The AW16G is a very powerful and easy to use digital audio workstation
that will allow you to take your musical ideas from concept to completion. By
combining all of the necessary tools into an affordable all-in-one unit, the AW16G
makes it extremely easy for the home recording musician to achieve high-quality
results.
This guide was written with the recording novice in mind. It is written to
take you, the user, from start to finish in the easiest possible way. Many
advanced recording principles have been purposely left out. The idea is to get
you up and running as quickly and easily as possible.
At the end of this guide there is a glossary. Words in this document that
have been included in the glossary are underlined.
AW16G Features
16-Track Hard Disk Recorder – The AW16G records onto an internal 20
Gigabyte
tracks for a total of 16 recording tracks.
36-Channel Mixing Console – Within the AW16G there are a total of 36
mixer channels. This includes 16 channels for playback of the recorded
tracks, 8 analog input channels, 2 stereo effects return channels, and 4 stereo
channels for the sample pads. Every mixer channel has a 4 band parametric
EQ and a dynamics processor.
2 Internal Effects Processors– There are two built-in effects processors that
have a wide variety of effects. Some examples would be reverb, delay, pitchshift, chorus, phaser, tremolo, and amp simulation.
Quick Loop Sampler – The AW16G has a built-in pad-type sampler. This is
very useful for drum loops, percussion parts, or anything else that you would
like to loop. There are four sample pads with four switchable banks for each
pad. The maximum sample time of the Quick Loop Sampler is 44 seconds.
Built in CD-RW – The internal CD-RW
of your songs, to store song data, and to import or export audio.
(GB) laptop style hard drive. There are 8 mono tracks and 4 stereo
drive can be used to make audio CDs
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Setting up the AW16G
Before you begin recording it is necessary to connect the AW16G with the
equipment that it is to be used with.
Step 1: Connect the Monitoring System
If powered monitors are to be used with the AW16G, connect the Monitor
Outs of the AW16G to the inputs of the monitors using unbalanced
cable. The monitor outputs of the AW16G are unbalanced 1/ 4-inch jacks so it is
not necessary to use balanced cable. Do not use speaker cable to connect the
AW16G to powered monitors.
instrument
With Powered Monitors
If unpowered monitors are to be used with the AW16G, first connect the
Monitor Outs of the AW16G to the inputs of the power amp using unbalanced
instrument cable. Next, connect the speaker outputs of the power amp to the
inputs of the unpowered monitors using speaker cable. For best results 10-16
gauge speaker cable should be used to connect the power amp to the monitors.
The lower the gauge of speaker cable, the better the sound quality will be. For
shorter distances (less than 10-20 ft.), this will be less noticeable but it is still
important to use lower gauge quality speaker cables. Do not use speaker cable
to connect the AW16G to the power amp.
2
With Unpowered Monitors
If no monitors are available, or if you prefer, headphones can be used for
monitoring. The headphones would be connected to the PHONES jack of the
AW16G.
With Headphones
Step 2: Connect the instruments or microphones.
The next step would be to connect the instruments or the microphones to
the AW16G that you will be recording. Typically, it is best to start by recording the
rhythm instruments first (drums and bass guitar) and then record the other
instruments. The final thing recorded is usually the vocals. However, if you are
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more comfortable recording other instruments first and then adding the drums
later on this will work as long as you record with a metronome
the drummer and other rhythm instruments can follow the tempo of the song. For
more info on using the internal metronome of the AW16G see page 47 of the
manual.
The AW16G has two XLR
inch jacks, and a special Hi-Z
directly to the AW16G. Inputs 1 and 2 of the AW16G are the only inputs that
can supply phantom power
input jacks, six TRS (tip, ring, and sleeve) 1/4-
input for connecting electric guitars or basses
to condenser microphones.
. This ensures that
Either microphones or devices such as keyboards or drum machines can
be connected to inputs 3-8. If microphones with XLR outputs are to be connected
to inputs 3-8, an XLR to TRS cable or adapter, should be used.
XLR To TRS Cable
If unbalanced devices with 1/4- inch outputs are to be connected, then
unbalanced 1/4" instrument cable should be used.
Unbalanced 1/4" Instrument Cable
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If a condenser microphone is to be connected
If a condenser microphone is to be connected
to either input 1 or 2, the phantom power must be
to either input 1 or 2, the phantom power must be
turned on.
turned on.
The Hi-Z input should be used to connect electric guitars or basses with
The Hi-Z input should be used to connect electric guitars or basses with
passive electronics to the AW16G. If the guitar or bass has active electronics, or
passive electronics to the AW16G. If the guitar or bass has active electronics, or
is going through an effects device before being connected to the AW16G, then
is going through an effects device before being connected to the AW16G, then
one of the regular 1/4-inch TRS inputs should be used.
one of the regular 1/4-inch TRS inputs should be used.
Step 3: Turn the Equipment on. Step 3: Turn the Equipment on.
The final step before you can begin recording is to turn all of the
The final step before you can begin recording is to turn all of the
equipment on. When turning the equipment on the following order should be
equipment on. When turning the equipment on the following order should be
used:
used:
1. Turn on external devices such as audio sources and effects processors
1. Turn on external devices such as audio sources and effects processors
connected to the AW16G.
connected to the AW16G.
2. Turn on the AW16G. 2. Turn on the AW16G.
3. Turn on the monitoring system connected to the AW16Gs Monitor
3. Turn on the monitoring system connected to the AW16Gs Monitor
Outputs.
Outputs.
This will prevent damage to the speakers. If the monitoring system is
This will prevent damage to the speakers. If the monitoring system is
turned on first, then when the AW16G and the other equipment is turned on a loud
turned on first, then when the AW16G and the other equipment is turned on a loud
‘pop’ will be produced which may damage the speakers.
‘pop’ will be produced which may damage the speakers.
When turning the equipment off the reverse order should be used: When turning the equipment off the reverse order should be used:
1. Turn off the monitoring system connected to the AW16Gs Monitor
1. Turn off the monitoring system connected to the AW16Gs Monitor
Outputs.
Outputs.
2. Turn off the AW16G. To access the AW16Gs shutdown screen press the
2. Turn off the AW16G. To access the AW16Gs shutdown screen press the
[SONG] key until the SONG SHUTDOWN screen appears then cursor to
[SONG] key until the SONG SHUTDOWN screen appears then cursor to
SHUTDOWN and press the [ENTER] key.
SHUTDOWN and press the [ENTER] key.
3. Turn off external devices such as audio sources and effects processors
3. Turn off external devices such as audio sources and effects processors
connected to the AW16G.
connected to the AW16G.
5
5
Recording
Now that everything is set up and connected properly you can begin
recording. The first step in the recording process is to create a new song.
When you start the AW16G for the first time, an empty song will be loaded automatically.
If you use this automatically loaded song, then there is no need to create a new song.
Creating a New Song
1. In the Work Navigate Section press the [SONG]
key until the Song List page is displayed.
2. Move the cursor to the NEW button and press
the [ENTER] key next to the jog wheel.
A popup window will ask you if you want to save the current song.
3. Move the cursor to either YES (if you want to save the current song) or
NO (if you do not want to save the current song) and press the [ENTER]
key.
Another popup window will appear, allowing you to choose any settings that will
carried over from the current song.
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