Roland S88 Parameter List
Parameter List
Thank you, and congratulations on your choice of the Roland
.
Parameter List............................................................. 2
Patch Parameter ............................................................................................ 2
Rhythm Set Parameter ................................................................................. 7
Performance Parameter ............................................................................. 10
Rhythm Group Parameter......................................................................... 13
Sample Parameters ..................................................................................... 13
System Parameters...................................................................................... 14
Effects List ................................................................ 19
Multi-Effects Parameters ........................................................................... 19
/
Chorus Parameters ..................................................................................... 42
Reverb Parameters...................................................................................... 42
Input Effect Parameter ............................................................................... 43
Error Messages......................................................... 44
About MIDI................................................................. 45
MIDI Implementation ................................................ 46
Copyright © 2003 ROLAND CORPORATION
All rights reserved. No part of this publication may be reproduced in any form without
the written permission of ROLAND CORPORATION.
Parameter List
Patch Parameter
General Group (Owner’s Manual; p. 43)
Parameter
Patch Name
Patch Category
Patch Level 0–127
Patch Pan L64–0–63R
Patch Priority LAST, LOUDEST
Octave Shift -3– +3
Patch Coarse Tune -48– +48
Patch Fine Tune -50– +50
Stretch Tune Depth OFF, 1–3
Analog Feel Analog Feel Depth 0–127
Cutoff Offset -63– +63
Resonance Offset -63– +63
Attack Time Offset -63– +63
Release Time Offset -63– +63
Velocity Sens Offset -63– +63
* Specify when writing.
Value
space, A–Z, a–z, 0–9, ! ” # $ % & ’ ( ) * + , - . / : ; < = > ?
@ [ \ ] ^ _ ` { | }
Wave Group (Owner’s Manual; p. 45)
Parameter
Wave Group
Wave Bank When the wave group is EXP: A–D, When the wave
Wave No. L (Mono) Wave Number L (Mono) ----, 1–1228 (The upper limit will depend on the wave
Wave No. R Wave Number R ----, 1–1228 (The upper limit will depend on the wave
Wave Gain -6, 0, +6, +12
Wave Tempo Sync OFF, ON
FXM Switch OFF, ON
FXM Color 1–4
FXM Depth 0–16
Value
INT, EXP, SAMP, MSAM
group is SAMP: PRST, USER, CARD, When the wave
group is MSAM: USER, CARD
group.)
group.)
TMT Group (Owner’s Manual; p. 46)
Parameter Value
Structure Type 1 & 2, 3 & 4
Booster 1 & 2, 3 & 4 Booster Gain 1 & 2, 3 & 4 0, +6, +12, +18
Key Fade Lower Keyboard Fade Width Lower 0–127
Key Range Lower Keyboard Range Lower C-1–UPPER
Key Range Upper Keyboard Range Upper LOWER–G9
Key Fade Upper Keyboard Fade Width Upper 0–127
TMT Velocity Control TMT Velocity Control Switch OFF, ON, RANDOM, CYCLE
Velo Fade Lower Velocity Fade Width Lower 0–127
Velo Range Lower Velocity Range Lower 1–UPPER
Velo Range Upper Velocity Range Upper LOWER–127
Velo Fade Upper Velocity Fade Width Upper 0–127
TMT Control Sw TMT Control Switch OFF, ON
2
1–10
Pitch Group (Owner’s Manual; p. 49)
Parameter List
Parameter
Tone Coarse Tune
Tone Fine Tune -50– +50
Random Pitch Depth 0, 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 20, 30, 40, 50, 60, 70, 80, 90, 100,
Pitch Key Follow -200, -190, -180, -170, -160, -150, -140, -130, -120, -110,
Bend Range Up Pitch Bend Range Up 0– +48
Bend Range Down Pitch Bend Range Down -48–0
P-Env V-Sens Pitch Envelope Velocity Sensitivity -63– +63
P-Env T1 V-Sens Pitch Envelope Time 1 Velocity Sensitivity -63– +63
P-Env T4 V-Sens Pitch Envelope Time 4 Velocity Sensitivity -63– +63
P-Env Time KF Pitch Envelope Time Key Follow -100, -90, -80, -70, -60, -50, -40, -30, -20, -10, 0, +10, +20,
Value
-48– +48
200, 300, 400, 500, 600, 700, 800, 900, 1000, 1100, 1200
-100, -90, -80, -70, -60, -50, -40, -30, -20, -10, 0, +10, +20,
+30, +40, +50, +60, +70, +80, +90, +100, +110, +120, +130,
+140, +150, +160, +170, +180, +190, +200
+30, +40, +50, +60, +70, +80, +90, +100
Pitch Env Group (Owner’s Manual; p. 50)
Parameter
P-Env Depth
P-Env Time1–4 Pitch Envelope Time 1–4 0–127
P-Env Level0–4 Pitch Envelope Level 0–4 -63– +63
Pitch Envelope Depth -12– +12
Value
TVF Group (Owner’s Manual; p. 50)
Parameter Value
Filter Type
Cutoff Frequency 0–127
Resonance 0–127
Cutoff Key Follow Cutoff Frequency Key follow -200, -190, -180, -170, -160, -150, -140, -130, -120, -110,
Cutoff V-Curve Cutoff Frequency Velocity Curve FIXED, 1–7
Cutoff V-Sens Cutoff Velocity Sensitivity -63– +63
Resonance V-Sens Resonance Velocity Sensitivity -63– +63
F-Env V-Curve TVF Envelope Velocity Curve FIXED, 1–7
F-Env V-Sens TVF Envelope Velocity Sensitivity -63– +63
F-Env T1 V-Sens TVF Envelope Time 1 Velocity Sensitivity -63– +63
F-Env T4 V-Sens TVF Envelope Time 4 Velocity Sensitivity -63– +63
OFF, LPF BPF, HPF, PKG, LPF2, LPF3
-100, -90, -80, -70, -60, -50, -40, -30, -20, -10, 0, +10, +20,
+30, +40, +50, +60, +70, +80, +90, +100, +110, +120, +130,
+140, +150, +160, +170, +180, +190, +200
TVF Env Group (Owner’s Manual; p. 52)
Parameter
F-Env Depth
F-Env Time KF TVF Envelope Time Key Follow -100, -90, -80, -70, -60, -50, -40, -30, -20, -10, 0, +10, +20,
F-Env Time1–4 TVF Envelope Time 1–4 0–127
F-Env Level 0–4 TVF Envelope Level 0–4 0–127
TVF Envelope Depth -63– +63
Value
+30, +40, +50, +60, +70, +80, +90, +100
3
Parameter List
TVA Group (Owner’s Manual; p. 53)
Parameter
Tone Level
Level V-Curve TVA Level Velocity Curve FIXED, 1–7
Level V-Sens TVA Level Velocity Sensitivity -63– +63
Bias Level -100, -90, -80, -70, -60, -50, -40, -30, -20, -10, 0, +10, +20,
Bias Position C-1–G9
Bias Direction LOWER, UPPER, LO&UP, ALL
Tone Pan L64–0–63R
Pan Key follow -100– +100
Random Pan Depth 0–63
Alter Pan Depth Alternate Pan Depth L63–0–63R
Value
0–127
+30, +40, +50, +60, +70, +80, +90, +100
TVA Env Group (Owner’s Manual; p. 54)
Parameter
A-Env T1 V-Sens
A-Env T4 V-Sens TVA Envelope Time 4 Velocity Sensitivity -63– +63
A-Env Time KF TVA Envelope Time Key Follow -100, -90, -80, -70, -60, -50, -40, -30, -20, -10, 0, +10, +20,
A-Env Time1–4 TVA Envelope Time 1–4 0–127
A-Env Level1–3 TVA Envelope Level 1–3 0–127
TVA Envelope Time 1 Velocity Sensitivity -63– +63
Value
+30, +40, +50, +60, +70, +80, +90, +100
Output Group (Owner’s Manual; p. 55)
Parameter Value
Patch Out Assign
Tone Out Assign Tone Output Assign MFX, A, B, 1–4
Tone Out Level Tone Output Level 0–127
Tone Chorus Send (Send Level
(Output=MFX))
Tone Reverb Send (Send Level
(Output=MFX))
Tone Chorus Send (Send Level
(Output=non MFX))
Tone Reverb Send (Send Level
(Output=non MFX))
Patch Output Assign MFX, A, B, 1–4, TONE
Tone Chorus Send Level 0–127
Tone Reverb Send Level 0–127
Tone Chorus Send Level 0–127
Tone Reverb Send Level 0–127
LFO1/2 Group (Owner’s Manual; p. 56)
Parameter
Waveform
Rate LFO1/LFO2 Rate 0–127, Note
Rate Detune LFO1/LFO2 Rate Detune 0–127
Offset LFO1/LFO2 Offset -100, -50, 0, +50, +100
Delay Time LFO1/LFO2 Delay Time 0–127
Delay Time KF LFO1/LFO2 Delay Time Key Follow -100, -90, -80, -70, -60, -50, -40, -30, -20, -10, 0, +10, +20,
Fade Mode LFO1/LFO2 Fade Mode ON <, ON >, OFF <, OFF >
Fade Time LFO1/LFO2 Fade Time 0–127
Key Trigger LFO1/LFO2 Key Trigger OFF, ON
Pitch Depth LFO1/LFO2 Pitch Depth -63– +63
TVF Depth LFO1/LFO2 TVF Depth -63– +63
TVA Depth LFO1/LFO2 TVA Depth -63– +63
Pan Depth LFO1/LFO2 Pan Depth -63– +63
LFO1/LFO2 Waveform SIN, TRI, SAW-U, SAW-D, SQR, RND, BND-U, BND-D,
4
Value
TRP S&H, CHAOS, VSIN, STEP
+30, +40, +50, +60, +70, +80, +90, +100
Step LFO Group (Owner’s Manual; p. 57)
Parameter List
Parameter
Step Type
Step 1–16 LFO Step1–16 -36– +36
LFO Step Type TYPE 1, TYPE 2
Value
Solo/Porta Group (Owner’s Manual; p. 58)
Parameter
Mono/Poly
Legato Switch OFF, ON
Legato Retrigger Legato Retrigger Switch OFF, ON
Portamento Switch OFF, ON
Portamento Mode NORMAL, LEGATO
Portamento Type RATE, TIME
Portamento Start PITCH, NOTE
Portamento Time 0–127
Value
MONO, POLY
Misc Group (Owner’s Manual; p. 60)
Parameter
Tone Delay Mode
Tone Delay Time 0–127, Note
Tone Env Mode NO SUS, SUST
Tone Rx Bender Tone Receive Pitch Bend Switch OFF, ON
Tone Rx Expression Tone Receive Expression Switch OFF, ON
Tone Rx Hold-1 Tone Receive Hold Switch OFF, ON
Tone Rx Pan Mode Tone Receive Pan Mode CONT, K-ON
Tone Redamper Sw Tone Redamper Switch OFF, ON
Value
NORM, HOLD, OFF-N, OFF-D
CTRL 1–4 Group (Owner’s Manual; p. 61)
Parameter Value
Matrix Control 1–4 Source OFF, CC01–31, 33–95, PITCH BEND, AFTERTOUCH,
CTRL Destination 1–4 Matrix Control Destination 1–4 OFF, PITCH, CUTOFF, RESONANCE, LEVEL, PAN,
CTRL Sens 1–4 Matrix Control Sens 1–4 -63– +63
CTRL Switch 1–4 Tone Control Switch 1–4 OFF, ON, REVERSE
SYS CTRL1–SYS CTRL4, VELOCITY, KEYFOLLOW,
TEMPO, LFO1, LFO2, PITCH ENV, TVF ENV, TVA
ENV
OUTPUT LEVEL, CHORUS SEND, REVERB SEND,
LFO1 PITCH DEPTH, LFO2 PITCH DEPTH, LFO1 TVF
DEPTH, LFO2 TVF DEPTH, LFO1 TVA DEPTH, LFO2
TVA DEPTH, LFO1 PAN DEPTH, LFO2 PAN DEPTH,
LFO1 RATE, LFO2 RATE, PIT ENV A-TIME, PIT ENV
D-TIME, PIT ENV R-TIME, TVF ENV A-TIME, TVF
ENV D-TIME, TVF ENV R-TIME, TVA ENV A-TIME,
TVA ENV D-TIME, TVA ENV R-TIME, TMT, FXM
DEPTH, MFX CTRL1, MFX CTRL2, MFX CTRL3, MFX
CTRL4, TIME
5
Parameter List
Effect Group (Owner’s Manual; p. 175)
Parameter
MFX
Type
MFX Output Level Multi-Effects Output Level 0–127
MFX Chorus Send Level Multi-Effects Chorus Send Level 0–127
MFX Reverb Send Level Multi-Effects Reverb Send Level 0–127
MFX Output Assign Multi-Effects Output Assign A, B
Source 1–4 Multi-Effects Control Source 1–4 OFF, CC01–31, 33–95, PITCH BEND, AFTERTOUCH,
Destination 1–4 Multi-Effects Control Destination 1–4
Sens 1–4 Multi-Effects Control Sens 1–4 -63– +63
Chorus
Chorus Type
Chorus Output Select MAIN, REV, M+R
Chorus Level 0–127
Chorus Output Assign A, B
Reverb
Reverb Type
Reverb Level 0–127
Reverb Output Assign A, B
Multi-Effects Type 00 THROUGH–77 CHORUS->FLANGER (Fantom-S),
Value
78 SYMPATHETIC RESONANCE (Fantom-S88)
SYS CTRL1–SYS CTRL4
0 (Off), 1 (Chorus), 2 (Delay), 3 (GM2 Chorus)
0 (Off), 1 (Reverb), 2 (SRV Room), 3 (SRV Hall), 4 (SRV
Plate), 5 (GM2 Reverb)
6
Rhythm Set Parameter
General Group (Owner’s Manual; p. 67)
Parameter List
Parameter
Rhythm Set Name
Rhythm Tone Name space, A–Z, a–z, 0–9, ! ” # $ % & ’ ( ) * + , - . / : ; < = > ?
Rhythm Level Rhythm Set Level 0–127
Assign Type MULTI, SINGLE
Mute Group OFF, 1–31
Tone Env Mode Rhythm Tone Envelope Mode NO-SUS, SUSTAIN
Tone Pitch Bend Range Rhythm Tone Pitch Bend Range 0–48
Tone Receive Expression Rhythm Tone Receive Expression Switch OFF, ON
Tone Receive Hold-1 Rhythm Tone Receive Hold-1 Switch OFF, ON
Tone Receive Pan Mode Rhythm Tone Receive Pan Mode CONTINUOUS, KEY-ON
One Shot Mode OFF, ON
Aftertouch Time Ctrl Sens Aftertouch Time Control Sensitivity -63– +63
* Specify when writing.
Value
space, A–Z, a–z, 0–9, ! ” # $ % & ’ ( ) * + , - . / : ; < = > ?
@ [ \ ] ^ _ ` { | }
@ [ \ ] ^ _ ` { | }
Wave Group (Owner’s Manual; p. 68)
Parameter
Wave Group
Wave Bank When the wave group is EXP: A–D, When the wave
Wave No. L (Mono) Wave Number L (Mono) ----, 1–1228 (The upper limit will depend on the wave
Wave No. R Wave Number R ----, 1–1228 (The upper limit will depend on the wave
Wave Gain -6, 0, +6, +12
Wave Tempo Sync OFF, ON
FXM Switch OFF, ON
FXM Color 1–4
FXM Depth 0–16
Value
INT, EXP, SAMP, MSAM
group is SAMP: PRST, USER, CARD, When the wave
group is MSAM: USER, CARD
group.)
group.)
WMT Group (Owner’s Manual; p. 70)
Parameter
Wave Coarse Tune
Wave Fine Tune -50– +50
Wave Level 0–127
Wave Pan L64–0–63R
Wave Rnd Pan Sw Wave Random Pan Switch OFF, ON
Wave Alter Pan Sw Wave Alternate Pan Switch OFF, ON, REVS
WMT Velocity Control Velocity Control Switch OFF, ON, RANDOM
Velo Fade Lower Velocity Fade Width Lower 0–127
Velo Range Lower Velocity Range Lower 1–UPPER
Velo Range Upper Velocity Range Upper LOWER–127
Velo Fade Upper Velocity Fade Width Upper 0–127
Value
-48– +48
Pitch Group (Owner’s Manual; p. 71)
Parameter Value
Tone Coarse Tune
Tone Fine Tune Rhythm Tone Fine Tune -50– +50
Tone Random Pitch Depth 0, 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 20, 30, 40, 50, 60, 70, 80, 90, 100,
Rhythm Tone Coarse Tune C-1–G9
200, 300, 400, 500, 600, 700, 800, 900, 1000, 1100, 1200
7
Parameter List
Pitch Env Group (Owner’s Manual; p. 71)
Parameter
P-Env Depth
P-Env V-Sens Pitch Envelope Velocity Sensitivity -63– +63
P-Env T1 V-Sens Pitch Envelope Time 1 Velocity Sensitivity -63– +63
P-Env T4 V-Sens Pitch Envelope Time 4 Velocity Sensitivity -63– +63
P-Env Time1–4 Pitch Envelope Time 1–4 0–127
P-Env Level 0–4 Pitch Envelope Level 0–4 -63– +63
Pitch Envelope Depth -12– +12
Value
TVF Group (Owner’s Manual; p. 72)
Parameter
Filter Type
Cutoff Frequency 0–127
Resonance 0–127
Cutoff V-Curve Cutoff Frequency Velocity Curve FIXED, 1–7
Cutoff V-Sens Cutoff Velocity Sensitivity -63– +63
Resonance V-Sens Resonance Velocity Sensitivity -63– +63
Value
OFF, LPF BPF, HPF, PKG, LPF2, LPF3
TVF Env Group (Owner’s Manual; p. 73)
Parameter
F-Env Depth
F-Env V-Curve TVF Envelope Velocity Curve FIX, 1–7
F-Env V-Sens TVF Envelope Velocity Sensitivity -63– +63
F-Env T1 V-Sens TVF Envelope Time 1 Velocity Sensitivity -63– +63
F-Env T4 V-Sens TVF Envelope Time 4 Velocity Sensitivity -63– +63
F-Env Time1–4 TVF Envelope Time 1–4 0–127
F-Env Level0–4 TVF Envelope Level 0–4 0–127
TVF Envelope Depth -63– +63
Value
TVA Group (Owner’s Manual; p. 74)
Parameter
Tone Level
Level V-Curve Level Velocity Curve FIXED, 1–7
Level V-Sens Level Velocity Sensitivity -63– +63
Tone Pan Rhythm Tone Pan L64–0–63R
Random Pan Depth 0–63
Alternate Pan Depth L63–0–63R
Rhythm Tone level 0–127
Value
TVA Env Group (Owner’s Manual; p. 74)
Parameter
A-Env T1 V-Sens
A-Env T4 V-Sens TVA Envelope Time 4 Velocity Sensitivity -63– +63
A-Env Time1–4 TVA Envelope Time 1–4 0–127
A-Env Level1–3 TVA Envelope Level 1–3 0–127
TVA Envelope Time 1 Velocity Sensitivity -63– +63
Value
8
Output Group (Owner’s Manual; p. 75)
Parameter List
Parameter
Rhythm Out Assign
Tone Out Assign Tone Output Assign MFX, A, B, 1–4
Tone Out Level Tone Output Level 0–127
Tone Chorus Send (Send Level
(Output=MFX))
Tone Reverb Send (Send Level
(Output=MFX))
Tone Chorus Send (Send Level
(Output=non MFX))
Tone Reverb Send (Send Level
(Output=non MFX))
Rhythm Output Assign MFX, A, B, 1–4, TONE
Tone Chorus Send Level 0–127
Tone Reverb Send Level 0–127
Tone Chorus Send Level 0–127
Tone Reverb Send Level 0–127
Value
Effect Group (Owner’s Manual; p. 175)
Parameter
MFX
Type
MFX Output Level Multi-Effects Output Level 0–127
MFX Chorus Send Level Multi-Effects Chorus Send Level 0–127
MFX Reverb Send Level Multi-Effects Reverb Send Level 0–127
MFX Output Assign Multi-Effects Output Assign A, B
Source 1–4 Multi-Effects Control Source 1–4 OFF, CC01–31, 33–95, PITCH BEND, AFTERTOUCH,
Destination 1–4 Multi-Effects Control Destination 1–4
Sens 1–4 Multi-Effects Control Sens 1–4 -63– +63
Chorus
Chorus Type 0 (Off), 1 (Chorus), 2 (Delay), 3 (GM2 Chorus)
Chorus Output Select MAIN, REV, M+R
Chorus Level 0–127
Chorus Output Assign A, B
Reverb
Reverb Type
Reverb Level 0–127
Reverb Output Assign A, B
Multi-Effects Type 00 THROUGH–77 CHORUS->FLANGER (Fantom-S),
Value
78 SYMPATHETIC RESONANCE (Fantom-S88)
SYS CTRL1–SYS CTRL4
0 (Off), 1 (Reverb), 2 (SRV Room), 3 (SRV Hall), 4 (SRV
Plate), 5 (GM2 Reverb)
9
Parameter List
Performance Parameter
General Group (Owner’s Manual; p. 96)
Parameter
Performance Name
* Specify when writing.
Value
space, A–Z, a–z, 0–9, ! ” # $ % & ’ ( ) * + , - . / : ; < = > ?
@ [ \ ] ^ _ ` { | }
Part View Group (Owner’s Manual; p. 84)
Parameter
[1 (Level/Pan)]
Patch Type Patch, Rhythm
Patch Bank USER, PR-A–E (F;Fantom-S88), GM, CARD, XP-A–D
Patch Number 001–
Keyboard Switch OFF, ON
Solo Switch OFF, ON
Mute Switch OFF, ON
Part Level 0–127
Part Pan L64–0–63R
[2 (Output Effect)]
Part Output Assign
Part Output MFX Select 1–3 (MFX-1–MFX-3)
Part Output Level 0–127
Part Chorus Send Level 0–127
Part Reverb Send Level 0–127
MFX1–3 Source OFF, ON
Chorus Source OFF, ON
Reverb Source OFF, ON
[3 (Pitch)]
Part Octave Shift
Part Coarse Tune -48– +48
Part Fine Tune -50– +50
Part Mono/Poly MONO, POLY, PATCH
Part Legato Switch OFF, ON, PATCH
Part Pitch Bend Range 0–24, PATCH
Part Portamento Switch OFF, ON, PATCH
Part Portamento Time 0–127, PATCH
[4 (Offset)]
Part Cutoff Offset
Part Resonance Offset -64– +63
Part Attack Time Offset -64– +63
Part Release Time Offset -64– +63
Part Decay Time Offset -64– +63
[5 (Key Range)]
Keyboard Range Lower
Keyboard Range Upper LOWER–G9
Part Velocity Sens Offset -63– +63
Part Vibrato Rate -64– +63
Part Vibrato Depth -64– +63
Part Vibrato Delay -64– +63
Voice Reserve 0–63, FULL
[6 (Scale Tune)]
C–B
[7 (External)]
Receive Switch
Receive Channel 1–16
External Bank Select MSB 0–127, OFF
External Bank Select LSB 0–127
External Program Number External Program Change Number 1–128, OFF
External Level 0–127, OFF
External Pan L64–0–63R, OFF
Part Scale Tune C–B -64– +63
Value
MFX, A, B, 1–4, PATCH
-3– +3
-64– +63
C-1–UPPER
OFF, ON
10
Parameter List
Parameter
[8 (MIDI Filter)]
Program Change
Bank Select Receive Bank Select Switch OFF, ON
Pitch Bend Receive Pitch Bend Switch OFF, ON
Polyphonic Key Pressure Receive Polyphonic Key Pressure Switch OFF, ON
Channel Pressure Receive Channel Pressure Switch OFF, ON
Modulation Receive Modulation Switch OFF, ON
Volume Receive Volume Switch OFF, ON
Pan Receive Pan Switch OFF, ON
Expression Receive Expression Switch OFF, ON
Hold-1 Receive Hold 1 Switch OFF, ON
Phase Lock Phase Lock Switch OFF, ON
Velocity Curve OFF, 1–4
Receive Program Change Switch OFF, ON
Value
Control Setting Group (Owner’s Manual; p. 91)
Parameter
Ctrl Switch
Control Bender Control Pitch Bend Switch OFF, ON
Control Aftertouch Control Aftertouch Switch OFF, ON
Control Modulation Control Modulation Switch OFF, ON
Control Hold Pedal Control Hold Pedal Switch OFF, ON
Control Pedal Control Pedal Switch OFF, ON
Control D Beam Control D Beam Switch OFF, ON
Control Knob 1–4 Control Knob Switch OFF, ON
D Beam (Pad Trigger)
Pad Number 1–16
Pad Velocity 1–127
Pad Control Mode MOMENTARY, LATCH
D Beam (Assignable)
Type Assignable Type CC01–31, 33–95, Bend Up, Bend Down, Start/Stop, Tap
Range Min 0–127
Range Max 0–127
Knob
Knob 1–4 Assign
Switch
Switch 1/2 Assign
Tempo
Recommended Tempo
MFX Ctrl Ch
MFX1–3 Control Channel
Realtime Control Knob Assign 1–4 CC01–31, 33–95, Pitch Bend, Aftertouch, Arp Style, Arp
Assignable Switch 1/2 Transpose Down, Transpose Up, Tap Tempo, Mono/
Value
Tempo, Arp Grid, Arp Duration, Arp Motif, Arp Octave
Up, Arp Octave Down
Grid, Arp Duration, Arp Motif, Chord Form, Master
Level
Poly, Portamento, Hold, MFX1–3 Sw, Chorus Sw, Reverb Sw, Mastering Sw, Loop, Rhythm Start/Stop
20–250
1–16, OFF
Pad Setting Group (Owner’s Manual; p. 136)
Parameter
Pad Set
Base Pad Base Note C-1–G9
Pad Part 1–16
Note Pad Note C-1–G9
Velocity Pad Velocity REAL, 1–127
Value
User, Note, Rhythm
11
Parameter List
Arpeggio Group (Owner’s Manual; p. 104)
Parameter
Arp/Rhy Switch
Arp Grid Arpeggio Grid
Arp Duration Arpeggio Duration 30, 40, 50, 60, 70, 80, 90,100, 120, FULL
Arpeggio Switch OFF, ON
Arpeggio Hold OFF, ON
Arpeggio Style U001–U128, P001–P128
Arpeggio Motif Up (L), Up (L&H), Up (_), Down (L), Down (L&H),
Arpeggio Velocity REAL, 1–127
Arpeggio Part 1–16
Arpeggio Octave Range -3– +3
Arpeggio Accent Rate 0–100
Arpeggio/Rhythm Switch OFF, ON
Value
1/4 ( ), 1/8 ( ), 1/8 ( ) L, 1/8 ( ) H, 1/12 ( ),
1/16 ( ), 1/16 ( ) L, 1/16 ( ) H, 1/24 ( )
Down (_), Up&Down, Up&Down (L&H),
Up&Down (_), Random (L), Random (_), Phrase
Rhythm Group (Owner’s Manual; p. 112)
Parameter
Arp/Rhy Switch
Rhythm Pattern Grid
Rhythm Pattern Duration 30, 40, 50, 60, 70, 80, 90, 100, 120, FULL
Rhythm Pattern Switch OFF, ON
Rhythm Pattern Velocity REAL, 1–127
Rhythm Pattern Accent Rate 0–100
Rhythm Group Number U01–U32, P01–P32
Arpeggio/Rhythm Switch OFF, ON
Value
1/4 ( ), 1/8 ( ), 1/8 ( ) L, 1/8 ( ) H, 1/12 ( ),
1/16 ( ), 1/16 ( ) L, 1/16 ( ) H, 1/24 ( )
Chord Memory Group (Owner’s Manual; p. 110)
Parameter Value
Chord Switch
Chord Form U01–U64, P01–P64
OFF, ON
12
Effect Group (Owner’s Manual; p. 178)
Parameter List
Parameter
MFX
Structure Type
MFX Type Multi-Effects Type 0–77 (Fantom-S88;78)
MFX Output Level Multi-Effects Output Level 0–127
MFX Chorus Send Level Multi-Effects Chorus Send Level 0–127
MFX Reverb Send Level Multi-Effects Reverb Send Level 0–127
MFX Output Assign Multi-Effects Output Assign A, B
Source 1–4 Multi-Effects Control Source 1–4 OFF, CC01–31, 33–95, PITCH BEND, AFTERTOUCH,
Destination 1–4 Multi-Effects Control Destination 1–4
Sens 1–4 Multi-Effects Control Sens 1–4 -63– +63
MFX Control Channel Multi-Effects Control Channel 1–16, OFF
MFX-1–3 Source Multi-Effects 1–3 Source PRF, P1–P16
Chorus
Chorus Type
Chorus Output Select MAIN, REV, MAIN+REV
Chorus Level 0–127
Chorus Output Assign A, B
Chorus Source PRF, P1–P16
Reverb
Reverb Type
Reverb Level 0–127
Reverb Output Assign A, B
Reverb Source PRF, P1–P16
Value
1–16
SYS CTRL1–SYS CTRL4
0 (Off), 1 (Chorus), 2 (Delay), 3 (GM2 Chorus)
0 (Off), 1 (Reverb) 2 (SRV Room), 3 (SRV Hall) 4 (SRV
Plate), 5 (GM2 Reverb)
Rhythm Group Parameter
Rhythm Group Group (Owner’s Manual; p. 116)
Parameter
Recommended Rhy
Pad Mode OFF, NOTE, PATTERN
Rhy Ptn Number Rhythm Pattern Number U001–U256, P001–P256
Rhy Ptn Velocity Rhythm Pattern Velocity REAL, 1–127
Pad Note C-1–G9
Pad Velocity REAL, 1–127
Recommended Rhythm Set USER, PR-A–E (F;Fantom-S88), GM, CARD, XP-A–D
Value
Sample Parameters
Sample Group (Owner’s Manual; p. 125)
Parameter Value
Sample Name
Loop Mode FWD, ONE-SHOT, REV, REV-ONE
Loop Tune -50– +50
Original Key 0 (C-1) –127 (G9)
BPM tempo 5.00–300.00
Time Stretch Type TYPE01–TYPE10
Start Fine 0–255
Loop Start Fine 0–255
Loop End Fine 0–255
space, A–Z, a–z, 0–9, ! ” # $ % & ’ ( ) * + , - . / : ; < = > ?
@ [ \ ] ^ _ ` { | }
13
Parameter List
System Parameters
Pedal/D Beam Group (Owner’s Manual; p. 189)
Parameter
D Beam Sens
Control Pedal Assign CC01–31, 33–95, BEND-UP, BEND-DOWN, AFT, OCT-
Control Pedal Polarity STANDARD, REVERSE
Hold Pedal Polarity STANDARD, REVERSE
Continuous Hold Pedal OFF, ON
D Beam Sensitivity 0–127
Value
UP, OCT-DOWN, START/STOP, PUNCH-I/O, TAPTEMPO, PROG-UP, PROG-DOWN, FAV-UP, FAVDOWN, ARP-RHY-SW, RHY-START-STOP, CHD-SW
Keyboard Group (Owner’s Manual; p. 189)
Parameter
Keyboard Velocity
Keyboard Sens Keyboard Sensitivity LIGHT, MEDIUM, HEAVY
Aftertouch Sens Aftertouch Sensitivity 0–100
Value
REAL, 1–127
System Ctrl Group (Owner’s Manual; p. 190)
Parameter
Sys Ctrl 1–4 Source
System Control1–4 Source OFF, CC01–31, 33–95, BEND, AFT
Value
Screen Saver Group (Owner’s Manual; p. 190)
Parameter
Screen Saver Type
Screen Saver Time OFF, 5–60 min
Value
1–10
Background Group (Owner’s Manual; p. 190)
Parameter Value
Background Picture 1–10
Sync/Tempo Group (Owner’s Manual; p. 190)
Parameter
Sync Mode
Sync Output Sync Output switch OFF, ON
Tempo Override OFF, ON
Arp/Rhythm Sync Switch Arpeggio/Rhythm Sync Switch OFF, ON
MMC Mode MASTER, SLAVE
MMC Output MMC Output switch OFF, ON
MTC Sync Output MTC Sync Output switch OFF, ON
MTC Frame Rate 24, 25, 29N, 29D, 30
MTC Offset Time Hour 0–23 hours
MTC Offset Time Minute 0–59 minutes
MTC Offset Time Second 0–59 seconds
MTC Offset Time Frame 0–29 frames
MTC Error Level 0 –10
Value
MASTER, SLAVE-MIDI, SLAVE-MTC, REMOTE
14
Metronome Group (Owner’s Manual; p. 192)
Parameter List
Parameter
Metronome Mode
Metronome Level 0–10
Metronome Sound TYPE 1, TYPE 2, TYPE 3, TYPE 4
Value
OFF, PLAY-ONLY, REC-ONLY, PLAY&REC, ALWAYS
MIDI Group (Owner’s Manual; p. 192)
Parameter
Device ID
Performance Control Channel 1–16, OFF
Kbd Patch Rx/Tx Ch Keyboard Patch Receive/Transmit Channel 1–16
Pad Patch Rx/Tx Ch Pad Patch Receive/Transmit Channel 1–16
Transmit Program Change Transmit Program Change Switch OFF, ON
Transmit Bank Select Transmit Bank Select Switch OFF, ON
Transmit Active Sensing Transmit Active Sensing Switch OFF, ON
Transmit Edit Data Transmit Edit Data Switch OFF, ON
Soft Through Soft Through Switch OFF, ON
Remote Keyboard Sw Remote Keyboard Switch OFF, ON
Receive Program Change Receive Program Change Switch OFF, ON
Receive Bank Select Receive Bank Select Switch OFF, ON
Receive Exclusive Receive System Exclusive Switch OFF, ON
Receive GM System On Receive GM System On Switch OFF, ON
Receive GM2 System On Receive GM2 System On Switch OFF, ON
Receive GS Reset Receive GS Reset Switch OFF, ON
Device ID Number 17–32
Value
Sound (Owner’s Manual; p. 193)
Parameter
Local Switch
Master Tune 415.3–466.2 Hz
Master Level 0–127
Output Gain -12– +12 dB
Mix/Parallel MIX, PARALLEL
Master Key Shift -24– +24
Patch Remain Patch Remain Switch OFF, ON
Value
OFF, ON
Preview Group (Owner’s Manual; p. 194)
Parameter
Preview Mode
Preview 1–4 Note Number C-1–G9
Preview 1–4 Velocity OFF, 1–127
Value
SINGLE, CHORD, PHRASE
Scale Tune Group (Owner’s Manual; p. 194)
Parameter
Scale Tune Switch
Patch Scale Tune for C–B -64– +63
Value
OFF, ON
15
Parameter List
Sampling Group (Owner’s Manual; p. 195)
Parameter
Default File Type
Pre Sample Time 0–1000 ms
Trigger Level 0–7
Gap Time 500, 1000, 1500, 2000 ms
External Source Select LINE-L-R, LINE-L, MIC
Trimming Switch OFF, ON
Skip Back Time 5s–40s
Value
WAV, AIFF
Startup Group (Owner’s Manual; p. 195)
Parameter
Preset Default Load
Sample Default Load OFF, ON
Power Up Mode PATCH, PERFORMANCE
SRX/RAM Mode 4 SRX/192MB Max, 2 SRX/288MB Max
Value
OFF, ON
System Information Group (Owner’s Manual; p. 195)
Parameter
Features
Memory Info Memory Information
SRX Info SRX Information
Version Info Version Information
Displays the main features of the Fantom-S.
D Beam (Solo Synth) Group (Owner’s Manual; p. 100)
Parameter Value
OSC1/2 Waveform
OSC1/2 Pulse Width 0–127
OSC1/2 Coarse Tune -48– +48
OSC1/2 Fine Tune -50– +50
OSC2 Level 0–127
OSC Sync Switch OFF, ON
Filter Type OFF, LPF, BPF, HPF, PKG
Cutoff 0–127
Resonance 0–127
Level 0–127
Chorus Send Level 0–127
Reverb Send Level 0–127
LFO Rate 0–127
LFO Osc 1 Pitch Depth -63– +63
LFO Osc 2 Pitch Depth -63– +63
LFO Osc 1 Pulse Width Depth -63– +63
LFO Osc 2 Pulse Width Depth -63– +63
Range Solo Synth Range 2 OCTAVE, 4 OCTAVE, 8 OCTAVE
SAW, SQR
16
Mastering Effect Group (Owner’s Manual; p. 183)
Parameter List
Parameter
HIGH/MID/LOW ATTACK
HIGH/MID/LOW RELEASE 50–5000 ms
HIGH/MID/LOW THRESHOLD -36–0 dB
HIGH/MID/LOW RATIO 1.00:1–INF:1 (INF: Infinity)
HIGH/MID/LOW LEVEL 0–24 dB
Split Frequency High 2000–8000 Hz
Split Frequency Low 200–800 Hz
Value
0–100 ms
Input Setting Group (Owner’s Manual; p. 118)
Parameter
Input Select
Mix-In ON, OFF
Ext Output Assign DRY, MFX
Ext Output Level 0–127
Ext Chorus Send Level 0–127
Ext Reverb Send Level 0–127
Input Effect Switch ON, OFF
Input Effect Type EQ, ENHANCER, COMP, LIMITER, NOISE SUP, C
Value
LINE IN L/R, LINE IN L, MICROPHONE
CANCELER
V-LINK Group (Owner’s Manual; p. 201)
Parameter Value
Note Tx Ch
Clip 1 Note No. Clip 1 Note Number 0 (C-1)–127 (G9)
Play Speed Ctrl Play Speed Control 0.0-1.0-2.0, 0.5-1.0-2.0, 0.0-1.0-4.0, 0.5-1.0-4.0, 0.0-1.0-8.0,
Dissolve Time OFF, CC1, CC5, CC7, CC10, CC11, CC71–74, CC91–93,
Ctrl Tx Ch Control Transmit Channel 1–16
Color Cb Ctrl Color Cb Control OFF, CC1, CC5, CC7, CC10, CC11, CC71–74, CC91–93,
Color Cr Ctrl Color Cr Control OFF, CC1, CC5, CC7, CC10, CC11, CC71–74, CC91–93,
Brightness Ctrl Brightness Control OFF, CC1, CC5, CC7, CC10, CC11, CC71–74, CC91–93,
VFX Ctrl VFX Control OFF, CC1, CC5, CC7, CC10, CC11, CC71–74, CC91–93,
PAD MODE CLIP, PALETT
Local Sw Local Switch OFF, ON
CLIP FILTER 1–32 OFF, ON
Note Transmit Channel 1–16
0.5-1.0-8.0, 0.0-1.0-16.0, 0.5-1.0-16.0, 0.0-1.0-32.0, 0.5-1.0-
32.0, 0.0-2.0-4.0, 0.0-4.0-8.0, 0.0 8.0-16.0, 0.0-16.0-32.0, -
2.0-1.0-4.0, -6.0-1.0-8.0
Channel Aftertouch
Channel Aftertouch
Channel Aftertouch
Channel Aftertouch
Channel Aftertouch
17
Parameter List
D Beam (Assignable) Group (Owner’s Manual; p. 98)
* If Patch mode is selected, this is saved as part of the system settings.
Parameter
Type Assignable Type CC01–31, 33–95, Bend Up, Bend Down, Start/Stop, Tap
Range Min 0–127
Range Max 0–127
Value
Tempo, Arp Grid, Arp Duration, Arp Motif, Arp Octave
Up, Arp Octave Down
Knob Group (Owner’s Manual; p. 101)
* If Patch mode is selected, this is saved as part of the system settings.
Parameter
Knob 1–4 Assign
Realtime Control Knob Assign 1–4 CC01–31, 33–95, Pitch Bend, Aftertouch, Arp Style, Arp
Value
Grid, Arp Duration, Arp Motif, Chord Form, Master
Level
Switch Group (Owner’s Manual; p. 102)
* If Patch mode is selected, this is saved as part of the system settings.
Parameter
Switch 1/2 Assign
Assignable Switch 1/2 Transpose Down, Transpose¬ Up, Tap Tempo, Mono/
Value
Poly, Portamento, Hold, MFX1–3 Sw, Chorus Sw, Reverb Sw, Mastering Sw, Loop, Rhythm Start/Stop
Pad Setting Group (Owner’s Manual; p. 136)
Parameter
Pad Common Velo
Pad Sens Pad Sensitivity LIGHT, MEDIUM, HEAVY
Aftertouch Sens Aftertouch Sensitivity 0–100
Roll Resolution
* If Patch mode is selected, this is saved as part of the system settings.
Parameter
Pad Set
Base Pad Base Note C-1–G9
Note Pad Note C-1–G9
Velocity Pad Velocity REAL, 1–127
Pad Common Velocity REAL, 1–127
Value
1/4 ( ), 1/6 ( ), 1/8 ( ), 1/12 ( ), 1/16 ( ),
1/24 ( ), 1/32 ( ), 1/48 ( )
Value
User, Note, Rhythm
18
Effects List
num/note switch
Multi-Effects Parameters
The multi-effects feature 78 (Fantom-S; 77) different kinds of effects.
Some of the effects consist of two or more different effects connected
in series.
Parameters marked with a sharp “#” can be controlled using a
specified controller (Two setting items will change simultaneously
for “#1” and “#2”).
FILTER
01
02 SPECTRUM P.20
03 ISOLATOR P.20
04 LOW BOOST P.20
05 SUPER FILTER P.20
06 STEP FILTER P.21
07 ENHANCER P.21
08 AUTO WAH P.21
09 HUMANIZER P.22
10 SPEAKER SIMULATOR P.22
MODULATION
11
12 STEP PHASER P.22
13 MULTI STAGE PHASER P.23
14 INFINITE PHASER P.23
15 RING MODULATOR P.23
16 STEP RING MODULATOR P.23
17 TREMOLO P.24
18 AUTO PAN P.24
19 STEP PAN P.24
20 SLICER P.24
21 ROTARY P.25
22 VK ROTARY P.25
CHORUS
23
24 FLANGER P.26
25 STEP FLANGER P.26
26 HEXA-CHORUS P.26
27 TREMOLO CHORUS P.26
28 SPACE-D P.27
29 3D CHORUS P.27
30 3D FLANGER P.27
31 3D STEP FLANGER P.28
32 2BAND CHORUS P.28
33 2BAND FLANGER P.28
34 2BAND STEP FLANGER P.29
DYNAMICS
35
36 DISTORTION P.29
37 VS OVERDRIVE P.29
38 VS DISTORTION P.30
39 GUITAR AMP SIMULATOR P.30
40 COMPRESSOR P.30
41 LIMITER P.30
42 GATE P.31
DELAY
43
44 LONG DELAY P.31
45 SERIAL DELAY P.31
46 MODULATION DELAY P.32
47 3TAP PAN DELAY P.32
48 4TAP PAN DELAY P.32
49 MULTI TAP DELAY P.33
50 REVERSE DELAY P.33
(10 types)
EQUALIZER P.20
(12 types)
PHASER P.22
(12 types)
CHORUS P.25
(8 types)
OVERDRIVE P.29
(13 types)
DELAY P.31
51 SHUFFLE DELAY P.33
52 3D DELAY P.34
53 TIME CTRL DELAY P.34
54 LONG TIME CTRL DELAY P.34
55 TAPE ECHO P.34
LO-FI
(5 types)
56
LOFI NOISE P.35
57 LOFI COMPRESS P.35
58 LOFI RADIO P.35
59 TELEPHONE P.36
60 PHONOGRAPH P.36
PITCH
61
62 2VOICE PITCH SHIFTER P.36
63 STEP PITCH SHIFTER P.37
REVERB
64 REVERB P.37
65 GATED REVERB P.37
COMBINATION
66
67 OVERDRIVE → FLANGER P.38
68 OVERDRIVE → DELAY P.38
69 DISTORTION → CHORUS P.38
70 DISTORTION → FLANGER P.38
71 DISTORTION → DELAY P.38
72 ENHANCER → CHORUS P.39
73 ENHANCER → FLANGER P.39
74 ENHANCER → DELAY P.39
75 CHORUS → DELAY P.39
76 FLANGER → DELAY P.40
77 CHORUS → FLANGER P.40
5 PIANO
78
(3 types)
PITCH SHIFTER P.36
(2 types)
(12 types)
OVERDRIVE → CHORUS P.38
(1 type)
SYMPATHETIC RESONANCE
(Fantom-S88 only)
P.40
About Note
Some effect parameters (such as Rate or Delay Time) can be set in
terms of a note value.
Such parameters have a num/note switch that lets you specify
whether you will set the value as a note value or as a numerical
value.
If you want to set Rate (Delay Time) as a numerical value, set the
num/note switch to “Hz” (“msec”). If you want to set it as a note
value, set the num/note switch to “NOTE.”
If a parameter whose num/note switch is set to “NOTE” is
specified as a destination for multi-effect control, you will not be
able to use multi-effect control to control that parameter.
19
Effects List
01: EQUALIZER
This is a four-band stereo equalizer (low, mid x 2, high).
fig.MFX-01
L in
R in
Parameter
Low Freq
Low Gain # -15– +15 dB Gain of the low range
Mid1 Freq 200–8000 Hz Frequency of the middle
Mid1 Gain -15– +15 dB Gain of the middle range 1
Mid1 Q 0.5, 1.0, 2.0, 4.0, 8.0 Width of the middle range 1
Mid2 Freq 200–8000 Hz Frequency of the middle
Mid2 Gain -15– +15 dB Gain of the middle range 2
Mid2 Q 0.5, 1.0, 2.0, 4.0, 8.0 Width of the middle range 2
High Freq 2000, 4000, 8000 Hz Frequency of the high range
High Gain # -15– +15 dB Gain of the high range
Level # 0–127 Output Level
4-Band EQ
4-Band EQ
Value Description
200, 400 Hz Frequency of the low range
L out
R out
range 1
Set a higher value for Q to
narrow the range to be affected.
range 2
Set a higher value for Q to
narrow the range to be affected.
Parameter
Boost/
Cut Low #
Boost/
Cut Mid #
Boost/
Cut High #
Anti Phase
Low Sw
Anti Phase
Low Level
Anti Phase
Mid Sw
Anti Phase
Mid Level
Low Boost Sw OFF, ON Turns Low Booster on/off.
Low Boost
Level
Level 0–127 Output Level
Value Description
-60– +4 dB These boost and cut each of the High,
OFF, ON Turns the Anti-Phase function on and
0–127 Adjusts the level settings for the Low
OFF, ON Settings of the Anti-Phase function
0–127
0–127 Increasing this value gives you a
Middle, and Low frequency ranges.
At -60 dB, the sound becomes inaudible. 0 dB is equivalent to the
input level of the sound.
off for the Low frequency ranges.
When turned on, the counterchannel of stereo sound is inverted
and added to the signal.
frequency ranges.
Adjusting this level for certain frequencies allows you to lend emphasis to specific parts. (This is
effective only for stereo source.)
for the Middle frequency ranges
The parameters are the same as for
the Low frequency ranges.
This emphasizes the bottom to create a heavy bass sound.
heavier low end.
* Depending on the Isolator and fil-
ter settings this effect may be hard
to distinguish.
02: SPECTRUM
This is a stereo spectrum. Spectrum is a type of filter which modifies
the timbre by boosting or cutting the level at specific frequencies.
fig.MFX-02
L in
R in
Parameter
Band1 (250Hz)
Band2 (500Hz)
Band3 (1000Hz)
Band4 (1250Hz)
Band5 (2000Hz)
Band6 (3150Hz)
Band7 (4000Hz)
Band8 (8000Hz)
Q 0.5, 1.0, 2.0, 4.0, 8.0 Simultaneously adjusts the
Level # 0–127 Output Level
Spectrum
Spectrum
Value Description
-15– +15 dB Gain of each frequency band
L out
R out
width of the adjusted ranges for
all the frequency bands.
03: ISOLATOR
This is an equalizer which cuts the volume greatly, allowing you to
add a special effect to the sound by cutting the volume in varying
ranges.
fig.MFX-03
L in
R in
Isolator
Isolator
Low Boost
Low Boost
L out
R out
04: LOW BOOST
Boosts the volume of the lower range, creating powerful lows.
fig.MFX-04
L in
R in
Parameter
Boost
Frequency #
Boost Gain # 0– +12 dB Amount by which the lower range
Boost Width WIDE, MID,
Low Gain -15– +15 dB Gain of the low frequency range
High Gain -15– +15 dB Gain of the high frequency range
Level 0–127 Output level
Low Boost
Low Boost
Value Description
50–125 Hz Center frequency at which the lower
NARROW
2-Band EQ
2-Band EQ
range will be boosted
will be boosted
Width of the lower range that will be
boosted
L out
R out
05: SUPER FILTER
This is a filter with an extremely sharp slope. The cutoff frequency
can be varied cyclically.
fig.MFX-05
L in
R in
Parameter
Filter Type
Super Filter
Super Filter
Value Description
LPF, BPF,
HPF, NOTCH
Filter type
Frequency range that will pass
through each filter
LPF
BPF:
cutoff
HPF:
NOTCH:
region of the cutoff
L out
R out
: frequencies below the cutoff
frequencies in the region of the
frequencies above the cutoff
frequencies other than the
20
Effects List
Parameter
Filter Slope
Filter
Cutoff #
Filter
Resonance #
Filter Gain 0– +12 dB Amount of boost for the filter output
Modulation SwOFF,ON On/off switch for cyclic change
Modulation
Wave
Value Description
-12, -24, -36 dB Amount of attenuation per octave
0–127 Cutoff frequency of the filter
0–127 Filter resonance level
TRI, SQR,
SIN, SAW1,
SAW2
-36 dB:
extremely steep
-24 dB:
steep
-12 dB:
gentle
Increasing this value will raise the
cutoff frequency.
Increasing this value will emphasize
the region near the cutoff frequency.
How the cutoff frequency will be modulated
TRI:
triangle wave
SQR:
square wave
SIN:
sine wave
SAW1:
sawtooth wave (upward)
SAW2:
sawtooth wave (downward)
SAW1 SAW2
Rate # 0.05–10.00 Hz,
note
Depth 0–127 Depth of modulation
Attack # 0–127 Speed at which the cutoff frequency
Level 0–127 Output level
Rate of modulation
will change
This is effective if Modulation Wave
is SQR, SAW1, or SAW2.
07: ENHANCER
Controls the overtone structure of the high frequencies, adding
sparkle and tightness to the sound.
fig.MFX-07
L in
R in
Parameter
Sens #
Mix # 0–127 Level of the overtones gen-
Low Gain -15– +15 dB Gain of the low range
High Gain -15– +15 dB Gain of the high range
Level 0–127 Output Level
Enhancer
Mix
Enhancer
Mix
Value Description
0–127 Sensitivity of the enhancer
2-Band
EQ
2-Band
EQ
erated by the enhancer
L out
R out
08: AUTO WAH
Cyclically controls a filter to create cyclic change in timbre.
fig.MFX-08
L in
R in
Auto Wah
Auto Wah
2-Band EQ
2-Band EQ
L out
R out
06: STEP FILTER
This is a filter whose cutoff frequency can be modulated in steps.
You can specify the pattern by which the cutoff frequency will
change.
fig.MFX-06
L in
R in
Parameter
Step 01–16
Rate # 0.05–10.00 Hz,
Attack # 0–127 Speed at which the cutoff frequency
Filter Type LPF, BPF,
Filter Slope -12, -24, -36 dB Amount of attenuation per octave
Filter
Resonance #
Filter Gain 0– +12 dB Amount of boost for the filter output
Level 0–127 Output level
Step Filter
Step Filter
Value Description
0–127 Cutoff frequency at each step
note
HPF, NOTCH
0–127 Filter resonance level
Rate of modulation
changes between steps
Filter type
Frequency range that will pass
through each filter
LPF:
BPF:
cutoff
HPF:
NOTCH:
region of the cutoff
-12 dB:
-24 dB:
-36 dB:
Increasing this value will emphasize
the region near the cutoff frequency.
L out
R out
frequencies below the cutoff
frequencies in the region of the
frequencies above the cutoff
frequencies other than the
gentle
steep
extremely steep
Parameter
Filter Type
Manual # 0–127 Adjusts the center frequency at which
Peak 0–127 Adjusts the amount of the wah effect
Sens # 0–127 Adjusts the sensitivity with which the
Polarity UP, DOWN Sets the direction in which the frequen-
Rate # 0.05–10.00 Hz,
Depth # 0–127 Depth of modulation
Phase # 0–180 deg Adjusts the degree of phase shift of the
Low Gain -15– +15 dB Gain of the low range
High Gain -15– +15 dB Gain of the high range
Level 0–127 Output Level
Value Description
LPF, BPF Type of filter
note
LPF:
The wah effect will be applied
over a wide frequency range.
BPF:
The wah effect will be applied
over a narrow frequency range.
the effect is applied.
that will occur in the range of the center
frequency.
Set a higher value for Q to narrow
the range to be affected.
filter is controlled.
cy will change when the auto-wah filter
is modulated.
UP:
The filter will change toward a
higher frequency.
DOWN:
The filter will change to-
ward a lower frequency.
Frequency of modulation
left and right sounds when the wah effect is applied.
21
Effects List
t
09: HUMANIZER
Adds a vowel character to the sound, making it similar to a human
voice.
fig.MFX-09
L in
Overdrive
Formant
2-Band
EQ
R in
Parameter
Drive Sw
Drive # 0–127 Degree of distortion
Vowel1 a, e, i, o, u Selects the vowel.
Vowel2 a, e, i, o, u
Rate # 0.05–10.00 Hz,
Depth # 0–127 Effect depth
Input Sync SwOFF, ON Determines whether the LFO for
Input Sync
Threshold
Manual # 0–100 Point at which Vowel 1/2 switch
Low Gain -15– +15 dB Gain of the low frequency range
High Gain -15– +15 dB Gain of the high frequency range
Pan # L64–63R Stereo location of the output
Level 0–127 Output level
Value Description
OFF, ON Turns Drive on/off.
Also changes the volume.
note
0–127 Volume level at which reset is applied
Frequency at which the two vowels
switch
switching the vowels is reset by the input signal (ON) or not (OFF).
49 or less:
er duration.
50:
duration.
51 or more:
longer duration.
Vowel 1 will have a long-
Vowel 1 and 2 will be of equal
Vowel 2 will have a
L out
Pan L
Pan R
R ou
10: SPEAKER SIMULATOR
Simulates the speaker type and mic settings used to record the
speaker sound.
fig.MFX-10
L in
R in
Parameter
Speaker Type
Mic Setting 1, 2, 3 Adjusts the location of the mic
Mic Level # 0–127 Volume of the microphone
Direct Level # 0–127 Volume of the direct sound
Level # 0–127 Output Level
Speaker
Speaker
Value Description
(See the table right.) Type of speaker
Specifications of each Speaker Type
The speaker column indicates the diameter of each speaker unit (in
inches) and the number of units.
Type
SMALL 1
SMALL 2 small open-back enclosure 10 dynamic
MIDDLE open back enclosure 12 x 1 dynamic
JC-120 open back enclosure 12 x 2 dynamic
BUILT-IN 1 open back enclosure 12 x 2 dynamic
Cabinet Speaker Micro-
small open-back enclosure 10 dynamic
L out
R out
that is recording the sound of
the speaker.
This can be adjusted in
three steps, with the mic
becoming more distant in
the order of 1, 2, and 3.
phone
Type
Cabinet Speaker Micro-
phone
BUILT-IN 2
BUILT-IN 3 open back enclosure 12 x 2 condenser
BUILT-IN 4 open back enclosure 12 x 2 condenser
BUILT-IN 5 open back enclosure 12 x 2 condenser
BG STACK 1 sealed enclosure 12 x 2 condenser
BG STACK 2 large sealed enclosure 12 x 2 condenser
MS STACK 1 large sealed enclosure 12 x 4 condenser
MS STACK 2 large sealed enclosure 12 x 4 condenser
METAL STACK large double stack 12 x 4 condenser
2-STACK large double stack 12 x 4 condenser
3-STACK large triple stack 12 x 4 condenser
open back enclosure 12 x 2 condenser
11: PHASER
A phase-shifted sound is added to the original sound and
modulated.
fig.MFX-11
L in
R in
Parameter
Mode
Manual # 0–127 Adjusts the basic frequency
Rate # 0.05–10.00 Hz, note Frequency of modulation
Depth 0–127 Depth of modulation
Polarity INVERSE,
Resonance # 0–127 Amount of feedback
Cross
Feedback
Mix # 0–127 Level of the phase-shifted
Low Gain -15– +15 dB Gain of the low range
High Gain -15– +15 dB Gain of the high range
Level 0–127 Output Level
Phaser
Mix
Mix
Phaser
Value Description
4-STAGE, 8-STAGE,
12-STAGE
SYNCHRO
-98– +98 % Adjusts the proportion of the
2-Band
EQ
2-Band
EQ
Number of stages in the
phaser
from which the sound will be
modulated.
Selects whether the left and
right phase of the modulation
will be the same or the opposite.
INVERSE:
right phase will be opposite. When using a mono
source, this spreads the
sound.
SYNCHRO:
right phase will be the
same. Select this when inputting a stereo source.
phaser sound that is fed back
into the effect. Negative (-)
settings will invert the phase.
sound
L out
R out
The left and
The left and
12: STEP PHASER
The phaser effect will be varied gradually.
fig.MFX-12
L in
R in
Step Phaser
Mix
Mix
Step Phaser
2-Band
EQ
2-Band
EQ
L out
R out
22
Effects List
Parameter
Mode
Manual # 0–127 Adjusts the basic frequency
Rate # 0.05–10.00 Hz, note Frequency of modulation
Depth 0–127 Depth of modulation
Polarity INVERSE,
Resonance # 0–127 Amount of feedback
Cross
Feedback
Step Rate # 0.10–20.00 Hz, note Rate of the step-wise change
Mix # 0–127 Level of the phase-shifted
Low Gain -15– +15 dB Gain of the low range
High Gain -15– +15 dB Gain of the high range
Level 0–127 Output Level
Value Description
4-STAGE, 8-STAGE,
12-STAGE
SYNCHRO
-98– +98 % Adjusts the proportion of the
Number of stages in the
phaser
from which the sound will be
modulated.
Selects whether the left and
right phase of the modulation
will be the same or the opposite.
INVERSE:
right phase will be opposite. When using a mono
source, this spreads the
sound.
SYNCHRO:
right phase will be the
same. Select this when inputting a stereo source.
phaser sound that is fed back
into the effect. Negative (-)
settings will invert the phase.
in the phaser effect
sound
The left and
The left and
Parameter
Mode
Speed # -100– +100 Speed at which to raise or
Resonance # 0–127 Amount of feedback
Mix # 0–127 Volume of the phase-shifted
Pan # L64–63R Panning of the output sound
Low Gain -15– +15 dB Amount of boost/cut for the
High Gain -15– +15 dB Amount of boost/cut for the
Level 0–127 Output volume
Range Explanation
1, 2, 3, 4 Higher values will produce a
deeper phaser effect.
lower the frequency at which
the sound is modulated
(+: upward / -: downward)
sound
low-frequency range
high-frequency range
15: RING MODULATOR
This is an effect that applies amplitude modulation (AM) to the input
signal, producing bell-like sounds. You can also change the
modulation frequency in response to changes in the volume of the
sound sent into the effect.
fig.MFX-15
L in
R in
Ring Mod
Ring Mod
2-Band EQ
2-Band EQ
L out
R out
13: MULTI STAGE PHASER
Extremely high settings of the phase difference produce a deep
phaser effect.
fig.MFX-13
L in
Multi Stage
Phaser
R in
Parameter
Mode
Manual # 0–127 Adjusts the basic frequency
Rate # 0.05–10.00 Hz, note Frequency of modulation
Depth 0–127 Depth of modulation
Resonance # 0–127 Amount of feedback
Mix # 0–127 Level of the phase-shifted
Pan # L64–63R Stereo location of the output
Low Gain -15– +15 dB Gain of the low range
High Gain -15– +15 dB Gain of the high range
Level 0–127 Output Level
Resonance
Value Description
4-STAGE, 8-STAGE,
12-STAGE, 16-STAGE,
20-STAGE, 24-STAGE
Mix
2-Band
EQ
Number of phaser stages
from which the sound will be
modulated.
sound
sound
L out
Pan L
Pan R
R out
14: INFINITE PHASER
A phaser that continues raising/lowering the frequency at which the
sound is modulated.
fig.MFX-14
L in
Infinite Phaser 2-Band EQ
R in
L out
Pan L
Pan R
R out
Parameter
Frequency #
Sens # 0–127 Adjusts the amount of frequency modu-
Polarity UP, DOWN Determines whether the frequency mod-
Low Gain -15– +15 dB Gain of the low frequency range
High Gain -15– +15 dB Gain of the high frequency range
Balance # D100:0W–
Level 0–127 Output level
Value Description
0–127 Adjusts the frequency at which modula-
D0:100W
tion is applied.
lation applied.
ulation moves towards higher frequencies (UP) or lower frequencies (
Volume balance between the direct
sound (D) and the effect sound (W)
DOWN
16: STEP RING MODULATOR
This is a ring modulator that uses a 16-step sequence to vary the
frequency at which modulation is applied.
fig.MFX-16
L in
R in
Step Ring Mod
Step Ring Mod
Parameter
Step 01–16
Rate # 0.05–10.00 Hz, note Rate at which the 16-step se-
Attack # 0–127 Speed at which the modulation
Low Gain -15– +15 dB Amount of boost/cut for the
High Gain -15– +15 dB Amount of boost/cut for the
Balance # D100:0W–D0:100W Volume balance of the original
Level 0–127 Output volume
Range Explanation
0–127 Frequency of ring modulation
2-Band EQ
2-Band EQ
at each step
quence will cycle
frequency changes between
steps
low-frequency range
high-frequency range
sound (D) and effect sound (W)
L out
R out
).
23
Effects List
L in
R in
L out
R out
Auto Pan
2-Band EQ
2-Band EQ
Auto Pan
L in
R in
L out
R out
Slicer
Slicer
17: TREMOLO
Cyclically modulates the volume to add tremolo effect to the sound.
fig.MFX-17a
L in
R in
Parame-
Tremolo
Tremolo
2-Band EQ
2-Band EQ
Value Description
L out
R out
ter
Mod Wave
TRI, SQR, SIN,
SAW1, SAW2
Modulation Wave
TRI:
triangle wave
SQR:
square wave
SIN:
sine wave
SAW1/2:
sawtooth wave
SAW1 SAW2
Rate # 0.05–10.00 Hz, note Frequency of the change
Depth # 0–127 Depth to which the effect is ap-
Low Gain -15– +15 dB Gain of the low range
High Gain -15– +15 dB Gain of the high range
Level 0–127 Output Level
plied
18: AUTO PAN
Cyclically modulates the stereo location of the sound.
fig.MFX-18a
19: STEP PAN
This uses a 16-step sequence to vary the panning of the sound.
fig.MFX-19
L in
R in
Parameter
Step 01–16
Rate # 0.05–10.00 Hz, note Rate at which the 16-step se-
Attack # 0–127 Speed at which the pan changes
Input Sync SwOFF, ON Specifies whether an input note
Input Sync
Threshold
Level 0–127 Output volume
Step Pan
Step Pan
Range Explanation
L64–63R Pan at each step
0–127 Volume at which an input note
L out
R out
quence will cycle
between steps
will cause the sequence to resume from the first step of the
sequence (ON) or not (OFF)
will be detected
20: SLICER
By applying successive cuts to the sound, this effect turns a
conventional sound into a sound that appears to be played as a
backing phrase. This is especially effective when applied to sustain-
type sounds.
fig.MFX-20
Parame-
Value Description
ter
Mod Wave TRI, SQR, SIN,
SAW1, SAW2
Modulation Wave
TRI:
triangle wave
SQR:
square wave
SIN:
sine wave
SAW1/2:
sawtooth wave
SAW1 SAW2
R
L
Rate # 0.05–10.00 Hz, note Frequency of the change
Depth # 0–127 Depth to which the effect is ap-
Low Gain -15– +15 dB Gain of the low range
High Gain -15– +15 dB Gain of the high range
Level 0–127 Output Level
R
L
plied
Parameter
Step 01–16
Rate # 0.05–10.00
Attack # 0–127 Speed at which the level changes be-
Input Sync SwOFF, ON Specifies whether an input note will
Input Sync
Threshold
Mode LEGATO,
Shuffle # 0–127 Timing of volume changes in levels for
Level 0–127 Output level
Value Description
L64–63R Level at each step
Hz, note
0–127 Volume at which an input note will be
SLASH
Rate at which the 16-step sequence will
cycle
tween steps
cause the sequence to resume from the
first step of the sequence (ON) or not
(OFF)
detected
Sets the manner in which the volume
changes as one step progresses to the
next.
LEGATO:
one step’s level to the next remains
unaltered. If the level of a following
step is the same as the one preceding
it, there is no change in volume.
SLASH:
to 0 before progressing to the level of
the next step. This change in volume
occurs even if the level of the following step is the same as the preceding
step.
even-numbered steps (step 2, step 4, step
6...).
The higher the value, the later the beat
progresses.
The change in volume from
The level is momentarily set
24
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