Roland TD20 X Owner’s Manual

Cover1,4

WARNING: To reduce the risk of fire or electric shock, do not expose this apparatus to rain or moisture.

CAUTION

RISK OF ELECTRIC SHOCK

DO NOT OPEN

ATTENTION: RISQUE DE CHOC ELECTRIQUE NE PAS OUVRIR

CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK,

DO NOT REMOVE COVER (OR BACK).

NO USER-SERVICEABLE PARTS INSIDE.

REFER SERVICING TO QUALIFIED SERVICE PERSONNEL.

The lightning flash with arrowhead symbol, within an equilateral triangle, is intended to alert the user to the presence of uninsulated “dangerous voltage” within the product’s enclosure that may be of sufficient magnitude to constitute a risk of electric shock to persons.

The exclamation point within an equilateral triangle is intended to alert the user to the presence of important operating and maintenance (servicing) instructions in the literature accompanying the product.

INSTRUCTIONS PERTAINING TO A RISK OF FIRE, ELECTRIC SHOCK, OR INJURY TO PERSONS.

IMPORTANT SAFETY INSTRUCTIONS

SAVE THESE INSTRUCTIONS

WARNING - When using electric products, basic precautions should always be followed, including the following:

1. Read these instructions.

2. Keep these instructions.

3. Heed all warnings.

4. Follow all instructions.

5. Do not use this apparatus near water.

6. Clean only with a dry cloth.

7. Do not block any of the ventilation openings. Install in accordance with the manufacturers instructions.

8. Do not install near any heat sources such as radiators, heat registers, stoves, or other apparatus (including amplifiers) that produce heat.

9. Do not defeat the safety purpose of the polarized or grounding-type plug. A polarized plug has two blades with one wider than the other. A grounding type plug has two blades and a third grounding prong. The wide blade or the third prong are provided for your safety. If the provided plug does not fit into your outlet, consult an electrician for replacement of the obsolete outlet.

10. Protect the power cord from being walked on or pinched particularly at plugs, convenience receptacles, and the point where they exit from the apparatus.

11. Only use attachments/accessories specified by the manufacturer.

12. Unplug this apparatus during lightning storms or when unused for long periods of time.

13. Refer all servicing to qualified service personnel. Servicing is required when the apparatus has been damaged in any way, such as power-supply cord or plug is damaged, liquid has been spilled or objects have fallen into the apparatus, the apparatus has been exposed to rain or moisture, does not operate normally, or has been dropped.

For the U.K.

WARNING: IMPORTANT:

As the colours of the wires in the mains lead of this apparatus may not correspond with the coloured markings identifying

the terminals in your plug, proceed as follows:

The wire which is coloured GREEN-AND-YELLOW must be connected to the terminal in the plug which is marked by the

letter E or by the safety earth symbol or coloured GREEN or GREEN-AND-YELLOW.

The wire which is coloured BLUE must be connected to the terminal which is marked with the letter N or coloured BLACK. The wire which is coloured BROWN must be connected to the terminal which is marked with the letter L or coloured RED.

THIS APPARATUS MUST BE EARTHED THE WIRES IN THIS MAINS LEAD ARE COLOURED IN ACCORDANCE WITH THE FOLLOWING CODE. GREEN-AND-YELLOW: EARTH, BLUE: NEUTRAL, BROWN: LIVE

USING THE UNIT SAFELY

About WARNING and CAUTION Notices

Used for instructions intended to alert the user to the risk of death or severe injury should the unit be used improperly.

Used for instructions intended to alert the user to the risk of injury or material damage should the unit be used improperly.

* Material damage refers to damage or

other adverse effects caused with respect to the home and all its furnishings, as well to domestic animals or pets.

ALWAYS OBSERVE THE FOLLOWING

001-50

• Connect mains plug of this model to a mains socket outlet with a protective earthing connection.

......................................................................................................................

002a

• Do not open or perform any internal modifications on the unit.

......................................................................................................................

003

• Do not attempt to repair the unit, or replace parts within it (except when this manual provides specific instructions directing you to do so). Refer all servicing to your retailer, the nearest Roland Service Center, or an authorized Roland distributor, as listed on the “Information” page.

......................................................................................................................

004

• Never install the unit in any of the following locations.

• Subject to temperature extremes (e.g., direct

sunlight in an enclosed vehicle, near a heating duct, on top of heat-generating equipment); or are

• Damp (e.g., baths, washrooms, on wet floors); or are

• Exposed to steam or smoke; or are

• Subject to salt exposure; or are

• Humid; or are

• Exposed to rain; or are

• Dusty or sandy; or are

• Subject to high levels of vibration and shakiness.

......................................................................................................................

007

Make sure you always have the unit placed so it is level

• and sure to remain stable. Never place it on stands that could wobble, or on inclined surfaces.

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About the Symbols

The symbol alerts the user to important instructions or warnings.The specific meaning of the symbol is determined by the design contained within the triangle. In the case of the symbol at left, it is used for general cautions, warnings, or alerts to danger.

The symbol alerts the user to items that must never be carried out (are forbidden). The specific thing that must not be done is indicated by the design contained within the circle. In the case of the symbol at left, it means that the unit must never be disassembled.

The symbol alerts the user to things that must be carried out. The specific thing that must be done is indicated by the design contained within the circle. In the case of the symbol at left, it means that the power-cord plug must be unplugged from the outlet.

008a

• The unit should be connected to a power supply only of the type described as marked on the bottom of unit.

......................................................................................................................

008e

• Use only the attached power-supply cord. Also, the supplied power cord must not be used with any other device.

......................................................................................................................

009

• Do not excessively twist or bend the power cord, nor place heavy objects on it. Doing so can damage the cord, producing severed elements and short circuits. Damaged cords are fire and shock hazards!

......................................................................................................................

010

• This unit, either alone or in combination with an amplifier and headphones or speakers, may be capable of producing sound levels that could cause permanent hearing loss. Do not operate for a long period of time at a high volume level, or at a level that is uncomfortable. If you experience any hearing loss or ringing in the ears, you should immediately stop using the unit, and consult an audiologist.

......................................................................................................................

011

Do not allow any objects (e.g., flammable material,

• coins, pins); or liquids of any kind (water, soft drinks, etc.) to penetrate the unit.

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USING THE UNIT SAFELY

012a

•

Immediately turn the power off, remove the power cord from the outlet, and request servicing by your retailer, the nearest Roland Service Center, or an authorized Roland distributor, as listed on the “Information” page when:

• The power-supply cord or the plug has been damaged; or

• If smoke or unusual odor occurs

• Objects have fallen into, or liquid has been spilled onto the unit; or

• The unit has been exposed to rain (or otherwise has become wet); or

• The unit does not appear to operate normally or exhibits a marked change in performance.

......................................................................................................................

013

•

In households with small children, an adult should provide supervision until the child is capable of following all the rules essential for the safe operation of the unit.

......................................................................................................................

014

•

Protect the unit from strong impact. (Do not drop it!)

......................................................................................................................

015

•

Do not force the unit’s power-supply cord to share an outlet with an unreasonable number of other devices. Be especially careful when using extension cords—the total power used by all devices you have connected to the extension cord’s outlet must never exceed the power rating (watts/amperes) for the extension cord. Excessive loads can cause the insulation on the cord to heat up and eventually melt through.

......................................................................................................................

016

•

Before using the unit in a foreign country, consult with your retailer, the nearest Roland Service Center, or an authorized Roland distributor, as listed on the “Information” page.

......................................................................................................................

026

•

Do not put anything that contains water (e.g., flower vases) on this unit. Also, avoid the use of insecticides, perfumes, alcohol, nail polish, spray cans, etc., near the unit. Swiftly wipe away any liquid that spills on the unit using a dry, soft cloth.

......................................................................................................................

027

•

Never expose Lithium Battery to excessive heat such as sunshine, fire or the like.

......................................................................................................................

101a

The unit should be located so that its location or

• position does not interfere with its proper ventilation.

......................................................................................................................

102b

Always grasp only the plug on the power-supply cord

• when plugging into, or unplugging from, an outlet or this unit.

......................................................................................................................

103a

At regular intervals, you should unplug the power plug

• and clean it by using a dry cloth to wipe all dust and other accumulations away from its prongs. Also, disconnect the power plug from the power outlet whenever the unit is to remain unused for an extended period of time. Any accumulation of dust between the power plug and the power outlet can result in poor insulation and lead to fire.

......................................................................................................................

104

Try to prevent cords and cables from becoming

• entangled. Also, all cords and cables should be placed so they are out of the reach of children.

......................................................................................................................

106

Never climb on top of, nor place heavy objects on the

• unit.

......................................................................................................................

107b

Never handle the power cord or its plugs with wet

• hands when plugging into, or unplugging from, an outlet or this unit.

......................................................................................................................

108a

•

Before moving the unit, disconnect the power plug from the outlet, and pull out all cords from external devices.

......................................................................................................................

109a

Before cleaning the unit, turn off the power and

• unplug the power cord from the outlet (p. 24).

......................................................................................................................

110a

Whenever you suspect the possibility of lightning in

• your area, pull the plug on the power cord out of the outlet.

......................................................................................................................

118a

Should you remove the screws from the bottom panel

• of the unit, keep them in a safe place out of children’s reach, so there is no chance of them being swallowed accidentally.

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IMPORTANT NOTES

Power Supply

301

• Do not connect this unit to same electrical outlet that is being used by an electrical appliance that is controlled by an inverter (such as a refrigerator, washing machine, microwave oven, or air conditioner), or that contains a motor. Depending on the way in which the electrical appliance is used, power supply noise may cause this unit to malfunction or may produce audible noise. If it is not practical to use a separate electrical outlet, connect a power supply noise filter between this unit and the electrical outlet.

307

• Before connecting this unit to other devices, turn off the power to all units. This will help prevent malfunctions and/or damage to speakers or other devices.

308

• Although the LCD and LEDs are switched off when the POWER switch is switched off, this does not mean that the unit has been completely disconnected from the source of power. If you need to turn off the power completely, first turn off the POWER switch, then unplug the power cord from the power outlet. For this reason, the outlet into which you choose to connect the power cord’s plug should be one that is within easy reach and readily accessible.

Placement

351

• Using the unit near power amplifiers (or other equipment containing large power transformers) may induce hum. To alleviate the problem, change the orientation of this unit; or move it farther away from the source of interference.

352a

• This device may interfere with radio and television reception. Do not use this device in the vicinity of such receivers.

352b

• Noise may be produced if wireless communications devices, such as cell phones, are operated in the vicinity of this unit. Such noise could occur when receiving or initiating a call, or while conversing. Should you experience such problems, you should relocate such wireless devices so they are at a greater distance from this unit, or switch them off.

354a

• Do not expose the unit to direct sunlight, place it near devices that radiate heat, leave it inside an enclosed vehicle, or otherwise subject it to temperature extremes. Excessive heat can deform or discolor the unit.

355b

• When moved from one location to another where the temperature and/or humidity is very different, water droplets (condensation) may form inside the unit. Damage or malfunction may result if you attempt to use the unit in this condition. Therefore, before using the unit, you must allow it to stand for several hours, until the condensation has completely evaporated.

360

• Depending on the material and temperature of the surface on which you place the unit, its rubber feet may discolor or mar the surface. You can place a piece of felt or cloth under the rubber feet to prevent this from happening. If you do so, please make sure that the unit will not slip or move accidentally.

Maintenance

401a

• For everyday cleaning wipe the unit with a soft, dry cloth or one that has been slightly dampened with water. To remove stubborn dirt, use a cloth impregnated with a mild, nonabrasive detergent. Afterwards, be sure to wipe the unit thoroughly with a soft, dry cloth.

402

• Never use benzine, thinners, alcohol or solvents of any kind, to avoid the possibility of discoloration and/or deformation.

Repairs and Data

452

• Please be aware that all data contained in the unit’s memory may be lost when the unit is sent for repairs. Important data should always be backed up on a DATA card, in another MIDI device (e.g., a sequencer), or written down on paper (when possible). During repairs, due care is taken to avoid the loss of data. However, in certain cases (such as when circuitry related to memory itself is out of order), we regret that it may not be possible to restore the data, and Roland assumes no liability concerning such loss of data.

Memory Backup

501b

• This unit contains a battery which powers the unit’s memory circuits while the main power is off. When this battery becomes weak, the message shown below will appear in the display. Once you see this message, have the battery replaced with a fresh one as soon as possible to avoid the loss of all data in memory. To have the battery replaced, consult with your retailer, the nearest Roland Service Center, or an authorized Roland distributor, as listed on the “Information” page.

• “Backup Battery Low!”

Additional Precautions

551

• Please be aware that the contents of memory can be irretrievably lost as a result of a malfunction, or the improper operation of the unit. To protect yourself against the risk of loosing important data, we recommend that you periodically save a backup copy of important data you have stored in the unit’s memory on a DATA card, or in another MIDI device (e.g., a sequencer).

552

• Unfortunately, it may be impossible to restore the contents of data that was stored in the unit’s memory, on a DATA card, or in another MIDI device (e.g., a sequencer) once it has been lost. Roland Corporation assumes no liability concerning such loss of data.

553

• Use a reasonable amount of care when using the unit’s buttons, sliders, or other controls; and when using its jacks and connectors. Rough handling can lead to malfunctions.

554

• Never strike or apply strong pressure to the display.

IMPORTANT NOTES

556

• When connecting / disconnecting all cables, grasp the connector itself—never pull on the cable. This way you will avoid causing shorts, or damage to the cable’s internal elements.

557

• A small amount of heat will radiate from the unit during normal operation.

558a

• To avoid disturbing your neighbors, try to keep the unit’s volume at reasonable levels. You may prefer to use headphones, so you do not need to be concerned about those around you (especially when it is late at night).

558d

• This instrument is designed to minimize the extraneous sounds produced when it’s played. However, since sound vibrations can be transmitted through floors and walls to a greater degree than expected, take care not to allow these sounds to become a nuisance to neighbors, especially when performing at night and when using headphones.

559a

• When you need to transport the unit, package it in the box (including padding) that it came in, if possible. Otherwise, you will need to use equivalent packaging materials.

562

• Some connection cables contain resistors. Do not use cables that incorporate resistors for connecting to this unit. The use of such cables can cause the sound level to be extremely low, or impossible to hear. For information on cable specifications, contact the manufacturer of the cable.

Before Using Cards

Using DATA Cards

704

• Carefully insert the DATA card all the way in—until it is firmly in place.

CompactFlash™

707

• This unit’s CompactFlash card slot accepts CompactFlash CompactFlash cards. Microdrive storage media are not compatible.

708

• CompactFlash cards are constructed using precision components; handle the cards carefully, paying particular note to the following.

• To prevent damage to the cards from static electricity, be

sure to discharge any static electricity from your own body before handling the cards.

• Do not touch or allow metal to come into contact with the

contact portion of the cards.

• Do not bend, drop, or subject cards to strong shock or

vibration.

• Do not keep cards in direct sunlight, in closed vehicles, or

other such locations (storage temperature: -25 to 85C).

• Do not allow cards to become wet.

• Do not disassemble or modify the cards.

930

• Never insert or remove a CompactFlash card while this unit’s power is on. Doing so may corrupt the unit’s data or the data on the CompactFlash card.

985

• The explanations in this manual include illustrations that depict what should typically be shown by the display. Note, however, that your unit may incorporate a newer, enhanced version of the system (e.g., includes newer sounds), so what you actually see in the display may not always match what appears in the manual.

234

• CompactFlash and

are trademarks of SanDisk

Corporation and licensed by CompactFlash association.

235

• Roland Corporation is an authorized licensee of the

CompactFlashTM and CF logo ( ) trademarks.

236

reserved.

705

• Never touch the terminals of the DATA card. Also, avoid getting the terminals dirty.

Before using this unit, carefully read the sections entitled: “IMPORTANT SAFETY INSTRUCTIONS” (p. 3), “USING THE UNIT SAFELY” (p. 4), and “IMPORTANT NOTES” (p. 6). These sections provide important information concerning the proper operation of the unit. Additionally, in order to feel assured that you have gained a good grasp of every feature provided by your new unit, Owner’s manual should be read in its entirety. The manual should be saved and kept on hand as a convenient reference.

USING THE UNIT SAFELY................................................................................... 4

IMPORTANT NOTES...........................................................................................6

Features ...........................................................................................................13

Panel Descriptions ..........................................................................................16

Top Panel ............................................................................................................................................................................16

Rear Panel ........................................................................................................................................................................... 18

Front Panel .........................................................................................................................................................................19

Getting Ready..................................................................................................20

Mounting the TD-20X on the Stand.......................................................................................................................... 20

Connecting the Pads ......................................................................................................................................................21

Connecting Headphones, Audio Equipment ........................................................................................................23

Turning On/Off the Power............................................................................................................................................ 24

Adjusting the Volume ....................................................................................................................................................25

Making Hi-hat (VH-12) Settings ..................................................................................................................................25

Adjusting Mesh Head Tension (PD-125XS/125X/105X)..................................................................................... 25

Adjusting the Display Contrast................................................................................................................................... 26

Listening to the Demo Songs...................................................................................................................................... 26

Overview..........................................................................................................28

Basic Operation................................................................................................................................................................. 28

Changing a Value.............................................................................................................................................. 28

Choosing a Pad to Edit.................................................................................................................................... 29

Using The Group Faders (GROUP FADERS/[FADER]) ...........................................................................30

Turning the Click On/Off................................................................................................................................ 30

Changing the Tempo ([TEMPO]) ................................................................................................................. 30

About Memory.................................................................................................................................................................. 31

Playing Methods............................................................................................................................................................... 32

Pad (PD-125XS/125X/105X).......................................................................................................................... 32

Hi-Hat (VH-12) .................................................................................................................................................... 33

Cymbal (CY-15R/14C)...................................................................................................................................... 33

Positional Sensing ............................................................................................................................................34

Basic Structure ..................................................................................................................................................................34

Main Functions (Terminology)..................................................................................................................... 35

Convenient Functions.................................................................................................................................................... 37

Chapter 1. Drum Kit Settings [KIT].................................................................39

Choosing a Drum Kit....................................................................................................................................................... 39

About the “DRUM KIT” Screen ..................................................................................................................... 39

Selecting a Drum Kit from the List [F1 (LIST)] ........................................................................................................39

Making Settings for Each Drum Kit [F2 (FUNC)].................................................................................................... 40

Adjusting the Volume [F1 (VOLUME)]....................................................................................................... 40

Assigning a Tempo for Each Kit [F2 (TEMPO)]........................................................................................ 40

Playing Brushes [F3 (BRUSH)] ....................................................................................................................... 40

Turning the Pad Pattern Function On/Off [F4 (PAD PTN)]................................................................. 40

Viewing the Output Level (OUPUT MONITOR) [F5 (MONITOR)] ......................................................41

Naming a Drum Kit [F3 (NAME)] ................................................................................................................................. 41

Playing Cross Stick [F5 (XSTICK)] ................................................................................................................................41

Copying a Drum Kit......................................................................................................................................................... 42

Copying Fifty Drum Kits at a Time.............................................................................................................. 42

Specifying the Order in Which Drum Kits will be Recalled [CHAIN] ..............................................................43

Creating a Drum Kit Chain............................................................................................................................. 43

Naming a Drum Kit Chain [F5 (NAME)] .....................................................................................................44

Copying a Drum Kit Chain ............................................................................................................................. 44

Using a Drum Kit Chain................................................................................................................................... 45

Chapter 2. Instrument Settings [INST]...........................................................46

Choosing a Pad to Edit................................................................................................................................................... 46

Lock the Pad You are Editing (EDIT LOCK)............................................................................................... 46

Assign an Instrument to a Pad ....................................................................................................................................46

Selecting an Instrument from the List [F1 (LIST)] .................................................................................................47

Editing Drum Sounds [F2 (EDIT)]................................................................................................................................ 48

Editing Acoustic Drum Sounds (V-EDIT)................................................................................................... 48

Editing Other Instruments............................................................................................................................. 48

Editing Procedure............................................................................................................................................. 48

Using Pads/Pedal as Controllers [F3 (CONTROL)]................................................................................................. 52

Playing a Pattern by Hitting a Pad (Pad Pattern) [F1 (PATTERN)].................................................... 52

Using the Hi-Hat Pedal to Change an Instrument’s Pitch [F2 (PDLBEND)] ..................................52

Enabling/Disabling Tonal Change Controlled by Strike Position or Rim Shot Nuance

[F3 (POSI)] ............................................................................................................................................................53

Making MIDI Settings for Each Pad [F5 (MIDI)] ......................................................................................53

Copying an Instrument.................................................................................................................................................. 54

Copying a Set of Multiple Instruments ..................................................................................................... 55

Contents

Chapter 3. Mixer Settings ...............................................................................56

Setting the Volume and Pan of Each Pad [MIXER] ............................................................................................... 56

Editing with the Group Faders (MIX EDIT)............................................................................................... 56

Copying Mixer Settings.................................................................................................................................................. 57

Chapter 4. Effect Settings............................................................................... 58

Turning Effects On/Off [EFFECTS SWITCH] .............................................................................................................58

Adjusting Volume Change and Tone [COMP/EQ]................................................................................................ 59

Adjusting the Volume Change (Compressor) [F2 (COMP)] ...............................................................59

Adjusting the Tone (Equalizer) [F3 (EQ)] ..................................................................................................60

Turning the Compressor/Equalizer On/Off for Each Pad ...................................................................60

Type of Acoustics for the Room (Ambience) [AMBIENCE] ................................................................................60

Auditioning the Ambience Effect [F5 (AMB MON)].............................................................................. 61

Applying Effects to the Sound (Multi-Effects) [MULTI EFFECTS]..................................................................... 62

Auditioning the Multi-Effects [F5 (AMB MON)]...................................................................................... 62

Multi-Effects Parameters................................................................................................................................ 63

Adjusting the Overall Sound [MASTER COMP/EQ] ..............................................................................................65

Using the Master Comp/EQ ..........................................................................................................................65

Turning the Master Comp/EQ Switch On/Off......................................................................................... 65

Editing the Master Comp/EQ Settings...................................................................................................... 66

Gain Reduction Meter and Output Meter................................................................................................ 66

Restoring the Settings to Their Default Values...................................................................................... 66

Copying Effect Settings .................................................................................................................................................68

Contents

Chapter 5. Playing Patterns—Sequencer......................................................69

Basic Operation................................................................................................................................................................. 69

Choosing a Pattern [PATTERN].................................................................................................................................... 70

About the “PATTERN” screen ....................................................................................................................... 70

Selecting a Pattern from the List [F1 (LIST)] ...........................................................................................................70

Playing Back a Pattern [PLAY]...................................................................................................................................... 71

Making Settings for Each Part [F2 (PART)]............................................................................................................... 71

Muting a Specific Part [F1 (MUTE)] ............................................................................................................. 71

Specifying the Instruments for the Backing Parts [F2 (BACKING)].................................................. 72

Tuning Settings for the Backing Parts (Master Tuning) ...................................................................... 72

Percussion Part Settings [F3 (PERC)].......................................................................................................... 73

Percussion Set Settings ..................................................................................................................................73

Setting the Volume and Pan of Each Part [F4 (MIXER)]....................................................................... 76

Applying Reverb/Chorus to the Backing Parts [F5 (REV/CHO)]........................................................ 77

Making Settings for a User Pattern [F3 (FUNC)].................................................................................................... 77

Specifying the Number of Measures, Time Signature, and Tempo [F1 (SETUP)] ......................77

Specifying the Playback Type [F2 (TYPE)] ................................................................................................ 78

Naming a Pattern [F5 (NAME)]..................................................................................................................... 79

Specifying the Tempo [TEMPO].................................................................................................................................. 79

Setting the Tempo by Hitting a Pad (Tap Tempo) [F3 (TAP)]............................................................ 80

Synchronizing with an External MIDI Device [F2 (SYNC)] ..................................................................80

Starting and Stopping the Metronome (Click) On/Off [F5] ............................................................... 81

Viewing the Tempo as a Blinking Button [F4] ........................................................................................81

Making Click Settings [F1 (CLICK)].............................................................................................................. 81

Chapter 6. Recording and Editing Patterns—Sequencer ............................83

Recording a Pattern [REC].............................................................................................................................................83

How to Record ...................................................................................................................................................83

Checking the Tones and Phrases During Recording (Rehearsal) ....................................................85

Editing a Pattern [F4 (EDIT)] .........................................................................................................................................85

Copying a Pattern [F1 (COPY)] ..................................................................................................................... 86

Connecting Two Patterns [F2 (APPEND)]................................................................................................. 87

Erasing a Pattern [F3 (ERASE)]...................................................................................................................... 87

Deleting a Pattern [F4 (DELETE)] ................................................................................................................. 88

Saving a Pattern [F5 (CARD)]........................................................................................................................................ 89

Saving a Pattern to a CompactFlash Card [F1 (SAVE)]......................................................................... 89

Loading a Pattern from a CompactFlash Card [F2 (LOAD)]............................................................... 90

Deleting a Pattern from a CompactFlash Card [F3 (DELETE)]........................................................... 90

Chapter 7. Using CompactFlash Cards [CARD] .............................................91

Using CompactFlash Cards [CARD] ...........................................................................................................................91

Saving Data to a CompactFlash Card [F1 (SAVE)]................................................................................................. 92

Naming a Backup [F4 (NAME)]..................................................................................................................... 92

Loading Data from a CompactFlash Card [F2 (LOAD)]....................................................................................... 93

Loading TD-20 Backup Data [F3 (IMPORT)]............................................................................................................ 93

Deleting Data from a CompactFlash Card [F4 (DELETE)]................................................................................... 94

Formatting a CompactFlash Card [F1 (FORMAT)]................................................................................................ 94

Checking the State of a CompactFlash Card [F2 (INFO)] ...................................................................................95

Chapter 8. Trigger Settings for Each Pad [TRIGGER].................................... 96

Selecting the Pad Type [F1 (BANK)]........................................................................................................................... 96

Trigger Inputs and Playing Methods Corresponding Chart.............................................................. 97

Pad Sensitivity Settings [F2 (BASIC)] .........................................................................................................................97

Adjusting the Pad Sensitivity (Sensitivity)............................................................................................... 98

Adjusting the Pad’s Minimum Sensitivity (Threshold)........................................................................ 98

Specifying How Volume Responds to Velocity (Velocity Curve) ..................................................... 98

Hi-Hat Settings [F3 (HI-HAT)] .......................................................................................................................................99

Settings for the VH-12..................................................................................................................................... 99

Settings for the VH-11...................................................................................................................................100

Settings for the FD-8......................................................................................................................................100

Eliminate Crosstalk Between Pads [F4 (XTALK)] .................................................................................................101

Advanced Trigger Parameters [F5 (ADVANCE)]..................................................................................................102

Detailed Settings for Trigger Signal Detection [F1 (SCAN)] ............................................................102

Detailed Settings for Rim Shots [F2 (RIM)].............................................................................................104

Settings for Separate Triggering of Ride Strikes [F3 (3-WAY)]........................................................105

Strike Position Detection On/Off [F4 (POSI)].........................................................................................105

Naming a Trigger Bank [F5 (Name)]........................................................................................................................106

Copying a Trigger Bank ...............................................................................................................................................106

Chapter 9. Settings for the Entire TD-20X [SETUP].....................................108

Output Assignments [F2 (OUTPUT)] .......................................................................................................................108

Example Settings ............................................................................................................................................109

Assigning a Function to a Footswitch or Pad [F3 (CONTROL)]......................................................................110

Assigning a Function to a Footswitch [F1 (FOOT SW)]......................................................................110

Using Pads as Switches [F2 (PAD SW)] ....................................................................................................111

Other Settings [F4 (OPTION)].....................................................................................................................................112

Specifying the Preview Velocity [F1 (PREVIEW)]..................................................................................112

Making the Master Comp/EQ Settings Identical for All Kits [F2 (COMP/EQ)] ...........................112

Using the MIX IN Jacks as Two Monaural Inputs [F3 (MIX IN)] .......................................................113

Adjusting the Display Contrast [F5 (LCD)].............................................................................................113

Restoring the Factory Settings [F5 (F RESET)]......................................................................................................114

Contents

Chapter 10. MIDI Settings.............................................................................115

About MIDI .......................................................................................................................................................................115

About MIDI Connectors................................................................................................................................115

MIDI Channel Settings [F1 (MIDI CH)].....................................................................................................................115

MIDI Channel Settings for the Entire TD-20X [F2 (GLOBAL)]..........................................................................116

Playing an External MIDI Sound Module from Another MIDI Controller (Soft Through) .....116

Recording the Pad Performance on an External Sequencer (Local Control) ............................117

Setting the Device ID.....................................................................................................................................117

MIDI Settings for V-LINK...............................................................................................................................118

MIDI Message Settings for Detailed Performance Expression [F3 (CTRL)]................................................118

Specifying the Drum Kits Recalled by Program Changes [F4 (PROG)]........................................................119

Saving Data to an External MIDI Device (Bulk Dump) [F5 (BULK)] ...............................................................119

Contents

Chapter 11. Other Functions [TOOLS] .........................................................121

Playing a Kit from the CompactFlash without Loading It (Kit Selection) [F1 (KIT SEL)]........................121

Copying the Drum Kit Chosen in Kit Selection ....................................................................................122

Viewing the Output Level (OUPUT MONITOR) [F2 (OUT MON)]...................................................................122

Viewing Trigger Information for Each Pad [F3 (TRG MON)]............................................................................123

Using the TD-20X to Control Images [F5 (V-LINK)] ............................................................................................123

What is V-LINK?................................................................................................................................................123

Using V-LINK.....................................................................................................................................................123

Viewing the Remaining Memory and the Program Version [F1 (INFO)] ....................................................125

Messages and Error Messages .....................................................................126

Preset Drum Kit List ......................................................................................128

Drum Instrument List....................................................................................131

Note Number (Factory Settings) ..................................................................137

Backing Instrument List................................................................................138

Preset Pattern List.........................................................................................140

MIDI Implementation Chart .........................................................................142

Block Diagram ...............................................................................................144

Specifications ................................................................................................146

Index...............................................................................................................147

Features

About the TD-20X

The TD-20X is the most advanced drum & percussion sound module in the world. (It is the same as a TD-20 with the TDW20 Expansion Board installed.)

Superior Expression

Roland’s COSM based Variable Drum Modeling technology produces the full dynamic range of the sounds being played, from the most gentle ghost notes to powerful rim shots. Positional sensing, cymbal chokes, cross-sticking on the snare and delicate buzz rolls are all possible. And of course you can play with brushes too (plastic only).

Dynamic Interval Control Function

This simulates the physical behavior of drums. Sounds will respond naturally, depending on variations in playing dynamics, speed and position.

• Snare Roll/Playing Position

If you tap the head or play a roll and then move your sticks towards the edge of the head, you will notice the difference in sound.

• Smooth Response for Cymbal Edge Rolls

If you want to play a dynamic cymbal roll that gradually crescendos, the sound will remain smooth and constant.

• Positional Sensing on the Ride Cymbal

As with an acoustic cymbal, depending on where you play the sound will be different. Tap the cymbal near the center of the bow and gradually move towards the edge and you will notice less attack and the increased presence of the rich midlow frequencies.

Natural Hi-Hat Response

Closed hi-hat dynamics, edge shot accents, and even loose half-open sounds are all reproduced faithfully, with the sound changing in a completely smooth way from closed to fully open. By detecting pedal position and speed of the pedal movement, very fast open-close-open movements are perfectly detected. Foot splash techniques can also be used with a very natural feel. When using the V-Hi-Hat VH-12, even the pressure of the two cymbals closing tighter will provide slight changes in the nuance of the sound, just like with an acoustic hi-hat (p. 33).

A Rich and Wide Variety of Sounds

100 Different Drum Kits

The wide range of drum kits cover numerous musical styles, including raw-sounding acoustic drums, historical vintage drums finely tuned sounds, ambient sounds, percussion from around the world and processed, electronic sounds indispensable for today’s club music. Some of the kits include pre-set Tap-Sequences that allow you to play pitched melodies and/or chords (p. 52).

The 100 preset kits are the same as those of a TD-20 with the TD-20 Expansion board installed.

920 Different Sounds (Instruments)

Even before you start customizing the sounds for your particular playing style or sonic needs, there is an amazing variety of sounds to work with.

• Acoustic Drum Sounds with Rich Presence

Solid-sounding kick, snare, and tom sounds that won’t get buried in the mix of your song.

Cymbal sounds with rich resonance, presence and natural sustain.

There are also stacked cymbals, splashes, and 10-inch snare drums for use as a sub-snare, etc.

• Processed & Electronic Sounds

These include classic TR-808 and TR-909 sounds for hip-hop and club music, and electronic sounds that will change pitch depending on your playing dynamics (Dynamic Pitch Bend function, p. 51)

• Special Effect Sounds

These include reverse cymbals, scratch sounds, claps and many special effects.

• Percussion Sounds

These include a selection of world percussion like large gongs, cajon, Latin & African percussion and traditional Japanese drums.

• Sounds for Use with Drum Triggers (RT-10 series)

Acoustic or processed sounds can be easily used to enhance an acoustic drum set equipped with triggers.

The 920 instruments are the same as those of a TD-20 with the TD-20 Expansion board installed.

Features

Friendly User Interface

Access to all the editing parameters and operations is very simple and easy to understand. All functions are clearly illustrated in the display, with easy-to-understand icons to help with the editing process (V-Edit, etc.). TD-20X gives you superior control and allows you to easily customize the sounds to your specific needs.

Sound Design Power!

Like with acoustic drums, you can tune, add muffling (mute), change the heads and even adjust the tension of the snares (or even turn them off). You can change the shell depths or the material of the snare drum shell.

You can place sizzles on the cymbals, put a tambourine on the hi-hat, hand claps on the snare drum rim and much more. You can even adjust the overall kit resonance.

Ambiences Designed and Tuned for Drums

There are 25 different room types to choose from. You can choose the wall material, room size and shape and even move the ambient microphones to further enhance the sound. This helps to create the perspective of listening to the drums from a different part of the room, or hearing the precise, finished sound quality like in a recording studio control room.

Professional Sound Processing

Superior Triggering Response

Roland’s advanced triggering system, which allows you to easily set the type of pad you are using, including all parameters, guarantees a very natural dynamic response, no matter what style of music you are performing.

Previous models of Roland pads are compatible with the TD-20X. Please see the chart on page 96.

15 Trigger Inputs Allow Expansion Possibilities

As up to 15 pads can be connected, it is easy to add on extra pads to have more sounds available at once. You can also assign special functions to a pad such as switching drum kits, turning the snares on and off, setting the hi-hat to a fixed position, playing patterns etc. (Pad Switch, P.111, Pad Pattern, P.52).

Playing with Brushes

You can play with brushes, using normal “sweep” techniques, but only if you are using the following pads as the snare drum. PD-125XS, PD-125X, PD-105X & PD-120 (P.40).

On Board Sequencer and Backing Instruments

Each pad has an individual 3-band equalizer and a compressor. There’s also a multi-effect section providing reverb, flanger, chorus, delay, pitch shifter, phaser, overdrive, and ring modulator. You can virtually move the microphone on specific sounds as well as select the type microphone being used. And for the overall kit, there’s a master compressor and master equalizer (P.65) that you can use to even further fine-tune the overall sound. All of these sound design tools are the same as what is found in professional recording or PA system consoles.

The preset patterns contain four backing parts (262 instruments) and one percussion part, and the patterns have been selected to represent not just a variety of musical styles, but to give you an idea of what you can do with it, whether using for practice or performance purposes.

By connecting a MIDI keyboard, you can create your own patterns.

Features

Optimized Functions for Stage or Studio

• The master and headphone volume knobs are independent.

• The group faders allow quick volume adjustments even while you perform (P.30).

• The Drum Kit Chain function lets you play kits in any order you like. Perfect for live performances (P.43).

• Click and Tempo Functions

• You can set the metronome (click) sound to be output ONLY from the headphones for self monitoring (P.81).

• Each kit can have its own Kit Tempo setting, helpful as well in a live situation (P.40).

• The tempo Indicator led lets you verify the tempo silently (P.81).

• The tap Tempo function lets you set the tempo from a pad (P.80).

• Multiple Output Configurations

By taking full advantage of Master Out L/R and Direct Outs 1– 8, you can use a total of ten outputs. This is ideal for live or multi-track recording situations. The Master Out L/R, Phones, and Direct 7/8 can be used as three sets of stereo outputs. The Digital Out is a coaxial type, 44.1 kHz / 24-bit.

• MIX IN Jack (Stereo)

The MIX IN has its own, independent volume control.

You can choose between stereo and mono, or even mute just one of the channels. This is ideal for using with drum practice CDs (with the click in one channel, and the backing in the other channel) as well as personal monitoring needs (P.113).

Use CompactFlash Cards for Storing Data

Backup Functions

All of the TD-20X’s settings, including 100 drum kits, can be saved (backed up) on a CompactFlash card. Up to 99 sets of backup data (100 kits x 99 = 9900 kits) can be stored. This assures that you can always have backups of your favorite kits, that you might want to slightly change now and then.

Backup data that was created on the TD-20 is compatible with the TD-20X, and can be imported into the TD-20X and used (P.93).

Kit Selection Function

The Kit Selection function allows you to play preset kits or kits that are saved on a CompactFlash card without having to load the drum kit into user memory (P.121).

Use the TD-20X As a MIDI Sound Module

You can use the TD-20X as a MIDI drum sound module. In addition to the drum kit section the TD-20X also has a full percussion set. The factory settings mean that the drum kit part uses MIDI channel 10 and the percussion part uses channel 11. You can assign and edit instruments to each note number from #0–#127 of the percussion part.

Panel Descriptions

Top Panel

fig.top

17 18 19

10987

Trigger Level Indicator

This lights up and moves each time a trigger signal is received from a pad. It monitors the pad connection and is helpful when customizing trigger parameters.

Number Display

Displays the Kit number (currently selected drum kit).

Display

During normal performance, you see the kit name and other information. When editing, relative graphics and text will appear depending on the edit mode you are in.

[CHAIN] Button

A Drum Kit Chain allows you to set up a customized order for playing your kits (p. 43).

[TOOLS] Button

This button is used when you want to check various information (Output Monitor/Trigger Monitor), or when you want to use functions such as “Kit Selection” (p. 121).

[COPY] Button

Copy or exchange data between drum kits, instruments, etc. (p. 42, p. 44, p. 54, p. 57, p. 68, p. 75, p. 106).

Panel Descriptions

[CARD] Button

For access to a CompactFlash card functions such as saving/ loading data etc. (p. 91).

[SETUP] Button

For access to functions that affect the TD-20X globally, such as MIDI parameters or Output Assign function etc. (p. 108).

[TRIGGER] Button

For access to trigger parameters (p. 96).

10.

[EXIT] Button

Press this to return to the previous screen. Repeated pressing takes you back to the “DRUM KIT” screen.

[F1]–[F5] Buttons (Function Buttons)

11.

These buttons change their function depending on the contents of the display. The lower part of the display will indicate the function of each button (p. 28).

[SHIFT] Button

12.

Used in combination with other buttons. How this functions is explained in respective parts of this manual.

13.

GROUP FADERS

The faders are switchable, allowing you to adjust the volume of the kick, snare, toms, hi-hat, cymbals, percussion and backing instruments, and the click sound (p. 30).

14.

SEQUENCER

These provide access to and control of sequencer functions (pattern playback/recording, percussion set) etc. (p. 69, p. 83).

DRUM KIT

15.

Here’s where to start when you want to perform operations related to drum kits, such as editing the instruments (p. 46), or making settings for things such as mixing (p. 56) or effects (p. 58).

17.

[MIX IN] Knob

Adjusts the level of the audio source connected to the MIX IN jack (p. 25).

18.

[PHONES] Knob

Adjusts the headphone volume (p. 25). Plugging in headphones does not affect the master output (like other audio device).

[MASTER] Knob

19.

Adjusts the volume of the MASTER OUT jacks (p. 25).

20.

[CURSOR] Buttons

Used to move the cursor in the display (p. 28).

[VALUE] Dial

21.

This dial functions like the [+] and [-] buttons. Use it to scroll quickly or make large changes in edited values (p. 28).

22.

TRIG SELECT

Use the [1] and [15] buttons to select the trigger number (pad) you want to access. Press the [RIM] button to select the rim of a pad. (The [RIM] button lights (p. 29).

If you press the [LOCK] button so its indicator is lit, the pad for which settings are being made will remain selected even if you strike a pad (p. 46).

23.

[PREVIEW] Button

This velocity sensitive button allows you to audition an instrument after you have chosen it with the TRIG SELECT buttons or after you have played a pad/pedal (p. 29).

24.

[-], [+] Buttons

These buttons are used to switch drum kits or to change values when editing. The [+] button increases the value, and the [-] button decreases it (p. 28).

[KIT] Button

16.

One touch brings you back to the basic display screen (p. 39).

Panel Descriptions

Rear Panel

fig.rear_50

[POWER] Switch

This switch turns the power on/off (p. 24).

If you need to turn off the power completely, first turn off the [POWER] switch, then unplug the power cord from the power outlet. Refer to “Power Supply” (p. 6).

AC IN

Connect the included AC power cable to this inlet.

For details on the power consumption, refer to p. 146.

The unit should be connected to a power source only of the type marked on the bottom of the unit.

TRIGGER INPUT jacks

Use these jacks for connecting your pads to the TD-20X (p. 21). Use a stereo (TRS) cable if you’re connecting a dual-trigger type pad.

MIDI OUT/THRU Connector

For using the TD-20X pads to play sounds in an external MIDI sound module, or recording/saving data to an external MIDI sequencer (bulk dump; p. 115–120).

MIDI IN Connector

To connect an external MIDI source (sequencer, pad controller, keyboard, computer, etc.) to play the TD-20X’s sounds, or to load data (p. 115–119).

MIX IN Jack

You can connect a CD player or portable audio player to this jack, or use it as a monitor input during your live performance. As the output destination of the sound being input from this jack, you can choose the MASTER OUT jacks, the PHONES jack, or DIRECT OUT 5–8 jacks (p. 108). Although the MIX IN jack is normally used as a stereo input, you are free to use it as two monaural inputs (p. 113).

FOOT SW Jack

Optional footswitches (such as BOSS FS-5U) give you access to a variety of functions like selecting drum kits, sequencer start/stop, etc. Using an optional PCS-31 cable (standard insert cable).

DIRECT OUT jacks (unbalanced)

Connect these jacks if you’re using an external mixer. You can make settings in SETUP to specify which of the DIRECT 1–8 jacks each instrument will be sent from (p. 108).

MASTER OUT Jacks (unbalanced)

For connecting to your amp/audio system. For monaural output, use the MASTER OUT L/MONO jack.

10.

DIGITAL OUT Connector

This coaxial-type digital out connector sends the same audio signal as is output from MASTER OUT jacks.

Provides output of a 44.1 kHz, 24 bit version of the audio signal that is output from the MASTER OUT jack.

Security Slot (

11.

For retail store use.

http://www.kensington.com/

)

Front Panel

fig.front

Panel Descriptions

PHONES Jack

A pair of stereo headphones can be connected to this jack. Connecting the headphones will not mute the output from the MASTER OUT jacks (p. 23).

CompactFlash Card Slot

Accepts a CompactFlash card (optional). Each CompactFlash card can store all settings of the TD-20X, such as drum kits and sequencer performance data, etc. (p. 91).

The TD-20X supports 3.3V CompactFlash cards (Type I) in a range of 16 MB–4 GB capacities.

Microdrives and other Type II cards cannot be used.

Even if a card meets the requirements given above, it may not be usable in some cases depending on that particular card’s design or the conditions of use. We cannot guarantee the operation of all cards that meet the above requirements.

Getting Ready

Mounting the TD-20X on the Stand

Attach the sound module mounting plate (included with the optional drum stand) to the TD-20X.

Using the four screws attached to the bottom panel, attach the holder so the unit is oriented as shown in the diagram.

fig.StandHolder.e

ONLY use the 12 mm screws (M5 x 12) provided with the TD-20X. Other screws may damage the unit.

TD-20X

Sound module mounting plate

Wide

Narrow

• When turning the unit upside-down, get a bunch of newspapers or magazines, and place them under the four corners or at both ends to prevent damage to the buttons and controls. Also, you should try to orient the unit so no buttons or controls get damaged.

• When turning the unit upside-down, handle with care to avoid dropping it, or allowing it to fall or tip over.

005

006

101c

Mount the TD-20X and sound module mounting plate to the drum stand (such as the optional MDS-25).

See the owner’s manual for the stand for details on assembling the drum stand and mounting the TD-20X.

This unit should be used only with a stand that is recommended by Roland.

When using the unit with a stand recommended by Roland, the stand must be carefully placed so it is level and sure to remain stable. If not using a stand, you still need to make sure that any location you choose for placing the unit provides a level surface that will properly support the unit, and keep it from wobbling.

This TD-20X is designed for use only with Roland stand MDS series. Use with other stands is capable of resulting in instability causing possible injury.

The optional APC-33 All Purpose Clamp can be attached to a pipe of 10.5–28.6 mm radius in case you want to mount the TD-20X on a cymbal stand or other such stand.

Connecting the Pads

Using the provided cables, connect the pads, cymbals, hi-hat, and kick trigger.

When mounting a TD-20X on an MDS-25 drum stand, use the built-in connection cables.

Set up example

Connect the various pads to the TD-20X’s TRIGGER INPUT jacks.

The names of the corresponding TRIGGER INPUT jacks on the TD-20X are enclosed with a solid line in the illustration below.

fig.Kit.e

Getting Ready

BOW/BELL

RIDE

TRIGGER OUTPUT

jack

TRIGGER INPUT

HI-HAT jack

TD-20X

CONTROL

OUTPUT

jack

HH CTRL jack

EDGE

BOW/EDGE

10/RIDE

7/HI-HAT HH CTRL

VH-12

8/CRASH 1

CY-14C

3/TOM 1

PD-125XS

4/TOM 2

11/EDGE

9/CRASH 2

CY-15R

PD-105XPD-105X

PD-125X

CY-14C

PD-125X

5/TOM 3

KD-140

6/TOM 4

2/SNARE

The HI-HAT and RIDE cymbal use two cables each.

1/KICK

Getting Ready

Check after making connections

Kick “Sensitivity” setting

Adjust “Sensitivity” in order to take full advantage of the TD-20X’s capabilities such as the dynamic response of the kick sounds.

The “Sensitivity” setting is significantly influenced by differences in the particular pad you’re using, your kick pedal, and your playing style.

While you watch the TD-20’s Trigger LED indication, adjust this setting so that the red LED lights only for the strongest hits.

Operation: Press the [TRIGGER] button and press the [F2 (BASIC)] button (p. 97).

Hi-hat setting

Please make the following adjustments to ensure comfortable performance.

• If you’re using the “VH-12 V-Hi-Hat,” you must adjust the hi-hat offset. This is required in order to correctly detect open/close operation and pedal movement. Access: See “Making Hi-hat (VH-12) Settings” (p. 25).

• “Foot Splash Sens” is also important. Try adjusting it. Access: Press the [TRIGGER] button and press the [F3 (HI-HAT)] button (p. 99).

• “Pedal HH Volume” can be adjusted for each drum kit. Access: Press the [KIT] button and press the [F2 (FUNC)] button and press the [F1 (VOLUME)] button (p. 40).

• The hi-hat’s bow and edge volume can be adjusted independently. Access: Press the [MIXER] button and press the [F1 (VOLUME)] button (p. 56). Turn the [F5 (H&R)] button off before you make adjustments.

Connecting Headphones, Audio Equipment

fig.Connect.e

Portable

Audio Player

Drum monitor, etc.

Getting Ready

To AC outlet

Power Cord

Stereo

Headphones

Stereo 1/4” Phone plug

Turn off the power of all devices before you make

connections.

To prevent malfunction and/or damage to speakers or other devices, always turn down the volume, and turn off the power on all devices before making any connections.

Connect the MASTER OUT L/MONO and R jacks on the rear panel to your drum monitor. Headphones should ONLY be connected to the PHONES jack.

Connect the supplied power cord to the AC inlet.

1/4” Phone plug

Stereo

• To adjust the volume of the device connected to the

• The sound input from the MIX IN jack can be output

• The MIX IN jack is normally used as a stereo input, but

1/4” Phone plug

(mono)

Rear Panel

Front Panel

MIX IN jack, turn the [MIX IN] knob on the TD-20X’s top panel.

from the MASTER OUT, PHONES, or DIRECT OUT 5–8 jacks (p. 108).

you are also free to use it as two monaural inputs (p. 113).

When connection cables with resistors are used, the volume level of equipment connected to the MIX IN jack may be low. If this happens, use connection cables that do not contain resistors.

Plug the power cord plug into an AC outlet.

By using the MIX IN jack you can perform along with music from a CD or your portable audio player.

Getting Ready

Turning On/Off the Power

While hitting a pad, gradually turn the [MASTER] (or [PHONES]) to the right to adjust the volume level.

Once the connections have been completed (p. 21–p. 23), turn on power to your various devices in the order specified. By turning on devices in the wrong order, you risk causing malfunction and/or damage to speakers and

fig.VolMin

other devices.

Turn the [MASTER] and [PHONES] knobs completely to the left to lower the volume to “0.”

Turn down the volume control on the connected audio equipment.

Push the [POWER] switch on the TD-20X’s rear panel to turn on the power.

fig.PowerOn.e

Lower Position

No sound when hitting the pads or using the pedals?

Check the following points.

When using audio equipment

• Is the audio equipment connected to the TD-20X’s MASTER OUT jacks?

• Is the input of the audio equipment properly connected?

• Is there a problem with any connection cables?

• Is the volume turned down in the GROUP FADERS sliders?

• Is the [MASTER] knob turned completely to the left?

• Have the input select settings of your audio equipment been made correctly?

• Is the audio equipment volume setting correct?

When using headphones

• Are the headphones connected to the PHONES jack?

• Is the [PHONES] knob turned completely to the left?

Turning off the power

This unit is equipped with a protection circuit. A brief interval (a few seconds) after power up is required before the unit will operate normally.

Precautions when turning on the power

After the power is turned on, do NOT hit any pads or step on the pedals until the drum kit name (following figure) appears in the display. Doing so can cause triggering problems.

fig.00-001-kit.eps_70

Turn on the power to the connected audio equipment.

Completely turn down the volume of the TD-20X

and the connected audio equipment.

Turn off the power to the connected audio equipment.

Push the [POWER] switch on the TD-20X’s rear panel to turn off the power.

fig.PowerOn.e

Upper Position

OFF

If you need to turn off the power completely, first turn off the [POWER] switch, then unplug the power cord from the power outlet. Refer to “Power Supply” (p. 6).

Getting Ready

Adjusting the Volume

Use the three VOLUME CONTROL knobs to adjust the volume.

Turning a knob toward the left will decrease the volume, and turning it toward the right will increase the volume.

fig.VolMin

Knob

[MASTER]

[PHONES]

[MIX IN]

Description

Adjusts the volume that is output from the MASTER OUT jacks.

Adjusts the volume that is output from the PHONES jack.

Adjusts the volume that is input from the MIX IN jack. As the output destination of the sound that’s input from the MIX IN jack, you can choose the MASTER OUT jacks, the PHONES jack, or the DIRECT OUT 5–8 jacks (p. 108).

Making Hi-hat (VH-12) Settings

If you’re using the VH-12 V-hi-hat,

adjustment from the TD-20X

This adjustment is required in order to correctly detect open, close, and pedal operations.

execute the offset

after making connections.

Adjusting Mesh Head Tension (PD-125XS/125X/105X)

Before playing you must adjust the pad tension first.

You can tune/adjust the head tension as you would with an acoustic drum, to get the same dynamic “feel.”

The pad will function at it’s best if you are sure to:

• Adjust the head evenly so that it does not sag.

fig.19-e.eps.80

• Adjust the tuning bolts so that they are not loose.

Adjust each tuning bolt little by little, across the head as indicated in the illustration. This assures even tensioning.

Loosen the clutch screw of the top hi-hat and let it sit on the bottom hi-hat.

Do NOT touch the hi-hats or the pedal.

Hold down the [KIT] button and press the

[TRIGGER] button.

The “VH Offset” parameter is set automatically (approx. 3 seconds).

The [TRIGGER] button stops flashing and remains lit.

fig.00-002-vhoffset.eps_70

If you need, make further adjustments to the parameters. “Hi-Hat Settings [F3 (HI-HAT)]” (p. 99)

If you do not make VH-12’s setting correctly, it may cause malfunction. For details on attaching the hi-hat to the stand, refer to the VH-12 owner’s manual.

• Fully tightening a tuning bolt at only a single location produces uneven tensioning, and correct playing dynamics may not be achieved. Even tuning/ tensioning is very important.

• Head tension will not affect the actual tuning of the sound you are playing. For that you need to adjust sound parameters in the sound module you are using. Also, head tension may change depending on usage. Adjust as needed.

Getting Ready

Adjusting the Display Contrast

To stop the playback mid-way through a song, press the [F4 (STOP)] or [STOP] button.

If the position in which the TD-20X is placed makes the display difficult to read, adjust the display contrast as follows.

Holding down the [KIT] button and turning the [VALUE] dial.

You can also adjust it in the screen displayed by pressing the [SETUP] button (p. 113).

Listening to the Demo Songs

The demo songs introduce the TD-20X’s sounds and expressive capability.

The drums on these songs were recorded from the TD20X to a sequencer in realtime.

Press the [CHAIN] and [TOOLS] button simultaneously.

The “DEMONSTRATION” screen appears.

fig.00-003-demo.eps_70

• When you press the button, you’ll return to the beginning of the song that was playing.

• You can change the volume balance with GROUP FADERS (p. 30).

• Hold down the [SHIFT] button and press the [TEMPO] button to turn the metronome click (p. 81) on/off. The click sounds with the settings which you set before you enter the “DEMONSTRATION” screen.

Press the [EXIT] button to return to the “DRUM KIT” screen.

Caution Concerning Volume

When playing back the demo song, turn the [MASTER] and [PHONES] knobs to the left (counterclockwise) to bring the volume level down. The sound levels (volume) of the instruments may be louder when the demo song is played back.

fig.00-003-demo.eps_70

Press the [F5 (PLAY)] or [PLAY] button.

The demo song is played.

All songs will play consecutively.

When the last song has finished playing, playback will return to the first song and continue.

While the song plays, you can use the function buttons to mute a specific part.

Function button

[F1 (DRUMS)]

[F2 (BACKING)]

You can MUTE the entire drum track.

You can MUTE all the backing instruments.

Getting Ready

Changing the drum kit used

Normally, the demo songs will be played using the drum kit recommended for each song. However, you are free to listen to the demo songs played using a different drum kit.

In the “DEMONSTRATION” screen, select the kit that you want to use. Use the [CURSOR (up/down)] buttons, [-] [+] buttons, and [VALUE] dial to select a drum kit.

Parameter

Memory

BackUp 1–99

Kit Select the kit that you want to use.

You can change the drum kit while the demo song is either playing or stopped.

If you switch songs, the song will play with the recommended drum kit specified for that song.

Value Description

TD-20 PRESET

TDW-20 PRESET

USER A drum kit in user memory

CARD

The TD-20’s preset drum kit

The TDW-20’s preset drum kit

A backup drum kit saved on a CompactFlash card

If you selected “CARD” for “Memory,” select a backup.

Demo Songs

No.

Title Copyright

Kit 1:TD-20X

Kit 4:MetalCore

Kit 6:40s Bop

Kit 7:process

Kit 2:50s King

Kit15:TechFusion

Kit 8:Cajon

Kit10:melodious

Kit21:D-N-B

Kit 3:CtrlRoom

Song:Hatter

• No data for the music that is played will be output from the MIDI OUT connector.

Overview

Basic Operation

Changing data values ([-] [+] buttons/[VALUE] dial)

Changing a Value

Saving your settings

Every time you change a value during the editing process, it’s automatically stored in the TD-20X’s memory. There’s no “write/save” process.

Moving the cursor ([CURSOR] buttons)

fig.00-001e_70

Cursor

Cursor refers to the highlighted characters indicating an onscreen parameter that can be set. When there is more than one possibility within the screen, use the [CURSOR] buttons to move it.

fig.00-002_50

fig.00-004_40

The [-] and [+] buttons and the [VALUE] dial are both used to change the values of settings. Both methods have advantages.

[-] [+] buttons

• Each time the [+] button is pressed, the value increases. Each time the [-] button is pressed, the value decreases. This is convenient for fine adjustments.

• When making an on/off setting, the [+] button will turn the setting on and the [-] button will turn it off.

• If you hold down the [+] button and press the [-] button, the value will increase rapidly. If you hold down the [-] button and press the [+] button, the value will decrease rapidly.

• If you hold down the [SHIFT] button and press the [-] or [+] button, the value will change even more rapidly.

[VALUE] dial

The dial allows you to make quick changes to the value.

• If you hold down the [SHIFT] button and turn the [VALUE] dial, the value will change even more rapidly.

Selecting a function to edit (Function buttons)

fig.00-003_50

The [F1]–[F5] buttons are called “function buttons.” The bottom part of the display will show the names of the functions available for the [F1]–[F5] buttons. For example, if this owner’s manual makes reference to the [F2 (EDIT)] button, press [F2] button (in this case, “EDIT” is displayed above the [F2] button).

Overview

Choosing a Pad to Edit

About the upper right display screen indications

fig.00-005-snare.eps_70

In screens that allow you to edit specific settings for each pad, the upper right of the display will show the trigger number and name of the TRIGGER INPUT jack to which the selected pad is connected.

The initial “H” or “R” indicates whether the settings are for the

pad’s head (HEAD) or rim (RIM). Pressing the [PREVIEW] button will play either the head or rim sound depending on whether “H” or “R” is displayed.

The position indicated in the illustration below tells you whether the edit screen is for the head or the rim.

fig.00-006-snare.eps_70

Choosing pads from the TD-20X’s top panel

fig.00-007_70

You can use the TRIG SELECT buttons to select a pad/sound without needing to hit a pad and/or when a pad is not connected.

Pressing the [1] button will select the next lower-numbered trigger. Pressing the [15] button will select the next highernumbered trigger.

When using a dual trigger pad (with rim trigger) the [RIM] button selects whether you’re making settings for the head or the rim of the selected pad.

When rim is selected, the [RIM] button will light.

Auditioning the sound of a pad ([PREVIEW] button)

Press the [PREVIEW] button to hear the sound of the selected pad/sound using the TRIG SELECT buttons.

Choosing by hitting a pad

To edit the settings for a pad, strike that pad to select it.

To select the rim of a pad, strike the rim.

By pressing the [LOCK] button to make it light, you can prevent the edited pad from being switched even if you accidentally touch a different pad (p. 46).

Overview

Using The Group Faders (GROUP FADERS/[FADER])

fig.00-009

Use the GROUP FADERS sliders to adjust the volume.

By pressing the [FADER] button, the function of the faders changes as shown in the chart below. An LED will light up at the upper and lower right of the faders, indicating which set of sounds is active.

Example: Adjusting the Snare Volume

Press the [FADER] button so the upper indicator is

lit.

Move the GROUP FADERS [SNARE] slider.

The slider position shows the current snare volume.

After switching with the [FADER] button, the values for the GROUP FADERS sliders may not reflect the actual volume of the sound assigned to that fader. So after switching, be sure to move the faders a bit before making your setting.

This will NOT affect the independent volume balance for each kit in: Mixer Settings (p. 56).

Turning the Click On/Off

Hold down the [SHIFT] button and press the [TEMPO] button to turn the click on and off.

When upper indicator is lit

You can adjust the volume of following trigger inputs.

KICK

SNARE

TOMS

HI-HAT

CRASH 1

CRASH 2

RIDE

AUX

1 KICK

2 SNARE

3 TOM 1, 4 TOM 2, 5 TOM 3, 6 TOM 4

7 HI-HAT

8 CRASH 1

9 CRASH 2

10 RIDE, 11 EDGE

12 AUX 1, 13 AUX 2, 14 AUX 3, 15 AUX 4

When lower indicator is lit

You can adjust the volume of following trigger inputs and sequencer parts.

AUX 1

AUX 2

AUX 3

AUX 4

PERC

BACKING

CLICK

12 AUX 1

13 AUX 2

14 AUX 3

15 AUX 4

Percussion part (p. 73)

Backing part (p. 72)

Metronome click (p. 81)

The [TEMPO] button indicator can also be used as a visual metronome (p. 81).

Changing the Tempo ([TEMPO])

fig.00-007-tempo.eps_70

To adjust the tempo of the sequencer and click, use the [-] [+] buttons or the [VALUE] dial in the screen displayed by pressing the [TEMPO] button.

+ 126 hidden pages

Roland TD20 X Owner’s Manual

Specifications and Main Features

Frequently Asked Questions

User Manual

USING THE UNIT SAFELY

IMPORTANT NOTES

Contents

Features

Panel Descriptions

Top Panel

Rear Panel

Front Panel

Getting Ready

Mounting the TD-20X on the Stand

Connecting the Pads

Connecting Headphones, Audio Equipment

Turning On/Off the Power

Adjusting the Volume

Making Hi-hat (VH-12) Settings

Adjusting Mesh Head Tension (PD-125XS/125X/105X)

Adjusting the Display Contrast

Listening to the Demo Songs

Overview

Basic Operation

Changing a Value

Choosing a Pad to Edit

Using The Group Faders (GROUP FADERS/[FADER])

Turning the Click On/Off

Changing the Tempo ([TEMPO])