. to Main L/R (1 kHz, 150 mV, 8 ohms)

................................................................ 20 Hz to 20 kHz, ±0.5 dB

• Total Harmonic Distortion
CD, etc. to Main L/R (Effect Off, 20 Hz to 20 kHz, 35 W, 8 ohms)

.................................................................................. 0.025% or less

• Signal to Noise Ratio (IHF-A Network)
CD, etc. to Main L/R (Effect Off, 250 mV, shorted)

................................................................................ 100 dB or more

• Residual Noise (IHF-A Network)

Main L/R ..................................................................... 150 µV or less

• Channel Separation

CD, etc. to Main L/R (1 kHz) ...................................... 60 dB or more

(10 kHz) .................................... 45 dB or more

• Tone Control (Main L/R)

BASS Boost/Cut ........................................................... ±10 dB/50 Hz

TREBLE Boost/Cut .................................................... ±10 dB/20 kHz

• Phones Output (1 kHz, 150 mV, 8 ohms) ................. 490 mV/390 ohms

• Input Sensitivity

CD, etc ...................................................................150 mV/47 kohms

6CH INPUT ........................................................... 150 mV/47 kohms

• Maximum Input Signal

CD, etc. (1 kHz, 0.5% THD) ........................................ 2.2 V or more

• Output Level

REC OUT ............................................................. 150 mV/1.2 kohms

SUBWOOFER ......................................................... 4.0 V/1.2 kohms

VIDEO SECTION

• Video Signal Type .......................................................................... PAL

• Composite Video Signal Level .................................... 1 Vp-p/75 ohms

• S-Video Signal Level

Y ............................................................................... 1 Vp-p/75 ohms

C ........................................................................ 0.286 Vp-p/75 ohms

• Signal to Noise Ratio ...................................................... 50 dB or more

• Frequency Response (MONITOR OUT)

Composite, S-Video ...................................... 5 Hz to 10 MHz, –3 dB

FM SECTION

• Tuning Range ...................................................... 87.50 to 108.00 MHz

• Alternate Channel Selectivity (±400 kHz) ................................... 70 dB

• Signal to Noise Ratio (IHF)

Mono/Stereo ................................................................... 76 dB/70 dB

• Harmonic Distortion (1 kHz)

Mono/Stereo ...................................................................... 0.2%/0.3%

• Stereo Separation (1 kHz) ............................................................ 48 dB

• Frequency Response ............................ 20 Hz to 15 kHz, +0.5, –2.0 dB

AM SECTION

• Tuning Range .............................................................. 531 to 1611 kHz

• Usable Sensitivity .................................................................. 300 µV/m

GENERAL

• Power Supply ............................................................. AC 230 V/50 Hz

• Power Consumption .................................................................... 250 W

Standby Mode ......................................................................... 0.96 W

• AC Outlets (Total 100 W maximum)

[Europe model] ......................................................... 2 (SWITCHED)

[U.K. model] ............................................................ 1 (SWITCHED)

• Dimension (W x H x D) ....................................... 435 x 151 x 390 mm

• Weight ....................................................................................... 10.0 kg

• Accessories ................................................................... Remote Control

........................................................................................... Batteries

............................................................................. AM loop antenna

.......................................................................... Indoor FM antenna

..................... 75-ohm/300-ohm antenna adapter (U.K. model only)

...................................................................... Quick Reference Card

............................................................................ Connection Guide

* Specifications are subject to change without notice.

INTRODUCTION

PREPARATION

BASIC OPERATION

ADVANCED OPERA

TION

57

APPENDIX

English

GLOSSARY

■ Dolby Surround

Dolby Surround uses a four analog channel recording
system to reproduce realistic and dynamic sound effects:
two left and right main channels (stereo), a center channel
for dialog (monaural), and a rear channel for special sound
effects (monaural). The rear channel reproduces sound
within a narrow frequency range.
Dolby Surround is widely used with nearly all video tapes
and laser discs, and in many TV and cable broadcasts as
well. The Dolby Pro Logic decoder built into this unit
employs a digital signal processing system that
automatically stabilizes the volume on each channel to
enhance moving sound effects and directionality.

■ Dolby Digital

Dolby Digital is a digital surround sound system that gives
you completely independent multi-channel audio. With
three front channels (left, center and right), and two rear
stereo channels, Dolby Digital provides five full-range
audio channels. With an additional channel especially for
bass effects, called LFE (low frequency effect), the system
has a total of 5.1 channels (LFE is counted as 0.1 channel).
Using two-channel stereo for the rear speakers, more
accurate moving sound effects and surround sound
environment are possible than with Dolby Surround. The
wide dynamic range (from maximum to minimum volume)
reproduced by the five full-range channels and the precise
sound orientation generated using digital sound processing
provide listeners with previously unheard of excitement and
realism.
With this unit, any sound environment from monaural up to
a 5.1-channel configuration can be freely selected for your
enjoyment.

■ DTS (Digital Theater Systems)
Digital Surround

DTS digital surround was developed to replace the analog
soundtracks of movies with a six-channel digital sound
track, and is now rapidly gaining popularity in movie
theaters around the world. Digital Theater Systems Inc. has
developed a home theater system so that you can enjoy the
depth of sound and natural spatial representation of DTS
digital surround in your home. This system is practically
distortion-free, clear 6-channel sound (technically, a left,
right and center channels, two rear channels, plus an LFE

0.1 channel as a subwoofer, for a total of 5.1 channels).

■ LFE 0.1 channel

This channel is for the reproduction of low bass signals. The
frequency range for this channel is 20 Hz to 120 Hz. This
channel is counted as 0.1 because it only enforces a low
frequency range compared to the full-range reproduced by
the other 5 channels in a Dolby Digital or DTS 5.1 channel
systems.

■ CINEMA DSP

Since the Dolby Surround and DTS systems were originally
designed for use in movie theaters, their effect is best felt in
a theater having many speakers and designed for acoustic
effects. Since home conditions, such as room size, wall
material, number of speakers, and so on, can differ so
widely, it’s inevitable that there are differences in the sound
heard as well. Based on a wealth of actually measured data,
YAMAHA CINEMA DSP uses YAMAHA original sound
field technology to combine Dolby Pro Logic, Dolby Digital
and DTS systems to provide the visual and audio experience
of movie theater in the listening room of your own home.

DIGITAL

■ SILENT CINEMA

YAMAHA has developed a natural, realistic sound effect
DSP algorithm for headphones.
Parameters for headphones have been set for each sound
field so that accurate representations of all the sound field
programs can be enjoyed on headphones.

■ Virtual CINEMA DSP

YAMAHA has developed a virtual CINEMA DSP algorithm
that allows you to enjoy DSP sound field surround effects
even without any rear speakers by using virtual rear
speakers.
It is even possible to enjoy virtual CINEMA DSP in a
minimum two-speaker system that does not include a center
speaker.

58

■ S VIDEO signal

With S VIDEO signal system, the video signal normally
transmitted using a pin cable is separated and transmitted as
the Y signal for the luminance and the C signal for the
chrominance through the S VIDEO cable. Using the S
VIDEO jack eliminates video signal transmission loss and
allows recording and playback of even more beautiful
images.

■ PCM (Linear PCM)

Linear PCM is a signal format under which an analog audio
signal is digitized, recorded and transmitted without using
any compression. This is used as a method of recording CDs
and DVD audio. The PCM system uses a technique for
sampling the size of the analog signal per very small unit of
time. Standing for “pulse code modulation”, the analog
signal is encoded as pulses and then modulated for
recording.

■ Sampling frequency and number of
quantized bits

When digitizing an analog audio signal, the number of times
the signal is sampled per second is called the sampling
frequency, while the degree of fineness when converting the
sound level into a numeric value is called the number of
quantized bits.
The range of rates that can be played back is determined
based on the sampling rate, while the dynamic range
representing the sound level difference is determined by the
number of quantized bits. In principle, the higher the
sampling frequency, the wider the range of frequencies that
can be played back, and the higher the number of quantized
bits, the more finely the sound level can be reproduced.

GLOSSARY

INTRODUCTION

PREPARATION

BASIC OPERATION

ADVANCED OPERA

■ I/O ASSIGN (SET MENU)

Although component is normally connected according to
jack names shown on the rear panel, this unit includes a
function that assigns jacks according to the component
being connected. If the component being used differs from
the component name shown for this unit’s digital input/
output jacks, it is possible to assign jacks according to the
component being connected. This makes it possible to
change the jack assignment and effectively connect more
component.

TION

APPENDIX

English

59

INDEX

A

AC outlets ...................................................................................... 18

Antennas ........................................................................................ 26

B

BALANCE .................................................................................... 22

BGV function ................................................................................ 22

C

CBL/SAT mode ............................................................................. 47

CD mode ........................................................................................ 45

CINEMA DSP ......................................................................... 50, 58

Connections

Antennas ................................................................................. 26

Audio components (MD recorder, CD recorder and

CD player) .............................................................................. 12

External decoder ..................................................................... 12

Power supply cords ................................................................ 18

Speakers ................................................................................. 16

Video components (DVD player, VCR and

TV/digital TV or cable TV/satellite tuner) ............................. 14

D

Delay time ..................................................................................... 40

Display ............................................................................................. 8

DISPLAY SET (SET MENU)

DIMMER ............................................................................... 39

DOLBY D. SET (SET MENU)

D-RANGE .............................................................................. 38

LFE LEVEL ........................................................................... 38

Dolby Digital ................................................................................. 58

Dolby Surround (Dolby Pro Logic) ............................................... 58

DSP program

CINEMA DSP program .......................................................... 50

Hi-Fi DSP program ................................................................. 50

DTS ............................................................................................... 58

DTS SET (SET MENU) ................................................................ 38

Dust protection cap ........................................................................ 12

DVD/LD mode .............................................................................. 46

DVD MENU mode ........................................................................ 46

E

External decoder ............................................................................ 12

F

Front panel ....................................................................................... 4

H

HP TONE CTRL (SET MENU) .................................................... 37

I

IMPEDANCE SELECTOR switch ............................................... 18

INPUT MODE (SET MENU) ....................................................... 38

Input modes ................................................................................... 23

I/O ASSIGN (SET MENU) ..................................................... 37, 59

L

LFE .................................................................................... 38, 39, 58

M

Manufacturer codes .................................................................... 48, i

Memory back-up ............................................................... 28, 36, 41

MEM. GUARD (SET MENU) ...................................................... 39

Muting ........................................................................................... 22

P

Package contents ............................................................................. 3

PCM ............................................................................................... 59

Playing ........................................................................................... 21

Power supply cords ....................................................................... 18

Preset stations

Exchanging preset station ....................................................... 30

Tuning in to a preset station ................................................... 29

Presetting tuning

Automatic preset tuning ......................................................... 28

Manual preset tuning .............................................................. 29

R

RDS stations

EON function ......................................................................... 33

PTY SEEK function ............................................................... 32

RDS mode .............................................................................. 31

Rear panel ........................................................................................ 9

Recording ...................................................................................... 34

Remote control

Basic operation ......................................................................... 6

Batteries .................................................................................... 3

Operation range ........................................................................ 7

Setup codes ............................................................................. 48

S

Sampling frequency ................................................................. 22, 59

SET MENU ................................................................................... 35

SILENT CINEMA ................................................................... 25, 58

Sleep timer ..................................................................................... 42

SP DLY TIME (SET MENU) ........................................................ 39

Speaker

Output balance (test tone) ...................................................... 19

Output levels (TIME/LEVEL mode) ...................................... 40

Placement ............................................................................... 10

SPEAKER SET (SET MENU)

BASS OUT ............................................................................. 37

CENTER SP ........................................................................... 36

MAIN LVL ............................................................................. 37

MAIN SP ................................................................................ 36

REAR LR SP .......................................................................... 36

Subwoofer ..................................................................................... 17

S VIDEO ....................................................................................... 59

T

TAPE/MD mode ............................................................................ 44

Test tone ........................................................................................ 19

Tuning

Automatic tuning .................................................................... 27

Manual tuning ........................................................................ 27

TV mode ........................................................................................ 47

V

VCR mode ..................................................................................... 47

Virtual CINEMA DSP ............................................................. 25, 58

60

LIST OF MANUFACTURER’S CODES
LISTES DES CODES FABRICANT
VERZEICHNIS DER HERSTELLERCODES
LISTA ÖVER TILLVERKARKODER
ELENCO DEI CODICI DEL FABBRICANTE
LISTA DE CÓDIGOS DE FABRICANTES
LIJST VAN CODES VAN FABRIKANT

TV

Admiral 0411, 0451, 0911,

1021, 1081
Aiko 0891
Akai 0061, 0101, 0231,

1191, 1351, 1591,

1641, 1791, 1891,

1981
Akura 1331
Alba 1241, 1331, 2361
Albiral 1971
Amstrad 1301, 1511
Anam 1171
Arc En Ciel 0571
Arcam 0571, 0761
Aristona 0751
Arthur Martin 0451, 1641
ASA 0411, 0451, 0521,

0781, 0871, 1021,

1081, 1421, 2051,

2091, 2151, 2551
Astra 1511
Atantic 0761
Atlantic 0761
Atori 1511
Audiosonic 1181, 1321, 1511
Ausind 0491, 1411
Autovox 0091, 0351, 0481,

0491, 0601, 0781,

0951, 1051, 1081,

1391, 1421
Baird 1101, 1351
Bang & Olufsen 1081
Basic Line 1321, 1331
Bauer 1451
Baur 0041, 0061, 0121,

0131, 0221, 1561
Beko 2491, 2501
Blaupunkt 0221, 0231, 0241,

0251, 0471, 0741,

2201, 2211, 2221,

2231, 2241, 2261,

2571, 2581
Brandt 0571, 0651, 0731,

0901, 1821
Brionvega 1021, 1051, 1081
Britannia 0761
Bruns 0821, 0991, 1021,

1081
BSR 0391, 0691, 1621,

1901, 1981
Bush 0451, 1241, 1331,

1641, 1741, 2131,

2151
Bush (UK) 0481, 1561, 1611
Candle 0791
Century 1021, 1081
CGE 0491, 0811, 0981,

1401, 1531, 1611,

1621, 1981, 2201,

2251, 2271
Citizen 0791

Clarivox 0821, 0961, 1971
Clatronic 1181, 1331
Concerto 0791
Condor 0761
Contec 0151, 1171
Continental Edison 0571, 0651,

0901
Craig 1171
Crosley 0021, 0491, 1021,

1081, 1401, 1981,

2201, 2251, 2271
Crown 2541
Ctc Clatronic 0261
CXC 1171
Daewoo 0101, 1501, 1511,

2611
Dansai 0101
Decca 0271, 0581, 0601,

0971, 1101, 1691
Decca (UK) 0271, 0581, 0601,

1101, 1681
Degraaf 0451, 1351
Dixi 0991, 1511
Domeos 0101
Doric 1031
Dual 0091, 0601, 1611,

1641, 2101
Dual-Tec 0601, 1511, 1621,

2111
Dumont 0261, 0521, 0781,

1021, 1081, 1981,

2121, 2151
Dynatron 0101
Elbe 1551, 1971, 2031
Electro Tech 1511
Elektronska 0771
Elman 0261, 1621
Elta 1511
Emerson 0921, 1021, 1081,

1121, 1171, 1261,

1301
Erres 0101
Etron 1981
Europhon 0261, 0581, 0601,

0771, 1091, 1621,

2001
Fenner 0101, 1511
Ferguson 0281, 0371, 0551,

0651, 0781, 0861,

0881, 1131, 1181,

1361, 1461, 1971,

1991, 2281, 2311,

2341
Fidelity 0451, 0761, 2281
Fidelity (UK) 0561, 0591, 1931,

2281
Filmnet 1141
Finlandia 0451, 2321
Finlux 0021, 0261, 0491,

0521, 0781, 0811,

0871, 1081, 1411,

1421, 1981, 2051,

2091, 2121, 2151,

2551

First Line 1981
Fisher 0021, 0091, 0141,

0511, 0601, 0801,
0821, 0981, 1021,

1081, 1981, 2091
Forgestone 2281
Formenti 0451, 0491, 0761,

1081, 1451, 1541,

1981
Formenti-phoenix 0021, 0431,

0451, 0591,

1411
Fortress 1081
Frontech 0451, 1181, 1981
Fujitsu 1261
Funai 0391, 0691, 1171,

1181, 1261
Futuretech 1171
GBC 0021, 0141, 1321,

1511, 1621, 1981
GEC 0451, 1101, 1281,

2321
GEC (UK) 0031, 0081, 0581,

0601, 1101, 1281,

1561
Geloso 0021, 0411, 0451,

1321, 1511, 1621,

1981
General Technic 2681
Genexxa 0451, 1331
GoldStar 0591, 0601, 0761,

0791, 1371, 1491,

1511, 1561, 1621,

1641
Goodmans 0141, 1101, 1371,

1641, 2301
Gorenje 0981, 1061
Graetz 0451
Granada 0141, 0451, 0491,

0581, 0601, 1101,

1111, 1351, 1981,

2321
Granada (UK) 0081, 0141, 0451,

0491, 0581, 0601,

1031, 1311, 1521,

1561, 1641
Grundig 0221, 0231, 0471,

0491, 0711, 0741,

1381, 2021, 2041,

2141, 2151
Hanseatic 0021, 0121, 0141,

0431, 0591, 1561
Hantarex 0581
Hemmermann 0061
Hifivox 0331, 0571
Hinari 0071, 0141, 0451,

1261, 1351, 1511,

1641, 1981, 2011

Hitachi 0001, 0011, 0031,

0081, 0141, 0291,
0331, 0341, 0451,
0601, 0631, 0701,
1281, 1561, 1601,
1821, 1831, 1841,
1861, 1871, 1881,
1891, 1941, 1981,
2051, 2321, 2341

Hyper 0591, 0601, 1511,

1621

Imperial 0451, 0491, 0811,

0981, 1401, 1611,
1621, 2201, 2251,

2271
Ingersol 1511
Inno Hit 0581, 0601, 0841,

1101, 1331, 1371,

1511, 2011
Innovation 2591, 2601, 2611,

2621, 2641, 2651,

2661, 2711, 2721,

2761, 2771, 2781
Interfunk 0031, 0041, 0061,

0121, 0181, 0451,

0491, 1081, 1641,

1791, 1821, 1981,

2231
Irradio 0491, 1321, 1331,

1371, 1411, 1511,

2011
Isukai 1331
ITT 0031, 0041, 0051,

0061, 0071, 0081,

0181, 0411, 0451,

0491, 1241, 1291,

1351, 1501, 1601,

1641, 1741, 1921,

1981, 2091, 2331,

2431
ITT-nokia 0031, 0041, 0051,

0061, 0071, 0081,

0181, 0411, 0451,

0491, 1241, 1291,

1351, 1501, 1601,

1641, 1741, 1921,

1981, 2091, 2331,

2431
JVC (Victor) 0071, 0721, 1441,

1581, 1591, 1741,

1791
Kaisui 0591, 1321, 1331
Kamosonic 0601
Karcher 0591, 0601, 0841,

1091, 1321, 1511,

1561, 2051
Kawasho 0761
Kendo 0261
Kennedy 0021, 0351, 0951,

1981

i

Konka 2701
Korting 0431, 1011, 1021,

1081, 1541
KTV 0601, 1171
Lenoir 0601, 1511
Leyeo 1181
Lifetec 2591, 2601, 2611,

2621, 2641, 2651,

2661, 2671, 2681,

2691, 2711, 2761,

2771, 2781
Loewe Opta 0121, 0131, 0581,

0611, 1081
Logic 1691, 2281
Logik 0551, 1681, 2281
Lowewe 0831
Luma 0351, 0451, 1901
Luxman 0791
Luxman Stereo Tuner 0791
Luxor 0001, 0061, 0181,

0341, 0421, 0451,

0461, 0491, 0601,

0671, 1351, 1371,

1561, 1601, 1911,

1921, 1981
Lyco 1181
Magnadyne 0021, 0061, 0261,

0581, 0641, 0771,

1021, 1081, 1621,

1981
Magnafon 0261, 0491, 0581,

0591, 0641, 0761,

1091, 2001
Manesth 0101
Marantz 0101
Marelli 1081
Mark 0101
Matsui 0061, 0451, 0601,

0691, 1101, 1151,

1241, 1271, 1301,

1511, 1561, 1681,

1691
Maximal 0071, 1981
McMichael 1281
Medion 2591, 2601, 2611,

2621, 2641, 2651,

2661, 2671, 2681,

2691, 2711, 2721,

2761, 2771, 2781
Memorex 1511
Metz 0231, 0741, 1001,

1041, 1081, 1481,

2071, 2081
MGA 1231
Micromaxx 2591, 2621, 2641,

2651, 2711, 2761,

2771, 2781
Minerva 0221, 0231, 0491,

1381, 2141, 2151
Mistral 2281
Mitsubishi 0141, 0201, 0231,

0661, 1191, 1201,

1231, 1671, 1691,

1741
Mivar 0491, 0501, 0581,

0591, 0761, 0771,

1371, 1431, 2031
MTC 0791
Multitech 0261, 0581, 0601,

0641, 0981, 1321,

1511
Murphy 0451, 2091
Murphy (UK) 0081, 1031
N.E.I. 0101, 0961
NAD 1341

NEC 0141, 1711, 1721,

1731

Neckermann 0451, 0601, 0981,

1081, 1561, 1931,
1981, 2211, 2231,

2241
Nediator 0101
Nicamagic 0761
Nikkai 1101, 1331, 1641,

1701, 2011
Nobliko 0261, 0491, 0591,

0641, 1381, 1411
Nogamatic 0571
Nokia 0031, 0041, 0051,

0061, 0071, 0081,

0181, 0411, 0451,

0491, 1241, 1291,

1351, 1501, 1601,

1641, 1741, 1921,

1981, 2091, 2331,

2431, 2461, 2791
Nordmende 0031, 0291, 0331,

0451, 0531, 0541,

0571, 1051, 1131,

1591, 1791, 1811,

1821, 1891, 1941,

2631
Oceanic 0321, 1651, 1981
Oceanic (F) 0031, 0061, 0321,

0441, 1661
Onceas 0601
Onwa 1171
Orion 0061, 0391, 0691,

0851, 1211, 1241,

1251, 1301, 1481,

1511, 1681, 1691,

1981, 2371, 2421
Osaka 2011
Osaki 1101, 1331, 2011
Osume 0151
Otto Versand 0021, 0121, 0141,

0221, 0601, 1561,

1741, 1981
Pael 0591, 1411
Panasonic 0031, 0201, 0211,

0451, 0701, 1311,

1751, 1961, 2561,

2741
Panoramic 2351
Pathe Marconi 0571
Pathe’ Cinema (F) 0431, 0591,

1621, 1661,

1971
Pausa 1511
Pauza 1511
Perdio 0891, 1101
Philco 0021, 0491, 0811,

0981, 1021, 1081,
1401, 1611, 1621,
1751, 2201, 2251,
2271, 2451, 2471

Philips 0101, 0361, 0591,

0621, 0681, 0751,
0761, 1021, 1081,
1281, 2031, 2281,
2291, 2431, 2441,

2511, 2731
Phoenix 1081
Phonola 0751, 1081
Pioneer 0291, 0451, 1341,

1821
Prandoni-prince 0411, 0451,

0491, 0581,
1411

Prandoni-promce 0451, 0491,

0581
Prima 0451
Profex 1981
Protech 0641, 1181, 1981
Quelle 0041, 0061, 0121,

0221, 0231, 0391,
0491, 0521, 0601,
0781, 1371, 1381,
1411, 1421, 1641,
1681, 2051, 2091,
2141, 2151, 2201,
2211, 2231, 2241,
2251, 2271, 2551,
2571, 2581

Radiomarelli 0101, 0451, 0661,

0771, 1081
Radionette 0031, 2051, 2091
Radiola 2291
Rank 0481, 2151
Rbm 2131, 2151
Rbm (UK) 0481
Rediffusion 0451, 0661, 1641,

1981, 2331
Rediffusion (UK) 0061, 0081,

1031

Rex 0071, 0101, 0351,

0411, 0451, 0951,

1901, 2061, 2101,

2111
Rft 0991, 2511
Roadstar 1321, 1511
Rotel 0151
Saba 0291, 0331, 0421,

0451, 0531, 0541,

0571, 0581, 0651,

0731, 0931, 1021,

1071, 1081, 1131,

1791, 1811, 1821,

1891, 1941, 2631
Saccs 1971
Saisho 0451, 0601, 1161,

1241, 1301, 1511,

1671, 1681, 1691
Salora 0011, 0041, 0061,

0071, 0341, 0451,

0671, 1291, 1351,

1521, 1561, 1601,

1641, 1911, 1921,

1931, 1981, 2321
Sambers 0261, 0491, 0581,

0641, 1091, 1371,

1411, 2001
Samsung 0101, 0601, 0841,

0981, 1101, 1181,

1371, 1511, 2011
Sanyo 0141, 0151, 0401,

0601, 0801, 0821,

0981, 1021, 1101,

1111, 1291, 1351,

1691, 1741, 2051,

2091, 2551
SBR 0681, 0751, 1281,

2281
Schaub Lorenz 0451
Schneider 0021, 0071, 0091,

0451, 0511, 0591,

0601, 0751, 1321,

1361, 1621, 1641,

2101, 2111, 2291
Scott 1171, 1261
SEG 0261, 0601, 0821,

0991
SEI 0641, 0691, 1081,

1301, 1481, 1981

Seleco 0071, 0101, 0351,

0411, 0451, 0951,
1901, 2061, 2101,

2111
Sentra 1601
Sharp 0141, 0151, 0191,

1761, 1781
Siarem 0021, 0261, 0581,

0641, 1021, 1081,

1981
Sicatel 1971
Siemens 0151, 0221, 0231,

0451, 0741, 2011,

2201, 2211, 2221,

2231, 2241, 2261,

2571, 2581
Silver 1181
Singer 0021, 0261, 1021,

1081
Sinudyne 0101, 0021, 0061,

0261, 0391, 0641,

0691, 0851, 0941,

1021, 1081, 1241,

1301, 1321, 1481,

1631, 1981
Skantic 0451
Solavox 0451, 1641, 2011
Sonoko 1181, 1511, 0101
Sony 0141, 0171, 1121,

1681, 1691, 2751
Soundesign 1171
SSS 1171
Stern 0071, 0101, 0351,

0411, 0451, 0951,

1901, 2061, 2101,

2111
Sunkai 0691
Supra 0791
Tandberg 0161, 0331, 0611,

1021, 1421, 1771,

1791, 2081
Tandy 0451, 0191, 1331,

1531
Tashiko 0141
Tatung 0271, 0581, 0601,

0971, 1101, 1681,

1691
Tcm 2621, 2641, 2711,

2761, 2771, 2781
Technics 1311
Techwood 0791
Teknika 1171, 1231, 1261
Tele 1141
Teleavia 0571, 0651, 0731,

1821
Telefunken 0291, 0301, 0311,

0551, 0731, 1131,

1471, 1591, 1791,

1801, 1811, 1821,

1991, 2161, 2171,

2181, 2191, 2201,

2251, 2271, 2521,

2631
Teletech 1511
Tempest 2381, 2391, 2401,

2411
Tensai 1331, 2091
Texet 0601
Thomson 0331, 0481, 0531,

0571, 0631, 0651,

0731, 0901, 1241,

1571, 1591, 1791,

1811, 1821, 1891,

1941, 2531
Thorn 0741, 0861, 2091,

2251, 2271, 2281

ii

Thorn-Ferguson 0281, 0371, 0551,

0651, 0781, 0861,
0881, 1131, 1181,
1361, 1461, 1971,

1991, 2281
TMK 0141, 0791, 1471
Toshiba 0141, 0381, 0481,

1221, 1271, 1701,

1741, 1851, 2151,

2801, 2811
Trans Continens 0451
Tristar 2281
Triumph 0481, 0581, 2121
Uher 0431, 0451, 0481,

0491, 0511, 1311,

1541
Ultravox 0021, 0261, 0591,

1021, 1081, 1981
Universum 1181, 2051
Univox 1971
Vegavox 0811
Vexa 0101, 1511
Videoton 2481
Vortec 0101, 0651
Voxson 0411, 0451, 0491,

1021, 1081
Waltham 0451
Watson 0431, 2201, 2241
Watt Radio 0021, 0061, 0261,

0591, 0641, 0761,

1091, 1971, 1981,

2001
Wega 0141, 1081, 1981
Wega Color 1021
Weltblick 0101
Weston 1621
White Westinghouse 0101, 0261,

0431, 0591,
0761, 1401,

1541
Yoko 0601, 1511
Zanussi 0071, 0101, 0351,

0411, 0451, 0951,
1901, 2061, 2101,
2111

Zoppas 0451

CABLE

Cabletime 1446, 1456, 1476
Clyde Cablevision 1426
Filmnet 1396, 1436
France Telecom 1386
GEC 1426
Jerrold 1416
Movie Time 1466
NSC 1466
Philips 1386
Pioneer 0006
Samsung 1496
Scientific Atlanta 1486, 1506
Starcom 1416
STS 1466
Tele 1436
Tele+1 1436
Teleservice 1406, 1476
Tudi 1376
United Cable 1416
Zenith 1406

SATELLITE TUNER

Akai 1276
Alba 0826, 1276
Amstrad 0166, 0796, 1016,

1026, 1296
Ankaro 0476
Ast 0406
Astra 0126
Barcom 0476
Blaupunkt 0966
Bmc Satellite 0106
British Telecom 1276
Bush 0826
Bush (UK) 0956
Cambridge 0196, 1276
Chaparral 0016, 0696, 1006
Columbus 0616
Connexions 0306, 0426
Discus Elipse 0856, 0866
Diskxpress 0426, 0476
Drake 1516
Echostar 0226, 0236, 0606,

0626, 0666, 0926,

0996, 1046, 1056,

1066, 1106
Elta 1286
Elta Sat 0146
Eurodec 1226, 1236, 1246
Ferguson 0046, 0176, 0186,

0296, 0846, 0956,

1306
Finlux 0976
Fracarro 0026, 0536, 0776
Fuba 0476, 0616, 0636,

1056
Giucar Record 0206, 0336
Grundig 0176, 0946, 0956,

0966
High Performance 0916
Hirschmann 0756, 0966
Hitachi 0446, 0516, 0706,

0946
Icx International 0886
ITT 0066, 0126, 0176,

0446, 1156
ITT/Nokia 0066, 0126, 0176,

0446, 1156
Jeemon 0146
Jerrold 0846, 0986
Johansson 0246
JVC (Victor) 1276
Kathrein 0116, 0266, 0276,

0366
Kosmos 0266
Kyostar 1036, 1086
Leng 0246
Lifesat 1326, 1346, 1356
Luxor 0126, 0136, 0446,

0466, 0506, 1156
Macab 0356
Maspro 0016, 0116, 0256,

0956
Medion 1326, 1346
Metz 0966
Micromaxx 1326, 1346
Mitsubishi 0966
Morgans 0596
Muratto 0406
NEC 0286, 0316, 0766,

0786, 0836
Network 0046

Nikko 1136, 1146
Nokia 0066, 0126, 0176,

0446, 1156, 1166,

1336
Norsat 0786
Otto Versand 0966
Pace 0046, 0176, 0296,

0936, 0956, 1306
Pace Mss 0946
Palcom 0616, 0686, 0706
Palsat 0396
Paltec 0706
Panasonic 0806, 1306
Pansat 1076
Philips 0326, 0346, 0476,

0956, 1126, 1186,

1196, 1206, 1216,

1306, 1316
Prosat 1176
Ptt Telecom 0306, 0896
Quelle 0966
Radix 1056
Rediffusion 0316, 0786
Rft 1186, 1196, 1206,

1216
Sagem 1256
Sakura 0566, 0816
Salora 0066, 0126, 0136,

0446, 0456, 0486,

0496, 0576
Samsung 0746, 0756
Sat 0406
Satcom 0896
Sateco 0646
Sector 1266
Sedea 1096
Sentra 0416
Siemens 0896, 0966
Sintrack 0906
Skylab 0476
Skyscan 0876
Sony 0736, 0946
Stella 0306
Strong 0156, 0396, 1036,

1086
Stv 0636
Tandberg 1116, 1366
Tandy 0916
Tantec 0616
Tatung 0516, 0546
Technisat 0086, 0096, 0526,

0556, 1056
Telecom 0306
Telemax 0586
Thorn-Ferguson 0046, 0076,

0176, 0186,

0956
Toshiba 0946
Triad 0406
Uniden 0036, 0216, 0676,

0716, 0726
US Electronics 0886
Vortec 0756, 1036, 1076
Vtech 0436
Winersat 0246
Wisi 0056, 0356, 0376,

0386, 0406, 0656,

1056, 1156
Wolsey 0916
Zehnder 0266, 0406
Zender 0406

VCR

Aiwa 0042, 0352, 0432
Akai 0042, 0422, 0492,

0582, 0612, 0642,
0652, 0762, 0912

Alba 0002, 0112, 0282,

0332, 0342, 0972
Amstrad 0322, 0432, 0452
Anitech 0002
Anitsch 1002
ASA 0012, 0052
Audiosonic 0002
Baird 0042, 0282, 0492
Bang & Olufsen 0042
Baur 0052, 0062, 0812
Blaupunkt 0062, 0092, 0252,

0462, 0672, 0992
Brionvega 0032
Bush 0002, 0282, 0332,

0342, 0512, 0972
Bush (UK) 0812
Capehart 0112
CGE 0042, 0432, 0762
Craig 0072, 0482
Crown 0112, 0282, 1212
Daewoo 0112, 0282, 1212
Dansai 0012
Daytron 0112
Decca 0042, 0052, 0432,

0942
Decca (UK) 0052
Degraaf 0052, 0132, 0432,

0532, 0602
Dixi 0442
Dual 0042, 0632
Dumont 0052, 0432, 0532
Dynatech 0432
Dynatron 0012
Elbe 0122
Elin 0072
Emerson 0012, 0162, 0202,

0432, 0512, 0522
Erres 0012
Ferguson 0042, 0712, 0722,

0852, 0902, 1012,

1022, 1082
Fidelity 0432
Finlandia 0052, 0532
Finlux 0012, 0042, 0052,

0082, 0262, 0382,

0432, 0462, 0492,

0532, 0572, 0602,

0912
First Line 0002, 0912
Fisher 0162, 0482, 0532,

0542, 0572, 0592
Formenti-Phoenix 0012, 0052
Frontech 0112
Funai 0432
GBC 0002
GEC (UK) 0022, 0052
Geloso 0002
General Technic 1172
GoldStar 0012, 0812, 0952,

1202
Goodmans 0002, 0072, 0282,

0432, 0502
Goodmans (UK) 0002
Graetz 0022, 0042
Granada 0052, 0132, 0532,

0572
Granada (UK) 0052, 0092, 0462,

0602, 0812, 0822

iii

Grundig 0052, 0062, 0092,

0232, 0252, 0262,

0752, 0802
Hanseatic 0052, 0812
Harman/Kardon 0922, 1202
Hcm 0002
Hinari 0002, 0202, 0412,

0442, 0522
Hitachi 0042, 0172, 0292,

0432, 0602, 0662,

0812, 1022
Imperial 0072, 0432
Ingersol 0442
Inno Hit 0002, 0052, 0072
Innovation 1142, 1162, 1172
Interfunk 0022, 0052
Irradio 0002, 0012
ITT 0022, 0032, 0042,

0072, 0292, 0492,

0532, 0572, 0762
ITT-Nokia 0022, 0032, 0042,

0072, 0292, 0492,

0532, 0572, 0762
Jensen 0042
JVC (Victor) 0042, 0102, 0142,

0272, 0742, 0762,

0782, 0902
Karcher 0052, 0072, 0812
Kendo 0492
Kenwood 0042, 0142, 0572
Lifetec 1142, 1162, 1172
Lloyd 0432
Loewe Opta 0052, 0092, 0152
Logik 0002, 0072, 0442
Luma 0162
Luxor 0492, 0572, 0812
M Electronic 0432
Magnadyne 0052
Magnasonic 0572
Manesth 0012
Marantz 0012, 0052, 0092,

0502, 1202
Mark 0012
Marta 0012
Matsui 0012, 0442, 0512,

0522, 0812, 0972
Medion 1142, 1162, 1172
Memorex 0012, 0132, 0432,

0482, 0532, 0572
Metz 0062, 0092, 0932
MGA 0912
Micromaxx 1142, 1162, 1172
Minerva 0062, 0092, 0252
Minolta 0172, 0602
Mitsubishi 0052, 0062, 0142,

0912, 0922
MTC 0072, 0432
Multitech 0002, 0052, 0062,

0282, 0432
Murphy 0432
N.E.I. 0012, 0052
National 0462
NEC 0042, 0122, 0142,

1202
Neckermann 0032, 0042, 0052,

0072, 0092, 0202,

0522, 0572, 0762,

0812
Nikkai 0112
Nobliko 0092
Nokia 0022, 0032, 0042,

0072, 0292, 0492,

0532, 0572, 0762,

1152

Nordmende 0042, 0102, 0142,

0192, 0222, 0242,
0392, 0402, 0632,
0732, 0742, 0762,
0782, 0792, 0832,

0842, 0872
Olympus 0462
Optonica 0132, 0502
Orion 0162, 0202, 0312,

0442, 0512, 0522,

0982
Osaka 0432
Osaki 0002, 0012, 0432
Otto Versand 0052, 0062, 0812
Panasonic 0022, 0212, 0462,

0672, 0992, 1092,

1102, 1182
Pentax 0172, 0602
Perdio 0432
Philco 1062
Philips 0052, 0082, 0092,

0152, 0182, 0362,

0372, 0472, 0502,

1072
Phonola 0052, 0152
Pilot 0012
Pioneer 0052, 0142, 0372,

0472
Portland 0112
Proline 0432
Pye 0052, 0152
Quartz 0572
Quelle 0012, 0032, 0042,

0052, 0062, 0072,

0092, 0202, 0462,

0552, 0942
Radionette 0022
Realistic 0012, 0072, 0132,

0432, 0482, 0502,

0532, 0572
Ret 1072
Rex 0042, 0742, 0782
Ricoh 0952
Saba 0042, 0142, 0192,

0222, 0242, 0392,

0632, 0732, 0742,

0762, 0772, 0782,

0792, 0872
Saisho 0162, 0202, 0292,

0442, 0512, 0522,

0972
Salora 0192, 0572, 0812,

0822, 0912
Samsung 0052, 0072, 0652,

1192, 1212
Sansui 0042, 0142
Sanyo 0482, 0532, 0562,

0572
SBR 0052, 0152, 0182
Schaub Lorenz 0022, 0042
Schneider 0002, 0012, 0052,

0072, 0432
SEG 0002, 0072
Sei-Sinudyne 0442
Seleco 0042
Sentra 0112
Sharp 0132, 0502, 0702
Shintom 0002
Siemens 0062, 0092, 0252,

0572
Sinudyne 0052, 0382, 0442,

0932
Sonoko 0282
Sony 0432, 0552, 0682,

0692, 0942, 0952,

0962, 1122, 1132

STS 0602
Sunkai 0512
Sunstar 0432
Sylvania 0432, 0912
Symphonic 0432, 0912
Tandegerg 0062, 0162, 0522,

0932
Tashiko 0132, 0432
Tatung 0042, 0052, 0432,

0922
TCM 1142, 1162, 1172
Teac 0042, 0432
Technics 0462
Teknika 0012, 0432
Telefunken 0042, 0192, 0632,

0732, 0742, 0762,

0782, 0882, 0892
Tempest 1032, 1042, 1052
Tenosal 0002
Thomson 0042, 0102, 0142,

0192, 0402, 0632,

0762
Thorn 0042, 0902
Thorn-Ferguson 0042, 0222, 0302,

0712, 0722, 0742,

0762, 0852, 0862,

0872, 0902
TMK 0522
Tonsai 0002
Toshiba 0042, 0622, 0912,

1212
Totevision 0012, 0072
Triumph 0922
Uher 0042, 0072
Ulravox 0032
Unitech 0072
Vector Research 0122
Videon 1162, 1172
Weltblick 0012
White Westinghouse 0032
Xenon 0162
Yamaha 0042, 1202
Yoko 0012, 0062, 0072

DVD PLAYER

Akai 0108
Denon 0368
Hitachi 0388
JVC (Victor) 0168, 0348
Kenwood 0288
Magnavox 0248
Mitsubishi 0268
Onkyo 0128, 0248
Panasonic 0048
Philips 0188, 0248
Pioneer 0208, 0228
Proscan 0308
RCA 0067, 0308
Samsung 0148
Sharp 0068
Sony 0028
Technics 0048
Thomson 0328
Toshiba 0088, 0248
Yamaha 0008, 0048, 0188,

0248
Zenith 0248

LD PLAYER

Aiwa 0137
Funai 0137
Hitachi 0047
Magnavox 0077
Panasonic 0027
Pioneer 0037
Realistic 0137
Samsung 0017, 0087
Sony 0057, 0097, 0107,

0117
Victor 0127
Yamaha 0007

CD PLAYER

Accuphase 0315
Adc 0865
Adcom 0785, 1015
Akai 0115, 0125, 0725,

0735, 0745, 0935,

1155
Arcam 1875
Arcam-Rotel 0165
Audio-Technica 0835
Audiosonic 0155
Awia 1105, 1235, 1245,

1765, 1915, 1935
BSR 0875
California Audio Lab 1075
Carrera 0555, 0875
Carver 0825, 1415
Cyrus-Rotel 0205
Denon 0045, 0955, 1045,

1595, 1795, 1805
Dual 1005
Elin 0185
Emerson 1015, 1285, 1675
Fisher 0105, 0595, 0605,

0825, 1165, 1175
Genexxa 0525, 0825, 0855,

0875, 0995, 1265,

1285, 1345, 1355,

1485, 1575, 1675,

1715, 1825
GoldStar 0555, 1185, 1195,

1585
Grundig 0175
Harman Kardon 0495, 0565, 0325,

1135, 1145, 1155
Hitachi 0065, 0585, 0685,

0945, 1005, 1015,

1225, 1545
Innovation 1995, 2005, 2015
ITT-Nokia 0185
JVC (Victor) 0385, 0395, 0455,

0575, 0585
Karcher 0485
Kenwood 0025, 0055, 0145,

0215, 0595, 0675,

0695, 0705, 0715,

0925, 1355, 1485,

1575, 1675, 1715,

1825
Korting 0175
Lifetec 2015
Light Control 1155, 1645, 1655,

1665
Linn 0165, 1875
Luxman 0265, 0275, 0795,

0805, 1295, 1305,

1555, 1925
Luxor 0185, 1895, 1905
Magnavox 1865, 1875

iv

Marantz 0165, 0175, 0545,

0665, 1275, 1335,
1405, 1505, 1875,

1955
Matsushita 1095, 1605
MCS 0535
Medion 0075, 1995, 2005,

2015
Memorex 0525, 1015, 1265,

1275, 1285, 1675
MGA 1125
Micromaxx 2015
Mission 0165, 1875
Mitsubishi 1125, 1205
NAD 0255, 0285, 0295,

0305, 0345, 0135,

0755, 0765, 1315,

1325
Nakamichi 0635, 0645, 1565
NEC 0405, 0535, 0775,

0785
Neckerman 0155, 0225
Nikko 0835, 1165
Oceanic 0185
Okano 0155, 0225
Onkyo 0885, 1385, 1425,

1455, 1515
Panasonic 1055, 1075, 1615,

1625
Philips 0165, 0175, 0195,

1865, 1875
Pioneer 0095, 0335, 0425,

0435, 0445, 0525,

0855, 1035, 1945
Proton 0905, 1875
Quasar 1075
Radiola 1845, 1855
Radiotone 0485
Realistic 0825, 1015, 1265,

1275, 1285, 1575
Rotel 1875
Saba 1005
SAE 1875
Salora 0185
Sansui 0415, 0965, 0975,

0985, 1255, 1675,

1875
Sanyo 0625, 0825, 0845,

0915
Schneider 1845, 1855
Scott 1285, 1675
Sharp 0025, 0035, 1025,

1115, 1275, 1635,

1785, 1815, 1825,

1835
Sherwood 1275, 1445
Siemens 1085
Signature 1155
Sony 0345, 0355, 0365,

0375, 0865, 1685,

1695, 1705, 1715,

1725, 1735, 1745
Sytvania 1875
Tandberg 1885
Tashiko 1525
TCM 1985, 2015
Teac 0235, 0245, 1275,

1365, 1375, 1395,

1435, 1465, 1475
Technics 0465, 0475, 1065,

1075, 1625
Telefunken 1005
Theta Digital 1865
Thomson 1005
Toshiba 0755, 0765

Vector Research 0555, 0865
Yamaha 0005, 0015, 0085,

0345, 0615, 0655,
0815, 0835, 0895

CD-RECORDER/CD-RW

Hitachi 0304
JVC (Victor) 0334
Marantz 0314, 0324
Philips 0274
Pioneer 0284, 0294
Yamaha 0244

MD RECORDER

Kenwood 0214
Pioneer 0254
Sharp 0264
Sony 0224
Yamaha 0024, 0224, 0234

TAPE DECK

Akai 0124
Denon 0204
Grundig 0134
Harman 0044
JVC (Victor) 0194
Kenwood 0164
Korting 0134
Luxman 0054, 0064, 0074,

0084
Marantz 0134, 0144
NAD 0174
Onkyo 0184
Philips 0134, 0144, 0154
Pioneer 0034, 0114
Sony 0094, 0104
Yamaha 0004, 0014

v

YAMAHA ELECTRONICS CORPORATION, USA 6660 ORANGETHORPE AVE., BUENA PARK, CALIF. 90620, U.S.A.
YAMAHA CANADA MUSIC LTD. 135 MILNER AVE., SCARBOROUGH, ONTARIO M1S 3R1, CANADA
YAMAHA ELECTRONIK EUROPA G.m.b.H. SIEMENSSTR. 22-34, 25462 RELLINGEN BEI HAMBURG, F.R. OF GERMANY
YAMAHA ELECTRONIQUE FRANCE S.A. RUE AMBROISE CROIZAT BP70 CROISSY-BEAUBOURG 77312 MARNE-LA-VALLEE CEDEX02, FRANCE
YAMAHA ELECTRONICS (UK) LTD. YAMAHA HOUSE, 200 RICKMANSWORTH ROAD WATFORD, HERTS WD1 7JS, ENGLAND
YAMAHA SCANDINAVIA A.B. J A WETTERGRENS GATA 1, BOX 30053, 400 43 VÄSTRA FRÖLUNDA, SWEDEN
YAMAHA MUSIC AUSTRALIA PTY, LTD. 17-33 MARKET ST., SOUTH MELBOURNE, 3205 VIC., AUSTRALIA

Printed in Malaysia ID V735940

Connection Guide (when listening to a digital 5.1-channel source)

DVD player

OPTICAL

OPTICAL
OUT

O

AUDIO OUT S VIDEO

LR

AUDIO
OUT

L R

OUT

S VIDEO
OUT

S

Main speakers A Main speakers B

VIDEO

OUT

RLRL

VIDEO
OUT

V

DIGITAL

INPUT

CD

COAXIAL
OPTICAL

D-TV/CBL

DVD

MD/CD-R

OPTICAL

MD/CD-R

DIGITAL
OUTPUT

MAIN

AUX

6CH INPUT

SURROUND

L

R

CD

AM ANT GND

CENTER

L

R

SUB WOOFER

IN(PLAY)

MD/CD-R

OUT(REC)

FM ANT

75

UNBAL.

DVD

D-TV/CBL

DVD

D-TV/CBL

AUDIO SIGNAL

TUNER

VIDEO SIGNAL

VCR 1

IN

OUT

IN

OUT

VCR 1

MONITOR OUT

S VIDEO

L

R

VIDEO

SUB

WOOFER

OUTPUT

+

R L

SPEAKERS

—

—

A

MAIN

B

CENTER REAR

+

—

R

(SURROUND)

+

L

*

RX-V520/RX-V520RDS

*

HTR-5450/HTR-5450RDS only

Video Monitor

VIDEO IN
S VIDEO IN

S

V

(U.S.A. model)

*

Subwoofer

system

Center speaker

L

R

O

RL

Rear speakers

Analog signal

Optical signal

S

V

S Video signal

Video signal

Signal flow

V728210 RX-V520/RX-V420 (ML)

Quick Reference Card

POWER

A/B/C/D/E

TEST

VOLUME

MUTE

SLEEP

–/+

TIME/LEVEL

AMP(TUNER)

Input selector
buttons

6CH INPUT

EFFECT
PRESET–/+

TV VOLUME

TV INPUT

PRG+,
PRG–

SET
MENU

POWER

VOLUME

MUTE

SLEEP

REC/PAUSE

PLAY

DIR A (TAPE)
SKIP– (MD)

REWIND (TAPE)
SEARCH (MD)

TAPE/MD

Input selector
buttons

6CH INPUT

EFFECT

TV VOLUME

DISPLAY (MD)
DECK A/B (TAPE)

PAUSE (MD)

DIR B (TAPE)
SKIP+ (MD)

FAST FORWARD (TAPE)
SEARCH (MD)

STOP

POWER

VOLUME

MUTE

SLEEP

PLAY

SKIP–

SEARCH

CD

Input selector
buttons

6CH INPUT

EFFECT

DISC SKIP–/+

TV VOLUME

DISPLAY

TV INPUT

PAUSE

SKIP+

SEARCH

STOP

POWER

VOLUME

MUTE

SLEEP

PLAY

SKIP–

SEARCH

DVD/LD

Input selector
buttons

6CH INPUT

EFFECT

DISC SKIP–/+

TV VOLUME

DISPLAY

TV INPUT

PAUSE

SKIP+

SEARCH

STOP

V728130

Quick Reference Card

POWER

DISC SKIP–/+

VOLUME

MUTE

RETURN

MENU SELECT

MENU LEFT

TITLE

DVD MENU

Numeric buttons

CLEAR
+10

TV VOLUME

INDEX

TV INPUT

MENU UP

MENU RIGHT

MENU

MENU DOWN

VCR

POWER

VCR

CHANNEL–/+

VOLUME

MUTE

TV SLEEP

VCR REC

VCR PLAY

VCR

REWIND

VCR

CBL/SAT

POWER

CHANNEL

EFFECT

CHANNEL
ENTER

TV VOLUME

DISPLAY

*1

TV INPUT

VCR
PAUSE

VCR FAST
FORWARD

VCR STOP

CBL/SAT

CHANNEL–/+

VOLUME

MUTE

TV SLEEP

MENU SELECT

MENU LEFT

RECALL

CBL/SAT

CHANNEL

+100
CHANNEL

ENTER

TV VOLUME

DISPLAY

TV INPUT

MENU UP

MENU RIGHT

MENU

MENU DOWN

TV

POWER

VOLUME

TV MUTE

TV SLEEP

VCR REC

VCR PLAY

VCR

REWIND

TV

CHANNEL–/+

*1

TV

CHANNEL

EFFECT

CHANNEL
ENTER

TV VOLUME

DISPLAY
TV INPUT

VCR
PAUSE

VCR FAST
FORWARD

VCR STOP

*1 Premere due volte questo tasto per iniziare la registrazione.

Press this button twice to start recording.
Appuyer deux fois sur cette touche pour commencer l’enregistrement.
Drücken Sie diese Taste zweimal, um die Aufnahme zu starten.
Tryck två gånger på den här knappen för att börja spela in.

Presione dos veces este botón para empezar a grabar.
Druk tweemaal op deze toets om met opnemen te beginnen.

V728130