Roland RD-800 Effects Parameter Guide

Eects Parameter Guide
Copyright © 2014 ROLAND CORPORATION All rights reserved. No part of this publication may be reproduced in any form without the written permission of ROLAND CORPORATION.
01
Contents
Modulation FX Parameters. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3
Controlling a Modulation FX via MIDI (Modulation FX
CONTROL) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .31
2

Modulation FX Parameters

Modulation FX eects are included in the tone.
You can choose from 56 types, most of which are eects that modulate the sound.
Parameters marked with a sharp “#” can be controlled using a “Controlling a Modulation FX via MIDI (Modulation FX CONTROL)” (p. 31).
Type Modulation FX Name Page
1 EQUALIZER p. 4
2 SPECTRUM p. 5
3 LOW BOOST p. 5
FILTER
MODULATION
CHORUS
DYNAMICS
DELAY
LO-FI
PITCH
4 STEP FILTER p. 6
5 ENHANCER p. 6
6 AUTO WAH p. 7
7 HUMANIZER p. 7
8 PHASER 1 p. 8
9 PHASER 2 p. 8
10 PHASER 3 p. 9
11 STEP PHASER p. 9
12 MULTI STAGE PHASER p. 10
13 INFINITE PHASER p. 10
14 RING MODULATOR p. 11
15 TREMOLO p. 11
16 AUTO PAN p. 12
17 SLICER p. 12
18 CHORUS p. 13
19 FLANGER p. 13
20 STEP FLANGER p. 14
21 HEXA-CHORUS p. 14
22 TREMOLO CHORUS p. 15
23 SPACE-D p. 15
24 OVERDRIVE p. 16
25 DISTORTION p. 16
26 T-SCREAM p. 16
27 COMPRESSOR p. 17
28 LIMITER p. 17
29 SUSTAINER p. 18
30 GATE p. 18
31 DELAY p. 19
32 MODULATION DELAY p. 19
33 3TAP PAN DELAY p. 20
34 4TAP PAN DELAY p. 20
35 MULTI TAP DELAY p. 21
36 REVERSE DELAY p. 21
37 TIME CTRL DELAY p. 22
38 TAPE ECHO p. 22
39 LOFI COMPRESS p. 22
40 BIT CRUSHER p. 23
41 PITCH SHIFTER p. 24
42 2VOICE PITCH SHIFTER p. 24
Type Modulation FX Name Page
COMBINATION
43
OD " CHORUS
44
OD " FLANGER
45
OD " DELAY
46
DS " CHORUS
47
DS " FLANGER
48
DS " DELAY
49
OD/DS " TWAH
50
OD/DS " AWAH
51
ENHANCER " CHORUS
52
ENHANCER " FLANGER
53
ENHANCER " DELAY
54
CHORUS " DELAY
55
FLANGER " DELAY
56
CHORUS " FLANGER
p. 25
p. 25
p. 26
p. 26
p. 26
p. 26
p. 27
p. 27
p. 28
p. 28
p. 29
p. 29
p. 30
p. 30
3
Modulation FX Parameters
Settings common to all Modulation FX
Parameter Value Explanation
Type
Routing
Refer to the eect list (p. 3).
MOD FX
(Modulation FX)
" TR/AMP
Amp Simulator)
TR/AMP (Tremolo/Amp
Simulator) (Modulation FX)
(Tremolo/
" MOD FX
Species the type of Modulation FX. The editable parameters will depend
on the eect type that’s selected.
Lets you select the routing of the Modulation FX and the Tremolo/ Amp Simulator.
By switching the Routing type, you can change the eect that’s applied to the sound.
For example, suppose that you chose Chorus as the MOD FX and chose E. PIANO for TR/AMP; with the MOD FX " TR/AMP setting, the chorus sound will be output in monaural, but with the TR/AMP " MOD FX setting it will be output in stereo.
1: EQUALIZER
This is a four-band stereo equalizer (low, mid x 2, high).
L in
R in
Parameter Value Explanation
Switch OFF, ON Turns the eect on/o.
Depth Knob
Rate Knob
Low Freq 20–400 [Hz] Frequency of the low range
Low Gain # -15–+15 [dB] Gain of the low range
Mid1 Freq 200–8000 [Hz] Frequency of the middle range 1
Mid1 Gain -15–+15 [dB] Gain of the middle range 1
Mid1 Q
Mid2 Freq 200–8000 [Hz] Frequency of the middle range 2
Mid2 Gain -15–+15 [dB] Gain of the middle range 2
Mid2 Q
High Freq 2000–16000 [Hz] Frequency of the high range
High Gain # -15–+15 [dB] Gain of the high range
Level # 0–127 Output Level
4-Band EQ
4-Band EQ
LOW GAIN, HIGH GAIN, LEVEL
0.5, 1.0, 2.0, 4.0,
8.0
0.5, 1.0, 2.0, 4.0,
8.0
Species the parameter that is controlled by the MODULATION FX [DEPTH] knob.
Species the parameter that is controlled by the MODULATION FX [RATE] knob.
Width of the middle range 1 Set a higher value to narrow the range
to be aected.
Width of the middle range 2 Set a higher value to narrow the range
to be aected.
L out
R out
4
Modulation FX Parameters
2: SPECTRUM
This is a stereo spectrum. Spectrum is a type of lter which modies the timbre by boosting or cutting the level at specic frequencies.
L in
R in
Parameter Value Explanation
Switch OFF, ON Turns the eect on/o.
Depth Knob
Rate Knob
Band1 (250 Hz)
Band2 (500 Hz)
Band3 (1000 Hz)
Band4 (1250 Hz)
Band5 (2000 Hz)
Band6 (3150 Hz)
Band7 (4000 Hz)
Band8 (8000 Hz)
Q 0.5, 1.0, 2.0, 4.0, 8.0
Level # 0–127 Output Level
Spectrum
Spectrum
Species the parameter that is
BAND1, BAND3, LEVEL
-15–+15 [dB] Gain of each frequency band
controlled by the MODULATION FX [DEPTH] knob.
Species the parameter that is controlled by the MODULATION FX [RATE] knob.
Simultaneously adjusts the width of the adjusted ranges for all the frequency bands.
L out
R out
3: LOW BOOST
Boosts the volume of the lower range, creating powerful lows.
L in
R in
Parameter Value Explanation
Switch OFF, ON Turns the eect on/o.
Depth Knob
Rate Knob
Boost Frequency #
Boost Gain # 0–+12 [dB]
Boost Width
Low Gain -15–+15 [dB] Gain of the low frequency range
High Gain -15–+15 [dB] Gain of the high frequency range
Level 0–127 Output level
Low Boost
Low Boost
BOOST FREQUENCY, BOOST GAIN
50–125 [Hz]
WIDE, MID, NARROW
2-Band EQ
2-Band EQ
Species the parameter that is controlled by the MODULATION FX [DEPTH] knob.
Species the parameter that is controlled by the MODULATION FX [RATE] knob.
Basic frequency at which the lower range will be boosted
Amount by which the lower range will be boosted
Width of the lower range that will be boosted
L out
R out
5
Modulation FX Parameters
4: STEP FILTER
This is a lter whose cuto frequency can be modulated in steps. You can specify the pattern by which the cuto frequency will change.
You can use MFX CONTROL to restart the step sequence from the beginning (p. 31).
L in
R in
Parameter Value Explanation
Switch OFF, ON Turns the eect on/o.
Depth Knob
Rate Knob
Step 01 –16 0–127 Cuto frequency at each step
Rate (sync sw) OFF, ON
Rate (Hz) #/ Rate (note) #
Attack # 0–127
Filter Type
Filter Slope -12, -24, -36 [dB]
Filter Resonance #
Filter Gain 0–+12 [dB] Amount of boost for the lter output
Level 0–127 Output level
Step Filter
Step Filter
RATE, ATTACK, FILTER RESONANCE
0.05–10.00
note (p. 31)
LPF, BPF, HPF, NOTCH
0–127
Species the parameter that is controlled by the MODULATION FX [DEPTH] knob.
Species the parameter that is controlled by the MODULATION FX [RATE] knob.
If this is ON, the modulation is synchronized to the tempo of the rhythm (owner’s manual p. 24).
Rate of modulation
Speed at which the cuto frequency changes between steps
Filter type Frequency range that will pass
through each lter
LPF: frequencies below the cuto BPF: frequencies in the region of the
cuto
HPF: frequencies above the cuto NOTCH: frequencies other than the
region of the cuto
Amount of attenuation per octave
-12 dB: gentle
-24 dB: steep
-36 dB: extremely steep
Filter resonance level Increasing this value will emphasize
the region near the cuto frequency.
L out
R out
5: ENHANCER
Controls the overtone structure of the high frequencies, adding sparkle and tightness to the sound.
L in
R in
Parameter Value Explanation
Switch OFF, ON Turns the eect on/o.
Depth Knob
Rate Knob
Sens # 0–127 Sensitivity of the enhancer
Mix # 0–127
Low Gain -15–+15 [dB] Gain of the low range
High Gain -15–+15 [dB] Gain of the high range
Level 0–127 Output Level
Enhancer
Enhancer
SENS, MIX
Mix
Mix
2-Band
EQ
2-Band
EQ
Species the parameter that is controlled by the MODULATION FX [DEPTH] knob.
Species the parameter that is controlled by the MODULATION FX [RATE] knob.
Level of the overtones generated by the enhancer
L out
R out
6
Modulation FX Parameters
L in
6: AUTO WAH
Cyclically controls a lter to create cyclic change in timbre.
L in
R in
Parameter Value Explanation
Switch OFF, ON Turns the eect on/o.
Depth Knob
Rate Knob
Filter Type LPF, BPF
Manual # 0–127
Peak 0–127
Sens # 0–127
Polarity UP, DOWN
Rate (sync sw) # OFF, ON
Rate (Hz) #/ Rate (note) #
Depth # 0–127 Depth of modulation
Phase # 0–180 [deg]
Low Gain -15–+15 [dB] Gain of the low range
High Gain -15–+15 [dB] Gain of the high range
Level 0–127 Output Level
Auto Wah
Auto Wah
MANUAL, SENS, RATE, DEPTH, PHASE
0.05–10.00 [Hz]
note (p. 31)
2-Band EQ
2-Band EQ
Species the parameter that is controlled by the MODULATION FX [DEPTH] knob.
Species the parameter that is controlled by the MODULATION FX [RATE] knob.
Type of lter LPF: The wah eect will be applied
over a wide frequency range.
BPF: The wah eect will be applied
over a narrow frequency range.
Adjusts the basic frequency at which the eect is applied.
Adjusts the amount of the wah eect that will occur in the range of the basic frequency.
Set a higher value for Q to narrow the range to be aected.
Adjusts the sensitivity with which the lter is controlled.
Sets the direction in which the frequency will change when the auto-wah lter is modulated.
UP: The lter will change toward a
higher frequency.
DOWN: The lter will change toward a
lower frequency.
If this is ON, the modulation is synchronized to the tempo of the rhythm (owner’s manual p. 24).
Frequency of modulation
Adjusts the degree of phase shift of the left and right sounds when the wah eect is applied.
L out
R out
7: HUMANIZER
Adds a vowel character to the sound, making it similar to a human voice.
Overdrive
Formant
R in
Parameter Value Explanation
Switch OFF, ON Turns the eect on/o.
Depth Knob
Rate Knob
Drive Sw OFF, ON Turns Drive on/o.
Drive # 0–127
Vowel1 A, E, I, O, U
Vowel2 A, E, I, O, U
Rate (sync sw) # OFF, ON
Rate (Hz) # / Rate (note) #
Depth # 0–127 Eect depth
Input Sync Sw OFF, ON
Input Sync Threshold
Manual # 0–100
Low Gain -15–+15 [dB] Gain of the low frequency range
High Gain -15–+15 [dB] Gain of the high frequency range
Pan # L64–63R Stereo location of the output
Level 0–127 Output level
DRIVE, RATE, DEPTH, MANUAL, PAN
0.05–10.00 [Hz]
note (p. 31)
0–127 Volume level at which reset is applied
2-Band
EQ
Species the parameter that is controlled by the MODULATION FX [DEPTH] knob.
Species the parameter that is controlled by the MODULATION FX [RATE] knob.
Degree of distortion Also changes the volume.
Selects the vowel.
If this is ON, the modulation is synchronized to the tempo of the rhythm (owner’s manual p. 24).
Frequency at which the two vowels switch
LFO reset on/o Determines whether the LFO for
switching the vowels is reset by the input signal (ON) or not (OFF).
Point at which Vowel 1/2 switch 49 or less: Vowel 1 will have a longer
duration.
50: Vowel 1 and 2 will be of equal
duration.
51 or more: Vowel 2 will have a longer
duration.
L out
Pan L
Pan R
R out
7
Modulation FX Parameters
8: PHASER 1
A phase-shifted sound is added to the original sound and modulated.
L in
R in
Parameter Value Explanation
Switch OFF, ON Turns the eect on/o.
Depth Knob
Rate Knob
Mode
Manual # 0–127
Rate (sync sw) # OFF, ON
Rate (Hz) #/ Rate (note) #
Depth 0–127 Depth of modulation
Polarity
Resonance # 0–127 Amount of feedback
Cross Feedback -98–+98 [%]
Mix # 0–127 Level of the phase-shifted sound
Low Gain -15–+15 [dB] Gain of the low range
High Gain -15–+15 [dB] Gain of the high range
Level 0–127 Output Level
Phaser
Phaser
MANUAL, RATE, RESONANCE, MIX
4-STAGE, 8-STAGE, 12-STAGE
0.05–10.00 [Hz]
note (p. 31)
INVERSE, SYNCHRO
Mix
Mix
Species the parameter that is controlled by the MODULATION FX [DEPTH] knob.
Species the parameter that is controlled by the MODULATION FX [RATE] knob.
Number of stages in the phaser
Adjusts the basic frequency from which the sound will be modulated.
If this is ON, the modulation is synchronized to the tempo of the rhythm (owner’s manual p. 24).
Frequency of modulation
Selects whether the left and right phase of the modulation will be the same or the opposite.
INVERSE: The left and right phase will be opposite. When using a mono source, this spreads the sound.
SYNCHRO: The left and right phase will be the same. Select this when inputting a stereo source.
Adjusts the proportion of the phaser sound that is fed back into the eect. Negative “-” settings will invert the phase.
2-Band
EQ
2-Band
EQ
L out
R out
9: PHASER 2
This simulates an analog phaser of the past.
It is particularly suitable for electric piano.
L in
R in
Parameter Value Explanation
Switch OFF, ON Turns the eect on/o.
Depth Knob
Rate Knob
Rate # 0–100 Frequency of modulation
Color 1, 2 Modulation character
Low Gain -15–+15 [dB] Gain of the low range
High Gain -15–+15 [dB] Gain of the high range
Level 0–127 Output Level
Phaser
Phaser
RATE, COLOR
2-Band EQ
2-Band EQ
Species the parameter that is controlled by the MODULATION FX [DEPTH] knob.
Species the parameter that is controlled by the MODULATION FX [RATE] knob.
L out
R out
8
Modulation FX Parameters
10: PHASER 3
This simulates a dierent analog phaser than Phaser 2.
It is particularly suitable for electric piano.
L in
R in
Parameter Value Explanation
Switch OFF, ON Turns the eect on/o.
Depth Knob
Rate Knob
Speed # 0–100 Frequency of modulation
Depth 0–127 Depth of modulation
Low Gain -15–+15 [dB] Gain of the low range
High Gain -15–+15 [dB] Gain of the high range
Level 0–127 Output Level
Phaser
Phaser
SPEED, DEPTH
2-Band EQ
2-Band EQ
Species the parameter that is controlled by the MODULATION FX [DEPTH] knob.
Species the parameter that is controlled by the MODULATION FX [RATE] knob.
L out
R out
11: STEP PHASER
This is a stereo phaser. The phaser eect will be varied gradually.
L in
R in
Parameter Value Explanation
Switch OFF, ON Turns the eect on/o.
Depth Knob
Rate Knob
Mode
Manual # 0–127
Rate (sync sw) OFF, ON
Rate (Hz) #/ Rate (note) #
Depth 0–127 Depth of modulation
Polarity
Resonance # 0–127 Amount of feedback
Cross Feedback -98–+98 [%]
Step Rate (sync sw)
Step Rate (Hz) #/ Step Rate (note)#
Mix # 0–127 Level of the phase-shifted sound
Low Gain -15–+15 [dB] Gain of the low range
High Gain -15–+15 [dB] Gain of the high range
Level 0–127 Output Level
Step Phaser
Step Phaser
MANUAL, RATE, RESONANCE, STEP RATE, MIX
4-STAGE, 8-STAGE, 12-STAGE
0.05–10.00
note (p. 31)
INVERSE, SYNCHRO
OFF, ON
0.10–20 [Hz]
note (p. 31)
Mix
Mix
Species the parameter that is controlled by the MODULATION FX [DEPTH] knob.
Species the parameter that is controlled by the MODULATION FX [RATE] knob.
Number of stages in the phaser
Adjusts the basic frequency from which the sound will be modulated.
If this is ON, the modulation is synchronized to the tempo of the rhythm (owner’s manual p. 24).
Frequency of modulation
Selects whether the left and right phase of the modulation will be the same or the opposite.
INVERSE: The left and right phase will be opposite. When using a mono source, this spreads the sound.
SYNCHRO: The left and right phase will be the same. Select this when inputting a stereo source.
Adjusts the proportion of the phaser sound that is fed back into the eect. Negative “-” settings will invert the phase.
If this is ON, the modulation is synchronized to the tempo of the rhythm (owner’s manual p. 24).
Rate of the step-wise change in the phaser eect
2-Band
EQ
2-Band
EQ
L out
R out
9
Modulation FX Parameters
L in
L in
12: MULTI STAGE PHASER
Extremely high settings of the phase dierence produce a deep phaser eect.
Multi Stage
Phaser
R in
Parameter Value Explanation
Switch OFF, ON Turns the eect on/o.
Depth Knob
Rate Knob
Mode
Manual # 0–127
Rate (sync sw) # OFF, ON
Rate (Hz) #/ Rate (note) #
Depth 0–127 Depth of modulation
Resonance # 0–127 Amount of feedback
Mix # 0–127 Level of the phase-shifted sound
Pan # L64–63R Stereo location of the output sound
Low Gain -15–+15 [dB] Gain of the low range
High Gain -15–+15 [dB] Gain of the high range
Level 0–127 Output Level
Resonance
MANUAL, RATE, RESONANCE, MIX, PAN
4-STAGE, 8-STAGE, 12-STAGE, 16-STAGE, 20-STAGE, 24-STAGE
0.05–10.00 [Hz]
note (p. 31)
Mix
Species the parameter that is controlled by the MODULATION FX [DEPTH] knob.
Species the parameter that is controlled by the MODULATION FX [RATE] knob.
Number of phaser stages
Adjusts the basic frequency from which the sound will be modulated.
If this is ON, the modulation is synchronized to the tempo of the rhythm (owner’s manual p. 24).
Frequency of modulation
2-Band
EQ
Pan L
Pan R
L out
R out
13: INFINITE PHASER
A phaser that continues raising/lowering the frequency at which the sound is modulated.
Innite Phaser 2-Band EQ
R in
Parameter Value Explanation
Switch OFF, ON Turns the eect on/o.
Depth Knob
Rate Knob
Mode 1, 2, 3, 4
Speed # -100–+100
Resonance # 0–127 Amount of feedback
Mix # 0–127 Volume of the phase-shifted sound
Pan # L64–63R Panning of the output sound
Low Gain -15–+15 [dB] Gain of the low frequency range
High Gain -15–+15 [dB] Gain of the high frequency range
Level 0–127 Output volume
SPEED, RESONANCE, MIX, PAN
Species the parameter that is controlled by the MODULATION FX [DEPTH] knob.
Species the parameter that is controlled by the MODULATION FX [RATE] knob.
Higher values will produce a deeper phaser eect.
Speed at which to raise or lower the frequency at which the sound is modulated (+: upward / -: downward)
L out
Pan L
Pan R
R out
10
Modulation FX Parameters
14: RING MODULATOR
This is an eect that applies amplitude modulation (AM) to the input signal, producing bell-like sounds. You can also change the modulation frequency in response to changes in the volume of the sound sent into the eect.
L in
R in
Parameter Value Explanation
Switch OFF, ON Turns the eect on/o.
Depth Knob
Rate Knob
Frequency # 0–127
Sens # 0–127
Polarity UP, DOWN
Low Gain -15–+15 [dB] Gain of the low frequency range
High Gain -15–+15 [dB] Gain of the high frequency range
Balance #
Level 0–127 Output level
Ring Mod
Ring Mod
FREQUENCY, SENS, BALANCE
D100:0W– D0:100W
2-Band EQ
2-Band EQ
Species the parameter that is controlled by the MODULATION FX [DEPTH] knob.
Species the parameter that is controlled by the MODULATION FX [RATE] knob.
Adjusts the frequency at which modulation is applied.
Adjusts the amount of frequency modulation applied.
Determines whether the frequency modulation moves towards higher frequencies (UP) or lower frequencies (DOWN).
Volume balance between the direct sound (D) and the eect sound (W)
L out
R out
15: TREMOLO
Cyclically modulates the volume to add tremolo eect to the sound.
L in
R in
Parameter Value Explanation
Switch OFF, ON Turns the eect on/o.
Depth Knob
Rate Knob
Mod Wave
Rate (sync sw) # OFF, ON
Rate (Hz) #/ Rate (note) #
Depth # 0–127 Depth to which the eect is applied
Low Gain -15–+15 [dB] Gain of the low range
High Gain -15–+15 [dB] Gain of the high range
Level 0–127 Output Level
Tremolo
Tremolo
RATE, DEPTH
TRI, SQR, SIN, SAW1, SAW2
SAW1 SAW2
0.05–10.00 [Hz]
note (p. 31)
2-Band EQ
2-Band EQ
Species the parameter that is controlled by the MODULATION FX [DEPTH] knob.
Species the parameter that is controlled by the MODULATION FX [RATE] knob.
Modulation wave
TRI: triangle wave SQR: square wave SIN: sine wave SAW1/2: sawtooth wave
If this is ON, the modulation is synchronized to the tempo of the rhythm (owner’s manual p. 24).
Frequency of the change
L out
R out
11
Modulation FX Parameters
16: AUTO PAN
Cyclically modulates the stereo location of the sound.
L in
R in
Parameter Value Explanation
Switch OFF, ON Turns the eect on/o.
Depth Knob
Rate Knob
Mod Wave
Rate (sync sw) # OFF, ON
Rate (Hz) #/ Rate (note) #
Depth # 0–127 Depth to which the eect is applied
Low Gain -15–+15 [dB] Gain of the low range
High Gain -15–+15 [dB] Gain of the high range
Level 0–127 Output Level
Auto Pan
Auto Pan
RATE, DEPTH
TRI, SQR, SIN, SAW1, SAW2
SAW1 SAW2
R R
L L
0.05–10.00 [Hz]
note (p. 31)
2-Band EQ
2-Band EQ
Species the parameter that is controlled by the MODULATION FX [DEPTH] knob.
Species the parameter that is controlled by the MODULATION FX [RATE] knob.
Modulation wave
TRI: triangle wave SQR: square wave SIN: sine wave SAW1/2: sawtooth wave
If this is ON, the modulation is synchronized to the tempo of the rhythm (owner’s manual p. 24).
Frequency of the change
L out
R out
17: SLICER
By applying successive cuts to the sound, this eect turns a conventional sound into a sound that appears to be played as a backing phrase. This is especially eective when applied to sustain­type sounds.
You can use MFX CONTROL to restart the step sequence from the beginning (p. 31).
L in
R in
Parameter Value Explanation
Switch OFF, ON Turns the eect on/o.
Depth Knob
Rate Knob
Step 01–16 0–127 Level at each step
Rate (sync sw) # OFF, ON
Rate (Hz) #/ Rate (note) #
Attack # 0–127
Input Sync Sw OFF, ON
Input Sync Threshold
Mode
Shue # 0–127
Level 0–127 Output level
Slicer
Slicer
RATE, ATTACK, SHUFFLE
0.05–10.00 [Hz]
note (p. 31)
0–127
LEGATO, SLASH
Species the parameter that is controlled by the MODULATION FX [DEPTH] knob.
Species the parameter that is controlled by the MODULATION FX [RATE] knob.
If this is ON, the modulation is synchronized to the tempo of the rhythm (owner’s manual p. 24).
Rate at which the 16-step sequence will cycle
Speed at which the level changes between steps
Species whether an input note will cause the sequence to resume from the rst step of the sequence (ON) or not (OFF)
Volume at which an input note will be detected
Sets the manner in which the volume changes as one step progresses to the next.
LEGATO: The change in volume from one step’s level to the next remains unaltered. If the level of a following step is the same as the one preceding it, there is no change in volume.
SLASH: The level is momentarily set to 0 before progressing to the level of the next step. This change in volume occurs even if the level of the following step is the same as the preceding step.
Timing of volume changes in levels for even-numbered steps (step 2, step 4, step 6...).
The higher the value, the later the beat progresses.
L out
R out
12
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