Page 1
HTR-5230
Natural Sound AV Receiver
Ampli-tuner audio-vidéo
U C A
OWNER’S MANUAL
MODE D’EMPLOI
Page 2
SAFETY INSTRUCTIONS
CAUTION
RISK OF ELECTRIC SHOCK
DO NOT OPEN
CAUTION: TO REDUCE THE RISK OF
ELECTRIC SHOCK, DO NOT REMOVE
COVER (OR BACK). NO USER-SERVICEABLE
PARTS INSIDE. REFER SERVICING TO
QUALIFIED SERVICE PERSONNEL.
• Explanation of Graphical Symbols
The lightning flash with arrowhead symbol,
within an equilateral triangle, is intended to
alert you to the presence of uninsulated
“dangerous voltage” within the product’s
enclosure that may be of sufficient magnitude
to constitute a risk of electric shock to persons.
The exclamation point within an equilateral
triangle is intended to alert you to the presence
of important operating and maintenance
(servicing) instructions in the literature
accompanying the appliance.
WARNING
TO REDUCE THE RISK OF FIRE OR
ELECTRIC SHOCK, DO NOT EXPOSE THIS UNIT TO
RAIN OR MOISTURE.
1 Read Instructions – All the safety and operating
instructions should be read before the unit is operated.
2 Retain Instructions – The safety and operating
instructions should be retained for future reference.
3 Heed Warnings – All warnings on the unit and in the
operating instructions should be adhered to.
4 Follow Instructions – All operating and other instructions
should be followed.
5 Water and Moisture – The unit should not be used near
water – for example, near a bathtub, washbowl, kitchen
sink, laundry tub, in a wet basement, or near a swimming
pool, etc.
6 Carts and Stands – The unit should be used only with a
cart or stand that is recommended by the
manufacturer.
6A A unit and cart combination should be
moved with care. Quick stops, excessive
force, and uneven surfaces may cause
the unit and cart combination to overturn.
7 Wall or Ceiling Mounting – The unit should be mounted to
a wall or ceiling only as recommended by the
manufacturer.
8 Ventilation – The unit should be situated so that its
location or position does not interfere with its proper
ventilation. For example, the unit should not be situated
on a bed, sofa, rug, or similar surface, that may block the
ventilation openings; or placed in a built-in installation,
such as a bookcase or cabinet that may impede the flow
of air through the ventilation openings.
9 Heat – The unit should be situated away from heat
sources such as radiators, stoves, or other appliances
that produce heat.
10 Power Sources – The unit should be connected to a
power supply only of the type described in the operating
instructions or as marked on the unit.
11 Power-Cord Protection – Power-supply cords should be
routed so that they are not likely to be walked on or
pinched by items placed upon or against them, paying
particular attention to cords at plugs, convenience
receptacles, and the point where they exit from the unit.
12 Cleaning – The unit should be cleaned only as
recommended by the manufacturer.
13 Nonuse Periods – The power cord of the unit should be
unplugged from the outlet when left unused for a long
period of time.
14 Object and Liquid Entry – Care should be taken so that
objects do not fall into and liquids are not spilled into the
inside of the unit.
15 Damage Requiring Service – The unit should be serviced
by qualified service personnel when:
A. The power-supply cord or the plug has been
damaged; or
B. Objects have fallen, or liquid has been spilled into the
unit; or
C. The unit has been exposed to rain; or
D. The unit does not appear to operate normally or exhibits
a marked change in performance; or
E. The unit has been dropped, or the cabinet damaged.
16 Servicing – The user should not attempt to service the
unit beyond those means described in the operating
instructions. All other servicing should be referred to
qualified service personnel.
17 Power Lines – An outdoor antenna should be located
away from power lines.
18 Grounding or Polarization – Precautions should be taken
so that the grounding or polarization is not defeated.
CAUTION
Page 3
19 For US customers only:
Outdoor Antenna Grounding – If an outside antenna is
connected to this unit, be sure the antenna system is
grounded so as to provide some protection against
voltage surges and built-up static charges. Article 810 of
the National Electrical Code, ANSI/NFPA 70, provides
information with regard to proper grounding of the mast
and supporting structure, grounding of the lead-in wire to
an antenna discharge unit, size of grounding conductors,
location of antenna discharge unit, connection to
grounding electrodes, and requirements for the
grounding electrode.
Note to CATV system installer:
This reminder is provided to call the CATV system
installer’s attention to Article 820-40 of the NEC that
provides guidelines for proper grounding and, in particular,
specifies that the cable ground shall be connected to the
grounding system of the building, as close to the point of
cable entry as practical.
FCC INFORMATION (for US customers only)
EXAMPLE OF ANTENNA GROUNDING
MAST
GROUND
CLAMP
ELECTRIC
SERVICE
EQUIPMENT
NEC
– NATIONAL ELECTRICAL CODE
SAFETY INSTRUCTIONS
ANTENNA
LEAD IN
WIRE
ANTENNA
DISCHARGE UNIT
(NEC SECTION 810–20)
GROUNDING CONDUCTORS
(NEC SECTION 810–21)
GROUND CLAMPS
POWER SERVICE GROUNDING
ELECTRODE SYSTEM
(NEC ART 250. PART H)
INTRODUCTION PREP ARA TION
1. IMPORTANT NOTICE : DO NOT MODIFY THIS UNIT!
This product, when installed as indicated in the
instructions contained in this manual, meets FCC
requirements. Modifications not expressly approved by
Yamaha may void your authority, granted by the FCC,
to use the product.
2. IMPORTANT : When connecting this product to
accessories and/or another product use only high
quality shielded cables. Cable/s supplied with this
product MUST be used. Follow all installation instructions. Failure to follow instructions could void your FCC
authorization to use this product in the USA.
3. NOTE : This product has been tested and found to
comply with the requirements listed in FCC Regulations, Part 15 for Class “B” digital devices. Compliance
with these requirements provides a reasonable level of
assurance that your use of this product in a residential
environment will not result in harmful interference with
other electronic devices.
This equipment generates/uses radio frequencies and,
if not installed and used according to the instructions
found in the users manual, may cause interference
harmful to the operation of other electronic devices.
Compliance with FCC regulations does not guarantee
that interference will not occur in all installations. If
this product is found to be the source of interference,
which can be determined by turning the unit “OFF”
and “ON”, please try to eliminate the problem by using
one of the following measures:
Relocate either this product or the device that is being
affected by the interference.
Utilize power outlets that are on different branch
(circuit breaker or fuse) circuits or install AC line filter/
s.
In the case of radio or TV interference, relocate/
reorient the antenna. If the antenna lead-in is 300
ohm ribbon lead, change the lead-in to coaxial type
cable.
If these corrective measures do not produce satisfactory results, please contact the local retailer authorized to distribute this type of product. If you can not
locate the appropriate retailer, please contact Yamaha
Electronics Corp., U.S.A. 6660 Orangethorpe Ave,
Buena Park, CA 90620.
The above statements apply ONLY to those products
distributed by Yamaha Corporation of America or its
subsidiaries.
ADV ANCED OPERA
TION APPENDIX
We Want You Listening For A Lifetime
YAMAHA and the Electronic Industries Association’s
Consumer Electronics Group want you to get the most out of
your equipment by playing it at a safe level. One that lets the
sound come through loud and clear without annoying blaring
or distortion – and, most importantly, without affecting your
sensitive hearing.
Since hearing damage from loud sounds is often
undetectable until it is too late, YAMAHA and the
Electronic Industries Association’s Consumer
Electronics Group recommend you to avoid
prolonged exposure from excessive volume
levels.
EnglishBASIC OPERATION
CAUTION
Page 4
CAUTION: READ THIS BEFORE OPERATING YOUR UNIT.
1. To assure the finest performance, please read this
manual carefully. Keep it in a safe place for future
reference.
2. Install this unit in a cool, dry, clean place — away
from windows, heat sources, sources of excessive
vibration, dust, moisture and cold. Avoid sources of
humming (transformers, motors). To prevent fire or
electrical shock, do not expose the unit to rain or
water.
3. Never open the cabinet. If something drops into the
unit, contact your dealer.
4. Do not use force on switches, controls or connection
wires. When moving the unit, first disconnect the
power cord and then the wires connected to other
component. Never pull the wires themselves.
5. The openings on the cover assure proper ventilation
of the unit. If these openings are obstructed, the
temperature inside the unit will rise rapidly.
Therefore, avoid placing objects against these
openings, and install the unit in a well-ventilated area
to prevent fire and damage.
6. The voltage used must be the same as that specified
on this unit. Using this unit with a higher voltage than
specified is dangerous and may result in fire or other
accidents. YAMAHA will not be held responsible for
any damage resulting from the use of this unit with a
voltage other than that specified.
7. Digital signals generated by this unit may interfere
with other component such as tuners, receivers and
TVs. Move this unit farther away from such
component if interference is observed.
8. Always set VOLUME to the “m” position before
starting the audio source play. Increase the volume
gradually to an appropriate level after playback has
been started.
9. Do not attempt to clean the unit with chemical
solvents; this might damage the finish. Use a clean,
dry cloth.
10. Be sure to read the “TROUBLESHOOTING” section
regarding common operating errors before
concluding that the unit is faulty.
11. When not planning to use this unit for a long period
of time (e.g., a vacation), disconnect the AC power
cord from the wall outlet.
12. To prevent lightning damage, disconnect the AC
power cord and disconnect the antenna cable when
there is an electrical storm.
13. Grounding or polarization — Precautions should be
taken so that the grounding or polarization of the unit
is not defeated.
14. AC outlet — Do not connect audio component to the
AC outlet on the rear panel if that component
requires more power than the outlet is rated to
provide.
This unit is not disconnected from the AC power source
as long as it is connected to the wall outlet, even if this
unit itself is turned off. This state is called the standby
mode. In this state, this unit is designed to consume a
very small quantity of power.
IMPORTANT
Please record the serial number of this unit in the space
below.
MODEL:
Serial No.:
The serial number is located on the rear of the unit.
Retain this Owner’s Manual in a safe place for future
reference.
WARNING
TO REDUCE THE RISK OF FIRE OR ELECTRIC
SHOCK, DO NOT EXPOSE THIS UNIT TO RAIN OR
MOISTURE.
FOR CANADIAN CUSTOMERS
To prevent electric shock, match wide blade of plug to
wide slot and fully insert.
This Class B digital apparatus complies with Canadian
ICES-003.
CAUTION
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INTRODUCTION
FEATURES
5-Channel Power Amplification
◆ Minimum RMS Output
(0.06% THD, 20 Hz – 20 kHz)
Main: 60 W + 60 W (8 Ω)
Center: 60 W (8 Ω)
Rear: 60 W + 60 W (8 Ω)
Multi-mode Digital Sound Field
Processing
◆ Digital Sound Field Processor (DSP)
◆ Dolby Digital Decoder
◆ Dolby Pro Logic Decoder
◆ CINEMA DSP: Theater-like Sound Experience by
the Combination of YAMAHA DSP Technology
and Dolby Digital or Dolby Pro Logic
◆ Automatic Input Balance Control for Dolby Pro
Logic decoding
Sophisticated FM/AM Tuner
◆ 40-Station Random Access Preset Tuning
◆ Automatic Preset Tuning
◆ Preset Station Shifting Capability (Preset Editing)
Other Features
◆ “SET MENU” which Provides You with 10 Items
for Optimizing This Unit for Your Audio/Video
System
◆ Test Tone Generator for Easier Speaker Balance
Adjustment
◆ 6-Channel External Decoder Input for Other Future
Formats
◆ 2 Optical/1 Coaxial Digital Signal Input Terminals
◆ SLEEP Timer
◆ Remote Control with Preset Manufacturer Codes
CONTENTS
INTRODUCTION
FEATURES .................................................................. 1
CONTENTS ................................................................. 1
GETTING STARTED .................................................2
CONTROLS AND FUNCTIONS ............................... 4
PREPARATION
SPEAKER SETUP....................................................... 8
CONNECTIONS.......................................................... 9
ADJUSTING THE SPEAKER BALANCE ............ 17
BASIC OPERATION
PLA YING A SOURCE .............................................. 19
DIGITAL SOUND FIELD PROCESSOR (DSP)
EFFECT .................................................................. 22
SOUND FIELD PROGRAM .................................... 23
TUNING ..................................................................... 26
RECORDING A SOURCE ON TAPE, MD OR
VIDEO CASSETTE ............................................... 30
ADVANCED OPERATION
SET MENU................................................................. 31
DELAY TIME AND SPEAKER
OUTPUT LEVELS ................................................. 35
SLEEP TIMER .......................................................... 37
PRESET REMOTE CONTROL .............................. 38
INTRODUCTION PREP ARA TION
ADV ANCED OPERA
TION APPENDIX
Manufactured under license from Dolby
Laboratories. “Dolby”, “Pro Logic” and the
double-D symbol are trademarks of Dolby
Laboratories. Confidential Unpublished Works.
©1992 – 1997 Dolby Laboratories, Inc. All
rights reserved.
APPENDIX
TROUBLESHOOTING ............................................ 45
SPECIFICATIONS.................................................... 48
GLOSSARY................................................................ 49
INDEX ........................................................................ 50
y indicates a tip for your operation.
EnglishBASIC OPERATION
1
Page 6
GETTING STARTED
Checking the Package Contents
Check that the following items are included in your package.
Remote control Batteries (AAA, R03, UM-4 type) Antenna adapter
Indoor FM antenna Quick reference card
AM loop antenna
Battery Installation in the Remote
Control
Battery Replacement
If the remote control operates only when it is close to the
unit, the batteries are weak. Replace all the batteries with
new ones.
(U.S.A. and Canada models only)
Connection guide
2
1
3
1 Turn the remote control over and slide the
battery compartment cover in the direction of
the arrow.
2 Insert the batteries (AAA, R03 or UM-4 type)
according the polarity markings on the inside
of the battery compartment.
3 Close the battery compartment cover.
2
Be sure to replace the batteries within about two minutes.
If it takes longer than two minutes, the codes preset for
the remote control will return to the factory settings.
(Refer to pages 38 to 44 about the remote control.)
Notes
• Use only AAA, R03 or UM-4 batteries for replacement.
• Be sure the battery polarity is correct. (See the illustration inside
the battery compartment.)
• Remove the batteries if the remote control will not be used for an
extended period of time.
• If the batteries have leaked, dispose of them immediately. Avoid
touching the leaked material or letting it come into contact with
clothing, etc. Clean the battery compartment thoroughly before
installing new batteries.
Page 7
Using the Remote Control
Remote control
sensor
Within approximately 6 m
(20 feet)
GETTING STARTED
The remote control transmits a directional infrared beam. Be
sure to aim the remote control directly at the infrared sensor
during operation. When the sensor is covered or there is a
large object between the remote control and the sensor, the
sensor cannot receive signals. The sensor may not be able to
receive signals properly when it is exposed to direct sunlight
or a strong artificial light (such as a fluorescent or strobe
light). In this case, change the direction of the light or
reposition the unit to avoid direct lighting.
Notes
• Handle the remote control with care.
• Do not spill water, tea or other liquids on the remote control.
• Do not drop the remote control.
• Do not leave or store the remote control in the following
conditions:
– high humidity or temperature such as near a heater, stove or
bath;
– dusty places; or
– extremely low temperature.
INTRODUCTION PREP ARA TION
ADV ANCED OPERA
TION APPENDIX
EnglishBASIC OPERATION
3
Page 8
CONTROLS AND FUNCTIONS
Front Panel
12 3 4 65
+
–
+
–
LR
7890qwertyu i o
1 STANDBY/ON
Press this switch to turn on the power of this unit or to set
this unit in the standby mode. Before turning the power on,
set VOLUME to the “m” position.
Standby mode
In this mode, this unit consumes a very small quantity of
power to receive infrared-signals from the remote
control.
2 Remote control sensor
This receives signals from the remote control.
3 Display
This shows various information. (Refer to page 6 for
details.)
4 INPUT MODE
Press this button to select the input mode between AUTO
and ANALOG for the DVD/LD, TV/digital TV and satellite
tuner sources.
5 INPUT
Turn this selector to select the input source (VCR, SAT/DTV, DVD/LD, TUNER, CD, AUX) that you want to listen
to or watch. The name of the selected input source appears
on the display.
6 VOLUME
Turn this control to turn up or down the volume.
7 PHONES jack
Connect the headphones to the PHONES jack. You can
listen to the sound to be output from the main speakers
through the headphones.
When using headphones only, set both SPEAKERS A and B
to the OFF position and press EFFECT to turn off the effect
speakers (center and rear) (so that no DSP program
indicator lights up on the display).
8 SPEAKERS
Set A or B (or both A and B) to the ON position for the main
speaker system (connected to this unit) that you want to use.
Set the button(s) to the OFF position for the main speaker
system that you don’t want to use.
9 PROGRAM selector
Press l or h to select a DSP program when the effect
speakers (center and rear) are turned on. The selected
program indicator lights up on the display.
0 EFFECT
Press this button to turn on or off the effect speakers (center
and rear). If you turn them off, all Dolby Digital audio
signals are directed to the right and left main speakers. In
that case, the output levels of the right and left speakers may
not match.
4
Page 9
CONTROLS AND FUNCTIONS
q Tone controls
These controls are only effective for the sound from the
main speakers.
a) BASS
Turn this control clockwise to increase or counterclockwise
to decrease the low-frequency response. The “0” position
produces a flat response.
b) TREBLE
Turn this control clockwise to increase or counterclockwise
to decrease the high-frequency response. The “0” position
produces a flat response.
w TAPE/MD MON / EXT. DECODER
Press this button to select a tape or an MD source. The
“TAPE/MD MONITOR” indicator lights up on the display.
When you press the button next, the “TAPE/MD
MONITOR” indicator goes off, “EXT. DECODER” appears
on the display and you can listen to a source connected to
the EXTERNAL DECODER INPUT terminals.
e BALANCE
This control is only effective for the sound from the main
speakers.
Turn the control to adjust the balance of the output volume
from the right and left main speakers to compensate for
sound imbalance caused by the speaker location or listening
room conditions.
r A/B/C/D/E
Press this button to select one of a group (A to E) of preset
stations.
t PRESET/TUNING
When “ z ” appears
This button is used to select a preset station number (1 to 8).
Press h to select a higher and l to select a lower preset
station number.
When “ z ” goes off
This button is used for tuning. Press h to tune in to higher
frequencies, and l to tune in to lower frequencies.
y PRESET/TUNING, EDIT
Press this button to turn on or off “ z ” on the display and
switch the function between for storing a broadcasting
station (preset tuning) and for tuning. This button is also
used to exchange the assignment of two preset stations with
each other.
u FM/AM
Press this button to switch the reception band between FM
and AM.
i MEMORY (MAN’L/AUTO FM)
Press this button to store the broadcasting stations. Hold
down this button for more than three seconds to begin
automatic preset tuning.
o TUNING MODE (AUTO/MAN’L MONO)
Press this button to switch the tuning mode between
automatic and manual. To use the automatic tuning method,
press this button so that the “AUTO” indicator lights up on
the display. To use the manual tuning method, press this
button so that the “AUTO” indicator goes off.
INTRODUCTION PREP ARA TION
ADV ANCED OPERA
TION APPENDIX
EnglishBASIC OPERATION
5
Page 10
9
CONTROLS AND FUNCTIONS
Display
12 3 4
67
8
1 g and o indicators
“ g ” lights up when the built-in Dolby Digital
decoder is on and the signals of the selected source are
encoded with Dolby Digital. “ o ” lights up when
the built-in Dolby Pro Logic decoder is on.
2 DSP program indicators
The name of the selected DSP program lights up.
3 Multi-information display
This display shows various information: for example the
name of the selected input source and the various settings
during adjustment with the SET MENU. The current station
frequency and band (FM or AM) also appear when the tuner
is selected as the input source.
4 SLEEP indicator
This lights up while the built-in SLEEP timer is on.
5 TAPE/MD MONITOR indicator
This lights up when the tape deck or MD recorder, etc. is
selected as the input source by pressing TAPE/MD MON /
EXT. DECODER (or TAPE/MD).
5
0
6 x indicator
“ x ” lights up when the built-in digital sound
field processor is on.
7 MEMORY indicator
This flashes for about five seconds after pressing
MEMORY. During this period, the displayed station can be
stored in the memory.
8 AUTO indicator
This lights up when the unit is in the automatic tuning
mode.
9 STEREO indicator
This lights up when an FM stereo broadcast with sufficient
signal strength is being received.
0 Signal-level indicator
This indicates the signal level of the station being received.
If multipath interference is detected, the indication
decreases.
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Page 11
Remote Control
CONTROLS AND FUNCTIONS
This section describes basic operation of this unit with the
remote control. First, press AMP(TUNER) on the
component selector. Refer to “PRESET REMOTE
CONTROL” on page 38 for full details.
1
Press AMP(TUNER).
2
3
q
4
w
5
6
TV VOLUME
7
8
TV INPUT
9
e
0
r
1 Indicator
This flashes in red when pressing a button on the remote
control. If it flashes rapidly several times, press the selected
button again.
2 Component selector buttons
Press one of these buttons which corresponds to the
component you want to control with the remote control.
(The proper code must be set for your component. Refer to
“Setup codes” on page 43.) When the component selector
button has been pressed, the remote control is set to that
component operation mode.
3 POWER
Each time you press this button, the unit switches between
the power on and standby mode.
4 TEST
Press this button to output the test tone for each speaker.
5 A/B/C/D/E, PRESET +/–
These buttons are used to select a preset station.
A/B/C/D/E: To select one of a group (A to E) of preset
stations
PRESET +/–: To select a preset station number (1 to 8)
6 MUTE
Press this button to mute the sound. To cancel mute, press
this button again.
7 VOLUME
These buttons are used to adjust the volume level.
u: To turn up the volume
d: To turn down the volume
8 SLEEP
Press this button to set the SLEEP timer.
9 +/–
These buttons adjust the settings of the SET MENU and
TIME/LEVEL mode.
0 TIME/LEVEL
Press this button to select the items in the TIME/LEVEL
mode.
q Input selector buttons
These buttons select the input source.
CD: To play a CD
TUNER: To listen to an FM or AM broadcast
TAPE/MD: To play a tape or MD
DVD/LD: To play a DVD or LD
SAT/D-TV: To watch a TV or satellite broadcast
VCR: To play a video cassette
AUX: To use another audio component
EXT. DEC.: To play other multi-channel source
w EFFECT
Press this button to turn on or off the effect speakers (center
and rear).
e PRG+, PRG–
Press these buttons to select a DSP program.
r SET MENU
Press this button to select the items in the SET MENU.
INTRODUCTION PREP ARA TION
ADV ANCED OPERA
TION APPENDIX
EnglishBASIC OPERATION
7
Page 12
PREPARATION
SPEAKER SETUP
Speakers to Be Used
This unit is designed to provide the best sound-field quality
with a 5-speaker system, using main speakers, rear speakers
and a center speaker. If you use different brands of speakers
(with different tonal qualities) in your system, the tone of a
moving human voice and other types of sound may not shift
smoothly. We recommend that you use speakers from the
same manufacture or speakers with the same tonal quality.
The main speakers are used for the main source sound plus
the effect sounds. They will probably be the speakers from
your present stereo system. The rear speakers are used for
the effect and surround sounds, and the center speaker is for
the center sounds (dialog, vocals, etc.). If for some reason it
is not practical to use a center speaker, you can do without
it. Best results, however, are obtained with the full system.
The main speakers should be high-performance models and
have enough power-handling capacity to accept the
maximum output of your audio system. The other speakers
do not have to be equal to the main speakers. For precise
sound localization, however, it is ideal to use highperformance models that can reproduce sounds over the full
range for the center speaker and the rear speakers.
■ Use of a subwoofer expands your
sound field
It is also possible to further expand your system with the
addition of a subwoofer. The use of a subwoofer is effective
not only for reinforcing bass frequencies from any or all
channels, but also for reproducing the LFE (low frequency
effect) channel with high fidelity when playing back a
source encoded with Dolby Digital. The YAMAHA Active
Servo Processing Subwoofer System is ideal for natural and
lively bass reproduction.
Speaker Placement
Refer to the following diagram when you place the
speakers.
Main
speaker (L)
Center speaker
■ Main speakers
Place the right and left main speakers an equal distance
from the ideal listening position. The distance of each
speaker from each side of the TV monitor should be the
same.
■ Rear speakers
Place these speakers behind your listening position, facing
slightly inwards, nearly 1.8 m (approx. 6 feet) above the
floor.
■ Center speaker
Align the front face of the center speaker with the front face
of your TV monitor. Place the speaker as close to the
monitor as possible, such as directly over or under the
monitor and centrally between the main speakers.
Note
• If the center speaker is not used, the sound will be heard from the
right and left main speakers. In that case, “CENTER SP” in the
SET MENU is set to the NONE position. (Refer to page 32 for
details.)
Main speaker (R)
Rear speaker (R)
Subwoofer
1.8 m
Rear speaker (L)
■ Subwoofer
The position of the subwoofer is not so critical, because low
bass sounds are not highly directional. But it is better to
place the subwoofer near the main speakers. Turn it slightly
toward the center of the room to reduce the wall reflections.
CAUTION
Some types of speakers interfere with a TV monitor. If
this problem occurs, move the speakers away from the
monitor. If you cannot avoid installing the center speaker
or subwoofer near the TV monitor, use magnetically
shielded speakers.
8
Page 13
CONNECTIONS
V V
C C
L
R
L
R
Before Connecting Components
CAUTION
Never connect this unit and other components to mains power until all connections between components have been
completed.
Be sure all connections are made correctly, that is to say L (left) to L, R (right) to R, “+” to “+” and “–” to “–”. Some
components require different connection methods and have different terminal names. Refer to the instructions for each
component to be connected to this unit.
When you connect other YAMAHA audio components (such as a tape deck, MD recorder and CD player or changer), connect
it to the terminals with the same number labels as !, #, $ etc. YAMAHA applies this labeling system to all its products.
Use RCA-type pin plug cables for connecting audio/video components with the exception described later.
The input and output terminals for pin plugs can be distinguished as follows:
Yellow video signals (composite)
White analog audio signals for the left channel
Red analog audio signals for the right channel
coaxial digital signals
After completing all connections, check them again to make sure they are correct.
INTRODUCTION
PREP ARA TION
Connecting the
Antenna (page 10)
Connecting an Audio
Component (page 12)
Connecting to an External
Decoder (page 12)
Connecting a Video
Component (page 13)
Connecting Speakers
(page 14)
L
MAIN
––++
R
REAR
L
R
CENTER
(SURROUND)
+
–
+
IMPEDANCE SELECTOR
switch (page 16)
Connecting the Power
Supply Cords (page 16)
A
B
SET BEFORE POWER ON
MAIN A OR B:4ΩMIN. /SPEAKER
A + B:8ΩMIN. /SPEAKER
CENTER : 6ΩMIN. /SPEAKER
REAR :6ΩMIN. /SPEAKER
MAIN A OR B:8ΩMIN. /SPEAKER
A + B:I6ΩMIN. /SPEAKER
CENTER : 8ΩMIN. /SPEAKER
REAR :8ΩMIN. /SPEAKER
–
(U.S.A. model)
MAINS
120 V 60Hz
100W MAX. TOTAL
SWITCHED
ADV ANCED OPERA
TION APPENDIX
EnglishBASIC OPERATION
9
Page 14
CONNECTIONS
Connecting the Antennas
Both AM and FM indoor antennas are included with this unit. In general, these antennas should provide sufficient signal
strength. However, a properly installed outdoor antenna provides clearer reception than an indoor one. If you experience poor
reception quality, an outdoor antenna may improve the quality.
Connect each antenna correctly to the designated terminals.
■ Indoor FM antenna (included)
Firmly insert the connector into the FM ANT terminal. The
Indoor FM
antenna
■ Outdoor FM antenna
Antenna adapter
(included for U.S.A. and
Canada models)
Note
Use this adapter to match
with F-type connector
75-ohm coaxial cable
indoor FM antenna is only a simple antenna. For reception
with better sound quality, installing the outdoor FM antenna
(commercially available) is recommended.
Note
• Do not connect an outdoor FM antenna and the indoor FM
antenna at the same time.
You may be unable to obtain good FM radio reception
depending on your local conditions (distance from the
broadcasting station, interposing buildings and
mountains, etc.). Consult your dealer or authorized service
center and be sure to install an antenna that suits your local
conditions.
Install the outdoor FM antenna (commercially available) in
a high place as far away from any roads as possible to avoid
being affected by automobile ignition noise.
75-ohm/300-ohm antenna
adapter
300-ohm feeder
10
Page 15
■ AM loop antenna (included)
AM loop antenna
■ Connecting the AM loop antenna
CONNECTIONS
The AM loop antenna can be removed from the stand and
attached to a wall, etc. However, note that the reception
sensitivity may deteriorate if the antenna is attached to a
metal or steel reinforced wall.
Notes
• The AM loop antenna should be placed away from this unit.
• The AM loop antenna should always be connected, even if an
outdoor AM antenna is connected to this unit.
INTRODUCTION
1
3
2
Antenna stand
■ Outdoor AM antenna
Vinyl covered wire (5 m to 10 m)
■ Ground (GND terminal)
1 Press the tab and unlock the terminal hole.
2 Insert the AM loop antenna lead wires into the
AM ANT and GND terminals.
PREP ARA TION
3 Return the tab to its original position to lock
54
the lead wires. Lightly pull the lead wires to
confirm a good connection.
4 Attach the loop antenna to the antenna stand.
5 Orient the AM loop antenna so that the best
reception is obtained.
If you cannot obtain good reception with the AM loop
antenna, connect 5 m to 10 m of vinyl covered wire to the
AM ANT terminal and extend it outdoors from a window.
ADV ANCED OPERA
For maximum safety and minimum interference, connect
the antenna GND terminal to a good earth ground. A good
earth ground is a metal stake driven into moist earth.
TION APPENDIX
11
EnglishBASIC OPERATION
Page 16
CONNECTIONS
Connecting an Audio Component
(U.S.A. model)
L R L R L R
L
R
Be sure to connect the right channel (R), left channel (L),
input (IN) and output (OUT) properly.
Analog signal
OUTPUT LINE OUT LINE IN
CD player
Tape deck or
MD recorder
Connecting to an External Decoder
External decoder
MAIN
OUT
L R L R
SURROUND
OUT
CENTER
OUT
SUBWOOFER
OUT
(U.S.A.
model)
Signal flow
This unit has additional 6-channel audio signal input
terminals for connecting an external decoder to this unit.
Connect the 6-channel audio signal output terminals of the
decoder to the EXTERNAL DECODER INPUT terminals
of this unit.
Notes
• When a source connected to these terminals is selected, the digital
sound field processor cannot be used.
• The settings of “CENTER SP”, “REAR SP”, “MAIN SP” and
“BASS OUT” in the SET MENU have no effect on a source
connected to these terminals. The setting of “MAIN LVL” is
effective. (Refer to pages 32 and 33 for details.)
12
Page 17
Connecting a Video Component
DVD/LD player TV/digital TV, satellite tuner, cable TV
CONNECTIONS
ANALOG
AUDIO OUT
L R
VIDEO
OUT
V
COAXIAL
DIGITAL OUT
C
OPTICAL
DIGITAL OUT
(U.S.A. model)
L R
AUDIO
OUT
L R V V
AUDIO
IN
VIDEO
OUT
VCR
■ Audio signal terminals
Be sure to connect the right channel (R), left channel (L),
input (IN) and output (OUT) properly.
■ Video signal terminals
Be sure to connect the input (IN) and output (OUT)
properly.
■ Digital audio signal terminals
If your DVD/LD player, TV/digital TV or satellite
tuner, etc. has coaxial or optical digital signal output
terminals, they can be connected to this unit’s COAXIAL
and/or OPTICAL digital signal input terminals. To make a
connection between the optical digital signal terminals,
remove the cover from each terminal, and then connect
them by using a commercially available optical fiber cable
that conforms to EIA standards. Other cables might not
function correctly.
L
R
V
O
C
ANALOG
AUDIO OUT
L R
Analog signal
Video signal
Digital signal
(optical)
Digital signal
(coaxial)
VIDEO
IN
OPTICAL
DIGITAL OUT
OO
VIDEO
OUT
V
V
VIDEO
IN
Signal flow
TV monitor
Notes
• Be sure to attach the covers when the OPTICAL terminals are not
being used in order to protect them from dust.
• If your LD player has a Dolby Digital RF signal output terminal,
be sure to use the RF demodulator (separately purchased).
• No sound will be heard when connecting your LD player’s Dolby
Digital RF signal output terminal directly to this unit’s COAXIAL
DVD/LD digital signal input terminal.
y
• The input signal from the DVD/LD input terminals is selected in
the following order of priority with the input mode set to AUTO:
COAXIAL terminal → OPTICAL terminal → Analog terminal.
Refer to page 21 for details.
• All digital signal input terminals are applicable to sampling
frequencies of 32 kHz, 44.1 kHz and 48 kHz.
INTRODUCTION
PREP ARA TION
ADV ANCED OPERA
TION APPENDIX
When making connections between the digital signal
terminals, you should connect the components to the samenamed analog audio signal terminals of this unit, because a
digital signal cannot be recorded by a tape deck, MD
recorder or VCR connected to this unit.
EnglishBASIC OPERATION
13
Page 18
CONNECTIONS
Connecting Speakers
Right Left
Subwoofer connection
If you have a subwoofer with builtin amplifier, including the
YAMAHA Active Servo Processing
Subwoofer System, connect the
input terminal of the subwoofer
system to the SUBWOOFER
OUTPUT terminal of this unit.
Main speakers A
Main speakers B
Right Left
(U.S.A. model)
L
MAIN
––++
R
A
B
+
–
SET BEFORE POWER ON
MAIN A OR B:4ΩMIN. /SPEAKER
A + B:8ΩMIN. /SPEAKER
CENTER : 6ΩMIN. /SPEAKER
REAR : 6ΩMIN. /SPEAKER
MAIN A OR B:8ΩMIN. /SPEAKER
A + B:I6ΩMIN. /SPEAKER
CENTER : 8ΩMIN. /SPEAKER
REAR : 8ΩMIN. /SPEAKER
REAR
L
R
CENTER
(SURROUND)
+
–
MAINS
120 V 60Hz
100W MAX. TOTAL
SWITCHED
Center speaker Rear speakers
Be sure to connect the right channel (R), left channel (L),
“+” (red) and “–” (black) properly. If the connections are
faulty, no sound will be heard from the speakers, and if the
polarity of the speaker connections is incorrect, the sound
will be unnatural and lack bass.
CAUTIONS
• Use speakers with the specified impedance shown on
the rear panel of this unit.
• Do not let the bare speaker wires touch each other and
do not let them touch any metal part of this unit. This
could damage the unit and/or speakers.
Right Left
■ Main speaker terminals
One or two speaker systems can be connected to these
terminals. If you use only one speaker system, connect it to
either of the SPEAKERS A or B terminals.
■ Rear speaker terminals
A rear speaker system can be connected to these terminals.
■ Center speaker terminal
A center speaker can be connected to this terminal.
14
Page 19
■ Speaker cables
CONNECTIONS
10 mm (3/8”)
from each of the speaker cable.
2 Twist the exposed wires of the cable together
to prevent short circuits.
■ Connecting to the MAIN SPEAKERS terminals
1 Remove approx. 10 mm (3/8”) of insulation
Red: positive (+)
Black: negative (–)
2
1
3
■ Connecting to the REAR and CENTER SPEAKERS terminals
Red: positive (+)
Black: negative (–)
1
3
2
1 Unscrew the knob.
2 Insert one bare wire into the hole in the side of
each terminal.
3 Tighten the knob to secure the wire.
1 Open the tab.
2 Insert one bare wire into the hole of each
terminal.
3 Return the tab to secure the wire.
INTRODUCTION
PREP ARA TION
y
Banana plug connections are also possible. Simply insert the
banana plug connector into the corresponding terminal.
ADV ANCED OPERA
TION APPENDIX
EnglishBASIC OPERATION
15
Page 20
CONNECTIONS
IMPEDANCE SELECTOR Switch
WARNING
Do not change the IMPEDANCE SELECTOR switch setting while the power to this unit is on, otherwise the unit may be
damaged.
If this unit fails to turn on when STANDBY/ON is pressed, the IMPEDANCE SELECTOR switch may not be fully slide
to either position. If so, slide the switch to either position fully when this unit is in the standby mode.
Select the right or left position according to the impedance of speakers in your system. Be sure to move this switch only
when this unit is in the standby mode.
(U.S.A. model)
If you use left position right position
Center
IMPEDANCE
SELECTOR
MAINS
speaker
Rear
speakers
SET BEFORE POWER ON
MAIN A OR B:4ΩMIN. /SPEAKER
A + B:8ΩMIN. /SPEAKER
CENTER : 6ΩMIN. /SPEAKER
REAR : 6ΩMIN. /SPEAKER
MAIN A OR B:8ΩMIN. /SPEAKER
A + B:I6ΩMIN. /SPEAKER
CENTER : 8ΩMIN. /SPEAKER
REAR : 8ΩMIN. /SPEAKER
120 V 60Hz
100W MAX. TOTAL
SWITCHED
Main
speakers
Connecting the Power Supply Cords
The impedance must be 6 Ω
or higher.
The impedance of each
speaker must be 6 Ω or
higher.
If you use one pair of main
speakers, the impedance of
each speaker must be 4 Ω or
higher.
If you use two pairs of main
speakers, the impedance of
each speaker must be 8 Ω or
higher.
The impedance must be 8 Ω
or higher.
The impedance of each
speaker must be 8 Ω or
higher.
If you use one pair of main
speakers, the impedance of
each speaker must be 8 Ω or
higher.
If you use two pairs of main
speakers, the impedance of
each speaker must be 16 Ω or
higher.
[Canada model only]
The impedance of each
speaker must be 8 Ω or
higher.
After completing all connections, connect the AC power
cord to an AC power outlet. Disconnect the AC power cord
if you will not use this unit for a long period of time.
■ AC OUTLETS (SWITCHED)
(U.S.A. model)
MAINS
SET BEFORE POWER ON
MAIN A OR B:4ΩMIN. /SPEAKER
A + B:8ΩMIN. /SPEAKER
CENTER : 6ΩMIN. /SPEAKER
REAR : 6ΩMIN. /SPEAKER
MAIN A OR B:8ΩMIN. /SPEAKER
A + B:I6ΩMIN. /SPEAKER
CENTER : 8ΩMIN. /SPEAKER
REAR : 8ΩMIN. /SPEAKER
120 V 60Hz
100W MAX. TOTAL
SWITCHED
To AC outlet
SWITCHED
16
U.S.A. and Canada models ..............................2 OUTLETS
Australia model .................................................. 1 OUTLET
Use these outlets to connect the power cords from your
components to this unit. The power to the AC OUTLET(S)
is controlled by this unit’s STANDBY/ON (or POWER).
These outlets will supply power to any connected
component whenever this unit is turned on. The maximum
power (total power consumption of components) that can be
connected to the AC OUTLET(S) is 100 W.
Page 21
ADJUSTING THE SPEAKER BALANCE
1
2,7
6
3
5
TEST
LEFT
TEST
RIGHT
TEST L SUR. TEST R SUR.
TEST CENTER
This procedure lets you adjust the sound output level
balance between the main, center and rear speakers by using
the built-in test tone generator. When this adjustment is
performed, the sound output level heard at the listening
position will be the same from each speaker. This is
important for the best performance of the digital sound field
processor, the Dolby Pro Logic decoder and Dolby Digital
decoder.
Before You Start Adjusting
12
LR
–+–+
3
4
1 Set VOLUME to the “m”
position.
Using the Test Tone
The adjustment of each speaker sound output level should
be performed at your listening position with the remote
control. After completing the adjustments, use VOLUME
(u/d) at your listening position to check if the adjustments
are satisfactory.
1 Press AMP(TUNER) on the
component selector.
2 Press TEST .
“TEST LEFT” appears on the display.
INTRODUCTION
PREP ARA TION
2 Turn the power on.
3 Press SPEAKERS A or B
to select the main
speakers to be used.
If you use two main speaker
systems, press both A and B.
4 Set BASS, TREBLE and BALANCE to the “0”
position.
LR
–+–+
3 Turn up the volume.
You will hear a test tone (like pink noise) from each
speaker for about two seconds in following order: left
main speaker, center speaker, right main speaker, right
rear speaker and left rear speaker. The display changes
as shown below.
Notes
• If the test tone cannot be heard, turn down the volume, set the unit
in the standby mode and check the speaker connections.
• If the test tone cannot be heard from the center speaker, check the
setting of “CENTER SP” in the SET MENU.
ADV ANCED OPERA
TION APPENDIX
EnglishBASIC OPERATION
17
Page 22
ADJUSTING THE SPEAKER BALANCE
4 Adjust BALANCE on the
front panel so that the
sound output level of the
right main speaker and the
left main speaker is the
same.
LR
Front panel
5 Press TIME/LEVEL
repeatedly to select the
speaker to be adjusted.
“CENTER”, “R SUR.” or
“L SUR.” appears on the
display.
6 Press + to raise and – to
lower the level. Adjust the
sound output levels of the
center speaker and the
rear speakers so that they
become almost the same
as that of the main
speakers.
While adjusting, the test tone is
heard from the selected speaker.
Note
• You cannot adjust the delay time while the test tone is being heard
even if “DELAY” appears on the display.
7 When the adjustment is complete, press TEST.
“TEST OFF” appears on the display and the test tone
stops.
Note
• If “CENTER SP” in the SET MENU is set to the NONE position,
the sound output level of the center speaker cannot be adjusted in
step 6. The center channel sound is automatically output from the
right and left main speakers.
y
• Once you have completed the adjustments, you can only adjust
the overall volume level of your audio system by using VOLUME
(or VOLUME (u/d)).
• If there is insufficient sound output from the center and rear
speakers, you may decrease the main speaker output level by
setting “MAIN LVL” in the SET MENU to “–10 dB”. (Refer to
page 33 for details.)
18
Page 23
BASIC OPERATION
PLAYING A SOURCE
When using the remote control, press AMP(TUNER) on
the component selector.
2
LR
–+–+
3
67
4
6
2
7
4
1 Set VOLUME to the “m”
position.
Front panel
2 Turn the power on.
or
Front panel Remote control
3 Press SPEAKERS A or B
to select the main
speakers to be used.
If you use two main speaker
systems, press both A and B.
Front panel
1,6
4 Select the desired input
source with INPUT (or the
input selector buttons).
(Turn on the TV monitor for
video sources.)
The name of the selected input
source appears on the display.
Input source
a. To select a tape or an MD source
Press TAPE/MD MON / EXT.
DECODER (or TAPE/MD) so
that the “TAPE/MD
MONITOR” indicator lights up
on the display.
b. To select a source connected to the
EXTERNAL DECODER INPUT terminals
Press TAPE/MD MON / EXT. DECODER repeatedly
(or EXT. DEC.) until “EXT. DECODER” appears on
the display.
Notes
• An audio source can not be played if the “TAPE/MD MONITOR”
indicator lights up or if “EXT. DECODER” appears. Press TAPE/
MD MON / EXT. DECODER twice (or TAPE/MD once) to turn
off the “TAPE/MD MONITOR” indicator. Press TAPE/MD
MON / EXT. DECODER once (or EXT. DEC.) to turn off “EXT.
DECODER”.
• If you select and play a video source when the “TAPE/MD
MONITOR” indicator lights up or “EXT. DECODER” appears,
the play back result will be a video image from the video source
and the sound from the audio source selected by using TAPE/MD
MON / EXT. DECODER (or TAPE/MD or EXT. DEC.).
y
For the DVD/LD, TV/digital TV and satellite tuner sources, the
current input mode is also shown. Refer to page 21 for details about
the input mode.
Front panel
or
Remote control
Front panel
ADV ANCED OPERA
TION APPENDIXINTRODUCTION PREP ARA TION
19
EnglishBASIC OPERATION
Page 24
PLAYING A SOURCE
5 Play the source.
Refer to the instructions for the source component (and
page 26 for details about tuning).
Note
• When controlling an audio/video component (tape deck, MD
recorder, CD player, DVD/LD player, etc.) with the remote
control, press one of the component selector buttons, (TAPE/MD,
CD, DVD/LD, etc.), which corresponds to the component you
want to control. Refer to “PRESET REMOTE CONTROL” on
page 38.
6 Adjust the volume to the desired output level.
If desired, adjust BASS, TREBLE, BALANCE, etc.
These controls are only effective for the sound from the
main speakers.
• BASS controls the low-frequency response.
• TREBLE controls the high-frequency response.
• BALANCE adjusts the balance of the output volume
from the right and left main speakers.
or
Front panel Remote control
■ To mute the sound
Press MUTE on the remote
control.
To cancel mute, press MUTE.
Note
• During muting, “MUTE ON” appears on the display.
■ When you have finished using this
unit
Press STANDBY/ON (or POWER) to set this unit in the
standby mode.
■ BGV (background video) function
The BGV function allows you to combine a video image
from a video source with a sound from an audio source.
(For example, you can listen to classical music while you
are watching a video.) This function can only be controlled
with the remote control.
Play a video source, and then select an audio source with
the input selector buttons on the remote control. The BGV
function does not work if you select the audio source with
INPUT on the front panel.
LR
–+–+
Front panel
7 Use the digital sound field processor.
Refer to page 22.
or
Front panel Remote control
20
Page 25
PLAYING A SOURCE
Input Mode (for the DVD/LD and TV/
digital TV and satellite tuner
sources)
This unit allows you to switch the input mode for sources
that send both digital and analog signals to this unit. The
AUTO and ANALOG input modes are provided.
When you turn on the power of this unit, the input mode for
the DVD/LD source is always set to AUTO and for TV/
digital TV or satellite tuner source is set according to “SAT
INPUT” in the SET MENU. (Refer to page 34 for details.)
■ AUTO
In this mode, the input signal is selected in the following
order of priority:
1. Digital signal encoded with Dolby Digital
2. Normal digital signal (PCM)
3. Analog signal (ANALOG)
Note
• If digital signals are input from both the OPTICAL and
COAXIAL terminals, the digital signal from the COAXIAL
terminal is selected.
■ ANALOG
In this mode, only an analog signal is selected, even if a
digital signal is being input at the same time. Select this
mode when you want to use an analog signal instead of a
digital signal.
■ Switching the input mode
Press INPUT MODE (or the input selector
button that you have pressed to select the
input source on the remote control) repeatedly
until the desired input mode is shown on the
display.
or
Front panel Remote control
Notes
• Set the input mode to AUTO to play a DVD/LD source encoded
with Dolby Digital.
• Set the input mode to ANALOG to play a normal 2-channel
source with a Dolby Surround program.
• The sound output may be interrupted for some LD and DVD
players in the following situation: The input mode is set to
AUTO. A search is performed while playing the disc encoded
with Dolby Digital, and then disc playing is restored. The sound
output is interrupted for a moment because the digital signal was
selected again.
• The input mode cannot be changed for the CD, TUNER, TAPE/
MD, VCR and AUX sources because only analog signals are used
for these.
• The current input mode appears on the display when the DVD/
LD, TV/digital TV or satellite tuner source is selected or the input
mode is changed.
ADV ANCED OPERA
■ Notes on playing an LD source
• Some audio/video component, such as LD player, output different
audio signals through their analog and digital terminals. Change
the input mode as necessary.
• If the input mode is set to AUTO for the LD source, this unit
automatically determines which type of signal the LD source
contains. If this unit detects a Dolby Digital signal, the decoder
automatically switches to the appropriate setting and reproduces
5.1 channel sound.
• If the LD player is transmitting signals by a non-normal method,
this unit cannot detect the Dolby Digital signal. In this case, the
decoder automatically switches to PCM or analog.
• If the LD source does not contain a digital soundtrack, connect
the LD player to the analog terminals.
• While you are operating the LD player, if you switch from the
pause or chapter forwarding function to normal playback, you
may hear the PCM or analog sound an instant before the Dolby
Digital sound is played.
21
TION APPENDIXINTRODUCTION PREP ARA TION
EnglishBASIC OPERATION
Page 26
DIGITAL SOUND FIELD PROCESSOR (DSP) EFFECT
Selecting a DSP Program
You can enhance your listening experience by selecting a
DSP program. Refer to pages 23 to 25 for details about each
program.
LR
–+–+
2
2
3
■ On the front panel
1 Make sure that the effect speakers (center,
rear, and subwoofer) are turned on.
2 Press PROGRAM h or l repeatedly to select
the desired program.
The name of the selected
program appears for a moment
and the selected DSP program
indicator lights up on the
display.
DSP program indicator
■ On the remote control
1 Make sure that the effect speakers (center,
rear, and subwoofer) are turned on.
2 Press AMP(TUNER) on the
component selector.
3 Press PRG+ or PRG–
repeatedly to select the
desired program.
The name of the selected
program appears for a moment
and the selected DSP program
indicator lights up on the
display.
DSP program indicator
y
If desired, adjust the delay time and the sound output level of each
speaker. (Refer to pages 35 and 36 for details.)
Notes
• You can select a DSP program for each of the input sources. Once
you select a program, it is linked with the input source selected at
that time. So, when you select the input source next time, the
same program is automatically selected.
• When a monaural source is being played with PRO LOGIC/
Normal or PRO LOGIC/ENHANCED, no sound will be heard
from the main speakers and the rear speakers. Sound can only be
heard from the center speaker. However, if “CENTER SP” in the
SET MENU is set to the NONE position, the center channel
sound is output from the main speakers.
• When a source connected to the EXTERNAL DECODER INPUT
terminals of this unit is selected, the digital sound field processor
cannot be used.
Canceling the Sound Effect (turning
off the effect speakers)
Press EFFECT to cancel
the sound effect and
monitor only the main
sound.
Press EFFECT again to turn the
sound effect back on.
Notes
• If the sound effect is canceled when Dolby Digital is decoding,
the sounds of all channels are mixed and output from the main
speakers.
• If you turn off the sound effect when Dolby Digital is decoding, it
may happen that the sound is output faintly or not output
normally, depending on the source. In that case, turn back on the
sound effect.
Front panel
or
Remote control
22
Page 27
SOUND FIELD PROGRAM
This unit incorporates a sophisticated, multi-program digital sound field processor (DSP). This processor allows you to
electronically expand and change the shape of the audio sound field from both audio and video sources, creating a theaterlike experience in your listening room. You can create outstanding audio sound by selecting a suitable DSP program (this
will, of course, depend on what you are listening to).
When you select a CINEMA DSP program, one of the built-in decoders (Dobly Pro Logic and Dolby Digital) is turned on
according to which type of signals the source being played contains.
The following list gives you a brief description of the sound fields produced by each of the DSP programs. Keep in mind that
most of these are precise digital re-creations of actual acoustic environments.
■ For movie or audio/video sources (Program No. 1 to No. 5: CINEMA DSP
programs)
No. PROGRAM SUBPROGRAM FEATURES
1 q SURROUND [1] PRO LOGIC/Normal ( o )
• Input source: Dolby Surround
2-ch Dolby Digital
• Output channel: 4 channels
• DSP: —
[2] DOLBY DIGITAL/Normal ( g )
• Input source: Dolby Digital
• Output channel: 5.1 channels
• DSP: —
[3] PRO LOGIC/ENHANCED
( ox)
• Input source: Dolby Surround
2-ch Dolby Digital
• Output channel: 4 channels
• DSP: 1 (surround)
[4] DOLBY DIGITAL/ENHANCED
( gx )
• Input source: Dolby Digital
• Output channel: 5.1 channels
• DSP: 2 (surround L, R)
The built-in Dolby Pro Logic decoder or
Dolby Digital decoder precisely reproduces
the sound and effect of a source encoded with
Dolby Surround or Dolby Digital.
The realization of a highly efficient decoding
process improves cross talk and channel
separation, and makes sound positioning
smoother and more precise.
In this program, the digital sound field
processor is not turned on.
This program ideally simulates the multisurround speaker systems of the 35 mm-film
movie theater. Dolby Pro Logic decoding or
Dolby Digital decoding and digital sound
field processing are precisely performed
without altering the original sound
orientation.
The surround effect produced by the sound
field folds around the viewer naturally from
the rear to the right and left and toward the
screen.
ADV ANCED OPERA
23
TION APPENDIXINTRODUCTION PREP ARA TION
EnglishBASIC OPERATION
Page 28
SOUND FIELD PROGRAM
No. PROGRAM SUBPROGRAM FEATURES
2 MOVIE
THEATER1
[1] 70 mm SPECTACLE
( ox)
• Input source: Dolby Surround
2-ch Dolby Digital
• Output channel: 3 channels
• DSP: 2 (presence & surround)
[2] DGTL SPECTACLE
( g x )
• Input source: Dolby Digital
• Output channel: 5.1 channels
• DSP: 3 (presence & surround L, R)
This program creates the extremely wide sound
field of a movie theater. It precisely reproduces
the source sound in detail, giving both the video
and the sound field incredible reality. It is ideal
for any kind of video source encoded with
Dolby Surround or Dolby Digital (especially
large-scale movie productions).
3 MOVIE
THEATER2
[3] 70 mm SCI-FI ( o x )
• Input source: Dolby Surround
2-ch Dolby Digital
• Output channel: 3 channels
• DSP: 2 (presence & surround)
[4] DGTL SCI-FI ( g x )
• Input source: Dolby Digital
• Output channel: 5.1 channels
• DSP: 3 (presence & surround L, R)
[1] 70 mm ADVENTURE
( ox )
• Input source: Dolby Surround
2-ch Dolby Digital
• Output channel: 3 channels
• DSP: 2 (presence & surround)
[2] DGTL ADVENTURE
( gx)
• Input source: Dolby Digital
• Output channel: 5.1 channels
• DSP: 3 (presence & surround L, R)
[3] 70 mm GENERAL ( ox )
• Input source: Dolby Surround
2-ch Dolby Digital
• Output channel: 3 channels
• DSP: 2 (presence & surround)
[4] DGTL GENERAL ( gx )
• Input source: Dolby Digital
• Output channel: 5.1 channels
• DSP: 3 (presence & surround L, R)
Clearly reproduces dialog and sound effects in
the latest sound form of science fiction films,
thus creating a broad and expansive cinematic
space amid the silence. You can enjoy science
fiction films in a virtual-space sound field that
includes Dolby Surround and Dolby Digitalencoded software employing the most advanced
techniques.
Ideal for precisely reproducing the sound of the
newest multi-track films. The sound field is
made to be similar to that of the newest movie
theaters, so the reverberations of the sound field
itself are restrained as much as possible. The
data for the sound field of an opera house are
used for the front presence, so the threedimensional feeling of the sound field is
emphasized, and dialog is precisely oriented on
the screen. By using the data for the sound field
of a concert hall on the surround sound field,
powerful reverberations are generated. You can
enjoy watching action, adventure movies, etc.
with strong presence.
This program is for reproducing sounds on a
multi-track film, and is characterized by a soft
and extensive sound field. The front presence of
the sound field is relatively narrow. It spatially
spreads all around and toward the screen,
restraining echo effect of conversations without
losing clarity. For the surround sound field, the
harmony of music or chorus sounds beautifully
in a wide space at the rear of the sound field.
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No. PROGRAM FEA TURES
4 MONO MOVIE
• Input source: Monaural
• Output channel: 1 channel
• DSP: 1
5 TV SPORTS
• Input source: Audio/Video
• Output channel: 2 to 5.1 channels
• DSP: 2 to 3 (presence & surround)
This program is designed specifically to enhance monaural
sources. Compared to a strictly mono setting, the sound image
is wider and slightly forward of the speaker pair, lending an
immediacy to the overall sound. It is particularly effective for
old mono movie, news broadcasts and dialog.
This program is furnished with a tight sound field in which the
sound will not spread excessively at the front, but the rear
surround produces dynamic sound expansion. It is the most
suitable for sports programs.
■ For Hi-Fi audio sources
No. PROGRAM FEATURES
6 DISCO
• Input source: 2-ch PCM/Analog audio
• Output channel: 2 channels
• DSP: 1
This program simulates the acoustic environment of a disco in
the heart of a lively city. The sound is dense and highly
concentrated.
SOUND FIELD PROGRAM
7 ROCK CONCERT
• Input source: 2-ch PCM/Analog audio
• Output channel: 2 channels
• DSP: 1
8 CONCERT HALL
• Input source: 2-ch PCM/Analog audio
• Output channel: 2 channels
• DSP: 1
This program is ideally suited for rock music. You will
experience a dynamic and lively sound field.
This program creates the expansive ambience of a large concert
hall. It is suited for orchestra and opera music.
CINEMA DSP: Dolby Surround + DSP/Dolby Digital + DSP
■ Dolby Pro Logic + 2 digital sound fields
Digital sound fields are created in both the presence and
rear surround zones of the Dolby Pro Logic-decoded sound
field. They create a wide acoustic environment and
emphasize the surround effect in the room, letting you feel
as much presence as if you were watching a movie in a
popular Dolby Stereo theater.
■ Dolby Digital + 3 digital sound fields
Digital sound fields are created in the presence zone and
independently on the left and right surround zones of the
Dolby Digital-decoded sound field. They create a wide
acoustic environment and strong surround effect in the room
without losing high channel separation. With the wide
dynamic range of Dolby Digital sound, this sound field
combination lets you feel as if you were watching a movie
in the newest Dolby Digital theater. This is the most ideal
home theater sound at the present time.
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TUNING
Automatic tuning is effective when station signals are
strong and there is no interference. However, if the signal
from the station you want to select is weak, you must tune
in to it manually (manual tuning).
1
LR
–+–+
5
32
4
Automatic Tuning
1 Use INPUT to select the
tuner as the input source.
2 Press FM/AM to select the reception band (FM
or AM).
“FM” or “AM” appears on the display.
or
5 Press PRESET/TUNING h once to tune in to a
higher frequency and l once to tune in to a
lower frequency.
Press the button again if the tuning search does not stop
at the desired station.
Note
• If you tune in manually to an FM station, it will be automatically
received in monaural mode to increase the signal quality.
y
• Use the manual tuning method if the tuning search does not stop
at the desired station (because the signal from the station is weak).
• When tuned in to a station, the frequency of the received station is
shown on the display.
Manual Tuning
1 Use INPUT to select the
tuner as the input source.
2 Press FM/AM to select the reception band (FM
or AM).
“FM” or “AM” appears on the display.
3 Press TUNING MODE so that the “AUTO”
indicator lights up on the display.
Lights up
4 Press PRESET/TUNING (EDIT) to turn “ z ” off.
Turn “ z ” off
or
3 Press TUNING MODE so that the “AUTO”
indicator goes off.
Goes off
4 Press PRESET/TUNING (EDIT) to turn “ z ” off.
Turn “ z ” off
5 Press PRESET/TUNING h or l to tune in to
the desired station.
To continue the tuning search, hold down the button.
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TUNING
Automatic Preset Tuning (for FM
stations only)
You can make use of the automatic preset tuning function
for FM stations only. This function enables the unit to
automatically tune in with strong signals and to sequentially
store up to 40 FM stations (5 groups x 8 stations).
LR
–+–+
21 3
1 Press FM/AM to select the FM band.
2 Press TUNING MODE so that the “AUTO”
indicator lights up on the display.
Lights up
3 Hold down MEMORY for about three seconds.
The preset number, the “MEMORY” and “AUTO”
indicators flash. After about five seconds, automatic
preset tuning begins from the frequency currently
displayed toward the higher frequencies.
Received stations are sequentially stored as A1, A2 ...
A8. If more than 8 stations have been tuned, they are
stored as preset station numbers in other groups (B, C,
D and E) in that order.
■ Automatic preset tuning options
You can select the preset number from which the unit will
store FM stations and/or begin tuning toward lower
frequencies. Before automatic preset tuning begins (after
pressing MEMORY in step 3),
1. Press A/B/C/D/E and PRESET/TUNING to select the
preset number with which the first station will be stored.
The automatic preset tuning will stop when stations have
all been stored up to E8.
2. Press PRESET/TUNING (EDIT) to turn “ z ” off and
then press PRESET/TUNING l to begin tuning toward
lower frequencies.
■ When automatic preset tuning is
completed
The display shows the frequency of the last preset station.
Check the contents and the number of preset stations by
following the procedure in the section “To Recall a Preset
Station” on page 28.
Notes
• A new setting can be stored in place of the former one.
• You can manually replace a preset station with another FM or AM
station by simply using the manual preset tuning method.
• Even if the number of received stations is not enough to be stored
up to E8, automatic preset tuning is automatically ended after
searching for all stations.
• Only FM stations with sufficient signal strength are stored by
automatic preset tuning. If the station you want to store is weak in
signal strength, tune in to it manually in monaural mode and store
it by using the manual preset tuning method.
ADV ANCED OPERA
TION APPENDIXINTRODUCTION PREP ARA TION
Flashes
Memory back-up
The memory back-up circuit prevents the stored data
from being lost when this unit is set in the standby mode.
If, however, the power cord is disconnected from the AC
power outlet or the power is cut for more than one week,
the memory will be erased. If so, store the stations again
by using preset tuning methods.
EnglishBASIC OPERATION
27
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TUNING
Manual Preset Tuning
You can also store up to 40 stations (5 groups x 8 stations)
manually.
LR
–+–+
3 2,54
1 Tune in to the desired station.
Refer to page 26 for the tuning procedure.
2 Press MEMORY.
The “MEMORY” indicator flashes for about five
seconds.
Flashes
3 Press A/B/C/D/E repeatedly to select the
desired group (A to E) of preset stations
before the “MEMORY” indicator goes off.
Make sure that “ z ” appears on the display. The
selected group appears on the display.
To Recall a Preset Station
You can recall any desired station simply by selecting the
preset station number with which it was stored.
You can also recall a preset station with the remote control.
Press AMP(TUNER) on the component selector and press
TUNER on the input selector.
LR
–+–+
1 2
1
2
1 Press A/B/C/D/E to select the required group
of preset stations.
Make sure that “ z ” appears on the display.
4 Press PRESET/TUNING h or l to select a
preset station number (1 to 8) with which you
want to store the station before the “MEMORY”
indicator goes off.
Press h to select a higher
preset station number and l to
select a lower preset station
number.
5 Press MEMORY before the “MEMORY”
indicator goes off.
The displayed station has been stored as the preset
group and number you have selected, and the reception
band and frequency appear on the display.
6 Repeat steps 1 to 5 to store other stations.
Notes
• A new setting can be stored in place of the former one.
• The reception mode (stereo or monaural) is stored along with the
station frequency.
28
or
Front panel
Remote control
2 Press PRESET/TUNING h or l (or PRESET
+/–) to select a preset station number (1 to 8).
The preset group and number appear on the display
along with the reception band, frequency and signal
strength information.
or
Front panel
Remote control
Page 33
Exchanging Preset Stations
You can exchange the assignment of two preset stations
with each other.
■ Example: If you want to exchange
preset station “E1” with “A5”.
2,4
LR
–+–+
1 Recall preset station “E1”.
Refer to the procedure in the section “To Recall a
Preset Station” on page 28.
2 Hold down (PRESET/TUNING) EDIT for about
three second.
“E1” and the “MEMORY” indicator flash.
TUNING
Flashes
3 Recall preset station “A5” by using the buttons
on the front panel.
“A5” and the “MEMORY”
indicator flash.
Flashes
4 Press (PRESET/TUNING) EDIT again.
The display shows the exchange of stations has been
completed.
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RECORDING A SOURCE ON TAPE, MD OR VIDEO CASSETTE
Recording adjustments and other operations are performed
from the tape deck, MD recorder or VCR. Refer to the
instructions for these components.
1,42
LR
–+–+
4
2
1 Set VOLUME to the “m”
position.
y
If a tape deck or MD recorder is being used for recording, you can
monitor the sounds being recorded by pressing TAPE/MD MON /
EXT. DECODER (or TAPE/MD).
Notes
• The DSP program and the setting of VOLUME, BASS, TREBLE
and BALANCE have no effect on the material being recorded.
• A source connected to this unit only through the digital terminals
cannot be recorded by the tape deck, MD recorder or VCR
connected to this unit.
• A source connected to the EXTERNAL DECODER INPUT
terminals of this unit cannot be recorded.
• Check the copyright laws in your country to record from records,
CDs, radio, etc. Recording of copyrighted material may infringe
copyright laws.
If you play back a video source that uses scrambled or
encoded signals to prevent it from being dubbed, the
picture itself may be disturbed due to those signals.
Front panel
2 Select the source you want to record.
or
Remote controlFront panel
3 Begin recording by the tape deck, MD recorder
or VCR connected to this unit.
4 Play the source and then turn up the volume to
confirm the input source.
or
Front panel
Remote control
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ADVANCED OPERATION
SET MENU
This unit provides you with the following items in the SET
MENU to maximize the performance of your system and
expand your enjoyment for audio listening and video
watching.
1. CENTER SP
2. REAR SP
3. MAIN SP
4. BASS OUT
5. MAIN LVL
6. D.D. LFE
7. D-RANGE
8. CNTR DELAY
9. MEM. GUARD
10.SAT INPUT
Adjusting Items in the SET MENU
Adjustments should be performed with the remote control
while watching the information on the display.
1
3
2
2 Press SET MENU
repeatedly to select the
item you want to adjust.
The selected item appears on
the display.
3 Press + or – repeatedly to
adjust the setting.
4 Repeat steps 2 and 3 to adjust the setting of
any other item in the same way.
Memory back-up
The memory back-up circuit prevents the stored data
from being lost when this unit is set in the standby mode.
If, however, the power cord is disconnected from the AC
power outlet or the power is cut for more than one week,
the settings of the SET MENU will automatically return
to the preset positions and values. If so, adjust the
settings of the SET MENU again.
ADV ANCED OPERA
1 Press AMP(TUNER) on the
component selector.
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SET MENU
Description of Each Item
1. CENTER SP
Choices: LRG (Large)/SML (Small)/NONE
Preset position: LRG (Large)
LRG (Large)
Select this position if your center speaker is approximately
the same size as the main speakers. In this position, fullrange signals on the center channel are directed to the center
speaker.
SML (Small)
Select this position if you use a center speaker that is
smaller than the main speakers. In this position, low bass
signals (below 90 Hz) on the center channel are distributed
to the SUBWOOFER OUTPUT terminal (or to the right and
left main speakers if “BASS OUT” is set to the MAIN
position).
NONE
Select this position if you do not have a center speaker
(4-speaker system). In this position, full-range signals on
the center channel are directed to the right and left main
speakers.
2. REAR SP
Choices: LARGE/SMALL
Preset position: LARGE
LARGE
Select this position if your rear speakers have high ability
for bass reproduction, or if a subwoofer is connected in
parallel to the rear speaker. In this position, full-range
signals on the rear channels are directed to the rear speakers.
SMALL
Select this position if your rear speakers do not have high
ability for bass reproduction. In this position, low bass
signals (below 90 Hz) on the rear channels are distributed to
the SUBWOOFER OUTPUT terminal (or to the right and
left main speakers if “BASS OUT” is set to the MAIN
position).
3. MAIN SP
Choices: LARGE/SMALL
Preset position: LARGE
LARGE
Select this position if your main speakers have high ability
for bass reproduction. In this position, full-range signals on
the main channels are directed to the right and left main
speakers.
SMALL
Select this position if your main speakers do not have high
ability for bass reproduction. However, if your system does
not include a subwoofer, do not select this position. In this
position, low bass signals (below 90 Hz) on the main
channels are distributed to the SUBWOOFER OUTPUT
terminal if “BASS OUT” is set to the SW or BOTH
position.
4. BASS OUT
Choices: SW/MAIN/BOTH
Preset position: BOTH
SW
Select this position if your system includes a subwoofer. In
this position, signals on the LFE channel and other low bass
signals that are distributed from other channels are directed
to the SUBWOOFER OUTPUT terminal when playing a
source encoded with Dobly Digital.
Note
• When playing a 2-channel source (tape, MD, CD, video
cassette etc.), select the BOTH position to direct low bass signals
(below 90 Hz) to the SUBWOOFER OUTPUT terminals.
MAIN
Select this position if your system does not include a
subwoofer. In this position, besides full-range signals on the
main channels, signals on the LFE channel and other low
bass signals (below 90 Hz) that are distributed from other
channels are directed to the right and left main speakers.
BOTH
Select this position if your system includes a subwoofer. In
this position, signals on the LFE channel are directed to the
SUBWOOFER OUTPUT terminal. Low bass signals on the
main channels are directed to both the main speakers and
the SUBWOOFER OUTPUT terminal.
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SET MENU
5. MAIN LVL
Choices: NORM (Normal)/–10 dB
Preset position: NORM (Normal)
NORM (Normal)
Normally select this position.
–10 dB
Select this position if the sound output from the main
speakers is too loud and cannot be balanced with the sound
output from the center and rear speakers. In this position,
the sound output from the main speakers is attenuated.
Notes
• The setting of “CENTER SP”, “REAR SP”, “MAIN SP” and
“BASS OUT” have no effect on a source connected to the
EXTERNAL DECODER INPUT terminals on the rear of this
unit.
• Once you have adjusted appropriately for “CENTER SP”, “REAR
SP”, “MAIN SP”, “BASS OUT” and “MAIN LVL”, you do not
have to change any settings unless your speaker system is
modified.
6. D.D. LFE (Adjusting the output
level of the LFE channel for Dolby
Digital)
Control range: –20 dB to 0 dB (in 1 dB steps)
Preset value: 0 dB
Note
• This adjustment is only effective when Dolby Digital is being
decoded and the selected source encoded with Dolby Digital
contains LFE signals.
This adjusts the output level of the LFE channel. If the LFE
signals are mixed with signals of other channels and they
are directed to the same speakers, the ratio of the LFE signal
level to the level of the other signals can be adjusted.
7. D-RANGE (Adjusting the dynamic
range)
Choices: MAX/STD (Standard)/MIN
Preset position: MAX
Note
• This adjustment is only effective when Dolby Digital is being
decoded.
“Dynamic range” is the difference between the maximum
level and the minimum level of sounds. Sounds on a movie
originally designed for movie theaters feature a very wide
dynamic range. Dolby Digital technology can modify the
original sound track into a home audio format with this
wide dynamic range unchanged. Powerful sounds of
extremely wide dynamic range are not always suitable for
home use. Depending on the condition of your listening
environment, it may not be possible to increase the sound
output to a level as high as that in a movie theater. However,
at the normal level suitable for listening in your room, the
low-level parts of source sound often cannot be heard well
because they will be lost among noise in your environment.
Dolby Digital technology has also made it possible to
reduce an original sound track’s dynamic range for a home
audio format by “compressing” the sound data.
MAX
In this position, a source encoded with Dolby Digital is
reproduced in the original sound track’s wide dynamic
range to provide you with powerful sounds just like those in
a movie theater. Selecting this position will be even better if
you can listen to a source at a high output level in a room
specially soundproofed for audio/video enjoyment.
STD (Standard)
In this position, a source encoded with Dolby Digital is
reproduced in the “compressed” dynamic range of the
source that is suitable for low-level listening.
MIN
In this position, the dynamic range is more reduced than in
the STD position. Selecting this position will be effective
when you must listen to a source at a low level.
Note
• It may happen that sound is output faintly or not output normally
depending on the source. In that case, select the MAX or STD
position.
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SET MENU
8. CNTR DELAY (Adjusting the delay
of the center sound)
Control range: 0 ms to 5 ms (in 1 ms steps)
Preset value: 0 ms
Note
• This adjustment is only effective when Dolby Digital is being
decoded and the selected source encoded with Dolby Digital
contains center channel signals.
This adjusts the delay between the main sound (on the main
channels) and dialog, etc. (on the center channel). The larger
the value, the later the dialog, etc. is generated.
This makes sounds from the left main, center and right main
speakers reach your listening position at the same time. This
is achieved by delaying the sound from the center speaker if
the distance from the center speaker to your listening
position is shorter than the distance from the right and left
main speaker to your listening position.
9. MEM. GUARD (Locking the
settings)
Choices: ON/OFF
Preset position: OFF
If you wish to prevent accidental alterations to the settings
of the SET MENU and other adjustments on this unit, select
the ON position. The following settings on this unit can be
locked:
• Settings of other items in the SET MENU
• Settings in the TIME/LEVEL mode
• Settings when using TEST
10.SAT INPUT (Selecting the initial
input mode for a source connected
to the SAT/D-TV input terminals)
Choices: AUTO/LAST
Preset position: AUTO
The input mode for a source connected to the SAT/D-TV
input terminals of this unit can be automatically set when
the power of this unit is turned on. Refer to page 21 for
details about the input mode.
AUTO
In this position, the input mode is always set to AUTO.
LAST
In this position, the input mode is automatically set to that
selected the last time when the power of this unit was turned
on.
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DELAY TIME AND SPEAKER OUTPUT LEVELS
When using the digital sound field processor with the Dolby
Pro Logic decoder or Dolby Digital decoder, you can adjust
the delay time between the main sound and sound effect,
and each speaker’s output level as you wish.
Delay Time
You can adjust the time difference between the beginning of
the sound from the main speakers and the beginning of the
sound effect from the rear speakers. The larger the value,
the later the sound effect is generated. The delay time can be
individually adjusted to all DSP programs.
Notes
• Adding too much delay will cause an unnatural effect with some
sources.
• The sound is momentarily interrupted while adjusting the delay
time.
Program
1. PRO LOGIC/Normal 15 to 30 20
DOLBY DIGITAL/Normal 0 to 15 5
PRO LOGIC/ENHANCED 15 to 30 20
DOLBY DIGITAL/ENHANCED 0 to 15 5
2. 70 mm SPECTACLE 15 to 30 23
DGTL SPECTACLE 1 to 99 15
70 mm SCI-FI 15 to 30 20
DGTL SCI-FI 1 to 99 16
3. 70 mm ADVENTURE 15 to 30 20
DGTL ADVENTURE 1 to 99 15
70 mm GENERAL 15 to 30 20
DGTL GENERAL 1 to 99 15
4. MONO MOVIE 1 to 99 49
5. TV SPORTS 1 to 99 9
6. DISCO 1 to 99 40
7. ROCK CONCERT 1 to 99 16
8. CONCERT HALL 1 to 99 44
Control
range (ms)
Preset
value
Sound Output Level of the Center,
Right Rear and Left Rear Speakers,
and Subwoofer
If desired, you can adjust the sound output level of each
speaker even if it has already been adjusted in
“ADJUSTING THE SPEAKER BALANCE” on pages 17
and 18.
Notes
• The sound output level of the center speaker cannot be adjusted
when the input signal is analog, PCM audio, or encoded with
Dolby Digital in 2-channel.
• If “CENTER SP” in the SET MENU is set to the NONE position,
the sound output level of the center speaker cannot be adjusted.
This is because the center channel sound is automatically output
from the right and left main speakers.
• Once the sound output level has been adjusted, the level will be
the same for all DSP programs.
Speaker Control range (dB) Preset value
Center –20 to +10 0
Right rear –20 to +10 0
Left rear –20 to +10 0
Subwoofer –20 to 0 0
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DELAY TIME AND SPEAKER OUTPUT LEVELS
Adjusting Method
Adjustments should be performed with the remote control
while watching the information on the display.
1
3
2
1 Press AMP(TUNER) on the
component selector.
2 Press TIME/LEVEL repeatedly to select the
item you want to adjust.
Each time you press TIME/LEVEL, the selected item
changes and appears on the display as below.
DELAY
CENTER
R SUR.
L SUR.
SWFR
3 Press + or – to adjust the
delay time or speaker
output levels.
4 Repeat steps 2 and 3 to adjust the settings of
any other item.
Memory back-up
The memory back-up circuit prevents the stored data
from being lost when this unit is set in the standby mode.
If, however, the power cord is disconnected from the AC
power outlet or the power is cut for more than one week,
the latest values for the delay time and the center/rear/
subwoofer output levels that were set will automatically
return to the preset values. If so, adjust the delay time
and output levels again.
Note
• Depending on the setting of the SET MENU, you may not be able
to select all these items.
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SLEEP TIMER
The SLEEP timer can be used to automatically set this unit
in the standby mode. This timer is useful when you are
going to sleep while enjoying a broadcast or other desired
input source. The SLEEP timer can only be set with the
remote control.
Notes
• First press AMP(TUNER), TAPE/MD, CD or DVD/LD on the
component selector to set the SLEEP timer for this unit.
• The SLEEP timer is effective for the components connected to the
AC OUTLET(S) on the rear panel of this unit.
Setting the SLEEP Timer
1 Play a source you want to enjoy when you are
going to sleep.
2 Press SLEEP repeatedly to
select the desired SLEEP
time.
Each time you press SLEEP, the
SLEEP time will change as
below:
120 90 60 30
The SLEEP timer is off
(SLEEP OFF).
(This is the state before
SLEEP is pressed.)
Canceling the Selected SLEEP
Timer
Press SLEEP repeatedly until “SLEEP OFF”
appears on the display.
It will soon disappear and the “SLEEP” indicator will
go off.
Note
• The SLEEP timer can also be canceled by setting the unit in the
standby mode by using POWER on the remote control (or
STANDBY/ON), or by disconnecting the AC power cord from
the AC power outlet.
Flashes
3 The “SLEEP” indicator soon lights up on the
display after the SLEEP timer has been set.
The display returns to the previous indication.
Lights up
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PRESET REMOTE CONTROL
The provided remote control is factory set to control not only this unit but also most YAMAHA audio components connected
to it.
There are eight component selector buttons. Press one of these buttons which corresponds to the component you want to
control with the remote control. For example, if you press CD on the component selector, the remote control is set to the CD
operation mode, allowing the CD player to be controlled by the buttons on the remote control.
AMP(TUNER)
You can perform the basic operations of this
unit. Refer to page 7.
CD
The code for a YAMAHA CD player is
factory set.
DVD/LD & DVD MENU
An LD player can be controlled in
the DVD/LD mode. A DVD player can be
controlled in the DVD/LD and DVD
MENU modes. The code for a YAMAHA
DVD player is factory set. If the remote
control does not operate your YAMAHA
DVD player, you need to set the code
number “0048”.
Note
• The button functions on the remote constrol differ depending on the operation mode. Refer to the following pages for details.
TAPE/MD
The code for a YAMAHA tape deck is
factory set. (The code for the YAMAHA
MD recorder can also be set.)
VCR
A VCR can be controlled.
TV
A TV can be controlled.
CBL/SAT
A cable TV or satellite tuner can be
controlled.
Controlling the Components Connected to This Unit
■ Example: To control YAMAHA CD
player
5
7
2
3
4
6
1 Make sure that VOLUME is set to the “m”
position.
2 Press AMP(TUNER) on the
component selector.
5 Press CD on the
component selector.
6 Press p.
Refer to page 40 for the CD
player operation buttons.
7 Adjust the volume.
If you set the remote control with the manufacturers’
codes listed from page i at the end of this
manual, you can control other brands of components.
Refer to “Setup codes” on page 43 for details.
3 Turn on the power.
4 Press CD on the input selector.
38
Page 43
Description of Each Mode
■ TAPE/MD MODE
Note
• TV VOLUME functions if you have set the code for your TV.
POWER
(TAPE) This button turns this unit on if you have set
the code for a YAMAHA tape deck. This button
turns on the tape deck that has a remote control with
a power button if you have set the code for another
manufacturer.
(MD) This button turns this unit on if you have set
the code for the YAMAHA MD recorder.
PRESET REMOTE CONTROL
Press TAPE/MD .
Input selector buttons
VOLUME
MUTE
SLEEP
r REC/PAUSE
This button gives a pause in recording on a tape deck
or MD recorder.
p PLAY
This button plays a tape or an MD.
b DIR A (TAPE)
This button selects the playing direction of deck A.
SKIP– (MD)
This button skips to the previous track.
w REWIND (TAPE)
This button rewinds a tape.
SEARCH (MD)
This button initiates a backward search on the track
that is playing to find the point from which you want
to listen.
EFFECT
TV VOLUME
DISPLAY (MD)
DECK A/B (TAPE)
This button selects deck A or B on a double-cassette
tape deck.
e PAUSE (MD)
This button gives a pause in operation.
a DIR B (TAPE)
This button selects the playing direction of deck B.
SKIP+ (MD)
This button skips to the next track.
s STOP
This button stops operation on a tape deck or MD
recorder.
f FAST FORWARD (TAPE)
This button winds a tape fast forward.
SEARCH (MD)
This button initiates a fast-forward search on the track
that is playing to find the point from which you want to
listen.
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EnglishBASIC OPERATION
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PRESET REMOTE CONTROL
■ CD MODE
Note
• TV VOLUME and TV INPUT function if you have set the code for your TV.
Press CD.
POWER
This button turns this unit on if you have set the code
for a YAMAHA CD player. This button turns on the CD
player that has a remote control with a power button if
you have set the code for another manufacturer.
Input selector buttons
VOLUME
MUTE
SLEEP
p PLAY
This button plays a CD.
b SKIP–
This button skips to the beginning of the previous
track.
w SEARCH
This button initiates a backward search on the track
that is playing to find the point from which you want
to listen.
EFFECT
DISC SKIP +/– (for a CD player with CD
changer)
These buttons skip to the next or previous CD.
TV VOLUME
DISPLAY
TV INPUT
e PAUSE
This button gives a pause in operation. The button
functions as PAUSE/STOP* for operating a
YAMAHA CD player under factory setting.
a SKIP+
This button skips to the beginning of the next
track.
s STOP
This button stops operation. The button functions
as PAUSE/STOP* for operating YAMAHA CD
players.
f SEARCH
This button initiates a fast-forward search on the
track that is playing to find the point from which
you want to listen.
y
P AUSE/STOP function
Press the button once to give a pause in operation and press once more to stop operation.
The dark-shaded buttons do not function. Refer to the instructions for details of each component.
40
Page 45
■ DVD/LD MODE
Note
• TV VOLUME and TV INPUT function if you have set the code for your TV.
Press DVD/LD.
POWER
(DVD) This button turns this unit on if
you have set the code for a YAMAHA
DVD player. This button turns on the
DVD player that has a remote control
with a power button if you have set the
code for another manufacturer.
(LD) This button turns this unit on if you
have set the code for a YAMAHA LD
player. This button turns on the LD player
that has a remote control with a
power button if you have set the
code for another manufacturer.
VOLUME
MUTE
SLEEP
PAUSE
SKIP –
STOP
SEARCH
Input selector buttons
EFFECT
DISC SKIP +/–
TV VOLUME
DISPLAY
TV INPUT
SKIP +
PLAY
SEARCH
PRESET REMOTE CONTROL
■ DVD MENU MODE
Note
• TV VOLUME and TV INPUT function if you have set the code for your TV.
Press DVD MENU.
POWER
This button turns the unit on if you have
set the code for a YAMAHA DVD player.
This button turns on the DVD player that
has a remote control with a power button
if you have set the code for another
manufacturer.
DISC SKIP +/–
VOLUME
MUTE
RETURN
MENU UP
MENU LEFT
MENU DOWN
TITLE
Numeric buttons
CLEAR
+10
TV VOLUME
INDEX
TV INPUT
MENU RIGHT
MENU SELECT
MENU
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PRESET REMOTE CONTROL
■ VCR MODE
Note
• TV VOLUME, TV INPUT and TV SLEEP function if you have
set the code for your TV.
VCR POWER
VCR CHANNEL +/–
VOLUME
MUTE
TV SLEEP
VCR REC
Press this button twice to
start recording.
VCR STOP
VCR REWIND
Press VCR.
CHANNEL
EFFECT
CHANNEL
ENTER
TV VOLUME
DISPLAY
TV INPUT
VCR PAUSE
VCR PLAY
VCR
FAST FORWARD
■ CBL/SAT MODE
Note
• TV VOLUME, TV INPUT and TV SLEEP function if you have
set the code for your TV.
CBL/SAT POWER
Press CBL/SAT.
CHANNEL
+100
CBL/SAT
CHANNEL +/–
VOLUME
MUTE
TV SLEEP
MENU UP
MENU LEFT
MENU DOWN
RECALL
CHANNEL
ENTER
TV VOLUME
DISPLAY
TV INPUT
MENU RIGHT
MENU SELECT
MENU
■ TV MODE
Note
• You can control your VCR if you have set the
code for it.
TV CHANNEL +/–
VCR REC
Press this button twice.
VCR STOP
VCR REWIND
TV POWER
VOLUME
TV MUTE
TV SLEEP
Press TV .
CHANNEL
EFFECT
CHANNEL
ENTER
TV VOLUME
DISPLAY
TV INPUT
VCR PAUSE
VCR PLAY
VCR
FAST FORWARD
The dark-shaded buttons do not function. Refer to the instructions for details of each component.
42
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PRESET REMOTE CONTROL
Advanced Information
■ Setup codes
You can set the code for the manufacturer of your
component after pressing the component selector buttons
other than AMP(TUNER).
1 Turn on your component to be used.
2 Press one of the
component selector
buttons which
corresponds to the
component to be
controlled.
3 Press both VOLUME
buttons (u/d) at the same
time for about four
seconds.
The indicator flashes twice.
4 Use the numeric buttons to
enter the four-digit
manufacturer’s code for
the component to be used.
Make sure that the
indicator flashes twice.
If the indicator does not flash,
repeat step 3 and re-enter the
code.
5 Press POWER (or any other button) on the
remote control to check if you have set the
code correctly .
If your component cannot be
controlled with the remote
control, try setting another code
for the same manufacturer.
Notes
• You can set only one code for one mode.
• In the DVD/LD and DVD MENU modes:
– Be sure to press DVD/LD on the component selector before
entering the code for the DVD/LD player. The code set in the
DVD/LD mode is also simultaneously set in the DVD MENU
mode. You cannot set the code for a DVD player after pressing
DVD MENU on the component selector.
– DVD MENU operations cannot be performed for some DVD
players.
• A second (and third) VCR can be controlled. Refer to “To use a
second (and third) VCR” for details.
• If your component does not respond to any of the codes listed for
the manufacturer, use the original remote control supplied with
your component.
■ To use a second (and third) VCR
You can control a second (and third) VCR in the CBL/SAT
and DVD MENU modes if a cable TV or satellite tuner, or
DVD player is not being used.
Note
• If you want to control a second (and third) VCR in the DVD
MENU mode, you must set the code for an LD player in the
DVD/LD mode.
1 Turn on the VCR to be used.
2 Press CBL/SAT or DVD
MENU on the component
selector.
3 Press both VOLUME
buttons (u/d) at the same
time for about four
seconds.
The indicator flashes twice.
4 Use the numeric buttons to
enter the four-digit code
for the second (and third)
VCR. Make sure that the
indicator flashes twice.
If the indicator does not flash,
repeat step 3 and re-enter the
code.
5 Press POWER (or any other button) on the
remote control to check if you have set the
code correctly .
If the VCR cannot be controlled
with the remote control, try
setting another code for the
same manufacturer.
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PRESET REMOTE CONTROL
■ Returning to the factory-set codes
To return all components to the factory-set codes, follow
these steps.
1 Press one of the
component selector
buttons other than
AMP(TUNER).
2 Press both VOLUME
buttons (u/d) at the same
time for about four
seconds.
The indicator flashes twice.
3 Enter the code number
“9990”.
Make sure that the indicator
flashes twice.
To return each component to the factory-set codes, follow
these steps.
1 Press one of the
component selector
buttons which
corresponds to the
component to be returned
to the factory-set code.
2 Press both VOLUME
buttons (u/d) at the same
time for about four
seconds.
The indicator flashes twice.
3 Enter the code number
“0000”.
Make sure that the indicator
flashes twice.
The following codes are factory set.
Component
selector button
TV TV 0101
CBL/SAT Satellite tuner 0006
VCR VCR 0002
DVD/LD DVD player 0008 (YAMAHA DVD player)
CD CD player 0005 (YAMAHA CD player)
TAPE/MD Tape deck 0004 (YAMAHA Tape deck)
We recommend that you write all the code numbers you
have set on the “Quick Reference Card”.
Component
Code
44
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APPENDIX
TROUBLESHOOTING
If the unit fails to operate normally, check the following points to determine whether the fault can be corrected by the simple
measures suggested. If it cannot be corrected, or if the fault is not listed in the SYMPTOM column, disconnect the power
cord and contact your authorized YAMAHA dealer or service center.
■ General
SYMPTOM CAUSE REMEDY
The unit fails to turn on
when STANDBY/ON is
pressed, or enters in the
standby mode soon after
the power has been
turned on.
The unit does not work
normally.
No sound and/or no
picture.
The sound suddenly
goes off.
Only the speaker on one
side can be heard.
No sound from the effect
speakers.
No sound from the
center speaker.
No sound from the rear
speakers.
The power cord is not connected or the plug is
not completely inserted.
The IMPEDANCE SELECTOR switch on the
rear panel is not fully set to the right or left
position.
The internal microcomputer has been frozen by
an external electric shock (lightning, excessive
static electricity, etc.) or by a power supply with
low voltage.
Incorrect input or output cable connections. Connect the cables properly. If the problem
An appropriate input source has not been
selected.
The speaker connections are not secure.
SPEAKERS have not been set properly. Set SPEAKERS corresponding to the speakers
The sound is muted.
Digital signals other than PCM audio and the
signals encoded with Dolby Digital which this
unit cannot reproduce are being input to this unit
by a CD-ROM, etc.
The protection circuit has been activated
because of a short circuit, etc.
The SLEEP timer has functioned. Turn on the power, and play the source again.
Incorrect cable connections. Connect the cables properly. If the problem
Incorrect setting of BALANCE. Adjust it to the appropriate position.
The sound effect is off. Press EFFECT to turn it on.
A Dolby Surround or Dolby Digital decoding
DSP program is being used with material not
encoded with Dolby Surround or Dolby Digital.
The sound output level of the center speaker is
set to minimum.
“CENTER SP” in the SET MENU is set to the
NONE position.
Incorrect DSP program is selected.
The source encoded with Dolby Digital does not
have a center channel signal.
The output level of the rear speakers is set to
minimum.
A monaural source is being played with the PRO
LOGIC/Normal or PRO LOGIC/ENHANCED
program.
Firmly connect the power cord.
Set the switch fully to the right or left position
when the unit is in the standby mode.
Set the unit in the standby mode and disconnect
the AC power cord from the AC power outlet.
After about 30 seconds have passed, connect
the power and operate the unit again.
persists, the cables may be defective.
Select an appropriate input source with INPUT
or TAPE/MD MON / EXT. DECODER (or the
input selector buttons).
Secure the connections.
in use to the ON position.
Set VOLUME to the “m” position, press
MUTE to cancel a mute and adjust the volume.
Play a source whose signals this unit can
reproduce.
Set the unit in the standby mode and then turn
on to reset the protection circuit.
persists, the cables may be defective.
Select another DSP program.
Raise the level of the center speaker.
Select the LRG or SML position.
Select the appropriate program.
Raise the output level of the rear speakers.
Select another DSP program suitable for the
monaural source.
Refer to
page
16
16
—
12, 13
19
14
19
20
—
—
37
14
20
22
25
35
32
23, 24, 25
—
35
25
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TROUBLESHOOTING
SYMPTOM CAUSE REMEDY
No sound from the
subwoofer.
A “humming” sound can
be heard.
The volume level cannot
be increased, or the
sound is distorted.
The sound effect cannot
be recorded.
The DVD/LD, TV/digital TV
or satellite tuner source
cannot be recorded by
tape deck, MD recorder
or VCR connected to this
unit.
Adjusting this unit by
using SET MENU, TIME/
LEVEL or TEST cannot
be performed.
“BASS OUT” in the SET MENU is set to the
SW or MAIN position when playing a 2-channel
source.
The source does not contain low bass signals
(below 90 Hz).
Incorrect cable connections. Firmly connect the audio plugs. If the problem
The component connected to the TAPE/MD
OUT (REC) terminals of this unit is in the
standby mode.
It is not possible to record the sound effect by a
tape deck or MD recorder connected to the
TAPE/MD OUT (REC) terminals of this unit.
The DVD/LD player, TV/digital TV or satellite
tuner is connected to the unit only through the
digital terminals.
“MEM. GUARD” in the SET MENU is set to
the ON position.
Select the BOTH position.
persists, the cables may be defective.
Turn on the power to the component.
Make additional connections between the
analog terminals.
Set “MEM. GUARD” to the OFF position.
■ Tuner
SYMPTOM CAUSE REMEDY
FM stereo reception
is noisy.
There is distortion,
and clear reception
cannot be obtained
even with a good FM
FM
antenna.
The desired station
cannot be tuned in
with the automatic
tuning method.
Previously preset
stations can no
longer be tuned in.
The desired station
cannot be tuned in
with the automatic
tuning method.
There are continuous
crackling and hissing
AM
noises.
There are buzzing and
whining noises
(especially in the
evening).
The characteristics of FM stereo broadcasts
may cause this problem when the transmitter is
too far away or the antenna input is poor.
There is multipath interference.
The station is too weak.
The unit has been disconnected for a long
period.
The signal is weak or the antenna connections
are loose.
Noises result from lightning, fluorescent lamps,
motors, thermostats and other electrical
equipment.
A TV set is being used nearby.
Check the antenna connections.
Try using a high-quality directional FM
antenna.
Use the manual tuning method.
Adjust the antenna position to eliminate
multipath interference.
Use the manual tuning method.
Use a high-quality directional FM antenna.
Re-store the stations.
Tighten the AM loop antenna connections and
orient it for best reception.
Use the manual tuning method.
Use an outdoor antenna and a ground wire. This
will help somewhat, but it is difficult to
eliminate all noise.
Move this unit away from the TV.
Refer to
page
32
—
12, 13
—
30
13
34
Refer to
page
10, 26
10
10, 26
27
11, 26
11
—
46
Page 51
■ Remote control
SYMPTOM CAUSE REMEDY
The remote control does
not work.
The unit or other
component cannot be
controlled.
Direct sunlight or lighting (from an inverter
type of fluorescent lamp, etc.) is striking the
remote control sensor of this unit.
The batteries are weak. Replace all batteries with new ones.
The component to be controlled has not been
selected.
The manufacturer’s code has not been set
properly.
Reposition the unit.
Press one of the component selector buttons
which corresponds to the component to be
controlled.
Enter the code again.
Try setting another code for the same
manufacturer.
■ Others
SYMPTOM CAUSE REMEDY
The sound is degraded
when listening with
headphones to a tape
deck or CD player
connected to this unit.
There is noise
interference from digital
or high-frequency
equipment, or the unit.
This unit is in the standby mode. Turn on the power of the unit.
The unit is too close to the digital or highfrequency equipment.
Move the unit further away from such
equipment.
TROUBLESHOOTING
Refer to
page
3
2
38
43
Refer to
page
—
—
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SPECIFICATIONS
AUDIO SECTION
• Minimum RMS Output Power
20 Hz to 20 kHz, 0.06% THD, 8 ohms
Main L/R, Center, Rear L/R .....................................................60 W
1 kHz, 0.09% THD, 8 ohms
Main L/R, Center, Rear L/R ....................................... 70 W*/65 W
• Maximum Output Power (EIAJ)
1 kHz, 10% THD, 8 ohms .......................................................... 95 W
• DIN Standard Output Power
1 kHz, 0.7% THD, 4 ohms ......................................................... 90 W
• IEC Output Power
1 kHz, 0.06% THD, 8 ohms ....................................................... 65 W
• Dynamic Power (IHF)
8/6/4/2 ohms ...................... 90/110/130/150 W*, 85/105/125/145 W
• Damping Factor
20 Hz to 20 kHz, 8 ohms ................................................................ 60
• Frequency Response
CD etc. to MAIN L/R ................................ 20 Hz to 20 kHz, ±0.5 dB
• Total Harmonic Distortion (20 Hz to 20 kHz)
CD etc. to MAIN L/R, 1/2 power, 8 ohms ............................ 0.025%
• Signal-to-Noise Ratio (IHF-A Network)
CD etc. to MAIN L/R
(150 mV, Input Shorted) ......................................................... 96 dB
(250 mV, Input Shorted) ....................................................... 100 dB
• Residual Noise (IHF-A Network)
MAIN L/R .............................................................................. 150 µV
• Input Sensitivity/Impedance
CD etc. ................................................................. 150 mV/47 k-ohms
EXT. DECODER......................................... 150 mV/40 – 47 k-ohms
• Output Level/Impedance
REC OUT ........................................................... 150 mV/1.2 k-ohms
SUBWOOFER ....................................................... 4.0 V/1.2 k-ohms
PHONES .................................................................0.47 V/390 ohms
• Channel Separation (Vol. –30 dB)
CD etc. (Input 5.1 k-ohms Terminated, 1 kHz/10 kHz)
..................................................................................... 60 dB/45 dB
• Tone Control Characteristics
BASS: Boost/cut ..........................................................±10 dB/50 Hz
TREBLE: Boost/cut ...................................................±10 dB/20 kHz
* for U.S.A. and Canada models
VIDEO SECTION
• Video Signal Type ...........................................................NTSC or PAL
• Video Signal Level ...................................................... 1 Vp-p/75 ohms
• Signal-to-Noise Ratio .................................................................. 50 dB
• Monitor Out Frequency Response.................... 5 Hz to 10 MHz, –3 dB
FM SECTION
• Tuning Range .................................... 87.5/87.50 to 107.9/108.00 MHz
• Usable Sensitivity (DIN)
Mono (S/N 26 dB) ................................................................... 0.9 µV
Stereo (S/N 46 dB) ................................................................... 28 µV
• Selectivity (two signals, 40 kHz Dev., ±300 kHz) ...................... 55 dB
• Signal-to-Noise Ratio (Mono/Stereo)
DIN ................................................................................. 75 dB/69 dB
IHF ................................................................................. 81 dB/75 dB
• Harmonic Distortion (1 kHz)
Mono/Stereo ........................................................................ 0.1/0.2%
• Stereo Separation (1 kHz) ........................................................... 48 dB
• Frequency Response ........................................ 20 Hz to 15 kHz, ±1 dB
• Antenna Input ......................................................75 ohms, Unbalanced
AM SECTION
• Tuning Range ............................................ 530/531 to 1,710/1,611 kHz
• Usable Sensitivity................................................................. 300 µV/m
• Signal-to-Noise Ratio ................................................................... 52 dB
• Antenna ........................................................................... Loop antenna
GENERAL
• Power Supply
[U.S.A. and Canada models] .................................. AC 120 V, 60 Hz
[Europe, U.K. and Singapore models] ....................AC 230 V, 50 Hz
[Australia model]..................................................... AC 240 V, 50 Hz
[China model]......................................................... AC 220 V, 50 Hz
[General model]............................. AC 110/120/220/240 V, 50/60 Hz
• Power Consumption ...................................................... approx. 190 W
• AC Outlets (100 W max. total)
[U.K. and Australia models]..................................... 1 (SWITCHED)
[Other models].......................................................... 2 (SWITCHED)
• Dimensions (W x H x D)
.....................435 x 151 x 391 mm (17-1/8’’ x 5-15/16’’ x 15-3/8’’)
• Weight ............................................................................ 10 kg (22 lbs.)
• Accessories ................................................................ AM loop antenna
.......................................................................... Indoor FM antenna
.....................75-ohm/300-ohm antenna adapter (U.K. model only)
........................ Antenna adapter (U.S.A. and Canada models only)
.................................................................................Remote control
........................................................................................... Batteries
Specifications are subject to change without notice.
48
Page 53
GLOSSARY
■ Dolby Surround
Dolby Surround uses four discrete channels and five
speakers to reproduce realistic and dynamic sound effects:
two main channels (left and right), a center channel for
dialog, and a rear channel for special sound effects. The rear
channel reproduces sound within a narrow frequency range.
Most video tapes and laser discs include Dolby Surround
encoding, as do many TV and cable broadcasts. The Dolby
Pro Logic decoder built into this unit employs a digital
signal processing system that stabilizes each channel for
even more accurate sound positioning than is available with
standard analog processors.
■ Dolby Digital
Dolby Digital is a digital surround sound system that
provides completely independent multi-channel audio to
you. Dolby Digital provides five full-range channels in what
is sometimes referred to as a “3/2” configuration: three front
channels (left, center and right), and two surround channels.
A sixth bass-only effect channel is also provided for output
of LFE (low frequency effect), or low bass effects that are
independent of other channels. (This is called the “LFE
channel”.) This channel is counted as 0.1, thus giving rise to
the term 5.1 channels in total.
The wide dynamic range of sound reproduced by the five
full-range channels and precise sound orientation by digital
sound processing provides listeners with excitement and
realism that have never been experienced before.
■ CINEMA DSP
The Dolby Surround and Dolby Digital sound systems show
their full ability in a large movie theater, because movie
sounds are originally designed to be reproduced in a large
movie theater that uses a multitude of speakers. Trying to
create a sound environment similar to that of a movie theater
in your home is difficult because of the room size, material
inside the walls, the number of speakers, and so on. In other
words, your listening room is very different from a movie
theater.
However, YAMAHA DSP technology allows you to create
nearly the same sound experience as that of a large movie
theater in your home by compensating for the lack of
presence and dynamics in the listening room with original
digital sound fields combined with Dolby Surround or
Dolby Digital.
The YAMAHA “CINEMA DSP” logo indicates those
programs that are created by the combination of YAMAHA
DSP technology and Dolby Surround or Dolby Digital.
CINEMA DSP
■ LFE 0.1 Channel
This channel is for reproduction of low bass signals. The
frequency range for this channel is 20 Hz to 120 Hz. This
channel is called the channel 0.1 because it only reproduces
a low frequency range compared to the full-range from
20 Hz to 20 kHz that is reproduced by the 5 channels in a
Dolby Digital 5.1 channel system.
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INDEX
A
Accessories .......................................................................... 2
AC outlet ........................................................................... 16
Antennas ...................................................................... 10, 11
B
BALANCE ........................................................................ 20
BGV (background video) function .................................... 20
C
Canceling sound effect ...................................................... 22
CINEMA DSP ............................................................. 25, 49
Connections
Antennas................................................................ 10, 11
Audio components (tape deck/MD recorder and CD
player) ......................................................................... 12
Digital connections...................................................... 13
Speakers ...................................................................... 14
TV monitor .................................................................. 13
Video components (DVD/LD player, VCR and TV/
digital TV, satellite tuner) ............................................ 13
D
Delay time (TIME/LEVEL mode) .................................... 35
Display................................................................................. 6
Dolby Digital ..................................................................... 49
Dolby Surround ................................................................. 49
DSP program ............................................................22 to 25
E
External decoder ................................................................ 12
F
Front panel........................................................................... 4
I
IMPEDANCE SELECTOR switch ................................... 16
Input mode......................................................................... 21
L
LFE .............................................................................. 33, 49
M
Muting ............................................................................... 20
P
Playing ............................................................................... 19
Preset stations
To recall a preset station.............................................. 28
Exchanging preset stations .......................................... 29
Preset tuning
Automatic preset tuning .............................................. 27
Manual preset tuning................................................... 28
R
Recording .......................................................................... 30
Remote control
Basic operations ............................................................ 7
Batteries......................................................................... 2
Component selector................................................. 7, 38
Factory-set code .......................................................... 44
Manufacturer’s codes .......... i (at the end of this manual)
Setup codes.................................................................. 43
S
SET MENU ....................................................................... 31
Sleep timer......................................................................... 37
Speaker
Output levels (TIME/LEVEL mode) .......................... 35
Output mode (SET MENU) .................................. 32, 33
Speaker balance (test tone).......................................... 17
Placement ......................................................................8
STANDBY/ON.................................................................... 4
T
Test tone....................................................................... 17, 18
Tone controls ..................................................................... 20
Tuning
Automatic tuning......................................................... 26
Manual tuning ............................................................. 26
50
Page 55
LIST OF MANUFACTURER’S CODES
LISTES DES CODES FABRICANT
TV
A-Mark 1161
A Tandy 0941
Abex 1151
Admira 1141
Adventura 1131
Aiko 1121
Akai 0331, 1101, 1111
Alba 0431
Alleron 1091
Ambassador 1081
Amstrad 0481, 1081
Anam 0251, 1041, 1051,
1061, 1071
Anam National 1041
AOC 0361, 1021, 1031,
1111, 1161
Archer 1161
Audiosonic 1001
Audiovox 1051, 1161
Awai 1481
Bauer 0441
Baur 1001
Beijing 1511, 1551, 1561
Belcor 1031
Bell & Howell 0981, 0991
Beon 1001
Bradford 1051
Brockwood 1031
Broksonic 1161
Bush 1001
Candle 0351, 0361, 0961,
0971, 1111, 1131
Capehart 1021
Carver 0101
Cathay 1001
Celebrity 0951
Centurion 0411
Changhong 1541, 1551, 1561,
1621
Citizen 0351, 0361, 0921,
0931, 0941, 0961,
0971, 1111, 1121,
1131
Clairtone 1011
Clarivox 1001
Concerto 0351, 0971
Conrowa 1751
Contec 0901, 0911, 1011,
1051
Corando 0941
Craig 0251, 1051
Crown 0941, 1051
Curtis Mathes 0161, 0361, 0931,
0941, 0981, 1111
CXC 1051
Daewoo 0291, 0301, 0331,
0721, 0941, 1001,
1031, 1121, 1191,
1531, 1581, 1591,
1601
Dansai 1001
Daytron 0941, 1031
Decca 0271, 1001
Dixi 0331, 1001, 1071
Dumont 0891, 1031
Dynatech 0881
Electroband 0951, 1011
Electrohome 0941
Electron 0941
Elin 1001
Elta 0331
Emerson 0001, 0021, 0061,
0071, 0081, 0091,
0111, 0811, 0821,
0831, 0841, 0851,
0861, 0871, 0901,
0921, 0941, 0981,
1011, 1031, 1051,
1081, 1091
Envision 0361, 1111
Erres 1001
Etron 0331
Ferguson 1001
Finlux 1001
Fisher 0171, 0801, 0981
Formenti 0441
Formonti 1001
Fortress 1141
Fujitsu 1091
Funai 1051, 1091, 1341,
1361, 1411, 1451,
1501, 1521
Futuretech 1051
GE 0131, 0161, 0201,
0751, 0761, 0771,
0781, 0791, 0811,
0861, 1041
GEC 0271, 1001
Gemini 0391
Genexxa 0431
Gibralter 0891, 1031, 1111
GoldStar 0031, 0121, 0351,
0411, 0731, 0741,
0861, 0941, 0971,
1001, 1031, 1111,
1151
Goodmans/Tashiko 0271, 0661,
1001
Granada 1001
Grundig 1781, 1791, 1801,
1811, 1821, 1831,
1841, 1851, 1861,
1871, 1881
Gunpy 1051, 1091
H/K 0721
Hallmark 0861
Hanseatic 1001
Harvard 1051, 1061
Hinari 1001, 1091
Hitachi 0181, 0351, 0671,
0681, 0691, 0701,
0711, 0871, 0941,
0971, 1351
Hypson 1001
Ima 1051
Indiana 1001
Infinity Reference 0101
Interfunk 1001
ITT 0611
Janeil 1131
JBL 0101
JCB 0951
Jensen 0311
Jinxing 1531, 1541, 1551,
1561, 1571, 1621,
1631, 1641, 1651,
1691, 1731
JVC 0261, 0281, 0641,
0651, 0661, 0841
Kawasho 0901
Kaypani 1021
Kenwood 0361, 1031, 1111
Kloss 0631, 0721, 1131
KTV 0921, 0941, 1011,
1051, 1111
Leyco 1001
Liesenk & Tter 1001
Lloytron 0941
Loewe 1001
Logik 0991, 1771
Luxman 0351, 0971
Lxi 0101, 0621, 0761,
0861, 0981
Magnavox 0101, 0341, 0391,
0401, 0411, 0421,
0581, 0591, 0601,
0611, 0631, 0661,
0961, 1111
Majestic 0991
Marantz 0101, 0221, 0361,
1001, 1111
Mark 1001
Matsui 0271, 0331, 1001
Mediator 1001
Megatron 0691, 0861, 1161
MEI 1011
M Electronic 1001
Memorex 0331, 0571, 0861,
0971, 0981, 0991,
1771
Metz 1791, 1831, 1891,
1901, 1911, 1921,
1931, 1941
MGA 0361, 0561, 0571,
0861, 1031, 1111
Midland 0751, 0761, 0891,
0941, 1151
Mitsubishi 0221, 0321, 0561,
0571, 0661, 0861,
1031, 1101, 1381
Montgomery 1091
Motorola 1041, 1141
MTC 0351, 0361, 0881,
0931, 0971, 1011,
1031, 1111
Multitech 0881, 1051
NAD 0551, 0621, 0861
NEC 0241, 0351, 0361,
0661, 0971, 1031,
1111, 1321, 1711
Neckermann 1001
Nei 1001
Nikkai 0271, 0431, 1001,
1151
Nikko 0861, 1111, 1121
Novabeam 0721
NTC 1121
Onwa 1051
Optimus 0551
Optonica 0541, 1141
Orion 0831, 1001
Osaki 0271, 1151
Otto V ersand 1001
Panasonic 0101, 0191, 0251,
0751,1041, 1311,
1371, 1431
Panda 1541, 1721
Penny 0161, 0361, 0521,
0531, 0621, 0731,
0751, 0761, 0781,
0791, 0861, 0931,
0941, 1031, 1041,
1111, 1151, 1161
Peony 1561, 1621
Philco 0361, 0581, 0591,
0601, 0611, 0631,
0961, 1031, 1111
Philips 0101, 0401, 1001
Phonola 1001
Pilot 0941, 1031, 1111
Pioneer 0511, 0551, 0871,
1331
Portland 0941, 1031, 1121
Priceclub 0931
Prism 0751
Proscan 0761
Protech 1001
Proton 0501, 0861, 0941,
1021, 1161
Pulsar 0891
Pulser 1031
Quasar 0251, 0751, 1041
Quelle 1001
Radio Shack 0541, 0941, 1031,
1051, 1151
Radiola 1001
RCA 0051, 0141, 0151,
0181, 0411, 0491,
0531, 0761, 0771,
0871, 1031
Realistic 0541, 0861, 0941,
0971, 0981, 1031,
1051, 1111, 1151
Rhapsody 1011
R-line 1001
Runco 0891, 1111
Saisho 0331, 1081
Sampo 0361, 0941, 1021,
1111, 1151
Samsung 0331, 0341, 0351,
0361, 0861, 0931,
0941, 0971, 1001,
1031, 1111, 1151,
1461
Samsux 0941
Sanyo 0171, 0231, 0271,
0661, 0801, 0911,
0981, 1231, 1251,
1261
SBR 1001
Schneider 1001
Scimitsu 1031
Scotch 0861
Scott 0831, 0861, 0941,
1031, 1051, 1091
Sears 0101, 0161, 0171,
0351, 0481, 0521,
0621, 0761, 0801,
0861, 0971, 0981,
1091
Shanghai 1561, 1681
Sharp 0461, 0471, 0541,
0661, 0911, 0941,
1141, 1241, 1271
Shogun 1031
Signature 0991, 1771
i
Page 56
Simpson 0581, 0961
Solavox 1151
Sonoko 1001
Sontec 1001
Sony 0371, 0451, 0661,
0841, 0951, 1281,
1441
Soundesign 0861, 0961, 1051,
1091
Soundwave 1001
Spectricon 1161
Squareview 0481
SSS 1031, 1051
Star-lite 1051
Suprem 0951
Supre-macy 1131
Surpa 0351, 0971
Sylvania 0101, 0361, 0441,
0581, 0591, 0601,
0611, 0631, 0961,
1111
Symphonic 0481
Sysline 1001
Tandy 0271, 0431, 1141
Tatung 0271, 0881, 1001,
1041, 1161
Tcl 1561, 1631, 1701
Technics 0751
Techwood 0351, 0751, 0971
Teknika 0101, 0351, 0571,
0931, 0941, 0961,
0971, 0991, 1031,
1051, 1091, 1121,
1131, 1771
Teletech 0331
Tera 0501
Thakral 1671
Thorm 1001
TMK 0351, 0861, 0971,
1081
Toshiba 0381, 0521, 0621,
0661, 0931, 0981,
1301
Tosonic 1011
Totevision 0941
Trical 0911
Universal 0781, 0791
Universum 1001
Vector Research 0361, 1111
Vestel 1001
Victor 0651, 1201, 1211,
1221
Video Concept 1101
Vidikron 0101, 0211
Vidtech 0861, 1031
Viking 1131
Wards 0101, 0361, 0451,
0541, 0581, 0591,
0601, 0611, 0771,
0781, 0791, 0861,
0971, 0991, 1031,
1091, 1111, 1771
Watson 1001
Xogego 1611, 1621, 1661,
1741, 1761
Yamaha 0221, 0361, 0571,
1031, 1111, 1141,
1381
Yoko 1001
Zenith 0011, 0041, 0891,
0991, 1771
Zonda 1161
CABLE
ABC 0256, 0376
Antronix 0136
Archer 0136, 0286
BBT 0076
Cabletime 0166
Cablevision 0196
Colour Voice 0306, 0346
Comtronics 0216, 0276
Eagle Comronics 0276
Eastern 0066
Electricord 0206
Electus 0266
GE 0116, 0126
GEC Cable System 0196
Hamlin H5 0676
Hamlin H6 0666
Hamlin H6S 0656
Hamlin H8 0646
Hamlin H9 0636
Jerrold 0256
Jerrold 400L 0626
Jerrold 450L 0616
Jerrold 550 0606
Jerrold Osd Catv 0596
Jerrold Sprucer 0436
Magnavox/Philips 0416, 0426
Mamm 0296
Memorex 0386
Movie Time 0146, 0206
Northcoast 0016
NSC 0146
Oak 0106
Oak Sigma 450 0546
Oak Sigma 550 0536
Panasonic TZ 120/130 0476
Panasonic TZ 170/180 0446
Panasonic TZ140 0466
Panasonic TZ150/160 0456
Paragon 0386
Philips 0036, 0216, 0306,
0316, 0326, 0336,
0346
Pioneer 0006, 0086
Pioneer BR50 0846
Pioneer BR60/70/80/81/82
0696
Pioneer BR90 0556
Pulsar 0386
RCA Digital Satellite System
0396, 0406
Realistic 0136
Regency/Eastern0686
Runco 0386
Samsung 0276
Scientific Atlanta 175/475 0576
Scientific Atlanta 75 0366, 0586
Scientific Atlanta 8650 0566
Signal 0276
SL Marx 0276
Spectavision 0236
Standard Components 0186
Starcom V 0256
Stargate 0276
Sylvania/Texscan 0376, 0496
Teknika 0176
Teleservice 0056
Teleview 0276
Texscan 0186, 0376
TFC 0026
Tocom 0226, 0356
Tocom 5503A 0526
Tocom 5503VIP/5507 0516
Tocom TC56 0506
Toshiba 0386
Tudi 0046
Unika 0136
Universal 0136, 0156, 0206,
0286
Videoway 0096
Viewstar 0216
Zenith 0246, 0386, 0486
SA TELLITE TUNER
Alpha Star 0826
Chaparral 0756
Echostar 0836
General Instrument 0776
HTS 0836
Hughes Network Systems 0816
Jerrold 0776, 0786
Panasonic 0806
Primestar 0776, 0786
RCA 0766
Sony 0796
VCR
A T andy 0902
Adventura 0992
Aiko 0982
Aiwa 0992
Akai 0262, 0942, 0952,
0962, 0972
American High 0932
Amstrad 0992
ASA 0002, 0912
Asha 0922
Audio Dynamics 0202
Audiovox 0912
Beaumark 0922
Bell & Howell 0902
Blaupunkt 0412
Broksonic 0872, 0882, 0892
Bush 0852
Calix 0912
Canon 0862, 0932
CCE 0852, 0982
Citizen 0912, 0982
Colt 0852
Craig 0832, 0842, 0852,
0912, 0922
Curtis Mathes 0662, 0822, 0932
Cybernex 0922
Daewoo 0802, 0812, 0982
DBX 0202
Dynatech 0472, 0992
Electrohome 0912
Electrophonic 0912
Emerex 0792
Emerson 0072, 0132, 0142,
0152, 0162, 0172,
0182, 0192, 0212,
0702, 0712, 0722,
0732, 0742, 0752,
0762, 0772, 0782,
0872, 0882, 0892,
0912, 0952, 0992,
1072
Finlux 0002, 0992
Fisher 0682, 0692, 0842,
0902
Fuji 0672, 0932
Funai 0992
Garrard 0992
GE 0662, 0822, 0932
Go Video 0642, 0652
GoldStar 0082, 0632, 0912
Goodmans 0402
Gradiente 0992
Granda 0612, 0902
Grundig 0002
H/K 1082
Harley Davidson 0992
Harmon/Kardon 0632, 1082
Harwood 0752, 0852
Headquarter 0612
HI-Q 0842
Hinari 0852
Hitachi 0102, 0562, 0572,
0582, 0592, 0602,
0992
ITT 0942
JVC 0202, 0522, 0532,
0542, 0552
Kenwood 0202, 0542, 0612,
0632, 0902
KLH 0852
Kodak 0912, 0932
Lloyd 0992
Logik 0852
Luxor 0942
LXI 0022, 0912
Magnavox 0002, 0482, 0492,
0502, 0512, 0932
Magnin 0922
Marantz 0002, 0202, 0402,
0632, 0932
Marta 0912
Matsui 0722
Matsushita 0932
MEI 0222, 0932
Memorex 0232, 0242, 0472,
0512, 0612, 0842,
0902, 0912, 0922,
0932, 0992
MGA 0762, 0952
MGA Technology 0922
Minolta 0592, 0602
Mitsubishi 0452, 0462, 0542,
0762, 0952, 1082
Motorola 0472, 0932
MTC 0922, 0992
Multitech 0852, 0992
NAD 0442
NEC 0122, 0202, 0292,
0422, 0432, 0542,
0632
Nikko 0912
Noblex 0922
Olympus 0412, 0932
Optimus 0442, 0472, 0912
Optonica 0402
Orion 0212, 0722, 0742,
0772
Osaki 0912
Panasonic 0012, 0052, 0092,
0222, 0372, 0382,
0392, 0412, 0932
Penny 0202, 0432, 0602,
0632, 0692, 0912,
0922, 0932
Pentax 0592, 0602
Perdio 0992
Philco 0002, 0932
Philips 0002, 0282, 0402,
0492, 0932
Pilot 0912
Pioneer 0442, 0542
Proscan 1002, 1012, 1022,
1032, 1042, 1052,
1062
Pulsar 0512
Quarter 0612
Quartz 0272, 0612
Quasar 0382, 0392, 0932
Radio Shack 0912, 0992
Radix 0912
Randex 0912
ii
Page 57
RCA 0112, 0382, 0392,
0482, 0592, 0602,
0662, 0822, 0942
Realistic 0402, 0472, 0612,
0682, 0842, 0902,
0912, 0922, 0932,
0992
Ricoh 0352, 0362
Saisho 0212, 0582, 0722,
0732, 0742, 0772
Salora 0612, 0762
Samsung 0212, 0312, 0922,
0962
Sanky 0472, 0512
Sansui 0292, 0542, 0832
Sanyo 0242, 0612, 0842,
0902, 0922
SBR 0002, 0282
Schneider 0852
Scott 0342, 0712, 0762,
0872, 0882, 0892
Sears 0302, 0592, 0602,
0612, 0682, 0692,
0842, 0902, 0912,
0932
Sharp 0402, 0472
Shintom 0852
Shogun 0922
Singer 0852
Sony 0032, 0332, 0352,
0362, 0672, 0792,
0932
STS 0602
Sunpak 0352
Sylvania 0002, 0492, 0502,
0762, 0932, 0992
Symphonic 0992
Tandy 0992
Tashiko 0712, 0992
Teac 0992
Technics 0932
Teknika 0322, 0912, 0932,
0992
Telefunken 0252
TMK 0212, 0732, 0772,
0922
Toshiba 0062, 0302, 0342,
0622, 0682, 0712,
0762
Totevision 0912, 0922
Unitech 0922
Vector Research 0202, 0432, 0632
Victor 0532, 0542, 0552
Video Concepts 0202, 0432, 0632,
0952
Wards 0322, 0402, 0472,
0482, 0602, 0712,
0842, 0852, 0922,
0932, 0992
Yamaha 0202, 0632, 0762
Zenith 0042, 0362, 0512,
0672
DVD PLAYER
Akai 0108
JVC 0168
Onkyo 0128
Panasonic 0048
Philips 0188
Pioneer 0208, 0228
Samsung 0148
Sharp 0068
Sony 0028
Toshiba 0088
Yamaha 0008, 0048
LD PLAYER
Aiwa 0157
Denon 0147
Disco Vision 0017
Funai 0157
Hitachi (E) 0017
Kenwood 0087, 0107
Magnavox 0027
Marantz 0027
Mitsubishi 0137
NAD 0137
Panasonic 0077, 0177
Philips 0027
Pioneer 0037, 0017, 0137
RCA 0167
Realistic 0157
Sharp 0127
Sony 0047, 0057, 0117
Victor 0097
Yamaha 0007, 0067
CD PLAYER
Acoustic Research 1295
ADC 0025, 0065
Adcom 0205, 0255, 1015
ADS 0265
Aiwa 0295, 0945, 1035,
1055
Akai 0175, 0485, 0535
Alpine 1215, 1305
Audio-Technica 0545
BSR 0245, 0655, 0775
California Audio Lab 0055
Capetronic 1205
Carrera 0245
Carver 0285, 1135
Casio 0345
Crown 0185
Curtis Maths 0345
Denon 0275, 0875, 0885
Deual (E) 0505
Dynamic Bass (H) 0555
Emerson 0205, 0325, 1105
Eroica 1275
Fisher 0095, 0555, 0925,
1005
Garrard 0365
Genexxa 0305, 0325, 1105
GoldStar 1225, 1265, 1135,
1335
H/K 0105, 0175, 0465,
0995
Hitachi 0195, 0505, 0205,
0815
Inkel 0115, 0395
JVC 0315
Kenwood 0045, 0095, 0405,
0585, 0725, 0735,
0745, 0755, 0895
Kyocera 0025
Luxman 0075, 0425, 0675,
0705, 0715, 0985
Magnavox 0165, 0215, 0645,
0955
Marantz 0215, 0235, 0375,
0785, 1345
McIntosh 0355, 1085
MCS 0905, 1315
Memorex 0205, 0225, 0235,
0305, 0325, 1105
MGA 0135
Mission 0215
Mitsubishi 0135, 0445
MTC 1255
NAD 0035, 0615, 0685,
0695
Nakamichi 0125, 0435, 0515
NEC 0255, 0905, 0965
Nikko 0545, 1005
Onkyo 0155, 0455, 0495,
0805, 1155
Optimus 0225, 0245, 0555,
0595, 0845, 0855,
0865, 0895, 0935
Panasonic 0055, 0825, 1095,
1125
Penny 0905
Philips 0165, 0215
Pioneer 0305, 0935, 1045
Proton 0215, 1185
Quasar 0055
RCA 0205, 0915, 1115
Realistic 0205, 0225, 0235,
0325, 0555, 0845
Revox 1175
Rotel 0215
Saba Telecommander (E) 0505
SAE 0215
Samsung 1285
Sansui 0215, 0625, 0975,
1025, 1105
Sanyo 0145, 0555, 0635,
0765
Scott 0325, 1105
Sears 0345
Sharp 0235, 0665, 0895,
1065, 1075
Sherwood 0115, 0235, 0395,
0475
Siements Garrard 1245
Signature 0175
Sontec 1165
Sony 0065, 0565, 0865,
1145
Staron 1235
STS 0025
Sylvania 0215
Symphnoic 0335
Tandy 0305
Tangberg 1195
Teac 0235, 0335, 0385,
0525, 0795, 0835,
1355
Technics 0055, 0605, 1095
Techwood 1325
Telefunken (E) 0505
Thomson (E) 0505
Toshiba 0035, 0685
Vector Research 0065, 1135
Victor 0315
Wards 0175
Yamaha 0005, 0015, 0575,
1065
MD RECORDER
Yamaha 0024
TAPE DECK
Aiwa 0094, 0214, 0224
Akai 0184
Carver 0094
Denon 0304
Fisher 0144
Garrard 0194, 0204
JVC 0274, 0284, 0294
Kenwood 0124, 0134, 0154,
0234, 0244, 0264
Magnavox 0094
Marantz 0094, 0344
Mitsubishi 0184
Onkyo 0364, 0374
Optimus 0034, 0064, 0204,
0334
Philips 0094
Pioneer 0034, 0044, 0064
Revox 0354
Sansui 0094, 0344
Sharp 0264
Sherwood 0334
Sony 0054, 0084, 0324
Teac 0194, 0254
Technics 0074, 0314
Victor 0294
Wards 0034
Yamaha 0004, 0014
iii
Page 58
YAMAHA ELECTRONICS CORPORATION, USA 6660 ORANGETHORPE AVE., BUENA PARK, CALIF. 90620, U.S.A.
YAMAHA CANADA MUSIC LTD. 135 MILNER AVE., SCARBOROUGH, ONTARIO M1S 3R1, CANADA
YAMAHA ELECTRONIK EUROPA G.m.b.H. SIEMENSSTR. 22-34, 25462 RELLINGEN BEI HAMBURG, F.R. OF GERMANY
YAMAHA ELECTRONIQUE FRANCE S.A. RUE AMBROISE CROIZAT BP70 CROISSY-BEAUBOURG 77312 MARNE-LA-VALLEE CEDEX02, FRANCE
YAMAHA ELECTRONICS (UK) LTD. YAMAHA HOUSE, 200 RICKMANSWORTH ROAD WATFORD, HERTS WD1 7JS, ENGLAND
YAMAHA SCANDINAVIA A.B. J A WETTERGRENS GATA 1, BOX 30053, 400 43 VÄSTRA FRÖLUNDA, SWEDEN
YAMAHA MUSIC AUSTRALIA PTY, LTD. 17-33 MARKET ST., SOUTH MELBOURNE, 3205 VIC., AUSTRALIA
Printed in Malaysia ID V502780-2
Page 59
Quick Reference Card
POWER
A/B/C/D/E
TEST
VOLUME
MUTE
SLEEP
+/–
TIME LEVEL
AMP(TUNER)
Input selector
buttons
EFFECT
PRESET+/–
TV VOLUME
TV INPUT
PRG+,
PRG–
SET
MENU
DIR A (TAPE)
SKIP– (MD)
REWIND (TAPE)
SEARCH (MD)
POWER
VOLUME
MUTE
SLEEP
REC/PAUSE
PLAY
TAPE/MD CD DVD/LD
POWER
Input selector
buttons
EFFECT
VOLUME
TV VOLUME
DISPLAY (MD)
DECK A/B (TAPE)
PAUSE (MD)
DIR B (TAPE)
SKIP+ (MD)
FAST FORWARD (TAPE)
SEARCH (MD)
STOP
MUTE
SLEEP
PLAY
SKIP–
SEARCH
Input selector
buttons
EFFECT
DISC SKIP+/–
TV VOLUME
DISPLAY
TV INPUT
PAUSE
SKIP+
SEARCH
STOP
POWER
VOLUME
MUTE
SLEEP
PLAY
SKIP–
SEARCH
Input selector
buttons
EFFECT
DISC SKIP+/–
TV VOLUME
DISPLAY
TV INPUT
PAUSE
SKIP+
SEARCH
STOP
V502990
Page 60
Quick Reference Card
POWER
DISC SKIP+/–
VOLUME
MUTE
RETURN
MENU SELECT
MENU LEFT
TITLE
DVD MENU
Numeric buttons
CLEAR
+10
CHANNEL+/–
TV VOLUME
INDEX
TV INPUT
MENU UP
VCR REC
VCR PLAY
MENU RIGHT
MENU
MENU DOWN
VCR
POWER
VCR
VOLUME
MUTE
TV SLEEP
VCR
REWIND
VCR CBL/SAT TV
CBL/SAT
POWER
CHANNEL CHANNEL
EFFECT
CHANNEL
ENTER
TV VOLUME
DISPLAY
*1
TV INPUT
VCR
PAUSE
VCR FAST
FORWARD
VCR STOP
CBL/SAT
CHANNEL+/–
VOLUME
MUTE
TV SLEEP
MENU SELECT
MENU LEFT
RECALL
+100
CHANNEL
ENTER
TV VOLUME
DISPLAY
TV INPUT
MENU UP
MENU RIGHT
MENU
MENU DOWN
CHANNEL+/–
POWER
VOLUME
TV MUTE
TV SLEEP
VCR REC
VCR PLAY
VCR
REWIND
TV
TV
CHANNEL
EFFECT
CHANNEL
ENTER
TV VOLUME
DISPLAY
*1
TV INPUT
VCR
PAUSE
VCR FAST
FORWARD
VCR STOP
*1
Press this button twice to start recording.
Appuyer deux fois sur cette touche pour commencer l’enregistrement.
Drücken Sie diese Taste zweimal, um die Aufnahme zu starten.
Tryck två gånger på den här knappen för att börja spela in.
Premere due volte questo tasto per iniziare la registrazione.
Presione dos veces este botón para empezar a grabar.
Druk tweemaal op deze toets om met opnemen te beginnen.
V502990
Page 61
Connection Guide (when listening to a digital 5.1-channel source)
DVD player LD player
AUDIO OUT VIDEO OUT DOLBY
L R COAXIAL OPTICAL
ANALOG
AUDIO OUT
L R
VIDEO
OUT
V
C
DIGITAL OUT
COAXIAL
DIGITAL OUT
DIGITAL
RF OUT
OPTICAL
DIGITAL OUT
O
DOLBY DIGITAL
RF OUT
DOLBY DIGITAL
RF IN
RF demodulator
COAXIAL
DIGITAL OUT
Main speakers A Main speakers B
R L R L
C
+
–
R
CENTER
MAIN– – ++
R
(SURROUND)
REAR
L
A
B
SET BEFORE POWER ON
L
+
–
MAIN A OR B:
4W MIN. /SPEAKER
A + B
8W MIN. /SPEAKER
MAIN A OR B
8W MIN. /SPEAKER
A + B
I6W MIN. /SPEAKER
:
:
:
V
VIDEO IN
TV Monitor
Subwoofer
system
Center speaker
R L
Rear speakers
(U.S.A. model)
L
R
O
Analog signal
Digital signal
(optical)
C
Digital signal
(coaxial)
V
Video signal
Signal flow
V573010 396
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