Sonic integrity through design
Right from the start, the Spirit M Series has been
designed to achieve optimum sound and
performance. Other mixers have designs with
significant restraints in this respect but, through a
fresh and innovative approach, Soundcraft
designers have created a mixer that rivals the sonic
performance of many high end recording consoles.
Attention to detail in the design of the Spirit M Series makes mixing a positive pleasure. A no-compromise
approach to circuit design and to the quality of the components throughout has resulted in a console that
delivers exceptionally low noise and crosstalk figures. Mic and line inputs are provided on balanced XLR and
1/4" jack connectors for optimum performance, with the main stereo outputs on balanced XLRs for better
integration with other professional equipment. There are also insert points on every mono channel and the
mix outputs for external signal processing.
More inputs
All three versions of the Spirit M Series feature more inputs for your
money than comparable compact consoles. With a choice of
4, 8 or 12 input versions plus 4 stereo inputs and 4 stereo returns,
there are more than adequate inputs for connecting keyboards,
samplers, CD players and other outboard equipment.
Mic preamp
Much has been written about the importance of the mic preamp in
mixer design. And rightly so. Poor quality in this area can never be
recovered, however smart the subsequent circuit design. Desirable
characteristics include linearity and smooth gain control over a wide
range as well as low noise, low distortion and RF rejection. The mic
preamp in the new M Series utilises the same design as that used
on our award-winning Ghost studio recording consoles.
It delivers remarkably low distortion (or colouration) at all gain
levels, operating with a cool character that comes from over a
quarter of a century’s experience. The bottom line is that it sounds
great... and it doesn’t need a name because it speaks for itself.
The Great
British EQ
In the 70s, Soundcraft
pioneered circuit
design that
revolutionised people’s
perception of EQ.
Today many engineers
and producers
acknowledge those
efforts, describing the
results as ‘British EQ’.
And while we don’t
claim all the credit, it’s
undoubtedly true that Soundcraft’s work in this field made a major
contribution to the evolution of that classic sound. In the Spirit M
Series we go one step further. While completely happy with the low
and mid range circuitry, we identified a potential for improvement
in the HF section. The HF EQ on the M Series has a steeper shelf,
making it more tightly focused on the frequencies that you are
trying to boost, avoiding the associated boost in
the nearby mid-range frequencies which happens
in many other EQs and which results in
mid-range clarity compromises.
HF Frequency Response
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