Tascam US-122L, US-428, US-122, US-224, DP-01 User Manual

HOW TO

An Introduction
to Multitrack
Recording from

3

ternet, or have a friend who’s gotten

kind of music you make, this gear

too complicated. There are so many

walked into a private club where

lish, the basics of multitrack record-

the different kinds of gear available.

what it’s like because TASCAM has

And you could be next.

the only one who has questions.

huge so fast that no one can keep up

with every new development. But

like learning how to use a new cell

will become second nature after a

little bit of reading and trying it out.

this technology was invented in the

 rst place.

lows you to separate the parts and

help you grow as a musician and/or

writer—and you don’t have to be a

tech-head to do it.

you sound without the pressure of

limits of your ability, keeping what

works and erasing the parts that,

you can record an interesting but

Capturing your art:
How to develop

your music by

recording it.

It comes down to one
simple, unavoidable fact:
Every note you play
that’s not recorded is
lost forever. Whether it’s
a new song idea, a hot
riff or just a phrase that
you need to practice over
and over, record it and
it’s yours. To hear again.
To share. To develop. To
improve on. All it takes

Develop your skills by
recording your own music.

to capture your art is a
multitrack recorder from
TASCAM.

Getting started in the
world of multitrack
recording.

2

with the magical combination of

the other parts or lyrics that make a

Need help putting your

without a band, take heart. Today’s

tools have become so advanced and

like having a songwriting partner.

You can start simply, and work your

way up in technical and musical skill,

A lot of great musicians and

tools since they were introduced, and

become better artists without getting

tool for any musician or songwriter

because it lets you build up a

without having to organize a band

tracks like this:

when an idea for a new pattern of

your guitar into Track 1, hit record,

track 1 of the drawing below). This is

we’re talking about here are multi-

tracks, not just stereo recorders, you

This

capability lets

you change or add any track at any

time, without affecting the others.

You can’t just give a multitrack

tape or disk to someone to play back,

however; you must  rst perform the

last stage of the multitrack process, a

lyrics to music?

MF-P01

Ô Simple 4-track cassette recorder
Ô One W" jack mic / line input for vocals and

instruments

Ô Four track level, four pan and one master

level control

Ô Master fader with 4-LED level display
Ô Headphone output

PORTA02 mkII

Tracking, overdubbing, and
mixdown.

Ô 4-track cassette recorder with 2-track

simultaneous recording

Ô Two W" jack mic / line inputs for vocals

and instruments; Hi-Z guitar input
(assignable to both mic/line inputs)

Ô Easy-to-use 4-channel mixer section with

pan and level controls for mixing down

Ô Headphone output with separate level

control

Ô Dual faders with four-LED level meters

3

5

the volume, EQ, effects, and stereo

buy, the basic process of tracking/

The differences between equipment

The number of tracks

The

that the tracks

how many effect sends, what

kind of inputs, and whether the

)

ó

such as

that add reverb

time, without

system

Whether it

MIDI

sequencer

which can play syn-

thesizers and drum machines

yet...it will become clear when we

TASCAM pioneered the concept

4-track recorders in the 1970s. It

your needs:

with a mixer (the features of

TASCAM’s various models are

428

tion to  nding out about the gear,

you need to answer a few questions

you?

What kind of music will

you be producing? Do you need

vocalist singing over someone else’s

tracks?

ó

Differences in multitrack
equipment.

ó

ó

ó

ó

ó

ó

ó

ó

ó

4

What route should you
take?

?

want to make?

Trading MP3s with friends on the

you comfortable with computer

world of cassette tape more your

As we noted, each of the TASCAM

the colored boxes on the right-hand

www.tascam.com

or ask

the dealer from whom you got this

booklet.

MIXER

EFFECTS (R

EVERB,

CHORUS, ECHO)

INST

RUMENTS

MICROPHONES

MONI

TOR SPEAKERS/HEADPHONES

(OPT

IONAL)

MIDI

SEQUENCER

CASSETTE DECK

OR CD BURNER

MULTITRACK

RECO

RDER

The mixer and
multitrack are

usually combined

into one unit

?

The six components of a complete multitrack studio

Recording starts with the sources
you want to record, for example, micro­phones and electronic instruments.

These are plugged into a mixer, which
sends the signals to the multitrack.

The multitrack plays the signals back
through the mixer, which is usually con­nected to effects processors that add
reverb, distortion, echo, etc.

In order to hear everything, you need
speakers and an amp (which can be your
home stereo to start out with).

Finally, you need to mix down to a

2-track CD or cassette, to share your work
with other people.

These six components are often
combined. TASCAM Portastudios
combine the mixer and multitrack in a
single unit. A Pocketstudio adds MIDI
instruments and a microphone, plus
effects processors. Computer systems
may add a built-in CD recorder.

Even though elements are com­bined, it helps to understand them as
separate blocks.

414 mkII

Ô 4-track simultaneous recording
Ô 8-input mixer section
Ô 2-band high/low equalizer on 4 main

input channels

Ô Two dedicated W" stereo inputs
Ô Two XLR balanced mic inputs assignable

to Channels 1 through 4

Ô One W" dedicated Guitar input
Ô RCA unbalanced stereo SUB inputs
Ô Separate main and monitor outputs
Ô Headphone output with level control
Ô Two effect sends, one of which is switch-

able to Tape Cue

Ô 3-3/4 i.p.s. high tape speed
Ô dbx® noise reduction
Ô Optional RC-30P punch-in pedal

424 mkIII

Ô 4-track simultaneous recording with logic-

controlled 4-track tape transport and dbx®
noise reduction.

Ô ±12% pitch control
Ô RTZ and 2 locate points, repeat function,

auto punch I/O with rehearsal function
and more

Ô 6 full-function input channels with MID

sweepable 3-band EQ, 2 aux sends for
effects processing

Ô Four assignable XLR Microphone inputs
Ô Dedicated W" stereo inputs (channel 7-8)
Ô Separate main L-R and monitor outputs
Ô Dedicated W" tape outputs
Ô Sync output

5

567

Getting started

ASCAM’s Portastudios® are the

ASCAM’s Portastudios® are the

way to get started in multitrack

mkII

414

mkII

424

mkIII

are

4-track tape decks complete with

buy anywhere and connect to all

tape speed), the sound quality is very

you can record up to four separate

tracks or channels on a cassette tape.

The biggest differences are

the mixers. For example, on the

two inputs, so you can’t record

XLR inputs for low-impedance micro-

the larger Portastudios have better

with friends to record several

mkIII is probably your best

can do the trick.

the overdubbing process you come

the new bridge over it) and re-record

the other multitrack systems we’ll

talk about later are nonlinear, which

without having to re-record anything.

with multitrack
recording: cassette
tape Portastudios

Number of tracks: 4
Number of mixer

channels: 1 to 6
Recording medium:

analog cassette tapes
Mixdown to: external

cassette or CD recorder
Extras: none

What are the differences
between the Portastudios?

Linear or nonlinear?

PORTA02 mkII

Pan Controls (four)
Output Level Controls (four)

These knobs control the
playback levels of the tracks you’ve
already recorded during
overdubbing and mixdown.
Input Level Faders (two) These faders
set the level of the microphone or instru­ment as you’re recording them.
Level Indicators (two)

424 mkIII

3-band (high, mid, low) equalization
Midrange EQ gives you more control over
the tone of each track in a mix.

The two EFFECTS knobs on each chan­nel determine how much signal goes to
an external effect device like a reverb, so
each track can have the right amount of
effect (a lot on a vocal,
not so much on a guitar).

Pan Controls (six)
Level Controls (six) adjust

both input and output levels

Level Indicators (six)

Make the

hat if you’re beginning to

hat if you’re beginning to

have ideas for your own

but don’t know how to get them out

You could wait until you’ve learned

how to write and play every instru-

want to express musical ideas, but

The Pocketstudio

is a perfect

be musical in a fun framework that’s

 exible enough to start writing your

there is a lot of potential built into

this little under-$500 device.

what like a small 4-track recorder,

but it also contains a “band-in-a-

box” or auto-accompaniment device.

This means that the Pocketstudio

has electronic instruments (such as

keyboards, bass, and drums) built

Arranger, giving you backing tracks

your knowledge and let you grow

POCKETSTUDIO 5

Pocketstudio

5

your own private
backup band

Number of tracks:
4 plus up to 16
“virtual” tracks

Number of mixer
channels: 2 inputs,
4 faders

Recording medium:
Compact Flash
memory cards

Mixdown to: MP3  les
(internal), external
cassette, CD-R
(via computer)

Extras: 3 effect processors,
MIDI arranger, 16-voice
General MIDI tone
generator with MIDI IN

Ô 4-track digital

Pocketstudio

Ô Up to 9 songs per card
Ô Mac OS 10.1 and higher support
Ô Record four digital audio tracks on

Compact Flash media

Ô Internal synthesizer module for playback

of MIDI sequence files

Ô Over 100 built-in high-quality effects for

vocals, guitars and other instruments

Ô Audio/MIDI editing: copy/paste to exact

bars/beats, bounce tracks, automate
punch-in/out

Ô USB port for interfacing your music with

Mac® and Windows® computers

Ô Mix down to MP3 format for putting

your music on web sites and emailing to
friends

Ô Playback MP3 audio files
Ô Includes 100 song styles that can be

re-arranged to create original music

Ô Built-in condenser mic included
Ô Headset mic included
Ô AC power supply included
Ô 32MB Compact Flash card included

up to 256k cards optional)

7



9

Pocketstudio the power of an 8-track

tal audio tracks open to record live

vocals, guitars, or anything you want.

lets you select a background style

that’s not a speci c song. This ac-

keyboards and other instruments in

thesizer. It’s not quite a “sequencer”

help them with songwriting and

having a drum beat to play with can

be a big help. Add a bass part and a

keyboard part playing open, general

you jotted down on a napkin last

even pro-

vides a headset mic and can run on

batteries so you can work on lyrics

harmonies and structure

you. As long as you

ference between a C

than what came in the “standard”

The Pocketstudio records its au-

you can double or quadruple that

time with larger cards available at

The sound quality is very good,

There are built-in effects (like reverb,

tuner!

Basic Pocketstudio 5 connections.

Growing into songwriting.

Digital recording with no
moving parts.

8

Building creative networks

The Pocketstudio’s mixdown for-

them to friends, collaborators and

the Internet.

As you grow as a songwriter

the capabilities of the Pocketstudio.

You’ll want to control the speci c

written from scratch in most MIDI

you, in real time. The Pocketstudio

will still be great as a writing tool,

but with only two inputs “live” for

The time has come to look at the

you need? Perhaps you need some-

thing more elaborate than the units

we’ve described so far. This depends

what you  nd inspiring:

you’ll probably be happiest

with a computer-based digital

whose best ideas spring from

the moment, or if you’re just

turned off by computers, you’ll

be happiest with a top-quality



instruments

song styles

via your computer.

Taking it beyond the box.

The next step.

788

Ô 8-channel digital mixer with 7.5 gigabyte-

built-in hard disk for nearly two hours of
8-track recording

Ô 8 track, 24-bit or 16-bit linear recording

with 250 virtual tracks per song, 999 levels
of undo/redo and more

Ô Non-destructive editing (copy, paste,

insert, move, cut, clone track, more)

Ô Two advanced internal effects proces-

sors with compression, reverb, distortion,
chorus and much more

Ô Four W" mic/line inputs with 4th input

switchable to Guitar Level with processing

Ô Two W" AUX outputs
Ô RCA stereo aux inputs, stereo outputs and

monitor outputs

Ô W" headphone output
Ô MIDI in and out
Ô SCSI port for connection to external hard

disk or…

Ô Optional CD-RW788 rewriteable CD

recorder for stereo mixdown to CD and
data backup

The Pocketstudio has 100 built-in preset
backing arrangements, selectable by
category (in this case, “Rock 1”) and style
(“60s Hrock”, an abbreviation of “1960s
hard rock”). You can change the tempo
and key of each arrangement, and make
them your own.

US-122

Ô USB audio/MIDI

computer interfacing

Ô Mac® and Windows®

compatible

Ô Two XLR-fed phantom-powered mic inputs

with inserts

Ô Two line level inputs (switchable to guitar

level)

Ô 16 channels of MIDI I/O
Ô Adjustable zero-latency direct monitoring
Ô Two line outputs with level control
Ô Headphone output with level control
Ô Self-powered via USB: perfect for both

studio and location recording

Ô Includes ASIO, WDM, GSIF and Apple Core

Audio (OS X) drivers

Ô Includes audio recording/MIDI sequencing

software

Ô Includes GigaStudio 24 sampling

workstation software

Ô Compact and rugged steel construction

9

11

Ultimate 8-track:

TASCAM invented the Portastudio

transport controls work the same way

they do on a cassette Portastudio.

can be intimidating when you

 rst look at it, especially if you’ve

— the

leads the pack in sound

but the

that the

ter-than-CD sound quality. Essen-

tially, what you plug into the

is

The

has 8 faders and 4 trim

knobs, but you don’t see any other

knobs for EQ and effects sends. That

the 788 Digital
Portastudio

Number of tracks: 8
(6 recordable at once)

Number of mixer
channels: 8

Recording medium:
internal hard disk (over
3 hours of 8-track at
16-bit, capable of 24-bit),
expandable with
external SCSI drives

Mixdown to: optional
CD recorder or external
cassette

Source selection (Inputs A-D,
Aux inputs, Track or stereo

Input trim controls (four)
(inside) hard disk

Track Assign (seven buttons
serve eight channels)

Record Ready buttons
Channel faders (seven)

Effects 1 and 2 buttons
EQ, Send and Fader/Pan buttons

work with LCD screen

Jog/Shuttle wheel
Editing controls
Transport controls
Cursor controls
Master fader

Extras: two effects
processors, mixer
automation, MIDI sync,
internal tempo map/
metronome

When you need no-com­promise sound quality.

Hidden features of the
788’s digital mixer.

788 back panel show­ing audio, MIDI and SCSI
connections.

10

be commanded from the LCD screen.

has the equivalent of

by losing knobs, you gain by having

snapshot automation

that stores

your favorite “knob setups” for all

the channels at once in computer

ten snapshots, so you can change the

MIDI compatible.

The

doesn’t have a MIDI se-

fast forward, etc.) from an external

MIDI Machine

). This division of labor be-

tween audio and MIDI is perfect for

those who already have hardware

you’ll probably want to get an exter-

board-based, and you have com-

the next category of TASCAM gear

Not only is the 788 easy to use, but it’s quite
powerful. The built-in editing capabilities
could be used to cut out a cough or phone
ring in the middle of a great take, loop a
drum beat, or duplicate well-sung chorus
vocals. The wave form screen with audio
scrubbing offers a simple visual reference.

US-224

Ô USB audio and MIDI interface for

Mac and PC

Ô Compatible with many popular audio

multitrack software applications; includes
version of Steinberg Cubasis VST for Mac
and Windows

Ô 24-bit A/D/A resolution; 44.1 or 48 kHz

sampling rates

Ô Four channel strips plus master fader

control surface

Ô Two analog inputs (1/4”); S/PDIF digital

input & output; Stereo RCA analog
outputs; MIDI In / MIDI out

Ô Transport controls, Data/Shuttle Wheel,

Solo/mute switches, Headphone jack

Ô Self-powered via USB...no external power

supply required

This LCD screen shows how you change
the EQ (tone) on a channel of the 788.
There are 3 bands of EQ (Low, Mid, and
High), each with adjustable frequencies
(shown set to 80 Hz, 1 kHz, and 10 kHz).
Currently all of the bands are  at (no
cut or boost). The Low Gain (bass boost)
is selected and can be increased or
decreased by moving the large JOG/DATA
wheel. If you wanted to change the Mid
EQ gain, you’d simply press the right
CURSOR key until it was highlighted and
change it with the DATA wheel as well.

Pushing the envelope

US-428

Ô USB audio and MIDI interface for

Mac and PC

Ô Compatible with many popular audio

multitrack software applications; includes
version of Steinberg Cubasis VST for Mac
and Windows

Ô 24-bit A/D/A resolution; 44.1 or 48 kHz

sampling rates

Ô 8 channel strips plus master fader control

surface

Ô 4-band EQ control, Transport controls,

Data/Shuttle Wheel, Solo/mute switches,
Headphone jack

Ô Four analog inputs (XLR, balanced line and

Hi-Z); S/PDIF digital input & output; Stereo
RCA analog outputs; 2x MIDI In / 2x MIDI
out

Ô Four analog or two analog and two digital

inputs can be recorded at once

11

EFFECTS (REVERB,

CHORUS, ECHO)

US-224

INST

RUMENTS

MICROPHONES

MONI

TOR SPEAKERS/HEADPHONES

CASSETTE DEC

K

OR CD BURNER

MULTITRACK

RECO

RDER & MIXER

BUILT INT

O

DAW SOFTW

ARE

DAW SOFTW

ARE

MIDI SEQUENCER

13

Getting your music

where today...they’re incredibly pow-

there’s a lot of great music software

the “orchestra” as they write.

The software program that writes

sequencer

the sequencer.

This might be a little confusing,

but keep in mind: a MIDI sequencer

board. Instead, the computer is tell-

like “virtual  ngers” on the keyboard.

The sound is generated directly from

the keyboard itself, “live.”

but you do understand basic harmo-

you want them. It will then play

back the sequence of notes, and let

you make changes on the computer

you enter the data by placing notes

ture a “grid” of notes that many mu-

play keyboards, a se-

tions you couldn’t make with a

wrong note inside a chord. Sequenc-

beat, the computer can “pull” your

the speed or tempo of the music,

without changing the key (some-

thing you couldn’t do with an analog

tape recorder).

A MIDI sequence can be a great

basic track to a song, and may be

track. But not everything can be se-

That’s where the marriage between

A human being singing into a

into and out of a
computer with the
US-224, US-428 and
US-122

Number of tracks:
8-24 depending on
your computer

Number of inputs:
2 to 4

Recording medium:
computer hard drive,
back-up by CD-R or
DVD-R

Mixdown to: computer
CD-R or DVD-R drive

.

How a computer sequencer
helps you write and record
your music.

Going beyond sequencers:
Digital audio workstations.

Extras: mixer automa­tion, plug-in effects,
MIDI sequencing, MIDI
inputs and outputs

The components of a multi track studio revisited.

Compare this drawing to the one on

page 3 of this booklet.

Same six components but now some
of the functions are being handled by
the computer.

Multitrack recording is now a func­tion of the Digital Audio Workstation
(DAW) program and your computer’s

12

EFFECTS (REVERB,

CHORUS, ECHO)

US-224

CASSETTE DEC

K

OR CD BURNER

MULTITRACK

RECO

RDER & MIXER

BUILT INT

O

DAW SOFTW

ARE

DAW SOFTW

ARE

MIDI SEQUENCER

has a lot of advantages, especially

when you’re experimenting with

the chorus? Simply copy and paste

between two sections? Don’t start

from scratch—simply create new

with new ideas all the time but don’t

want to re-do tracks over and over

have a microphone, but they’re usu-

want to use a computer as a digital

Think of an

things. Need to get audio into or out

from a computer sequencer? You

because that’s where you “connect”

with the software. The computer

with a USB interface, or to a hard

TASCAM makes three multipur-

because they act as an audio inter-

face, a MIDI interface, and a fader

hard disk. MIDI sequencing is also
controlled through the computer.

On the other hand, the US-224
Interface provides the functions of
the mixer in our  rst drawing, as
well as better access to DAW functions
such as transport controls.

Steinberg’s Cubasis, a basic digital audio
workstation/sequencer program that
ships free with the TASCAM US-122,
US-224 and US-428. Note the “virtual”
mixer that can be mapped to US-224

What’s an interface?

or US-428 faders for hands-on control.
TASCAM computer interfaces can also be
used with more complex DAW programs
such as Nuendo, Digital Performer, Logic
Audio, etc.

Making a computer into a
digital audio workstation
with TASCAM interfaces.

13










15

428

and

connect

to a computer via its USB port. See

The US-

and US-

look very

we talked about before. Like the

the US-

and US-

is primarily

trols. Both of them come with a free

version of Steinberg’s

berg and other companies.

The great thing about these inter-

faces is that you don’t need to pur-

has 4 audio inputs complete with

which change the

ware and

has 2

to external digital devices like CD-Rs),

headphone outputs, and transport

About virtual audio

and US-

has only 8 physical faders

has

to control any of the channels in the

The faders don’t actually control

the audio level directly—instead,

they act as controllers sending mes-

just a detail...as far as you’re con-

to change the level of a track, just

computerized studio.

This expandability is one of the

big pluses of going the computer

top, while it’s controlling 48 tracks

way to record several different al-

ternate “takes” in one track, and (for

track. If you record 10 tracks for

400 MB. Luckily, large hard drives

REVERB, CHORUS,

ECHO ETC.

VIA

DAW PLUG-INS

INST

RUMENTS

TASCAM US-

122

MICROPHONES

MONI

TOR SPEAKERS/HEADPHONES

INTERNAL OR

EXTERNAL

CD BURNER

VIRT

UAL MIXER

BUILT INTO

DAW SOFTWARE

MULTITRACK

RECO

RDER

BUILT INTO

DAW SOFTWARE

DAW SOFTW

ARE

MIDI SEQUENCER

channels.

Basic US-428 connections.

What the computer needs
to record audio on the hard
disk.

14

A USB cable specimen
(QuickusConnectus
ComputerInterfaceae).

When you get to the US-122, the
majority of our “six components”
are now living inside your com­puter. The US-122 provides analog
to digital conversion, inputs includ­ing mic preamps and monitoring.










knowledgeable friends can connect

the drives for you.

thing to back up with, since you can’t

keep your music on the hard drive

forever. Most musicians use record-

TEAC makes CD-Rs and DVD-R drives

that work well with any PC or Mac.

The US-122.

foregoes faders,

As one of the only small computer

to place hard-

ware devices (compressors, etc.) into

the recording signal chain. Two line-

level inputs on balanced

the US-

gives you 16 channels of

They give you virtually unlimited

your original.

just  nd a non-computer recording

true if you only record occasionally;

technologies TASCAM has developed,

level. The next step is to narrow your

focus to the products that seem right

for you, and to try them out at your

TASCAM dealer. You might want

to prepare by downloading more

from

www.tascam.com.

You can

want. But there’s no substitute for

having a knowledgeable salesperson

have gone through special training

help you.

REVERB, CHORUS,

ECHO ETC.

VIA

DAW PLUG-INS

INTERNAL OR

EXTERNAL

CD BURNER

VIRT

UAL MIXER

BUILT INTO

DAW SOFTWARE

MULTITRACK

RECO

RDER

BUILT INTO

DAW SOFTWARE

DAW SOFTW

ARE

MIDI SEQUENCER

Need more information?

Computer-based DAWs
have incredible potential.

No matter what your
level of expertise musically
or technically, no matter what
kind of music you play, we know
that multitrack recording can be a
valuable artistic tool. We hope

we’ve helped
you  nd the right
equipment for
you. Good luck
with your music!

15

www.tascam.com

TEAC CORPORATION

3-7-3 Nakacho • Musashino-shi • Tokyo
180-8550 JAPAN • [phone]
www.tascam.com

TEAC AMERICA, INC.

7733 Telegraph Road• Montebello
CA 90640 USA • [phone]
www.tascam.com

TEAC CANADA LTD.

5939 Wallace Street • Mississauga
Ontario L4Z 1Z8 • CANADA
[phone] • www.tascam.com

TEAC MEXICO, S.A de C.V

Campesinos Nº184 • Colonia Granjas
Esmeralda Delegacion Iztapalapa
CP 09810 Mexico DF MEXICO
[phone] • www.tascam.com

TEAC UK LIMITED

5 Marlin House, Croxley Business Park
Watford Hertfordshire • WD18 8TE
UN ITED KINGDOM • [phone]
www.tascam.co.uk

TEAC DEUTSCHLAND GmbH

Bahnstrasse 12 • 65205 Wiesbaden­Erbenheim GERMANY • [phone]
www.tascam.de

TEAC FRANCE SA

17 Rue Alexis-de-Tocqueville • CE 005
92182 • Antony Cedex FRANC E
[phone]
www.tascam-europe.com

TEAC BELGIUM NV/SA

PATEAC NEDER LAN D BV • Oeverkruid
15 • NL-4941 VV Raamsdonksveer
NETH ERLANDS • [phone]
www.tascam-europe.com

TEAC NEDERLAND BV

Oeverkruid 15 • N L-4941 VV
Raamsdonksveer NETHERLANDS
[phone]
www.tascam-europe.com

TEAC ITALIANA S.p.A.

Via C Cantu 11 • 20092 Cinisello
Balsamo • Milano ITALY
[phone] • www.teac.it

TEAC AUSTRALIA PTY., LTD.

280 William St • Melbourne • Victoria
3000 AUSTRALIA • [phone]
www.teac.com.au

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of their respective holders. All rights reserved. Design and
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