Yamaha ELB01E1 User Manual

Page 1
Owner’s Manual
ELB-01
EN
Page 2
PRECAUTIONS
PLEASE READ CAREFULLY BEFORE PROCEEDING
WARNING
Always follow the basic precautions listed below to avoid the possibility of serious injury or even death from electrical shock, short-circuiting, damages, fire or other hazards. These precautions include, but are not limited to, the following:
Power supply/Power cord
• Only use the voltage specified as correct for the instrument. The required voltage is printed on the name plate of the instrument.
• Check the electric plug periodically and remove any dirt or dust which may have accumulated on it.
• Do not place the power cord near heat sources such as heaters or radiators, and do not excessively bend or otherwise damage the cord, place heavy objects on it, or place it in a position where anyone could walk on, trip over, or roll anything over it.
Do not open
• Do not open the instrument or attempt to disassemble the internal parts or modify them in any way. The instrument contains no user-serviceable parts. If it should appear to be malfunctioning, discontinue use immediately and have it inspected by qualified Yamaha service personnel.
Water warning
• Do not expose the instrument to rain, use it near water or in damp or wet conditions, or place containers on it containing liquids which might spill into any openings.
• Never insert or remove an electric plug with wet hands.
Fire warning
• Do not put burning items, such as candles, on the unit. A burning item may fall over and cause a fire.
If you notice any abnormality
• If the power cord or plug becomes frayed or damaged, or if there is a sudden loss of sound during use of the instrument, or if any unusual smells or smoke should appear to be caused by it, immediately turn off the power switch, disconnect the electric plug from the outlet, and have the instrument inspected by qualified Yamaha service personnel.
CAUTION
Always follow the basic precautions listed below to avoid the possibility of physical injury to you or others, or damage to the instrument or other property. These precautions include, but are not limited to, the following:
Power supply/Power cord
• When removing the electric plug from the instrument or an outlet, always hold the plug itself and not the cord. Pulling by the cord can damage it.
• Remove the electric plug from the outlet when the instrument is not to be used for extended periods of time, or during electrical storms.
• Do not connect the instrument to an electrical outlet using a multiple­connector. Doing so can result in lower sound quality, or possibly cause overheating in the outlet.
Assembly
• Read carefully the attached documentation explaining the assembly process. Failure to assemble the instrument in the proper sequence might result in damage to the instrument or even injury.
ELB-01 Owner’s Manual
2
Location
• Do not expose the instrument to excessive dust or vibrations, or extreme cold or heat (such as in direct sunlight, near a heater, or in a car during the day) to prevent the possibility of panel disfiguration or damage to the internal components.
• Do not use the instrument in the vicinity of a TV, radio, stereo equipment, mobile phone, or other electric devices. Otherwise, the instrument, TV, or radio may generate noise.
• Do not place the instrument in an unstable position where it might accidentally fall over.
• Before moving the instrument, remove all connected cables.
• When setting up the instrument, make sure that the AC outlet you are using is easily accessible. If some trouble or malfunction occurs, immediately turn off the power switch and disconnect the plug from the outlet.
• Do not place the instrument against a wall (allow at least 3 cm/one-inch from the wall), since this can cause inadequate air circulation, and possibly result in the instrument overheating.
(1)B-9 1/2
Page 3
Connections
• Before connecting the instrument to other electronic components, turn off the power for all components. Before turning the power on or off for all components, set all volume levels to minimum. Also, be sure to set the volumes of all components at their minimum levels and gradually raise the volume controls while playing the instrument to set the desired listening level.
Maintenance
• When cleaning the instrument, use a soft, dry cloth. Do not use paint thinners, solvents, cleaning fluids, or chemical-impregnated wiping cloths.
Handling caution
• Do not insert a finger or hand in any gaps on the instrument.
• Never insert or drop paper, metallic, or other objects into the gaps on the panel or keyboard. If this happens, turn off the power immediately and unplug the power cord from the AC outlet. Then have the instrument inspected by qualified Yamaha service personnel.
• Do not place vinyl, plastic or rubber objects on the instrument, since this might discolor the panel or keyboard.
• Do not rest your weight on, or place heavy objects on the instrument, and do not use excessive force on the buttons, switches or connectors.
• Do not operate the instrument for a long period of time at a high or uncomfortable volume level, since this can cause permanent hearing loss. If you experience any hearing loss or ringing in the ears, consult a physician.
Using the bench (If included)
• Do not place the bench in an unstable position where it might accidentally fall over.
• Do not play carelessly with or stand on the bench. Using it as a tool or step-ladder or for any other purpose might result in accident or injury.
• Only one person should sit on the bench at a time, in order to prevent the possibility of accident or injury.
• If the bench screws become loose due to extensive long-term use, tighten them periodically using the included tool.
Saving data
Saving and backing up your data
• Always save data to a USB Flash Memory, in order to help prevent the loss of important data due to a malfunction or user operating error.
Backing up the USB storage device
•To protect against data loss through media damage, we recommend that you save your important data onto two external media.
Yamaha cannot be held responsible for damage caused by improper use or modifications to the instrument, or data that is lost or destroyed.
Always turn the power off when the instrument is not in use.
The serial number of this product may be found on the bottom of the unit. You should note this serial number in the space provided below and retain this manual as a permanent record of your purchase to aid identification in the event of theft.
Model No. ELB-01
Serial No.
ELB-01 Owner’s Manual
(1)B-9 2/2
(bottom)
3
Page 4

Congratulations!

You are the proud owner of a fine electronic organ, the Electone STAGEA ELB-01. The Yamaha Electone combines the most advanced tone generation technology with state-of-the art digital electronics and features to give you stunning sound quality with maximum musical versatility. In order to make the most of your Electone and its extensive performance potential, we urge you to read the manual thoroughly while trying out the various features described. Keep the manual in a safe place for later reference.

Accessories

•Bench
•Dust Cover
•Music Rest
• Owner’s Manual
•Playing the ELB-01 — Tutorial Guidebook
• Assembly Instructions
ELB-01 Owner’s Manual
4
Page 5
The ELB-01 is compatible with the following formats.
“GM (General MIDI)” is one of the most common Voice allocation formats. “GM System Level 2” is a standard specification that enhances the original “GM” and improves Song data compatibility. It provides for increased polyphony, greater Voice selection, expanded Voice parameters, and integrated effect processing.
XG is a major enhancement of the GM System Level 1 format, and was developed by Yamaha specifically to provide more Voices and variations, as well as greater expressive control over Voices and effects, and to ensure compatibility of data well into the future.
GS was developed by the Roland Corporation. In the same way as Yamaha XG, GS is a major enhancement of the GM specifically to provide more Voices and Drum kits and their variations, as well as greater expressive control over Voices and effects.
The Style File Format combines all of Yamaha’s auto accompaniment know-how into a single unified format.
AVE-TCP, a TCP/IP protocol stack by ACCESS Co., Ltd., is installed in this product.
®
AVE
-SSL, an encryption module technology by ACCESS Co., Ltd., is installed in this
product.
• This product incorporates and bundles computer programs and contents in which Yamaha owns copyrights or with respect to which it has license to use others’ copyrights. Such copyrighted materials include, without limitation, all computer software, styles files, MIDI files, WAVE data and sound recordings. Any unauthorized use of such programs and contents outside of personal use is not permitted under relevant laws. Any violation of copyright has legal consequences. DON’T MAKE, DISTRIBUTE OR USE ILLEGAL COPIES.
• Copying of the commercially available music sequence data and/or digital audio files is strictly prohibited except for your personal use.
•Electone and STAGEA are the trademarks of Yamaha Corporation.
• The company names and product names in this Owner’s Manual are the trademarks or registered trademarks of their respective companies.
• The illustrations and LCD screens as shown in this owner’s manual are for instructional purposes only, and may appear somewhat different from those on your instrument.
ELB-01 Owner’s Manual
5
Page 6
Contents
Congratulations! ........................................................ 4
Accessories ............................................................... 4
Main Features ............................................................ 8
Panel Layout ....................................9
Overview .................................................................... 9
Front Panel............................................................... 10
Quick Introductory Guide .............12
1
Getting Started......................................................... 12
Registration Menu.................................................... 14
Selecting Registrations from the Registration
Menu .............................................................. 14
Registration Menu List.................................... 15
Using the LCD display............................................. 17
LCD Display and LCD Buttons....................... 17
Changing the Display Page ........................... 18
Selecting a Voice or Rhythm .......................... 18
Basic Operation ....................................................... 19
Selecting the Display Language .................... 19
Factory Set (Initializing the Electone)............. 20
Confirming the Version of Your Electone ....... 20
Voices.............................................21
2
Voices for each keyboard........................................ 21
Voice Display ........................................................... 23
Selecting Voices with the Voice buttons.................. 25
Selecting Voices for Voice section 1.............. 25
Adjusting the Voice volume............................ 26
On/Off status of Voices .................................. 28
Selecting a Voice for Voice section 2 ...................... 29
Switching between Voice section 1
and Voice section 2........................................ 29
Selecting Voices for Voice Section 2 ............. 30
Selecting Voices from the User buttons .................. 32
Voice List ................................................................. 34
Voice Controls and Effects...........40
3
Selecting from the Voice Condition display............. 41
Selecting from the panel.......................................... 48
Reverb............................................................ 48
Sustain............................................................ 49
Rotary Speaker............................................... 50
Effect List ................................................................. 52
Rhythm/Keyboard Percussion .....56
4
Selecting rhythms with the Rhythm buttons............. 56
To select and play a rhythm........................... 56
Operating the rhythm from the panel ............. 59
Adjusting the tempo ....................................... 61
Changing the rhythm volume/reverb.............. 62
Selecting rhythms from the User buttons ................ 63
To call up a User rhythm ................................ 64
Selecting Rhythm from an External Media ..... 65
Rhythm List..................................................... 67
Accompaniment ....................................................... 68
Automatic Accompaniment
—Auto Bass Chord (A.B.C.)..................................... 71
Melody On Chord (M.O.C.) ...................................... 74
Keyboard Percussion............................................... 77
Using the Preset Keyboard Percussion.......... 77
Changing the Keyboard Percussion volume/
reverb .............................................................78
Preset Keyboard Percussion List ...................80
Assigning sounds to the User Keyboard
Percussion ...................................................... 88
Recalling the User Keyboard Percussion....... 92
Kit Assign List ................................................. 93
Registration Memory ....................97
5
Storing Registrations ................................................ 97
Selecting Registrations ............................................99
Saving the Registration data to USB flash memory
Initializing Registration Memory .............................100
Registration Shift .................................................... 102
Music Data Recorder (MDR)....... 107
6
Using the M.D.R. Function ..................................... 108
Formatting External Media ..................................... 109
Selecting a Song .................................................... 111
Recording............................................................... 117
Recording ..................................................... 117
Re-recording (Retry)..................................... 118
Recording Each Part Separately ..................118
Punch-in Recording...................................... 121
Changing the Song/Folder Name ..........................122
Saving Registrations as Registration Data (File).... 124
Saving Two or More Registration Banks to
One Song...................................................... 126
Replacing Registrations ...............................127
Deleting Registrations ..................................128
Next Regist Settings (Using more than
16 Registrations in one song)....................... 129
Recalling Recorded Registrations .........................131
Loading Registrations................................... 131
Playing Back a Song .............................................. 132
Playing Back the Selected Part(s) ................ 133
Fast Forward, Rewind and Pause................. 134
Changing the Tempo.................................... 134
Repeat Playback ..........................................135
Playing Back XG Songs................................ 136
Song Copy/Delete/Convert, Folder Create/Delete
Song Copy.................................................... 137
Song Delete/Folder Delete ...........................139
Creating folders ............................................ 140
Converting ELB format songs to EL .............141
Converting EL format songs to ELB .............142
Converting to XG format ............................... 144
Checking the Remaining Memory ................145
.... 100
.. 137
ELB-01 Owner’s Manual
6
Page 7
Footswitches................................146
7
Left Footswitch....................................................... 146
Transpose and Pitch Controls....150
8
Connections.................................151
9
Accessory Jacks and Controls .............................. 151
Connection Examples — External Devices ........... 153
Using Headphones ...................................... 153
Playing the Sounds of the Electone
Through an External Audio System.............. 153
Recording the Sounds of the Electone to an
External Recorder ........................................ 154
Controlling External MIDI Devices from the
Electone ....................................................... 154
Controlling the Electone from
an External Device ....................................... 155
Connecting USB storage devices................ 155
Connection with Computer .................................... 156
Using the USB terminal ................................ 156
Using the MIDI IN/OUT terminals................. 157
MIDI ....................................................................... 157
What is MIDI? ............................................... 157
MIDI Messages of the Electone ................... 159
MIDI Channels.............................................. 160
MIDI Control........................................................... 161
Quick Introductory  Guide
1
Voices
2
Voice Controls  and Effects
3
Rhythm/ Keyboard Percussion
4
Registration Memory
5
Music Data Recorder 
6
(MDR)
Appendix ......................................163
10
Assembly Instructions............................................ 163
Installing Optional Hardware ................................. 167
Installing the Floppy Disk Drive.................... 167
MIDI Data Format................................................... 168
MIDI Implementation Chart .......................... 178
Troubleshooting ..................................................... 180
Specifications ........................................................ 182
Index ...................................................................... 183
7
8
9
10
Footswitches
Transpose and  Pitch Controls
Connections
Appendix
ELB-01 Owner’s Manual
7
Page 8

Main Features

Wide Variety of Registration Menus page 14
The Registration Menu buttons feature a total of 330 Registrations, allowing you to instantly set up the Electone for playing your favorite type of music. The Registrations in Registration Menu are divided into six basic categories for ease of selection. Moreover, you can edit any of the Registrations and customize them to fit your own performance needs.
Richly textured, AWM Voices and High Quality Digital Effects
The ELB-01 contains a huge amount of exceptionally high-quality Voices—245 altogether—created with the AWM (Advanced Wave Memory) tone generation system. The authentic touch response keyboard lets you play these Voices with all the expressiveness and control of an actual acoustic instrument. What’s more, there are wide variety of the effect types that you can apply to each Voice section—letting you enhance and even completely change the character of the Voices.
pages 21, 52
Dynamic, Contemporary Rhythms and Auto Accompaniment page 56
The exceptionally wide selection of 133 rhythms lets you choose exactly the rhythm you need in your performance. Each rhythm contains 15 variations (sections)—such as Main, Fill In, Intro, Ending, and Break—that you can easily switch while you play, to make your performance even more dynamic and professional. Each rhythm has its own matching accompaniment divided into five instrument parts, providing basic backing as well as embellishments.
Keyboard Percussion page 77
This powerful feature allows you to play drum and percussion sounds from the keyboard. A wide range of sounds and drum/percussion kits are available, for performing rhythms in real time. Each sound is assigned to its own key, and the sounds include everything from conventional kicks and snares to a wide variety of ethnic and Latin instruments, as well as special sound effects, such as thunder, laughing, animal cries and more.
Versatile Functions of the Music Data Recorder page 107
The Electone also features a Music Data Recorder (MDR) for recording your Registrations and performances to USB flash memory, and playing back those performances using the sounds of the Electone. In addition, the MDR allows you to copy a song from one USB flash memory device to another, letting you archive your important recordings and Registration data. The Electone also allows you to convert the data format, letting you play back songs that were recorded on other model Electones.
ELB-01 Owner’s Manual
8
Page 9

Panel Layout

Overview

Front Panel
Music Rest
Upper Keyboard
USB TO DEVICE A terminal
Lower Keyboard
Jacks
Speaker
MIDI IN/OUT terminals USB TO DEVICE B terminal USB TO HOST terminal
Right Footswitch
Left Footswitch
Expression Pedal
Pedalboard
ELB-01 Owner’s Manual
9
Page 10

Front Panel

MUSIC DATA RECORDER (page 107)
Allows recording and playback of your keyboard performances, and lets you store Registration data for future recall
LCD display (page 17)
Shows the current settings of the Electone
[VOICE SECTION] button (page 25)
Switches between Voice sections 1 and 2
UPPER KEYBOARD VOICE 1/2 (page 21)
Selects the Voices for Upper Keyboard
LOWER KEYBOARD VOICE 1/2 (page 22)
Selects the Voices for Lower Keyboard
KEYBOARD PERCUSSION (page 77)
Turns Keyboard Percussion On or Off
LEAD VOICE (page 21)
Selects the Lead Voices for Upper Keyboard
PEDAL VOICE 1/2 (page 22)
Selects the Voices for Pedalboard
Data Control [A] – [D] buttons (page 17)
Selects the setting in the display
RHYTHM CONTROL (page 59)
Starts and stops the rhythm, and adds changes to the rhythm
ELB-01 Owner’s Manual
10
RHYTHM (page 56)
Sets the rhythm
TEMPO buttons (page 61)
Adjusts the speed of the rhythm
REGISTRATION MENU (page 14)
Set the registration
BAR/BEAT display (page 61)
Shows the current tempo or position in the measure
Page 11
DATA CONTROL dial (page 17)
Selects the setting in the display
PAGE buttons (page 18)
Selects the Page of the display
REGISTRATION MEORY buttons
Records panel settings made on the panel and LCD
[M.] (Memory) button (page 97)
[D.] (Disable) button (page 99)
MASTER VOLUME dial (page 13)
[VOICE DISPLAY] button (page 23)
[A.B.C./M.O.C.] button
[RHYTHM SEQUENCE] button (page 75)
[SUSTAIN] button (page 49)
(page 71)
USB TO DEVICE A terminal (page 151)
Allows communication with USB flash memory devices
POWER switch (page 12)
For turning the power on or off.
Display Select
[UTILITY] button (page 19)
[FOOTSWITCH] button (page 146)
[ROTARY SP SPEED] button (page 50)
[REVERB] button (page 48)
ELB-01 Owner’s Manual
11
Page 12
1
1

Quick Introductory Guide

Quick Introductory Guide
Whether you are an advanced performer or have never touched an electronic keyboard in your life, we recommend that you take the time to go through this basic section. It shows you in the simplest possible manner how to start playing your Electone.
1

Getting Started

Plug the power cord into an appropriate electrical outlet.
1
Only use the voltage specied as correct for the Electone. The required voltage is printed on the name plate of the Electone. Yamaha products are manufactured specically for the supply voltage in the area where they are to be sold. If you intend to use the instrument in another location, or if any doubt exists about the supply voltage, please consult with a qualied technician.
Turn on the Electone by pressing the POWER switch.
2
When you turn on the Electone, the following displays will appear one after the other on the LCD display:
Electone STãGEã ELB-O1
¨”Strings1ΔViolin3 Ò”Piano1 ∏”FingrBs1
This last display, Voice Display, shows you the currently assigned voice settings for each Voice section (page 23).
ELB-01 Owner’s Manual
12
Page 13
Set the MASTER VOLUME control.
3
The MASTER VOLUME control is an overall control that affects the volume of the entire instrument.
1
Decreases the volume
Press the Expression pedal down with your foot.
4
Once you have set the MASTER VOLUME control to a suitable level, you can use the Expression pedal to change the volume with your foot as you play.
Maximum volume
Minimum volume
Increases the volume
Quick Introductory Guide
ELB-01 Owner’s Manual
13
Page 14
1
Quick Introductory Guide
Additional basic Registrations are preset on the Registration Memory locations from 1 to 16. See page 97 for details.
NOTE
2

Registration Menu

The Registration Menu is a simple, highly convenient way to instantly change all the Electone settings for playing in specific music styles. A Registration consists of panel settings including the selected Upper Keyboard Voices, Lower Keyboard Voices, Pedal Voices, the assigned rhythm and so on. Each Registration Menu button (1 – 5)
includes 48 “hidden” Registrations (90 Registrations for the [] button), with each
Registration specially suited for playing in a different music style.

Selecting Registrations from the Registration Menu

●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●
Press one of the REGISTRATION MENU buttons.
1
Each button has different Registrations for different music genres. For example, if you want to play Jazz, press the [4] button. For details on the Registration Menu, see page 15.
Kids
1
Pops & Rock
2
Dance & Ballad
3
Jazz & Latin
4
Symphony & World
5
Lesson
From this main category, select the specic Registration you
2
want to use.
Each Registration Menu button actually contains many hidden Registrations, and only the currently selected Registration is shown in the display. Select the hidden Registrations in sequence by turning the DATA CONTROL dial clockwise. Turning the DATA CONTROL dial counter-clockwise selects in the reverse order.
¸˛˝<KIDS> ¿01:Simple 8Beat 1
ELB-01 Owner’s Manual
14
Play your favorite song with the selected Registration.
3
Page 15

Registration Menu List

●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●
[1] KIDS
No. Regist. Name
01 Simple 8Beat 1 02 Simple 8Beat 2 03 Light Step 04 Sunny Pop 05 Kids March 1 06 Kids March 2 07 Kids March 3 08 Synth. Rock 09 Symphon.March 1 10 Symphon.March 2 11 Bluegrass 12 Sea Carnival 13 Basic Waltz 14 Brass Ensemble 15 Pure Waltz 16 Rococo Ensemble 17 Pop Cha Cha 18 Comical Rumba 19 Comical Samba 20 Toy Orchestra 21 Charleston 22 Winter Swing 23 Snow Waltz 1 24 Snow Waltz 2 25 Alpine Polka *A 26 Alpine Polka *B 27 Alpine Polka *C 28 Alpine Polka *D 29 Dream Ballad *A 30 Dream Ballad *B 31 Dream Ballad *C 32 Dream Ballad *D 33 Pops Orches. *A 34 Pops Orches. *B 35 Pops Orches. *C 36 Pops Orches. *D 37 Kids On Stage*A 38 Kids On Stage*B 39 Kids On Stage*C 40 Kids On Stage*D 41 Galaxy March *A 42 Galaxy March *B 43 Galaxy March *C 44 Galaxy March *D 45 SE *A 46 SE *B 47 SE *C 48 SE *D
[2] POPS & ROCK [3] DANCE & BALLAD [4] JAZZ & LATIN
No. Regist. Name
01 Dynamic 8Beat 02 NY Ballad 03 British Pop 04 8Beat Modern 05 Rock Band 06 Detroit Pop 07 Techno Pop 08 Sheriff Reggae 09 Rock&Roll 10 Power Rock 11 60's GuitarRock 12 Unplugged 13 Motor City 14 Lovely Shuffle 15 Gospel Shuffle 16 Joyful Gospel 17 Frankly Soul 18 Soul 19 Gospel 20 6/8 Soul 21 Hit Pop 22 New Country 23 Eternal Pop 24 Ground Beat 25 Bounce Pop *A 26 Bounce Pop *B 27 Bounce Pop *C 28 Bounce Pop *D 29 Blues Jam *A 30 Blues Jam *B 31 Blues Jam *C 32 Blues Jam *D 33 Evergre.Waltz*A 34 Evergre.Waltz*B 35 Evergre.Waltz*C 36 Evergre.Waltz*D 37 16Beat Pop *A 38 16Beat Pop *B 39 16Beat Pop *C 40 16Beat Pop *D 41 Top Gear Rock*A 42 Top Gear Rock*B 43 Top Gear Rock*C 44 Top Gear Rock*D 45 Southern Pop *A 46 Southern Pop *B 47 Southern Pop *C 48 Southern Pop *D
No. Regist. Name
01 Organ Ballad 02 Dramatic Ballad 03 Love Ballad 04 Smooth Lead 05 Pop Ballad 06 Guitar Ballad 07 Acoustic Ballad 08 Healing Guitar 09 Chillout 10 Sweetheart 1 11 Sweetheart 2 12 Slow & Easy 13 Euro Trance 14 6/8 Trance 15 Cool Hip Hop 16 Latin House 17 Dance Beat 18 Euro Dance Pop 19 UK Pop 20 Jive 21 Disco Queen 22 Disco Soul 23 Pop Disco 24 Hot Disco 25 Ibiza *A 26 Ibiza *B 27 Ibiza *C 28 Ibiza *D 29 Power House *A 30 Power House *B 31 Power House *C 32 Power House *D 33 Dance Latino *A 34 Dance Latino *B 35 Dance Latino *C 36 Dance Latino *D 37 TwilightDisco*A 38 TwilightDisco*B 39 TwilightDisco*C 40 TwilightDisco*D 41 Love Song *A 42 Love Song *B 43 Love Song *C 44 Love Song *D 45 Movie Ballad *A 46 Movie Ballad *B 47 Movie Ballad *C 48 Movie Ballad *D
No. Regist. Name
01 Blow On Sax 02 Sax Ensemble 03 Moonlight 04 Big Band 05 Clarinet Swing 06 Jazz Combo 07 Medium Jazz 08 Organ Session 09 Guitar Combo 10 Tender Ballad 11 Jazz Waltz 12 Five-Four 13 Big Band Samba 14 Mambo Brass 15 Mambo Tenor 16 Montuno 17 Bossa Nova 18 Pop Bossa 19 Sweet Rumba 20 Beguine 21 Cha Cha Cha 22 Mellow Groove 23 Modern R&B 24 Dixieland Jazz 25 Jungle Drum *A 26 Jungle Drum *B 27 Jungle Drum *C 28 Jungle Drum *D 29 Jazz Club *A 30 Jazz Club *B 31 Jazz Club *C 32 Jazz Club *D 33 Afro Session *A 34 Afro Session *B 35 Afro Session *C 36 Afro Session *D 37 ChaChaGrandee*A 38 ChaChaGrandee*B 39 ChaChaGrandee*C 40 ChaChaGrandee*D 41 3/4 FastJazz *A 42 3/4 FastJazz *B 43 3/4 FastJazz *C 44 3/4 FastJazz *D 45 Twilight Sax *A 46 Twilight Sax *B 47 Twilight Sax *C 48 Twilight Sax *D
1
Quick Introductory Guide
ELB-01 Owner’s Manual
15
Page 16
[5] SYMPHONY & WORLD
1
Quick Introductory Guide
No. Regist. Name
01 Fanfare 02 StringOrchestra 03 Romantic Violin 04 Baroque 05 Flute&Harp 06 Serenade 07 Fast March 08 Wild West 09 Vienna Waltz 10 Polka 11 Chanson Club 12 Theatre Organ 13 Flamenco 14 Pop Flamenco 15 Mexican Dance 16 Mariachi 17 Celtic Dance 18 Folk Step 19 Italiano 20 Musette 21 Country 22 Hawaiian 23 ChineseNocturne 24 Japanese Sound 25 Orches.March *A 26 Orches.March *B 27 Orches.March *C 28 Orches.March *D 29 Pasodoble *A 30 Pasodoble *B 31 Pasodoble *C 32 Pasodoble *D 33 Tango *A 34 Tango *B 35 Tango *C 36 Tango *D 37 Show Time *A 38 Show Time *B 39 Show Time *C 40 Show Time *D 41 Majes. Sound *A 42 Majes. Sound *B 43 Majes. Sound *C 44 Majes. Sound *D 45 Orches.Swing *A 46 Orches.Swing *B 47 Orches.Swing *C 48 Orches.Swing *D
[] LESSON
No. Regist. Name
01 Simple 1 St/St 02 Simple 2 St/Hr 03 Simple 3 Cl/St 04 Simple 4 Cl/Hr 05 Simple 5 Tp/St 06 Simple 6 Tp/Hr 07 Simple 7 Ob/St 08 Simple 8 Ob/Bsn 09 Simple 9 Fl/St 10 Simple 10 Fl/Cl 11 Simple 11 Cl/Cl 12 Simple 12 Pf/Pf 13 Sound Effect 1 14 Sound Effect 2 15 Sound Effect 3 16 Sound Effect 4 17 Sound Effect 5 18 Sound Effect 6 19 Sound Effect 7 20 Sound Effect 8 21 Sound Effect 9 22 Sound Effect 10 23 Sound Effect 11 24 Sound Effect 12 25 Sound Effect 13 26 Sound Effect 14 27 Sound Effect 15 28 Sound Effect 16 29 Strings Combi.1 30 Strings Combi.2 31 Strings Combi.3 32 Strings Combi.4 33 Strings Combi.5 34 Strings Combi.6 35 Strings Combi.7 36 Strings Combi.8 37 Strings Combi.9 38 StringsCombi.10 39 StringsCombi.11 40 StringsCombi.12 41 StringsCombi.13 42 StringsCombi.14 43 StringsCombi.15 44 Brass Combi. 1 45 Brass Combi. 2 46 Brass Combi. 3 47 Brass Combi. 4 48 Brass Combi. 5
No. Regist. Name
49 Brass Combi. 6 50 Brass Combi. 7 51 Brass Combi. 8 52 W.Wind Combi. 1 53 W.Wind Combi. 2 54 W.Wind Combi. 3 55 W.Wind Combi. 4 56 W.Wind Combi. 5 57 W.Wind Combi. 6 58 W.Wind Combi. 7 59 W.Wind Combi. 8 60 W.Wind Combi. 9 61 W.Wind Combi.10 62 W.Wind Combi.11 63 W.Wind Combi.12 64 W.Wind Combi.13 65 W.Wind Combi.14 66 W.Wind Combi.15 67 W.Wind Combi.16 68 W.Wind Combi.17 69 Decay 1 70 Decay 2 71 Decay 3 72 Decay 4 73 Decay 5 74 Decay 6 75 Decay 7 76 Sustained 1 77 Sustained 2 78 Sustained 3 79 Sustained 4 80 Synth. 1 81 Synth. 2 82 Synth. 3 83 Synth. 4 84 Synth. 5 85 Comping 1 86 Comping 2 87 Comping 3 88 Comping 4 89 Comping 5 90 Comping 6
ELB-01 Owner’s Manual
16
Page 17
3

Using the LCD display

Many of the Electone’s operations are done from the LCD display. Pressing a button on the panel automatically calls up the relevant function for the corresponding button in the display. Depending on the display that appears, you can conveniently perform various functions and change values/settings by using the [A] – [D] buttons (located at either side of the LCD) and the DATA CONTROL dial (at the right of the LCD).

LCD Display and LCD Buttons

●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●
The functions of the [A] – [D] buttons differ depending on the selected display. Keep in mind that three types of indicators are used with the functions and parameters: a flashing indicator (¿ or ÷) a continuously lit indicator (¿ or ÷) and a square on/off indicator ( or ).
1
Ò<FOOT.SW> TIME÷1 ⁄ MODE¿GLIDE ”LEAD
32
1
Quick Introductory Guide
1 Flashing indicator (¿ or ÷)
When the indicator at an item is flashing, you can directly select the item or parameter (in this case, “Time”) by turning the DATA CONTROL dial clockwise. (When the final item is reached, turning the DATA CONTROL dial clockwise does not “wrap around” to the first item.) Turning the DATA CONTROL dial counter-clockwise selects in the reverse order. (Similarly, when the first item is reached, turning the DATA CONTROL dial clockwise does not “wrap around” to the last item.) Also, you can change the desired value/setting by successively pressing the corresponding [A] –[D] button (in this case, the [B] button). The value or setting changes (in steps) each time the button is pressed.
2 Continuously lit indicator (¿ or ÷)
This indicates that the corresponding item/parameter is not currently selected for change. When the ¿/÷ indicator at an item is continuously lit, pressing the corresponding [A] – [D] button (in this case, the [C] button, corresponding to the Mode setting) switches to a flashing indicator, letting you change value/setting with the DATA CONTROL dial. Also, you can change the desired value/setting by successively pressing the corresponding [A] – [D] button (in this case, the [C] button).
3 On/off indicator ( or )
A solid square () next to an item indicates that the corresponding function (in this case, “Lead”) is on. A hollow square () indicates that the function is off. Pressing the [A] – [D] button corresponding to the desired item or parameter (in this case, the [D] button) alternates between On and Off.
ELB-01 Owner’s Manual
17
Page 18

Changing the Display Page

●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●
1
Quick Introductory Guide
Ò<FOOT.SW> TIME÷1 ⁄ MODE¿GLIDE ”LEAD
PAGE buttons are used to select the various ‘pages’ of the display (when available), with the currently selected page number appearing in highlight at the top right of the LCD.
Use the PAGE [] button to select the next page, and PAGE [] to select the previous
page. Simultaneously pressing both buttons selects Page 1.

Selecting a Voice or Rhythm

●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●
Press the desired Voice/Rhythm button on the panel (in this
1
example, the [STRINGS] button in Upper Keyboard Voice 1).
Contains various
Strings Voices
<STRINGS/VIOLIN> ¨1 ¿01:Strings 1
Indicates currently selected Voice
The selected Voice/Rhythm is shown in the display.
Select the desired Voice/Rhythm by turning the DATA CONTROL
2
dial.
<STRINGS/VIOLIN> ¨1 ¿08:Pizzicato Strs 1
When the final item is reached, turning the DATA CONTROL dial clockwise does not “wrap around” to the first item. Similarly, when the first item is reached, turning the DATA CONTROL dial clockwise does not “wrap around” to the last item.
ELB-01 Owner’s Manual
18
Page 19
Selecting from a recommended set of Voices/Rhythms
The Electone has a huge amount of available Voices and Rhythms—so many that it may be difficult to find the ones you want. To help you find the best Voice/Rhythm for the selected instrument category, we’ve prepared some “recommended” or popular selections in that category. Simply press the [A], [B] or [D] button while the Voice/Rhythm menu is displayed to call up one of the recommended selections.
<STRINGS/VIOLIN> ¨1 ¿13:Strings&Violin
4

Basic Operation

Selecting the Display Language

●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●
The LCD display can be shown in two languages, English and Japanese. The default setting is English.
1
Quick Introductory Guide
Press the [UTILITY] button on the panel.
1
The Utility display appears. The language can be set in the Utility display Page 1.
<æy∫/LANGUAGE> ⁄ ’i-y∫ ”ENGLISH
Press the [C] or [D] button to select the corresponding language:
2
[C] for Japanese, or [D] for English.
<æy∫/LANGUAGE> ⁄ ’i-y∫ ”ENGLISH
NOTE
The Language setting is not actually set for the instrument until you switch to another display. Make sure to switch to another display before turning the power off.
ELB-01 Owner’s Manual
19
Page 20
1
Quick Introductory Guide
Storing Registrations (page 97)
Reference Page

Factory Set (Initializing the Electone)

●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●
All current settings including Registration Memory and LCD Display settings can be deleted at once by the following procedure. Be careful when executing Factory Set, since it erases all your existing data. Always save your important data to external media, such as a USB flash memory.
Turn off the power.
1
While holding down the ENDING [1] button, turn the power back
2
on.
Release the ENDING [1] button after the Voice Display appears.
3
Conrming the Version of Your Electone
●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●
You can confirm the version of your Electone by the following procedure.
Press the [UTILITY] button.
1
The Utility display appears.
Select Page 7 by using the PAGE buttons.
2
The Version appears in the display.
VERSIONx.xx ‡
ELB-01 Owner’s Manual
20
Page 21
2

Voices

This Electone features hundreds of high quality Voices. Any of these Voices can be used on the Upper Keyboard, Lower Keyboard and Pedalboard. Up to three Voice sections are available on the Upper Keyboard for playing together in a layer, while the Lower Keyboard and Pedalboard each have two Voice sections.
2
Voices
1

Voices for each keyboard

Voices for the Upper Keyboard
Up to three different Voice sections are available on the Upper Keyboard for playing together: Upper Keyboard Voice 1, Upper Keyboard Voice 2 and Lead Voice. Upper Keyboard Voice 1 and Upper Keyboard Voice 2 can be selected from the panel’s Upper Keyboard Voice 1/2 section, while the Lead Voice is selected from the Lead Voice section.
Voices for the Upper Keyboard 1
and Upper Keyboard 2
Voices for the Lead Voice
Reference Page
Switching between Voice section 1 and Voice section 2 (page 29)
Reference Page
Selecting Voices for Voice Section 2 (page 30)
The Lead Voice sounds only the highest note (or last note played) if two or more keys are played together. This makes the Lead Voices ideal for solo instruments such as Tr umpet and Saxophone—instruments that play the “leading” or highest part in an orchestra or band.
ELB-01 Owner’s Manual
21
Page 22
2
Voices
Voices for the Lower Keyboard
Up to two different Voice sections are available on the Lower Keyboard for playing together: Lower Keyboard Voice 1 and Lower Keyboard Voice 2. Voices for each section can be selected from the panel’s Lower Keyboard Voice 1/2 section.
Voices for the Lower Keyboard 1
and Lower Keyboard 2
Voices for Pedalboard
Up to two different Voice sections are available on the Pedalboard for playing together: Pedal Voice 1 and Pedal Voice 2. Voices for each section can be selected from the panel’s Pedal Voice 1/2 section. The Pedal Voice sounds one note at a time; when you simultaneously press two or more keys, only the highest note will sound.
Voices for the Pedal Voice 1
and Pedal Voice 2
ELB-01 Owner’s Manual
22
Page 23
2

Voice Display

The Voice Display allows you to easily check which Voices are being used for each keyboard. It also allows you to set whether the Voice for each section sounds or not by changing the On/Off status in the display.
How to call up the Voice Display:
Pressing the [VOICE DISPLAY] button in the Display Select section selects the Voice Display. (The Voice Display always appears when the Electone is turned on.)
¨”Strings1ΔViolin3 Ò”Piano1 ∏”FingrBs1
Each of the keyboards and Pedalboard have two basic Voice sections: Voice section 1 and Voice section 2. To select a Voice, you need to first select the desired Voice section. For this reason, the Voice Display actually has two separate displays: one for checking the Voice selected in Voice section 1, and the other for Voice section 2. To switch between the Voice sections, press the [VOICE SECTION] button at the top left on the panel.
Reference Page
On/Off status of Voices (page 28)
2
Voices
Reference Page
Voices for each keyboard (page 21)
Reference Page
Successive presses of the [VOICE SECTION] button at the top left on the panel alternate between the two displays.
Selected Voice section number’s lamp is lit
Switching between Voice section 1 and Voice section 2 (page 29)
ELB-01 Owner’s Manual
23
Page 24
When the Voice section [1] lights up
2
Voices
Upper Keyboard Voice 1
Lead Voice
¨”Strings1ΔViolin3 Ò”Piano1 ∏”FingrBs1
Lower Keyboard Voice 1
From this display, you can check which Voices have been selected for Voice section 1 on each keyboard (Upper Keyboard Voice 1, Lower Keyboard Voice 1 and Pedal Voice 1). The Lead Voice, which only has one section, is shown only in the Voice section 1 display.
When the Voice section [2] lights up
Upper Keyboard Voice 2
Pedal V oice 1
¨”Piano1 Ò”Strings1∏”ContBs1
Lower Keyboard Voice 2
From this display, you can check which Voices have been selected for Voice section 2 on each keyboard (Upper Keyboard Voice 2, Lower Keyboard Voice 2 and Pedal Voice 2). The Lead Voice is not shown in this display.
Pedal V oice 2
ELB-01 Owner’s Manual
24
Page 25
3

Selecting Voices with the Voice buttons

Selecting Voices for Voice section 1

●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●
Since selection of Voices follows the same procedure throughout all Voice sections (except Lead Voice), instructions for only the Upper Keyboard Voice 1 of the Voice section 1 are given here. For details on how to select a Voice of Voice section 2, see page
30.
2
Make sure that the lamp of the Voice section [1] is lit.
1
If the Voice section [2] lamp is lit instead, press the [VOICE SECTION] button so that Voice section [1] lights.
Indicates that you can select a Voice for Voice section 1
(in this case, Upper Keyboard Voice 1)
When the Voice section [1] lamp is lit, you can select a Voice for Voice section 1 (in this case, the Upper Keyboard Voice 1), from the panel’s Upper Keyboard Voice 1/2 section.
The Lead Voice can be selected regardless of whether Voice section [1] or Voice section [2] is lit.
Press one of the Voice buttons in the Upper Keyboard Voice 1/2
2
section.
For example, if you have pressed the [ORGAN] button, the following display (Voice Menu) will appear.
Voices
Reference Page
Switching between Voice section 1 and Voice section 2 (page 29)
<ORGAN> ¨1 ¿01:Pipe Organ 1
ELB-01 Owner’s Manual
HINT
You can select the ideal Voice by simply pressing the [A]/ [B]/ [D] buttons when the Voice menu is displayed. Each Voice button has so many Voices that this function helps you selecting the Voices.
25
Page 26
The Voice menu contains many Organ Voices, and only the currently selected Organ Voice appears in the display.
Select the Voice in the Voice Menu display.
3
You can select other “hidden” Organ Voices in sequence by turning the DATA CONTROL dial clockwise. Turning the DATA CONTROL dial counter­clockwise selects in the reverse order.
2
Voices
<ORGAN> ¨1 ¿03:Pipe Organ 3
Here we’ve selected Pipe Organ 3 for Upper Keyboard Voice 1.
You can also select other Voices in the Voice Menu display by pressing the [C] button (once or repeatedly). Each press of the [C] button selects another hidden Voice. If you press the [C] button when the last voice is shown, selection “wraps around” back to the first voice.
Now go on to select voices for the Lower keyboard and Pedalboard as you did for the Upper keyboard above.

Adjusting the Voice volume

●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●
There are two ways to set the Voice volume: using the Volume buttons on the panel and setting the volume in the display. The Volume buttons let you make coarse adjustments to the volume while the setting in the display gives you fine control.
ELB-01 Owner’s Manual
26
Using the VOLUME buttons on the panel (coarse)
Press one of the Volume buttons of each Voice section on the panel to set the desired level for each Voice. The controls have seven volume settings, from a minimum of 0, or no sound, to a maximum of full volume.
Increasing the volume
Decreasing the volume
Page 27
Setting the Volume in the display (ne)
Pressing the same Voice button on the panel again after selecting the Voice calls up the Voice Condition display. The Volume is displayed in the top left of the Voice Condition display Page 1. You can change the Volume by using the DATA CONTROL dial when the arrow indicator (“¿” or “÷”) next to the Volume value is flashing. If the arrow indicator is not flashing, press one of the [A] – [D] buttons corresponding to the item or parameter you want to change to make the indicator flash, then use the DATA CONTROL dial to select the desired control setting. The range of the Fine volume control is 0 – 24.
Voice Condition Display
VOL.¿24 REV.÷20 ¨1⁄ TOUCH¿ 8 FEET÷PRESET
Pressing a Voice button once calls up the Voice Menu display for the selected button. Pressing it a second time calls up the Voice Condition display. Successive presses alternate between the two displays.
NOTE
Depending on the volume value (set in the display), two adjacent Volume button lamps may be lit at the same time, indicating an intermediate position.
Reference Page
Selecting from the Voice Condition display (page 41)
2
Voices
Voice Menu Display
<STRINGS/VIOLIN> ¨1 ¿01:Strings 1
Voice Condition Display
VOL.¿24 REV.÷20 ¨1⁄ TOUCH¿ 8 FEET÷PRESET
From the Voice Condition display, you can control Voice-related parameters such as Pan, Effect, Volume, and so on. For more information on the Voice Condition display, see page 41.
ELB-01 Owner’s Manual
27
Page 28
2
Voices

On/Off status of Voices

●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●
You can set the whether the Voice sounds or not by setting the On/Off status in the Voice display. To call up the Voice display, press the [VOICE DISPLAY] button.
Reference Page
Voice Display (page 23)
Voice Display (Voice section [1] lit)
Upper Keyboard Voice 1 Lead Voice
¨”Strings1ΔViolin3 Ò”Piano1 ∏”FingrBs1
Lower Keyboard Voice 1 Pedal Voice 1
Two different displays are available, depending on whether Voice section 1 or Voice section 2 is lit. The instructions below use Voice section 1 as an example; however, the method for changing the On/Off setting is same in both Voice section 1 and Voice section 2.
On/Off settings:
Press the [A] – [D] buttons corresponding to the items or parameters you want to change to alternate between On and Off. Selecting Off effectively mutes the sound of the corresponding Voice, even when the keys are played.
¨’Strings1ΔViolin3 Ò”Piano1 ∏”FingrBs1
Setting this to Off results in a Volume value of 0. If you increase the Volume by using the Volume buttons, the On/Off status here changes to On.
The On/Off status for other Voices can be set in the other Voice Displays.
ELB-01 Owner’s Manual
28
Page 29
3

Selecting a Voice for Voice section 2

This feature lets you blend two Voices together—Voice section 1 with a different Voice in Voice section 2. This is useful for creating rich textures in the sound, playing the two Voices in a layer. For details on how to select a Voice for Voice section 1, see page 25. The instructions below explain how to selecting a Voice (Upper Keyboard Voice 2) for Voice section 2.

Switching between Voice section 1 and Voice section 2

●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●
To switch between Voice section 1 and Voice section 2, press the [VOICE SECTION] button on the panel. For the Voice section which is indicated as “xxx Voice 1/2” (Voice section name is written in xxx) on the panel, you can select the Voice from each section by switching between sections 1 and 2 by pressing the [VOICE SECTION] button.
[VOICE SECTION] button
2
Voices
NOTE
Switching between Voice sections 1 and 2 has no effect on which Voice is sounded by the keyboard.
Each press of the [VOICE SECTION] button alternates between the available Voice sections 1 and 2. The lamp of the selected (available) Voice section number lights up.
When Voice section [1] is lit When Voice section [2] is lit
Since the Voice section 1 is selected, you can select the Upper Keyboard Voice 1, Lo wer K e yboard Voice 1 and Pedal V oice 1.
Upper Keyboard Voice 1
Lower Keyboard Voice 1
Lead Voice
Pedal V oice 1
Since the Voice section 2 is selected, you can select the Upper Keyboard Voice 2, Lo wer K e yboard Voice 2 and Pedal V oice 2.
Upper Keyboard Voice 2
Lower Keyboard Voice 2
ELB-01 Owner’s Manual
Lead Voice
Pedal V oice 2
29
Page 30
2
Voices

Selecting Voices for Voice Section 2

●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●
Since selection of Voices for Voice section 2 follows the same procedure throughout all Keyboard sections, instructions for only the Upper Keyboard, Upper Keyboard Voice 2, are given here.
Make sure that the lamp of Voice section [2] is lit.
1
If the Voice section [1] lamp is lit instead, press the [VOICE SECTION] button so that Voice section [2] lights.
Indicates that you can select a Voice for V oice section 2
(in this case, Upper Keyboard Voice 2)
NOTE
Once calling up the Voice Menu display, it has no change even when you switch the Voice section 1 or
2.
Press one of the Voice buttons in the Upper Keyboard Voice 1/2
2
section.
Indicates Upper Keyboard Voice 2 is selected.
<PERCUSSION> ¨2 ¿01:Vibraphone 1
Select the Voices you want to play by using the DATA CONTROL
3
dial.
ELB-01 Owner’s Manual
30
<PERCUSSION> ¨2 ¿03:Marimba
Page 31
Press one of the Volume buttons of the Upper Keyboard Voice 1/2
4
section on the panel to increase the Volume level for the Upper Keyboard V oice 2.
Since the default Volume level for Voice section 2 is set to minimum, the Upper Keyboard Voice 2, Lower Keyboard Voice 2 and Pedal Voice 2 will produce no sound even after you select the Voices for Voice section 2. To play the Voices for Voice section 2, make sure to press the Volume buttons of the selected Voice 1/2 section on the panel to increase the Volume level. When the lamp of the Voice section [2] is lit, the Volume buttons of the Voice sections (except the Lead Voice) can be used to set the Volume level specifically for Voice section 2.
2
Voices
Now set the Voices for Lower keyboard Voice 2 and Pedal Voice 2 as you did for Upper keyboard Voice 2 above.
If you want to turn off the Voices of Voice section 2, set the volume level to minimum by using the Volume buttons of the selected Voice sections on the panel, or select the Off status in the Voice Display when the lamp of the Voice section [2] is lit.
About the To Lower function
Voices selected for the Lead Voice, Pedal Voice 1, and Pedal Voice 2 sections can also be played on the Lower Keyboard when the [TO LOWER] button in each section is on.
Keep in mind that when [TO LOWER] is on, the Lead Voice and Pedal Voice cannot be played on the Upper Keyboard and Pedalboard, respectively. Also, Initial Touch is not effective on Pedal Voices played on the Lower Keyboard.
Reference Page
On/Off status of Voices (page 28)
ELB-01 Owner’s Manual
31
Page 32
2
Voices
4

Selecting Voices from the User buttons

This Electone has a variety of Voices from which you can choose—greater than what is immediately apparent from the front panel controls. You’ve already learned (in “Selecting Voices with the Voice buttons” above) how to select different Voices that are available in the Voice Menu display of each panel voice. The Electone also has User buttons in each voice section, giving you access to even more voices. These User buttons function as ‘wild card’ Voice Menu selectors; any internal voices can be selected from these buttons.
User buttons
The User buttons have two basic uses:
•For playing any Voice of the Voice Menus from any of the keyboards or Pedalboard. You can play on the Upper Keyboard, for example, Voices from the sixteen Voice Menu pages (including the four Voice Menu pages of the Pedal Voice section), and not be limited to only the twelve buttons (equivalent to twelve Voice Menu pages) that make up the Upper Voice section.
•For having two different Voices from the same Voice Menu page available for selection in the same song. For example, you can assign one of the Voices to a User button in the Upper Keyboard Voice 1/2 section, the second Voice to the other User button in the same section.
For example, select Bell Pad 3 for User button [1] in Upper Keyboard Voice 1.
Make sure that the lamp of Voice section [1] is lit.
1
If the Voice section [2] lamp is lit instead, press the [VOICE SECTION] button so that Voice section [1] lights.
ELB-01 Owner’s Manual
32
Page 33
Press one of the User buttons in any of the Voice sections.
2
The name of the selected category (Woodwind/Flute) is displayed.
<WOODWIND/FLUTE>¨1 › ¿17:Alto Sax 1
Select one of the sixteen Pages (categories) with the PAGE
3
buttons (in this case, “Pad,” Page 7).
Currently selected Page
2
Voices
<PAD> ¨1 ‡ ¿01:Smooth Pad 1
Directly selecting the category
To directly select the desired category, hold down one of the User buttons and simultaneously press the desired Voice button.
1. While holding down the User button...
2. Press the Voice button.
Select Bell Pad 3 by using the DATA CONTROL dial.
4
Now you’ve assigned Bell Pad 3 to be called up by User button [1] in Upper Keyboard Voice 1. You can set voices to the User buttons in any other Voice sections just as you did for Upper keyboard Voice 1 above.
<PAD> ¨1 ‡ ¿12:Bell Pad 3
ELB-01 Owner’s Manual
33
Page 34
2
Voices
6

Voice List

The letters A, B and D printed at the right side of each Voice name in this list indicate the corresponding DATA CONTROL button’s name. Pressing that button selects the corresponding Voice.
Category Voice Name Description
STRINGS/VIOLIN 01 Strings 1 These voices feature string ensemble sounds, with accurate simulation of all string
02 Strings 2
03 Strings 3
04 Strings 4
05 Strings 5
06 Chamber Strs 1 Strings ensemble for chamber music.
07 Chamber Strs 2
08 Pizzicato Strs 1 A The sound of stringed instruments being plucked instead of bowed.
09 Pizzicato Strs 2
10 Tremolo Strings Tremolo strings.
11 Strings1&5 Combination of Strings 1 and Strings 5.
12 Strings&Viola Combination of Strings 2 and Viola.
13 Strings&Violin B Combination of Strings 5 and Violin 3 with deep vibrato.
14 Violin&Cello String ensemble consisting of Violin 3 and Cello.
15 Octave Strings Strings ensemble sound with octave unison voices playable from a single key.
16 Violin 1 D Deeply expressive sounds, suitable not only for classical music but also jazz and country &
17 Violin 2
18 Violin 3
19 Viola Slightly larger (and deeper) than a violin. Used for mid-range parts.
20 Cello Warm and deep sounds.
21 Pizzicato Violin Violin sound played by plucking.
CONTRABASS 01 Contrabass 1 A Used for the lowest pitched parts. Variations range from deep to solo-type sounds.
02 Contrabass 2
03 Contrabass 3
04 Acoustic Bass B Acoustic bass sound ideal for jazz. This instrument goes by many different names, including
05 Pizzicato Bass D Contrabass sound played by plucking.
BRASS/TRUMPET 01 Brass Section 1 Trumpet-based brass section. Variations include sounds for classical, big band and other
02 Brass Section 2 A
03 Brass Section 3
04 Brass Section 4
05 Trombone Sec 1 Trombone brass section. Variations include a deep sound for classical music and a sweet,
06 Trombone Sec 2
07 Brass&Trp 1 Combination of Brass Section 1 and Trumpet 4.
08 Brass&Trp 2 Combination of Brass Section 2 and Trumpet 4.
09 Horn 1&3 Combination of Horn 1 and Horn 3.
10 Octave Brass 1 Octave brass with variations. Features rich variations from strong, dynamic impact voices
11 Octave Brass 2
12 Octave Brass 3
13 Octave Brass 4
14 Trumpet 1 B Bright, multi-purpose trumpet sounds.
15 Trumpet 2
16 Trumpet 3
17 Trumpet 4
instruments, including contrabass, cello, viola and violin. Variations include light plucking sounds, bow scratching noises and deep resonant sounds.
western. Tonal variations include bright voices and soft ones.
“standup bass” and “upright bass.”
music.
smooth sound for jazz ballads.
with quick attack, to soft, warm voices that enrich the overall sound.
ELB-01 Owner’s Manual
34
Page 35
Category Voice Name Description
BRASS/TRUMPET 18 Muted Trumpet This recreates the distinctive sound that results when a mute is inserted in the bell of trumpet.
19 Flugel Horn A brass instrument with a characteristically warm and soft sound.
20 Trombone 1 The slide trombone has a distinctive “stretching” and “shrinking” sound and features a wide
21 Trombone 2
22 Trombone 3
23 Muted Trombone A mute effect makes the volume softer and alters the characteristics of this trombone voice.
24 Horn 1 D These voices are all recreations of horns with coiled tubing, and feature a soft, mellow sound.
25 Horn 2
26 Horn 3
27 Horn 4
28 Muted Horn This horn has a sound that is made sharp and metallic by using a mute, and is even capable
29 Tuba This instrument is meant to be played in the lower octaves and has a rich, stable sound that
30 Euphonium Features a characteristically broad and deep—even noble—sound, and is frequently used as
31 Brass Bass 1 Brass ensemble for playing in the lower octaves. Brass Bass 2 also has a timpani sound in
32 Brass Bass 2
WOODWIND/ FLUTE
01 Flute 1 A A light and transparent instrument voice that sounds like a bird singing. This instrument is
02 Flute 2
03 Flute 3
04 Piccolo This instrument is one octave higher than flute and is meant to be played in the higher
05 Recorder This basic flute instrument is used in grade school music classes, and can be heard in some
06 Ocarina This instrument has a long history and features a simple, warm sound. The pitch and the
07 Whistle Recreation of a human whistling sound.
08 Clarinet 1 B This instrument has a wide sound range and distinctive character—with rich sound in the low
09 Clarinet 2
10 Clarinet 3
11 Bass Clarinet This instrument has a thick, deep voice and is played one octave lower than the normal
12 Oboe 1 D An instrument of the woodwind double reed family, this has a high, reedy, sometimes nasal
13 Oboe 2
14 English Horn Also known as “cor anglais,” this is larger than the oboe, and its timbre is well-suited to
15 Bassoon 1 This belongs to the double reed family and is used in the lower range. It is known for its
16 Bassoon 2
17 Alto Sax 1 Among the woodwind instruments, this is capable of the loudest sound, and plays a highly
18 Alto Sax 2
19 Tenor Sax 1 This voice is active in a wide range of genres, including classical and jazz. It is often used in
20 Tenor Sax 2
21 Soprano Sax 1 Features a characteristic high, ‘stretching’ sound, perfect for legato phrasing and sweet,
22 Baritone Sax Soft and low baritone sax sound, also used in R&B music.
23 Sax Ens 1 Saxophone ensemble with variations, such as mellow sounds for classical and sax section for
24 Sax Ens 2
25 Woodwind Ens 1 Woodwind ensemble sound that varies the instrument depending on the register played.
26 Woodwind Ens 2
The normal “blasting” sound of the trumpet is suppressed, and the resulting sound is thin and metallic.
range of expressional power, from brilliant and strong to soft and sweet.
The voices are indispensable for orchestra and brass band since they blend well with virtually any instrument sound, woodwind or brass.
of mimicking the sound of a human voice.
supports brass band and orchestra. It has a wide expressive range, and is often used in playing humorous phrases.
a solo instrument.
unison.
equally good for both fast, quickly executed passages and smooth melodies.
octaves.
medieval and baroque music. It has a relatively hard and round sound.
sound quality are changed by the strength of the breath.
end and crisp, bright tones in the high. It is used extensively in a variety of music styles including classical chamber music and swing jazz.
clarinet.
tone—yet it is also rich and warm, and can handle a wide range of expression and emotion.
performance of expressive, melancholic solos in slow orchestral pieces.
humorous, expressive character as well as its wide range and agility, and can also be used as a solo instrument. It is also called “fagott,” from the German word meaning “bundle of sticks.”
prominent role. Its wide expressional power makes it ideal for both classical music and jazz.
soul and R&B music, or in slow, moody pieces.
emotional passages.
big band.
2
Voices
ELB-01 Owner’s Manual
35
Page 36
2
Voices
Category Voice Name Description
TUTTI 01 Strings&Winds A Unison strings and woodwind ensemble.
02 Strings&Brass B Unison strings and brass ensemble.
03 Strings&Horn D Strings and horn ensemble.
04 Brass&Sax 1 Brass and sax tutti.
05 Brass&Sax 2
06 Brass&Winds Brass and woodwind tutti.
07 Orchestra Hit A popular, widely used sampled sound in which the many instruments of the orchestra play
CHOIR 01 Choir 1 Vocal chorus sound. Variations include a male “ooh” sound, female “ahh,” and mixed choirs.
02 Choir 2
03 Choir 3 A
04 Choir 4 B
05 Choir 5 D
06 Choir 6
07 Vocal Solo human voice singing “ahh.”
PAD01Smooth Pad 1 A These continuous, sustained synth sounds feature a smooth, warm character that help
02 Smooth Pad 2
03 Smooth Pad 3
04 Smooth Pad 4
05 Resonance Pad 1 These voices have more of unique character and distinctiveness than the other synth pads,
06 Resonance Pad 2
07 Resonance Pad 3
08 Resonance Pad 4 B
09 Resonance Pad 5
10 Bell Pad 1 D These continuous pad voices feature gentle, bell sounds. There are several types of voices
11 Bell Pad 2
12 Bell Pad 3
13 Bell Pad 4
14 Bell Pad 5
15 Space Pad 1 This pad features a mysterious, spacey sound.
16 Space Pad 2
17 Space Pad 3
18 Space Pad 4
19 Noisy Pad 1 Bright, buzzy continuous synth sound with soft pad.
20 Noisy Pad 2
21 Noisy Pad 3
22 Noisy Pad 4
SYNTH 01 Synth Lead 1 A These special synth sounds are designed for solo parts and lead lines. Included is a synth
02 Synth Lead 2
03 Synth Lead 3
04 Synth Lead 4
05 Synth Lead 5
06 Synth Lead 6
07 Pop Lead 1 A light and round synth sound, appropriate for solos and leads.
08 Pop Lead 2
09 Pop Lead 3
10 Pop Lead 4
11 Pop Lead 5
together on one chord or note. Used for dramatic hits and accents.
support the other voices in a passage, and often serve as transition sounds.
and feature sweeping filter effects and other dynamic sound variations when held.
here—including an initial bell sound, as a bright bell that pulses softly and continuously.
voice that has a strong layered fourth interval below the main pitch.
ELB-01 Owner’s Manual
36
Page 37
Category Voice Name Description
SYNTH 12 Synth Cla 1 A bright, round and fresh synth sound, reminiscent of the clarinet.
13 Synth Cla 2
14 Synth Cla 3
15 Synth Cla 4
16 Synth Brass 1 B An abundant variety of synth brass voices, from conventional sounds and octave unisons to
17 Synth Brass 2
18 Synth Brass 3
19 Synth Brass 4
20 Synth Brass 5
21 Synth Brass 6
22 Synth Strs 1 Spacious synth strings sound.
23 Synth Strs 2
24 Synth Strs 3
25 Synth Strs 4
26 Synth Bell 1 Synth sounds with variations including crisp, clangorous bright bell and soft, glassy sounds.
27 Synth Bell 2 D
28 Synth Bell 3
29 Synth Bell 4
30 Synth Decay Unique decaying synth sound.
ORGAN 01 Pipe Organ 1 A The pipe organ has its roots in churches and cathedrals, and features a solemn, rich,
02 Pipe Organ 2
03 Pipe Organ 3
04 Harmonica 1 B This instrument has a wide expressive range, and can be used for emotional, soft ballads
05 Harmonica 2
06 Theatre Organ 1 This instrument evokes feelings of nostalgia, having been used extensively in silent movie
07 Theatre Organ 2
08 Accordion 1 D A versatile, multi-purpose instrument that has a home in a wide variety of genres, including
09 Accordion 2
10 Bandoneon This musical instrument is often used for tango, and features a characteristic initial attack.
11 Reed Organ This is a small organ without pipes and features a warm sound.
12 Jazz Organ 1 These electric organ sounds—great for jazz and R&B—are designed to be used with the rich
13 Jazz Organ 2
14 Jazz Organ 3
15 Pop Organ 1 Multi-purpose organ sounds.
16 Pop Organ 2
17 Pop Organ 3
18 Rock Organ 1 Hard, overdriven, distorted organ sound, ideal for rock.
19 Rock Organ 2
20 Organ Bass 1 Pipe organ bass and jazz organ bass sounds for lower register parts.
21 Organ Bass 2
22 Organ Bass 3
23 Organ Bass 4
PIANO 01 Piano 1 A Multi-purpose piano sounds.
02 Piano 2
03 Honkytonk Piano Purposely out-of-tune piano sound, used in ragtime, older jazz and blues and country rock
04 Harpsichord B The definitive instrument for baroque music. Since harpsichord uses plucked strings, there is
unique, comical sounds.
majestic sound. The voices here range from soft to powerful.
and solos.
theaters, skating rinks, restaurants (especially pizzerias) and baseball stadiums.
French chanson, Argentinian tango, polka and Tex-Mex music.
rotary speaker effect.
music.
no touch response. There is, however, a characteristic additional sound when the keys are released.
2
Voices
ELB-01 Owner’s Manual
37
Page 38
2
Voices
Category Voice Name Description
PIANO 05 Clavichord Soft keyboard instrument for classical music, with unique sound when keys are released.
06 DX E.Piano 1 D Electric piano sounds from the popular DX-7 synthesizer.
07 DX E.Piano 2
08 Stage E.Piano 1 These electric piano voices feature the characteristic hammer and tine sound, with a bright
09 Stage E.Piano 2
10 Stage E.Piano 3
11 Stage E.Piano 4
12 Stack E.Piano This bright electric piano is characterized by its sharp attack sound.
13 Clavi 1 Funky clavi.
14 Clavi 2
GUITAR 01 Nylon Guitar A Acoustic guitar. Nylon string.
02 Steel Guitar Acoustic guitar. Steel string.
03 12Str Guitar 12-string classic guitar with gorgeous sounds.
04 Jazz Guitar This soft electric guitar is good for jazz solo passages.
05 Harp 1 B The gentle, beautiful sound of this instrument makes it ideal for soft passages, and is often
06 Harp 2
07 Elec Guitar 1 D These electric guitar sounds include distortion and overdrive effects, as well a clean electric
08 Elec Guitar 2
09 Elec Guitar 3
10 Muted Guitar Muted guitar.
11 Distortion Gtr 1 Distorted guitar.
12 Distortion Gtr 2
13 Banjo For country and dixieland jazz.
14 Mandolin This instrument is used in much Italian music and features a realistic plucked sound.
15 Pedal Steel Gtr Hawaiian guitar. Effective when used with the glide function.
PERCUSSION 01 Vibraphone 1 A This percussion instrument utilizes resonators fitted with metal discs, which in turn are
02 Vibraphone 2
03 Marimba B This instrument is similar to the xylophone and has resonant tubes under the sound plates.
04 Xylophone Dry and tight sounds.
05 Glockenspiel 1 This is the sound of a small glockenspiel, and features a soft, shining sound.
06 Glockenspiel 2 D
07 Celesta The celesta is similar in structure to the piano. Hammers move and hit metal bars (similar to
08 Music Box Music box
09 Chime 1 Chime
10 Chime 2
TIMPANI 01 Timpani A This dramatic sounding percussion instrument is unlike most drums in that it produces a
02 Timpani Roll B/D Timpani played with a drum roll technique.
ELECTRIC BASS 01 Fingered Bass 1 A Electric bass played with fingers.
02 Fingered Bass 2
03 Fingered Bass 3
04 Slap Bass 1 B Percussive, slapped bass sounds. These slap bass voices feature variations in the
05 Slap Bass 2
06 Slap Bass 3
07 Picked Bass 1 These electric bass voices feature the bright attack of playing with a pick, and have
08 Picked Bass 2 D
09 Fretless Bass Smooth fretless bass. This fretless bass voice has a unique sound, and is best used with
yet warm feel. The #2 sound also has a tremolo effect.
played glissando for dramatic effect.
guitar with realistic decay.
connected by rod to a motor—which produces the distinctive, warm tremolo effect heard in some jazz music.
However, the wooden keys give it a soft, more organic sound, and it has an especially rich lower register-giving it a wide expressive range and making it useful as a solo instrument.
the glockenspiel) when the keys are played, producing a pretty, somewhat fragile bell sound.
definite pitch. It adds extra power and dynamic impact when played in unison with other instruments and plays a very important role in orchestral music.
‘thickness’ of the sounds and differences in how the strings are played.
variations in the ‘thickness’ of the sounds.
subtle, sliding pitch changes.
ELB-01 Owner’s Manual
38
Page 39
Category Voice Name Description
SYNTH BASS 01 Funk Bass 1 A Synth bass suitable for rock and blues.
02 Funk Bass 2
03 Funk Bass 3
04 Dance Bass 1 B Synth bass suitable for dance music.
05 Dance Bass 2
06 Smooth Bass 1 Contemporary, “cool” synth bass sounds.
07 Smooth Bass 2 D
08 Smooth Bass 3
WORLD 01 Pan Flute A The panflute (also known as “pan pipes”) is a simple instrument used in folk music of various
02 Bagpipe A traditional Scottish instrument, usually played with a continuous, low drone. The sound can
03 Dulcimer A characteristically clear and beautiful voice.
04 Shakuhachi Traditional Japanese recorder made of bamboo.
05 Yokobue Traditional Japanese flute.
06 Shamisen B This traditional Japanese instrument features three strings and a small body covered with
07 Koto Japanese Koto.
08 Taishokoto Japanese Taisho Koto.
09 Erhu D Also known as the “Chinese violin,” this is a two-stringed bowed instrument, capable of
10 Sheng The Chinese sheng is a mouth-blown free reed instrument consisting of vertical tubes, and
11 Pipa A Chinese lute with a pear-shaped body, it is used often for solo parts as well as
12 Sitar Indian (or Hindustani) classical instrument with different resonances in the lower and mid/
13 Steel Drum This pitched percussion instrument, originating in Trinidad in the West Indies, is made from
14 Kalimba African instrument.
countries, and consists of several stopped pipes of increasing length bound together in one line. It is a beautiful instrument that evokes the sound of wind in nature and is named after the Greek mythological god Pan.
be melancholy as well dramatic and inspiring.
animal skin. The bright, slightly buzzy sound is similar to the banjo, yet has a very strong Oriental flavor.
producing sad, mysterious, or joyful melodies.
apparently inspired the invention of the harmonica, accordion and reed organ.
accompaniment and ensemble.
high ranges.
55-gallon oil drums and is apparently the only acoustic instrument invented in the 20th century. It has a bright and joyful tropical sound that belies its industrial source.
2
Voices
ELB-01 Owner’s Manual
39
Page 40
3

Voice Controls and Effects

The Electone is equipped with two general kinds of functions that can be used to change the sound of the Voices: Voice Controls and Effects. Each Voice has been given certain factory-preset effect settings to best enhance its sound. However, if you wish, you can change the sound to suit your preferences by using the controls and effects described in this section. All built-in effects are digital. The chart below shows the various Voice controls and effects for the individual Voice sections. Available functions are indicated by circles. The controls and effects are applied differently according to the different types: independently for each Voice section, independently for each keyboard or globally for the entire system.
3
Voice Controls and Effects
Controls and Effects
Volume page 42 OOOO
Reference
page for
changing
the settings
Voice sections to which the controls/effects are applied
Upper Keyboard Lead Voice Lower Keyboard Pedal board
Upper Keyboard
Voice 1, 2
Lead Voice
Lower Keyboard
Voice 1, 2
Pedal board
Voice 1, 2
Page 1
Page 2
Page 3 Vibrato page 44 OOOO
Page
Selecting from the Voice Condition display, Pages 1-6
Reverb (send level) page 42 OOOO
Initial Touch page 42 O O O
Feet page 42 OOOO
Pan page 43 OOOO
Tune page 43 OOOO
Transpose page 43 OOOO
Reverb page 45 OOOO
Delay page 45 OOOO
Karaoke page 45 OOOO
Chorus page 45 OOOO
Flanger page 45 OOOO
Phaser page 45 OOOO
4/5
Tremolo/Auto Pan page 45 OOOO
Rotary Speaker page 45 OOOO
Distortion page 45 OOOO
Wah page 45 OOOO
Page 6 Slide page 47 O
the panel
Selecting from
ELB-01 Owner’s Manual
40
Dynamic page 45 OOOO
EQ/Enhancer page 45 OOOO
Reverb page 48 O
Sustain page 49 O O O
Rotary Speaker page 50 OOOO
Page 41
1

Selecting from the Voice Condition display

To call up the Voice Condition display:
Choose a Voice on the panel, then press the same button on the panel again. The Voice Condition display appears.
Voice Condition Display
Currently selected page
3
VOL.¿24 REV.÷20 ¨1⁄ TOUCH¿ 8 FEET÷PRESET
Each voice group’s Voice Condition (except for Lead Voice) is consists of five display pages. Voice Condition of the Lead Voice consists of six pages.
Setting and adjusting the parameters
You can change the items or parameters when the arrow indicator “¿(÷)” in the display is flashing. Press the [A] – [D] buttons corresponding to the items or parameters you want to change to make the indicator flash, then use the DATA CONTROL dial to select the desired control setting. With the indicator flashing, you can also directly change the items or parameters by using the DATA CONTROL dial. For details, see “Using the LCD display” on page 17.
Voice Controls and Effects
NOTE
After pressing one of the [A] – [D] buttons (to make the indicator flash), you can continue pressing the same button to change the item or parameter.
ELB-01 Owner’s Manual
41
Page 42
3
Voice Controls and Effects
Reverb (page 48)
Reference Page
Voice Condition [Page 1]
12
VOL.¿24 REV.÷20 ¨1⁄ TOUCH¿ 8 FEET÷PRESET
34
In this display, you can adjust the basic Voice controls, including panning, touch sensitivity and volume. The items included in this page differ between the Pedal Voice sections and the other sections. Initial Touch is not applied to the Pedal Voices.
1 Volume
Fine adjustment of the Voice volume. See page 26 for more information.
2 Reverb
Determines the amount of reverb applied to each Voice section. When the Reverb Depth setting in the Reverb display is set to the minimum, the setting here will have no effect. See page 48 for details. Press the [B] button to make the “÷” indicator flash, then use the DATA CONTROL dial to change the setting.
NOTE
Initial Touch may not be effective on some Voices, such as Organ Voices.
3 Touch
Controls volume and timbre according to the velocity at which you play the keys. The harder you play the keys, the greater the volume and the brighter the timbre will become. Higher settings make the change wider. The minimum setting produces no effect. This function is not applied to the Pedal Voices. Press the [C] button to make the “¿” indicator flash, then use the DATA CONTROL dial to change the setting.
Range: 0 – 14
4 Feet
Determines the octave setting of the Voice, letting you use the Voice over a wide register. There are three settings: 4', 8' and 16' (4' is highest and 16' is lowest). A 2' setting is added to the Pedal Voice sections. Preset is the original (factory) setting. Press the [D] button to make the “÷” indicator flash, then use the DATA CONTROL dial to change the setting.
ELB-01 Owner’s Manual
42
Page 43
Voice Condition [Page 2]
Press the PAGE buttons to select Page 2.
1
PAN ¿C ¨1¤ TUNE¿ 0 TRANSP.÷ 0
23
1 Panning
Determines the position of the Voice in the stereo image. Seven pan positions are available. Press the [A] button to make the “¿” indicator flash, then use the DATA CONTROL dial to change the setting.
Range: L3 – C – R3
2 Tune
Determines the fine pitch settings for each Voice section, letting you create a warmer, richer sound by slightly detuning one Voice relative to another. Press the [C] button to make the “¿” indicator flash, then use the DATA CONTROL dial to change the setting.
Range: -64 – +63
3 Transpose
Changes the pitch in semitones for each Voice section. Press the [D] button to make the “÷” indicator flash, then use the DATA CONTROL dial to change the setting.
Range: -6 – +6
3
Voice Controls and Effects
Reference Page
Pitch (for entire instrument); (page 150)
Reference Page
Transpose (for entire instrument); (page 150)
ELB-01 Owner’s Manual
43
Page 44
3
Voice Controls and Effects
Voice Condition [Page 3]
Press the PAGE buttons to select Page 3.
1
VIB¿PRESET ¨1‹
Vibrato
The Vibrato function varies the level of the Voices, making them sound warmer and more animated. This effect is applied independently to each Voice section. For some Voices, vibrato may not be effective at all or the effect may not sound as expected.
1 Preset/User
Each press of the [A] button toggles between Preset and User. Selecting Preset calls up the original (factory) vibrato settings for the Voice. When Preset is selected, the Delay, Depth and Speed parameters cannot be edited. Selecting User lets you adjust the vibrato settings for yourself.
Vibrato Control
Delay
Speed
Depth
1
2
VIB¿USER DEPTH÷ 0¨1‹ DELAY¿ 0 SPEED÷ 0
34
2 Depth
Determines the intensity of the vibrato effect. Higher settings result in a more pronounced vibrato. The minimum setting cancels the vibrato effect. Press the [B] button to make the “÷” indicator flash, then use the DATA CONTROL dial to change the setting.
Range: 0 – 14
3 Delay
Determines the amount of time that elapses between the playing of a key and the start of the vibrato effect. Higher settings increase the delay of the vibrato onset. Press the [C] button to make the “¿” indicator flash, then use the DATA CONTROL dial to change the setting.
Range: 0 – 14
ELB-01 Owner’s Manual
44
4 Speed
Determines the speed of the vibrato effect. Higher settings increase the speed of the vibrato. Press the [D] button to make the “÷” indicator flash, then use the DATA CONTROL dial to change the setting.
Range: 0 – 14
Page 45
Voice Condition [Page 4]
Press the PAGE buttons to select Page 4.
EFFECT¿PRESET
EFFECT¿REVERB
EFFECT¿EQ/ENHANCE
1
EFFECT¿THRU
EFFECT¿PRESET ¨1› TYPE¿01:THRU
2
Effect
You can select the effects applied to each Voice section.
1 Effect Category
You can select the Effect Category applied to each Voice section. Press the [A] button to make the “¿” indicator flash, then you can select the Effect Categories in sequence: Preset Reverb Delay ... Dynamic EQ/Enhancer Thru by turning the DATA CONTROL dial clockwise. Turning the DATA CONTROL dial counter-clockwise selects in the reverse order.
PRESET The effect type that best matches and is most suited to the currently
selected sound is automatically selected.
REVERB Produces a gentle “wash” of aftertones in the sound, recreating the
subtle ambience and depth of actual performance spaces and rooms.
DELAY Produces delayed distinct repeats of the sound, or echoes. This is also
useful for creating rhythmic repeats in the sound.
KARAOKE Produces a deep echo effect like that used in Karaoke sing-along
applications.
CHORUS Creates a warm effect as if several of the same sound were playing at
once. Makes the overall sound richer, “fatter” and more animated.
FLANGER This creates a metallic periodic “sweeping” effect, similar to Chorus but
with a brighter more resonant sound.
PHASER Similar to Flanger, this produces rolling timbre changes and a
pronounced up/down filter sweep effect.
TREMOLO/ AUTO PAN
ROT ARY SPEAKER
DISTORTION This effect adds distortion to the sound. WAH This uses an automatic up/down filter sweep to change the timbre of the
DYNAMIC This effect (also called compression) “squeezes” the overall dynamic
EQ/ENHANCER EQ: This processing tool lets you change the level for specific frequency
THRU Bypass control. This cancels the effect processing.
This periodically changes the volume and has the effect of moving the sound image both front and back, and left and right.
This popular effect (used mainly for electronic organ sounds) recreates the rich, animated pulsing sound of a rotating speaker horn.
sound, producing a “wah-wah” sound.
range of the sound, and has a gain control—letting you make soft sounds louder, and thus give more “punch” to the sound.
ranges in the sound, and affects the overall sound quality.
Enhancer: This effect emphasizes and enhances the overtones in the high frequency sound range overtone—not merely making the sound brighter, but giving it more clarity and presence.
3
Voice Controls and Effects
ELB-01 Owner’s Manual
45
Page 46
When Preset is selected, the original (factory) effect category for the selected Voice is automatically set. Selecting Thru bypasses the effect (no effect is added to the selected Voice).
Effect List (page 52)
3
Voice Controls and Effects
Reference Page
2 Effect Type
Effect types are displayed corresponding to the selected effect category. Press the [C] button to make the “¿” indicator flash, then use the DATA CONTROL dial to change the setting.
Voice Condition [Page 5]
Press the PAGE buttons to select Page 5.
Currently selected Effect Type
TYPE:Hall 1 ¨1fi ¿Time ÷2.1s
Time ÷2.1s
Dry/Wet ÷D24>W
Effect Parameters
You can set the parameters of effect type selected in the Voice Condition display, Page 4. Generally, the effect parameters settings are automatically well-balanced to the selected effect type, so there is no need to follow the steps below unless you want to change the setting. If you want to change the setting, select the parameter, then change the value. Since selection of Parameters and setting of value follow the same procedure throughout all Effect Type, instructions for only “Hall 1” of Reverb are given here. For details, see page 52.
ELB-01 Owner’s Manual
46
TYPE:Hall 1 ¨1fi ¿Time ÷2.1s
1 2
1 Parameters
Effect parameters are displayed corresponding to the selected effect type.Press the [C] button to make the “¿” indicator flash, then use the DATA CONTROL dial to select the parameters. In this case, the Time parameter is selected.
2 Value setting
Press the [D] button to make the “÷” indicator flash, then use the DATA CONTROL dial to change the setting.
Page 47
Voice Condition [Page 6] (only for Lead Voice)
Press the PAGE buttons to select Page 6.
1
’SLIDE Î fl SLIDE TIME¿ 0
2
In this Page, determines whether or not the Slide function is applied to the Lead Voice.
Slide
Applies a portamento effect to notes played in legato. The Slide function is effective within a one-octave range for the Lead Voice.
1 Slide On/Off
Determines the on/off status of the Slide effect. Each press of the [A] button toggles between On and Off.
2 Slide Time
Determines the speed of the slide or portamento effect. The higher the value, the slower the speed. Press the [C] button to make the “¿” indicator flash, then use the DATA CONTROL dial to change the setting.
Range: 0 – 14
3
Voice Controls and Effects
ELB-01 Owner’s Manual
47
Page 48
3
Voice Controls and Effects
Changing the rhythm volume/reverb (page 62)
Reverb (page 42)
Reference Pages
2

Selecting from the panel

The Reverb, Sustain and Rotary Speaker displays are called up by pressing the respective buttons on the panel.

Reverb

●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●
Reverb adds an echo-like effect to the sound, giving the impression of a performance in a large room or concert hall. You can adjust the reverb volume for each Voice section or the entire system. Also, you can adjust the reverb volume for rhythm and accompaniment separately. Call up the Reverb display to set the Reverb effect by pressing the [REVERB] button on the panel.
Each press of the [REVERB] button toggles between On and Off. When set to On, the lamp of the button lights up to indicate that Reverb is on.
Reverb Display
2
<REVERB> DEPTH÷ 0 ¿XG HALL 1 TIM÷ 2.1
13
1 Type
Selects the Reverb Type. Press the [C] button to make the “¿” indicator flash, then use the DATA CONTROL dial to change the setting.
2 Depth
Determines the depth of reverberation or the level of the reflected sounds. This allows fine control over the depth. When this parameter is set to the minimum, the settings in Voice Condition display, Page 2 (page 43) have no effect. Press the [B] button to make the “÷” indicator flash, then use the DATA CONTROL dial to change the setting.
Range: 0 - 24
ELB-01 Owner’s Manual
48
3 Time
Determines the reverb length for each of the Voice sections. Higher settings result in a longer reverb sound. Press the [D] button to make the “÷” indicator flash, then use the DATA CONTROL dial to change the setting.
Range: 0.3s – 30.0s
Page 49

Sustain

●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●
The sustain effect, selectable for the Upper, Lower and Pedal Voices, causes Voices to gradually fade out when the keys are released. The sustain on/off and sustain length settings are independent for each keyboard, providing maximum expressive control. Call up the Sustain display to set the Sustain effect by pressing the [SUSTAIN] button on the panel.
Sustain Display
<SUSTAIN> ’UPPER÷10 ’LOWER¿10 ’PEDAL÷ 6
3
Voice Controls and Effects
Sustain On/Off
For Upper Voices, press the corresponding [B] button to toggle between On and Off. For Lower Voices, press the corresponding [C] button to toggle between On and Off. For Pedal Voices, press the corresponding [D] button to toggle between On and Off. Sustain cannot be applied to the Lead Voices.
The lamp of the [SUSTAIN] button lights up when you turn on the Sustain effect for one of the Upper, Lower and Pedal Voices in the Sustain display. When you turn off the Sustain effect for all Voices in the Sustain display, the lamp turns off. Remember to check whether the sustain effects are on or off in the Sustain display before you start to play.
Sustain Length
The display shows the current sustain length values for each keyboard. Press the appropriate button to make the “¿(÷)” indicator flash (Upper Keyboard: [B] button; Lower Keyboard: [C] button; Pedal Keyboard: [D] button), then use the DATA CONTROL dial to change the setting.
ELB-01 Owner’s Manual
49
Page 50
3

Rotary Speaker

●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●
Rotary Speaker recreates the rich, swirling sound of the popular rotating speaker effect. The Rotary Speaker effect can be switched in real time as you play, with either the front panel button or the Left Footswitch (when properly set for Footswitch operation). Keep in mind that the Rotary Speaker effect CANNOT be turned on only by turning on the [ROTARY SP SPEED] button. To use the Rotary Speaker effect, follow the steps below.
Select the Rotary Speaker effect from the desired Voice.
1
When you want to set Rotary Speaker for one of the Voice sections, you can select the effect category of Rotary Speaker in the Voice Condition display, Page
4. See page 45 for details.
Voice Controls and Effects
Select “Rotary Speaker” here
EFFECT¿ROTARY SP.¨1› TYPE¿01:XG ROTARY SP
Adjust the rotating speed and mode of the Rotary Speaker.
2
Press the [ROTARY SP SPEED] button to call up the Rotary Speaker display. The settings in this display are common to all Voice sections.
<ROTARY SPEAKER> SPEED¿4.88 MODE÷SLOW
12
ELB-01 Owner’s Manual
50
1 Speed
Determines the speed of the speaker rotation. Press the [C] button to make the “¿” indicator flash, then use the DATA CONTROL dial to change the setting.
Range: 2.69Hz – 39.7Hz
2 Mode
Determines the slow/stop mode when the [ROTARY SP SPEED] button is off. If Slow is selected, a slow chorus effect is applied when you turn off the button on the panel. If Stop is selected, the Rotary Speaker effect turns off (stops completely) when you turn off the button on the panel. Press the [D] button to make the “÷” indicator flash, then use the DATA CONTROL dial to change the setting.
Once the Rotary Speaker effect has been turned on and set, you can control the effect in real time from the panel or from the Left Footswitch.
Page 51
Control the Rotary Speaker effect from the panel or from the Left
3
Footswitch.
You can control Rotary Speaker on/off not only from the panel but also by using the Left Footswitch, if the Footswitch has been properly assigned. See “4 Rotary Speaker” on page 149 for details.
3
Voice Controls and Effects
ELB-01 Owner’s Manual
51
Page 52
3

Effect List

PRESET
The effect type that best matches and is most suited to the currently selected sound is automatically selected.
REVERB
Produces a gentle “wash” of aftertones in the sound,
3
Voice Controls and Effects
recreating the subtle ambience and depth of actual performance spaces and rooms.
No. Type No. Type
01 HALL 1 14 STAGE 2
02 HALL 2 15 PLATE 1
03 HALL 3 16 PLATE 2
04 HALL M 17 XG HALL 1
05 HALL L 18 XG HALL 2
06 ROOM 1 19 XG ROOM 1
07 ROOM 2 20 XG ROOM 2
08 ROOM 3 21 XG ROOM 3
09 ROOM 4 22 XG STAGE 1
10 ROOM S 23 XG STAGE 2
11 ROOM M 24 XG PLATE
12 ROOM L 25 GM PLATE
13 STAGE 1
Parameter Range Description
R DelayTime 0.1 – 743.0 msec
Echo: 0.1 – 371.5 msec
C DelayTime 0.1 – 743.0 msec Determines the time that elapses
L>R Delay 0.1 – 371.5 msec Determines the time for the sound
R>L Delay 0.1 – 371.5 msec Determines the time for the sound
DelayTime 16th – 8th. When using Tempo Delay, this
InputSelect L, R, L/R Determines the input
FB Delay 0.1 – 743.0 msec Determines the feedback time of
FB Level -63 – +63 Determines the amount of
Dry/Wet D63>W – D<W63 Determines the balance of
Determines the time that elapses between the original sound and the delayed repeat in the right channel.
between the original sound and the delayed repeat in the center of the stereo image.
to move from left to right (when using Cross Delay).
to move from right to left (when using Cross Delay).
sets the time between delayed repeats to match the tempo of the rhythm/song.
configuration.
the delayed repeats. The larger the value, the longer the time between delayed repeats. (For Delay LR, the left and right channels can be set independently.)
delayed repeats in the sound. When this is set to 0%, the delayed repeat from the second time will not sound.
original sound and the effect sound.
Parameter Range Description
Time 0.3 – 30.0 s Determines the decay time of the
Dry/Wet D63>W – D<W63 Determines the balance of the
reverb.
original sound (dry) and the effect sound (wet).
DELAY
Produces delayed distinct repeats of the sound, or echoes. This is also useful for creating rhythmic repeats in the sound.
No. Type
01 DELAY LCR
02 XG DLY LCR
03 DELAY LR
04 ECHO
05 CROSS DELAY
06 TEMPO DELAY
Parameter Range Description
L DelayTime 0.1 – 743.0 msec
Echo: 0.1 – 371.5 msec
Determines the time that elapses between the original sound and the delayed repeat in the left channel.
KARAOKE
Produces a deep echo effect like that used in Karaoke sing-along applications.
No. Type
01 KARAOKE 1
02 KARAOKE 2
03 KARAOKE 3
Parameter Range Description
DelayTime 0.1 – 400 msec Determines the time that elapses
between the original sound and the delayed repeat.
FB Level -63 – +63 Determines the amount of
delayed repeats in the sound. When this is set to 0%, the delayed repeat from the second time will not sound.
Dry/Wet D63>W – D<W63 Determines the balance of the
original sound and effect sound.
ELB-01 Owner’s Manual
52
Page 53
CHORUS
Creates a warm effect as if several of the same sound were playing at once. Makes the overall sound richer, “fatter” and more animated.
No. Type No. Type
01 CHORUS 1 10 GM CHORUS 4
02 CHORUS 2 11 FB CHORUS
03 XG CHORUS 1 12 CELESTE 1
04 XG CHORUS 2 13 CELESTE 2
05 XG CHORUS 3 14 CELESTE 3
06 XG CHORUS 4 15 CELESTE 4
07 GM CHORUS 1 16 SYMPHONIC
08 GM CHORUS 2 17 XG SYMPHONIC
09 GM CHORUS 3
Parameter Value Description
LFO Freq. 0.00 – 39.7 Hz Determines the frequency of
oscillation, or the speed of the wavering effect.
LFO Depth 0 – 127 Determines the depth of
oscillation, or the amount of the wavering effect.
Dry/Wet D63>W – D<W63 Determines the balance of the
original sound and the effect sound.
Input Mode Mono/Stereo Determines the input
configuration.
No. Type
18 ENS DETUNE
Parameter Value Description
Detune -50 – +50 cent Determines the amount of
detuning (or pitch shifting) is applied to the delayed repeats.
L DelayTime 0.0 – 50.0 msec Determines the time that elapses
between the original sound and the delayed repeat in the left channel.
R DelayTime 0.0 – 50.0 msec Determines the time that elapses
between the original sound and the delayed repeat in the right channel.
Dry/Wet D63>W – D<W63 Determines the balance of the
original sound and the effect sound.
Parameter Value Description
LFO Freq. 0.00 – 39.7 Hz Determines the frequency of
oscillation, or the speed of the wavering effect.
LFO Depth 0 – 127 Determines the depth of
oscillation, or the amount of the wavering effect.
FB Level -63 – +63 Determines the amount of output
sound (with the flanging effect) that is returned to the input. The larger the value, the more complex and pronounced the flanging effect becomes.
Dry/Wet D63>W – D<W63 Determines the original sound
and the effect sound.
PHASER
Similar to Flanger, this produces rolling timbre changes and a pronounced up/down filter sweep effect.
No. Type
01 PHASER
02 EP PHASER 1
03 EP PHASER 2
04 EP PHASER 3
Parameter Value Description
LFO Freq. 0.00 – 39.7 Hz Determines the frequency of
oscillation, or the speed of the wavering effect.
L/R Depth 0 – 127 Determines the depth of
oscillation, or the amount of the wavering effect.
Phase Shift 0 – 127 Determines the phase
relationship between the processed signal and the original. This changes the sound characteristics of the Phaser effect.
FB Level -63 – +63 Determines the amount of output
sound (with the phasing effect) that is returned to the input. The larger the value, the more complex and pronounced the phasing effect becomes.
Dry/Wet D63>W – D<W63 Determines the balance of the
original sound and the effect sound.
3
Voice Controls and Effects
FLANGER
This creates a metallic periodic “sweeping” effect, similar to Chorus but with a brighter more resonant sound.
No. Type
01 FLANGER 1
02 FLANGER 2
03 XG FLANGER 1
04 XG FLANGER 2
05 XG FLANGER 3
06 GM FLANGER
TREMOLO/AUTO PAN
This periodically changes the volume and has the effect of moving the sound image both front and back, and left and right.
No. Type
01 TREMOLO 1
02 TREMOLO 2
03 XG TREMOLO
04 EP TREMOLO
05 GT TREMOLO 1
06 GT TREMOLO 2
07 ORGAN TREM.
ELB-01 Owner’s Manual
53
Page 54
3
Parameter Range Description
LFO Freq. 0.00 – 39.7 Hz Determines the tremolo speed.
AM Depth 0 – 127 Determines the amount of volume
change.
PM Depth 0 – 127 Determines the amount of pitch
change in the sound.
Input Mode Mono/Stereo Determines the input
configuration.
LFO Depth 0 – 127 Determines the depth of the
Tremolo effect.
L/R Depth 0 – 127 Determines the depth of panning
between the left and right channels.
F/R Depth 0 – 127 Front/rear. Determines the depth
of the front and rear panning effect. This controls both level and pitch at the same time.
Parameter Value Description
EQ Hi.Gain -12 – +12 dB Determines the amount over
which the high frequency range is boosted or cut.
DISTORTION
This effect adds distortion to the sound.
No. Type
01 DIST HARD
02 DIST SOFT
03 OVERDRIVE
04 XG DIST
05 XG AMP SIM
Voice Controls and Effects
No. Type
08 AUTO PAN
09 XG AT PAN
10 EP AUTO PAN
Parameter Value Description
LFO Freq. 0.00 – 39.7 Hz Determines the frequency of the
L/R Depth 0 – 127 Determines the depth of the left/
F/R Depth 0 – 127 Determines the depth of the front/
Pan L<->R
ROTARY SPEAKER
This popular effect (used mainly for electronic organ sounds) recreates the rich, animated pulsing sound of a rotating speaker horn.
No. Type
01 XG ROTARY SP
02 ROTARY SP 1
03 ROTARY SP 2
04 ROTARY SP 3
05 ROTARY SP 4
L->R L<-R Lturn Rturn L/R
Auto Pan effect, or how fast the sound shifts between the left and right channels.
right panning effect.
rear panning effect. This controls both level and pitch at the same time.
Determines the Auto Pan type. (“L<->R” is a sine wave and “L/R” is a sawtooth wave.)
Parameter Value Description
Drive 0 – 127 Determines the amount or degree
Amp. Type Off
Stack Combo Tube
LPF Cutoff 1.0 – 18k Hz
Thru
OutputLevel 0 – 127 Determines the level or volume of
EQ Low Gain -12 – +12 dB Determines the amount of EQ
EQ Mid.Gain -12 – +12 dB Determines the amount of EQ
Dry/Wet D63>W – D<W63 Determines the balance of the
of distortion in the sound.
Determines the type of amplifier that is simulated.
Determines the cutoff frequency of the low pass filter. Frequencies above this value are cut or filtered out.
the processed sound.
boost or cut in the low frequency range.
boost or cut in the mid frequency range.
original sound and the effect sound.
WAH
This uses an automatic up/down filter sweep to change the timbre of the sound, producing a “wah­wah” sound.
No. Type
01 AUTO WAH
02 XG AUTO WAH
03 TOUCH WAH 1
04 TOUCH WAH 2
05 CLAVI TC WAH
06 EP TOUCH WAH
Parameter Value Description
EQ LowFreq. 32 – 2.0k Hz Determines the central frequency
EQ Low Gain -12 – +12 dB Determines the amount over
EQ Hi.Freq. 500 – 16k Hz Determines the central frequency
ELB-01 Owner’s Manual
54
of the low frequency range that is boosted or cut.
which the low frequency range is boosted or cut.
of the high frequency range that is boosted or cut.
Parameter Value Description
LFO Freq. 0.00 – 39.7 Hz Determines the speed of the Wah
effect.
LFO Depth 0 – 127 Determines the depth of the Wah
effect.
Cutoff 0 – 127 Determines the central frequency
that the wah filter acts upon.
Resonance 1.0 – 12.0 Determines the frequency
bandwidth (around the central frequency set in Cutoff above) that the wah filter affects.
Page 55
Parameter Value Description Parameter Value Description
Sensitivity 0 – 127 Determines the degree to which
Dry/Wet D63>W – D<W63 Determines the balance of the
the wah filter is affected by your playing touch.
original sound and the effect sound.
DYNAMIC
This effect (also called compression) “squeezes” the overall dynamic range of the sound, and has a gain control—letting you make soft sounds louder, and thus give more “punch” to the sound.
No. Type
01 COMPRESSOR
02 NOISE GATE
Parameter Value Description
Attack 1 – 40 msec Determines how soon the
Release 10 – 680 msec Determines how soon the
Threshold Compressor:
-48 – -6 dB Noise Gate:
-72 – -30 dB
Ratio 1.0 – 20.0 Determines the amount of
OutputLevel 0 – 127 Determines the overall output of
compression effect is applied, once the compressor has been triggered (as a result of Threshold below.
compressor returns to its normal gain, once the trigger signal drops below the Threshold point.
Determines the level of the input signal required to trigger the compressor. Signals at a level below the Threshold pass through unaffected; signals at and above the Threshold are compressed.
compression of the sound (for signals passing the Threshold). This is expressed as a ratio—the change in output signal relative to the change in input. The range here is 1/1 (no change in output signal, hence no compression) to 20/1. Higher ratios result in greater compression.
the compressed signal. Use this to bring up the overall level after you’ve reduced the dynamic range with compression.
EQ LowFreq. 50 – 2.0k Hz
ST 2Band EQ: 32 – 2.0k Hz
EQ Low Gain -12 – +12 dB Determines the amount over
EQ Mid.Freq 100 – 16k Hz Determines the central frequency
EQ Mid.Gain -12 – +12 dB Determines the amount over
EQ M Width 0.1 – 12.0 Determines the bandwidth or the
EQ Hi.Freq 500 Hz – 16k Hz Determines the central frequency
EQ Hi.Gain -12 – +12 dB Determines how much increase/
Determines the central frequency of the low frequency range that is to be boosted or cut.
which the low frequency range is boosted or cut.
of the middle frequency range that is to be boosted or cut.
which the middle frequency range is boosted or cut.
range of frequencies around the specific middle frequency that is to be boosted or cut. Lower values let you narrow in on a specific frequency, while higher values select a broader range of frequencies to be affected.
of the high frequency range that is to be boosted or cut.
decrease the wave frequency point of EQ high frequency.
ENHANCER
This effect emphasizes and enhances the overtones in the high frequency sound range overtone—not merely making the sound brighter, but giving it more clarity and presence.
No. Type
06 HM ENHANCER
07 XG HM ENHNCE
Parameter Value Description
HPF Cutoff 500 Hz – 16k Hz Determines the cutoff frequency
Drive 0 – 127 Determines the amount or depth
Mix Level 0 – 127 Determines how much of the
of the low pass filter. Frequencies above this value are cut or filtered out.
of the Enhancer effect.
processed enhanced sound is mixed together with the original sound.
3
Voice Controls and Effects
EQ/ENHANCER
EQ
This processing tool lets you change the level for specific frequency ranges in the sound, and affects the overall sound quality.
No. Type
01 ST 2BAND EQ
02 ST 3BAND EQ
03 XG 3BAND EQ
04 EQ DISCO
05 EQ TEL
THRU
Bypass control. This cancels the effect processing.
No. Type
01 Thru
ELB-01 Owner’s Manual
55
Page 56
4

Rhythm/Keyboard Percussion

This Electone features 133 different real rhythms featuring actual drum and percussion sampled sounds. A utomatic Accompaniment functions are used with the rh ythms, pr oviding appropriate and completely automatic accompaniment to match the style of the selected rhythm. Moreover, the Electone has a Keyboard Percussion feature that allows you to directly play drum and percussion sounds fr om the Upper/Lo wer ke yboar ds and Pedalboard.
4
Rhythm/Keyboard Percussion
Rhythm/Keyboard Percussion
1

Selecting rhythms with the Rhythm b uttons

A total of 133 rhythms can be instantly selected with the ten rhythm buttons on the front panel.

To select and play a rhythm

●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●
Press one of the Rhythm buttons in the RHYTHM section on the
1
front panel.
For example, if you have pressed the [DANCE] button, the following display (Rhythm Menu) will appear.
ELB-01 Owner’s Manual
56
Rhythm Menu display
<DANCE> ¿01:Ibiza
The Rhythm Menu contains many Dance rhythms, and the currently selected Dance rhythm is shown in the display.
Page 57
Select the Rhythm in the Rhythm Menu display.
2
You can select the hidden dance rhythms in sequence (forward or reverse) by using the DATA CONTROL dial.
<DANCE> ¿04:UK Pop
Here, we’ve selected “UK Pop.”
You can select the rhythm in the Rhythm Menu display by pressing the [C] button one or more times. Each press of the [C] button selects subsequent hidden rhythms. When the final item is reached, pressing the [C] button “wraps around” to the first item.
Press the [START] button to immediately start the rhythm.
3
4
To stop the rhythm, press this button again. You can turn the rhythm on/off and switch the sections as desired by pressing the buttons on the panel—and add the accompaniment to the rhythm.
Set the volume using the panel rhythm volume buttons.
4
The buttons have seven volume settings, from a minimum of 0, or no sound, to a maximum of full volume. Fine adjustments in the volume of the rhythm can also be made from the Rhythm Condition display (page 62).
Rhythm/Keyboard Percussion
Reference Page
Operating the rhythm from the panel (page 59)
Reference Page
Accompaniment (page 68)
Reference Page
Changing the rhythm volume/reverb (page 62)
ELB-01 Owner’s Manual
57
Page 58
4
Rhythm/Keyboard Percussion
Rhythm Structure
Each rhythm is made up of “sections.” Since each section is a variation of the basic rhythm, you can use them to add “spice” to your performance and mix up the beats while you are playing. You can freely change the section while the rhythm is played back.
INTRO
This is used for the beginning of the song. There are three Intro sections that can be selected with INTRO [1] – [3] buttons. When the Intro finishes playing, the rhythm automatically shifts to the Main section.
Selected Intro section’s lamp is lit
MAIN
This is used for playing the main part of the song. There are four Main sections that can be selected with MAIN/FILL IN [A] – [D] buttons. The rhythm pattern of several measures repeats indefinitely.
Selected Main section’s lamp is lit
FILL IN
This is designed for use as a temporary and regular rhythmic pattern to spice up a repeating rhythm. There are four Fill In sections that can be played by pressing the selected (lit) MAIN/FILL IN [A] – [D] buttons as desired. When one measure pattern of Fill In finishes playing, the rhythm is automatically shifts to the Main section.
Selected Fill In section’s lamp ashes
BREAK
This lets you add dynamic variations and breaks in the rhythm pattern. The Break section is selected by pressing the [BREAK] button. When the one-measure Break pattern finishes playing, the rhythm automatically shifts to the Main section.
The lamp is lit when the Break section is selected
ENDING
This is used for the ending of the song. When the ending is finished, the rhythm automatically stops. There are three Ending sections that can be selected with the ENDING [1] – [3] buttons.
ELB-01 Owner’s Manual
58
Selected Ending section’s lamp is lit
Page 59

Operating the rhythm from the panel

●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●
You can turn the rhythm on/off and switch the sections as desired by pressing the buttons on the panel. Using the Fill Ins and Break patterns let you add dynamic interest and “spice” to your performance.
To start/stop the rhythm:
START
The rhythm begins as soon as the [START] button is pressed. To stop the rhythm, press the button again.
SYNCHRO START
The [SYNCHRO START] button puts the rhythm in “standby.” The rhythm starts when you press a note on the Lower keyboard or Pedalboard. When you start the rhythm with the [SYNCHRO START] button, pressing this button again stops the rhythm.
INTRO
Pressing one of the INTRO [1] – [3] buttons automatically adds a short introduction before starting the actual (Main) rhythm. First press one of the INTRO [1] – [3] buttons, then press the [START] or [SYNCHRO START] button to actually start the rhythm. While the introduction is playing, the BAR/BEAT display shows the countdown to the first measure of the pattern. For example, if there is a four-measure lead-in for a pattern in 4/4 time, the display at right appears:
NOTE
When you start the rhythm with [SYNCHRO START] button, set the Lower/Pedal Memory to on. When Memory is off, releasing your fingers from Lower keyboard stops the rhythm. For details on Memory and the A.B.C. function, see page 71.
4
Rhythm/Keyboard Percussion
ENDING
Pressing one of the ENDING [1] – [3] buttons automatically adds an ending phrase before stopping the rhythm. When you press the Ending button while rhythm is playing back, the rhythm will automatically stop after the ending phrase is played. You can have the ending gradually slow down (ritardando) by pressing the ENDING button once again, while the ending is playing.
ELB-01 Owner’s Manual
NOTE
Pressing the ENDING [1] button during playback of the Main section will first call up the Fill In pattern, then the Ending 1 pattern.
59
Page 60
4
Rhythm/Keyboard Percussion
To switch the rhythm sections:
You can change the rhythm section of the Main phrase by pressing the desired MAIN/ FILL IN [A] – [D] button. The selected section's lamp (above the button) lights.
To use the Fill In patterns:
As you play the Electone along with the rhythm, occasionally press the selected MAIN/ FILL button as desired. The Fill In pattern (one measure) will be played and the selected Fill In section’s lamp (above the button) flashes.
Reference Page
To select and play a rhythm (page 56)
When you use the Auto Fill In function, Fill Ins will be played automatically. The Auto Fill In function is set in the Page 1 of the Rhythm Condition display. To call up the Rhythm Condition display, select the desired rhythm and press the same rhythm button again.
<PERCUSSION>”AUTO.F⁄ VOL.¿12 REV.÷ 8
When Auto Fill is set to On () in the right side of the display, the Fill In pattern is automatically played whenever you switch the Main sections. Each press of the [B] button toggles between On () and Off ().
To use the Break patterns:
As you play the Electone along with the rhythm, occasionally press the [BREAK] button. This lets you vary a repeating rhythm with dynamic breaks.
ELB-01 Owner’s Manual
60
Page 61

Adjusting the tempo

●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●
You can adjust the rhythm tempo by pressing the TEMPO buttons.
3
TEMPO Indicator
12
1 TEMPO buttons
For adjusting the speed of the rhythm. Pressing the right button increases the tempo and pressing the left button decreases it. Each rhythm has its original (preset) tempo. Press the TEMPO buttons simultaneously to restore the tempo to the original setting.
2 TEMPO Display (BAR/BEAT Indicator)
TEMPO display shows the current tempo. Displayed values are given in beats per minute. The tempo range is 40 to 240 beats per minute.
4
When the rhythm begins playing, the TEMPO indicator changes function to a BAR/ BEAT indicator.
BAR/BEAT Indicator
Bar (measure) Beat
The number on the left in the BAR/BEAT indicator indicates the current bar or measure and the one on the right indicates the current beat in the bar.
3 BAR/BEAT indicator
The beat indicator lamp above the TEMPO display also indicates the beats.
Rhythm/Keyboard Percussion
ELB-01 Owner’s Manual
61
Page 62

Changing the rhythm volume/reverb

●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●
You can adjust the rhythm volume or amount of reverb applied to the rhythms and the percussion sounds used in the rhythms in the Rhythm Condition display. You can also have a Fill In play automatically by setting the Auto Fill function to ON.
To call up the Rhythm Condition display, select the desired rhythm and press the same rhythm button again.
4
Rhythm/Keyboard Percussion
NOTE
Depending on the volume value (set in the display), two adjacent Volume button lamps may be lit at the same time, indicating an intermediate position.
Reference Page
Reverb Depth (page 48)
[Page 1] Rhythm Condition Display
1
<PERCUSSION>”AUTO.F⁄ VOL.¿12 REV.÷ 8
23
The buttons at the right and left side of the display and DATA CONTROL dial can control the rhythm volume and reverb.
1 Auto Fill
When Auto Fill is set to On () in the display, the Fill In pattern is automatically played whenever you switch the Main sections. For details on how to set to On, see page 17.
2 Volume
Fine Adjustment of rhythm volume. Press the [C] button to make the “¿” indicator flash, then use the DATA CONTROL dial to change the setting.
Range: 0 – 24
3 Reverb
Determines the amount of reverb applied to the rhythm. Press the [D] button to make the “÷” indicator flash, then use the DATA CONTROL dial to change the setting. When the Reverb Depth (for entire instrument) is set to the minimum, the setting here will have no effect.
Range: 0 – 24
ELB-01 Owner’s Manual
62
Page 63
2

Selecting rhythms from the User buttons

As with the Voice sections, the Rhythm section also has User buttons (numbered 1 or
2) from which rhythms can be selected. You can select original User rhythms that have been created with this Electone or other models equipped with the Rhythm Pattern Program function (such as the ELS-01/01C/01X). For details on selecting original User rhythms, see next page. This also allows you to assign two or three rhythms from the same category to be selected from different buttons; one from the original Rhythm button, and the others from the User buttons.
For example, to call up “Modern R&B,” select the R&B category.
Press one of the User buttons at the right of the Rhythm buttons.
1
4
<USER> [FILE]⁄⁄ ¿01:User 1
Select one of the pages with the Page buttons.
2
Currently selected Page
<R&B> fi ¿01:Motor City
In this case, select Page 5 “R&B.”
Select the “Modern R&B” rhythm with the DATA CONTROL dial.
3
<R&B> fi ¿06:Modern R&B
Rhythm/Keyboard Percussion
This step assigns “Modern R&B” to the User button [1]. You can call up the “Modern R&B” the next time you press the [1] button.
ELB-01 Owner’s Manual
63
Page 64

To call up a User rhythm

●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●
User rhythms created on other Electones that have Rhythm Pattern Programming functions, such as the ELS-01/01C/01X, can be selected and played from the User buttons in the panel Rhythm section. To call up the User rhythm, load back the registration containing the User rhythm to Electone in advance. For details on loading back the Registration, see “Playing Back a Song” on page 132. This procedure assigns the User rhythms to the User numbers 1 – 48.
Press one of the User buttons at the right of the Rhythm buttons.
1
Use the PAGE buttons to select Page 11 (User Page).
2
4
Rhythm/Keyboard Percussion
<USER> [FILE]⁄⁄ ¿01:User 1
Select the User rhythm number by turning the DATA CONTROL
3
dial.
<USER> [FILE]⁄⁄ ¿04:User 4
ELB-01 Owner’s Manual
64
Page 65

Selecting Rhythm from an External Media

●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●
You can load rhythms from a USB storage device, and select them as User Rhythms. Style File Format files (extension: STY or ST2) can also be loaded.
Insert the media into the USB TO DEVICE terminal.
1
Press one of the User buttons at the right of the Rhythm buttons.
2
Use the PAGE buttons to select Page 11 (User Page).
3
4
<USER> [FILE]⁄⁄ ¿01:User 1
Select the User number to which you want to load back the
4
pattern le.
<USER> [FILE]⁄⁄ ¿04:User 4
Press the [B] button corresponding to [FILE] in the display to
5
turn on the le loading function.
<USER> [FILE]⁄⁄ ¿04:User 4
<FILE SELECT> ⁄⁄ ¿Ã001:USB 01 [Õ]
The File Select display appears.
Rhythm/Keyboard Percussion
NOTE
File loading cannot be done while the M.D.R. function is used or sequence data is playing back. The rhythm stops automatically if the File Select display is called up while the rhythm is being played.
ELB-01 Owner’s Manual
65
Page 66
Select the pattern le you want to load to the Electone.
6
File selection is done in the same way as song selection on page 111.
<FILE SELECT> [˜]⁄⁄ ¿ 001:SoftRock [EXE]
Press the [D] button corresponding to the [EXE] in the display to
7
load the le back to the Electone.
This step assigns the pattern file to the User number selected in the step 4.
NOTE
To play back the User rhythm, first quit the File Select display.
4
Rhythm/Keyboard Percussion
For details on playing back the User rhythm, see “To call up a
8
User rhythm” on page 64.
ELB-01 Owner’s Manual
66
Page 67

Rhythm List

●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●
This list shows all available rhythms on the Electone. Numbers written at the left side of each column in this list indicate the numbered buttons displayed in the Rhythm Menu. The letters A, B and D printed at the right side of each column in this list indicate the corresponding DATA CONTROL button’s name. Pressing that button selects the corresponding rhythm.
MARCH
01 Marching Band 1 A
02 Marching Band 2
03 Marching Band 3
04 6/8 March B
05 6/8 Kids
06 6/8 Organ March
07 Broadway
08 SF March
09 Wild West
10 Baroque
11 Metronome 2/4 D
WALTZ
01 Gentle Waltz
02 Guitar Serenade
03 Snow Waltz
04 Classic Waltz A
05 Mariachi
06 Musette
07 Jazz Waltz 1 B
08 Jazz Waltz 2
09 Metronome 3/4 D
SWING&JAZZ
01 Big Band 1 A
02 Big Band 2
03 Big Band Bop
04 Orch. Big Band
05 Orchestra Swing
06 Jungle Drum
07 Medium Jazz B
08 Afro Cuban
09 Five-Four
10 Jazz Ballad
11 Moonlight
12 Winter Song
13 Dixieland
14 Dixieland Jazz
15 Charleston D
POPS
01 8Beat Light 1 A
02 8Beat Light 2
03 Folk Rock
04 Asian Pops
05 Unplugged
06 Bubblegum Pop
07 Guitar Pop
08 British 16Beat B
09 Fusion Shuffle
10 Jazz Pop
11 Pop Shuffle
12 British Pop
13 Metronome 4/4 D
R&B
01 Motor City
02 Soul A
03 Frankly Soul
04 Jazz Funk
05 Detroit Pop
06 Modern R&B B
07 New Gospel
08 Gospel Shuffle
09 Gospel Sisters
10 6/8 Soul
11 Blues Shuffle D
LATIN
01 Big Band Samba A
02 Light Samba
03 Bossa Nova
04 Pop Bossa B
05 Mambo 1
06 Mambo 2
07 Montuno
08 Calypso
09 Cha Cha Cha
10 Big Band Cha Cha
11 Pop Cha Cha
12 Rumba
13 Beguine
14 Tango 1 D
15 Tango 2
WORLD MUSIC
01 Bolero
02 Flamenco
03 Pop Flamenco
04 Pasodoble
05 Polka 1 A
06 Polka 2
07 Banda Polka
08 Irish Dance B
09 Tarantella
10 Enka
11 Sheriff Reggae
12 Bluegrass
13 Hoedown
14 Hawaiian D
15 Mexican Dance
BALLAD
01 Power Ballad
02 Dramatic Ballad
03 Movie Ballad
04 Carpenters Pop
05 Love Song
06 16Beat Ballad 1 A
07 16Beat Ballad 2
08 Easy Ballad
09 Guitar Ballad
10 Organ Ballad
11 Chart Ballad
12 Analog Ballad
13 8Beat Modern B
14 Chillout
15 Slow&Easy
16 6/8 Slow Rock D
ROCK
01 Power Rock A
02 Southern Rock
03 60's Rock
04 Hard Rock B
05 Rock Shuffle D
06 Tears Rock 1
07 Tears Rock 2
08 British Rock
09 New Country
10 Rock&Roll
11 Jive
DANCE
01 Ibiza A
02 Euro Trance
03 Techno Party
04 UK Pop
05 Swing House
06 US Hip Hop B
07 Ground Beat
08 Hip Hop Pop
09 Club Latin
10 Latin Disco D
11 Garage
12 6/8 Trance
13 80's Dance
14 Pop Beat
15 Disco Philly
16 70's Disco
17 Disco Chocolate
Certain rhythms that have been created for use with slow, soft songs or for songs that do not use a bass part at the beginning, may not have drum sections. To use these rhythms, refer to the following information.
The following rhythms/sections do not contain a drum part. To play back these rhythms/sections, make sure to turn the accompaniment parts on.
Category Rhythm Sections
MARCH
WALTZ Guitar Serenade All sections except Intro 1
WORLD MUSIC
BALLAD Dramatic Ballad Main A
6/8 Organ March Main A, Main B
Baroque All sections except Intro 1
Banda Polka Main A, Fill In A
Mexican Dance Main A, Fill In A
Some sections of the following three rhythms do not contain an Auto Bass part. This means that even though the Auto Bass Chord is turned on, the bass part will not sound.
• WALTZ: Guitar Serenade
• WORLD MUSIC: Pop Flamenco
• ROCK: New Country
• Metronome 2/4
• Metronome 3/4
• Metronome 4/4
4
Rhythm/Keyboard Percussion
ELB-01 Owner’s Manual
67
Page 68
4
Rhythm/Keyboard Percussion
3

Accompaniment

The Accompaniment function provides arpeggiated chords and other instrumental embellishments when rhythms are used. This control is selected from Page 3 and Page 4 of the Rhythm Condition display.
Select the desired rhythm and press the same button on the
1
panel again.
The Rhythm Condition display appears.
<PERCUSSION>”AUTO.F⁄ VOL.¿12 REV.÷ 8
Use the PAGE buttons to select Page 3 or Page 4.
2
<PERCUSSION>”AUTO.F⁄ VOL.¿12 REV.÷ 8
[Page 3] Rhythm Condition Display
”MAIN DR. ”ADD DR.‹ ’CHORD1 ’CHORD2
Accompaniment
[Page 4] Rhythm Condition Display
’PAD › ’PHRASE1 ’PHRASE2
Accompaniment
Each rhythm consists of seven parts, and you can visually confirm the On/Off status for all parts in Page 3 and Page 4 of the Rhythm Condition display. These parts, with the exception of the Main Drum and Add Drum, are Accompaniment parts. The Accompaniment consists of five parts, Chord 1, Chord 2, Pad, Phrase 1, and Phrase 2, and each of them can be set to on or off by pressing corresponding button. If you turn all the parts off, the Accompaniment does not sound.
ELB-01 Owner’s Manual
68
Page 69
Turn the desired parts on.
3
Successive presses of the [A] – [D] buttons corresponding to the desired accompaniment parts alternates between On and Off.
[Page 3] Rhythm Condition Display
”MAIN DR. ”ADD DR.‹ ’CHORD1 ’CHORD2
1
[Page 4] Rhythm Condition Display
3
2
’PAD › ’PHRASE1 ”PHRASE2
4
1 Chord 1 2 Chord 2
These are the rhythmic chord backing parts. To set the On/Off status for Chord 1, use the [C] button in Page 3 of the Rhythm Condition display; for Chord 2, use the [D] button.
3 Pad
This part features sustained chords and commonly uses lush sounds, such as strings and organ. To set the On/Off status for Pad, use the [A] button in Page 4 of the Rhythm Condition display.
5
4
Rhythm/Keyboard Percussion
4 Phrase 1 5 Phrase 2
These parts are used for various embellishments and riffs that enhance the song, such as brass section accents and chord arpeggios. To set the On/Off status for Phrase 1, use the [C] button in Page 4 of the Rhythm Condition display; for Phrase 2, use the [D] button.
Not all parts contain accompaniment data. Some parts may be empty depending on the selected rhythm and rhythm section.
Main Drum and Add Drum contains the drum and percussion rhythm patterns. When you turn both Main Drum and Add Drum off, the drum and percussion do not sound. Generally, Main Drum contains the main part of the rhythm and Add Drum has additional percussion sounds, such as tambourine.
ELB-01 Owner’s Manual
69
Page 70
Press the [START] button to start the rhythm, and then play the
4
Lower Keyboard.
To adjust the volume and amount of reverb applied to the Accompaniment:
Make settings in Page 2 of the Rhythm Condition display.
4
Rhythm/Keyboard Percussion
Reference Page
Rhythm Condition display (page 62)
Select the desired rhythm and then press the same rhythm
1
button on the panel again.
The Rhythm Condition display appears.
Use the PAGE buttons to select Page 2.
2
<PERCUSSION>”AUTO.F⁄ VOL.¿12 REV.÷ 8
[Page 2] Rhythm Condition Display
<ACCOMPANIMENT> ¤ VOL.¿16 REV.÷ 8
1
Determine the reverb and volume settings.
2
Reference Page
Reverb Depth (page 48)
ELB-01 Owner’s Manual
70
1 Volume
Determines the accompaniment volume. Press the [C] button to make the “¿” indicator flash, then use the DATA CONTROL dial to change the setting.
Range: 0 – 24
2 Reverb
Determines the amount of reverb applied to accompaniment. When the Reverb Depth (for entire instrument) is set to the minimum, the setting here will have no effect. Press the [D] button to make the “÷” indicator flash, then use the DATA CONTROL dial to change the setting.
Range: 0 – 24
Page 71
Automatic Accompaniment—Auto Bass
4
Chord (A.B.C.)
The Auto Bass Chord (A.B.C.) function works with the Rhythm section of the Electone to automatically produce bass accompaniment as you play. It adds an entirely new dimension to your performance by effectively putting a full backing band at your disposal. There are three modes used for producing Automatic Accompaniment patterns. You can select the desired mode in Page 1 of the A.B.C. display.
To set the A.B.C. function:
Press the [A.B.C./M.O.C.] button.
The A.B.C. display appears.
[Page 1] A.B.C. Display
4
<ABC> ’L.MEMORY⁄ ¿OFF ’P.MEMORY
1
OFF
2
SINGLE
3
FINGERED
CUSTOM
4
Select the desired mode by turning the DATA CONTROL dial.
A.B.C. Mode
You can select modes in sequence: Off → Single Finger → Fingered Chord → Custom A.B.C. by turning the DATA CONTROL dial clockwise. Turning the DATA CONTROL dial counter-clockwise selects in the reverse order.
When you start the rhythm with the [SYNCHRO START] button, set the Lower/ Pedal Memory to on. When Memory is off, releasing your fingers from Lower keyboard stops the rhythm. For details, see “Memory” on page 73.
Rhythm/Keyboard Percussion
1 Off
Cancels the Auto Bass Chord function.
ELB-01 Owner’s Manual
71
Page 72
NOTE
When the A.B.C. function mode is set to Single or Fingered Chord, the bass part will not sound even if you play the pedals of the Pedalboard.
2 Single
You can produce major, minor, 7th, and minor 7th chords by simply using one, or at most, two or three fingers to play the chords. The Single Finger mode provides the fastest and easiest means to obtain many different chord/bass combinations. The chord produced will sound in the same octave regardless of where it is played on the Lower keyboard.
Key of C
C
Major chords:
Press the root of the chord (the note that corresponds to the chord’s name).
4
Rhythm/Keyboard Percussion
NOTE
When playing certain chords (aug, dim7, sus4, 6, and m6), make sure that the lowest not you play is the root of the chord.
Cm
C7
Cm7
Minor chords:
Simultaneously press the root and any one black key to the left of it.
7th chords:
Simultaneously press the root and any one white key to the left of it.
Minor 7th chords:
Simultaneously press the root as well as any black key and any white key to the left of it.
Playing single finger chords without the use of the rhythm lets you add full continuous chords to your performance.
3 Fingered Chord
The Fingered Chord mode automatically produces bass accompaniment for chords played in the Lower keyboard. It allows you to use a wider range of chord types than in the Single Finger mode. In the Fingered Chord mode, you play full chords while the Auto Bass Chord function automatically selects the appropriate bass pattern. If you play only one or two notes in the Lower keyboard, the appropriate chord will sound on the basis of the previously played chord.
Key of C
C Cm C7 Cm7 Cmaj7
CaugCm maj7 Cdim Cdim7 Csus4
ELB-01 Owner’s Manual
72
Cm7-5C7sus4 C6 Cm6 Cadd9
Playing fingered chords without the use of the rhythm lets you add full continuous chords to your performance.
4 Custom A.B.C.
The Custom A.B.C. mode is a slight variation on the Fingered Chord mode. It allows you to determine what bass notes will be played in the accompaniment by playing notes on the Pedalboard along with the chords you play in the Lower keyboard.
Page 73
Memory
The Memory function is a convenient performance tool in the A.B.C. features that makes playing with the accompaniment even smoother and more fluid. It is available separately for both the Lower keyboard and Pedalboard. To use it, turn Memory on, start the rhythm and play chords and bass notes according to the selected A.B.C. mode. With Memory on, the accompaniment continues to play, even when you release your fingers (and foot). When you want to change to the next chord, simply play it and release it, and the auto accompaniment keeps playing with the new chord and bass note. This means that you can play a chord/bass note briefly, release it, and take your time before playing the next—you don’t have to hold a chord down to keep the accompaniment going.
When A.B.C. is turned off (but Memory is on), the auto accompaniment of the rhythmic chords and bass pattern do not sound, but the sound of the Lower keyboard and/or Pedalboard continues until you play the next chord/bass note.
1
<ABC> ’L.MEMORY⁄ ¿OFF ’P.MEMORY
2
4
1 Lower Memory
When this is set to on, the Lower keyboard Voices and chord accompaniment keep playing even after you release your fingers from the Lower keyboard, while the rhythm plays. Successive pressing of the [B] button alternates between On and Off.
2 Pedal Memory
When this is set to on, the Pedalboard Voices and bass accompaniment keep playing even after you release your foot from the Pedalboard, while the rhythm plays. Successive pressing of the [D] button alternates between On and Off.
(In the Single Finger and Fingered modes:) When this is set to on, the bass accompaniment of the Pedalboard Voices keeps playing even after you release your fingers from the Lower keyboard.
Rhythm/Keyboard Percussion
ELB-01 Owner’s Manual
73
Page 74
5

Melody On Chord (M.O.C.)

The Melody On Chord (M.O.C.) feature automatically adds a harmony part to the melodies you play on the Upper keyboard. The harmony is derived from the chords you play on the Lower keyboard—or from the chords that are played for you, if you use Automatic Accompaniment.
To set the M.O.C. function:
Press the [A.B.C./M.O.C.] button.
1
4
Rhythm/Keyboard Percussion
The A.B.C. display appears.
Use the PAGE buttons to select Page 2.
2
<ABC> ’L.MEMORY⁄ ¿OFF ’P.MEMORY
[Page 2] M.O.C. Display
<MOC> ¤ MODE¿OFF
M.O.C. display appears.
Turn the M.O.C. on.
3
Successive pressing of the [C] button alternates between On and Off.
<MOC> ¤ MODE¿ON
ELB-01 Owner’s Manual
74
On:
Produces harmonies of up to two notes in a range close to the melody played.
Off:
Cancels the Melody On Chord function.
Melody On Chord can be heard only when the Upper Keyboard Voice section’s volume is set to the appropriate value. Melody On Chord does not apply to the Lead Voice.
Page 75
Rhythm Sequence
Rhythm Sequence lets you create your own rhythm compositions, connecting together any of the Electone’s existing rhythms as well as original rhythms created on other Electones that have the Rhythm Sequence Program function (such as ELS-01). Although the ELB-01 does not have the full Rhythm Sequence Program function, you can load four rhythm compositions to Sequence numbers 1 – 4 in the display for future recall, using the steps below. When the rhythm sequence contains Registration Sequence data or Next Registration data, these data also can be loaded and played on the ELB-01.
While a rhythm is playing, sequence data in the Registration data cannot be loaded.
Insert the media that contains the desired rhythm sequence
1
data into the USB TO DEVICE terminal.
4
Press the [MDR] button and select the desired song you want
2
to load back to Electone.
This is necessary because the rhythm sequence data is stored as part of the registration data in the song.
ÃUSB 01 [˜] ⁄ ¿ 001:SONG 1
Press the [PLAY/PAUSE] button in the MDR section to load
3
back the desired registration.
Reference Pages
Songs (page 116)
Selecting a Song (page 111)
Rhythm/Keyboard Percussion
Now the rhythm sequence data has been loaded to Sequence numbers 1—4.
ELB-01 Owner’s Manual
75
Page 76
NOTE
Sequence numbers 1 – 4 can be turned on at the
4
Rhythm/Keyboard Percussion
same time.
Press the [RHYTHM SEQUENCE] button to call up the Rhythm
4
Sequence display.
Select the sequence by pressing the [A] – [D] buttons
5
corresponding to the desired sequence number in the display to be played back.
Successive pressing of the [A] – [D] buttons alternates between On and Off. Use the [A] button for Sequence 1, [B] for Sequence 2, [C] for Sequence 3 and [D] for Sequence 4.
”SEQ.1 ”SEQ.2 ’SEQ.3 ’SEQ.4
Press the [START] button in the Rhythm section to play back
6
the rhythm sequence.
Only those sequences set to On can be played. Two or more rhythm sequences can be played back in succession in numeric order. After playing back, the solid square indication turns to a hollow square in the display.
ELB-01 Owner’s Manual
76
Page 77
6

Keyboard Percussion

The Keyboard Percussion function provides many different drum and percussion sounds, playable from the keyboards and Pedalboard. Keyboard Percussion has two different modes, Preset and User. Preset Keyboard Percussion lets you play the preset drum kit sounds from the keyboards (assigned beforehand to the keys), while the User Keyboard Percussion lets you freely assign the drum sounds to any key or pedal you wish.

Using the Preset Keyboard Percussion

●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●
Turn off the Upper, Lower and/or Pedal Voices by setting each
1
Voice’s volume to MIN.
Turn on the Keyboard Percussion function by pressing the
2
Keyboard Percussion [1] or [2] button. Press the [1] button to play Percussion sounds on the Upper/Lower keyboards, and press the [2] button for the Pedalboard.
[Page 1] Keyboard Percussion Display
<KBP1> ⁄ ¿PRE1 KIT÷Wonder
Select the desired percussion kit. You can select a kit from a total of 15 different kits. Press the [D] button to make the “÷” indicator flash, then use the DATA CONTROL dial to select the kit.
Reference Page
On/Off status of Voices (page 28)
NOTE
Two Keyboard Percussion sets, [1] and [2], can be played at the same time by setting both buttons to on.
4
Rhythm/Keyboard Percussion
ELB-01 Owner’s Manual
77
Page 78
4
Rhythm/Keyboard Percussion
Reference Page
Select the desired percussion kit.
3
You can select a kit from a total of 15 different kits. Press the [D] button to make the “÷” indicator flash, then use the DATA CONTROL dial to select the kit.
<KBP1> ⁄ ¿PRE1 KIT÷Wonder
Play some notes on the keyboards and/or Pedalboard.
4
For details of percussion assignments for each kit, see the “Preset Keyboard Percussion List” on page 80.

Changing the Keyboard Percussion volume/reverb

●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●
You can make settings in Page 2 of the Keyboard Percussion display.
On/Off status of Voices (page 28)
Reference Pages
Using the Preset Keyboard Percussion (page 77)
Recalling the User Keyboard Percussion (page 92)
Turn off the Upper, Lower and/or Pedal Voices by setting each
1
Voice’s volume to MIN.
Press the Keyboard Percussion button.
2
<KBP1> ⁄ ¿PRE1 KIT÷Wonder
Use the PAGE buttons to select Page 2 of the Keyboard
3
Percussion display.
<KBP1> ¤ VOL.¿16 REV.÷ 8
ELB-01 Owner’s Manual
78
Page 79
[Page 2] Keyboard Percussion Display
<KBP1> ¤ VOL.¿16 REV.÷ 8
12
You can adjust the Keyboard Percussion volume/reverb in the display.
1 Volume
Determine the Keyboard Percussion volume. Press the [C] button to make the “¿” indicator flash, then use the DATA CONTROL dial to select the kit.
Range: 0 – 24
4
2 Reverb
Determines the amount of reverb applied to the Keyboard Percussion. When the Reverb depth (for entire instrument) is set to the minimum, the setting here will have no effect. Press the [D] button to make the “÷” indicator flash, then use the DATA CONTROL dial to select the kit.
Range: 0 – 24
Reference Page
Reverb Depth (page 48)
Rhythm/Keyboard Percussion
ELB-01 Owner’s Manual
79
Page 80

Preset Keyboard Percussion List

●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●
C1
C1
D1
D1
E1
F1
F1
G1
G1
A1
A1
B1
C2
C2
D2
4
Rhythm/Keyboard Percussion
E2
F2
G2
A2
B2
C3
D3
E3
F3
G3
A3
B3
C4
D4
E4
F4
G4
A4
B4
C5
D5
E5
F5
G5
A5
B5 C6
D2
F2
G2
A2
C3
D3
F3
G3
A3
C4
D4
F4
G4
A4
C5
D5
F5
G5
A5
Indicates the drum/percussion sounds and their key assignments.
Wonderland Kit EL Drum Kit
Preset 2 (PK) Preset 1 (LK) Preset 1 (UK) Preset 2 (PK) Preset 1 (LK) Preset 1 (UK)
Thunder Laser Beam BD Heavy Horse Laser Shot SD BrRoll Bass Drum Water Phone SD Heavy Footsteps Bubble SD BrShot 1 Claves Snare Puddle SD Reverb 1 Snare Roll Thunder SD Light Footsteps Shower Tom 3 Synth T om 3 Lion Beach SD Rim 1 Concert BD Footsteps Stream Tom 2 Synth Tom 2 Oxen Footsteps HH Close BD Heavy Footsteps Door Squeak Tom 1 Synth Tom 1 Door Slam Door Slam HH Open BD Light Big Clock Bass Drum Bass Drum Ride Cym 1 SD Heavy – Footsteps Gran Cassa Gran Cassa Synth Tom 3 SD BrRoll – Starship Tom 2 Tom 2 Crash Cym 1 SD Heavy – Footsteps Tom 1 Tom 1 Synth Tom 2 SD BrShot 1 – Train Snare Snare Orch Cym SD Reverb 1 – Car Crash Snare Roll Snare Roll SD Light – Footsteps HH Closed HH Closed Synth Tom 1 Tom 3 – Puddle Cymbal Cymbal SD Rim 1
HH Open HH Open Tom 2 – Tambourine Tambourine HH Close – FingerSnaps FingerSnaps Tom 1 – Castanet Castanet HH Open – Triangle M Triangle M Ride Cym 1 – Woodblock L Woodblock L Orch SD – Triangle O Triangle O Crash Cym 1 – Woodblock H Woodblock H SD Roll – Handclap Handclap Orch Cym – Jingle Bell Jingle Bell OrchCymRoll – Bell T ree Bell Tree Triangle M – Alarm Bell Alarm Bell Tambourine – Train Train Triangle O – Horn 1 Horn 1 Castanet – Horn 2 Horn 2 Cowbell 1 – Siren Siren Timbale 1 L – Car Engine Car Engine Timbale 1 H – Car Crash Car Crash WoodBlock L – Helicopter Helicopter Conga L – Starship Starship WoodBlock H – Sheep Sheep Conga H – Goat Goat Bongo L – Oxen Oxen Agogo L – Whinny Whinny Bongo H – Horse Horse Agogo H – Lion Lion Cuica L – Dog Dog Hand Claps – Cat Cat Cuica H – Rooster Rooster Shaker
Owl – Insects – Frog – Tweet 1 – Tweet 2 – CuckooClock – Big Clock – Bell – Telephone – Camera – Gnaw – Applause
: Indicates the keys of the keyboard.
ELB-01 Owner’s Manual
80
Page 81
C1
D1
E1
F1
G1
A1
B1
C2
D2
E2
F2
G2
A2
B2
C3
D3
E3
F3
G3
A3
B3
C4
D4
E4
F4
G4
A4
B4
C5
D5
E5
F5
G5
A5
B5 C6
Standard Kit 1 Standard Kit 2
Preset 2 (PK) Preset 1 (LK) Preset 1 (UK) Preset 2 (PK) Preset 1 (LK) Preset 1 (UK)
Kick Kick Short – Side Stick Surdo Mute SideStick L Surdo Mute
C1
Snare Surdo Open Snare Short Surdo Open Hand Clap Hi Q Hand Clap Hi Q
D1
Snare Tight Whip Slap SnareTightH Whip Slap Floor T om L Scratch H Floor T om L Scratch H HH Closed Scratch L HH Closed Scratch L
F1
Floor T om H Finger Snap Floor Tom H Finger Snap HH Pedal Click Noise HH Pedal Click Noise
G1
Low T om Metro.Click Low T om Metro.Click HH Open Metro.Bell HH Open Metro.Bell
A1
Mid T om L Seq Click L Mid T om L Seq Click L Mid T om H Seq Click H Mid T om H Seq Click H – Crash Cym 1 Brush Tap Crash Cym 1 Brush Tap
C2
High T om Brush Swirl High T om Brush Swirl – Ride Cym 1 Brush Slap Ride Cym 1 Brush Slap
D2
Chinese Cym Br TapSwirl Chinese Cym Br TapSwirl – RideCym Cup Snare Roll RideCym Cup Snare Roll – Tambourine Castanet Tambourine Castanet
F2
Splash Cym Snare Soft Splash Cym SnareSoft 2
G2
A2
C3
D3
F3
G3
A3
C4
D4
F4
G4
A4
C5
D5
F5
G5
A5
Sticks Sticks – Kick Soft Kick Soft – OpenRimShot OpRimShot H – Kick Tight Kick Tight – Kick Bongo H Kick Short Bongo H Side Stick Bongo L SideStick L Bongo L Snare CongaH Mute Snare Short CongaH Mute Hand Clap CongaH Open Hand Clap CongaH Open Snare Tight Conga L SnareTightH Conga L Floor T om L Timbale H Floor Tom L Timbale H HH Closed Timbale L HH Closed Timbale L Floor T om H Agogo H Floor Tom H Agogo H HH Pedal Agogo L HH Pedal Agogo L Low T om Cabasa Low Tom Cabasa HH Open Maracas HH Open Maracas Mid T om L SambaWhis.H Mid T om L SambaWhis.H Mid T om H SambaWhis.L Mid T om H SambaWhis.L Crash Cym 1 Guiro Short Crash Cym 1 Guiro Short High T om Guiro Long High Tom Guiro Long Ride Cym 1 Claves Ride Cym 1 Claves Chinese Cym WoodBlock H Chinese Cym WoodBlock H RideCym Cup WoodBlock L RideCym Cup WoodBlock L Tambourine Cuica Mute Tambourine Cuica Mute Splash Cym Cuica Open Splash Cym Cuica Open Cowbell Triangle M Cowbell Triangle M Crash Cym 2 Triangle O Crash Cym 2 Triangle O Vibraslap Shaker Vibraslap Shaker Ride Cym 2 JingleBells Ride Cym 2 JingleBells
Bell T ree Bell T ree
– – – – – – – – – – – – – – – – – – – – – –
4
Rhythm/Keyboard Percussion
ELB-01 Owner’s Manual
81
Page 82
C1
C1
D1
D1
E1
F1
F1
G1
G1
A1
A1
B1
C2
C2
D2
D2
E2
F2
4
Rhythm/Keyboard Percussion
G2
A2
B2
C3
D3
E3
F3
G3
A3
B3
C4
D4
E4
F4
G4
A4
B4
C5
D5
E5
F5
G5
A5
B5 C6
F2
G2
A2
C3
D3
F3
G3
A3
C4
D4
F4
G4
A4
C5
D5
F5
G5
A5
Hit Kit Room Kit
Preset 2 (PK) Preset 1 (LK) Preset 1 (UK) Preset 2 (PK) Preset 1 (LK) Preset 1 (UK)
KickTight H Kick – StickAmbien Surdo Mute Side Stick Surdo Mute SnareAmbien Surdo Open SnareSnappy Surdo Open Hand Clap Hi Q Hand Clap Hi Q SnareTight2 Whip Slap SnrTightSnp Whip Slap HybridTom 1 Scratch H Tom Room 1 Scratch H HH Closed 2 Scratch L HH Closed Scratch L HybridTom 2 Finger Snap Tom Room 2 Finger Snap HH Pedal 2 Click Noise HH Pedal Click Noise HybridTom 3 Metro.Click Tom Room 3 Metro.Click HH Open 2 Metro.Bell HH Open Metro.Bell HybridTom 4 Seq Click L Tom Room 4 Seq Click L HybridTom 5 Seq Click H Tom Room 5 Seq Click H – Crash Cym 1 Brush Tap Crash Cym 1 Brush Tap – HybridTom 6 Brush Swirl Tom Room 6 Brush Swirl – Ride Cym 1 Brush Slap Ride Cym 1 Brush Slap – Chinese Cym Br TapSwirl Chinese Cym Br TapSwirl – RideCym Cup Snare Roll RideCym Cup Snare Roll – TambourineL Castanet Tambourine Castanet – Splash Cym Snr Electro Splash Cym Snare Soft
Sticks Sticks – KickTight L Kick Soft – Snare Pitch OpenRimShot – Kick Wet Kick Tight – KickTight H Bongo H Kick Bongo H StickAmbien Bongo L Side Stick Bongo L SnareAmbien CongaH Mute SnareSnappy CongaH Mute Hand Clap CongaH Open Hand Clap CongaH Open SnareTight2 Conga L SnrTightSnp Conga L HybridTom 1 Timbale H Tom Room 1 Timbale H HH Closed 2 Timbale L HH Closed Timbale L HybridTom 2 Agogo H Tom Room 2 Agogo H HH Pedal 2 Agogo L HH Pedal Agogo L HybridTom 3 Cabasa Tom Room 3 Cabasa HH Open 2 Maracas HH Open Maracas HybridTom 4 SambaWhis.H Tom Room 4 SambaWhis.H HybridTom 5 SambaWhis.L Tom Room 5 SambaWhis.L Crash Cym 1 Guiro Short Crash Cym 1 Guiro Short HybridTom 6 Guiro Long Tom Room 6 Guiro Long Ride Cym 1 Claves Ride Cym 1 Claves Chinese Cym WoodBlock H Chinese Cym WoodBlock H RideCym Cup WoodBlock L RideCym Cup WoodBlock L TambourineL Cuica Mute Tambourine Cuica Mute Splash Cym Cuica Open Splash Cym Cuica Open Cowbell Triangle M Cowbell Triangle M Crash Cym 2 Triangle O Crash Cym 2 Triangle O Vibraslap Shaker Vibraslap Shaker Ride Cym 2 JingleBells Ride Cym 2 JingleBells
Bell T ree Bell T ree
– – – – – – – – – – – – – – – – – – – – – –
ELB-01 Owner’s Manual
82
Page 83
C1
D1
E1
F1
G1
A1
B1
C2
D2
E2
F2
G2
A2
B2
C3
D3
E3
F3
G3
A3
B3
C4
D4
E4
F4
G4
A4
B4
C5
D5
E5
F5
G5
A5
B5 C6
Rock Kit Electro Kit
Preset 2 (PK) Preset 1 (LK) Preset 1 (UK) Preset 2 (PK) Preset 1 (LK) Preset 1 (UK)
Kick Gate KickGateHvy
C1
Side Stick Surdo Mute Side Stick Surdo Mute Snare Rock Surdo Open SnareNoisy2 Surdo Open
D1
Hand Clap Hi Q Hand Clap Hi Q SnRockTight Whip Slap SnareNoisy3 Whip Slap Tom Rock 1 Scratch H TomElectro1 Scratch H
F1
HH Closed Scratch L HH Closed Scratch L Tom Rock 2 Finger Snap TomElectro2 Finger Snap
G1
HH Pedal Click Noise HH Pedal Click Noise Tom Rock 3 Metro.Click TomElectro3 Metro.Click
A1
HH Open Metro.Bell HH Open Metro.Bell Tom Rock 4 Seq Click L TomElectro4 Seq Click L Tom Rock 5 Seq Click H TomElectro5 Seq Click H
C2
Crash Cym 1 Brush Tap Crash Cym 1 Brush Tap – Tom Rock 6 Brush Swirl TomElectro6 Brush Swirl
D2
Ride Cym 1 Brush Slap Ride Cym 1 Brush Slap – Chinese Cym Br TapSwirl Chinese Cym Reverse Cym – RideCym Cup Snare Roll RideCym Cup Snare Roll
F2
Tambourine Castanet Tambourine Hi Q 2 – Splash Cym Snare Noisy Splash Cym SnrSnapElec
G2
A2
C3
D3
F3
G3
A3
C4
D4
F4
G4
A4
C5
D5
F5
G5
A5
Sticks Sticks – Kick Soft Kick 3 – OpenRimShot OpenRimShot – Kick 2 Kick Gate – Kick Gate Bongo H KickGateHvy Bongo H Side Stick Bongo L Side Stick Bongo L Snare Rock CongaH Mute SnareNoisy2 CongaH Mute Hand Clap CongaH Open Hand Clap CongaH Open SnRockTight Conga L SnareNoisy3 Conga L Tom Rock 1 Timbale H TomElectro1 Timbale H HH Closed Timbale L HH Closed Timbale L Tom Rock 2 Agogo H TomElectro2 Agogo H HH Pedal Agogo L HH Pedal Agogo L Tom Rock 3 Cabasa TomElectro3 Cabasa HH Open Maracas HH Open Maracas Tom Rock 4 SambaWhis.H TomElectro4 SambaWhis.H Tom Rock 5 SambaWhis.L TomElectro5 SambaWhis.L Crash Cym 1 Guiro Short Crash Cym 1 Guiro Short Tom Rock 6 Guiro Long TomElectro6 Guiro Long Ride Cym 1 Claves Ride Cym 1 Claves Chinese Cym WoodBlock H Chinese Cym WoodBlock H RideCym Cup WoodBlock L RideCym Cup WoodBlock L Tambourine Cuica Mute Tambourine Scratch H 2 Splash Cym Cuica Open Splash Cym Scratch L 2 Cowbell Triangle M Cowbell Triangle M Crash Cym 2 Triangle O Crash Cym 2 Triangle O Vibraslap Shaker Vibraslap Shaker Ride Cym 2 JingleBells Ride Cym 2 JingleBells
Bell T ree Bell T ree
– – – – – – – – – – – – – – – – – – – – – –
4
Rhythm/Keyboard Percussion
ELB-01 Owner’s Manual
83
Page 84
C1
C1
D1
D1
E1
F1
F1
G1
G1
A1
A1
B1
C2
C2
D2
D2
E2
F2
4
Rhythm/Keyboard Percussion
G2
A2
B2
C3
D3
E3
F3
G3
A3
B3
C4
D4
E4
F4
G4
A4
B4
C5
D5
E5
F5
G5
A5
B5 C6
F2
G2
A2
C3
D3
F3
G3
A3
C4
D4
F4
G4
A4
C5
D5
F5
G5
A5
Analog Kit Jazz Kit
Preset 2 (PK) Preset 1 (LK) Preset 1 (UK) Preset 2 (PK) Preset 1 (LK) Preset 1 (UK)
Kick Analog Kick Jazz – SideStickAn Surdo Mute SideStick L Surdo Mute SnareAnalog Surdo Open SnareJazz L Surdo Open Hand Clap Hi Q Hand Clap Hi Q SnareAnlg 2 Whip Slap SnareJazz M Whip Slap TomAnalog 1 Scratch H Floor Tom L Scratch H Hat CloseAn Scratch L HH Closed Scratch L TomAnalog 2 Finger Snap Floor T om H Finger Snap HatCloseAn2 Click Noise HH Pedal Click Noise TomAnalog 3 Metro.Click Low T om Metro.Click Hat Open An Metro.Bell HH Open Metro.Bell TomAnalog 4 Seq Click L Mid Tom L Seq Click L TomAnalog 5 Seq Click H Mid Tom H Seq Click H – CrashAnalog Brush Tap Crash Cym 1 Brush Tap – TomAnalog 6 Brush Swirl High T om Brush Swirl – Ride Cym 1 Brush Slap Ride Cym 1 Brush Slap – Chinese Cym Reverse Cym Chinese Cym Br T apSwirl – RideCym Cup Snare Roll RideCym Cup Snare Roll – Tambourine Hi Q 2 Tambourine Castanet – Splash Cym SnareNoisy4 Splash Cym SnareJazz H
Sticks Sticks – Kick 3 Kick Soft – OpenRimShot OpenRimShot – KickAnlgSht Kick Tight – Kick Analog Bongo H Kick Jazz Bongo H SideStickAn Bongo L SideStick L Bongo L SnareAnalog CongaAnlg H SnareJazz L CongaH Mute Hand Clap CongaAnlg M Hand Clap CongaH Open SnareAnlg 2 CongaAnlg L SnareJazz M Conga L TomAnalog 1 Timbale H Floor Tom L Timbale H Hat CloseAn Timbale L HH Closed Timbale L TomAnalog 2 Agogo H Floor Tom H Agogo H HatCloseAn2 Agogo L HH Pedal Agogo L TomAnalog 3 Cabasa Low Tom Cabasa Hat Open An Maracas 2 HH Open Maracas TomAnalog 4 SambaWhis.H Mid Tom L SambaWhis.H TomAnalog 5 SambaWhis.L Mid Tom H SambaWhis.L CrashAnalog Guiro Short Crash Cym 1 Guiro Short TomAnalog 6 Guiro Long High Tom Guiro Long Ride Cym 1 Claves 2 Ride Cym 1 Claves Chinese Cym WoodBlock H Chinese Cym WoodBlock H RideCym Cup WoodBlock L RideCym Cup WoodBlock L Tambourine Scratch H 2 Tambourine Cuica Mute Splash Cym Scratch L 2 Splash Cym Cuica Open CowbellAnlg Tr iangle M Cowbell Triangle M Crash Cym 2 Triangle O Crash Cym 2 Triangle O Vibraslap Shaker Vibraslap Shaker Ride Cym 2 JingleBells Ride Cym 2 JingleBells
Bell T ree Bell T ree
– – – – – – – – – – – – – – – – – – – – – –
ELB-01 Owner’s Manual
84
Page 85
C1
D1
E1
F1
G1
A1
B1
C2
D2
E2
F2
G2
A2
B2
C3
D3
E3
F3
G3
A3
B3
C4
D4
E4
F4
G4
A4
B4
C5
D5
E5
F5
G5
A5
B5 C6
Brush Kit Symphony Kit
Preset 2 (PK) Preset 1 (LK) Preset 1 (UK) Preset 2 (PK) Preset 1 (LK) Preset 1 (UK)
Kick Jazz GranCassa M
C1
SideStick L Surdo Mute Side Stick Surdo Mute BrushSlap 3 Surdo Open Band Snare Surdo Open
D1
Hand Clap Hi Q Hand Clap Hi Q Brush Tap 2 Whip Slap BandSnare 2 Whip Slap Tom Brush 1 Scratch H Floor Tom L Scratch H
F1
HH Closed Scratch L HH Closed Scratch L Tom Brush 2 Finger Snap Floor Tom H Finger Snap
G1
HH Pedal Click Noise HH Pedal Click Noise Tom Brush 3 Metro.Click Low Tom Metro.Click
A1
HH Open Metro.Bell HH Open Metro.Bell Tom Brush 4 Seq Click L Mid Tom L Seq Click L Tom Brush 5 Seq Click H Mid T om H Seq Click H
C2
Crash Cym 1 Brush Tap Hand Cymbal Brush T ap – Tom Brush 6 Brush Swirl High Tom Brush Swirl
D2
Ride Cym 1 Brush Slap Hand Cym S Brush Slap – Chinese Cym Br TapSwirl Chinese Cym Br TapSwirl – RideCym Cup Snare Roll RideCym Cup Snare Roll
F2
Tambourine Castanet Tambourine Castanet – Splash Cym BrushSlap 2 Splash Cym Snare Soft
G2
A2
C3
D3
F3
G3
A3
C4
D4
F4
G4
A4
C5
D5
F5
G5
A5
Sticks Sticks – Kick Soft Kick Soft 2 – OpenRimShot OpenRimShot – Kick Tight Gran Cassa – Kick Jazz Bongo H GranCassa M Bongo H SideStick L Bongo L Side Stick Bongo L BrushSlap 3 CongaH Mute Band Snare CongaH Mute Hand Clap CongaH Open Hand Clap CongaH Open Brush Tap 2 Conga L BandSnare 2 Conga L Tom Brush 1 Timbale H Floor Tom L Timbale H HH Closed Timbale L HH Closed Timbale L Tom Brush 2 Agogo H Floor Tom H Agogo H HH Pedal Agogo L HH Pedal Agogo L Tom Brush 3 Cabasa Low T om Cabasa HH Open Maracas HH Open Maracas Tom Brush 4 SambaWhis.H Mid Tom L SambaWhis.H Tom Brush 5 SambaWhis.L Mid Tom H SambaWhis.L Crash Cym 1 Guiro Short Hand Cymbal Guiro Short Tom Brush 6 Guiro Long High Tom Guiro Long Ride Cym 1 Claves Hand Cym S Claves Chinese Cym WoodBlock H Chinese Cym WoodBlock H RideCym Cup WoodBlock L RideCym Cup WoodBlock L Tambourine Cuica Mute Tambourine Cuica Mute Splash Cym Cuica Open Splash Cym Cuica Open Cowbell Triangle M Cowbell Triangle M Crash Cym 2 Triangle O Hand Cym 2 Triangle O Vibraslap Shaker Vibraslap Shaker Ride Cym 2 JingleBells HandCym 2 S JingleBells
Bell T ree Bell T ree
– – – – – – – – – – – – – – – – – – – – – –
4
Rhythm/Keyboard Percussion
ELB-01 Owner’s Manual
85
Page 86
C1
C1
D1
D1
E1
F1
F1
G1
G1
A1
A1
B1
C2
C2
D2
D2
E2
F2
4
Rhythm/Keyboard Percussion
G2
A2
B2
C3
D3
E3
F3
G3
A3
B3
C4
D4
E4
F4
G4
A4
B4
C5
D5
E5
F5
G5
A5
B5 C6
F2
G2
A2
C3
D3
F3
G3
A3
C4
D4
F4
G4
A4
C5
D5
F5
G5
A5
SFX1 SFX2
Preset 2 (PK) Preset 1 (LK) Preset 1 (UK) Preset 2 (PK) Preset 1 (LK) Preset 1 (UK)
CutingNoiz1 Phone Call – CutingNoiz2 Door Squeak
Door Slam
String Slap Scratch Cut
Scratch H 3 – – Wind Chime – – Phone Ring – – – – – – – – – – – – – – – – – –
Fl.KeyClick CarEngnIgni
CarTiresSql – – Car Passing – – Car Crash
– – – –
– CutingNoiz1 Phone Call Burst CutingNoiz2 Door Squeak Coaster
Door Slam Submarine String Slap Scratch Cut
Scratch H 3
Wind Chime
Phone Ring
Shower Laugh
Thunder Scream
Wind Punch
Stream Heart Beat
Bubble Foot Steps
Feed
– Fl.KeyClick CarEngnIgni
CarTiresSql
Car Passing
Car Crash
Siren
Train
Jet Plane
Starship
Dog Machine Gun
Horse Laser Gun
Bird T weet Explosion
Firework –
– Ghost – Maou
ELB-01 Owner’s Manual
86
Page 87
C1
D1
E1
F1
G1
A1
B1
C2
D2
E2
F2
G2
A2
B2
C3
D3
E3
F3
G3
A3
B3
C4
D4
E4
F4
G4
A4
B4
C5
D5
E5
F5
G5
A5
B5 C6
ArabicKit
Preset 2 (PK) Preset 1 (LK) Preset 1 (UK)
Kick Soft
C1
Side Stick – Snare Soft
D1
Arabic Clap – Snare Drum – Floor T om L
F1
HH Closed – Floor T om H
G1
HH Pedal – Low T om
A1
HH Open – Mid T om L – Mid T om H Nakarazan D
C2
Crash Cym 1 Cabasa – High T om Nakarazan E
D2
Ride Cym 1 Hager Dom – Crash Cym 2 Hager Edge – Duhulla Dom Bongo H
F2
Tambourine Bongo L – Duhulla T ak CongaH Mute
G2
A2
C3
D3
F3
G3
A3
C4
D4
F4
G4
A4
C5
D5
F5
G5
A5
CongaH Open – Conga L – Zagrouda H – Zagrouda L – Kick Soft Katem Dom Side Stick Katem Tak Snare Soft Katem Sak Arabic Clap Katem T ak Snare Drum Doff Tak Floor T om L Tabla Dom HH Closed Tabla Tak 1 Floor T om H Tabla Tik HH Pedal Ta bla Tak 2 Low T om Tabla Sak HH Open Tabla Roll Mid T om L Tabla Flam Mid T om H Sagat 1 Crash Cym 1 Tabel Dom High T om Sagat 3 Ride Cym 1 Tabel T ak Crash Cym 2 Sagat 2 Duhulla Dom Rik Dom Tambourine Rik Tak 2 Duhulla T ak Rik Finger1 Cowbell Rik Tak 1 Duhulla Sak Rik Finger2 Claves Rik Tremolo Doff Dom Rik Sak
Rik Tik
4
Rhythm/Keyboard Percussion
ELB-01 Owner’s Manual
87
Page 88
4
Rhythm/Keyboard Percussion

Assigning sounds to the User Keyboard Percussion

●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●
You can assign any desired drum and percussion sound to any key or pedal, and your original setups can be saved to eight memory locations: User 1 through User 8. The User setting saved in the User memory location can be called up by using the Keyboard Percussion [1] or [2] buttons. In the instructions below, drum sounds are assigned to User 1 and called up with Keyboard Percussion [1] button.
Turn on the Keyboard Percussion function by pressing the
1
Keyboard Percussion [1] button.
The Keyboard Percussion display appears.
[Page 1] Keyboard Percussion Display
<KBP1> ⁄ ¿PRE1 KIT÷Wonder
Select “User 1” here.
2
Press the [C] button to make the “¿” indicator flash, then use the DATA CONTROL dial to select “User 1.”
<KBP1> ⁄ ¿USER1 KIT÷Wonder
Select the desired percussion kit.
3
Press the [D] button to make the “÷” indicator flash, then use the DATA CONTROL dial to select the kit. Refer to the “Kit Assign List” on page 93.
ELB-01 Owner’s Manual
88
<KBP1> ⁄ ¿USER1 KIT÷EL
Page 89
Use the PAGE buttons to select Page 3.
4
<KBP1> ⁄ ¿USER1 KIT÷EL
[Page 3] Keyboard Percussion Display
13
¿<CYMBAL> [SET]‹ ¿01:Crash Cym 1[CLR]
24
In this Page, you can assign specific drum sounds to any of the keys.
1 Category
This allows you to select the desired percussion category using the [A] buttons. Refer to the “Kit Assign List” on page 93.
2 Instrument Names
The individual instruments are shown in the display and can be selected with the appropriate [A] – [D] buttons. Refer to the “Kit Assign List” on page 93.
3 Set
Assigns the selected instrument to the desired key. (See the following explanation in step 7.)
4 Clear
This function is used to erase the User assignment for User 1. Clear works in two ways: either to erase a single instrument, or to erase all instruments. (See the following explanation on page 91.)
4
Rhythm/Keyboard Percussion
Select the desired percussion group.
5
Press the [A] button to make the “¿” indicator flash, then use the DATA CONTROL dial to select the category.
¿<BASS DRUM> [SET]‹ ¿01:BD light [CLR]
ELB-01 Owner’s Manual
89
Page 90
NOTE
Though eight User Keyboard Percussion setups can be created, they cannot be memorized to
4
Rhythm/Keyboard Percussion
Registration Memory. Only on/off data and the Keyboard Percussion Menu are memorized to Registration Memory.
Select the desired instruments.
6
Press the [C] button to make the “¿” indicator flash, then use the DATA CONTROL dial to select instrument.
¿<BASS DRUM> [SET]‹ ¿02:BD Heavy [CLR]
To assign an instrument to a particular key or pedal.
7
Simultaneously hold down the Data Control button corresponding to [Set] and press the key (or pedal) to which the instrument is to be assigned. The currently displayed instrument will be assigned to the key you press down as a part of User
1.
¿<BASS DRUM> [SET]‹ ¿02:BD Heavy [CLR]
1. While holding down [B] button...
2. Press the key.
Repeat the operation steps above as necessary to construct your
8
own User Keyboard Percussion set.
ELB-01 Owner’s Manual
90
Page 91
To erase one instrument:
Simultaneously hold down the [D] button corresponding to the [Clear] in the display and press the key (or pedal) corresponding to the instrument you wish to erase. (A short ‘beep’ sound indicates that the instrument has been erased.)
¿<BASS DRUM> [SET]‹ ¿02:BD Heavy [CLR]
Press the [D] button…
Press the key.
Do not turn the power off while the Keyboard Percussion settings are being saved.
To erase all instruments:
You can clear all assignments in Page 3 of the Keyboard Percussion display.
4
Press, then release the [D] button corresponding to [CLEAR] in
1
the display.
The following display appears, prompting confirmation of the operation. You can cancel the operation at this point by pressing the [D] button corresponding to [Cancel].
¿<BASS DRUM> [SET]‹ ¿02:BD Heavy [CLR]
Press the [C] button to erase all data. When the [C] button is
2
pressed, a “Completed” message momentarily appears on the display.
The Keyboard Percussion setting you have created is automatically saved when you switch to another display.
≤Clear assignments?≤ ≤[Clear] [Cancel]≤
Rhythm/Keyboard Percussion
ELB-01 Owner’s Manual
91
Page 92
4

Recalling the User Keyboard Percussion

●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●
Press the Keyboard Percussion button.
1
Select the desired User Keyboard percussion kit.
2
Press the [C] button to make the “¿” indicator flash, then use the DATA CONTROL dial to select the desired User number.
Rhythm/Keyboard Percussion
<KBP1> ⁄ ¿USER1 KIT÷Wonder
Play some notes on the keyboards and/or Pedalboard.
ELB-01 Owner’s Manual
92
Page 93

Kit Assign List

●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●
Wonderland Kit
SFX
Laser Beam Laser Shot Water Phone Bubble Puddle
NATURE
Thunder Shower Beach Stream
DAILY
Footsteps Door Squeak Door Slam Alarm Bell CuckooClock Big Clock Bell Telephone Camera Gnaw Applause
PERCUSSION
Bass Drum Gran Cassa Tom 1 Tom 2 Snare Snare Roll HH Closed HH Open Cymbal Tambourine FingerSnaps Castanet Triangle M Triangle O Woodblock L Woodblock H Handclap Jingle Bell Bell Tree
VEHICLE
Train Horn 1 Horn 2 Siren Car Engine Car Crash Helicopter Starship
ANIMAL
Sheep Goat Oxen Whinny Horse Lion Dog Cat Rooster Owl Insects Frog Tweet 1 Tweet 2
EL Drum Kit
CYMBAL
Crash Cym 1
Crash Cym 2 Crash Cym M Ride Cym 1 Ride Cym 2 RideCym Cup Orch Cym OrchCymRoll Orch Cym M Cym March Cym BrShot Tam-Tam
HIHAT
HH Open HH Close HH Pedal 1 HH Pedal 2 Analog HH O Analog HH C
SNARE DRUM
SD Light SD Heavy SD Rim 1 SD Rim 2 SD Accent 1 SD Accent 2 SD Reverb 1 SD Reverb 2 Synth SD Orch SD SD Roll Analog SD
SNARE BRUSH
SD BrShot 1 SD BrShot 2 SD BrRoll TOM Tom 1 Tom 2 Tom 3 Tom 4 TomBrShot 1 TomBrShot 2 TomBrShot 3 TomBrShot 4 Synth Tom 1 Synth Tom 2 Synth Tom 3
BASS DRUM
BD Light BD Heavy BD Attack Synth BD BD March Concert BD Analog BD S Analog BD L
CONGA/BONGO
Conga H Conga L Conga Slap Conga Muff Conga Slide Bongo H Bongo L Bongo Slap Bongo Mute
CUICA/SURDO
Cuica H Cuica M Cuica L Tamborim O Tamborim M Surdo Open
Surdo Mute Surdo Rim Surdo Muff
TIMBALE/COWBELL
Timbale 1 H Timbale 1 L Timbale 2 H Timbale 2 L Timbale 3 H Timbale 3 L Timbale 4 H Timbale 4 L Cowbell 1 Cowbell 2 Cowbell 3 Cowbell 4
PERCUSSION 1
Cabasa Shaker Maracas H Maracas L Guiro Short Guiro Long WoodBlock H WoodBlock M WoodBlock L Claves Castanet Vibraslap
PERCUSSION 2
Agogo H Agogo L Triangle O Triangle M WindbellDwn Windbell Up Tambourine Pandeiro Bells Hand Claps Finger Snap Scratch Noise Perc.
PERCUSSION 3
Kotsuzumi 1 Kotsuzumi 2 Kotsuzumi 3 Kotsuzumi 4 Ohtsuzumi 1 Ohtsuzumi 2 Taiko 1 Taiko 2 Ohdaiko 1 Ohdaiko 2 Kakegoe 1 Kakegoe 2 Kakegoe 3
Standard Kit 1
CYMBAL
Crash Cym 1 Crash Cym 2 Splash Cym Chinese Cym Ride Cym 1 Ride Cym 2 RideCym Cup HH Open HH Closed HH Pedal
SNARE DRUM
Snare
Snare Tight Snare Soft Snare Roll Side Stick OpenRimShot Brush Tap Brush Slap Brush Swirl Br TapSwirl
TOM
Floor Tom L Floor Tom H Low Tom Mid Tom L Mid Tom H High Tom
BASS DRUM
Kick Kick Tight Kick Soft
PERCUSSION 1
CongaH Open Conga L CongaH Mute Bongo H Bongo L Timbale H Timbale L Cowbell Claves Guiro Long Guiro Short Maracas Vibraslap
PERCUSSION 2
Surdo Mute Surdo Open Cuica Mute Cuica Open Cabasa Shaker Agogo H Agogo L SambaWhis.H SambaWhis.L
PERCUSSION 3
Tambourine Castanet JingleBells Bell Tree Triangle O Triangle M WoodBlock H WoodBlock L Sticks Whip Slap Finger Snap Hand Clap
PERCUSSION 4
Hi Q Click Noise Scratch H Scratch L Seq Click L Seq Click H Metro.Click Metro.Bell
Standard Kit 2
CYMBAL
Crash Cym 1 Crash Cym 2
4
Rhythm/Keyboard Percussion
ELB-01 Owner’s Manual
93
Page 94
Splash Cym Chinese Cym Ride Cym 1 Ride Cym 2 RideCym Cup HH Open HH Closed HH Pedal
SNARE DRUM
Snare Short SnareTightH SnareSoft 2 Snare Roll SideStick L OpRimShot H Brush Tap Brush Slap Brush Swirl Br TapSwirl
TOM
Floor Tom L Floor Tom H Low Tom Mid Tom L
4
Rhythm/Keyboard Percussion
Mid Tom H High Tom
BASS DRUM
Kick Short Kick Tight Kick Soft
PERCUSSION 1
CongaH Open Conga L CongaH Mute Bongo H Bongo L Timbale H Timbale L Cowbell Claves Guiro Long Guiro Short Maracas Vibraslap
PERCUSSION 2
Surdo Mute Surdo Open Cuica Mute Cuica Open Cabasa Shaker Agogo H Agogo L SambaWhis.H SambaWhis.L
PERCUSSION 3
Tambourine Castanet JingleBells Bell Tree Triangle O Triangle M WoodBlock H WoodBlock L Sticks Whip Slap Finger Snap Hand Clap
PERCUSSION 4
Hi Q Click Noise Scratch H Scratch L Seq Click L Seq Click H Metro.Click
Metro.Bell
Hit Kit
CYMBAL
Crash Cym 1 Crash Cym 2 Splash Cym Chinese Cym Ride Cym 1 Ride Cym 2 RideCym Cup HH Open 2 HH Closed 2 HH Pedal 2
SNARE DRUM
SnareAmbien SnareTight2 Snr Electro Snare Roll StickAmbien Snare Pitch Brush Tap Brush Slap Brush Swirl Br TapSwirl
TOM
HybridTom 1 HybridTom 2 HybridTom 3 HybridTom 4 HybridTom 5 HybridTom 6 BASS DRUM KickTight H Kick Wet KickTight L
PERCUSSION 1
CongaH Open Conga L CongaH Mute Bongo H Bongo L Timbale H Timbale L Cowbell Claves Guiro Long Guiro Short Maracas Vibraslap
PERCUSSION 2
Surdo Mute Surdo Open Cuica Mute Cuica Open Cabasa Shaker Agogo H Agogo L SambaWhis.H SambaWhis.L
PERCUSSION 3
TambourineL Castanet JingleBells Bell Tree Triangle O Triangle M WoodBlock H WoodBlock L Sticks Whip Slap Finger Snap Hand Clap
PERCUSSION 4
Hi Q Click Noise Scratch H Scratch L Seq Click L Seq Click H Metro.Click Metro.Bell
Room Kit
CYMBAL
Crash Cym 1 Crash Cym 2 Splash Cym Chinese Cym Ride Cym 1 Ride Cym 2 RideCym Cup HH Open HH Closed HH Pedal
SNARE DRUM
SnareSnappy SnrTightSnp Snare Soft Snare Roll Side Stick OpenRimShot Brush Tap Brush Slap Brush Swirl Br TapSwirl
TOM
Tom Room 1 Tom Room 2 Tom Room 3 Tom Room 4 Tom Room 5 Tom Room 6
BASS DRUM
Kick Kick Tight Kick Soft
PERCUSSION 1
CongaH Open Conga L CongaH Mute Bongo H Bongo L Timbale H Timbale L Cowbell Claves Guiro Long Guiro Short Maracas Vibraslap
PERCUSSION 2
Surdo Mute Surdo Open Cuica Mute Cuica Open Cabasa Shaker Agogo H Agogo L SambaWhis.H SambaWhis.L
PERCUSSION 3
Tambourine Castanet JingleBells Bell Tree Triangle O Triangle M
WoodBlock H WoodBlock L Sticks Whip Slap Finger Snap Hand Clap
PERCUSSION 4
Hi Q Click Noise Scratch H Scratch L Seq Click L Seq Click H Metro.Click Metro.Bell
Rock Kit
CYMBAL
Crash Cym 1 Crash Cym 2 Splash Cym Chinese Cym Ride Cym 1 Ride Cym 2 RideCym Cup HH Open HH Closed HH Pedal
SNARE DRUM
Snare Rock SnRockTight Snare Noisy Snare Roll Side Stick OpenRimShot Brush Tap Brush Slap Brush Swirl Br TapSwirl
TOM
Tom Rock 1 Tom Rock 2 Tom Rock 3 Tom Rock 4 Tom Rock 5 Tom Rock 6
BASS DRUM
Kick Gate Kick 2 Kick Soft
PERCUSSION 1
CongaH Open Conga L CongaH Mute Bongo H Bongo L Timbale H Timbale L Cowbell Claves Guiro Long Guiro Short Maracas Vibraslap
PERCUSSION 2
Surdo Mute Surdo Open Cuica Mute Cuica Open Cabasa Shaker Agogo H Agogo L SambaWhis.H SambaWhis.L
ELB-01 Owner’s Manual
94
Page 95
PERCUSSION 3
Tambourine Castanet JingleBells Bell Tree Triangle O Triangle M WoodBlock H WoodBlock L Sticks Whip Slap Finger Snap Hand Clap
PERCUSSION 4
Hi Q Click Noise Scratch H Scratch L Seq Click L Seq Click H Metro.Click Metro.Bell
Electro Kit
CYMBAL
Crash Cym 1 Crash Cym 2 Splash Cym Chinese Cym Ride Cym 1 Ride Cym 2 RideCym Cup HH Open HH Closed HH Pedal
SNARE DRUM
SnareNoisy2 SnareNoisy3 SnrSnapElec Snare Roll Side Stick OpenRimShot Brush Tap Brush Slap Brush Swirl Reverse Cym
TOM
TomElectro1 TomElectro2 TomElectro3 TomElectro4 TomElectro5 TomElectro6 BASS DRUM KickGateHvy Kick Gate Kick 3
PERCUSSION1
CongaH Open Conga L CongaH Mute Bongo H Bongo L Timbale H Timbale L Cowbell Claves Guiro Long Guiro Short Maracas Vibraslap
PERCUSSION 2
Surdo Mute Surdo Open Scratch H 2
Scratch L 2 Cabasa Shaker Agogo H Agogo L SambaWhis.H SambaWhis.L
PERCUSSION 3
Tambourine Hi Q 2 JingleBells Bell Tree Triangle O Triangle M WoodBlock H WoodBlock L Sticks Whip Slap Finger Snap Hand Clap
PERCUSSION 4
Hi Q Click Noise Scratch H Scratch L Seq Click L Seq Click H Metro.Click Metro.Bell
Analog Kit
CYMBAL
CrashAnalog Crash Cym 2 Splash Cym Chinese Cym Ride Cym 1 Ride Cym 2 RideCym Cup Hat Open An Hat CloseAn HatCloseAn2
SNARE DRUM
SnareAnalog SnareAnlg 2 SnareNoisy4 Snare Roll SideStickAn OpenRimShot Brush Tap Brush Slap Brush Swirl Reverse Cym
TOM
TomAnalog 1 TomAnalog 2 TomAnalog 3 TomAnalog 4 TomAnalog 5 TomAnalog 6 BASS DRUM Kick Analog KickAnlgSht Kick 3
PERCUSSION 1
CongaAnlg M CongaAnlg L CongaAnlg H Bongo H Bongo L Timbale H Timbale L CowbellAnlg Claves 2 Guiro Long
Guiro Short Maracas 2 Vibraslap
PERCUSSION 2
Surdo Mute Surdo Open Scratch H 2 Scratch L 2 Cabasa Shaker Agogo H Agogo L SambaWhis.H SambaWhis.L
PERCUSSION 3
Tambourine Hi Q 2 JingleBells Bell Tree Triangle O Triangle M WoodBlock H WoodBlock L Sticks Whip Slap Finger Snap Hand Clap
PERCUSSION 4
Hi Q Click Noise Scratch H Scratch L Seq Click L Seq Click H Metro.Click Metro.Bell
Jazz Kit
CYMBAL
Crash Cym 1 Crash Cym 2 Splash Cym Chinese Cym Ride Cym 1 Ride Cym 2 RideCym Cup HH Open HH Closed HH Pedal
SNARE DRUM
SnareJazz L SnareJazz M SnareJazz H Snare Roll SideStick L OpenRimShot Brush Tap Brush Slap Brush Swirl Br TapSwirl
TOM
Floor Tom L Floor Tom H Low Tom Mid Tom L Mid Tom H High Tom
BASS DRUM
Kick Jazz Kick Tight Kick Soft
PERCUSSION 1
CongaH Open Conga L CongaH Mute
Bongo H Bongo L Timbale H Timbale L Cowbell Claves Guiro Long Guiro Short Maracas Vibraslap
PERCUSSION 2
Surdo Mute Surdo Open Cuica Mute Cuica Open Cabasa Shaker Agogo H Agogo L SambaWhis.H SambaWhis.L
PERCUSSION 3
Tambourine Castanet JingleBells Bell Tree Triangle O Triangle M WoodBlock H WoodBlock L Sticks Whip Slap Finger Snap Hand Clap
PERCUSSION 4
Hi Q Click Noise Scratch H Scratch L Seq Click L Seq Click H Metro.Click Metro.Bell
Brush Kit
CYMBAL
Crash Cym 1 Crash Cym 2 Splash Cym Chinese Cym Ride Cym 1 Ride Cym 2 RideCym Cup HH Open HH Closed HH Pedal
SNARE DRUM
BrushSlap 3 Brush Tap 2 BrushSlap 2 Snare Roll SideStick L OpenRimShot Brush Tap Brush Slap Brush Swirl Br TapSwirl
TOM
Tom Brush 1 Tom Brush 2 Tom Brush 3 Tom Brush 4 Tom Brush 5 Tom Brush 6
BASS DRUM
4
Rhythm/Keyboard Percussion
ELB-01 Owner’s Manual
95
Page 96
Kick Jazz Kick Tight Kick Soft
PERCUSSION 1
CongaH Open Conga L CongaH Mute Bongo H Bongo L Timbale H Timbale L Cowbell Claves Guiro Long Guiro Short Maracas Vibraslap
PERCUSSION 2
Surdo Mute Surdo Open Cuica Mute Cuica Open Cabasa Shaker
4
Rhythm/Keyboard Percussion
Agogo H Agogo L SambaWhis.H SambaWhis.L
PERCUSSION 3
Tambourine Castanet JingleBells Bell Tree Triangle O Triangle M WoodBlock H WoodBlock L Sticks Whip Slap Finger Snap Hand Clap
PERCUSSION 4
Hi Q Click Noise Scratch H Scratch L Seq Click L Seq Click H Metro.Click Metro.Bell
Symphony Kit
CYMBAL
Hand Cymbal Hand Cym 2 Splash Cym Chinese Cym Hand Cym S HandCym 2 S RideCym Cup HH Open HH Closed HH Pedal
SNARE DRUM
Band Snare BandSnare 2 Snare Soft Snare Roll Side Stick OpenRimShot Brush Tap Brush Slap Brush Swirl Br TapSwirl
TOM
Floor Tom L Floor Tom H Low Tom Mid Tom L Mid Tom H High Tom BASS DRUM GranCassa M Gran Cassa Kick Soft 2
PERCUSSION 1
CongaH Open Conga L CongaH Mute Bongo H Bongo L Timbale H Timbale L Cowbell Claves Guiro Long Guiro Short Maracas Vibraslap
PERCUSSION 2
Surdo Mute Surdo Open Cuica Mute Cuica Open Cabasa Shaker Agogo H Agogo L SambaWhis.H SambaWhis.L
PERCUSSION 3
Tambourine Castanet JingleBells Bell Tree Triangle O Triangle M WoodBlock H WoodBlock L Sticks Whip Slap Finger Snap Hand Clap
PERCUSSION 4
Hi Q Click Noise Scratch H Scratch L Seq Click L Seq Click H Metro.Click Metro.Bell
SFX1
SFX
CutingNoiz1 CutingNoiz2 String Slap Fl.KeyClick Shower Thunder Wind Stream Bubble Feed Ghost Maou Dog Horse Bird Tweet
SFX2
SFX 1
Phone Call Phone Ring Wind Chime Door Squeak Door Slam Scratch Cut Scratch H 3 Laugh Scream Punch Heart Beat Foot Steps
SFX 2
CarEngnIgni CarTiresSql Car Passing Car Crash Siren Train Jet Plane Starship Burst Coaster Submarine Machine Gun Laser Gun Explosion Firework
Arabic Kit
ARABIC 1
Nakarazan D Nakarazan E Hager Dom Hager Edge Zagrouda H Zagrouda L Arabic Clap Duhulla Dom Duhulla Tak Duhulla Sak Doff Dom Doff Tak
ARABIC 2
Katem Dom Katem Tak Katem Sak Tabla Dom Tabla Tak 1 Tabla Tak 2 Tabla Sak Tabla Tik Tabla Roll Tabla Flam Tabel Dom Tabel Tak
ARABIC 3
Sagat 1 Sagat 2 Sagat 3 Rik Dom Rik Tak 1 Rik Tak 2 Rik Sak Rik Tik Rik Finger1 Rik Finger2 Rik Tremolo
CYMBAL/SNARE DRUM
Crash Cym 1 Crash Cym 2 Ride Cym 1 HH Open
HH Closed HH Pedal Snare Drum Snare Soft Side Stick
TOM/BASS DRUM
Floor Tom L Floor Tom H Low Tom Mid Tom L Mid Tom H High Tom Kick Soft
PERCUSSION
CongaH Open Conga L CongaH Mute Bongo H Bongo L Cowbell Claves Cabasa Tambourine
ELB-01 Owner’s Manual
96
Page 97
5

Registration Memory

Registration Memory is a powerful performance tool that helps you sound like a professional. It lets you store virtually all the settings you make on the panel and LCD, conveniently allowing you to instantly change all Voice settings and rhythms while you're playing—simply by pressing a single Registration Memory button. The buttons are conveniently located at the top right on the panel for easy access while playing. Just press the numbered button that corresponds to the Registration you wish to select. Moreover, you can also recall the settings using the right footswitch. All Registrations in Registration Memory can also be saved to USB ash memory.
Various types of basic Registrations have been programmed to the numbered Registration Memory buttons [1] – [8], with additional Registration Memory presets 9 – 16 which can also be called up easily. You can of course record your own Registration settings to a numbered button, but keep in mind that the preset Registration for that button will be overwritten and erased. You can recall the original factory preset settings (and delete your own) by initializing the Registration Memory.
5
Basic Registration
No. Image No. Image
1 Strings ensemble 9 Big band jazz
2 Brass ensemble 10 Rock band
3Woodwind ensemble 11 Fun time
4Orchestra 12 Synth pop
5 Flute combo 13 Pop organ
6 Piano ballad 14 Cathedral
7 Jazz combo 15 Synth bell
8 Pop ballad 16 Music box
1

Storing Registrations

Your newly created Registrations you make can be stored to the Registration Memory panel buttons. All Registrations in Registration Memory can also be saved to USB flash memory.
Create your original Registration by making all desired panel
1
settings.
Registration Memory
Reference Pages
Selecting a Voice (page 25)
Selecting a Rhythm (page
56)
Voice Controls and Effects (page 40)
ELB-01 Owner’s Manual
97
Page 98
While holding down the [M.] (Memory) button in the Registration
2
Memory section, press the numbered button to which you wish to save your Registration.
5
Registration Memory
1. While holding down [M.] button...
When the Registration is stored, the LED above the numbered the numbered button flashes momentarily.
Although the ELB-01 has just eight Registration Memory buttons, up to sixteen Registrations can be stored. To store Registrations 9 – 16, simultaneously hold down both the [VOICE DISPLAY] button in the Display Select section and the [M.] (Memory) button in the Registration Memory, and press the desired numbered button (in this case, indicated as [1] – [8]) to which you wish to save your Registration. When the Registration is stored, the numbered button’s LED flashes momentarily
Do not turn the power off while the Registration is being saved.
2. Press desired numbered button.
Reference Page
Saving Registrations as Registration Data (File); (page 124)
Functions and settings that cannot be memorized:
• Pitch (page 150)
• MIDI Control settings (page 161)
• LCD related settings (page 19)
The following settings are common to all Registration Memory numbers 1 – 16 and cannot be stored individually for each number.
• Transpose (page 150)
• Registration Shift (page 102)
• Auto Fill setting (page 60)
• Reverb type (page 48)
• User rhythms (page 64)
• User Keyboard Percussion (page 92)
• Rhythm Sequences (page 75)
• Disable setting (page 99)
ELB-01 Owner’s Manual
98
Page 99
2

Selecting Registrations

Simply press the numbered button ([1] – [8]) that corresponds to the Registration you wish to select. (The selected button’s LED lights.)
To call up one of the Registrations 9 – 16, simultaneously hold down the [VOICE DISPLAY] button in the Display Select section and press the appropriate numbered button. (For Registrations 9 – 16, the LEDs do not light.)
Example: Calling up Registration Number 11
Corresponding Registration Memory Number
91011 12 13 14 15 16
While holding down the [VOICE DISPLAY] button,
press the desired numbered button.
5
You can also recall Registrations in a pre-programmed order by using the right footswitch. This function is called “Registration Shift” (page 102).
Using the [D.] (Disable) button:
Keep in mind that rhythm and automatic accompaniment patterns also change when you select different Registration Memory buttons. There may be times during your performance when you want to keep the same rhythm going, even when you make Registration Memory changes. Pressing the [D.] (Disable) button allows you to keep the same rhythm, accompaniment patterns, tempo, and so on throughout all your Registration changes, or make your own rhythm selections if you want to. When the [D.] button is on, the following functions will not change, even when you change the Registration Memory number.
[D.] (Disable) button
• Rhythm menu, Rhythm section, Rhythm tempo, Rhythm volume, Rhythm reverb
•Accompaniment volume, Accompaniment reverb, On/Off status of Accompaniment parts
• A.B.C. mode, A.B.C. memory
• M.O.C. mode
Registration Memory
ELB-01 Owner’s Manual
99
Page 100
3

Initializing Registration Memory

If you want to restore the original factory-programmed Registration Memory presets, you can initialize the Electone settings. Keep in mind that this deletes any of your custom Registration Memory and LCD Display settings. Always save your important data to external media, such as USB flash memory.
When turning the power on after initializing the Electone, the preset settings will be recalled and your own Registration setting(s) will be erased and replaced with the factory defaults. For details on how to initialize the Electone, refer to “Factory Set (Initializing the Electone)” on page 20.
Saving the Registration data to USB ash
4
memory
5
Songs (page 116)
Registration Memory
USB TO DEVICE terminal (page 151)
Reference Page
Reference Page
You can save your Registration Memory settings to an external storage device, such as USB flash memory, with sixteen Registrations stored to a single file.
For details about using other external storage devices, see Chapter 6, Music Data Recorder (M.D.R.). The instructions below explain how to save the Registration data to a USB flash memory.
Insert the USB ash memory into the USB TO DEVICE terminal.
1
Press the [MDR] button.
2
The MDR display appears.
100
<SONG SELECT> ⁄ ¿Ã001:USB 01 [Õ]
ELB-01 Owner’s Manual
Loading...