You can choose from 56 types, most of which are eects that modulate the sound.
Parameters marked with a sharp “#” can be controlled using a “Controlling a Modulation FX via MIDI (Modulation FX CONTROL)” (p. 31).
TypeModulation FX NamePage
1EQUALIZERp. 4
2SPECTRUMp. 5
3LOW BOOSTp. 5
FILTER
MODULATION
CHORUS
DYNAMICS
DELAY
LO-FI
PITCH
4STEP FILTERp. 6
5ENHANCERp. 6
6AUTO WAHp. 7
7HUMANIZERp. 7
8PHASER 1p. 8
9PHASER 2p. 8
10 PHASER 3p. 9
11 STEP PHASERp. 9
12 MULTI STAGE PHASERp. 10
13 INFINITE PHASERp. 10
14 RING MODULATOR p. 11
15 TREMOLOp. 11
16 AUTO PANp. 12
17 SLICERp. 12
18 CHORUSp. 13
19 FLANGERp. 13
20 STEP FLANGERp. 14
21 HEXA-CHORUSp. 14
22 TREMOLO CHORUS p. 15
23 SPACE-Dp. 15
24 OVERDRIVEp. 16
25 DISTORTION p. 16
26 T-SCREAMp. 16
27 COMPRESSORp. 17
28 LIMITERp. 17
29 SUSTAINERp. 18
30 GATE p. 18
31 DELAY p. 19
32 MODULATION DELAY p. 19
33 3TAP PAN DELAY p. 20
34 4TAP PAN DELAY p. 20
35 MULTI TAP DELAYp. 21
36 REVERSE DELAYp. 21
37 TIME CTRL DELAYp. 22
38 TAPE ECHOp. 22
39 LOFI COMPRESSp. 22
40 BIT CRUSHERp. 23
41 PITCH SHIFTERp. 24
42 2VOICE PITCH SHIFTERp. 24
TypeModulation FX NamePage
COMBINATION
43
OD " CHORUS
44
OD " FLANGER
45
OD " DELAY
46
DS " CHORUS
47
DS " FLANGER
48
DS " DELAY
49
OD/DS " TWAH
50
OD/DS " AWAH
51
ENHANCER " CHORUS
52
ENHANCER " FLANGER
53
ENHANCER " DELAY
54
CHORUS " DELAY
55
FLANGER " DELAY
56
CHORUS " FLANGER
p. 25
p. 25
p. 26
p. 26
p. 26
p. 26
p. 27
p. 27
p. 28
p. 28
p. 29
p. 29
p. 30
p. 30
3
Modulation FX Parameters
Settings common to all Modulation FX
ParameterValueExplanation
Type
Routing
Refer to the eect list
(p. 3).
MOD FX
(Modulation FX)
" TR/AMP
Amp Simulator)
TR/AMP (Tremolo/Amp
Simulator)
(Modulation FX)
(Tremolo/
" MOD FX
Species the type of Modulation FX.
The editable parameters will depend
on the eect type that’s selected.
Lets you select the routing of the
Modulation FX and the Tremolo/
Amp Simulator.
By switching the Routing type, you
can change the eect that’s applied
to the sound.
For example, suppose that you
chose Chorus as the MOD FX and
chose E. PIANO for TR/AMP; with
the MOD FX " TR/AMP setting,
the chorus sound will be output in
monaural, but with the TR/AMP "
MOD FX setting it will be output in
stereo.
1: EQUALIZER
This is a four-band stereo equalizer (low, mid x 2, high).
L in
R in
ParameterValueExplanation
SwitchOFF, ONTurns the eect on/o.
Depth Knob
Rate Knob
Low Freq20–400 [Hz]Frequency of the low range
Low Gain #-15–+15 [dB]Gain of the low range
Mid1 Freq200–8000 [Hz]Frequency of the middle range 1
Mid1 Gain-15–+15 [dB]Gain of the middle range 1
Mid1 Q
Mid2 Freq200–8000 [Hz]Frequency of the middle range 2
Mid2 Gain-15–+15 [dB]Gain of the middle range 2
Mid2 Q
High Freq2000–16000 [Hz] Frequency of the high range
High Gain #-15–+15 [dB]Gain of the high range
Level #0–127Output Level
4-Band EQ
4-Band EQ
LOW GAIN,
HIGH GAIN,
LEVEL
0.5, 1.0, 2.0, 4.0,
8.0
0.5, 1.0, 2.0, 4.0,
8.0
Species the parameter that is
controlled by the MODULATION FX
[DEPTH] knob.
Species the parameter that is
controlled by the MODULATION FX
[RATE] knob.
Width of the middle range 1
Set a higher value to narrow the range
to be aected.
Width of the middle range 2
Set a higher value to narrow the range
to be aected.
L out
R out
4
Modulation FX Parameters
2: SPECTRUM
This is a stereo spectrum. Spectrum is a type of lter which modies
the timbre by boosting or cutting the level at specic frequencies.
L in
R in
ParameterValueExplanation
SwitchOFF, ONTurns the eect on/o.
Depth Knob
Rate Knob
Band1 (250 Hz)
Band2 (500 Hz)
Band3 (1000 Hz)
Band4 (1250 Hz)
Band5 (2000 Hz)
Band6 (3150 Hz)
Band7 (4000 Hz)
Band8 (8000 Hz)
Q0.5, 1.0, 2.0, 4.0, 8.0
Level #0–127Output Level
Spectrum
Spectrum
Species the parameter that is
BAND1,
BAND3,
LEVEL
-15–+15 [dB]Gain of each frequency band
controlled by the MODULATION
FX [DEPTH] knob.
Species the parameter that is
controlled by the MODULATION
FX [RATE] knob.
Simultaneously adjusts the width
of the adjusted ranges for all the
frequency bands.
L out
R out
3: LOW BOOST
Boosts the volume of the lower range, creating powerful lows.
L in
R in
ParameterValueExplanation
SwitchOFF, ONTurns the eect on/o.
Depth Knob
Rate Knob
Boost Frequency
#
Boost Gain #0–+12 [dB]
Boost Width
Low Gain-15–+15 [dB]Gain of the low frequency range
High Gain-15–+15 [dB]Gain of the high frequency range
Level0–127Output level
Low Boost
Low Boost
BOOST
FREQUENCY,
BOOST GAIN
50–125 [Hz]
WIDE, MID,
NARROW
2-Band EQ
2-Band EQ
Species the parameter that is
controlled by the MODULATION FX
[DEPTH] knob.
Species the parameter that is
controlled by the MODULATION FX
[RATE] knob.
Basic frequency at which the lower
range will be boosted
Amount by which the lower range will
be boosted
Width of the lower range that will be
boosted
L out
R out
5
Modulation FX Parameters
4: STEP FILTER
This is a lter whose cuto frequency can be modulated in steps. You
can specify the pattern by which the cuto frequency will change.
You can use MFX CONTROL to restart the step sequence from the
beginning (p. 31).
L in
R in
ParameterValueExplanation
SwitchOFF, ONTurns the eect on/o.
Depth Knob
Rate Knob
Step 01 –160–127Cuto frequency at each step
Rate (sync sw)OFF, ON
Rate (Hz) #/
Rate (note) #
Attack #0–127
Filter Type
Filter Slope-12, -24, -36 [dB]
Filter Resonance
#
Filter Gain0–+12 [dB]Amount of boost for the lter output
Level0–127Output level
Step Filter
Step Filter
RATE,
ATTACK,
FILTER
RESONANCE
0.05–10.00
note (p. 31)
LPF,
BPF,
HPF,
NOTCH
0–127
Species the parameter that is
controlled by the MODULATION FX
[DEPTH] knob.
Species the parameter that is
controlled by the MODULATION FX
[RATE] knob.
If this is ON, the modulation is
synchronized to the tempo of the
rhythm (owner’s manual p. 24).
Rate of modulation
Speed at which the cuto frequency
changes between steps
Filter type
Frequency range that will pass
through each lter
LPF: frequencies below the cuto
BPF: frequencies in the region of the
cuto
HPF: frequencies above the cuto
NOTCH: frequencies other than the
region of the cuto
Amount of attenuation per octave
-12 dB: gentle
-24 dB: steep
-36 dB: extremely steep
Filter resonance level
Increasing this value will emphasize
the region near the cuto frequency.
L out
R out
5: ENHANCER
Controls the overtone structure of the high frequencies, adding
sparkle and tightness to the sound.
L in
R in
ParameterValueExplanation
SwitchOFF, ONTurns the eect on/o.
Depth Knob
Rate Knob
Sens # 0–127 Sensitivity of the enhancer
Mix # 0–127
Low Gain -15–+15 [dB] Gain of the low range
High Gain -15–+15 [dB] Gain of the high range
Level 0–127 Output Level
Enhancer
Enhancer
SENS,
MIX
Mix
Mix
2-Band
EQ
2-Band
EQ
Species the parameter that is
controlled by the MODULATION FX
[DEPTH] knob.
Species the parameter that is
controlled by the MODULATION FX
[RATE] knob.
Level of the overtones generated by
the enhancer
L out
R out
6
Modulation FX Parameters
L in
6: AUTO WAH
Cyclically controls a lter to create cyclic change in timbre.
L in
R in
ParameterValueExplanation
SwitchOFF, ONTurns the eect on/o.
Depth Knob
Rate Knob
Filter TypeLPF, BPF
Manual #0–127
Peak0–127
Sens #0–127
PolarityUP, DOWN
Rate (sync sw) # OFF, ON
Rate (Hz) #/
Rate (note) #
Depth #0–127Depth of modulation
Phase #0–180 [deg]
Low Gain-15–+15 [dB]Gain of the low range
High Gain-15–+15 [dB]Gain of the high range
Level0–127Output Level
Auto Wah
Auto Wah
MANUAL,
SENS,
RATE,
DEPTH,
PHASE
0.05–10.00 [Hz]
note (p. 31)
2-Band EQ
2-Band EQ
Species the parameter that is
controlled by the MODULATION FX
[DEPTH] knob.
Species the parameter that is
controlled by the MODULATION FX
[RATE] knob.
Type of lter
LPF: The wah eect will be applied
over a wide frequency range.
BPF: The wah eect will be applied
over a narrow frequency range.
Adjusts the basic frequency at which
the eect is applied.
Adjusts the amount of the wah eect
that will occur in the range of the basic
frequency.
Set a higher value for Q to narrow the
range to be aected.
Adjusts the sensitivity with which the
lter is controlled.
Sets the direction in which the
frequency will change when the
auto-wah lter is modulated.
UP: The lter will change toward a
higher frequency.
DOWN: The lter will change toward a
lower frequency.
If this is ON, the modulation is
synchronized to the tempo of the
rhythm (owner’s manual p. 24).
Frequency of modulation
Adjusts the degree of phase shift of
the left and right sounds when the
wah eect is applied.
L out
R out
7: HUMANIZER
Adds a vowel character to the sound, making it similar to a human
voice.
Overdrive
Formant
R in
ParameterValueExplanation
SwitchOFF, ONTurns the eect on/o.
Depth Knob
Rate Knob
Drive SwOFF, ONTurns Drive on/o.
Drive #0–127
Vowel1A, E, I, O, U
Vowel2A, E, I, O, U
Rate (sync sw) # OFF, ON
Rate (Hz) # /
Rate (note) #
Depth #0–127Eect depth
Input Sync SwOFF, ON
Input Sync
Threshold
Manual #0–100
Low Gain-15–+15 [dB]Gain of the low frequency range
High Gain-15–+15 [dB]Gain of the high frequency range
Pan #L64–63RStereo location of the output
Level0–127Output level
DRIVE,
RATE,
DEPTH,
MANUAL,
PAN
0.05–10.00 [Hz]
note (p. 31)
0–127Volume level at which reset is applied
2-Band
EQ
Species the parameter that is
controlled by the MODULATION FX
[DEPTH] knob.
Species the parameter that is
controlled by the MODULATION FX
[RATE] knob.
Degree of distortion
Also changes the volume.
Selects the vowel.
If this is ON, the modulation is
synchronized to the tempo of the
rhythm (owner’s manual p. 24).
Frequency at which the two vowels
switch
LFO reset on/o
Determines whether the LFO for
switching the vowels is reset by the
input signal (ON) or not (OFF).
Point at which Vowel 1/2 switch
49 or less: Vowel 1 will have a longer
duration.
50: Vowel 1 and 2 will be of equal
duration.
51 or more: Vowel 2 will have a longer
duration.
L out
Pan L
Pan R
R out
7
Modulation FX Parameters
8: PHASER 1
A phase-shifted sound is added to the original sound and modulated.
L in
R in
ParameterValueExplanation
SwitchOFF, ONTurns the eect on/o.
Depth Knob
Rate Knob
Mode
Manual #0–127
Rate (sync sw) # OFF, ON
Rate (Hz) #/
Rate (note) #
Depth0–127Depth of modulation
Polarity
Resonance #0–127Amount of feedback
Cross Feedback -98–+98 [%]
Mix #0–127Level of the phase-shifted sound
Low Gain-15–+15 [dB]Gain of the low range
High Gain-15–+15 [dB]Gain of the high range
Level0–127Output Level
Phaser
Phaser
MANUAL,
RATE,
RESONANCE,
MIX
4-STAGE,
8-STAGE,
12-STAGE
0.05–10.00 [Hz]
note (p. 31)
INVERSE,
SYNCHRO
Mix
Mix
Species the parameter that is
controlled by the MODULATION FX
[DEPTH] knob.
Species the parameter that is
controlled by the MODULATION FX
[RATE] knob.
Number of stages in the phaser
Adjusts the basic frequency from
which the sound will be modulated.
If this is ON, the modulation is
synchronized to the tempo of the
rhythm (owner’s manual p. 24).
Frequency of modulation
Selects whether the left and right
phase of the modulation will be the
same or the opposite.
INVERSE: The left and right phase
will be opposite. When using a mono
source, this spreads the sound.
SYNCHRO: The left and right phase
will be the same. Select this when
inputting a stereo source.
Adjusts the proportion of the phaser
sound that is fed back into the eect.
Negative “-” settings will invert the
phase.
2-Band
EQ
2-Band
EQ
L out
R out
9: PHASER 2
This simulates an analog phaser of the past.
It is particularly suitable for electric piano.
L in
R in
ParameterValueExplanation
SwitchOFF, ONTurns the eect on/o.
Depth Knob
Rate Knob
Rate #0–100Frequency of modulation
Color1, 2Modulation character
Low Gain-15–+15 [dB]Gain of the low range
High Gain-15–+15 [dB]Gain of the high range
Level0–127Output Level
Phaser
Phaser
RATE,
COLOR
2-Band EQ
2-Band EQ
Species the parameter that is
controlled by the MODULATION FX
[DEPTH] knob.
Species the parameter that is
controlled by the MODULATION FX
[RATE] knob.
L out
R out
8
Modulation FX Parameters
10: PHASER 3
This simulates a dierent analog phaser than Phaser 2.
It is particularly suitable for electric piano.
L in
R in
ParameterValueExplanation
SwitchOFF, ONTurns the eect on/o.
Depth Knob
Rate Knob
Speed #0–100Frequency of modulation
Depth0–127Depth of modulation
Low Gain-15–+15 [dB]Gain of the low range
High Gain-15–+15 [dB]Gain of the high range
Level0–127Output Level
Phaser
Phaser
SPEED,
DEPTH
2-Band EQ
2-Band EQ
Species the parameter that is
controlled by the MODULATION FX
[DEPTH] knob.
Species the parameter that is
controlled by the MODULATION FX
[RATE] knob.
L out
R out
11: STEP PHASER
This is a stereo phaser. The phaser eect will be varied gradually.
L in
R in
ParameterValueExplanation
SwitchOFF, ONTurns the eect on/o.
Depth Knob
Rate Knob
Mode
Manual #0–127
Rate (sync sw)OFF, ON
Rate (Hz) #/
Rate (note) #
Depth0–127Depth of modulation
Polarity
Resonance #0–127Amount of feedback
Cross Feedback -98–+98 [%]
Step Rate
(sync sw)
Step Rate (Hz) #/
Step Rate (note)#
Mix #0–127Level of the phase-shifted sound
Low Gain-15–+15 [dB]Gain of the low range
High Gain-15–+15 [dB]Gain of the high range
Level0–127Output Level
Step Phaser
Step Phaser
MANUAL,
RATE,
RESONANCE,
STEP RATE,
MIX
4-STAGE,
8-STAGE,
12-STAGE
0.05–10.00
note (p. 31)
INVERSE,
SYNCHRO
OFF, ON
0.10–20 [Hz]
note (p. 31)
Mix
Mix
Species the parameter that is
controlled by the MODULATION FX
[DEPTH] knob.
Species the parameter that is
controlled by the MODULATION FX
[RATE] knob.
Number of stages in the phaser
Adjusts the basic frequency from
which the sound will be modulated.
If this is ON, the modulation is
synchronized to the tempo of the
rhythm (owner’s manual p. 24).
Frequency of modulation
Selects whether the left and right
phase of the modulation will be the
same or the opposite.
INVERSE: The left and right phase
will be opposite. When using a mono
source, this spreads the sound.
SYNCHRO: The left and right phase
will be the same. Select this when
inputting a stereo source.
Adjusts the proportion of the phaser
sound that is fed back into the eect.
Negative “-” settings will invert the
phase.
If this is ON, the modulation is
synchronized to the tempo of the
rhythm (owner’s manual p. 24).
Rate of the step-wise change in the
phaser eect
2-Band
EQ
2-Band
EQ
L out
R out
9
Modulation FX Parameters
L in
L in
12: MULTI STAGE PHASER
Extremely high settings of the phase dierence produce a deep
phaser eect.
Species the parameter that is
controlled by the MODULATION FX
[DEPTH] knob.
Species the parameter that is
controlled by the MODULATION FX
[RATE] knob.
Number of phaser stages
Adjusts the basic frequency from
which the sound will be modulated.
If this is ON, the modulation is
synchronized to the tempo of the
rhythm (owner’s manual p. 24).
Frequency of modulation
2-Band
EQ
Pan L
Pan R
L out
R out
13: INFINITE PHASER
A phaser that continues raising/lowering the frequency at which the
sound is modulated.
Innite Phaser2-Band EQ
R in
ParameterValueExplanation
SwitchOFF, ONTurns the eect on/o.
Depth Knob
Rate Knob
Mode1, 2, 3, 4
Speed #-100–+100
Resonance #0–127Amount of feedback
Mix #0–127Volume of the phase-shifted sound
Pan #L64–63RPanning of the output sound
Low Gain-15–+15 [dB]Gain of the low frequency range
High Gain-15–+15 [dB]Gain of the high frequency range
Level0–127Output volume
SPEED,
RESONANCE,
MIX,
PAN
Species the parameter that is
controlled by the MODULATION FX
[DEPTH] knob.
Species the parameter that is
controlled by the MODULATION FX
[RATE] knob.
Higher values will produce a deeper
phaser eect.
Speed at which to raise or lower
the frequency at which the sound is
modulated
(+: upward / -: downward)
L out
Pan L
Pan R
R out
10
Modulation FX Parameters
14: RING MODULATOR
This is an eect that applies amplitude modulation (AM) to the
input signal, producing bell-like sounds. You can also change the
modulation frequency in response to changes in the volume of the
sound sent into the eect.
L in
R in
ParameterValueExplanation
SwitchOFF, ONTurns the eect on/o.
Depth Knob
Rate Knob
Frequency #0–127
Sens #0–127
PolarityUP, DOWN
Low Gain-15–+15 [dB]Gain of the low frequency range
High Gain-15–+15 [dB]Gain of the high frequency range
Balance #
Level0–127Output level
Ring Mod
Ring Mod
FREQUENCY,
SENS,
BALANCE
D100:0W–
D0:100W
2-Band EQ
2-Band EQ
Species the parameter that is
controlled by the MODULATION FX
[DEPTH] knob.
Species the parameter that is
controlled by the MODULATION FX
[RATE] knob.
Adjusts the frequency at which
modulation is applied.
Adjusts the amount of frequency
modulation applied.
Determines whether the frequency
modulation moves towards higher
frequencies (UP) or lower frequencies
(DOWN).
Volume balance between the direct
sound (D) and the eect sound (W)
L out
R out
15: TREMOLO
Cyclically modulates the volume to add tremolo eect to the sound.
L in
R in
ParameterValueExplanation
SwitchOFF, ONTurns the eect on/o.
Depth Knob
Rate Knob
Mod Wave
Rate (sync sw) # OFF, ON
Rate (Hz) #/
Rate (note) #
Depth #0–127Depth to which the eect is applied
Low Gain-15–+15 [dB]Gain of the low range
High Gain-15–+15 [dB]Gain of the high range
Level0–127Output Level
Tremolo
Tremolo
RATE,
DEPTH
TRI,
SQR,
SIN,
SAW1,
SAW2
SAW1SAW2
0.05–10.00 [Hz]
note (p. 31)
2-Band EQ
2-Band EQ
Species the parameter that is
controlled by the MODULATION FX
[DEPTH] knob.
Species the parameter that is
controlled by the MODULATION FX
[RATE] knob.
If this is ON, the modulation is
synchronized to the tempo of the
rhythm (owner’s manual p. 24).
Frequency of the change
L out
R out
17: SLICER
By applying successive cuts to the sound, this eect turns a
conventional sound into a sound that appears to be played as a
backing phrase. This is especially eective when applied to sustaintype sounds.
You can use MFX CONTROL to restart the step sequence from the
beginning (p. 31).
L in
R in
ParameterValueExplanation
SwitchOFF, ONTurns the eect on/o.
Depth Knob
Rate Knob
Step 01–160–127Level at each step
Rate (sync sw) # OFF, ON
Rate (Hz) #/
Rate (note) #
Attack #0–127
Input Sync SwOFF, ON
Input Sync
Threshold
Mode
Shue #0–127
Level0–127Output level
Slicer
Slicer
RATE,
ATTACK,
SHUFFLE
0.05–10.00 [Hz]
note (p. 31)
0–127
LEGATO,
SLASH
Species the parameter that is
controlled by the MODULATION FX
[DEPTH] knob.
Species the parameter that is
controlled by the MODULATION FX
[RATE] knob.
If this is ON, the modulation is
synchronized to the tempo of the
rhythm (owner’s manual p. 24).
Rate at which the 16-step sequence
will cycle
Speed at which the level changes
between steps
Species whether an input note
will cause the sequence to resume
from the rst step of the sequence
(ON) or not (OFF)
Volume at which an input note will be
detected
Sets the manner in which the volume
changes as one step progresses to
the next.
LEGATO: The change in volume from
one step’s level to the next remains
unaltered. If the level of a following
step is the same as the one preceding
it, there is no change in volume.
SLASH: The level is momentarily
set to 0 before progressing to the
level of the next step. This change
in volume occurs even if the level of
the following step is the same as the
preceding step.
Timing of volume changes in levels for
even-numbered steps (step 2, step 4,
step 6...).
The higher the value, the later the beat
progresses.
L out
R out
12
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