Thank you, and congratulations on your choice of the Roland RS-70.
201a
Before using this unit, carefully read the sections entitled: “USING THE UNIT SAFELY”
(p. 2– 3) and “IMPORTANT NOTES” (p. 4–5). These sections provide important information concerning the proper operation of the unit. Additionally, in order to feel assured
that you have gained a good grasp of every feature provided by your new unit, Owner’s
manual should be read in its entirety. The manual should be saved and kept on hand as a
convenient reference.
IMPORTANT: THE WIRES IN THIS MAINS LEAD ARE COLOURED IN ACCORDANCE WITH THE FOLLOWING CODE.
For the U.K.
BLUE:
BROWN:
As the colours of the wires in the mains lead of this apparatus may not correspond with the coloured markings identifying
the terminals in your plug, proceed as follows:
The wire which is coloured BLUE must be connected to the terminal which is marked with the letter N or coloured BLACK.
The wire which is coloured BROWN must be connected to the terminal which is marked with the letter L or coloured RED.
Under no circumstances must either of the above wires be connected to the earth terminal of a three pin plug.
Used for instructions intended to alert
the user to the risk of death or severe
injury should the unit be used
improperly.
Used for instructions intended to alert
the user to the risk of injury or material
damage should the unit be used
improperly.
* Material damage refers to damage or
other adverse effects caused with
respect to the home and all its
furnishings, as well to domestic
animals or pets.
NEUTRAL
LIVE
The symbol alerts the user to important instructions
or warnings.The specific meaning of the symbol is
determined by the design contained within the
triangle. In the case of the symbol at left, it is used for
general cautions, warnings, or alerts to danger.
The symbol alerts the user to items that must never
be carried out (are forbidden). The specific thing that
must not be done is indicated by the design contained
within the circle. In the case of the symbol at left, it
means that the unit must never be disassembled.
The ● symbol alerts the user to things that must be
carried out. The specific thing that must be done is
indicated by the design contained within the circle. In
the case of the symbol at left, it means that the powercord plug must be unplugged from the outlet.
001
• Before using this unit, make sure to read the
instructions below, and the Owner’s Manual.
• Do not attempt to repair the unit, or replace parts
within it (except when this manual provides
specific instructions directing you to do so). Refer
all servicing to your retailer, the nearest Roland
Service Center, or an authorized Roland
distributor, as listed on the “Information” page.
• Make sure you always have the unit placed so it is
level and sure to remain stable. Never place it on
stands that could wobble, or on inclined surfaces.
• Be sure to use only the AC adaptor supplied with
the unit. Also, make sure the line voltage at the
installation matches the input voltage specified on
the AC adaptor’s body. Other AC adaptors may
use a different polarity, or be designed for a
different voltage, so their use could result in
damage, malfunction, or electric shock.
• Do not excessively twist or bend the power cord,
nor place heavy objects on it. Doing so can
damage the cord, producing severed elements and
short circuits. Damaged cords are fire and shock
hazards!
• This unit, either alone or in combination with an
amplifier and headphones or speakers, may be
capable of producing sound levels that could
cause permanent hearing loss. Do not operate for
a long period of time at a high volume level, or at
a level that is uncomfortable. If you experience
any hearing loss or ringing in the ears, you should
immediately stop using the unit, and consult an
audiologist.
• Immediately turn the power off, remove the AC
adaptor from the outlet, and request servicing by
your retailer, the nearest Roland Service Center, or
an authorized Roland distributor, as listed on the
“Information” page when:
• In households with small children, an adult
should provide supervision until the child is
capable of following all the rules essential for the
safe operation of the unit.
• Do not force the unit’s power-supply cord to share
an outlet with an unreasonable number of other
devices. Be especially careful when using
extension cords—the total power used by all
devices you have connected to the extension
cord’s outlet must never exceed the power rating
(watts/amperes) for the extension cord. Excessive
loads can cause the insulation on the cord to heat
up and eventually melt through.
• Before using the unit in a foreign country, consult
with your retailer, the nearest Roland Service
Center, or an authorized Roland distributor, as
listed on the “Information” page.
• DO NOT play a CD-ROM disc on a conventional
audio CD player. The resulting sound may be of a
level that could cause permanent hearing loss.
Damage to speakers or other system components
may result.
• Any accumulation of dust between the AC
adaptor and the power outlet can result in poor
insulation and lead to fire. Periodically wipe away
such dust with a dry cloth. Also, disconnect the
power plug from the power outlet whenever the
unit is to remain unused for an extended period of
time.
• Should you remove the ground terminal screw,
make sure to put it in a safe place out of children's
reach, so there is no chance of them being
swallowed accidentally.
In addition to the items listed under “USING THE UNIT SAFELY” on page 2–3, please read and observe the following:
Power Supply
301
• Do not use this unit on the same power circuit with any
device that will generate line noise (such as an electric
motor or variable lighting system).
302
• The AC adaptor will begin to generate heat after long
hours of consecutive use. This is normal, and is not a
cause for concern.
307
• Before connecting this unit to other devices, turn off the
power to all units. This will help prevent malfunctions
and/or damage to speakers or other devices.
Placement
351
• Using the unit near power amplifiers (or other equipment
containing large power transformers) may induce hum.
To alleviate the problem, change the orientation of this
unit; or move it farther away from the source of interference.
352a
• This device may interfere with radio and television
reception. Do not use this device in the vicinity of such
receivers.
352b
• Noise may be produced if wireless communications
devices, such as cell phones, are operated in the vicinity of
this unit. Such noise could occur when receiving or initiating a call, or while conversing. Should you experience
such problems, you should relocate such wireless devices
so they are at a greater distance from this unit, or switch
them off.
353
• Observe the following when using the unit’s floppy disk
drive. For further details, refer to “Before Using Floppy
Disks” (p. 5).
• Do not place the unit near devices that produce a
strong magnetic field (e.g., loudspeakers).
• Install the unit on a solid, level surface.
• Do not move the unit or subject it to vibration while
the drive is operating.
354a
• Do not expose the unit to direct sunlight, place it near
devices that radiate heat, leave it inside an enclosed
vehicle, or otherwise subject it to temperature extremes.
Excessive heat can deform or discolor the unit.
355b
• When moved from one location to another where the
temperature and/or humidity is very different, water
droplets (condensation) may form inside the unit. Damage
or malfunction may result if you attempt to use the unit in
this condition. Therefore, before using the unit, you must
allow it to stand for several hours, until the condensation
has completely evaporated.
358
• Do not allow objects to remain on top of the keyboard.
This can be the cause of malfunction, such as keys ceasing
to produce sound.
Maintenance
401a
• For everyday cleaning wipe the unit with a soft, dry cloth
or one that has been slightly dampened with water. To
remove stubborn dirt, use a cloth impregnated with a
mild, non-abrasive detergent. Afterwards, be sure to wipe
the unit thoroughly with a soft, dry cloth.
402
• Never use benzine, thinners, alcohol or solvents of any
kind, to avoid the possibility of discoloration and/or
deformation.
Additional Precautions
•
Never turn off the power while the display indicates “KEEP
POWER ON!” If you turn off the power while this message is
displayed, all of the internal user data will be lost.
551
• Please be aware that the contents of memory can be
irretrievably lost as a result of a malfunction, or the
improper operation of the unit. To protect yourself against
the risk of loosing important data, we recommend that
you periodically save a backup copy of important data
you have stored in the unit’s memory on a floppy disk, or
other devices.
552
• Unfortunately, it may be impossible to restore the contents
of data that was stored on a floppy disk, or in the unit’s
memory once it has been lost. Roland Corporation
assumes no liability concerning such loss of data.
553
• Use a reasonable amount of care when using the unit’s
buttons, sliders, or other controls; and when using its jacks
and connectors. Rough handling can lead to malfunctions.
554
• Never strike or apply strong pressure to the display.
556
• When connecting / disconnecting all cables, grasp the
connector itself—never pull on the cable. This way you
will avoid causing shorts, or damage to the cable’s
internal elements.
558a
• To avoid disturbing your neighbors, try to keep the unit’s
volume at reasonable levels. You may prefer to use
headphones, so you do not need to be concerned about
those around you (especially when it is late at night).
559a
• When you need to transport the unit, package it in the box
(including padding) that it came in, if possible. Otherwise,
you will need to use equivalent packaging materials.
561
• Use only the specified expression pedal (EV-5; sold
separately). By connecting any other expression pedals,
you risk causing malfunction and/or damage to the unit.
985
• The explanations in this manual include illustrations that
depict what should typically be shown by the display.
Note, however, that your unit may incorporate a newer,
enhanced version of the system (e.g., includes newer
sounds), so what you actually see in the display may not
always match what appears in the manual.
4
Before Using Floppy Disks
Handling the Floppy Disk Drive
602
• Install the unit on a solid, level surface in an area free from
vibration. If the unit must be installed at an angle, be sure
the installation does not exceed the permissible range:
upward, 2°; downward, 18°.
603
• Avoid using the unit immediately after it has been moved
to a location with a level of humidity that is greatly
different than its former location. Rapid changes in the
environment can cause condensation to form inside the
drive, which will adversely affect the operation of the
drive and/or damage floppy disks. When the unit has
been moved, allow it to become accustomed to the new
environment (allow a few hours) before operating it.
604
• To insert a disk, push it gently but firmly into the drive—
it will click into place. To remove a disk, press the EJECT
button firmly. Do not use excessive force to remove a disk
which is lodged in the drive.
605a
• Never attempt to remove a floppy disk from the drive
while the drive is operating (the indicator is lit); damage
could result to both the disk and the drive.
606
• Remove any disk from the drive before powering up or
down.
607
• To prevent damage to the disk drive’s heads, always try to
hold the floppy disk in a level position (not tilted in any
direction) while inserting it into the drive. Push it in
firmly, but gently. Never use excessive force.
608
• To avoid the risk of malfunction and/or damage, insert
only floppy disks into the disk drive. Never insert any
other type of disk. Avoid getting paper clips, coins, or any
other foreign objects inside the drive.
653
• The identification label should be firmly affixed to the
disk. Should the label come loose while the disk is in the
drive, it may be difficult to remove the disk.
654
• Store all disks in a safe place to avoid damaging them, and
to protect them from dust, dirt, and other hazards. By
using a dirty or dust-ridden disk, you risk damaging the
disk, as well as causing the disk drive to malfunction.
Handling CD-ROMs
563
• Unauthorized duplication, reproduction, hiring, and
lending of the software included in the applied CD-ROM
is prohibited.
801
• Avoid touching or scratching the shiny underside
(encoded surface) of the disc. Damaged or dirty CD-ROM
discs may not be read properly. Keep your discs clean
using a commercially available CD cleaner.
Handling Floppy Disks
651
• Floppy disks contain a plastic disk with a thin coating of
magnetic storage medium. Microscopic precision is
required to enable storage of large amounts of data on
such a small surface area. To preserve their integrity,
please observe the following when handling floppy disks:
• Never touch the magnetic medium inside the disk.
• Do not use or store floppy disks in dirty or dusty areas.
• Do not subject floppy disks to temperature extremes
(e.g., direct sunlight in an enclosed vehicle). Recommended temperature range: 0 to 50° C (50 to 122° F).
• Do not expose floppy disks to strong magnetic fields,
such as those generated by loudspeakers.
652
•
Floppy disks have a “write protect” tab which can protect
the disk from accidental erasure. It is recommended that
the tab be kept in the PROTECT position, and moved to
the WRITE position only when you wish to write new
data onto the disk.
Rear side of the disk
Write
(can write new data onto disk)
Write Protect Tab
Protect
(prevents writing to disk)
204
* Microsoft and Windows are registered trademarks of
Microsoft Corporation.
206f
* Windows® 2000 is known officially as: “Microsoft®
Windows® 2000 operating system.”
206g
* Windows® Me is known officially as: “Microsoft®
Windows® Millennium Edition operating system.”
206h
* Windows® XP is known officially as: “Microsoft®
Windows® XP operating system.”
206e
* Screen shots in this documents are reprinted with
permission from Microsoft Corporation.
207
* Apple and Macintosh are registered trademark of Apple
Computer, Inc.
209
* MacOS is a trademark of Apple Computer, Inc.
220
* All product names mentioned in this document are trade-
marks or registered trademarks of their respective owners.
5
Contents
IMPORTANT NOTES ...............................................................................4
Main Features........................................................................................11
Front panel................................................................................................................................................. 12
Try out the sounds................................................................................24
Selecting a patch .......................................................................................................................................24
Selecting a patch by category ......................................................................................................24
Selecting patches while listening to phrases (Patch Audition) .............................................. 26
Selecting a rhythm set.............................................................................................................................. 26
Playing arpeggios (Phrase/Arpeggio) .................................................................................................. 27
Changing the way in which the arpeggios are sounded......................................................... 27
Playing a chord at the touch of a finger (Multi-chord Memory)....................................................... 28
Applying various effects to the sound................................................30
Changing the tone with the knobs (Patch Modify) .............................................................................30
Selecting the tone that you want to modify (DESTINATION TONE) .................................. 30
Adjusting the volume balance of the two tones .......................................................................30
Vibrato and Wah effects (LFO) ...................................................................................................31
Changing the sound’s volume (ENVELOPE) ........................................................................... 32
Changing the brightness of the sound and adding special qualities (CUTOFF/RESONANCE)
Using a lever to modify the sound......................................................................................................... 33
Changing the sound’s pitch in real time (Pitch Bend Lever).................................................. 33
Adding a vibrato effect to the sound (Modulation Lever)...................................................... 33
Using a pedal to modify the sound........................................................................................................ 34
Shifting the keyboard range in one-octave steps (Octave Shift)........................................................ 34
Moving the key range in half-steps (TRANSPOSE)............................................................................ 35
Waving your hand over the D Beam (D Beam Controller) ................................................................ 35
Effects that can be used with the D Beam controller ...............................................................36
Adjusting the sensitivity of the D Beam controllers (D BEAM SENS).................................. 38
Changing the polarity of the change (D BEAM POLARITY) ................................................. 38
Using the RS-70 effects............................................................................................................................. 39
Turning effects on and off (Master Effects Switch).................................................................. 39
...... 33
Using the sequencer to create a pattern ............................................40
Creating a new pattern based on a preset rhythm pattern ................................................................ 40
Creating a pattern from scratch (Pattern Initialize)............................................................................. 46
Editing a recorded pattern ...................................................................................................................... 46
Playing along with SMF data (SMF Player mode) ..............................47
6
Contents
Advanced Use .............................. 49
Overview of the RS-70 ..........................................................................50
How the instrument is organized ..........................................................................................................50
Number of voices ..................................................................................................................................... 51
About memory.......................................................................................................................................... 52
Basic operation of the RS-70 ...............................................................53
Switching the mode.................................................................................................................................. 53
Executing a command .................................................................................................................. 53
Assigning a name.......................................................................................................................... 54
When one page contains two or more settings......................................................................... 54
Inputting numbers and numerals .......................................................................................................... 54
Selecting a part.......................................................................................................................................... 54
Creating a patch (Patch mode) ............................................................55
How to make the patch settings............................................................................................................. 55
Changing the way that the tones are sounded (Key Mode) ................................................... 55
Editing the patch parameters ......................................................................................................55
Making settings that apply to the entire patch (Patch Common parameters) ..................... 56
Making settings for an individual tone (Patch Tone parameters) .........................................57
Saving a patch ........................................................................................................................................... 59
Convenient functions for patch editing (Patch Utility)....................................................................... 60
Initializing the parameters of a patch (PATCH INITIALIZE)................................................ 61
Erasing a user patch you saved (PATCH REMOVE) .............................................................. 61
Transmitting patch/rhythm settings from the MIDI OUT connector (XFER to MIDI)
Restoring the factory settings (FACTORY RESET) .................................................................. 62
..................... 62
Creating a rhythm set (Patch mode) ...................................................63
How to make the rhythm set settings.................................................................................................... 63
Editing the rhythm set parameters............................................................................................. 63
Making settings that apply to the entire rhythm set (Rhythm Common parameters) ....... 63
Editing the settings of each rhythm tone (key) (Rhythm Tone parameters)........................ 63
Saving a rhythm set (User Rhythm Set)................................................................................................ 64
Convenient functions for rhythm set editing (Rhythm Set Utility) ..................................................64
Copying effect settings from a rhythm set (RHY PRM COPY).............................................. 64
Initializing the settings of a specific rhythm tone (RHY INITIALIZE) ................................. 65
Erasing a rhythm set you saved (RHY REMOVE) ................................................................... 65
7
Contents
Using the sequencer to create patterns (Pattern mode) ...................66
Playing patterns........................................................................................................................................ 66
Selecting a pattern to play back .................................................................................................. 66
Inserting music data (INS)........................................................................................................... 78
Deleting music data (DEL)........................................................................................................... 78
Moving music data (MOVE) ....................................................................................................... 78
Copying music data (COPY) .......................................................................................................78
Pasting music data (PASTE)........................................................................................................ 78
Editing the settings of a pattern .............................................................................................................79
Making settings that apply to the entire pattern ...................................................................... 79
Editing the effect settings of a pattern ....................................................................................... 80
Editing the part settings of a pattern (Part Setup).................................................................... 80
Editing the effect settings for each part of the pattern (Pattern Part Effect)......................... 82
Saving a pattern ........................................................................................................................................ 82
Convenient functions for pattern editing (Pattern Utility) ................................................................ 83
Erasing unwanted performance data (PTN ERASE) ............................................................... 83
Turning the effect function on and off (MASTER EFFECT SWITCH) ............................................. 91
The effect signal path ............................................................................................................................... 92
Making effects settings ............................................................................................................................93
Making chorus settings.......................................................................................................................... 112
Making reverb settings .......................................................................................................................... 113
How effects will switch while a pattern is playing................................................................ 113
8
Contents
Connecting patterns to create a song (Song mode) .......................114
Playing back a song................................................................................................................................ 114
Selecting a song to play back..................................................................................................... 114
Muting a part (Track Mute) ....................................................................................................... 114
Set the song tempo...................................................................................................................... 115
Creating a song ....................................................................................................................................... 115
Saving a song .......................................................................................................................................... 115
Editing song settings.............................................................................................................................. 116
Editing the song name................................................................................................................ 116
Looping the song......................................................................................................................... 116
Convenient functions for song editing (Song Utility)....................................................................... 116
Deleting an unwanted step (SONG STEP DELETE).............................................................. 116
Inserting a step (SONG STEP INSERT) ................................................................................... 116
Copying a song (SONG COPY) ................................................................................................ 117
Initializing the parameters of a song (SONG INIT) ............................................................... 117
Erasing a user song you saved (SONG REMOVE) ................................................................118
Restoring the factory settings (FACTORY RESET) ................................................................ 118
Using the floppy disk drive ................................................................119
Playing back an SMF file ....................................................................................................................... 119
Renaming a file (RENAME) ...................................................................................................... 123
Checking the remaining space of the disk (DISK INFO)....................................................... 123
Settings common to all modes (System Function) .........................124
How to make the system function settings......................................................................................... 124
Functions of the system parameters .................................................................................................... 125
Settings common to the entire system (GENERAL) ..............................................................125
Settings related to the metronome (METRONOME)............................................................. 125
Settings related to controllers (CONTROLLER)..................................................................... 126
Settings related to MIDI and USB (MIDI&USB)..................................................................... 127
Checking memory usage status (MEMORY INFO) ............................................................... 128
Making scale tune settings for a patch (PATCH SCALE) ..................................................... 128
Performing with an external MIDI device..........................................129
About MIDI ............................................................................................................................................. 129
MIDI messages used by the RS-70 ....................................................................................................... 129
Using the RS-70 to play an external MIDI sound module................................................................ 130
Connecting to external MIDI sound modules ........................................................................ 130
Set the keyboard transmit channel ........................................................................................... 131
Playing the RS-70’s sound generator from an external MIDI device.............................................. 131
Connecting an external MIDI device........................................................................................ 131
Setting the patch receive channel.............................................................................................. 132
Setting the program change receive switch............................................................................. 132
Selecting RS-70 sounds from an external MIDI device.......................................................... 132
Using an external MIDI controller to change the RS-70’s tones........................................... 133
Recording to an external sequencer..................................................................................................... 133
Connecting to an external sequencer .......................................................................................133
Making settings before recording............................................................................................. 133
- /+OCT:These buttons adjust the pitch of the keyboard
in octave steps (maximum +/-3 octaves) (p. 34).
- /+TRANSPOSE: Pressing either of these buttons while holding
down [SHIFT] allows you to transpose the
keyboard in semitone steps (-5–+6) (p. 35).
[PHRASE/ARPEGGIO] button
Switches phrase/arpeggio function on/off. To make settings for the
phrase/arpeggio, make this button light and then press [PARAM]
(p. 27).
[CHORD MEMORY] button
Switches chord memory function on/off. To make settings for the
chord memory function, get this button to light and then press
[PARAM] (p. 28).
D
DISPLAY
This displays information regarding the operation you are
performing.
F
[NUMERIC] / [AUDITION] button
NUMERIC:
AUDITION:
When this button is lit, the direct access buttons will
function as a numeric keypad. This lets you directly
input or specify a numerical value for the displayed
item (patch number or parameter).
By holding down [SHIFT] and pressing this button, you
can repeatedly listen to an audition phrase for the
currently selected patch (p. 26).
[0]–[9] (DIRECT ACCESS buttons)
In Patch mode, use these buttons to switch between the sound
categories printed on the panel (p. 24). In Pattern mode, use these
buttons to directly select a pattern to play by specifying the lowest
digit of the pattern number (p. 66). However, if the [NUMERIC],
[PART SELECT], or [TRACK MUTE] buttons are lit, the [0]–[9]
buttons will change to the corresponding function.
G
[VALUE -/+] buttons
Use these buttons to switch the number of an item (patch, pattern,
various parameters, etc.) in the display, or to increase/decrease a
value. While one of these buttons is first held down and the other is
pressed, the value then changes rapidly. Or, if you hold down
[SHIFT] while using these buttons, the value will change in larger
steps.
E
[V-LINK] button
Switches V-LINK on/off (p. 136).
13
Panel descriptions
PAGE/CURSOR []/[] /
JUMP []/[] buttons
PAGE/CURSOR:Use these buttons to move between pages or to
move the cursor (p. 53).
JUMP:In grouped pages, you can hold down [SHIFT]
and use these buttons to move between groups
(p. 53).
While one of these buttons is first held down and the other is
pressed, the page or cursor then moves rapidly.
[EXIT] button
Press this button to return to the main screen of a mode, or when you
want to cancel the current operation.
[ENTER] button
Use this button to finalize a value or execute an operation.
[SHIFT] button
By holding down this button and pressing another button, you can
access a secondary function of that button (printed below the button
in square brackets).
[TAP TEMPO] / [SMF PLAYER] button
TAP TEMPO:Adjusts the tempo according to the timing at which
you tap this button. You can also use VALUE [-]/
[+] to adjust the tempo if desired (p. 67).
SMF PLAYER: You can hold down [SHIFT] and press this button
to select SMF Player mode (p. 47).
[] (Backward) button
Press this to “rewind” a pattern or song. If you hold down this
button as you press [], the pattern or song will “rewind” faster.
Or, if you hold down [SHIFT] while using this button, the value will
change in larger steps (p. 66, p. 114).
Press this button while holding down [] to return to the
beginning of the pattern or song.
[] (Forward) button/REST button
:Use this button to fast-forward a pattern or song. If you
hold down this button as you press [], the pattern
or song will fast-forward faster. Or, if you hold down
[SHIFT] while using this button, the value will change
in larger steps (p. 66, p. 114).
REST:During step recording, press this button to input a rest
(p. 76).
[] (Stop) button/MICRO EDIT button
:Press this button to stop playback of the pattern or
song.
MICRO EDIT: You can hold down [SHIFT] and press this button to
use the Microscope edit function (p. 76).
[] (Play) button/TIE button
:Press this button to start playback of the pattern or
song.
TIE:During step recording, press this button to input a tie
(p. 76).
H
QUICK SEQ (Quick Sequencer) section
* The buttons in this section are generally valid in Pattern mode, Song
mode and SMF Player mode.
[] (Recording) button / STEP button
:Press this to begin pattern or song recording.
STEP:By holding down [SHIFT] and pressing this button, you
can enter Step Recording (p. 75).
[ERASE/UNDO] button
This button erases recorded data or cancels the pattern edit
operation. During loop recording, you can use this to selectively
erase data just like a pencil eraser (p. 69). Immediately after
recording is finished, you can press this button to erase (undo) the
recording itself (p. 70). If you press it again, the Undo will be
cancelled (redo).
I
PATCH MODIFY section
[DESTINATION TONE] button
Selects either UPPER or LOWER as the tone to be edited.
Patch Modify select button
Selects whether the three knobs located at the right will edit the
envelope or the balance and LFO.
• If envelope is selected (ENV indicator lit)
[ATTACK] knob
Adjusts the attack speed of the sound (p. 32).
[DECAY] knob
Adjusts the speed at which the sound decays while you
continue holding the key (p. 32).
[RELEASE] knob
Adjusts the length of the release after you take your finger off
the key (p. 32).
14
• If balance/LFO is selected (BALANCE/LFO
indicator lit)
[BALANCE] knob
Adjusts the LOWER and UPPER volume balance (p. 30).
[LFO RATE] knob
Adjusts the rate of the LFO effect, such as vibrato (p. 31).
[LFO DEPTH] knob
Adjusts the depth of the LFO effect, such as vibrato (p. 31).
[KEY MODE] button
Switches the Key Modes (p. 55).
[FILTER LFO] button
This determines whether the LFO changes the filter cutoff frequency
(ON), or the pitch (OFF) (p. 31).
Panel descriptions
[CUTOFF] knob
Changes the tone’s Cutoff Frequency value (p. 33).
[RESONANCE] knob
Changes the tone’s Resonance value (p. 33).
J
Floppy disk drive
3.5” 2DD/2HD floppy disks can be used. (Hereafter, this manual
will refer to “floppy disk” simply as “disk.”) To remove the disk,
press the eject button located at the right of the disk drive.
K
Pitch bend/Modulation lever
This allows you to control pitch bend or apply vibrato (p. 33).
15
Panel descriptions
Cord Hook
To the Power Outlet
The cord of
the supplied
AC Adaptor
Rear panel
fig.04-02
ABCEFG H ID
A
USB connector
This connector lets you use a USB cable to connect your computer to
the RS-70 (p. 139).
B
MIDI connectors (IN, OUT)
These connectors can be connected to other MIDI devices to receive
and transmit MIDI messages (p. 129). Use MIDI cables (sold
separately) to make connections.
IN:MIDI messages from an external device are received at this
connector.
OUT: MIDI messages are transmitted from this connector to an
external device.
C
PEDAL jacks
CONTROL:
An optional expression pedal (such as the EV-5), pedal switch (the
optional DP-2 or DP-8), or foot switch (the optional BOSS FS-5U) can
be connected to this jack (p. 17).
HOLD:
An optional pedal switch (such as the DP-2 or DP-8) or foot switch
(the optional BOSS FS-5U) can be connected to this jack for use as a
hold pedal (p. 17).
If you are using DP-8, set the DP-8’s function switch to “Switch.”
D
OUTPUT jacks
These jacks output stereo (L/R) audio signals to your amp or mixer.
For mono output, use the L jack.
F
Cord hook
To prevent the inadvertent disruption of power to your unit (should
the plug be pulled out accidentally), and to avoid applying undue
stress to the DC IN jack, anchor the power cord using the cord hook,
as shown in the illustration.
fig.CordHook.e
G
DC IN jack
Connect the AC adaptor here (p. 17).
Be sure to use only the supplied AC adaptor.
H
POWER switch
This switch turns the power on/off (p. 18).
I
Ground terminal
927
In some cases, depending on the environment in which the unit is installed,
the surface of the panel may sometimes feel rough and grainy. This is due
to an infinitesimal electrical charge, which is absolutely harmless. However,
if you are concerned about this, connect the ground terminal (see figure)
with an external ground. When the unit is grounded, a slight hum may
occur, depending on the particulars of your installation. If you are unsure of
the connection method, contact the nearest Roland Service Center, or an
authorized Roland distributor, as listed on the “Information” page.
E
PHONES jack
This is the jack for connecting headphones (sold separately) (p. 17).
16
Unsuitable places for connection
• Water pipes (may result in shock or electrocution)
• Gas pipes (may result in fire or explosion)
• Telephone-line ground or lightning rod (may be dangerous in
the event of lightning)
Getting ready
Stereo headphones
AC adaptor
to AC power outlet
Audio
cable
Pedal switch (DP-2, DP-8)
or foot switch
(BOSS FS-5U)
Expression pedal (EV-5)
or pedal switch
Audio set etc.
Monitor speakers
(powered)
Mixer etc.
Power amp
Roland
• To prevent malfunction
and/or damage to
speakers or other
devices, always turn
down the volume, and
turn off the power on all
devices before making
any connections.
• To prevent the
inadvertent disruption
of power to your unit
(should the plug be
pulled out
accidentally), and to
avoid applying undue
stress to the AC adaptor
jack, anchor the power
cord using the cord
hook, as shown in the
illustration.
• Use only the specified
expression pedal (EV-5;
sold separately). By
connecting any other
expression pedals, you
risk causing
malfunction and/or
damage to the unit.
• Audio cables, MIDI
cables, and stereo
headphones are not
included. You will need
to purchase these items
from your dealer.
Connecting the RS-70 to external equipment
The RS-70 does not contain an amp or speaker. You’ll need to listen to it through
powered monitors, a mixer and connected monitors, a stereo system, or through
headphones.
Connect as follows when using the RS-70 as a stand-alone device.
fig.q01-01.e
1.
Before starting the connection procedure, make sure that the power to all
devices has been turned off.
2.
Connect the supplied AC adaptor to the RS-70, and then plug its other end
into a power outlet.
• In order to take full
advantage of the RS-70’s
performance, we
recommend using a
stereo amp/speaker
system, If you are using a
mono system, make you
connections to the
OUTPUT jack L MONO).
• CONTROL PEDAL jack
can also accommodate
pedal switches.
17
Getting ready
Once the connections have
been completed (p. 17),
turn on power to your
various devices in the order
specified. By turning on
devices in the wrong order,
you risk causing
malfunction and/or
damage to speakers and
other devices.
b
3.
Connect the RS-70 and the external device as shown in the figure.
Use audio cables to connect audio equipment, such as an amp or speakers. If you are
using headphones, plug them into the PHONES jack. Connect pedal switches or
expression pedals as necessary.
If you want to know how to make the connections with another external device, refer
to:
Using the RS-70 to play an external MIDI sound module (p. 130)
Playing the RS-70’s sound generator from an external MIDI device (p. 131)
Recording to an external sequencer (p. 133)
Turning on/off the power
Turning on the power
1.
Before turning on the RS-70’s power, check the following:
• Are all devices connected properly?
• Are the volume controls of the RS-70 and any other connected equipment
turned to the minimum position?
• Is the AC adapter correctly connected to the RS-70?
2.
Press the power switch on the rear panel of the RS-70 to turn on the power.
fig.q01-02
3.
Turn on the power of the connected audio devices.
4.
Play the RS-70’s keyboard and gradually raise the volume controls of the
RS-70, or the connected audio equipment to an appropriate volume level.
fig.q01-03
This unit is equipped with
a protection circuit. A brief
interval (a few seconds)
after power up is required
efore the unit will operate
normally.
18
Turn up the RS-70’s
volume level carefully.
Excessive volume can
damage connected audio
devices, your hearing, or
annoy your neighbors.
Turning off the power
231
1.
Before you turn off the power, make sure of the following points.
• Are the volume controls of the RS-70 and the other connected equipment
turned to the minimum position?
• Have you saved the sounds or other data you’ve created? (p. 59, p. 64, p. 82,
p. 115)
2.
Turn off the power for all connected audio devices.
3.
Turn off the RS-70’s power switch.
Adjusting the display contrast
(LCD CONTRAST)
The characters in the display may be difficult to view immediately after turning on
the power or after extended use; this may also be because of where and how the
display is situated. Follow the steps below to adjust the display’s contrast.
fig.q01-04
Getting ready
1.
Press [SYSTEM] so it is lit.
2.
Use PAGE/CURSOR []/[] to select “LCD Contrast.”
fig.q01-05
3.
Use VALUE [-]/[+] to set the value (1–10).
The LCD CONTRAST
setting is saved
automatically, and is
retained even while the
power is off.
19
Reset to default factory settings (Factory Reset)
This restores all data in the RS-70 to the factory-set condition (
fig.q02-01
2
Be sure not to turn off the power while Factory Reset is being performed.
If the power is turned off or interrupted while Factory Reset is being
performed, the internal data may become corrupted.
1.
Press [PATCH] so it is lit and you are in Patch mode.
2.
Press [UTILITY] so it is lit.
3.
Use PAGE/CURSOR []/[] to select “5:FACTORY RESET.”
fig.q02-02_40
31
Factory Reset
4, 5
).
If there is important data
you’ve created that’s stored
in the RS-70’s internal
memory, you must note
that all such data will be
discarded when a Factory
Reset is performed. If you
want to keep the existing
data, save it on a disk (p.
120).
4.
Press [ENTER].
fig.q02-03_40
5.
Press [ENTER] again to execute the Factory Reset.
The Factory Reset operation will require several minutes.
When the display indicates “COMPLETED,” the factory reset operation has been
completed.
Press [EXIT] to cancel the
factory reset.
Factory Reset can be
executed not only from
Patch mode, but also from
the Utility functions of
Pattern mode or Song
mode (p. 90, p. 118).
20
Listening to the demo songs
The RS-70 contains Demo songs.
Here’s how to listen to the demo songs and experience the superb sounds and effects
of the RS-70.
fig.q03-01
2431
1.
Press [ENTER] while holding down [SHIFT].
fig.q03-02_40
2.
Use VALUE [-]/[+] to select the song that you wish to hear.
If you want to listen to all of the songs played in order, select “All Songs.”
3.
Press [] to start demo song playback.
The selected song is played back repeatedly.
When “All Songs” is selected, the entire selection of song is played back repeatedly.
While the demo songs are
playing back, playing the
keyboard will not produce
sound.
4.
Press [] to stop playback.
To return the keyboard to performance mode, press [EXIT].
981a, 982
• Unsaved settings changes may be lost when you start Demo Play. Carry out
the write procedure as required to save such data before listening to the
demo songs (p. 59, p. 64, p. 82).
• All rights reserved. Unauthorized use of this material for purposes other
than private, personal enjoyment is a violation of applicable laws.
• No data for the music that is played will be output from MIDI OUT.
Demo songs list
The RS-70 comes with 3 demos.
TightPocket / Ken Suzuki
Roland Corporation
Crystal Vision / Adrian Scott
Roland Corporation
Relax Me / Scott Wilkie
2003 Scott Wilkie Media (ASCAP)
21
Memo
22
Quick Start
23
Try out the sounds
Selecting a patch
On the RS-70, the sounds you use for normal playing are called
analogous to an instrument held by a member of an orchestra.
Each patch consists of two tones; an
two tones to their own region of the keyboard (p. 55), and make independent settings
for each tone (p. 57).
■
Selecting a patch by category
The RS-70 allows you to rapidly select and call up a patch by specifying the type of
patch. All the patches are organized into 10 category groups.
Button
[1]PIANO (Pf)PNOAC.PIANOAcoustic Piano
[2]KBD &
[3]GUITAR (Gt) AGTAC.GUITARAcoustic Guitar
[4]ORCH (Oc)STRSTRINGSStrings
[5]WORLD (Wr) PLKPLUCKEDPlucked (Harp, etc.)
[6]BRASS (Br)BRSAC.BRASSAcoustic Brass
[7]VOCAL &
[8]SYNTH (Sy)HLDHARD LEADHard Synth Lead
[9]BASS (Bs)BSBASSAcoustic & Electric Bass
[0]RHYTHM &
Category
Group
ORGAN (Ky)
PAD (Vo)
SFX (Rh)
CategoryContents
EPEL.PIANOElectric Piano
KEYKEYBOARDSOther Keyboards
BELBELLBell, Bell Pad
MLTMALLETMallet
ORGORGANElectric and Church Organ
ACDACCORDIONAccordion
HRM HARMONICAHarmonica, Blues Harp
SBRSYNTH.BRASSSynth Brass
SAXSAXSax
BPDBRIGHT PADBright Pad Synth
SPDSOFT PADSoft Pad Synth
VOXVOXVox, Choir
SLDSOFT LEADSoft Synth Lead
TEKTECHNO SYNTH Techno Synth
PLSPULSATINGPulsating Synth
FXSYNTH FXSynth FX (Noise, etc.)
SYNOTHER SYNTHPoly Synth
SBSSYNTH.BASSSynth Bass
DRM DRUMS Rhythm Set
PRCPERCUSSIONPercussion
SFXSOUND FXSound FX
BTSBEAT&GROOVE Beat and Groove
CMBCOMBINATION Other Patches
upper tone
patches
and
lower tone
(Clav, Harpsichord, etc.)
. You can assign the
. A patch is
24
fig.q04-02
Selecting sounds by category
In Patch mode, the direct access buttons [0]–[9] act as category select buttons.
Since the patches you select for [0]–[9] (each category) will be remembered even
when the power is turned off, you can select ten favorite patches from the panel and
recall those patches instantly just by pressing [0]–[9].
Patch List
(p. 172)
213
1.
Press [PATCH] so it is lit and you are in Patch mode.
2.
Use [0]–[9] to specify the category group of the patch you want to select.
3.
Use VALUE [-]/[+] to select sounds within the category group.
Try out the sounds
Quick Start
The rhythm sets are
included in [0] (p. 26).
You can turn [NUMERIC]
on and use the [0]–[9]
numeric keys to input a
patch number directly.
Press [ENTER] to finalize
the number (p. 54).
25
Try out the sounds
■
Selecting patches while listening to phrases
(Patch Audition)
Without playing keyboards, you can audition the sounds using phrases that have
been pre-programmed to be suitable for the character of each patch.
fig.q04-03
1.
While holding down [SHIFT], press [NUMERIC].
The currently selected patch will begin sounding.
2.
Select patches as described in
Selecting a patch by category
31
(p. 24).
3.
Press [EXIT] to stop the patch audition.
Selecting a rhythm set
The RS-70 provides rhythm sets that let you play different percussion instrument
sounds or special effects from each key.
fig.q04-04
123
1.
Press [PATCH] so it is lit and you are in Patch mode.
2.
Press [0] to select “RHYTHM & SFX.”
3.
Use VALUE [-]/[+] to switch rhythm sets.
There are patches other than rhythm sets in the Rhythm & SFX category group.
Rhythm sets have “Kit,” “Menu,” or “GM2” in their names.
With [0] pressed, you can
turn [NUMERIC] on and
use the [0]–[9] buttons to
input a rhythm set number
directly. Press [ENTER] to
finalize the number (p. 54).
26
Rhythm Set List (p. 178)
Playing arpeggios (Phrase/Arpeggio)
Try out the sounds
An arpeggio is a “broken chord” where each note is played separately. The
Arpeggio
and is also a convenient way to input a performance into the Quick Sequencer. Since
the RS-70 provides arpeggio
select, you can produce appropriate arpeggios immediately.
You can also select
one key, without pressing a chord (p. 72).
fig.q04-05
1.
In Patch mode, press [1] to select piano sounds.
2.
Press [PHRASE/ARPEGGIO] so it is lit.
3.
Play the keyboard.
The instrument will play an arpeggio, according to the notes you have just voiced.
function lets you produce an arpeggio simply by holding down a chord,
templates
Phrase Template
12, 65
that are suitable for the various sounds you
which allows you to play arpeggio using only
4
Phrase/
Quick Start
■
Changing the way in which the arpeggios are sounded
Then, try to change the way in which the arpeggios are sounded.
Settings that specify how arpeggios are sounded are provided as
By switching templates, you can change the way in which the arpeggios are
sounded.
4.
Press [0]–[9].
fig.q04-06_40
Play a phrase
by pressing one key.
It switches to an arpeggio template suitable for the selected sound.
Pressing [0] will select the user template.
fig.q04-07a
Preset (Arpeggio/Phrase) templates
User templates
templates
Play an arpeggio
by pressing a chord.
.
User template (p. 28)
Arpeggio Template List
(p. 184)
27
Try out the sounds
5.
When you press [EXIT], the Arpeggio function will remain on and you will
return to the previous screen.
If you want to select an arpeggio template once again, press [PHRASE/ARPEGGIO]
so it goes out, and then press [PHRASE/ARPEGGIO] once again so it is lit.
The selected arpeggio template remains stored in memory even while the power is
off.
6.
To finish playing arpeggios, press [PHRASE/ARPEGGIO] again so the
indicator goes out.
User template
The user template lets you set the various arpeggio template parameters as desired.
On the RS-70 you can store eight different user templates. With [0] pressed, use
VALUE [-]/[+] to select other user templates you have created.
For further information on how to make user templates, refer to Creating your own arpeggio template (User Template) (p. 72).
Playing a chord at the touch of a finger
(Multi-chord Memory)
Chord Memory is a function that lets you play a chord simply by touching just one
key to which a “Chord Form” has been registered. On the RS-70 you can register
different chord forms to each key and save these chord forms as sets (
memory
user chord sets, these are a convenient way to get immediate results, such as when
inputting music into the Quick Sequencer.
fig.q04-08
) and recall them when desired. If you save typical chord progressions as
1
1.
Press [CHORD MEMORY] so it is lit.
fig.q04-09_40
multi-chord
Tw elve chord forms have been assigned
from C to B.
28
The Chord Memory function will be turned on, and the chord set name will be
displayed.
2.
Play the keyboard.
The chord of the specified structure will sound according to the note name of the key
you played.
■
Switching chord sets
Then, try to change chord sets.
fig.q04-10
Try out the sounds
Quick Start
5
3.
Use VALUE [-]/[+] to select a Chord Set.
The user chord set appears after the preset chord sets.
4.
When you press [EXIT], the Multi-chord Memory function will remain on
43
and you will return to the previous screen.
If you want to select a chord set once again, press [CHORD MEMORY] so it goes out,
and then press [CHORD MEMORY] once again so it is lit.
The selected chord set remains stored in memory even while the power is off.
5.
To turn off the Multi-chord Memory function, press [
CHORD MEMORY
again so the indicator goes out.
You can create your own chord set by saving chords you have created.
For further information, refer to Creating an original chord set (User Chord Set)
(p. 74).
]
Multi-chord Set List (p.
186)
29
Applying various effects to the sound
Changing the tone with the knobs (Patch Modify)
Using the five panel knobs, you can change the tone in real time.
On the RS-70, each patch consists of two tones; the
(p. 50). The way that the tones are sounded (Single/Split/Dual) is saved in each
patch, and you can change this using [KEY MODE] (p. 55).
■
Selecting the tone that you want to modify
(DESTINATION TONE)
Use the [DESTINATION TONE] button to specify whether you will modify the
upper or the lower tone.
fig.q05-01
• UPPER lit: Only the upper tone will be modified
• LOWER lit: Only the lower tone will be modified
• Both lit: Both the upper and lower tones will be modified
upper tone
and the
lower tone
Patch Modify applies +/-
adjustments relative to the
settings of the original tone.
Depending on the tone you
select, this may not always
produce a noticeable
change in the sound.
For a rhythm set, Patch
Modify applies to the set as
a whole.
■
Adjusting the volume balance of the two tones
You can use a knob to control the volume balance of the upper tone and lower tone.
fig.q05-02
1.
Press the patch modify select button to make the BALANCE/LFO indicator
light.
2.
Turn the [BALANCE] knob.
Turning this to the right increases the volume of the upper tone, while turning it to
the left increases that of the lower tone.
2
1
You cannot change the
volume balance for rhythm
sets.
30
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