Welcome to the wonderful world of the Studiologic VMK series!
The VMKs are multi-level programmable keyboard controllers The VMK-149 is the world’s
first keyboard with 49 full-weighted piano keys, and the VMK-188 has an 88-note keyboard.
Both have the famous FATAR key action. They are functionally identical except for the
number of keys. Both units feature pitch bend, aftertouch, "on the fly" live edits, assignable
knobs, buttons and sliders, and 2 independent fully programmable pedal inputs.
Just look at what they have available to assign:
• 8 programmable knobs X 2 banks;
• 8 programmable buttons X 2 banks;
• 9 programmable sliders X 4 banks;
• A 5-button programmable transport section;
• And 3 programmable pedal inputs.
That’s a total of 77 assignable controls!
The VMKs are professional keyboards with built-in control surface capability. It is a control
surface MIDI keyboard with 3 software presets, 27 user programmable patches, and an
unbeatable combination of assignable knobs, buttons, sliders and pedals. It allows you to
tweak your sessions to your heart’s content. And it’s all with a budget-conscious studio in
mind.
VMK-149/188
KEY
FEATURES:
- VMK-149: 49 FULL SIZE KEYS with WEIGHTED ACTION
- VMK-188: 88 FULL SIZE KEYS with WEIGHTED ACTION
COMMON FEATURES TO BOTH UNITS:
TOUCH SENSITIVE
PROGRAMMABLE AFTERTOUCH
PITCH BEND
PROGRAM CHANGE / BANK SELECT/ MIDI CHANNEL
9 PROGRAMMABLE SLIDERS
8 PROGRAMMABLE KNOBS
8 PROGRAMMABLE BUTTONS
5 BUTTON PROGRAMMABLE TRANSPORT CONTROL
3 PROGRAMMABLE PEDAL INPUTS
3 SOFTWARE PRESETS:
1- NATIVE INSTRUMENTS B4; 2 - STEINBERG CUBASE;
3 - NATIVE INSTRUMENTS PRO 53
27 USER PROGRAMMABLE PATCHES
DUAL MIDI OUTPUTS
CARRY BAG AND FOOTSWITCH INCLUDED
Among the Midi messages (note that on/off is a Midi message) is a set of 128 “continuous
controller ”messages (often abbreviated “CC ”). These are mainly used to send the
movements of knobs, sliders, pedals, and so forth. For example, a synth’s modulation
wheel is sending a CC message which will almost always be CC number 1.
below.)
Each CC has a possible range of 0 –127, so when you move a mod wheel down
to its rest position, it should send a CC number 1 message with a value of 0, and when
you push it up to its highest point it should send a CC number 1 message with a value of
127. The VMK takes this Midi capability and puts the control in the hands of the user. All of
the VMK’s knobs, sliders and pedal inputs may be programed to transmit these CC values.
Certain of the CC numbers are reserved for particular purposes. For instance, CC64 is the
sustain pedal. In fact, several of the controllers (64, 65, 66, etc.) are defined as on/off
switches rather than as continuous: Your sustain pedal will probably send a CC64
message with a value of 127 when
when
released
. This comes into play when programing the pedal inputs. Your VMK and a
pressed
, and another CC64 message with a value of 0
sequencer or audio program can give you an almost unlimited number of routing possibilities
to control the various functions of the program(s) you’re using. Check with your software
manual for details specific to your need.
Knobs,buttons, and sliders may be programmed to control anything from a loop on a
sampler to reverb depth on a sound module. 8 knobs, 8 buttons, and 9 sliders are
available.
Knobs 1-9
Buttons 1-8
Program
Controls
Page UP
Page Dn.
The program control section features: A 2 x 16 Lcd display; A convenient rotary knob
for data entry, referred to as the DE knob; Page up and page down buttons for moving
through the various parameter options of the controller you are programming; Edit,
Storage and Enter buttons, key elements when programming your keyboard; And a
Panic button if all else fails.
Data Entry Knob
(DE Knob)
LCD
Panic
NOTE: Panic will
transmit a global
All notes off
Message.
The back panel contains the connective parts of the keyboard: Dual Midi outputs and 3
independent foot controller inputs. The pedal inputs can accept sustain or volume
pedals, each capable of sending out a completely different controller message. Pedal
inputs can be programmed to accept almost any variety of manufacturers foot pedals
regardless of polarity. The power adapter input and power switch are also located in the
rear panel.
Pedal In
TransportLive Edit Controls
Power
Switch
Adapter In
Transport and Live Edit controls are centrally located for quick
access at a gig or in the studio. Simple but powerful, the Transport
can easily be programmed to control a sequencer or a drum machine.
Live Edit is indispensable for a quick program change, bank select or
Midi channel change.
TransportLive Edit Controls
Sliders
Sliders are perhaps the most desirable controls in a studio setting. Each of the 9 sliders may be
programmed independently. They can send command specific messages, like volume, to a
sound module. Or they can send control messages that may be routed through a sequencer to
control various functions of the program you are running.
banks in total x 9 sliders gives you 36 slider commands per patch.
Preset creation is an easy process involving the use of the program controls shown in the
KEYBOARD LAYOUT section of this manual. You start by choosing a preset number using
the DE knob and hitting the ENTER button. Choose a preset number higher than 3 so as not to overwrite the software presets. You can either choose an unused number
or overwrite a previously written preset.
Once the preset number is selected, you hit the EDIT button to start assigning tasks to
whichever controls you select. The LCD panel will tell you to Press or Move Any Controls.
You may move or press a knob, a slider, a button, a keyboard key or a pedal. The LCD will
tell you what you are programming once you have moved or pressed it.
Now, you will use the Page Up or Down buttons to view the parameters available for
assignment. Use the DE knob to select the parameter value you want. When the value is
selected, use the Page Up or Down buttons to move to the next parameter. When all
parameters for the control have been defined, you will hit the STORAGE button and the LCD
will ask if you want to store the parameters you have selected – either NO or YES. Use the
buttons underneath YES or NO to make your choice.
If you need to program additional controls for the preset, hit the EDIT button and once again
you will be asked to Press or Move Any Controls. Repeat the procedure above for all the
controls you desire to program for the preset you are creating.
When all the controls have been assigned to the tasks you want them to accomplish, you
will have hit the STORAGE button and selected YES following the programming of the last
control. The LCD screen will display a blinking cursor following Preset Num. At this time,
you may name your preset (see the Preset Naming section on page 7) or decide to use only
the number of the preset (4 – 30). If the number is enough, hit STORAGE again and the LCD
will ask "Are You Sure?" Press the button under YES and the controller will return you to
the Preset page with your preset number.
If you decide to name the preset, follow the procedure in the Preset Naming section on page
7. The last step is hitting the STORAGE button at which time the LCD will ask, "Are You
Sure?" Press the button under YES and the controller will return you to the Preset page
with your preset name and number.
It is essential that you remember that YOU MUST PRESS THE STORAGE BUTTON TWICE TO
SAVE YOUR PRESET SETTINGS! The first time you will be asked if you want to "Store
Parameters." The all-important second time, the LCD will ask, "Are You Sure?" When you
hit the YES button that time, your preset is saved.
The following Procedures will help familiarize you with the programming flexibility of the
VMK-149/188. They will show you the steps involved in assigning parameter values to the
programmable controls of the keyboard. The procedures will show the ease with which
you can create presets to control both studio and performance software.
The VMK-149/188 has 27 programmable user presets. Let’s look into the two ways of
QUICK SELECT (A)
1)
ROTATE
Rotating
the
The
Scroll to the
2)
Wait until the
blinking.
NOTE: You can preview the
without making a selection . If you
don’t Press the Enter Button.
the VMK will return to the last
Preset
the DE Knob will scroll thru
Presets
cursor
PRESS
Preset
Selected.
DATA ENTRY KNOB
.
will blink.
Preset
you want.
ENTER
cursor
stops
is now selected.
Presets
CURSOR
will blink
PRESET NUM.: 1
NAME:
PRESET NUM.: 15
NAME:
selecting
a preset.
QUICK SELECT (B)
PRESS
You may also choose
sequentially by using the
up or
NOTE:(1) You must allow the VMK to
scan the controls before the selection is
complete; (2) You can only move thru the
Presets one at a time.
PAGE Up/Dn.
Page
down Buttons.
Presets
Page
PRESET NUM.: 1
NAME:
PROCEDURE:PRESET NAMING
Your VMK has 27 programmable user presets. Each Preset can have a 10 character name. Each name can have
any combination of letters or numbers you choose. In this example, we will start from a preset that’s already been
programmed. You have the option of naming your preset during the editing process. When you’ve completed your
edits and reach the
Keyboard),
follow this procedure:
press storage step (
Step 6 in Button Programming, Step 7 in Sliders/Knobs/Pedals, Step 8 in
The VMK-149/188 can store 27 user programmable patches. Not only does each patch contain programming
information for buttons, sliders, knobs and pedals, the KEYBOARD itself, as a
customized. Each Patch can contain
information.
MIDI Channel, Aftertouch, Transpose, Program Change
controller
, can be
and
Bank Select
1)
PRESS
2)
PRESS
You may
on the Keyboard.
3)
PRESS
Within each Patch a
High
message can be sent .
See your sound source
manufacturer’s manual
for details.
EDIT
KEY
Press
any key
PAGE UP
Bank Select
SCREEN
CHANGE
SCREEN
CHANGE
SCREEN
CHANGE
PRESS OR MOVE
ANY CONTROLS
To adjust the Midi Channel
use the
To adjust the Bank Select Hi
value use the
DE
knob.
KEYBOARD EDIT
MIDI CHANNEL: OFF
DE
knob.
KEYBOARD EDIT
BANK SEL. HI: 0
4)
PRESS
Within each Patch a
Low
message can be sent.
See your sound source
manufacturer’s manual
for details.
We will set up a SLIDER to behave like an analog mixer fader. Fader Down>min. volume. Fader Up>Max. Vol.
Programing KNOBS follows the
TIP: Unlike an analog mixer you might not want your minimum volume to be 0 (no sound). You may just want a track to “sit” in
the mix. Therefore you should choose a value greater than 0. For example, you may want to “ride” a guitar part and not want its
volume to dip below a certain level in the mix. In that case set the Min. to a value that sounds good. Then when you pull the
fader down you’ll still hear the guitar without having to worry about fader position.
You can reverse this example for Max Values also.
Exact
same procedure.
1)
PRESS
2)
MOVE
In this example Move SLIDER 1
w/Bank A Selected
Remember
your BANKS when programing!
Move
3)
PRESS
In this example we’ll use
CTRL Change number 10.
You may adjust this to any
CTRL number you desire.
EDIT
SLIDER (KNOB)
: keep track of
SLIDER (1)
PAGE UP
SCREEN
CHANGE
SCREEN
CHANGE
SCREEN
CHANGE
PRESS OR MOVE
ANY CONTROLS
To adjust the Midi Channel
use the
To adjust the CTRL Change
use the
DE
knob
EDIT SLIDER: S1
MIDI CHANNEL: OFF
DE
knob
EDIT SLIDER: S1
CTRL CHANGE 10
4)
PRESS
Set the Value Min. to 0
5)
PRESS
Set the Value Max. to 127
In this example when the Slider
is pushed UP it will increase to
the Maximum allowed
We will set up a BUTTON to behave like a simple ON/OFF switch, or Latch Switch. Press the BUTTON once and the
be on. Press the BUTTON again and the
procedure.
TIP: This can be very useful to control the Mutes on your Audio/Sequencing program. Most Pro and Semi Pro Audio/Sequencing
programs will allow you the option to control various functions of the program from an external controller, in this example,
controlling the Mutes on your virtual mixer. (See your Program’s manual for details.) Each BUTTON can behave like a
used in this
when the BUTTON is
Mute
1)
PRESS
example
(SWITCH MODE),
held down. This is very useful for the Fwd BUTTON and Rew BUTTON in the
EDIT
Switch
will be off. Programming
or like a
Momentary (PUSH MODE)
SCREEN
Transport
switch. A
BUTTONS follows the exact same
Momentary switch
PRESS OR MOVE
ANY CONTROLS
will only function
Transport
Switch
Latch,
section.
will
CHANGE
2)
PRESS
BUTTON
In this example, PRESS BUTTON 1
with Bank A Selected.
Set to Midi Channel 1
Remember
BANKS when programming!
: keep track of your
SCREEN
CHANGE
To adjust the Midi Channel
use the
DE
knob
EDIT BUTTON: B1
MIDI CHANNEL: 1
PRESS
3)
PRESS
BUTTON (1)
PAGE UP
In this example, we’ll set
CTRL Change to OFF
You may adjust this to any
CTRL number you desire.
4)
PRESS
PAGE UP
Set the Key Note to 60.
Key range is 0-127
5)
PRESS
PAGE UP
SWITCH: Press button once,
a NOTE ON Message will transmit.
Switch is ON.
Press button again, a NOTE OFF
Message will transmit.
We will program PEDAL INPUT 1 to transmit
polarity pedal will work.
TIP:The three PEDALINPUTS may be programed to transmit anything from Sustain to Volume to even
Modulation. A PEDAL INPUT, when connected to a
SLIDERS or KNOBS. Remember, you have three PEDAL INPUTS to work with. Imagine in a live set-up, two
volume pedals set-up to control two
would be DN>UP, and PEDAL 2 so it’s
would fade out of one sound and fade into the other! All without awkward foot movement.
1)
PRESS
2)
PRESS
In this example set the MidiChannel to 1
Remember the sustain
Pedal must be plugged
into PEDAL INPUT 1
EDIT
PEDAL
different
Sustain
sounds. In our set-up you would program PEDAL 1 so its
Polarity
. For this procedure you will need a
Volume Pedal
would be UP>DN. By pressing down on both volume pedals, you
SCREEN
CHANGE
SCREEN
CHANGE
, can transmit the same CNTRL Values as the
PRESS OR MOVE
ANY CONTROLS
To adjust the Midi Channel
use the
EDIT PEDALS: -1MIDI CHANNEL: OFF
DE
knob
Sustain Pedal.
Any
Polarity
3)
PRESS
We need to set the
CTRL Change to 64
That's the Midi Spec for
Sustain Pedal.
4)
PRESS
Set the Value Min. to 0
In this case any Value below
<64 will transmit an off Message.
5)
PRESS
Set the Value Max. to 127
In this case any Value above
>64 will transmit an on Message.