• Mains powered apparatus shall not be exposed to dripping or
splashing and that no objects filled with liquids, such as vases,
shall be placed on the apparatus.
• Clean only with dry cloth.
• Do not block any v entilation openings. Install in accordance with
the manufacturer's instructions.
• Do not install near any heat sources such as radiators, heat
registers, stoves, or other appar atus (including amplifiers) that
produce heat.
• Do not defeat the safety purpose of the polarized or groundingtype plug. A polarized plug has tw o b lades with one wider than
the other. A grounding type plug has two blades and a third
grounding prong. The wide blade or the third prong are provided
for your safety. If the provided plug does not fit into your outlet,
consult an electrician for replacement of the obsolete outlet. (for
U.S.A. and Canada)
• Protect the power cord from being walked on or pinched
particularly at plugs, convenience receptacles, and the point
where they exit from the apparatus .
• Only use attachments/accessories specified by the manufacturer.
• Unplug this apparatus during lightning storms or when unused
for long periods of time.
•Turning off the power switch does not completely isolate this
product from the power line so remove the plug from the socket if
not using it for extended periods of time.
• Install this product near the wall socket and k eep the po w er plug
easily accessible.
• WARNING—This apparatus shall be connected to a mains
socket outlet with a protective earthing connection.
• Refer all servicing to qualified service personnel. Servicing is
required when the apparatus has been damaged in any wa y,
such as power-supply cord or plug is damaged, liquid has been
spilled or objects have f allen into the appar atus, the apparatus
has been exposed to rain or moisture, does not operate normally,
or has been dropped.
• Do not install this equipment on the far position from wall outlet
and/or convenience receptacle.
• Do not install this equipment in a confined space such as a box
for the conveyance or similar unit.
• Use only with the cart, stand, tripod, bracket, or table specified by
the manufacturer, or sold with the apparatus. When a cart is
used, use caution when moving the cart/apparatus combination
to avoid injury from tip-over.
The lightning flash with arrowhead symbol
within an equilateral triangle, is intended to
alert the user to the presence of uninsulated
“dangerous voltage” within the product's
enclosure that may be of sufficient magnitude
to constitute a risk of electric shock to persons.
The exclamation point within an equilateral
triangle is intended to alert the user to the
presence of important operating and
maintenance (servicing) instructions in the
literature accompanying the product.
CE mark for European Harmonized Standards
CE mark which is attached to our company’s products of A C mains
operated apparatus until December 31, 1996 means it conforms to
EMC Directive (89/336/EEC) and CE mark Directive (93/68/EEC).
And, CE mark which is attached after January 1, 1997 means it
conforms to EMC Directive (89/336/EEC), CE mark Directive (93/
68/EEC) and Low Voltage Directive (73/23/EEC).
Also, CE mark which is attached to our company’ s products of
Battery operated apparatus means it conforms to EMC Directive
(89/336/EEC) and CE mark Directive (93/68/EEC).
* Company names, product names, and names of f ormats etc. are
the trademarks or registered trademarks of their respective owners.
AALWAYS use the supplied mains lead, if a replacement is
required please contact your authorized Vox Dealer.
BDO NOT switch the amplifier on without a loudspeaker
connected.
CENSURE that any extension cabinets used are of the
correct impedance.
DNEVER attempt to bypass the fuses or fit ones of the
incorrect values.
EDO NOT attempt to remove the amplifier chassis, there
are no user serviceable parts.
FRefer all servicing to qualified service personnel including
replacement of fuses and valves. Servicing is required
when the apparatus has been damaged in any way, such
as when the power supply cord or plug is damaged, liquid
has been spilled or objects have fallen into the apparatus,
the apparatus has been exposed to rain or moisture, does
not operate normally or has been dropped.
CAUTION: Any changes or modifications not expressly
approved by the party responsible for compliance may
void the users authority to operate the equipment.
Note: It is recommended that all audio cables, with the
exception of the speaker lead, used to connect to the
AC15 Custom Classic are of a high quality, screened
type. These should not exceed 10 metres in length.
Always use a non-screened Vox approved speaker lead
with the AC15 Amplifier and extension cabinets.
WARNING: Do not obstruct ventilation grilles and always
ensure free movement of air around the amplifier!
2
AC50/AC100 Classic Plus
Owner’s manual
INTRODUCTION
Thank you for buying the VOX CLASSIC PLUS amplifier. As you probably already know (otherwise you
probably wouldn’t have bought it!) these amplifiers are available in both 50 and 100 Watt variants. This
manual covers the operation and other details of both. Although the Classic Plus range is totally brand new
and up to date in design and features, you can be assured that there is 50 years of classic VOX sonic
history packed into every amplifier.
The Classic Plus is a channel switching valve pre- and power-amp guitar amplifier that can produce many
flavours of tone from pristine clean to impressive high-gains, and all points between. The two channels
have a variety of wide-ranging controls to help you create the sound textures that you require, and as the
controls of the two channels are totally independent, you do not need to compromise to achieve your
desired tonal palette.
In addition to the aforementioned controls, the amplifier features Spring Reverb with individual level control
for each channel with remote foot-switching, plus series FX looping with selectable level control and bypass switching. The extensive DI output facility has both balanced XLR and unbalanced jack outputs with
rotary level control and ground lift switching. To enable great sounding connection into PA or recording
equipment, the DI also features a speaker emulating Low Pass Filter (LPF) network. This can be switched
into or out of circuit as required. Another great plus of the DI circuit is that it is post the power amplifier’s
phase inverter valve, and before the Output Master Volume control. What this means is that no matter how
loud or quiet your stage level is, you have totally independent control of the DI output level. You can even
turn the Master Volume totally off and use the DI output for “silent” recording for those midnight sessions.
Even if you are an experienced amp tinkerer we really do suggest that you read this manual before turning
the amp on. There may be something in these pages that you didn’t know. Even if there isn’t, hopefully we
will have entertained you as you learn about your new CLASSIC PLUS.
After reading this manual, please plug in, turn on, and ROCK till you drop.
Thank you.
From All at VOX
3
FRONT PANEL CONTROLS AND FUNCTIONS
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15
INPUT SECTION
1. INPUT JACK SOCKET
As the name suggests, this jack socket is used to connect your guitar into the amplifier. It is
important to remember that the use of high quality cables is of paramount importance to obtain
the best and most consistent performance. Although good cables can be relatively expensive, it
is without doubt a very worthwhile investment. We recommend Vox cables. Please contact your
dealer if you need assistance selecting a high-quality cable.
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2. CHANNEL SELECT SWITCH
The front panel toggle switch marked CHANNEL 1/CHANNEL 2 is used to select which channel
is going to be selected for use: CHANNEL 1 is primarily the CLEAN/CRUNCH sounding channel & CHANNEL 2 is for much
heavier and overdriven sounds.
The rear mounted FOOTSWITCH jack socket is also available to connect the foot operated
switching box (VOX VF002) to allow remote channel switching operation.
REMEMBER! To use the Footswitch function the F ront Panel, the toggle Switch MUST be set to the CHANNEL
2 position. The associated Channel LED (Green f or Ch1, Red for Ch2) will illuminate when each
channel is selected.
CHANNEL 1 SECTION
3. GAIN CONTROL
This control regulates the amount of signal amplification that is generated in the Channel 1
preamplifier circuit, and as such sets the basic tonal qualities of the channel. The circuit design of
Channel 1 is based on the Top Boost channel of the historic VOX AC30. Therefore the basic
sound of this channel is classic VOX through and through. But by some subtle changes and
tweaks this channel will also give you some serious classic rock Crunch. Although different types
of guitars and pick-ups will give differing output levels and thus amp settings will vary between
different guitars, then generally the rule of thumb is that cleaner sounds are going to be between
Off (naturally!) and about 2 o’clock position of the knob. After that the channel preamp will slowly
start to go into crunchy distortion, with the maximum distortion at Full (of course!). Although this
channel is not seriously high gain (we’ve left that for channel 2) the distortion level can be seriously satisfying.
4
4. EQ and TONE contr ols
The TREBLE, MIDDLE, and BASS controls on this channel are of the interactive passive format
that is historic to VOX amplifiers. This type of EQ is sometimes nicknamed as the “tone stack” by
the nature that the three controls are drawn on a circuit diagram. Generally speaking, the position
of each control knob will influence the effect of the other two. Our advice is to set the three
controls at their midpoint positions and start from there. Experimentation is the key to finding your
tone. For starters though, turning the Middle control down will make the sound more “hollow”
particularly with high gain (distorted) settings, as typified on many modern heavy rock songs.
Turning the Middle up will make the tone fuller, smoother and produce a more “singing” tone.
Adjust Bass & Treble to suit.
The TONE CUT control is a classic VOX control that dates back to the very first VOX amplifier of
50 years ago, when it was the only form of tone control on the amplifier. In keeping with its name,
this control works by reducing (CUTS) the amount of high frequency content of the sound and
thus smoothes out and warms up the treble. When using this control please remember that as
you turn the control UP that you are actually turning DOWN the Treble.
5. REVERB
This control regulates the amount of the on-board spring reverberation required for Channel 1
only. Please remember that the reverb is controlled ON or OFF by the footswitch as well.
6. VOLUME
This control is set at the end of the Channel 1 preamp circuit, before it goes to the FX Loop,
Reverb, and Power Amp sections. As such it governs how loud the sound generated by the
Channel 1 electronics is going to be. Low settings of the control will mean the amp will be pretty
quiet, and higher settings will mean total mayhem has broken out! As the total sound level is
controlled by both the Gain and Volume controls (and the Output Master, but more on this later)
you will need to balance both the level and character of the sound with both these controls.
CHANNEL 2 SECTION
7. GAIN CONTROL
This control regulates the amount of signal amplification that is generated in the Channel 2
preamplifier circuit. The circuit design of Channel 2 is out and out mean, meaty and mighty – but
with a good measure of VOX thrown in as well! The basic sound of this channel takes off where
Channel 1 finishes; and by use of all of this channel’s controls you can achieve a variety of
sounds from gentle blues to classic rock to modern high gain wailing.
8. BRIGHT SWITCH
This switch brings in an extra capacitor (switch down) across the Gain control to boost the highmid and upper frequencies. The effect of this is dependant on the position of the Gain control –
lower settings mean that the switch is more active – higher positions mean that it is less active. A
good use of this switch is to give extra bite and clarity to muddy sounding humbucking pick-ups.
9. F AT SWITCH
This switch brings in some extra gain, and also focuses the mid range of the guitar and amp
which helps produce the “singing” tone when playing lead lines.
10. EQ and T ONE controls
The TREBLE, MIDDLE, and BASS controls on this channel are of the interactive passive format
but have different characteristics than the classic VOX TB circuit that Channel 1 is based on. The
EQ is centered on different frequencies to enhance the higher gain capabilities of Channel 2.
5
Generally speaking the position of each control knob will influence the effect of the other two. Our
advice is to set the three controls at their midpoint positions and start from there. Experimentation
is the key to finding your tone. For starters turning the Middle control down will make the sound
more “hollow” particularly with high gain (distorted) settings, as typified on many modern heavy
rock songs. Turning the Middle up will make the tone fuller, smoother and produce a more “singing” tone. Adjust Bass & Treble to suit.
The PRESENCE control is often found on other rock oriented guitar amps. It normally functions
in the feedback circuit of the power amp to gently boost the presence frequency range (around 2
to 3kHz). This achieves the purpose of making the sound more lively and attacking, and originally
was used to compensate for dead sounding rooms and auditoria. But of course, we at VOX like
to do things a little differently than other amp companies: our Presence circuit combines the
traditional active power amp feedback circuit with a passive circuit within Channel 2’s preamp
that not only focuses the Presence boost but, by turning the control down, will introduce a high
frequency cut filter that can be used to de-fuzz the preamp distortion, making it less aggressive
and sweeter.
11. REVERB
This control regulates the amount of the on-board spring reverberation required for Channel 2
only. Please remember that the reverb is controlled ON or OFF by the footswitch as well!
12. VOLUME
This control is set at the end of the Channel 2 preamp circuit, before it goes to the FX Loop,
Reverb, and Power Amp sections. As such it governs how loud the sound generated by the
Channel 2 electronics will be. Obviously, low settings of the control will mean the amp will be
pretty quiet, and higher settings will mean total mayhem has broken out! As the total sound level
is controlled by both the Gain and Volume controls (and the Output Master, but more on this later)
you will need to balance both the level and character of the sound with both these controls.
MASTER SECTION
13. OUTPUT MASTER VOLUME
This control is what is called a Post Phase Inverter Master Volume (PPIMV) and is so called
because it operates in the power amplifier circuit between the output of the phase inverter valve
and the input of the power output valves. A great deal of the sound of a valve guitar amplifier is
actually generated by the phase inverter valve and therefore by using this type of design much of
the true power amp characteristics are retained when you use this type of Master Volume. I.e. it
keeps much of the true valve sound even at low levels of volume. In simple terms this control
regulates the actual power output produced by the power amplifier, so at lower levels it is akin to
playing through a low power valve amp. Another benefit of this type of circuit and control (as
mentioned in the introduction) is that the DI circuit is connected between the phase inverter valve
and the Output Master Volume. This not only gives the DI the tone of the power amp, but the DI
and power output control are totally independent.
14. ST ANDBY SWITCH
The standby switch is used to a) turn the amplifier on or off for short durations such as breaks
when you do not want to go through the required warm up period, and b) it is used to alleviate
strain on the amp’s output valves when you are powering up from cold i.e. when warming up the
amp.
Historically the operation of the Standby switch is actually converse from its On & Off markings.
Standby OFF means that the amp is switched INTO Standby and the amplifier is not operating,
and Standby ON means the amp IS working. The Green LED indicator above the Standby switch
will illuminate when the amplifier is ON.
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15. POWER SWITCH
This switch turns the mains power coming into the amp on or off. When the amp is active the Red
LED above the switch will be illuminated.
The correct procedure for powering up your AC50/100CP amplifier (and indeed virtually every
valve guitar amp made) is A) Check that the amplifier’s rating is suitable for the mains power that
you are using (i.e. a 230V rated amp is going to be connected to 230V mains power, 120V to
120V etc, if in doubt please consult your VOX dealer), B) ensure that all cables (speaker, footswitch,
FX loop, etc) are already connected, C) ensure MAINS and STANDBY switches are in the OFF
position and then connect the mains power cord to the amplifier, D) turn ON the POWER switch
and ensure that the RED LED is ON, E) wait for at least 2 minutes for the valves to warm up, and
then F) turn ON the STANDBY switch. Your amplifier is now ready for use. Allowing the amplifier
to warm up in this way will ensure that the valves are not subjected to too much stress and will
help them to achieve maximum life.
REAR PANEL CONTROLS AND FUNCTIONS
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16. LOUDSPEAKER OUTPUTS
Two parallel connected jack sockets for feeding 1 or 2 loudspeaker cabinets of your choice (We
recommend VOX model V412BN 4x12” speaker cabinets). The Impedance Selector Switch allows you to connect either a 16 ohm or 8 ohm loudspeaker system to your amplifier. It is extremely important to the continued safe running of your amplifier that the speaker and amplifier
impedances are closely matched – output valve and transformer damage can occur if this is not
done!
For 1 x 16 ohm cabinets set selector to 16 ohm. For 2 x 16 ohm cabinets set selector to 8 ohms.
For 1 x 8 ohm cabinets set selector to 8 ohms. Any other combination CANNOT be used.
17. EFFECTS LOOP
The series effects loop is situated between the outputs of the preamp stages and the input of the
Reverb stage. The signal is then fed into the power amp stage. The BYPASS slide switch will
either engage the loop (switch ON) or disconnect the effects loop circuitry from the rest of the
amplifier (switch OFF). We recommend that if you are not using the loop then the switch should
be set to the OFF position.
With the LOOP switch in the OFF position, the SEND jack socket is still operational and can
therefore be used to send the signal to another device such as a tuner or slave amplifier.
The LOOP LEVEL Switch allows the loop to be used at two different signal levels (approximately
+4dBV (high) and -10dBV (low)). This will enable a wide range of devices to be connected to the
amplifier. We do not recommend the use of stomp box devices in a loop, particularly Fuzz and
Distortion pedals as these can limit the headroom of the amplifier and prevent you achieving full
power output.
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18. DIRECT OUT
The AC50/100CP amplifier has a very comprehensive DI circuit, as explained earlier in this manual.
Please refer back to the note 13 (Output Master Volume control) which explains the relationship
between the DI circuit and the amplifier.
The DI is outputted on either Balanced XLR or Unbalanced Jack connection and both are controlled by the LEVEL rotary control. The GROUND LIFT Switch will either connect the external
equipment to the AC50/100CP direct grounding or to a phantom ground circuit to prevent ground
loops occurring, please try both positions for best performance.
The LPF (Low Pass Filter) switch will change the DI response to either the normal amplifier
frequency response for use when connecting to slave amplifiers and guitar type speaker systems, or, when switched on, will introduce a very sharp filter network that removes the high
frequencies that are normally removed by guitar loudspeakers. This enables the amp to be directly connected to PA or recording equipment and speaker emulated sounds to be achieved.
Please remember that by turning the Master Volume to 0 you can silent “record” from the DI
output. It is HIGHLY RECOMMENDED that when doing so that the amplifier is still connected to
the normal loudspeaker system so that if the Master is accidentally turned up then no damage
can occur to your amplifier.
19. FOOTSWITCH JACK
This jack is for connecting the supplied VF002 double footswitch to the amplifier for remote
channel (switch A) and reverb switching (switch B).
If you require to use an alternative switching system (MIDI switcher for instance) then the following information will be of use: Both switches are short to ground - Channel switching = jack Tip – channel 1 is closed – channel
2 is open – Reverb = jack Ring – reverb off is closed – reverb on is open. Approximately 7.5Vdc
@ 10mA is present on open switches.
20. OUTPUT VALVE BIAS CONNECTION COVER
This plate covers the 2 potentiometers and test measuring points for setting the operational bias
of the output valves. This should be done by qualified personnel only!
21. HT FUSE
The HT fuse protects the high voltage secondary circuit that supplies the valve circuits, particularly the output valves. This fuse will typically blow in the case of an output valve failure, but can
also blow in the event of any other secondary circuit failure.
WARNING!IF THE FUSE SHOULD FAIL REPLACE IT ONLY WITH THE CORRECT TYPE AND RATING
OF FUSE. Do not use any other value or serious damage could occur.
22. MAINS POWER INPUT and FUSE
The incoming mains power lead is connected to this inlet. Please use the supplied mains lead, or
one of at least the same ratings (if in doubt check with your dealer). Before connecting the mains
power please check that it is compatible with your amplifier, by checking that it matches the rating
plate on the amplifier back panel.
The fuse that is in the mains inlet is there to protect you, your amplifier, and the mains circuit that
you are connected to. If the fuse blows it is usually for a good reason, especially if it blows again
after you replace it.
WARNING!IF THE FUSE SHOULD FAIL REPLACE IT ONLY WITH THE CORRECT TYPE AND RATING
OF FUSE. Do not use any other value or serious damage could occur.
Please note! Your amplifier is designed to operate correctly on the A.C. Voltage and Frequency
that is noted on the back panel mounted rating plate. If you wish to export/import this product to
another country it may not be compatible and may require modification to suit. If in doubt please
consult a VOX dealer or distributor.
8
SPECIFICATIONS
AC50CPH
50 Watt valve channel switching guitar amplifier head with spring reverb.
Power Output:50 Watts RMS into selectable 8 or 16 ohm loudspeaker load.
Valve complement:4 x 12AX7/ECC83 (note! V1 is low microphonic) and 2 x EL34B.
Country Variants and Mains Fuse:
Dimensions (W x H x D):702 x 265 x 285 mm / 27.6 x 10.4 x 11.2 inches
Weight:22 kg / 48.5 lbs.
Included items:Power cable, VF002 footswitch
AC100CPH
100 Watt valve channel switching guitar amplifier head with spring reverb.
Power Output:100 Watts RMS into selectable 8 or 16 ohm loudspeaker load.
Valve complement:4 x 12AX7/ECC83 (note! V1 is low microphonic) and 4 x EL34B.
Country Variants and Mains Fuse:
Dimensions (W x H x D):702 x 265 x 285 mm / 27.6 x 10.4 x 11.2 inches
Weight:25 kg / 55.1 lbs.
Included items:Power cable, VF002 footswitch
Appearance and specifications of this product are subject to change without notice.
URL = http://www.voxamps.co.uk5
9
INFORMATIONS IMPORTANTES DE SECURITE
• Lisez attentivement ces instructions.
•Veuillez conserver ces instructions.
• Observez tous les avertissements.
• Suivez toutes les consignes à la lettre.
• N’utilisez jamais cet appareil dans un endroit humide ni à
proximité d’eau.
•L’appareil alimenté par courant électrique ne peut pas être
exposé à des éclaboussures; évite en outre de placer des
récipients contenant des liquides, comme un vase (ou un verre
de bière), sur l’appareil.
• Nettoyez uniquement l’appareil avec un chiffon doux et sec.
• Ne bloquez jamais les orifices de ventilation de l’appareil et
installez-le toujours conformément aux instructions du fabricant.
• N’installez jamais l’appareil à proximité d’une source de chaleur ,
telle que des radiateurs, poêles ou tout autre dispositif (y compris
des amplificateurs) générant de la chaleur.
• N’essayez jamais de contourner le dispositif de sécurité d’une
prise de type polarisée ou d’une prise de terre. Une prise dite
polarisée dispose de deux broches, dont l’une est plus large que
l’autre. Une prise de terre comporte trois broches, dont une de
mise à la terre. Cette broche plus large ou broche de mise à la
terre vise à assurer votre sécurité. Si la fiche du cordon
d’alimentation ne correspond pas au type de prise de courant de
votre région, faites remplacer la prise obsolète par un électricien
qualifié (pour les Etats-Unis et le Canada).
• Placez toujours le cordon d’alimentation de sorte qu’on ne risque
pas de marcher dessus ni de le pincer. Cette précaution vise tout
spécialement la fiche du cordon et sa sortie de l’appareil.
• Utilisez exclusivement les fixations/accessoires préconisés par le
fabricant.
• S’il y a risque d’orage ou que vous ne comptez pas utiliser
l’appareil pendant une période prolongée, débranchez-le du
secteur.
• La mise sur OFF de l’interrupteur d’alimentation n’isole pas
totalement ce produit de la ligne secteur; aussi, retirez la fiche de
la prise s’il doit rester inutilisé pendant une période prolongée.
• Installez ce produit près de la prise électrique murale et gardez
un accès facile à la prise électrique et au cordon d’alimentation.
•ATTENTION: Cet appareil doit absolument être connecté à une
prise électrique reliée à la terre.
• Confiez tout travail de réparation uniquement à un S.A.V. qualifié.
Faites appel au S .A.V. si l’appareil a subi tout endommagement,
comme par exemple si sa fiche secteur ou son cordon
d’alimentation sont endommagés, si de l’eau ou des objets ont
pénétré à l’intérieur de l’appareil, si celui-ci a été exposé à la
pluie ou à la moisissure, s’il est tombé ou présente tout signe de
dysfonctionnement.
• N’utilisez jamais d’allonge trop longue avec cet appareil et ne
l’alimentez jamais via les prises secteur équipant d’autres
dispositifs.
• N’installez jamais cet appareil dans un endroit confiné comme
une caisse de transport ou tout autre récipient similaire.
• Utilisez l’appareil uniquement avec le chariot, stand, trépied,
fixation ou table spécifiés par le fabricant ou fourni av ec
l’appareil. Si v ous avez placé l’appareil sur un chariot, soyez très
prudent quand vous déplacez le chariot, afin d’éviter une chute et
des blessures.
Marque CE pour les normes européennes harmonisées
La marque CE apposée sur tous les produits de notre firme
fonctionnant sur secteur jusqu’au 31 décembre 1996 signifie que
ces appareils répondent à la Directive EMC (89/336/CEE) et à la
Directive concernant la marque CE (93/68/CEE).
La marque CE apposée après le 1 janvier 1997 signifie que ces
appareils sont conformes à la Directive EMC (89/336/CEE), à la
Directive concernant la marque CE (93/68/CEE) ainsi qu’à la
Directive Basse Tension (73/23/CEE).
La marque CE apposée sur tous les produits de notre firme
fonctionnant sur piles signifie que ces appareils répondent à la
Directive EMC (89/336/CEE) et à la Directive concernant la marque
CE (93/68/CEE).
* Les noms de sociétés, noms de produits et noms de f ormats, etc.
dans ce manuel sont des marques de fabrique ou des mar-ques
déposées de leurs propriétaires respectifs.
L’éclair dans le triangle est un symbole destiné
à attirer l’attention de l’utilisateur sur la
présence de parties non isolées et de “tension
dangereuse” à l’intérieur de l’appareil, qui
posent des risques d’électrocution pour
l’utilisateur.
Le point d’exclamation dans un triangle est un
symbole destiné à attirer l’attention de
l’utilisateur sur des sections de ce manuel
contenant des informations importantes, liées à
l’utilisation et à l’entretien de ce produit.
10
AC50/AC100 Classic Plus
Manuel d’utilisation
INTRODUCTION
Merci d’avoir acheter l’ampli “VOX CLASSIC PLUS”. Comme vous le savez probablement déjà (sinon vous
ne l’auriez pas acheter !) les amplis sont disponibles en deux versions : 50 et 100 Watts. Ce manuel
explique les opérations et autres détails sur ces deux amplis. Bien que la gamme Classic plus soit totalement
nouvelle et originale en matière de fonctions et de conception, vous pouvez être certains qu’il y a 50 ans
d’histoire sonore VOX présente dans tous nos amplis.
Le Classic Plus est un canal qui commute les lampes du pré-ampli et de l’ampli de puissance, ce qui
permet de produire de nombreux types de sons du son clean cristallin au gain très saturé, et tous les
autres situés entre les deux. Les deux canaux ont une variété étendue de contrôles pour vous aidez à
créer les textures de son que vous désirez, et comme les contrôles des deux canaux sont totalement
indépendants, vous n’avez pas besoin de faire de compromis pour obtenir la palette de sons souhaitée.
En plus des contrôles mentionnés précédemment, l’ampli dispose d’une reverb à ressort avec un contrôle
pour chaque canal, commutable au pied, plus une boucle d’effet avec un contrôle de volume et un bypass
commutable. La sortie d’extention DI dispose d’une sortie symétrique XLR et d’une sortie asymétrique
jack avec des contrôles de volume rotatifs et une prise de terre commutable. Pour permettre une bonne
connectivité dans un PA ou un enregistreur, la DI dispose d’un émulateur avec filtre basse fréquence (Low
Pass Filter). Celui ci peut être utilisé ou pas sur le circuit requis. Un autre grand plus du circuit DI est placée
après le lampe d’inversion de phase de l’ampli de puissance et avant le contrôle du master volume de
sortie. Cela signifie que quelque soit le niveau sonore de votre enregistrement, vous avez un contrôle
totalement indépendant du niveau de la sortie DI. Vous pouvez même totalement couper le volume principal et utiliser la sortie DI pour un enregistrement silencieux lors de prises de nuit.
Même si vous êtes un expert des amplis, nous vous suggérons vraiment de lire ce manuel avant d’allumer
votre ampli. Il y a peut être quelque chose dans ces pages que vous ne savez pas. Même si ce n’est pas
le cas, nous espérons vous avoir diverti en vous apprenant des choses sur votre nouveau CLASSIC
PLUS.
Après avoir lu ce manuel, veuillez brancher votre guitare, allumer votre ampli et envoyer du vrai ROCK ...
Merci
11
CONTROLES ET FONCTIONS DU PANNEAU AVANT
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SECTION ENTREE
1. Connecteurs d’entrée Jack
Comme son nom l’indique, ce connecteur est utilisé pour brancher votre guitare à l’ampli. Il est
important de rappeler que l’utilisation de câbles de bonne qualité est primordiale pour obtenir la
meilleure performance possible. Bien que de bons câbles puissent être relativement chers, c’est
sans aucun doute un investissement qui vaut le coup. Nous recommandons les câbles Vox.
N’hésitez pas à contacter votre magasin revendeur si vous avez besoin de conseils pour choisir
un câble haute qualité.
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1
2. Commutateur de sélection de canal
L’interrupteur sur le panneau avant noté CHANNEL1/CHANNEL2 est utilisé pour choisir chaque
canal:
CHANNEL 1 est principalement le canal utilisé pour les sons CLEAN/CRUNCH & CHANNEL 2
est fait pour obtenir des sons lourds et saturés.
Le connecteur FOOTSWICH monté à l’arrière est également disponible pour connecter le boîtier
de commutation fonctionnant au pied (VOX VF002).
Rappelez-vous ! Pour utiliser la fonction Footswitch du panneau avant, l’interrupteur Switch doit être placé en
position CHANNEL 2. La LED associé aux canaux (V ert pour Ch1, Rouge pour Ch2) s’illumine
quand chacun des canaux est sélectionné.
SECTION CANAL 1
3. CONTROLE DE GAIN
Ce contrôle régule le niveau du signal d’amplification généré dans le circuit de préamplification
du canal 1, et à ce titre, règle les qualités du son de base du canal.
La conception du circuit du canal 1 est basée sur le modèle du canal Top Boost du mythique VOX
AC30. Par conséquent, le son de base de ce canal est le son typique des amplis Vox. Mais par
de subtils changements et modifications, ce canal pourra également vous donner des sons
Crunch sérieusement rock. Bien que différents types de guitares et micros donnent des niveaux
de sortie très différents faisant varier les réglages d’amplis suivant le type de guitare, généralement
le principe de base est que les sons clairs sont situés entre Off (naturellement) et la position du
bouton situé à 2 heures. Après cela, le préampli du canal commencera doucement à donner une
distorsion crunchy, avec le maximum de distorsion à Full (bien sûr !). Bien que ce canal ne soit
pas vraiment fait pour un gain élevé (nous avons laissé ça au canal 2), le niveau de distorsion
peut s’avérer très satisfaisant.
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