Yamaha CLP-880M, Clavinova CLP-820, Clavinova CLP-880PE, Clavinova CLP-840, Clavinova CLP-820S Owner's Manual

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SP_E_C_IA_L_M_E_S_S_A_G_E_S_E_C_T_IO_N

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PRODUCT products may have either labels similar to the graphics

shown below or molded/stamped facsimiles

graphics on the enclosure. The explanation ics appears on this page. Please observe all cautions indicated on this page and those indicated in the safety in-

struction section.

See bottom

SAFETY

CAUTION:

REFER

SERVICING

of

Keyboard enclosure for graphic symbol markings

MARKINGS:

RISK

OF

ELECTRIC

DO

NOT

OPEN

TO

REDUCE

THE

REMOVE

TO

QUALIFIED

RISK

COVER

DO

NOT

NO

USER·SERVICEABLE

The exclamation point within the equilateral triangle is intended to alert the user to the presence ating and maintenance (servicing) instructions in the literature accompany-

ing the product.

Yamaha electronic

of

SHOCK

OF

ELECTRIC

(OR

PARTS

SERVICE

+

~

SHOCK.

BACK).

INSIDE.

PERSONNEL.

of

important oper-

of

these

these graph-

Battery rechargable battery which (if applicable) is soldered in place. The average life span proximately five years. When replacement becomes necessary, contact a qualified service representative to perform the replacement.

Warning: incinerate this type from children. Dispose regulated by applicable laws. Note: In some areas, the servicer is required by law to return the defective parts. However, you do have the option dispose

Disposal Notice: Should this product become damaged beyond repair, or for some reason its useful life is considered to federal regulations that relate that contain lead, batteries, plastics, etc.

NOTICE: edge relating unit is operating as designed) are not covered by the manufacturer's warranty, and responsibility. Please study this manual carefully and consult your dealer before requesting service.

Notice: This product MA Y contain a small non-

of

this type

Do not attempt

of

these parts for you.

be

at an end, please observe all local, state, and

Service charges incurred due to lack

to

how a function or effect works (when the

to

recharge, disassemble,

of

battery. Keep all batteries away

of

used batteries promptly and

to

the disposal

are therefore the owners

of

battery is ap-

of

having the servicer

of

products

of

or

knowl-

as

The lightning flash with arrowhead symbol, within the equilateral triangle,

is intended to alert the user to the pres-

of

ence age" within the product's enclosure that may be stitute a risk

IMPORTANT ucts are tested and approved by an independent safety testing laboratory in order that you may be sure that when it is properly installed and used in its normal and customary manner, all foreseeable risks have been eliminated. DO NOT modify this unit or commission others to do so

unless specifically authorized by Yamaha. Product per-

formance and/or safety standards may be diminished.

Claims filed under the expressed warranty may be denied if

the unit is/has been modified. Implied warranties may

also be affected. SPECIFICA

information contained in this manual is believed correct at the time the right to change or modify any without notice or obligation to update existing units.

NOTICE:

TIONS

of

uninsulated "dangerous volt-

of

sufficient magnitude to con-

of

electrical shock.

All Yamaha electronic prod-

SUBJECT

printing. However, Yamaha reserves

TO

CHANGE:

of

the specifications

The

to

be

NAME cates the location serial number, power requirements, etc., are located on this plate. You should record the model number, serial

number, and the date

below and retain this manual as a permanent record

your purchase.

CLP-880/880M/880PE

PLATE

LOCA

TION:

of

the name plate. The model number,

of

purchase in the spaces provided

The

graphic below indi-

of

ENVIRONMENTAL duce products that are both user safe and environmentally

We

friendly. production methods used goals. In keeping with both the letter and the spirit law, we want you

sincerely believe that our products and the

ISSUES: Yamaha strives to pro-

to

produce them, meet these

to

be aware

of

the following:

of

the

Model Serial No.

______________________________

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_

PRECAUTIONS

PLEASE READ CAREFULL Y BEFORE

*

Please

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Always instrument

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MDF3,

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Introduction

Thank you for choosing a

advanced

Yamaha

music technology.

musical pleasure.

• Stereo sampling power, realistic reproductions

• Piano-like control

•

Dual

mode

• Split

•

'.

• 2-track digital recorder

•

• Built-in computer interface for direct connection

mode

hands. On

the CLP-880/860, damper

voices, simulating Metronome feature

board.

MIDI

compatibility

of

advanced

vanced music

Yamaha

while

the

touch

and

outstanding allows 2 (CLP-880/860) allows different voices

MIDI

software.

Clavinova.

With

the

of

the

acoustic

AWM

(Advanced

of

all

other voices.

response

the

and a range music systems.

- adjustable

playability.

voices

to

string

and

with

variable tempo facilitates practice.

lets

you

Your

proper care, your Clavinova will give you many years

piano

voices offers unmatched

Wave

be

played

pedal

includes

sound-board

record

of

and

MIDI

Clavinova

Memory)

in

4 stages - provides extensive expressive

simultaneously.

natural

resonance

play back anything

functions

is

a fine musical instrument that employs

realism

tone

generator

to

be

played

resonance effect

make

the

to

personal computers running

by

of acoustic

you

Clavinova

system

the

left

for

pianos.

play

useful

and

on

expressive

offers

and

the piano

the

in a range

of

rich,

right

key-

ad-

In order to make the most

of

your Clavinova's perfonnance potential and features, we urge you to read

this Owner's Manual thoroughly, and keep it in a safe place for later reference.

*

The

models

Owner's

CLP-880M,

Manual.

CLP-880PE

Included

• Owner's Manual

• Bench (included or optional depending

• Dust Cover (CLP-820S only)

and

CLP-860M

Accessories

will

be

referred

t6

as

on

the

CLP-880

locale)

and

CLP-860

in

this

Contents

The

Control

Panel

..........................................................

6

Key

Cover & Music

Stand

..............................................

8

Connections

.................................................................

10

Selecting & Playing

Voices

...........................................

11

Playing

the

Demonstration

Tunes

................................

12

• Voice Demo .............................................................. 12

• Piano Song .............................................................. 13

• Piano Song A-B Repeat .......................................... 14

• Piano Song Part Cancel .........................................

15

• Synchro Start ..................................................... 15

• Left Pedal Start/Stop .........................................

15

The

Dual

Mode

............................................................

16

• Other Dual Mode- Functions ............................... 16

The

Split

Mode

(CLP-880/860)

........................................ 17

• Selecting the Right and Left Voices ................... 17

• Setting the Split Point ........................................

17

• Other Split Mode Functions ............................... 17

Reverb

.............................:..........................................

18

• Adjusting Reverb Depth ..................................... 18

The

Effect

(CLP-880/860/840)

..........................................

19

• Adjusting Effect Depth ....................................... 19

Brilliance

(CLP-880/860/840)

........................................... 19

The

Pedals

...................................................................

20

• Damper (Right) Pedal ........................................ 20

• Sostenuto (Center) Pedal

(except

for

CLP·820S)

.....

20

• Soft (Left) Pedal ................................................. 20

Touch

Sensitivity

.........................................................

21

Transposition

...............................................................

21

Tuning

.........................................................................

22

• Tuning

Up

.......................................................... 22

• Tuning Down ...................................................... 22

•

To

Restore Standard Pitch ................................. 22

The

Metronome & Tempo

Control

................................

23

• The Metronome ....................................................... 23

• Metronome Time Signature ............................... 23

• Metronome Volume Function ............................. 23

• Tempo Control ......................................................... 23

Using

the

Recorder

......................................................

24

• Recording ................................................................ 24

• Changing the Initial Settings .............................. 25

• Erasing a Single Track ....................................... 25

• Playback .................................................................. 26

• Synchro Start ..................................................... 26

• Left Pedal Start/Stop ......................................... 26

The

Function

Mode

......................................................

27

•

To

Select a Function ........................................ 27

• F1: Tuning ................................................................ 28

• F2: Scale .................................................................. 28

F2.1

: Scale ........................................................... 28

F2.2: Base Note ................................................... 28

• F3: Dual Mode Functions ....................................... 29

F3.1

: Dual Balance ............................................... 29

F3.4: 2nd Voice Octave Shift ................................ 29

F3.5: 1

st

Voice Effect Depth (CLP-880/860/840)

........

30

F3.6: 2nd Voice Effect Depth

(CLP·880/860/840)

.......

30

F3.5: Reset

(CLP·820/B20S)

.....................................

30

F3.7: Reset

(CLp·880/860/840)

..................................

30

• F4: CLP-880/860 Split Mode Functions ................. 30

F4.1: Split Point .................................................... 30

F4.2: Split Balance ............................................... 30

F4.3: Right Voice Octave Shift .............................

31

F4.4: Left Voice Octave Shift ................................

31

F4.5: Right Voice Effect Depth .............................

31

F4.6: Left Voice Effect Depth ...............................

31

F4.7: Damper Range ............................................

31

F4.8: Reset ...........................................................

31

• F4: CLP-840/820/820S Left Pedal Mode ................ 32

• F5: CLP-880/860 Pedal Functions ......................... 32

F5.1: Left Pedal Mode .......................................... 32

F5.2: Damper Mode ............................................. 32

F5.3: Soundboard Depth ...................................... 32

• F5: CLP-840/820/820S Metronome Volume ........... 33

• F6: CLP-880/860 Metronome Volume .................... 33

• F6:

Clp·840/820/820S

Piano

Song

Part

Cancel

Volume

..

33

• F7:

CLp·880/B60

Piano

Song

Part

Cancel

Volume

....... 33

• F7: CLP-840/820/820S

MIDI

Functions .................. 34

• F8: CLP-880/B60

MIDI

Functions ...........................

34

• A Brief Introduction to MIDI ................................ 34

F7 .1/F8.1 : MIDI Transmit Channel Selection ....... 34

F7.2/F8.2: MIDI Receive Channel Selection ........ 34

F7.3/F8.3: Local Control ON/OFF ........................ 35

F7 A/F8.4: Program Change ON/OFF .................. 35

F7.5/F8.5: Control Change ON/OFF .................... 36

F7.6/F8.6: MIDI Transmit Transpose .................... 36

F7.7/F8.7: Panel/Status Transmit.. ....................... 36

F7.8/F8.8:

Bulk Data Dump .................................. 36

• F8: CLP-840/820/820S Backup Functions ............. 37

• F9: CLP-880/860 Backup Functions ...................... 37

F8.1!F9.1 : Voice ................................................... 37

F8.2/F9.2: MIDI .................................................... 37

F8.3/F9.3: Tuning ................................................. 37

F8.4/F9A: Pedal ................................................... 37

Connecting

to a Personal

Computer

.............................

38

•

Connecting

to

an

Apple

Macintosh

Series

Computer

.... 38

• Connecting

to

an

IBM·PC/AT

Series Computer ........ 39

Factory

Preset

Recall

...........:......................................

40

Troubleshooting

...........................................................

40

Options & Expander

Modules

......................................

40

Demo and Piano Song List.. ............................................. ;41

Factory Setting List ............................................................

42

MIDI Data Format ................................................................ 43

MIDI Implementation Chart ................................................ 47

CLP-880: Keyboard Stand Assembly ............................... 48

CLP-860/840/820: Keyboard Stand Assembly ................. 56

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PHONES

.............................

Jacks

Tuning

(Bottom

panel)

keys

(See

page

10)

o [POWER] Switch

Press the power ON, a second time to turn the power OFF. When the power selector LED will light, and the power indicator

located below the left end

(except for CLP-820S).

[POWER]

is

switch once to turn the

initially turned ON, a voice

of

the keyboard will light

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22)===§§~~t============~~~

phone volume when a pair into the PHONES jack (page

8 [BRILLIANCE] Control (CLP-880/860/840)

The

[BRILLIANCE]

or

"timbre"

to

a bright tone.

of

the output sound from a mellow tone

of

headphones is plugged lO).

Control adjusts the tonality

8 [MASTER VOLUME] Control

The

[MASTER volume (level) Clavinova's internal stereo sound system. The

fMASTRR VOl

VOLUME] control adjusts the

of

sound produced by the

JIMFl

/Control

::ll<;:o

::lrlill<;:t<;:

hp!OlrL

o[DEMO] Button

Activates the demo playback mode in which you can select playback sequences for each page 12 for details.

of

different demonstration

of

the Clavinova's voices. See

The

Control

Panel

tt[TRANSPOSE]

Button

The [TRANSPOSE] button allows access to the Clavinova's TRANSPOSE function (to shift the pitch

of

the entire keyboard up

or

down in semitone

intervals).

o [REVERB] Button

The [REVERB] button selects a number

of

digital reverb effects that you can use for extra depth

and expressive power. See page

18

for details.

8 [EFFECT] Button (CLP-880/860/840)

This button selects a number

of

effects which can

give your sound greater depth and animation.

8 [TOUCH] Button

The [TOUCH] button makes it easy to adjust the

touch response

of

the Clavinova to match your

playing style. See page

21

for details.

o Voice Selectors & [VARIATION]

Button

Simply press any

of

the voice selectors to select

the corresponding voice. The voice selector

LED will light to indicate which voice is currently selected. Press the [VARIATION] button so that its indicator lights to select a variation

of

the currently

selected voice.

There is also a dual mode in which two voices

can be played simultaneously across the full range

of

the keyboard (see page 16 for details), and a split mode on the CLP-880/860 which allows different voices to be played by the left and right hands (see page 17 for details).

(i) [SPLIT] Button (CLP-880/860)

Engages the split mode, in which different voices

can be played on the left- and right-hand sections

of

the keyboard. See page

17

for details.

CD

[METRONOME] Button

Turns the metronome sound on and off. The

[TEMPO

T /

A]

buttons, below, are used to set the

tempo

of

the metronome sound. The

[-/NO]

and [+/ YES] buttons are used to change the time signature (beat)

of

the metronome

if

used while the

[MET·

RONOME]

button is held page 23.

o [TEMPO

T/A]

(FUNCTION

....

1... )

Buttons

These buttons adjust the tempo

of

the metronome

function

as

well as the playback tempo

of

the re-

corder function. The tempo range is from 32 to 280 beats per minute - page 23. These same buttons are also used to select functions - page 27.

fi)

[FUNCTION] Button

This button accesses a range

of

utility functions

including the MIDI functions that significantly enhance versatility and playability. See page 27 for details.

(D

[PIANO SONG]

Button

'This

button enters the Piano Song Mode. While

in this mode you can use the [SONG

SELECT

TI

A]

buttons

to

select from 50 songs.

e [SONG SELECT

T/A]

(-/NO, +/YES) Buttons

These buttons select a piano song number for playback, and are also used to adjust a range

of

other

parameters (Le. their

"-/NO"

and "+/YES" func-

tions).

t@

RECORDER [START/STOP] and [REC] Buttons

These buttons control the Clavinova's recorder, letting you record and play back just about anything you play on the keyboard.

o RECORDER

['1]

and [2]

Buttons

The Clavinova has a 2-track recorder, and these buttons are used to select the track(s) to be recorded or

played back. See page 24 for details.

~

Pedals

The soft (left), sostenuto (center) and damper

(right) pedals (soft/sostenuto [left] and damper [right] in the case

of

the CLP-820S) provide a range

of

expressive control capabilities similar to the pedal

functions on an acoustic piano. See page 20 for

details.

CLp·880/860/840/820

CLp·820S

~

T

~r----

~

Soft pedal Damper pedal

I

Damper pedal

Sostenuto pedal

Sof1lSostenuto pedal

I

IJ

I

Key

Cover

&

Music

Stand

f

JJJ

II

CLP-880 ......................................................................... .

I

To

open the key cover:

Gently lift the cover until it is fully open.

To

close the key cover:

Gently lower the cover over the keys.

Be careful to avoid catching your fingers when opening or closing the cover.

II

CLP-860/840/820 .......................................................... .

To

open the key cover:

D Lift the cover slightly (not too much).

Be careful

to

avoid catching your

~

Slide the cover open.

fingers when opening

or

closing

the cover.

To

close the key cover:

D Slide the cover toward you.

~

Gently lower the cover over the keys.

UCAUTlONI

• Hold the cover with both hands when moving it, and do

not

release

It

until

it

is fully opened

or

closed.

Be

careful to avoid catching fingers (yours

or

others) between the cover

and

main unit .

•

Do

not

place objects on top

of

the key cover. Small objects placed on the key cover may fall inside

the main unit when the cover

is

opened

and

may

not

be able to be removed. This

could

cause

electric shock, short Circuit, fire

or

other serious damage to the instrument.

Key

Cover & Music

Stand'

To

raise

the

music

stand:

o Pull the stand up and toward yourself

as

far as it will go.

~ Flip down the two metal supports at the left and the right on the rear

of

the music stand.

81

Lower the music stand so that it rests on the metal supports.

As shown in the illustration, the angle

of

the music stand can be set in one

of

three positions, according to the position

of

the metal supports. Set the left

and right metal supports to the same position.

To

lower

the

music

stand:

o Pull the music stand toward yourself

as

far as it will go.

~

Raise the two metal supports (at the rear

of

the stand).

81

Gently lower the music stand backward until it is all the way down.

• Do

not

try

to use the music stand

in

a half-raised position.

When lowering the stand,

do

not

release

your

hands from the

music

stand

until

it

is

aI/ the way down.

11111

JJJ

Connections

AUX!N

R .,,,.

.-

..

L/l

..

@ @ @ @

0

AUXOUT

R ......... ,

••

R

I.A.+R

f}

PEOAL

~

tl

IN

@

............

.•••

e

M~OI

OUT

................

@

THRU

@

0

TO

HOST

~

DOU-10

o

AUXOUT

n

....

Stereo

···•·

..

lA.+R

System

AUXIN

R···········l./t.+R

o

o AUX IN LlL+R and R Jacks

These jacks are intended for use with an external tone generator module such as the Yamaha DOU-lO Disk Orchestra Unit. The stereo outputs from the external tone generator module are connected to the AUX and R jacks, allowing the sound the Clavinova's internal sound system and speakers. A line-level mono source can be connected to the L/L+R jack.

~

NOTE

1 • The input signal from the

and

brilliance (CLP-88018601840) controls. Reverb

840) functions

• The input Signal from the

f}

AUX OUT LlL+R and R Jacks

The AUX OUT L/L+R and R jacks deliver the output connection to an instrument amplifier, mixing console,

If

o

equipment. system, use only the L/L+R jack. When a plug is inserted into the L/L+R jack only, the left- and right-channel signals are combined and delivered via the L+R jack so you don't lose any

~

NOTE

you will be connecting the Clavinova to a monaural sound

1 • The

AUX

directly

• The

AUX

Use the volume control

of

the tone generator to be reproduced via

AUX

IN

will have no affect.

AUX

IN

of

the Clavinova's sound.

OUT

jack signal must never

or

through external equipment.

OUT

jack signal is

not

on

the external audio equipment to adjust the level.

jacks

is

controlled

jacks is delivered to the

by

and

of

PA

be

returned to the

controlled

by

the Clavinova's volume control.

IN

L/L+R

the Clavinova's volume effect (CLP-88018601

AUX

OUT

jacks.

the Clavinova for

system, or recording

L/

AUX

IN

jacks, either

MIDI

IN

••••

H

..........

Oi.JT

•••••••• "

•••••

THRU

Tone

Generator

HOST

SELECT

TOHCST

M,b?~l

r~Jac

IQJ

Personal

Computer

o©

tl

PEDAL Jack

This terminal is for connecting the pedal cord from the pedal box (refer

to the "Keyboard Stand Assembly"

on

pages 48-67).

e MIDI IN, THRU and OUT Connectors

The MIDI device (such as the DOU-IO Disk Orchestra Unit) which can be used to control the Clavinova. The MIDI THRU connector re-transmits any data received at the MIDI IN connector, allowing "chaining"

instruments or other devices. The MIDI data generated by the Clavinova (e.g. note and velocity data produced by playing the Clavinova keyboard).

More details on MIDI are given

IN

connector receives MIDI data from an external MIDI

of

several MIDI

OUT

connector transmits MIDI

in

"MIDI Functions" on page 34.

o TO HOST Connector & HOST SELECT Switch

This

jack

and selector switch allow direct connection computer for sequencing and other music applications - without the need for a separate MIDI interface. See page 38 for details.

• PHONES Jacks (Bottom Panel)

Two sets

of

standard stereo headphones can be plugged

private practice or late-night playing. The internal speaker system is auto-

of

matically shut off when a pair

headphones is plugged into either

to

a personal

in

here for

of

the

IJ

I

Selecting

&

Playing

Voices

JJJ

1

MASTER

2

VOLUME

MAX

d

3

CLP-880

o GRAND

OClASS~tk

Jf\ZZ

0

ROCK

0 0

PIANO

PIANO'

"PIANO

PIANO

E.

PIANO

1

E.

PIANO

2

o~

~

~c.::!:?

~

000000

4

BRILLIANCE

5

/

BRIGHT

OAOCM

o

CHORUS

o HALL 1

o

SYMPHONIC

o HALL 2 oTREMOLO oSTAGE

OOELAY

REVERB

EFFECT

/

0

Turn Power On

.................................................................................................

.

After making sure that the Clavinova's AC cord is properly plugged

into the Clavinova itself and plugged into a convenient

AC

wall outlet,

press the

[POWER]

switch located

to

the

right

of

the keyboard to tum the power ON. In some areas a plug adaptor may be provided to match the pin configuration

of

the AC wall outlets in your area.

When the power is turned ON, one

of

the voice selector LEDs will

light, and the power indicator located below the left end

of

the key-

board will light (except for CLP-820S).

Set the Volume

.................................................................................................

.

Initially set the

[MASTER

VOLUME] control about half way between the "MIN" and "MAX" settings. Then, when you start playing, re-adjust the [MASTER VOLUME] control for the most comfortable listening level.

Select a Voice

....................................................................................................

.

Select the desired voice by pressing one

of

the voice selectors. Use

the [VARIATION] button to select a variation

of

the current voice, as

required.

o

VARIATION

o

Play

...............................................................................................................................

.

The Clavinova also offers keyboard touch response, so the volume

and timbre

of

notes played can be controlled according to how "hard"

you play the keys. The amount

of

variation available depends on the

selected voice.

Add Effects As Required

.....................................................................

..

You

can add or change reverb, effects (CLP-880/860/840) and brilliance (CLP-880/860/840) as desired by using the [REVERB] button (page 18),

[EFFECT]

button (page 19) and the [BRIL-

LIANCE]

control (page 19).

IJ

I

JJJ

Playing

Demonstration tunes are provided that effectively demonstrate each of the

Clavinova's voices. There are also 50 piano songs that you can play individually,

all

in

sequence, or

demo tunes.

Ilil

NOTE

* See

page

the

1 • The demo

• No MIDI reception occurs in the demo/piano song mode. The

demo/piano song data is

•

41

for

Demonstration

in

random order. Here's how you can select and play the

or

piano song mode cannot be engaged while the recorder (page 24) is in use .

not

transmitted via the MIDI connectors.

a complete listing

of

the

demo

tunes

Tunes

and

piano

songs.

I

CLP-880

o

GRAND

0CWlSiCAI..

0 JI\ZZ 0

ROCK

000000

OHARPSI·

0 0

PIPE

(X;HURCH 0 JI\ZZ

000000

0 0

Engage the Demo Mode

Press the [DEMO] button to engage the demo mode - the voice

will

selector indicators

f

2

Playa

from the corresponding voice demo tune - featuring the voice nor-

mally selected STOP]

0

demo tune selector button LED display. during playback by simply pressing the corresponding voice selector. You can stop playback at any time by pressing the button

Ilil

Voice Demo

Press one

NOTE

of

the voice selectors to start playback

by

button instead

will begin playback.) The indicator

will flash during playback, and

You

or

the voice selector

1 • Use the [MASTER VOLUME] control to adjust the volume

[BRILLIANCE] control (CLP-880/860/840) to adjust the brilliance (page

19).

flash in sequence.

......................................................................................

that voice selector button.

of

a voice selector button, the GRAND PIANO

can start playback

l.I Exit From the Demo Mode

.......................................................................

of

all songs starting

(If

you press the [START/

of

the selected voice

"-

- -" will appear on the

of

any other voice demo tune

[START/STOP]

of

the currently playing demo.

and

.................................................................

..

the

..

Press the [DEMO] button to exit from the demo mode and return to

the normal play mode.

Playing

the

Demonstration

Tunes

(~~~~~~~~=P=ia=n=o=S=o~ng~~~~~~~~]

1

*IANO

Y:iONS

Engage the Piano Song Mode

Press the [PIANO SONG] button to engage the piano song mode -

the [PIANO SONG],

[1] and [2] indicators will light.

........................................................

.

~

2

Playa

I,

i

(

]

[Jg~

SONG

.,

SELECT

...

+

STARTI

STOP

LECT (the number will appear on the LED display), then press the [START/ STOP] button. Playback will stop automatically when playback selected piano song has fmished.

quence, dom order. Press the [START/STOP] button to stop playback.

Piano Song

To

play any

T

1.6..]

Select

"R

or

select .or n

........................................................................................

of

the 50 piano songs provided, use the [SONG SE-

buttons to select the number

L L " instead

of

a number to play all piano songs in se-

d"

to continuously play all piano songs in ran-

of

the tune you want to play

of

.

the

~

oPlANO

SONG

~

NOTE

1 •

Use

the

[MASTER

•

You

can required. 50" the

•

The song

"rnd"

• playing

• type piano and board. automatically started automatically be selected,

use

This

through

selected

default tempo"· -"

is

selected,

playback.

You

can

play

on

You

can

change

that

is

song

Touch

When

!I Exit From the Piano Song Mode

VOLUME]

the

[TEMPO

produces a relative

u_ -_n

to

"50"

at

song.

is

or

playback

the

keyboard along with

the

keyboard

applied

playback,

sensitivity

a new piano

can

the

Brilliance control

to

the

You

that in

continuous

control

to

adjust

"'I"']

buttons

to

adjust

tempo

maximum;

automatically selected whenever a new piano

of

a new piano song begins during

be

changed.

voice

you play

can

change

is applied

song

is selected or a new piano song is

variation,

the

range

the

piano song

(CLP-88018601840)

on

the

Effect

to

the

voice

play,

the

HALL 1 reverb

.......

m

Press the [PIANO SONG] button to exit from the piano song mode,

the indicator will go off, and return to the normal play mode.

the

volume.

the

playback

with a range

will differ depending

playback.

and

keyboard and for

type

(CLP-88018601840)

you play

........................................

on

the

type

tempo

as

from

"-

on

"RL L "or

The

voice

Reverb

the keywill

..

Playing

the

Demonstration

Tunes

............................

I

i

-I

M

~

(

___

R_J

[R

b]

RECORDER

"J."

...,., 1 ......

DO

START/

?uNCTION

~

PUNCTION

~

"'~

" 2

The A-B Repeat function can be used

specified phrase within a piano song. Combined with the Part Cancel

function described below, this provides an excellent way to practice

difficult phrases.

1 Specify the Beginning

Select and

the beginning

("R - " will appear on the display).

To

set the "A" point at the very beginning

[FUNCTION] button before starting playback.

2 Specify the

Press the phrase. This sets the this point repeat playback will begin between the specified A and B points.

3 Stop Playback

Press the [START/STOP] button to stop playback while retaining the specified A and B points. A-B repeat playback will resume [START/STOP] button is then pressed again.

To

cancel the A and B points press the [FUNCTION] button once.

playa

piano song, then press the [FUNCTION] button at

of

the phrase you want to repeat. This sets the "A" point

End

(B) of the Phrase

[FUNCTION]

"B"

.................,.................................................................................

(A)

button a second time at the end

point ("R -

to

continuously repeat a

of the Phrase

of

the song, press the

.............................

.............................................

b"

will appear on the display). At

of

the

if

.

..

.

the

~D

C!l

NOTE

1 •

•

The

A and B points are automatically canceled

selected .

The

A-B Repeat function cannot

back.

be

used during

when

"RL L "or

a new

song

is

':'-

rid"

play-

f

Playing

the

Demonstration

Tunes

(~============P=ia=n=o=S=o=n;g=P=a=rt=C=a=n=ce=I==========~]

RECORDER

::+'"

0

D~2

STARTI

STOP

REC

DO

RECORDER

"I"

;4fl

0 2

DO

RECORDER

::+'

0

£0

STOP

REC

DO

~

(

The 50 piano songs have separate left- and right-hand parts that can

be turned on and off

as

required so you can practice the corresponding

part

on

the keyboard. The right-hand part is played by the recorder'S

U-1

track, and the left-hand part is played by recorder's [2] track. (Some

of

the songs are arrangements for four-hands, tracks [1] and

[2]

corre-

spond to primo and secondo parts

of

the arrangement.)

1

Turn the Desired Part Off

.....................................................................

.

Press the RECORDER

[1]

or

[2] button to tum the corresponding part off - the corresponding indicator will go out (these buttons alternately toggle the corresponding part on and off).

~

NOTE

I .

The

parts can be turned on

or

off even during playback.

•

The

Piano

Song Part Cancel function cannot be used during

'\9L L "or

'\-

rid"

playback,

•

The

"Piano

Song Part Cancel Volume" function described on page 33 can

be

used

to

set the canceled part so that it plays at a volume

from

"0"

(no

sound)

to

"20",

The

default setting

is

"5".

• Both parts are automatically turned ON whenever a new song is selected.

D Synchro Start

.....................................................................................................

.

When the Synchro Start function is engaged, playback

of

the se-

lected piano song will begin automatically as soon

as

you start playing

on the keyboard.

To

engage the Synchro Start function press the [START/STOP] button while holding the part button corresponding to the part which is ON. A 'dot will appear in the lower right comer

of

the display. (Repeat

the previous operation to disengage the Syncro Start function.)

Playback will then start as soon as you begin playing on the key-

board.

~

NOTE

I .

If

you hold a track button which

is

OFF while pressing

the

[START/STOP]

button, that track will be turned ON and

the

Synchro Start mode will be

engaged.

IJ

I

JJJ

Voice numbering

2 3 4

OGRAND

000000

OHARPS1- 0 a

000000

I I I I I

OCI.ASSICALO

I I I I I I

7 8 9 10

The

the entire range of the keyboard.

I

priority

JAZZ"

a

ROCK

0 a

PIPE

(X:;HURCH a

Dual

Mode

The dual mode makes it possible to play two voices sim.ultaneously across

To

activate the dual mode simply press two voice selectors at the

same time (or press one voice selector while holding another). The

of

voice indicators is active.

To

both selected voices will light when the dual mode

return to the normal single-voice play mode, press any

single voice selector.

According to the voice numbering priority

as

shown in the diagram

on the left, lower valued voice numbers will be designate.!i,as the 1st

5 6

Voice (the other voice will be designated

as

the 2nd Voice).

The [STRINGS] [VARIATION] voice has a slow attack. This

in the Dual Mode to

be

engaged

if

the variation is engaged for

dual

mode is

to turn the variation for both voices

one

of

the voices the setting

F3 (see

page

29)

as

you

like.

button - see

button - see page 18) will

page

JAZZ

11

voice can sometimes be used with another voice

a

12

produce a better "blend".

IilU

NOTE

I . The

dual

and

time.

• The [VARIATION] button indicator will light or

or

off.

made

both

To

use the variation for

prior

in

to the 1

either the [VARIATION] button can be on be

[EFFECT]

•

Depending upon the conditions one effect type will take priority other. Depth will voice combination. However, using function change the depth value for each voice

Effect depth setting via the

YES] buttons while holding the

applied to the 1 [REVERB]

•

The reverb type assigned to the 1st Voice will take priority over the other. (If the reverb is

Reverb depth setting via the

YES] buttons while holding the

applied

split modes (CLP-8801860) cannot

of

the dual-mode voices. While the

used

only

to engaging the dual mode.

the

Dual

Mode

be

decided according to the depth default value

panel

controls (i.e. pressing the

[EFFECT]

st

Voice only.

the

Dual

Mode

set

to OFF, the

st

Voice only.

2nd

Voice's reverb type will be in affect.)

panel

controls (i.e. pressing the

[REVERB]

at

engaged

over

you

[-INa]

19) will

[-INa]

the

must

of

can

or

I

same

the

[+1

be

or

[+1 be

~

1

,I

j

J

D Other Dual Mode Functions

..............................................................

The Clavinova Function mode provides access to a number dual-mode functions, listed below. See the corresponding pages for details.

• Dual Balance ................................................. 29

• Dual Detune .................................................. 29

• 1 st Voice Octave Shift ................................... 29

• 2nd Voice Octave Shift .................................. 29

• 1 st Voice Effect Depth ................................... 30

• 2nd Voice Effect Depth .................................. 30

• Reset ............................................................. 30

of

.

other

I

~~

I

The

Split

Mode

(CLP-880/860)

JJj

I

The split mode makes it possible to play two different voices on the keyboard one with the left hand and another with the right hand. The Left Voice is

played

on

all keys to the left of (and including) a specified "split pgint"

key,

while

the Right Voice is played

on

all keys to the right of the split point

key.

~...

/

IZZ 0 ROCK

0

~/~~c

~

/!lm1n~

Example:

~

A-

I

b:

,

('

-,

IF

-,?

II

,

,_

c

A-1

B~-1

C2

F~2

o

"~"

is

indicated with a

lower"

n,

o

"fi"

is indicated with an upper

u-",

To activate the split mode simply press the

[SPLIT]

button so thats

indicator lights. The split mode

can

be

turned off at any time by pressing the

[SPLIT]

button again so that its indicator goes out.

[jj]l,l]

NOTE

1 • The dual

and

split modes cannot be engaged

at

the same time.

o Selecting the Right and Left Voices

..................................................

..

The

voice that was selected before the split mode was engaged becomes

the Right Voice in the split mode. (The Right Voice can also be changed while

in the split mode, by simply pressing the corresponding voice selector.)

To select a Left Voice press the corresponding voice selector while

holding the

[SPLIT]

button (default: [BASS]).

The

indicator

of

the Left

Voice selector will light while

the

[SPLIT]

button is pressed, then only the

Right Voice selector

and

[SPLIT]

button indicators will remain lit.

~

NOTE

1 • The variation can be individually tumed on

and

off

for the split mode voices.

Normally the voice indicator

of

the Right

Voice

lights in the split mode. The

[VARIATION] can

be

used

to

turn the variation for the Right Voice on

or

off as

required. While the [SPLIT] button is held, however, the voice indicator

of

the

Left Voice lights,

and

in this state the [VARIATION] button can be used to turn

the variation for the Left Voice on

or

off

as required .

• [EFFECT] in the

Split

Mode

Depending upon the conditions, one effect type will take priority over the other. Depth will

be

decided according to the depth default value

of

the voice combination. However, using function F4 (see page 30) you can change the depth value for each voice

as

you like.

Effect depth setting via the panel controls (i.e. pressing the [-INO]

or

[+IYES]

buttons while holding the [EFFECT] button - see page

19) will be applied to

the Right Voice

only.

• [REVERB] In the

Split

Mode

The reverb type assigned to the Right Voice will take priority over the other. (It the reverb is set to

OFF,

the Left Voices reverb type will be in affect.)

Reverb depth setting via the panel controls (i.e. pressing the [-INO]

or

[+lYES]

buttons while holding the [REVERB] button - see page

18) will be applied to

the Right Voice

only.

o Setting the Split Point

........................................................................................

.

The

split point is initially set at the F#2 key by default. You can change

the split point to any other key by pressing the key while holding the

[SPLIT]

button (the

name

of

the current split-point key appears

on

the

LED

display while

the

[SPLIT]

button is held).

The

split point

can

also be set via

the Function

mode

(see below).

o Other Split Mode Functions

.......................................................................

..

The

Clavinova Function

mode

provides access to a

number

of

other

split-mode functions, listed below.

See

the corresponding pages for details.

o Split Point ...................................................... 30

• Split Balance ................................................. 30

• Right Voice Octave Shift ...............................

31

• Left Voice Octave Shift ..................................

31

• Right Voice Effect Depth ...............................

31

• Left Voice Effect Depth ..................................

31

IJ

I

Reverb

JJJ

The [REVERB] button selects a number of digital reverb effects that you can

use for extra depth and expressive power.

I

)~

o

HALL

1

o

HALL

2

o

STAGE

To

select a reverb type press the [REVERB] button a few times until the indicator corresponding to the desired type lights (the indicators light in sequence each time the [REVERB] button is pressed). No reverb is produced when all indicators are off.

OFF

No reverb effect is selected when no REVERB indicator is lit. .

ROOM

This setting add a continuous reverb effect to the sound that is similar to the type of acoustic reverberation you would hear in a room.

HALL 1

For a "bigger" reverb sound, use the HALL 1 setting. This effect simulates the natural reverberation of a small-size concert hall.

HALL 2

For a really spacious reverb sound, use the HALL 2 setting. This effect simulates the natural reverberation of a large concert hall.

STAGE

A simulation of the type of reverb produced in a stage environment.

CE

NOTE

1 • The default reverb type (including OFF)

and

depth settings are different

for each voice.

o Adjusting Reverb Depth

........................................................................

.

Adjust the reverb depth for the selected voice by using the

[-/NO]

and [+iYES] buttons while holding the [REVERB] button. The depth range

is

from 0 through 20 (the current depth setting appears on the

LED display while the

[REVERB]

button is held). A setting

of

"0"

produces no effect, while a setting

of

"20"

produces maximum reverb

depth. Press the

[-/NO]

and [+/YES] buttons simultaneously while

holding the

[REVERB]

button to recall the default setting for the

current voice (default depth settings are different for each voice).

IJ

I

JJJ

The

Effect

(CLP-880/860/840)

The [EFFECT] button allows you to select one of the effects that can give

your sound greater depth and animation.

I

To

select an effect type press the

[EFFECT]

button a few times

::itHORUS

until the indicator corresponding to the desired type lights (the indica-

GSVMPHONIC

o

TREMOLO

tors light in sequence each time the

[EFFECT]

button is pressed). No

o

DELAY

effect is produced when all indicators are off.

OFF

No effect

is

selected when

no

EFFECT indicator

is

lit.

CHORUS

Shimmering, broadening effect

SYMPHONIC

Adds a deep, symphonic backdrop

TREMOLO

Tremolo effect

DELAY

Echo effect

rEm

NOTE)

•

The

default effect

type

(including

OFF)

and

depth

settings are different for

each

voice.

6JJ

Adjusting Effect Depth

.....................................................

:

......................

.

Effect depth can be individually adjusted for the selected voice by

using the [-/NO] and [+/YES] buttons while holding the

[EFFECT] button. The depth range is from 0 through 20 (the current depth setting appears on the LED display while the

[EFFECT]

button is held). A

setting

of

"0"

produces no effect, while a setting

of

"20" produces

maximum effect depth. Press the

[-IN

0]

and [+/YES] buttons simulta-

neously while holding the

[EFFECT]

button to recall the default setting for the current voice (the default depth settings are different for each voice).

Brilliance

(CLP-880

/860 /840)

I

This control can be used to change the tonality or "timbre" of the sound

output. The control range is from MELLOW to BRIGHT.

IJ

I

JJJ

For a brighter or "sharper" tone, slide the control towards the BRIGHT position. For a "rounder" more mellow tone, slide the control towards the MELLOW position.

I

11111

The

Pedals

JJ~

I

The CLP-820S has two and other models have three foot pedals that

produce a range of expressive effects similar to those produced

by

the

pedals

on

an

acoustic piano.

CLP·880/860/840/820

Soft

pedal

Damper

pedal

Sostenuto

pedal

CLP·820S

Damper

pedal

Soft/Sostenuto

pedal

I

!

I

"

~

!

I

~

I

1,

I

!

JDamper (Right) Pedal

..............................................................................

..

The

damper pedal functions in the same way

as

a damper pedal on an acoustic piano. When the damper pedal is pressed notes played have a long sustain. Releasing the pedal immediately stops (damps) any sustained notes.

On

the CLP-880/860, when GRAND PIANO, CLASSICAL PI-

ANO,

or

JAZZ PIANO is selected the damper pedal also produces a

special "resonance" that simulates the ring

of

the strings and the sound

board

of

an acoustic piano.

The CLP-880/860 damper pedal additionally features continuous damping. This allows you to create shorter effects by pressing the damper pedal down only part

of

the way.

~~

•

On

the

CLP·8801860,

soundboard

depth

and damper pedal

mode

(switchl

continuous) settings

can

be changed using

the

"Pedal

Functions"

(page

32)

in

the

function

mode.

Sostenuto (Center) Pedal (except

for

CLP-820S)

....................

.

If

you

playa

note or chord on the keyboard and press the sostenuto

pedal while the note(s) are held, those notes will be sustained

as

long as

the pedal is held (as

ifthe

damper pedal had been pressed) but all subsequently played notes will not be sustained. This makes it possible to sustain a chord, for example, while other notes are played "staccato."

IEm

NOTE

1 •

Organ

and string

voices

will continue

to

sound for

as

long

as

the

soste-

nuto

pedal

is

depressed.

o Soft

(left)

Pedal

.......................,.....................................................................

..

The soft pedal reduces the volume and slightly changes the timbre

of notes played while the pedal is pressed. The soft pedal will not affect notes which are already playing when

it

is pressed.

The left pedal can also be assigned to song start/stop operation (or

sostenuto in the case

of

the CLP-820S) via the "Left Pedal Mode"

described on page 32.

Transposition

instrumentalist.

IJ

I

JJJ

Touch

Sensitivity

Four different types of keyboard touch sensitivity - HARD, MEDIUM, SOFT

or FIXED - can be selected to match different playing styles and preferences.

I

erHARD

»-~EDIUM

600FT

The Clavinova's TRANSPOSE function makes it possible to shift the pitch of

the entire keyboard up or down in semitone intervals up to a maximum of

12

semitones

(Le.

a maximum of one octave up or down). "Transposing" the pitch

of the Clavinova keyboard facilitates playing

in

difficult key signatures, and you

can easily match the pitch of the keyboard to the range of a singer or other

Use the

[-!NO]

or [+/YES] button while holding the [TRANS-

POSE]

button to transpose down or up as required. The transposition

range

is

from

"-12"

(down one octave) through

"0"

(normal pitch) to

"12" (up one octave). The amount

of

transposition appears on the LED

display while the [TRANSPOSE] button is held. The default transpose

setting

is

"0".

DE

NOTE

I . The [TRANSPOSE] button indicator remains lit when a transpose setting

other than "0"

is selected.

To

select a touch sensitivity type press the [TOUCH] button a few times until the indicator corresponding to the desired type lights (the indicators light in sequence each time the [TOUCH] button

is

pressed).

HARD

The HARD setting requires the keys to be played quite hard to produce maximum loudness.

MEDIUM

The MEDIUM setting produces a fairly "standard" keyboard response. This is the initial factory default setting.

SOFT

The SOFT setting allows maximum loudness to be produced with relatively light key pressure.

FIXED

(no indicator lit)

All

notes are produced at the same volume no matter how hard the keyboard is played. When the

FIXED type is selected, the volume of notes played in the

FIXED mode can be set by using the

[-/NO] and [+/yES] buttons

while the [TOUCH] button is held (the current volume level appears on the display). The volume range is from 1 through 127. The default setting is 64.

DE

NOTE

I • This setting does not change the weight

of

the keyboard.

• The touch sensitivity type

and

volume

set

in the FIXED mode will become

the common setting for a/l voices.

IJ

I

JJJ

Tuning

Tuning makes it possible to adjust the pitch of the Clavinova over a 427.0 Hz ... 453.0 Hz (corresponding to the A3 note's Hz) range in approximately 0.2 Hertz intervals. Pitch control is useful for tuning the Clavinova to match other instruments or recorded music.

I I

D

Tuning

Up

...............................................................................................................

.

SONG

g~

SONG

"SELECT

...

Q~

o To tune up (raise pitch), hold the

~ Press any key between C3 and B3. Each time a key in this range is

pressed the pitch is increased The

[-/NO] and [+IYES] buttons can also be used to tune down or up,

respectively, in approximately 1 Hz increments. Press the

[+/YES] buttons simultaneously to recall standard tuning (A3 = 440

Hz).

~ Release the

D

Tuning

A-I

Down

and B-1 keys.

.....................................................................................................

o To tune down (lower pitch), hold the

neously.

~

Press any key between C3 and B3. Each time a key in this range is

pressed the pitch is decreased by approximately 0.2 Hz.

The [-/NO] and respectively, in approximately

{+/YES] buttons simultaneously

Hz).

~

Release the

[+IYES] buttons can also be used to tune down or up,

A-I

andA#-1 keys.

A-I

and B-1 keys simultaneously.

by

approximately 0.2 Hz.

A-I

and A#-1 keys simulta-

1Hz increments. Press the [-/NO] and

to

recall standard tuning (A3 = 440

[-/NO] and

..

D

To

Restore

o

To

restore the default pitch (A3 =440 Hz), hold the

B-1 keys simultaneously.

~

Press any key between C3 and B3.

~

Release the

of

In terms Hz. The current tuning setting is shown on the LED display while the tuning is being adjusted. Tenths appearance and position

Display

'-f'-fa

'-I.

'-1'-1.a

'-1 '-1

'-I.

mE![~

"Hertz", the overall tuning range is from 427.0

'-I

a

'-I

a

.

An

Standard

A-I,

A#-1 and B-1 keys.

of

a Hertz are indicated on the LED display by the

of

one or two dots, as in the following example:

Value

440.0

440.2

440.4

440.6

440.8

alternative tuning method is available in the Function mode - page 28.

Pitch

..................................................................

A-I,

A#-1 and

Hz

to 453.0

.

I

IJIJI

The

Metronome

&

Tempo

Control

I JJJ

I

The Clavinova built-in metronome

is

a convenient feature for practice, and it can also provide a solid rhythmic guide when recording using the Recorder feature, described in the next section.

(

The

Metronome

METRO-

I

:J

n

NOME

I

eLI.

Beat indicator

~

METRO-

/

SONG

~ICr~

/;J /

-INO

+/YE.

\\

(

L/)

The metronome sound is alternately turned on and off by pressing

the

[METRONOME] button. When on, the beat indicator flashes at the

current tempo.

o Metronome Time Signature

...............................................................

.

The time signature (beat)

of

the metronome can be set by using the

[-/NO] and [+/YES] buttons while holding the [METRONOME]

button.

You

can set the beat to

0,2,3,4

or

6 (the

cunent

setting appears

on

the LED display while the [METRONOME] button is held). Press

the

[-/NO] and [+/YES] buttons simultaneously while holding the

[METRONOME] button to recall the default setting

"0"

(no accent).

o Metronome Volume Function

..........................................................

.

The volume

of

the metronome sound can be adjusted via the Metro-

nome Volume function in the Function

mode-page

33.

(~==============Ti=em=p~o=C=o=n~tr=o=I============~]

The tempo

of

the metronome and recorder playback (the recorder is

described in the next section) can

be

set from 32 to 280 beats per

minute by using the

[TEMPO

.....

I

A]

buttons. The selected tempo will

appear on the LED display while in the normal play mode and while the

[TEMPO

.....

IA] buttons are being used to adjust the tempo in the

recording/playback mode. The default tempo (120

or

the recorded song tempo when the recorder contains data and the playback track indicator is

lit) can

be

recalled by simultaneously pressing the [

.....

] and

[A]

buttons.

Using

the

Recorder

The Clavinova features a two-track recorder that let you record what you play

on the keyboard and then play it back.

Two

tracks mean that you can "overdub" one part on top of another, using a different voice if you like. The recorder feature is a useful adjunct to any keyboard study program, since it lets you hear exactly how you sound from the listener's perspective. It can also be just plain fun.

The recorder actually records the following data:

•

Entire

Song

• Tempo • Time signature (beat) • Reverb type (including OFF)

• Effect type (CLP·880/860/840)

• Individual Tracks

• Notes played • Voice selection • Voice variation

• Dual mode voices • Split mode voices (CLP-880/860)

• Damper pedal • Soft pedal

• Sostenuto pedal (not recorded as an initial setting)

• Effect depth

• Dual balance (F3) • Dual detune (F3) • Dual octave shift (F3)

• Split balance (F4: CLP-880/860) • Split octave shift (F4: CLP-880/860)

(CLP-880/860/840) • Reverb depth

o

GRAND

OClASS!CA\:.:.JAZZ 0 ROCK

I

0

oo~oc

RECORDER

~.-

T" 1 0 2

DO

STARTI

c5~

RECORDER

...

J.,,-

~~

STOP

REG

\ \

DO

ClP·880/860

r 5

LLl

1 Make

All

Necessary Initial Settings

..........................................

Before actually beginning to record, select the voice you want to

record with (or voices

if

you will be using the dual or split mode). You

might also want to set the volume and tempo controls.

2 Engage the Record Ready Mode

................................................

Press the RECORDER [REC] button to engage the record ready mode (recording does not actually start yet). The record ready mode can be disengaged before recording by pressing the [REC] button a second time.

~

NOTE

1 • The record ready mode cannot be engaged while the demo/piano song

3 Select the

is engaged. .

mode

Record

Track

.......;................................................................

When the record mode is engaged in the previous step, the lastrecorded track will automatically be selected for recording and its indicator - i.e. the [1] or [2] button indicator will glow red. record on a different track, press

the

appropriate track button so that its

If

you want to

indicator glows red.

•

The

~

NOTE

1

track button indicators will glow green (unless the track is turned previously-recorded data on the non-record track will normally be played back

as

you record,

If you don't want

you want

track etc.,), press the playback track button before pressing the {REG] button (step

• Recording on data on that track.

• When the record mode is engaged the amount recording will be shown on the LED display in approximate kilobytes (starting

to

record a song different from what you recorded on the previous

1,

above) so that its indicator goes out.

a track which already contains data will erase all previous

at

"50" on the GLP·880/860

of

tracks which contain previously recorded data

so

you can play along with a previously-recorded track.

hear

the previously recorded track as you record (when

off

as described below).

and

"25" on

of

memoty available for

thA

nl

p-R4nIR/nIR,W::1

..

.

The

i

RECORDER

"i,..,

o 1

~""2

DO

START!

~D

RECORDER

o

~,..,.

1 ... ,

....

2

DO

START!

~D

RECORDER

o

~,..,

1 ...

I"

2

DO

START!

D~

RECORDER

o 0

1 2

DO

START!

STOP

REC

GJD

~

Press

twice.

Using

the

Recorder

4 Start Recording

...............................................................................................

.

Recording will begin automatically as soon as you

playa

note

on

the

keyboard

or

press the [START/STOP] button. The current measure

number will appear on the display while recording.

[BE

NOTE

1 .

The

left pedal

can

be assigned

to

start and stop recording

via

the

"Left

Pedal

Mode" function described

on

page

32.

•

If

the

metronome

was

on

when

you started

recording,

you'll

be

able

to

keep

time

with

the

metronome

while

recording, but

the

metronome

sound

will not

be

recorded.

•

You

can record

up

to

a maximum

of

about

10,000

notes

on

the

CLP-880/

860 or 5,000 notes

on

the

CLP-840/820/820S, depending

on

pedal

usage

and other

factors.

The

record track indicator will begin

to

flash

when

recorder memo!}, is almost

full.

If

the

memory becomes full during

recording,

"F

UL

" will appear

on

the

display and recording will

stop

automatically.

(All

recorded data

up

to

that point will

be

retained.)

5 Stop Recording

...............................................................................................

.

Press either the

RECORDER

[REC]

or

[START/STOP] button to

stop recording.

The indicator

of

the recorded track will glow green to indicate that it

now contains data.

o Changing the Initial Settings

............................................................

.

The initial voice, tempo, reverb type, reverb depth, and effect settings

made in step 1

of

the recording procedure are actually recorded by the

Clavinova.

These initial settings can

be

changed after the recording is fmished by pressing the [REC] button to engage the record ready mode, pressing the appropriate track button, making the required changes, and then pressing the [REC] button again to exit from the record ready mode and register the changes.

If

you do this, be careful not to press the [START/STOP] button or a

key on the keyboard, either

of

which will start recording and erase all

previous recorded data on the selected track.

It is possible to cancel the operation even after changes have been

made: change tracks and then press the

[REC]

button to exit from the

record mode (this also cancels data for the entire song).

[BE

NOTE

1

•

The

following

data

for initial settings cannot

be

changed:

"Dual

balance

(F3)".

"Dual detune

(F3)':

"Dual

octave shift

(F3)".

"Split balance (F4:CLP-

880/860)"

or

"Split octave shift (F4:CLP-880/860)".

o Erasing a Single Track

...........................................................................

..

All data can be erased from either

of

the recorder'S tracks by engaging the record mode, selecting the track you want to erase, and then pressing the [START/STOP] button twice without recording any data.

Using

the

Recorder

RECORDER

"I"

"~1

0 2

DO

START!

~D

RECORDER

J:o

STOP

RED

GJD

~

I

'2

_

L,;;,o'

'-1

'1

~

"~1:""

To play back what you've recorded, first make sure that the green track

indicators

of

the tracks you want to play are lit. Ifnot, press the corresponding track button(s) so that they are lit. Then press the RECORDER [START! STOP]

button. Playback starts from the beginning

of

the recorded data, and

will stop automatically at the end

of

the recorded data.

You

can also stop

playback at any time by pressing the [START/STOP] button.

To

mute a track so that it doesn't play back, press the corresponding track

button so that its indicator goes out (press again to

tum

the track back on).

The

current measure number appears on the display during playback.

n~rNOTfJ

. It

is

possible

to

play along on the keyboard during playback. In this case, the

playback voice and the voice you

play

on the keyboard are not the same. The

playback voice

is the voice that was

set

when the data was recorded. The voice

you

play

on the keyboard is the voice that is selected on the panel.

• The playback volume

and

tempo can be adjusted

by

using the [MASTER VOL-

UME] control

and

[TEMPO

~/,A]

buttons (press both [TEMPO

~/,A]

buttons

simultaneously

to

recall the default tempo).

•

All

recorder data will

be

retained in memory for about one week after the power is

turned off.

If

you want to keep your recorded data for longer periods, tum the power

on for

a few minutes

at

least once a week. It is also possible

to

store

it

to

an

external MIDI storage device such

as the

Yamaha

MIDI Data Filer MDF3

by

using

the Bulk Data Dump function described on page 36.

• The track indicators

wilJ

not light automatically when the

power

is turned on even

if

the recorder contains data.

It

is therefore necessary to press the track buttons so

that the corresponding green indicators light before starting RECORDER playback.

It

is also a

good

idea to press the track buttons

to

check

if

the tracks contain data

before recording.

If

the green indicator lights when the corresponding track button

is pressed, that track contains data which will

be

erased

and

replaced

by

the

newly-recorded data.

• If the metronome is being used during playback, the metronome will automatically

stop when playback

is stopped.

• During recorder playback, the volume

of

a track which

is

turned

off

will always

be

"0" (i.e. the "Piano Song Part Cancel Volume" function -

page

33

only affects

piano song playback.

• The playback data

is

not

transmitted

via

the MIDI

OUT

connector.

• Playback cannot be started when the demo/piano song mode

is engaged.

• Playback cannot be started when the recorder contains no data,

or

when both track

buttons are off.

• When using REVERB

or

EFFECT during playback, depending upon the conditions

one reverb type

and

one effect type will take priority.

D

Synchro

Start

..................................................................................................................

..

When the Synchro Start function is engaged, recorder playback will begin

automatically as soon as you start playing on the keyboard.

To engage the Synchro Start function press the [START/STOP] button

while holding a track button which is ON.

The

rightmost dot on the display will

flash at the current tempo. (Repeat the previous operation to disengage the

Syncro Start function.) Playback will then start as soon as you begin playing on

the keyboard.

If

you hold a track button which

is

OFF while pressing the [START/STOP]

button, that track will be turned ON and the Synchro Start mode will

be

engaged.

The

Function

Mode

~r

~~

:>~

,'~

q

;:1

i

~~

~

;1

1

,

~

-!

• Operation Example

.~

,~

:i

.'

i

[£TIl

"

TEMPO

g~

[F

3.

~]

+ Press [+IYES]

...

[,c

The [FUNCTION] button provides access Clavinova extraordinary versatility. The functions are categorized follows:

CLP·8401

820/8205

F1

F2 F3

F4

F5 F6 F7 Fa

CLP·8801

860

Tuning ............................................................. 28

F1

Scale ............................................................... 28

F2

F3 Dual Mode Functions ....................................

F4

Split Mode Functions ....................................

Left Pedal Mode .............................................

F5

Pedal Functions .............................................

F6

Metronome Volume ........................................

F7 Piano Song Part Cancel Volume ..................

Fa

l1li101

Functions ...............................................

F9

Backup Functions ...... .................................... 37

D

To

Select a Function ...

to

a range of functions that give the

..........................................................................

U Press the [FUNCTION] button so that its indicator lights.

~

NOTE

I . Functions cannot be selected during demolpiano song playback

the recorder is in operation.

~

3.

...

7]

(sub-mode)

Use the function: on the CLP-880/860.

~

In the case

CLP-880/860), Pedal Functions (F5: CLP-880/860), MIDI (F7: CLP-840/820/820S, F8: CLP-880/860), and Backup (F8: CLP-840/ 820/820S, F9: CLP-880/860) functions, you will have to press the

[+/YES] button once to enter the respective sub-mode after the

function has been selected, and then use the

[~]

FUNCTION [....

FI

through F8 on the CLP-840/820/820S;

of

the Scale (F2), Dual Mode (F3), Split Mode (F4:

buttons again to select the desired sub-function.

] and

[~]

buttons to select the desired

in

groups as

29 30 32 32 33 33 34

FI

through F9

FUNCTION [....

or

when

] and

.

+ Use FUNCTION

[<0lIl],

[/-3.2]

Press [-/NO] or [+IYES] once

+

[-

:o]

...

~

...

[ :0]

+ Use [-/NO] , [+IYES]

5]

[~]

~

NOTE

I . The Dual

and is not engaged, corresponding sub-mode will not be available.

.•

The Function mode be engaged.

!1

Set the function buttons (see the individual function descriptions, below).

~

NOTE

I •

After [-INO}

~

Press the [FUNCTION] button so that its indicator goes out to exit from the function mode.

or

Split (CLP-8801860j mode must be engaged before the F3

F4 functions can be selected, respectively. If the corresponding mode

Dual mode can be engaged while in the Function mode, but the

selecting the function, the current setting will be displayed when the

or

'~c

1-

"

or

'~c

'-{

- " will appear on the display

must

be exited before the Split mode (CLP-8801860j can

as

required by using the

[+IYES} button is pressed for the first time.

[-/NO]

and

and [+/YES]

the

The

Function

Mode

ID

Tuning

plished via the

approximately 0.2 Hz increments (the first time the simply switches to the tuning value display without actually changing the tuning). The overall tuning range is from 427.0 Hz to 453.0 Hz (corresponding to the A3 note's Hz). Press the

[-/NO]

or two dots,

Scale

--------------

-------------------

In

addition to the tuning method described

PI

function.

After selecting

and [+IYES] buttons simultaneously to recall the default value "440 Hz".

Tenths

Display

i

'-{'-{A

LJ.'-{O !..fun

'-{!..fa.

LI.!..fa.

of

l.U

"PI",

use the

a Hertz are indicated

as

in the following example:

Value

440.0

440.2

440.4

440.6

440.8

[-iNO]

on

the LED display by the appearance and position

and

on

page 22, overall tuning can also be accom-

[+/YES]

buttons to lower

[-/NO]

or

[+/YES]

or

raise the pitch in

button is pressed

of

one

After selecting

then use the

below.

o F2.1: Scale

In

addition to the standard Equal Temperament tuning, the Clavinova includes 6 classic

tunings that you can select and use to play music

with in a more modem context. The tunings are:

1: Equal Temperament

2: Pure Major

3: Pure Minor 4: Pythagorean

Use the

[-INO]

tuning).

and

o F2.2: Base Note

Unlike Equal Temperament tuning, these classic tunings must be tuned to a specific key. Use the to be based. The selected key will appear on the display, followed by a low bar

"R _")

[-/NO]

or

a high bar

Press the

",c

2'::1",

press the [+/YES] button to engage the scale function sub-mode,

FUNCTION

.........................................................................................................................................................

[-/NO]

[+/YES]

and

[-/NO]

[~]

and [ ... ] buttons to select the desired scale function,

as

listed

.

of

the corresponding period,

5: Mean Tone 6:

Werckmeister

7: Kirnberger

[+/YES]

buttons simultaneously to recall the default settings (Equal Temperament

buttons to select the number

of

the desired tuning. Press the

............................................................................................................................................

[+/YES]

if

sharp (e.g.

and [+/YES] buttons simultaneously to recall the default settings "C".

buttons to select the key you want the previously selected tuning

",c -").

or

experiment

if

flat (e.g.

.

The

Function

Mode

iii

Dual Mode Functions

------------

After selecting "F 38", press the [+/YES] button to engage the dual-mode function sub-

mode, then use the

FUNCTION [

....

] and [ ... ] buttons

to

select the desired dual mode func-

tion, as listed below.

If

the Dual mode is not engaged "F

3.

-" will appear instead

of

"F

3.'::1"

and the Dual mode

functions cannot

be

selected.

If

this happens engage the Dual mode and proceed.

[ •

~HORTCUT:

You

can

.J.·u.m.

p directly

to

the

dual-mode functions

(F3)

by

pressing

the

[FUNCTION]

button

while

holding

the

two

dual-mode voice selectors.

r!D

NOTE

1 • Dual mode function settings are set individually for each voice combination.

o F3.1: Dual Balance

...................................................

,

................................................................................

.

The volume levels

of

the two voices combined in the dual mode can

be

adjusted

as

re-

quired by using this function. Use the

[-/NO]

and [+IYES] buttons to adjust the balance as

required. The balance range is from 0 through 20. A setting

of

"10"

produces equal balance

between the two dual-mode voices. Settings below "10" increase the volume

of

the 2nd Voice

in relation to the 1st Voice, and settings above "10" increase the volume

of

the 1st Voice in

relation

to

the 2nd Voice ("1st" and "2nd"

is

explained

on

page 16). Press the

[-/NO]

and

[+1

YES]

buttons simultaneously to recall the default setting (different for each voice combina-

tion).,

You

can set one voice as the main voice, and another voice as a softer, mixed voice.

o F3.2: Dual Detune

......................................................................................................................................

.

This function makes it possible

to

detune the 1st and 2nd dual-mode Voices

to

create a

thicker sound. Use the

[-/NO]

and [+/YES] buttons to set the amount

of

detuning as required.

The detune range is from

-10

through 10. A setting

of

"0"

sets both voices to the same pitch.

Settings below

"0"

increase the pitch

of

the 2nd Voice in relation

to

the 1st Voice, and settings

above

"0"

increase the pitch

of

the 1st Voice in relation to the 2nd Voice ("1st" and "2nd" is

explained on page 16). Press the

[-/NO]

and [+/YES] buttons simultaneously

to

recall the

default setting (different for each voice combination).

IdJ

F3.3: 15t Voice Octave Shift

..........................................................................................................

..

.t

D F3.4: 2nd Voice Octave Shift

.........................................................................................................

.

Depending on which voices you combine using the dual mode, the combination may sound

better

if

one

of

the voices is shifted up

or

down an octave. Use the

[-/NO]

and [+IYES]

buttons to set the octave

of

the 1st or 2nd Voice

as

required ("1st" and "2nd" is explained on

page 16). The available settings are

"0"

for normal pitch,

"-1"

to shift the pitch down one

octave, and

"1"

to shift the pitch up one octave. Press the

[-/NO]

and [+IYES] buttons simul-

taneously to recall the default setting (different for each voice combination).

The

Function

Mode

IdJ

F3.5: 1 st Voice Effect Depth (CLP·880/860/840)

...................................................................

.

III

o F3.6: 2nd Voice Effect Depth (CLP-880/860/840)

These functions make it possible to individually set the depth

2nd dual-mode Voices ("1st" and "2nd" is explained on page 16). Use the YES] buttons to set the effect depth for the corresponding voice as required. The depth range is from 0 through 20. A setting maximum effect depth. Press the default setting (different for each voice combination).

L!l

NOTE

I . The effect depth settings cannot

exited before EFFECT can be turned ON.

IdJ

F3.5: Reset (CLP-820/820S)

o F3.7: Reset (CLP-880/860/840)

This function resets all dual-mode functions to their default values. Press the [+/YES]

button to reset the values. reset.

CLP-880/860 Split Mode Functions

After selecting "F'-1.:l", press the [+/YES] button to engage the split-mode function sub-

mode, then use the tion,

as

listed below.

If

the Split mode is not engaged "F

functions cannot be selected. Also note that you must exit from the Function mode before the Split mode can be engaged .

FUNCTION [....

"E

of

"0"

produces no effect, while a setting

[-/NO]

.....................................................................................................................

tid"

will appear on the display when all functions have been

and [+/YES] buttons simultaneously to recall the

be

changed unless the EFFECT

................................................................................................................

] and

[~]

buttons to select the desired split mode func-

Y.

- " will appear instead

................................................................

of

the effect for the 1st and

[-/NO]

of

is

ON. The Function mode must be

"20"

and

produces

-------

of

"F

Y8"

and the Split mode

..

[+1

..

.

• SHORTCUT:

L!l

NOTE

I . Split mode function settings are

o F4.1: Split Point

In

addition to the split point setting method described on page 17, the split point can be set via this function. Use the simply press the appropriate key

[+/YES] buttons simultaneously to recall the default setting

o F4.2: Split Balance

The volume levels quired by using this function. Use the required. The balance range is from 0 through 20. A setting between the two split-mode voices. Settings below "10" increase the volume

in relation to the Right Voice, and settings above

You

can

jump

directly to the split-mode functions (F4)

[FUNCTION] button while holding the [SPLIT] button.

set

individually for each voice combination.

..........................................................................................................................................

[-IN

0]

and [+/YES] buttons to set the split point

on

the keyboard: from

"A-I"

to "C7". Press the

"Fi2".

....................................................................................................................................

of

the two voices combined in the split mode can be adjusted

[-/NO]

and [+/YES] buttons to adjust the balance as

of

"10" produces equal balance

"10"

increase the volume

by

pressing the

as

required, or

of

the Right Voice

..

[-/NO]

the Left Voice

as

and

re-

.

The

Function

Mode

g F4.3: Right Voice Octave Shift

...........................................................................................

,

.........

.

D F4.4: Left Voice Octave Shift

.........................................................................................................

.

Depending on which voices you combine using the split mode, the combination may sound

better

if

one

of

the voices is shifted up

or

down an octave. Use the [-/NO] and [+/YES]

buttons to set the octave

of

the Left

or

Right Voice as required. The available settings are

"0"

for normal pitch,

"-1"

to shift the pitch down one octave,

and"

1" to shift the pitch up one

octave. Press the

[-/NO] and [+/YES] buttons simultaneously to recall the default setting

(different for each voice combination).

Set according to the pitch extent for the song you want to play.

g F4.S: Right Voice Effect Depth

.....................................................................................................

.

DJ

F4.6: Left Voice Effect Depth

.........................................................................................................

.

These functions make it possible to individually set the depth

of

the effect for the Left and

Right split-mode Voices. Use the

[-/NO] and [+/YES] buttons to set the effect depth for the

corresponding voice

as

required. The depth range is from 0 through 20. A setting

of

"0"

produces no effect, while a setting

of

"20" produces maximum effect depth. Press the

[-INO]

and [+/YES] buttons simultaneously

to

recall the default setting (different for each voice

combination).

~

NOTE

I .

The

effect

depth

settings cannot

be

changed unless

the

EFFECT is

ON.

The

Function

mode

must be

exited before EFFECT

can

be

turned

ON.

D F4.7: Damper Range

...............................................................................................................................

.

The Damper Range function determines whether the damper pedal affects the Right Voice,

the Left Voice, or both the Left and Right Voices in the split mode. Use the

[-/NO] and

[+1

YES] buttons to select

"2"

for the Left Voice,

"1"

for the Right Voice, or "ALL" for both

voices. Press the

[-/NO] and [+/YES] buttons simultaneously to recall the default setting

"ALL".

DJ

F4.8: Reset

........................................................................................................................................................

.

j

This function resets all split-mode functions to their default values. Press the [+/YES]

button to reset the values.

"E

,..,d" will appear on the display when all functions have been

reset.

The

Function

Mode

III

CLP-840/820/820S Left Pedal Mode

------

This function sets the left pedal for normal soft-pedal operation, for song start/stop opera-

tion, or for sostenuto (CLP-820S only) operation. Use the [-/NO] and

[+/YES] buttons to

select the desired left-pedal mode.

"1"

is the normal soft-pedal mode, "2" is the start/stop

mode, and

"3"

is the sostenuto mode (CLP-820S only). When the start/stop mode is selected,

the left pedal functions in the same way as the panel [START/STOP] button. Press the

[-/NO]

and [+/YES] buttons simultaneously to recall the default setting

"I".

iii

CLP-880/860 Pedal Functions

--------

After selecting "F 58", press the [+/YES] button to engage the pedal functions sub-mode,

then use the

FUNCTION [.....

] and [

....

] buttons to select the desired pedal functions,

as

listed

below.

J

FS.1:

Left

Pedal

Mo'de

...........................................................................................................................

.

This function conveniently lets you set the left pedal for normal soft pedal operation, or for song startlstop operation. Use the

[-IN

0]

and [+/YES] buttons to select the desired left-

pedal mode. Press the

[-INO]

and [+/YES] buttons simultaneously to recall the default

setting" 1".

1: Soft The left pedal functions as the soft pedal. 2: StarVStop

The left pedal functions

in

the same manner as the [START/STOP] button.

D

FS.2:

Damper

Mode

.................................................................................................................................

..

This function lets you set how the damper pedal affects the sustain sound. There are two

modes for pedal operation.

1:

Switch

In

this mode the pedal acts as a simple on/off switch for sustain.

2: Continuous

In

this mode the pedal continuously changes the amount of sustain (in eightstep gradations) i.e., the further down you press the pedal the longer the sound sustains.

Use the

[-/NO]

and [+/YES] buttons to select the desired damper mode. Press the

[-/NO]

and [+/YES] buttons simultaneously to recall the default setting "2".

D

FS.3:

Soundboard Depth

....................................................................................................................

.

Certain piano voices (GRAND PIANO, CLASSICAL PIANO, and JAZZ PIANO) feature

a special effect which recreates the ring

of

the strings and the soundboard resonance

of

an

actual acoustic piano when the damper pedal is pressed. This function lets you adjust the

depth

of

this effect. Use the

[-/NO]

and [+/YES] buttons to set the effect depth

as

required.

The effect depth range is from 0 through 20. A setting

of

"0"

produces no effect, while a

setting

of

"20" produces maximum effect depth. Press the

[-/NO]

and [+/YES] buttons

simultaneously to recall the default setting "12".

The

Function

Mode

lID

iii

iii iii

CLP-840/820/820S Metronome Volume

CLP-880/860 Metronome Volume

• SHORTCUT:

The volume

[-/NO]

the is from 1 through 20. A setting produces maximum metronome volume. Press the

neously to recall the default setting "10".

You

can jump directly to the metronome functions

TION] button while holding the [METRONOME] button.

of

the metronome sound can be changed. After selecting "F 5" or "F

and [+/YES] buttons to set the metronome volume as required. The volume range

of

"1" produces minimum sound, while a setting

-------

[-/NO]

-----

by

pressing the [FUNC-

f,",

of

"20"

and [+/YES] buttons simulta-

CLP-840/820/820S Piano Song Part Cancel Volume CLP-880/860 Piano Song Part Cancel Volume

---

use

This function sets the volume at which a "canceled" part is played during piano song

15

playback (see page

YES] buttons to set the volume as required. The volume range is from 0 through 20. A setting

of

"0"

produces no sound, while a setting

NO] and [+/YES] buttons simultaneously to recall the default setting "5".

Adjust the part volume to a comfortable level to use the "canceled" part as a guide to play

along with. Set to

~

.

for information on the "part-cancel" function). Use the [-/NO] and

of

"20" produces maximum volume. Press the [-I

"0"

if

you

don't

want to hear the part.

[+1

The

Function

Mode

iii iii

CLP-840/820/820S MIDI Functions CLP-880/860 MIDI Functions

--------

______

• A Brief Introduction to MIDI

MIDI, the Musical Instrument Digital Interface, is a world-

MIDI Gable

MIDI IN

1

DOu·,·1

Clavinova

note and velocity (touch response) information via the MIDI OUT connector whenever a note keyboard. etc.) or a tone generator (essentially a synthesizer with no keyboard), the second keyboard or tone generator will respond precisely to.notes played on the original transmitting keyboard. The result is that you can effectively play two instruments at once, providing thick multi-instrument sounds.

Clavinova

If

the MIDI OUT connector

Data Being Recorded sequence recording. A sequence recorder can be used to "record"

Playback Data

DOU-10

standard communication interface that allows MIDI-compatible

musical instruments and equipment to share musical information and control one another. This makes it possible to create MIDI instruments and equipment that offer far greater versatility and control than most MIDI keyboards (including the Clavinova,

is

connected to the MIDI IN connector

This same type

MIDI data received from a Clavinova, for example. When the

recorded data is played back, the Clavinova automatically "plays"

MIDI IN

the recorded performance in precise detail.

The examples given above really only scratch the surface. MIDI

can do much, much more. The Clavinova MIDI functions allow it to be used in fairly sophisticated MIDI systems.

is

available with isolated instruments. For example,

of

a second keyboard (synthesizer,

of

musical information transfer

"systems"

of

course) transmit

is

of

played on the

used for MIDI

_

After selecting mode, then use the below.

~

I:!J

F7.1/FB.1:

D

F7.2/FB.2:

MIDI OUT

DOU-l0

• The rear-panel

NOTE

I

the are using (see and

• Always use a high-quality MIDI cable to connect MIDI than about

(Set channel

MIDI sequence recorder could be used to the instruments or tone generators could receive on channel

channel-l information transmitted by the sequence recorder, while the second instrument or tone

",e

1':1"

or "F

8.':1",

press the [+/YES] button to engage the MIDI function sub-

FUNCTION [.,..]

HOST

TO

HOST

out

of

the

15 meters, since cables longer than this can pick up noise which can cause data errors.

MIDI

Transmit Channel Selection

MIDI

Receive Channel Selection

to

receive

on

2)

SELECT

connector,

page

38). In this situation, a/l MIDI settings described

TO

HOST

MIDI

\fi~J

Clavinova

(Sello

and [..-] buttons to select the desired MIDI function,

switch must be

set

the

HOST

SELECT switch to the appropriate position for the type

connector .

MIDI IN

receive on MID!

"play" two different instruments or tone generators. One

be

set to receive only on

2.

In this situation the first instrument or tone generator will respond only to

1

t"\

•

£_

set

channell)

as

listed

to "MIDI" in order to use the MIDI connectors. When you use

below

will have affect

OUT

to MIDI

IN

terminals. Never use MIDI cables longer

............................................................................

...............................................................................

of

computer you

on

the MIDI signal in

.

The MIDI system allows transmission

and reception

of

MIDI data

on

16

differ-

ent channels. Multiple channels have

been implemented to allow selective control

of

certain instruments or devices

connected in series. For example, a single

of

channell,

while the other is set to

2

The

Function

Mode

In any MIDI control setup, the MIDI channels

of

the transmitting and receiving equipment must

be

matched for proper data transfer. A "Multi-timbre" receive mode is also available, which allows

simultaneous reception

of

different parts

on

all 16 MIDI channels, allowing the Clavinova

to

play

multi-channel song data received from a music computer

or

sequencer. There's also a "1-2" mode

which allows simultaneous reception

on

channels 1 and

2.

Use the [-INO] and [+/YES] buttons to select the desired transmit

or

receive channel. The

transmit channel parameter can also be turned "OFF"

if

you don't want the Clavinova

to

transmit

any MIDI data.

To

select the multi-timbre receive mode, set the receive channel to "ALL". Select

"1-2" for multi-timbre reception on channels 1 and 2 only.

Press the

[-/NO] and [+/YES] buttons simultaneously to recall the default setting: transmit "1";

receive

= "ALL".

~

NOTE

1

•

In

the

duaf

mode

first voice

data

is

transmitted

on

its

set

channel,

and

in

the

spfit

mode

right

voice

data

is

transmitted

on

its

set channel.

In

the

dual

mode

second

voice

data is transmitted

on

the

next greater channel

number

of

the

set

channel,

and

in

the

split

mode

left

voice

data

is transmitted

on

the

next greater channel

number of

the

set

channel.

In

either

mode,

no

data

is

transmitted

if

the

transmit channel is set

to

"OFF".

• Demo/piano song

data

and recorder playback

data

are not transmitted

via

MIDI.

•

No

MIDI reception occurs

when

the

demo/piano song

mode

is

engaged.

•

Program

change and other

like

channel messages received will not affect

the

Clavinova's panel settings or

what

is baing pfayed

on

the

keyboard.

DJ

F7.3/FS.3: Local Control ON/OFF

..........................................................................................................

.

"Local Control" refers to the fact that, normally, the Clavinova keyboard controls its internal tone generator, allowing the internal voices to

be

played directly from the keyboard. This situation is "Local Control On" since the internal tone generator is controlled locally by

Clavinova its own keyboard.

Local control can be turned OFF, however, so that the Clavinova keyboard does not play the

internal voices, but the appropriate MIDI information

is

still transmitted via the MIDI OUT connec-

tor when notes are played

on

the keyboard. At the same time, the internal tone generator responds to

MIDI information received via the MIDI IN connector.

When using the DOU-lO Disk Orchestra Unit with the Clavinova, for example, Local Control

should

be

turned OFF when recording using the DOU-lO voices only, and ON when recording the

Clavinova voices while listening to playback

of

the

DOU-I0

voices.

Use the

[-/NO]

and [+/YES] buttons to turn local control

"On"

or

"OFF".

Press the [-!NO] and

[+iYES] buttons simultaneously to recall the default setting "On".

DOU·10

MIOI IN

DJ

F7.4/FS.4: Program Change ON/OFF

................................................................................................

.

Normally the Clavinova will respond

to

MIDI program change numbers received from an external keyboard or other MIDI device, causing the correspondingly numbered voice to be selected on the corresponding channel (the keyboard voice does not change). The Clavinova will normally also

send a MIDI program change number whenever one

of

its voices is selected, causing the correspond-

ingly numbered voice or program to be selected

on

the external MIDI device

if

the device is set up to

receive and respond to MIDI program change numbers.

This function makes

it

possible to cancel program change number reception and transmission so

that voices can be selected on the Clavinova without affecting the external MIDI device,

Use the

[-/NO] and [+/YES] buttons

to

tum program change transmission and reception "On" or

"OFF",

Press the

[-/NO] and [+iYES] buttons simultaneously

to

recall the default setting "On".

r

The

Function

Mode

IdJ

F7.5/FB.5:

Control Change ON/OFF

.......................................................................................

.

I

Normally the Clavinova will respond to MIDI control change data received from an external MIDI device or keyboard, causing the voice on the corresponding channel to be affected by pedal and other

"control" settings received from the controlling device (the key-

I

board voice is not affected). The Clavinova also transmits MIDI control change information when one

of

its pedals or other appropriate controls are operated.

This function makes

it

possible

to

cancel control change data reception and transmission so that, for example, the Clavinova pedals and other controls can be operated without affecting an external MIDI device.

Use the

[-/NO]

and [+/YES] buttons to tum control change transmission and reception

"On"

or "OFF".

Press the

[-iNO]

and [+/YES] buttons simultaneously to recall the default setting "On".

tlil

NOTE

1 •

For

information on control changes that can

be

used with the Clavinova, refer to the MIDI Data

Format on page 43.

D

F7.6/FB.6:

MIDI

Transmit Transpose

......................................................................................

.

This function allows the MIDI note data transmitted by the Clavinova to be transposed up

or

down in semitone increments by up to plus or minus 12 semitones. The pitch

of

the

Clavinova itself is not affected.

Use the

[-/NO]

and [+/YES] buttons to set the desired amount

of

MIDI transmit transposi-

tion. The range is from

"-12"

(down one octave) through

"0"

(no transposition) to "12" (up

one octave).

Press the

[-!NO]

and [+/YES] buttons simultaneously

to

recall the default setting "0".

D

F7.7/FB.7:

Panel/Status Transmit

.............................................................................................

..

This function causes all the current Clavinova panel settings (selected voice, etc.) to be

transmitted via the MIDI OUT terminal. This is particularly useful

if

you will be recording

performances to a MIDI sequence recorder such as the Yamaha MIDI Data Filer MDF3 which

. will be used to control the Clavinova on playback. By transmitting the Clavinova panel set-

tings and recording them on the MIDI sequence recorder prior to the actual performance data, the Clavinova will be automatically restored to the same settings when the performance is played back.

Press the

[+/YES] button

to

transmit the panel/status data.

"E

Ii

d"

will appear on the LED

display when the data has been successfully transmitted.

tlil

NOTE

1 • See page 44 for list

of

the "Panel Data Contents" transmitted

by

this function.

• Panel setting data that is transmitted

to

an external device can only be reloaded on a model

of

the

same type. Panel setting data can also be directly transferred to

or

from instruments

of

the same

model type.

IdJ

F7.B/FB.B:

Bulk

Data

Dump

.............................................................................................................

..

This function is used to transmit all data stored in the Recorder memory to a MIDI data

storage device such

as

the Yamaha MIDI Data Filer MDF3, other sequence recorders, or MIDI

compatible computers.

Press the [+/YES] button

to

begin bulk transmission.

nd"

will appear on the LED

display when the data has been successfully transmitted.

tlil

NOTE

1 • Bulk data dump will not function when the recorder is in operation.

• Recorder data that is transmitted

to

an extemal device can only be reloaded on a model

of

the same

type. Recorder data can also be directly transferred

to

or from instruments

of

the same model

type.

• The reload operation cannot be executed when thp. Rp.,.,nrrl",r

i"

in

nn"'r~tir""

nr ,... ~ c.

on~"~_

---'-

:-

The

Function

Mode

1m

Ii

so

CLP-840/820/820S Backup Functions

_____

_

CLP-880/860 Backup Functions

_______

_

After selecting "F

8.':1"

or

"F

9.':/",

press the [+/YES] button to engage the backup function

sub-mode, then use the

FUNCTION [ ... ]

and [....

] buttons to select the desired backup func-

tion,

as

listed below.

I!l]

NOTE

1 • The backup settings themselves,

and

the contents

of

the recorder memory, are always backed up .

• Even

if

the Backup is turned on, factory presets can

be

recalled

at

any time (see

page

40). The

factory setting list

is found on page 42.

Even

if

backup is turned

on

via one

of

the functions described below, the data will only be

retained in memory for about 1 week

if

the power is not turned on during this time. Ifthe

backup period is exceeded, all settings will be reset to their default values.

If

you want to

retain the backup settings for longer periods,

be

sure to turn the power switch on for a few

minutes at least once a week.

D FS.1/F9.1: Voice

............................................................................................................................................

.

Turns backup

of

the voice functions listed below

on

or

off. Use the [-!NO] and [+/YES]

buttons to turn backup

"On"

or "OFF".

The default backup mode is "OFF".

• Voice (Keyboard, Dual, and Split)

• Dual (ON/OFF, Voice, and Dual Functions for each voice combination)

• Split (ON/OFF, Voice, and Split Functions for each voice combination: CLP-880/860)

• Reverb (ON/OFF, Type, and Depth for each voice)

• Effect (ON/OFF, Type, and Depth for each

voice:

CLP-880/860/840)

• Variation (for each voice)

• Touch Sensitivity (including the FIXED volume)

• Metronome (Beat, Volume)

• Piano Song Part Cancel Volume

D FS.2/F9.2:

MIDI

...............................................................................................................................................

.

Turns backup

of

the MIDI functions listed below on or off. Use the [-/NO] and [+/YES]

buttons to turn backup

"On"

or "OFF".

The default backup mode is "OFF".

• Channel (Transmit, Receive)

• Local ON/OFF

• Program Change ON/OFF • Control Change ON/OFF

• MIDI

Transmi~

Transpose

IdJ

FS.3/F9.3: Tuning

........................................................................................................................................

.

Turns backup

of

the tuning functions listed below on or off. Use the [-/NO] and [+/YES]

buttons to turn backup "On" or "OFF".

The default backup mode is "OFF".

• Transpose • Tuning • Scale (including base note)

D FS.4/F9.4: Pedal

..........................................................................................................................................

..

Turns backup

of

the pedal functions listed below on or off. Use the

[-/NO]

and [+/YES]

buttons to turn backup

"On"

or "OFF".

The default backup mode is "OFF".

IJ

t

JJJ

Connecting

to

a

Personal

Computer

Although the Clavinova can be connected to a personal computer via the

MIDI IN/OUT connectors and a

MIDI interface, the TO HOST connector and

HOST SELECT switch allow direct connection to Apple Macintosh or IBM-PC/AT personal computers for sequencing and other music applications without the need for a separate MIDI interface.

o

Connecting

Computer

to

an

Apple

Macintosh

Series

............................................................................................................

.

HOST

MI~r~J.c

c::n

Set

to

the

position.

SELECT

I

"Mac"

TO

HOST

Apple

Macintosh

Series Computer

Connect the TO HOST connector

of

the Clavinova to the modern ( printer port on your Macintosh, depending on which port your MIDI software is using for MIDI data communication, using a standard Macintosh 8-pin system peripheral cable. Set the HOST SELECT switch to the

"Mac"

You may also have to make other MIDI interface settings computer side, depending on the type software owner's manual).

position.

In

of

software you use (refer to yo

any case the clock speed should

on

be

the

set

1 MHz .

•

"Mac"

• 8-pin system peripheral cable .

• Data transfer rate: 31,250 bps.

Cable

El,,--I

MINI a-PIN

Connections

---,OIJJ--~rno,------","IB

1

DIN

0~--------02(HSKi)

20

3 0

40--··

5

o·

60

7~

80

o 1

(HSKO)

05

(RxD-)

04GND

03

(TxO·)

Q8(RxO+)

07(GPi)

o 6

(TxD+)

MINI

a-PIN

DIN

tl

~.~

• When using the [TO HOST] terminal computer before connecting the cable. After connecting the cable, turn the power

Clavinova.

• When not using the [TO HOST] terminal

terminal.

• "Hsr" will appear in the display

nected, the

this case, turn the power position power

• When the To

use the MIDI connectors for connection via a standard MIDI interface,

of

the Clavinova, first turn the power

of

If

the cable is left connected, the Clavinova may not function properly.

if

HOST

SELECT switch is not in the proper position,

of

the

HOST

of

the computer on first, then the Clavinova, to check

HOST

off

SELECT switch. Once the connection

SELECT switch is

the host computer is not turned on, the connecting cable is not properly con-

on both the Clavinova

the Clavinova, make sure the cable is disconnected from the [TO HOST]

or

the MIDI driver

and

HOST

if

the MIDI driver

"PC-2, no data transfer occurs via the MIDI connectors.

set

to

and

"Mac", "PC-t

the computer.

",

or

off

on both the Clavinova

of

the computer on first, then the

or

and

check the cable connection

SELECT switch position

set

MIDI application is

and

MIDI application function properly.

the HOST SELECT switch to "MIDI".

is

and

the

not

active. In

and

the

verified, turn the

Connecting

to a Personal

Con1puter

or

HOSTSELEOT

M,br.::;lr~M~c

UD

TO

o

I

Set to the "PC-2"

position.

~

NOTE

Series Computer

l .

•

D Connecting to an IBM-PC/AT Series Computer

Connect the TO HOST connector

HOST

co

cc

oc

IBM-PC/AT

If

your system doesn't different settings. Check your software operation manual and if HOST SELECT switch

When

using

the

TO

HOST terminal

be

installed in

World

Wide

the

personal

Web,

<http://www.yamaha.co.jp/englishlxg/>.

on your IBM computer, using a standard 8-pin MINI DIN cross cable. Set the HOST SELECT switch to the "PC-2" position.

Refer to your software owner's manual for information on any

settings you might have to make

•

work

to

"PC-2"

• 8-pin mini DIN ~9-pin D-SUB cable.

• Data transfer rate: 38,400 bps.

properly

"PC-1

".

to

computer.

Ell

with

the

connect The

Cable

MINI DIN 8-PIN

Yamaha

Connections

om

10

20

>------~------<O

30

o--...---------{)5

connections and settings listed

to

a personal computer using

MIDI driver can

----------------------------'

----------<OS(CTS)

-----------<0

of

on

the computer side.

it

requires a 31,250

be

above,

Windows, a Yamaha

obtained at

...........

.

the Clavinova to the RS-232C port

--7 9-pin D-SUB

D·SUB

7

(RST)

(RxO)

(GNO)

9-PIN

2

o

your software may

bps.

data

transfer

Yamaha's

home

require

rate,

set

the

MIDI driver must

page

on

the

• Connector

MINI

34

0

D-SUB

DIN

78

1 2

8-PIN

5

9-PIN

Numbers

•

Trademarks

• Apple and Macintosh are trademarks

• IBM-PC/AT is a trademark

• Windows is the registered trademark All other trademarks are the property

of

International Business Machines Corporation.

of

Apple Computer, Inc.

of

Microsoft® Corporation.

of

their respective holders.

Factory

Preset

Recall

.All

dual mode, split mode, reverb, effect, touch sensitivity, tuning

settings, and the settings affected by the Backup Functions can

be

restored to their original factory preset values by holding the C7 key (rightmost key on the keyboard) while turning the

[POWER]

switch ON. This also erases all recorder data, and sets all Backup on/off settings (F8: CLP-840/820/820S, F9: CLP-880/860)

to

"OFF".

~

NOTE

I . The factory setting list

is

found on page 42.

Troubleshooting

If

you

encounter what appears

to

be

a malfunction, please check the following points before assuming

that your Clavinova

is

faulty.

1. No Sound When the Power is Turned

ON

4.

Intermittent Static Noise

Is the AC plug properly connected to the Clavinova

This is usually due to turning ON or OFF a house-

and an

AC

wall outlet? Check the AC connection

hold appliance

or

other electronic equipment which carefully. Is the MASTER VOLUME control turned is fed by the same AC mains line as your Clavinova. up to a reasonable listening level?

5.

Interference Appears On Radio orTV Sets

Also make sure that a pair

of

headphones is not

Located Near the Clavinova

plugged into the PHONES jack, and that the Local

The Clavinova contains digital circuitry which can

Control (page 35) is ON.

generate radio-frequency noise. The solution is to

2.

The Damper Pedal Doesn't Work

move the Clavin ova further away from the affected

If

the damper pedal doesn't work,

or

notes are

equipment,

or

vice versa.

sustained even when the pedal is not pressed, make

6.

Distorted Sound When the Clavinova is

sure that the pedal cord is properly plugged into the

Connected

to

An

External Amplifier/Speaker

main unit (page 66:

CLP-820S, page 60: CLP-860/

System

840/820, page 52: CLP-880).

If

the Clavinova is connected to a stereo system

or

3.

The Clavinova Reproduces Radio

or

TV

instrument amplifier and the sound is distorted,

Sound

reduce the volume

of

the external equipment to a

!

This can occur

if

there is a high-power transmitter in

level at which the distortion ceases.

Ii

a

your vicinity. Contact your Yamaha dealer.

I

• If "Sc

n"

appears on the display an internal malfunction has occurred. In

this

case, contact

your

Yamaha dealer .

. I

I

Opl'ions

&

Expander

Modules

• Options

• Expander Modules

BC-8 Bench

DOU-10 Disk Orchestra Unit

A comfortable bench styled to match your Yamaha

A range

of

MIDI recording and playback func-

Clavinova.

tions, plus Yamaha DOC software, Disklavier

HPE-160 Stereo Headphones

PianoSoft™, and General MIDI/Standard MIDI File

High-performance lightweight dynamic headphones

disk playback

capabilit~.

with extra-soft ear pads.

KC-883 Key Cover (for the

ClP-820S

only)

A

c-onvp,nip.nt

Wl'lV

tCl

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VClllr

lepvhCl"rn

rjp<>n

Clnrl

Yamaha CLP-880M, Clavinova CLP-820, Clavinova CLP-880PE, Clavinova CLP-840, Clavinova CLP-820S Owner's Manual

Specifications and Main Features

Frequently Asked Questions

User Manual