Roland V-02HD-PAC1, V-02HD-PAC2, V-02HD Users Manual

Page 1

Reference Manual

Use the “V-02HD Utility” dedicated software to back up and restore settings

You can use the “V-02HD Utility” dedicated software to back up the settings of the V-02HD to a USB-connected computer, and restore backed-up settings when needed.

5 You can download “V-02HD Utility” from the Roland website (https://proav.

roland.com/)

Use the “V-02HD Remote” iPad app to remotely control the V-02HD unit.

You can connect the V-02HD to your iPad via USB, and remotely control the V-02HD unit from the “V-02HD Remote” iPad app.

5 You can download the app from the App Store at no cost.

5 The app is supported by the V-02HD’s system program version 1.1 and later.

Operating Guide (Panel Description) . . . . . . . . . . . . . . . . . . . 2

Front Panel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2

Rear Panel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4

Connecting a Footswitch . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6

Basic Operations . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7

Turning the Power On/O . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7

Operating the Menu . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7

Video Input/Output Settings. . . . . . . . . . . . . . . . . . . . . . . . . . . 8

List of Compatible Video Formats . . . . . . . . . . . . . . . . . . . . . . . 8

Setting the Output Format. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8

Specifying the Input Format (EDID) . . . . . . . . . . . . . . . . . . . . . 9

Adjusting Output Video . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9

Adjusting the Input Video. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10

Outputting the Program Video from

the PREVIEW OUT Connector . . . 10

Inputting Copy-Protected (HDCP) Video . . . . . . . . . . . . . . . . . 11

Video Operations. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 12

Using Mix/Wipe to Switch Video (MIX/WIPE) . . . . . . . . . . . . . 12

Using Picture-In-Picture to Composite Video (PinP) . . . . . . . 13

Using a Key to Composite Video (KEY) . . . . . . . . . . . . . . . . . . . 14

Compositing a Logo or Image (Luminance Key) . . . . . . . . 14

Compositing a Subject and Background (Chroma Key) . . 16

Applying a Visual Eect to the Video (VFX) . . . . . . . . . . . . . . . 18

Applying a Fade to the Program Output Video

(Output Fade) . . . . . . 19

Using a Captured Still Image . . . . . . . . . . . . . . . . . . . . . . . . . . . 20

Audio Operations . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 22

Adjusting the Volume Level . . . . . . . . . . . . . . . . . . . . . . . . . . . . 22

Applying Eects to Input Audio . . . . . . . . . . . . . . . . . . . . . . . . 23

Applying Eects to Output Audio. . . . . . . . . . . . . . . . . . . . . . . 24

Silencing Only Specic Audio (Mute) . . . . . . . . . . . . . . . . . . . . 24

Interlinking Audio Output to Video Switching

(Audio Follow). . . . . . 25

Other Features . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 26

Saving/Recalling Settings (Preset Memory) . . . . . . . . . . . . . . 26

Using a Footswitch. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 27

Using an Expression Pedal . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 28

Preventing Unintended Operation (Panel Lock). . . . . . . . . . . 29

Returning to the Factory Settings (Factory Reset) . . . . . . . . . 29

Menu List . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 30

1: VIDEO INPUT . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 30

2: VIDEO OUTPUT . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 31

3: TRANSITION TIME . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 32

4: MIX/WIPE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 32

5: PinP. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 32

6: KEY . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 33

7: VFX . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 34

8: AUDIO INPUT . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 36

9: AUDIO OUTPUT . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 38

10: AUDIO FOLLOW . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 39

11: PRESET MEMORY . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 39

12: CTL/EXP . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 40

13: CAPTURE IMAGE. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 41

14: SYSTEM . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 41

MIDI Implementation. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 43

Appendix . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 55

Troubleshooting. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 55

Block Diagram. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 57

Main Specications . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 58

Dimensions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 59

Page 2

Operating Guide (Panel Description)

Front Panel

9 Fading video and audio in or out

9 Outputting a captured still image

Turn counterclockwise from the center

The program output video and audio fade in/out simultaneously.

(p. 19)

(p. 20)

Fade-in

Fade-out

The video fades to a black screen.

Turn clockwise from the center

If you turn the knob all the way clockwise, the captured still image is output to preview/program as a cut (instant switching).

Center

Normal output.

5 The settings described above are the factory defaults. You can also assign other functions to

the [OUTPUT FADE] knob.

9 Selecting a Video Eect

[TYPE] button

You can select the eect that’s applied to the video. The video eect is switched each time you press the button. The indicator of the selected video eect is lit.

[OUTPUT FADE] knob

The indicators located at the left and right of the [OUTPUT FADE] knob show the status.

Left indicator

Blinking red Fading in/out

Lit red Fade-out completed

Right indicator

Lit green Unit contains still image

Lit red Still image is being output

Dark Unit contains no still image

Transition eects (p. 12)

MIX The two videos are mixed as the transition occurs.

WIPE The next video moves across to replace the original video.

Composition eects (p. 13, 14, 16)

Picture-inpicture (PinP)

KEY

9 Switching video

[1] [2] buttons, Video fader

The inset screen (a separate small screen) is shown on top of the background video.

A portion of the video is made transparent, and composited with the background video.

(p. 12)

[1] [2] buttons

Switch between the videos being input to INPUT 1 and 2, and send them to the program output.

[1] [2] buttons Status

Lit red Program output video

Lit green Preview output video (standby video)

Video fader

Manually switch between the videos being input to INPUT 1 and 2, and send them to the program output.

Transition indicators

(both sides of the fader)

The lit indicator shows the video that is being output as the program.

9 Compositing video

[1] [2] buttons, Video fader

(p. 13, 14, 16)

[1] button (Lit yellow)/ Transition indicators (both sides of the fader)

Selects the background video when compositing video. A transition indicator (left or right) is lit to indicate the selected background video.

[2] button/Video fader

Outputs the resulting composited video as the program. The inset screen of picture-in-picture or the key video or image for key compositing is revealed or removed.

[2] button Status

Lit red Outputting the composited result as the program

Dark Outputting only the background video as the program

Page 3

Operating Guide (Panel Description)

9 Adjusting the video eect

[CONTROL 1] [CONTROL 2] knobs

These adjust the video eect or visual eect (VFX).

5 If the visual eect is on ([VFX] button lit), these knobs control the

visual eect.

(p. 12–18)

9 Applying a Visual Eect to the Video

[VFX] button

Turns the visual eect on/o. When on, the [VFX] button is lit.

9 Operating the Menu

[MENU] button, [VALUE] knob

[MENU] button

Turning this button on (lit) makes a menu appear on the display that is connected to the PREVIEW OUT connector.

If you’ve moved to a lower-level item of the menu, this button returns you to the next higher level. If the highest menu level is already shown, the button closes the menu.

(p. 7)

(p. 18)

What is the program output?

This is the video output that reects all processing such as video compositing and visual eects. It is output from the PROGRAM OUT connector.

This is the video that is seen by the people who are watching the live stream or presentation.

[VALUE] knob

Turning: This selects a menu item or changes a setting value. Pressing: This accepts the selected menu item or applies

changes to a setting.

Tripod mounting socket

This is used when attaching the V-02HD to a commercially available camera tripod. The socket is threaded for a 1/4” screw.

(bottom panel)

Page 4

Operating Guide (Panel Description)

Rear Panel

* To prevent malfunction and equipment failure, always turn down the volume, and turn o all the units before making any connections.

DC IN jack

Connect the included AC adaptor to this jack.

* Use the cord hook to secure the cord of the AC adaptor as shown

in the illustration.

For information on how to attach the cord hook, refer to “Attaching the Cord Hook” (p. 5).

Cord hook

* Place the AC adaptor so the side with the indicator (see

illustration) faces upwards and the side with textual information faces downwards. The indicator will light when you plug the AC adaptor into an AC outlet.

Indicator

to an AC outlet

Power cord

AC adaptor

Ground terminal

Connect this to an external earth or ground if necessary.

PROGRAM OUT connector

This outputs the resulting mixed video (the program video). Here you can connect a display, projector, or video recorder that is equipped with an HDMI input connector.

HDMI input connector

HDMI cable

USB ( O ) port

Connect your computer here. This is used when backing up the unit’s settings, or when updating the system program.

USB2.0 cable

USB 2.0 port

CTL/EXP jack

(TRS phone)

Connect an expression pedal (sold separately: EV-5, etc.) or footswitch (sold separately: BOSS FS-6, etc.). This is used when using your foot to control operations such as video switching.

For details on connecting a footswitch, refer to “Connecting a Footswitch” (p. 6).

* Use only the specied expression pedal (EV-5, BOSS FV-500L, or FV-500H

sold separately). By connecting any other expression pedals, you risk causing malfunction and/or damage to the unit.

HDMI cable

PREVIEW OUT connector

HDMI input connector

This outputs the preview video (the standby video). Connect this to a display that is equipped with an HDMI input connector.

5 The V-02HD menu is shown on the display that’s connected

to the PREVIEW OUT connector.

Page 5

Operating Guide (Panel Description)

* Do not block the ventilation openings (the slits located on the front and side panels, etc.). If the ventilation openings are blocked, the internal

temperatures may rise, causing malfunctions due to excessive heat.

PHONES ( Q ) jack

(stereo mini)

Connect headphones here.

[PHONES] knob

Adjusts the volume of the headphones.

AUDIO IN jack

This inputs audio. Connect this to your audio or video device such as an audio mixer or CD player.

Audio output connectors

9 Turning the Power On/O (p. 7)

This switch turns the power on/o.

(stereo mini)

[POWER] switch

HDMI cable

INPUT 1, 2 connectors

HDMI output connector

These input video. Connect these to a video camera, video device such as a BD player, or a computer that is equipped with an HDMI output connector.

Attaching the Cord Hook

Attach the included cord hook.

1. Remove the screw (one) indicated in the illustration.

2. Using the screw that you removed in step 1, attach the

cord hook as shown in the illustration.

You can attach the cord hook either vertically or horizontally.

Align the protruding portion of the cord hook with the hole in the unit.

Page 6

Operating Guide (Panel Description)

Connecting a Footswitch

FS-5U x 2

Stereo 1/4” phone type

. /

1/4” phone type x 2

TIP

RING

CTL BCTL A

FS-5U x 1

1/4” phone type

. /

1/4” phone type

CTL B

Stereo 1/4” phone type

MODE/POLARITY switch

FS-5U FS-6 FS-7

FS-6

. /

FS-7

Stereo 1/4” phone type

. /

Stereo 1/4” phone type

CTL A

CTL BCTL A

CTL B

NOTE

The BOSS FS-6’s A, B, and A&B jacks also act as the power switch. The power turns on when you insert a plug into the jack, and turns o when you remove the plug.

To prevent the batteries from running down, remove the plugs from the jacks when you’re not using the BOSS FS-6.

Page 7

Basic Operations

Turning the Power On/O

* Before turning the unit on/o, always be sure to turn the volume

down. Even with the volume turned down, you might hear some sound when switching the unit on/o. However, this is normal and does not indicate a malfunction.

Turning the power on

1. Make sure that all devices are powered-o.

2. Turn on the V-02HD’s [POWER] switch.

3. Turn on the power in the order of source devices

output devices.

Operating the Menu

Here’s how to access the menu, and make video/audio settings and settings for the V-02HD itself. The menu is shown on the display that’s connected to the PREVIEW OUT connector.

1. Press the [MENU] button to display the MENU screen.

The menu is organized into functions.

2. Turn the [VALUE] knob to move the cursor to the menu

item that you want to change, and then press the [VALUE] knob.

Turning the power o

1. Turn o the power in the order of output devices

source devices.

2. Turn o the V-02HD’s [POWER] switch.

About the Auto O function

The power to the V-02HD turns o automatically when all of the following states persist for 240 minutes (Auto O function).

No operation performed on the V-02HD

No audio or video input

No equipment is connected to the PROGRAM OUT/PREVIEW OUT connectors

3. Repeat step 2 as needed.

Pressing the [MENU] button moves you back one level higher.

4. Turn the [VALUE] knob to change the setting value, and

then press the [VALUE] knob to conrm.

MEMO

By turning the [VALUE] knob while pressing it, you can change the value more greatly.

Long-pressing the [VALUE] knob returns the current menu item you’re setting to its default value.

5. Press the [MENU] button several times to close the menu.

If you do not want the power to be turned o automatically, disengage the Auto O function. Press the [MENU] button0“SYSTEM”0set “AUTO OFF” to “OFF.”

* Unsaved data is lost when the power turns o. Before turning

the power o, save the data that you want to keep.

* To restore power, turn the power on again.

Page 8

Video Input/Output Settings

List of Compatible Video Formats

Input video formats

Frame rate

When set to “59.94 Hz” When set to “50 Hz”

480/59.94i 576/50i

480/59.94p 576/50p

720/59.94p 720/50p

1080/59.94i 1080/50i

1080/59.94p 1080/50p

VGA (640 x 480/60 Hz) VGA (640 x 480/60 Hz)

SVGA (800 x 600/60 Hz) SVGA (800 x 600/60 Hz)

XGA (1024 x 768/60 Hz) XGA (1024 x 768/60 Hz)

WXGA (1280 x 800/60 Hz) WXGA (1280 x 800/60 Hz)

FWXGA (1366 x 768/60 Hz) FWXGA (1366 x 768/60 Hz)

SXGA (1280 x 1024/60 Hz) SXGA (1280 x 1024/60 Hz)

SXGA+ (1400 x 1050/60 Hz) SXGA+ (1400 x 1050/60 Hz)

UXGA (1600 x 1200/60 Hz) UXGA (1600 x 1200/60 Hz)

WUXGA (1920 x 1200/60 Hz) WUXGA (1920 x 1200/60 Hz)

Audio input format HDMI: Linear PCM, 24 bits/48 kHz, 2 ch

Setting the Output Format

Here’s how to specify the output format as appropriate for the device that’s connected.

NOTE

If the display does not support the V-02HD’s output format, the image might not be shown correctly.

1. [MENU] button

2. Use the [VALUE] knob to select “FORMAT.”

“VIDEO OUTPUT”0select “SCALING.”

Output video formats

Frame rate

When set to “59.94 Hz” When set to “50 Hz”

480/59.94p 576/50p

720/59.94p 720/50p

1080/59.94i 1080/50i

1080/59.94p 1080/50p

SVGA (800 x 600/60 Hz) SVGA (800 x 600/75 Hz)

XGA (1024 x 768/60 Hz) XGA (1024 x 768/75 Hz)

WXGA (1280 x 800/60 Hz) WXGA (1280 x 800/75 Hz)

FWXGA (1366 x 768/60 Hz) FWXGA (1366 x 768/75 Hz)

SXGA (1280 x 1024/60 Hz) SXGA (1280 x 1024/75 Hz)

SXGA+ (1400 x 1050/60 Hz) SXGA+ (1400 x 1050/75 Hz)

UXGA (1600 x 1200/60 Hz) UXGA (1600 x 1200/60 Hz)

WUXGA (1920 x 1200/60 Hz) WUXGA (1920 x 1200/60 Hz)

HD (1280 x 720/60Hz) HD (1280 x 720/60Hz)

FHD (1920 x 1080/60Hz) FHD (1920 x 1080/60Hz)

Audio input format HDMI: Linear PCM, 24 bits/48 kHz, 2 ch

3. Use the [VALUE] knob to set the output format.

4. Press the [VALUE] knob to conrm.

The output format switches.

5. Press the [MENU] button several times to close the menu.

Page 9

Video Input/Output Settings

Specifying the Input Format (EDID)

With the factory settings, EDID is set to “INTERNAL” (the unit transmits EDID information for all formats that it is able to input).

Change this setting if you want EDID information for a specic input format to be sent to a source device.

What is EDID?

EDID is data that is transmitted from the V-02HD to the source device when the V-02HD is connected to a source device. EDID contains data such as the formats that can be input to the V-02HD (resolution, color space, color depth) and audio information.

Based on the EDID information that the source device receives, it will output the most appropriate video format to the V-02HD.

1. [MENU] button

“INPUT 2.”

2. Use the [VALUE] knob to select “EDID.”

3. Use the [VALUE] knob to set the input format (EDID).

4. Press the [VALUE] knob to conrm.

The input format (EDID) switches.

5. Press the [MENU] button several times to close the menu.

“VIDEO INPUT”0select “INPUT 1” or

Adjusting Output Video

Here’s how to adjust the output image appropriately for the device that’s receiving the V-02HD’s output.

1. [MENU] button

OUT” or “PREVIEW OUT.”

2. Use the [VALUE] knob to select a menu item.

Menu item Explanation

COLOR SPACE

DVI-D/HDMI SIGNAL Species the output mode for HDMI output.

BRIGHTNESS Adjusts the brightness.

CONTRAST Adjusts the contrast.

SATURATION Adjusts the saturation.

RED Adjusts the red level.

GREEN Adjusts the green level.

BLUE Adjusts the blue level.

3. Use the [VALUE] knob to change the value, and press the

[VALUE] knob to conrm.

4. Repeat steps 2–3 as necessary.

5. Press the [MENU] button several times to close the menu.

“VIDEO OUTPUT”0select “PROGRAM

Species the color space (system for representing colors in video).

MEMO

You can output a test pattern, useful for adjusting the image quality of a display. Use the SYSTEM menu item “TEST PATTERN” to specify the test pattern that is output.

Page 10

Video Input/Output Settings

Adjusting the Input Video

Here’s how to adjust the character and scaling of the video that’s input to INPUT 1 and 2.

1. [MENU] button

“INPUT 2.”

2. Use the [VALUE] knob to select a menu item.

Menu item Explanation

FLICKER FILTER If this is “ON,” ickering is reduced.

FLIP H

FLIP V

ZOOM Adjusts the zoom ratio.

SCALING TYPE Species the scaling type.

MANUAL SIZE H (*1) Adjusts the horizontal size.

MANUAL SIZE V (*1) Adjusts the vertical size.

POSITION H

POSITION V

BRIGHTNESS Adjusts the brightness.

CONTRAST Adjusts the contrast.

SATURATION Adjusts the saturation.

RED Adjusts the red level.

GREEN Adjusts the green level.

BLUE Adjusts the blue level.

(*1) This is valid when “SCALING TYPE” is set to “MANUAL.”

“VIDEO INPUT”0select “INPUT 1” or

If this is “ON,” the video is input with left and right ipped.

If this is “ON,” the video is input with top and bottom ipped.

Adjusts the display position in the horizontal direction.

Adjusts the display position in the vertical direction.

Outputting the Program Video from the PREVIEW OUT Connector

Here’s how you can output the program video to the display that’s connected to the PREVIEW OUT connector.

This can be useful in situations such as live distribution, since the same video as seen by the viewers can be shown on a dierent display that is used by the performers to monitor themselves.

1. [MENU] button

OUT.”

2. Use the [VALUE] knob to select “OUTPUT ASSIGN.”

3. Use the [VALUE] knob to set it to “PROGRAM.”

Menu item Explanation

PROGRAM Output the program video.

PREVIEW Output the preview video (standby video).

4. Press the [VALUE] knob to conrm.

5. Press the [MENU] button several times to close the menu.

“VIDEO OUTPUT”0select “PREVIEW

3. Use the [VALUE] knob to change the value, and press the

[VALUE] knob to conrm.

4. Repeat steps 2–3 as necessary.

5. Press the [MENU] button several times to close the menu.

Page 11

Inputting Copy-Protected (HDCP) Video

If you want to input HDCP-protected video from a BD player or other device, you can enable HDCP input.

* If you want to output HDCP-protected video, connect an HDCP-

capable display.

What’s HDCP?

HDCP is copyright-protection technology that prevents unlawful copying of content by encoding the path when sending digital signals from a video playback device to a display monitor or other display equipment.

Video Input/Output Settings

1. [MENU] button

“SYSTEM”0select “HDCP.”

2. Use the [VALUE] knob to set it to “ON.”

Value Explanation

HDCP-protected video can be input. HDCP is applied to the

output video.

OFF HDCP-protected video cannot be input.

3. Press the [VALUE] knob to conrm.

4. Press the [MENU] button several times to close the menu.

Page 12

Video Operations

Using Mix/Wipe to Switch Video (MIX/WIPE)

Here’s how to switch between input video while applying an eect, and output the program.

1. Press the [TYPE] button several times to select the

transition eect (MIX, WIPE).

The MIX or WIPE indicator is lit.

Transition eects Explanation

The two videos are mixed as the transition occurs.

MIX

The next video moves across to replace the original

WIPE

video.

2. Press the button [1] or [2] that is lit green.

Lit red: Program output video Lit green: Preview output video (standby video)

2. Slide the video fader to the far left or far right.

The transition indicator for the video that is the program output is lit. Slide the fader toward the side that is not lit.

The video is switched according to the movement of the video fader.

When the video has switched completely, the lit state (red, green) of buttons [1] [2] is exchanged.

MEMO

Depending on the timing at which you switch the video eect, the position of the video fader might dier from the actual output. If you operate the video fader in this state, the output does not change until the position of the video fader matches the actual output.

The button you press blinks red, and the video switches. When the video has switched completely, the lit state (red, green)

of buttons [1] [2] is exchanged.

MEMO

Video transition time

If you use the buttons to switch video, the transition occurs over a pre-specied time. To specify the video transition time, set the TRANSITION menu item “MIX/WIPE TIME.”

Functions of the [1] [2] buttons

You can assign other functions to the [1] [2] buttons, such as Cut (instant transition). To specify this, set the SYSTEM menu items “INPUT 1 SW ASSIGN” and “INPUT 2 SW ASSIGN.”

* These settings are eectively only if mix/wipe are selected

as the video eect.

Changing the mix/wipe pattern

You can use the MIX/WIPE menu to specify the pattern by which the mix/wipe occurs and the direction of the wipe.

Menu item Explanation

MIX TYPE Species the transition pattern for mix.

WIPE TYPE Species the transition pattern for wipe.

WIPE DIRECTION Species the direction of wipe.

WIPE BORDER COLOR

WIPE BORDER WIDTH

You can also use the [CONTROL 1] [CONTROL 2] knobs to change the settings of the MIX/WIPE menu.

When mix is selected

[CONTROL 1] knob: Pattern of the mix transition

When wipe is selected

[CONTROL 1] knob

Turn: Pattern of the wipe transition Turn while pressing: Color of the border added to the periphery of

[CONTROL 2] knob

Turn: Direction of wipe Turn while pressing: Width of the border added to the periphery of

Species the color of the border added to the edge of the wipe area.

Species the width of the border added to the edge of the wipe area.

the wipe

Page 13

Using Picture-In-Picture to Composite Video (PinP)

Here’s how to composite an inset screen (a small separate screen) onto the background video.

Video Operations

Inset screen

Background video

1. Press the [TYPE] button several times to select PinP.

The PinP indicator is lit green, and the inset screen is shown in the preview output video (standby video).

You can check the position and size of the inset screen that will be composited before outputting the program.

2. Press the [1] button (lit yellow) to select the background

video and the inset screen.

The transition indicator (left or right) of the selected background video is lit.

4. Press the [2] button.

The inset screen is composited with the background video, and output as the program. The [2] button is lit red.

When you press the [2] button once again, the [2] button goes dark and the inset screen disappears.

MEMO

The fade time over which the inset screen appears or disappears when you press the [2] button is specied by the setting of the TRANSITION menu item “PinP TIME.”

You can also use the video fader to show or hide the inset screen.

If a video composited by PinP is being output as the program, the PinP indicator is lit red.

You can make the composited result be immediately sent from program output when selecting PinP in step 1. Set the PinP menu item “PinP PROGRAM OUT MODE” to “AUTO.”

Each time you press the [1] button, the background video and the inset screen video that are output as the preview will alternate.

3. Use the [CONTROL 1] [CONTROL 2] knobs to adjust the

inset screen.

[CONTROL 1] knob

Turn: Horizontal display position of the inset screen Turn while pressing: Size of the inset screen (zoom)

[CONTROL 2] knob

Turn: Vertical display position of the inset screen Turn while pressing: Zoom ratio of the inset screen

Making detailed settings for the inset screen

You can use the PinP menu to specify the shape and size of the inset screen, and the color of the border that is added to the inset screen.

Menu item Explanation

WINDOW Use the following items to adjust the inset screen.

POSITION H Adjusts horizontal display position.

POSITION V Adjusts vertical display position

SIZE Adjusts the size (zoom).

CROPPING H Adjusts the horizontal size.

CROPPING V Adjusts the vertical size.

SHAPE Species the shape (rectangle, circle, diamond).

BORDER COLOR Species the color of the border.

BORDER WIDTH Adjusts the width of the border.

VIEW

POSITION H Adjusts the horizontal position.

POSITION V Adjusts the vertical position.

ZOOM Adjusts the zoom.

Use the following items to adjust the video that is shown in the inset screen.

Page 14

Video Operations

Using a Key to Composite Video (KEY)

Here’s how you can turn a portion of the video transparent and composite it with the background video. You can use luminance key with either a black or a white background, or a chroma key with either a blue or green background.

Compositing a Logo or Image (Luminance Key)

You can cut out a logo or image by turning its black or white portion transparent, and then superimpose it on the background video.

Background video

Logo or image to be overlaid

Black or white

Specifying the source and key type for the logo or image

Specify the source of the logo or image that you want to superimpose, and specify the key type used for compositing.

1. [MENU] butto

T YP E.”

2. Use the [VALUE] knob to change the value, and press the

[VALUE] knob to conrm.

7KEY SOURCE

Select the source of the logo or image that you want to superimpose.

Value Explanation

INPUT 1, 2 The video of INPUT 1 or 2

STILL IMAGE A captured still image (p. 20)

“KEY”0select “KEY SOURCE” or “KEY

Compositing using luminance key

1. Press the [TYPE] button several times to select KEY.

The KEY indicator is lit green, and the composition results is shown in the preview output video (standby video).

You can check the key-composited logo or image before you output to program.

2. Press the [1] button to select the video of either INPUT 1

or 2 as the background.

The transition indicator (left or right) of the selected background video is lit.

Each time you press the [1] button, the background video being output as the preview will switch.

3. Use the [CONTROL 1] [CONTROL 2] knobs to adjust the

depth of the eect that is applied.

7KEY TYPE

Choose “LUMINANCE-WHITE” or “LUMINANCE-BLACK.”

Value Explanation

LUMINANCEWHITE

LUMINANCEBLACK

CHROMA

Composite using luminance key. Makes white portions transparent according to brightness.

Composite using luminance key. Makes black portions transparent according to brightness.

Composite using chroma key. Makes the specied key color transparent according to hue.

3. Press the [MENU] button several times to close the menu.

[CONTROL 1] knob

Adjusts the degree of extraction for the key.

[CONTROL 2] knob

Adjusts the degree of edge blur for the key.

4. Press the [2] button.

The composited result is output as the program. While it is output as the program, the [2] button and the KEY indicator are lit red.

When you press the [2] button once again, the [2] button goes dark and the logo or image disappears.

Page 15

MEMO

The fade time over which the logo/image appears or disappears when you press the [2] button is specied by the setting of the TRANSITION menu item “KEY TIME.”

You can also use the video fader to show or hide the logo/ image.

You can make the composited result be immediately sent from program output when selecting KEY in step 1. Set the KEY menu item “KEY PROGRAM OUT MODE” to “AUTO.”

Modifying the logo or image

When using key compositing, you can ll-in the superimposed logo or image, or add an edge to it. Make these settings in the following KEY menu.

* These settings are shared with chroma key.

Menu item Explanation

FILL TYPE

MATTE COLOR

EDGE TYPE Species the type of edge.

EDGE COLOR Species the color of the edge.

EDGE WIDTH Species the width of the edge.

If this is set to “MATTE,” the superimposed logo or image is lled-in with the specied color.

The ll-in color is specied by “MATTE COLOR.”

Video Operations

Page 16

Video Operations

Compositing a Subject and Background (Chroma Key)

You can cut out a video by turning its blue or green portion transparent, and then superimpose it on the background video. This lets you composite a subject that’s photographed against a blue background or green background.

Video to be

Background video

superimposed

Blue or green

Specifying the source and key type for the video

Specify the source and key type for the video that you want to superimpose.

1. [MENU] button

TYPE,” or “COLOR.”

“KEY”0select “KEY SOURCE,” “KEY

Compositing using chroma key

1. Press the [TYPE] button several times to select KEY.

The KEY indicator is lit green, and the composition results is shown in the preview output video (standby video).

You can check the key-composited video before you output to program.

2. Press the [1] button to select the video of either INPUT 1

or 2 as the background.

The transition indicator (left or right) of the selected background video is lit.

2. Use the [VALUE] knob to change the value, and press the

[VALUE] knob to conrm.

7KEY SOURCE

Select the source of the video that you want to superimpose.

Value Explanation

INPUT 1, 2 The video of INPUT 1 or 2

STILL IMAGE A captured still image (p. 20)

7KEY TYPE

Set to “CHROMA.”

Value Explanation

LUMINANCEWHITE

LUMINANCEBLACK

CHROMA

7COLOR

Specify either “GREEN” or “BLUE” as the key color for chroma key (the color to be removed).

Composite using luminance key. Makes white portions transparent according to brightness.

Composite using luminance key. Makes black portions transparent according to brightness.

Composite using chroma key. Makes the specied key color transparent according to hue.

Each time you press the [1] button, the background video being output as the preview will switch.

3. Use the [CONTROL 1] [CONTROL 2] knobs to adjust the

depth of the eect that is applied.

[CONTROL 1] knob

Adjusts the degree of extraction for the key.

[CONTROL 2] knob

Adjusts the degree of edge blur for the key.

4. Press the [2] button.

The composited result is output as the program. While it is output as the program, the [2] button and the KEY indicator are lit red.

When you press the [2] button once again, the [2] button goes dark and the superimposed video disappears.

3. Press the [MENU] button several times to close the menu.

Page 17

Video Operations

MEMO

The fade time with which the video superimposed by the [2] button appears or disappears is specied by the TRANSITION menu item “KEY TIME.”

You can also reveal or hide the superimposed video by operating the video fader.

You can make the composited result be immediately sent from program output when selecting KEY in step 1. Set the KEY menu item “KEY PROGRAM OUT MODE” to “AUTO.”

Finely adjusting the key color (removed color)

You can use the following KEY menu to make ne adjustments to the key color (the color that is removed).

Menu item Explanation

CHROMA

HUE WIDTH Adjusts the hue width.

HUE FINE Adjusts the center position of the hue.

SATURATION WIDTH Adjusts the saturation width.

SATURATION FINE This adjusts the center position of saturation.

Use the following items to make ne adjustments to the key color.

To specify a desired color as the key color (sampling marker)

You can specify the key color to be made transparent simply by sampling (detecting) a color from the video. (This is called the sampling marker function.) You can also specify a key color other than green or blue.

To use the sampling marker function, set the KEY menu item “KEY TYPE” to “CHROMA,” and use the [TYPE] button to select “KEY.”

1. [MENU] button

MARKER.”

2. Use the [VALUE] knob to set it to “ON.”

The sampling marker ( ) for sampling (detecting) the key color appears in the preview output video.

“KEY”0select “SAMPLING

Modifying the superimposed video

When using key compositing, you can ll-in the superimposed video, or add an edge to it. Make these settings in the following KEY menu.

* These settings are shared with luminance key.

Menu item Explanation

FILL TYPE

MATTE COLOR

EDGE TYPE Species the type of edge.

EDGE COLOR Species the color of the edge.

EDGE WIDTH Species the width of the edge.

If this is set to “MATTE,” the superimposed video is lled-in with the specied color.

The ll-in color is specied by “MATTE COLOR.”

3. Press the [VALUE] knob to conrm.

4. Use the [CONTROL 1] [CONTROL 2] knobs to adjust

the position of the sampling marker.

[CONTROL 1] knob

Adjusts the horizontal position.

[CONTROL 2] knob

Adjusts the vertical position.

5. Use the [VALUE] knob to select “SAMPLING EXECUTE.”

A recognition message appears. If you want to cancel the operation, press the [MENU] button.

6. Use the [VALUE] knob to select “YES,” and press the

[VALUE] knob.

The key color is sampled. The “HUE WIDTH,” “HUE FINE,” “SATURATION WIDTH,” and

“SATURATION FINE” settings are adjusted automatically.

7. Press the [MENU] button several times to close the

menu.

Page 18

Video Operations

Applying a Visual Eect to the Video (VFX)

Here’s how you can apply an eect to the entire video, such as varying the video’s color or shape. You can apply a visual eect even while using picture-in-picture (p. 13) or key (p. 14, 16) to composite the video.

Selecting a visual eect

1. [MENU] button

2. Use the [VALUE] knob to select the visual eect.

Value Explanation

PART MOSAIC Applies a mosaic to the selected region.

BACKGROUND MOSAIC

FULL MOSAIC Applies a mosaic to the entire screen.

WAVE Makes the video wavy.

RGB REPLACE Exchanges the colors.

COLORPASS

NEGATIVE Inverts the brightness and colors.

COLORIZE Adds color to the video.

POSTERIZE Changes the gradations in brightness.

SILHOUETTE

EMBOSS Adds a bas-relief eect to the video.

FIND EDGES Extracts contours.

MONOCOLOR Turns the video monochrome.

HUE OFFSET

SATURATION OFFSET

VALUE OFFSET

“VFX”0select “VFX TYPE.”

Applies a mosaic to the portion outside the selected region.

Turns the video black and white while preserving a specic color.

Separates the video into light and dark areas, and makes the dark areas black and adds a dierent color to the light areas.

Changes the visual character by controlling the hue.

Changes the visual character by controlling the saturation.

Changes the visual character by controlling the brightness.

Applying visual eects

1. Send the video on which you want to apply an eect to

the program output.

2. Press the [VFX] button to turn on the visual eect

(making the button light up).

The visual eect is applied to the program output video.

3. Use the [CONTROL 1] or [CONTROL 2] knob to adjust the

degree of eect applied.

For “PART MOSAIC” and “BACKGROUND MOSAIC,” you can adjust the following settings by turning the [CONTROL 1] or [CONTROL 2] knobs while pressing them.

[CONTROL 1] knob: Size of the selected region [CONTROL 2] knob: Mosaic detail (block size)

MEMO

Settings for the eect that is controlled by the [CONTROL 1] [CONTROL 2] knobs can be checked in the VFX menu.

4. To turn o a visual eect, press the [VFX] button once

again.

3. Press the [VALUE] knob to conrm.

4. Press the [MENU] button several times to close the menu.

MEMO

You can change the type of the visual eect by holding down the [VFX] button and turning the [CONTROL 1] knob.

Page 19

Applying a Fade to the Program Output Video (Output Fade)

Here’s how to perform a fade-out from the program output video to a black screen, or a fade-in from a black screen to the program output video.

You can insert a black screen into the program output video at times where you don’t want to output a picture, such as at intervals in presentations or band performances.

* The fade-in/out eect is applied only to the program output.

Applying a Fade-out

1. Turn the [OUTPUT FADE] knob fully counterclockwise.

The program output video fades to a black screen. When fade is applied, the [OUTPUT FADE] knob indicator blinks

red. When the fade-out is complete, the indicator is lit red.

Video Operations

Applying a Fade-in

1. Return the [OUTPUT FADE] knob to the center.

The [OUTPUT FADE] knob indicator goes dark, and program output begins.

MEMO

By changing the function that’s assigned to the [OUTPUT FADE] knob, you can fade-in/out using a white screen. Make these settings in the SYSTEM menu items OUTPUT FADE ASSIGN “TURN LEFT” and “TURN RIGHT.”

Page 20

Video Operations

Using a Captured Still Image

A still image captured from the input video can be output in the same way as the video. You can also use it as a source for key compositing (p. 14, 16).

Specifying how the still image is saved

The captured still image can be saved in either of two ways: saved in the unit or temporarily saved in the unit (and deleted when the power turns o). The captured resolution diers depending on the method of saving.

The method of saving the still image is specied by the CAPTURE IMAGE menu settings “SAVE TO INTERNAL STORAGE.” Choose the save method as appropriate for the still image that you want to use.

Value Explanation

The still image is captured at the actual resolution and temporarily saved in the unit. When you turn o the power,

DISABLE

ENABLE

the captured still image is deleted. This allows the image to be captured without impairing the

image quality. It is suitable for still images that include a logo or small characters.

The still image is captured at a reduced resolution of 640 x 360 and saved in the unit. Since the still image is expanded when it is output, the image quality might be impaired.

MEMO

The unit can only save one still image (including temporary saving). If a still image is already saved, it is overwritten when you execute a new capture.

If the still image output function is assigned to the [OUTPUT FADE] knob, the [OUTPUT FADE] knob indicator shows whether a still image exists.

Unit contains still image

Lit green/red

Dark Unit contains no still image

When lit red, the still image is being output

Capturing a still image

Here’s how to capture a still image from the input video.

NOTE

If the CAPTURE IMAGE menu item “SAVE TO INTERNAL STORAGE” is set to “ENABLE” (save still image to unit), it will take approximately 30 seconds for capture to be completed.

Input stops for the video being captured.

< To capture by operating a button >

1. Press the [TYPE] button several times to select the

transition eect (MIX, WIPE).

* You can capture by operating a button only if mix or wipe is

selected as the video eect.

2. According to the still image that you want to capture,

long-press the [1] or [2] button (three seconds or longer).

Long-press (three seconds or longer)

The function of the [OUTPUT FADE] knob is specied by the SYSTEM menu settings OUTPUT FADE ASSIGN “TURN LEFT” and “TURN RIGHT.”

Regarding copy-protected (HDCP) video

If you capture a still image from copy-protected (HDCP) video, the resulting still image is treated in the same way as HDCP video. The still image is shown or not shown depending on whether HDCP is on or o (p. 11).

The capture is executed. Input stops for the video that is being captured. When the normal output returns, capture is complete.

MEMO

If you’ve made settings in the SYSTEM menu to assign the operation of the [1][2] buttons as follows, you can’t capture by operating a button.

INPUT 1 SW ASSIGN:’TRANSFORM

INPUT 2 SW ASSIGN: TRANSFORM

Page 21

Video Operations

< To capture by operating the menu >

1. [MENU] butto

SOURCE.”

“CAPTURE IMAGE”0select “CAPTURE

2. Use the [VALUE] knob to select either “INPUT 1” or

“INPUT 2” according to the still image that you want to capture.

3. Press the [VALUE] knob to conrm.

4. Use the [VALUE] knob to select “CAPTURE EXECUTE.”

Outputting a Still Image

1. Turn the [OUTPUT FADE] knob fully clockwise.

The [OUTPUT FADE] knob indicator is lit red, and the still image is output from preview/program.

* When outputting the still image, the transition occurs by a cut

regardless of the transition eect that is selected.

2. To return to normal video output, return the [OUTPUT

FADE] knob to the center.

MEMO

You can also assign other functions to the [OUTPUT FADE] knob. Make settings for the SYSTEM menu items OUTPUT FADE ASSIGN “TURN LEFT” or “TURN RIGHT.”

Deleting a Still Image

A recognition message appears. If you want to cancel the operation, press the [MENU] button.

5. Use the [VALUE] knob to select “YES,” and press the

[VALUE] knob.

The capture is executed. Input stops for the video that is being captured.

When capture is complete, the message “COMPLETE” appears, and normal output returns.

6. Press the [MENU] button to close the message.

7. Press the [MENU] button several times to close the menu.

Here’s how to delete the still image that’s saved in the unit.

1. [MENU] button

STILL IMAGE.”

A recognition message appears. If you want to cancel the operation, press the [MENU] button.

“CAPTURE IMAGE”0select “DELETE

2. Use the [VALUE] knob to select “YES,” and press the

[VALUE] knob.

The still image is deleted. When the operation is nished, the message “COMPLETE” appears.

3. Press the [MENU] button to close the message.

4. Press the [MENU] button several times to close the menu.

Page 22

Audio Operations

Adjusting the Volume Level

Here’s how to adjust the volume of the audio input and audio output.

1. [MENU] button

“AUDIO INPUT”0select “INPUT 1,”

“INPUT 2,” or “AUDIO IN.”

2. Use the [VALUE] knob to select “INPUT LEVEL.”

3. Use the [VALUE] knob to adjust the input volume.

Raise the volume level of audio you want to make more prominent, for example, an emcee microphone, and lower the volume level for other audio.

When no audio is input, and for audio that is unused, lower the volume level to minimum (-INF).

4. Press the [VALUE] knob to conrm.

5. Press the [MENU] button twice to return to the MENU

screen.

6. Use the [VALUE] knob to select “AUDIO OUTPUT”

“OUTPUT LEVEL.”

Level meter indication

An audio level meter is shown at the lower right of the preview display. The level meter illumination lets you check whether the volume is adjusted appropriately.

Indicator Status

Red

Yellow

Green

* If the volume level of speaker output is unsuitable even when

the volume level on the V-02HD has been adjusted so that level meter light up in yellow, adjust the volume for the speakers and ampliers. Using “OUTPUT LEVEL” to make adjustments can sometimes result in distortion or poorer sound quality.

MEMO

If you use the [OUTPUT FADE] knob to fade-in/out the program output video (p. 19), the output audio also fades-in/ out simultaneously.

You can change the function that’s assigned to the [OUTPUT FADE] knob so that it adjusts only the output volume. Set the SYSTEM menu item OUTPUT FADE ASSIGN “TURN LEFT” or “TURN RIGHT” to “AUDIO.”

You can output a test tone that’s convenient when adjusting the volume. In the SYSTEM menu item “TEST TONE,” specify the test tone that will be output.

Lights up at 0 dB or higher. It indicates an excessive volume level.

Lights up at -20 to -1 dB. It indicates an appropriate volume level.

Lights up at -50 to -21 dB. It indicates a too-low volume level.

7. Use the [VALUE] knob to adjust the output volume.

8. Press the [MENU] button several times to close the menu.

Page 23

Applying Eects to Input Audio

You can modify the tonal character by applying eects to the audio input.

Audio Operations

Using an eect preset

The V-02HD provides eect presets that are appropriate for specic environments. Simply by selecting a preset you can easily apply the appropriate eect for your purpose.

Each preset consists of a combination of three eects (high-pass lter, compressor, equalizer).

MEMO

When you switch presets, the settings of each eect are overwritten.

If you want to make ne adjustments to a preset, use the AUDIO INPUT menu to edit the high-pass lter, compressor, and equalizer settings.

Since the noise gate (an eect that eliminates noise) is not included in the presets, you’ll need to make separate settings for it.

For details on the eects, refer to “8: AUDIO INPUT” (p. 36).

1. [MENU] button

“INPUT 2,” or “AUDIO IN.”

2. Use the [VALUE] knob to select “EFFECT PRESET.”

”AUDIO INPUT”0select “INPUT 1,”

Correcting a time dierence between video and audio (delay)

Here’s how you can correct a time dierence between the video and audio by delaying the output of the input audio.

1. [MENU] button

“INPUT 2,” or “AUDIO IN.”

2. Use the [VALUE] knob to select “DELAY.”

3. Use the [VALUE] knob to adjust the time by which the

audio is delayed.

Delay the audio output so that the audio and video match.

4. Press the [MENU] button several times to close the menu.

“AUDIO INPUT”0select “INPUT 1,”

3. Use the [VALUE] knob to select an eect preset.

Value Explanation

DEFAULT For line input (default setting)

MEETING For meetings

INTERVIEW For interviews

AMBIENT MIC For capturing ambient sound

WINDY FIELD For capturing ambient sound in a windy area

4. Press the [VALUE] knob to conrm.

A recognition message appears.

If you want to cancel the operation, press the [MENU] button.

5. Use the [VALUE] knob to select “OK,” and press the

[VALUE] knob.

The preset is loaded. When the operation is nished, the message “COMPLETE” appears.

6. Press the [MENU] button to close the message.

7. Press the [MENU] button several times to close the menu.

Page 24

Audio Operations

Applying Eects to Output Audio

You can modify the tonal character by applying eects to the audio output.

1. [MENU] button

menu item.

* For details on the eects, refer to the following items.

2. Use the [VALUE] knob to change the value, and press the

[VALUE] knob to conrm.

3. Press the [MENU] button several times to close the menu.

LIMITER

Limits the output volume so that is does not exceed the set level.

Menu item Explanation

LIMITER Turns the limiter on/o.

THRESHOLD

“AUDIO OUTPUT”0select an eect

Adjusts the level that becomes the threshold at which the limiter is applied. Compression is applied to audio that exceeds the threshold. The volume level of audio that is output is limited so as to stay to below the threshold.

Silencing Only Specic Audio (Mute)

Here’s how to temporarily silence specic input audio or output audio (the mute function).

Muting input audio

1. [MENU] button

”AUDIO INPUT”

“INPUT 2,” or “AUDIO IN.”

2. Use the [VALUE] knob to select “INPUT MUTE.”

3. Use the [VALUE] knob to set it to “ON.”

To cancel muting, specify “OFF.”

4. Press the [VALUE] knob to conrm.

5. Press the [MENU] button several times to close the menu.

select “

INPUT 1,”

EQUALIZER

Adjusts the sound quality for each frequency band.

Menu item Explanation

EQUALIZER Turns the equalizer on/o.

Hi GAIN Boosts or attenuates the high band.

Hi FREQUENCY

Mid GAIN Boosts or attenuates the middle band.

Mid FREQUENCY

Mid Q

Lo GAIN Boosts or attenuates the low band.

Lo FREQUENCY

Adjusts the center frequency when changing the tone quality in the high band.

Adjusts the center frequency when changing the tone quality in the middle band.

Adjusts the width of the frequency band when boosting or attenuating the middle band.

Adjusts the center frequency when changing the tone quality in the low band.

MULTI BAND COMPRESSOR

Applies separate compressors in individual frequency band.

Menu item Explanation

MULTI BAND COMPRESSOR

Hi THRESHOLD Mid THRESHOLD Lo THRESHOLD

Hi RATIO Mid RATIO Lo RATIO

Turns the multi-band compressor on/o.

Specify the individual levels that become the thresholds for the high, midrange, and low bands at which the compressor is applied. Compression is applied to audio that exceeds the threshold.

Specify the amount of compression applied in the high, midrange, and low bands. The state in which no compression is applied is dened as “1.”

Muting output audio

1. [MENU] button

MUTE.”

2. Use the [VALUE] knob to set it to “ON.”

To cancel muting, specify “OFF.”

3. Press the [VALUE] knob to conrm.

4. Press the [MENU] button several times to close the menu.

MEMO

The level meter shown at the lower right of the preview display indicates the mute setting.

The “MT” symbol is shown to indicate audio for which muting is on.

“AUDIO OUTPUT”0select “OUTPUT

Page 25

Audio Operations

Interlinking Audio Output to Video Switching (Audio Follow)

Here’s how the audio output can be automatically switched in tandem with video switching (the audio follow function). When you switch video, only the audio of the currently selected input video is output, and the audio of the other input video is automatically muted.

1. As described in “Adjusting the Volume Level” (p. 22),

adjust the output volume as desired.

2. [MENU] button

or “INPUT 2.”

“AUDIO FOLLOW”0select “INPUT 1”

3. Use the [VALUE] knob to set it to “ON.”

Value Explanation

Enables the Audio Follow feature.

OFF Disables the Audio Follow feature.

The audio of only the selected input video is output, and the audio of the other input video is automatically muted.

4. Press the [VALUE] knob to conrm.

5. Press the [MENU] button several times to close the menu.

MEMO

The level meter shown at the lower right of the preview display indicates the audio follow setting.

The “A.F” symbol is shown to indicate audio for which audio follow is on.

Applying audio follow to the audio from AUDIO IN

1. [MENU] button

2. Use the [VALUE] knob to specify “INPUT 1” or “INPUT 2.”

Value Explanation

INPUT 1, 2

OFF

3. Press the [VALUE] knob to conrm.

4. Press the [MENU] button several times to close the menu.

“AUDIO FOLLOW” 0select “AUDIO IN.”

Species the input video (either INPUT 1 or 2) that uses audio follow for the audio of AUDIO IN. The audio of AUDIO IN is output only when the specied input video is selected.

The audio of AUDIO IN is always output regardless of the input video that’s selected.

Page 26

Other Features

Saving/Recalling Settings (Preset Memory)

You can save the current settings, including the video/audio settings and the state of the operating panel, in preset memory and recall those settings for use when necessary. The V-02HD is provided with eight preset memories.

About the last memory function

The V-02HD has a built-in Last Memory feature. Last Memory is a feature that saves the state of the unit that is in eect immediately before power-down, and automatically restores the state at the next startup. The Last Memory feature is enabled by default. If you want the unit to recall a specic preset memory when it starts up, use the PRESET MEMORY menu item “START UP” to specify the preset memory number.

Saving to a preset memory

1. [MENU] button

“PRESET MEMORY”

2. Use the [VALUE] knob to specify the save-destination

preset memory number (1–8), and press the [VALUE] knob.

A recognition message appears.

If you want to cancel the operation, press the [MENU] button.

3. Use the [VALUE] knob to select “YES,” and press the

[VALUE] knob.

The current settings are saved. When the operation is nished, the message “COMPLETE” appears.

4. Press the [MENU] button to close the message.

5. Press the [MENU] button several times to close the menu.

select “SAVE.”

Recalling a preset memory

1. [MENU] button

2. Use the [VALUE] knob to select the preset memory number

(1–8) that you want to recall, and press the [VALUE] knob.

A recognition message appears. If you want to cancel the operation, press the [MENU] button.

3. Use the [VALUE] knob to select “YES,” and press the

[VALUE] knob.

The settings are recalled. When the operation is nished, the message “COMPLETE” appears.

4. Press the [MENU] button to close the message.

5. Press the [MENU] button several times to close the menu.

”PRESET MEMORY”0select “LOAD.”

Initializing a preset memory

Here’s how you can initialize the settings of a specic preset memory to the factory-set condition.

MEMO

By setting the PRESET MEMORY menu item “MEMORY PROTECT” to “ON,” you can protect the preset memory from being overwritten.

The state of the [PHONES] knob (headphone volume) is not saved in preset memory.

The following settings are common to the unit (one set for the entire unit), and therefore are not saved in preset memory.

PRESET MEMORY menu

CTL/EXP menu

CAPTURE IMAGE menu

SYSTEM menu

1. [MENU] button

“INITIALIZE.”

“PRESET MEMORY”0select

2. Use the [VALUE] knob to select the preset memory

number (1–8) that you want to initialize, and press the [VALUE] knob.

A recognition message appears. If you want to cancel the operation, press the [MENU] button.

3. Use the [VALUE] knob to select “YES,” and press the

[VALUE] knob.

The preset memory is initialized. When the operation is nished, the message “COMPLETE” appears.

4. Press the [MENU] button to close the message.

5. Press the [MENU] button several times to close the menu.

Page 27

Other Features

Using a Footswitch

You can use a footswitch connected to the V-02HD to control the V-02HD with your foot. You can assign various functions to the footswitch.

1. [MENU] button

“CTL/EXP”0select “CTL/EXP TYPE.”

2. Use the [VALUE] knob to specify “CTL A & CTL B”

(footswitch) as the device that’s connected to the CTL/EXP jack.

3. Press the [VALUE] knob to conrm.

4. Use the [VALUE] knob to select “CTL A ASSIGN” or “CTL B

ASSIGN.”

6. Press the [VALUE] knob to conrm.

7. Press the [MENU] button several times to close the menu.

MEMO

If a single-pedal type footswitch such as the BOSS FS-5U is connected using a phone cable (mono), the function assigned by “CTL B ASSIGN” is enabled.

NOTE

The BOSS FS-6’s jacks A, B, and A&B also act as the power switch. The power turns on when you insert a plug into the jack, and turns o when you remove the plug.

To prevent the batteries from running down, remove the plugs from the jacks when you’re not using the BOSS FS-6.

5. Use the [VALUE] knob to select the function that you

want to assign to CTL A or CTL B of the footswitch.

Value Explanation

N/A No function is assigned.

EFFECT TYPE SW Presses the [TYPE] button.

EFFECT MIX Switches the video eect to mix (MIX).

EFFECT WIPE Switches the video eect to wipe (WIPE).

EFFECT PinP

EFFECT KEY Switches the video eect to key (KEY).

VFX SW Turns the [VFX] button on/o.

INPUT 1 SW Presses the [1] button.

INPUT 2 SW Presses the [2] button.

’

AUTO TAKE

’

CUT

STILL IMAGE

INPUT 1 AUDIO MUTE

INPUT 2 AUDIO MUTE

AUDIO IN AUDIO

MUTE

AUDIO OUTPUT MUTE

OUTPUT FADE LEFT

OUTPUT FADE RIGHT

LOAD MEMORY 1–8 Recalls MEMORY 1–8.

Switches the video eect to Picture in Picture (PinP).

Switches the video between INPUT 1 and 2.

Switches the video between INPUT 1 and 2 as a cut.

Switches between still image output and normal output.

Turns the mute function on/o for INPUT 1 audio.

Turns the mute function on/o for INPUT 2 audio.

Turns the mute function on/o for AUDIO IN audio.

Turns on/o the mute function for output audio.

Switches the [OUTPUT FADE] knob position (center / turned fully counter-clockwise).

Switches the [OUTPUT FADE] knob position (center / turned fully clockwise).

Page 28

Other Features

Using an Expression Pedal

You can use an expression pedal connected to the V-02HD to control the V-02HD with your foot.

Adjusting the pedal (pedal calibration)

The rst time you use an expression pedal, you must calibrate (adjust) the pedal so that it will operate optimally.

In some cases, an expression pedal might no longer operate optimally due to the passage of time or changes in the operating conditions. If you notice problems such as slight movements of the pedal causing a major change in volume, or if the video fails to switch when you press the pedal, you should execute calibration.

1. [MENU] button

2. Use the [VALUE] knob to specify “EXP” (expression pedal)

as the device that’s connected to the CTL/EXP jack.

3. Press the [VALUE] knob to conrm.

4. Use the [VALUE] knob to select “EXP CALIBRATE.”

The EXP CALIBRATE screen appears.

“CTL/EXP”0select “CTL/EXP TYPE.”

Assigning a function to the pedal

You can assign various functions to the expression pedal.

1. [MENU] button

“CTL/EXP”

2. Use the [VALUE] knob to specify “EXP” (expression pedal)

as the device that’s connected to the CTL/EXP jack.

3. Press the [VALUE] knob to conrm.

4. Use the [VALUE] knob to select “EXP ASSIGN.”

select “CTL/EXP TYPE.”

5. As directed by the screen, step on the pedal in the fully

heel-down position, and press the [VALUE] knob.

6. As directed by the screen, step on the pedal in the fully

toe-down position, and press the [VALUE] knob.

When the “Complete” indication appears, calibration is completed.

7. Press the [MENU] button several times to close the menu.

MEMO

You should normally use the EV-5 with its minimum volume knob left in the zero position.

* If you change the position of the minimum volume knob, you

must execute pedal calibration.

5. Use the [VALUE] knob to select the function that you

want to assign to the expression pedal.

Value Explanation

N/A No function is assigned.

VIDEO FADER

’

CUT

VFX MIX LEVEL

OUTPUT FADE LEFT

OUTPUT FADE RIGHT Turns the [OUTPUT FADE] knob clockwise.

STILL IMAGE

INPUT 1 AUDIO LEVEL Adjusts the volume of INPUT 1.

INPUT 2 AUDIO LEVEL Adjusts the volume of INPUT 2.

AUDIO IN AUDIO LEVEL Adjusts the volume of AUDIO IN.

AUDIO OUTPUT LEVEL Adjusts the output volume.

Slides the video fader to the left edge or right edge.

Switches (cuts) between the video being input to INPUT 1 and 2.

Adjusts the density (output level) of the video that is processed by the visual eect.

Turns the [OUTPUT FADE] knob counterclockwise.

Switches between still image output and normal output.

6. Press the [VALUE] knob to conrm.

7. Press the [MENU] button several times to close the menu.

Page 29

Other Features

Preventing Unintended Operation (Panel Lock)

Here’s how you can lock the V-02HD’s buttons and knobs to prevent unintended operation.

1. [MENU] button

The PANEL LOCK menu appears.

2. Use the [VALUE] knob to select a target for panel lock.

”SYSTEM”0select “PANEL LOCK.”

Returning to the Factory Settings (Factory Reset)

Here’s how you can return the settings of the V-02HD to their factoryset state. If following the procedures described in this manual does not cause the result you expect, try executing a factory reset.

NOTE

When you execute factory reset, any previously specied content, any settings saved in preset memory (p. 26), and the still image (p. 20) saved in the unit will all be lost.

It takes approximately 40 seconds for factory reset to be completed. Do not turn o the power while the “PLEASE WAIT” message is shown.

1. [MENU] button

“SYSTEM”0select “FACTORY RESET.”

Menu item Explanation

ALL SW & VOLUME

INPUT 1 SW [1] button

INPUT 2 SW [2] button

VIDEO FADER Video fader

OUTPUT FADE [OUTPUT FADE] knob

VFX SW [VFX] button

EFFECT TYPE SW [TYPE] button

CONTROL 1 ENCODER [CONTROL 1] knob

CONTROL 2 ENCODER [CONTROL 2] knob

The settings of the following buttons and knobs are turned on/o together.

3. Use the [VALUE] knob to specify whether panel lock is

applied (ON) or not applied (OFF).

4. Press the [VALUE] knob to conrm.

5. Repeat steps 2–4 as necessary.

6. Press the [MENU] button several times to close the menu.

A recognition message appears. If you want to cancel the operation, press the [MENU] button.

2. Use the [VALUE] knob to select “YES,” and press the

[VALUE] knob.

Factory reset is executed. When the operation is nished, the message “COMPLETE” appears.

3. Press the [MENU] button to close the message.

4. Press the [MENU] button several times to close the menu.

MEMO

If the sample material was overwritten by still image capture (p. 20), the sample material returns to its original state when you execute factory reset.

Page 30

Menu List

Pressing the [MENU] button makes the menu appear on the display connected to the PREVIEW OUT connector.

MEMO

By turning the [VALUE] knob while pressing it, you can change the value more greatly.

Long-pressing the [VALUE] knob returns the current menu item you’re setting to its default value.

1: VIDEO INPUT

Menu item Value (bold text: default value) Explanation

INPUT 1, 2 Adjusts the image that is input from the INPUT 1 and 2 connectors.

INPUT STATUS (ENTER) Displays information about the incoming video (format, size, etc.).

FLICKER FILTER OFF, ON If this is “ON,” ickering is reduced.

FLIP H OFF, ON If this is “ON,” the video is input with left and right ipped.

FLIP V OFF, ON If this is “ON,” the video is input with top and bottom ipped.

INTERNAL

SVGA (800 x 600) XGA (1024 x 768) WXGA (1280 x 800) FWXG (1366 x 768)

EDID

ZOOM 10.0–100.0–1000.0% (*1) Adjusts the zoom ratio.

SCALING TYPE

MANUAL SIZE H (*2) -2000–0–2000 (*1) Adjusts the horizontal size.

MANUAL SIZE V (*2) -2000–0–2000 (*1) Adjusts the vertical size.

POSITION H -1920–0–1920 Adjusts the display position in the horizontal direction.

POSITION V -1200–0–1200 Adjusts the display position in the vertical direction.

BRIGHTNESS -64–0–63 Adjusts the brightness.

CONTRAST -64–0–63 Adjusts the contrast.

SATURATION -64–0–63 Adjusts the saturation.

RED -64–0–63 Adjusts the red level.

GREEN -64–0–63 Adjusts the green level.

BLUE -64–0–63 Adjusts the blue level.

(*1) The valid range of setting values depends on conditions such as the input/output format. (*2) This is valid when “SCALING TYPE” is set to “MANUAL.”

SXGA (1280 x 1024) SXGA+ (1400 x 1050) UXGA (1600 x 1200) WUXGA (1920 x 1200) 720p 1080i 1080p

Species the scaling type.

FULL

LETTERBOX

CROP

DOT BY DOT Performs no scaling.

MANUAL Scale according to the “MANUAL SIZE H” and “MANUAL SIZE V” settings below.

Species the input format (EDID). If this is “INTERNAL,” EDID information for all formats that can be input to the V-02HD will

be transmitted.

What is EDID?

Based on the EDID information that the source device receives, it will output the most appropriate video format to the V-02HD.

Always displays the picture expanded to full screen, irrespective of the aspect ratio of the input video.

Enlarges or reduces the incoming video to a full-screen view while keeping the aspect ratio unchanged.

Enlarges or reduces the incoming video so that the output picture has no blank margins while keeping the aspect ratio unchanged. Video extending beyond the borders is cut o.

Page 31

2: VIDEO OUTPUT

Menu item Value (bold text: default value) Explanation

PROGRAM OUT Adjusts the program output video (the video that is output from the PROGRAM OUT connector).

OUTPUT STATUS —

COLOR SPACE YCC, RGB (0–255), RGB (16–235) Species the color space (system for representing colors in video).

DVI-D/HDMI SIGNAL DVI-D, HDMI Species the output mode for HDMI output.

BRIGHTNESS -64–0–63 Adjusts the brightness.

CONTRAST -64–0–63 Adjusts the contrast.

SATURATION -64–0–63 Adjusts the saturation.

RED -64–0–63 Adjusts the red level.

GREEN -64–0–63 Adjusts the green level.

BLUE -64–0–63 Adjusts the blue level.

PREVIEW OUT Adjusts the preview output video (the video that is output from the PREVIEW OUT connector).

OUTPUT STATUS —

Species the video that is output from the PREVIEW OUT connector.

OUTPUT ASSIGN

COLOR SPACE YCC, RGB (0–255), RGB (16–235) Species the color space (system for representing colors in video).

DVI-D/HDMI SIGNAL DVI-D, HDMI Species the output mode for HDMI output.

BRIGHTNESS -64–0–63 Adjusts the brightness.

CONTRAST -64–0–63 Adjusts the contrast.

SATURATION -64–0–63 Adjusts the saturation.

RED -64–0–63 Adjusts the red level.

GREEN -64–0–63 Adjusts the green level.

BLUE -64–0–63 Adjusts the blue level.

SCALING Adjusts the output format settings, and the position and size of the output video.

FORMAT

ZOOM 10.0–100.0–1000% Adjusts the zoom ratio.

SIZE H -2000–0–2000 (*3) Adjusts the horizontal size.

SIZE V -2000–0–2000 (*3) Adjusts the vertical size.

POSITION H -1920–0–1920 Adjusts the display position in the horizontal direction.

POSITION V -1200–0–1200 Adjusts the display position in the vertical direction.

(*3) The valid range of setting values depends on conditions such as the input/output format.

PROGRAM Output the program video.

PREVIEW Output the preview video (standby video).

480/576p 720p 1080i

1080p

SVGA (800 x 600) XGA (1024 x 768) WXGA (1280 x 800) FWXG (1366 x 768) SXGA (1280 x 1024) SXGA+ (1400 x 1050) UXGA (1600 x 1200) WUXGA (1920 x 1200) HD (1280 x 720) FHD (1920 x 1080)

Displays information about the output video (format and presence or absence of an HDCP signal). When no connection is in eect, “NOT CONNECTED” is displayed.

Displays information about the output video (format and presence or absence of an HDCP signal).

Species the output format. * A change in the setting is not applied until you press the [VALUE] knob to conrm.

Menu List

Page 32

Menu List

3: TRANSITION TIME

Menu item Value (bold text: default value) Explanation

MIX/WIPE TIME 0.0–1.0–4.0sec Species the video transition time.

PinP TIME 0.0–1.0–4.0sec

KEY TIME 0.0–1.0–4.0sec

Species the fade time with which the inset screen appears or disappears when using Picture in Picture (PinP) compositing.

Species the fade time with which the superimposed logo or video appears or disappears when using luminance key or chroma key compositing.

4: MIX/WIPE

Menu item Value (bold text: default value) Explanation

Species the transition pattern for mix.

MIX The two videos are mixed as the transition occurs.

MIX TYPE

FAM

NAM

Species the transition pattern for wipe.

HORIZONTAL VERTICAL UPPER LEFT UPPER RIGHT LOWER LEFT

Video transitions are made with the luminance levels of the two video streams maintained unchanged. This is an abbreviation of “full additive mix.”

The two video streams are compared, and transitions are made with display during transition starting with levels of high luminance. This is an abbreviation of “non-additive mix.”

WIPE TYPE

LOWER RIGHT H-CENTER V-CENTER BOX

WIPE DIRECTION NORMAL, REVERSE, ROUND TRIP Species the direction of wipe.

WIPE BORDER COLOR

WIPE BORDER WIDTH 0–2–15 Species the width of the border added to the edge of the wipe area.

WHITE, YELLOW, CYAN, GREEN, MAGENTA,

RED, BLUE, BLACK, SOFTEDGE

Species the color of the border added to the edge of the wipe area. If this is set to “SOFTEDGE,” the wipe border is blurred.

5: PinP

Menu item Value (bold text: default value) Explanation

WINDOW Adjusts the inset screen.

POSITION H -50.0– -40.0–50.0% Adjusts the horizontal display position of the inset screen.

POSITION V -50.0– -40.0–50.0% Adjusts the vertical display position of the inset screen.

SIZE 10.0–35.0–100.0% Adjusts the size (zoom) of the inset screen.

CROPPING H 0.0–100.0% Adjusts the horizontal size of the inset screen.

CROPPING V 0.0–100.0% Adjusts the vertical size of the inset screen.

SHAPE RECTANGLE, CIRCLE, DIAMOND Species the shape of the inset screen.

BORDER COLOR

BORDER WIDTH 0–1–15 Adjusts the width of the border for the inset screen.

VIEW Adjusts the video that is shown in the inset screen.

POSITION H -50.0–0.0–50.0% Adjusts the horizontal position at which the inset screen is shown.

POSITION V -50.0–0.0–50.0% Adjusts the vertical position at which the inset screen is shown.

ZOOM 100.0–1000.0% Adjusts the zoom of the inset screen.

PinP PROGRAM OUT MODE

WHITE, YELLOW, CYAN, GREEN, MAGENTA,

RED, BLUE, BLACK, SOFTEDGE

Species how the unit operates immediately after the [TYPE] button selects “PinP” (Picture in Picture).

MANUAL

AUTO The composited result is sent to program output.

Species the color of the border for the inset screen. If this is set to “SOFTEDGE,” the edge of the inset screen is blurred.

The composited result is sent to preview output. This lets you check the position and size of the inset screen before sending it to program output.

Page 33

Menu List

6: KEY

Menu item Value (bold text: default value) Explanation

Species the source of the logo or video that is overlaid when using key compositing.

KEY SOURCE

KEY TYPE

KEY LEVEL 0–64–255 Adjusts the degree of extraction (transparency) for the key.

KEY GAIN 0–255 Adjusts the degree of edge blur (semi-transmissive region) for the key.

MIX LEVEL 0–255 Adjusts the key’s overall density (output level).

CHROMA Make detailed settings for chroma key.

COLOR (*4) GREEN, BLUE

HUE WIDTH (*4) -30–0–30 Adjusts the hue width for the key color.

HUE FINE (*4) 0–120–360 Adjusts the center position of the hue for the key color.

SATURATION WIDTH (*4) -30–0–30 Adjusts the saturation width for the key color.

SATURATION FINE (*4) 0–255 This adjusts the center position of saturation for the key color.

SAMPLING MARKER (*5) OFF, ON

POSITION H (*5) -100.0– -25.0–100.0%

POSITION V (*5) -100.0– -25.0–100.0%

SAMPLING EXECUTE (*6) (EXEC)

FILL TYPE BUS, MATTE

MATTE COLOR (*7)

EDGE TYPE

EDGE COLOR

EDGE WIDTH 0–4–15 Species the width of the edge applied to the superimposed logo or video.

KEY PROGRAM OUT MODE

(*4) This is valid when “KEY TYPE” is set to “CHROMA.” (*5) This is valid when “KEY TYPE” is set to “CHROMA” and the [TYPE] button has selected “KEY.” (*6) This is valid when “SAMPLING MARKER” is set to “ON.” (*7) This is valid when “FILL TYPE” is set to “MATTE.”

INPUT 1, 2 The video of INPUT 1 or 2

STILL IMAGE A captured still image

Species the key type used during key composition.

LUMINANCE-WHITE Makes white portions transparent according to brightness.

LUMINANCE-BLACK Makes black portions transparent according to brightness.

CHROMA Makes the specied key color transparent according to hue.

Species green or blue as the key color (the color to be removed). If you want a color other than green or blue to turn transparent, use “SAMPLING MARKER” to specify the key color.

If this is “ON,” a sampling marker ( you to sample (detect) the key color.

When you execute sampling, the setting automatically turns “OFF.”

Adjusts the horizontal position of the sampling marker ( You can use the [CONTROL 1] knob to adjust this.

Adjusts the vertical position of the sampling marker ( You can use the [CONTROL 2] knob to adjust this.

Executes key color sampling. The “HUE WIDTH,” “HUE FINE,” “SATURATION WIDTH,” and “SATURATION FINE”

settings are adjusted automatically.

If this is “MATTE,” the superimposed logo or video is lled-in with the specied color when using key compositing. The ll-in color is specied by “MATTE COLOR” below.

WHITE, YELLOW, CYAN, GREEN, MAGENTA, RED, BLUE, BLACK

OFF, BORDER, DROP, SHADOW,

OUTLINE

WHITE, YELLOW, CYAN, GREEN, MAGENTA, RED, BLUE, BLACK

Species how the unit operates immediately after the [TYPE] button selects “KEY.”

MANUAL

AUTO The composited result is sent to program output.

Species the color used when lling-in the superimposed logo or video.

Species the type of edge applied to the superimposed logo or video.

Species the color of the edge applied to the superimposed logo or video.

The composited result is sent to preview output. This lets you check the superimposed logo or video before sending it to the program output.

) is shown on the preview output video for

Page 34

Menu List

7: VFX

The menu items named “CONTROL 1–” and “CONTROL 2–” for each visual eect can be controlled by the [CONTROL 1] and [CONTROL 2] knobs when the visual eect is on.

Menu item Value (bold text: default value) Explanation

VFX OFF, ON

PART MOSAIC, BACKGROUND MOSAIC,

VFX TYPE

FULL MOSAIC, WAVE, RGB REPLACE, COLORPASS, NEGATIVE, COLORIZE, POSTERIZE, SILHOUETTE, EMBOSS, FIND EDGES, MONOCOLOR, HUE OFFSET, SATURATION OFFSET, VALUE OFFSET

VFX TYPE = PART MOSAIC (Applies a mosaic to the selected region.)

Menu item Value (bold text: default value) Explanation

CONTROL 1 POSITION H -100.0–0.0–100.0% Adjusts the horizontal position of the selected area.

CONTROL 2 POSITION V -100.0–0.0–100.0% Adjusts the vertical position of the selected area.

MIX LEVEL 0–255 Adjusts the intensity (output level) of the video with the visual eect applied.

AREA SIZE 10.0–40.0–100.0%

CORRECTION H -2000–0–2000 Adjusts the horizontal size of the selected area.

CORRECTION V -2000–0–2000 Adjusts the vertical size of the selected area.

BLOCK SIZE

OFF (1x1), 4 x 4, 8 x 8, 16 x 16, 32 x 32, 64 x 64, 128 x 128, 256 x 256

Turns the visual eect on/o. You can also use the [VFX] button to turn this on/o.

Species the visual eect. * The menu items are dierent for each visual eect.

Adjusts the size (zoom) of the selected area. When the visual eect is on, you can adjust this by turning the [CONTROL 1]

knob while pressing it.

Species the neness (block size) of the mosaic. When the visual eect is on, you can adjust this by turning the [CONTROL 2]

knob while pressing it.

VFX TYPE = BACKGROUND MOSAIC (Applies a mosaic to the portion outside the selected region.)

Menu item Value (bold text: default value) Explanation

CONTROL 1 POSITION H -100.0–0.0–100.0% Adjusts the horizontal position of the selected area.

CONTROL 2 POSITION V -100.0–0.0–100.0% Adjusts the vertical position of the selected area.

MIX LEVEL 0–255 Adjusts the intensity (output level) of the video with the visual eect applied.

Adjusts the size (zoom) of the selected area.

AREA SIZE 10.0–40.0–100.0%

CORRECTION H -2000–0–2000 Adjusts the horizontal size of the selected area.

CORRECTION V -2000–0–2000 Adjusts the vertical size of the selected area.

BLOCK SIZE

OFF (1x1), 4 x 4, 8 x 8, 16 x 16, 32 x 32, 64 x 64, 128 x 128, 256 x 256

When the visual eect is on, you can adjust this by turning the [CONTROL 1] knob while pressing it.

Species the neness (block size) of the mosaic. When the visual eect is on, you can adjust this by turning the [CONTROL 2]

knob while pressing it.

VFX TYPE = FULL MOSAIC (Applies a mosaic to the entire screen.)

Menu item Value (bold text: default value) Explanation

CONTROL 1 BLOCK SIZE

CONTROL 2 N/A - - - (no settings) —

MIX LEVEL 0–255 Adjusts the intensity (output level) of the video with the visual eect applied.

OFF (1x1), 4 x 4, 8 x 8, 16 x 16, 32 x 32, 64 x 64, 128 x 128, 256 x 256

Species the neness (block size) of the mosaic.

VFX TYPE = WAVE (Makes the video wavy.)

Menu item Value (bold text: default value) Explanation

CONTROL 1 GAIN 0–127–255 Adjust the height of the waves.

CONTROL 2 TYPE 1–4–7 Species the number of waves.

MIX LEVEL 0–255 Adjusts the intensity (output level) of the video with the visual eect applied.

Page 35

Menu List

VFX TYPE = RGB REPLACE (Exchanges the colors.)

Menu item Value (bold text: default value) Explanation

CONTROL 1 TYPE OFF (R.G.B), B.R.G, G.B.R, R.B.G, G.R.B, B.G.R Species the type of RGB replace.

CONTROL 2 N/A - - - (no settings) —

MIX LEVEL 0–255 Adjusts the intensity (output level) of the video with the visual eect applied.

VFX TYPE = COLOR PASS (Turns the video black and white while preserving a specic color.)

Menu item Value (bold text: default value) Explanation

CONTROL 1 TYPE 1–42–63 Species the type of color pass.

CONTROL 2 N/A - - - (no settings) —

MIX LEVEL 0–255 Adjusts the intensity (output level) of the video with the visual eect applied.

VFX TYPE = NEGATIVE (Inverts the brightness and colors.)

Menu item Value (bold text: default value) Explanation

CONTROL 1 TYPE Cr, Cb, CbCr, Y, YCr, YCb, YCbCr Species the type of negative.

CONTROL 2 N/A - - - (no settings) —

MIX LEVEL 0–255 Adjusts the intensity (output level) of the video with the visual eect applied.

VFX TYPE = COLORIZE (Adds color to the video.)

Menu item Value (bold text: default value) Explanation

CONTROL 1 TYPE 1–8 Species the type of colorize.

CONTROL 2 N/A - - - (no settings) —

MIX LEVEL 0–255 Adjusts the intensity (output level) of the video with the visual eect applied.

VFX TYPE = POSTERIZE (Changes the gradations in brightness.)

Menu item Value (bold text: default value) Explanation

CONTROL 1 LEVEL 1–3–4 Species the gradation level for brightness.

CONTROL 2 N/A - - - (no settings) —

MIX LEVEL 0–255 Adjusts the intensity (output level) of the video with the visual eect applied.

VFX TYPE = SILHOUETTE (Separates the video into light and dark areas, and makes the dark areas black and adds a dierent color to the light areas.)

Menu item Value (bold text: default value) Explanation

CONTROL 1 TYPE 1–128 Species the hue to be colorized.

CONTROL 2 N/A - - - (no settings) —

MIX LEVEL 0–255 Adjusts the intensity (output level) of the video with the visual eect applied.

VFX TYPE = EMBOSS (Adds a bas-relief eect to the video.)

Menu item Value (bold text: default value) Explanation

CONTROL 1 TYPE 1–128 Species the type of emboss.

CONTROL 2 CONTRAST 0–15 Adjusts the contrast.

MIX LEVEL 0–255 Adjusts the intensity (output level) of the video with the visual eect applied.

VFX TYPE = FIND EDGES (Extracts contours.)

Menu item Value (bold text: default value) Explanation

CONTROL 1 FG COLOR 0–15 Species the color of the edge.

CONTROL 2 BG COLOR 0–3–15 Species the color of the background.

MIX LEVEL 0–255 Adjusts the intensity (output level) of the video with the visual eect applied.

VFX TYPE = MONOCOLOR (Turns the video monochrome.)

Menu item Value (bold text: default value) Explanation

CONTROL 1 Pb COLOR 0–63 Adjusts the blue component.

CONTROL 2 Pr COLOR 0–63 Adjusts the red component.

MIX LEVEL 0–255 Adjusts the intensity (output level) of the video with the visual eect applied.

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Menu List

VFX TYPE = HUE OFFSET (Changes the visual character by controlling the hue.)

Menu item Value (bold text: default value) Explanation

CONTROL 1 VALUE 0–180–359 Species the reference value for hue.

CONTROL 2 N/A - - - (no settings) —

MIX LEVEL 0–255 Adjusts the intensity (output level) of the video with the visual eect applied.

VFX TYPE = SATURATION OFFSET (Changes the visual character by controlling the saturation.)

Menu item Value (bold text: default value) Explanation

CONTROL 1 VALUE -255–0–255 Species the reference value for saturation.

CONTROL 2 N/A - - - (no settings) —

MIX LEVEL 0–255 Adjusts the intensity (output level) of the video with the visual eect applied.

VFX TYPE = VALUE OFFSET (Changes the visual character by controlling the brightness.)

Menu item Value (bold text: default value) Explanation

CONTROL 1 VALUE -255–0–255 Species the reference value for brightness.

CONTROL 2 N/A - - - (no settings) —

MIX LEVEL 0–255 Adjusts the intensity (output level) of the video with the visual eect applied.

8: AUDIO INPUT

Menu item Value (bold text: default value) Explanation

INPUT 1, 2 Adjusts the audio that is input from the INPUT 1 and 2 connectors.

INPUT LEVEL -INF–0.0–10.0dB Adjusts the input volume.

INPUT MUTE OFF, ON Turns the mute function on/o. If this is “ON,” the input audio is temporarily silenced.

Species an eect preset (high-pass lter, compressor, equalizer). * When you change a preset, the settings of each eect are overwritten.

DEFAULT For line input (default setting)

EFFECT PRESET

DELAY 0.0–4.0frame (0–133/160msec)

HIGHT PASS FILTER 75Hz OFF, ON

NOISE GATE OFF, ON

THRESHOLD -80.0– -50.0–0.0dB

RELEASE 30–860–5000ms

COMPRESSOR OFF, ON

THRESHOLD -80.0– -50.0–0.0dB

RATIO

ATTAC K 0.2–1–100ms Species the time until compression starts when audio exceeding the threshold is input.

RELEASE 30–380–5000ms Adjusts the length of time until compression ends after audio falls below the threshold.

AUTO GAIN OFF, ON

MAKEUP GAIN -40–0–40dB Adjusts the nal output volume level after applying the compressor.

MEETING For meetings

INTERVIEW For interviews

AMBIENT MIC For capturing ambient sound

WINDY FIELD For capturing ambient sound in a windy area

Adjusts the delay time of the audio.

Eect Outputs audio with a delay.

Turns the high-pass lter on/o.

Eect Cuts o unneeded low-band audio. The cuto frequency is 75 Hz.

Turns the noise gate on/o.

Eect Mutes audio that is below a specied level.

Species the level used as the threshold for removing audio. Audio below the level set here is removed.

Adjusts the length of time until the audio is fully attenuated after audio falls below the threshold.

Turns the compressor on/o.

Eect This compresses audio that exceeds a specied level.

Species the level used as the threshold at which the compressor is applied. Compression is applied to audio that exceeds the threshold.

1.00 : 1, 1.12 : 1, 1.25 : 1, 1.40 : 1,

1.60 : 1, 1.80 : 1, 2.00 : 1, 2.50 : 1,

3.20 : 1, 4.00 : 1, 5.60 : 1, 8.00 : 1,

16.0 : 1, INF : 1

Species the degree of compression applied to the audio. The state in which no compression is applied is dened as “1.”

Turns the auto makeup gain feature on/o. If this is “ON,” the nal output volume level after applying the compressor is automatically

adjusted according to the “THRESHOLD” and “RATIO” settings. The total of the “MAKEUP GAIN” setting value described below and the value calculated

by auto makeup gain becomes the nal output volume level (up to +34 dB).

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Menu List

Menu item Value (bold text: default value) Explanation

EQUALIZER OFF, ON

Hi GAIN -15.0–0.0–15.0dB Boosts or attenuates the high band.

Hi FREQUENCY 1.0–10.0–20.0kHz Adjusts the center frequency when changing the tone quality in the high band.

Mid GAIN -15.0–0.0–15.0dB Boosts or attenuates the middle band.

Mid FREQUENCY 20.0Hz–500Hz–20.0kHz Adjusts the center frequency when changing the tone quality in the middle band.

Mid Q 0.5–1.0–16.0 Adjusts the width of the frequency band when boosting or attenuating the middle band.

Lo GAIN -15.0–0.0–15.0dB Boosts or attenuates the low band.

Lo FREQUENCY 20.0Hz–500Hz–20.0kHz Adjusts the center frequency when changing the tone quality in the low band.

AUDIO IN Adjusts the audio that is input from the AUDIO IN jack.

INPUT LEVEL -INF–0.0–10.0dB Adjusts the input volume.

INPUT MUTE OFF, ON Turns the mute function on/o. If this is “ON,” the input audio is temporarily silenced.

Species an eect preset (high-pass lter, compressor, equalizer). * When you change a preset, the settings of each eect are overwritten.

DEFAULT For line input (default setting)

EFFECT PRESET

DELAY 0.0–4.0frame (0–133/160msec)

HIGHT PASS FILTER 75Hz OFF, ON

NOISE GATE OFF, ON

THRESHOLD -80.0– -50.0–0.0dB

RELEASE 30–860–5000ms

COMPRESSOR OFF, ON

THRESHOLD -80.0– -50.0–0.0dB

RATIO

ATTAC K 0.2–1–100ms Species the time until compression starts when audio exceeding the threshold is input.

RELEASE 30–380–5000ms Adjusts the length of time until compression ends after audio falls below the threshold.

AUTO GAIN OFF, ON

MAKEUP GAIN -40–0–40dB Adjusts the nal output volume level after applying the compressor.

EQUALIZER OFF, ON

Hi GAIN -15.0–0.0–15.0dB Boosts or attenuates the high band.

Hi FREQUENCY 1.0–10.0–20.0kHz Adjusts the center frequency when changing the tone quality in the high band.

Mid GAIN -15.0–0.0–15.0dB Boosts or attenuates the middle band.

Mid FREQUENCY 20.0Hz–500Hz–20.0kHz Adjusts the center frequency when changing the tone quality in the middle band.

Mid Q 0.5–1.0–16.0 Adjusts the width of the frequency band when boosting or attenuating the middle band.

Lo GAIN -15.0–0.0–15.0dB Boosts or attenuates the low band.

Lo FREQUENCY 20.0Hz–500Hz–20.0kHz Adjusts the center frequency when changing the tone quality in the low band.

MEETING For meetings

INTERVIEW For interviews

AMBIENT MIC For capturing ambient sound

WINDY FIELD For capturing ambient sound in a windy area

1.00 : 1, 1.12 : 1, 1.25 : 1, 1.40 : 1,

1.60 : 1, 1.80 : 1, 2.00 : 1, 2.50 : 1,

3.20 : 1, 4.00 : 1, 5.60 : 1, 8.00 : 1,

16.0 : 1, INF : 1

Turns the equalizer on/o.

Eect Adjusts the sound quality for each frequency band.

Adjusts the delay time of the audio.

Eect Outputs audio with a delay.

Turns the high-pass lter on/o.

Eect Cuts o unneeded low-band audio. The cuto frequency is 75 Hz.

Turns the noise gate on/o.

Eect Mutes audio that is below a specied level.

Species the level used as the threshold for removing audio. Audio below the level set here is removed.

Adjusts the length of time until the audio is fully attenuated after audio falls below the threshold.

Turns the compressor on/o.

Eect This compresses audio that exceeds a specied level.

Species the level used as the threshold at which the compressor is applied. Compression is applied to audio that exceeds the threshold.

Species the degree of compression applied to the audio. The state in which no compression is applied is dened as “1.”

Turns the auto makeup gain feature on/o. If this is “ON,” the nal output volume level after applying the compressor is automatically

adjusted according to the “THRESHOLD” and “RATIO” settings. The total of the “MAKEUP GAIN” setting value described below and the value calculated

by auto makeup gain becomes the nal output volume level (up to +34 dB).

Turns the equalizer on/o.

Eect Adjusts the sound quality for each frequency band.

Page 38

Menu List

9: AUDIO OUTPUT

Menu item Value (bold text: default value) Explanation

OUTPUT LEVEL -INF–0.0–10.0dB Adjusts the output volume.

OUTPUT MUTE OFF, ON Turns the mute function on/o. If this is “ON,” the output audio is temporarily silenced.

LIMITER OFF, ON

THRESHOLD -40.0– -6.0–0.0dB

EQUALIZER OFF, ON

Hi GAIN -15.0–0.0–15.0dB Boosts or attenuates the high band.

Hi FREQUENCY 1.0–10.0–20.0kHz Adjusts the center frequency when changing the tone quality in the high band.

Mid GAIN -15.0–0.0–15.0dB Boosts or attenuates the middle band.

Mid FREQUENCY 20.0Hz–500Hz– 20.0kHz Adjusts the center frequency when changing the tone quality in the middle band.

Mid Q 0.5–1.0–16.0 Adjusts the width of the frequency band when boosting or attenuating the middle band.

Lo GAIN -15.0–0.0–15.0dB Boosts or attenuates the low band.

Lo FREQUENCY 20.0Hz–500Hz–20.0kHz Adjusts the center frequency when changing the tone quality in the low band.

MULTI BAND COMPRESSOR

Hi THRESHOLD -40.0–-20.0–0.0dB

Hi RATIO

Mid THRESHOLD -40.0–-16.0–0.0dB

Mid RATIO

Lo THRESHOLD -40.0–-20.0–0.0dB

Lo RATIO

OFF, ON

1.00 : 1, 1.12 : 1, 1.25 : 1, 1.40 : 1,

1.60 : 1, 1.80 : 1, 2.00 : 1, 2.50 : 1,

3.20 : 1, 4.00 : 1, 5.60 : 1, 8.00 : 1,

16.0 : 1, INF : 1

1.00 : 1, 1.12 : 1, 1.25 : 1, 1.40 : 1,

1.60 : 1, 1.80 : 1, 2.00 : 1, 2.50 : 1,

3.20 : 1, 4.00 : 1, 5.60 : 1, 8.00 : 1,

16.0 : 1, INF : 1

1.00 : 1, 1.12 : 1, 1.25 : 1, 1.40 : 1,

1.60 : 1, 1.80 : 1, 2.00 : 1, 2.50 : 1,

3.20 : 1, 4.00 : 1, 5.60 : 1, 8.00 : 1,

16.0 : 1, INF : 1

Turns the limiter on/o.

Eect Limits the output volume so that is does not exceed the set level.

Turns the equalizer on/o.

Eect Adjusts the sound quality for each frequency band.

Turns the multi-band compressor on/o.

Eect Applies separate compressors in individual frequency band

Species the threshold level at which the compressor is applied to the high band. Compression is applied to audio that exceeds the threshold.

Species the amount of compression applied in the high band. The state in which no compression is applied is dened as “1.”

Species the threshold level at which the compressor is applied to the middle band. Compression is applied to audio that exceeds the threshold.

Species the amount of compression applied in the middle band. The state in which no compression is applied is dened as “1.”

Species the threshold level at which the compressor is applied to the low band. Compression is applied to audio that exceeds the threshold.

Species the amount of compression applied in the low band. The state in which no compression is applied is dened as “1.”

Page 39

Menu List

10: AUDIO FOLLOW

Menu item Value (bold text: default value) Explanation

INPUT 1 OFF, ON

INPUT 2 OFF, ON

AUDIO IN OFF, INPUT 1, INPUT 2

Turns the audio follow function on/o. Audio follow is a function that automatically switches the audio output in tandem with video switching.

If this is “ON,” only the audio of the selected input video is output, and audio of the other input video is automatically muted.

Species the input video (either INPUT 1 or 2) that uses audio follow for the audio of AUDIO IN. The audio of AUDIO IN is output only when the specied input video is selected.

If this is “OFF,” the audio of AUDIO IN is always output regardless of the input video selection.

11: PRESET MEMORY

Menu item Value (bold text: default value) Explanation

LOAD MEMORY 1–8 Selects the preset memory to load. Pressing the [VALUE] knob lets you load the preset memory.

Selects a preset memory for saving settings. Pressing the [VALUE] knob lets you save the settings to the preset memory.

* The state of the [PHONES] knob (headphone volume) is not saved in preset memory. * The following settings are common to the unit (one set for the entire unit), and therefore are not

SAVE MEMORY 1–8

INITIALIZE MEMORY 1–8 Selects the preset memory to be initialized. Press the [VALUE] knob to initialize the preset memory.

Species the settings loaded at startup.

START UP

MEMORY PROTECT OFF, ON If this is “ON,” the preset memories are protected, and settings cannot be saved to them.

LAST MEMORY

MEMORY 1–8 Recall the settings at the selected memory number.

saved in preset memory.

5 PRESET MEMORY menu 5 CTL/EXP menu 5 CAPTURE IMAGE menu 5 SYSTEM menu

Restores the state that was in eect immediately before the power was turned o (Last Memory feature).

The current settings (Last Memory values) are saved every 4 seconds, and when you exit a menu.

Page 40

Menu List

12: CTL/EXP

Menu item Value (bold text: default value) Explanation

Species the device (footswitch, expression pedal) that is connected to the CTL/EXP jack.

CTL/EXP TYPE

CTL A ASSIGN (*8) CTL B ASSIGN (*8)

EXP ASSIGN (*9)

EXP CALIBRATE (*9) (ENTER)

(*8) This is valid when “CTL/EXP TYPE” is set to “CTL A & CTL B.” (*9) This is valid when “CTL/EXP TYPE” is set to “EXP.”

OFF Disables the CTL/EXP jack.

CTL A & CTL B Choose this if a footswitch is connected.

EXP Choose this if an expression pedal is connected.

Species the functions that are assigned to CTL A and CTL B of the footswitch.

N/A No function is assigned.

EFFECT TYPE SW Presses the [TYPE] button.

EFFECT MIX Switches the video eect to mix (MIX).

EFFECT WIPE Switches the video eect to wipe (WIPE).

EFFECT PinP Switches the video eect to Picture in Picture (PinP).

EFFECT KEY Switches the video eect to key (KEY).

VFX SW Turns the [VFX] button on/o.

INPUT 1 SW Presses the [1] button.

INPUT 2 SW Presses the [2] button.

’

AUTO TAKE

’

CUT

STILL IMAGE Switches between still image output and normal output.

INPUT 1 AUDIO MUTE Turns the mute function on/o for INPUT 1 audio.

INPUT 2 AUDIO MUTE Turns the mute function on/o for INPUT 2 audio.

AUDIO IN AUDIO MUTE Turns the mute function on/o for AUDIO IN audio.

AUDIO OUTPUT MUTE Turns on/o the mute function for output audio.

OUTPUT FADE LEFT Switches the [OUTPUT FADE] knob position (center / turned fully counter-clockwise).

OUTPUT FADE RIGHT Switches the [OUTPUT FADE] knob position (center / turned fully clockwise).

LOAD MEMORY 1–8 Recalls MEMORY 1–8.

Species the function that is assigned to the expression pedal.

N/A No function is assigned.

VIDEO FADER Slides the video fader to the left edge or right edge.

’

CUT

VFX MIX LEVEL Adjusts the density (output level) of the video that is processed by the visual eect.

OUTPUT FADE LEFT Turns the [OUTPUT FADE] knob counterclockwise.

OUTPUT FADE RIGHT Turns the [OUTPUT FADE] knob clockwise.

STILL IMAGE Switches between still image output and normal output.

INPUT 1 AUDIO LEVEL Adjusts the volume of INPUT 1.

INPUT 2 AUDIO LEVEL Adjusts the volume of INPUT 2.

AUDIO IN AUDIO LEVEL Adjusts the volume of AUDIO IN.

AUDIO OUTPUT LEVEL Adjusts the output volume.

Switches the video between INPUT 1 and 2.

Switches the video between INPUT 1 and 2 as a cut.

Switches (cuts) between the video being input to INPUT 1 and 2.

Displays the EXP CALIBRATE screen. Following the direction on the screen, calibrate (adjust) the expression pedal. The rst time you use the expression pedal, be sure to execute calibration so that the pedal

will operate optimally. In some cases, the expression pedal might no longer be operating optimally because of the

passage of time or the conditions of use. In such cases you should also execute expression pedal calibration.

Page 41

Menu List

13: CAPTURE IMAGE

Menu item Value (bold text: default value) Explanation

CAPTURE SOURCE INPUT 1, INPUT 2

CAPTURE EXECUTE (EXEC)

SHORTCUT (INPUT SW) DISABLE, ENABLE (*10)

Species how the captured still image is saved. * The unit can only save one still image (including temporary saving). If a still image is already saved, it is overwritten when

you execute a new capture.

SAVE TO INTERNAL STORAGE

DELETE STILL IMAGE

(*10) Even if this is set to “ENABLE,” you cannot capture a still image by operating the [1] or [2] button if the SYSTEM menu item “INPUT 1 SW ASSIGN” is set to

“’TRANSFORM” or if “INPUT 2 SW ASSIGN” is set to “TRANSFORM&.”

DISABLE

ENABLE

(EXEC) Deletes the still image that is saved in the unit.

- - - Indicates that no still image is saved in the unit.

Species the input video from which to capture the still image.

Capture a still image from the input video.

Species whether still image capture by operating a button (long-pressing the [1] or [2] button) is enabled (ENABLE) or disabled (DISABLE).

The still image is captured at the actual resolution and temporarily saved in the unit. When you turn o the power, the captured still image is deleted.

This allows the image to be captured without impairing the image quality. It is suitable for still images that include a logo or small characters.

The still image is captured at a reduced resolution of 640 x 360 and saved in the unit. Since the still image is expanded when it is output, the image quality might be impaired.

14: SYSTEM

Menu item Value (bold text: default value) Explanation

Species whether HDCP is enabled (ON) or disabled (OFF). When set to “ON,” copyright-

HDCP OFF, ON

FRAME RATE 59.94, 50Hz

Specify the functions that are assigned to the [1] [2] buttons.

’AUTO TAKE (INPUT 1 only) AUTO TAKE& (INPUT 2 only)

’

INPUT 1 SW ASSIGN (*11) INPUT 2 SW ASSIGN (*11)

OUTPUT FADE ASSIGN Specify the functions when turning the [OUTPUT FADE] knob counter-clockwise (TURN LEFT ) or clockwise (TURN RIGHT ).

TURN LEFT TURN RIGHT

(*11) This is valid when mix/wipe is selected as the video eect.

AUTO TAKE

’

CUT (INPUT 1 only)

CUT& (INPUT 2 only)

’

CUT

’

TRANSFORM (INPUT 1 only)

TRANSFORM& (INPUT 2 only)

BLACK The program output video is faded-in/out to a black screen.

WHITE The program output video is faded-in/out to a white screen.

STILL IMAGE

CONTRAST Adjusts the contrast of the program output video.

AUDIO

BLACK&AUDIO

WHITE&AUDIO

STILL IMAGE&AUDIO

protected (HDCP) video can be input. HDCP is also added to the video that is output. * A change in the setting is not applied until you press the [VALUE] knob to conrm.

Species the frame rate. * A change in the setting is not applied until you press the [VALUE] knob to conrm.

The video switches when you press the button to select the input image. The transition time is specied by the TRANSITION menu item “TRANSITION TIME.”

The INPUT 1 and 2 video is switched each time you press the button. The transition time is specied by the TRANSITION menu item “TRANSITION TIME.”

The video is switched as a cut when you press the button to select the input video.

The video of INPUT 1 and 2 is switched as a cut each time you press the button.

The video is switched as a cut only while the button is held down to select the input video. When you release the button, you return to the program output video.

When the [OUTPUT FADE] knob is turned all the way, the captured still image is output as a cut to program/preview output. This is the default setting for “TURN RIGHT.”

Adjusts the output volume.

Fades-in/out the program output video and audio simultaneously. The video fades to a black screen. This is the default setting for “TURN LEFT.”

Fades-in/out the program output video and audio simultaneously. The video fades to a white screen.

Adjusts the output volume. When the [OUTPUT FADE] knob is turned all the way, the captured still image is output as a cut to preview/program output.

Page 42

Menu List

Menu item Value (bold text: default value) Explanation

(ENTER) Displays the following PANEL LOCK menu.

Enable (ON) or disable (OFF) the panel lock.

Menu item Value (bold text: default value) Explanation

ALL SW & VOLUME OFF, ON

INPUT 1 SW OFF, ON [1] button

PANEL LOCK

LED ASSIGN

EFFECT TYPE SW ASSIGN

PREVIEW LABEL OFF, ON If this is “ON,” a PREVIEW label is shown on the preview display. AUDIO LEVEL METER OFF, ON If this is “ON,” an audio level meter is shown on the preview display.

AUTO SCAN OFF, ON

AUTO SCAN TIME 1–5–120sec Species the video display interval when the Auto Scan function is on.

AUTO INPUT DETECT OFF, ON

AUTO OFF OFF, ON

TEST PATTERN

TEST TONE OFF, -20dB@1kHz, -10dB@1kHz, 0dB@1kHz Species the test tone.

VIDEO FADER CALIBRATE

FACTORY RESET (EXEC) Returns the unit to its factory defaults. VERSION — Displays the version of the system program.

INPUT 2 SW OFF, ON [2] button VIDEO FADER OFF, ON Video fader OUTPUT FADE OFF, ON [OUTPUT FADE] knob VFX SW OFF, ON [VFX] button EFFECT TYPE SW OFF, ON [TYPE] button CONTROL 1 ENCODER OFF, ON [CONTROL 1] knob

CONTROL 2 ENCODER OFF, ON [CONTROL 2] knob

(ENTER) Displays the following LED ASSIGN menu.

Specify the button illumination color, and the lit/unlit state of the buttons and indicators.

Menu item Value (bold text: default value) Explanation

Specify the illumination color of the [1] [2] buttons.

PROGRAM LED COLOR PREVIEW LED COLOR During preview output (default: GREEN)

BG SELECT COLOR

Specify the lit (ON) or unlit (OFF) status of the buttons and indicators.

ALL LED OFF, ON

INPUT 1 LED OFF, ON [1] button

INPUT 2 LED OFF, ON [2] button

VIDEO FADER LED OFF, ON Transition indicators

MENU LED OFF, ON [MENU] button

VFX LED OFF, ON [VFX] button

EFFECTS LED OFF, ON MIX/WIPE/PinP/KEY indicators OUTPUT FADE LEFT LED OFF, ON Indicator at the left side of the [OUTPUT FADE] knob OUTPUT FADE RIGHT LED OFF, ON Indicator at the right side of the [OUTPUT FADE] knob

(ENTER) Displays the following EFFECT TYPE SW ASSIGN menu.

Enables (ENABLE) or disables (DISABLE) the video eect. If this is set to “DISABLE,” the eect cannot be selected by the [TYPE] button.

Menu item Value (bold text: default value) Explanation

MIX DISABLE, ENABLE Switching eect: mix

WIPE DISABLE, ENABLE Switching eect: wipe PinP DISABLE, ENABLE Compositing eect: picture in picture KEY DISABLE, ENABLE Compositing eect: key

OFF, 75% COLOR BAR, 100% COLOR BAR,

RAMP, STEP, HATCH

(ENTER)

RED, GREEN, YELLOW, BLUE,

MAGENTA, CYAN, WHITE

Turns the Auto Scan function on/o. If this is “ON,” the INPUT 1 and 2 video is switched automatically.

Turns the auto input detect function on/o. If this is “ON,” and the video that is being output as the program disappears, the program automatically switches to the other input video.

Turns the Auto O function on/o. If this is “ON,” the power to the V-02HD turns o automatically when all of the following

states persist for 240 minutes.

5 No operation performed on the V-02HD 5 No audio or video input 5 No equipment is connected to the PROGRAM OUT/PREVIEW OUT connectors

Species the test pattern.

Displays the VIDEO FADER SET screen. Following the instructions on the screen, calibrate (adjust) the video fader. In some cases, because of continued use or transport, the video output might not

reach 100% even if you slide the video fader all the way to the left or right. Execute video fader calibration in this case as well.

The settings of the following buttons and knobs are turned on/o together.

During program output (default: RED)

When selected as the background video for video compositing (default: YELLOW)

The settings of the following buttons and knobs are turned on/o together.

Page 43

MIDI Implementation

Model: V-02HD Date: January 31. 2019 Version: 1.02

Symbol Item Setting Range

n MIDI Channel Fixed at 00H

1. MIDI Messages Received at MIDI IN

Channel Voice Messages

Control Change

Panpot (Controller Number 10)

This control the position of video fader.

Status 2nd Byte 3rd Byte BnH 0AH vvH

vv = 00H–7FH (00H: far left, 7FH: far right)

Expression (Controller Number 11)

This control the value of EFFECTS TYPE.

Status 2nd Byte 3rd Byte BnH 0BH vvH

General Purpose Controllers 1 (Controller Number 16)

This control the value of PinP PISITION V.

Status 2nd Byte 3rd Byte BnH 10H vvH

vv = 00H–64H (-50–50%)

General Purpose Controllers 2 (Controller Number 17)

This control the value of PinP SIZE.

Status 2nd Byte 3rd Byte BnH 11H vvH

vv = 0AH–64H (10–100%)

General Purpose Controllers 3 (Controller Number 18)

This control the value of PinP VIEW ZOOM.

Status 2nd Byte 3rd Byte BnH 12H vvH

vv = 0AH–64H (100–1000%)

General Purpose Controllers 4 (Controller Number 19)

This control the value of KEY SOURCE.

Status 2nd Byte 3rd Byte BnH 13H vvH

vv = 00H–02H (INPUT 1, INPUT 2, STILL IMAGE)

vv = 00H–03H (MIX, WIPE, PinP, KEY )

Eect Control 1 (Controller Number 12)

This control the value of MIX/WIPE TIME.

Status 2nd Byte 3rd Byte BnH 0CH vvH

vv = 00H–28H (0.0–4.0sec)

Eect Control 2 (Controller Number 13)

This control the value of PinP TIME.

Status 2nd Byte 3rd Byte BnH 0DH vvH

vv = 00H–28H (0.0–4.0sec)

Undened (Controller Number 14)

This control the value of KEY TIME.

Status 2nd Byte 3rd Byte BnH 0EH vvH

vv = 00H–28H (0.0–4.0sec)

15)

This control the value of PinP PISITION H.

Status 2nd Byte 3rd Byte BnH 0FH vvH

Undened (Controller Number 20)

This control the value of KEY LEVEL.

Status 2nd Byte 3rd Byte BnH 14H vvH

vv = 00H–7FH (0–255)

Undened (Controller Number 21)

This control the value of KEY GAIN.

Status 2nd Byte 3rd Byte BnH 15H vvH

vv = 00H–7FH (0–255)

Undened (Controller Number 22)

This control the value of KEY MIX LEVEL.

Status 2nd Byte 3rd Byte BnH 16H vvH

vv = 00H–7FH (0–255)

Undened (Controller Number 23)

This control the value of VFX SW.

Status 2nd Byte 3rd Byte BnH 17H vvH

vv = 00H, 01H (OFF, ON)

vv = 00H–64H (-50–50%)

Page 44

MIDI Implementation

Undened (Controller Number 24)

This control the value of VFX TYPE.

Status 2nd Byte 3rd Byte BnH 17H vvH

vv = 00H–0FH (PART MOSAIC, BACKGROUND MOSAIC, FULL MOSAIC, WAVE, RGB REPLACE, COLORPASS, NEGATIVE, COLORIZE, POSTERIZE, SILHOUETTE, EMBOSS, FIND EDGES, MONOCOLOR, HUE OFFSET, SATURATION OFFSET, VALUE OFFSET)

Undened (Controller Number 25)

This control the value of VFX MIX LEVEL.

Status 2nd Byte 3rd Byte BnH 18H vvH

vv = 00H–7FH (0–255)

Undened (Controller Number 26)

This control the [OUTPUT FADE] knob position (counter-clockwise)

Status 2nd Byte 3rd Byte BnH 1AH vvH

vv = 00H–3FH

Undened (Controller Number 27)

This control the [OUTPUT FADE] knob position (clockwise)

Status 2nd Byte 3rd Byte BnH 1BH vvH

Undened (Controller Number 52)

Presses the [1] button.

Status 2nd Byte 3rd Byte BnH 34H vvH

vv = any (00H–7FH)

Undened (Controller Number 53)

Presses the [2] button.

Status 2nd Byte 3rd Byte BnH 35H vvH

vv = any (00H–7FH)

Undened (Controller Number 54)

Switches the video as “’AUTO TAKE&.”

Status 2nd Byte 3rd Byte BnH 36H vvH

vv = any (00H–7FH)

Undened (Controller Number 55)

Switches the video as “’CUT&.”

Status 2nd Byte 3rd Byte BnH 37H vvH

vv = any (00H–7FH)

vv = 00H–3FH

Undened (Controller Number 28)

This control the value of AUDIO INPUT LEVEL (INPUT 1).

Status 2nd Byte 3rd Byte BnH 1CH vvH

vv = 00H–7FH (0–127) * For details, refer to the “ Input/output level correspondence chart” (p. 45).

Undened (Controller Number 29)

This control the value of AUDIO INPUT LEVEL (INPUT 2).

Status 2nd Byte 3rd Byte BnH 1DH vvH

vv = 00H–7FH (0–127) * For details, refer to the “ Input/output level correspondence chart” (p. 45).

Undened (Controller Number 30)

This control the value of AUDIO INPUT LEVEL (AUDIO IN).

Status 2nd Byte 3rd Byte BnH 1EH vvH

vv = 00H–7FH (0–127) * For details, refer to the “ Input/output level correspondence chart” (p. 45).

Undened (Controller Number 31)

This control the value of AUDIO OUTPUT LEVEL.

Undened (Controller Number 56)

Enable still image output.

Status 2nd Byte 3rd Byte BnH 38H vvH

vv = 00H, 01H (OFF, ON)

Undened (Controller Number 57)

This control the value of AUDIO INPUT 1 MUTE.

Status 2nd Byte 3rd Byte BnH 39H vvH

vv＝00H, 01H (OFF, ON)

Undened (Controller Number 58)

This control the value of AUDIO INPUT 2 MUTE.

Status 2nd Byte 3rd Byte BnH 3AH vvH

vv = 00H, 01H (OFF, ON)

Undened (Controller Number 59)

This control the value of AUDIO IN MUTE.

Status 2nd Byte 3rd Byte BnH 3BH vvH

vv = 00H, 01H (OFF, ON)

Status 2nd Byte 3rd Byte BnH 1FH vvH

vv = 00H–7FH (0–127) * For details, refer to the “ Input/output level correspondence chart” (p. 45).

Undened (Controller Number 60)

This control the value of AUDIO OUTPUT MUTE.

Status 2nd Byte 3rd Byte BnH 3CH vvH

vv = 00H, 01H (OFF, ON)

Page 45

MIDI Implementation

9 Input/output level correspondence chart (unit: dB)

0 -Inf 32 -33.1 64 -11.3 96 -0.3

1 -80.0 33 -32.3 65 -10.7 97 0.0

2 -76.7 34 -31.5 66 -10.3 98 0.3

3 -73.3 35 -30.8 67 -10.0 99 0.7

4 -70.0 36 -30.0 68 -9.7 100 1.0

5 -66.7 37 -29.3 69 -9.3 101 1.3

6 -63.3 38 -28.7 70 -9.0 102 1.7

7 -60.0 39 -28.0 71 -8.7 103 2.0

8 -58.6 40 -27.3 72 -8.3 104 2.3

9 -57.1 41 -26.7 73 -8.0 105 2.7

10 -55.7 42 -26.0 74 -7.7 106 3.0

11 -54.3 43 -25.3 75 -7.3 107 3.3

12 -52.9 44 -24.7 76 -7.0 108 3.7

13 -51.4 45 -24.0 77 -6.7 109 4.0

14 -50.0 46 -23.3 78 -6.3 110 4.3

15 -48.9 47 -22.7 79 -6.0 111 4.7

16 -47.8 48 -22.0 80 -5.7 112 5.0

17 -46.7 49 -21.3 81 -5.3 113 5.3

18 -45.6 50 -20.7 82 -5.0 114 5.7

19 -44.4 51 -20.0 83 -4.7 115 6.0

20 -43.3 52 -19.3 84 -4.3 116 6.3

21 -42.2 53 -18.7 85 -4.0 117 6.7

22 -41.1 54 -18.0 86 -3.7 118 7.0

23 -40.0 55 -17.3 87 -3.3 119 7.3

24 -39.2 56 -16.7 88 -3.0 120 7.7

25 -38.5 57 -16.0 89 -2.7 121 8.0

26 -37.7 58 -15.3 90 -2.3 122 8.3

27 -36.9 59 -14.7 91 -2.0 123 8.7

28 -36.2 60 -14.0 92 -1.7 124 9.0

29 -35.4 61 -13.3 93 -1.3 125 9.3

30 -34.6 62 -12.7 94 -1.0 126 9.7

31 -33.8 63 -12.0 95 -0.7 127 10.0

Data Request 1 (RQ1)

This is the message to request of “send data” to the connected device. Specify data type and amount using address and size. When this is received, the unit sends the requested data as “Data Set 1 (DT1)” message in case the unit is in status where the sending of data is possible and requested address and size are appropriate. If not, the unit sends nothing.

Status Data Byte Status F0H 41H, 10H, 00H, 00H, 00H, 54H, 11H, aaH, F7H bbH, ccH, ssH, ttH, uuH, sum

Byte Explanation F0H Exclusive Status 41H Manufacturer ID (Roland) 10H Device ID 00H 1st byte of model ID (V-02HD) 00H 2nd byte of model ID (V-02HD) 00H 3rd byte of model ID (V-02HD) 54H 4th byte of model ID (V-02HD) 11H Command ID (RQ1) aaH Address upper byte bbH Address middle byte ccH Address lower byte ssH Size upper byte ttH Size middle byte uuH Size lower byte sum Checksum F7H EOX (end of exclusive)

* Depending on the data type, the amount of single-time transmission is specied.

It is necessary to execute data request according to the specied rst address and size. Refer to the “3. Parameter Address Map” (p. 28) for address and size.

* See “Example of an Exclusive Message and Calculating a Checksum” (p. 36) for

checksum.

Data Set 1 (DT1)

This is the message of actual data transmission. Use this when you want to set data to the unit.

Program Change

This message recalls a preset memory.

Status 2nd Byte CnH ppH

pp = Memory number: 00H–07H (MEMORY 1–MEMORY 8)

System Exclusive Messages

Status Data Byte Status F0H iiH,ddH,...,eeH F7H

F0H: Status of system exclusive message ii= ID number: This is the ID to recognize manufacturer of the exclusive

message (manufacturer ID). The manufacturer ID of Roland is 41H. The ID numbers of 7EH and 7FH are expansion of MIDI standards and used as universal non-realtime message (7EH) of

universal realtime message (7FH). dd,...,ee= data: 00H–7FH (0–127) F7H: EOX (end of exclusive)

Status Data Byte Status F0H 41H, 10H, 00H, 00H, 00H, 54H, 12H, aaH, F7H bbH, ccH, ddH, ..., eeH, sum

Byte Explanation F0H Exclusive Status 41H Manufacturer ID (Roland) 10H Device ID 00H 1st byte of model ID (V-02HD) 00H 2nd byte of model ID (V-02HD) 00H 3rd byte of model ID (V-02HD) 54H 4th byte of model ID (V-02HD) 12H Command ID (DT1) aaH Address upper byte bbH Address middle byte ccH Address lower byte ddH Data: actual data to transmit. Multiple byte data is sent in address order. : : eeH Data sum Checksum F7H EOX (end of exclusive)

* Depending on the data type, the amount of single-time transmission is specied.

It is necessary to execute data request according to the specied rst address and size. Refer to the “3. Parameter Address Map” (p. 28) for address and size.

* See “Example of an Exclusive Message and Calculating a Checksum” (p. 36) for

checksum.

* Data exceeding 256 bytes should be divided into packets of 256 bytes or smaller. If

you send data set 1 successively, set interval of 20 ms or longer between packets.

Page 46

MIDI Implementation

2. Parameter Address Map

Start Address Description

00H 00H 00H Video Parameter Area

01H 00H 00H Audio Parameter Area

02H 00H 00H System Parameter Area

0AH 00H 00H Other Parameter Area

10H 00H 00H Preset Memory Area

Video Parameter Area

Video Input

* “xxH” corresponds to the respective channels as indicated below.

xxH = 00H, 01H (INPUT 1, INPUT 2)

Address Parameter Name Sys.Ex.Value Meaning of Value

00H xxH 00H FLICKER FILTER 00H–01H OFF, ON

00H xxH 01H FLIP H 00H–01H OFF, ON

00H xxH 02H FLIP V 00H–01H OFF, ON

INTERNAL, SVGA (800 x 600), XGA (1024 x 768), WXGA (1280 x 800), FWXGA (1366 x 768),

00H xxH 03H EDID 00H–0BH

00H xxH 04H 05H

00H xxH 06H SCALING TYPE 00H–04H FULL, LETTERBOX, CROP, DOT BY DOT, MANUAL

00H xxH 07H 08H

00H xxH 09H 0AH

00H xxH 0BH 0CH

00H xxH 0DH 0EH

00H xxH 0FH BRIGHTNESS 00H–7FH -64–63

00H xxH 10H CONTRAST 00H–7FH -64–63

00H xxH 11H SATURATION 00H–7FH -64–63

00H xxH 12H RED 00H–7FH -64–63

00H xxH 13H GREEN 00H–7FH -64–63

00H xxH 14H BLUE 00H–7FH -64–63

ZOOM 00H 64H–4EH 10H 10.0–1000.0%

MANUAL SIZE H 70H 30H–00H 00H–0FH 50H -2000–0–2000

MANUAL SIZE V 70H 30H–00H 00H–0FH 50H -2000–0–2000

POSITION H 71H 00H–00H 00H–0FH 00H -1920–0–1920

POSITION V 76H 50H–00H 00H–09H 30H -1200–0–1200

SXGA (1280 x 1024), SXGA+ (1400 x 1050), UXGA (1600 x 1200), WUXGA (1920 x 1200), 720p, 1080i, 1080p

Video Output

* “xxH” corresponds to the respective channels as indicated below.

xxH = 02H, 03H (PROGRAM OUT, PREVIEW OUT)

Address Parameter Name Sys.Ex.Value Meaning of Value

00H xxH 00H OUTPUT ASSIGN (*1) 00H–01H PROGRAM, PREVIEW

00H xxH 01H COLOR SPACE 00H–03H YCC, RGB (0-255), RGB (16-235)

00H xxH 02H DVI-D/HDMI SIGNAL 00H–01H HDMI, DVI-D

00H xxH 03H BRIGHTNESS 00H–7FH -64–63

00H xxH 04H CONTRAST 00H–7FH -64–63

00H xxH 05H SATURATION 00H–7FH -64–63

00H xxH 06H RED 00H–7FH -64–63

00H xxH 07H GREEN 00H–7FH -64–63

00H xxH 08H BLUE 00H–7FH -64–63

(*1) PREVIEW OUT only

Page 47

Scaling

Address Parameter Name Sys.Ex.Value Meaning of Value

480p/576p, 720p, 1080i, 1080p, SVGA (800 x 600), XGA (1024 x 768),

00H 04H 00H OUTPUT FORMAT 00H–0DH

00H 04H 01H 02H

00H 04H 03H 04H

00H 04H 05H 06H

00H 04H 07H 08H

00H 04H 09H 0AH

Transition Time

Address Parameter Name Sys.Ex.Value Meaning of Value

00H 05H 00H MIX/WIPE TIME 00H–28H 0.0–4.0sec

00H 05H 01H PinP TIME 00H–28H 0.0–4.0sec

00H 05H 02H KEY TIME 00H–28H 0.0–4.0sec

ZOOM 00H 64H–4EH 10H 10.0–1000.0%

SIZE H 70H 30H–00H 00H–0FH 50H -2000–0–2000

SIZE V 70H 30H–00H 00H–0FH 50H -2000–0–2000

POSITION H 71H 00H–00H 00H–0FH 00H -1920–0–1920

POSITION V 76H 50H–00H 00H–09H 30H -1200–0–1200

WXGA (1280 x 800), FWXGA (1366 x 768), SXGA (1280 x 1024), SXGA+ (1400 x 1050), UXGA (1600 x 1200), WUXGA (1920 x 1200), HD (1280 x 720), FHD (1920 x 1080)

MIDI Implementation

MIX/WIPE

Address Parameter Name Sys.Ex.Value Meaning of Value

00H 06H 00H MIX TYPE 00H–02H MIX, FAM, NAM

00H 06H 01H WIPE TYPE 00H–08H

00H 06H 02H WIPE DIRECTION 00H–02H NORMAL, REVERSE, ROUND TRIP

00H 06H 03H WIPE BORDER COLOR 00H–08H WHITE, YELLOW, CYAN, GREEN, MAGENTA, RED, BLUE, BLACK, SOFT EDGE

00H 06H 04H WIPE BORDER WIDTH 00H–0FH 0–15

PinP

Address Parameter Name Sys.Ex.Value Meaning of Value

00H 07H 00H 01H

00H 07H 02H 03H

00H 07H 04H 05H

00H 07H 06H 07H

00H 07H 08H 09H

00H 07H 0AH SHAPE 00H–02H RECTANGLE, CIRCLE, DIAMOND

00H 07H 0BH BORDER COLOR 00H–08H WHITE, YELLOW, CYAN, GREEN, MAGENTA, RED, BLUE, BLACK, SOFT EDGE

00H 07H 0CH BORDER WIDTH 00H–0FH 0–15

00H 07H 0DH 0EH

00H 07H 0FH 10H

00H 07H 11H 12H

00H 07H 13H PROGRAM OUT MODE 00H–01H OFF, ON

POSITION H 7CH 0CH–00H 00H–03H 74H -50.0–0.0–50.0%

POSITION V 7CH 0CH–00H 00H–03H 74H -50.0–0.0–50.0%

SIZE 00H 64H–07H 68H 10.0–100.0%

CROPPING H 00H 00H–07H 68H 0.0–100.0%

CROPPING V 00H 00H–07H 68H 0.0–100.0%

VIEW POSITION H 7CH 0CH–00H 00H–03H 74H -50.0–0.0–50.0%

VIEW POSITION V 7CH 0CH–00H 00H–03H 74H -50.0–0.0–50.0%

VIEW ZOOM 00H 64H–4EH 10H 100–1000%

HORIZONTAL, VERTICAL, UPPER LEFT, UPPER RIGHT, LOWER LEFT, LOWER RIGHT, H-CENTER, V-CENTER, BOX

Page 48

MIDI Implementation

KEY

Address Parameter Name Sys.Ex.Value Meaning of Value

00H 08H 00H KEY SOURCE 00H–02H INPUT 1, INPUT 2, STILL IMAGE

00H 08H 01H KEY TYPE 00H–02H LUMINANCE-WHITE, LUMINANCE-BLACK, CHROMA

00H 08H 02H 03H

00H 08H 04H 05H

00H 08H 06H 07H

00H 08H 08H CHROMA COLOR 00H–01H

00H 08H 09H HUE WIDTH 62H–00H–1EH -30–0–30

00H 08H 0AH 0BH

00H 08H 0CH 0DH

00H 08H 0EH 0FH

00H 08H 10H FILL TYPE 00H–01H BUS, MATTE

00H 08H 11H MATTE COLOR 00H–07H WHITE, YELLOW, CYAN, GREEN, MAGENTA, RED, BLUE, BLACK

00H 08H 12H EDGE TYPE 00H–04H OFF, BORDER, DROP, SHADOW, OUTLINE

00H 08H 13H EDGE COLOR 00H–07H WHITE, YELLOW, CYAN, GREEN, MAGENTA, RED, BLUE, BLACK

00H 08H 14H EDGE WIDTH 00H–0FH 0–15

00H 08H 15H PROGRAM OUT MODE 00H–01H OFF, ON

KEY LEVEL 00H 00H–01H 7FH 0–255

KEY GAIN 00H 00H–01H 7FH 0–255

MIX LEVEL 00H 00H–01H 7FH 0–255

GREEN, BLUE * Even if this is rewritten by DT1, the HUE and SATURATION settings are not changed.

HUE FINE 00H 00H–02H 68H 0–360

SATURATION WIDTH 7FH 00H–00H 00H–00H 7FH -128–0–127

SATURATION FINE 00H 00H–01H 7FH 0–255

VFX

Address Parameter Name Sys.Ex.Value Meaning of Value

00H 09H 00H VFX SW 00H–01H OFF, ON

PART MOSAIC, BACKGROUND MOSAIC, FULL MOSAIC, WAVE, RGB REPLACE, COLOR

00H 09H 01H VFX TYPE 00H–0FH

00H 09H 02H 03H

00H 09H 04H PART MOSAIC BLOCK SIZE 00H–07H OFF (1x1), 4 x 4, 8 x 8, 16 x 16, 32 x 32, 64 x 64, 128 x 128, 256 x 256

00H 09H 05H 06H

00H 09H 07H 08H

00H 09H 09H 0AH

00H 09H 0BH 0CH

00H 09H 0DH 0EH

00H 09H 0FH BG MOSAIC BLOCK SIZE 00H–07H OFF (1x1), 4 x 4, 8 x 8, 16 x 16, 32 x 32, 64 x 64, 128 x 128, 256 x 256

00H 09H 10H 11H

00H 09H 12H 13H

00H 09H 14H 15H

00H 09H 16H 17H

00H 09H 18H 19H

00H 09H 1AH FULL MOSAIC BLOCK SIZE 00H–07H OFF (1x1), 4 x 4, 8 x 8, 16 x 16, 32 x 32, 64 x 64, 128 x 128, 256 x 256

00H 09H 1BH 1CH

00H 09H 1DH WAVE TYPE 00H–07H 0–7

00H 09H 1EH RGB REPLACE TYPE 00H–05H OFF (R.G.B), B.R.G, G.B.R, R.B.G, G.R.B, B.G.R

00H 09H 1FH COLOR PASS TYPE 01H–3FH 1–63

00H 09H 20H NEGATIVE TYPE 01H–07H Cr, Cb, CbCr, Y, YCr, YCb, YCbCr

00H 09H 21H COLORIZE TYPE 00H–07H 1–8

MIX LEVEL 00H 00H–01H 7FH 0–255

PART MOSAIC POSITION H 78H 18H–00H 00H–07H 68H -100.0–0–100.0%

PART MOSAIC POSITION V 78H 18H–00H 00H–07H 68H -100.0–0–100.0%

PART MOSAIC AREA SIZE 00H 64H–07H 68H 10.0–100.0%

PART MOSAIC AREA CORRECTION H

PART MOSAIC AREA CORRECTION V

BG MOSAIC POSITION H 78H 18H–00H 00H–07H 68H -100.0–0–100.0%

BG MOSAIC POSITION V 78H 18H–00H 00H–07H 68H -100.0–0–100.0%

BG MOSAIC AREA SIZE 00H 64H–07H 68H 10.0–100.0%

BG MOSAIC AREA CORRECTION H

BG MOSAIC AREA CORRECTION V

WAVE GAIN 00H 00H–01H 7FH 0–255

70H 30H–00H 00H–0FH 50H -2000–0–2000

PASS, NEGATIVE, COLORIZE, POSTERIZE, SILHOUETTE, EMBOSS, FIND EDGES, MONOCOLOR, HUE OFFSET, SATURATION OFFSET, VALUE OFFSET

Page 49

Address Parameter Name Sys.Ex.Value Meaning of Value

00H 09H 22H POSTERIZE LEVEL 00H–03H 1–4

00H 09H 23H SILHOUETTE TYPE 00H–7FH 1–128

00H 09H 24H EMBOSS TYPE 00H–7FH 1–128

00H 09H 25H EMBOSS CONTRAST 00H–0FH 0–15

00H 09H 26H FIND EDGES FG COLOR 00H–0FH 0–15

00H 09H 27H FIND EDGES BG COLOR 00H–0FH 0–15

00H 09H 28H MONOCOLOR Pb COLOR 00H–3FH 0–63

00H 09H 29H MONOCOLOR Pr COLOR 00H–3FH 0–63

00H 09H 2AH 2BH

00H 09H 2CH 2DH

00H 09H 2EH 2FH

Panel

Address Parameter Name Sys.Ex.Value Meaning of Value

00H 0AH 00H Background Channel 00H–01H INPUT 1, 2

00H 0AH 01H 02H

00H 0AH 03H Output Fade Level 00H–7FH 0–127

00H 0AH 04H Eects Type 00H–03H MIX, WIPE, PinP, KEY

HUE OFFSET VALUE 00H 00H–02H 67H 0–359

SATURATION OFFSET VALUE 7EH 00H–00H 00H–01H 7FH -256–0–255

VALUE OFFSET VALUE 7EH 00H–00H 00H–01H 7FH -256–0–255

Video Fader Position 00H 00H–03H 7FH 0–511

MIDI Implementation

Audio Parameter Area

Audio Input

* “xxH” corresponds to the respective channels as indicated below.

xxH =0H–02H (AUDIO IN, HDMI IN 1, HDMI IN 2)

Address Parameter Name Sys.Ex.Value Meaning of Value

01H xxH 00H 01H 02H

01H xxH 03H INPUT MUTE 00H–01H OFF, ON

01H xxH 04H EFFECT PRESET 00H–04H

01H xxH 05H DELAY 00H–28H 0.0–4.0frame

01H xxH 06H HIGH PASS FILTER 75Hz 00H–01H OFF, ON

01H xxH 07H NOISE GATE SW 00H–01H OFF, ON

01H xxH 08H 09H

01H xxH 0AH NOISE GATE RELEASE 00H–7FH 30–5000ms

01H xxH 0BH COMPRESSOR SW 00H–01H OFF, ON

01H xxH 0CH 0DH

01H xxH 0EH COMPRESSOR RATIO 00H–0DH

01H xxH 0FH COMPRESSOR ATTACK 00H–19H 0.2–100ms

01H xxH 10H COMPRESSOR RELEASE 00H–7FH 30–5000ms

01H xxH 11H COMPRESSOR AUTO GAIN 00H–01H OFF, ON

01H xxH 12H 13H

01H xxH 14H EQUALIZER SW 00H–01H OFF, ON

01H xxH 15H 16H

01H xxH 17H EQUALIZER Hi FREQUENCY 44H–78H 1.00–20.0kHz

01H xxH 18H 19H

01H xxH 1AH EQUALIZER Mid FREQUENCY 00H–78H 20Hz–20.0kHz

01H xxH 1BH EQUALIZER Mid Q 00H–05H 0.5–16.0

01H xxH 1CH 1DH

01H xxH 1EH EQUALIZER Lo FREQUENCY 00H–38H 20–500Hz

INPUT LEVEL

NOISE GATE THRESHOLD 79H 60H–00H 00H -80.0–0.0dB

COMPRESSOR THRESHOLD 7BH 28H–00H 00H -60.0–0.0dB

COMPRESSOR MAKEUP GAIN 7CH 70H–00H 00H–03H 10H -40.0–0.0–40.0dB

EQUALIZER Hi GAIN 7EH 6AH–00H 00H–01H 16H -15.0–0.0–15.0dB

EQUALIZER Mid GAIN 7EH 6AH–00H 00H–01H 16H -15.0–0.0–15.0dB

EQUALIZER Lo GAIN 7EH 6AH–00H 00H–01H 16H -15.0–0.0–15.0dB

7EH 00H 00H, 7FH 79H 60H– 00H 00H 00H–00H 00H 64H

-INFdB, -80.0–0.0–10.0dB

DEFAULT, MEETING, INTERVIEW, AMBIENT MIC, WINDY FIELD * Even if this is rewritten by DT1, the eect settings are not changed.

1.00 : 1, 1.12 : 1, 1.25 : 1, 1.40 : 1, 1.60 : 1, 1.80 : 1, 2.00 : 1, 2.50 : 1, 3.20 : 1, 4.00 : 1,

5.60 : 1, 8.00 : 1, 16.0 : 1, INF : 1

Page 50

MIDI Implementation

Audio Output

Address Parameter Name Sys.Ex.Value Meaning of Value

01H 10H 00H 01H 02H

01H 10H 03H OUTPUT MUTE 00H–01H OFF, ON

01H 10H 04H LIMITER SW 00H–01H OFF, ON

01H 10H 05H 06H

01H 10H 07H EQUALIZER SW 00H–01H OFF, ON

01H 10H 08H 09H

01H 10H 0AH EQUALIZER Hi FREQUENCY 44H–78H 1.00–20.0kHz

01H 10H 0BH 0CH

01H 10H 0DH EQUALIZER Mid FREQUENCY 00H–78H 20Hz–20.0kHz

01H 10H 0EH EQUALIZER Mid Q 00H–05H 0.5–16.0

01H 10H 0FH 10H

01H 10H 11H EQUALIZER Lo FREQUENCY 00H–38H 20–500Hz

01H 10H 12H MULTI BAND COMPRESSOR SW 00H–01H OFF, ON

01H 10H 13H 14H

01H 10H 15H MB COMP Hi RATIO 00H–0DH

01H 10H 16H 17H

01H 10H 18H MB COMP Mid RATIO 00H–0DH

01H 10H 19H 1AH

01H 10H 1BH MB COMP Lo RATIO 00H–0DH

OUTPUT LEVEL

LIMITER THRESHOLD 7CH 70H–00H 00H -40.0–0.0dB

EQUALIZER Hi GAIN 7EH 6AH–00H 00H–01H 16H -15.0–0.0–15.0dB

EQUALIZER Mid GAIN 7EH 6AH–00H 00H–01H 16H -15.0–0.0–15.0dB

EQUALIZER Lo GAIN 7EH 6AH–00H 00H–01H 16H -15.0–0.0–15.0dB

MB COMP Hi THRESHOLD 7CH 70H–00H 00H -40.0–0.0dB

MB COMP Mid THRESHOLD 7CH 70H–00H 00H -40.0–0.0dB

MB COMP Lo THRESHOLD 7CH 70H–00H 00H -40.0–0.0dB

7EH 00H 00H, 7FH 79H 60H– 00H 00H 00H–00H 00H 64H

-INFdB, -80.0–0.0–10.0dB

1.00 : 1, 1.12 : 1, 1.25 : 1, 1.40 : 1, 1.60 : 1, 1.80 : 1, 2.00 : 1, 2.50 : 1, 3.20 : 1, 4.00 : 1,

5.60 : 1, 8.00 : 1, 16.0 : 1, INF : 1

1.00 : 1, 1.12 : 1, 1.25 : 1, 1.40 : 1, 1.60 : 1, 1.80 : 1, 2.00 : 1, 2.50 : 1, 3.20 : 1, 4.00 : 1,

5.60 : 1, 8.00 : 1, 16.0 : 1, INF : 1

1.00 : 1, 1.12 : 1, 1.25 : 1, 1.40 : 1, 1.60 : 1, 1.80 : 1, 2.00 : 1, 2.50 : 1, 3.20 : 1, 4.00 : 1,

5.60 : 1, 8.00 : 1, 16.0 : 1, INF : 1

Audio Follow

Address Parameter Name Sys.Ex.Value Meaning of Value

01H 20H 00H INPUT 1 00H–01H OFF, ON

01H 20H 01H INPUT 2 00H–01H OFF, ON

01H 20H 02H AUDIO IN 00H–02H OFF, INPUT 1, INPUT 2

Page 51

System Parameter Area

Version Parameter

Address Parameter Name Sys.Ex.Value Meaning of Value

02H 00H 00H System Version Major 00H–09H Version Number (Read Only)

02H 00H 01H System Version Minor (1) 00H–09H Version Number (Read Only)

02H 00H 02H System Version Minor (2) 00H–09H Version Number (Read Only)

02H 00H 03H System Version Build (1) 00H–09H Version Number (Read Only)

02H 00H 04H System Version Build (2) 00H–09H Version Number (Read Only)

02H 00H 05H System Version Build (3) 00H–09H Version Number (Read Only)

System

Address Parameter Name Sys.Ex.Value Meaning of Value

02H 01H 00H HDCP 00H–01H OFF, ON

02H 01H 01H FRAME RATE 00H–01H 59.94Hz, 50Hz

02H 01H 02H INPUT 1 SW ASSIGN 00H–04H

02H 01H 03H INPUT 2 SW ASSIGN 00H–04H

02H 01H 04H OUTPUT FADE LEFT ASSIGN 00H–07H

02H 01H 05H OUTPUT FADE RIGHT ASSIGN 00H–07H

02H 01H 06H PREVIEW LABEL 00H–01H OFF, ON

02H 01H 07H AUDIO LEVEL METER 00H–01H OFF, ON

02H 01H 08H AUTO SCAN SW 00H–01H OFF, ON

02H 01H 09H AUTO SCAN TIME 00H–78H 1–120sec

02H 01H 0AH AUTO INPUT DETECT 00H–01H OFF, ON

02H 01H 0BH AUTO OFF 00H–01H OFF, ON

02H 01H 0CH TEST PATTERN 00H–05H OFF, 75% COLOR BAR, 100% COLOR BAR, RAMP, STEP, HATCH

02H 01H 0DH TERT TONE 00H–03H OFF, -20dB@1kHz, -10dB@1kHz, 0dB@1kHz

’

AUTO TAKE, ’AUTO TAKE&, ’CUT, ’CUT&, ’TRANSFORM

AUTO TAKE&, ’AUTO TAKE&, CUT&, ’CUT&, TRANSFORM

BLACK, WHITE, STILL IMAGE, CONTRAST, AUDIO, BLACK&AUDIO, WHITE&AUDIO, STILL IMAGE&AUDIO

MIDI Implementation

Panel Lock

Address Parameter Name Sys.Ex.Value Meaning of Value

02H 02H 00H INPUT 1 SW 00H–01H OFF, ON

02H 02H 01H INPUT 2 SW 00H–01H OFF, ON

02H 02H 02H VIDEO FADER 00H–01H OFF, ON

02H 02H 03H OUTPUT FADE 00H–01H OFF, ON

02H 02H 04H VFX SW 00H–01H OFF, ON

02H 02H 05H EFFECT TYPE SW 00H–01H OFF, ON

02H 02H 06H CONTROL 1 ENCODER 00H–01H OFF, ON

02H 02H 07H CONTROL 2 ENCODER 00H–01H OFF, ON

LED Assign

Address Parameter Name Sys.Ex.Value Meaning of Value

02H 03H 00H PROGRAM LED COLOR 00H–06H RED, GREEN, YELLOW, BLUE, PURPLE, L.BLUE, WHITE

02H 03H 01H PREVIEW LED COLOR 00H–06H RED, GREEN, YELLOW, BLUE, PURPLE, L.BLUE, WHITE

02H 03H 02H BG SELECT LED COLOR 00H–06H RED, GREEN, YELLOW, BLUE, PURPLE, L.BLUE, WHITE

02H 03H 03H INPUT 1 LED 00H–01H OFF, ON

02H 03H 04H INPUT 2 LED 00H–01H OFF, ON

02H 03H 05H VIDEO FADER LED 00H–01H OFF, ON

02H 03H 06H MENU LED 00H–01H OFF, ON

02H 03H 07H VFX LED 00H–01H OFF, ON

02H 03H 08H EFFECTS LED 00H–01H OFF, ON

02H 03H 09H OUTPUT FADE LEFT LED 00H–01H OFF, ON

02H 03H 0AH OUTPUT FADE RIGHT LED 00H–01H OFF, ON

Page 52

MIDI Implementation

Eect Type SW Assign

Address Parameter Name Sys.Ex.Value Meaning of Value

02H 04H 00H MIX 00H–01H DISABLE, ENABLE

02H 04H 01H WIPE 00H–01H DISABLE, ENABLE

02H 04H 02H PinP 00H–01H DISABLE, ENABLE

02H 04H 03H KEY 00H–01H DISABLE, ENABLE

Preset Memory

Address Parameter Name Sys.Ex.Value Meaning of Value

02H 05H 00H START UP 00H–08H LAST MEMORY, MEMORY 1–8

02H 05H 01H MEMORY PROTECT 00H–01H OFF, ON

CTL/EXP

Address Parameter Name Sys.Ex.Value Meaning of Value

02H 06H 00H CTL/EXP TYPE 00H–02H OFF, CTL A & CTL B, EXP

N/A, EFFECT TYPE SW, EFFECT MIX, EFFECT WIPE, EFFECT PinP, EFFECT KEY, VFX SW,

02H 06H 01H CTL A ASSIGN 00H–19H

02H 06H 02H CTL B ASSIGN 00H–19H

02H 06H 03H EXP ASSIGN 00H–0AH

INPUT 1 SW, INPUT 2 SW, ’AUTO TAKE&, ’CUT&, STILL IMAGE, INPUT 1 AUDIO MUTE, INPUT 2 AUDIO MUTE, AUDIO IN AUDIO MUTE, AUDIO OUTPUT MUTE, OUTPUT FADE LEFT, OUTPUT FADE RIGHT, LOAD MEMORY 1–8

N/A, EFFECT TYPE SW, EFFECT MIX, EFFECT WIPE, EFFECT PinP, EFFECT KEY, VFX SW, INPUT 1 SW, INPUT 2 SW, ’AUTO TAKE&, ’CUT&, STILL IMAGE, INPUT 1 AUDIO MUTE, INPUT 2 AUDIO MUTE, AUDIO IN AUDIO MUTE, AUDIO OUTPUT MUTE, OUTPUT FADE LEFT, OUTPUT FADE RIGHT, LOAD MEMORY 1–8

N/A, VIDEO FADER, ’CUT&, VFX MIX LEVEL, OUTPUT FADE LEFT, OUTPUT FADE RIGHT, STILL IMAGE, INPUT 1 AUDIO LEVEL, INPUT 2 AUDIO LEVEL, AUDIO IN AUDIO LEVEL, AUDIO OUTPUT LEVEL

Other Parameter Area

Preset Memory

Address Parameter Name Sys.Ex.Value Meaning of Value

0AH 00H 00H Memor y Load Trigger 00H–07H Memory 1–8 (Write Only)

0AH 00H 01H Memor y Save Trigger 00H–07H Memory 1–8 (Write Only)

0AH 00H 02H Memor y Initialize Trigger 00H–07H Memory 1–8 (Write Only)

0AH 00H 03H Loaded Memory Number 00H–07H, 7FH Memory 1–8, Last Memory (Read only)

Preset Memory Area

You can load or rewrite the stored contents of the preset memories.

* The 2nd byte and 3rd byte of a Preset Memory Area address, and the value range, are in common with the Video Parameter Area (00H 00H 00H) and the Audio Parameter

Area (01H 00H 00H).

Address Parameter Name

10H 00H 00H Video Parameter (Memory 1)

11H 00H 00H Audio Parameter (Memory 1)

14H 00H 00H Video Parameter (Memory 2)

15H 00H 00H Audio Parameter (Memory 2)

18H 00H 00H Video Parameter (Memory 3)

19H 00H 00H Audio Parameter (Memory 3)

1CH 00H 00H Video Parameter (Memory 4)

1DH 00H 00H Audio Parameter (Memory 4)

20H 00H 00H Video Parameter (Memory 5)

21H 00H 00H Audio Parameter (Memory 5)

24H 00H 00H Video Parameter (Memory 6)

25H 00H 00H Audio Parameter (Memory 6)

28H 00H 00H Video Parameter (Memory 7)

29H 00H 00H Audio Parameter (Memory 7)

2CH 00H 00H Video Parameter (Memory 8)

2DH 00H 00H Audio Parameter (Memory 8)

Page 53

3. Supplementary Material

Decimal and Hexadecimal Table

(Hexadecimal Numbers are Indicated by ‘H’) In MIDI documentation, data values and addresses/sizes of exclusive messages etc. are expressed as hexadecimal values for each 7 bits. The following table shows how these correspond to decimal numbers.

+——————+——————++——————+——————++——————+——————++——————+——————+ | D | H || D | H || D | H || D | H | +——————+——————++——————+——————++——————+——————++——————+——————+ | 0 | 00H || 32 | 20H || 64 | 40H || 96 | 60H | | 1 | 01H || 33 | 21H || 65 | 41H || 97 | 61H | | 2 | 02H || 34 | 22H || 66 | 42H || 98 | 62H | | 3 | 03H || 35 | 23H || 67 | 43H || 99 | 63H | | 4 | 04H || 36 | 24H || 68 | 44H || 100 | 64H | | 5 | 05H || 37 | 25H || 69 | 45H || 101 | 65H | | 6 | 06H || 38 | 26H || 70 | 46H || 102 | 66H | | 7 | 07H || 39 | 27H || 71 | 47H || 103 | 67H | | 8 | 08H || 40 | 28H || 72 | 48H || 104 | 68H | | 9 | 09H || 41 | 29H || 73 | 49H || 105 | 69H | | 10 | 0AH || 42 | 2AH || 74 | 4AH || 106 | 6AH | | 11 | 0BH || 43 | 2BH || 75 | 4BH || 107 | 6BH | | 12 | 0CH || 44 | 2CH || 76 | 4CH || 108 | 6CH | | 13 | 0DH || 45 | 2DH || 77 | 4DH || 109 | 6DH | | 14 | 0EH || 46 | 2EH || 78 | 4EH || 110 | 6EH | | 15 | 0FH || 47 | 2FH || 79 | 4FH || 111 | 6FH | | 16 | 10H || 48 | 30H || 80 | 50H || 112 | 70H | | 17 | 11H || 49 | 31H || 81 | 51H || 113 | 71H | | 18 | 12H || 50 | 32H || 82 | 52H || 114 | 72H | | 19 | 13H || 51 | 33H || 83 | 53H || 115 | 73H | | 20 | 14H || 52 | 34H || 84 | 54H || 116 | 74H | | 21 | 15H || 53 | 35H || 85 | 55H || 117 | 75H | | 22 | 16H || 54 | 36H || 86 | 56H || 118 | 76H | | 23 | 17H || 55 | 37H || 87 | 57H || 119 | 77H | | 24 | 18H || 56 | 38H || 88 | 58H || 120 | 78H | | 25 | 19H || 57 | 39H || 89 | 59H || 121 | 79H | | 26 | 1AH || 58 | 3AH || 90 | 5AH || 122 | 7AH | | 27 | 1BH || 59 | 3BH || 91 | 5BH || 123 | 7BH | | 28 | 1CH || 60 | 3CH || 92 | 5CH || 124 | 7CH | | 29 | 1DH || 61 | 3DH || 93 | 5DH || 125 | 7DH | | 30 | 1EH || 62 | 3EH || 94 | 5EH || 126 | 7EH | | 31 | 1FH || 63 | 3FH || 95 | 5FH || 127 | 7FH | +——————+——————++——————+——————++——————+——————++——————+——————+

D: decimal H: hexadecimal

* Decimal expressions used for MIDI channel, bank select, and program change are 1

greater than the decimal value shown in the above table.

* Hexadecimal values in 7-bit units can express a maximum of 128 levels in one byte

of data. If the data requires greater resolution, two or more bytes are used. For example, a value indicated by a hexadecimal expression in two 7-bit bytes aa bbH would be aa x 128 + bb.

* Data marked “nibbled” is expressed in hexadecimal in 4-bit units. A value expressed

as a 2-byte nibble 0a 0bH has the value of a x 16 + b.

<Example1> What is the decimal expression of 5AH? From the preceding table, 5AH = 90

<Example2> What is the decimal expression of the value 12 34H given as hexadecimal for each 7 bits? From the preceding table, since 12H = 18 and 34H = 52 18 x 128 + 52 = 2356

<Example3> What is the decimal expression of the nibbled value 0A 03 09 0D? From the preceding table, since 0AH = 10, 03H = 3, 09H = 9, 0DH = 13 ((10 x 16 + 3) x 16 + 9) x 16 + 13 = 41885

<Example4> What is the nibbled expression of the decimal value 1258?

16) 1258

16) 78... 10

16) 4... 14

0... 4

Since from the preceding table, 0 = 00H, 4 = 04H, 14 = 0EH, 10 = 0AH, the answer is 00 04 0E 0AH.

MIDI Implementation

MIDI Message Examples

<Example 1> 92H 3EH 5FH 9n is a note on status and n is the MIDI channel number. As 2H = 2, 3EH = 62 and 5FH = 95, this is a note on message of MIDI CH =3 , note number 62 (D4) and velocity 95.

<Example 2> CEH 49H CnH is program change status, and n is the MIDI channel number. As EH = 14 and 49H = 73, this is a program change message of MIDI CH = 15 and program number 74 (in the GS sound map, Flute).

Example of an Exclusive Message and Calculating a

Checksum

Roland Exclusive messages are transmitted with a checksum at the end (before F7) to make sure that the message was correctly received. The value of the checksum is determined by the address and data (or size) of the transmitted exclusive message.

How to Calculate the Checksum

(Hexadecimal Numbers are Indicated by ‘H’)

The checksum is a value that produces a lower 7 bits of zero when the address, size, and checksum itself are summed. If the exclusive message to be transmitted has an address of aa bb ccH and the data is dd ee H, the actual calculation would be as follows:

aa + bb + cc + dd + ee +  = sum sum / 128 = quotient ... remainder 128 - remainder = checksum (However, the checksum will be 0 if the remainder is 0.)

<Example> Setting Dissolve Time Ctrl Assign in MIDI Visual Control to Modulation for Control Changes

From the “Parameter Address Map,” the start address of the Dissolve Time Ctrl Assign in MIDI Visual Control is 10H 10H 02H and the Modulation parameter in Control Change is 00H 01H. Therefore ...

F0H 7EH 00H 0CH 01H 10H 10H 02H 00H 01H ??H F7H

(1) (2) (3) (4) (5) (6) (7) (8)

(1) Exclusive Status (2) ID Number (Universal SysEx Non Realtime) (3) Device ID (0) (4) Sub ID (MIDI Visual Control Version 1.0) (5) Address (6) Data (7) Checksum (8) EOX

Next calculate the checksum. Add (5) to (6). 10H + 10H + 02H + 00H + 01H = 16 + 16 + 2 + 0 + 1 = 35 (sum) 35 (sum) / 128 = 0 (quotient) ... 35 (remainder) Checksum = 128 - 35 (remainder) = 93 = 5DH

Thus, the message to transmit is : F0H 7EH 00H 0CH 01H 10H 10H 02H 00H 01H 5DH F7H

Page 54

Multi-Format Video Mixer

Model V-02HD

Function Transmitted Recognized Remarks

Basic Channel

Mode

Note Number

Velocity

After Touch

Pitch Bend × ×

Default Changed

Default Messages Altered

True Voice × ×

Note On Note O

Key’s Channel’s

MIDI Implementation Chart

0–9 10–31 32–51 52–60

61–119

1 1

× × **************

× ×

× × × × ×

1 1

× × **************

× ×

× O O × O

Controls various parameters

Date: Jan. 31, 2019

Version: 1.02

Control Change

Program Change

System Exclusive O O

System Common

System Real Time

Aux Messages

: True Number × ×

: Song Position : Song Select : Tune Request

: Clock : Commands

: All Sound O : Reset All Controllers : Local On/O : All Notes O : Active Sensing : System Reset

× × ×

× ×

× × × × × ×

× × ×

× ×

× × × × × ×

Notes

Mode 1 : OMNI ON, POLY Mode 2 : OMNI ON, MONO Mode 3 : OMNI OFF, POLY Mode 4 : OMNI OFF, MONO

O : Yes X : No

Page 55

Appendix

Troubleshooting

If you suspect a malfunction, please check the following points. If this does not resolve the problem, contact a nearby Roland Service Center.

Problem Items to check Action

Video-related problems

No picture is input.

Video input from a computer is distorted.

No video appears

Could you be inputting copy-protected (HDCP) video?

If video is being input from a computer, the image can sometimes be skewed, ickering, or otherwise distorted.

Has the [OUTPUT FADE] knob been turned clockwise or counterclockwise?

Does the output destination display support copy protection (HDCP)?

Does the output destination display support the output format that is specied on the V-02HD?

If you want to input copy-protected (HDCP) video, set the System menu “HDCP” setting to “ON.”

This is a phenomenon called “tearing,” and is not a malfunction.

With the factory settings, the program output video is faded if the [OUTPUT FADE] knob is turned counter-clockwise. If the knob is turned all the way clockwise, a still image is output.

To output video, set the [OUTPUT FADE] knob to the center.

If you are outputting copy-protected (HDCP) video, and a display that does not support HDCP is connected, the video might not be shown or might be incorrect. Connect a display that supports HDCP.

If the display does not support the V-02HD’s output format, the video might not be shown correctly. Change the output format in VIDEO OUTPUT menu0“SCALING”0“FORMAT.”

If the menu is no longer shown...

If the menu is no longer shown in the display, use the following procedure to restart the V-02HD. This returns the output format to “1080p” (default value).

1. Turn o the power.

2. While holding down the [1] button and the [2] button,

turn on the power.

“Snowy”-noise video is shown.

Color is wrong.

An edge of the video shown on a display is cut o.

Compositing a logo or video is not possible.

The video does not switch completely when you operate the video fader.

It might be that the HDMI signal is not being correctly transmitted or received.

Do the color space settings of the outputdestination device and the V-02HD match?

Are the display’s settings correct?

When using key compositing, is the key type (luminance key, chroma key) selected correctly?

Depending on how long the V-02HD has been used, or on how it has been transported, the video might no longer switch completely.

Reconnect the HDMI cable.

Change the color space in VIDEO OUTPUT menu0“PROGRAM OUT,” “PREVIEW OUT ”0 “COLOR SPACE.”

Depending on the device, the color space might be linked with the DVI/HDMI selection or the selection of format. If so, changing the color space of the output-destination device might solve the problem.

Depending on the display, it might overscan automatically. Change the settings of the device.

Use the KEY menu setting “KEY TYPE” to select either luminance key (black, white) or chroma key.

If chroma key is selected, use the KEY menu setting “COLOR” or “SAMPLING MARKER” to specify the color that is removed.

Use the [CONTROL 1] [CONTROL 2] knobs to adjust the right amount of cutout for the logo or video.

Select the SYSTEM menu item “VIDEO FADER CALIBRATE,” and follow the on-screen directions to calibrate (adjust) the video fader.

Audio-related Problems

Adjust each input to the appropriate volume. Also raise the output volume.

Is the volume turned down on the V-02HD?

No audio is output. Audio volume is low.

Could the audio be muted?

5 Use AUDIO INPUT menu0“INPUT 1,” “INPUT 2,” “AUDIO IN”

5 Use AUDIO OUTPUT menu0“OUTPUT LEVEL” to adjust the

output volume.

Defeat mute (silence) for the input/output audio.

5 In AUDIO INPUT menu0“INPUT 1,” “INPUT 2,” “AUDIO IN”

5 In AUDIO OUTPUT menu0set “OUTPUT MUTE” to “OFF.”

Dimensions

Appendix

Unit: mm

47 4

103

156

Page 60

5 Roland is an either registered trademark or trademark of Roland Corporation in the United States and/or other countries. 5 Company names and product names appearing in this document are registered trademarks or trademarks of their respective owners.

Roland V-02HD-PAC1, V-02HD-PAC2, V-02HD Users Manual

Specifications and Main Features

Frequently Asked Questions

User Manual

Contents

Operating Guide (Panel Description)

Front Panel

Rear Panel

Connecting a Footswitch

Basic Operations

Operating the Menu

Video Input/Output Settings

List of Compatible Video Formats

Setting the Output Format

Specifying the Input Format (EDID)

Adjusting Output Video

Adjusting the Input Video

Outputting the Program Video from the PREVIEW OUT Connector

Inputting Copy-Protected (HDCP) Video

Video Operations

Using Mix/Wipe to Switch Video (MIX/WIPE)

Using Picture-In-Picture to Composite Video (PinP)

Using a Key to Composite Video (KEY)

Compositing a Logo or Image (Luminance Key)

Compositing a Subject and Background (Chroma Key)

Applying a Fade to the Program Output Video (Output Fade)

Using a Captured Still Image

Audio Operations

Adjusting the Volume Level

Interlinking Audio Output to Video Switching (Audio Follow)

Other Features

Saving/Recalling Settings (Preset Memory)

Using a Footswitch

Using an Expression Pedal

Preventing Unintended Operation (Panel Lock)

Returning to the Factory Settings (Factory Reset)

Menu List

1: VIDEO INPUT

2: VIDEO OUTPUT

3: TRANSITION TIME

4: MIX/WIPE

5: PinP

6: KEY

7: VFX

8: AUDIO INPUT

9: AUDIO OUTPUT

10: AUDIO FOLLOW

11: PRESET MEMORY

12: CTL/EXP

13: CAPTURE IMAGE

14: SYSTEM

MIDI Implementation

Appendix

Troubleshooting

Dimensions