WARNING: To reduce the risk of fire or electric shock, do not expose this apparatus to rain or moisture.
CAUTION
RISK OF ELECTRIC SHOCK
DO NOT OPEN
ATTENTION: RISQUE DE CHOC ELECTRIQUE NE PAS OUVRIR
CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK,
DO NOT REMOVE COVER (OR BACK).
NO USER-SERVICEABLE PARTS INSIDE.
REFER SERVICING TO QUALIFIED SERVICE PERSONNEL.
The lightning flash with arrowhead symbol, within an
equilateral triangle, is intended to alert the user to the
presence of uninsulated “dangerous voltage” within the
product’s enclosure that may be of sufficient magnitude to
constitute a risk of electric shock to persons.
The exclamation point within an equilateral triangle is
intended to alert the user to the presence of important
operating and maintenance (servicing) instructions in the
literature accompanying the product.
INSTRUCTIONS PERTAINING TO A RISK OF FIRE, ELECTRIC SHOCK, OR INJURY TO PERSONS.
IMPORTANT SAFETY INSTRUCTIONS
SAVE THESE INSTRUCTIONS
WARNING - When using electric products, basic precautions should always be followed, including the following:
1. Read these instructions.
2. Keep these instructions.
3. Heed all warnings.
4. Follow all instructions.
5. Do not use this apparatus near water.
6. Clean only with a dry cloth.
7. Do not block any of the ventilation openings. Install in
accordance with the manufacturers instructions.
8. Do not install near any heat sources such as radiators,
heat registers, stoves, or other apparatus (including
amplifiers) that produce heat.
9. Do not defeat the safety purpose of the polarized or
grounding-type plug. A polarized plug has two blades with
one wider than the other. A grounding type plug has two
blades and a third grounding prong. The wide blade or the
third prong are provided for your safety. If the provided plug
does not fit into your outlet, consult an electrician for
replacement of the obsolete outlet.
10. Protect the power cord from being walked on or pinched
particularly at plugs, convenience receptacles, and the
point where they exit from the apparatus.
11. Only use attachments/accessories specified
by the manufacturer.
12. Unplug this apparatus during lightning storms or when
unused for long periods of time.
13. Refer all servicing to qualified service personnel. Servicing
is required when the apparatus has been damaged in any
way, such as power-supply cord or plug is damaged, liquid
has been spilled or objects have fallen into the apparatus,
the apparatus has been exposed to rain or moisture, does
not operate normally, or has been dropped.
For the U.K.
WARNING:
IMPORTANT:
As the colours of the wires in the mains lead of this apparatus may not correspond with the coloured markings identifying
the terminals in your plug, proceed as follows:
The wire which is coloured GREEN-AND-YELLOW must be connected to the terminal in the plug which is marked by the
letter E or by the safety earth symbol or coloured GREEN or GREEN-AND-YELLOW.
The wire which is coloured BLUE must be connected to the terminal which is marked with the letter N or coloured BLACK.
The wire which is coloured BROWN must be connected to the terminal which is marked with the letter L or coloured RED.
THIS APPARATUS MUST BE EARTHED
THE WIRES IN THIS MAINS LEAD ARE COLOURED IN ACCORDANCE WITH THE FOLLOWING CODE.
GREEN-AND-YELLOW: EARTH, BLUE: NEUTRAL, BROWN: LIVE
3
USING THE UNIT SAFELY
About WARNING and CAUTION Notices
Used for instructions intended to alert the
user to the risk of death or severe injury
should the unit be used improperly.
Used for instructions intended to alert the
user to the risk of injury or material
damage should the unit be used
improperly.
* Material damage refers to damage or
other adverse effects caused with
respect to the home and all its
furnishings, as well to domestic animals
or pets.
ALWAYS OBSERVE THE FOLLOWING
001-50
•Connect mains plug of this model to a mains socket
outlet with a protective earthing connection.
•Do not attempt to repair the unit, or replace parts
within it (except when this manual provides specific
instructions directing you to do so). Refer all servicing
to your retailer, the nearest Roland Service Center, or
an authorized Roland distributor, as listed on the
“Information” page.
The symbol alerts the user to important instructions or
warnings.The specific meaning of the symbol is
determined by the design contained within the triangle. In
the case of the symbol at left, it is used for general
cautions, warnings, or alerts to danger.
The symbol alerts the user to items that must never be
carried out (are forbidden). The specific thing that must
not be done is indicated by the design contained within
the circle. In the case of the symbol at left, it means that
the unit must never be disassembled.
The symbol alerts the user to things that must be
carried out. The specific thing that must be done is
indicated by the design contained within the circle. In the
case of the symbol at left, it means that the power-cord
plug must be unplugged from the outlet.
008a
•The unit should be connected to a power supply only
of the type described as marked on the bottom of unit.
•Do not excessively twist or bend the power cord, nor
place heavy objects on it. Doing so can damage the
cord, producing severed elements and short circuits.
Damaged cords are fire and shock hazards!
•This unit, either alone or in combination with an
amplifier and headphones or speakers, may be capable
of producing sound levels that could cause permanent
hearing loss. Do not operate for a long period of time
at a high volume level, or at a level that is
uncomfortable. If you experience any hearing loss or
ringing in the ears, you should immediately stop using
the unit, and consult an audiologist.
Immediately turn the power off, remove the power
cord from the outlet, and request servicing by your
retailer, the nearest Roland Service Center, or an
authorized Roland distributor, as listed on the
“Information” page when:
• The power-supply cord or the plug has been
damaged; or
• If smoke or unusual odor occurs
• Objects have fallen into, or liquid has been spilled
onto the unit; or
• The unit has been exposed to rain (or otherwise has
become wet); or
• The unit does not appear to operate normally or
exhibits a marked change in performance.
In households with small children, an adult should
provide supervision until the child is capable of
following all the rules essential for the safe operation
of the unit.
Do not force the unit’s power-supply cord to share an
outlet with an unreasonable number of other devices.
Be especially careful when using extension cords—the
total power used by all devices you have connected to
the extension cord’s outlet must never exceed the
power rating (watts/amperes) for the extension cord.
Excessive loads can cause the insulation on the cord to
heat up and eventually melt through.
Before using the unit in a foreign country, consult with
your retailer, the nearest Roland Service Center, or an
authorized Roland distributor, as listed on the
“Information” page.
Do not put anything that contains water (e.g., flower
vases) on this unit. Also, avoid the use of insecticides,
perfumes, alcohol, nail polish, spray cans, etc., near the
unit. Swiftly wipe away any liquid that spills on the unit
using a dry, soft cloth.
At regular intervals, you should unplug the power plug
•
and clean it by using a dry cloth to wipe all dust and
other accumulations away from its prongs. Also,
disconnect the power plug from the power outlet
whenever the unit is to remain unused for an extended
period of time. Any accumulation of dust between the
power plug and the power outlet can result in poor
insulation and lead to fire.
•Do not connect this unit to same electrical outlet that is being
used by an electrical appliance that is controlled by an
inverter (such as a refrigerator, washing machine, microwave
oven, or air conditioner), or that contains a motor. Depending
on the way in which the electrical appliance is used, power
supply noise may cause this unit to malfunction or may
produce audible noise. If it is not practical to use a separate
electrical outlet, connect a power supply noise filter between
this unit and the electrical outlet.
307
•Before connecting this unit to other devices, turn off the
power to all units. This will help prevent malfunctions and/or
damage to speakers or other devices.
308
•Although the LCD and LEDs are switched off when the POWER
switch is switched off, this does not mean that the unit has
been completely disconnected from the source of power. If
you need to turn off the power completely, first turn off the
POWER switch, then unplug the power cord from the power
outlet. For this reason, the outlet into which you choose to
connect the power cord’s plug should be one that is within
easy reach and readily accessible.
Placement
351
•Using the unit near power amplifiers (or other equipment
containing large power transformers) may induce hum. To
alleviate the problem, change the orientation of this unit; or
move it farther away from the source of interference.
352a
•This device may interfere with radio and television reception.
Do not use this device in the vicinity of such receivers.
352b
•Noise may be produced if wireless communications devices,
such as cell phones, are operated in the vicinity of this unit.
Such noise could occur when receiving or initiating a call, or
while conversing. Should you experience such problems, you
should relocate such wireless devices so they are at a greater
distance from this unit, or switch them off.
354a
•Do not expose the unit to direct sunlight, place it near devices
that radiate heat, leave it inside an enclosed vehicle, or
otherwise subject it to temperature extremes. Excessive heat
can deform or discolor the unit.
355b
•When moved from one location to another where the
temperature and/or humidity is very different, water droplets
(condensation) may form inside the unit. Damage or
malfunction may result if you attempt to use the unit in this
condition. Therefore, before using the unit, you must allow it
to stand for several hours, until the condensation has
completely evaporated.
360
•Depending on the material and temperature of the surface on
which you place the unit, its rubber feet may discolor or mar
the surface.
You can place a piece of felt or cloth under the rubber feet to
prevent this from happening. If you do so, please make sure
that the unit will not slip or move accidentally.
Maintenance
401a
•For everyday cleaning wipe the unit with a soft, dry cloth or
one that has been slightly dampened with water. To remove
stubborn dirt, use a cloth impregnated with a mild, nonabrasive detergent. Afterwards, be sure to wipe the unit
thoroughly with a soft, dry cloth.
402
•Never use benzine, thinners, alcohol or solvents of any kind, to
avoid the possibility of discoloration and/or deformation.
Repairs and Data
452
•Please be aware that all data contained in the unit’s memory
may be lost when the unit is sent for repairs. Important data
should always be backed up on a DATA card, in another MIDI
device (e.g., a sequencer), or written down on paper (when
possible). During repairs, due care is taken to avoid the loss of
data. However, in certain cases (such as when circuitry related
to memory itself is out of order), we regret that it may not be
possible to restore the data, and Roland assumes no liability
concerning such loss of data.
Memory Backup
501b
•This unit contains a battery which powers the unit’s memory
circuits while the main power is off. When this battery
becomes weak, the message shown below will appear in the
display. Once you see this message, have the battery replaced
with a fresh one as soon as possible to avoid the loss of all
data in memory. To have the battery replaced, consult with
your retailer, the nearest Roland Service Center, or an
authorized Roland distributor, as listed on the “Information”
page.
•“Backup Battery Low!”
Additional Precautions
551
•Please be aware that the contents of memory can be
irretrievably lost as a result of a malfunction, or the improper
operation of the unit. To protect yourself against the risk of
loosing important data, we recommend that you periodically
save a backup copy of important data you have stored in the
unit’s memory on a DATA card, or in another MIDI device (e.g.,
a sequencer).
552
•Unfortunately, it may be impossible to restore the contents of
data that was stored in the unit’s memory, on a DATA card, or
in another MIDI device (e.g., a sequencer) once it has been
lost. Roland Corporation assumes no liability concerning such
loss of data.
553
•Use a reasonable amount of care when using the unit’s
buttons, sliders, or other controls; and when using its jacks
and connectors. Rough handling can lead to malfunctions.
554
•Never strike or apply strong pressure to the display.
6
IMPORTANT NOTES
556
•When connecting / disconnecting all cables, grasp the
connector itself—never pull on the cable. This way you will
avoid causing shorts, or damage to the cable’s internal
elements.
557
•A small amount of heat will radiate from the unit during
normal operation.
558a
•To avoid disturbing your neighbors, try to keep the unit’s
volume at reasonable levels. You may prefer to use
headphones, so you do not need to be concerned about those
around you (especially when it is late at night).
558d
•This instrument is designed to minimize the extraneous
sounds produced when it’s played. However, since sound
vibrations can be transmitted through floors and walls to a
greater degree than expected, take care not to allow these
sounds to become a nuisance to neighbors, especially when
performing at night and when using headphones.
559a
•When you need to transport the unit, package it in the box
(including padding) that it came in, if possible. Otherwise, you
will need to use equivalent packaging materials.
562
•Some connection cables contain resistors. Do not use cables
that incorporate resistors for connecting to this unit. The use
of such cables can cause the sound level to be extremely low,
or impossible to hear. For information on cable specifications,
contact the manufacturer of the cable.
Before Using Cards
Using DATA Cards
704
•Carefully insert the DATA card all the way in—until it is firmly
in place.
CompactFlash™
707
•This unit’s CompactFlash card slot accepts CompactFlash
CompactFlash cards. Microdrive storage media are not
compatible.
708
•CompactFlash cards are constructed using precision
components; handle the cards carefully, paying particular
note to the following.
• To prevent damage to the cards from static electricity, be
sure to discharge any static electricity from your own body
before handling the cards.
• Do not touch or allow metal to come into contact with the
contact portion of the cards.
• Do not bend, drop, or subject cards to strong shock or
vibration.
• Do not keep cards in direct sunlight, in closed vehicles, or
other such locations (storage temperature: -25 to 85C).
• Do not allow cards to become wet.
• Do not disassemble or modify the cards.
930
•Never insert or remove a CompactFlash card while this unit’s
power is on. Doing so may corrupt the unit’s data or the data
on the CompactFlash card.
985
•The explanations in this manual include illustrations that
depict what should typically be shown by the display. Note,
however, that your unit may incorporate a newer, enhanced
version of the system (e.g., includes newer sounds), so what
you actually see in the display may not always match what
appears in the manual.
234
• CompactFlash and
are trademarks of SanDisk
Corporation and licensed by CompactFlash association.
235
• Roland Corporation is an authorized licensee of the
•Never touch the terminals of the DATA card. Also, avoid
getting the terminals dirty.
Before using this unit, carefully read the sections entitled: “IMPORTANT SAFETY INSTRUCTIONS” (p. 3), “USING THE UNIT
SAFELY” (p. 4), and “IMPORTANT NOTES” (p. 6). These sections provide important information concerning the proper operation
of the unit. Additionally, in order to feel assured that you have gained a good grasp of every feature provided by your new unit,
Owner’s manual should be read in its entirety. The manual should be saved and kept on hand as a convenient reference.
Top Panel ............................................................................................................................................................................16
Front Panel .........................................................................................................................................................................19
Mounting the TD-20X on the Stand.......................................................................................................................... 20
Connecting the Pads ......................................................................................................................................................21
Turning On/Off the Power............................................................................................................................................ 24
Adjusting the Volume ....................................................................................................................................................25
Making Hi-hat (VH-12) Settings ..................................................................................................................................25
Adjusting Mesh Head Tension (PD-125XS/125X/105X)..................................................................................... 25
Adjusting the Display Contrast................................................................................................................................... 26
Listening to the Demo Songs...................................................................................................................................... 26
Changing a Value.............................................................................................................................................. 28
Choosing a Pad to Edit.................................................................................................................................... 29
Using The Group Faders (GROUP FADERS/[FADER]) ...........................................................................30
Turning the Click On/Off................................................................................................................................ 30
Changing the Tempo ([TEMPO]) ................................................................................................................. 30
About Memory.................................................................................................................................................................. 31
Playing Methods............................................................................................................................................................... 32
Pad (PD-125XS/125X/105X).......................................................................................................................... 32
Choosing a Drum Kit....................................................................................................................................................... 39
About the “DRUM KIT” Screen ..................................................................................................................... 39
Selecting a Drum Kit from the List [F1 (LIST)] ........................................................................................................39
Making Settings for Each Drum Kit [F2 (FUNC)].................................................................................................... 40
Adjusting the Volume [F1 (VOLUME)]....................................................................................................... 40
Assigning a Tempo for Each Kit [F2 (TEMPO)]........................................................................................ 40
Playing Brushes [F3 (BRUSH)] ....................................................................................................................... 40
Turning the Pad Pattern Function On/Off [F4 (PAD PTN)]................................................................. 40
Viewing the Output Level (OUPUT MONITOR) [F5 (MONITOR)] ......................................................41
Naming a Drum Kit [F3 (NAME)] ................................................................................................................................. 41
Playing Cross Stick [F5 (XSTICK)] ................................................................................................................................41
8
Copying a Drum Kit......................................................................................................................................................... 42
Copying Fifty Drum Kits at a Time.............................................................................................................. 42
Specifying the Order in Which Drum Kits will be Recalled [CHAIN] ..............................................................43
Creating a Drum Kit Chain............................................................................................................................. 43
Naming a Drum Kit Chain [F5 (NAME)] .....................................................................................................44
Copying a Drum Kit Chain ............................................................................................................................. 44
Using a Drum Kit Chain................................................................................................................................... 45
Choosing a Pad to Edit................................................................................................................................................... 46
Lock the Pad You are Editing (EDIT LOCK)............................................................................................... 46
Assign an Instrument to a Pad ....................................................................................................................................46
Selecting an Instrument from the List [F1 (LIST)] .................................................................................................47
Editing Other Instruments............................................................................................................................. 48
Making MIDI Settings for Each Pad [F5 (MIDI)] ......................................................................................53
Copying an Instrument.................................................................................................................................................. 54
Copying a Set of Multiple Instruments ..................................................................................................... 55
Choosing a Pattern [PATTERN].................................................................................................................................... 70
About the “PATTERN” screen ....................................................................................................................... 70
Selecting a Pattern from the List [F1 (LIST)] ...........................................................................................................70
Playing Back a Pattern [PLAY]...................................................................................................................................... 71
Making Settings for Each Part [F2 (PART)]............................................................................................................... 71
Muting a Specific Part [F1 (MUTE)] ............................................................................................................. 71
Specifying the Instruments for the Backing Parts [F2 (BACKING)].................................................. 72
Tuning Settings for the Backing Parts (Master Tuning) ...................................................................... 72
Percussion Part Settings [F3 (PERC)].......................................................................................................... 73
Percussion Set Settings ..................................................................................................................................73
Setting the Volume and Pan of Each Part [F4 (MIXER)]....................................................................... 76
Applying Reverb/Chorus to the Backing Parts [F5 (REV/CHO)]........................................................ 77
Making Settings for a User Pattern [F3 (FUNC)].................................................................................................... 77
Specifying the Number of Measures, Time Signature, and Tempo [F1 (SETUP)] ......................77
Specifying the Playback Type [F2 (TYPE)] ................................................................................................ 78
Naming a Pattern [F5 (NAME)]..................................................................................................................... 79
Specifying the Tempo [TEMPO].................................................................................................................................. 79
Setting the Tempo by Hitting a Pad (Tap Tempo) [F3 (TAP)]............................................................ 80
Synchronizing with an External MIDI Device [F2 (SYNC)] ..................................................................80
Starting and Stopping the Metronome (Click) On/Off [F5] ............................................................... 81
Viewing the Tempo as a Blinking Button [F4] ........................................................................................81
Making Click Settings [F1 (CLICK)].............................................................................................................. 81
Chapter 6. Recording and Editing Patterns—Sequencer ............................83
Recording a Pattern [REC].............................................................................................................................................83
How to Record ...................................................................................................................................................83
Checking the Tones and Phrases During Recording (Rehearsal) ....................................................85
Editing a Pattern [F4 (EDIT)] .........................................................................................................................................85
Copying a Pattern [F1 (COPY)] ..................................................................................................................... 86
Connecting Two Patterns [F2 (APPEND)]................................................................................................. 87
Erasing a Pattern [F3 (ERASE)]...................................................................................................................... 87
Deleting a Pattern [F4 (DELETE)] ................................................................................................................. 88
Saving a Pattern [F5 (CARD)]........................................................................................................................................ 89
Saving a Pattern to a CompactFlash Card [F1 (SAVE)]......................................................................... 89
Loading a Pattern from a CompactFlash Card [F2 (LOAD)]............................................................... 90
Deleting a Pattern from a CompactFlash Card [F3 (DELETE)]........................................................... 90
Chapter 7. Using CompactFlash Cards [CARD] .............................................91
Using CompactFlash Cards [CARD] ...........................................................................................................................91
Saving Data to a CompactFlash Card [F1 (SAVE)]................................................................................................. 92
Naming a Backup [F4 (NAME)]..................................................................................................................... 92
Loading Data from a CompactFlash Card [F2 (LOAD)]....................................................................................... 93
Loading TD-20 Backup Data [F3 (IMPORT)]............................................................................................................ 93
Deleting Data from a CompactFlash Card [F4 (DELETE)]................................................................................... 94
Formatting a CompactFlash Card [F1 (FORMAT)]................................................................................................ 94
Checking the State of a CompactFlash Card [F2 (INFO)] ...................................................................................95
10
Chapter 8. Trigger Settings for Each Pad [TRIGGER].................................... 96
Selecting the Pad Type [F1 (BANK)]........................................................................................................................... 96
Trigger Inputs and Playing Methods Corresponding Chart.............................................................. 97
Pad Sensitivity Settings [F2 (BASIC)] .........................................................................................................................97
Adjusting the Pad Sensitivity (Sensitivity)............................................................................................... 98
Adjusting the Pad’s Minimum Sensitivity (Threshold)........................................................................ 98
Specifying How Volume Responds to Velocity (Velocity Curve) ..................................................... 98
Settings for the VH-12..................................................................................................................................... 99
Settings for the VH-11...................................................................................................................................100
Settings for the FD-8......................................................................................................................................100
Eliminate Crosstalk Between Pads [F4 (XTALK)] .................................................................................................101
Detailed Settings for Trigger Signal Detection [F1 (SCAN)] ............................................................102
Detailed Settings for Rim Shots [F2 (RIM)].............................................................................................104
Settings for Separate Triggering of Ride Strikes [F3 (3-WAY)]........................................................105
Strike Position Detection On/Off [F4 (POSI)].........................................................................................105
Naming a Trigger Bank [F5 (Name)]........................................................................................................................106
Copying a Trigger Bank ...............................................................................................................................................106
Chapter 9. Settings for the Entire TD-20X [SETUP].....................................108
Example Settings ............................................................................................................................................109
Assigning a Function to a Footswitch or Pad [F3 (CONTROL)]......................................................................110
Assigning a Function to a Footswitch [F1 (FOOT SW)]......................................................................110
Using Pads as Switches [F2 (PAD SW)] ....................................................................................................111
Other Settings [F4 (OPTION)].....................................................................................................................................112
Specifying the Preview Velocity [F1 (PREVIEW)]..................................................................................112
Making the Master Comp/EQ Settings Identical for All Kits [F2 (COMP/EQ)] ...........................112
Using the MIX IN Jacks as Two Monaural Inputs [F3 (MIX IN)] .......................................................113
Adjusting the Display Contrast [F5 (LCD)].............................................................................................113
Restoring the Factory Settings [F5 (F RESET)]......................................................................................................114
About MIDI .......................................................................................................................................................................115
About MIDI Connectors................................................................................................................................115
MIDI Channel Settings for the Entire TD-20X [F2 (GLOBAL)]..........................................................................116
Playing an External MIDI Sound Module from Another MIDI Controller (Soft Through) .....116
Recording the Pad Performance on an External Sequencer (Local Control) ............................117
Setting the Device ID.....................................................................................................................................117
MIDI Settings for V-LINK...............................................................................................................................118
MIDI Message Settings for Detailed Performance Expression [F3 (CTRL)]................................................118
Specifying the Drum Kits Recalled by Program Changes [F4 (PROG)]........................................................119
Saving Data to an External MIDI Device (Bulk Dump) [F5 (BULK)] ...............................................................119
11
Contents
Chapter 11. Other Functions [TOOLS] .........................................................121
Playing a Kit from the CompactFlash without Loading It (Kit Selection) [F1 (KIT SEL)]........................121
Copying the Drum Kit Chosen in Kit Selection ....................................................................................122
Viewing the Output Level (OUPUT MONITOR) [F2 (OUT MON)]...................................................................122
Viewing Trigger Information for Each Pad [F3 (TRG MON)]............................................................................123
Using the TD-20X to Control Images [F5 (V-LINK)] ............................................................................................123
What is V-LINK?................................................................................................................................................123
Using V-LINK.....................................................................................................................................................123
Viewing the Remaining Memory and the Program Version [F1 (INFO)] ....................................................125
Messages and Error Messages .....................................................................126
Preset Drum Kit List ......................................................................................128
The TD-20X is the most advanced drum & percussion sound
module in the world. (It is the same as a TD-20 with the TDW20 Expansion Board installed.)
Superior Expression
Roland’s COSM based Variable Drum Modeling technology
produces the full dynamic range of the sounds being played,
from the most gentle ghost notes to powerful rim shots.
Positional sensing, cymbal chokes, cross-sticking on the snare
and delicate buzz rolls are all possible. And of course you can
play with brushes too (plastic only).
Dynamic Interval Control Function
This simulates the physical behavior of drums. Sounds will
respond naturally, depending on variations in playing
dynamics, speed and position.
• Snare Roll/Playing Position
If you tap the head or play a roll and then move your sticks
towards the edge of the head, you will notice the difference
in sound.
• Smooth Response for Cymbal Edge Rolls
If you want to play a dynamic cymbal roll that gradually
crescendos, the sound will remain smooth and constant.
• Positional Sensing on the Ride Cymbal
As with an acoustic cymbal, depending on where you play
the sound will be different. Tap the cymbal near the center of
the bow and gradually move towards the edge and you will
notice less attack and the increased presence of the rich midlow frequencies.
Natural Hi-Hat Response
Closed hi-hat dynamics, edge shot accents, and even loose
half-open sounds are all reproduced faithfully, with the
sound changing in a completely smooth way from closed to
fully open. By detecting pedal position and speed of the
pedal movement, very fast open-close-open movements are
perfectly detected. Foot splash techniques can also be used
with a very natural feel. When using the V-Hi-Hat VH-12, even
the pressure of the two cymbals closing tighter will provide
slight changes in the nuance of the sound, just like with an
acoustic hi-hat (p. 33).
A Rich and Wide Variety of Sounds
100 Different Drum Kits
The wide range of drum kits cover numerous musical styles,
including raw-sounding acoustic drums, historical vintage
drums finely tuned sounds, ambient sounds, percussion from
around the world and processed, electronic sounds
indispensable for today’s club music. Some of the kits include
pre-set Tap-Sequences that allow you to play pitched
melodies and/or chords (p. 52).
The 100 preset kits are the same as those of a TD-20 with
the TD-20 Expansion board installed.
920 Different Sounds (Instruments)
Even before you start customizing the sounds for your
particular playing style or sonic needs, there is an amazing
variety of sounds to work with.
• Acoustic Drum Sounds with Rich Presence
Solid-sounding kick, snare, and tom sounds that won’t get
buried in the mix of your song.
Cymbal sounds with rich resonance, presence and natural
sustain.
There are also stacked cymbals, splashes, and 10-inch snare
drums for use as a sub-snare, etc.
• Processed & Electronic Sounds
These include classic TR-808 and TR-909 sounds for hip-hop
and club music, and electronic sounds that will change pitch
depending on your playing dynamics (Dynamic Pitch Bend
function, p. 51)
• Special Effect Sounds
These include reverse cymbals, scratch sounds, claps and
many special effects.
• Percussion Sounds
These include a selection of world percussion like large
gongs, cajon, Latin & African percussion and traditional
Japanese drums.
• Sounds for Use with Drum Triggers (RT-10 series)
Acoustic or processed sounds can be easily used to enhance
an acoustic drum set equipped with triggers.
The 920 instruments are the same as those of a TD-20
with the TD-20 Expansion board installed.
13
Features
Friendly User Interface
Access to all the editing parameters and operations is very
simple and easy to understand. All functions are clearly
illustrated in the display, with easy-to-understand icons to
help with the editing process (V-Edit, etc.). TD-20X gives you
superior control and allows you to easily customize the
sounds to your specific needs.
Sound Design Power!
Like with acoustic drums, you can tune, add muffling (mute),
change the heads and even adjust the tension of the snares
(or even turn them off). You can change the shell depths or
the material of the snare drum shell.
You can place sizzles on the cymbals, put a tambourine on
the hi-hat, hand claps on the snare drum rim and much more.
You can even adjust the overall kit resonance.
Ambiences Designed and Tuned for Drums
There are 25 different room types to choose from. You can
choose the wall material, room size and shape and even
move the ambient microphones to further enhance the
sound. This helps to create the perspective of listening to the
drums from a different part of the room, or hearing the
precise, finished sound quality like in a recording studio
control room.
Professional Sound Processing
Superior Triggering Response
Roland’s advanced triggering system, which allows you to
easily set the type of pad you are using, including all
parameters, guarantees a very natural dynamic response, no
matter what style of music you are performing.
Previous models of Roland pads are compatible with the
TD-20X. Please see the chart on page 96.
15 Trigger Inputs Allow Expansion
Possibilities
As up to 15 pads can be connected, it is easy to add on extra
pads to have more sounds available at once. You can also
assign special functions to a pad such as switching drum kits,
turning the snares on and off, setting the hi-hat to a fixed
position, playing patterns etc. (Pad Switch, P.111, Pad
Pattern, P.52).
Playing with Brushes
You can play with brushes, using normal “sweep” techniques,
but only if you are using the following pads as the snare
drum. PD-125XS, PD-125X, PD-105X & PD-120 (P.40).
On Board Sequencer and Backing
Instruments
Each pad has an individual 3-band equalizer and a
compressor. There’s also a multi-effect section providing
reverb, flanger, chorus, delay, pitch shifter, phaser, overdrive,
and ring modulator. You can virtually move the microphone
on specific sounds as well as select the type microphone
being used. And for the overall kit, there’s a master
compressor and master equalizer (P.65) that you can use to
even further fine-tune the overall sound. All of these sound
design tools are the same as what is found in professional
recording or PA system consoles.
14
The preset patterns contain four backing parts (262
instruments) and one percussion part, and the patterns have
been selected to represent not just a variety of musical styles,
but to give you an idea of what you can do with it, whether
using for practice or performance purposes.
By connecting a MIDI keyboard, you can create your own
patterns.
Features
Optimized Functions for Stage or
Studio
• The master and headphone volume knobs are
independent.
• The group faders allow quick volume adjustments even
while you perform (P.30).
• The Drum Kit Chain function lets you play kits in any
order you like. Perfect for live performances (P.43).
• Click and Tempo Functions
• You can set the metronome (click) sound to be output ONLY
from the headphones for self monitoring (P.81).
• Each kit can have its own Kit Tempo setting, helpful as well in
a live situation (P.40).
• The tempo Indicator led lets you verify the tempo silently
(P.81).
• The tap Tempo function lets you set the tempo from a pad
(P.80).
• Multiple Output Configurations
By taking full advantage of Master Out L/R and Direct Outs 1–
8, you can use a total of ten outputs. This is ideal for live or
multi-track recording situations. The Master Out L/R, Phones,
and Direct 7/8 can be used as three sets of stereo outputs.
The Digital Out is a coaxial type, 44.1 kHz / 24-bit.
• MIX IN Jack (Stereo)
The MIX IN has its own, independent volume control.
You can choose between stereo and mono, or even mute just
one of the channels. This is ideal for using with drum practice
CDs (with the click in one channel, and the backing in the
other channel) as well as personal monitoring needs (P.113).
Use CompactFlash Cards for Storing
Data
Backup Functions
All of the TD-20X’s settings, including 100 drum kits, can be
saved (backed up) on a CompactFlash card. Up to 99 sets of
backup data (100 kits x 99 = 9900 kits) can be stored. This
assures that you can always have backups of your favorite
kits, that you might want to slightly change now and then.
Backup data that was created on the TD-20 is compatible
with the TD-20X, and can be imported into the TD-20X and
used (P.93).
Kit Selection Function
The Kit Selection function allows you to play preset kits or kits
that are saved on a CompactFlash card without having to
load the drum kit into user memory (P.121).
Use the TD-20X As a MIDI Sound
Module
You can use the TD-20X as a MIDI drum sound module. In
addition to the drum kit section the TD-20X also has a full
percussion set. The factory settings mean that the drum kit
part uses MIDI channel 10 and the percussion part uses
channel 11. You can assign and edit instruments to each note
number from #0–#127 of the percussion part.
15
Panel Descriptions
Top Panel
fig.top
171819
1
4
2
65
10987
13
1.
Trigger Level Indicator
This lights up and moves each time a trigger signal is
received from a pad. It monitors the pad connection and is
helpful when customizing trigger parameters.
2.
Number Display
Displays the Kit number (currently selected drum kit).
3.
Display
During normal performance, you see the kit name and other
information. When editing, relative graphics and text will
appear depending on the edit mode you are in.
14
15
3
11
20
12
22
16
4.
[CHAIN] Button
A Drum Kit Chain allows you to set up a customized order for
playing your kits (p. 43).
[TOOLS] Button
5.
This button is used when you want to check various
information (Output Monitor/Trigger Monitor), or when you
want to use functions such as “Kit Selection” (p. 121).
[COPY] Button
6.
Copy or exchange data between drum kits, instruments, etc.
(p. 42, p. 44, p. 54, p. 57, p. 68, p. 75, p. 106).
21
23
24
16
Panel Descriptions
7.
[CARD] Button
For access to a CompactFlash card functions such as saving/
loading data etc. (p. 91).
8.
[SETUP] Button
For access to functions that affect the TD-20X globally, such
as MIDI parameters or Output Assign function etc. (p. 108).
[TRIGGER] Button
9.
For access to trigger parameters (p. 96).
10.
[EXIT] Button
Press this to return to the previous screen. Repeated pressing
takes you back to the “DRUM KIT” screen.
[F1]–[F5] Buttons (Function Buttons)
11.
These buttons change their function depending on the
contents of the display. The lower part of the display will
indicate the function of each button (p. 28).
[SHIFT] Button
12.
Used in combination with other buttons. How this functions
is explained in respective parts of this manual.
13.
GROUP FADERS
The faders are switchable, allowing you to adjust the volume
of the kick, snare, toms, hi-hat, cymbals, percussion and
backing instruments, and the click sound (p. 30).
14.
SEQUENCER
These provide access to and control of sequencer functions
(pattern playback/recording, percussion set) etc. (p. 69, p. 83).
DRUM KIT
15.
Here’s where to start when you want to perform operations
related to drum kits, such as editing the instruments (p. 46),
or making settings for things such as mixing (p. 56) or effects
(p. 58).
17.
[MIX IN] Knob
Adjusts the level of the audio source connected to the MIX IN
jack (p. 25).
18.
[PHONES] Knob
Adjusts the headphone volume (p. 25). Plugging in
headphones does not affect the master output (like other
audio device).
[MASTER] Knob
19.
Adjusts the volume of the MASTER OUT jacks (p. 25).
20.
[CURSOR] Buttons
Used to move the cursor in the display (p. 28).
[VALUE] Dial
21.
This dial functions like the [+] and [-] buttons. Use it to scroll
quickly or make large changes in edited values (p. 28).
22.
TRIG SELECT
Use the [1] and [15] buttons to select the trigger number
(pad) you want to access. Press the [RIM] button to select the
rim of a pad. (The [RIM] button lights (p. 29).
If you press the [LOCK] button so its indicator is lit, the pad for
which settings are being made will remain selected even if
you strike a pad (p. 46).
23.
[PREVIEW] Button
This velocity sensitive button allows you to audition an
instrument after you have chosen it with the TRIG SELECT
buttons or after you have played a pad/pedal (p. 29).
24.
[-], [+] Buttons
These buttons are used to switch drum kits or to change
values when editing. The [+] button increases the value, and
the [-] button decreases it (p. 28).
[KIT] Button
16.
One touch brings you back to the basic display screen (p. 39).
17
Panel Descriptions
Rear Panel
fig.rear_50
4
2
1
[POWER] Switch
1.
This switch turns the power on/off (p. 24).
If you need to turn off the power completely, first turn
off the [POWER] switch, then unplug the power cord
from the power outlet. Refer to “Power Supply” (p. 6).
2.
AC IN
Connect the included AC power cable to this inlet.
For details on the power consumption, refer to p. 146.
The unit should be connected to a power source
only of the type marked on the bottom of the unit.
3.
TRIGGER INPUT jacks
Use these jacks for connecting your pads to the TD-20X (p. 21).
Use a stereo (TRS) cable if you’re connecting a dual-trigger
type pad.
4.
MIDI OUT/THRU Connector
For using the TD-20X pads to play sounds in an external MIDI
sound module, or recording/saving data to an external MIDI
sequencer (bulk dump; p. 115–120).
5.
MIDI IN Connector
To connect an external MIDI source (sequencer, pad
controller, keyboard, computer, etc.) to play the TD-20X’s
sounds, or to load data (p. 115–119).
3
5
6
8
9
11
7
MIX IN Jack
6.
You can connect a CD player or portable audio player to this
jack, or use it as a monitor input during your live
performance. As the output destination of the sound being
input from this jack, you can choose the MASTER OUT jacks,
the PHONES jack, or DIRECT OUT 5–8 jacks (p. 108). Although
the MIX IN jack is normally used as a stereo input, you are free
to use it as two monaural inputs (p. 113).
7.
FOOT SW Jack
Optional footswitches (such as BOSS FS-5U) give you access
to a variety of functions like selecting drum kits, sequencer
start/stop, etc. Using an optional PCS-31 cable (standard
insert cable).
8.
DIRECT OUT jacks (unbalanced)
Connect these jacks if you’re using an external mixer. You can
make settings in SETUP to specify which of the DIRECT 1–8
jacks each instrument will be sent from (p. 108).
9.
MASTER OUT Jacks (unbalanced)
For connecting to your amp/audio system. For monaural
output, use the MASTER OUT L/MONO jack.
10.
DIGITAL OUT Connector
This coaxial-type digital out connector sends the same audio
signal as is output from MASTER OUT jacks.
Provides output of a 44.1 kHz, 24 bit version of the audio
signal that is output from the MASTER OUT jack.
18
Security Slot (
11.
For retail store use.
http://www.kensington.com/
)
Front Panel
fig.front
Panel Descriptions
1
1.
PHONES Jack
A pair of stereo headphones can be connected to this jack.
Connecting the headphones will not mute the output from
the MASTER OUT jacks (p. 23).
2.
CompactFlash Card Slot
Accepts a CompactFlash card (optional). Each CompactFlash
card can store all settings of the TD-20X, such as drum kits
and sequencer performance data, etc. (p. 91).
The TD-20X supports 3.3V CompactFlash cards (Type I) in a
range of 16 MB–4 GB capacities.
Microdrives and other Type II cards cannot be used.
Even if a card meets the requirements given above, it
may not be usable in some cases depending on that
particular card’s design or the conditions of use.
We cannot guarantee the operation of all cards that
meet the above requirements.
2
19
Getting Ready
Mounting the TD-20X on the Stand
1.
Attach the sound module mounting plate (included with the optional drum stand) to the TD-20X.
Using the four screws attached to the bottom panel, attach the holder so the unit is oriented as shown in the diagram.
fig.StandHolder.e
ONLY use the 12 mm screws (M5 x 12) provided with the TD-20X. Other screws may damage the unit.
TD-20X
Sound module
mounting plate
Wide
Narrow
• When turning the unit upside-down, get a bunch of newspapers or magazines, and place them under the four
corners or at both ends to prevent damage to the buttons and controls. Also, you should try to orient the unit
so no buttons or controls get damaged.
• When turning the unit upside-down, handle with care to avoid dropping it, or allowing it to fall or tip over.
005
006
101c
20
2.
Mount the TD-20X and sound module mounting plate to the drum stand (such as the optional MDS-25).
See the owner’s manual for the stand for details on assembling the drum stand and mounting the TD-20X.
This unit should be used only with a stand that is recommended by Roland.
When using the unit with a stand recommended by Roland, the stand must be carefully placed so it is level
and sure to remain stable. If not using a stand, you still need to make sure that any location you choose for
placing the unit provides a level surface that will properly support the unit, and keep it from wobbling.
This TD-20X is designed for use only with Roland stand MDS series. Use with other stands is capable of
resulting in instability causing possible injury.
The optional APC-33 All Purpose Clamp can be attached to a pipe of 10.5–28.6 mm radius in case you want
to mount the TD-20X on a cymbal stand or other such stand.
Connecting the Pads
Using the provided cables, connect the pads, cymbals, hi-hat, and kick trigger.
When mounting a TD-20X on an MDS-25 drum stand, use the built-in connection cables.
Set up example
Connect the various pads to the TD-20X’s TRIGGER INPUT jacks.
The names of the corresponding TRIGGER INPUT jacks on the TD-20X are enclosed with a solid line in the illustration below.
fig.Kit.e
Getting Ready
BOW/BELL
RIDE
TRIGGER
OUTPUT
jack
TRIGGER INPUT
HI-HAT jack
TD-20X
CONTROL
OUTPUT
jack
to
to
HH CTRL jack
EDGE
BOW/EDGE
10/RIDE
7/HI-HAT
HH CTRL
VH-12
8/CRASH 1
CY-14C
3/TOM 1
PD-125XS
4/TOM 2
11/EDGE
9/CRASH 2
CY-15R
PD-105XPD-105X
PD-125X
CY-14C
PD-125X
5/TOM 3
KD-140
6/TOM 4
2/SNARE
The HI-HAT and RIDE cymbal use two cables each.
1/KICK
21
Getting Ready
Check after making connections
Kick “Sensitivity” setting
Adjust “Sensitivity” in order to take full advantage of the TD-20X’s capabilities such as the dynamic response of the kick sounds.
The “Sensitivity” setting is significantly influenced by differences in the particular pad you’re using, your kick pedal, and your
playing style.
While you watch the TD-20’s Trigger LED indication, adjust this setting so that the red LED lights only for the strongest hits.
Operation: Press the [TRIGGER] button and press the [F2 (BASIC)] button (p. 97).
Hi-hat setting
Please make the following adjustments to ensure comfortable performance.
• If you’re using the “VH-12 V-Hi-Hat,” you must adjust the hi-hat offset. This is required in order to correctly detect open/close
operation and pedal movement.
Access: See “Making Hi-hat (VH-12) Settings” (p. 25).
• “Foot Splash Sens” is also important. Try adjusting it.
Access: Press the [TRIGGER] button and press the [F3 (HI-HAT)] button (p. 99).
• “Pedal HH Volume” can be adjusted for each drum kit.
Access: Press the [KIT] button and press the [F2 (FUNC)] button and press the [F1 (VOLUME)] button (p. 40).
• The hi-hat’s bow and edge volume can be adjusted independently.
Access: Press the [MIXER] button and press the [F1 (VOLUME)] button (p. 56).
Turn the [F5 (H&R)] button off before you make adjustments.
22
Connecting Headphones, Audio Equipment
fig.Connect.e
Portable
Audio Player
Drum monitor, etc.
Getting Ready
L
R
To AC outlet
Power Cord
Stereo
Headphones
Stereo 1/4” Phone plug
Turn off the power of all devices before you make
1.
connections.
To prevent malfunction and/or damage to speakers or
other devices, always turn down the volume, and turn
off the power on all devices before making any
connections.
2.
Connect the MASTER OUT L/MONO and R jacks on
the rear panel to your drum monitor. Headphones
should ONLY be connected to the PHONES jack.
3.
Connect the supplied power cord to the AC inlet.
1/4” Phone plug
Stereo
• To adjust the volume of the device connected to the
• The sound input from the MIX IN jack can be output
• The MIX IN jack is normally used as a stereo input, but
1/4” Phone plug
(mono)
Rear Panel
Front Panel
MIX IN jack, turn the [MIX IN] knob on the TD-20X’s top
panel.
from the MASTER OUT, PHONES, or DIRECT OUT 5–8
jacks (p. 108).
you are also free to use it as two monaural inputs (p. 113).
When connection cables with resistors are used, the
volume level of equipment connected to the MIX IN jack
may be low. If this happens, use connection cables that
do not contain resistors.
4.
Plug the power cord plug into an AC outlet.
By using the MIX IN jack you can perform along with
music from a CD or your portable audio player.
23
Getting Ready
Turning On/Off the Power
5.
While hitting a pad, gradually turn the [MASTER]
(or [PHONES]) to the right to adjust the volume
level.
Once the connections have been completed (p. 21–p. 23),
turn on power to your various devices in the order
specified. By turning on devices in the wrong order, you
risk causing malfunction and/or damage to speakers and
fig.VolMin
1.
other devices.
Turn the [MASTER] and [PHONES] knobs
completely to the left to lower the volume to “0.”
2.
Turn down the volume control on the connected
audio equipment.
3.
Push the [POWER] switch on the TD-20X’s rear
panel to turn on the power.
fig.PowerOn.e
Lower Position
ON
No sound when hitting the pads or using the
pedals?
Check the following points.
When using audio equipment
• Is the audio equipment connected to the TD-20X’s
MASTER OUT jacks?
• Is the input of the audio equipment properly
connected?
• Is there a problem with any connection cables?
• Is the volume turned down in the GROUP FADERS
sliders?
• Is the [MASTER] knob turned completely to the left?
• Have the input select settings of your audio equipment
been made correctly?
• Is the audio equipment volume setting correct?
When using headphones
• Are the headphones connected to the PHONES jack?
• Is the [PHONES] knob turned completely to the left?
Turning off the power
This unit is equipped with a protection circuit. A brief
interval (a few seconds) after power up is required
before the unit will operate normally.
Precautions when turning on the power
After the power is turned on, do NOT hit any pads or
step on the pedals until the drum kit name (following
figure) appears in the display. Doing so can cause
triggering problems.
fig.00-001-kit.eps_70
4.
Turn on the power to the connected audio
equipment.
24
Completely turn down the volume of the TD-20X
1.
and the connected audio equipment.
2.
Turn off the power to the connected audio
equipment.
3.
Push the [POWER] switch on the TD-20X’s rear
panel to turn off the power.
fig.PowerOn.e
Upper Position
OFF
If you need to turn off the power completely, first turn
off the [POWER] switch, then unplug the power cord
from the power outlet. Refer to “Power Supply” (p. 6).
Getting Ready
Adjusting the Volume
Use the three VOLUME CONTROL knobs to adjust the volume.
Turning a knob toward the left will decrease the volume, and
turning it toward the right will increase the volume.
fig.VolMin
Knob
[MASTER]
[PHONES]
[MIX IN]
Description
Adjusts the volume that is output from the MASTER
OUT jacks.
Adjusts the volume that is output from the
PHONES jack.
Adjusts the volume that is input from the MIX IN
jack. As the output destination of the sound that’s
input from the MIX IN jack, you can choose the
MASTER OUT jacks, the PHONES jack, or the DIRECT
OUT 5–8 jacks (p. 108).
Making Hi-hat (VH-12) Settings
If you’re using the VH-12 V-hi-hat,
adjustment from the TD-20X
This adjustment is required in order to correctly detect open,
close, and pedal operations.
execute the offset
after making connections.
Adjusting Mesh Head Tension
(PD-125XS/125X/105X)
Before playing you must adjust the pad tension first.
You can tune/adjust the head tension as you would with an
acoustic drum, to get the same dynamic “feel.”
The pad will function at it’s best if you are sure to:
• Adjust the head evenly so that it does not sag.
fig.19-e.eps.80
1.
• Adjust the tuning bolts so that they are not loose.
46
12
5
Adjust each tuning bolt little by little, across the
head as indicated in the illustration. This assures
even tensioning.
3
1.
Loosen the clutch screw of the top hi-hat and let it
sit on the bottom hi-hat.
Do NOT touch the hi-hats or the pedal.
Hold down the [KIT] button and press the
2.
[TRIGGER] button.
The “VH Offset” parameter is set automatically (approx. 3
seconds).
The [TRIGGER] button stops flashing and remains lit.
fig.00-002-vhoffset.eps_70
If you need, make further adjustments to the parameters.
“Hi-Hat Settings [F3 (HI-HAT)]” (p. 99)
If you do not make VH-12’s setting correctly, it may
cause malfunction. For details on attaching the hi-hat to
the stand, refer to the VH-12 owner’s manual.
• Fully tightening a tuning bolt at only a single location
produces uneven tensioning, and correct playing
dynamics may not be achieved. Even tuning/
tensioning is very important.
• Head tension will not affect the actual tuning of the
sound you are playing. For that you need to adjust
sound parameters in the sound module you are
using.
Also, head tension may change depending on usage.
Adjust as needed.
25
Getting Ready
Adjusting the Display Contrast
3.
To stop the playback mid-way through a song,
press the [F4 (STOP)] or [STOP] button.
If the position in which the TD-20X is placed makes the
display difficult to read, adjust the display contrast as follows.
1.
Holding down the [KIT] button and turning the
[VALUE] dial.
You can also adjust it in the screen displayed by
pressing the [SETUP] button (p. 113).
Listening to the Demo Songs
The demo songs introduce the TD-20X’s sounds and
expressive capability.
The drums on these songs were recorded from the TD20X to a sequencer in realtime.
1.
Press the [CHAIN] and [TOOLS] button
simultaneously.
The “DEMONSTRATION” screen appears.
fig.00-003-demo.eps_70
• When you press the button, you’ll return to the
beginning of the song that was playing.
• You can change the volume balance with GROUP
FADERS (p. 30).
• Hold down the [SHIFT] button and press the [TEMPO]
button to turn the metronome click (p. 81) on/off.
The click sounds with the settings which you set before
you enter the “DEMONSTRATION” screen.
4.
Press the [EXIT] button to return to the “DRUM KIT”
screen.
Caution Concerning Volume
When playing back the demo song, turn the
[MASTER] and [PHONES] knobs to the left
(counterclockwise) to bring the volume level
down. The sound levels (volume) of the
instruments may be louder when the demo song is
played back.
fig.00-003-demo.eps_70
2.
Press the [F5 (PLAY)] or [PLAY] button.
The demo song is played.
All songs will play consecutively.
When the last song has finished playing, playback will return
to the first song and continue.
While the song plays, you can use the function buttons to
mute a specific part.
Function button
[F1 (DRUMS)]
[F2 (BACKING)]
You can MUTE the entire drum track.
You can MUTE all the backing instruments.
26
Getting Ready
Changing the drum kit used
Normally, the demo songs will be played using the drum kit
recommended for each song. However, you are free to listen
to the demo songs played using a different drum kit.
1.
In the “DEMONSTRATION” screen, select the kit
that you want to use.
Use the [CURSOR (up/down)] buttons, [-] [+]
buttons, and [VALUE] dial to select a drum kit.
Parameter
Memory
BackUp1–99
KitSelect the kit that you want to use.
You can change the drum kit while the demo song is either
playing or stopped.
If you switch songs, the song will play with the
recommended drum kit specified for that song.
ValueDescription
TD-20
PRESET
TDW-20
PRESET
USERA drum kit in user memory
CARD
The TD-20’s preset drum kit
The TDW-20’s preset drum kit
A backup drum kit saved on a
CompactFlash card
If you selected “CARD” for
“Memory,” select a backup.
Changing data values
([-] [+] buttons/[VALUE] dial)
Changing a Value
Saving your settings
Every time you change a value during the editing process, it’s
automatically stored in the TD-20X’s memory. There’s no
“write/save” process.
Moving the cursor ([CURSOR] buttons)
fig.00-001e_70
Cursor
Cursor refers to the highlighted characters indicating an onscreen parameter that can be set. When there is more than
one possibility within the screen, use the [CURSOR] buttons
to move it.
fig.00-002_50
fig.00-004_40
The [-] and [+] buttons and the [VALUE] dial are both used to
change the values of settings. Both methods have
advantages.
[-] [+] buttons
• Each time the [+] button is pressed, the value increases. Each
time the [-] button is pressed, the value decreases. This is
convenient for fine adjustments.
• When making an on/off setting, the [+] button will turn the
setting on and the [-] button will turn it off.
• If you hold down the [+] button and press the [-] button, the
value will increase rapidly. If you hold down the [-] button
and press the [+] button, the value will decrease rapidly.
• If you hold down the [SHIFT] button and press the [-] or [+]
button, the value will change even more rapidly.
[VALUE] dial
The dial allows you to make quick changes to the value.
• If you hold down the [SHIFT] button and turn the [VALUE]
dial, the value will change even more rapidly.
28
Selecting a function to edit
(Function buttons)
fig.00-003_50
The [F1]–[F5] buttons are called “function buttons.” The
bottom part of the display will show the names of the
functions available for the [F1]–[F5] buttons. For example, if
this owner’s manual makes reference to the [F2 (EDIT)]
button, press [F2] button (in this case, “EDIT” is displayed
above the [F2] button).
Overview
Choosing a Pad to Edit
About the upper right display screen
indications
fig.00-005-snare.eps_70
In screens that allow you to edit specific settings for each
pad, the upper right of the display will show the trigger
number and name of the TRIGGER INPUT jack to which the
selected pad is connected.
The initial “H” or “R” indicates whether the settings are for the
pad’s head (HEAD) or rim (RIM). Pressing the [PREVIEW]
button will play either the head or rim sound depending on
whether “H” or “R” is displayed.
The position indicated in the illustration below tells you
whether the edit screen is for the head or the rim.
fig.00-006-snare.eps_70
Choosing pads from the TD-20X’s top panel
fig.00-007_70
You can use the TRIG SELECT buttons to select a pad/sound
without needing to hit a pad and/or when a pad is not
connected.
Pressing the [1] button will select the next lower-numbered
trigger. Pressing the [15] button will select the next highernumbered trigger.
When using a dual trigger pad (with rim trigger) the [RIM]
button selects whether you’re making settings for the head
or the rim of the selected pad.
When rim is selected, the [RIM] button will light.
Auditioning the sound of a pad
([PREVIEW] button)
Press the [PREVIEW] button to hear the sound of the selected
pad/sound using the TRIG SELECT buttons.
Choosing by hitting a pad
To edit the settings for a pad, strike that pad to select it.
To select the rim of a pad, strike the rim.
By pressing the [LOCK] button to make it light, you can
prevent the edited pad from being switched even if you
accidentally touch a different pad (p. 46).
29
Overview
Using The Group Faders
(GROUP FADERS/[FADER])
fig.00-009
Use the GROUP FADERS sliders to adjust the volume.
By pressing the [FADER] button, the function of the faders
changes as shown in the chart below. An LED will light up at
the upper and lower right of the faders, indicating which set
of sounds is active.
Example: Adjusting the Snare Volume
Press the [FADER] button so the upper indicator is
1.
lit.
Move the GROUP FADERS [SNARE] slider.
2.
The slider position shows the current snare volume.
After switching with the [FADER] button, the values for
the GROUP FADERS sliders may not reflect the actual
volume of the sound assigned to that fader. So after
switching, be sure to move the faders a bit before
making your setting.
This will NOT affect the independent volume balance for
each kit in: Mixer Settings (p. 56).
Turning the Click On/Off
Hold down the [SHIFT] button and press the [TEMPO] button
to turn the click on and off.
When upper indicator is lit
You can adjust the volume of following trigger inputs.
KICK
SNARE
TOMS
HI-HAT
CRASH 1
CRASH 2
RIDE
AUX
1 KICK
2 SNARE
3 TOM 1, 4 TOM 2, 5 TOM 3, 6 TOM 4
7 HI-HAT
8 CRASH 1
9 CRASH 2
10 RIDE, 11 EDGE
12 AUX 1, 13 AUX 2, 14 AUX 3, 15 AUX 4
When lower indicator is lit
You can adjust the volume of following trigger inputs and
sequencer parts.
AUX 1
AUX 2
AUX 3
AUX 4
PERC
BACKING
CLICK
12 AUX 1
13 AUX 2
14 AUX 3
15 AUX 4
Percussion part (p. 73)
Backing part (p. 72)
Metronome click (p. 81)
The [TEMPO] button indicator can also be used as a
visual metronome (p. 81).
Changing the Tempo ([TEMPO])
fig.00-007-tempo.eps_70
To adjust the tempo of the sequencer and click, use the [-] [+]
buttons or the [VALUE] dial in the screen displayed by
pressing the [TEMPO] button.
30
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