Roland RS 70, RS 50 Service Manual

Model: RS-70/RS-50

MIDI Implementation

Date: 2003.6.16 Version: 1.00

1. Receive data (Sound Source Section)

■ Channel Voice Messages

* Not received in Pattern(Performance) mode when the Receive Switch parameter

(PATTERN/PERFORM PART) is OFF.

●Note off

Status 2nd byte 3rd byte 8nH kkH vvH

9nH kkH 00H n = MIDI channel number: 0H - FH (ch.1 - 16) kk = note number: 00H - 7FH (0 - 127) vv = note off velocity: 00H - 7FH (0 - 127)

●Note on

Status 2nd byte 3rd byte 9nH kkH vvH

n = MIDI channel number: 0H - FH (ch.1 - 16) kk = note number: 00H - 7FH (0 - 127) vv = note on velocity: 01H - 7FH (1 - 127)

●Control Change

❍Bank Select (Controller number 0, 32)

Status 2nd byte 3rd byte BnH 00H mmH

BnH 20H llH n = MIDI channel number: 0H - FH (ch.1 - 16) mm, ll = Bank number: 00 00H - 7F 7FH (bank.1 - bank.16384)

* Not received in Pattern(Performance) mode when the Receive Bank Select (PATTERN/

PERFORM PART) is OFF.

* The Patterns(Performances), Patches, and Rhythms corresponding to each Bank Select

are as follows.

RS-70

+—————+———————————+———————————+——————————————————————+———————————+ | BANK SELECT | PROGRAM | GROUP | NUMBER | | MSB | LSB | NUMBER | | | +—————+———————————+———————————+——————————————————————+———————————+ | 085 | 000 | 001 — 128 | User Pattern | 001 — 128 | | | 001 | 001 — 128 | User Pattern | 129 — 256 | | 086 | 000 | 001 — 016 | User Rhythm | 001 — 016 | | | 064 | 001 — 030 | Preset Rhythm | 001 — 030 | | 087 | 000 | 001 — 128 | User Patch | 001 — 128 | | | 064 | 001 — 128 | Preset Patch | 001 — 128 | | | : | | : | | | | 069 | 001 — 128 | Preset Patch | 001 — 128 | | 120 | 000 | 001 — 057 | GM Rhythm | 001 — 009 | | 121 | 000 — | 001 — 128 | GM Patch | 001 — 256 | +—————+———————————+———————————+——————————————————————+———————————+

RS-50

+—————+———————————+———————————+——————————————————————+———————————+ | BANK SELECT | PROGRAM | GROUP | NUMBER | | MSB | LSB | NUMBER | | | +—————+———————————+———————————+——————————————————————+———————————+ | 085 | 000 | 001 — 008 | User Performance | 001 — 008 | | | 064 | 001 — 032 | Preset Performance | 001 — 032 | | 086 | 000 | 001 — 002 | User Rhythm | 001 — 002 | | | 064 | 001 — 020 | Preset Rhythm | 001 — 020 | | 087 | 000 | 001 — 128 | User Patch | 001 — 128 | | | 064 | 001 — 128 | Preset Patch | 001 — 128 | | | : | | : | | | | 068 | 001 — 128 | Preset Patch | 001 — 128 | | 120 | 000 | 001 — 057 | GM Rhythm | 001 — 009 | | 121 | 000 — | 001 — 128 | GM Patch | 001 — 256 | +—————+———————————+———————————+——————————————————————+———————————+

❍Modulation (Controller number 1)

Status 2nd byte 3rd byte BnH 01H vvH

n = MIDI channel number: 0H - FH (ch.1 - 16) vv = Modulation depth: 00H - 7FH (0 - 127)

❍Portamento Time (Controller number 5)

Status 2nd byte 3rd byte BnH 05H vvH

n = MIDI channel number: 0H - FH (ch.1 - 16) vv = Portamento Time: 00H - 7FH (0 - 127)

* The Portamento Time parameter (PATCH TONE) will change.

❍Data Entry (Controller number 6, 38)

Status 2nd byte 3rd byte BnH 06H mmH

BnH 26H llH n = MIDI channel number: 0H - FH (ch.1 - 16) mm, ll = the value of the parameter specified by RPN/NRPN mm = MSB, ll = LSB

❍Volume (Controller number 7)

Status 2nd byte 3rd byte BnH 07H vvH

n = MIDI channel number: 0H - FH (ch.1 - 16) vv = Volume: 00H - 7FH (0 - 127)

* In Pattern(Performance) mode, the Part Level parameter (PATTERN/PERFORM PART)

will change.

❍Balance (Controller number 8)

Status 2nd byte 3rd byte BnH 08H vvH

n = MIDI channel number: 0H - FH (ch.1 - 16) vv = Balance: 00H - 7FH (0 - 127)

* The Tone Balance parameter (PATCH COMMON) will change.

❍Panpot (Controller number 10)

Status 2nd byte 3rd byte BnH 0AH vvH

n = MIDI channel number: 0H - FH (ch.1 - 16) vv = Panpot: 00H - 40H - 7FH (Left - Center - Right),

* In Pattern(Performance) mode, the Part Pan parameter (PATTERN/PERFORM PART)

will change.

❍Expression (Controller number 11)

Status 2nd byte 3rd byte BnH 0BH vvH n = MIDI channel number: 0H - FH (ch.1 - 16) vv = Expression: 00H - 7FH (0 - 127)

❍Effect Control 1 (Controller number 12)

Status 2nd byte 3rd byte BnH 0CH vvH n = MIDI channel number: 0H - FH (ch.1 - 16) vv = Control value (relative change): 00H - 40H - 7FH (-64 - 0 - +63)

❍Effect Control 2 (Controller number 13)

Status 2nd byte 3rd byte BnH 0DH vvH n = MIDI channel number: 0H - FH (ch.1 - 16) vv = Control value (relative change): 00H - 40H - 7FH (-64 - 0 - +63)

❍Hold 1 (Controller number 64)

Status 2nd byte 3rd byte BnH 40H vvH n = MIDI channel number: 0H - FH (ch.1 - 16) vv = Control value: 00H - 7FH (0 - 127) 0-63 = OFF, 64-127 = ON

❍Portamento (Controller number 65)

Status 2nd byte 3rd byte BnH 41H vvH n = MIDI channel number: 0H - FH (ch.1 - 16) vv = Control value: 00H - 7FH (0 - 127) 0 - 63 = OFF, 64 - 127 = ON

* The Portamento Switch parameter (PATCH TONE) will change.

❍Sostenuto (Controller number 66)

Status 2nd byte 3rd byte BnH 42H vvH n = MIDI channel number:0H - FH (ch.1 - 16) vv = Control value: 00H - 7FH (0 - 127) 0 - 63 = OFF, 64 - 127 = ON

❍Soft (Controller number 67)

Status 2nd byte 3rd byte BnH 43H vvH n = MIDI channel number: 0H - FH (ch.1 - 16) vv = Control value: 00H - 7FH (0 - 127) 0 - 63 = OFF, 64 - 127 = ON

No part of this publication may be reproduced in any form without the written permission of ROLAND CORPORATION.

1

❍Resonance (Controller number 71)

Status 2nd byte 3rd byte BnH 47H vvH n = MIDI channel number: 0H - FH (ch.1 - 16) vv= Resonance value (relative change): 00H - 40H - 7FH (-64 - 0 - +63),

* The Resonance parameter (PATCH TONE) will change.

❍Release Time (Controller number 72)

Status 2nd byte 3rd byte BnH 48H vvH n = MIDI channel number: 0H - FH (ch.1 - 16) vv = Release Time value (relative change): 00H - 40H - 7FH (-64 - 0 - +63),

* The Release Time parameter (PATCH TONE) will change.

❍Attack time (Controller number 73)

Status 2nd byte 3rd byte BnH 49H vvH

n = MIDI channel number: 0H - FH (ch.1 - 16) vv = Attack time value (relative change): 00H - 40H - 7FH (-64 - 0 - +63),

* The Attack Time parameter (PATCH TONE) will change.

❍Cutoff (Controller number 74)

Status 2nd byte 3rd byte BnH 4AH vvH

n = MIDI channel number: 0H - FH (ch.1 - 16) vv = Cutoff value (relative change): 00H - 40H - 7FH (-64 - 0 - +63)

* The Cutoff Frequency parameter (PATCH TONE) will change.

❍Decay Time (Controller number 75)

Status 2nd byte 3rd byte BnH 4BH vvH

n = MIDI channel number: 0H - FH (ch.1 - 16) vv = Decay Time value (relative change): 00H - 40H - 7FH (-64 - 0 - +63)

* The Decay Time parameter (PATCH TONE) will change.

❍Vibrato Rate (Controller number 76)

Status 2nd byte 3rd byte BnH 4CH vvH

n = MIDI channel number: 0H - FH (ch.1 - 16) vv = Vibrato Rate value (relative change): 00H - 40H - 7FH (-64 - 0 - +63)

* The LFO Rate parameter (PATCH TONE) will change.

❍Vibrato Depth (Controller number 77)

Status 2nd byte 3rd byte BnH 4DH vvH

n = MIDI channel number: 0H - FH (ch.1 - 16) vv = Vibrato Depth Value (relative change): 00H - 40H - 7FH (-64 - 0 - +63)

* The LFO Depth parameter (PATCH TONE) will change.

❍Vibrato Delay (Controller number 78)

Status 2nd byte 3rd byte BnH 4EH vvH

n = MIDI channel number: 0H - FH (ch.1 - 16) vv = Vibrato Delay value (relative change): 00H - 40H - 7FH (-64 - 0 - +63)

* The LFO Delay parameter (PATCH TONE) will change.

❍Portamento control (Controller number 84)

Status 2nd byte 3rd byte BnH 54H kkH

n = MIDI channel number: 0H - FH (ch.1 - 16) kk = source note number: 00H - 7FH (0 - 127)

*A Note-on received immediately after a Portamento Control message will change

continuously in pitch, starting from the pitch of the Source Note Number.

* If a voice is already sounding for a note number identical to the Source Note Number,

this voice will continue sounding (i.e., legato) and will, when the next Note-on is received, smoothly change to the pitch of that Note-on.

* The rate of the pitch change caused by Portamento Control is determined by the

Portamento Time value.

❍Effect 1 (Reverb Send Level) (Controller number 91)

Status 2nd byte 3rd byte BnH 5BH vvH

n = MIDI channel number: 0H - FH (ch.1 - 16) vv = Reverb Send Level: 00H - 7FH (0 - 127)

* In Pattern(Performance) mode, the Part Reverb Send Level parameter (PATTERN/

PERFORM PART) will change.

❍Effect 3 (Chorus Send Level) (Controller number 93)

Status 2nd byte 3rd byte BnH 5DH vvH

n = MIDI channel number: 0H - FH (ch.1 - 16) vv = Chorus Send Level: 00H - 7FH (0 - 127)

* In Pattern(Performance) mode, the Part Chorus Send Level parameter (PATTERN/

PERFORM PART) will change.

❍RPN MSB/LSB (Controller number 100, 101)

Status 2nd byte 3rd byte BnH 65H mmH

BnH 64H llH n = MIDI channel number: 0H - FH (ch.1 - 16) mm = upper byte (MSB) of parameter number specified by RPN ll = lower byte (LSB) of parameter number specified by RPN

<<< RPN >>> Control Changes include RPN (Registered Parameter Numbers), which are extended. When using RPNs, first RPN (Controller numbers 100 and 101; they can be sent in any order) should be sent in order to select the parameter, then Data Entry (Controller numbers 6 and 38) should be sent to set the value. Once RPN messages are received, Data Entry messages that is received at the same MIDI channel after that are recognized as changing toward the value of the RPN messages. In order not to make any mistakes, transmitting RPN Null is recommended after setting parameters you need.

This device receives the following RPNs.

RPN Data entry MSB, LSB MSB, LSB Notes 00H, 00H mmH, llH Pitch Bend Sensitivity

* The Pitch Bend Range parameter (PATCH TONE) will change.

00H, 01H mmH, llH Channel Fine Tuning

* The Fine Tune parameter (PATCH TONE) will change.

00H, 02H mmH, llH Channel Coarse Tuning

* The Coarse Tune parameter (PATCH TONE) will change.

00H, 05H mmH, llH Modularion Depth Range

* Not received in Patch mode.

7FH, 7FH ---, --- RPN null

mm: 00H - 18H (0 - 24 semitones) ll: ignored (processed as 00H) Up to 2 octave can be specified in semitone steps.

mm, ll: 20 00H - 40 00H - 60 00H (-4096 x 100 / 8192 - 0 - +4096 x 100 / 8192 cent)

mm: 10H - 40H - 70H (-48 - 0 - +48 semitones) ll: ignored (processed as 00H)

mm: 00 00H - 06 00H (0 - 16384 x 600 / 16384 cent)

RPN and NRPN will be set as “unspecified.” Once this setting has been made, subsequent Parameter values that were previously set will not change. mm, ll: ignored

●Program Change

Status 2nd byte CnH ppH

n = MIDI channel number: 0H - FH (ch.1 - 16) pp = Program number: 00H - 7FH (prog.1 - prog.128)

* Not received in Pattern(Performance) mode when the Receive Program Change

parameter (PATTERN/PERFORM PART) is OFF.

2

●Channel Pressure

Status 2nd byte DnH vvH

n = MIDI channel number: 0H - FH (ch.1 - 16) vv = Channel Pressure: 00H - 7FH (0 - 127)

●Pitch Bend Change

Status 2nd byte 3rd byte EnH llH mmH

n = MIDI channel number: 0H - FH (ch.1 - 16) mm, ll = Pitch Bend value: 00 00H - 40 00H - 7F 7FH (-8192 - 0 - +8191)

■ Channel Mode Messages

* Not received in Pattern(Performance) mode when the Receive Switch parameter

(PATTERN/PERFORM PART) is OFF.

●All Sounds Off (Controller number 120)

Status 2nd byte 3rd byte BnH 78H 00H

n = MIDI channel number: 0H - FH (ch.1 - 16)

*When this message is received, all notes currently sounding on the corresponding

channel will be turned off.

●Reset All Controllers (Controller number 121)

Status 2nd byte 3rd byte BnH 79H 00H

n = MIDI channel number: 0H - FH (ch.1 - 16)

*When this message is received, the following controllers will be set to their reset values.

Controller Pitch Bend Change +/-0 (center)

Polyphonic Key Pressure 0 (off) Channel Pressure 0 (off) Modulation 0 (off) Expression 127 (max) Hold 1 0 (off) Sostenuto 0 (off) Soft 0 (off) RPN unset; previously set data will not change NRPN unset; previously set data will not change

●All Notes Off (Controller number 123)

Status 2nd byte 3rd byte BnH 7BH 00H

n = MIDI channel number: 0H - FH (ch.1 - 16)

*When All Notes Off is received, all notes on the corresponding channel will be turned

off. However, if Hold 1 or Sostenuto is ON, the sound will be continued until these are turned off.

●OMNI OFF (Controller number 124)

Status 2nd byte 3rd byte BnH 7CH 00H

n = MIDI channel number: 0H - FH (ch.1 - 16)

* The same processing will be carried out as when All Notes Off is received.

●OMNI ON (Controller number 125)

Status 2nd byte 3rd byte BnH 7DH 00H

n = MIDI channel number: 0H - FH (ch.1 - 16)

* The same processing will be carried out as when All Notes Off is received. OMNI ON

will not be turned on.

●MONO (Controller number 126)

Status 2nd byte 3rd byte BnH 7EH mmH

n = MIDI channel number: 0H - FH (ch.1 - 16) mm = mono number: 00H - 10H (0 - 16)

* The same processing will be carried out as when All Notes Off is received. * The Solo Switch parameter (PATCH COMMON) will change.

Reset value

●POLY (Controller number 127)

Status 2nd byte 3rd byte BnH 7FH 00H

n = MIDI channel number: 0H - FH (ch.1 - 16)

* The same processing will be carried out as when All Notes Off is received. * The Solo Switch parameter (PATCH COMMON) will change.

■ System Realtime Message

●Active Sensing

Status FEH

*When Active Sensing is received, the unit will begin monitoring the intervals of all

further messages. While monitoring, if the interval between messages exceeds 420 ms, the same processing will be carried out as when All Sounds Off, All Notes Off and Reset All Controllers are received, and message interval monitoring will be halted.

■ System Exclusive Message

Status Data byte Status

F0H iiH, ddH, ......,eeH F7H

F0H: System Exclusive Message status ii = ID number: an ID number (manufacturer ID) to indicate the manufacturer whose

dd,...,ee = data: 00H - 7FH (0 - 127) F7H: EOX (End Of Exclusive)

Of the System Exclusive messages received by this device, the Universal Non-realtime messages and the Universal Realtime messages and the Global Parameter Control and the Data Request (RQ1) messages and the Data Set (DT1) messages will be set automatically.

●Universal Non-realtime System Exclusive Messages

❍Identity Request Message

Status Data byte Status F0H 7EH, dev, 06H, 01H F7H

Byte F0H Exclusive status

7EH ID number (Universal Non-realtime Message) dev Device ID (dev: 10H - 1FH, 7FH) 06H Sub ID#1 (General Information) 01H Sub ID#2 (Identity Request) F7H EOX (End Of Exclusive)

*When this message is received, Identity Reply message (p. ********) will be transmitted.

❍GM1 System On

Status Data byte Status F0H 7EH, 7FH, 09H, 01H F7H

Byte F0H Exclusive status

7EH ID number (Universal Non-realtime Message) 7FH Device ID (Broadcast) 09H Sub ID#1 (General MIDI Message) 01H Sub ID#2 (General MIDI 1 On) F7H EOX (End Of Exclusive)

*When this messages is received, this instrument will turn to the Pattern(Performance)

mode.

❍GM2 System On

Status Data byte Status F0H 7EH 7FH 09H 03H F7H

Byte F0H Exclusive status

7EH ID number (Universal Non-realtime Message) 7FH Device ID (Broadcast) 09H Sub ID#1 (General MIDI Message) 03H Sub ID#2 (General MIDI 2 On) F7H EOX (End Of Exclusive)

*When this messages is received, this instrument will turn to the Pattern(Performance)

mode.

Exclusive message this is. Roland’s manufacturer ID is 41H. ID numbers 7EH and 7FH are extensions of the MIDI standard; Universal Non-realtime Messages (7EH) and Universal Realtime Messages (7FH).

Explanation

3

❍GM System Off

Status Data byte Status F0H 7EH, 7F, 09H, 02H F7H

Byte F0H Exclusive status

7EH ID number (Universal Non-realtime Message) 7FH Device ID (Broadcast) 09H Sub ID#1 (General MIDI Message) 02H Sub ID#2 (General MIDI Off) F7H EOX (End Of Exclusive)

*When this messages is received, this instrument will return to the Pattern(Performance)

mode.

Explanation

●Universal Realtime System Exclusive Messages

❍Master Volume

Status Data byte Status F0H 7FH, 7FH, 04H, 01H, llH, mmH F7H

Byte F0H Exclusive status

7FH ID number (universal realtime message) 7FH Device ID (Broadcast) 04H Sub ID#1 (Device Control) 01H Sub ID#2 (Master Volume) llH Master Volume lower byte mmH Master Volume upper byte F7H EOX (End Of Exclusive)

* The lower byte (llH) of Master Volume will be handled as 00H. * The Master Level parameter (SYSTEM GENERAL) will change.

❍Master Fine Tuning

Status Data byte Status F0H 7FH, 7FH, 04H, 03H, llH, mmH F7H

Byte F0H Exclusive status

7FH ID number (universal realtime message) 7FH Device ID (Broadcast) 04H Sub ID#1 (Device Control) 03H Sub ID#2 (Master Fine Tuning) llH Master Fine Tuning LSB mmH Master Fine Tuning MSB F7H EOX (End Of Exclusive)

mm, ll: 00 00H - 40 00H - 7F 7FH (-100 - 0 - +99.9 [cents])

* The Master Tune parameter (SYSTEM GENERAL) will change.

❍Master Coarse Tuning

Status Data byte Status F0H 7FH, 7FH, 04H, 04H, llH, mmH F7

Byte F0H Exclusive status

7FH ID number (universal realtime message) 7FH Device ID (Broadcast) 04H Sub ID#1 (Device Control) 04H Sub ID#2 (Master Coarse Tuning) llH Master Coarse Tuning LSB mmH Master Coarse Tuning MSB F7H EOX (End Of Exclusive)

llH: ignored (processed as 00H) mmH: 28H - 40H - 58H (-24 - 0 - +24 [semitones])

* The Master Key Shift parameter (SYSTEM GENERAL) will change.

Explanation

●Global Parameter Control

* Not received in Patch mode.

❍Reverb Parameters

Status Data byte Status F0H 7FH, 7FH, 04H, 05H, 01H, 01H, F7H

Byte Explanation F0H Exclusive status

7FH ID number (universal realtime message) 7FH Device ID (Broadcast) 04H Sub ID#1 (Device Control) 05H Sub ID#2 (Global Parameter Control) 01H Slot path length 01H Parameter ID width 01H Value width 01H Slot path MSB 01H Slot path LSB (Effect 0101: Reverb) ppH Parameter to be controlled. vvH Value for the parameter.

F7H EOX (End Of Exclusive)

❍Chorus Parameters

Status Data byte Status F0H 7FH, 7FH, 04H, 05H, 01H, 01H, F7H

Byte Explanation F0H Exclusive status

7FH ID number (universal realtime message) 7FH Device ID (Broadcast) 04H Sub ID#1 (Device Control) 05H Sub ID#2 (Global Parameter Control) 01H Slot path length 01H Parameter ID width 01H Value width 01H Slot path MSB 02H Slot path LSB (Effect 0102: Chorus) ppH Parameter to be controlled. vvH Value for the parameter.

F7H EOX (End Of Exclusive)

01H, 01H, 01H, ppH, vvH

pp=0 Reverb Type vv = 00H Small Room vv = 01H Medium Room vv = 02H Large Room vv = 03H Medium Hall vv = 04H Large Hall vv = 08H Plate pp=1 Reverb Time vv = 00H - 7FH 0 - 127

01H, 01H, 02H, ppH, vvH

pp=0 Chorus Type vv=0 Chorus1 vv=1 Chorus2 vv=2 Chorus3 vv=3 Chorus4 vv=4 FB Chorus vv=5 Flanger pp=1 Mod Rate vv= 00H - 7FH 0 - 127 pp=2 Mod Depth vv = 00H - 7FH 0 - 127 pp=3 Feedback vv = 00H - 7FH 0 - 127 pp=4 Send To Reverb vv = 00H - 7FH 0 - 127

4

❍Channel Pressure

Status Data byte Status F0H 7FH, 7FH, 09H, 01H, 0nH, ppH, rrH F7H

Byte F0H Exclusive status

7FH ID number (universal realtime message) 7FH Device ID (Broadcast) 09H Sub ID#1 (Controller Destination Setting) 01H Sub ID#2 (Channel Pressure) 0nH MIDI Channel (00 - 0F) ppH Controlled parameter rrH Controlled range

F7H EOX (End Of Exclusive)

Explanation

pp=0 Pitch Control rr = 28H - 58H -24 - +24 [semitones] pp=1 Filter Cutoff Control rr = 00H - 7FH -9600 - +9450 [cents] pp=2 Amplitude Control rr = 00H - 7FH 0 - 200% pp=3 LFO Pitch Depth rr = 00H - 7FH 0 - 600 [cents] pp=4 LFO Filter Depth rr = 00H - 7FH 0 - 2400 [cents] pp=5 LFO Amplitude Depth rr = 00H - 7FH 0 - 100%

❍Controller

Status Data byte Status F0H 7FH, 7FH, 09H, 03H, 0nH, ccH, ppH, rrH F7H

Byte F0H Exclusive status

7FH ID number (universal realtime message) 7FH Device ID (Broadcast) 09H Sub ID#1 (Controller Destination Setting) 03H Sub ID#2 (Control Change) 0nH MIDI Channel (00 - 0F) ccH Controller number (01 - 1F, 40 - 5F) ppH Controlled parameter rrH Controlled range

F7H EOX (End Of Exclusive)

Explanation

pp=0 Pitch Control rr = 28H - 58H -24 - +24 [semitones] pp=1 Filter Cutoff Control rr = 00H - 7FH -9600 - +9450 [cents] pp=2 Amplitude Control rr = 00H - 7FH 0 - 200% pp=3 LFO Pitch Depth rr = 00H - 7FH 0 - 600 [cents] pp=4 LFO Filter Depth rr = 00H - 7FH 0 - 2400 [cents] pp=5 LFO Amplitude Depth rr = 00H - 7FH 0 - 100%

❍Scale/Octave Tuning Adjust

Status Data byte Status F0H 7EH, 7FH, 08H, 08H, ffH, ggH, hhH, ssH... F7

Byte F0H Exclusive status

7EH ID number (Universal Non-realtime Message) 7FH Device ID (Broadcast) 08H Sub ID#1 (MIDI Tuning Standard) 08H Sub ID#2 (scale/octave tuning 1-byte form) ffH Channel/Option byte 1

ggH Channel byte 2

hhH Channel byte 3

ssH 12 byte tuning offset of 12 semitones from C to B

F7H EOX (End Of Exclusive)

Explanation

bits 0 to 1 = channel 15 to 16 bit 2 to 6 = Undefined

bits 0 to 6 = channel 8 to 14

bits 0 to 6 = channel 1 to 7

00H = -64 [cents] 40H = 0 [cents] (equal temperament) 7FH = +63 [cents]

❍Key-based Instrument Controllers

Status Data byte Status F0H 7FH, 7FH, 0AH, 01H, 0nH, kkH, nnH, vvH F7H

Byte F0H Exclusive status

7FH ID number (universal realtime message) 7FH Device ID (Broadcast) 0AH Sub ID#1 (Key-Based Instrument Control) 01H Sub ID#2 (Controller) 0nH MIDI Channel (00 - 0FH) kkH Key Number nnH Control Number vvH Value

: : F7 EOX (End Of Exclusive)

* This parameter affects drum instruments only.

Explanation

nn=07H Level vv = 00H - 7FH 0 - 200% (Relative) nn=0AH Pan vv = 00H - 7FH Left - Right (Absolute) nn=5BH Reverb Send vv = 00H - 7FH 0 - 127 (Absolute) nn=5D Chorus Send vv = 00H - 7FH 0 - 127 (Absolute)

●Data Transmission

This instrument can use exclusive messages to exchange many varieties of internal settings with other devices. The model ID of the exclusive messages used by this instrument is 00H 64H.

❍Data Request 1 RQ1 (11H)

This message requests the other device to transmit data. The address and size indicate the type and amount of data that is requested. When a Data Request message is received, if the device is in a state in which it is able to transmit data, and if the address and size are appropriate, the requested data is transmitted as a Data Set 1 (DT1) message. If the conditions are not met, nothing is transmitted.

Status F0H 41H, dev, 00H, 64H, 11H, aaH, bbH, ccH, F7H

Byte Remarks F0H Exclusive status

41H ID number (Roland) dev device ID (dev: 10H - 1FH, 7FH) 00H model ID #1 (RS-70/RS-50) 64H model ID #2 (RS-70/RS-50) 11H command ID (RQ1) aaH address MSB bbH address ccH address ddH address LSB ssH size MSB ttH size uuH size vvH size LSB sum checksum F7H EOX (End Of Exclusive)

* The size of data that can be transmitted at one time is fixed for each type of data. And

data requests must be made with a fixed starting address and size. Refer to the address

and size given in “Parameter Address Map” (p. 10). * For the checksum, refer to p. 26. *Not received when the Receive Exclusive parameter (SYSTEM MIDI) is OFF.

data byte status

ddH, ssH, ttH, uuH, vvH, sum

5

❍Data set 1 DT1 (12H)

Status Data byte Status F0H 41H, dev, 00H, 64H, 12H, aaH, bbH, F7H

Byte Explanation F0H Exclusive status

41H ID number (Roland) dev Device ID (dev: 00H - 1FH, 7FH) 00H Model ID #1 (RS-70/RS-50) 64H Model ID #2 (RS-70/RS-50) 12H Command ID (DT1) aaH Address MSB: upper byte of the starting address of the data to be sent bbH Address: upper middle byte of the starting address of the data to be sent ccH Address: lower middle byte of the starting address of the data to be sent ddH Address LSB: lower byte of the starting address of the data to be sent. eeH Data: the actual data to be sent. Multiple bytes of data are transmitted in order

: : ffH Data sum Checksum F7H EOX (End Of Exclusive)

* The amount of data that can be transmitted at one time depends on the type of data, and

data will be transmitted from the specified starting address and size. Refer to the address and size given in “Parameter Address Map” (p. 10).

* Data larger than 256 bytes will be divided into packets of 256 bytes or less, and each

packet will be sent at an interval of about 20 ms. * Regarding the checksum, please refer to p. 26. * Not received when the Receive Exclusive parameter (SYSTEM MIDI) is OFF.

Status F0H 41H, dev, 42H, 12H, aaH, bbH, ccH, F7H

Byte Explanation F0H Exclusive status

41H ID number (Roland) dev Device ID (dev: 10H - 1FH, 7FH) 42H Model ID (GS) 12H Command ID (DT1) aaH Address MSB: upper byte of the starting address of the transmitted data bbH Address: middle byte of the starting address of the transmitted data ccH Address LSB: lower byte of the starting address of the transmitted data ddH Data: the actual data to be transmitted. Multiple bytes of data are transmitted

: : eeH Data sum Checksum F7H EOX (End Of Exclusive)

* The amount of data that can be transmitted at one time depends on the type of data, and

data will be transmitted from the specified starting address and size. Refer to the address

and size given in “Parameter Address Map” (p. 10). * Data larger than 256 bytes will be divided into packets of 256 bytes or less, and each

packet will be sent at an interval of about 20 ms. * Regarding the checksum, please refer to p. 26. * Not received when the Receive Exclusive parameter (SYSTEM MIDI) is OFF.

ccH, ddH, eeH, ... ffH, sum

starting from the address.

Data byte Status

ddH, ... eeH, sum

starting from the address.

2. Data Transmission (Sound Source Section)

■ Channel Voice Messages

●Note off

Status 2nd byte 3rd byte 8nH kkH vvH

n = MIDI channel number: 0H - FH (ch.1 - 16) kk = note number: 00H - 7FH (0 - 127) vv = note off velocity: 00H - 7FH (0 - 127)

●Note on

Status 2nd byte 3rd byte 9nH kkH vvH

n = MIDI channel number: 0H - FH (ch.1 - 16) kk = note number: 00H - 7FH (0 - 127) vv = note on velocity: 01H - 7FH (1 - 127)

●Control Change

❍Bank Select (Controller number 0, 32)

Status 2nd byte 3rd byte BnH 00H mmH

BnH 20H llH n = MIDI channel number: 0H - FH (ch.1 - 16) mm, ll = Bank number: 00 00H - 7F 7FH (bank.1 - bank.16384)

* These messages are transmitted when Patch, Rhythm Set or Pattern(Performance) is

selected. But not transmitted when Transmit Program Change or Transmit Bank Select parameter (SYSTEM MIDI) is OFF.

❍Modulation (Controller number 1)

Status 2nd byte 3rd byte BnH 01H vvH

n = MIDI channel number: 0H - FH (ch.1 - 16) vv = Modulation depth: 00H - 7FH (0 - 127)

* Sent when the Modulation/Pedal/C1-C3 Assign parameter (SYSTEM CONTROLLER) is

set to MODULATION.

❍Portamento Time (Controller number 5)

Status 2nd byte 3rd byte BnH 05H vvH

n = MIDI channel number: 0H - FH (ch.1 - 16) vv = Portamento Time: 00H - 7FH (0 - 127)

* Sent when the Modulation/Pedal/C1-C3 Assign parameter (SYSTEM CONTROLLER) is

set to PORTA TIME.

❍Volume (Controller number 7)

Status 2nd byte 3rd byte BnH 07H vvH

n = MIDI channel number: 0H - FH (ch.1 - 16) vv = Volume: 00H - 7FH (0 - 127)

* Sent when the Modulation/Pedal/C1-C3 Assign parameter (SYSTEM CONTROLLER) is

set to VOLUME.

❍Balance (Controller number 8)

Status 2nd byte 3rd byte BnH 08H vvH

n = MIDI channel number: 0H - FH (ch.1 - 16) vv = Balance: 00H - 7FH (0 - 127)

* Sent when the Modulation/Pedal/C1-C3 Assign parameter (SYSTEM CONTROLLER) is

set to BALANCE.

❍Panpot (Controller number 10)

Status 2nd byte 3rd byte BnH 0AH vvH

n = MIDI channel number: 0H - FH (ch.1 - 16) vv = Panpot: 00H - 40H - 7FH (Left - Center - Right),

* Sent when the Modulation/Pedal/C1-C3 Assign parameter (SYSTEM CONTROLLER) is

set to PAN.

❍Expression (Controller number 11)

Status 2nd byte 3rd byte BnH 0BH vvH

n = MIDI channel number: 0H - FH (ch.1 - 16) vv = Expression: 00H - 7FH (0 - 127)

* Sent when the Modulation/Pedal/C1-C3 Assign parameter (SYSTEM CONTROLLER) is

set to EXPRESSION.

❍Effect Control 1 (Controller number 12)

Status 2nd byte 3rd byte BnH 0CH vvH

n = MIDI channel number: 0H - FH (ch.1 - 16) vv = Control value (relative change): 0H - 40H - 7FH (-64 - 0 - +63)

* Sent when the Modulation/Pedal/C1-C3 Assign parameter (SYSTEM CONTROLLER) is

set to MFX PARAMETER1.

❍Effect Control 2 (Controller number 13)

Status 2nd byte 3rd byte BnH 0DH vvH

n = MIDI channel number: 0H - FH (ch.1 - 16) vv = Control value (relative change): 00H - 40H - 7FH (-64 - 0 - +63)

* Sent when the Modulation/Pedal/C1-C3 Assign parameter (SYSTEM CONTROLLER) is

set to MFX PARAMETER2.

6

❍Hold 1 (Controller number 64)

Status 2nd byte 3rd byte BnH 40H vvH

n = MIDI channel number: 0H - FH (ch.1 - 16) vv = Control value: 00H - 7FH (0 - 127) 0-63 = OFF, 64-127 = ON

❍Portamento (Controller number 65)

Status 2nd byte 3rd byte BnH 41H vvH

n = MIDI channel number: 0H - FH (ch.1 - 16) vv = Control value: 00H - 7FH (0 - 127) 0 - 63 = OFF, 64 - 127 = ON

* Sent when the Modulation/Pedal/C1-C3 Assign parameter (SYSTEM CONTROLLER) is

set to PORTAMENTO.

❍Sostenuto (Controller number 66)

Status 2nd byte 3rd byte BnH 42H vvH

n = MIDI channel number: 0H - FH (ch.1 - 16) vv = Control value: 00H - 7FH (0 - 127) 0 - 63 = OFF, 64 - 127 = ON

* Sent when the Modulation/Pedal/C1-C3 Assign parameter (SYSTEM CONTROLLER) is

set to SOSTENUTO.

❍Soft (Controller number 67)

Status 2nd byte 3rd byte BnH 43H vvH

n = MIDI channel number: 0H - FH (ch.1 - 16) vv = Control value: 00H - 7FH (0 - 127) 0 - 63 = OFF, 64 - 127 = ON

* Sent when the Modulation/Pedal/C1-C3 Assign parameter (SYSTEM CONTROLLER) is

set to SOFT.

❍Resonance (Controller number 71)

Status 2nd byte 3rd byte BnH 47H vvH

n = MIDI channel number: 0H - FH (ch.1 - 16) vv= Resonance value (relative change): 00H - 40H - 7FH (-64 - 0 - +63)

* Sent when the Modulation/Pedal/C1-C3 Assign parameter (SYSTEM CONTROLLER) is

set to RESONANCE.

❍Release Time (Controller number 72)

Status 2nd byte 3rd byte BnH 48H vvH

n = MIDI channel number: 0H - FH (ch.1 - 16) vv = Release Time value (relative change): 00H - 40H - 7FH (-64 - 0 - +63)

* Sent when the Modulation/Pedal/C1-C3 Assign parameter (SYSTEM CONTROLLER) is

set to RELEASE TIME.

❍Attack time (Controller number 73)

Status 2nd byte 3rd byte BnH 49H vvH

n = MIDI channel number: 0H - FH (ch.1 - 16) vv = Attack time value (relative change): 00H - 40H - 7FH (-64 - 0 - +63)

* Sent when the Modulation/Pedal/C1-C3 Assign parameter (SYSTEM CONTROLLER) is

set to ATTACK TIME.

❍Cutoff (Controller number 74)

Status 2nd byte 3rd byte BnH 4AH vvH

n = MIDI channel number: 0H - FH (ch.1 - 16) vv = Cutoff value (relative change): 00H - 40H - 7FH (-64 - 0 - +63)

* Sent when the Modulation/Pedal/C1-C3 Assign parameter (SYSTEM CONTROLLER) is

set to CUTOFF.

❍Decay Time (Controller number 75)

Status 2nd byte 3rd byte BnH 4BH vvH

n = MIDI channel number: 0H - FH (ch.1 - 16) vv = Decay Time value (relative change): 00H - 40H - 7FH (-64 - 0 - +63)

* Sent when the Modulation/Pedal/C1-C3 Assign parameter (SYSTEM CONTROLLER) is

set to DECAY TIME.

❍Vibrato Rate (Controller number 76)

Status 2nd byte 3rd byte BnH 4CH vvH

n = MIDI channel number: 0H - FH (ch.1 - 16) vv = Vibrato Rate value (relative change): 00H - 40H - 7FH (-64 - 0 - +63)

* Sent when the Modulation/Pedal/C1-C3 Assign parameter (SYSTEM CONTROLLER) is

set to LFO RATE.

❍Vibrato Depth (Controller number 77)

Status 2nd byte 3rd byte BnH 4DH vvH

n = MIDI channel number: 0H - FH (ch.1 - 16) vv = Vibrato Depth Value (relative change): 00H - 40H - 7FH (-64 - 0 - +63)

* Sent when the Modulation/Pedal/C1-C3 Assign parameter (SYSTEM CONTROLLER) is

set to LFO DEPTH.

❍Vibrato Delay (Controller number 78)

Status 2nd byte 3rd byte BnH 4EH vvH

n = MIDI channel number: 0H - FH (ch.1 - 16) vv = Vibrato Delay value (relative change): 00H - 40H - 7FH (-64 - 0 - +63)

* Sent when the Modulation/Pedal/C1-C3 Assign parameter (SYSTEM CONTROLLER) is

set to LFO DELAY.

❍Effect 1 (Reverb Send Level) (Controller number 91)

Status 2nd byte 3rd byte BnH 5BH vvH

n = MIDI channel number: 0H - FH (ch.1 - 16) vv = Reverb Send Level: 00H - 7FH (0 - 127)

* Sent when the Modulation/Pedal/C1-C3 Assign parameter (SYSTEM CONTROLLER) is

set to REV SEND LEVEL.

❍Effect 3 (Chorus Send Level) (Controller number 93)

Status 2nd byte 3rd byte BnH 5DH vvH

n = MIDI channel number: 0H - FH (ch.1 - 16) vv = Chorus Send Level: 00H - 7FH (0 - 127)

* Sent when the Modulation/Pedal/C1-C3 Assign parameter (SYSTEM CONTROLLER) is

set to CHO SEND LEVEL.

●Program Change

Status 2nd byte CnH ppH

n = MIDI channel number: 0H - FH (ch.1 - 16) pp = Program number: 00H - 7FH (prog.1 - prog.128)

* These messages are transmitted when Patch, Rhythm Set or Pattern(Performance) is

selected. But not transmitted when Transmit Program Change parameter (SYSTEM MIDI) is OFF.

●Channel Pressure

Status 2nd byte DnH vvH

n = MIDI channel number: 0H - FH (ch.1 - 16) vv = Channel Pressure: 00H - 7FH (0 - 127)

* Sent when the Modulation/Pedal/C1-C3 Assign parameter (SYSTEM CONTROLLER) is

set to AFTERTOUCH.

●Pitch Bend Change

Status 2nd byte 3rd byte EnH llH mmH

n = MIDI channel number: 0H - FH (ch.1 - 16) mm, ll = Pitch Bend value: 00 00H - 40 00H - 7F 7FH (-8192 - 0 - +8191)

■ System Realtime Messages

●Active Sensing

Status FEH

* This message is transmitted at intervals of approximately 250 msec. * This message is not sent when Transmit Active Sensing parameter (SYSTEM MIDI) is

OFF.

7

■ System Exclusive Messages

Universal Non-realtime System Exclusive Message” and Data Set 1 (DT1) are the only System Exclusive messages transmitted by the RS-70/RS-50.

●Universal Non-realtime System Exclusive Message

❍Identity Reply Message (RS-70)

Receiving Identity Request Message, the RS-70 send this message.

Status F0H 7EH, dev, 06H, 02H, 41H, 64H, 01H,F7H

Byte Explanation F0H Exclusive status

7EH ID number (Universal Non-realtime Message) dev Device ID (dev: 10H - 1FH) 06H Sub ID#1 (General Information) 02H Sub ID#2 (Identity Reply) 41H ID number (Roland) 64H 01H Device family code 00H 00H Device family number code 00H 03H 00H 00H Software revision level F7H EOX (End of Exclusive)

❍Identity Reply Message (RS-50)

Receiving Identity Request Message, the RS-50 send this message.

Status F0H 7EH, dev, 06H, 02H, 41H, 64H, 01H, F7H

Byte Explanation F0H Exclusive status

7EH ID number (Universal Non-realtime Message) dev Device ID (dev: 10H - 1FH) 06H Sub ID#1 (General Information) 02H Sub ID#2 (Identity Reply) 41H ID number (Roland) 64H 01H Device family code 01H 00H Device family number code 00H 01H 00H 00H Software revision level F7H EOX (End of Exclusive)

●Data Transmission

❍Data set 1 DT1 (12H)

Status Data byte Status F0H 41H, dev, 00H, 64H, 12H, aaH, bbH, F7H

Byte Explanation F0H Exclusive status

41H ID number (Roland) dev Device ID (dev: 00H - 1FH, 7FH) 00H Model ID #1 (RS-70/RS-50) 64H Model ID #2 (RS-70/RS-50) 12H Command ID (DT1) aaH Address MSB: upper byte of the starting address of the data to be sent bbH Address: upper middle byte of the starting address of the data to be sent ccH Address: lower middle byte of the starting address of the data to be sent ddH Address LSB: lower byte of the starting address of the data to be sent. eeH Data: the actual data to be sent. Multiple bytes of data are transmitted in order

: : ffH Data sum Checksum F7H EOX (End Of Exclusive)

* The amount of data that can be transmitted at one time depends on the type of data, and

data will be transmitted from the specified starting address and size. Refer to the address

and size given in “Parameter Address Map” (p. 10). * Data larger than 256 bytes will be divided into packets of 256 bytes or less, and each

packet will be sent at an interval of about 20 ms.

Data byte Status

00H, 00H, 00H, 03H, 00H, 00H

Data byte Status

01H, 00H, 00H, 01H, 00H, 00H

ccH, ddH, eeH, ... ffH, sum

starting from the address.

3. Receive data (RS-70 Sequencer Section)

■ 3.1 Messages recorded during recording

■ Channel Voice Messages

●Note off

Status 2nd byte 3rd byte 8nH kkH vvH

9nH kkH 00H n = MIDI channel number: 0H - FH (ch.1 - 16) kk = note number: 00H - 7FH (0 - 127) vv = note off velocity: 00H - 7FH (0 - 127)

●Note on

Status 2nd byte 3rd byte 9nH kkH vvH

n = MIDI channel number: 0H - FH (ch.1 - 16) kk = note number: 00H - 7FH (0 - 127) vv = note on velocity: 01H - 7FH (1 - 127)

●Polyphonic Key Pressure

Status 2nd byte 3rd byte AnH kkH vvH

n = MIDI channel number: 0H - FH (ch.1 - 16) kk = note number: 00H - 7FH (0 - 127) vv = Polyphonic Key Pressure: 00H - 7FH (0 - 127)

●Control Change

Status 2nd byte 3rd byte BnH kkH vvH

n = MIDI channel number: 0H - FH (ch.1 - 16) kk = control number: 00H - 78H (0 - 120) vv = value: 00H - 7FH (0 - 127)

* Not received when the Ctrl Change parameter (Rec Select) is OFF.

●Program Change

Status 2nd byte CnH ppH

n = MIDI channel number: 0H - FH (ch.1 - 16) pp = Program number: 00H - 7FH (prog.1 - prog.128)

* Not received when the Prog Change parameter (Rec Select) is OFF.

●Channel Aftertouch

Status 2nd byte DnH vvH

n = MIDI channel number: 0H - FH (ch.1 - 16) vv = Channel Pressure: 00H - 7FH (0 - 127)

* Not received when the Ch After parameter (Rec Select) is OFF.

●Pitch Bend Change

Status 2nd byte 3rd byte EnH llH mmH

n = MIDI channel number: 0H - FH (ch.1 - 16) mm, ll = Pitch Bend value: 00 00H - 40 00H - 7F 7FH (-8192 - 0 - +8191)

* Not received when the Pitch Bend parameter (Rec Select) is OFF.

■ Channel Mode Messages

●All Sounds Off (Controller number 120)

Status 2nd byte 3rd byte BnH 78H 00H

n = MIDI channel number: 0H - FH (ch.1 - 16)

●Reset All Controllers (Controller number 121)

Status 2nd byte 3rd byte BnH 79H 00H

n = MIDI channel number: 0H - FH (ch.1 - 16)

●OMNI OFF (Controller number 124)

Status 2nd byte 3rd byte BnH 7CH 00H

n = MIDI channel number: 0H - FH (ch.1 - 16)

* The same processing will be carried out as when All Notes Off is received.

8

●OMNI ON (Controller number 125)

Status 2nd byte 3rd byte BnH 7DH 00H

n = MIDI channel number: 0H - FH (ch.1 - 16)

* The same processing will be carried out as when All Notes Off is received.

●MONO (Controller number 126)

Status 2nd byte 3rd byte BnH 7EH mmH

n = MIDI channel number: 0H - FH (ch.1 - 16) mm = mono number: 00H - 10H (0 - 16)

* The same processing will be carried out as when All Notes Off is received.

●POLY (Controller number 127)

Status 2nd byte 3rd byte BnH 7FH 00H

n = MIDI channel number: 0H - FH (ch.1 - 16)

* The same processing will be carried out as when All Notes Off is received.

●Start

Status FAH

* Received when the Clock Source parameter (SYSTEM GENERAL) is MIDI. * In Song Mode, playback will start from top of current step.

●Continue

Status FBH

* Received when the Clock Source parameter (SYSTEM GENERAL) is MIDI.

●Stop

Status FCH

* Received when the Clock Source parameter (SYSTEM GENERAL) is MIDI.

4. Data Transmission (Sequencer Section)

■ System Exclusive Message

Status Data byte Status

F0H iiH, ddH, ......,eeH F7H

F0H: System Exclusive Message status ii = ID number: an ID number (manufacturer ID) to indicate the manufacturer whose

dd,...,ee = data: 00H - 7FH (0 - 127) F7H: EOX (End Of Exclusive)

* Not received when the SysEx parameter (Rec Select) is OFF.

Exclusive message this is. Roland’s manufacturer ID is 41H. ID numbers 7EH and 7FH are extensions of the MIDI standard; Universal Non-realtime Messages (7EH) and Universal Realtime Messages (7FH).

■ 3.2 Messages not recorded during recording

■ Channel Mode Messages

●Local On/Off (Controller number 122)

Status 2nd byte 3rd byte BnH 7AH vvH

n = MIDI channel number: 0H - FH(ch.1 - 16) vv = value: 00H,7FH (Local Off/Local On)

●All Notes Off (Controller number 123)

Status 2nd byte 3rd byte BnH 7BH 00H

n = MIDI channel number: 0H - FH (ch.1 - 16)

*When an All Note Off message is received, all notes of the corresponding channel that

are on will be sent Note Off’s, and the resulting Note Off messages will be recorded.

■ 3.3

Messages acknowledged for synchronization

■ System Common Messages

●Song Position Pointer

Status 2nd byte 3rd byte F2H mmH llH

mm,llH = value: 00 00H - 7F 7FH (0 - 16383)

* Not received in Song Mode.

■ System Realtime Messages

●Timing Clock

Status F8H

* Received when the Clock Source parameter (SYSTEM GENERAL) is MIDI.

4.1 Recorded messages will be transmitted during playback.

4.2 When the Soft Through parameter (SYSTEM MIDI&USB) is ON, messages received will be transmitted. (except for System Common messaged and System Realtime messages)

4.3 Messages that are generated and transmitted

■ Channel Mode messages

●OMNI OFF (Controller number 124)

Status 2nd byte 3rd byte BnH 7CH 00H

n = MIDI channel number: 0H - FH (ch.1 - 16)

* At start-up, this message is transmitted to all channels.

●Poly

Status 2nd byte 3rd byte BnH 7FH 00H

n = MIDI channel number: 0H - FH (ch.1 - 16)

* At start-up, this message is transmitted to all channels.

■ System Common messages

●Song Position Pointer

Status 2nd byte 3rd byte F2H mmH llH

mm,llH = value: 00 00H - 7F 7FH (0 - 16383)

■ System Realtime messages

●Timing Clock

Status F8H

●Start

Status FAH

●Continue

Status FBH

●Stop

Status FCH

9

5. Parameter Address Map

* Transmission of “#” marked address is divided to some packets. For example, ABH in hexadecimal notation will be divided to 0AH and 0BH, and is sent/received in this order.

■ RS-70/RS-50 (MODEL ID = 00H 64H)

RS-70

+——————————————————————————————————————————————————————————————————————————————+ | Start | | | Address | Description | |—————————————+————————————————————————————————————————————————————————————————| | 00 00 00 00 | Setup | |—————————————+————————————————————————————————————————————————————————————————| | 01 00 00 00 | System | |—————————————+————————————————————————————————————————————————————————————————| | 10 00 00 00 | Temporary Pattern | | 11 00 00 00 | Temporary Patch/Rhythm (Pattern Mode Part 1) | | 11 02 00 00 | Temporary Patch/Rhythm (Pattern Mode Part 2) | | : | | | 11 1E 00 00 | Temporary Patch/Rhythm (Pattern Mode Part 16) | | 18 00 00 00 | Temporary Patch/Rhythm (Patch Mode) | | 1A 00 00 00 | Temporary Arpeggio | | 1C 00 00 00 | Temporary Chord | |—————————————+————————————————————————————————————————————————————————————————| | 20 00 00 00 | User Pattern (001) | | 20 01 00 00 | User Pattern (002) | | : | | | 21 7F 00 00 | User Pattern (256) | |—————————————+————————————————————————————————————————————————————————————————| | 30 00 00 00 | User Patch (001) | | 30 01 00 00 | User Patch (002) | | : | | | 30 7F 00 00 | User Patch (128) | |—————————————+————————————————————————————————————————————————————————————————| | 40 00 00 00 | User Rhythm (01) | | 40 01 00 00 | User Rhythm (02) | | : | | | 40 0F 00 00 | User Rhythm (16) | |—————————————+————————————————————————————————————————————————————————————————| | 50 00 00 00 | User Arpeggio (1) | | 50 01 00 00 | User Arpeggio (2) | | : | | | 50 07 00 00 | User Arpeggio (8) | |—————————————+————————————————————————————————————————————————————————————————| | 60 00 00 00 | User Chord (1) | | 60 01 00 00 | User Chord (2) | | : | | | 60 07 00 00 | User Chord (8) | +——————————————————————————————————————————————————————————————————————————————+

RS-50

+——————————————————————————————————————————————————————————————————————————————+ | Start | | | Address | Description | |—————————————+————————————————————————————————————————————————————————————————| | 00 00 00 00 | Setup | |—————————————+————————————————————————————————————————————————————————————————| | 01 00 00 00 | System | |—————————————+————————————————————————————————————————————————————————————————| | 10 00 00 00 | Temporary Performance | | 11 00 00 00 | Temporary Patch/Rhythm (Performance Mode Part 1) | | 11 02 00 00 | Temporary Patch/Rhythm (Performance Mode Part 2) | | : | | | 11 1E 00 00 | Temporary Patch/Rhythm (Performance Mode Part 16) | | 18 00 00 00 | Temporary Patch/Rhythm (Patch Mode) | | 1A 00 00 00 | Temporary Arpeggio | | 1C 00 00 00 | Temporary Chord | |—————————————+————————————————————————————————————————————————————————————————| | 20 00 00 00 | User Performance (001) | | 20 01 00 00 | User Performance (002) | | : | | | 20 07 00 00 | User Performance (008) | |—————————————+————————————————————————————————————————————————————————————————| | 30 00 00 00 | User Patch (001) | | 30 01 00 00 | User Patch (002) | | : | | | 30 7F 00 00 | User Patch (128) | |—————————————+————————————————————————————————————————————————————————————————| | 40 00 00 00 | User Rhythm (01) | | 40 01 00 00 | User Rhythm (02) | |—————————————+————————————————————————————————————————————————————————————————| | 50 00 00 00 | User Arpeggio (1) | | 50 01 00 00 | User Arpeggio (2) | | : | | | 50 07 00 00 | User Arpeggio (8) | |—————————————+————————————————————————————————————————————————————————————————| | 60 00 00 00 | User Chord (1) | | 60 01 00 00 | User Chord (2) | | : | | | 60 07 00 00 | User Chord (8) | +——————————————————————————————————————————————————————————————————————————————+

* Temporary Patch/Rhythm

+——————————————————————————————————————————————————————————————————————————————+ | Offset | | | Address | Description | |—————————————+————————————————————————————————————————————————————————————————| | 00 00 00 | Temporary Patch | | 01 00 00 | Temporary Rhythm | +——————————————————————————————————————————————————————————————————————————————+

10

* Pattern(Performance)

+——————————————————————————————————————————————————————————————————————————————+ | Offset | |

| Address | Description | |—————————————+————————————————————————————————————————————————————————————————| | 00 00 00 | Pattern(Performance) Common | | 00 02 00 | Pattern(Performance) MFX | | 00 04 00 | Pattern(Performance) Chorus | | 00 06 00 | Pattern(Performance) Reverb | | 00 10 00 | Pattern(Performance) Part (Part 1) | | 00 11 00 | Pattern(Performance) Part (Part 2) | | : | | | 00 1F 00 | Pattern(Performance) Part (Part 16) | +——————————————————————————————————————————————————————————————————————————————+

* Patch

+——————————————————————————————————————————————————————————————————————————————+ | Offset | |

| Address | Description | |—————————————+————————————————————————————————————————————————————————————————| | 00 00 00 | Patch Common | | 00 02 00 | Patch MFX | | 00 04 00 | Patch Chorus | | 00 06 00 | Patch Reverb | | 00 10 00 | Patch Tone (1) | | 00 11 00 | Patch Tone (2) | +——————————————————————————————————————————————————————————————————————————————+

* Rhythm

+——————————————————————————————————————————————————————————————————————————————+ | Offset | |

| Address | Description | |—————————————+————————————————————————————————————————————————————————————————| | 00 00 00 | Rhythm Common | | 00 02 00 | Rhythm MFX | | 00 04 00 | Rhythm Chorus | | 00 06 00 | Rhythm Reverb | | 00 10 00 | Rhythm Tone (Key # 21) | | 00 11 00 | Rhythm Tone (Key # 22) | | : | | | 00 67 00 | Rhythm Tone (Key # 108) | +——————————————————————————————————————————————————————————————————————————————+

* Arpeggio

+——————————————————————————————————————————————————————————————————————————————+ | Offset | |

| Address | Description | |—————————————+————————————————————————————————————————————————————————————————| | 00 00 00 | Arpeggio Setup | | 00 10 00 | (reserved) | +——————————————————————————————————————————————————————————————————————————————+

* Chord

+——————————————————————————————————————————————————————————————————————————————+ | Offset | |

| Address | Description | |—————————————+————————————————————————————————————————————————————————————————| | 00 00 00 | Chord Pattern | | 00 01 00 | Chord Pattern | | : | | | 00 0B 00 | Chord Pattern | | 00 10 00 | (reserved) | +——————————————————————————————————————————————————————————————————————————————+

* Setup

+——————————————————————————————————————————————————————————————————————————————+ | Offset | |

| 00 00 | 0000 0aaa | Mode Select (0 — 4) | | | | PATTERN, PATCH, GM1, GM2, GS | |—————————————+———————————+————————————————————————————————————————————————————|

| 00 07 | 0000 000a | MFX Switch (0 — 1) | | | | BYPASS, ON | | 00 08 | 0000 000a | Chorus Switch (0 — 1) | | | | OFF, ON | | 00 09 | 0000 000a | Reverb Switch (0 — 1) | | | | OFF, ON | |—————————————+———————————+————————————————————————————————————————————————————|

| 00 0A | 0000 000a | Arpeggio Switch (0 — 1) | | | | OFF, ON | | 00 0B | 0000 000a | Arpeggio Group (0 — 1) | | | | USER, PRESET | | 00 0C | 0000 aaaa | Arpeggio Number (0 — 8) | | | | 1 — 9 | |—————————————+———————————+————————————————————————————————————————————————————|

| 00 00 00 13 | Total Size | +——————————————————————————————————————————————————————————————————————————————+

11

* System Common

12

* Pattern(Performance) Common

* Pattern(Performance) MFX

13

* Pattern(Performance) Chorus

+——————————————————————————————————————————————————————————————————————————————+ | Offset | | | Address | Description | |—————————————+————————————————————————————————————————————————————————————————| | 00 00 | 0000 0aaa | Chorus Type (0 — 7) | | | | CHORUS1, CHORUS2, CHORUS3, CHORUS4, | | | | FEEDBACK CHORUS, FLANGER, | | | | SHORT DELAY, SHORT DELAY(FB) | | 00 01 | 0000 0aaa | Chorus Pre—LPF (0 — 7) | | 00 02 | 0aaa aaaa | Chorus Level (0 — 127) | | 00 03 | 0aaa aaaa | Chorus Feedback (0 — 127) | | 00 04 | 0aaa aaaa | Chorus Delay (0 — 127) | | 00 05 | 0aaa aaaa | Chorus Rate (0 — 127) | | 00 06 | 0aaa aaaa | Chorus Depth (0 — 127) | | 00 07 | 0aaa aaaa | Chorus Send Level to Reverb (0 — 127) | |—————————————+————————————————————————————————————————————————————————————————| | 00 00 00 08 | Total Size | +——————————————————————————————————————————————————————————————————————————————+

* Pattern(Performance) Reverb

+——————————————————————————————————————————————————————————————————————————————+ | Offset | | | Address | Description | |—————————————+————————————————————————————————————————————————————————————————| | 00 00 | 0000 0aaa | Reverb Type (0 — 7) | | | | ROOM1, ROOM2, ROOM3, | | | | HALL1, HALL2, PLATE, | | | | DELAY, PANNING DELAY | | 00 01 | 0000 0aaa | Reverb Character (0 — 7) | | 00 02 | 0000 0aaa | Reverb Pre—LPF (0 — 7) | | 00 03 | 0aaa aaaa | Reverb Level (0 — 127) | | 00 04 | 0aaa aaaa | Reverb Time (0 — 127) | | 00 05 | 0aaa aaaa | Reverb Delay Feedback (0 — 127) | |—————————————+————————————————————————————————————————————————————————————————| | 00 00 00 06 | Total Size | +——————————————————————————————————————————————————————————————————————————————+

14

* Pattern(Performance) Part

+——————————————————————————————————————————————————————————————————————————————+ | Offset | | | Address | Description | |—————————————+————————————————————————————————————————————————————————————————| | 00 00 | 0aaa aaaa | Patch Bank Select MSB (CC# 0) (0 — 127) | | 00 01 | 0aaa aaaa | Patch Bank Select LSB (CC# 32) (0 — 127) | | 00 02 | 0aaa aaaa | Patch Program Number (PC) (0 — 127) | |—————————————+———————————+————————————————————————————————————————————————————| | 00 03 | 0aaa aaaa | Part Level (CC# 7) (0 — 127) | | 00 04 | 0aaa aaaa | Part Pan (CC# 10) (0 — 127) | | | | RANDOM, L63 — 63R | | 00 05 | 0000 000a | Part MFX Switch (0 — 1) | | | | BYPASS, ON | | 00 06 | 0aaa aaaa | Part Chorus Send Level (CC# 93) (0 — 127) | | 00 07 | 0aaa aaaa | Part Reverb Send Level (CC# 91) (0 — 127) | | 00 08 | 0000 aaaa | Receive Channel (0 — 15) | | | | 1 — 16 | | 00 09 | 0000 000a | Receive Switch (0 — 1) | | | | OFF, ON | | 00 0A | 0000 000a | Receive Program Change (0 — 1) | | | | OFF, ON | | 00 0B | 0000 000a | Receive Bank Select (0 — 1) | | | | OFF, ON | |—————————————+———————————+————————————————————————————————————————————————————| | 00 0C | 0000 0aaa | Part Scale Tune Type (0 — 3) | | | | EQUAL, JUST(MAJOR) in C, JUST(MINOR) in C, ARABIC | | 00 0D | 0aaa aaaa | Part Scale Tune for C (0 — 127) | | | | —64 — +63 | | 00 0E | 0aaa aaaa | Part Scale Tune for C# (0 — 127) | | | | —64 — +63 | | 00 0F | 0aaa aaaa | Part Scale Tune for D (0 — 127) | | | | —64 — +63 | | 00 10 | 0aaa aaaa | Part Scale Tune for D# (0 — 127) | | | | —64 — +63 | | 00 11 | 0aaa aaaa | Part Scale Tune for E (0 — 127) | | | | —64 — +63 | | 00 12 | 0aaa aaaa | Part Scale Tune for F (0 — 127) | | | | —64 — +63 | | 00 13 | 0aaa aaaa | Part Scale Tune for F# (0 — 127) | | | | —64 — +63 | | 00 14 | 0aaa aaaa | Part Scale Tune for G (0 — 127) | | | | —64 — +63 | | 00 15 | 0aaa aaaa | Part Scale Tune for G# (0 — 127) | | | | —64 — +63 | | 00 16 | 0aaa aaaa | Part Scale Tune for A (0 — 127) | | | | —64 — +63 | | 00 17 | 0aaa aaaa | Part Scale Tune for A# (0 — 127) | | | | —64 — +63 | | 00 18 | 0aaa aaaa | Part Scale Tune for B (0 — 127) | | | | —64 — +63 | |—————————————+————————————————————————————————————————————————————————————————| | 00 00 00 19 | Total Size | +——————————————————————————————————————————————————————————————————————————————+

* Patch Common

15

* Patch MFX

16

* Patch Chorus

+——————————————————————————————————————————————————————————————————————————————+ | Offset | | | Address | Description | |—————————————+————————————————————————————————————————————————————————————————| | 00 00 | 0000 0aaa | Chorus Type (0 — 7) | | | | CHORUS1, CHORUS2, CHORUS3, CHORUS4, | | | | FEEDBACK CHORUS, FLANGER, | | | | SHORT DELAY, SHORT DELAY(FB) | | 00 01 | 0000 0aaa | Chorus Pre—LPF (0 — 7) | | 00 02 | 0aaa aaaa | Chorus Level (0 — 127) | | 00 03 | 0aaa aaaa | Chorus Feedback (0 — 127) | | 00 04 | 0aaa aaaa | Chorus Delay (0 — 127) | | 00 05 | 0aaa aaaa | Chorus Rate (0 — 127) | | 00 06 | 0aaa aaaa | Chorus Depth (0 — 127) | | 00 07 | 0aaa aaaa | Chorus Send Level to Reverb (0 — 127) | |—————————————+————————————————————————————————————————————————————————————————| | 00 00 00 08 | Total Size | +——————————————————————————————————————————————————————————————————————————————+

* Patch Reverb

+——————————————————————————————————————————————————————————————————————————————+ | Offset | | | Address | Description | |—————————————+————————————————————————————————————————————————————————————————| | 00 00 | 0000 0aaa | Reverb Type (0 — 7) | | | | ROOM1, ROOM2, ROOM3, | | | | HALL1, HALL2, PLATE, | | | | DELAY, PANNING DELAY | | 00 01 | 0000 0aaa | Reverb Character (0 — 7) | | 00 02 | 0000 0aaa | Reverb Pre—LPF (0 — 7) | | 00 03 | 0aaa aaaa | Reverb Level (0 — 127) | | 00 04 | 0aaa aaaa | Reverb Time (0 — 127) | | 00 05 | 0aaa aaaa | Reverb Delay Feedback (0 — 127) | |—————————————+————————————————————————————————————————————————————————————————| | 00 00 00 06 | Total Size | +——————————————————————————————————————————————————————————————————————————————+

* Patch Tone

+——————————————————————————————————————————————————————————————————————————————+ | Offset | | | Address | Description | |—————————————+————————————————————————————————————————————————————————————————| |# 00 00 | 0000 aaaa | | | | 0000 bbbb | | | | 0000 cccc | Original Tone Number (0 — 4095) | | | | 0 — ??? | | 00 03 | 0aaa aaaa | Tone Pan (0 — 127) | | | | L64 — 63R | | 00 04 | 0000 000a | Tone MFX Switch (0 — 1) | | | | BYPASS, ON | | 00 05 | 0aaa aaaa | Tone Chorus Send Level (0 — 127) | | 00 06 | 0aaa aaaa | Tone Reverb Send Level (0 — 127) | | 00 07 | 0aaa aaaa | Coarse Tune (RPN# 2) (16 — 112) | | | | —48 — +48 | | 00 08 | 0aaa aaaa | Fine Tune (RPN# 1) (14 — 114) | | | | —50 — +50 | | 00 09 | 0aaa aaaa | LFO Rate (CC# 76) (0 — 127) | | | | —64 — +63 | | 00 0A | 0aaa aaaa | LFO Depth (CC# 77) (0 — 127) | | | | —64 — +63 | | 00 0B | 0aaa aaaa | LFO Delay (CC# 78) (0 — 127) | | | | —64 — +63 | | 00 0C | 0000 000a | LFO Filter Switch (0 — 1) | | | | OFF, ON | | 00 0D | 0aaa aaaa | Cutoff Frequency (CC# 74) (0 — 127) | | | | —64 — +63 | | 00 0E | 0aaa aaaa | Resonance (CC# 71) (0 — 127) | | | | —64 — +63 | | 00 0F | 0aaa aaaa | Attack Time (CC# 73) (0 — 127) | | | | —64 — +63 | | 00 10 | 0aaa aaaa | Decay Time (CC# 75) (0 — 127) | | | | —64 — +63 | | 00 11 | 0aaa aaaa | Release Time (CC# 72) (0 — 127) | | | | —64 — +63 | | 00 12 | 0000 000a | Portamento Switch (CC# 65) (0 — 1) | | | | OFF, ON | | 00 13 | 0aaa aaaa | Portamento Time (CC# 5) (0 — 127) | | 00 14 | 0aaa aaaa | Velocity Sens Depth (0 — 127) | | | | —64 — +63 | | 00 15 | 0aaa aaaa | Velocity Sens Offset (0 — 127) | | | | —64 — +63 | | 00 16 | 000a aaaa | Pitch Bend Range (RPN# 0) (0 — 24) | |—————————————+————————————————————————————————————————————————————————————————| | 00 00 00 17 | Total Size | +——————————————————————————————————————————————————————————————————————————————+

17

* Rhythm Common

* Rhythm MFX

18

* Rhythm Chorus

+——————————————————————————————————————————————————————————————————————————————+ | Offset | | | Address | Description | |—————————————+————————————————————————————————————————————————————————————————| | 00 00 | 0000 0aaa | Chorus Type (0 — 7) | | | | CHORUS1, CHORUS2, CHORUS3, CHORUS4, | | | | FEEDBACK CHORUS, FLANGER, | | | | SHORT DELAY, SHORT DELAY(FB) | | 00 01 | 0000 0aaa | Chorus Pre—LPF (0 — 7) | | 00 02 | 0aaa aaaa | Chorus Level (0 — 127) | | 00 03 | 0aaa aaaa | Chorus Feedback (0 — 127) | | 00 04 | 0aaa aaaa | Chorus Delay (0 — 127) | | 00 05 | 0aaa aaaa | Chorus Rate (0 — 127) | | 00 06 | 0aaa aaaa | Chorus Depth (0 — 127) | | 00 07 | 0aaa aaaa | Chorus Send Level to Reverb (0 — 127) | |—————————————+————————————————————————————————————————————————————————————————| | 00 00 00 08 | Total Size | +——————————————————————————————————————————————————————————————————————————————+

* Rhythm Reverb

+——————————————————————————————————————————————————————————————————————————————+ | Offset | | | Address | Description | |—————————————+————————————————————————————————————————————————————————————————| | 00 00 | 0000 0aaa | Reverb Type (0 — 7) | | | | ROOM1, ROOM2, ROOM3, | | | | HALL1, HALL2, PLATE, | | | | DELAY, PANNING DELAY | | 00 01 | 0000 0aaa | Reverb Character (0 — 7) | | 00 02 | 0000 0aaa | Reverb Pre—LPF (0 — 7) | | 00 03 | 0aaa aaaa | Reverb Level (0 — 127) | | 00 04 | 0aaa aaaa | Reverb Time (0 — 127) | | 00 05 | 0aaa aaaa | Reverb Delay Feedback (0 — 127) | |—————————————+————————————————————————————————————————————————————————————————| | 00 00 00 06 | Total Size | +——————————————————————————————————————————————————————————————————————————————+

* Rhythm Tone

+——————————————————————————————————————————————————————————————————————————————+ | Offset | | | Address | Description | |—————————————+————————————————————————————————————————————————————————————————| | 00 00 | 0aaa aaaa | Rhythm Tone Pitch (0 — 127) | | | | —60 — +67 | | 00 01 | 0aaa aaaa | Rhythm Tone Level (0 — 127) | | 00 02 | 0aaa aaaa | Rhythm Tone Pan (0 — 127) | | | | RANDOM, L63 — 63R | | 00 03 | 0aaa aaaa | Reverb Send Level (0 — 127) | | 00 04 | 0aaa aaaa | Chorus Send Level (0 — 127) | |—————————————+————————————————————————————————————————————————————————————————| | 00 00 00 05 | Total Size | +——————————————————————————————————————————————————————————————————————————————+

19

* Arpeggio Setup

+——————————————————————————————————————————————————————————————————————————————+ | Offset | | | Address | Description | |—————————————+————————————————————————————————————————————————————————————————| | 00 00 | 0000 000a | Arpeggio Hold (0 — 1) | | | | OFF, ON | | 00 01 | 0000 000a | Arpeggio Style Group (0 — 1) | | | | USER, PRESET | | 00 02 | 0aaa aaaa | Arpeggio Style Number (0 — 127) | | | | 1 — 128 | | 00 03 | 0aaa aaaa | Arpeggio Variation (0 — 127) | | | | 1 — 128 | | 00 04 | 00aa aaaa | Arpeggio Motif (0 — 9) | | | | UP, DOWN, UP&DOWN, RANDOM, | | | | NOTE—ORDER, GLISSANDO, CHORD, | | | | AUTO1, AUTO2, PHRASE | | 00 05 | 0aaa aaaa | Arpeggio Accent Rate (0 — 100) | | 00 06 | 0aaa aaaa | Arpeggio Shuffle Rate (0 — 100) | | 00 07 | 0000 000a | Arpeggio Shuffle Resolution (0 — 1) | | | | 16TH, 8TH | | 00 08 | 0aaa aaaa | Arpeggio Keyboard Velocity (0 — 127) | | | | REAL, 1 — 127 | | 00 09 | 0000 0aaa | Arpeggio Octave Range (61 — 67) | | | | —3 — +3 | | 00 0A | 0000 000a | Arpeggio Key Trigger (0 — 1) | | | | OFF, ON | |—————————————+————————————————————————————————————————————————————————————————| | 00 00 00 0B | Total Size | +——————————————————————————————————————————————————————————————————————————————+

* Chord Pattern

20

Type 1: STEREO EQ MFX Parameter Value Display

1 Low Freq 0 - 1 200, 400 [Hz] 2 Low Gain 0 - 30 -15 - +15 [dB] 3 High Freq 0 - 2 2000, 4000, 8000 [Hz] 4 High Gain 0 - 30 -15 - +15 [dB] 5 P1 Freq 0 - 16 200, 250, 315, 400, 500, 630, 800, 1000,

6 P1 Q 0 - 4 0.5, 1.0, 2.0, 4.0, 8.0 7 P1 Gain 0 - 30 -15 - +15 [dB] 8 P2 Freq 0 - 16 200, 250, 315, 400, 500, 630, 800, 1000,

9 P2 Q 0 - 4 0.5, 1.0, 2.0, 4.0, 8.0 10 P2 Gain 0 - 30 -15 - +15 [dB] 11 Level 0 - 127 0 - 127

Type 2: OVERDRIVE MFX Parameter Value Display

1 Drive 0 - 127 0 - 127

2 Pan 0 - 127 L64 - 63R

3 Amp Type 0 - 3 SMALL, BUILT-IN, 2-STACK, 3-

4 Low Gain 0 - 30 -15 - +15 [dB]

5 High Gain 0 - 30 -15 - +15 [dB]

6 Level 0 - 127 0 - 127

Type 3: DISTORTION MFX Parameter Value Display

1 Drive 0 - 127 0 - 127

2 Pan 0 - 127 L64 - 63R

3 Amp Type 0 - 3 SMALL, BUILT-IN, 2-STACK, 3-

4 Low Gain 0 - 30 -15 - +15 [dB]

5 High Gain 0 - 30 -15 - +15 [dB]

6 Level 0 - 127 0 - 127

Type 4: PHASER MFX Parameter Value Display

1 Manual 0 - 125 100 - 8000 [Hz]

2 Rate 1 - 200 0.05 - 10.00 [Hz]

3 Depth 0 - 127 0 - 127

4 Resonance 0 - 127 0 - 127

5 Mix 0 - 127 0 - 127

6 Pan 0 - 127 L64 - 63R

7 Level 0 - 127 0 - 127

Type 5: SPECTRUM MFX Parameter Value Display

1 Band1 0 - 30 -15 - +15 [dB]

2 Band2 0 - 30 -15 - +15 [dB]

3 Band3 0 - 30 -15 - +15 [dB]

4 Band4 0 - 30 -15 - +15 [dB]

5 Band5 0 - 30 -15 - +15 [dB]

6 Band6 0 - 30 -15 - +15 [dB]

7 Band7 0 - 30 -15 - +15 [dB]

8 Band8 0 - 30 -15 - +15 [dB]

9 Q 0 - 4 0.5, 1.0, 2.0, 4.0, 8.0 10 Pan 0 - 127 L64 - 63R 11 Level 0 - 127 0 - 127

Type 6: ENHANCER MFX Parameter Value Display

1 Sens 0 - 127 0 - 127

2 Mix 0 - 127 0 - 127

3 Low Gain 0 - 30 -15 - +15 [dB]

4 High Gain 0 - 30 -15 - +15 [dB]

5 Level 0 - 127 0 - 127

1250, 1600, 2000, 2500, 3150, 4000, 5000, 6300, 8000 [Hz]

STACK

Type 7: AUTO WAH MFX Parameter Value Display

1 Filter Type 0 - 1 LPF, BPF 2 Rate 1 - 200 0.05 - 10.00 [Hz] 3 Depth 0 - 127 0 - 127 4 Sens 0 - 127 0 - 127 5 Manual 0 - 127 0 - 127 6 Peak 0 - 127 0 - 127 7 Level 0 - 127 0 - 127

Type 8: ROTARY MFX Parameter Value Display

1 High Slow Rate 1 - 200 0.05 - 10.00 [Hz] 2 Low Slow Rate 1 - 200 0.05 - 10.00 [Hz] 3 High Fast Rate 1 - 200 0.05 - 10.00 [Hz] 4 Low Fast Rate 1 - 200 0.05 - 10.00 [Hz] 5 Speed 0 - 1 SLOW, FAST 6 High Acceleration 0 - 15 0 - 15 7 Low Acceleration 0 - 15 0 - 15 8 High Level 0 - 127 0 - 127

9 Low Level 0 - 127 0 - 127 10 Separation 0 - 127 0 - 127 11 Level 0 - 127 0 - 127

Type 9: COMPRESSOR MFX Parameter Value Display

1 Sustain 0 - 127 0 - 127

2 Attack 0 - 127 0 - 127

3 Pan 0 - 127 L64 - 63R

4 Post Gain 0 - 3 0, +6, +12, +18 [dB]

5 Low Gain 0 - 30 -15 - +15 [dB]

6 High Gain 0 - 30 -15 - +15 [dB]

7 Level 0 - 127 0 - 127

Type 10: LIMITER MFX Parameter Value Display

1 Threshold 0 - 127 0 - 127

2 Release 0 - 127 0 - 127

3 Ratio 0 - 3 1.5:1, 2:1, 4:1, 100:1

4 Pan 0 - 127 L64 - 63R

5 Post Gain 0 - 3 0, +6, +12, +18 [dB]

6 Low Gain 0 - 30 -15 - +15 [dB]

7 High Gain 0 - 30 -15 - +15 [dB]

8 Level 0 - 127 0 - 127

Type 11: HEXA-CHORUS MFX Parameter Value Display

1 Pre Delay 0 - 125 0.0 - 100 [ms]

2 Rate 1 - 200 0.05 - 10.00 [Hz]

3 Depth 0 - 127 0 - 127

4 Pre Delay Deviation 0 - 20 0 - 20

5 Depth Deviation 0 - 40 -20 - +20

6 Pan Deviation 0 - 20 0 - 20

7 Balance 0 - 100 D100:0W - D0:100W

8 Level 0 - 127 0 - 127

Type 12: TREMOLO CHORUS MFX Parameter Value Display

1 Pre Delay 0 - 125 0.0 - 100 [ms]

2 Chorus Rate 1 - 200 0.05 - 10.00 [Hz]

3 Chorus Depth 0 - 127 0 - 127

4 Tremolo Rate 1 - 200 0.05 - 10.00 [Hz]

5 Tremolo Separation

0 - 127 6 Tremolo Phase 0 - 90 0 - 180 [deg] 7 Balance 0 - 100 D100:0W - D0:100W 8 Level 0 - 127 0 - 127

Type 13: SPACE-D MFX Parameter Value Display

1 Pre Delay 0 - 125 0.0 - 100 [ms] 2 Rate 1 - 200 0.05 - 10.00 [Hz] 3 Depth 0 - 127 0 - 127 4 Phase 0 - 90 0 - 180 [deg] 5 Low Gain 0 - 30 -15 - +15 [dB] 6 High Gain 0 - 30 -15 - +15 [dB] 7 Balance 0 - 100 D100:0W - D0:100W 8 Level 0 - 127 0 - 127

0 - 127

21

Type 14: STEREO CHORUS MFX Parameter Value Display

1 Filter Type 0 - 2 OFF, LPF, HPF 2 Cutoff Freq 0 - 16 200, 250, 315, 400, 500, 630, 800, 1000,

3 Pre Delay 0 - 125 0.0 - 100 [ms] 4 Rate 1 - 200 0.05 - 10.00 [Hz] 5 Depth 0 - 127 0 - 127 6 Phase 0 - 90 0 - 180 [deg] 7 Low Gain 0 - 30 -15 - +15 [dB] 8 High Gain 0 - 30 -15 - +15 [dB] 9 Balance 0 - 100 D100:0W - D0:100W

10 Level 0 - 127 0 - 127

Type 15: STEREO FLANGER MFX Parameter Value Display

1 Filter Type 0 - 2 OFF, LPF, HPF 2 Cutoff Freq 0 - 16 200, 250, 315, 400, 500, 630, 800, 1000,

3 Pre Delay 0 - 125 0.0 - 100 [ms] 4 Rate 1 - 200 0.05 - 10.00 [Hz] 5 Depth 0 - 127 0 - 127 6 Phase 0 - 90 0 - 180 [deg] 7 Feedback 0 - 98 -98 - +98 [%] 8 Low Gain 0 - 30 -15 - +15 [dB]

9 High Gain 0 - 30 -15 - +15 [dB] 10 Balance 0 - 100 D100:0W - D0:100W 11 Level 0 - 127 0 - 127

Type 16: STEP FLANGER MFX Parameter Value Display

1 Pre Delay 0 - 125 0.0 - 100 [ms]

2 Rate 1 - 200 0.05 - 10.00 [Hz]

3 Depth 0 - 127 0 - 127

4 Feedback 0 - 98 -98 - +98 [%]

5 Step Rate 1 - 222 0.1 - 20.00 [Hz] MUSICAL-NOTES

6 Phase 0 - 90 0 - 180 [deg]

7 Balance 0 - 100 D100:0W - D0:100W

8 Reset 0 - 1 OFF, ON

9 Level 0 - 127 0 - 127

Type 17: STEREO DELAY MFX Parameter Value Display

1 Feedback mode 0 - 1 NORMAL, CROSS

2 Delay Left 0 - 430 0 - 420 [ms] MUSICAL-NOTES

3 Delay Right 0 - 430 0 - 420 [ms] MUSICAL-NOTES

4 Phase Left 0 - 1 NORMAL, INVERT

5 Phase Right 0 - 1 NORMAL, INVERT

6 Feedback 0 - 98 -98 - +98 [%]

7 HF Damp 0 - 17 200, 250, 315, 400, 500, 630, 800, 1000,

8 Low Gain 0 - 30 -15 - +15 [dB]

9 High Gain 0 - 30 -15 - +15 [dB]

10 Balance 0 - 100 D100:0W - D0:100W 11 Level 0 - 127 0 - 127

Type 18: LONG DELAY MFX Parameter Value Display

1 Delay 0 - 850 0 - 840 [ms] MUSICAL-NOTES

2 Feedback 0 - 98 -98 - +98 [%]

3 HF Damp 0 - 17 200, 250, 315, 400, 500, 630, 800, 1000,

4 Low Gain 0 - 30 -15 - +15 [dB]

5 High Gain 0 - 30 -15 - +15 [dB]

6 Balance 0 - 100 D100:0W - D0:100W

7 Level 0 - 127 0 - 127

1250, 1600, 2000, 2500, 3150, 4000, 5000, 6300, 8000 [Hz]

1250, 1600, 2000, 2500, 3150, 4000, 5000, 6300, 8000, BYPASS [Hz]

Type 19: MODULATION DELAY MFX Parameter Value Display

1 Feedback mode 0 - 1 NORMAL, CROSS 2 Delay Left 0 - 370 0 - 370 [ms] 3 Delay Right 0 - 370 0 - 370 [ms] 4 Feedback 0 - 98 -98 - +98 [%] 5 HF Damp 0 - 17 200, 250, 315, 400, 500, 630, 800, 1000,

6 Rate 1 - 200 0.05 - 10.00 [Hz] 7 Depth 0 - 127 0 - 127 8 Phase 0 - 90 0 - 180 [deg]

9 Low Gain 0 - 30 -15 - +15 [dB] 10 High Gain 0 - 30 -15 - +15 [dB] 11 Balance 0 - 100 D100:0W - D0:100W 12 Level 0 - 127 0 - 127

Type 20: TRIPLE TAP DELAY MFX Parameter Value Display

1 Delay Left 0 - 850 0 - 840 [ms] MUSICAL-NOTES

2 Delay Right 0 - 850 0 - 840 [ms] MUSICAL-NOTES

3 Delay Center 0 - 850 0 - 840 [ms] MUSICAL-NOTES

4 Feedback 0 - 98 -98 - +98 [%]

5 HF Damp 0 - 17 200, 250, 315, 400, 500, 630, 800, 1000,

6 Left Level 0 - 127 0 - 127

7 Right Level 0 - 127 0 - 127

8 Center Level 0 - 127 0 - 127

9 Low Gain 0 - 30 -15 - +15 [dB] 10 High Gain 0 - 30 -15 - +15 [dB] 11 Balance 0 - 100 D100:0W - D0:100W 12 Level 0 - 127 0 - 127

Type 21: QUADRUPLE TAP DELAY MFX Parameter Value Display

1 Delay 1 0 - 850 0 - 840 [ms] MUSICAL-NOTES

2 Delay 2 0 - 850 0 - 840 [ms] MUSICAL-NOTES

3 Delay 3 0 - 850 0 - 840 [ms] MUSICAL-NOTES

4 Delay 4 0 - 850 0 - 840 [ms] MUSICAL-NOTES

5 Level 1 0 - 127 0 - 127

6 Level 2 0 - 127 0 - 127

7 Level 3 0 - 127 0 - 127

8 Level 4 0 - 127 0 - 127

9 Feedback 0 - 98 -98 - +98 [%] 10 HF Damp 0 - 17 200, 250, 315, 400, 500, 630, 800, 1000,

11 Balance 0 - 100 D100:0W - D0:100W 12 Level 0 - 127 0 - 127

Type 22: TIME CONTROL DELAY MFX Parameter Value Display

1 Delay 0 - 840 0 - 840 [ms]

2 Feedback 0 - 98 -98 - +98 [%]

3 Acceleration 0 - 15 0 - 15

4 HF Damp 0 - 17 200, 250, 315, 400, 500, 630, 800, 1000,

5 Pan 0 - 127 L64 - 63R

6 Low Gain 0 - 30 -15 - +15 [dB]

7 High Gain 0 - 30 -15 - +15 [dB]

8 Balance 0 - 100 D100:0W - D0:100W

9 Level 0 - 127 0 - 127

Type 23: 2VOICE PITCH SHIFTER MFX Parameter Value Display

1 Mode 0 - 4 1, 2, 3, 4, 5

2 Coarse A 0 - 36 -24 - +12 [semi]

3 Coarse B 0 - 36 -24 - +12 [semi]

4 Fine A 0 - 100 -100 - +100 [cent]

5 Fine B 0 - 100 -100 - +100 [cent]

6 Pre Delay A 0 - 500 0.0 - 500 [ms]

7 Pre Delay B 0 - 500 0.0 - 500 [ms]

8 Pan A 0 - 127 L64 - 63R

9 Pan B 0 - 127 L64 - 63R 10 Level Balance 0 - 100 A100:0B - A0:100B 11 Balance 0 - 100 D100:0W - D0:100W 12 Level 0 - 127 0 - 127

1250, 1600, 2000, 2500, 3150, 4000, 5000, 6300, 8000, BYPASS [Hz]

22

Type 24: FBK PITCH SHIFTER MFX Parameter Value Display

1 Mode 0 - 4 1, 2, 3, 4, 5 2 Coarse 0 - 36 -24 - +12 [semi] 3 Fine 0 - 100 -100 - +100 [cent] 4 Pre Delay 0 - 500 0.0 - 500 [ms] 5 Feedback 0 - 98 -98 - +98 [%] 6 Pan 0 - 127 L64 - 63R 7 Low Gain 0 - 30 -15 - +15 [dB] 8 High Gain 0 - 30 -15 - +15 [dB] 9 Balance 0 - 100 D100:0W - D0:100W

10 Level 0 - 127 0 - 127

Type 25: REVERB MFX Parameter Value Display

1 Type 0 - 5 ROOM1, ROOM2, STAGE1, STAGE2,

2 Pre Delay 0 - 125 0.0 - 100 [ms] 3 Time 0 - 127 0 - 127 4 HF Damp 0 - 17 200, 250, 315, 400, 500, 630, 800, 1000,

5 Low Gain 0 - 30 -15 - +15 [dB] 6 High Gain 0 - 30 -15 - +15 [dB] 7 Balance 0 - 100 D100:0W - D0:100W 8 Level 0 - 127 0 - 127

Type 26: GATED REVERB MFX Parameter Value Display

1 Type 0 - 3 NORMAL, REVERSE, SWEEP1,

2 Pre Delay 0 - 125 0.0 - 100 [ms] 3 Time 0 - 99 5 - 500 [ms] 4 Low Gain 0 - 30 -15 - +15 [dB] 5 High Gain 0 - 30 -15 - +15 [dB] 6 Balance 0 - 100 D100:0W - D0:100W 7 Level 0 - 127 0 - 127

Type 27: OVERDRIVE->CHORUS MFX Parameter Value Display

1 OD Drive 0 - 127 0 - 127 2 OD Pan 0 - 127 L64 - 63R 3 Chorus Pre Delay 0 - 125 0.0 - 100 [ms] 4 Chorus Rate 1 - 200 0.05 - 10.00 [Hz] 5 Chorus Depth 0 - 127 0 - 127 6 Chorus Balance 0 - 100 D100:0W - D0:100W 7 Level 0 - 127 0 - 127

Type 28: OVERDRIVE->FLANGER MFX Parameter Value Display

1 OD Drive 0 - 127 0 - 127 2 OD Pan 0 - 127 L64 - 63R 3 FLNG Pre Delay 0 - 125 0.0 - 100 [ms] 4 FLNG Rate 1 - 200 0.05 - 10.00 [Hz] 5 FLNG Depth 0 - 127 0 - 127 6 FLNG Feedback 0 - 98 -98 - +98 [%] 7 FLNG Balance 0 - 100 D100:0W - D0:100W 8 Level 0 - 127 0 - 127

Type 29: OVERDRIVE->DELAY MFX Parameter Value Display

1 OD Drive 0 - 127 0 - 127 2 OD Pan 0 - 127 L64 - 63R 3 Delay Time 0 - 500 0 - 500 [ms] 4 Delay Feedback 0 - 98 -98 - +98 [%] 5 Delay HF Damp 0 - 17 200, 250, 315, 400, 500, 630, 800, 1000,

6 Delay Balance 0 - 100 D100:0W - D0:100W 7 Level 0 - 127 0 - 127

HALL1, HALL2

1250, 1600, 2000, 2500, 3150, 4000, 5000, 6300, 8000, BYPASS [Hz]

SWEEP2

1250, 1600, 2000, 2500, 3150, 4000, 5000, 6300, 8000, BYPASS [Hz]

Type 30: DISTORTION->CHORUS MFX Parameter Value Display

1 DIST Drive 0 - 127 0 - 127

2 DIST Pan 0 - 127 L64 - 63R

3 Chorus Pre Delay 0 - 125 0.0 - 100 [ms]

4 Chorus Rate 1 - 200 0.05 - 10.00 [Hz]

5 Chorus Depth 0 - 127 0 - 127

6 Chorus Balance 0 - 100 D100:0W - D0:100W

7 Level 0 - 127 0 - 127

Type 31: DISTORTION->FLANGER MFX Parameter Value Display

1 DIST Drive 0 - 127 0 - 127

2 DIST Pan 0 - 127 L64 - 63R

3 FLNG Pre Delay 0 - 125 0.0 - 100 [ms]

4 FLNG Rate 1 - 200 0.05 - 10.00 [Hz]

5 FLNG Depth 0 - 127 0 - 127

6 FLNG Feedback 0 - 98 -98 - +98 [%]

7 FLNG Balance 0 - 100 D100:0W - D0:100W

8 Level 0 - 127 0 - 127

Type 32: DISTORTION->DELAY MFX Parameter Value Display

1 DIST Drive 0 - 127 0 - 127

2 DIST Pan 0 - 127 L64 - 63R

3 Delay Time 0 - 500 0 - 500 [ms]

4 Delay Feedback 0 - 98 -98 - +98 [%]

5 Delay HF Damp 0 - 17 200, 250, 315, 400, 500, 630, 800, 1000,

6 Delay Balance 0 - 100 D100:0W - D0:100W

7 Level 0 - 127 0 - 127

Type 33: ENHANCER->CHORUS MFX Parameter Value Display

1 Enhancer Sens 0 - 127 0 - 127

2 Enhancer Mix 0 - 127 0 - 127

3 Chorus Pre Delay 0 - 125 0.0 - 100 [ms]

4 Chorus Rate 1 - 200 0.05 - 10.00 [Hz]

5 Chorus Depth 0 - 127 0 - 127

6 Chorus Balance 0 - 100 D100:0W - D0:100W

7 Level 0 - 127 0 - 127

Type 34: ENHANCER->FLANGER MFX Parameter Value Display

1 Enhancer Sens 0 - 127 0 - 127

2 Enhancer Mix 0 - 127 0 - 127

3 FLNG Pre Delay 0 - 125 0.0 - 100 [ms]

4 FLNG Rate 1 - 200 0.05 - 10.00 [Hz]

5 FLNG Depth 0 - 127 0 - 127

6 FLNG Feedback 0 - 98 -98 - +98 [%]

7 FLNG Balance 0 - 100 D100:0W - D0:100W

8 Level 0 - 127 0 - 127

Type 35: ENHANCER->DELAY MFX Parameter Value Display

1 Enhancer Sens 0 - 127 0 - 127

2 Enhancer Mix 0 - 127 0 - 127

3 Delay Time 0 - 500 0 - 500 [ms]

4 Delay Feedback 0 - 98 -98 - +98 [%]

5 Delay HF Damp 0 - 17 200, 250, 315, 400, 500, 630, 800, 1000,

6 Delay Balance 0 - 100 D100:0W - D0:100W

7 Level 0 - 127 0 - 127

1250, 1600, 2000, 2500, 3150, 4000, 5000, 6300, 8000, BYPASS [Hz]

23

Type 36: CHORUS->DELAY MFX Parameter Value Display

1 Chorus Pre Delay 0 - 125 0.0 - 100 [ms] 2 Chorus Rate 1 - 200 0.05 - 10.00 [Hz] 3 Chorus Depth 0 - 127 0 - 127 4 Chorus Balance 0 - 100 D100:0W - D0:100W 5 Delay Time 0 - 500 0 - 500 [ms] 6 Delay Feedback 0 - 98 -98 - +98 [%] 7 Delay HF Damp 0 - 17 200, 250, 315, 400, 500, 630, 800, 1000,

8 Delay Balance 0 - 100 D100:0W - D0:100W 9 Level 0 - 127 0 - 127

1250, 1600, 2000, 2500, 3150, 4000, 5000, 6300, 8000, BYPASS [Hz]

Type 41: CHORUS/FLANGER MFX Parameter Value Display

1 Chorus Pre Delay 0 - 125 0.0 - 100 [ms]

2 Chorus Rate 1 - 200 0.05 - 10.00 [Hz]

3 Chorus Depth 0 - 127 0 - 127

4 Chorus Balance 0 - 100 D100:0W - D0:100W

5 FLNG Pre Delay 0 - 125 0.0 - 100 [ms]

6 FLNG Rate 1 - 200 0.05 - 10.00 [Hz]

7 FLNG Depth 0 - 127 0 - 127

8 FLNG Feedback 0 - 98 -98 - +98 [%]

9 FLNG Balance 0 - 100 D100:0W - D0:100W 10 Level 0 - 127 0 - 127

Type 37: FLANGER->DELAY MFX Parameter Value Display

1 FLNG Pre Delay 0 - 125 0.0 - 100 [ms] 2 FLNG Rate 1 - 200 0.05 - 10.00 [Hz] 3 FLNG Depth 0 - 127 0 - 127 4 FLNG Feedback 0 - 98 -98 - +98 [%] 5 FLNG Balance 0 - 100 D100:0W - D0:100W 6 Delay Time 0 - 500 0 - 500 [ms] 7 Delay Feedback 0 - 98 -98 - +98 [%] 8 Delay HF Damp 0 - 17 200, 250, 315, 400, 500, 630, 800, 1000,

9 Delay Balance 0 - 100 D100:0W - D0:100W

10 Level 0 - 127 0 - 127

Type 38: CHORUS->FLANGER MFX Parameter Value Display

1 Chorus Pre Delay 0 - 125 0.0 - 100 [ms] 2 Chorus Rate 1 - 200 0.05 - 10.00 [Hz] 3 Chorus Depth 0 - 127 0 - 127 4 Chorus Balance 0 - 100 D100:0W - D0:100W 5 FLNG Pre Delay 0 - 125 0.0 - 100 [ms] 6 FLNG Rate 1 - 200 0.05 - 10.00 [Hz] 7 FLNG Depth 0 - 127 0 - 127 8 FLNG Feedback 0 - 98 -98 - +98 [%] 9 FLNG Balance 0 - 100 D100:0W - D0:100W

10 Level 0 - 127 0 - 127

Type 39: CHORUS/DELAY MFX Parameter Value Display

1 Chorus Pre Delay 0 - 125 0.0 - 100 [ms] 2 Chorus Rate 1 - 200 0.05 - 10.00 [Hz] 3 Chorus Depth 0 - 127 0 - 127 4 Chorus Balance 0 - 100 D100:0W - D0:100W 5 Delay Time 0 - 500 0 - 500 [ms] 6 Delay Feedback 0 - 98 -98 - +98 [%] 7 Delay HF Damp 0 - 17 200, 250, 315, 400, 500, 630, 800, 1000,

8 Delay Balance 0 - 100 D100:0W - D0:100W 9 Level 0 - 127 0 - 127

Type 40: FLANGER/DELAY MFX Parameter Value Display

1 FLNG Pre Delay 0 - 125 0.0 - 100 [ms] 2 FLNG Rate 1 - 200 0.05 - 10.00 [Hz] 3 FLNG Depth 0 - 127 0 - 127 4 FLNG Feedback 0 - 98 -98 - +98 [%] 5 FLNG Balance 0 - 100 D100:0W - D0:100W 6 Delay Time 0 - 500 0 - 500 [ms] 7 Delay Feedback 0 - 98 -98 - +98 [%] 8 Delay HF Damp 0 - 17 200, 250, 315, 400, 500, 630, 800, 1000,

9 Delay Balance 0 - 100 D100:0W - D0:100W

10 Level 0 - 127 0 - 127

1250, 1600, 2000, 2500, 3150, 4000, 5000, 6300, 8000, BYPASS [Hz]

Type 42: LOFI MFX Parameter Value Display

1 BitDown 0 - 11 0 - 11

2 SRateDown 0 - 7 0 - 7

3 Post Gain 0 - 3 0, +6, +12, +18 [dB]

4 Low Gain 0 - 30 -15 - +15 [dB]

5 High Gain 0 - 30 -15 - +15 [dB]

6 Output 0 - 1 MONO, STEREO

7 Level 0 - 127 0 - 127

Type 43: SLICER MFX Parameter Value Display

1 TimingPtn 0 - 33 1 - 34

2 AccentPtn 0 - 15 1 - 16

3 AccentLvl 0 - 127 0 - 127

4 Attack 0 - 127 0 - 127

5 Rate 1 - 222 0.05 - 10.00 [Hz] MUSICAL-NOTES

6 Reset 0 - 1 OFF, ON

7 Level 0 - 127 0 - 127

Type 44: TREMOLO MFX Parameter Value Display

1 ModWave 0 - 4 TRI, SQR, SIN, SAW1, SAW2

2 Rate 1 - 222 0.05 - 10.00 [Hz] MUSICAL-NOTES

3 Depth 0 - 127 0 - 127

4 Reset 0 - 1 OFF, ON

5 Low Gain 0 - 30 -15 - +15 [dB]

6 High Gain 0 - 30 -15 - +15 [dB]

7 Level 0 - 127 0 - 127

Type 45: AUTOPAN MFX Parameter Value Display

1 ModWave 0 - 4 TRI, SQR, SIN, SAW1, SAW2

2 Rate 1 - 222 0.05 - 10.00 [Hz] MUSICAL-NOTES

3 Depth 0 - 127 0 - 127

4 Reset 0 - 1 OFF, ON

5 Low Gain 0 - 30 -15 - +15 [dB]

6 High Gain 0 - 30 -15 - +15 [dB]

7 Level 0 - 127 0 - 127

Type 46: TUMBLING DELAY MFX Parameter Value Display

1 Type 0 - 5 TYPE1, TYPE2, TYPE3, TYPE4,

2 Pre Delay 0 - 500 0 - 500 [ms]

3 Delay Time 0 - 345 0 - 345 [ms]

4 HF Damp 0 - 17 200, 250, 315, 400, 500, 630, 800, 1000,

5 Feedback 0 - 98 -98 - +98 [%]

6 Balance 0 - 100 D100:0W - D0:100W

7 Level 0 - 127 0 - 127

Type 47: FEEDBACK RIPPER MFX Parameter Value Display

1 ModWave 0 - 4 TRI, SQR, SIN, SAW1, SAW2

2 Rate 1 - 222 0.05 - 10.00 [Hz] MUSICAL-NOTES

3 Depth 0 - 127 0 - 127

4 Delay Left 0 - 430 0 - 420 [ms] MUSICAL-NOTES

5 Delay Right 0 - 430 0 - 420 [ms] MUSICAL-NOTES

6 Delay Feedback 0 - 98 -98 - +98 [%]

7 Reset 0 - 1 OFF, ON

8 Level 0 - 127 0 - 127

TYPE5, TYPE6

1250, 1600, 2000, 2500, 3150, 4000, 5000, 6300, 8000, BYPASS [Hz]

24

6. Supplementary material

■ Decimal and Hexadecimal Table

(An “H” is appended to the end of numbers in hexadecimal notation.) In MIDI documentation, data values and addresses/sizes of Exclusive messages, etc. are expressed as hexadecimal values for each 7 bits. The following table shows how these correspond to decimal numbers.

+——————+——————++——————+——————++——————+——————++——————+——————+ | D | H || D | H || D | H || D | H | +——————+——————++——————+——————++——————+——————++——————+——————+ | 0 | 00H || 32 | 20H || 64 | 40H || 96 | 60H | | 1 | 01H || 33 | 21H || 65 | 41H || 97 | 61H | | 2 | 02H || 34 | 22H || 66 | 42H || 98 | 62H | | 3 | 03H || 35 | 23H || 67 | 43H || 99 | 63H | | 4 | 04H || 36 | 24H || 68 | 44H || 100 | 64H | | 5 | 05H || 37 | 25H || 69 | 45H || 101 | 65H | | 6 | 06H || 38 | 26H || 70 | 46H || 102 | 66H | | 7 | 07H || 39 | 27H || 71 | 47H || 103 | 67H | | 8 | 08H || 40 | 28H || 72 | 48H || 104 | 68H | | 9 | 09H || 41 | 29H || 73 | 49H || 105 | 69H | | 10 | 0AH || 42 | 2AH || 74 | 4AH || 106 | 6AH | | 11 | 0BH || 43 | 2BH || 75 | 4BH || 107 | 6BH | | 12 | 0CH || 44 | 2CH || 76 | 4CH || 108 | 6CH | | 13 | 0DH || 45 | 2DH || 77 | 4DH || 109 | 6DH | | 14 | 0EH || 46 | 2EH || 78 | 4EH || 110 | 6EH | | 15 | 0FH || 47 | 2FH || 79 | 4FH || 111 | 6FH | | 16 | 10H || 48 | 30H || 80 | 50H || 112 | 70H | | 17 | 11H || 49 | 31H || 81 | 51H || 113 | 71H | | 18 | 12H || 50 | 32H || 82 | 52H || 114 | 72H | | 19 | 13H || 51 | 33H || 83 | 53H || 115 | 73H | | 20 | 14H || 52 | 34H || 84 | 54H || 116 | 74H | | 21 | 15H || 53 | 35H || 85 | 55H || 117 | 75H | | 22 | 16H || 54 | 36H || 86 | 56H || 118 | 76H | | 23 | 17H || 55 | 37H || 87 | 57H || 119 | 77H | | 24 | 18H || 56 | 38H || 88 | 58H || 120 | 78H | | 25 | 19H || 57 | 39H || 89 | 59H || 121 | 79H | | 26 | 1AH || 58 | 3AH || 90 | 5AH || 122 | 7AH | | 27 | 1BH || 59 | 3BH || 91 | 5BH || 123 | 7BH | | 28 | 1CH || 60 | 3CH || 92 | 5CH || 124 | 7CH | | 29 | 1DH || 61 | 3DH || 93 | 5DH || 125 | 7DH | | 30 | 1EH || 62 | 3EH || 94 | 5EH || 126 | 7EH | | 31 | 1FH || 63 | 3FH || 95 | 5FH || 127 | 7FH | +——————+——————++——————+——————++——————+——————++——————+——————+

D: decimal H: hexadecimal

* Decimal values such as MIDI channel, bank select, and program change are listed as one

greater than the values given in the above table.

*A 7-bit byte can express data in the range of 128 steps. For data where greater precision

is required, we must use two or more bytes. For example, two hexadecimal numbers aa bbH expressing two 7-bit bytes would indicate a value of aa x 128+bb.

* In the case of values which have a +/- sign, 00H = -64, 40H = +/-0, and 7FH = +63, so

that the decimal expression would be 64 less than the value given in the above chart. In the case of two types, 00 00H = -8192, 40 00H = +/-0, and 7F 7FH = +8191. For example, if aa bbH were expressed as decimal, this would be aa bbH - 40 00H = aa x 128+bb - 64 x

128.

* Data marked “Use nibbled data” is expressed in hexadecimal in 4-bit units. A value

expressed as a 2-byte nibble 0a 0bH has the value of a x 16+b.

<Example1> What is the decimal expression of 5AH?

From the preceding table, 5AH = 90

<Example2> What is the decimal expression of the value 12 34H given as

hexadecimal for each 7 bits?

From the preceding table, since 12H = 18 and 34H = 52 18 x 128+52 = 2356

<Example3> What is the decimal expression of the nibbled value 0A 03

09 0D?

From the preceding table, since 0AH = 10, 03H = 3, 09H = 9, 0DH = 13 ((10 x 16+3) x 16+9) x 16+13 = 41885

<Example4> What is the nibbled expression of the decimal value 1258?

■ Examples of Actual MIDI Messages

<Example1> 92 3E 5F

9n is the Note-on status, and n is the MIDI channel number. Since 2H = 2, 3EH = 62, and 5FH = 95, this is a Note-on message with MIDI CH = 3, note number 62 (note name is D4), and velocity 95.

<Example2> CE 49

CnH is the Program Change status, and n is the MIDI channel number. Since EH = 14 and 49H = 73, this is a Program Change message with MIDI CH = 15, program number 74.

<Example3> EA 00 28

EnH is the Pitch Bend Change status, and n is the MIDI channel number. The 2nd byte (00H = 0) is the LSB and the 3rd byte (28H = 40) is the MSB, but Pitch Bend Value is a signed number in which 40 00H (= 64 x 12+80 = 8192) is 0, so this Pitch Bend Value is 28 00H - 40 00H = 40 x 12+80 - (64 x 12+80) = 5120 - 8192 = -3072

If the Pitch Bend Sensitivity is set to 2 semitones, -8192 (00 00H) will cause the pitch to change -200 cents, so in this case -200 x (-3072) ÷ (-8192) = -75 cents of Pitch Bend is being applied to MIDI channel 11.

<Example4> B3 64 00 65 00 06 0C 26 00 64 7F 65 7F

BnH is the Control Change status, and n is the MIDI channel number. For Control Changes, the 2nd byte is the control number, and the 3rd byte is the value. In a case in which two or more messages consecutive messages have the same status, MIDI has a provision called “running status” which allows the status byte of the second and following messages to be omitted. Thus, the above messages have the following meaning.

B3 64 00 MIDI ch.4, lower byte of RPN parameter number: 00H (B3) 65 00 (MIDI ch.4) upper byte of RPN parameter number: 00H (B3) 06 0C (MIDI ch.4) upper byte of parameter value: 0CH (B3) 26 00 (MIDI ch.4) lower byte of parameter value: 00H (B3) 64 7F (MIDI ch.4) lower byte of RPN parameter number: 7FH (B3) 65 7F (MIDI ch.4) upper byte of RPN parameter number: 7FH

In other words, the above messages specify a value of 0C 00H for RPN parameter number 00 00H on MIDI channel 4, and then set the RPN parameter number to 7F 7FH.

RPN parameter number 00 00H is Pitch Bend Sensitivity, and the MSB of the value indicates semitone units, so a value of 0CH = 12 sets the maximum pitch bend range to +/-12 semitones (1 octave). (On GS sound generators the LSB of Pitch Bend Sensitivity is ignored, but the LSB should be transmitted anyway (with a value of 0) so that operation will be correct on any device.)

Once the parameter number has been specified for RPN or NRPN, all Data Entry messages transmitted on that same channel will be valid, so after the desired value has been transmitted, it is a good idea to set the parameter number to 7F 7FH to prevent accidents. This is the reason for the (B3) 64 7F (B3) 65 7F at the end.

It is not desirable for Pattern(Performance) data (such as Standard MIDI File data) to contain many events with running status as given in <Example 4>. This is because if playback is halted during the song and then rewound or fast-forwarded, the sequencer may not be able to transmit the correct status, and the sound generator will then misinterpret the data. Take care to give each event its own status.

It is also necessary that the RPN or NRPN parameter number setting and the value setting be done in the proper order. On some sequencers, events occurring in the same (or consecutive) clock may be transmitted in an order different than the order in which they were received. For this reason it is a good idea to slightly skew the time of each event (about 1 tick for TPQN = 96, and about 5 ticks for TPQN = 480).

* TPQN: Ticks Per Quarter Note

16 ) 1258 16 ) 78 ...10 16 ) 4

...14

0 ... 4

Since from the preceding table, 0 = 00H, 4 = 04H, 14 = 0EH, 10 = 0AH, the result is: 00 04 0E 0AH.

25

■ Example of an Exclusive Message and

Calculating a Checksum

Roland Exclusive messages (RQ1, DT1) are transmitted with a checksum at the end (before F7) to make sure that the message was correctly received. The value of the checksum is determined by the address and data (or size) of the transmitted Exclusive message.

●How to calculate the checksum

(hexadecimal numbers are indicated by “H”) The checksum is a value derived by adding the address, size, and checksum itself and inverting the lower 7 bits. Here’s an example of how the checksum is calculated. We will assume that in the Exclusive message we are transmitting, the address is aa bb cc ddH and the data or size is ee ffH.

aa + bb + cc + dd + ee + ff = sum sum ÷ 128 = quotient ... remainder 128 - remainder = checksum

<Example> Setting CHORUS TYPE of PATTERN(PERFORMANCE)

COMMON to SHORT DELAY (DT1)

According to the “Parameter Address Map” (p. 10), the start address of Temporary Pattern(Performance) is 10 00 00 00H, the offset address of CHORUS at PATTERN(PERFORMANCE) COMMON is 04 00H, and the address of CHORUS TYPE is 00 00H. Therefore the address of CHORUS TYPE of PATTERN(PERFORMANCE) COMMON is;

10 00 00 00H 04 00H +) 00 00H 10 00 04 00H

SHORT DELAY has the value of 06H. So the system exclusive message should be sent is;

41 10 00 64 12 10 00 04 00 06 ?? F7

F0 (1) (2) (3) (4) (5) address data checksum (6)

(1) Exclusive Status (2) ID (Roland) (3) Device ID (17) (4) Model ID (RS-70/RS-50) (5) Command ID (DT1) (6) End of Exclusive

Then calculate the checksum.

10H + 00H + 04H + 00H + 02H = 16 + 0 + 4 + 0 + 6 = 26 (sum) 26 (sum) ÷ 128 = 0 (quotient) ... 26 (remainder) checksum = 128 - 26 (remainder) = 102 = 66H

This means that F0 41 10 00 64 12 10 00 04 00 06 66 F7 is the message should be sent.

■The Scale Tune Feature (address: 40 1x 40)

The scale Tune feature allows you to finely adjust the individual pitch of the notes from C through B. Though the settings are made while working with one octave, the fine adjustments will affect all octaves. By making the appropriate Scale Tune settings, you can obtain a complete variety of tuning methods other than equal temperament. As examples, three possible types of scale setting are explained below.

❍Equal Temperament

This method of tuning divides the octave into 12 equal parts. It is currently the most widely used form of tuning, especially in occidental music. On the RS-70/RS-50, the default settings for the Scale Tune feature produce equal temperament.

❍Just Temperament (Tonic of C)

The principal triads resound much more beautifully than with equal temperament, but this benefit can only be obtained in one key. If transposed, the chords tend to become ambiguous. The example given involves settings for a key in which C is the keynote.

❍Arabian Scale

By altering the setting for Scale Tune, you can obtain a variety of other tunings suited for ethnic music. For example, the settings introduced below will set the unit to use the Arabian Scale.

Example Settings

Note name Equal Temperament

C 0 0 6

C# 0 -8 +45

D 0 +4 -2

Eb 0 +16 -12

E 0 -14 -51 F 0 -2 -8

F# 0 -10 +43

G 0 +2 -4

G# 0 +14 +47

A 0 -16 0

Bb 0 +14 -10

B 0 -12 -49

The values in the table are given in cents. Convert these values to hexadecimal, and transmit them as Exclusive data. For example, to set the tune (C-B) of the Part 1 Arabian Scale, send the following data:

F0 41 10 42 12 40 11 40 3A 6D 3E 34 0D 38 6B 3C 6F 40 36 0F 76 F7

Just Temperament

(Key-tone C) Arabian Scale

■ Data Store Message

This message requests the other device to store data into the internal memory. To store the USER data, send the following message:

F0 41 10 00 64 11 7F 00 10 00 7F 00 7F 7F 74 F7

To store the SYSTEM data, send the following message:

F0 41 10 00 64 11 7F 00 10 00 5A 00 7F 7F 19 F7

■ ASCII Code Table

Patch Name and Pattern(Performance) Name, etc., of MIDI data are described the ASCII code in the table below.

+——————+——————+——————++——————+——————+——————++——————+——————+——————+ | D | H | Char || D | H | Char || D | H | Char | +——————+——————+——————++——————+——————+——————++——————+——————+——————+ | 32 | 20H | SP || 64 | 40H | @ || 96 | 60H | ` | | 33 | 21H | ! || 65 | 41H | A || 97 | 61H | a | | 34 | 22H | “ || 66 | 42H | B || 98 | 62H | b | | 35 | 23H | # || 67 | 43H | C || 99 | 63H | c | | 36 | 24H | $ || 68 | 44H | D || 100 | 64H | d | | 37 | 25H | % || 69 | 45H | E || 101 | 65H | e | | 38 | 26H | & || 70 | 46H | F || 102 | 66H | f | | 39 | 27H | ` || 71 | 47H | G || 103 | 67H | g | | 40 | 28H | ( || 72 | 48H | H || 104 | 68H | h | | 41 | 29H | ) || 73 | 49H | I || 105 | 69H | i | | 42 | 2AH | * || 74 | 4AH | J || 106 | 6AH | j | | 43 | 2BH | + || 75 | 4BH | K || 107 | 6BH | k | | 44 | 2CH | , || 76 | 4CH | L || 108 | 6CH | l | | 45 | 2DH | — || 77 | 4DH | M || 109 | 6DH | m | | 46 | 2EH | . || 78 | 4EH | N || 110 | 6EH | n | | 47 | 2FH | / || 79 | 4FH | O || 111 | 6FH | o | | 48 | 30H | 0 || 80 | 50H | P || 112 | 70H | p | | 49 | 31H | 1 || 81 | 51H | Q || 113 | 71H | q | | 50 | 32H | 2 || 82 | 52H | R || 114 | 72H | r | | 51 | 33H | 3 || 83 | 53H | S || 115 | 73H | s | | 52 | 34H | 4 || 84 | 54H | T || 116 | 74H | t | | 53 | 35H | 5 || 85 | 55H | U || 117 | 75H | u | | 54 | 36H | 6 || 86 | 56H | V || 118 | 76H | v | | 55 | 37H | 7 || 87 | 57H | W || 119 | 77H | w | | 56 | 38H | 8 || 88 | 58H | X || 120 | 78H | x | | 57 | 39H | 9 || 89 | 59H | Y || 121 | 79H | y | | 58 | 3AH | : || 90 | 5AH | Z || 122 | 7AH | z | | 59 | 3BH | ; || 91 | 5BH | [ || 123 | 7BH | { | | 60 | 3CH | < || 92 | 5CH | \ || 124 | 7CH | | | | 61 | 3DH | = || 93 | 5DH | ] || 125 | 7DH | } | | 62 | 3EH | > || 94 | 5EH | ^ ||——————+——————+——————+ | 63 | 3FH | ? || 95 | 5FH | _ | +——————+——————+——————++——————+——————+——————+

D: decimal H: hexadecimal

* “SP” is space.

26

Roland RS 70, RS 50 Service Manual

Specifications and Main Features

Frequently Asked Questions

User Manual