Roland RS-50 User Manual

Owner’s Manual

Thank you, and congratulations on your choice of the Roland RS-50.

201a

Before using this unit, carefully read the sections entitled: “USING THE UNIT SAFELY” (p. 2–3) and “IMPORTANT NOTES” (p. 4–5). These sections provide important information concerning the proper operation of the unit. Additionally, in order to feel assured that you have gained a good grasp of every feature provided by your new unit, Owner’s manual should be read in its entirety. The manual should be saved and kept on hand as a convenient reference.

202

USING THE UNIT SAFELY

IMPORTANT: THE WIRES IN THIS MAINS LEAD ARE COLOURED IN ACCORDANCE WITH THE FOLLOWING CODE.

For the U.K.

BLUE: BROWN:

As the colours of the wires in the mains lead of this apparatus may not correspond with the coloured markings identifying the terminals in your plug, proceed as follows: The wire which is coloured BLUE must be connected to the terminal which is marked with the letter N or coloured BLACK. The wire which is coloured BROWN must be connected to the terminal which is marked with the letter L or coloured RED. Under no circumstances must either of the above wires be connected to the earth terminal of a three pin plug.

Used for instructions intended to alert the user to the risk of death or severe injury should the unit be used improperly.

Used for instructions intended to alert the user to the risk of injury or material damage should the unit be used improperly.

* Material damage refers to damage or

other adverse effects caused with respect to the home and all its furnishings, as well to domestic animals or pets.

NEUTRAL LIVE

The symbol alerts the user to important instructions or warnings.The specific meaning of the symbol is determined by the design contained within the triangle. In the case of the symbol at left, it is used for general cautions, warnings, or alerts to danger.

The symbol alerts the user to items that must never be carried out (are forbidden). The specific thing that must not be done is indicated by the design contained within the circle. In the case of the symbol at left, it means that the unit must never be disassembled.

The ● symbol alerts the user to things that must be carried out. The specific thing that must be done is indicated by the design contained within the circle. In the case of the symbol at left, it means that the powercord plug must be unplugged from the outlet.

001

• Before using this unit, make sure to read the instructions below, and the Owner’s Manual.

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002c

• Do not open (or modify in any way) the unit or its AC adaptor.

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003

• Do not attempt to repair the unit, or replace parts within it (except when this manual provides specific instructions directing you to do so). Refer all servicing to your retailer, the nearest Roland Service Center, or an authorized Roland distributor, as listed on the “Information” page.

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004

• Never use or store the unit in places that are:

• Subject to temperature extremes (e.g., direct

sunlight in an enclosed vehicle, near a heating duct, on top of heat-generating equipment); or are

• Damp (e.g., baths, washrooms, on wet floors);

or are

• Humid; or are

• Exposed to rain; or are

• Dusty; or are

• Subject to high levels of vibration.

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007

• Make sure you always have the unit placed so it is level and sure to remain stable. Never place it on stands that could wobble, or on inclined surfaces.

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008c

• Be sure to use only the AC adaptor supplied with the unit. Also, make sure the line voltage at the installation matches the input voltage specified on the AC adaptor’s body. Other AC adaptors may use a different polarity, or be designed for a different voltage, so their use could result in damage, malfunction, or electric shock.

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009

• Do not excessively twist or bend the power cord, nor place heavy objects on it. Doing so can damage the cord, producing severed elements and short circuits. Damaged cords are fire and shock hazards!

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010

• This unit, either alone or in combination with an amplifier and headphones or speakers, may be capable of producing sound levels that could cause permanent hearing loss. Do not operate for a long period of time at a high volume level, or at a level that is uncomfortable. If you experience any hearing loss or ringing in the ears, you should immediately stop using the unit, and consult an audiologist.

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011

• Do not allow any objects (e.g., flammable material, coins, pins); or liquids of any kind (water, soft drinks, etc.) to penetrate the unit.

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012c

• Immediately turn the power off, remove the AC adaptor from the outlet, and request servicing by your retailer, the nearest Roland Service Center, or an authorized Roland distributor, as listed on the “Information” page when:

• The AC adaptor or the power-supply cord has

been damaged; or

• If smoke or unusual odor occurs

• Objects have fallen into, or liquid has been

spilled onto the unit; or

• The unit has been exposed to rain (or otherwise

has become wet); or

• The unit does not appear to operate normally or

exhibits a marked change in performance.

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013

• In households with small children, an adult should provide supervision until the child is capable of following all the rules essential for the safe operation of the unit.

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014

• Protect the unit from strong impact.

(Do not drop it!)

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015

• Do not force the unit’s power-supply cord to share an outlet with an unreasonable number of other devices. Be especially careful when using extension cords—the total power used by all devices you have connected to the extension cord’s outlet must never exceed the power rating (watts/amperes) for the extension cord. Excessive loads can cause the insulation on the cord to heat up and eventually melt through.

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016

• Before using the unit in a foreign country, consult with your retailer, the nearest Roland Service Center, or an authorized Roland distributor, as listed on the “Information” page.

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023

• DO NOT play a CD-ROM disc on a conventional audio CD player. The resulting sound may be of a level that could cause permanent hearing loss. Damage to speakers or other system components may result.

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101b

• The unit and the AC adaptor should be located so their location or position does not interfere with their proper ventilation.

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102d

• Always grasp only the output plug or the body of the AC adaptor when plugging into, or unplugging from, this unit or an outlet.

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103b

• At regular intervals, you should unplug the AC adaptor and clean it by using a dry cloth to wipe all dust and other accumulations away from its prongs. Also, disconnect the power plug from the power outlet whenever the unit is to remain unused for an extended period of time. Any accumulation of dust between the power plug and the power outlet can result in poor insulation and lead to fire.

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104

• Try to prevent cords and cables from becoming entangled. Also, all cords and cables should be placed so they are out of the reach of children.

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106

• Never climb on top of, nor place heavy objects on the unit.

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107d

• Never handle the AC adaptor body, or its output plugs, with wet hands when plugging into, or unplugging from, an outlet or this unit.

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108b

• Before moving the unit, disconnect the AC adaptor and all cords coming from external devices.

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109b

• Before cleaning the unit, turn off the power and unplug the AC adaptor from the outlet (p. 16).

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110b

• Whenever you suspect the possibility of lightning in your area, disconnect the AC adaptor from the outlet.

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118

• Should you remove the ground terminal screw, make sure to put it in a safe place out of children's reach, so there is no chance of them being swallowed accidentally.

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IMPORTANT NOTES

291a

In addition to the items listed under “USING THE UNIT SAFELY” on page 2–3, please read and observe the following:

Power Supply

301

• Do not use this unit on the same power circuit with any device that will generate line noise (such as an electric motor or variable lighting system).

302

• The AC adaptor will begin to generate heat after long hours of consecutive use. This is normal, and is not a cause for concern.

307

• Before connecting this unit to other devices, turn off the power to all units. This will help prevent malfunctions and/or damage to speakers or other devices.

Placement

351

• Using the unit near power amplifiers (or other equipment containing large power transformers) may induce hum. To alleviate the problem, change the orientation of this unit; or move it farther away from the source of interference.

352a

• This device may interfere with radio and television reception. Do not use this device in the vicinity of such receivers.

352b

• Noise may be produced if wireless communications devices, such as cell phones, are operated in the vicinity of this unit. Such noise could occur when receiving or initiating a call, or while conversing. Should you experience such problems, you should relocate such wireless devices so they are at a greater distance from this unit, or switch them off.

354a

• Do not expose the unit to direct sunlight, place it near devices that radiate heat, leave it inside an enclosed vehicle, or otherwise subject it to temperature extremes. Excessive heat can deform or discolor the unit.

355b

• When moved from one location to another where the temperature and/or humidity is very different, water droplets (condensation) may form inside the unit. Damage or malfunction may result if you attempt to use the unit in this condition. Therefore, before using the unit, you must allow it to stand for several hours, until the condensation has completely evaporated.

358

• Do not allow objects to remain on top of the keyboard. This can be the cause of malfunction, such as keys ceasing to produce sound.

Maintenance

401a

• For everyday cleaning wipe the unit with a soft, dry cloth or one that has been slightly dampened with water. To remove stubborn dirt, use a cloth impregnated with a mild, non-abrasive detergent. Afterwards, be sure to wipe the unit thoroughly with a soft, dry cloth.

402

• Never use benzine, thinners, alcohol or solvents of any kind, to avoid the possibility of discoloration and/or deformation.

Repairs and Data

452

• Please be aware that all data contained in the unit’s memory may be lost when the unit is sent for repairs. Important data should always be backed up in another MIDI device (e.g., a sequencer), or written down on paper (when possible). During repairs, due care is taken to avoid the loss of data. However, in certain cases (such as when circuitry related to memory itself is out of order), we regret that it may not be possible to restore the data, and Roland assumes no liability concerning such loss of data.

Additional Precautions

• Never turn off the power while the display indicates “KEEP POWER ON!” If you turn off the power while this message is displayed, the internal user data will be lost.

551

• Please be aware that the contents of memory can be irretrievably lost as a result of a malfunction, or the improper operation of the unit. To protect yourself against the risk of loosing important data, we recommend that you periodically save a backup copy of important data you have stored in the unit’s memory in another MIDI device (e.g., a sequencer).

552

• Unfortunately, it may be impossible to restore the contents of data that was stored in the unit’s memory or in another MIDI device (e.g., a sequencer) once it has been lost. Roland Corporation assumes no liability concerning such loss of data.

553

• Use a reasonable amount of care when using the unit’s buttons, sliders, or other controls; and when using its jacks and connectors. Rough handling can lead to malfunctions.

554

• Never strike or apply strong pressure to the display.

556

• When connecting / disconnecting all cables, grasp the connector itself—never pull on the cable. This way you will avoid causing shorts, or damage to the cable’s internal elements.

558a

• To avoid disturbing your neighbors, try to keep the unit’s volume at reasonable levels. You may prefer to use headphones, so you do not need to be concerned about those around you (especially when it is late at night).

559a

• When you need to transport the unit, package it in the box (including padding) that it came in, if possible. Otherwise, you will need to use equivalent packaging materials.

561

• Use only the specified expression pedal (EV-5; sold separately). By connecting any other expression pedals, you risk causing malfunction and/or damage to the unit.

985

• The explanations in this manual include illustrations that depict what should typically be shown by the display. Note, however, that your unit may incorporate a newer, enhanced version of the system (e.g., includes newer sounds), so what you actually see in the display may not always match what appears in the manual.

Handling CD-ROMs

563

• Unauthorized duplication, reproduction, hiring, and lending of the software included in the applied CD-ROM is prohibited.

801

• Avoid touching or scratching the shiny underside (encoded surface) of the disc. Damaged or dirty CD-ROM discs may not be read properly. Keep your discs clean using a commercially available CD cleaner.

204

* Microsoft and Windows are registered trademarks of

Microsoft Corporation.

206j

* Windows® is known officially as: “Microsoft®

Windows® operating system.”

207

* Apple and Macintosh are registered trademark of Apple

Computer, Inc.

209

* MacOS is a trademark of Apple Computer, Inc.

220

* All product names mentioned in this document are trade-

marks or registered trademarks of their respective owners.

IMPORTANT NOTES ...............................................................................4

Main Features..........................................................................................9

Panel descriptions ................................................................................10

Front panel................................................................................................................................................. 10

Rear panel.................................................................................................................................................. 13

Getting ready.........................................................................................14

Reset to default factory settings (Factory Reset) ..............................17

Listening to the demo songs ...............................................................18

Quick Start ........................................19

Try out the sounds................................................................................20

Applying various effects to the sound................................................26

Using the Rhythm Guide ......................................................................36

Advanced Use....................................39

Overview of the RS-50 ..........................................................................40

How the instrument is organized ..........................................................................................................40

Classification of RS-50 sound types....................................................................................................... 40

Effects ......................................................................................................................................................... 41

Number of voices ..................................................................................................................................... 41

About memory.......................................................................................................................................... 41

Temporary memory...................................................................................................................... 41

Rewritable memory ...................................................................................................................... 41

Non-rewritable memory ..............................................................................................................41

Basic operation of the RS-50 ...............................................................42

Switching the mode.................................................................................................................................. 42

Patch mode..................................................................................................................................... 42

Performance mode........................................................................................................................ 42

Editing parameters................................................................................................................................... 42

Basic procedure .............................................................................................................................42

Executing a command .................................................................................................................. 42

Assigning a name.......................................................................................................................... 43

When one page contains two or more settings......................................................................... 43

Inputting numbers and numerals .......................................................................................................... 43

Selecting a part.......................................................................................................................................... 43

Creating a patch (Patch mode) ............................................................44

How to make the patch settings............................................................................................................. 44

Changing the way that the tones are sounded (Key Mode) ................................................... 44

Editing the patch parameters ......................................................................................................44

Making settings that apply to the entire patch (Patch Common parameters) ..................... 45

Making settings for an individual tone (Patch Tone parameters) .........................................46

Saving a patch ........................................................................................................................................... 48

Contents

Convenient functions for patch editing (Patch Utility)....................................................................... 49

Copying patch parameters (PATCH PRM COPY)................................................................... 49

Initializing the parameters of a patch (PATCH INITIALIZE)................................................ 50

Erasing a user patch you saved (PATCH REMOVE) .............................................................. 50

Transmitting patch/rhythm set settings from the MIDI OUT connector (XFER to MIDI)

Restoring the factory settings (FACTORY RESET) .................................................................. 51

............... 51

Creating a rhythm set (Patch mode) ...................................................52

How to make the rhythm set settings.................................................................................................... 52

Editing the rhythm set parameters............................................................................................. 52

Making settings that apply to the entire rhythm set (Rhythm Common parameters) ....... 52

Editing the settings of each rhythm tone (key) (Rhythm Tone parameters)........................ 52

Saving a rhythm set (User Rhythm Set)................................................................................................ 53

Convenient functions for rhythm set editing (Rhythm Set Utility) ..................................................53

Copying effect settings from a rhythm set (RHY PRM COPY).............................................. 53

Initializing the settings of a specific rhythm tone (RHY INITIALIZE) ................................. 54

Erasing a rhythm set you saved (RHY REMOVE) ................................................................... 54

Playing more than one sound simultaneously (Performance mode)

Choosing a part and selecting the sound.............................................................................................. 55

Selecting performance numbers.................................................................................................. 55

Editing the settings of a performance.................................................................................................... 55

Making settings that apply to the entire performance ............................................................55

Editing the effect settings of a performance.............................................................................. 56

Editing the part settings of a performance (Part Setup).......................................................... 56

Editing the effect settings for each part of the performance (Performance Part Effect) ..... 58

Saving a performance ..............................................................................................................................59

Convenient functions for performance editing (Performance Utility) ............................................. 59

Copying part or effect parameters (PERFORM PRM COPY)................................................. 59

Initializing the parameters of a performance (PERFORM INIT) ...........................................60

Transmitting performance settings from the MIDI OUT connector (XFER to MIDI)......... 61

Restoring the factory settings (FACTORY RESET) .................................................................. 61

..........55

Using the phrase/arpeggio function ...................................................62

Creating your own arpeggio template (User Template) ......................................................... 62

Using chord memory function.............................................................64

Creating an original chord set (User Chord Set) ......................................................................64

Adding effects .......................................................................................65

Turning the effect function on and off (MASTER EFFECT SWITCH) ............................................. 65

The effect signal path ............................................................................................................................... 66

Making effects settings ............................................................................................................................67

Setting multi-effects parameters............................................................................................................. 68

Making chorus settings............................................................................................................................ 86

Making reverb settings ............................................................................................................................ 87

Settings common to all modes (System Function) ...........................88

How to make the system function settings........................................................................................... 88

Functions of the system parameters ...................................................................................................... 89

Settings common to the entire system (GENERAL) ................................................................89

Settings related to controllers (CONTROLLER)....................................................................... 89

Settings related to MIDI (MIDI).................................................................................................. 90

Making scale tune settings for a patch (PATCH SCALE) ....................................................... 91

Contents

Performing with an external MIDI device............................................92

About MIDI ............................................................................................................................................... 92

MIDI messages used by the RS-50 ......................................................................................................... 92

Using the RS-50 to play an external MIDI sound module.................................................................. 93

Connecting to external MIDI sound modules .......................................................................... 93

Set the keyboard transmit channel ............................................................................................. 94

Playing the RS-50’s sound generator from an external MIDI device................................................ 94

Connecting an external MIDI device.......................................................................................... 94

Setting the patch receive channel................................................................................................ 95

Setting the program change receive switch............................................................................... 95

Selecting RS-50 sounds from an external MIDI device............................................................ 95

Using an external MIDI controller to change the RS-50’s tones............................................. 96

Recording to an external sequencer....................................................................................................... 96

Connecting to an external sequencer .........................................................................................96

Making settings before recording............................................................................................... 96

Recording .......................................................................................................................................97

Listening to the recorded performance...................................................................................... 97

Playing together with the playback of a recorded performance............................................ 98

Transposing playback of performances (Master Key Shift).................................................... 98

Backing-up (saving) all RS-50 settings on your external MIDI sequencer....................................... 98

Using the RS-50 as a General MIDI/General MIDI 2 system-compatible sound module............. 98

Playing back General MIDI/General MIDI 2 music data ....................................................... 98

Performing with a computer ................................................................99

Appendix ........................................101

Troubleshooting..................................................................................102

Error Messages/Messages.................................................................105

Parameter list ......................................................................................106

Original tone list..................................................................................109

Patch list ..............................................................................................111

Rhythm set list ....................................................................................116

Performance list..................................................................................120

Rhythm guide list................................................................................120

Arpeggio template list ........................................................................120

Arpeggio style list...............................................................................122

Multi-chord set list ..............................................................................122

MIDI implementation chart .................................................................124

Specifications......................................................................................125

Index.....................................................................................................126

Main Features

General MIDI

General MIDI is a set of recommendations which seeks to

provide a way to go beyond the limitations of proprietary

designs, and standardize the MIDI capabilities of sound

generating devices. Sound generating devices and music files

that meet the General MIDI standard bear the General MIDI

logo ( ). Music files bearing the General MIDI logo can be

played back using any General MIDI sound generating unit to

produce essentially the same musical performance.

General MIDI 2

The upwardly compatible General MIDI 2 ( )

recommendations pick up where the original General MIDI left

off, offering enhanced expressive capabilities, and even greater

compatibility. Issues that were not covered by the original

General MIDI recommendations, such as how sounds are to be

edited, and how effects should be handled, have now been

precisely defined. Moreover, the available sounds have been

expanded. General MIDI 2 compliant sound generators are

capable of reliably playing back music files that carry either the

General MIDI or General MIDI 2 logo.

In some cases, the conventional form of General MIDI, which

does not include the new enhancements, is referred to as

“General MIDI 1” as a way of distinguishing it from General

MIDI 2.

A broad range of new, high-quality sounds

Careful attention has been paid to refining the most important

sounds for a live keyboard, such as piano, organ, strings, and brass.

In addition, the latest cutting-edge sounds are also included.

The General MIDI score conforming to General MIDI /General MIDI

2 is also supported with high-quality sounds.

Quick and easy sound editing

To edit the sounds (patches) of the RS-50, you simply choose from

the wide range of “

and edit them. Editing is easy; you can adjust the brightness (filter),

attack and decay, modulation (LFO), and effects, or layer two tones

to create a rich sound.

Numerous phrase/arpeggio templates

In addition to an arpeggio function, the instrument also features

“phrase templates,” which allow you to activate performance

techniques geared toward a particular sound as well as typical

phrases simply by pressing a key---great tools for music production.

tones

” (pre-programmed instrumental sounds)

Multi-chord memory function

The Chord Memory function lets you play a registered chord by

pressing a single key.

You can register different chord forms to each key, and recall

multiple chords together.

Several sets of chord progressions that typically appear in one song

have been registered as presets.

Compact and easy to carry

The RS-50 is compact, light, and easy to carry. It’s an instrument

with great sounds and professional-level functionality that can be

easily carried between your bedroom and the stage or studio.

Dedicated sound editor is included

The dedicated sound editing program “

Windows versions on a hybrid CD-ROM) is included, allowing you

to use your computer to create and rearrange sounds quickly and

easily.

RS Editor

” (Mac and

D Beam controller

The

D Beam controller

simply by moving your hand. In conjunction with the visual

element, this can be a powerfully impressive addition to a live

performance.

gives you control over a variety of effects,

Rhythm Guide function

As an alternative to the metronome, you can use more realistic

rhythm patterns as enjoyable backing for your playing.

Panel descriptions

Front panel

fig.04-01.l

D BEAM CONTROLLER

You can apply a variety of effects to sounds simply by moving your

hand (p. 31).

[SOLO SYNTH] (Solo Synthesizer) button

You can generate passages that sound as if you are rapidly playing

the keyboard.

[ACTIVE EXPRESS] (Active Expression) button

This lets you use the D Beam controller for Active Expression.

[ASSIGNABLE] button

This lets you assign a desired function to the D Beam controller (p.

33).

[VOLUME] knob

Adjusts the overall volume that is output from the rear panel

OUTPUT jacks and PHONES jack (p. 15).

MODE Section

[PATCH] button

Switches the RS-50 into the Patch mode (p. 42).

[PERFORMANCE] button

Switches the RS-50 into the Performance mode (p. 42).

EDIT Section

[PARAM] (Parameter) button

This button accesses sound or performance settings (parameters).

The settings that are accessed will depend on the selected mode

(Patch/Performance) or state.

[EFFECTS] button

This button switches effects (MFX, chorus, reverb) on/off, and

accesses effect-related settings.

[UTILITY] button

In Patch/Performance modes, this button accesses various utility

functions, such as those for copying data or initializing sound

generator settings.

Others

[SYSTEM] button

This button accesses settings that affect the entire RS-50, such as

tuning, display contrast, and MIDI message reception.

[PART SELECT] button

When this button is lit in Performance mode, you can use the direct

access buttons to select a part to play from the keyboard or to edit (p.

43).

[AUDITION] button

You can repeatedly listen to an audition phrase for the currently

selected patch (p. 22).

[DEMO] button

Accesses the demo playback function (p. 18).

fig.04-01.r

Panel descriptions

[WRITE] button

Saves patch/performance settings or system settings.

[-/+OCT] (Octave Shift) / [-/+TRANSPOSE] (Transpose) buttons

- /+OCT: These buttons adjust the pitch of the keyboard

in octave steps (maximum +/-3 octaves) (p. 30).

- /+TRANSPOSE: Pressing either of these buttons while holding

down [SHIFT] allows you to transpose the

keyboard in semitone steps (-5–+6) (p. 31).

[PHRASE/ARPEGGIO] button

Switches phrase/arpeggio function on/off. To make settings for the

phrase/arpeggio, make this button light and then press [PARAM]

(p. 23).

[CHORD MEMORY] button

Switches chord memory function on/off. To make settings for the

chord memory function, get this button to light and then press

[PARAM] (p. 24).

DISPLAY

This displays information regarding the operation you are

performing.

[NUMERIC] button

When this button is lit, the direct access buttons will function as a

numeric keypad. This lets you directly input or specify a numerical

value for the displayed item (patch number or parameter).

[0]–[9] (DIRECT ACCESS buttons)

In Patch mode, use these buttons to switch between the sound

categories printed on the panel (p. 20). In Performance mode, use

these buttons to directly select a performance by specifying the

lowest digit of the performance number (p. 55). However, if the

[NUMERIC] or [PART SELECT] buttons are lit, the [0]–[9] buttons

will change to the corresponding function.

[VALUE -/+] buttons

Use these buttons to switch the number of an item (patch,

performance, various parameters, etc.) in the display, or to increase/

decrease a value. While one of these buttons is first held down and

the other is pressed, the value then changes rapidly. Or, if you hold

down [SHIFT] while using these buttons, the value will change in

larger steps.

[RHYTHM GUIDE] button

Switches Rhythm guide function on/off (p. 36).

Panel descriptions

PAGE/CURSOR [ ]/[ ] / JUMP [ ]/[ ] buttons

PAGE/CURSOR: Use these buttons to move between pages or to

move the cursor (p. 42).

JUMP: In grouped pages, you can hold down [SHIFT]

and use these buttons to move between groups

(p. 42).

While one of these buttons is first held down and the other is

pressed, the page or cursor then moves rapidly.

[EXIT] button

Press this button to return to the main screen of a mode, or when you

want to cancel the current operation.

[ENTER] button

Use this button to finalize a value or execute an operation.

[SHIFT] button

By holding down this button and pressing another button, you can

access a secondary function of that button (printed below the button

in square brackets).

[TAP TEMPO] button

Adjusts the tempo according to the timing at which you tap this

button. You can also use VALUE [-]/[+] to adjust the tempo if

desired (p. 37).

PATCH MODIFY section

• If balance/LFO is selected (BALANCE/LFO

indicator lit)

[BALANCE] knob

Adjusts the LOWER and UPPER volume balance (p. 26).

[LFO RATE] knob

Adjusts the rate of the LFO effect, such as vibrato (p. 27).

[LFO DEPTH] knob

Adjusts the depth of the LFO effect, such as vibrato (p. 27).

[KEY MODE] button

Switches the Key Modes (p. 44).

[FILTER LFO] button

This determines whether the LFO changes the filter cutoff frequency

(ON), or the pitch (OFF) (p. 27).

[CUTOFF] knob

Changes the tone’s Cutoff Frequency value (p. 29).

[RESONANCE] knob

Changes the tone’s Resonance value (p. 29).

Pitch bend/Modulation lever

This allows you to control pitch bend or apply vibrato (p. 29).

[DESTINATION TONE] button

Selects either UPPER or LOWER as the tone to be edited.

Patch Modify select button

Selects whether the three knobs located at the right will edit the

envelope or the balance and LFO.

• If envelope is selected (ENV indicator lit)

[ATTACK] knob

Adjusts the attack speed of the sound (p. 28).

[DECAY] knob

Adjusts the speed at which the sound decays while you

continue holding the key (p. 28).

[RELEASE] knob

Adjusts the length of the release after you take your finger off

the key (p. 28).

Rear panel

Cord Hook

To the Power Outlet

The cord of

the supplied

AC Adaptor

fig.04-02

Panel descriptions

AB DE F G HC

MIDI connectors (IN, OUT)

These connectors can be connected to other MIDI devices to receive

and transmit MIDI messages (p. 92). Use MIDI cables (sold

separately) to make connections.

IN: MIDI messages from an external device are received at this

connector.

OUT: MIDI messages are transmitted from this connector to an

external device.

PEDAL jacks

CONTROL:

An optional expression pedal (such as the EV-5), pedal switch (the

optional DP-2 or DP-8), or foot switch (the optional BOSS FS-5U) can

be connected to this jack (p. 14).

HOLD:

An optional pedal switch (such as the DP-2 or DP-8) or foot switch

(the optional BOSS FS-5U) can be connected to this jack for use as a

hold pedal (p. 14).

If you are using DP-8, set the DP-8’s function switch to “Switch.”

OUTPUT jacks

These jacks output stereo (L/R) audio signals to your amp or mixer.

For mono output, use the L jack.

PHONES jack

This is the jack for connecting headphones (sold separately) (p. 14).

Cord hook

To prevent the inadvertent disruption of power to your unit (should

the plug be pulled out accidentally), and to avoid applying undue

stress to the DC IN jack, anchor the power cord using the cord hook,

as shown in the illustration.

fig.CordHook.e

DC IN jack

Connect the AC adaptor here (p. 14).

Be sure to use only the supplied AC adaptor.

POWER switch

This switch turns the power on/off (p. 15).

Ground terminal

927

Depending on the circumstances of a particular setup, you may experience a discomforting sensation, or perceive that the surface feels gritty to the touch when you touch this device, microphones connected to it, or the metal portions of other objects, such as guitars. This is due to an infinitesimal electrical charge, which is absolutely harmless. However, if you are concerned about this, connect the ground terminal (see figure) with an external ground. When the unit is grounded, a slight hum may occur, depending on the particulars of your installation. If you are unsure of the connection method, contact the nearest Roland Service Center, or an authorized Roland distributor, as listed on the “Information” page.

Unsuitable places for connection

• Water pipes (may result in shock or electrocution)

• Gas pipes (may result in fire or explosion)

• Telephone-line ground or lightning rod (may be dangerous in

the event of lightning)

Getting ready

Stereo headphones

AC adaptor

to AC power outlet

Audio cable

Pedal switch (DP-2, DP-8)

or foot switch (BOSS FS-5U)

Expression pedal (EV-5)

or pedal switch

Audio set etc.

Monitor speakers

(powered)

Mixer etc.

Power amp

Roland

• To prevent malfunction and/or damage to speakers or other devices, always turn down the volume, and turn off the power on all devices before making any connections.

• To prevent the inadvertent disruption of power to your unit (should the plug be pulled out accidentally), and to avoid applying undue stress to the AC adaptor jack, anchor the power cord using the cord hook, as shown in the illustration.

• Use only the specified expression pedal (EV-5; sold separately). By connecting any other expression pedals, you risk causing malfunction and/or damage to the unit.

• Audio cables, MIDI cables, and stereo headphones are not included. You will need to purchase these items from your dealer.

Connecting the RS-50 to external equipment

The RS-50 does not contain an amp or speaker. You’ll need to listen to it through powered monitors, a mixer and connected monitors, a stereo system, or through headphones. Connect as follows when using the RS-50 as a stand-alone device.

fig.q01-01.e

921, 924, 925

Before starting the connection procedure, make sure that the power to all

devices has been turned off.

Connect the supplied AC adaptor to the RS-50, and then plug its other end

into a power outlet.

• In order to take full advantage of the RS-50’s performance, we recommend using a stereo amp/speaker system, If you are using a mono system, make you connections to the OUTPUT jack L (MONO).

• CONTROL PEDAL jack can also accommodate pedal switches.

Once the connections have

been completed (p. 14),

turn on power to your

various devices in the order

specified. By turning on

devices in the wrong order,

you risk causing

malfunction and/or

damage to speakers and

other devices.

Connect the RS-50 and the external device as shown in the figure.

Use audio cables to connect audio equipment, such as an amp or speakers. If you are using headphones, plug them into the PHONES jack. Connect pedal switches or expression pedals as necessary.

If you want to know how to make the connections with another external device, refer to:

Using the RS-50 to play an external MIDI sound module (p. 93) Playing the RS-50’s sound generator from an external MIDI device (p. 94) Recording to an external sequencer (p. 96)

Turning on/off the power

Turning on the power

Before turning on the RS-50’s power, check the following:

Getting ready

• Are all devices connected properly?

• Are the volume controls of the RS-50 and any other connected equipment turned to the minimum position?

• Is the AC adapter correctly connected to the RS-50?

941, 942

Press the power switch on the rear panel of the RS-50 to turn on the power.

fig.q01-02

Turn on the power of the connected audio devices.

Play the RS-50’s keyboard and gradually raise the volume controls of the

RS-50, or the connected audio equipment to an appropriate volume level.

fig.q01-03

This unit is equipped with

a protection circuit. A brief

interval (a few seconds)

after power up is required

efore the unit will operate

normally.

Turn up the RS-50’s

volume level carefully.

Excessive volume can

damage connected audio

devices, your hearing, or

annoy your neighbors.

Getting ready

231

Turning off the power

Before you turn off the power, make sure of the following points.

• Are the volume controls of the RS-50 and the other connected equipment turned to the minimum position?

• Have you saved the sounds or other data you’ve created? (p. 48, p. 53, p. 59)

Turn off the power for all connected audio devices.

Turn off the RS-50’s power switch.

Adjusting the display contrast (LCD CONTRAST)

The characters in the display may be difficult to view immediately after turning on the power or after extended use; this may also be because of where and how the display is situated. Follow the steps below to adjust the display’s contrast.

fig.q01-04

Press [SYSTEM] so it is lit.

Use PAGE/CURSOR [ ]/[ ] to select “LCD Contrast.”

fig.q01-05

Use VALUE [-]/[+] to set the value (1–10).

The LCD CONTRAST

setting is saved

automatically, and is

retained even while the

power is off.

Reset to default factory settings (Factory Reset)

This restores all data in the RS-50 to the factory-set condition (

fig.q02-01

Be sure not to turn off the power while Factory Reset is being performed. If the power is turned off or interrupted while data is being written to memory, the internal data may become corrupted.

Press [PATCH] so it is lit and you are in Patch mode.

Press [UTILITY] so it is lit.

Use PAGE/CURSOR [ ]/[ ] to select “5:FACTORY RESET.”

fig.q02-02_40

Factory Reset

4, 5

If there is important data

you’ve created that’s stored

in the RS-50’s internal

memory, you must note

that all such data will be

discarded when a Factory

Reset is performed. If you

want to keep the existing

data, save it using an

external sequencer (p. 98).

Press [ENTER].

fig.q02-03_40

Press [ENTER] again to execute the Factory Reset.

When the display indicates “COMPLETED,” the factory reset operation has been completed.

Press [EXIT] to cancel the

factory reset.

Factory Reset can be

executed not only from

Patch mode, but also from

the Utility functions of

Performance mode (p. 61).

Listening to the demo songs

While the demo songs are

playing back, playing the

keyboard will not produce

sound.

The RS-50 contains Demo songs. Here’s how to listen to the demo songs and experience the superb sounds and effects of the RS-50.

fig.q03-01

241 3

Press [DEMO].

fig.q03-02_40

Use VALUE [-]/[+] to select the song that you wish to hear.

If you want to listen to all of the songs played in order, select “All Songs.”

Press [ENTER] to start demo song playback.

The selected song is played back repeatedly. When “All Songs” is selected, the entire selection of song is played back repeatedly.

Press [EXIT] to stop playback.

To return the keyboard to performance mode, press [EXIT] again or press [DEMO]

again so the indicator goes out

981a, 982

• Unsaved settings changes may be lost when you start Demo Play. Carry out

the write procedure as required to save such data before listening to the demo songs (p. 48, p. 53, p. 59).

than private, personal enjoyment is a violation of applicable laws.

• No data for the music that is played will be output from MIDI OUT.

Demo songs list

The RS-50 comes with 3 demos.

“T”



Roland Corporation

Short, sweet



Roland Corporation

Catch Me



Roland Corporation

Quick Start

Try out the sounds

Selecting a patch

On the RS-50, the sounds you use for normal playing are called analogous to an instrument held by a member of an orchestra. Each patch consists of two tones; an two tones to their own region of the keyboard (p. 44), and make independent settings for each tone (p. 46).

■

Selecting a patch by category

The RS-50 allows you to rapidly select and call up a patch by specifying the type of patch. All the patches are organized into 10 category groups.

Button

[1]

[2] KBD &

[3] GUITAR (Gt) AGT AC.GUITAR Acoustic Guitar

[4] ORCH (Oc) STR STRINGS Strings

[5] WORLD (Wr) PLK PLUCKED Plucked (Harp, etc.)

[6] BRASS (Br) BRS AC.BRASS Acoustic Brass

[7] VOCAL &

[8] SYNTH (Sy) HLD HARD LEAD Hard Synth Lead

[9] BASS (Bs) BS BASS Acoustic & Electric Bass

[0] RHYTHM &

Category Group

PIANO (Pf) PNO AC.PIANO Acoustic Piano

ORGAN (Ky)

PAD (Vo)

SFX (Rh)

Category Contents

EP EL.PIANO Electric Piano KEY KEYBOARDS Other Keyboards

BEL BELL Bell, Bell Pad MLT MALLET Mallet ORG ORGAN Electric and Church Organ ACD ACCORDION Accordion HRM HARMONICA Harmonica, Blues Harp

EGT EL.GUITAR Electric Guitar DGT DIST.GUITAR Distortion Guitar

ORC ORCHESTRA Orchestra Ensemble HIT HIT&STAB Orchestra Hit, Hit WND WIND Winds (Oboe, Clarinet, etc.) FLT FLUTE Flute, Piccolo

ETH ETHNIC Other Ethnic FRT FRETTED Fretted Inst (Mandolin, etc.)

SBR SYNTH.BRASS Synth Brass SAX SAX Sax BPD BRIGHT PAD Bright Pad Synth SPD SOFT PAD Soft Pad Synth VOX VOX Vox, Choir

SLD SOFT LEAD Soft Synth Lead TEK TECHNO SYNTH Techno Synth PLS PULSATING Pulsating Synth FX SYNTH FX Synth FX (Noise, etc.) SYN OTHER SYNTH Poly Synth

SBS SYNTH.BASS Synth Bass DRM DRUMS Rhythm Set PRC PERCUSSION Percussion SFX SOUND FX Sound FX BTS BEAT&GROOVE Beat and Groove CMB COMBINATION Other Patches

upper tone

patches

and

lower tone

(Clav, Harpsichord, etc.)

. You can assign the

. A patch is

fig.q04-02

Selecting sounds by category

In Patch mode, the direct access buttons [0]–[9] act as category select buttons. Since the patches you select for [0]–[9] (each category) will be remembered even when the power is turned off, you can select ten favorite patches from the panel and recall those patches instantly just by pressing [0]–[9].

Patch list

(p. 111)

21 3

Press [PATCH] so it is lit and you are in Patch mode.

Use [0]–[9] to specify the category group of the patch you want to select.

Use VALUE [-]/[+] to select sounds within the category group.

Try out the sounds

Quick Start

The rhythm sets are

included in [0] (p. 22).

You can turn [NUMERIC]

on and use the [0]–[9]

numeric keys to input a

patch number directly.

Press [ENTER] to finalize

the number (p. 43).

Try out the sounds

■

Selecting patches while listening to phrases (Patch Audition)

Without playing keyboards, you can audition the sounds using phrases that have been pre-programmed to be suitable for the character of each patch.

fig.q04-03

Press [AUDITION].

The currently selected patch will begin sounding.

Select patches as described in

Selecting a patch by category

(p. 20).

Press [AUDITION] once again or press [EXIT] to stop the patch audition.

Selecting a rhythm set

The RS-50 provides rhythm sets that let you play different percussion instrument sounds or special effects from each key.

fig.q04-04

1 2 3

Press [PATCH] so it is lit and you are in Patch mode.

Press [0] to select “RHYTHM & SFX.”

Use VALUE [-]/[+] to switch rhythm sets.

There are patches other than rhythm sets in the Rhythm & SFX category group. Rhythm sets have “KIT,” “MENU,” or “GM2” in their names.

With [0] pressed, you can

turn [NUMERIC] on and

use the [0]–[9] buttons to

input a rhythm set number

directly. Press [ENTER] to

finalize the number (p. 43).

Rhythm set list (p. 116)

Playing arpeggios (Phrase/Arpeggio)

Try out the sounds

An arpeggio is a “broken chord” where each note is played separately. The

Arpeggio

and is also a convenient way to input a performance into an external sequencer. Since the RS-50 provides arpeggio you select, you can produce appropriate arpeggios immediately. You can also select one key, without pressing a chord (p. 62).

fig.q04-05

In Patch mode, press [1] to select piano sounds.

Press [PHRASE/ARPEGGIO] so it is lit.

Play the keyboard.

The instrument will play an arpeggio, according to the notes you have just voiced.

function lets you produce an arpeggio simply by holding down a chord,

templates

Phrase Template

1 2, 6 5

that are suitable for the various sounds

which allows you to play arpeggio using only

Phrase/

Quick Start

■

Changing the way in which the arpeggios are sounded

Then, try to change the way in which the arpeggios are sounded. Settings that specify how arpeggios are sounded are provided as By switching templates, you can change the way in which the arpeggios are sounded.

Press [0]–[9].

fig.q04-06_40

Play a phrase by pressing one key.

It switches to an arpeggio template suitable for the selected sound. Pressing [0] will select the user template.

fig.q04-07a

Preset (Arpeggio/Phrase) templates

User templates

templates

Play an arpeggio by pressing a chord.

User template (p. 24)

Arpeggio template list (p.

120)

Try out the sounds

When you press [EXIT], the Arpeggio function will remain on and you will

return to the previous screen.

If you want to select an arpeggio template once again, press [PHRASE/ARPEGGIO] so it goes out, and then press [PHRASE/ARPEGGIO] once again so it is lit. The selected arpeggio template remains stored in memory even while the power is off.

To finish playing arpeggios, press [PHRASE/ARPEGGIO] again so the

indicator goes out.

User template

The user template lets you set the various arpeggio template parameters as desired. On the RS-50 you can store eight different user templates. With [0] pressed, use VALUE [-]/[+] to select other user templates you have created. For further information on how to make user templates, refer to Creating your own arpeggio template (User Template) (p. 62).

Playing a chord at the touch of a finger (Multi-chord Memory)

Chord Memory is a function that lets you play a chord simply by touching just one key to which a “Chord Form” has been registered. On the RS-50 you can register different chord forms to each key and save these chord forms as sets (

memory

user chord sets, these are a convenient way to get immediate results, such as when inputting music into the external sequencer.

fig.q04-08

) and recall them when desired. If you save typical chord progressions as

Press [CHORD MEMORY] so it is lit.

fig.q04-09_40

multi-chord

Tw elve chord forms have been assigned from C to B.

The Chord Memory function will be turned on, and the chord set name will be displayed.

Play the keyboard.

The chord of the specified structure will sound according to the note name of the key you played.

■

Switching chord sets

Then, try to change chord sets.

fig.q04-10

Try out the sounds

Quick Start

Use VALUE [-]/[+] to select a Chord Set.

The user chord set appears after the preset chord sets.

When you press [EXIT], the Multi-chord Memory function will remain on

and you will return to the previous screen.

If you want to select a chord set once again, press [CHORD MEMORY] so it goes out, and then press [CHORD MEMORY] once again so it is lit. The selected chord set remains stored in memory even while the power is off.

To turn off the Multi-chord Memory function, press [

CHORD MEMORY

again so the indicator goes out.

You can create your own chord set by saving chords you have created. For further information, refer to Creating an original chord set (User Chord Set) (p. 64).

]

Multi-chord set list (p.

122)

Applying various effects to the sound

Changing the tone with the knobs (Patch Modify)

Using the five panel knobs, you can change the tone in real time. On the RS-50, each patch consists of two tones; the (p. 40). The way that the tones are sounded (Single/Split/Dual) is saved in each patch, and you can change this using [KEY MODE] (p. 44).

■

Selecting the tone that you want to modify (DESTINATION TONE)

Use the [DESTINATION TONE] button to specify whether you will modify the upper or the lower tone.

fig.q05-01

• UPPER lit: Only the upper tone will be modified

• LOWER lit: Only the lower tone will be modified

• Both lit: Both the upper and lower tones will be modified

upper tone

and the

lower tone

Patch Modify applies +/-

adjustments relative to the

settings of the original tone.

Depending on the tone you

select, this may not always

produce a noticeable

change in the sound.

For a rhythm set, Patch

Modify applies to the set as

a whole.

■

Adjusting the volume balance of the two tones

You can use a knob to control the volume balance of the upper tone and lower tone.

fig.q05-02

Press the patch modify select button to make the BALANCE/LFO indicator

light.

Turn the [BALANCE] knob.

Turning this to the right increases the volume of the upper tone, while turning it to the left increases that of the lower tone.

You cannot change the

volume balance for rhythm

sets.

■

[FILTER LFO] does not

take effect on a rhythm set.

Vibrato and Wah effects (LFO)

The LFO, short for “low frequency oscillator,” makes changes to the sound in periodic fashion. Changing the pitch with the LFO produces the “ and by changing the filter cutoff frequency with the LFO, you get what is called the “

wah effect

fig.q05-03

.”

Applying various effects to the sound

vibrato effect

,”

Quick Start

Press the patch modify select button to make the BALANCE/LFO indicator

light.

Make sure that [FILTER LFO] is off (unlit).

When [FILTER LFO] is off, the two LFO knobs will adjust the vibrato effect.

Turn the [LFO DEPTH] knob.

Turning this to the right (clockwise) increases the depth of the undulating sound, while turning it to the left (counterclockwise) makes the undulation shallower and milder.

Turn the [LFO RATE] knob.

Turning this to the right (clockwise) increases the speed of the undulating sound, while turning it to the left (counterclockwise) slows the undulation down.

Press [FILTER LFO] so it is lit.

When [FILTER LFO] is on, the two LFO knobs will adjust the wah effect.

Turn the [LFO DEPTH] knob.

Turning this to the right (clockwise) increases the depth of the undulating sound, while turning it to the left (counterclockwise) makes the undulation shallower and milder.

2, 51

If it is on (lit), press

[FILTER LFO] once again

so it goes out.

3, 64, 7

Turn the [LFO RATE] knob.

Turning this to the right (clockwise) increases the speed of the undulating sound, while turning it to the left (counterclockwise) slows the undulation down.

Applying various effects to the sound

3 4

■

Changing the sound’s volume (ENVELOPE)

The volume continues to change from the time a key is pressed to when it is released. A: Attack Time: The time from when the keyboard is pressed until the maximum

tonal change is reached.

D: Delay Time: The time from when the maximum tonal change is reached until the

Sustain Level is reached. S: Sustain level: Volume that is sustained while you hold down the key R: Release Time: The time from when the keyboard is released until the sound

disappears.

Use the ENVELOPE 3 knobs to change the A, D, and R times.

* Each tone has its own Sustain level, which cannot be modified.

fig.q05-04.e

A: Attack time

Volume

AD R

Note-on

fig.q05-05

D: Decay time R: Release time

Sustain Level

Note-off

Sound ends

Time

The “envelope” is the curve

that shows how the volume

of an instrument changes

from the beginning of a

note to its end. Each

musical instrument has a

distinctive type of

envelope, but this can

change depending on how

the instrument is played,

and is an important factor

in the character of the

sound. For example, when

a trumpet is blown strongly

it produces a piercing

sound with a rapid attack,

ut when blown softly it

produces a gentler and

more muted attack.

Press the patch modify select button so the ENV indicator is lit.

Turn the [ATTACK] knob.

Turning this to the right (clockwise) increases the time it takes for the sound to rise, while turning it to the left (counterclockwise) shortens this time.

Turn the [DECAY] knob.

Turning this to the right increases the time it takes for the sound to reach the Sustain Level, while turning it to the left shortens this time.

Turn the [RELEASE] knob.

Turning this to the right increases the time it takes for the sound to disappear, while turning it to the left shortens this time.

Applying various effects to the sound

■

Changing the brightness of the sound and adding special qualities (CUTOFF/RESONANCE)

The sound generator section of the RS-50 contains a frequency regions of the sound. [CUTOFF] specifies the frequency (cutoff frequency) at which the filter will begin to modify the sound, and [RESONANCE] boosts the region near the cutoff frequency to add a distinctive character to the sound.

fig.q05-06

Turn the [CUTOFF] knob.

filter

that can cut or boost specific

Quick Start

1 2

Turning this to the right (clockwise) brightens the sound, while turning it to the left (counterclockwise) makes the sound seem darker.

Turn the [RESONANCE] knob.

Turning this to the right makes the sound more distinctive, while turning it to the left reduces these characteristics.

Using a lever to modify the sound

■

Changing the sound’s pitch in real time (Pitch Bend Lever)

While playing the keyboard, move the lever to the left to lower the pitch, or to the right to raise the pitch.

fig.q05-07.j

Pitch Bend

You can set up to a two-octave pitch bend range, adjustable in semitones. For further information, refer to

Pitch Bend Range

(p. 47).

Independently for each

patch, you can specify

whether the effect is to be

applied to the upper or the

lower tone (p. 46).

Adding a vibrato effect to the sound (Modulation Lever)

■

While playing the keyboard, move the lever away from you to add a vibrato effect.

fig.q05-08.j

Modulation

When you want to use the Modulation Lever to add effects other than vibrato, refer to

Mod (Modulation Assign)

(p. 89).

Applying various effects to the sound

Using a pedal to modify the sound

With an external pedal, such as an expression pedal (the optional EV-5), pedal switch (the optional DP-2/8) or foot switch (the optional BOSS FS-5U) connected to the CONTROL PEDAL jack, you can then use the pedal to make changes in the tone. Just as with the Modulation lever, you can select the function affected when the pedal is pressed. For further information, refer to

fig.q05-09

* When you want to apply the effect that causes the sounds being played to continue playing

(called the “hold effect”), connect a pedal switch (the optional DP-2/8) or foot switch (the optional BOSS FS-5U) to the PEDAL HOLD jack.

Pedal (Pedal Control Assign)

(p. 90).

If you are using DP-8, set

the DP-8’s function switch

to “Switch.”

Shifting the keyboard range in one-octave steps (Octave Shift)

Octave Shift is a function that shifts the pitch of the keyboard in one-octave units. This lets you shift the range of the keyboard to the most convenient range for playing. This is also convenient in a situation below.

When playing sounds outside the keyboard’s range

While the RS-50 features a 61-key keyboard, with some songs you may want to play notes even higher or lower. Also, when playing a Rhythm Set etc., there may be percussion instruments that the RS-50’s keyboard is not able to access. In such cases, you can use the Transpose function to play these notes.

fig.q05-10

Use OCT [-]/[+] to transpose the pitch.

You can transpose the pitch of the keyboard in 1 octave units (-3– +3 octaves)

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