Soundcraft DC2020 BROCHURE

ntegral to the DC2020 is a

revolution in automated

mixing technology.

The C3 console control system

combines digital and analogue

circuitry without the need for

VCAs and their associated

ergonomic and sonic

limitations.

Perhaps of

even

more

significance,

C3 banishes the

noise problems normally

associated with digital

control techniques.

DC2020 is as easy to use as

any in-line console. And with

all automation functions easily

accessed from the console,

engineers quickly feel

completely at home in the DC2020’s

familiar working environment.

• Moving monitor

and master faders

• Automated channel

and monitor cuts

• 2 automated Aux

send switches per

channel

• 4 automated

stereo return and

group cuts

• Built-in machine

control interfaces

• MIDI event control

• Automatic mix save

• Simple backup

and archiving

• Drop-in/out

with preview

• Track record enable

• 24, 32 and 40

channel frames

• Up to 88 inputs for

final mixing

silent integrated

automation

I

n an increasingly

competitive post production

market, facility owners are

faced by ever more critical

hardware decisions.

Clients demand more and expect

it for less.

With digital recording now the

norm, automated mixing can

add that commercial edge that

ensures a studio gets, and

more importantly keeps, its

clients.

But at what cost?

Until now, equipping a post

production room with a highly

specified automated console has

placed an almost unbearable

strain on all but the most

extravagant

budgets.

Enter the Soundcraft

DC2020.

A development of

the ground

breaking DC2000,

the DC2020 delivers performance and

flexibility way beyond that suggested

by its modest price.

Suddenly post-production facilities can

offer state of the art automation

without having to pass on unpalatable

price rises to their clients.

And that’s a competitive advantage

that can’t be ignored.

I

the

commercial edge