tascam CD-R DP User Guide

Windows QuickStart
CD-R Deluxe & CD-R Pro
Packing List
The following items should be present in your CD-R bundle:
CD-R Deluxe:
- TEAC 6x24 external CDR drive (CD-R56S)
- CD-R Deluxe Software CD
CD-R Pro:
- TEAC 8x24 external CDR drive (CD-R58S)
Both Bundles:
- SCSI Card (Adaptec 2903B)
- SCSI Cable
- SCSI Terminator
- (2) Blank CDR media
- TEAC CD-R Drive Installation Guide
- CD-R QuickStart Guide (That’d be this book.)
Installing the Software
A hardware installation booklet has been included with this package; look to it for installation of the SCSI card and CD­Recorder. Also, if you are new to installing software on your PC, be aware that you will probably have to restart the computer in between each installation.
To install the software, make sure your SCSI card and CD­Recorder are already connected. Insert the software CD into your CD-ROM or CD-R drive. There are several programs you will need to install:
SEK’D Red Roaster Lite - (CD-R Deluxe Only) Audio Recording, Editing, and Audio CD Authoring
SEK’D Red Roaster 24 - (CD-R Pro Only) Audio Recording, Editing, and Audio CD Authoring
Adaptec EZ CD Creator - Data CD Authoring MyNetMedia SonicBurn - Burning MP3 files to
Audio CDs on the fly Xing AudioCatalyst - (CD-R Pro Only)
MP3 Compression Suite
Introduction to CDR Technology
CDR (Compact Disc Recordable) media can store up to 74 minutes of stereo audio, or up to 650 megabytes of data. CDR media can only be written on once, so the CDR authoring software allows you to design your CD completely before you burn it. Since the CD must contain a directory of what is on it, and since that directory is on the write once media also, all of the information must be burned to the CD at the same time. Recording the information to the CD is done in a Session.
While audio CD players will only recognize the first session on the CD, many CD-ROMs will read multiple sessions. A CD with more than one session is called a Multi-Session CD. So, if the first session of a data CD only contained 200 megabytes of data, you could record another session after it which could contain close to 450 megabytes. (It won’t be quite that big because of the extra space taken by the new directory.) Remember though, older CD-ROMs may not search for extra sessions.
With your TASCAM CD-R bundle, you have software capable of recording either data or audio CDs. Here’s a brief description of the capabilities of each format:
Red Roaster Tutorial:
Audio CD - This is the standard CD format you can use in
your audio CD player. You can have up to 99 tracks of audio. The audio tracks must be recorded in stereo at the CD standard of 16bit, 44.1kHz. Audio players will not search for multiple sessions, so everything for the audio player must be burned in the first session of the disc. SEK’D Red Roaster is provided on your software CD so you can record, edit and process your audio, then assemble and burn your masterpiece to a CD.
ISO-9660 - Originally specified for DOS CD-ROM use, the ISO-9660 now has multiple variations for DOS, Windows 95/98, and Macintosh. While more features are available in the later Windows 95/98, the original DOS format will be compatible with machines without Windows 95/98. Since most Macintosh computers can read Windows CDs, this is also a great way to store cross platform material such as JPEGs, HTML, or even word process, spreadsheet, or graphic files. Adaptec EZ CD Creator is provided on your software CD so you can assemble data CDs to back up your important computer data, or assemble your own multimedia CDs.
So to review, CDs can either be written as an audio CD or data CD. Each time information is written to the CD, it records the directory and the target material all in one session. Audio CD players will only recognize the first session, but if you wanted to write multiple data sessions to a CD, most CD-ROMs will read them.
Set-up & Acquiring Audio
There are two movies on the software CD that will walk you through many of the features of Red Roaster in a folder labeled SEKD AVI Movies. However, we are still providing this tutorial to help you through your first session, step-by­step.
When you first start up your program, you will see the toolbars, but no track layout yet. The first thing you
need to do is create a VIP (VIrtual Project). To do that, click on the first button. A set-up menu will appear.
The main functions we need to focus on here are the number of tracks, sample rate, and the name of the VIP. Here, we want to make sure we are set to a sample rate of 44.1kHz (shown as 41000 in the menu) since we’re planning to record to a CD. Also, be sure to give the project a name you’ll remember.
A word about the Tracks setting: It is important to know that “tracks” are actually stereo tracks, not mono. So, if you select 1 track, then you are getting stereo. Selecting 2 tracks gives you 2 stereo tracks which making more detailed editing easier, but reducing the track viewable height size once we get to the editing screen. Typically, I use the “2 Tracks” setting to give me more flexibility when fading from one track to the next.
and do it again. If you like it, click on “Yes”. If you want to do it again, click on “Delete” and record again.
The Recording screen will remain there in case you want to record more tracks. This is handy for importing many individual tracks in the same sitting. If you want to record more tracks, click record and you’re recording again. If you’re done, click “OK”.
Once you’ve set up your VIP, it’s time to record some audio. To do this, click on the record button in the top
tool bar. This is where you will want to monitor your input levels. Click
on the button labeled “Monitor” (located underneath the level meters) to hear what is coming into your sound card input, and to view the levels on the monitor level.
This screen gives you more options to customize your recording setup, although most of the settings should work fine as is.
If you have multiple sound cards in your PC, you will need to select which card the input is coming from. On the left side of this menu just below center is the sound card selector. Make sure it has the correct sound card input.
To start recording, click on Record. To stop, click on Stop. When you stop, Red Roaster will show you a screen where you can decide if you want to keep the recording, or delete it
Once you’ve recorded your audio, the display shows the audio clips in the track screens. Now that your audio is in the VIP, it’s time to start editing the audio. But before we do that, let’s do the right thing and save where we’re at. It’s good advice for any kind of work on the computer. Save frequently and often.
Editing/Processing
Now that we have our waveforms on the screen, let’s do some basic editing and processing. We’re only going to get into the basic editing here... the SEK’D Red Roaster manual will take your through the advanced stuff.
The first thing you’ll want to do is select Universal
Mode for the cursor. This button gives you different editing functions depending on where you click on the audio. If you click in the top half of the track, you are moving the play/record cursor and selecting regions of audio to manipulate. If you click on the bottom of the audio, you can select the entire block of audio and move it wherever you wish.
Very basic edits can be made simply by selecting the block of audio by clicking in the bottom half of the audio block. Five handles appear in the corners and top of the audio block.
The handles at the bottom of the block move the starting/ending point of the audio. This is a good way to get rid of dead space before and after the tracks.
Fade ins and outs are adjusted with the top left and right handles. Drag the handles inward over the audio to create a fade. If you want to edit the type of cross fade, click on the Crossfade editor in the toolbar.
Volume adjustments over the entire block are made with the top center handle.
For real time EQ and compression, the mixer section can provide quick and painless solutions. Type “M” to get to the mixer section. The layout is fairly straight forward, arranging everything in the familiar mixer setting.
CD-R Pro Only - For more advanced mastering processors, look under the Effects menu. There you will find multiband compressors, a stereo enhancer, and more. For these to be available, you may have to select the block of audio. Some effects cannot be applied to a freely selected region.
Authoring the CD
Once you have your audio sounding the way you want it, you’re ready to start assembling your CD. Since the audio is all laid out in a linear fashion for the CD, all we need to do is drop in the track IDs and index IDs.
Dropping ID’s in the VIP is really as simple as
placing the cursor where you want the ID and clicking on the type of ID. (Remember, you place the cursor by clicking in the top half of the audio blocks.) There are separate buttons for Track ID and Sub-Index ID. There is also an Auto ID function which will place IDs at the beginning of each block of audio.
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