Yamaha EZ-30 User Manual

Page 1

Owner's Manual

Page 2

SPECIAL MESSAGE SECTION

This product utilizes batteries or an external power supply (adapter). DO NOT connect this product to any power supply or adapter other than one described in the manual, on the name plate, or specifically recommended by Yamaha.

This product should be used only with the components supplied or; a cart, rack, or stand that is recommended by Yamaha. If a cart, etc., is used, please observe all safety markings and instructions that accompany the accessory product.

SPECIFICATIONS SUBJECT TO CHANGE:

The information contained in this manual is believed to be correct at the time of printing. However, Yamaha reserves the right to change or modify any of the specifications without notice or obligation to update existing units.

This product, either alone or in combination with an amplifier and headphones or speaker/s, may be capable of producing sound levels that could cause permanent hearing loss. DO NOT operate for long periods of time at a high volume level or at a level that is uncomfortable. If you experience any hearing loss or ringing in the ears, you should consult an audiologist.

IMPORTANT: The louder the sound, the shorter the time period before damage occurs.

NOTICE:

Service charges incurred due to a lack of knowledge relating to how a function or effect works (when the unit is operating as designed) are not covered by the manufacturer’s warranty, and are therefore the owners responsibility. Please study this manual carefully and consult your dealer before requesting service.

ENVIRONMENTAL ISSUES:

Yamaha strives to produce products that are both user safe and environmentally friendly. We sincerely believe that our products and the production methods used to produce them, meet these goals. In keeping with both the letter and the spirit of the law, we want you to be aware of the following:

Battery Notice:

This product MAY contain a small non-rechargeable battery which (if applicable) is soldered in place. The average life span of this type of battery is approximately five years. When replacement becomes

necessary, contact a qualified service representative to perform the replacement.

This product may also use “household” type batteries. Some of these may be rechargeable. Make sure that the battery being charged is a rechargeable type and that the charger is intended for the battery being charged.

When installing batteries, do not mix batteries with new, or with batteries of a different type. Batteries MUST be installed correctly. Mismatches or incorrect installation may result in overheating and battery case rupture.

Warning:

Do not attempt to disassemble, or incinerate any battery. Keep all batteries away from children. Dispose of used batteries promptly and as regulated by the laws in your area. Note: Check with any retailer of household type batteries in your area for battery disposal information.

Disposal Notice:

Should this product become damaged beyond repair, or for some reason its useful life is considered to be at an end, please observe all local, state, and federal regulations that relate to the disposal of products that contain lead, batteries, plastics, etc. If your dealer is unable to assist you, please contact Yamaha directly.

NAME PLATE LOCATION:

The name plate is located on the bottom of the product. The model number, serial number, power requirements, etc., are located on this plate. You should record the model number, serial number, and the date of purchase in the spaces provided below and retain this manual as a permanent record of your purchase.

Model

Serial No.

Purchase Date

92-BP

(bottom)

PLEASE KEEP THIS MANUAL

FCC INFORMATION (U.S.A.)

1. IMPORTANT NOTICE: DO NOT MODIFY THIS UNIT!

This product, when installed as indicated in the instructions contained in this manual, meets FCC requirements. Modifications not expressly approved by Yamaha may void your authority, granted by the FCC, to use the product.

2. IMPORTANT:

another product use only high quality shielded cables. Cable/s supplied with this product MUST be used. Follow all installation instructions. Failure to follow instructions could void your FCC authorization to use this product in the USA.

3. NOTE:

requirements listed in FCC Regulations, Part 15 for Class “B” digital devices. Compliance with these requirements provides a reasonable level of assurance that your use of this product in a residential environment will not result in harmful interference with other electronic devices. This equipment generates/uses radio frequencies and, if not installed and used according to the instructions found in the users manual, may cause interference harmful to the operation of other electronic devices. Compliance with FCC regulations does not

* This applies only to products distributed by YAMAHA CORPORATION OF AMERICA.

When connecting this product to accessories and/or

This product has been tested and found to comply with the

OBSERVERA!

Apparaten kopplas inte ur växelströmskällan (nätet) sá länge som den ar ansluten till vägguttaget, även om själva apparaten har stängts av.

ADVARSEL:

sálæenge netledningen siddr i en stikkontakt, som er t endt — ogsá selvom der or slukket pá apparatets afbryder.

VAROITUS:

laitetta verkosta.

Netspæendingen til dette apparat er IKKE afbrudt,

Laitteen toisiopiiriin kytketty käyttökytkin ei irroita koko

(standby)

guarantee that interference will not occur in all installations. If this product is found to be the source of interference, which can be determined by turning the unit “OFF” and “ON”, please try to eliminate the problem by using one of the following measures:

Relocate either this product or the device that is being affected by the interference.

Utilize power outlets that are on different branch (circuit breaker or fuse) circuits or install AC line filter/s.

In the case of radio or TV interference, relocate/reorient the antenna. If the antenna lead-in is 300 ohm ribbon lead, change the lead-in to coaxial type cable.

If these corrective measures do not produce satisfactory results, please contact the local retailer authorized to distribute this type of product. If you can not locate the appropriate retailer, please contact Yamaha Corporation of America, Electronic Service Division, 6600 Orangethorpe Ave, Buena Park, CA90620

The above statements apply ONLY to those products distributed by Yamaha Corporation of America or its subsidiaries.

(class B)

Page 3

■

PRECAUTIONS

PLEASE READ CAREFULLY BEFORE PROCEEDING

* Please keep this manual in a safe place for future reference.

WARNING

Always follow the basic precautions listed below to avoid the possibility of serious injury or even death from electrical shock, short-

circuiting, damages, ﬁre or other hazards. These precautions include, but are not limited to, the following:

• Do not open the instrument or attempt to disassemble the internal parts or modify them in any way. The instrument contains no user-serviceable parts. If it should appear to be malfunctioning, discontinue use immediately and have it inspected by qualiﬁed Yamaha service personnel.

• Do not expose the instrument to rain, use it near water or in damp or wet conditions, or place containers on it containing liquids which might spill into any openings.

• If the AC adaptor cord or plug becomes frayed or damaged, or if there is a sudden loss of sound during use of the instrument, or if any unusual smells or smoke should appear to be caused by it, immediately turn off the power switch, disconnect the adaptor

CAUTION

Always follow the basic precautions listed below to avoid the possibility of physical injury to you or others, or damage to the instru-

ment or other property. These precautions include, but are not limited to, the following:

• Do not place the AC adaptor cord near heat sources such as heaters or radiators, and do not excessively bend or otherwise damage the cord, place heavy objects on it, or place it in a position where anyone could walk on, trip o ver, or roll anything over it.

• When removing the electric plug from the instrument or an outlet, always hold the plug itself and not the cord.

• Do not connect the instrument to an electrical outlet using a multiple-connector. Doing so can result in lower sound quality, or possibly cause overheating in the outlet.

• Unplug the AC power adaptor when not using the instrument, or during electrical storms.

• Always make sure all batteries are inserted in conformity with the +/- polarity markings. Failure to do so might result in overheating, ﬁre, or battery ﬂuid leakage.

• Always replace all batteries at the same time. Do not use new batteries together with old ones. Also, do not mix battery types, such as alkaline batteries with manganese batteries, or batteries from different makers, or different types of batteries from the same maker, since this can cause overheating, ﬁre, or battery ﬂuid leakage.

• Do not dispose of batteries in ﬁre.

• Do not attempt to recharge batteries that are not intended to be charged.

• When the batteries run out, or if the instrument is not to be used for a long time, remove the batteries from the instrument to prevent possible leakage of the battery ﬂuid.

• Keep batteries away from children.

• If the batteries do leak, avoid contact with the leaked ﬂuid. If the battery ﬂuid should come in contact with your eyes, mouth, or skin, wash immediately with water and consult a doctor. Batter y ﬂuid is corrosive and may possibly cause loss of sight or chemical burns.

• Before connecting the instrument to other electronic components, turn off the power for all components. Before turning the power on or off for all components, set all volume levels to minimum. Also, be sure to set the volumes of all components at their minimum levels and gradually raise the volume controls while playing the instrument to set the desired listening level.

• Do not expose the instrument to excessive dust or vibrations, or extreme cold or heat (such as in direct sunlight, near a heater, or in a car during the day) to prevent the possibility of panel disﬁguration or damage to the internal components.

• Do not use the instrument near other electrical products such as televisions, radios, or speakers, since this might cause interference which can affect proper operation of the other products.

(4)-7

plug from the outlet, and have the instrument inspected by qualiﬁed Yamaha service personnel.

• Use the speciﬁed adaptor (PA-5C or an equivalent recommended by Yamaha) only. Using the wrong adaptor can result in damage to the instrument or overheating.

• Before cleaning the instrument, always remove the electric plug from the outlet. Never insert or remove an electric plug with wet hands.

• Check the electric plug periodically and remove any dirt or dust which may have accumulated on it.

• Do not place the instrument in an unstable position where it might accidentally fall over.

• Before moving the instrument, remove all connected adaptor and other cables.

• When cleaning the instrument, use a soft, dry cloth. Do not use paint thinners, solvents, cleaning ﬂuids, or chemical-impregnated wiping cloths. Also, do not place vinyl, plastic or rubber objects on the instrument, since this might discolor the panel or keyboard.

• Do not rest your weight on, or place heavy objects on the instrument, and do not use excessive force on the b uttons, s witches or connectors.

• Use only the stand speciﬁed for the instrument. When attaching the stand, use the provided screws only. Failure to do so could cause damage to the internal components or result in the instrument falling over.

• Do not operate the instrument for a long period of time at a high or uncomfortable volume level, since this can cause permanent hearing loss. If you experience any hearing loss or ringing in the ears, consult a physician.

• Playing while looking at the lights for a long period of time may cause eye strain and stiff neck/shoulders. For your health and comfort, we recommend that you take a ten-minute break for every hour.

DATA BACK-UP AND STORAGE

• Yamaha recommends that you regularly save data using an external device such as the ﬂoppy disk-based Yamaha MIDI data ﬁler MDF3, and storing the ﬂoppy disks in a safe, cool, dry place. YAMAHA CANNOT BE HELD RESPONSIBLE FOR THE ACCIDENTAL LOSS OF IMPORTANT MUSIC DATA! Regarding the data you have created, as long as fresh batteries are inserted in (or an AC power adaptor is connected to) the instrument, the data will be retained, even when the power is turned off. It will also be retained long enough to exchange an old set of batteries for a new set. If you have important data in the instrument which you don’t want to lose, please take care to keep fresh batteries inserted in (or keep an AC power adaptor connected to) the instrument, and to regularly save data.

Yamaha cannot be held responsible for damage caused by improper use or modiﬁcations to the instrument, or data that is lost or destroyed.

Always turn the power off when the instrument is not in use. Make sure to discard used batteries according to local regulations.

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Congratulations on your purchase of the Yamaha EZ-30 PortaTone!

You now own a portable keyboard that combines advanced functions, great sound and exceptional ease-of-use in a highly compact package. Its outstanding features also make it a remarkably expressive and versatile instrument. Read this Owner’s Manual carefully while playing your new EZ-30 in order to take full advantage of its various features.

Main Features

The EZ-30 is a sophisticated yet easy-to-use keyboard with the following features and functions:

Yamaha Education Suite

The EZ-30 features the new Yamaha Education Suite - a set of learning tools that utilize the latest technology to make studying and practicing music more fun and fulfilling than ever before!

The Yamaha Education Suite includes:

●

Lesson ................................................................ page 34

The convenient and easy-to-use Lesson feature guides you through the parts of a song - just like a patient teacher! Select from any one of 100 songs on the EZ-30, and learn the left- and right-hand parts independently at first, then together. Lesson features three easy steps that help you master each song: Timing, Waiting and Minus One.

●

Grade & Talking ................................................ pages 37 and 38

The EZ-30 also has the Grade and Talking features. Grade is a virtual “teacher,” evaluating your practice sessions and rating your performance. The convenient Talking function “announces” each Lesson step and your “grades,” among other things.

●

Dictionary .......................................................... page 58

Dictionary is a built-in “chord encyclopedia” that teaches you how to play specific chords by showing you the appropriate notes in the display - perfect for when you know the name of a chord and want to quickly learn how to play it!

●

Lighting ............................................................. page 32

When you are using the Lesson feature or Dictionary, the key indicators tell you which keys to play. Also, during song playback, they show the keys that are playing.

●

ABC/DoReMi...................................................... page 43

The EZ-30 sings the melody using “A, B, C...” or “DoReMi.” Also, while you are using the Lesson function, the EZ-30 guides you by singing a note ahead using “A, B, C” or “DoReMi.”

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Portable Grand ................................. page 39

The EZ-30 also has a Portable Grand function for realistic piano performance. Pressing the [PORTABLE GRAND] button instantly calls up the stunningly authentic “Stereo Sampled Piano” voice and configures the entire EZ-30 for optimum piano play. Special Pianist styles and songs - with piano-only accompaniment - are also provided.

Flash Memory ............................................ page 71

The EZ-30, when connected to a personal computer, can load song data (purchased via internet) into the internal flash memory. You can use this song data along with the Lesson function. Also, the song data will be retained, even when the AC power adaptor and batteries are removed from the EZ-30.

Other powerful features include:

◆

61 keys with a nuances through various playing techniques.

◆

A total of maximum polyphony of 32 voices.

◆

High-quality voices - and your performance.

◆

106 auto accompaniment styles

tions. An Auto Fill function adds dynamic fills when switching sections.

◆

Powerful, easy-to-use to five of your original songs.

◆

Registration Memory

button for instant and automatic recall.

◆

One Touch Setting

match the style or song you select.

◆

Full MIDI and 30 into a MIDI music system, and use the built-in Expanded voices with all GM software.

* The illustrations and LCD screens as shown in this owner’s manual are for instruc-

tional purposes only, and may be different from the ones on your instrument.

Touch Response

610 various high-quality voices

Reverb, DSP, and Harmony effects

song recording

presets for storing all of the EZ-30’s panel settings to a single

function for automatically calling up an appropriate voice to

General MIDI (GM) compatibility

mechanism that enables you to express subtle

, each with Intro, Main A and B, and Ending sec-

operations, for recording and playing back up

(including 480 Expanded voices), with a

for enhancing the sound of the

, letting you easily integrate the EZ-

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Setting Up .................................8

Power Requirements ................... 8

Using Headphones...................... 9

Connecting a Keyboard Amplifi-

er or Stereo System...................... 9

Using a Footswitch...................... 9

Using the MIDI Terminals ........... 9

Panel Controls and Terminals.10

Quick Guide........................12

Songs ........................................ 12

Playing the Demo Songs.............12

Playing a Single Song .................13

Lesson....................................... 14

Using the Lesson Feature............14

Voices ....................................... 16

Playing the Piano ........................16

Playing along with the Metro-

nome ........................................... 16

Playing the ABC/DoReMi voices.17 Selecting and Playing Other

Voices ..........................................17

Auto Accompaniment .............. 18

Using the Auto Accompaniment 18 Looking up Chords in the Dic-

tionary......................................... 20

Panel Display Indications........22

Song Lesson.............................34

Using the Lesson Feature ........... 34

ABC/DoReMi Guide.................... 36

Grade .......................................... 37

Talking ........................................ 38

Portable Grand........................39

Using the Metronome................ 39

Setting a Tempo......................... 39

Setting the Time Signature of

the Metronome.......................... 40

Adjusting the Metronome Vol-

ume........................................... 40

Playing Voices .........................42

Selecting a Voice ........................ 42

Playing a Voice ........................... 42

One Touch Setting ..................... 43

Changing the Split Point............ 44

Transpose ................................... 45

Tuning ........................................ 46

Touch.......................................... 47

Touch Sensitivity ........................ 47

Effects......................................48

Reverb......................................... 48

DSP ............................................. 49

Harmony..................................... 50

Selecting and Playing Songs...28

Listening To a Demo Song .........28

Selecting and Playing a Song .....28

Listening to a Flash Song............29

Switching the Tracks On and

Off ...............................................29

Melody Voice Change............... 30

Adjusting the Tempo ..................31

Tap Function............................. 31

Song Volume Level .....................32

Switching the Light Guide On

and Off ........................................32

Auto Accompaniment.............51

Selecting a Style ......................... 51

Starting Accompaniment ........... 52

Sync start................................... 52

Start........................................... 53

Tap start ....................................53

Stopping the Accompaniment... 54

Changing the Tempo ................. 54

Using Auto Accompaniment—

Multi Fingering........................... 55

Single Finger Chords.................. 55

Fingered Chords ........................ 56

Page 7

Looking up Chords in the dictio-

nary............................................. 58

Playing a Melody along with

the Accompaniment................... 61

Adjusting the Accompaniment

Volume......................................61

Changing the Accompaniment

Section........................................ 62

Intro...........................................62

Main.......................................... 62

Ending ....................................... 63

Registration Memory ............. 64

Recording a Registration Memo-

ry Preset...................................... 64

Recalling a Registration Memo-

ry Preset...................................... 65

Song Recording ...................... 66

Recording a User Song............... 66

Erasing a Song............................ 69

Song Clear................................. 69

Track Clear................................ 70

Troubleshooting..................... 83

Data Backup & Initialization.. 84

Data Backup ................................84

Data Initialization .......................84

Voice List ................................ 85

Style List ................................. 90

Drum Kit List .......................... 91

Effect Type List....................... 96

MIDI Implementation Chart... 98

Specifications ....................... 102

Index..................................... 103

Loading a Song into Flash

Memory .................................. 71

Installing Song Filer.................... 71

Song Filer’s Functions................. 72

Octave......................................... 73

Available Flash Memory Amount74

Flash Clear .................................. 74

MIDI Functions........................ 75

What is MIDI? ............................. 75

Available MIDI Funcitons............ 77

Connecting to a Personal Com-

puter ........................................... 78

Local Control .............................. 79

Using Bulk Dump Send to Save

Data ............................................ 80

Transmitting the EZ-30 Panel

Settings (Initial Send) ................ 81

Transmitting SMF Format Data.. 82

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Setting Up

Power Requirements

Although the EZ-30 will run either from an optional AC adaptor or batteries, Yamaha recommends use of an AC adaptor whenever possible. An AC adaptor is more environmentally friendly than batteries and does not deplete resources.

■ Using an AC Power Adaptor

Use of an AC power adaptor is recommended, especially when you use the EZ-30 for a long period of time.

1 Make sure that the [STANDBY/ON]

switch of the EZ-30 is set to STANDBY.

2 Connect one end of the adaptor to the

DC IN 10-12V jack on the rear panel of your EZ-30.

3 Connect the other end to a suitable

electrical outlet.

outlet

WARNING

Use ONLY a Yamaha PA-5C AC Power Adaptor (or other adaptor specifically recommended by Yamaha) to power your instrument from the AC mains. The use of other adaptors may result in irreparable damage to both the adaptor and the EZ-

30.

CAUTION

Unplug the AC Power Adaptor when not using the EZ-30, or during electrical storms.

PA-5C

■ Using Batteries

1 Turn the instrument upside-down and

remove the battery compartment lid.

2 Insert six 1.5-volt “D” size, R20P

(LR20) or equivalent batteries as shown in the illustration, making sure that the positive and negative terminals are properly aligned.

3 Replace the lid.

BATTERIES 1.5 V x 6

Replace the batteries before they completely discharge. If the battery voltage gets low, the volume level may be reduced, sound integrity may deteriorate, the display indicators may disappear, or the stored data may be deleted. If any of these events occur, replace the battery, heeding the cautions described below.

CAUTION

• Insert the batteries in the correct direction, making sure that the positive and negative terminals of the batteries match the label. If the orientation does not match the label, the batteries may generate heat, cause a fire, or leak.

• Never mix old and new batteries or different types of batteries (e.g., alkaline and manganese).

• To prevent possible damage from battery leakage, remove the batteries from the instrument if it is not to be used for a long time.

• Even when the switch is in the “STANDBY” position, electricity is still flowing to the instrument at the minimum level. When you plan not to use the EZ-30 for a long period of time, make sure you unplug the AC power adaptor from the wall AC outlet, and/or remove the batteries from the instrument.

Page 9

Using Headphones

For private practicing and playing without disturbing others, connect a set of stereo headphones to the rear panel PHONES/OUTPUT jack. Sound from the built-in speaker system is automatically cut off when you insert a headphone plug into this jack.

CAUTION

Do not use headphones for a long time at high volume levels. Otherwise, you may damage your hearing.

Connecting a Keyboard Ampli-

ﬁer or Stereo System

This feature lets you use an optional footswitch (Yamaha FC4 or FC5) to sustain the sound of the voices. The footswitch functions the same way as a damper pedal on an acoustic piano - press and hold down the footswitch as you play the keyboard to sustain the sound.

• Make sure that the footswitch plug is properly connected to the SUSTAIN jack before you turn on the power.

• Do not press the footswitch while turning the power on. Doing this changes the recognized polarity of the footswitch, resulting in reversed footswitch operation.

Using the MIDI Terminals

Though the EZ-30 is equipped with a built-in speaker system, you can also play it through an external amplifier/speaker system. First, make sure the EZ-30 and any external devices are turned off, then connect one end of a stereo audio cable to the LINE IN or AUX IN jack(s) of the other device and the other end to the rear panel PHONES/OUTPUT jack on the EZ-30.

CAUTION

To prevent damage to the speakers, set the volume of the external devices at the minimum setting before connecting them. Failure to observe these cautions may result in electric shock or equipment damage. Also, be sure to set the volumes of all devices at their minimum levels and gradually raise the volume controls while playing the instrument to set the desired listening level.

Using a Footswitch

The EZ-30 also features MIDI terminals, allowing you to interface the EZ-30 with other MIDI instruments and devices. (For more information, see page 78.)

• Special MIDI cables (sold separately) must be used for connecting to MIDI devices. They can be bought at music stores, etc.

• Never use MIDI cables longer than about 15 meters. Cables longer than this can pick up noise which can cause data errors.

Music Stand

Insert the bottom edge of the included music stand into the slot located at the top rear of the EZ-30 control panel.

Page 10

Panel Controls and Terminals

Front Panel

1 Power switch ([STANDBY/ON])........... 22

2 [MASTER VOLUME] dial...................... 22

3 [DEMO] button.................................... 28

4 [TOUCH] button.................................. 47

5 [Dict.] (DICTIONARY) button .............. 58

6 LESSON [L] (Left) and [R] (Right) buttons34

7 Overall (left, right) buttons ................... 23

8 [TEMPO/TAP] button........................... 31

9 [PORTABLE GRAND] button ............... 39

0 [METRONOME] button........................ 39

A [ABC/DoReMi] button ......................... 43

B Numeric keypad, [+/YES] and [–/NO]

buttons................................................. 25

C [ACMP ON/OFF] / [GRADE ON/OFF]

button ............................................ 52, 37

D [REW] button ....................................... 29

E [SYNC STOP] / [FF] button............. 52, 29

F [SYNC START] / [LESSON 1] button52, 35

G [INTRO/ENDING] / [LESSON 2]

button ............................................ 62, 35

H [

MAIN/AUTO FILL] / [LESSON 3]

button

............................................... 62, 35

I [STYLE] button ..................................... 51

J [SONG] button .................................... 28

K [START/STOP] button .......................... 29

L [VOICE] button.................................... 42

M [RECORD] button ................................ 67

N SONG MEMORY buttons..................... 67

O REGISTRATION MEMORY buttons ...... 64

CDE F G H

Rear Panel

P MIDI IN,OUT terminals ......................... 9

Q SUSTAIN jack ........................................ 9

R PHONES/OUTPUT jack......................... 9

S DC IN 10-12V jack ............................... 8

Page 11



Q R

Page 12

Quick Guide

STEP

Playing the Demo Songs

Demo songs (001–100) showcase the sophisticated features and stunning sound of the EZ-30. Let’s play the Demo songs now, starting with

001...

Songs

212

1 Press the [DEMO] button.

Demo song 001 starts playing. When the song is complete, the subsequent songs (002, 003...) start playing sequentially.

If you have loaded songs into flash memory, they are the first to play.

2 Stop the Demo song.

❋ Want to find out more? See page 28.

If you do not wish to play the Demo songs when you press the [DEMO] button, turn on the power to the EZ-30 while pressing and holding down the [DEMO] button. To activate the Demo playback function, turn on the power to the EZ-30 in the normal manner.

Page 13

Playing a Single Song

Naturally, you can also individually select and play back any of the EZ30’s songs (Songs 001–100 and songs in flash memory). Also, simply by pressing the [START/STOP] button, you can start playback.

1 Start the song.

When the power of the EZ-30 is turned on, the song of “003: Linus And Lucy” is selected. For instructions on selecting songs, See page 28.

2 Stop the song.

❋ Want to find out more? See page 28.

[Song List]

No. Song Name

1 Mission:Impossible 2 Beauty And The Beast 3 Linus And Lucy 4 Can You Feel The Love Tonight 5Celebration 6 Unchained Melody 7 A Whole New World 8 Chopsticks 9 Georgia On My Mind

11 Rhapsody In Blue

13 When Irish Eyes Are Smiling 14 Down By The Riverside 15 Fascination 16 America The Beautiful 17 Take Me Out To The Ball Game

20 Happy Birthday To You

21 Little Brown Jug 22 Loch Lomond 23 Oh! Susanna 24 Greensleeves

Favorite

Don't Let The Sun Go Down On Me

Bill Bailey (Won't You Please Come Home)

When The Saints Go Marchin' In

Tain't Nobody's Business If I Do

World/Classic

No. Song Name

Aura Lee 26 Londonderr y Air 27 Ring De Banjo 28 Wenn Ich Ein Vöglein Wär ? 29 Die Lorelei 30 Funiculi-Funicula 31 Turkey In The Straw 32 Old Folks At Home 33 Silent Night 34 Jingle Bells 35 Muss I Denn 36 Liebesträume Nr.3 37 Jesu, Joy Of Man's Desiring 38 Symphonie Nr.9 39 Song Of The Pearl Fisher 40 Gavotte

String Quartet No.17 2nd Mov. 41

"Serenade" 42 Menuett 43 Canon 44 The Danube Waves 45 From "The Magic Flute"

Piano Sonate Op.27-2 46

"Mondschein" 47 "The Surprise"Symphony 48 To A Wild Rose 49 Air de Toréador"Carmen"

O Mio Babbino Caro (From 50

"Gianni Schicchi") 51 Im Mai (DUET)

No. Song Name

O Christmas Tree (DUET) Mary Had A Little Lamb

(DUET) 54 Ten Little Indians (DUET) 55 Pop Goes The Weasel (DUET) 56 Twinkle Twinkle Little Star

Twinkle Twinkle Little Star 57

(DUET)

Close Your Hands, Open Your 58

Hands

Close Your Hands, Open Your 59

Hands (DUET) 60 The Cuckoo 61 The Cuckoo (DUET) 62 O Du Lieber Augustin 63 O Du Lieber Augustin (DUET) 64 London Bridge 65 London Bridge (DUET) 66 American Patrol 67 Beautiful Dreamer 68 Battle Hymn Of The Republic 69 Home Sweet Home

Valse Des Fleurs (From"The 70

Nutcr acker") 71 Aloha Oe

I've Been Working On The 72

Railroad 73 My Darling Clementine 74 Auld Lang Syne 75 Grandfather's Clock 76 Amazing Grace

No. Song Name

My Bonnie 78 Yankee Doodle 79 Joy To The World 80 Ave Maria

82 La Candeur 83 Arabesque 84 Pastorale 85 Petite Réunion 86 Innocence 87 Progrès 88 Tarentelle 89 La Chevaleresque

91 Marcia Alla Turca 92 Turkish March 93 Valse Op.64-1 "Peiti Chien" 94 Menuett 95 Nocturne Op.9-2 96 Moments Musicaux Op.94-3 97 The Entertainer

99 La Viollette

100 Für Elise

Pianist

Dolly's Dreaming And

Awakening

Etude Op.10-3 "Chanson De

L'adieu"

Prelude (Wohltemperierte

Klavier 1-1)

Page 14

Quick Guide

Using the Lesson Feature

Songs 001 to 100 are specially designed for use with the educational Lesson feature. Let’s start the practice, following the light.

STEP

Lesson

1 Select Timing, Waiting, or Minus One, and start the lesson.

When the power of the EZ-30 is turned on, the song of ”003: Linus And Lucy” and the right-hand part are selected.

Lesson 1: Timing

This step lets you work on the timing of the notes. In Lesson 1, the particular note you play on the keyboard is unimportant. The EZ-30 checks your timing and how rhythmically “tight” your playing is.

Page 15

Lesson 2: Waiting

In Lesson 2, you practice playing the notes correctly as they appear in the display notation. The accompaniment pauses and waits for you to play the notes correctly before it continues.

Lesson 3: Minus One

In Lesson 3, you practice playing correct notes, along with the accompaniment. The accompaniment continues playing in tempo.

2 When you’re finished, stop the Lesson.

❋ Want to find out more? See page 34.

Grade

The EZ-30 has a built-in evaluation function that monitors your practicing and

- like a real teacher - tells you how well you did each practice. Four grades are assigned, depending on your performance: “Try Again,” “Good,” “Very Good,” and “Excellent.”

❋ Want to find out more? See page 37.

Talking

This feature “talks” to you through the speakers, “announcing” the Grade comments as well as the titles of the Lesson steps.

❋ Want to find out more? See page 38.

Page 16

Quick Guide

STEP

Voices

21 1

Playing the Piano

Simply by pressing the [PORTABLE GRAND] button, you can automatically reset the entire EZ-30 for piano play.

1 Press the [PORTABLE GRAND] button.

The song and style are also set for piano performance.

2 Play the keyboard.

❋ Want to find out more? See page 39.

Playing along with the Metronome

1 Press the [METRONOME] button.

❋ Want to find out more? See page 39.

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Playing the ABC/DoReMi voices

1 Press the [ABC/DoReMi] button.

The ABC voice is selected. To select the DoReMi voice, press the [ABC/ DoReMi] again.

ABC

DoReMi

Off

2 Play the keyboard.

❋ Want to find out more? See page 43.

Selecting and Playing Other Voices

The EZ-30 has a huge total of 610 dynamic and realistic instrument voices. Let’s try a few of them out now...

1 Press the [VOICE] button.

2 Select a voice.

3 Play the keyboard.

❋ Want to find out more? See page 42.

Page 18

Quick Guide

STEP

Auto Accompaniment

7134

Using the Auto Accompaniment

Simply play chords with your left hand - and the EZ-30 automatically produces appropriate bass, chord and rhythm backing. Use your right hand to play melodies, and you’ll sound like an entire band!

For more information on playing proper chords for the auto accompaniment, see “Using Auto Accompaniment - Multi Fingering” on page 55 and “Looking up Chords in the dictionary” on page 58.

1 Press the [STYLE] button.

Accompaniment key range

Left hand + Right hand

Auto accompaniment

(for example, bass + guitar + drums)

Melody

2 Select a style.

Refer to the Style List on page 90.

Page 19

3 Turn the auto accompani-

ment on.

4 Turn the Sync Start func-

tion on.

6 Select a section.

The auto accompaniment has four sections: Intro, Main A/B, and

Ending.

7 Stop the auto

accompaniment.

5 Play a chord with your left

hand.

The auto accompaniment starts as soon as you play the keyboard.

❋ Want to find out more? See

page 55.

❋ Want to find out more? See

page 51.

Page 20

Continuation

Quick Guide

STEP

Auto Accompaniment

Looking up Chords in the Dictionary

The convenient Dictionary function teaches you how to play chords by showing you the individual notes. In the example below, we’ll learn how to play a GM7 chord...

Chord detection

key range

(C1–B2)

Example:

Keys for entering

the chord type

G M7

Root note Chord type

1 Press the [Dict.] button.

(C3–B4)

Keys for entering

the chord root

(C5–B5)

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2 Specify the root note of the chord (in this case, G).

3 Specify the chord type of the chord (in this case, M7).

4 Play the chord by pressing the keys lighted up.

The chord name flashes and a ”congratulations” melody is played, when the chord is played properly.

5 To leave the Dictionary function, press the [Dict.] button

again.

❋ Want to find out more? See page 58.

Page 22

Panel Display Indications

Power on

Press the [STANDBY/ON] switch to turn on the power to the EZ-30. Press the [STANDBY/ON] switch again to turn off the power.

Even when the [STANDBY/ON] switch is in the “STANDBY” position, electricity still flows through the instrument at the minimum level. When you plan not to use the EZ-30 for a long period of time, make sure you unplug the AC power adaptor from the wall AC outlet, and/or remove the batteries from the instrument.

Adjusting the volume level

Rotate the [MASTER VOLUME] dial.

Rotating the dial counter-clockwise lowers the volume level.

Rotating the dial clockwise raises the volume level.

Page 23

Overall indicator

Overall (L, R) indicator

The left and right Overall buttons enable you to make EZ-30’s global settings.

Overall (left)

LIGHT ABC/DoReMi REVERB DSP HARMONY TALKING

Overall (right)

OCTAVE TRANSPOSE TUNING ACMP/SONG VOLUME METRONOME VOLUME MIDI

32 36 48 49 50 38

73 45 46 61, 32 40 74, 79

Adjusting the tempo

Song and accompaniment tempo can be adjusted (page 31).

If you press the left or right Overall button located in the upper-left and upper-right of the display, a menu icon advances and the top row in the display indicates the currently-selected “setting item” and “value.” When you press the left or right Overall button again, the menu icon advances to the next setting item.

E.g., Transpose setting

Menu iconSetting itemValue

Changing the value

Use the numeric keypad [0]–[9], [+], or [–] buttons to change the value.

Pressing the button once decrements the value by one.

Pressing and holding down the button increments/decrements the value continuously. For some functions, pressing these buttons simultaneously restores the default setting.

Pressing the button once increments the value by one.

Symbol for pressing and holding down the button

If you press and hold down a button with this symbol for more than one second, a different function will be activated.

Pressing and holding down

Page 24

Panel Display Indications

Selecting a function

• Pressing the [STYLE], [VOICE], or [SONG] button enables you to select one of EZ-30’s basic functions. (The icon of the selected function appears.)

Style

Select a style for accompaniment.

• If you select a song or accompaniment, then select a voice, the EZ-30 indicates the following:

[Song→Voice]

Select a voice using the numeric keypad.

Press the [START/STOP] button to start the song.

Song

Selects a song for playback or practice.

[Style→Voice]

Select a voice using the numeric keypad.

Press the [START/STOP] button to start the accompaniment.

Voice

Selects a voice to play on the keyboard.

Page 25

Numeric keypad

Name & number indication (Song/Style/Voice)

The top row of the display indicates the name and number of the currently-selected function.

E.g., Selecting a song

Song number Song name

Selecting a number

• To increment or decrement the number, use the numeric keypad or [+]/[–] button.

Pressing the button once decrements the number by one.

Pressing and holding down the button increments/decrements the number continuously. Pressing both buttons simultaneously resets the number.

• To select the number directly, use the numeric keypad [0]–[9].

For example, to select Voice #005: HnkyTonk, press [0], [0], then [5] on the numeric keypad.

Pressing the button once increments the number by one.

If the first digit is “0,” you can skip pressing [0]. If the first and second digits are both “0,” you can also skip pressing [0] twice.

Page 26

Panel Display Indications

Touch indicator

This appears when the Touch function is turned on.

Harmony indicator

This appears when the Harmony effect is turned on.

Sync Stop indicator

This appears when the Sync Stop function is turned on.

Accompaniment On indicator

This appears when the auto accompaniment has been turned on.

ABC/DoReMi indicators

These show the guide voice setting(“ABC” or “DoReMi”) for the Lesson function.

Low battery indicator

This appears when the battery voltage is getting low.

Song track ON/OFF indicators

They light up when the corresponding tracks are turned on.

Song track DATA indicators

They indicates the current playback tracks.

Song track GUIDE indicators

A frame appears around the number of a track that uses the right-hand/left-hand guide function.

Page 27

Notation display

Measure indicator

When you are using the Lesson function, the notation display indicates the song melody or chord notation. When you are using the Dictionary function, it indicates the notes that make up the chord. Other than that, it usually indicates the notes you played.

• If a note is too high or too low to be notated within the score, a note that is one octave lower or higher will be indicated on the score, along with “8va” at the top or bottom of the score.

• Due to the limitation of the screen, some notes in a chord may not be displayed.

The measure numbers of a song or accompaniment are displayed. If you select a free-tempo song, “F t” appears.

Beat indicators

Four arrows flash to indicate the beat of a song or accompaniment.

Beat indicators

Octave indicator

While a Flash song is being played, this indicator appears if the key range of the notes being played is higher (or lower) than the EZ30’s keyboard range.

These indicators are displayed when the playback pitch is raised (or lowered) by an octave or two (page 73).

Chord indicator

This indicator indicates the name of the currently-played chord or a chord you play on the keyboard.

Fingering guide

During the Lesson, this guide suggests a fingering for playing the song.

Page 28

Selecting and Playing Songs

The EZ-30 has 100 preset songs. Try playing these songs or songs loaded into flash memory. Use the Song Memory function to record your own performance. (See page 66.)

Listening To a Demo Song

Press the [DEMO] button. Songs from #1 to #100 will be played sequentially.

Song

number

Song

name

Indicates Song

mode is selected

Measure

number

If you select a song after another song has started playing, the EZ-30 will sequentially play songs in the category (e.g., Pianist etc. See page 13.) that contains the selected song.

• Turning the power on while pressing and holding down the [DEMO] button will disable the Demo song playback function. To enable the Demo song playback, turn the power on in the normal manner.

• If a song (or songs) has been loaded into flash memory, the Flash song(s) starts playing first.

Press the [START/STOP] button or the [DEMO] button to stop Demo playback.

Selecting and Playing a Song

Press the [SONG] button.

Song

number

Song

name

Indicates Song

mode is selected

Select the desired song number.

Use the numeric keypad or the [+]/[–] buttons (page 25).

001–100 ...................... Preset Songs

101–(199)* .................. Flash Songs

201–205 ...................... User Songs

* The maximum song number differs depending

on the amount of available flash memory.

Page 29

Start and stop the song playback.

Press the [ START/STOP ] button to start song playback. You can play the keyboard along with the playback.

Press the [ START/STOP ] button to stop song playback.

The playback will repeat until you press the [ START/STOP ] button.

Other controls

[FF] button .................. Pressing this button during playback will fast

forward the song. Pressing this button while playback is stopped will increment the measure number.

[REW] button .............. Press this button during playback will rewind

the song. (No sound will be heard at this time.) Pressing this button while playback is stopped will decrement the measure number.

Listening to a Flash Song

The EZ-30 can play a song loaded into its internal flash memory. To do this, you need to connect the EZ-30 to a personal computer, and use “Song Filer” application program on the computer to transmit a song.

For more information on Flash songs and Song Filer, refer to page 71.

Switching the Tracks On and Off

Each song contains 16 tracks (1–16). You can switch tracks 1–5 on and off using the SONG MEMORY [ 1 ]–[ 5 ] buttons

respectively, and switch tracks 6–16 on and off altogether using the [ A ] button. This is useful when you practice playing a certain track by switching that track off (the

track sound will be muted).

ON/OFF indicator is lit. The corresponding track is played.

ON/OFF indicator is off.

A song contains the following tracks:

• Tracks [1]–[5] ...........Each track can be switched on and off individually.

• Tracks [6]–[16] .........Tracks 6–16 can be switched on and off altogether.

(The track contains data.)

The corresponding track is muted

(no sound will be heard), or the track contains no data.

Page 30

Selecting and Playing Songs

Melody Voice Change

You can change the voice of a song melody to the desired one during song playback.

Select the desired voice.

Press the [ VOICE ] button, then use the numeric keypad or [ + ]/[ – ] buttons to select the desired voice.

Press and hold down the [ VOICE ] button for at least one second.

“MELODY VOICE CHANGE” appears in the display, indicating that the selected voice has replaced the song’s original melody voice.

Page 31

Adjusting the Tempo

Song and accompaniment tempo can be adjusted in the range of q = 32–280 (the number of quarter notes per minute).

Press the [TEMPO/TAP] button.

Press the numeric keypad or [+]/[–] buttons to change the tempo value.

You can instantly restore the default setting by pressing both [+]/[–] buttons simultaneously (When Tempo is selected).

Tap Function

You can set your own tempo intuitively. Press the [TEMPO/TAP] button four times for a four-beat song and three times for a

three-beat song at a tempo at which you would like to play.

The Tap function is also available during song playback.

About beat indicators

During performance, the arrows flash sequentially in tempo.

First beat

of measure

Second

beat

Third

beat

Fourth

beat

About free tempo

Some songs utilize a tempo that does not synchronize with or match the timing of the measures and beats as a way of enriching musical expression.

During the playback of such songs, the measure indicator indicates “Ft.” Also, depending on the song, the beat indicators may not flash.

Page 32

Selecting and Playing Songs

Song Volume Level

Adjust the song volume to balance with the level of the keyboard performance.

Press the right Overall button repeatedly until “SONG VOL” appears in the display.

Current song

volume

Press the numeric keypad or [+]/[–] buttons to set the song volume (000–127).

• You can instantly restore the default setting of “100” by pressing both [+]/[–] but- tons simultaneously (When Song Volume is selected).

• You can set the volume level of the selected song.

Switching the Light Guide On and Off

You can switch the Light Guide on the keyboard on or off. The Light Guide can be used as a keyboard guide during song playback or while you

are using the Lesson or the Dictionary function.

Press the left Overall button to select “LIGHT.”

Page 33

Press the [+] or [–] button to turn the Light Guide on or off.

CAUTION

Playing while looking at the lights for a long period of time may cause eye strain and stiff neck/ shoulders. For your health and comfort, we recommend that you take a ten-minute break for every hour.

Page 34

Song Lesson

You can practice playing a song selected from Lesson songs #001–100 and songs in flash memory.

Using the Lesson Feature

Select one of the Lesson songs.

Press the [SONG] button, then use the numeric keypad or [+]/[–] buttons to select the desired song.

Select the part you wish to work on (left, right or both.)

If you want to work on the right-hand part, press the [R] button; to work on the left, press the [L] button. Press the [L] and [R] buttons simultaneously to work with both hands.

The icon of the selected hand(s) appears.

Track indicators

A lesson track(s) will be indicated by a frame around the GUIDE track number.

If a flash song is selected, you can change the track that guides your right- and lefthand part (See page 73).

Page 35

Start the Lesson.

When you press one of the LESSON [1]–[3] buttons, the Lesson song starts. The display indicates the notes to play and the Light Guide shows you which

key to play.

Types of Lesson

Press one of the following buttons to select and start a type of Lesson.

Lesson 1: Timing ......... This lesson step lets you practice just the timing

of the notes - any note can be used. The melody does not sound unless you play in rhythm.

Lesson 2: Waiting........ In this lesson step, the EZ-30 waits for you to

play the correct notes before continuing playback of the song. When you play the correct note, the next note to play is indicated. Also, the EZ-30 can sing the next note to play using “A, B, C...” or “Do, Re, Mi...” (page 36).

Lesson 3: Minus One... This lesson step lets you practice playing the

correct notes along with the accompaniment. All parts except for the part you are practicing will be played in tempo like a “karaoke”.

• In Lesson 2, the rhythm part is muted.

• If the Talking function is turned on, the EZ-30 announces the Lesson number.

• To exit from the Lesson, press the corresponding LESSON button.

Press the [START/STOP] button to stop the Lesson.

The EZ-30 exits from the Lesson feature automatically when the [START/ STOP] button is pressed.

Page 36

Song Lesson

ABC/DoReMi Guide

When the ABC/DoReMi Guide is activated, the EZ-30 sings the next note to play using “A, B, C...” or “Do, Re, Mi...” in Lesson 2.

For instruction on changing the guide voice (ABC or DoReMi), see page 43.

Press the left Overall button repeatedly to select “ABC/ DoReMi.”

Press the [+] or [–] button to turn the ABC/DoReMi Guide on or off.

Page 37

Grade

The Lesson feature has a built-in evaluation function that monitors your practicing of the Lesson songs, and just like a real teacher, it tells you how well you did each practice. Four grades are assigned, depending on your performance: “Try Again,” “Good,” “Very Good,” and “Excellent.” When the Talking function (page 38) is on, the EZ-30 also “announces” your grade.

Press the [GRADE ON/OFF] button to turn the Grade on or off.

The EZ-30 tells you your grade via the LCD, Light Guide, and the Talking function.

After displaying your grade, the EZ-30 resumes the Lesson.

Page 38

Song Lesson

Talking

This feature “talks” to you through the speakers, “announcing” the Grade comments as well as the titles of the Lesson steps and the names of certain functions.

Press the left Overall button repeatedly to select “TALKING”.

Press the [+]/[–] buttons to set Talking to on or off.

Talking off Talking on

The Talking function includes the following “announcements”:

[Dictionary] [LESSON 1–3] [Try Again] [Good] [Very Good] [Excellent]

Page 39

Portable Grand

You can practice playing “a real piano,” by pressing the [ POR-

TABLE GRAND ] button.

When you press the [ PORTABLE GRAND ] button, the EZ-30 configures all the settings for piano performance.

The EZ-30 configures the following settings when you press the [PORTABLE GRAND] button:

Voice........................... 001 Grand Piano

Style ............................ 097 Stride

Song ............................ 081 Dolly’s Dreaming And

Awakening

Touch .......................... On

One touch setting ........ On

Harmony ..................... Off

Split point .................... 054

The song and style category “PIANIST” (automatically selected with the settings described above) includes the songs and styles that are suitable for the piano performance.

The “PIANIST” styles are played without any rhythm sound.

Using the Metronome

Press the [ METRONOME ] button to play the Metronome in tempo with the accompaniment. You can use this feature for your piano practice.

A chime sounds at every first beat of the measures.

To turn the Metronome off, press the [

Setting a Tempo

METRONOME

] button again.

To change the tempo, press the [ [+]/[–] buttons to change the value. (See page 31.)

To restore the default Metronome Tempo value, press both [ + ]/[ – ] buttons simultaneously (when Metronome Tempo is selected).

TEMPO/TAP

] button and use the numeric keypad or

Page 40

Portable Grand

Setting the Time Signature of the Metronome

You can set the time signature of the Metronome while the rhythm part is stopped. Press and hold down the [METRONOME] button for more than one second to display

the Metronome time signature setting, and use the numeric keypad or [+]/[–] buttons to change the time signature value.

Numeric

keypad

0 – (A chime does not sound.) 1 1/4 (A chime sounds on every beat.) 2 2/4 3 3/4 4 4/4 5 5/4 6 6/4 7 7/4 8 8/4

9 9/4 10 10/4 11 11/4 12 12/4 13 13/4 14 14/4 15 15/4

When you select another style or song, the time signature of the Metronome also changes to that of the selected style or song.

Time signature

Adjusting the Metronome Volume

You can adjust the volume of the Metronome sound independently of the other EZ-30 sounds. The volume range is 000–127.

Press the right Overall button repeatedly to select “METRONOME VOLUME”.

Current Metronome Volume value

Page 41

Press the numeric keypad or [+]/[–] buttons to set the desired Metronome Volume value.

To restore the default Metronome Volume value (100), press both [+]/[–] buttons simultaneously (when Metronome Volume is selected in the Overall menu).

Page 42

Playing Voices

Selecting a Voice

The EZ-30 features high-quality voices that use an advanced technology AWM (Advanced Wave Memory) tone generator. (See page 85.)

• Voices ...................... 1–116 (116 voices), 117–128 (drum kit), 609 (ABC (Oboe)

voice), 610 (DoReMi (Oboe) voice)

• Expanded Voices ...... 129–608 (480 voices)

Some voices include the following effects.

Split voice (107–116)

One voice is assigned to the right side of the split point on the keyboard, and another voice is assigned to the left side.

Drum kit (117–128)

Playing different keys on the keyboard produces different drum sounds.

ABC (Oboe) voice (609), DoReMi (Oboe) voice (610)

When you play the keyboard, the EZ-30 “sings” the corresponding notes using ABC or DoReMi. If the Transpose value is adjusted (other than “00”), they sound using Oboe voice.

Playing a Voice

Press the [VOICE] button.

Select the desired voice number.

Use the numeric keypad to directly enter the voice number, or use the [+]/[–] buttons to step up and down through the voices (page 25).

Voice

number

Voice name

Indicates Voice mode

is selected

Page 43

Play the selected voice.

Try playing different voices.

When you select a voice, a DSP type most appropriate for the voice will be selected automatically.

Selecting the ABC or DoReMi voice

Simply by pressing the [ABC/DoReMi] button, you can select the ABC (Oboe) voice (#609) or DoReMi (Oboe) voice (#610). The setting is also valid for the guide voice for the Lesson function (page 36).

1. Press the [ABC/DoReMi] button repeatedly to select the ABC or DoRemi voice. Pressing the [ABC/DoReMi] button toggle among ABC voice, DoReMi voice and

Guide Off.

ABC voice

DoReMi voice

Guide Off

One Touch Setting

This special “voice” is actually a convenient feature which automatically selects a suitable voice for you when you select a style. The voice is selected to best match the style or song you’ve called up.

Press the [VOICE] button.

The name of the current voice appears.

Page 44

Playing Voices

Press the numeric keypad [0] or [+]/[–] buttons to select the voice number “000.”

This turns on the One Touch Setting.

Changing the Split Point

Pressing and holding down the [ACMP ON/OFF] button for more than one second enables you to change the split point. If you have already selected a split voice, you can play a different voice on the right and left sides of the split point on the keyboard.

Current split point setting

To restore the default setting of “54F#2,” press both [+]/[–] buttons simultaneously.

Press the numeric keypad or [+]/[–] buttons to change the split point.

54F#2

Current split point

“54F#2” means that the left side of the keyboard ranges up to F#2.

Split point for auto accompaniment

The split point for the auto accompaniment (the border between the melody key range and the accompaniment key range) is the same as that for the split voices.

Page 45

Transpose

Transpose determines the key of both the main voice and the bass/chord accompaniment of the selected style. The Transpose settings can be adjusted over a range of ±12 semitones (±1 octave).

Press the right Overall button repeatedly to select “TRANSPOSE”.

Current T ranspose value

Press the numeric keypad or [+]/[–] buttons to set the desired Transpose value (–12 – +12).

To transpose the pitch down, simultaneously press and hold the [ – ] button, and use the numeric keypad to type in the (negative) value.

• You can instantly restore the default setting of “00” by pressing both [ + ]/[ – ] buttons simultaneously (when Transpose is selected).

• The Transpose function has no effect on the Drum Kits voices (#117–#128).

• If the Transpose value is adjusted (other than “00”), the ABC and DoReMi voices sound using Oboe voice.

Page 46

Playing Voices

Tuning

Tuning determines the fine pitch setting of both the main voice and the bass/chord accompaniment of the selected style. The Tuning settings can be adjusted over a range of ±100 (approx. ±1 semitone).

Press the right Overall button repeatedly to select “TUNING”.

Current T uning value

Press the numeric keypad or [+]/[–] buttons to set the desired Tuning value (–100 – +100).

To tune the pitch down, simultaneously press and hold the [ – ] button, and use the numeric keypad to type in the (negative) value.

• You can instantly restore the default setting of “000” by pressing both [ + ]/[ – ] but- tons simultaneously (when Tuning is selected).

• The Tuning settings have no effect on the Drum Kit voices (#117–#128).

Page 47

Touch

The Touch function gives you dynamic, expressive control over the voices, letting you determine how loud or soft the sound is by your playing strength.

Turn the Touch function on or off as desired by pressing the [TOUCH] button.

Indicates Touch function is turned on.

Touch Sensitivity

Touch Sensitivity lets you set how the EZ-30 responds to your playing strength, allowing you to customize this expressive function to suit your own playing style.

The higher the Touch Sensitivity setting, the more the sound volume changes in proportion to how strongly you play the keys.

Select the Touch Sensitivity control.

Press and hold the [TOUCH] button for more than one second to display the Touch Sensitivity setting.

Current Touch Sensitivity setting

Change the value.

Use the numeric keypad or [+]/[–] buttons to set the desired setting: 1, 2, or 3.

Settings:

1 (Soft) This results in limited touch response, and produces a rel-

atively narrow dynamic range, no matter how lightly or strongly you play the keys.

2 (Medium) This lets you play over a normal dynamic range (soft to

loud).

3 (Hard) This is designed for playing v ery soft passages, giving you

slightly more detailed control in the soft volume range.

The default Touch Sensitivity is 2.

Page 48

Effects

Reverb

Press the left Overall button repeatedly to select “Reverb,” and use the numeric keypad or the [+]/[–] buttons to select a Reverb type.

Current Reverb type

Selecting “9” turns the Reverb off.

[Reverb Type List]

No. Reverb Type

1 Hall 1 2 Hall 2 3 Room 1 4 Room 2 5 Stage 1 6 Stage 2 7 Plate 1 8 Plate 2 9 Off

• Each style of the EZ-30 has its own independent Reverb setting.

• You can instantly restore the default setting by pressing both [+]/[–] buttons simultaneously (when Reverb is selected).

Page 49

DSP

Press the left Overall button repeatedly to select “DSP,” and use the numeric keypad or the [+]/[–] buttons to select a DSP (Digital Signal Processor) type.

Current DSP type

Selecting “39” turns the DSP off.

[DSP Type List]

No. DSP Type No. DSP Type

1 Hall 1 21 Tremolo 1 2 Hall 2 22 Tremolo 2 3 Room 1 23 Guitar Tremolo 4 Room 2 24 Auto Pan 5 Stage 1 25 Auto Wah 6 Stage 2 26 Delay Left - Center - Right 7 Plate 1 27 Delay Left - Right 8 Plate 2 28 Echo

9 Early Reﬂection 1 29 Cross Delay 10 Early Reﬂection 2 30 Karaoke 11 Gate Reverb 31 Distortion Hard 12 Reverse Gate 32 Distortion Soft 13 Chorus 1 33 Overdrive 14 Chorus 2 34 Amp Simulation 15 Flanger 1 35 EQ Disco 16 Flanger 2 36 EQ Telephone 17 Symphonic 37 3Band EQ 18 Phaser 38 2Band EQ 19 Rotary Speaker 1 39 No Effect 20 Rotary Speaker 2

• Each voice of the EZ-30 has its own independent DSP setting.

• You can instantly restore the default setting by pressing both [+]/[–] buttons

simultaneously (when DSP is selected).

Page 50

Effects

Harmony

The Harmony section features a variety of performance effects that enhance the melodies you play when using the accompaniment styles of the EZ-30.

Some Harmony types add harmony to a chord detected in the left-hand key range (accompaniment key range).

Press the left Overall button repeatedly to select “Harmony,” and use the numeric keypad or the [+]/[–] buttons to select a Harmony type.

Selecting “27” turns the Harmony section off.

[Harmony Type List]

No. Harmony Type No. Harmony Type

1 Duet 15 Tremolo 1/8 note 2 Trio 16 Tremolo 1/12 note 3 Block 17 Tremolo 1/16 note 4 Country 18 Tremolo 1/24 note 5 Octave 19 Tremolo 1/32 note 6 Trill 1/4 note 20 Echo 1/4 note 7 Trill 1/6 note 21 Echo 1/6 note 8 Trill 1/8 note 22 Echo 1/8 note

9 Trill 1/12 note 23 Echo 1/12 note 10 Trill 1/16 note 24 Echo 1/16 note 11 Trill 1/24 note 25 Echo 1/24 note 12 Trill 1/32 note 26 Echo 1/32 note 13 Tremolo 1/4 note 27 Off 14 Tremolo 1/6 note

• Harmony types 1–5 add harmony that matches the accompaniment chords.

• The speed of the Trill, Tremolo, and Echo effects depends on the Tempo setting.

• For more information on Harmony Types, see page 97.

• Harmony is added to only one note. If you play multiple keys, harmony notes are

added based on the highest note or the last note you played.

• The Harmony function is disabled when you use the Dictionary function or the Lesson function.

• You can instantly restore the default setting by pressing both [+]/[–] buttons simultaneously (when Harmony is selected).

Page 51

Auto Accompaniment

The EZ-30 provides dynamic rhythm/accompaniment patterns - as well as voice settings appropriate for each pattern - for various popular music styles. A total of 106 different styles are available, in several different categories.

With the auto accompaniment function, the EZ-30 automatically plays accompaniment parts (bass sound and chords) that match the selected style and the chords played in the accompaniment key range.

Select the desired accompaniment style and play the keyboard using the auto accompaniment function.

Accompaniment

key range

Select an accompaniment style.

Start the accompaniment.

Play chords (left hand).

Play melody (right hand).

Change the accompaniment section.

Stop the accompaniment.

Selecting a Style

Press the [STYLE] button.

Selecting a Style.............................. page 51

Starting Accompaniment ................ page 52

Using Auto Accompaniment........... page 55

Playing a Melody along with the Accompa-

niment.......................................... page 61

Changing the Accompaniment

Section......................................... page 62

Stopping the Accompaniment......... page 54

Style number

Style name

Select the desired style number.

Use the numeric keypad to directly enter the style number, or use the [+]/[–] buttons to step up and down through the styles (page 25).

Page 52

Auto Accompaniment

Starting Accompaniment

Press the [ACMP ON/OFF] button to turn the auto accompaniment function on.

Accompaniment on indicator

You can start playing accompaniment using one of the following four methods.

Sync start

Press the [SYNC START] button. The EZ-30 enters Sync start waiting mode, and the beat indicators flash.

When you start playing chords in the accompaniment key range, the accompaniment starts playing.

Beat indicators

Accompaniment

key range

To cancel Sync start waiting mode, press the [SYNC START] button again. At this time, playing a chord in the accompaniment key range will produce bass sounds and chords without a rhythm section.

Sync stop

When you press the [SYNC STOP] button, the EZ-30 enters Sync start mode. When you release keys in the accompaniment key range, the accompaniment stops and the EZ-30 enters Sync start waiting mode.

Sync stop indicator

Page 53

Start

As soon as you press the [START/STOP] button, the rhythm part starts playing. When you play a chord in the accompaniment key range, the EZ-30 produces the bass

and chords.

Accompaniment

key range

When you press the [START/STOP] button, only the rhythm part of the selected accompaniment starts playing. If any of accompaniment styles 97–106 (Accompaniment category: PIANIST) is selected, no rhythm part sounds.

Tap start

Press the [TEMPO/TAP] button four times for a four-beat song and three times for a three-beat song at a tempo at which you would like to play.

The rhythm part starts playing.

Intro Sync start

Press the [SYNC START] button. The EZ-30 enters Sync start waiting mode, and the beat indicators flash. Then press the [INTRO/ENDING] button. The EZ-30 waits for the sync start that begins with an Intro section.

When you play a chord in the accompaniment key range, the accompaniment starts with an Intro section, followed by the Main A (or B) accompaniment section.

Beat indicators

Page 54

Auto Accompaniment

Stopping the Accompaniment

You can stop the accompaniment playback using one of the following three methods.

• Press the [START/STOP] button.

The accompaniment stops immediately.

• Press the [SYNC START] button.

The accompaniment stops immediately. All beat indicators flash and the EZ-30 enters Sync start waiting mode.

• Press the [INTRO/ENDING] button.

The accompaniment stops after the ending section.

Changing the Tempo

The tempo of style playback can be adjusted over a range of 32–280 bpm (beats per minute).

Press the [TEMPO/TAP] button.

Current T empo value

Press the numeric keypad or [+]/[–] buttons to set the desired value.

You can also use the convenient Tap Tempo function to change the tempo by “tapping” a new one in real time (page 31).

• When the rhythm part is stopped or Voice #000 is selected, selecting an accompaniment style automatically sets a tempo suitable for the accompaniment. If any voice other than Voice #000 is selected, changing the accompaniment during playback will not automatically change the tempo.

• You can instantly restore the default setting by pressing both [+]/[–] buttons simultaneously (when Tempo is selected).

Page 55

Using Auto Accompaniment—Multi Fingering

When it is set to on (page 52), the auto accompaniment function automatically generates bass and chord accompaniment for you to play along with, by using Multi Fingering operation. You can change the chords of the accompaniment by playing keys in the auto accompaniment key range using either the “Single Finger” or “Fingered” method. With Single Finger you can simply play a one-, two- or three-finger chord indication (see “Single Finger Chords” below). The Fingered technique is that of conventionally playing all the notes of the chord.

Whichever method you use, the EZ-30 “understands” what chord you indicate and then automatically generates the accompaniment.

Single Finger Chords

Chords that can be produced in Single Finger operation are major, minor, seventh and minor seventh. The illustration shows how to produce the four chord types. (The key of C is used here as an example; other keys follow the same rules. For example, Bb7 is played as Bb and A.)

To play a major chord: Press the root note of the chord.

To play a minor chord: Press the root note together with the nearest black key to the left of it.

To play a seventh chord: Press the root note together with the nearest white key to the left of it.

Cm7

To play a minor seventh chord: Press the root note together with the nearest white and black keys to the left of it (three keys altogether).

A root key and keys you play

Accompaniment key range

(left side of 54[F#2])

Page 56

Auto Accompaniment

Fingered Chords

Using the key of C as an example, the chart below shows the types of chords that can be recognized in the Fingered mode.

• Example for “C” chords

Csus

CmM

(9)

Caug

CmM

( )

CM aug

( )

(9)

CmM

(9)

Cdim

( )

(9)

( )

Cdim

(9)

( )

(#11)

( )

(b5)

(9)

( )

(b9)

( )

(b13)

11)

(

( )

1+2+5

( )

(9)

( )

(#11)

( )

(13)

( )

(#9)

( )

C aug

C sus

( )

* Notes enclosed in parentheses are optional; the chords will be recognized without

them.

Chord Name/[Abbreviation] Normal V oicing Chord (C) Display

Major [M] 1 - 3 - 5 C C Add ninth [(9)] 1 - 2 - 3 - 5 C(9) C(9) Sixth [6] 1 - (3) - 5 - 6 C6 C6 Sixth ninth [6(9)] 1 - 2 - 3 - (5) - 6 C6(9) C6(9) Major seventh [M7] 1 - 3 - (5) - 7 or

1 - (3) - 5 - 7 Major seventh ninth [M7(9)] 1 - 2 - 3 - (5) - 7 CM7(9) CM7(9) Major seventh add sharp eleventh [M7(#11)] 1 - (2) - 3 - #4 - 5 - 7 or

1 - 2 - 3 - #4 - (5) - 7 Flatted ﬁfth [(b5)] 1 - 3 - b5C(b5) Cb5 Major seventh ﬂatted ﬁfth [M7b5] 1 - 3 - b5 - 7 CM7b5 CM7b5 Suspended fourth [sus4] 1 - 4 - 5 Csus4 Csus4 Augmented [aug] 1 - 3 - #5 Caug Caug Major seventh augmented [M7aug] 1 - (3) - #5 - 7 CM7aug CM7aug Minor [m] 1 - b3 - 5 Cm Cm Minor add ninth [m(9)] 1 - 2 - b3 - 5 Cm(9) Cm(9) Minor sixth [m6] 1 - b3 - 5 - 6 Cm6 Cm6 Minor seventh [m7] 1 - b3 - (5) - b7 Cm7 Cm7 Minor seventh ninth [m7(9)] 1 - 2 - b3 - (5) - b7 Cm7(9) Cm7(9) Minor seventh add eleventh [m7(11)] 1 - (2) - b3 - 4 - 5 - (b7) Cm7(11) Cm7(11)

CM7 CM7

CM7(#11) CM7(#11)

Page 57

Chord Name/[Abbreviation] Normal V oicing Chord (C) Display

Minor major seventh [mM7] 1 - b3 - (5) - 7 CmM7 CmM7 Minor major seventh ninth [mM7(9)] 1 - 2 - b3 - (5) - 7 CmM7(9) CmM7(9) Minor seventh ﬂatted ﬁfth [m7b5] 1 - b3 - b5 - b7 Cm7b5 Cm7b5 Minor major seventh ﬂatted ﬁfth [mM7b5] 1 - b3 - b5 - 7 CmM7b5 CmM7b5 Diminished [dim] 1 - b3 - b5 Cdim Cdim Diminished seventh [dim7] 1 - b3 - b5 - 6 Cdim7 Cdim7 Seventh [7] 1 - 3 - (5) - b7 or

1 - (3) - 5 - b7 Seventh ﬂatted ninth [7(b9)] 1 - b2 - 3 - (5) - b7 C7(b9) C7(b9) Seventh add ﬂatted thirteenth [7(b13)] 1 - 3 - 5 - b6 - b7 C7(b13) C7(b13) Seventh ninth [7(9)] 1 - 2 - 3 - (5) - b7 C7(9) C7(9) Seventh add sharp eleventh [7(#11)] 1 - (2) - 3 - #4 - 5 - b7 or

1 - 2 - 3 - #4 - (5) - b7 Seventh add thirteenth [7(13)] 1 - 3 - (5) - 6 - b7 C7(13) C7(13) Seventh sharp ninth [7(#9)] 1 - #2 - 3 - (5) - b7 C7(#9) C7(#9) Seventh ﬂatted ﬁfth [7b5] 1 - 3 - b5 - b7C7b5C7b5 Seventh augmented [7aug] 1 - 3 - #5 - b7 C7aug C7aug Seventh suspended fourth [7sus4] 1 - 4 - (5) - b7 C7sus4 C7sus4 One plus two plus ﬁve [1+2+5] 1 - 2 - 5 C1+2+5 C

C7 C7

C7(#11) C7(#11)

• Notes in parentheses can be omitted.

• A perfect fifth (1 + 5) produces accompaniment based only on the root and fifth

which can be used with both major and minor chords.

• Playing two same root keys in the adjacent octaves produces accompaniment based only on the root.

• The chord fingerings listed are all in “root” position, but other inversions can be used - with the following exceptions: m7, m7

b5, 6, m6, sus4, aug, dim7, 7b5, 6(9), 1+2+5.

• Inversion of the 7sus4 and m7(11) chords are not recognized if the notes shown in parentheses are omitted.

• The auto accompaniment will sometimes not change when related chords are played in sequence (e.g. some minor chords followed by the minor seventh).

• Two-note fingerings will produce a chord based on the previously played chord.

• The split point for the auto accompaniment function is the same as that for the

split voices. (See page 44.)

Page 58

Auto Accompaniment

Looking up Chords in the dictionary

The Dictionary function is essentially a built-in “chord book” that shows you the individual notes of chords. It is ideal when you know the name of a certain chord and want to quickly learn how to play it.

Press the [Dict.] button.

Specify the root of the chord.

Press the key on the keyboard that corresponds to the desired chord root (as printed on the panel).

Pressing this key selects the root G.

Specify the type of the chord (major, minor, seventh, etc.).

Press the key on the keyboard that corresponds to the desired chord type (as printed on the panel).

In this example, play M7 keys.

• Usually, a Major chord name is represented by a root note name. E.g., “C” represents C Major.

• If you press [+]/[–] buttons, another inversion will be indicated.

Page 59

Play a chord, following the Light Guide.

The display indicates the notes of the GM7 chord, and the Light Guide indicates which keys to play on the keyboard.

The chord name flashes in the display (and a “congratulations” melody is played) when the correct notes are held down.

• • • • • • • • • • • • • • • • • • • What is a Chord? • • • • • • • • • • • • • • • • • •

The simple answer: Three or more notes played simultaneously is a chord. (Two notes played together is an “interval” — an interval being the distance between two different notes. This is also referred to as a “harmony.”) Depending on the intervals between the three or more notes, a chord can sound beautiful or muddy and dissonant.

The organization of notes in the example at left — a triad chord — produces a pleasant, harmonious sound. T riads are made up of three notes and are the most basic and common chords in most music.

In this triad, the lowest note is the “root.” The root is the most important note in the chord, because it anchors the sound harmonically by determining its “key” and forms the basis for how we hear the other notes of the chord.

The second note of this chord is four semitones higher than the ﬁrst, and the third is three semitones higher than the second. Keeping our root note ﬁ xed and changing these notes by a semitone up or down (sharp or ﬂat), we can create four different chords.

Major chord

(ex. C)

Minor 3rd Major 3rd

Minor chord

(ex. Cm)

Major 3rd Minor 3rd Major 3rd Major 3rd Minor 3rd Minor 3rd

Augmented chord

(ex. Caug)

Diminished chord

(ex. Cdim)

Keep in mind that we can also change the “voicing” of a chord — for e xample, change the order of the notes (called “inv ersions”), or play the same notes in dif ferent octa v es — without changing the basic nature of the chord itself.

Inversion examples for the key of C

G E C

C G E

E C G

Beautiful sounding harmonies can be built in this manner. The use of intervals and chords is one of the most important elements in music. A wide variety of emotions and feelings can be created depending on the types of chords used and the order in which they are arranged.

Page 60

Auto Accompaniment

• • • • • • • • • • • • • • • • • •Writing Chord Names• • • • • • • • • • • • • • • •

Knowing how to read and write chord names is an easy yet invaluable skill. Chords are often written in a kind of shorthand that makes them instantly recognizable (and gives you the freedom to play them with the voicing or inversion that you prefer). Once you understand the basic principles of harmony and chords, it’s very simple to use this shorthand to write out the chords of a song.

First, write the root note of the chord in an uppercase letter. If you need to specify sharp or ﬂat, indicate that to the right of the root. The chord type should be indicated to the right as well. Examples for the key of C are shown below.

Major chord

For simple major chords, the type is omitted.

Minor chord

Augmented chord

Caug

Diminished chord

Cdim

One important point: Chords are made up of notes “stacked” on top of each other, and the stacked notes are indicated in the chord name of the chord type as a number — the number being the distance of the note from the root. (See the keyboard diagram below.) For example, the minor 6th chord includes the 6th note of the scale, the major 7th chord has the 7th note of the scale, etc.

The Intervals of the Scale

Dominant 7th (ﬂatted 7th)

To better understand the intervals and the numbers used to represent them in the chord name, study this diagram of the C major scale:

CDEFGABCDE

Root

2nd

4th

3rd

5th

7th

6th

11th

9th

Octave

Other Chords

Csus4

Cm7

CM7

5th 4th

Cm7bb

Dominant 7th

Diminished chord

Dominant 7th

Minor chord

Major chord

Cm6

6th

Dominant 7th

C(9)

9th

Minor chord

Diminished 7th (double ﬂatted 7th)

7th

Cdim7

Major chord

* Bbb = A

Diminished chord

Page 61

Playing a Melody along with the Accompaniment

You can play a melody along with the accompaniment.

Accompaniment

key range

While playing different chords with your left hand...

Set a tempo you feel comfortable with. (See page 54.)

Play a melody with your right hand along with the accompaniment.

Adjusting the Accompaniment Volume

The playback volume of the accompaniment can be adjusted. This volume control affects only the accompaniment volume.

Press the right Overall button repeatedly until “ACMP VOL” appears in the display.

Current Accompaniment Volume value

Press the numeric keypad or [+]/[–] buttons to set the desired Accompaniment Volume value (000–127).

The value decreases and the volume level is lowered.

• You can instantly restore the default setting of “100” by pressing both [+]/[–] but- tons simultaneously (when Accompaniment Volume is selected).

• Accompaniment Volume cannot be changed unless the Style mode is active.

The value increases and the volume level is raised.

Page 62

Auto Accompaniment

Changing the Accompaniment Section

Accompaniment consists of Intro, Main A/B (Fill-in), and Ending sections. Using different sections based on the structure of songs enables you to enhance musical expression.

Intro

Press the [INTRO/ENDING] button before you start playing to select an Intro section. The Intro section is followed by the Main section.

Press the button before the rhythm part starts.

Press the [MAIN/AUTO FILL] button before pressing the [START/STOP] button to specify the Main section that follows the Intro section.

To cancel the Intro section, press the [INTRO/ENDING] button again. The display indicates the Main section (A or B) that will be played when the song starts.

Main

There are two Main sections, A and B. When you press the [MAIN/AUTO FILL] button, the EZ-30 plays the Fill-in pattern, then changes to another variation.

You can also assign the accompaniment sections by pressing the [MAIN/AUTO FILL] button before the song starts (while the rhythm part is stopped).

Page 63

About the Fill-in Patterns

If you press the [MAIN/AUTO FILL] button before beat 4...

1st measure 2nd measure 3rd measure

12341234123

Beat

If you press the [MAIN/AUTO FILL] button here, after beat 4...

...a fill-in pattern plays immediately until the end of the measure...

...a fill-in pattern plays from here...

...and the Main A or B section begins here.

Ending

When you press the [INTRO/ENDING] button at the end of the song, the EZ-30 plays the Ending section appropriate for the song, then stops the performance.

Ritardando (rit.)

If you press the [INTRO/ENDING] button during the Ending section, the song gets slower little by little and then stops.

Page 64

Registration Memory

Registration Memory is a flexible and convenient function that lets you instantly reconfigure virtually all settings of the EZ-30 with the touch of a single button. Simply save your favorite custom panel settings to one of the Registration Memory presets (up to sixteen are available) for future recall.

Recording a Registration Memory Preset

Each of the sixteen Registration Memory can have different settings for the following parameters:

• Voice number • Accompaniment On/Off *

• Split Point • MAIN A/B *

• Split On/Off • Accompaniment Split Point *

• Reverb Type • Accompaniment volume *

• DSP Type • Tempo *

• Harmony On/Off setting and Type • Transpose

• Style number *

* These settings are disabled with the songs.

The EZ-30 has eight Registration Memory banks, each with two different presets (a total of sixteen).

Eight Registration Memory banks

Make all desired settings for the EZ-30.

Virtually all of the EZ-30’s settings can be saved to a Registration Memory button.

Select the desired bank.

Press the [BANK] button, then press the desired bank number (1–8).

Bank number

Page 65

Record the settings to the desired preset, 1 or 2.

While holding down the [MEMORY] button, press the appropriate REGISTRATION MEMORY preset button, [1] or [2].

Bank number

If you select a REGISTRATION MEMORY preset button to which data has already been recorded, the existing data will be overwritten and deleted.

Recalling a Registration Memory Preset

Select the appropriate Registration Memory bank.

If you recall settings from a Registration Memory preset, the current panel settings will be lost. Save important panel settings to another Registration Memory preset.

Press the desired Registration Memory preset button ([1] or [2]).

Page 66

Song Recording

The EZ-30’s Song Memory function enables you to record up to five songs of your performance as User songs (Song #201– 205: User 1–5). You can also play the recorded songs in the same way as the preset songs.

Recording a User Song

The EZ-30 lets you play and record the individual parts of your own song in real time. You can record your performance to six tracks per User song (1–5).

● Melody tracks [1]–[5] .................Record melody to these tracks.

● Accompaniment track [A]...........Record chords to this track.

Data that can be recorded to the normal (melody) tracks:

• Note on/off

• Velocity

• Voice Number

• Reverb Type *

• DSP Type *

• Sustain

• Tempo *, Time Signature * (if no data is recorded in the accompaniment track)

Data that can be recorded to the accompaniment track:

• Chord changes and timing

• Changing sections (Intro, Main A/B, etc.)

• Style number *

• Accompaniment Volume *

• Reverb Type *

• DSP Type *

• Tempo, Time Signature *

* These settings can only be recorded once at the beginning of a song; other settings

can be changed in the middle of a song.

• Note that song data will be lost if you turn off the power to the EZ-30, unplug the power adaptor from the AC outlet, or if the battery fully discharges while you are recording.

• Song Memory Capacity: Maximum number of notes: approximately 10,000 (when only “melody” tracks are recorded) Maximum number of chords: approximately 5,500 (when only the accompaniment track is recorded)

Page 67

Select a User song for recording.

Use the numeric keypad or [+]/[–] buttons to select the desired song: 201–

205.

If no song is manually selected, the EZ-30 automatically selects the first available empty song number.

Select a track number for recording.

Check the display for the track DATA indicators and select an unrecorded track.

● Recording a melody track and an accompaniment track at

the same time:

While pressing and holding down the [RECORD] button, press the desired SONG MEMORY button [1]–[5] and [A] button.

Keep in mind that all recording operations “replace” the data. In other words, if you record to a track that already has recorded data, all previous data in the track will be erased and replaced by the newly recorded data.

• If you select the accompaniment track for recording, the auto accompaniment function is automatically enabled.

• You cannot turn the auto accompaniment function on or off after recording has started.

• If you are recording using a split voice, the voice below the split point will not be recorded.

Page 68

Song Recording

● Recording a melody track:

While pressing and holding down the [RECORD] button, select the desired melody track button (1–5). The selected track’s number flashes on the display.

• If auto accompaniment is turned on and the accompaniment track is not recorded, a melody track and the accompaniment track will automatically be selected as recording tracks. If you wish to record only the accompaniment track, press the button for the flashing melody track indicator to deselect the melody track. The melody track indicator is turned off.

• To cancel recording, press the button for the flashing track indicator. The track indicator is turned off.

Start recording.

You can start recording simply by playing the keyboard (or by pressing the [START/STOP] button).

The current measure number is indicated on the display during recording.

Stop recording.

After you’ve finished playing the part, press the [START/STOP] or [RECORD] button.

When you press the [INTRO/ENDING] button while recording the accompaniment track, the EZ-30 plays the Ending section and stops recording.

When recording is finished, the measure number on the display is reset to “001” and the recorded tracks DATA indicators light up.

Record to other tracks as desired.

To do this, simply repeat steps #2–#4 above. Make sure that when you press the [SONG MEMORY] button corresponding to the desired track, the track number in the display flashes.

Page 69

● Re-recording...

Select the recorded tracks as recording tracks. When you start recording, the new performance will overwrite the existing

data. (The existing data will be deleted and replaced with new data.)

Erasing a Song

Song Clear

The Song Clear operation completely erases all recorded data on all tracks of a selected User song.

To erase an individual track of a song while leaving the other tracks intact, use the Track Clear operation (page 70).

Select the desired song.

Press the [SONG] button, then use the numeric keypad or [+]/[–] buttons to select the desired song (201–205).

While holding down the [A] button, press SONG MEMORY button [1].

All track indications in the display flash, indicating that all tracks are to be erased.

Press the [+/YES] button.

At the “Sure?” prompt, press the [+/YES] button, or press the [–/NO] button to abort.

Pressing the [+/YES] button executes the Song Clear operation. Pressing the [–/ NO] button aborts.

Page 70

Song Recording

Track Clear

The Track Clear operation completely erases all recorded data on a selected track of a selected User song, leaving the other tracks intact.

Select the desired song.

Press the [SONG] button, then use the numeric keypad or [+]/[–] buttons to select the desired song (201–205).

Press and hold down the button corresponding to the track to be erased.

Press and hold down the appropriate SONG MEMORY button ([1]–[5], [A]) for at least one second.

Press the [+/YES] button.

At the “Sure?” prompt, press the [+/YES] button, or press the [–/NO] button to abort.

Pressing the [+/YES] button executes the Track Clear operation. Pressing the [–/ NO] button aborts.

Page 71

Loading a Song into Flash Memory

The EZ-30’s internal flash memory enables you to save song data transmitted from a connected personal computer. You can play or practice Flash songs (saved in flash memory) in the same way as preset songs. To transmit song data from a personal computer to the EZ-30, you first need to install “Song Filer” application on the computer.

Song data that can be saved in flash memory:

The number of songs: max. 99 songs (Song #101–) Available memory: 488 KB Data format: SMF

Installing Song Filer

You can download “Song Filer” application from the following Yamaha PK CLUB website. Make sure that your computer has an Internet connection.

Yamaha PK CLUB (Portable Keyboard Home Page) http://www.yamahaPKclub.com/

System requirements for Song Filer:

[Windows]

OS: Windows 95/98/Me/2000 CPU: Pentium/100MHz or faster Available Memory: 8MB or more Free space in Hard Disk: 2MB or more Display: 800 x 600, 256 colors or more

[Macintosh]

OS: Mac OS 7.5 or upper CPU: Power PC or upper Available Memory: 8MB or more Free space in Hard Disk: 2MB or more Display: 800 x 600, 256 colors or more

Visit the Yamaha PK CLUB website for more information on the latest version of Song Filer and the installation method.

Page 72

Loading a Song into Flash Memory



Song Filer’s Functions

After you install Song Filer on the computer and connect the EZ-30 to the computer, you can use the two functions described below.

• Refer to page 78 for information on connecting the EZ-30 to a computer.

• You cannot use the Song Filer’s “Receive Files” function with the EZ-30.

• For more information on using Song Filer, refer to the PDF manual included in the Song Filer application.

● Transmit Files

You can transmit song files from your computer to your EZ-30’s Flash Memory.

Transmit



Computer

EZ-30

● Manage Files on Flash Memory

You can delete and rename files on your EZ-30’s Flash Memory using your computer.

Delete

abcd.mid

Rename

abcd.mid

efgh.mid

Page 73

Octave

If the notes in a Flash song are outside the EZ-30’s key range (C1–C6), You can change their pitch in octave steps so that you can use the Lesson function. If the indicator appears in the lower-left of the display during playback of flash songs, follow the procedure:

Stop the song, and press the right Overall button to select “OCTAVE”.

Current Octave value

Press the [+]/[–] buttons to set the desired Octave value (–2 – +2) until the indicator disappear.

• You can instantly restore the default setting of “0” by pressing both [+]/[–] but- tons simultaneously (when Octave is selected).

• You can set the Octave function only for the Flash songs.

Selecting a right/left-hand guide track

You can select a track that guides your right and left hand fingering during the Lesson (See page 34). This function is available only when you select a flash memory song (SMF format 0).

1. While the song is stopped, press and hold down the LESSON [R] or [L] button to select the desired part.

A frame appears around the number of the GUIDE track.

2. Press the numeric keypad or [+]/[–] buttons to select a lesson track number.

Page 74

Loading a Song into Flash Memory

Available Flash Memory Amount

Press the right Overall button repeatedly to select “MIDI”.

Press the [4] button to display “F-SIZE.”

The amount of available memory is indicated in KB.

The amount of available memory (KB)

Flash Clear

All data in flash memory (Song #101–) can be initialized.

Press the [STANDBY/ON] switch to turn off the power to the EZ-30.

While holding down the highest black key (A#5), press the [STANDBY/ON] switch to turn on the power to the EZ-30.

The flash memory will be initialized. When the initialization is complete, the EZ-30 indicates “ClrFlash” on the display.

Highest black key (A#5)

See page 84 for information on initializing the panel settings.

Page 75

MIDI Functions

The EZ-30 is MIDI-compatible, featuring MIDI IN and MIDI OUT terminals and providing a variety of MIDI-related controls. By using the MIDI functions you can expand your musical possibilities. This section explains what MIDI is, and what it can do, as well as how you can use MIDI on your EZ-30.

What is MIDI?

No doubt you have heard the terms “acoustic instrument” and “digital instrument.” In the world today, these are the two main categories of instruments. Let’s consider an

acoustic piano and a classical guitar as representative acoustic instruments. They are easy to understand. With the piano, you strike a key, and a hammer inside hits

some strings and plays a note. With the guitar, you directly pluck a string and the note sounds. But how does a digital instrument go about playing a note?

• Digital instrument note production• Acoustic guitar note production

Pluck a string and the body resonates the sound.

Tone Generator

Sampling Note

Based on playing information from the keyboard, a sampling note stored in the tone generator is played through the speakers.

(Electronic circuit)

Playing the

keyboard

Sampling Note

Based on playing information from the keyboard, a sampling note stored in the tone generator is played through the speakers.

As shown in the illustration above, in an electronic instrument the sampling note (previously recorded note) stored in the tone generator section (electronic circuit) is played based on information received from the keyboard. So then what is the information from the keyboard that becomes the basis for note production?

For example, let’s say you play a “C” quarter note using the grand piano sound on the EZ-30 keyboard. Unlike an acoustic instrument that puts out a resonated note, the electronic instrument puts out information from the keyboard such as “with what voice,” “with which key,” “about how strong,” “when was it pressed,” and “when was it released.” Then each piece of information is changed into a number value and sent to the tone generator. Using these numbers as a basis, the tone generator plays the stored sampling note.

Example of Keyboard Information

Voice number (with what voice) 01 (grand piano) Note number (with which key) 60 (C3) Note on (when was it pressed) and note off (when was it released) Timing expressed numerically (quarter note) Velocity (about how strong) 20 (strong)

Page 76

MIDI Functions

MIDI is an acronym that stands for Musical Instrument Digital Interface, which allows electronic musical instruments to communicate with each other, by sending and receiving compatible Note, Control Change, Program Change and various other types of MIDI data, or messages.

The EZ-30 can control a MIDI device by transmitting note related data and various types of controller data. The EZ-30 can be controlled by the incoming MIDI messages which automatically determine tone generator mode, select MIDI channels, voices and effects, change parameter values and of course play the voices specified for the various parts.

MIDI messages can be divided into two groups: Channel messages and System messages. Below is an explanation of the various types of MIDI messages which the EZ-30 can receive/transmit.

Channel Messages

The EZ-30 is an electronic instrument that can handle 16 channels. This is usually expressed as “it can play 16 instruments at the same time.” Channel messages transmit information such as Note ON/OFF, Program Change, for each of the 16 channels.

Message Name EZ-30 Operation/Panel Setting

Note ON/OFF Messages which are generated when the keyboard is play ed. Each message

includes a speciﬁc note number which corresponds to the key which is pressed, plus a velocity value based on how hard the key is stuck.

Program Change Voice number (along with corresponding bank select MSB/LSB settings, if

necessary).

Control Change Messages that are used to change some aspect of the sound (modulation,

volume, pan, etc.).

System Messages

This is data that is used in common by the entire MIDI system. System messages include messages like Exclusive Messages that transmit data unique to each instrument manufacturer and Realtime Messages that control the MIDI device.

Message Name EZ-30 Operation/Panel Setting

Exclusive Message Reverb/chorus/DSP settings, etc. Realtime Messages Clock setting

Start/stop operation

The messages transmitted/received by the EZ-30 are shown in the MIDI Implementation Chart on page 98.

GM System Level 1

“GM System Level 1” is an addition to the MIDI standard which ensures that any GM-compatible music data can be accurately played by any GM-compatible tone generator, regardless of manufacturer.

The GM mark is affixed to all software and hardware products that support GM System Level 1. The EZ-30 supports GM System Level 1.

Page 77

MIDI Terminals

In order to exchange MIDI data between multiple devices, each device must be connected by a cable.

The MIDI terminals of the EZ-30 are located on the rear panel.

• MIDI IN....................Receives MIDI data from another

MIDI device.

• MIDI OUT ................Transmits the EZ-30’s keyboard infor-

mation as MIDI data to another MIDI device.

MIDI LSB receive cancel

To set the EZ-30 so that it will not receive LSB data for Bank Select, press the [STANDBY/ON] switch to turn on the power to the EZ-30 while holding down the lowest key (C1).

To cancel this setting, turn on the power to the EZ-30 again in the normal manner.

Available MIDI Functions

The EZ-30 has MIDI IN/OUT terminals on the rear panel. Using the MIDI functions can expand your possibilities for creating and playing music.

● Playing on a MIDI keyboard (without an internal tone generator) can produce sound

on the EZ-30.

EZ-30

MIDI reception

(without an internal tone generator)

MIDI OUTMIDI IN

MIDI Keyboard

● You can record performance data created on the EZ-30 (performance using the key-

board and auto accompaniment: 1–16 channels) to an external sequencer (such as sequence software on a computer). You can then edit the performance data on the external sequencer and play it again on the EZ-30.

Editing and arranging

after recording

Personal Computer,

Sequencer

EZ-30

MIDI transmission

MIDI INMIDI OUT

MIDI OUTMIDI IN

MIDI reception (playback)

→ Initial send (See page 81.)

Page 78

MIDI Functions

You can send song data from a computer to the EZ-30’s internal flash memory. (See page 71.)

Performance data recorded in User songs can be output via MIDI and saved in an external device as SMF data for other applications. (See page 82.)

• You will need sequence software to use a personal computer.

• You can use the notation display and Light Guide for note data that is received

on Channel 1.

• The songs (1–20) and Flash songs are not output via MIDI.

• To transmit song data to flash memory, first you need to install Song Filer on the

computer. (See page 71.)

Connecting to a Personal Computer

By connecting your EZ-30’s MIDI terminals to a personal computer, you can have access to a wide variety of music software.

When using a MIDI interface device installed in the personal computer, connect the MIDI terminals of the personal computer and the EZ-30.

Use only special MIDI cables when connecting MIDI devices.

● Connect the MIDI terminals of the EZ-30 to the MIDI terminals of the personal

computer.

Computer

(Sequence software)

MIDI INMIDI OUT

MIDI OUTMIDI IN

EZ-30

● When using a MIDI interface with a Macintosh series computer, connect the RS-422

terminal of the computer (modem or printer terminal) to the MIDI interface, as shown in the diagram below.

Computer

(Sequence software)

MIDI Interface

RS-422

MIDI IN

MIDI OUT

EZ-30

Page 79

● To connect a computer with a USB terminal to the EZ-30, you need an optional

USB-MIDI interface.

Computer

(Sequence software)

USB-MIDI

Interface

USB cable

When using a Macintosh series computer, set the MIDI interface clock setting in the application software to match the setting of the MIDI interface you are using.

For details, refer to the owner’s manual for the software you are using.

MIDI IN

MIDI OUT

EZ-30

Local Control

This function lets you enable or disable keyboard control over the EZ-30’s voices. This would come in handy, for example, when recording notes to MIDI sequencer. If you are using the sequencer to play back the voices of the EZ-30, you would want to set this to “off” - in order to avoid getting “double” notes, both from the keyboard and from the sequencer. Normally, when playing the EZ-30 by itself, this should be set to “on.”

Press the right Overall button repeatedly to select “MIDI”.

If “LOCAL” does not appear in the display, press the [1] button.

Press the [+]/[–] buttons to set Local Control to on or off.

Page 80

MIDI Functions

Using Bulk Dump Send to Save Data

This operation lets you save important EZ-30 data and settings to another device, such as a sequencer, computer, or MIDI data filer. This operation saves all User song data and all settings for the Registration Memory presets. Once the data is saved, you can reload it any time you need it. This allows you to save your data to floppy disk using a computer or a MIDI data filer (such as the Yamaha MDF3), and have unlimited storage capacity for your valuable EZ-30 data.

Saving Bulk Data • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • •

This function cannot be used in the Song playing, recording or when the accompaniment is playing.

Press the right Overall button repeatedly to select “MIDI”.

Press the [2] button to display “BULKDUMP”.

Press the [START/STOP] button to start the Bulk Dump operation.

When the operation is completed, “End” appears in the display.

Page 81

Loading Bulk Data • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • •

Once you’ve saved EZ-30 data as described above, you can easily reload the data back to the EZ-30. Send the data from the connected MIDI device. The EZ-30 automatically receives the data. When the operation is completed, the display returns to the currently selected voice.

This operation erases any and all of your original data in the EZ-30. Make sure to save your original settings and data using the Bulk Dump operation described above.

• Make sure that the EZ-30 is not in the middle of an operation, such as song recording or playback, Accompaniment playback, saving a Registration Memory preset, sending Bulk Dump data, etc.

• When the EZ-30 is receiving bulk data, none of the panel controls can be used.

• If, for some reason, some problem occurred in the data reception, a “RcvError”

message is shown in the display. Check all connections and settings and try the operation again.

Transmitting the EZ-30 Panel Settings (Initial Send)

The EZ-30’s panel settings can be transmitted to an external device. Recording data to an external sequencer enables you to play back the data utilizing the

panel settings used for the recording.

Press the right Overall button repeatedly to select “MIDI.”

Press the [3] button to display “INITSEND”.

Press the [START/STOP] button to execute Initial Send.

When the transmission is complete, “End” appears in the display.

Page 82

MIDI Functions

Transmitting SMF Format Data

Performance data recorded in the EZ-30’s User songs can be transmitted via MIDI and stored in the SMF format.

Select a User song to transmit.

Follow the steps described above in the “Transmitting the EZ-30 Panel Settings (Initial Send)” section.

Press the [SONG] button, then the [START/STOP] button to transmit the song data.

You can store the data (received on the computer via MIDI) in the SMF format file so that it can be used for another application.

Page 83

Troubleshooting

Problem Possible Cause and Solution

When the EZ-30 is turned on or off, a popping sound is temporarily produced.

• The volume level is low.

• Tonal quality has degraded.

• Recorded songs are not

played correctly.

• The display indication is turned off suddenly and the panel settings are reset.

Noise is produced from the EZ-

30.

There is no sound even when the keyboard is play ed or when a song is being played back.

The effects (Reverb/DSP/Harmony) are not applied.

The auto accompaniment doesn’t turn on, even when pressing the [ACMP ON/OFF] button.

Not all of the voices seem to sound, or the sound seems to be cut off.

Auto accompaniment is not played correctly.

The polarity of the footswitch is reversed.

This is normal and indicates that the EZ-30 is receiving electrical power.

The battery voltage is low. Replace all six batteries with new ones, or use the AC adaptor.

When using a mobile phone, noise is produced. Using a mobile phone in close proximity to the EZ-30 may produce interference. To prevent this, turn off the mobile phone or use it further away from the EZ-30.

Check that nothing is connected to the PHONES/OUTPUT jack on the rear panel. When a set of headphones is plugged into this jac k, no sound is output.

When using the Dictionary function (page 58), the keys in the right hand section are used only for entering the chord root and type.

Each effect (Reverb/DSP/Harmony) is turned off. Select a type for each effect. (See page 48, 49, 50.)

When playing back one of the Pianist styles (#97–#106), the rhythm cannot be heard. The Pianist styles have no drums or bass

- only piano accompaniment.

The EZ-30 is polyphonic up to a maximum of 32 notes. If the Dual voice or Split voice is being used and a style or song is playing back at the same time, some notes/sounds may be omitted (or “stolen”) from the accompaniment or song.

The accompaniment volume setting is low. Refer to page 61 to raise the volume level.

The auto accompaniment split point is set incorrectly for the play ed chords. See page 44 to set a correct split point.

You turned on the power to the EZ-30 while pressing the footswitch. Turn the power off, then turn it on again without pressing the footswitch.

Page 84

Data Backup & Initialization

Data Backup

Except for the data listed below, all EZ-30 panel settings are reset to their initial settings whenever the power is turned on. The data listed below are backed up -

i.e. retained in memory - as long as an AC adaptor is connected or a set of batteries is installed.

• User Song Data • Touch On/Off

• Song Volume • Tuning

• Registration Memory Data • Grade On/Off

• Registration Memory Bank Number • Talking On/Off

• Metronome Volume • Guide Voice On/Off

Data Initialization

All data can be initialized and restored to the factory preset condition by turning on the power while holding the highest (rightmost) white key on the keyboard.

“CLr Backup” will appear briefly on the display.

Press the [STANDBY/ON] switch to turn off the power to the EZ-30.

While holding down the highest white key, press the [STANDBY/ON] switch to turn on the power to the EZ-30 to initialize the data. When initialization is com-

plete, the display indicates “CLr Backup.”

All Registration Memory and User song data, plus the other settings listed above, will be erased and/or changed when the data initialization procedure is carried out.

• Carrying out the data initialization procedure will usually restore normal operation if the EZ-30 freezes or begins to act erratically for any reason.

• Refer to page 74 for information on initializing flash memory.

Page 85

Voice List

■ Maximum Polyphony

The EZ-30 has 32-note maximum polyphony. This means that it can play a maximum of up to 32 notes at once, regardless of what functions are used. Auto Accompaniment uses a number of the available notes, so when Auto Accompaniment is used the total number of available notes for playing on the keyboard is correspondingly reduced. The same applies to the Split Voice and Song functions.

• The Voice List includes MIDI program change numbers for each voice. Use these program change numbers when playing the EZ-30 via MIDI from an external device.

• Some voices may sound continuously or have a long decay after the notes have been released while the sustain pedal (footswitch) is held.

Voice#

Bank Select#

MSB# LSB#

001 000 112 000 Grand Piano 002 000 112 001 Bright Piano 003 000 112 000 Piano and Slow Strings 004 000 112 002 MIDI Grand Piano 005 000 112 003 Honky-tonk Piano 006 000 112 006 Harpsichord

007 000 112 005 DX Modern Elec. Piano 008 000 112 004 Funky Electric Piano 009 000 113 005 Hyper Tines 010 000 114 005 Venus Electric Piano 011 000 112 007 Clavi

012 000 112 016 Jazz Organ 1 013 000 113 016 Jazz Organ 2 014 000 112 017 Click Organ 015 000 116 016 Bright Organ 016 000 112 018 Rock Organ 017 000 114 018 Purple Organ 018 000 118 016 16'+2' Organ 019 000 119 016 16'+4' Organ 020 000 114 016 Theater Organ 021 000 112 019 Church Organ 022 000 113 019 Chapel Organ 023 000 112 020 Reed Organ

024 000 113 021 Traditional Accordion 025 000 112 021 Musette Accordion 026 000 113 023 Bandoneon 027 000 112 022 Harmonica

028 000 112 024 Classical Guitar 029 000 112 025 Folk Guitar 030 000 113 025 12Strings Guitar 031 000 112 026 Jazz Guitar 032 000 113 026 Octave Guitar 033 000 112 027 Clean Guitar 034 000 112 028 Muted Guitar 035 000 112 029 Overdriven Guitar 036 000 112 030 Distortion Guitar

037 000 112 032 Acoustic Bass 038 000 112 033 Finger Bass 039 000 112 034 Pick Bass 040 000 112 035 Fretless Bass 041 000 112 036 Slap Bass 042 000 112 038 Synth Bass

MIDI

Program Change#

PIANO

E.PIANO

ORGAN

ACCORDION

GUITAR

BASS

Voice Name

Voice#

Bank Select#

MSB# LSB#

043 000 113 038 Hi-Q Bass 044 000 113 039 Dance Bass

045 000 112 048 String Ensemble 046 000 112 049 Chamber Strings 047 000 112 050 Synth Strings 048 000 113 049 Slow Strings 049 000 112 044 Tremolo Strings 050 000 112 045 Pizzicato Strings 051 000 112 055 Orchestra Hit 052 000 112 040 Violin 053 000 112 042 Cello 054 000 112 043 Contrabass 055 000 112 105 Banjo 056 000 112 046 Harp

057 000 112 052 Choir 058 000 113 052 Vocal Ensemble 059 000 112 053 Vox Humana 060 000 112 054 Air Choir

061 000 112 064 Soprano Sax 062 000 112 065 Alto Sax 063 000 112 066 Tenor Sax 064 000 114 066 Breathy T enor 065 000 112 067 Baritone Sax 066 000 112 068 Oboe 067 000 112 069 English Horn 068 000 112 070 Bassoon 069 000 112 071 Clarinet

070 000 112 056 Trumpet 071 000 112 059 Muted T rumpet 072 000 112 057 Trombone 073 000 113 057 Trombone Section 074 000 112 060 French Horn 075 000 112 058 Tuba

076 000 113 061 Big Brass 077 000 113 061 Brass Sax 078 000 112 061 Brass Section 079 000 119 061 Mellow Horns 080 000 112 062 Synth Brass 081 000 113 062 Jump Brass

082 000 112 073 Flute 083 000 112 072 Piccolo 084 000 112 075 Pan Flute

MIDI

Program

Change#

STRINGS

CHOIR

SAXOPHONE

TRUMPET

BRASS

FLUTE

Voice Name

Page 86

Voice#

Bank Select#

MSB# LSB#

085 000 112 074 Recorder 086 000 112 079 Ocarina

087 000 112 080 Square Lead 088 000 112 081 Sawtooth Lead 089 000 115 081 Analogon 090 000 119 081 Fargo 091 000 114 062 Techno Brass 092 000 113 002 SynPiano 093 000 112 098 Star Dust

094 000 112 088 Fantasia 095 000 113 100 Bell Pad 096 000 112 091 Xenon Pad 097 000 112 094 Equinox 098 000 113 089 Dark Moon

099 000 112 011 Vibraphone 100 000 112 012 Marimba 101 000 112 013 Xylophone 102 000 112 114 Steel Drums 103 000 112 008 Celesta 104 000 112 014 Tubular Bells 105 000 112 047 Timpani 106 000 112 010 Music Box

107 –––Acoustic Bass/Piano 108 –––FingerBass/Bright Piano 109 –––Fretless Bass/ DX Modern EP 110 –––FretlessBass/Vibraphon 111 –––FretlessBass/Brass 112 –––Analogon/SawLead 113 –––SlapBass/Clavinet 114 –––Guitar/Flute 115 –––Strings/Piano 116 –––VoxHumana/Choir

117 127 000 000 Standard Kit 1 118 127 000 001 Standard Kit 2 119 127 000 008 Room Kit 120 127 000 016 Rock Kit 121 127 000 024 Electronic Kit 122 127 000 025 Analog Kit 123 127 000 027 Dance Kit 124 127 000 032 Jazz Kit 125 127 000 040 Brush Kit 126 127 000 048 Symphony Kit 127 126 000 000 SFX Kit 1 128 126 000 001 SFX Kit 2

MIDI Program Change#

SYNTH LEAD

SYNTH PAD

PERCUSSION

SPLIT

DRUM KITS

Voice Name

■ Expanded Voices

Voice#

Bank Select#

MSB# LSB#

129 000 000 000 Grand Piano 130 000 001 000 Grand Piano KSP 131 000 018 000 Mellow Grand Piano 132 000 040 000 Piano Strings 133 000 041 000 Dream 134 000 000 001 Bright Piano 135 000 001 001 Bright Piano KSP 136 000 000 002 Electric Grand Piano 137 000 001 002 Electric Grand Piano KSP 138 000 032 002 Detuned CP80 139 000 040 002 Layered CP 1 140 000 041 002 Layered CP 2 141 000 000 003 Honky-tonk Piano 142 000 001 003 Honky-tonk Piano KSP 143 000 000 004 Electric Piano 1 144 000 001 004 Electric Piano 1 KSP

MIDI Program Change#

PIANO

Voice Name

Voice#

Bank Select#

MSB# LSB#

145 000 018 004 Mellow Electric Piano 1 146 000 032 004 Chorus Electric Piano 1 147 000 040 004 Hard Electric Piano

148 000 045 004 149 000 064 004 60's Electric Piano 1

150 000 000 005 Electric Piano 2 151 000 001 005 Electric Piano 2 KSP 152 000 032 005 Chorus Electric Piano 2 153 000 033 005 DX Electric Piano Hard 154 000 034 005 DX Legend 155 000 040 005 DX Phase Electric Piano 156 000 041 005 DX + Analog Electric Piano 157 000 042 005 DX Koto Electric Piano

158 000 045 005 159 000 000 006 Harpsichord

160 000 001 006 Harpsichord KSP 161 000 025 006 Harpsichord 2 162 000 035 006 Harpsichord 3 163 000 000 007 Clavi 164 000 001 007 Clavi KSP 165 000 027 007 Clavi Wah 166 000 064 007 Pulse Clavi 167 000 065 007 Pierce Clavi

168 000 000 008 Celesta 169 000 000 009 Glockenspiel 170 000 000 010 Music Box 171 000 064 010 Orgel 172 000 000 011 Vibraphone 173 000 001 011 Vibraphone KSP 174 000 045 011 Hard Vibraphone 175 000 000 012 Marimba 176 000 001 012 Marimba KSP 177 000 064 012 Sine Marimba 178 000 097 012 Balimba 179 000 098 012 Log Drums 180 000 000 013 Xylophone 181 000 000 014 Tubular Bells 182 000 096 014 Church Bells 183 000 097 014 Carillon 184 000 000 015 Dulcimer 185 000 035 015 Dulcimer 2 186 000 096 015 Cimbalom 187 000 097 015 Santur

188 000 000 016 Drawbar Organ 189 000 032 016 Detuned Drawbar Organ 190 000 033 016 60's Drawbar Organ 1 191 000 034 016 60's Drawbar Organ 2 192 000 035 016 70's Drawbar Organ 1 193 000 036 016 Drawbar Organ 2 194 000 037 016 60's Drawbar Organ 3 195 000 038 016 Even Bar 196 000 040 016 "16+2""2/3" 197 000 064 016 Organ Bass 198 000 065 016 70's Drawbar Organ 2 199 000 066 016 Cheezy Organ 200 000 067 016 Drawbar Organ 3 201 000 000 017 Percussive Organ 202 000 024 017 70's Percussive Organ 203 000 032 017 Detuned Percussive Organ 204 000 033 017 Light Organ 205 000 037 017 Percussive Organ 2 206 000 000 018 Rock Organ 207 000 064 018 Rotary Organ 208 000 065 018 Slow Rotary 209 000 066 018 Fast Rotary 210 000 000 019 Church Organ 211 000 032 019 Church Organ 3 212 000 035 019 Church Organ 2 213 000 040 019 Notre Dame

MIDI

Program

Change#

Velocity Crossfade Electric Piano 1

Velocity Crossfade Electric Piano 2

VIBRAPHONE etc.

ORGAN

Voice Name

Page 87

Voice#

Bank Select#

MSB# LSB#

214 000 064 019 Organ Flute 215 000 065 019 Tremolo Organ Flute 216 000 000 020 Reed Organ 217 000 040 020 Puff Organ 218 000 000 021 Accordion 219 000 032 021 Accord It 220 000 000 022 Hamonica 221 000 032 022 Harmonica 2 222 000 000 023 Tango Accordion 223 000 064 023 Tango Accordion 2

224 000 000 024 Nylon Guitar 225 000 016 024 Nylon Guitar 2 226 000 025 024 Nylon Guitar 3 227 000 043 024 Velocity Guitar Harmonics 228 000 096 024 Ukulele 229 000 000 025 Steel Guitar 230 000 016 025 Steel Guitar 2 231 000 035 025 12-string Guitar 232 000 040 025 Nylon & Steel Guitar 233 000 041 025 Steel Guitar with Body Sound 234 000 096 025 Mandolin 235 000 000 026 Jazz Guitar 236 000 018 026 Mellow Guitar 237 000 032 026 Jazz Amp 238 000 000 027 Clean Guitar 239 000 032 027 Chorus Guitar 240 000 000 028 Muted Guitar 241 000 040 028 Funk Guitar 1 242 000 041 028 Muted Steel Guitar 243 000 043 028 Funk Guitar 2 244 000 045 028 Jazz Man 245 000 000 029 Overdriven Guitar 246 000 043 029 Guitar Pinch 247 000 000 030 Distortion Guitar 248 000 040 030 Feedback Guitar 249 000 041 030 Feedback Guitar 2 250 000 000 031 Guitar Harmonics 251 000 065 031 Guitar Feedback 252 000 066 031 Guitar Harmonics 2

253 000 000 032 Acoustic Bass 254 000 040 032 Jazz Rhythm

255 000 045 032 256 000 000 033 Finger Bass

257 000 018 033 Finger Dark 258 000 027 033 Flange Bass

259 000 040 033 260 000 043 033 Finger Slap Bass

261 000 045 033 Finger Bass 2 262 000 065 033 Modulated Bass 263 000 000 034 Pick Bass 264 000 028 034 Muted Pick Bass 265 000 000 035 Fretless Bass 266 000 032 035 Fretless Bass 2 267 000 033 035 Fretless Bass 3 268 000 034 035 Fretless Bass 4 269 000 096 035 Synth Fretless 270 000 097 035 Smooth Fretless 271 000 000 036 Slap Bass 1 272 000 027 036 Resonant Slap 273 000 032 036 Punch Thumb Bass 274 000 000 037 Slap Bass 2 275 000 043 037 Velocity Switch Slap 276 000 000 038 Synth Bass 1 277 000 018 038 Synth Bass 1 Dark 278 000 020 038 Fast Resonant Bass 279 000 024 038 Acid Bass 280 000 035 038 Clavi Bass 281 000 040 038 Techno Synth Bass 282 000 064 038 Orbiter

MIDI Program Change#

GUITAR

BASS

Velocity Crossfade Upright Bass

Bass & Distorted Electric Guitar

Voice Name

Voice#

Bank Select#

MSB# LSB#

283 000 065 038 Square Bass 284 000 066 038 Rubber Bass 285 000 096 038 Hammer 286 000 000 039 Synth Bass 2 287 000 006 039 Mellow Synth Bass 288 000 012 039 Sequenced Bass 289 000 018 039 Click Synth Bass 290 000 019 039 Synth Bass 2 Dark 291 000 032 039 Smooth Synth Bass 292 000 040 039 Modular Synth Bass 293 000 041 039 DX Bass 294 000 064 039 X Wire Bass

295 000 000 040 Violin 296 000 008 040 Slow Violin 297 000 000 041 Viola 298 000 000 042 Cello 299 000 000 043 Contrabass 300 000 000 044 Tremolo Strings 301 000 008 044 Slow T remolo Strings 302 000 040 044 Suspense Strings 303 000 000 045 Pizzicato Strings 304 000 000 046 Orchestral Harp 305 000 040 046 Yang Chin 306 000 000 047 Timpani

307 000 000 048 Strings 1 308 000 003 048 Stereo Strings 309 000 008 048 Slow Strings 310 000 024 048 Arco Strings 311 000 035 048 60's Strings 312 000 040 048 Orchestra 313 000 041 048 Orchestra 2 314 000 042 048 Tremolo Orchestra 315 000 045 048 Velocity Strings 316 000 000 049 Strings 2 317 000 003 049 Stereo Slow Strings 318 000 008 049 Legato Strings 319 000 040 049 Warm Strings 320 000 041 049 Kingdom 321 000 064 049 70's Strings 322 000 065 049 String Ensemble 3 323 000 000 050 Synth Strings 1 324 000 027 050 Resonant Strings 325 000 064 050 Synth Strings 4 326 000 065 050 Synth Strings 5 327 000 000 051 Synth Strings 2 328 000 000 052 Choir Aahs 329 000 003 052 Stereo Choir 330 000 016 052 Choir Aahs 2 331 000 032 052 Mellow Choir 332 000 040 052 Choir Strings 333 000 000 053 Voice Oohs 334 000 000 054 Synth Voice 335 000 040 054 Synth Voice 2 336 000 041 054 Choral 337 000 064 054 Analog Voice 338 000 000 055 Orchestra Hit 339 000 035 055 Orchestra Hit 2 340 000 064 055 Impact

341 000 000 056 Trumpet 342 000 016 056 Trumpet 2 343 000 017 056 Bright Trumpet 344 000 032 056 Warm T rumpet 345 000 000 057 Trombone 346 000 018 057 Trombone 2 347 000 000 058 Tuba 348 000 016 058 Tuba 2 349 000 000 059 Muted T rumpet 350 000 000 060 French Horn 351 000 006 060 French Horn Solo 352 000 032 060 French Horn 2

MIDI

Program

Change#

VIOLIN etc.

ENSEMBLE

TRUMPET etc.

Voice Name

Page 88

Voice#

Bank Select#

MSB# LSB#

353 000 037 060 Horn Orchestra 354 000 000 061 Brass Section 355 000 035 061 Trumpet & Trombone Section 356 000 040 061 Brass Section 2 357 000 041 061 High Brass 358 000 042 061 Mellow Brass 359 000 000 062 Synth Brass 1 360 000 012 062 Quack Brass 361 000 020 062 Resonant Synth Brass 362 000 024 062 Poly Brass 363 000 027 062 Synth Brass 3 364 000 032 062 Jump Brass 365 000 045 062 Analog Velocity Brass 1 366 000 064 062 Analog Brass 1 367 000 000 063 Synth Brass 2 368 000 018 063 Soft Brass 369 000 040 063 Synth Brass 4 370 000 041 063 Choir Brass 371 000 045 063 Analog Velocity Brass 2 372 000 064 063 Analog Brass 2

373 000 000 064 Soprano Sax 374 000 000 065 Alto Sax 375 000 040 065 Sax Section 376 000 043 065 Hyper Alto Sax 377 000 000 066 Tenor Sax 378 000 040 066 Breathy T enor Sax 379 000 041 066 Soft T enor Sax 380 000 064 066 Tenor Sax 2 381 000 000 067 Baritone Sax 382 000 000 068 Oboe 383 000 000 069 English Horn 384 000 000 070 Bassoon 385 000 000 071 Clarinet

386 000 000 072 Piccolo 387 000 000 073 Flute 388 000 000 074 Recorder 389 000 000 075 Pan Flute 390 000 000 076 Blown Bottle 391 000 000 077 Shakuhachi 392 000 000 078 Whistle 393 000 000 079 Ocarina

394 000 000 080 Square Lead 395 000 006 080 Square Lead 2 396 000 008 080 LM Square 397 000 018 080 Hollow 398 000 019 080 Shroud 399 000 064 080 Mellow 400 000 065 080 Solo Sine 401 000 066 080 Sine Lead 402 000 000 081 Sawtooth Lead 403 000 006 081 Sawtooth Lead 2 404 000 008 081 Thick Sawtooth 405 000 018 081 Dynamic Sawtooth 406 000 019 081 Digital Sawtooth 407 000 020 081 Big Lead 408 000 024 081 Heavy Synth 409 000 025 081 Waspy Synth 410 000 040 081 Pulse Sawtooth 411 000 041 081 Dr. Lead 412 000 045 081 Velocity Lead 413 000 096 081 Sequenced Analog 414 000 000 082 Calliope Lead 415 000 065 082 Pure Pad 416 000 000 083 Chiff Lead 417 000 064 083 Rubby 418 000 000 084 Charang Lead 419 000 064 084 Distorted Lead 420 000 065 084 Wire Lead 421 000 000 085 Voice Lead 422 000 024 085 Synth Aahs

MIDI Program Change#

SAXOPHONE etc.

FLUTE etc.

SYNTH LEAD

Voice Name

Voice#

Bank Select#

MSB# LSB#

423 000 064 085 Vox Lead 424 000 000 086 Fifths Lead 425 000 035 086 Big Five 426 000 000 087 Bass & Lead 427 000 016 087 Big & Low 428 000 064 087 Fat & Perky 429 000 065 087 Soft Whirl

430 000 000 088 New Age Pad 431 000 064 088 Fantasy 432 000 000 089 Warm Pad 433 000 016 089 Thick Pad 434 000 017 089 Soft Pad 435 000 018 089 Sine Pad 436 000 064 089 Horn Pad 437 000 065 089 Rotary Strings 438 000 000 090 Poly Synth Pad 439 000 064 090 Poly Pad 80 440 000 065 090 Click Pad 441 000 066 090 Analog Pad 442 000 067 090 Square Pad 443 000 000 091 Choir Pad 444 000 064 091 Heaven 445 000 066 091 Itopia 446 000 067 091 CC Pad 447 000 000 092 Bowed Pad 448 000 064 092 Glacier 449 000 065 092 Glass Pad 450 000 000 093 Metallic Pad 451 000 064 093 Tine Pad 452 000 065 093 Pan Pad 453 000 000 094 Halo Pad 454 000 000 095 Sweep Pad 455 000 020 095 Shwimmer 456 000 027 095 Converge 457 000 064 095 Polar Pad 458 000 066 095 Celestial

459 000 000 096 Rain 460 000 045 096 Clavi Pad 461 000 064 096 Harmo Rain 462 000 065 096 African Wind 463 000 066 096 Carib 464 000 000 097 Sound T rack 465 000 027 097 Prologue 466 000 064 097 Ancestral 467 000 000 098 Crystal 468 000 012 098 Synth Drum Comp 469 000 014 098 Popcorn 470 000 018 098 Tiny Bells 471 000 035 098 Round Glockenspiel 472 000 040 098 Glockenspiel Chimes 473 000 041 098 Clear Bells 474 000 042 098 Chorus Bells 475 000 064 098 Synth Mallet 476 000 065 098 Soft Crystal 477 000 066 098 Loud Glockenspiel 478 000 067 098 Christmas Bells 479 000 068 098 Vibraphone Bells 480 000 069 098 Digital Bells 481 000 070 098 Air Bells 482 000 071 098 Bell Harp 483 000 072 098 Gamelimba 484 000 000 099 Atmosphere 485 000 018 099 Warm Atmosphere 486 000 019 099 Hollow Release 487 000 040 099 Nylon Electric Piano 488 000 064 099 Nylon Harp 489 000 065 099 Harp Vox 490 000 066 099 Atmosphere Pad 491 000 067 099 Planet 492 000 000 100 Brightness 493 000 064 100 Fantasy Bells

MIDI Program Change#

SYNTH PAD

SYNTH EFFECT

Voice Name

Page 89

Voice#

Bank Select#

MSB# LSB#

494 000 096 100 Smokey 495 000 000 101 Goblins 496 000 064 101 Goblins Synth 497 000 065 101 Creeper 498 000 066 101 Ring Pad 499 000 067 101 Ritual 500 000 068 101 To Heaven 501 000 070 101 Night 502 000 071 101 Glisten 503 000 096 101 Bell Choir 504 000 000 102 Echoes 505 000 008 102 Echoes 2 506 000 014 102 Echo Pan 507 000 064 102 Echo Bells 508 000 065 102 Big Pan 509 000 066 102 Synth Piano 510 000 067 102 Creation 511 000 068 102 Star Dust 512 000 069 102 Resonant & Panning 513 000 000 103 Sci-Fi 514 000 064 103 Starz

515 000 000 104 Sitar 516 000 032 104 Detuned Sitar 517 000 035 104 Sitar 2 518 000 096 104 Tambra 519 000 097 104 Tamboura 520 000 000 105 Banjo 521 000 028 105 Muted Banjo 522 000 096 105 Rabab 523 000 097 105 Gopichant 524 000 098 105 Oud 525 000 000 106 Shamisen 526 000 000 107 Koto 527 000 096 107 Taisho-kin 528 000 097 107 Kanoon 529 000 000 108 Kalimba 530 000 000 109 Bagpipe 531 000 000 110 Fiddle 532 000 000 111 Shanai 533 000 064 111 Shanai 2 534 000 096 111 Pungi 535 000 097 111 Hichiriki

536 000 000 112 Tinkle Bell 537 000 096 112 Bonang 538 000 097 112 Altair 539 000 098 112 Gamelan Gongs 540 000 099 112 Stereo Gamelan Gongs 541 000 100 112 Rama Cymbal 542 000 101 112 Asian Bells 543 000 000 113 Agogo 544 000 000 114 Steel Drums 545 000 097 114 Glass Percussion 546 000 098 114 Thai Bells 547 000 000 115 Woodblock 548 000 096 115 Castanets 549 000 000 116 Taiko Drum 550 000 096 116 Gran Cassa 551 000 000 117 Melodic T om 552 000 064 117 Melodic T om 2 553 000 065 117 Real T om 554 000 066 117 Rock T om 555 000 000 118 Synth Drum 556 000 064 118 Analog T om 557 000 065 118 Electronic Percussion 558 000 000 119 Reverse Cymbal

559 000 000 120 Fret Noise 560 000 000 121 Breath Noise 561 000 000 122 Seashore 562 000 000 123 Bird T weet 563 000 000 124 Telephone Ring

MIDI Program Change#

ETHNIC

PERCUSSION

SOUND EFFECT

Voice Name

Voice#

Bank Select#

MSB# LSB#

564 000 000 125 Helicopter 565 000 000 126 Applause 566 000 000 127 Gunshot

567 064 000 000 Cutting Noise 568 064 000 001 Cutting Noise 2 569 064 000 003 String Slap 570 064 000 016 Flute Key Click 571 064 000 032 Shower 572 064 000 033 Thunder 573 064 000 034 Wind 574 064 000 035 Stream 575 064 000 036 Bubble 576 064 000 037 Feed 577 064 000 048 Dog 578 064 000 049 Horse 579 064 000 050 Bird T weet 2 580 064 000 054 Ghost 581 064 000 055 Maou 582 064 000 064 Phone Call 583 064 000 065 Door Squeak 584 064 000 066 Door Slam 585 064 000 067 Scratch Cut 586 064 000 068 Scratch Split 587 064 000 069 Wind Chime 588 064 000 070 Telephone Ring 2 589 064 000 080 Car Engine Ignition 590 064 000 081 Car Tires Squeal 591 064 000 082 Car Passing 592 064 000 083 Car Crash 593 064 000 084 Siren 594 064 000 085 Train 595 064 000 086 Jet Plane 596 064 000 087 Starship 597 064 000 088 Burst 598 064 000 089 Roller Coaster 599 064 000 090 Submarine 600 064 000 096 Laugh 601 064 000 097 Scream 602 064 000 098 Punch 603 064 000 099 Heartbeat 604 064 000 100 Footsteps 605 064 000 112 Machine Gun 606 064 000 113 Laser Gun 607 064 000 114 Explosion 608 064 000 115 Firework

MIDI

Program

Change#

SFX

Voice Name

■ ABC/DoReMi Voices

Voice#

Bank Select#

MSB# LSB#

609 000 112 126 ABC (Oboe) 610 000 112 127 DoReMi (Oboe)

MIDI

Program

Change#

Voice Name

Page 90

Style List

No. Style Name

8 beat

1 8 Beat 1 2 8 Beat 2 3 8 Beat Adria 4 8 Beat Pop 1 5 British Pop 6 8 Beat Soft

16 beat

7 16 Beat 1 8 16 Beat 2

9 16 Beat 3 10 Soft Fusion 11 Hip Hop Pop 12 Cool Dance 13 16 Beat Funk 14 Funky Pop 15 16 Beat 4

Ballad

16 Piano Ballad 17 U.S. Ballad 18 Slow Rock 19 Modern 6/8 20 Guitar Ballad 21 Organ Ballad 22 Epic Ballad 23 16 Beat Ballad 24 Rock Ballad 25 Slow Ballad 26 Pop Ballad

Rock

27 Rock 1 28 Hard Rock 29 Rock & Roll 30 Twist 31 4/4 Blues 32 6/8 Rock

Dance

33 House 34 Eurobeat 35 Euro House 36 Trance 37 Clubdance 38 Techno 39 Hip Hop 40 Groundbeat 41 90's Disco 42 70's Disco 43 Disco Chocolate

No. Style Name

44 Disco Funk 45 Disco Fox 46 Disco Party 47 Disco Latin

Swing & Jazz

48 Swing 49 Big Band 1 50 Big Band Ballad 51 Jazz Ballad 52 Jazz Trio 53 Boogie 54 Bebop 55 Big Band 2 56 Dixieland

Rhythm & Blues

57 Gospel Shufﬂe 58 R & B 59 Motown 60 Soul Shufﬂe 61 6/8 Blues

Country

62 Country Rock 63 Country 8 Beat 64 Country Pop 65 Country Swing 66 Bluegrass 67 Country Ballad

Latin

68 Samba Rio 69 Bossa Nova 70 Espanole 71 Swing Reggae 72 Salsa 73 Mambo

Ballroom

74 Slow Fox 75 Quickstep 76 Tango 77 Cha Cha Cha 78 Samba 79 Rhumba 80 Pasodoble 81 Jive 82 Beguine 83 Foxtrot

March & Waltz

84 U.S. March 85 German March

No. Style Name

86 6/8 March 87 Polka Pop 88 PolkaOberkrainer 89 Jazz Waltz 90 Country Waltz 91 Vienna Waltz 92 Slow Waltz 93 Orch. W altz 94 WaltzOberkrainer 95 Musette 96 Guitar Waltz

Pianist

97 Stride 98 Boogie

99 Swing 100 Pianoman 101 Ballad 102 Ragtime 103 March 104 6/8 March 105 Waltz 106 Jazz Waltz

Page 91

Drum Kit List

* “←” indicates that the drum sound is the same as “Standard Kit 1”. * Each percussion voice uses one note. * The MIDI Note # and Note are actually one octave lower than listed. For example, in

“117: Standard Kit 1”, the “Seq Click H” (Note# 36/Note C1) corresponds to (Note# 24/Note C0).

Voice No. 117 118 119 120

MSB/LSB/PC 127/000/000 127/000/001 127/000/008 127/000/16

Keyboard MIDI

Note# Note Note# Note

25 C#0 13 C#-1 Surdo Mute ←←← 26 D0 14 D-1 Surdo Open ←←← 27 D#0 15 D#-1 Hi Q ←←← 28 E0 16 E-1 Whip Slap ←←← 29 F0 17 F-1 Scratch Push ←←← 30 F#0 18 F#-1 Scratch Pull ←←← 31 G0 19 G-1 Finger Snap ←←← 32 G#0 20 G#-1 Click Noise ←←← 33 A0 21 A-1 Metronome Click ←←← 34 A#0 22 A#-1 Metronome Bell ←←← 35 B0 23 B-1 Seq Click L ←←← 36 C1 24 C0 Seq Click H ←←← 37 C#1 25 C#0 Brush Tap ←←← 38 D1 26 D0 Brush Swirl ←←← 39 D#1 27 D#0 Brush Slap ←←← 40 E1 28 E0 Brush T ap Swirl ←←← 41 F1 29 F0 Snare Roll ←←← 42 F#1 30 F#0 Castanet ←←← 43 G1 31 G0 Snare H Soft Snare H Soft 2 ← SD Rock H 44 G#1 32 G#0 Sticks ←←← 45 A1 33 A0 Bass Drum Soft ←←← 46 A#1 34 A#0 Open Rim Shot Open Rim Shot 2 ←← 47 B1 35 B0 Bass Drum Hard ←←Bass Drum H 48 C2 36 C1 Bass Drum Bass Drum 2 ← BD Rock 49 C#2 37 C#1 Side Stick ←←← 50 D2 38 D1 Snare M Snare M 2 SD Room L SD Rock L 51 D#2 39 D#1 Hand Clap ←←← 52 E2 40 E1 Snare H Hard Snare H Hard 2 SD Room H SD Rock Rim 53 F2 41 F1 Floor T om L ← Room Tom 1 Rock Tom 1 54 F#2 42 F#1 Hi-Hat Closed ←←← 55 G2 43 G1 Floor T om H ← Room Tom 2 Rock Tom 2 56 G#2 44 G#1 Hi-Hat Pedal ←←← 57 A2 45 A1 Low Tom ← Room Tom 3 Rock Tom 3 58 A#2 46 A#1 Hi-Hat Open ←←← 59 B2 47 B1 Mid Tom L ← Room Tom 4 Rock Tom 4 60 C3 48 C2 Mid T om H ← Room Tom 5 Rock Tom 5 61 C#3 49 C#2 Crash Cymbal 1 ←←← 62 D3 50 D2 High T om ← Room Tom 6 Rock Tom 6 63 D#3 51 D#2 Ride Cymbal 1 ←←← 64 E3 52 E2 Chinese Cymbal ←←← 65 F3 53 F2 Ride Cymbal Cup ←←← 66 F#3 54 F#2 Tambourine ←←←

Standard Kit 1 Standard Kit 2 Room Kit Rock Kit

Page 92

Voice No. 117 118 119 120

MSB/LSB/PC 127/000/000 127/000/001 127/000/008 127/000/16

Keyboard MIDI

Note# Note Note# Note

67 G3 55 G2 Splash Cymbal ←←← 68 G#3 56 G#2 Cowbell ←←← 69 A3 57 A2 Crash Cymbal 2 ←←← 70 A#3 58 A#2 Vibraslap ←←← 71 B3 59 B2 Ride Cymbal 2 ←←← 72 C4 60 C3 Bongo H ←←← 73 C#4 61 C#3 Bongo L ←←← 74 D4 62 D3 Conga H Mute ←←← 75 D#4 63 D#3 Conga H Open ←←← 76 E4 64 E3 Conga L ←←← 77 F4 65 F3 Timbale H ←←← 78 F#4 66 F#3 Timbale L ←←← 79 G4 67 G3 Agogo H ←←← 80 G#4 68 G#3 Agogo L ←←← 81 A4 69 A3 Cabasa ←←← 82 A#4 70 A#3 Maracas ←←← 83 B4 71 B3 Samba Whistle H ←←← 84 C5 72 C4 Samba Whistle L ←←← 85 C#5 73 C#4 Guiro Short ←←← 86 D5 74 D4 Guiro Long ←←← 87 D#5 75 D#4 Claves ←←← 88 E5 76 E4 Wood Block H ←←← 89 F5 77 F4 Wood Block L ←←← 90 F#5 78 F#4 Cuica Mute ←←← 91 G5 79 G4 Cuica Open ←←← 92 G#5 80 G#4 Triangle Mute ←←← 93 A5 81 A4 Triangle Open ←←← 94 A#5 82 A#4 Shaker ←←← 95 B5 83 B4 Jingle Bell ←←← 96 C6 84 C5 Bell T ree ←←←

Standard Kit 1 Standard Kit 2 Room Kit Rock Kit

Voice No. 121 122 123 124

MSB/LSB/PC 127/000/24 127/000/25 127/000/27 127/000/32

Keyboard MIDI

Note# Note Note# Note

25 C#0 13 C#-1 ←←←← 26 D0 14 D-1 ←←←← 27 D#0 15 D#-1 ←←←← 28 E0 16 E-1 ←←←← 29 F0 17 F-1 ←←←← 30 F#0 18 F#-1 ←←←← 31 G0 19 G-1 ←←←← 32 G#0 20 G#-1 ←←←← 33 A0 21 A-1 ←←←← 34 A#0 22 A#-1 ←←←← 35 B0 23 B-1 ←←←← 36 C1 24 C0 ←←←← 37 C#1 25 C#0 ←←←← 38 D1 26 D0 ←←←← 39 D#1 27 D#0 ←←←← 40 E1 28 E0 Reverse Cymbal Reverse Cymbal Reverse Cymbal ← 41 F1 29 F0 ←←←← 42 F#1 30 F#0 Hi Q 2 Hi Q 2 Hi Q 2 ←

Electronic Kit Analog Kit Dance Kit Jazz Kit

Page 93

Voice No. 121 122 123 124

MSB/LSB/PC 127/000/24 127/000/25 127/000/27 127/000/32

Keyboard MIDI

Note# Note Note# Note

43 G1 31 G0 Snare L SD Rock H AnSD Snappy SD Jazz H Light 44 G#1 32 G#0 ←←←← 45 A1 33 A0 Bass Drum H Bass Drum H AnBD Dance-1 ← 46 A#1 34 A#0 ←←←← 47 B1 35 B0 BD Rock BD Analog L AnBD Dance-2 ← 48 C2 36 C1 BD Gate BD Analog H AnBD Dance-3 BD Jazz 49 C#2 37 C#1 ← Analog Side Stick Analog Side Stick ← 50 D2 38 D1 SD Rock L Analog Snare 1 AnSD Q SD Jazz L 51 D#2 39 D#1 ←←←← 52 E2 40 E1 SD Rock H Analog Snare 2 AnSD Ana+Acoustic SD Jazz M 53 F2 41 F1 E Tom 1 Analog Tom 1 Analog Tom 1 Jazz Tom 1 54 F#2 42 F#1 ← Analog HH Closed 1 Analog HH Closed 3 ← 55 G2 43 G1 E Tom 2 Analog Tom 2 Analog Tom 2 Jazz Tom 2 56 G#2 44 G#1 ← Analog HH Closed 2 Analog HH Closed 4 ← 57 A2 45 A1 E Tom 3 Analog Tom 3 Analog Tom 3 Jazz Tom 3 58 A#2 46 A#1 ← Analog HH Open Analog HH Open 2 ← 59 B2 47 B1 E Tom 4 Analog Tom 4 Analog Tom 4 Jazz Tom 4 60 C3 48 C2 E Tom 5 Analog Tom 5 Analog Tom 5 Jazz Tom 5 61 C#3 49 C#2 ← Analog Cymbal Analog Cymbal ← 62 D3 50 D2 E Tom 6 Analog Tom 6 Analog Tom 6 Jazz Tom 6 63 D#3 51 D#2 ←←←← 64 E3 52 E2 ←←←← 65 F3 53 F2 ←←←← 66 F#3 54 F#2 ←←←← 67 G3 55 G2 ←←←← 68 G#3 56 G#2 ← Analog Cowbell Analog Cowbell ← 69 A3 57 A2 ←←←← 70 A#3 58 A#2 ←←←← 71 B3 59 B2 ←←←← 72 C4 60 C3 ←←←← 73 C#4 61 C#3 ←←←← 74 D4 62 D3 ← Analog Conga H Analog Conga H ← 75 D#4 63 D#3 ← Analog Conga M Analog Conga M ← 76 E4 64 E3 ← Analog Conga L Analog Conga L ← 77 F4 65 F3 ←←←← 78 F#4 66 F#3 ←←←← 79 G4 67 G3 ←←←← 80 G#4 68 G#3 ←←←← 81 A4 69 A3 ←←←← 82 A#4 70 A#3 ← Analog Maracas Analog Maracas ← 83 B4 71 B3 ←←←← 84 C5 72 C4 ←←←← 85 C#5 73 C#4 ←←←← 86 D5 74 D4 ←←←← 87 D#5 75 D#4 ← Analog Claves Analog Claves ← 88 E5 76 E4 ←←←← 89 F5 77 F4 ←←←← 90 F#5 78 F#4 Scratch Push Scratch Push Scratch Push ← 91 G5 79 G4 Scratch Pull Scratch Pull Scratch Pull ← 92 G#5 80 G#4 ←←←← 93 A5 81 A4 ←←←← 94 A#5 82 A#4 ←←←← 95 B5 83 B4 ←←←← 96 C6 84 C5 ←←←←

Electronic Kit Analog Kit Dance Kit Jazz Kit

Page 94

Voice No. 125 126 127 128

MSB/LSB/PC 127/000/40 127/000/48 126/000/000 126/000/001

Keyboard MIDI

Note# Note Note# Note

25 C#0 13 C#-1 ←← 26 D0 14 D-1 ←← 27 D#0 15 D#-1 ←← 28 E0 16 E-1 ←← 29 F0 17 F-1 ←← 30 F#0 18 F#-1 ←← 31 G0 19 G-1 ←← 32 G#0 20 G#-1 ←← 33 A0 21 A-1 ←← 34 A#0 22 A#-1 ←← 35 B0 23 B-1 ←← 36 C1 24 C0 ←← 37 C#1 25 C#0 ←← 38 D1 26 D0 ←← 39 D#1 27 D#0 ←← 40 E1 28 E0 ←← 41 F1 29 F0 ←← 42 F#1 30 F#0 ←← 43 G1 31 G0 Brush Slap L ← 44 G#1 32 G#0 ←← 45 A1 33 A0 ← Bass Drum L 46 A#1 34 A#0 ←← 47 B1 35 B0 ← Gran Cassa 48 C2 36 C1 BD Jazz Gran Cassa Mute Cutting Noise Phone Call 49 C#2 37 C#1 ←←Cutting Noise 2 Door Squeak 50 D2 38 D1 Brush Slap Marching Sn M Door Slam 51 D#2 39 D#1 ←←String Slap Scratch Cut 52 E2 40 E1 Brush Tap Marching Sn H Scratch 53 F2 41 F1 Brush Tom 1 Jazz Tom 1 Wind Chime 54 F#2 42 F#1 ←← Telephone Ring 2 55 G2 43 G1 Brush Tom 2 Jazz Tom 2 56 G#2 44 G#1 ←← 57 A2 45 A1 Brush Tom 3 Jazz Tom 3 58 A#2 46 A#1 ←← 59 B2 47 B1 Brush Tom 4 Jazz Tom 4 60 C3 48 C2 Brush Tom 5 Jazz Tom 5 61 C#3 49 C#2 ← Hand Cym. L 62 D3 50 D2 Brush Tom 6 Jazz Tom 6 63 D#3 51 D#2 ← Hand Cym.Short L 64 E3 52 E2 ←←Flute Key Click Car Engine Ignition 65 F3 53 F2 ←← Car Tires Squeal 66 F#3 54 F#2 ←← Car Passing 67 G3 55 G2 ←← Car Crash 68 G#3 56 G#2 ←← Siren 69 A3 57 A2 ← Hand Cym. H Train 70 A#3 58 A#2 ←← Jet Plane 71 B3 59 B2 ← Hand Cym.Short H Starship 72 C4 60 C3 ←← Burst 73 C#4 61 C#3 ←← Roller Coaster 74 D4 62 D3 ←← Submarine 75 D#4 63 D#3 ←← 76 E4 64 E3 ←← 77 F4 65 F3 ←← 78 F#4 66 F#3 ←←

Brush Kit Symphonic Kit SFX Kit 1 SFX Kit 2

Page 95

Voice No. 125 126 127 128

MSB/LSB/PC 127/000/40 127/000/48 126/000/000 126/000/001

Keyboard MIDI

Note# Note Note# Note

79 G4 67 G3 ←← 80 G#4 68 G#3 ←←Shower Laugh 81 A4 69 A3 ←←Thunder Scream 82 A#4 70 A#3 ←←Wind Punch 83 B4 71 B3 ←←Stream Heartbeat 84 C5 72 C4 ←←Bubble FootSteps 85 C#5 73 C#4 ←←Feed 86 D5 74 D4 ←← 87 D#5 75 D#4 ←← 88 E5 76 E4 ←← 89 F5 77 F4 ←← 90 F#5 78 F#4 ←← 91 G5 79 G4 ←← 92 G#5 80 G#4 ←← 93 A5 81 A4 ←← 94 A#5 82 A#4 ←← 95 B5 83 B4 ←← 96 C6 84 C5 ←←Dog Machine Gun 97 C#6 85 C#5 Horse Laser Gun 98 D6 86 D5 Bird T weet 2 Explosion

99 D#6 87 D#5 Firework 100 E6 88 E5 101 F6 89 F5 102 F#6 90 F#5 Ghost 103 G6 91 G5 Maou

Brush Kit Symphonic Kit SFX Kit 1 SFX Kit 2

Page 96

Effect Type List

■ Reverb Types

No. Reverb Type Display Name Description

1 Hall 1 Hall1 Concert hall reverb. 2 Hall 2 Hall2 3 Room 1 Room1 Small room reverb. 4 Room 2 Room2 5 Stage 1 Stage1 Reverb for solo instruments. 6 Stage 2 Stage2 7 Plate 1 Plate1 Simulated steel plate reverb. 8 Plate 2 Plate2 9 Off Off No effect.

■ DSP Types

No. DSP Type Display Name Description

9 Early Reﬂection 1 ER1 Early reﬂections only. 10 Early Reﬂection 2 ER2 11 Gate Reverb Gate1 Gated reverb effect, in which the reverberation is quickly cut off

12 Reverse Gate Gate2 Similar to Gate Reverb, but with a reverse increase in reverb. 13 Chorus 1 Chorus1 Conventional chorus effect with rich, warm chorusing. 14 Chorus 2 Chorus2 15 Flanger 1 Flanger1 Pronounced three-phase modulation with slight metallic sound. 16 Flanger 2 Flanger2 17 Symphonic Symphony Exceptionally rich & deep chorusing. 18 Phaser Phaser Pronounced, metallic modulation with periodic phase change. 19 Rotary Speaker 1 Rotary1 Rotary speaker simulation. 20 Rotary Speaker 2 Rotary2 21 Tremolo 1 Tremolo1 Rich Tremolo effect with both volume and pitch modulation. 22 Tremolo 2 Tremolo2 23 Guitar Tremolo Guitar Tremolo Simulated electric guitar tremolo. 24 Auto Pan Auto Pan Several panning effects that automatically shift the sound posi-

25 Auto Wah Auto Wah Repeating ﬁlter sweep “wah” effect. 26 Delay Left - Center -

Right

27 Delay Left - Right DelayLR Initial dela y for each stereo channel, and two separate feedback

28 Echo Echo Stereo delay, with independent feedback level settings for each

29 Cross Delay CrossDly Complex effect that sends the delayed repeats “bouncing”

30 Karaoke Karaoke Deep, pronounced echo effect. 31 Distortion Hard D Hard Hard-edged, warm distortion. 32 Distortion Soft D Soft Soft, warm distortion. 33 Overdrive Overdrv Natural distortion, like that of an overdriven ampliﬁer. 34 Amp Simulation AmpSimu Characteristic sound of a guitar ampliﬁer/speaker.

DelayLCR Three independent delays, for the left, right and center stereo

for special effects.

tion (left, right, front, back).

positions.

delays.

channel.

between the left and right channels.

Page 97

No. DSP Type Display Name Description

35 EQ Disco EQ Disco Equalizer effect that boosts both high and low frequencies, as is

typical in most disco music.

36 EQ Telephone EQ Tel Equalizer effect that cuts both high and low frequencies, to simu-

late the sound heard through a telephone receiver. 37 3Band EQ 3BandEQ Equalizer with three separate frequency bands. 38 2Band EQ 2BandEQ Equalizer with two separate frequency bands. 39 No Effect Off No effect

■ Harmony Types

No. Harmony T ype Display Name Description

1 Duet Duet Harmony types 1–5 are pitch-based and add one-, two- or three2 Trio Trio 3 Block Block 4 Country Country 5 Octave Octave 6 Trill 1/4 note Tril1/4 Types 6 - 26 are rhythm-based effects and add embellishments

7 Trill 1/6 note Tril1/6

8 Trill 1/8 note Tril1/8

9 Trill 1/12 note Tril1/12

10 Trill 1/16 note Tril1/16

11 Trill 1/24 note Tril1/24

12 Trill 1/32 note Tril1/32

note harmonies to the single-note melody played in the right

hand.

These types only sound when chords are played in the auto

accompaniment section of the keyboard.

or delayed repeats in time with the auto accompaniment. These

types sound whether the auto accompaniment is on or not; how-

ever, the actual speed of the effect depends on the Tempo set-

ting (page 54).

The individual note values in each type let you synchronize the

effect precisely to the rhythm. Triplet settings are also available:

1/6 = quarter-note triplets, 1/12 = eighth-note triplets, 1/24 = six-

teenth-note triplets.

• The Trill effect Types (6–12) create two-note trills (alternating

notes) when two notes are held.

• The Tremolo effect Types (13–19) repeat all held notes (up to four).

13 Tremolo 1/4 note Trem1/4

14 Tremolo 1/6 note Trem1/6

15 Tremolo 1/8 note Trem1/8

16 Tremolo 1/12 note Trem1/12

17 Tremolo 1/16 note Trem1/16

18 Tremolo 1/24 note Trem1/24

19 Tremolo 1/32 note Trem1/32

20 Echo 1/4 note Echo1/4

21 Echo 1/6 note Echo1/6

22 Echo 1/8 note Echo1/8

23 Echo 1/12 note Echo1/12

24 Echo 1/16 note Echo1/16

25 Echo 1/24 note Echo1/24

• The Echo effect Types (20–26) create dela y ed repeats of each note played.

26 Echo 1/32 note Echo1/32

Page 98

MIDI Implementation Chart

Transmitted Recognized Remarks

7o o Part Volume

1 x *2 o Modulation wheel

6,38 x *2 o Data Entry

0,32 o o Bank Select

Default 3 3

Model EZ-30 MIDI Implementation Chart Version : 1.0

Function...

Basic Default 1 - 16 1 - 16 *1

YAMAHA [ Portable Keyboard ] Date:26-JAN-2001

Channel Changed 1 - 16 1 - 16 *1

Altered ************** x

Mode Messages x x

Note 0 - 127 0 - 127

Number : True voice ************** 0 - 127

Note OFF o 9nH,v=0 o 9nH,v=0 or 8nH

After Key's x x

Touch Ch's x x

Velocity Note ON o 9nH,v=1-127 o 9nH,v=1-127

Pitch Bend x o

11 x *2 o Expression

71 x *2 o Harmonic Content

72 x *2 o Release Time

Control 10 x o Pan

Change 64 o o Sustain

73 x *2 o Attack Time

74 x *2 o Brightness

84 x *2 o Portamento Cntrl

96,97 x o RPN Inc,Dec

100,101 x *2 o RPN LSB,MSB

91,93,94 x o Effect Depth

Prog o 0 - 127 o 0 - 127

Page 99

96,97 x o RPN Inc,Dec

100,101 x *2 o RPN LSB,MSB

Prog o 0 - 127 o 0 - 127

Change : True # **************

System Exclusive o *3 o *3

: Song Pos. x x

Common : Song Sel. x x

: Tune x x

System : Clock o o

Real Time: Commands o *4 o *4

Aux :All Sound OFF x o(120,126,127)

:Reset All Cntrls x o(121)

:Local ON/OFF x o(122) *5

:All Notes OFF x o(123-125)

Mes- :Active Sense o o

sages:Reset x x

Mode 1 : OMNI ON , POLY Mode 2 : OMNI ON ,MONO o : Yes

Mode 3 : OMNI OFF, POLY Mode 4 : OMNI OFF,MONO x : No

Page 100

NOTE:

*1 By default (factory settings) the EZ-30 ordinarily functions as

a 16-channel multi-timbral tone generator, and incoming data does not affect the panel voices or panel settings. However, the MIDI messages listed below do affect the panel voices, auto accompaniment, and songs.

• MIDI Master Tuning

• System exclusive messages for changing the Reverb Type, Chorus Type, and DSP Type.

*2 Messages for these control change numbers cannot be

transmitted from the EZ-30 itself. However, they may be transmitted when playing the accompaniment, song or using the Harmony effect.

*3 Exclusive

<GM System ON> F0H, 7EH, 7FH, 09H, 01H, F7H

• This message automatically restores all default settings for the instrument, with the exception of MIDI Master Tuning.

<MIDI Master Volume> F0H, 7FH, 7FH, 04H, 01H, ll, mm, F7H

• This message allows the volume of all channels to be changed simultaneously (Universal System Exclusive).

• The values of “mm” is used for MIDI Master Tuning. (Values for “ll” are ignored.)

<MIDI Master Tuning> F0H, 43H, 1nH, 27H, 30H, 00H, 00H, mm, ll, cc, F7H

• This message simultaneously changes the tuning value of all channels.

• The values of “mm” and “ll” are used for MIDI Master Tuning.

• The default value of “mm” and “ll” are 08H and 00H, respectively. Any values can be used for “n” and “cc.”

<Reverb Type> F0H, 43H, 1nH, 4CH, 02H, 01H, 00H, mmH, llH, F7H

• mm : Reverb Type MSB

• ll : Reverb Type LSB

Refer to the Effect Map (page 101) for details. <Chorus Type> F0H, 43H, 1nH, 4CH, 02H, 01H, 20H, mmH,

llH, F7H

• mm : Chorus Type MSB

• ll : Chorus Type LSB

Refer to the Effect Map (page 101) for details. <DSP Type> F0H, 43H, 1nH, 4CH, 02H, 01H, 40H, mmH,

llH, F7H

• mm : DSP Type MSB

• ll : DSP Type LSB

Refer to the Effect Map (page 101) for details. <DRY Level> F0H, 43H, 1nH, 4CH, 08H, 0mH, 11H, llH,

F7H

• ll : Dry Level

• 0m : Channel Number

*4 When the accompaniment is started, an FAH message is

transmitted. When accompaniment is stopped, an FCH message is transmitted.When the clock is set to External, both FAH (accompaniment start) and FCH (accompaniment stop) are recognized.

*5 Local ON/OFF

<Local ON> Bn, 7A, 7F <Local OFF> Bn, 7A, 00

Value for “n” is ignored.

100

Yamaha EZ-30 User Manual

Specifications and Main Features

Frequently Asked Questions

User Manual

SPECIAL MESSAGE SECTION

FCC INFORMATION (U.S.A.)

PRECAUTIONS

Main Features

Contents

Setting Up

Panel Controls and Terminals

Quick Guide

Playing the Demo Songs

Songs

Playing a Single Song

Using the Lesson Feature

Lesson

Voices

Playing the Piano

Playing along with the Metronome

Playing the ABC/DoReMi voices

Selecting and Playing Other Voices

Auto Accompaniment

Using the Auto Accompaniment

Looking up Chords in the Dictionary

Panel Display Indications

Selecting and Playing Songs

Listening To a Demo Song

Selecting and Playing a Song

Listening to a Flash Song

Switching the Tracks On and Off

Adjusting the Tempo

Song Volume Level

Switching the Light Guide On and Off

Song Lesson

Using the Lesson Feature

ABC/DoReMi Guide

Grade

Talking

Portable Grand

Using the Metronome

Playing Voices

Selecting a Voice

Playing a Voice

One Touch Setting

Changing the Split Point

Transpose

Tuning

Touch

Touch Sensitivity

Effects

Reverb

Harmony

Auto Accompaniment

Selecting a Style

Starting Accompaniment

Stopping the Accompaniment

Changing the Tempo

Using Auto Accompaniment—Multi Fingering

Looking up Chords in the dictionary

Playing a Melody along with the Accompaniment

Changing the Accompaniment Section

Registration Memory

Recording a Registration Memory Preset

Recalling a Registration Memory Preset

Song Recording

Recording a User Song

Erasing a Song

Loading a Song into Flash Memory

Installing Song Filer

Song Filer’s Functions

Octave

Available Flash Memory Amount

Flash Clear

MIDI Functions

What is MIDI?

Available MIDI Functions

Connecting to a Personal Computer

Local Control

Using Bulk Dump Send to Save Data