How it Works
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RD-800
Effects Parameter Guide
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Owner's Manual
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Roland RD-800 Effects Parameter Guide

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Eects Parameter Guide
Copyright © 2014 ROLAND CORPORATION All rights reserved. No part of this publication may be reproduced in any form without the written permission of ROLAND CORPORATION.
01
Contents
Modulation FX Parameters. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3
Controlling a Modulation FX via MIDI (Modulation FX
CONTROL) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .31
2

Modulation FX Parameters

Modulation FX eects are included in the tone.
You can choose from 56 types, most of which are eects that modulate the sound.
Parameters marked with a sharp “#” can be controlled using a “Controlling a Modulation FX via MIDI (Modulation FX CONTROL)” (p. 31).
Type Modulation FX Name Page
1 EQUALIZER p. 4
2 SPECTRUM p. 5
3 LOW BOOST p. 5
FILTER
MODULATION
CHORUS
DYNAMICS
DELAY
LO-FI
PITCH
4 STEP FILTER p. 6
5 ENHANCER p. 6
6 AUTO WAH p. 7
7 HUMANIZER p. 7
8 PHASER 1 p. 8
9 PHASER 2 p. 8
10 PHASER 3 p. 9
11 STEP PHASER p. 9
12 MULTI STAGE PHASER p. 10
13 INFINITE PHASER p. 10
14 RING MODULATOR p. 11
15 TREMOLO p. 11
16 AUTO PAN p. 12
17 SLICER p. 12
18 CHORUS p. 13
19 FLANGER p. 13
20 STEP FLANGER p. 14
21 HEXA-CHORUS p. 14
22 TREMOLO CHORUS p. 15
23 SPACE-D p. 15
24 OVERDRIVE p. 16
25 DISTORTION p. 16
26 T-SCREAM p. 16
27 COMPRESSOR p. 17
28 LIMITER p. 17
29 SUSTAINER p. 18
30 GATE p. 18
31 DELAY p. 19
32 MODULATION DELAY p. 19
33 3TAP PAN DELAY p. 20
34 4TAP PAN DELAY p. 20
35 MULTI TAP DELAY p. 21
36 REVERSE DELAY p. 21
37 TIME CTRL DELAY p. 22
38 TAPE ECHO p. 22
39 LOFI COMPRESS p. 22
40 BIT CRUSHER p. 23
41 PITCH SHIFTER p. 24
42 2VOICE PITCH SHIFTER p. 24
Type Modulation FX Name Page
COMBINATION
43
OD " CHORUS
44
OD " FLANGER
45
OD " DELAY
46
DS " CHORUS
47
DS " FLANGER
48
DS " DELAY
49
OD/DS " TWAH
50
OD/DS " AWAH
51
ENHANCER " CHORUS
52
ENHANCER " FLANGER
53
ENHANCER " DELAY
54
CHORUS " DELAY
55
FLANGER " DELAY
56
CHORUS " FLANGER
p. 25
p. 25
p. 26
p. 26
p. 26
p. 26
p. 27
p. 27
p. 28
p. 28
p. 29
p. 29
p. 30
p. 30
3
Modulation FX Parameters
Settings common to all Modulation FX
Parameter Value Explanation
Type
Routing
Refer to the eect list (p. 3).
MOD FX
(Modulation FX)
" TR/AMP
Amp Simulator)
TR/AMP (Tremolo/Amp
Simulator) (Modulation FX)
(Tremolo/
" MOD FX
Species the type of Modulation FX. The editable parameters will depend
on the eect type that’s selected.
Lets you select the routing of the Modulation FX and the Tremolo/ Amp Simulator.
By switching the Routing type, you can change the eect that’s applied to the sound.
For example, suppose that you chose Chorus as the MOD FX and chose E. PIANO for TR/AMP; with the MOD FX " TR/AMP setting, the chorus sound will be output in monaural, but with the TR/AMP " MOD FX setting it will be output in stereo.
1: EQUALIZER
This is a four-band stereo equalizer (low, mid x 2, high).
L in
R in
Parameter Value Explanation
Switch OFF, ON Turns the eect on/o.
Depth Knob
Rate Knob
Low Freq 20–400 [Hz] Frequency of the low range
Low Gain # -15–+15 [dB] Gain of the low range
Mid1 Freq 200–8000 [Hz] Frequency of the middle range 1
Mid1 Gain -15–+15 [dB] Gain of the middle range 1
Mid1 Q
Mid2 Freq 200–8000 [Hz] Frequency of the middle range 2
Mid2 Gain -15–+15 [dB] Gain of the middle range 2
Mid2 Q
High Freq 2000–16000 [Hz] Frequency of the high range
High Gain # -15–+15 [dB] Gain of the high range
Level # 0–127 Output Level
4-Band EQ
4-Band EQ
LOW GAIN, HIGH GAIN, LEVEL
0.5, 1.0, 2.0, 4.0,
8.0
0.5, 1.0, 2.0, 4.0,
8.0
Species the parameter that is controlled by the MODULATION FX [DEPTH] knob.
Species the parameter that is controlled by the MODULATION FX [RATE] knob.
Width of the middle range 1 Set a higher value to narrow the range
to be aected.
Width of the middle range 2 Set a higher value to narrow the range
to be aected.
L out
R out
4
Modulation FX Parameters
2: SPECTRUM
This is a stereo spectrum. Spectrum is a type of lter which modies the timbre by boosting or cutting the level at specic frequencies.
L in
R in
Parameter Value Explanation
Switch OFF, ON Turns the eect on/o.
Depth Knob
Rate Knob
Band1 (250 Hz)
Band2 (500 Hz)
Band3 (1000 Hz)
Band4 (1250 Hz)
Band5 (2000 Hz)
Band6 (3150 Hz)
Band7 (4000 Hz)
Band8 (8000 Hz)
Q 0.5, 1.0, 2.0, 4.0, 8.0
Level # 0–127 Output Level
Spectrum
Spectrum
Species the parameter that is
BAND1, BAND3, LEVEL
-15–+15 [dB] Gain of each frequency band
controlled by the MODULATION FX [DEPTH] knob.
Species the parameter that is controlled by the MODULATION FX [RATE] knob.
Simultaneously adjusts the width of the adjusted ranges for all the frequency bands.
L out
R out
3: LOW BOOST
Boosts the volume of the lower range, creating powerful lows.
L in
R in
Parameter Value Explanation
Switch OFF, ON Turns the eect on/o.
Depth Knob
Rate Knob
Boost Frequency #
Boost Gain # 0–+12 [dB]
Boost Width
Low Gain -15–+15 [dB] Gain of the low frequency range
High Gain -15–+15 [dB] Gain of the high frequency range
Level 0–127 Output level
Low Boost
Low Boost
BOOST FREQUENCY, BOOST GAIN
50–125 [Hz]
WIDE, MID, NARROW
2-Band EQ
2-Band EQ
Species the parameter that is controlled by the MODULATION FX [DEPTH] knob.
Species the parameter that is controlled by the MODULATION FX [RATE] knob.
Basic frequency at which the lower range will be boosted
Amount by which the lower range will be boosted
Width of the lower range that will be boosted
L out
R out
5
Modulation FX Parameters
4: STEP FILTER
This is a lter whose cuto frequency can be modulated in steps. You can specify the pattern by which the cuto frequency will change.
You can use MFX CONTROL to restart the step sequence from the beginning (p. 31).
L in
R in
Parameter Value Explanation
Switch OFF, ON Turns the eect on/o.
Depth Knob
Rate Knob
Step 01 –16 0–127 Cuto frequency at each step
Rate (sync sw) OFF, ON
Rate (Hz) #/ Rate (note) #
Attack # 0–127
Filter Type
Filter Slope -12, -24, -36 [dB]
Filter Resonance #
Filter Gain 0–+12 [dB] Amount of boost for the lter output
Level 0–127 Output level
Step Filter
Step Filter
RATE, ATTACK, FILTER RESONANCE
0.05–10.00
note (p. 31)
LPF, BPF, HPF, NOTCH
0–127
Species the parameter that is controlled by the MODULATION FX [DEPTH] knob.
Species the parameter that is controlled by the MODULATION FX [RATE] knob.
If this is ON, the modulation is synchronized to the tempo of the rhythm (owner’s manual p. 24).
Rate of modulation
Speed at which the cuto frequency changes between steps
Filter type Frequency range that will pass
through each lter
LPF: frequencies below the cuto BPF: frequencies in the region of the
cuto
HPF: frequencies above the cuto NOTCH: frequencies other than the
region of the cuto
Amount of attenuation per octave
-12 dB: gentle
-24 dB: steep
-36 dB: extremely steep
Filter resonance level Increasing this value will emphasize
the region near the cuto frequency.
L out
R out
5: ENHANCER
Controls the overtone structure of the high frequencies, adding sparkle and tightness to the sound.
L in
R in
Parameter Value Explanation
Switch OFF, ON Turns the eect on/o.
Depth Knob
Rate Knob
Sens # 0–127 Sensitivity of the enhancer
Mix # 0–127
Low Gain -15–+15 [dB] Gain of the low range
High Gain -15–+15 [dB] Gain of the high range
Level 0–127 Output Level
Enhancer
Enhancer
SENS, MIX
Mix
Mix
2-Band
EQ
2-Band
EQ
Species the parameter that is controlled by the MODULATION FX [DEPTH] knob.
Species the parameter that is controlled by the MODULATION FX [RATE] knob.
Level of the overtones generated by the enhancer
L out
R out
6
Modulation FX Parameters
L in
6: AUTO WAH
Cyclically controls a lter to create cyclic change in timbre.
L in
R in
Parameter Value Explanation
Switch OFF, ON Turns the eect on/o.
Depth Knob
Rate Knob
Filter Type LPF, BPF
Manual # 0–127
Peak 0–127
Sens # 0–127
Polarity UP, DOWN
Rate (sync sw) # OFF, ON
Rate (Hz) #/ Rate (note) #
Depth # 0–127 Depth of modulation
Phase # 0–180 [deg]
Low Gain -15–+15 [dB] Gain of the low range
High Gain -15–+15 [dB] Gain of the high range
Level 0–127 Output Level
Auto Wah
Auto Wah
MANUAL, SENS, RATE, DEPTH, PHASE
0.05–10.00 [Hz]
note (p. 31)
2-Band EQ
2-Band EQ
Species the parameter that is controlled by the MODULATION FX [DEPTH] knob.
Species the parameter that is controlled by the MODULATION FX [RATE] knob.
Type of lter LPF: The wah eect will be applied
over a wide frequency range.
BPF: The wah eect will be applied
over a narrow frequency range.
Adjusts the basic frequency at which the eect is applied.
Adjusts the amount of the wah eect that will occur in the range of the basic frequency.
Set a higher value for Q to narrow the range to be aected.
Adjusts the sensitivity with which the lter is controlled.
Sets the direction in which the frequency will change when the auto-wah lter is modulated.
UP: The lter will change toward a
higher frequency.
DOWN: The lter will change toward a
lower frequency.
If this is ON, the modulation is synchronized to the tempo of the rhythm (owner’s manual p. 24).
Frequency of modulation
Adjusts the degree of phase shift of the left and right sounds when the wah eect is applied.
L out
R out
7: HUMANIZER
Adds a vowel character to the sound, making it similar to a human voice.
Overdrive
Formant
R in
Parameter Value Explanation
Switch OFF, ON Turns the eect on/o.
Depth Knob
Rate Knob
Drive Sw OFF, ON Turns Drive on/o.
Drive # 0–127
Vowel1 A, E, I, O, U
Vowel2 A, E, I, O, U
Rate (sync sw) # OFF, ON
Rate (Hz) # / Rate (note) #
Depth # 0–127 Eect depth
Input Sync Sw OFF, ON
Input Sync Threshold
Manual # 0–100
Low Gain -15–+15 [dB] Gain of the low frequency range
High Gain -15–+15 [dB] Gain of the high frequency range
Pan # L64–63R Stereo location of the output
Level 0–127 Output level
DRIVE, RATE, DEPTH, MANUAL, PAN
0.05–10.00 [Hz]
note (p. 31)
0–127 Volume level at which reset is applied
2-Band
EQ
Species the parameter that is controlled by the MODULATION FX [DEPTH] knob.
Species the parameter that is controlled by the MODULATION FX [RATE] knob.
Degree of distortion Also changes the volume.
Selects the vowel.
If this is ON, the modulation is synchronized to the tempo of the rhythm (owner’s manual p. 24).
Frequency at which the two vowels switch
LFO reset on/o Determines whether the LFO for
switching the vowels is reset by the input signal (ON) or not (OFF).
Point at which Vowel 1/2 switch 49 or less: Vowel 1 will have a longer
duration.
50: Vowel 1 and 2 will be of equal
duration.
51 or more: Vowel 2 will have a longer
duration.
L out
Pan L
Pan R
R out
7
Modulation FX Parameters
8: PHASER 1
A phase-shifted sound is added to the original sound and modulated.
L in
R in
Parameter Value Explanation
Switch OFF, ON Turns the eect on/o.
Depth Knob
Rate Knob
Mode
Manual # 0–127
Rate (sync sw) # OFF, ON
Rate (Hz) #/ Rate (note) #
Depth 0–127 Depth of modulation
Polarity
Resonance # 0–127 Amount of feedback
Cross Feedback -98–+98 [%]
Mix # 0–127 Level of the phase-shifted sound
Low Gain -15–+15 [dB] Gain of the low range
High Gain -15–+15 [dB] Gain of the high range
Level 0–127 Output Level
Phaser
Phaser
MANUAL, RATE, RESONANCE, MIX
4-STAGE, 8-STAGE, 12-STAGE
0.05–10.00 [Hz]
note (p. 31)
INVERSE, SYNCHRO
Mix
Mix
Species the parameter that is controlled by the MODULATION FX [DEPTH] knob.
Species the parameter that is controlled by the MODULATION FX [RATE] knob.
Number of stages in the phaser
Adjusts the basic frequency from which the sound will be modulated.
If this is ON, the modulation is synchronized to the tempo of the rhythm (owner’s manual p. 24).
Frequency of modulation
Selects whether the left and right phase of the modulation will be the same or the opposite.
INVERSE: The left and right phase will be opposite. When using a mono source, this spreads the sound.
SYNCHRO: The left and right phase will be the same. Select this when inputting a stereo source.
Adjusts the proportion of the phaser sound that is fed back into the eect. Negative “-” settings will invert the phase.
2-Band
EQ
2-Band
EQ
L out
R out
9: PHASER 2
This simulates an analog phaser of the past.
It is particularly suitable for electric piano.
L in
R in
Parameter Value Explanation
Switch OFF, ON Turns the eect on/o.
Depth Knob
Rate Knob
Rate # 0–100 Frequency of modulation
Color 1, 2 Modulation character
Low Gain -15–+15 [dB] Gain of the low range
High Gain -15–+15 [dB] Gain of the high range
Level 0–127 Output Level
Phaser
Phaser
RATE, COLOR
2-Band EQ
2-Band EQ
Species the parameter that is controlled by the MODULATION FX [DEPTH] knob.
Species the parameter that is controlled by the MODULATION FX [RATE] knob.
L out
R out
8
Modulation FX Parameters
10: PHASER 3
This simulates a dierent analog phaser than Phaser 2.
It is particularly suitable for electric piano.
L in
R in
Parameter Value Explanation
Switch OFF, ON Turns the eect on/o.
Depth Knob
Rate Knob
Speed # 0–100 Frequency of modulation
Depth 0–127 Depth of modulation
Low Gain -15–+15 [dB] Gain of the low range
High Gain -15–+15 [dB] Gain of the high range
Level 0–127 Output Level
Phaser
Phaser
SPEED, DEPTH
2-Band EQ
2-Band EQ
Species the parameter that is controlled by the MODULATION FX [DEPTH] knob.
Species the parameter that is controlled by the MODULATION FX [RATE] knob.
L out
R out
11: STEP PHASER
This is a stereo phaser. The phaser eect will be varied gradually.
L in
R in
Parameter Value Explanation
Switch OFF, ON Turns the eect on/o.
Depth Knob
Rate Knob
Mode
Manual # 0–127
Rate (sync sw) OFF, ON
Rate (Hz) #/ Rate (note) #
Depth 0–127 Depth of modulation
Polarity
Resonance # 0–127 Amount of feedback
Cross Feedback -98–+98 [%]
Step Rate (sync sw)
Step Rate (Hz) #/ Step Rate (note)#
Mix # 0–127 Level of the phase-shifted sound
Low Gain -15–+15 [dB] Gain of the low range
High Gain -15–+15 [dB] Gain of the high range
Level 0–127 Output Level
Step Phaser
Step Phaser
MANUAL, RATE, RESONANCE, STEP RATE, MIX
4-STAGE, 8-STAGE, 12-STAGE
0.05–10.00
note (p. 31)
INVERSE, SYNCHRO
OFF, ON
0.10–20 [Hz]
note (p. 31)
Mix
Mix
Species the parameter that is controlled by the MODULATION FX [DEPTH] knob.
Species the parameter that is controlled by the MODULATION FX [RATE] knob.
Number of stages in the phaser
Adjusts the basic frequency from which the sound will be modulated.
If this is ON, the modulation is synchronized to the tempo of the rhythm (owner’s manual p. 24).
Frequency of modulation
Selects whether the left and right phase of the modulation will be the same or the opposite.
INVERSE: The left and right phase will be opposite. When using a mono source, this spreads the sound.
SYNCHRO: The left and right phase will be the same. Select this when inputting a stereo source.
Adjusts the proportion of the phaser sound that is fed back into the eect. Negative “-” settings will invert the phase.
If this is ON, the modulation is synchronized to the tempo of the rhythm (owner’s manual p. 24).
Rate of the step-wise change in the phaser eect
2-Band
EQ
2-Band
EQ
L out
R out
9
Modulation FX Parameters
L in
L in
12: MULTI STAGE PHASER
Extremely high settings of the phase dierence produce a deep phaser eect.
Multi Stage
Phaser
R in
Parameter Value Explanation
Switch OFF, ON Turns the eect on/o.
Depth Knob
Rate Knob
Mode
Manual # 0–127
Rate (sync sw) # OFF, ON
Rate (Hz) #/ Rate (note) #
Depth 0–127 Depth of modulation
Resonance # 0–127 Amount of feedback
Mix # 0–127 Level of the phase-shifted sound
Pan # L64–63R Stereo location of the output sound
Low Gain -15–+15 [dB] Gain of the low range
High Gain -15–+15 [dB] Gain of the high range
Level 0–127 Output Level
Resonance
MANUAL, RATE, RESONANCE, MIX, PAN
4-STAGE, 8-STAGE, 12-STAGE, 16-STAGE, 20-STAGE, 24-STAGE
0.05–10.00 [Hz]
note (p. 31)
Mix
Species the parameter that is controlled by the MODULATION FX [DEPTH] knob.
Species the parameter that is controlled by the MODULATION FX [RATE] knob.
Number of phaser stages
Adjusts the basic frequency from which the sound will be modulated.
If this is ON, the modulation is synchronized to the tempo of the rhythm (owner’s manual p. 24).
Frequency of modulation
2-Band
EQ
Pan L
Pan R
L out
R out
13: INFINITE PHASER
A phaser that continues raising/lowering the frequency at which the sound is modulated.
Innite Phaser 2-Band EQ
R in
Parameter Value Explanation
Switch OFF, ON Turns the eect on/o.
Depth Knob
Rate Knob
Mode 1, 2, 3, 4
Speed # -100–+100
Resonance # 0–127 Amount of feedback
Mix # 0–127 Volume of the phase-shifted sound
Pan # L64–63R Panning of the output sound
Low Gain -15–+15 [dB] Gain of the low frequency range
High Gain -15–+15 [dB] Gain of the high frequency range
Level 0–127 Output volume
SPEED, RESONANCE, MIX, PAN
Species the parameter that is controlled by the MODULATION FX [DEPTH] knob.
Species the parameter that is controlled by the MODULATION FX [RATE] knob.
Higher values will produce a deeper phaser eect.
Speed at which to raise or lower the frequency at which the sound is modulated (+: upward / -: downward)
L out
Pan L
Pan R
R out
10
Modulation FX Parameters
14: RING MODULATOR
This is an eect that applies amplitude modulation (AM) to the input signal, producing bell-like sounds. You can also change the modulation frequency in response to changes in the volume of the sound sent into the eect.
L in
R in
Parameter Value Explanation
Switch OFF, ON Turns the eect on/o.
Depth Knob
Rate Knob
Frequency # 0–127
Sens # 0–127
Polarity UP, DOWN
Low Gain -15–+15 [dB] Gain of the low frequency range
High Gain -15–+15 [dB] Gain of the high frequency range
Balance #
Level 0–127 Output level
Ring Mod
Ring Mod
FREQUENCY, SENS, BALANCE
D100:0W– D0:100W
2-Band EQ
2-Band EQ
Species the parameter that is controlled by the MODULATION FX [DEPTH] knob.
Species the parameter that is controlled by the MODULATION FX [RATE] knob.
Adjusts the frequency at which modulation is applied.
Adjusts the amount of frequency modulation applied.
Determines whether the frequency modulation moves towards higher frequencies (UP) or lower frequencies (DOWN).
Volume balance between the direct sound (D) and the eect sound (W)
L out
R out
15: TREMOLO
Cyclically modulates the volume to add tremolo eect to the sound.
L in
R in
Parameter Value Explanation
Switch OFF, ON Turns the eect on/o.
Depth Knob
Rate Knob
Mod Wave
Rate (sync sw) # OFF, ON
Rate (Hz) #/ Rate (note) #
Depth # 0–127 Depth to which the eect is applied
Low Gain -15–+15 [dB] Gain of the low range
High Gain -15–+15 [dB] Gain of the high range
Level 0–127 Output Level
Tremolo
Tremolo
RATE, DEPTH
TRI, SQR, SIN, SAW1, SAW2
SAW1 SAW2
0.05–10.00 [Hz]
note (p. 31)
2-Band EQ
2-Band EQ
Species the parameter that is controlled by the MODULATION FX [DEPTH] knob.
Species the parameter that is controlled by the MODULATION FX [RATE] knob.
Modulation wave
TRI: triangle wave SQR: square wave SIN: sine wave SAW1/2: sawtooth wave
If this is ON, the modulation is synchronized to the tempo of the rhythm (owner’s manual p. 24).
Frequency of the change
L out
R out
11
Modulation FX Parameters
16: AUTO PAN
Cyclically modulates the stereo location of the sound.
L in
R in
Parameter Value Explanation
Switch OFF, ON Turns the eect on/o.
Depth Knob
Rate Knob
Mod Wave
Rate (sync sw) # OFF, ON
Rate (Hz) #/ Rate (note) #
Depth # 0–127 Depth to which the eect is applied
Low Gain -15–+15 [dB] Gain of the low range
High Gain -15–+15 [dB] Gain of the high range
Level 0–127 Output Level
Auto Pan
Auto Pan
RATE, DEPTH
TRI, SQR, SIN, SAW1, SAW2
SAW1 SAW2
R R
L L
0.05–10.00 [Hz]
note (p. 31)
2-Band EQ
2-Band EQ
Species the parameter that is controlled by the MODULATION FX [DEPTH] knob.
Species the parameter that is controlled by the MODULATION FX [RATE] knob.
Modulation wave
TRI: triangle wave SQR: square wave SIN: sine wave SAW1/2: sawtooth wave
If this is ON, the modulation is synchronized to the tempo of the rhythm (owner’s manual p. 24).
Frequency of the change
L out
R out
17: SLICER
By applying successive cuts to the sound, this eect turns a conventional sound into a sound that appears to be played as a backing phrase. This is especially eective when applied to sustain­type sounds.
You can use MFX CONTROL to restart the step sequence from the beginning (p. 31).
L in
R in
Parameter Value Explanation
Switch OFF, ON Turns the eect on/o.
Depth Knob
Rate Knob
Step 01–16 0–127 Level at each step
Rate (sync sw) # OFF, ON
Rate (Hz) #/ Rate (note) #
Attack # 0–127
Input Sync Sw OFF, ON
Input Sync Threshold
Mode
Shue # 0–127
Level 0–127 Output level
Slicer
Slicer
RATE, ATTACK, SHUFFLE
0.05–10.00 [Hz]
note (p. 31)
0–127
LEGATO, SLASH
Species the parameter that is controlled by the MODULATION FX [DEPTH] knob.
Species the parameter that is controlled by the MODULATION FX [RATE] knob.
If this is ON, the modulation is synchronized to the tempo of the rhythm (owner’s manual p. 24).
Rate at which the 16-step sequence will cycle
Speed at which the level changes between steps
Species whether an input note will cause the sequence to resume from the rst step of the sequence (ON) or not (OFF)
Volume at which an input note will be detected
Sets the manner in which the volume changes as one step progresses to the next.
LEGATO: The change in volume from one step’s level to the next remains unaltered. If the level of a following step is the same as the one preceding it, there is no change in volume.
SLASH: The level is momentarily set to 0 before progressing to the level of the next step. This change in volume occurs even if the level of the following step is the same as the preceding step.
Timing of volume changes in levels for even-numbered steps (step 2, step 4, step 6...).
The higher the value, the later the beat progresses.
L out
R out
12
Modulation FX Parameters
Balance D
Balance D
18: CHORUS
This is a stereo chorus. A lter is provided so that you can adjust the timbre of the chorus sound.
L in
Chorus
Chorus
R in
Balance D
Parameter Value Explanation
Switch OFF, ON Turns the eect on/o.
Depth Knob
RATE, BALANCE
Rate Knob
Filter Type
Cuto Freq 200–8000 [Hz] Basic frequency of the lter
Pre Delay 0.0–100 [msec]
Rate (sync sw) # OFF, ON
Rate (Hz) #/ Rate (note) #
Depth 0–127 Depth of modulation
Phase 0–180 [deg] Spatial spread of the sound
Low Gain -15–+15 [dB] Gain of the low range
High Gain -15–+15 [dB] Gain of the high range
Balance #
Level 0–127 Output Level
OFF, LPF, HPF
0.05–10.00 [Hz]
note (p. 31)
D100:0W– D0:100W
Species the parameter that is controlled by the MODULATION FX [DEPTH] knob.
Species the parameter that is controlled by the MODULATION FX [RATE] knob.
Type of lter
OFF: no lter is used LPF: cuts the frequency range above
the Cuto Freq HPF: cuts the frequency range below
the Cuto Freq
Adjusts the delay time from the direct sound until the chorus sound is heard.
If this is ON, the modulation is synchronized to the tempo of the rhythm (owner’s manual p. 24).
Frequency of modulation
Volume balance between the direct sound (D) and the chorus sound (W)
2-Band
EQ
Balance W
Balance W
2-Band
EQ
L out
R out
19: FLANGER
This is a stereo anger. (The LFO has the same phase for left and right.) It produces a metallic resonance that rises and falls like a jet airplane taking o or landing. A lter is provided so that you can adjust the timbre of the anged sound.
L in
Flanger
Feedback Feedback
Flanger
R in
Balance D
Parameter Value Explanation
Switch OFF, ON Turns the eect on/o.
Depth Knob
Rate Knob
Filter Type
Cuto Freq 200–8000 [Hz] Basic frequency of the lter
Pre Delay 0.0–100 [msec]
Rate (sync sw) # OFF, ON
Rate (Hz) #/ Rate (note) #
Depth 0–127 Depth of modulation
Phase 0–180 [deg] Spatial spread of the sound
Feedback # -98–+98 [%]
Low Gain -15–+15 [dB] Gain of the low range
High Gain -15–+15 [dB] Gain of the high range
Balance #
Level 0–127 Output Level
RATE, FEEDBACK, BALANCE
OFF, LPF, HPF
0.05–10.00 [Hz]
note (p. 31)
D100:0W– D0:100W
Species the parameter that is controlled by the MODULATION FX [DEPTH] knob.
Species the parameter that is controlled by the MODULATION FX [RATE] knob.
Type of lter
OFF: no lter is used LPF: cuts the frequency range above
HPF: cuts the frequency range below
Adjusts the delay time from the direct sound until the anger sound is heard.
If this is ON, the modulation is synchronized to the tempo of the rhythm (owner’s manual p. 24).
Frequency of modulation
Adjusts the proportion of the anger sound that is fed back into the eect. Negative “-” settings will invert the phase.
Volume balance between the direct sound (D) and the anger sound (W)
2-Band
EQ
Balance W
Balance W
2-Band
EQ
the Cuto Freq
the Cuto Freq
L out
R out
13
Modulation FX Parameters
Balance D
20: STEP FLANGER
This is a anger in which the anger pitch changes in steps. The speed at which the pitch changes can also be specied in terms of a note-value of a specied tempo.
L in
Step Flanger
Feedback Feedback
Step Flanger
R in
Balance D
Parameter Value Explanation
Switch OFF, ON Turns the eect on/o.
Depth Knob
Rate Knob
Filter Type
Cuto Freq 200–8000 [Hz] Basic frequency of the lter
Pre Delay 0.0–100 [msec]
Rate (sync sw) # OFF, ON
Rate (Hz) #/ Rate (note) #
Depth 0–127 Depth of modulation
Phase 0–180 [deg] Spatial spread of the sound
Feedback # -98–+98 [%]
Step Rate (sync sw) #
Step Rate (Hz) #/ Step Rate (note)#
Low Gain -15–+15 [dB] Gain of the low range
High Gain -15–+15 [dB] Gain of the high range
Balance #
Level 0–127 Output Level
RATE, FEEDBACK, STEP RATE, BALANCE
OFF, LPF, HPF
0.05–10.00 [Hz]
note (p. 31)
OFF, ON
0.10–20.00 [Hz]
note (p. 31)
D100:0W– D0:100W
Species the parameter that is controlled by the MODULATION FX [DEPTH] knob.
Species the parameter that is controlled by the MODULATION FX [RATE] knob.
Type of lter
OFF: no lter is used LPF: cuts the frequency range above
HPF: cuts the frequency range below
Adjusts the delay time from the direct sound until the anger sound is heard.
If this is ON, the modulation is synchronized to the tempo of the rhythm (owner’s manual p. 24).
Frequency of modulation
Adjusts the proportion of the anger sound that is fed back into the eect. Negative “-” settings will invert the phase.
If this is ON, the modulation is synchronized to the tempo of the rhythm (owner’s manual p. 24).
Rate (period) of pitch change
Volume balance between the direct sound (D) and the anger sound (W)
2-Band
EQ
Balance W
Balance W
2-Band
EQ
the Cuto Freq
the Cuto Freq
L out
R out
21: HEXA-CHORUS
Uses a six-phase chorus (six layers of chorused sound) to give richness and spatial spread to the sound.
L in
Balance D
Hexa Chorus
R in
Parameter Value Explanation
Switch OFF, ON Turns the eect on/o.
Depth Knob
Rate Knob
Pre Delay 0.0–100 [msec]
Rate (sync sw) # OFF, ON
Rate (Hz) #/ Rate (note) #
Depth 0–127 Depth of modulation
Pre Delay Deviation
Depth Deviation -20–+20
Pan Deviation 0–20
Balance #
Level 0–127 Output Level
Balance D
RATE, BALANCE
0.05–10.00 [Hz]
note (p. 31)
0–20
D100:0W– D0:100W
Species the parameter that is controlled by the MODULATION FX [DEPTH] knob.
Species the parameter that is controlled by the MODULATION FX [RATE] knob.
Adjusts the delay time from the direct sound until the chorus sound is heard.
If this is ON, the modulation is synchronized to the tempo of the rhythm (owner’s manual p. 24).
Frequency of modulation
Adjusts the dierences in Pre Delay between each chorus sound.
Adjusts the dierence in modulation depth between each chorus sound.
Adjusts the dierence in stereo location between each chorus sound.
0: All chorus sounds will be in the
20: Each chorus sound will be spaced
Volume balance between the direct sound (D) and the chorus sound (W)
L out
Balance W
Balance W
R out
center.
at 60 [deg]ree intervals relative to the center.
14
Modulation FX Parameters
Balance D
22: TREMOLO CHORUS
This is a chorus eect with added Tremolo (cyclic modulation of volume).
L in
Balance D
Tremolo Chorus
R in
Parameter Value Explanation
Switch OFF, ON Turns the eect on/o.
Depth Knob
Rate Knob
Pre Delay 0.0–100 [msec]
Chorus Rate (sync sw) #
Chorus Rate (Hz) #/
Chorus Rate (note) #
Chorus Depth 0–127 Modulation depth of the chorus eect
Tremolo Rate (sync sw)
Tremolo Rate (Hz) #/
Tremolo Rate (note) #
Tremolo Separation
Tremolo Phase 0–180 [deg] Spread of the tremolo eect
Balance #
Level 0–127 Output Level
Balance D
Species the parameter that is
CHORUS RATE, TREMOLO RATE, BALANCE
OFF, ON
0.05–10.00 [Hz]
note (p. 31)
OFF, ON
0.05–10.00
note (p. 31)
0–127 Spread of the tremolo eect
D100:0W– D0:100W
controlled by the MODULATION FX [DEPTH] knob.
Species the parameter that is controlled by the MODULATION FX [RATE] knob.
Adjusts the delay time from the direct sound until the chorus sound is heard.
If this is ON, the modulation is synchronized to the tempo of the rhythm (owner’s manual p. 24).
Modulation frequency of the chorus eect
If this is ON, the modulation is synchronized to the tempo of the rhythm (owner’s manual p. 24).
Modulation frequency of the tremolo eect
Volume balance between the direct sound (D) and the tremolo chorus sound (W)
L out
Balance W
Balance W
R out
23: SPACE-D
This is a multiple chorus that applies two-phase modulation in stereo. It gives no impression of modulation, but produces a transparent chorus eect.
L in
Space D
Space D
R in
Balance D
Parameter Value Explanation
Switch OFF, ON Turns the eect on/o.
Depth Knob
RATE, BALANCE
Rate Knob
Pre Delay 0.0–100 [msec]
Rate (sync sw) # OFF, ON
Rate (Hz) #/ Rate (note) #
Depth 0–127 Depth of modulation
Phase 0–180 [deg] Spatial spread of the sound
Low Gain -15–+15 [dB] Gain of the low range
High Gain -15–+15 [dB] Gain of the high range
Balance #
Level 0–127 Output Level
0.05–10.00 [Hz]
note (p. 31)
D100:0W– D0:100W
Species the parameter that is controlled by the MODULATION FX [DEPTH] knob.
Species the parameter that is controlled by the MODULATION FX [RATE] knob.
Adjusts the delay time from the direct sound until the chorus sound is heard.
If this is ON, the modulation is synchronized to the tempo of the rhythm (owner’s manual p. 24).
Frequency of modulation
Volume balance between the direct sound (D) and the chorus sound (W)
2-Band
EQ
Balance W
Balance W
2-Band
EQ
L out
R out
15
Modulation FX Parameters
L in
24: OVERDRIVE
This is an overdrive that provides heavy distortion.
Overdrive
Amp
Simulator
R in
Parameter Value Explanation
Switch OFF, ON Turns the eect on/o.
Depth Knob
Rate Knob
Drive # 0–127
Tone # 0–127 Sound quality of the Overdrive eect
Amp Sw OFF, ON Turns the Amp Simulator on/o.
Amp Type
Low Gain -15–+15 [dB] Gain of the low range
High Gain -15–+15 [dB] Gain of the high range
Pan # L64–63R Stereo location of the output sound
Level 0–127 Output Level
DRIVE, TONE, PAN
SMALL, BUILT-IN, 2-STACK, 3-STACK
Species the parameter that is controlled by the MODULATION FX [DEPTH] knob.
Species the parameter that is controlled by the MODULATION FX [RATE] knob.
Degree of distortion Also changes the volume.
Type of guitar amp
SMALL: small amp BUILT-IN: single-unit type amp 2-STACK: large double stack amp 3-STACK: large triple stack amp
2-Band
EQ
Pan L
Pan R
L out
R out
26: T-SCREAM
This models the analog overdrive of the past.
It adds a nice amount of overtones without dirtying the sound.
L in
R in
Parameter Value Explanation
Switch OFF, ON Turns the eect on/o.
Depth Knob
Rate Knob
Distortion 0–127
Tone 0–127 Sound quality of the Overdrive eect
Level # 0–127 Output Level
Overdrive
Overdrive
DISTORTION, TONE
Tone
Tone
Species the parameter that is controlled by the MODULATION FX [DEPTH] knob.
Species the parameter that is controlled by the MODULATION FX [RATE] knob.
Degree of distortion Also changes the volume.
L out
R out
25: DISTORTION
This is a distortion eect that provides heavy distortion. The parameters are the same as for “24: Overdrive.”
L in
R in
Distortion
Amp
Simulator
2-Band
EQ
L out
Pan L
Pan R
R out
16
Modulation FX Parameters
27: COMPRESSOR
Flattens out high levels and boosts low levels, smoothing out uctuations in volume.
L in
R in
Compressor
Compressor
Parameter Value Explanation
Switch OFF, ON Turns the eect on/o.
Depth Knob
Rate Knob
Attack # 0–127
Threshold # 0–127
Post Gain 0–+18 [dB] Adjusts the output gain.
Low Gain -15–+15 [dB] Gain of the low frequency range
High Gain -15–+15 [dB] Gain of the high frequency range
Level # 0–127 Output Level
ATTACK, THRESHOLD, LEVEL
2-Band EQ
2-Band EQ
Species the parameter that is controlled by the MODULATION FX [DEPTH] knob.
Species the parameter that is controlled by the MODULATION FX [RATE] knob.
Sets the time it takes until the level is compressed after the input exceeds the Threshold.
Adjusts the volume at which compres­sion begins
L out
R out
28: LIMITER
Compresses signals that exceed a specied volume level, preventing distortion from occurring.
L in
R in
Parameter Value Explanation
Switch OFF, ON Turns the eect on/o.
Depth Knob
Rate Knob
Release # 0–127
Threshold # 0–127
Ratio
Post Gain 0–+18 [dB] Adjusts the output gain.
Low Gain -15–+15 [dB] Gain of the low frequency range
High Gain -15–+15 [dB] Gain of the high frequency range
Level # 0–127 Output Level
Limiter
Limiter
RELEASE, THRESHOLD, LEVEL
1.5:1, 2:1, 4:1, 100:1
2-Band EQ
2-Band EQ
Species the parameter that is controlled by the MODULATION FX [DEPTH] knob.
Species the parameter that is controlled by the MODULATION FX [RATE] knob.
Adjusts the time after the signal volume falls below the Threshold Level until compression is no longer applied.
Adjusts the volume at which compres­sion begins
Compression ratio
L out
R out
17
Modulation FX Parameters
29: SUSTAINER
This eect compresses high input and boosts low input, making the volume consistent and producing undistorted sustain.
L in
R in
Parameter Value Explanation
Switch OFF, ON Turns the eect on/o.
Depth Knob
Rate Knob
Sustain # 0–127
Attack 0–127 Time until the volume is compressed
Release 0–127 Time until compression ends
Post Gain -15–+15 [dB] Adjusts the output gain.
Low Gain -15–+15 [dB] Gain of the low frequency range
High Gain -15–+15 [dB] Gain of the high frequency range
Level # 0–127 Output Level
Sustainer
Sustainer
SUSTAIN, ATTACK, RELEASE, LEVEL
2-Band EQ
2-Band EQ
Species the parameter that is controlled by the MODULATION FX [DEPTH] knob.
Species the parameter that is controlled by the MODULATION FX [RATE] knob.
Adjusts the range of volume for which low input signals are boosted to make the volume consistent.
Higher settings produce longer sustain.
L out
R out
30: GATE
Cuts the reverb’s delay according to the volume of the sound sent into the eect. Use this when you want to create an articial­sounding decrease in the reverb’s decay.
L in
R in
Parameter Value Explanation
Switch OFF, ON Turns the eect on/o.
Depth Knob
Rate Knob
Threshold # 0–127
Mode GATE, DUCK
Attack 0–127
Hold 0–127
Release 0–127
Balance #
Level 0–127 Output Level
Gate
Gate
THRESHOLD, BALANCE
D100:0W– D0:100W
Species the parameter that is controlled by the MODULATION FX [DEPTH] knob.
Species the parameter that is controlled by the MODULATION FX [RATE] knob.
Volume level at which the gate begins to close
Type of gate GATE: The gate will close when
the volume of the original sound decreases, cutting the original sound.
DUCK (Ducking): The gate will close when the volume of the original sound increases, cutting the original sound.
Adjusts the time it takes for the gate to fully open after being triggered.
Adjusts the time it takes for the gate to start closing after the source sound falls beneath the Threshold.
Adjusts the time it takes the gate to fully close after the hold time.
Volume balance between the direct sound (D) and the eect sound (W)
L out
R out
18
Modulation FX Parameters
Balance D
Balance D
Balance D
Balance D
31: DELAY
This is a stereo delay.
When Feedback Mode is NORMAL:
L in
Delay
Feedback Feedback
Delay
R in
Balance D
When Feedback Mode is CROSS:
L in
Delay
Feedback Feedback
Delay
R in
Balance D
Parameter Value Explanation
Switch OFF, ON Turns the eect on/o.
Depth Knob
FEEDBACK, BALANCE
Rate Knob
Delay Left (sync switch)
Delay Left (msec)/
Delay Left (note)
Delay Right (sync switch)
Delay Right (msec)/
Delay Right (note)
Phase Left
Phase Right
Feedback Mode NORMAL, CROSS
Feedback # -98–+98 [%]
HF Damp
Low Gain -15–+15 [dB] Gain of the low frequency range
High Gain -15–+15 [dB] Gain of the high frequency range
Balance #
Level 0–127 Output Level
OFF, ON
1–1300 [msec]
note (p. 31)
OFF, ON
1–1300 [msec]
note (p. 31)
NORMAL, INVERSE
200–8000 [Hz], BYPASS
D100:0W– D0:100W
Species the parameter that is controlled by the MODULATION FX [DEPTH] knob.
Species the parameter that is controlled by the MODULATION FX [RATE] knob.
If this is ON, the modulation is synchronized to the tempo of the rhythm (owner’s manual p. 24).
Delay time from the original sound until the left delay sound is heard
If this is ON, the modulation is synchronized to the tempo of the rhythm (owner’s manual p. 24).
Delay time from the original sound until the right delay sound is heard
Phase of the delay sound
Selects the way in which delay sound is fed back into the eect. (See the gures above.)
Adjusts the amount of the delay sound that’s fed back into the eect. Negative “-” settings invert the phase.
Adjusts the frequency above which sound fed back to the eect is ltered out (BYPASS: no cut).
Volume balance between the direct sound (D) and the delay sound (W)
2-Band
EQ
Balance W
Balance W
2-Band
EQ
2-Band
EQ
Balance W
Balance W
2-Band
EQ
L out
R out
L out
R out
32: MODULATION DELAY
Adds modulation to the delayed sound.
When Feedback Mode is NORMAL:
L in L out
Delay
Feedback Feedback
Delay
R in R out
Modulation
Modulation
Balance D
When Feedback Mode is CROSS:
L in
Delay
R in
Parameter Value Explanation
Switch OFF, ON Turns the eect on/o.
Depth Knob
Rate Knob
Delay Left (sync switch)
Delay Left (msec)/
Delay Left (note)
Delay Right (sync switch)
Delay Right (msec)/
Delay Right (note)
Feedback Mode NORMAL, CROSS
Feedback # -98–+98 [%]
HF Damp
Rate # OFF, ON
Rate (Hz) #/ Rate (note) #
Depth 0–127 Depth of modulation
Phase 0–180 [deg] Spatial spread of the sound
Low Gain -15–+15 [dB] Gain of the low frequency range
High Gain -15–+15 [dB] Gain of the high frequency range
Balance #
Level 0–127 Output Level
Feedback Feedback
Delay
Modulation
Modulation
Balance D
FEEDBACK, RATE, BALANCE
OFF, ON
1–1300 [msec]
note (p. 31)
OFF, ON
1–1300 [msec]
note (p. 31)
200–8000 [Hz], BYPASS
0.05–10.00 [Hz]
note (p. 31)
D100:0W– D0:100W
2-Band
EQ
Balance W
Balance W
2-Band
EQ
2-Band
EQ
Balance W
Balance W
2-Band
EQ
Species the parameter that is controlled by the MODULATION FX [DEPTH] knob.
Species the parameter that is controlled by the MODULATION FX [RATE] knob.
If this is ON, the modulation is synchronized to the tempo of the rhythm (owner’s manual p. 24).
Delay time from the original sound until the left delay sound is heard
If this is ON, the modulation is synchronized to the tempo of the rhythm (owner’s manual p. 24).
Delay time from the original sound until the right delay sound is heard
Selects the way in which delay sound is fed back into the eect (See the gures above.)
Adjusts the amount of the delay sound that’s fed back into the eect. Negative “-” settings invert the phase.
Adjusts the frequency above which sound fed back to the eect is ltered out (BYPASS: no cut).
If this is ON, the modulation is synchronized to the tempo of the rhythm (owner’s manual p. 24).
Frequency of modulation
Volume balance between the direct sound (D) and the delay sound (W)
L out
R out
19
Modulation FX Parameters
33: 3TAP PAN DELAY
Produces three delay sounds; center, left and right.
Balance D
L in
Left Tap
Triple Tap Delay
Feedback
Center Tap
Right Tap
R in
Balance D
Parameter Value Explanation
Switch OFF, ON Turns the eect on/o.
Depth Knob
Rate Knob
Delay Left/Right/ Center (sync sw)
Delay Left/Right/ Center (msec) #/
Delay Left/Right/ Center (note) #
Center Feedback #
HF Damp
Left/Right/ Center Level
Low Gain -15–+15 [dB] Gain of the low frequency range
High Gain -15–+15 [dB] Gain of the high frequency range
Balance #
Level 0–127 Output Level
CENTER FEEDBACK, BALANCE
OFF, ON
1–2600 [msec]
note (p. 31)
-98–+98 [%]
200–8000 [Hz], BYPASS
0–127 Volume of each delay
D100:0W– D0:100W
Species the parameter that is controlled by the MODULATION FX [DEPTH] knob.
Species the parameter that is controlled by the MODULATION FX [RATE] knob.
If this is ON, the modulation is synchronized to the tempo of the rhythm (owner’s manual p. 24).
Adjusts the time until the delay sound is heard.
Adjusts the amount of the delay sound that’s fed back into the eect. Negative “-” settings invert the phase.
Adjusts the frequency above which sound fed back to the eect is ltered out (BYPASS: no cut).
Volume balance between the direct sound (D) and the delay sound (W)
Balance W
Balance W
2-Band
EQ
2-Band
EQ
L out
R out
34: 4TAP PAN DELAY
This eect has four delays.
Balance D
L in
Feedback
Quadruple Tap Delay
R in
2 3
1
L
Parameter Value Explanation
Switch OFF, ON Turns the eect on/o.
Depth Knob
Rate Knob
Delay 1–4 Time (sync sw)
Delay 1–4 Time (msec)/
Delay 1–4 Time (note)
Delay 1 Feedback #
HF Damp
Delay 1–4 Level 0–127 Volume of each delay
Low Gain -15–+15 [dB] Gain of the low frequency range
High Gain -15–+15 [dB] Gain of the high frequency range
Balance #
Level 0–127 Output Level
4
R
DLY 1 FBACK, BALANCE
OFF, ON
1–2600 [msec]
note (p. 31)
-98–+98 [%]
200–8000 [Hz], BYPASS
D100:0W– D0:100W
Delay 1
Delay 2
Delay 3
Delay 4
Balance D
Species the parameter that is controlled by the MODULATION FX [DEPTH] knob.
Species the parameter that is controlled by the MODULATION FX [RATE] knob.
If this is ON, the modulation is synchronized to the tempo of the rhythm (owner’s manual p. 24).
Adjusts the time until the delay 1–4 sound is heard.
Adjusts the amount of the delay sound that’s fed back into the eect. Negative “-” settings invert the phase.
Adjusts the frequency above which sound fed back to the eect is ltered out (BYPASS: no cut).
Volume balance between the direct sound (D) and the delay sound (W)
L out
Balance W
Balance W
R out
20
Modulation FX Parameters
Balance D
35: MULTI TAP DELAY
This eect provides four delays. Each of the Delay Time parameters can be set to a note length based on the selected tempo. You can also set the panning and level of each delay sound.
L in
Feed back
Delay 1
Delay 3
Multi Tap Delay
Delay 4
Delay 2
R in
Parameter Value Explanation
Switch OFF, ON Turns the eect on/o.
Depth Knob
DLY 1 FBACK, BALANCE
Rate Knob
Delay 1–4 (sync sw)
Delay 1–4 Time (msec)/
Delay 1–4 Time (note)
Delay 1 Feedback #
HF Damp
Delay 1–4 Pan L64–63R Stereo location of Delays 1–4
Delay 1–4 Level 0–127 Output level of Delays 1–4
Low Gain -15–+15 [dB] Gain of the low frequency range
High Gain -15–+15 [dB] Gain of the high frequency range
Balance #
Level 0–127 Output Level
OFF, ON
1–2600 [msec]
note (p. 31)
-98–+98 [%]
200–8000 [Hz], BYPASS
D100:0W– D0:100W
Balance D
Species the parameter that is controlled by the MODULATION FX [DEPTH] knob.
Species the parameter that is controlled by the MODULATION FX [RATE] knob.
If this is ON, the modulation is synchronized to the tempo of the rhythm (owner’s manual p. 24).
Adjusts the time until Delays 1–4 are heard.
Adjusts the amount of the delay sound that’s fed back into the eect. Negative “-” settings invert the phase.
Adjusts the frequency above which sound fed back to the eect is ltered out (BYPASS: no cut).
Volume balance between the direct sound (D) and the eect sound (W)
2-Band
EQ
Balance W
Balance W
2-Band
EQ
L out
R out
36: REVERSE DELAY
This is a reverse delay that adds a reversed and delayed sound to the input sound. A tap delay is connected immediately after the reverse delay.
L in
Feedback
Rev. Delay
Rev
Delay
D3
D1
D2
R in
Parameter Value Explanation
Switch OFF, ON Turns the eect on/o.
Depth Knob
Rate Knob
Threshold 0–127
Rev Delay Tme (sync sw)
Rev Delay Tme (msec)/
Rev Delay Tme (note)
Rev Delay Feedback #
Rev Delay HF Damp
Rev Delay Pan L64–63R Panning of the reverse delay sound
Rev Delay Level 0–127 Volume of the reverse delay sound
Delay 1–3 Time (sync sw)
Delay 1–3 Time (msec)/
Delay 1–3 Time (note)
Delay 3 Feedback #
Delay HF Damp
Delay 1 Pan, Delay 2 Pan
Delay 1 Level, Delay 2 Level
Low Gain -15–+15 [dB] Gain of the low frequency range
High Gain -15–+15 [dB] Gain of the high frequency range
Balance #
Level 0–127 Output Level
REV DLY FEEDBACK, DLY 3 FEEDBACK, BALANCE
OFF, ON
1–1300 [msec]
note (p. 31)
-98–+98 [%]
200–8000 [Hz], BYPASS
OFF, ON
1–1300 [msec]
note (p. 31)
-98–+98 [%]
200–8000 [Hz], BYPASS
L64–63R Panning of the tap delay sounds
0–127 Volume of the tap delay sounds
D100:0W– D0:100W
Species the parameter that is controlled by the MODULATION FX [DEPTH] knob.
Species the parameter that is controlled by the MODULATION FX [RATE] knob.
Volume at which the reverse delay will begin to be applied
If this is ON, the modulation is synchronized to the tempo of the rhythm (owner’s manual p. 24).
Delay time from when sound is input into the reverse delay until the delay sound is heard
Proportion of the delay sound that is to be returned to the input of the reverse delay (negative values invert the phase)
Frequency at which the high-frequen­cy content of the reverse-delayed sound will be cut (BYPASS: no cut).
If this is ON, the modulation is synchronized to the tempo of the rhythm (owner’s manual p. 24).
Delay time from when sound is input into the tap delay until the delay sound is heard
Proportion of the delay sound that is to be returned to the input of the tap delay (negative values invert the phase)
Frequency at which the low-frequency content of the tap delay sound will be cut (BYPASS: no cut).
Volume balance of the original sound (D) and delay sound (W)
2-Band
EQ
2-Band
EQ
L out
R out
21
Modulation FX Parameters
37: TIME CTRL DELAY
A stereo delay in which the delay time can be varied smoothly.
L in
Time Ctrl Delay
Feedback Feedback
Time Ctrl Delay
R in
Parameter Value Explanation
Switch OFF, ON Turns the eect on/o.
Depth Knob
Rate Knob
Delay Time (sync sw) #
Delay Time (msec) #/
Delay Time (note) #
Acceleration 0–15
Feedback # -98–+98 [%]
HF Damp
Low Gain -15–+15 [dB] Gain of the low frequency range
High Gain -15–+15 [dB] Gain of the high frequency range
Balance #
Level 0–127 Output Level
DELAY TIME, FEEDBACK, BALANCE
OFF, ON
1–1300 [msec]
note (p. 31)
200–8000 [Hz], BYPASS
D100:0W– D0:100W
Balance D
2-Band EQ
Balance W
Balance W
Balance D
Species the parameter that is controlled by the MODULATION FX [DEPTH] knob.
Species the parameter that is controlled by the MODULATION FX [RATE] knob.
If this is ON, the modulation is synchronized to the tempo of the rhythm (owner’s manual p. 24).
Adjusts the time until the delay is heard.
Adjusts the speed which the Delay Time changes from the current setting to a specied new setting.
The rate of change for the Delay Time directly aects the rate of pitch change.
Adjusts the amount of the delay sound that’s fed back into the eect. Negative “-” settings invert the phase.
Adjusts the frequency above which sound fed back to the eect is ltered out (BYPASS: no cut).
Volume balance between the direct sound (D) and the delay sound (W)
2-Band EQ
L out
R out
38: TAPE ECHO
A virtual tape echo that produces a realistic tape delay sound. This simulates the tape echo section of a Roland RE-201 Space Echo.
L in
Direct Level
Tape Echo
R in
Parameter Value Explanation
Switch OFF, ON Turns the eect on/o.
Depth Knob
Rate Knob
Mode
Repeat Rate # 0–127
Intensity # 0–127 Amount of delay repeats
Bass -15–+15 [dB]
Treble -15–+15 [dB]
Head S Pan
Head M Pan
Head L Pan
Tape Distortion 0–5
W/F Rate 0–127
W/F Depth 0–127 Depth of wow/utter
Echo Level # 0–127 Volume of the echo sound
Direct Level # 0–127 Volume of the original sound
Level 0–127 Output level
Direct Level
REPEAT RATE, INTENSITY, ECHO LEVEL, DIRECT LEVEL
S, M, L, S+M, S+L, M+L, S+M+L
L64–63R
Species the parameter that is controlled by the MODULATION FX [DEPTH] knob.
Species the parameter that is controlled by the MODULATION FX [RATE] knob.
Combination of playback heads to use Select from three dierent heads with
dierent delay times.
S: short M: middle L: long
Tape speed Increasing this value will shorten the
spacing of the delayed sounds.
Boost/cut for the lower range of the echo sound
Boost/cut for the upper range of the echo sound
Independent panning for the short, middle, and long playback heads
Amount of tape-dependent distortion to be added
This simulates the slight tonal changes that can be detected by signal-analysis equipment. Increasing this value will increase the distortion.
Speed of wow/utter (complex variation in pitch caused by tape wear and rotational irregularity)
L out
Echo Level
Echo Level
R out
22
Modulation FX Parameters
39: LOFI COMPRESS
This is an eect that intentionally degrades the sound quality for creative purposes.
L in
R in
Compressor
Compressor
Parameter Value Explanation
Switch OFF, ON Turns the eect on/o.
Depth Knob
BALANCE, LEVEL
Rate Knob
Pre Filt Type 1–6
LoFi Type 1–9
Post Filter Type OFF, LPF, HPF
Post Filter Cuto 200–8000 [Hz] Basic frequency of the Post Filter
Low Gain -15–+15 [dB] Gain of the low range
High Gain -15–+15 [dB] Gain of the high range
Balance #
Level # 0–127 Output Level
D100:0W– D0:100W
Lo-Fi
Lo-Fi
Species the parameter that is controlled by the MODULATION FX [DEPTH] knob.
Species the parameter that is controlled by the MODULATION FX [RATE] knob.
Selects the type of lter applied to the sound before it passes through the Lo-Fi eect.
1: Compressor o 2–6: Compressor on
Degrades the sound quality. The sound quality grows poorer as this value is increased.
Type of lter
OFF: no lter is used LPF: cuts the frequency range above
the Cuto HPF: cuts the frequency range below
the Cuto
Volume balance between the direct sound (D) and the eect sound (W)
2-Band
EQ
2-Band
EQ
L out
R out
40: BIT CRUSHER
This creates a lo- sound.
L in
R in
Parameter Value Explanation
Switch OFF, ON Turns the eect on/o.
Depth Knob
Rate Knob
Sample Rate # 0–127 Adjusts the sample rate.
Bit Down # 0–20 Adjusts the bit depth.
Filter # 0–127 Adjusts the lter depth.
Low Gain -15–+15 [dB] Gain of the low frequency range
High Gain -15–+15 [dB] Gain of the high frequency range
Level 0–127 Output Level
Bit Crusher
Bit Crusher
SAMPLE RATE, BIT DOWN, FILTER
2-Band EQ
2-Band EQ
Species the parameter that is controlled by the MODULATION FX [DEPTH] knob.
Species the parameter that is controlled by the MODULATION FX [RATE] knob.
L out
R out
23
Modulation FX Parameters
Balance D
41: PITCH SHIFTER
A stereo pitch shifter.
L in
Pitch Shifter
Pitch Shifter
R in
Parameter Value Explanation
Switch OFF, ON Turns the eect on/o.
Depth Knob
Rate Knob
Coarse #1 -24–+12 [semi]
Fine #1 -100–+100 [cent]
Delay Time (sync sw)
Delay Time (msec)/
Delay Time (note)
Feedback # -98–+98 [%]
Low Gain -15–+15 [dB] Gain of the low range
High Gain -15–+15 [dB] Gain of the high range
Balance #
Level 0–127 Output Level
COARSE, FINE, FEEDBACK, BALANCE
OFF, ON
1–1300 [msec]
note (p. 31)
D100:0W– D0:100W
Species the parameter that is controlled by the MODULATION FX [DEPTH] knob.
Species the parameter that is controlled by the MODULATION FX [RATE] knob.
Adjusts the pitch of the pitch shifted sound in semitone steps.
Adjusts the pitch of the pitch shifted sound in 2-cent steps.
If this is ON, the modulation is synchronized to the tempo of the rhythm (owner’s manual p. 24).
Adjusts the delay time from the direct sound until the pitch shifted sound is heard.
Adjusts the proportion of the pitch shifted sound that is fed back into the eect. Negative “-” settings will invert the phase.
Volume balance between the direct sound (D) and the pitch shifted sound (W)
2-Band EQ
2-Band EQ
L out
R out
42: 2VOICE PITCH SHIFTER
Shifts the pitch of the original sound. This 2-voice pitch shifter has two pitch shifters, and can add two pitch shifted sounds to the original sound.
L in
R in
Parameter Value Explanation
Switch OFF, ON Turns the eect on/o.
Depth Knob
Rate Knob
Pitch1 Coarse #1 -24–+12 semi
Pitch1 Fine #1 -100–+100 cent
Pitch1 Delay (sync sw)
Pitch1 Delay (msec)/
Pitch1 Delay (note)
Pitch1 Feedback #
Pitch1 Pan # L64–63R
Pitch1 Level 0–127 Volume of the Pitch Shift 1 sound
Pitch2 Coarse #2 -24–+12 semi
Pitch2 Fine #2 -100–+100 cent
Pitch2 Delay OFF, ON
Pitch2 Delay (msec)/
Pitch2 Delay (note)
Pitch2 Feedback #
Pitch2 Pan # L64–63R
Pitch2 Level 0–127
Low Gain -15–+15 [dB] Gain of the low range
High Gain -15–+15 [dB] Gain of the high range
Balance #
Level 0–127 Output Level
Level 1
2Voice
Pitch Shifter
Level 2
PITCH1 COARSE, PITCH1 FINE, PITCH1 FEEDBACK, PITCH1 PAN, PITCH2 COARSE, PITCH2 FINE, PITCH2 FEEDBACK, PITCH2 PAN, BALANCE
OFF, ON
1–1300 [msec]
note (p. 31)
-98–+98 [%]
1–1300 [msec]
note (p. 31)
-98–+98 [%]
D100:0W– D0:100W
Pan 1 L
Pan 1 R
Pan 2 L
Pan 2 R
Balance D
Species the parameter that is controlled by the MODULATION FX [DEPTH] knob.
Species the parameter that is controlled by the MODULATION FX [RATE] knob.
Adjusts the pitch of Pitch Shift 1 in semitone steps.
Adjusts the pitch of Pitch Shift Pitch 1 in 2-cent steps.
If this is ON, the modulation is synchronized to the tempo of the rhythm (owner’s manual p. 24).
Adjusts the delay time from the direct sound until the Pitch Shift 1 sound is heard.
Adjusts the proportion of the pitch shifted sound that is fed back into the eect. Negative “-” settings will invert the phase.
Stereo location of the Pitch Shift 1 sound
Settings of the Pitch Shift 2 sound. The parameters are the same as for the
Pitch Shift 1 sound.
Volume balance between the direct sound (D) and the pitch shifted sound (W)
2-Band
Balance W
Balance W
2-Band
EQ
EQ
L out
R out
24
Modulation FX Parameters
43: OD " CHORUS
L in
Overdrive
R in
Parameter Value Explanation
Switch OFF, ON Turns the eect on/o.
Depth Knob
Rate Knob
Overdrive Drive #
Overdrive Pan # L64–63R Stereo location of the overdrive sound
Chorus Pre Delay 0.0–100.0 [msec]
Chorus Rate (sync sw) #
Chorus Rate (Hz) #/
Chorus Rate (note) #
Chorus Depth 0–127 Depth of modulation
Chorus Balance #
Level 0–127 Output Level
OVERDRIVE DRIVE, OVERDRIVE PAN, CHORUS RATE, CHORUS BALANCE
0–127
OFF, ON
0.05–10.00 [Hz]
note (p. 31)
D100:0W– D0:100W
Balance D
Chorus
Balance D
Species the parameter that is controlled by the MODULATION FX [DEPTH] knob.
Species the parameter that is controlled by the MODULATION FX [RATE] knob.
Degree of distortion Also changes the volume.
Adjusts the delay time from the direct sound until the chorus sound is heard.
If this is ON, the modulation is synchronized to the tempo of the rhythm (owner’s manual p. 24).
Frequency of modulation
Adjusts the volume balance between the sound that is sent through the chorus (W) and the sound that is not sent through the chorus (D).
L out
Balance W
Balance W
R out
44: OD " FLANGER
L in
Overdrive
R in
Parameter Value Explanation
Switch OFF, ON Turns the eect on/o.
Depth Knob
Rate Knob
Overdrive Drive #
Overdrive Pan # L64–63R Stereo location of the overdrive sound
Flanger Pre Delay
Flanger Rate (sync sw) #
Flanger Rate (Hz) #/
Flanger Rate (note) #
Flanger Depth 0–127 Depth of modulation
Flanger Feedback #
Flanger Balance #D100:0W–
Level 0–127 Output Level
OVERDRIVE DRIVE, OVERDRIVE PAN, FLN RATE, FLN FEEDBACK, FLN BALANCE
0–127
0.0–100 [msec]
OFF, ON
0.05–10.00 [Hz]
note (p. 31)
-98–+98 [%]
D0:100W
Balance D
Feedback
Balance W
Flanger
Balance W
Balance D
Species the parameter that is controlled by the MODULATION FX [DEPTH] knob.
Species the parameter that is controlled by the MODULATION FX [RATE] knob.
Degree of distortion Also changes the volume.
Adjusts the delay time from the direct sound until the anger sound is heard.
If this is ON, the modulation is synchronized to the tempo of the rhythm (owner’s manual p. 24).
Frequency of modulation
Adjusts the proportion of the anger sound that is fed back into the eect. Negative “-” settings will invert the phase.
Adjusts the volume balance between the sound that is sent through the anger (W) and the sound that is not sent through the anger (D).
L out
R out
25
Modulation FX Parameters
45: OD " DELAY
L in
Overdrive
R in
Parameter Value Explanation
Switch OFF, ON Turns the eect on/o.
Depth Knob
Rate Knob
Overdrive Drive #
Overdrive Pan # L64–63R Stereo location of the overdrive sound
Delay Time (sync sw)
Delay Time (msec)/
Delay Time (note)
Delay Feedback #
Delay HF Damp
Delay Balance #
Level 0–127 Output Level
OVERDRIVE DRIVE, OVERDRIVE PAN, DELAY FEEDBACK, DELAY BALANCE
0–127
OFF, ON
1–2600 [msec]
note (p. 31)
-98–+98 [%]
200–8000 [Hz], BYPASS
D100:0W– D0:100W
Balance D
Balance W
Delay
Feedback
Balance D
Species the parameter that is controlled by the MODULATION FX [DEPTH] knob.
Species the parameter that is controlled by the MODULATION FX [RATE] knob.
Degree of distortion Also changes the volume.
If this is ON, the modulation is synchronized to the tempo of the rhythm (owner’s manual p. 24).
Adjusts the delay time from the direct sound until the delay sound is heard.
Adjusts the proportion of the delay sound that is fed back into the eect. Negative “-” settings will invert the phase.
Adjusts the frequency above which sound fed back to the eect will be cut (BYPASS: no cut).
Adjusts the volume balance between the sound that is sent through the delay (W) and the sound that is not sent through the delay (D).
Balance W
L out
R out
46: DS " CHORUS
The parameters are essentially the same as in “43: OD " CHORUS,” with the exception of the following two.
• Overdrive Drive " Distortion Drive
• Overdrive Pan " Distortion Pan
L in
R in
Distortion
Balance D
Chorus
Balance D
L out
Balance W
Balance W
R out
47: DS " FLANGER
The parameters are essentially the same as in “44: OD " FLANGER,” with the exception of the following two.
• Overdrive Drive " Distortion Drive
• Overdrive Pan " Distortion Pan
L in
R in
Distortion
Balance D
Feedback
Flanger
Balance D
L out
Balance W
Balance W
R out
48: DS " DELAY
The parameters are essentially the same as in “45: OD " DELAY,” with the exception of the following two.
• Overdrive Drive " Distortion Drive
• Overdrive Pan " Distortion Pan
L in
R in
Distortion
Balance D
Delay
Feedback
Balance D
L out
Balance W
Balance W
R out
26
Modulation FX Parameters
L in
L in
49: OD/DS " TWAH
Overdrive/
Distortion
Amp
Simulator
Touch
Wah
R in
Parameter Value Explanation
Switch OFF, ON Turns the eect on/o.
Depth Knob
Rate Knob
Drive Switch OFF, ON Turns overdrive/distortion on/o
Drive Type
Drive # 0–127
Tone # 0–127 Sound quality of the Overdrive eect
Amp Switch OFF, ON Turns the Amp Simulator on/o.
Amp Type
TWah Switch OFF, ON Wah on/o
TWah Filter Type LPF, BPF
TWah Polarity DOWN, UP
TWah Sens # 0–127
TWah Manual # 0–127
TWah Peak # 0–127
TWah Balance #
Low Gain -15–+15 [dB] Gain of the low range
High Gain -15–+15 [dB] Gain of the high range
Level 0–127 Output Level
DRIVE, TONE, TWAH SENS, TWAH MANUAL, TWAH PEAK, TWAH BALANCE
OVERDRIVE, DISTORTION
SMALL, BUILTIN, 2-STACK, 3-STACK
D100:0W– D0:100W
Species the parameter that is controlled by the MODULATION FX [DEPTH] knob.
Species the parameter that is controlled by the MODULATION FX [RATE] knob.
Type of distortion
Degree of distortion Also changes the volume.
Type of guitar amp
SMALL: small amp BUILT-IN: single-unit type amp 2-STACK: large double stack amp 3-STACK: large triple stack amp
Type of lter LPF: Produces a wah eect in a broad frequency range. BPF: Produces a wah eect in a narrow frequency range.
Direction in which the lter will move
UP: Move toward a higher frequency DOWN: Move toward a lower
frequency
Sensitivity with which the lter is modied
Basic frequency at which the wah eect is applied
Width of the frequency region at which the wah eect is applied Increasing this value will make the frequency region narrower.
Volume balance of the sound that passes through the wah (W) and the direct sound (D)
2-Band
EQ
L out
R out
50: OD/DS " AWAH
Overdrive/
Distortion
Amp
Simulator
Auto
Wah
R in
Parameter Value Explanation
Switch OFF, ON Turns the eect on/o.
DRIVE,
Depth Knob
Rate Knob
Drive Switch OFF, ON Overdrive/distortion on/o
Drive Type
Drive # 0–127
Tone # 0–127 Sound quality of the Overdrive eect
Amp Switch OFF, ON Turns the Amp Simulator on/o.
Amp Type
AutoWah Switch OFF, ON Wah on/o
AutoWah Filter Type
AutoWah Manual #
AutoWah Peak # 0–127
AutoWah Rate (sync sw) #
AutoWah Rate (Hz) #/
AutoWah Rate (note) #
AutoWah Depth #
AutoWah Balance #
Low Gain -15–+15 [dB] Gain of the low range
High Gain -15–+15 [dB] Gain of the high range
Level 0–127 Output Level
TONE, AUTOWAH MANUAL, AUTOWAH PEAK, AUTOWAH RATE, AUTOWAH DEPTH, AUTOWAH BALANCE
OVERDRIVE, DISTORTION
SMALL, BUILT-IN, 2-STACK, 3-STACK
LPF, BPF
0–127
OFF, ON
0.05–10.00 [Hz]
note (p. 31)
0–127
D100:0W– D0:100W
Species the parameter that is controlled by the MODULATION FX [DEPTH] knob.
Species the parameter that is controlled by the MODULATION FX [RATE] knob.
Type of distortion
Degree of distortion Also changes the volume.
Type of guitar amp
SMALL: small amp BUILT-IN: single-unit type amp 2-STACK: large double stack amp 3-STACK: large triple stack amp
Type of lter LPF: Produces a wah eect in a broad
frequency range. BPF: Produces a wah eect in a narrow frequency range.
Basic frequency at which the wah eect is applied
Width of the frequency region at which the wah eect is applied
Increasing this value will make the frequency region narrower.
If this is ON, the modulation is synchronized to the tempo of the rhythm (owner’s manual p. 24).
Rate at which the wah eect is modulated
Depth at which the wah eect is modulated
Volume balance of the sound that passes through the wah (W) and the direct sound (D)
2-Band
EQ
L out
R out
27
Modulation FX Parameters
51: ENHANCER " CHORUS
L in
R in
Parameter Value Explanation
Switch OFF, ON Turns the eect on/o.
Depth Knob
Rate Knob
Enhancer Sens # 0–127 Sensitivity of the enhancer
Enhancer Mix # 0–127
Chorus Pre Delay 0.0–100 [msec]
Chorus Rate (sync sw) #
Chorus Rate (Hz) #/
Chorus Rate (note) #
Chorus Depth 0–127 Depth of modulation
Chorus Balance #
Level 0–127 Output Level
Enhancer
Enhancer
Mix
Mix
ENHANCER SENS, ENHANCER MIX, CHORUS RATE, CHORUS BALANCE
OFF, ON
0.05–10.00 [Hz]
note (p. 31)
D100:0W– D0:100W
Balance D
Chorus
Balance D
Species the parameter that is controlled by the MODULATION FX [DEPTH] knob.
Species the parameter that is controlled by the MODULATION FX [RATE] knob.
Level of the overtones generated by the enhancer
Adjusts the delay time from the direct sound until the chorus sound is heard.
If this is ON, the modulation is synchronized to the tempo of the rhythm (owner’s manual p. 24).
Frequency of modulation
Adjusts the volume balance between the sound that is sent through the chorus (W) and the sound that is not sent through the chorus (D).
L out
Balance W
Balance W
R out
52: ENHANCER " FLANGER
Balance D
L in
R in
Parameter Value Explanation
Switch OFF, ON Turns the eect on/o.
Depth Knob
Rate Knob
Enhancer Sens # 0–127 Sensitivity of the enhancer
Enhancer Mix # 0–127
Flanger Pre Delay
Flanger Rate (sync sw) #
Flanger Rate (Hz) #
Flanger Rate (note) #
Flanger Depth 0–127 Depth of modulation
Flanger Feedback #
Flanger Balance #D100:0W–
Level 0–127 Output Level
Enhancer
Enhancer
Mix
Mix
ENHANCER SENS, ENHANCER MIX, FLN RATE, FLN FEEDBACK, FLN BALANCE
0.0–100 [msec]
OFF, ON
0.05–10.0 [Hz]
note (p. 31)
-98–+98 [%]
D0:100W
Feedback
Flanger
Balance D
Species the parameter that is controlled by the MODULATION FX [DEPTH] knob.
Species the parameter that is controlled by the MODULATION FX [RATE] knob.
Level of the overtones generated by the enhancer
Adjusts the delay time from the direct sound until the anger sound is heard.
If this is ON, the modulation is synchronized to the tempo of the rhythm (owner’s manual p. 24).
Frequency of modulation
Adjusts the proportion of the anger sound that is fed back into the eect. Negative “-” settings will invert the phase.
Adjusts the volume balance between the sound that is sent through the anger (W) and the sound that is not sent through the anger (D).
L out
Balance W
Balance W
R out
28
Modulation FX Parameters
53: ENHANCER " DELAY
L in
R in
Parameter Value Explanation
Switch OFF, ON Turns the eect on/o.
Depth Knob
Rate Knob
Enhancer Sens # 0–127 Sensitivity of the enhancer
Enhancer Mix # 0–127
Delay Time (sync sw)
Delay Time (msec)/
Delay Time (note)
Delay Feedback #
Delay HF Damp
Delay Balance #
Level 0–127 Output Level
Enhancer
Enhancer
Mix
Mix
ENHANCER SENS, ENHANCER MIX, DELAY FEEDBACK, DELAY BALANCE
OFF, ON
1–2600 [msec]
note (p. 31)
-98–+98 [%]
200–8000 [Hz], BYPASS
D100:0W– D0:100W
Balance D
Delay
Feedback
Balance D
Species the parameter that is controlled by the MODULATION FX [DEPTH] knob.
Species the parameter that is controlled by the MODULATION FX [RATE] knob.
Level of the overtones generated by the enhancer
If this is ON, the modulation is synchronized to the tempo of the rhythm (owner’s manual p. 24).
Adjusts the delay time from the direct sound until the delay sound is heard.
Adjusts the proportion of the delay sound that is fed back into the eect. Negative “-” settings will invert the phase.
Adjusts the frequency above which sound fed back to the eect will be cut (BYPASS: no cut).
Adjusts the volume balance between the sound that is sent through the delay (W) and the sound that is not sent through the delay (D).
L out
Balance W
Balance W
R out
54: CHORUS " DELAY
L in
R in
Parameter Value Explanation
Switch OFF, ON Turns the eect on/o.
Depth Knob
Rate Knob
Chorus Pre Delay 0.0–100 [msec]
Chorus Rate (sync sw) #
Chorus Rate (Hz) #/
Chorus Rate (note) #
Chorus Depth 0–127 Depth of modulation
Chorus Balance #
Delay Time (sync sw)
Delay Time (msec)/
Delay Time (note)
Delay Feedback #
Delay HF Damp
Delay Balance #
Level 0–127 Output Level
Balance D
Balance W
Chorus
Balance W
Balance D
CHORUS RATE, CHORUS BALANCE, DELAY FEEDBACK, DELAY BALANCE
OFF, ON
0.05–10.00 [Hz]
note (p. 31)
D100:0W– D0:100W
OFF, ON
1–2600 [msec]
note (p. 31)
-98–+98 [%]
200–8000 [Hz], BYPASS
D100:0W– D0:100W
Species the parameter that is controlled by the MODULATION FX [DEPTH] knob.
Species the parameter that is controlled by the MODULATION FX [RATE] knob.
Adjusts the delay time from the direct sound until the chorus sound is heard.
If this is ON, the modulation is synchronized to the tempo of the rhythm (owner’s manual p. 24).
Frequency of modulation
Volume balance between the direct sound (D) and the chorus sound (W)
If this is ON, the modulation is synchronized to the tempo of the rhythm (owner’s manual p. 24).
Adjusts the delay time from the direct sound until the delay sound is heard.
Adjusts the proportion of the delay sound that is fed back into the eect. Negative “-” settings will invert the phase.
Adjusts the frequency above which sound fed back to the eect will be cut (BYPASS: no cut).
Adjusts the volume balance between the sound that is sent through the delay (W) and the sound that is not sent through the delay (D).
Balance D
Delay
Feedback
Balance D
L out
Balance W
Balance W
R out
29
Modulation FX Parameters
55: FLANGER " DELAY
Balance D
L in
R in
Parameter Value Explanation
Switch OFF, ON Turns the eect on/o.
Depth Knob
Rate Knob
Flanger Pre Delay
Flanger Rate (sync sw) #
Flanger Rate (Hz) #/
Flanger Rate (note) #
Flanger Depth 0–127 Depth of modulation
Flanger Feedback #
Flanger Balance #D100:0W–
Delay Time (sync sw)
Delay Time (msec)/
Delay Time (note)
Delay Feedback #
Delay HF Damp
Delay Balance #
Level 0–127 Output Level
Feedback
Flanger
Balance D
FLN RATE, FLN FEEDBACK, FLN BALANCE, DELAY FEEDBACK, DELAY BALANCE
0.0–100 [msec]
OFF, ON
0.05–10.00 [Hz]
note (p. 31)
-98–+98 [%]
D0:100W
OFF, ON
1–2600 [msec]
note (p. 31)
-98–+98 [%]
200–8000 [Hz], BYPASS
D100:0W– D0:100W
Balance W
Balance W
Species the parameter that is controlled by the MODULATION FX [DEPTH] knob.
Species the parameter that is controlled by the MODULATION FX [RATE] knob.
Adjusts the delay time from the direct sound until the anger sound is heard.
If this is ON, the modulation is synchronized to the tempo of the rhythm (owner’s manual p. 24).
Frequency of modulation
Adjusts the proportion of the anger sound that is fed back into the eect. Negative “-” settings will invert the phase.
Volume balance between the direct sound (D) and the anger sound (W)
If this is ON, the modulation is synchronized to the tempo of the rhythm (owner’s manual p. 24).
Adjusts the delay time from the direct sound until the delay sound is heard.
Adjusts the proportion of the delay sound that is fed back into the eect. Negative “-” settings will invert the phase.
Adjusts the frequency above which sound fed back to the eect will be cut (BYPASS: no cut).
Adjusts the volume balance between the sound that is sent through the delay (W) and the sound that is not sent through the delay (D).
Balance D
Delay
Feedback
Balance D
L out
Balance W
Balance W
R out
56: CHORUS " FLANGER
L in
Balance D
Balance W
Chorus
Balance W
R in
Parameter Value Explanation
Switch OFF, ON Turns the eect on/o.
Depth Knob
Rate Knob
Chorus Pre Delay 0.0–100 [msec]
Chorus Rate (sync sw) #
Chorus Rate (Hz) #/
Chorus Rate (note) #
Chorus Depth 0–127 Modulation depth of the chorus eect
Chorus Balance #
Flanger Pre Delay
Flanger Rate (sync sw) #
Flanger Rate (Hz) #/
Flanger Rate (note) #
Flanger Depth 0–127 Modulation depth of the anger eect
Flanger Feedback #
Flanger Balance #D100:0W–
Level 0–127 Output Level
Balance D
CHORUS RATE, CHORUS BALANCE, FLN RATE, FLN FEEDBACK, FLN BALANCE
OFF, ON
0.05–10.00 [Hz]
note (p. 31)
D100:0W– D0:100W
0.0–100 [msec]
OFF, ON
0.05–10.00 [Hz]
note (p. 31)
-98–+98 [%]
D0:100W
Balance D
Feedback
Flanger
Balance D
Species the parameter that is controlled by the MODULATION FX [DEPTH] knob.
Species the parameter that is controlled by the MODULATION FX [RATE] knob.
Adjusts the delay time from the direct sound until the chorus sound is heard.
If this is ON, the modulation is synchronized to the tempo of the rhythm (owner’s manual p. 24).
Modulation frequency of the chorus eect
Volume balance between the direct sound (D) and the chorus sound (W)
Adjusts the delay time from the direct sound until the anger sound is heard.
If this is ON, the modulation is synchronized to the tempo of the rhythm (owner’s manual p. 24).
Modulation frequency of the anger eect
Adjusts the proportion of the anger sound that is fed back into the eect. Negative “-” settings will invert the phase.
Adjusts the volume balance between the sound that is sent through the anger (W) and the sound that is not sent through the anger (D).
L out
Balance W
Balance W
R out
a
30
Modulation FX Parameters
Note
Sixty-fourth-note triplet Sixty-fourth note
Thirty-second note
Sixteenth note
Half note
Whole note
Double note
Sixteenth-note triplet
Eighth-note triplet
Half-note tripletQuarter note
Whole-note triplet
Double-note triplet
Thirty-second-note triplet
Dotted thirty-second note
Dotted sixteenth note
Dotted eighth noteQuarter-note tripletEighth note
Dotted quarter note
Dotted half note
Dotted whole note

Controlling a Modulation FX via MIDI (Modulation FX CONTROL)

You can use MIDI messages such as control change messages to control the principal Modulation FX parameters. This capability is called “Modulation FX CONTROL (modulation-eects control).”
The parameters that can be controlled are preset for each Modulation FX type, and are the parameters marked by a “#” symbol in the following explanations of each Modulation FX parameter. Up to four modulation-eects control settings can be assigned using Modulation FX 1–16.
To use Modulation FX CONTROL, you’ll need to specify which MIDI message (Source) will aect which parameter (Destination), and how greatly (Sens).
Parameter Value Explanation
Species the MIDI message that will control the corresponding Modulation FX CONTROL parameter.
OFF
CC01–31 Controller number 1–31
Source (1–4)
Destination (1–4)
Sens (1–4) -63–+63
CC33–95 Controller number 33–95
PITCH BEND Pitch bend
AFTERTOUCH Aftertouch
SYS CTRL1–4
Refer to the parameters marked “#” on p. 4 and following
Modulation FX CONTROL will not be used.
Use the controller that is assigned by the System Parameter setting System Control 1–4 Source.
Selects the multi-eect parameter that will be controlled by control source 1–4.
The type of parameters that can be selected will depend on the type of multi-eect you’ve selected in Modulation FX Type.
Species the depth of Modulation FX CONTROL.
Specify a positive “+” value if you want to change the value of the assigned destination in a positive direction (larger, toward the right, faster, etc.), or specify a negative value “-” if you want to change the value in a negative direction (smaller, toward the left, slower, etc.). Larger values will allow a greater amount of control.
31

Tremolo/Amp Simulator Parameters

The Tremolo/Amp Simulator eect is included in the tone.
You can choose from ve types of tremolo and amp simulator that are optimized in dierent ways.
1: NORMAL
L in
R in
Parameter Value Explanation
OD Switch OFF, ON Overdrive on/o
OD Drive 0–127 Degree of distortion
Tremolo Switch OFF, ON Tremolo on/o
Tremolo Mod Wave
Tremolo Rate (sync sw)
Tremolo Rate (Hz)/
Tremolo Rate (note)
Tremolo Depth 0–127 Depth of the tremolo eect
Low Gain -15–+15 [dB] Gain of the low range
High Gain -15–+15 [dB] Gain of the high range
Level 0–127 Output Level
Overdrive
Overdrive
TRI, SQR, SIN, SAW1, SAW2, TRP
OFF, ON
0.05–10.00 [Hz]
note (p. 31)
Tremolo
Tremolo
Modulation Wave
TRI: triangle wave SQR: square wave SIN: sine wave SAW1/2: sawtooth wave TRP: Trapezoidal wave
If this is ON, the modulation is synchronized to the tempo of the rhythm (owner’s manual p. 24).
Rate of the tremolo eect
2-Band
EQ
2-Band
EQ
L out
R out
2: A.PIANO
L in
R in
Parameter Value Explanation
Lid 1–7
OD Switch OFF, ON Overdrive on/o
OD Drive 0–127 Degree of distortion
Tremolo Switch OFF, ON Tremolo on/o
Tremolo Mod Wave
Tremolo Rate (sync sw)
Tremolo Rate (Hz)/
Tremolo Rate (note)
Tremolo Depth 0–127 Depth of the tremolo eect
Low Gain -15–+15 [dB] Gain of the low range
High Gain -15–+15 [dB] Gain of the high range
Level 0–127 Output Level
Overdrive
Overdrive
TRI, SQR, SIN, SAW1, SAW2, TRP
OFF, ON
0.05–10.00 [Hz]
note (p. 31)
TremoloLid
TremoloLid
Amount by which the lid of the grand piano is open.
Higher settings open the lid more, producing a brighter sound.
Modulation Wave
TRI: triangle wave SQR: square wave SIN: sine wave SAW1/2: sawtooth wave TRP: Trapezoidal wave
If this is ON, the modulation is synchronized to the tempo of the rhythm (owner’s manual p. 24).
Rate of the tremolo eect
2-Band
EQ
2-Band
EQ
L out
R out
32
Tremolo/Amp Simulator Parameters
L in
L in
3: E. PIANO
2-Band
R in
Parameter Value Explanation
Bass -50–+50 Gain of the low range
Treble -50–+50 Gain of the high range
Tremolo Switch OFF, ON Tremolo on/o
Tremolo Type
Tremolo Speed (sync sw)
Tremolo Speed (Hz)/
Tremolo Speed (note)
Tremolo Depth 0–127 Depth of the tremolo eect
Tremolo Shape 0–20 Adjusts the waveform of the tremolo.
AMP Switch OFF, ON
Speaker Type
OD Drive 0–127 Degree of distortion
Level 0–127 Output Level
Characteristics of the tremolo types
Tremolo types of diering character are available, allowing you to reproduce the character of classic electric pianos when combined with an electric piano sound.
Type Explanation
OLDCASE MONO
OLDCASE STEREO
NEWCASE
DYNO
WURLY
Overdrive Tremolo
EQ
OLDCASE MONO, OLDCASE STEREO, NEWCASE, DYNO, WURLY
OFF, ON
0.05–10.00 [Hz]
note (p. 31)
LINE, OLD, NEW, WURLY, TWIN
Used in conjunction with TINE EP, this simulates an early model of a classic electric piano of the 60s.
Used in conjunction with TINE EP, this simulates a classic electric piano sound of the early 70s.
Used in conjunction with TINE EP, this simulates a classic electric piano sound of the late 70s and early 80s.
This model allows you to vary the shape of the tremolo waveform.
Used in conjunction with TINE EP, this simulates an electric piano sound used in many recordings of the early 80s.
Used in conjunction with REED E. PIANO, this simulates a classic electric piano sound of the 60s.
Speaker
Type of tremolo eect
If this is ON, the modulation is synchronized to the tempo of the rhythm (owner’s manual p. 24).
Rate of the tremolo eect
If this is o, speaker and overdrive are not applied.
Type of speaker
* If LINE is selected, the sound will
not be sent through the speaker simulation.
L out
R out
4: GUITAR AMP
Pre Amp Tremolo
R in
Parameter Value Explanation
Pre Amp Switch OFF,ON Turns the amp switch on/o.
JC-120, CLEAN TWIN, MATCH DRIVE, BG LEAD, MS1959I, MS1959II,
Pre Amp Type
Pre Amp Volume 0–127
Pre Amp Master 0–127 Volume of the entire pre-amp
Pre Amp Gain
Pre Amp Bass 0–127 Tone of the bass/mid/treble frequency
Pre Amp Middle 0–127
Pre Amp Treble 0–127
Speaker Switch OFF, ON
Speaker Type
Tremolo Switch OFF, ON Turns the tremolo eect on/o
Tremolo Mod Wave
Tremolo Rate (sync sw)
Tremolo Rate (Hz)/
Tremolo Rate (note)
Tremolo Depth 0–127 Depth of the tremolo eect
Level 0–127 Output Level
MS1959I+II, SLDN LEAD, METAL 5150, METAL LEAD, OD-1, OD-2 TURBO, DISTORTION, FUZZ
Low, Middle, High
SMALL 1, SMALL 2, MIDDLE, JC-120, BUILT-IN 1, BUILT-IN 2, BUILT-IN 3, BUILT-IN 4, BUILT-IN 5, BG STACK 1, BG STACK 2, MS STACK 1, MS STACK 2, METAL STACK, 2-STACK, 3-STACK
TRI, SQR, SIN, SAW1, SAW2, TRP
OFF, ON
0.05–10.00 [Hz]
note (p. 31)
Speaker
Type of guitar amp
Volume and amount of distortion of the amp
Amount of pre-amp distortion
range
* Middle cannot be set if “Match Drive”
is selected as the Pre Amp Type.
Selects whether the sound will be sent through the speaker simulation (ON) or not (OFF)
Type of speaker
Modulation Wave
TRI: triangle wave SQR: square wave SIN: sine wave SAW1/2: sawtooth wave TRP: Trapezoidal wave
If this is ON, the modulation is synchronized to the tempo of the rhythm (owner’s manual p. 24).
Rate of the tremolo eect
L out
R out
33
Tremolo/Amp Simulator Parameters
L in
Specications of each Speaker Type
The speaker column indicates the diameter of each speaker unit (in inches) and the number of units.
Type Cabinet Speaker Microphone
SMALL 1
SMALL 2
MIDDLE
JC-120
BUILT-IN 1
BUILT-IN 2
BUILT-IN 3
BUILT-IN 4
BUILT-IN 5
BG STACK 1 Sealed enclosure 12 x 2 Condenser
BG STACK 2
MS STACK 1
MS STACK 2
METAL STACK
2-STACK
3-STACK Large triple stack 12 x 4 Condenser
Small open-back enclosure
Small open-back enclosure
Open back enclosure
Open back enclosure
Open back enclosure
Open back enclosure
Open back enclosure
Open back enclosure
Open back enclosure
Large sealed enclosure
Large sealed enclosure
Large sealed enclosure
Large double stack
Large double stack
10 Dynamic
10 Dynamic
12 x 1 Dynamic
12 x 2 Dynamic
12 x 2 Dynamic
12 x 2 Condenser
12 x 2 Condenser
12 x 2 Condenser
12 x 2 Condenser
12 x 2 Condenser
12 x 4 Condenser
12 x 4 Condenser
12 x 4 Condenser
12 x 4 Condenser
5: ROTARY
Overdrive Rotary
R in
Parameter Value Explanation
Simultaneously switch the rotational speed of the low frequency rotor and
Speed SLOW, FAST
Rotary Switch OFF, ON
Woofer Slow Speed
Woofer Fast Speed
Woofer Trans Up 0–127
Woofer Trans Down
Woofer Level 0–127 Volume of the woofer
Tweeter Slow Speed
Tweeter Fast Speed
Tweeter Trans Up 0–127
Tweeter Trans Down
Tweeter Level 0–127
Spread 0–10
Low Gain -15–+15 [dB] Gain of the low range
High Gain -15–+15 [dB] Gain of the high range
Level 0–127 Output Level
OD Switch OFF, ON Overdrive on/o
OD Gain 0–127
OD Drive 0–127 Degree of distortion
OD Level 0–127 Volume of the overdrive
0.05–10.00 [Hz]
0.05–10.00 [Hz]
0–127
0.05–10.00 [Hz]
0.05 - 10.00 [Hz]
0–127
high frequency rotor. SLOW: Slows down the rotation to the
Slow Rate. FAST: Speeds up the rotation to the
Fast Rate.
Switches the rotation of the rotary speaker.
When this is turned o, the rotation will gradually stop.
When it is turned on, the rotation will gradually resume.
Slow speed (SLOW) of the low frequency rotor
Fast speed (FAST ) of the low frequency rotor
Adjusts the rate at which the woofer rotation speeds up when the rotation is switched from Slow to Fast.
Adjusts the rate at which the woofer rotation speeds up when the rotation is switched from Fast to Slow.
Settings of the tweeter The parameters are the same as for
the woofer.
Sets the rotary speaker stereo image. The higher the value set, the wider the
sound is spread out.
Overdrive input level Higher values will increase the distortion.
L out
R out
34

Sympathetic Resonance Parameters

You can adjust this resonance when the damper pedal is depressed (Sympathetic Resonance).
On an acoustic piano, holding down the damper pedal will allow the remaining strings to resonate in sympathy with the sounds that you played from the keyboard, adding a rich resonance. This feature reproduces that resonance sound.
MEMO
This setting is available only for certain piano tones.
For details on the tones to which this applies, refer to “Sound List” (PDF).
Parameter Value Explanation
Switch OFF, ON When set to ON, the eect is applied.
Depth 0–127 Depth of the eect
Damper 0–127
Pre LPF
Pre HPF
Peaking Freq 16–15000 [Hz]
Peaking Gain -15–+15 [dB]
Peaking Q
HF Damp Freq
LF Damp Freq
Level 0–127 Output Level
Damper Oset 0–127
16–15000 [Hz], BYPASS
BYPASS, 16–15000 [Hz]
0.5, 1.0, 2.0, 4.0,
8.0
16–15000 [Hz], BYPASS
BYPASS, 16–15000 [Hz]
Depth to which the damper pedal is pressed (controls the resonant sound)
Frequency of the lter that cuts the high-frequency content of the input sound (BYPASS: no cut)
Frequency of the lter that cuts the low-frequency content of the input sound (BYPASS: no cut)
Frequency of the lter that boosts/ cuts a specic frequency region of the input sound
Amount of boost/cut produced by the lter at the specied frequency region of the input sound
Width of the frequency region boosted/cut by the Peaking Gain parameter (larger values make the region narrower)
Frequency at which the high­frequency content of the resonant sound will be cut (BYPASS: no cut)
Frequency at which the low-frequency content of the resonant sound will be cut (BYPASS: no cut)
Volume of additional slight resonance when the damper pedal is not pressed
35

Delay Parameters

This is a delay that is applied to the entire Live Set. You can choose from ve types.
You can also adjust the amount of delay that is applied to each layer by editing the DLY (Delay Send Level: owner’s manual p. 28) from each of the layers Upper 1–3 and Lower.
Settings common to all Delay types
Parameter Value Explanation
DELAY A stereo delay.
T-CTRL DELAY
Type
Level 0–127 Delay volume.
DELAY " TREMOLO
2TAP DELAY
3TAP DELAY
A delay that allows you to smoothly change the delay time.
Tremolo is applied to the delay sound.
Delayed sound is heard from two locations that you specify.
Delayed sound is heard from three locations that you specify.
1: DELAY
Parameter Value Explanation
Switch OFF, ON Delay on/o
O Mode
Output Select
Delay (sync sw) OFF, ON
Delay (msec)/ Delay (note)
Feedback -98–+98 [%]
HF Damp
IMMEDIATE, REMAIN
MAIN, REV, MAIN+REV
1–1300 [msec]
note (p. 31)
200–8000 [Hz], BYPASS
2: T-CTRL DELAY
Species what happens to the delay decays of the previously-played phrase when you turn delay o.
IMMEDIATE: The delay sound disappears immediately.
REMAIN: The delay sound decays naturally.
Species the output destination of the sound from the delay.
If this is ON, the modulation is synchronized to the tempo of the rhythm (owner’s manual p. 24).
Adjusts the delay time from the direct sound until the delay sound is heard.
Adjusts the amount of the delay sound that’s fed back into the eect. Negative “-” settings invert the phase.
Adjusts the frequency above which sound fed back to the eect is ltered out (BYPASS: no cut).
Parameter Value Explanation
Switch OFF, ON Delay on/o
Species what happens to the delay decays of the previously-played
O Mode
Output Select
Delay (sync sw) OFF, ON
Delay (msec)/ Delay (note)
Acceleration 0–15
Feedback -98–+98 [%]
HF Damp
IMMEDIATE, REMAIN
MAIN, REV, MAIN+REV
1–1300 [msec]
note (p. 31)
200–8000 [Hz], BYPASS
phrase when you turn delay o. IMMEDIATE: The delay sound
disappears immediately. REMAIN: The delay sound decays
naturally.
Species the output destination of the sound from the delay.
If this is on, the delay is synchronized with the tempo.
Adjusts the delay time from the direct sound until the delay sound is heard.
Species the time over which the current delay time changes to the newly specied delay time when you change the delay time.
This changes the speed of the pitch change as well as the delay time.
Adjusts the proportion of the delay sound that is fed back into the eect. Negative (-) settings will invert the phase.
Adjusts the frequency above which sound fed back to the eect is ltered out (BYPASS: no cut).
36
Delay Parameters
3: DELAY " TREMOLO
Parameter Value Explanation
Switch OFF, ON Delay on/o
Species what happens to the delay decays of the previously-played
O Mode
Output Select
Input Mode
Delay (sync sw) OFF, ON
Delay (msec)/ Delay (note)
Feedback -98–+98 [%]
HF Damp
Tremolo Switch OFF, ON Tremolo on/o
Tremolo Mod Wave
Tremolo Rate (sync sw)
Tremolo Rate (Hz)/
Tremolo Rate (note)
Tremolo Depth 0–127 Modulation depth of the anger eect
IMMEDIATE, REMAIN
MAIN, REV, MAIN+REV
MONAURAL, STEREO
1–1300 [msec]
note (p. 31)
200–8000 [Hz], BYPASS
TRI, SQR, SIN, SAW1, SAW2, TRP
OFF, ON
0.05–10.00 [Hz]
note (p. 31)
phrase when you turn delay o. IMMEDIATE: The delay sound
disappears immediately. REMAIN: The delay sound decays
naturally.
Species the output destination of the sound from the delay.
MONAURAL: The input is mixed to mono.
If this is on, the delay is synchronized with the tempo.
Adjusts the delay time from the direct sound until the delay sound is heard.
Adjusts the amount of the delay sound that’s fed back into the eect. Negative “-” settings invert the phase.
Adjusts the frequency above which sound fed back to the eect is ltered out (BYPASS: no cut).
Modulation Wave
TRI: triangle wave SQR: square wave SIN: sine wave SAW1/2: sawtooth wave TRP: Trapezoidal wave
If this is on, the tremolo is synchro­nized with the tempo.
Rate of the tremolo eect
4: 2TAP DELAY
Parameter Value Explanation
Switch OFF, ON Delay on/o
Species what happens to the delay decays of the previously-played
O Mode
Output Select
Delay (sync sw) OFF, ON
Delay (msec)/ Delay (note)
Feedback -98–+98 [%]
HF Damp
Delay 1 Pan L64–63R Pan position of delay 1
Delay 2 Pan L64–63R Pan position of delay 2
Delay 1 Level 0–127 Volume of delay 1
Delay 2 Level 0–127 Volume of delay 2
IMMEDIATE, REMAIN
MAIN, REV, MAIN+REV
1–1300 [msec]
note (p. 31)
200–8000 [Hz], BYPASS
phrase when you turn delay o. IMMEDIATE: The delay sound
disappears immediately. REMAIN: The delay sound decays
naturally.
Species the output destination of the sound from the delay.
If this is on, the delay is synchronized with the tempo.
Adjusts the delay time from the direct sound until the delay sound is heard.
Adjusts the amount of the delay sound that’s fed back into the eect. Negative “-” settings invert the phase.
Adjusts the frequency above which sound fed back to the eect is ltered out (BYPASS: no cut).
5: 3TAP TAP DELAY
Parameter Value Explanation
Switch OFF, ON Delay on/o
Species what happens to the delay decays of the previously-played
O Mode
Output Select
Delay Time (sync sw)
Delay Time (msec)/
Delay Time (note)
Delay 1 Feedback
HF Damp
Delay 1 Pan L64–63R Pan position of delay 1
Delay 2 Pan L64–63R Pan position of delay 2
Delay 3 Pan L64–63R Pan position of delay 3
Delay 1 Level 0–127 Volume of delay 1
Delay 2 Level 0–127 Volume of delay 2
Delay 3 Level 0–127 Volume of delay 3
IMMEDIATE, REMAIN
MAIN, REV, MAIN+REV
OFF, ON
1–2600 [msec]
note (p. 31)
-98–+98 [%]
200–8000 [Hz], BYPASS
phrase when you turn delay o. IMMEDIATE: The delay sound
disappears immediately. REMAIN: The delay sound decays
naturally.
Species the output destination of the sound from the delay.
If this is on, the delay is synchronized with the tempo.
Adjusts the delay time from the direct sound until the delay sound is heard.
Adjusts the amount of the delay sound that’s fed back into the eect. Negative “-” settings invert the phase.
Adjusts the frequency above which sound fed back to the eect is ltered out (BYPASS: no cut).
37

Reverb Parameters

This is a reverb that is applied to the entire Live Set. You can choose from six types.
You can also adjust the amount of reverb that is applied to each layer by editing the REV (Reverb Send Level: owner’s manual p. 28) from each of the layers Upper 1--3 and Lower.
Settings common to all Reverb types
Parameter Value Explanation
Type of reverb
1: Room 1 2: Room 2
Type
Level 0–127 Volume of the reverb sound
3: Hall 1 4: Hall 2 5: Plate 6: GM2 Reverb
1–5: Room 1/2, Hall 1/2, Plate
Parameter Value Explanation
Pre Delay 0–100 [msec]
Time 0.1–10 [sec] Time length of reverberation
Density 0–127 Density of reverb
Diusion 0–127
LF Damp 0–100
HF Damp 0–100
Spread 0–127 Reverb spread
Tone 0–127 Tonal character of the reverb
Room 1/2: Reverb that simulates the reverberation of a room
Hall 1/2: Reverb that simulates the reverberation of a hall
Plate: Simulation of a plate echo (a reverb device that uses a metal plate)
GM2 Reverb: GM2 reverb
Adjusts the delay time from the direct sound until the reverb sound is heard.
Adjusts the change in the density of the reverb over time.
The higher the value, the more the density increases with time.
(The eect of this setting is most pronounced with long reverb times.)
Adjusts the low-frequency portion of the reverb.
Adjusts the high-frequency portion of the reverb.
6: GM2 Reverb
Parameter Value Explanation
SMALL_ROOM, MEDIUM_ROOM,
Character
Time 0–127 Time length of reverberation
38
LARGE_ROOM, MEDIUM_HALL, LARGE_HALL, PLATE
Type of reverb

EQ Parameters

This is a ve-band equalizer that is applied to the entire Live Set.
Parameter Value Explanation
Low Gain -12–+12 [dB] Gain of the low range
Low Freq 16–16000 [Hz] Frequency of the low range
Mid1 Gain -12–+12 [dB] Gain of the middle range 1
Mid1 Freq 16–16000 [Hz] Frequency of the middle range 1
Mid1 Q
Mid2 Gain -12–+12 [dB] Gain of the middle range 2
Mid2 Freq 16–16000 [Hz] Frequency of the middle range 2
Mid2 Q
Mid3 Gain -12–+12 [dB] Gain of the middle range 3
Mid3 Freq 16–16000 [Hz] Frequency of the middle range 3
Mid3 Q
High Gain -12–+12 [dB] Gain of the high range
High Freq 16–16000 [Hz] Frequency of the high range
Input Gain -15–+15 [dB] Gain of the Input
0.5, 1.0, 2.0, 4.0,
8.0
0.5, 1.0, 2.0, 4.0,
8.0
0.5, 1.0, 2.0, 4.0,
8.0
Width of the middle range 1 Set a higher value for Q to narrow the
range to be aected.
Width of the middle range 2 Set a higher value for Q to narrow the
range to be aected.
Width of the middle range 3 Set a higher value for Q to narrow the
range to be aected.
39

System Compressor Parameters

This is a stereo compressor (limiter) that is applied to the nal output.
With separate settings for the high-frequency range, midrange, and low-frequency range, this reduces inconsistencies in volume levels by compressing the sound when the volume exceeds a preset volume level.
Parameter Value Explanation
Compressor Switch
Type
Split Freq Low
Split Freq High
OFF, ON Turns the compressor on/o .
When you change this parameter, the Compressor parameters will be automatically adjusted to the optimal values.
You can make the settings easily by rst setting the Compressor Type and then changing only the necessary parameters.
HARD COMP Applies strong compression.
SOFT COMP Applies mild compression.
LOW BOOST Boosts the low end.
MID BOOST Boosts the midrange.
HI BOOST Boosts the high end.
USER The saved settings are written.
40, 50, 63, 80, 100, 125, 160, 200, 250, 315, 400, 500, 630, 800 [Hz]
400, 500, 630, 800, 1000, 1250, 1600, 2000, 2500, 3150, 4000, 5000, 6300, 8000 [Hz]
Sets the frequency separating the low-frequency range (LOW) and midrange (MID).
Sets the frequency separating the high-frequency range (HIGH) and midrange (MID).
Common to Low, Mid, and High
Parameter Value Explanation
Level
Attack Time 0–100
Release Time 0–100
Threshold
Ratio
0–24 [dB] (1 dB Step)
-60–0 [dB] (1 dB Step)
1:1.0, 1:1.1, 1:1.2, 1:1.4, 1:1.6, 1:1.8, 1:2.0, 1:2.5, 1:3.2, 1:4.0, 1:5.6, 1:8.0, 1:16, 1:INF
Output Level
Sets the time it takes until the level is compressed after the input exceeds the Threshold.
Sets the time it takes for the compres­sion to be released after the input falls below the Threshold.
Sets the level at which compression begins.
Compression Ratio
40
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