Roland RD-700SX User Manual

201b

Before using this unit, carefully read the sections entitled: “IMPORTANT SAFETY INSTRUCTIONS” (p. 2), “USING THE UNIT SAFELY” (p. 3), and “IMPORTANT NOTES” (p. 5). These sections provide important information concerning the proper operation of the unit. Additionally, in order to feel assured that you have gained a good grasp of every feature provided by your new unit, owner’s manual should be read in its entirety. The manual should be saved and kept on hand as a convenient reference.

Owner’s Manual

Thank you, and congratulations on your choice of the Roland Digital Piano RD-700SX.

202

written permission of ROLAND CORPORATION.

CAUTION

RISK OF ELECTRIC SHOCK

DO NOT OPEN

ATTENTION: RISQUE DE CHOC ELECTRIQUE NE PAS OUVRIR

CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK,

DO NOT REMOVE COVER (OR BACK).

NO USER-SERVICEABLE PARTS INSIDE.

REFER SERVICING TO QUALIFIED SERVICE PERSONNEL.

The lightning flash with arrowhead symbol, within an equilateral triangle, is intended to alert the user to the presence of uninsulated “dangerous voltage” within the product’s enclosure that may be of sufficient magnitude to constitute a risk of electric shock to persons.

The exclamation point within an equilateral triangle is intended to alert the user to the presence of important operating and maintenance (servicing) instructions in the literature accompanying the product.

INSTRUCTIONS PERTAINING TO A RISK OF FIRE, ELECTRIC SHOCK, OR INJURY TO PERSONS.

IMPORTANT SAFETY INSTRUCTIONS

SAVE THESE INSTRUCTIONS

WARNING - When using electric products, basic precautions should always be followed, including the following:

1. Read these instructions.

2. Keep these instructions.

3. Heed all warnings.

4. Follow all instructions.

5. Do not use this apparatus near water.

6. Clean only with a dry cloth.

7. Do not block any of the ventilation openings. Install in accordance with the manufacturers instructions.

8. Do not install near any heat sources such as radiators, heat registers, stoves, or other apparatus (including amplifiers) that produce heat.

9. Do not defeat the safety purpose of the polarized or grounding-type plug. A polarized plug has two blades with one wider than the other. A grounding type plug has two blades and a third grounding prong. The wide blade or the third prong are provided for your safety. If the provided plug does not fit into your outlet, consult an electrician for replacement of the obsolete outlet.

WARNING: IMPORTANT:

As the colours of the wires in the mains lead of this apparatus may not correspond with the coloured markings identifying

the terminals in your plug, proceed as follows:

The wire which is coloured GREEN-AND-YELLOW must be connected to the terminal in the plug which is marked by the

letter E or by the safety earth symbol or coloured GREEN or GREEN-AND-YELLOW.

The wire which is coloured BLUE must be connected to the terminal which is marked with the letter N or coloured BLACK. The wire which is coloured BROWN must be connected to the terminal which is marked with the letter L or coloured RED.

THIS APPARATUS MUST BE EARTHED THE WIRES IN THIS MAINS LEAD ARE COLOURED IN ACCORDANCE WITH THE FOLLOWING CODE. GREEN-AND-YELLOW: EARTH, BLUE: NEUTRAL, BROWN: LIVE

For the U.K.

10. Protect the power cord from being walked on or pinched particularly at plugs, convenience receptacles, and the point where they exit from the apparatus.

11. Only use attachments/accessories specified by the manufacturer.

12. Use only with the cart, stand, tripod, bracket, or table specified by the manufacturer, or sold with the apparatus. When a cart is used, use caution when moving the cart/apparatus combination to avoid injury from tip-over.

13. Unplug this apparatus during lightning storms or when unused for long periods of time.

14. Refer all servicing to qualified service personnel. Servicing is required when the apparatus has been damaged in any way, such as power-supply cord or plug is damaged, liquid has been spilled or objects have fallen into the apparatus, the apparatus has been exposed to rain or moisture, does not operate normally, or has been dropped.

WARNING: To reduce the risk of fire or electric shock, do not expose this apparatus to rain or moisture.

This product complies with the requirements of European Directives EMC 89/336/EEC and LVD 73/23/EEC.

For EU Countries

For Canada

This Class B digital apparatus meets all requirements of the Canadian Interference-Causing Equipment Regulations.

Cet appareil numérique de la classe B respecte toutes les exigences du Règlement sur le matériel brouilleur du Canada.

NOTICE

AVIS

For the USA

FEDERAL COMMUNICATIONS COMMISSION

RADIO FREQUENCY INTERFERENCE STATEMENT

This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to Part 15 of the FCC Rules. These limits are designed to provide reasonable protection against harmful interference in a residential installation. This equipment generates, uses, and can radiate radio frequency energy and, if not installed and used in accordance with the instructions, may cause harmful interference to radio communications. However, there is no guarantee that interference will not occur in a particular installation. If this equipment does cause harmful interference to radio or television reception, which can be determined by turning the equipment off and on, the user is encouraged to try to correct the interference by one or more of the following measures:

– Reorient or relocate the receiving antenna. – Increase the separation between the equipment and receiver. – Connect the equipment into an outlet on a circuit different from that to which the receiver is connected. – Consult the dealer or an experienced radio/TV technician for help.

This device complies with Part 15 of the FCC Rules. Operation is subject to the following two conditions: (1) This device may not cause harmful interference, and (2) This device must accept any interference received, including interference that may cause undesired operation.

Unauthorized changes or modification to this system can void the users authority to operate this equipment. This equipment requires shielded interface cables in order to meet FCC class B Limit.

USING THE UNIT SAFELY

Used for instructions intended to alert the user to the risk of death or severe injury should the unit be used improperly.

Used for instructions intended to alert the user to the risk of injury or material damage should the unit be used improperly.

* Material damage refers to damage or

other adverse effects caused with respect to the home and all its furnishings, as well to domestic animals or pets.

001

• Before using this unit, make sure to read the instructions below, and the Owner’s Manual.

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• Connect mains plug of this model to a mains socket outlet with a protective earthing connection.

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002b

• Do not open or perform any internal modifications on the unit. (The only exception would be where this manual provides specific instructions which should be followed in order to put in place user-installable options; see p. 15 .)

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003

• Do not attempt to repair the unit, or replace parts within it (except when this manual provides specific instructions directing you to do so). Refer all servicing to your retailer, the nearest Roland Service Center, or an authorized Roland distributor, as listed on the “Information” page.

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004

• Never use or store the unit in places that are:

• Subject to temperature extremes (e.g., direct

sunlight in an enclosed vehicle, near a heating duct, on top of heat-generating equipment); or are

• Damp (e.g., baths, washrooms, on wet floors);

or are

• Humid; or are

• Exposed to rain; or are

• Dusty; or are

• Subject to high levels of vibration.

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005

• This unit should be used only with a rack or stand that is recommended by Roland.

The symbol alerts the user to important instructions or warnings.The specific meaning of the symbol is determined by the design contained within the triangle. In the case of the symbol at left, it is used for general cautions, warnings, or alerts to danger.

The symbol alerts the user to items that must never be carried out (are forbidden). The specific thing that must not be done is indicated by the design contained within the circle. In the case of the symbol at left, it means that the unit must never be disassembled.

The ● symbol alerts the user to things that must be carried out. The specific thing that must be done is indicated by the design contained within the circle. In the case of the symbol at left, it means that the powercord plug must be unplugged from the outlet.

006

• When using the unit with a rack or stand recommended by Roland, the rack or stand must be carefully placed so it is level and sure to remain stable. If not using a rack or stand, you still need to make sure that any location you choose for placing the unit provides a level surface that will properly support the unit, and keep it from wobbling.

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008a

• The unit should be connected to a power supply only of the type described in the operating instructions, or as marked on the rear side of unit.

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008e

• Use only the attached power-supply cord. Also, the supplied power cord must not be used with any other device.

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009

• Do not excessively twist or bend the power cord, nor place heavy objects on it. Doing so can damage the cord, producing severed elements and short circuits. Damaged cords are fire and shock hazards!

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010

• This unit, either alone or in combination with an amplifier and headphones or speakers, may be capable of producing sound levels that could cause permanent hearing loss. Do not operate for a long period of time at a high volume level, or at a level that is uncomfortable. If you experience any hearing loss or ringing in the ears, you should immediately stop using the unit, and consult an audiologist.

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011

• Do not allow any objects (e.g., flammable material, coins, pins); or liquids of any kind (water, soft drinks, etc.) to penetrate the unit.

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012a

• Immediately turn the power off, remove the power cord from the outlet, and request servicing by your retailer, the nearest Roland Service Center, or an authorized Roland distributor, as listed on the “Information” page when:

• The power-supply cord, or the plug has been

damaged; or

• If smoke or unusual odor occurs

• Objects have fallen into, or liquid has been

spilled onto the unit; or

• The unit has been exposed to rain (or otherwise

has become wet); or

• The unit does not appear to operate normally

or exhibits a marked change in performance.

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013

• In households with small children, an adult should provide supervision until the child is capable of following all the rules essential for the safe operation of the unit.

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014

• Protect the unit from strong impact. (Do not drop it!)

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015

• Do not force the unit’s power-supply cord to share an outlet with an unreasonable number of other devices. Be especially careful when using extension cords—the total power used by all devices you have connected to the extension cord’s outlet must never exceed the power rating (watts/amperes) for the extension cord. Excessive loads can cause the insulation on the cord to heat up and eventually melt through.

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016

• Before using the unit in a foreign country, consult with your retailer, the nearest Roland Service Center, or an authorized Roland distributor, as listed on the “Information” page.

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022a

• Always turn the unit off and unplug the power cord before attempting installation of the circuit board (SRX Series; p. 15 ).

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023

• DO NOT play a CD-ROM disc on a conventional audio CD player. The resulting sound may be of a level that could cause permanent hearing loss. Damage to speakers or other system components may result.

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026

• Do not put anything that contains water (e.g., flower vases) on this unit. Also, avoid the use of insecticides, perfumes, alcohol, nail polish, spray cans, etc., near the unit. Swiftly wipe away any liquid that spills on the unit using a dry, soft cloth.

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101a

• The unit should be located so that its location or position does not interfere with its proper ventilation.

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101c

• This (RD-700SX) for use only with Roland stand KS-17. Use with other stands (or carts) is capable of resulting in instability causing possible injury.

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102b

• Always grasp only the plug on the power-supply cord when plugging into, or unplugging from, an outlet or this unit.

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103a

• At regular intervals, you should unplug the power plug and clean it by using a dry cloth to wipe all dust and other accumulations away from its prongs. Also, disconnect the power plug from the power outlet whenever the unit is to remain unused for an extended period of time. Any accumulation of dust between the power plug and the power outlet can result in poor insulation and lead to fire.

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104

• Try to prevent cords and cables from becoming entangled. Also, all cords and cables should be placed so they are out of the reach of children.

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106

• Never climb on top of, nor place heavy objects on the unit.

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107b

• Never handle the power cord or its plugs with wet hands when plugging into, or unplugging from, an outlet or this unit.

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108a

• Before moving the unit, disconnect the power plug from the outlet, and pull out all cords from external devices.

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109a

• Before cleaning the unit, turn off the power and unplug the power cord from the outlet (p. 23 ).

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110a

• Whenever you suspect the possibility of lightning in your area, pull the plug on the power cord out of the outlet.

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115a

• Install only the specified circuit board(s) (SRX Series). Remove only the specified screws (p. 15 ).

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118a

• Should you remove the screws fastening the board slot cover, keep them in a safe place out of children’s reach, so there is no chance of them being swallowed accidentally.

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IMPORTANT NOTES

291b

In addition to the items listed under “IMPORTANT SAFETY INSTRUCTIONS” and “USING THE UNIT SAFELY” on pages 3 and 4, please read and observe the following:

Power Supply

301

• Do not connect this unit to same electrical outlet that is being used by an electrical appliance that is controlled by an inverter (such as a refrigerator, washing machine, microwave oven, or air conditioner), or that contains a motor. Depending on the way in which the electrical appliance is used, power supply noise may cause this unit to malfunction or may produce audible noise. If it is not practical to use a separate electrical outlet, connect a power supply noise filter between this unit and the electrical outlet.

307

• Before connecting this unit to other devices, turn off the power to all units. This will help prevent malfunctions and/or damage to speakers or other devices.

308

• Although the LCD and LEDs are switched off when the POWER switch is switched off, this does not mean that the unit has been completely disconnected from the source of power. If you need to turn off the power completely, first turn off the POWER switch, then unplug the power cord from the power outlet. For this reason, the outlet into which you choose to connect the power cord’s plug should be one that is within easy reach and readily accessible.

Placement

351

• Using the unit near power amplifiers (or other equipment containing large power transformers) may induce hum. To alleviate the problem, change the orientation of this unit; or move it farther away from the source of interference.

352a

• This device may interfere with radio and television reception. Do not use this device in the vicinity of such receivers.

352b

• Noise may be produced if wireless communications devices, such as cell phones, are operated in the vicinity of this unit. Such noise could occur when receiving or initiating a call, or while conversing. Should you experience such problems, you should relocate such wireless devices so they are at a greater distance from this unit, or switch them off.

354a

• Do not expose the unit to direct sunlight, place it near devices that radiate heat, leave it inside an enclosed vehicle, or otherwise subject it to temperature extremes. Excessive heat can deform or discolor the unit.

355b

• When moved from one location to another where the temperature and/or humidity is very different, water droplets (condensation) may form inside the unit. Damage or malfunction may result if you attempt to use the unit in this condition. Therefore, before using the unit, you must allow it to stand for several hours, until the condensation has completely evaporated.

358

• Do not allow objects to remain on top of the keyboard. This can be the cause of malfunction, such as keys ceasing to produce sound.

Maintenance

401a

• For everyday cleaning wipe the unit with a soft, dry cloth or one that has been slightly dampened with water. To remove stubborn dirt, use a cloth impregnated with a mild, non-abrasive detergent. Afterwards, be sure to wipe the unit thoroughly with a soft, dry cloth.

402

• Never use benzine, thinners, alcohol or solvents of any kind, to avoid the possibility of discoloration and/or deformation.

Repairs and Data

452

• Please be aware that all data contained in the unit’s memory may be lost when the unit is sent for repairs. Important data should always be backed up in another MIDI device (e.g., a sequencer), or written down on paper (when possible). During repairs, due care is taken to avoid the loss of data. However, in certain cases (such as when circuitry related to memory itself is out of order), we regret that it may not be possible to restore the data, and Roland assumes no liability concerning such loss of data.

Additional Precautions

551

• Please be aware that the contents of memory can be irretrievably lost as a result of a malfunction, or the improper operation of the unit. To protect yourself against the risk of loosing important data, we recommend that you periodically save a backup copy of important data you have stored in the unit’s memory in another MIDI device (e.g., a sequencer).

552

• Unfortunately, it may be impossible to restore the contents of data that was stored in another MIDI device (e.g., a sequencer) once it has been lost. Roland Corporation assumes no liability concerning such loss of data.

553

• Use a reasonable amount of care when using the unit’s buttons, sliders, or other controls; and when using its jacks and connectors. Rough handling can lead to malfunctions.

554

• Never strike or apply strong pressure to the display.

556

• When connecting / disconnecting all cables, grasp the connector itself—never pull on the cable. This way you will avoid causing shorts, or damage to the cable’s internal elements.

557

• A small amount of heat will radiate from the unit during normal operation.

558a

• To avoid disturbing your neighbors, try to keep the unit’s volume at reasonable levels. You may prefer to use headphones, so you do not need to be concerned about those around you (especially when it is late at night).

559a

• When you need to transport the unit, package it in the box (including padding) that it came in, if possible. Otherwise, you will need to use equivalent packaging materials.

561

• Use only the specified expression pedal (EV-5/7; sold separately). By connecting any other expression pedals, you risk causing malfunction and/or damage to the unit.

Handling CD-ROMs

801

• Avoid touching or scratching the shiny underside (encoded surface) of the disc. Damaged or dirty CD-ROM discs may not be read properly. Keep your discs clean using a commercially available CD cleaner.

Main Features

Progressive Hammer Action

The RD-700SX incorporates Roland’s “progressive hammer action keyboard,” which realistically reproduces the comfortable, natural touch of the grand piano. While offering excellent responsiveness and quiet action, this keyboard also reproduces the subtle changes in touch as you move from the lower to the higher registers. Additionally, the progressive hammer action keyboard features an environmentally friendly design, with absolutely no lead used in the hammers.

New Piano Tones

The instrument features newly developed, authentic piano tones with wide dynamic range and rich expression. Great for any musical genre or scene, whether it be performing with a band or playing a solo ballad, the RD-700SX is the perfect stage piano. Additionally, The instrument features an 88-note multisampled piano painstakingly recorded by professional engineers. It boasts not only tonal quality but also a high level of presence, making it closer than ever to the “real thing.” It is also furnished with a wealth of electronic piano, organ, string, synth pad, and other Tones that allow you to use the instrument as a stage piano. Once you try it onstage, you'll come to fully understand its capabilities.

Exclusive Piano Functions

The “Piano Edit” function allows you to program subtle changes for the piano and electric piano tones (p. 73).

A Full 128 Voices

The RD-700SX features 128-voice polyphony, with all sounds available in every performance mode. Enjoy natural performances even when layering multiple sounds.

Simple Push-Button Operation

You can access Split, Effects and carry out other main operations simply by pressing a single button (p. 12). Furthermore, pressing the ONE TOUCH [PIANO] button lets you immediately switch to the settings most suited for piano performances, regardless of the mode or settings currently in effect (p. 32).

High-Quality Effects

In addition to two multi-effects systems, you can also use the reverb and chorus individually. The instrument also realistically reproduces the tonal changes of an acoustic grand piano, including the change in resonance created by pressing the damper pedal (p. 75) and the degree of openness of the grand piano’s lid (p. 74). Moreover, the Sound Control function (p. 44) and digital equalizer (p. 45) enable a wide range of tonal adjustments.

Equipped With Organ Tone Wheel Sound Generator

For organ Tones, the RD-700SX comes equipped with an organ Tone wheel sound generator used in the Roland Combo Organ. This sound generator lets you recreate organ sounds, changing the level of each footage (p. 54).

Rhythm and Arpeggiator Functions

You can play back Rhythm patterns and perform arpeggios with the press of a single button. Enjoy a variety of performance techniques, with backing using realistic drum sounds for a real session feel, arpeggios and cutting you get just by playing the chords, and more (p. 46,p. 48).

Fast MIDI Control

You can also control various functions, such as adjusting volume levels and selecting Tones, simply and easily from an external MIDI device. This provides fast and intuitive control when using the keyboard on stage (p. 60).

Interface for Full Connectivity

The RD-700SX comes equipped with a USB port for connecting to computers. You can use this to perform with MIDI data received from the computer and to save the RD-700SX’s setup files. Additionally, two separate MIDI OUT ports allow you to control two different MIDI sound modules simultaneously. On top of all this, the RD-700SX XLR connectors provide balanced output to connected audio gear, enabling you to supply stable audio output.

Expandability

You can install up to two Wave Expansion Boards, a favorite for use with Roland’s SRX Series. Starting with the “SRX-02 Concert Grand” Tone, you can enjoy performing with the most up-to-date Tones available as they are continually released (p. 15).

Sophisticated Design

With its black body, the RD-700SX offers the perfect look and presence on stage. The panel’s refined design enhances operability, while rear cable connections are a cinch. In addition, the cover to the wave expansion board is designed so it won’t easily fall off even if the screws are removed.

SMF Play Function

The RD-700SX is compatible with both General MIDI and General MIDI 2 standards. Additionally, you can transmit SMF music files to the RD-700SX from the USB port and play back the data. This allows you to perform while playing back SMF music files without the use of an external sequencer.

Convention Used in This Manual

• Words enclosed in square brackets [ ] indicate panel buttons. Example: [SPLIT] indicates the SPLIT button.

• (p. **) indicates a reference page

• The explanations in this manual include illustrations that depict what should typically be shown by the display. Note, however, that your unit may incorporate a newer, enhanced version of the system (e.g., includes newer sounds), so what you actually see in the display may not always match what appears in the manual.

USING THE UNIT SAFELY............................................................................................................................... 3

IMPORTANT NOTES......................................................................................................................................... 5

Main Features..........................................................................................6

Panel Descriptions................................................................................12

Front Panel .........................................................................................................................................................12

Rear Panel...........................................................................................................................................................14

Getting Ready........................................................................................15

Installing the Wave Expansion Board ............................................................................................................ 15

Cautions When Installing an Wave Expansion Board..................................................................... 15

Installing SRX Series Boards................................................................................................................ 16

Checking the Installed Wave Expansion Boards.............................................................................. 17

Installation de la carte d’extension Wave(French language for Canadian Safety Standard)................. 18

Precautions lors de l’installation de la carte d’extension Wave .....................................................18

Installer les cartes de serie SRX ...........................................................................................................19

Verification des cartes d’extension audio apres installation........................................................... 20

Connecting the RD-700SX to External Equipment....................................................................................... 21

Connecting Pedals................................................................................................................................. 22

Turning the Power On and Off .......................................................................................................................23

Turning On the Power.......................................................................................................................... 23

Turning Off the Power.......................................................................................................................... 24

Adjusting the Volume....................................................................................................................................... 24

Restoring the Factory Settings (Factory Reset).............................................................................................. 25

Adjusting the Display Contrast (LCD Contrast) .......................................................................................... 26

Tuning to Other Instruments’ Pitches (Master Tune).................................................................................. 27

Overview of the RD-700SX ...................................................................28

Basic Organization of the RD-700SX .............................................................................................................. 28

Units of Sound ...................................................................................................................................................28

Basic Operation.................................................................................................................................................. 28

Main Screens ..........................................................................................................................................28

Special Indications................................................................................................................................. 29

About the Function Buttons................................................................................................................. 29

About the CURSOR Buttons................................................................................................................ 30

Changing the Settings Values..............................................................................................................30

Listening to the Demo (DEMO PLAY) .................................................31

Performing with the Keyboard.............................................................32

Piano Performances (ONE TOUCH).............................................................................................................. 32

Performing with a Variety of Tones ...............................................................................................................33

Specifying the Tone Number to Select a Tone ([NUM LOCK])...................................................... 34

Selecting Wave Expansion Board Tones............................................................................................35

Playing Multiple Tones with the Keyboard ..................................................................................................37

Performing with Layered Tones ......................................................................................................... 37

Playing Different Tones in Two Different Sections of the Keyboard ([SPLIT]) ...........................38

Changing the Tone for a Zone.............................................................................................................40

Adjust the Volume Level for Individual Zones (ZONE SWITCH/ZONE LEVEL Slider)..................... 41

Transposing the Key of the Keyboard ([TRANSPOSE]).............................................................................. 42

Adding Reverberation to the Sound ([REVERB])......................................................................................... 43

Adding Breadth to the Sound ([CHORUS/DELAY]).................................................................................. 43

Changing the Sound’s Pitch in Real Time (Bender/Modulation Lever)................................................... 44

Adding Liveliness to the Sound ([SOUND CONTROL])............................................................................ 44

Adjusting the Level of the Sound’s Low, Mid, and High-Frequency Ranges ([EQUALIZER])............ 45

Contents

Using the Convenient Functions in Performances............................46

Playing Arpeggios ([ARPEGGIO]) .................................................................................................................46

Changing the Arpeggio Style .............................................................................................................. 47

Changing Arpeggio Tempos................................................................................................................ 47

Playing Rhythm ([RHYTHM/SONG]) ..........................................................................................................48

Changing the Rhythm Pattern............................................................................................................. 49

Changing Rhythm Tempos.................................................................................................................. 49

Playing the Songs ([RHYTHM/SONG])........................................................................................................ 50

Selecting the Song.................................................................................................................................. 51

Changing Song Tempos ....................................................................................................................... 51

Applying Effects to the Sound (Multi-Effects).............................................................................................. 52

Simulating the Creation of Organ Tones (Tone Wheel Mode)................................................................... 53

Changing the Undulation of the Organ Tone (Rotary Effect)......................................................... 54

Changing the ZONE LEVEL Slider Feet Assignments (Harmonic Bar) .......................................54

Disabling the Button (Panel Lock) .................................................................................................................. 55

Selecting Stored Settings ([SETUP])................................................................................................................ 56

Registering the Setups You Like (Favorite Setups) .......................................................................... 57

Storing Settings to Setups ([WRITE]) .............................................................................................................58

Using the RD-700SX As a Master Keyboard.......................................60

What’s MIDI?..................................................................................................................................................... 60

About MIDI Connectors....................................................................................................................... 60

Connecting to External MIDI Sound Generators.............................................................................. 60

Selecting the MIDI Connector to Use for Output (MIDI OUT Port).......................................................... 61

MIDI Send Channel Settings............................................................................................................................ 62

Selecting Sounds on an External MIDI Device.............................................................................................. 63

Adjusting the Volume of Each Zone (EXTERNAL Zone)........................................................................... 64

Detailed Settings for Transmitted Parts (EXTERNAL).......................................................................65

How to Make Settings ..................................................................................................................65

Adjusting the Volume and Pan (Volume/Pan)........................................................................ 65

Setting the Amount of Reverb and Chorus (Reverb/Chorus) ...............................................65

Playing Sound Monophonically (Mono/Poly).........................................................................66

Setting the Transposition for Each Individual Zone (Transpose)..........................................66

Setting the Key Range (Key Range Lower/Upper) .................................................................66

Changing the Range That Plays in Response to the Velocity

(Velocity Range Lower/Upper)..................................................................................................66

Changing Tone Elements (ATK/DCY/REL/COF/RES)........................................................ 66

Smoothly Changing the Pitch (Portamento) .............................................................................67

Setting the Change in Volume According to the Force Used to Play the Keyboard

(Velocity Sensitivity/Max) ..........................................................................................................67

Changing the Pitch (Coarse Tune/Fine Tune).......................................................................... 67

Setting the Range for the Change in Pitch with the Bender (Bend Range)........................... 67

Setting the Amount of Modulation Applied (Modulation Depth) ........................................ 67

Turning Each Controller On and Off .........................................................................................67

Transmitting the Control Change (USER CC/USER CC Value) ...........................................67

Making Detailed Settings for Tones ....................................................68

Making Zone Settings (Zone Info).................................................................................................................. 68

How to Make Settings........................................................................................................................... 68

Selecting the Tone.................................................................................................................................. 68

Setting the Volume and Pan (Volume/Pan)...................................................................................... 68

Setting the Zone to Which Multi-effects Are Applied (MFX1/MFX2 Source)............................. 68

Setting the Transposition for Each Individual Zone (Transpose).................................................. 69

Setting the Key Range for Each Zone (Key Range) .......................................................................... 69

Setting the Change in Volume According to the Force Used to Play the Keyboard

(Velocity Range/Sens/Max)................................................................................................................ 69

Assigning Internal Parts to INTERNAL Zone (Part Assign).......................................................... 69

Turning the Controllers in Each Zone On and Off........................................................................... 70

Contents

Making Tone Settings (Tone Info)................................................................................................................... 70

How to Make Settings........................................................................................................................... 70

Selecting the Part and the Tone to Be Set (Part, Tone)..................................................................... 71

Setting the Reverb/Chorus Depth (Reverb/Chorus Amount) ......................................................71

Changing the Effect Applied to the Tone (MFX Type).................................................................... 71

Playing Sound Monophonically (Mono/Poly) ................................................................................. 71

Changing the Pitch (Coarse Tune/Fine Tune).................................................................................. 71

Creating Smooth Pitch Changes (Portamento Switch/Time)......................................................... 71

Changing Tone Elements (Attack Time/Release Time/Cutoff/Resonance/Decay Time)........ 72

Changing the Bend Range (Bend Range)........................................................................................... 72

Making Detailed Settings for the ONE TOUCH Tones .......................73

Making Detailed Settings for the Piano Tones (Piano Edit)........................................................................ 73

Making the settings............................................................................................................................... 73

Selecting the Piano Sound.................................................................................................................... 73

Changing the Width of the Sound (Stereo Width) ........................................................................... 73

Changing the Sound’s Nuance (Nuance)........................................................................................... 73

Changing the Sense of Space Surrounding the Sound (Ambience)............................................... 73

Changing the Amount of Reverb Effect (Reverb Level).................................................................. 73

Opening/Closing the Piano Lid (Lid)................................................................................................ 74

Changing the Characteristics of the Mic (Mic Type/Distance)...................................................... 74

Adjusting the Resonant Sounds When the Keys are Pressed (String Resonance)....................... 74

Making the Midrange Equalizer Settings (EQ SW/EQ Gain/EQ Frequency/EQ Q)................. 74

Changing the Key Touch (Key Touch)............................................................................................... 74

Making Fine Adjustments to the Keyboard Touch (Key Touch Offset)........................................ 75

Setting a Constant Volume Level in Response to the Playing Force (Velocity)........................... 75

Changing the Timing of Sounds in Response to the Velocity (Velocity Delay Sens).................. 75

Changing the Touch Sensitivity According to the Key Range (Velocity Keyfollow Sens)......... 75

Finely Adjusting the Tuning (Micro Tune)........................................................................................75

Adjusting Resonance when the Damper Pedal is Depressed (Sympathetic Resonance)............ 75

Changing Sound Characteristics (Tone Modify) .............................................................................. 76

Restore the settings to initial conditions (Initialize).........................................................................76

Making Detailed Settings for the E.Piano Tones (E.Piano Edit)................................................................. 76

Making the settings............................................................................................................................... 76

Selecting the E.Piano Sound................................................................................................................. 77

Selecting the Amp Type(AMP Type).................................................................................................. 77

Applying Effects to the Sound (Effect Type/Depth/Rate)............................................................. 77

Making the Midrange Equalizer Settings (EQ-SW/EQ Gain/EQ Frequency/EQ Q) ................ 77

Changing Sound Characteristics (Tone Modify) .............................................................................. 77

Detailed Settings for Each Function ([EDIT]) .....................................78

Parameters That Can Be Set............................................................................................................................. 78

Setting Parameters................................................................................................................................. 79

Making System Settings (System)................................................................................................................... 79

How to Make Settings........................................................................................................................... 79

Adjusting the Volume (Master Volume)............................................................................................80

Preventing Equalizer Settings from Being Switched (EQ Mode)...................................................80

Preventing Pedal Settings from Being Switched (Pedal Mode)...................................................... 80

Retaining the Current Tone Even When Tones Are Switched (Tone Remain) ............................ 81

Changing the Clock (Timing) Source (Clock Source) ...................................................................... 81

Transmitting Synchronization Messages (Clock Out) ..................................................................... 81

Using Program Change Messages to Switch Setups (SETUP Control Channel) .........................81

Setting the Device ID Number (Device ID) ....................................................................................... 81

Switching the Pedal’s Polarity (Pedal/FC1/FC2 Polarity) ............................................................. 81

Selecting the Display Appearance (Display Mode).......................................................................... 82

Selecting the Number of Parts (Part Mode).......................................................................................82

Setting the Tuning Method (Temperament/Key) ............................................................................ 82

Precise Modification of Chord Sonorities (Stretch Tune)................................................................ 82

Switching Between Reception of GM/GM2 System On and GS Reset......................................... 82

Setting the Keyboard Touch (Key Touch)...................................................................................................... 83

Contents

How to Make Settings........................................................................................................................... 83

Changing the Key Touch (Key Touch)............................................................................................... 83

Making Fine Adjustments to the Keyboard Touch (Key Touch Offset)........................................ 83

Setting a Constant Volume Level in Response to the Playing Force (Velocity)........................... 84

Changing the Timing of Sounds in Response to the Velocity (Velocity Delay Sens).................. 84

Changing the Touch Sensitivity According to the Key Range (Velocity Keyfollow Sens)......... 84

Pedal and MULTI EFFECTS [CONTROL] Knob Settings (Control).......................................................... 84

How to Make Settings........................................................................................................................... 84

Assigning Functions to Pedals (FC1/FC2 Pedal Assign)................................................................ 85

Changing the MULTI EFFECTS [CONTROL] Knob Settings (Control Knob Assign)................ 85

Changing the Slider Settings (Slider Assign) ....................................................................................85

Setting the Multi-Effects, Reverb, and Chorus Effects (Effects) .................................................................86

How to Make Settings........................................................................................................................... 86

Making Multi-Effects Settings ............................................................................................................. 86

Making Reverb Settings........................................................................................................................ 87

Setting Chorus and Delay ....................................................................................................................88

Making the Sound Control Settings (Sound Control).................................................................................. 88

How to Make Settings........................................................................................................................... 88

Selecting the Type of Compressor (Sound Control Type)............................................................... 89

Detailed Settings of Compressor......................................................................................................... 89

Managing Setup Files (File Utility/USB).......................................................................................................89

Saving Setup Files to the Memory (Save SETUP File) .....................................................................89

Calling Up Setup Files from Memory (Load SETUP File)............................................................... 90

Deleting Files from Memory (File Delete) .........................................................................................91

Setting MIDI Receive Parts (Part Parameter)................................................................................................ 91

How to Make Settings........................................................................................................................... 91

Selecting the Part to Be Set (Part/Tone)............................................................................................. 92

Setting the Receive Channel (Receive Channel) ...............................................................................92

Setting the Volume and Pan (Volume/Pan)...................................................................................... 92

Setting the Required Polyphony (Voice Reserve)............................................................................. 92

Preventing Parts from Being Played (Part Switch)........................................................................... 92

Making the Effect ON/OFF Settings (MFX Switch)......................................................................... 92

Setting Reception and Blocking of MIDI Messages from External MIDI Controllers................. 92

Making the Rhythm and Arpeggio Settings (Rhythm/Arpeggio) ............................................................93

How to Make Settings........................................................................................................................... 93

Making the rhythm Settings ................................................................................................................93

Making Arpeggio Settings ...................................................................................................................95

About V-LINK ...................................................................................................................................................97

Connection Examples ...........................................................................................................................97

Turning the V-Link ON/OFF.............................................................................................................. 97

V-Link Settings....................................................................................................................................... 97

Detailed Settings of V-Link.................................................................................................................. 98

Other Functions (Utility).................................................................................................................................. 98

Transferring the RD-700SX’s Settings to an External MIDI Device (Bulk Dump)....................... 98

Restoring the settings to the factory condition (Factory Reset).................................................... 100

Connecting External MIDI Devices....................................................101

Recording RD-700SX Performances to an External MIDI Sequencer...................................................... 101

Connecting to an External Sequencer............................................................................................... 101

Settings for Recording (Rec Setting) ................................................................................................. 101

Recording the Performance................................................................................................................ 102

Exiting Rec Mode................................................................................................................................. 102

About the Local Switch....................................................................................................................... 102

Playing the RD-700SX’s Internal Sound Generator from an External MIDI Device .............................103

Making Connections ........................................................................................................................... 103

Setting the Channels ........................................................................................................................... 103

Selecting RD-700SX Sounds from an External MIDI Device......................................................... 103

Switching Setups .................................................................................................................................103

Switching Tones................................................................................................................................... 103

Contents

Connecting to Your Computer via USB (USB Mode).......................104

About USB Functions...................................................................................................................................... 104

Switching Between Storage Mode and MIDI Mode................................................................................... 104

Exchanging Files with Computers (Storage Mode).................................................................................... 105

Connections.......................................................................................................................................... 105

Cautions Regarding Folders and Files .............................................................................................105

Exchanging Files..................................................................................................................................105

Exiting Storage Mode.......................................................................................................................... 105

Exchanging MIDI Messages with Your Computer (MIDI Mode)............................................................ 106

Switching USB Drivers ................................................................................................................................... 106

Appendices..........................................................................................108

Troubleshooting............................................................................................................................................... 108

Error Messages/Other Messages.................................................................................................................. 111

Error Messages..................................................................................................................................... 111

Other Messages.................................................................................................................................... 111

Effect/Parameter List...................................................................................................................................... 112

Multi-Effects Parameter...................................................................................................................... 112

Chorus Parameter................................................................................................................................ 144

Reverb Parameter ................................................................................................................................ 145

Tone List ...........................................................................................................................................................146

Rhythm Set List................................................................................................................................................ 149

Arpeggio Style List.......................................................................................................................................... 152

Rhythm Pattern List........................................................................................................................................ 153

Setup List .......................................................................................................................................................... 154

Shortcut List .....................................................................................................................................................155

MIDI Implementation.....................................................................................................................................156

Main Specifications .........................................................................................................................................172

Index.................................................................................................................................................................. 173

Purpose-Oriented Index................................................................................................................................. 178

Volume Setting..................................................................................................................................... 178

Key Touch and Velocity .....................................................................................................................178

Equalizer............................................................................................................................................... 178

Pitch and Tuning .................................................................................................................................178

Effects (Reverb, Chorus, Multi-Effects)............................................................................................ 178

Control ..................................................................................................................................................178

Key Range............................................................................................................................................. 178

Panel Descriptions

Front Panel

fig.buttons

1. [V-LINK]

Switching this on lets you control external V-LINK compatible video equipment connected to the RD-700SX (p. 97).

2. VOLUME Slider

Adjusts the overall volume that is output from the rear panel OUTPUT jacks and PHONES jack (p. 24).

3. EQUALIZER/EFFECTS

[SOUND CONTROL]

Switching this on reduces inconsistencies in the volume and produces a more stable, coherent sound (p. 44).

[CHORUS/DELAY]

Changes the chorus type (p. 43).

MULTI-EFFECTS [CONTROL] knob

Adjusts the way that effects are applied (p. 52).

MULTI-EFFECTS [ON/OFF]

Switches the multi-effects on/off (p. 52).

5. ZONE SWITCH/CONTROL

ZONE SWITCH

Turns each part’s sound on and off (p. 41).

[LOW] knob

Adjusts the sound’s low-frequency range (p. 45).

[MID FREQ] knob

Adjusts the midrange frequencies (p. 45).

[MID LEVEL] knob

Adjusts the sound’s midrange-frequency range (p. 45).

[HIGH] knob

Adjusts the sound’s high-frequency range (p. 45).

[ON/OFF]

Turns the equalizer on/off (p. 45).

4. REVERB, CHORUS/DELAY, MULTI-EFFECTS

REVERB [DEPTH] knob

Adjusts the amount of reverb (p. 43).

[REVERB]

Changes the reverb type (p. 43).

CHORUS/DELAY [DEPTH] knob

Adjusts the amount of chorus (p. 43).

ZONE LEVEL slider

Adjusts the volume level for each part (p. 41). When [EXTERNAL/INTERNAL] is on, this controls each part for

the external MIDI sound generator (p. 64). In addition, when [CONTROL/ZONE LEVEL] is on, the tone is

changed in real time in response to the assigned parameter and function.

[EXTERNAL/INTERNAL]

Puts the RD-700SX in control of the external MIDI sound generator (p. 60).

[RHYTHM/SONG]

Switches RHTYHM and SONG on/off (p. 48, p. 50).

[CONTROL/ZONE LEVEL]

This determines the function of the ZONE LEVEL sliders (p. 85).

[ARPEGGIO]

Switches Arpeggiator on/off (p. 46).

[SPLIT]

Puts the keyboard in “Split mode,” wherein you can use more than one tone by having different tones play in different parts of the keyboard (p. 38).

fig.buttons

Panel Descriptions

[TRANSPOSE]

Sets the range of the keyboard to transposed (p. 42).

6. DISPLAY

This shows the Tone names and the values of various settings, etc.

[SHIFT/EXIT]

Pressed to return to a previous screen or to cancel a procedure that is in progress.

Additionally, you can easily call up Edit screens for related parameters for the following functions by holding down this button while pressing buttons, turning knobs, or operating other controllers (p. 155).

[F1/TONE INFO]

This allows you to change the tone settings (p. 70). You can also use this to assign functions in some screens.

[F2/ZONE INFO]

This allows you to change the zone settings (p. 68). You can also use this to assign functions in some screens.

[ENTER]

This is used to finalize a value or execute an operation.

7. CONTRAST knob

Adjusts the display’s contrast (p. 26).

8. CURSOR [ ], [ ], [ ], [ ]

Press these to switch pages and to move the cursor.

[SETUP]

Calls up the stored settings (Setup) (p. 56).

11. ZONE SELECT buttons

Selects the zone for which the tone is to be selected (p. 40).

12. EXPANSION [A], [B]

This selects a sound from a wave expansion board, sold separately (p. 35).

13. FUNCTION

[EDIT]

Press this button when you wish to adjust various settings (p. 78).

[WRITE]

Stores the current settings to “Setup” (p. 58).

[NUM LOCK]

You can input numerical values with the TONE SELECT buttons when this button is lit (p. 34).

In addition, you can listen to the demo songs by simultaneously pressing this button and [EDIT] (DEMO PLAY) (p. 31).

14. TONE SELECT buttons

Pressed to select tones (p. 33). You can also input numerical values with these buttons when the

[NUM LOCK] button is on. [NUM LOCK] turns on automatically in the Edit and other screens, enabling input of numerical values with the buttons.

fig.Bender

9. [DEC], [INC]

This is used to modify values. If you keep on holding down one button while pressing the other,

the value change accelerates.

10. ONE TOUCH

[PIANO]

Selects the optimum settings for piano performances (p. 32).

[E.PIANO]

Selects the optimum settings for E.piano performances (p. 32).

Pitch Bend/Modulation Lever

This allows you to control pitch bend or apply vibrato (p. 44).

Panel Descriptions

Rear Panel

fig.rear

1. [POWER ON] Switch

Switch turns the power on/off (p. 23).

2. AC Inlet

Connect the included power cord to this inlet (p. 21).

4 5

7 8

3. Wave Expansion Board Installation Slot

Remove the cover for installation of optional wave expansion boards (SRX Series) (p. 15).

4. USB Connector

Connect your computer here to exchange Standard MIDI file and setup file between the computer and the RD-700SX (p. 104).

5. PEDAL Jacks (DAMPER, FC1, FC2)

Connecting the pedal switch (DP series) provided with the RD700SX to the DAMPER jack allows you to use the switch as a damper pedal.

With a pedal connected to the FC-1 or FC-2 jack, you can then assign a variety of functions to the pedal (p. 70, p. 84).

6. MIDI Connectors (IN, OUT1, OUT2, THRU)

Used for connecting external MIDI devices and for transmission of MIDI messages (p. 60, p. 91, p. 101).

7. OUTPUT L (MONO)/R Jacks

Provide output of the audio signals. These are connected to an amp or other device. For monaural output use the L/MONO jack (p. 21).

8. BALANCED OUT L/R Jacks

Connectors for balanced output of the audio signals. Connect to mixers and other such gear (p. 21).

9. PHONES Jack

A set of headphones can be connected to this jack (p. 21). Even when headphones are connected, sound will still be output

from the OUTPUT jacks.

Getting Ready

Installing the Wave Expansion Board

Up to two optional Wave Expansion Boards (SRX Series) can be installed in the RD700SX.

Wave Expansion Boards store Wave data, Patches, and Rhythm Sets, and by equipping the RD-700SX with these boards, you can greatly expand your sound palette.

For more information about the wave expansion board tones, refer to the patch list included with the wave expansion board. However, some of the tone names may be displayed differently on the RD-700SX. Check 36page as you refer to the tone names.

Cautions When Installing an Wave Expansion Board

901

911

912

913

914

915

• To avoid the risk of damage to internal components that can be caused by static electricity, please carefully observe the following whenever you handle the board.

• Before you touch the board, always first grasp a metal object (such as a water

pipe), so you are sure that any static electricity you might have been carrying has been discharged.

• When handling the board, grasp it only by its edges. Avoid touching any of the

electronic components or connectors.

• Use a Philips screwdriver that is suitable for the size of the screw (a number 2 screwdriver). If an unsuitable screwdriver is used, the head of the screw may be stripped.

• To remove a screw, rotate the screwdriver counterclockwise. To tighten a screw, rotate the screwdriver clockwise.

• Be careful that the screws you remove do not drop into the interior of the RD-700SX.

• Do not leave the rear panel cover removed. After installation of the Wave Expansion Boards is complete, be sure to replace the cover.

• Do not touch any of the printed circuit pathways or connection terminals.

• Never use excessive force when installing a circuit board. If it doesn’t fit properly on the first attempt, remove the board and try again.

• When circuit board installation is complete, double-check your work.

• Always turn the unit off and unplug the power cord before attempting installation of the circuit board.

• Install only the specified circuit board(s) (SRX Series). Remove only the specified screws.

• Be careful not to cut your hand on the edge of the installation bay.

tightenloosen

Install the Wave Expansion Boards after removing the rear panel cover. There are two slots (A and B) into which a board can be installed. Specify which slot’s

board is to be used by pressing EXPANSION [A] or [B] on the front panel when using waves, tones, or Rhythm Sets from the wave expansion boards.

Getting Ready

push

Installing SRX Series Boards

Before installing any Wave Expansion Board, turn off the power on the RD-700SX and all devices connected to it.

Refer to the following illustration of the RD-700SX’s rear panel, and remove the screws indicated. Then, remove the cover.

fig.00-02e

Screws to be removed

You can remove the cover easily by pressing on the lower part of the cover (above

the mark).

fig.00-03e

Insert the Wave Expansion Board connector into a connector for an SRX Series slot (SRX A or SRX B), while simultaneously inserting the board holders into the holes in the Wave Expansion Board.

fig.00-04e

Wave Expansion Board (SRX series)

If the same type of Wave Expansion Board is installed in the SRX A slot and the SRX B slot, it will only be possible to select data from the Wave Expansion Board that was installed in the SRX A slot.

Board holder

Position them as shown before you install the board.

Connector

Use the Installation Tool supplied with the Wave Expansion Board to turn the holders in the LOCK direction, so the board will be fastened in place.

fig.00-05e

LOCK

Installation tool

Use the screws that you removed in step 2 to fasten the cover back in place.

Getting Ready

Checking the Installed Wave Expansion Boards

After installation of the Wave Expansion Boards has been completed, check to confirm that the installed boards are being recognized correctly.

fig.00-06p

Turn on the power, as described in “Turning On the Power” (p. 23).

“Selecting Wave Expansion Board Tones” (p. 35).

The name of the installed wave expansion board is displayed for as long as EXPANSION [A] or [B] is held down.

The number of tones and Rhythm Sets contained in the expansion board is displayed.

The example here depicts what you would see if the SRX-02 “Concert Piano” Wave Expansion Board were installed in the SRX A slot.

fig.00-07g

If “------” appears next to the name of the slot in which the

oard was installed, it may be that the wave expansion board is not being recognized properly. Use the procedure in “Turning Off the Power” (p.

24) to turn the power off, then reinstall the wave expansion

oard correctly.

By releasing the button, you go back to the previous screen.

Getting Ready

Installation de la carte d’extension Wave(French language for Canadian Safety Standard)

Vous pouvez installer jusqu’a 2 cartes d’extension optionnelles dans le RD-700SX. Ces cartes d’extension memorisant des donnees Wave, des morceaux et des

ensembles rythmiques, elles vous permettront d’augmenter considerablement le timbre.

Pour de plus amples renseignements sur les tonalités de la carte d'expansion Wave, se reporter à la liste des timbres incluse avec la carte. Toutefois, certains des noms de tonalités peuvent s'afficher différemment sur le RD-700SX. Consulter la p. 36 pour les noms des tonalités.

Precautions lors de l’installation de la carte d’extension Wave

901(F)

911(F)

912(F)

913(F)

914(F)

915(F)

• Veuillez suivre attentivement les instructions suivantes quand vous manipulez la carte afin d’éviter tout risque d’endommagement des pièces internes par l’électricité statique.

• Toujours toucher un objet métallique relié à la terre (comme un tuyau par

exemple) avant de manipuler la carte pour vous décharger de l’électricité statique que vous auriez pu accumuler.

• Lorsque vous manipulez la carte, la tenir par les côtés. Évitez de toucher aux

composants ou aux connecteurs.

• Utiliser un tournevis cruciforme correspondant a la taille de la vis (un tournevis numero 2). En cas d’utilisation d’un tournevis inapproprie, la tete de la vis pourrait etre endommagee.

• Pour enlever les vis, tourner le tournevis dans le sens contraire des aiguilles d’une montre. Pour resserrer, tourner dans le sens des aiguilles d’une montre.

fig.00-01f

• Veillez a ne pas laisser tomber de vis dans le chassis du RD-700SX.

• Ne pas laisser la plaque arriere detachee. Apres avoir installe la ou les carte(s) d’extension, bien remettre la plaque en place.

• Ne pas toucher aux circuits imprimés ou aux connecteurs.

• Ne jamais forcer lors de l’installation de la carte de circuits imprimés. Si la carte s’ajuste mal au premier essai, enlevez la carte et recommencez l’installation.

• Quand l’installation de la carte de circuits imprimés est terminée, reverifiez si tout est bien installé.

• Toujours éteindre et debrancher l’appareil avant de commencer l’installation de la carte.

• N’installez que les cartes de circuits imprimes specifiees (SRX Series). Enlevez seulement les vis indiquees.

• Installer les cartes d’extension apres avoir enleve la plaque arriere.

• Veillez a ne pas vous couper les doitgs sur le bord de l’ouverture d’installation.

resserrerdesserrer

Avant d'installer la carte d'expansion Wave, retirer le panneau arrière. Il y a deux emplacements (A et B) dans lesquels une carte peut être installée. Spécifier

l'emplacement à utiliser en appuyant sur EXPANSION [A] ou [B] sur le panneau avant lors de l'utilisation d'ondes, de tons ou de groupes rythmiques à partir des cartes d'expansion Wave.

Installer les cartes de serie SRX

push

Avant d’installer une carte d’extension Wave, eteindre tous les appareils relies au RD-700SX.

Detacher la plaque arriere en enlevant les vis indiquees sur le schema suivant.

fig.00-02f

Vis à enlever

Getting Ready

Il est facile d’enlever le couvercle: il suffit d’appuyer sur la partie inférieure du

couvercle (au-dessus du symbole ).

fig.00-03f

Inserer le connecteur de la carte dans un des creneaux pour la serie SRX (SRX A, SRX B) tout en enfoncant les supports a carte dans les trous de celle-ci.

fig.00-04f

Carte d'extension Wave (serie SRX)

Support à carte

Avant l’installation, orienter les supports à carte tel qu’indiqué sur le schéma.

Connecteur

Getting Ready

Pour tourner les supports en position LOCK (verrouille), utilisez l’outil d’installation de la carte d’extension fournie a cet effet. De cette facon, la carte sera bien fixee a sa place.

fig.00-05f

LOCK

Outil d'installation

Reposez le couvercle en remettant les vis enlevees (comme specifie) a l’etape 2.

Verification des cartes d’extension audio apres

Si la meme sorte de carte d’extension Wave est installee dans les creneaux SRX A et SRX B, il ne sera possible de selectionner que les donnees de la carte d’extension Wave installee dans le creneau SRX A.

installation

Lorsque l’installation des cartes d’extension audio est terminee, proceder a une verification pour s’assurer que l’ordinateur les identifie correctement.

fig.00-06p

Mettre sous tension de la facon decrite sous “Turning On the Power” (p. 23).

Le nom de la carte d'expansion Wave installée s'affiche tant que la touche EXPANSION [A] ou [B] est tenue enfoncée.

Le nombre de tonalités et de groupes rythmiques compris sur la carte d'expansion s'affiche.

L’exemple montre ce qui serait affiche si la carte d’extension audio SRX-02 “Concert Piano”etait installee dans la fente SRX A.

fig.00-07g

“Selecting Wave Expansion Board Tones” (p. 35).

Si “----------------” est affiche a cote du nom de la fente dans laquelle la carte est installee, il est possible que la carte d’extension audio installee ne soit pas reconnue correctement. Mettre hors tension de la facon decrite sous “Turning Off the Power” (p.

24) et reinstaller correctement la carte d’extension audio.

Lorsque vous le relacherez, vous serez ramene a l’ecran precedent.

Getting Ready

MIDI IN

MIDI sound module etc.

V-LINK-compatible

video equipment.

MIDI OUT

MIDI sequencer etc.

Stereo

headphones

to Power outlet

Mixer etc.

Power amp.

Monitor speakers

(powered)

Expression pedal (EV-5/7) or Pedal switch (DP-2/8)

Pedal switch

(DP-2/8)

Computer

Connecting the RD-700SX to External Equipment

The RD-700SX is not equipped with an amplifier or speakers. In order to produce sound, you need to hook up audio equipment such as a monitor speaker or a stereo set, or use headphones.

* Audio cables, MIDI cables, USB cables, headphones, and expression pedals are not included.

Consult your Roland dealer if you need to purchase accessories such as these.

fig.00-08e

To prevent malfunction and/ or damage to speakers or other devices, always turn down the volume, and turn off the power on all devices before making any connections.

921

Getting Ready

About the Output Jacks

922

This instrument is equipped with balanced (XLR) type jacks. Wiring diagrams for these jacks are shown below. Make connections after first checking the wiring diagrams of other equipment you intend to connect.

fig.XLRJack

Before you begin making connections, confirm the following.

Is the volume level of the RD-700SX or connected amp turned all the way down? Is the power to the RD-700SX or connected amp turned off?

Connect supplied power cord to the RD-700SX, and plug the other end into an AC power outlet.

Connect the RD-700SX and the external device.

Use audio cables to connect audio equipment, such as an amp or speakers. Use MIDI cables to connect MIDI devices. Use USB cables to connect computer.

If you are using headphones, plug them into the PHONES jack. Connect pedal switches or expression pedals as necessary.

Connecting Pedals

Connect the pedal included with the RD-700SX to one of the PEDAL jacks. When connected to the DAMPER jack, the pedal can be used as a damper pedal. Connecting the pedal to the FC-1 or FC-2 jack allows you to assign a variety of

functions to the pedal (p. 70, p. 85).

Use Stereo headphones.

Use only the specified expression pedal (EV-5/7; sold separately). By connecting any other expression pedal, you risk causing malfunction and/ or damage to the unit.

Set the switch on the included pedal to “Continuous” when the pedal is connected.

Turning the Power On and Off

To prevent incorrect functioning of the Pitch Bend/ Modulation Lever (p. 44), refrain from touching the lever while the power to the RD700SX is turned on.

941

Once the connections have been completed, turn on power to your various devices in the order specified. By turning on devices in the wrong order, you risk causing malfunction and/or damage to speakers and other devices.

Turning On the Power

Before you switch on the power, move the volume down all the way by moving the VOLUME Slider.

Also completely turn down the volume of any connected audio device and other equipment.

fig.00-09

Getting Ready

In the unlikely event the power is turned off or cut off while Factory Reset (p. 22) is in progress, the data may become corrupted, and it may require additional time for the unit to start up the next time.

Press the upper portion of the [POWER ON] switch on the back of the RD-700SX to turn on the power.

The unit is powered up, and the display’s backlighting comes on.

fig.00-10

Turn on the power to connected external devices.

Adjust the volume of the connected external device.

Adjust the RD-700SX’s volume to obtain the proper volume level.

This unit is equipped with a protection circuit. A brief interval (a few seconds) after power up is required before the unit will operate normally.

942

Getting Ready

Turning Off the Power

Before you switch on the power, move the volume down all the way by moving the VOLUME Slider.

Also completely turn down the volume of any connected audio device and other equipment.

Turn off the power to connected external devices.

Press the lower portion of the [POWER ON] switch on the back of the RD-700SX.

The power is switched off.

Adjusting the Volume

If you need to turn off the power completely, first turn off the POWER switch, then unplug the power cord from the power outlet. Refer to “Power Supply” (p.

5).

fig.00-11

Adjust the volume using the VOLUME slider.

Move the slider up to increase the volume, or down to lower it. Also adjust the volume of the connected device to an appropriate level.

Restoring the Factory Settings (Factory Reset)

12,43,5,6,7

When using the RD-700SX for the first time, start by returning the settings to their factory defaults so that the RD-700SX operates as described in the procedures in the owner’s manual.

Notes

Never turn off the power during Factory Reset (while “Now, Executing” appears in the display).

Turning off the power while Factory Reset is in progress may result in corrupted internal data and may prevent the power from being turned on again. If you have confirmed that the internal data has been lost, or if a similar problem exists, consult the retailer from whom you purchased the instrument, or the nearest Roland Service Center. Note, however, that Roland assumes no liability, including compensation, for consequences arising from any loss of data.

fig.00-12p

Executing this operation deletes the Setup settings (p.

56). If you want to keep any internally stored content, use the “Bulk Dump (Bulk Dump SETUP)” procedure to save the data to an external sequencer (p. 99).

When making USB connections, be absolutely sure to disconnect the USB cable before starting.

Getting Ready

Press [EDIT], getting the indicator to light.

The Edit Menu screen appears.

fig.00-13g

Press CURSOR [ ] to select “9.Utility.”

Press [ENTER] to display the Utility screen.

fig.00-14g

Instead of selecting with the CURSOR, you can press TONE SELECT [9] to display the Utility Edit screen directly.

Press CURSOR [ ] to select “Factory Reset All.”

Getting Ready

Press [ENTER].

A screen like the one shown below appears.

fig.00-15g

To cancel the Factory Reset, press [EXIT].

Press [ENTER].

The confirmation message appears.

fig.00-16g

To cancel the Factory Reset, press [EXIT].

Press [ENTER] once again to start the Factory Reset operation.

During the execution, “Executing... Don’t Power OFF” appears in the display. After the Factory Reset operation is finished, the ONE TOUCH screen will appear.

Turn off the power to the RD-700SX, then turn it on again.

You can also restore only part of the setting to their factory status. Refer to “Restoring the settings to the factory condition (Factory Reset)” (p. 100).

Adjusting the Display Contrast (LCD Contrast)

The characters in the display may be difficult to view immediately after turning on the power or after extended use; this may also be because of where and how the display is situated.

In such instances, adjust the display contrast by turning the CONTRAST knob on the front panel.

fig.00-17p

Getting Ready

You can directly display the System Edit screen by pressing TONE SELECT [0] instead of selecting with CURSOR.

Tuning to Other Instruments’ Pitches (Master Tune)

For a cleaner ensemble sound while performing with one or more other instruments, ensure that each instrument’s basic pitch is in tune with that of the other instruments. In general, the tuning of an instrument is indicated by the pitch in Hertz (Hz) of the middle “A” note.

This matching of other instruments’ basic reference pitches is called “tuning.”

fig.00-18ps

Press [EDIT], getting the indicator to light.

The Edit Menu screen appears.

fig.00-19g

Press CURSOR [ ] to select “0.System.”

Press [ENTER] to display the Edit screen.

fig.00-20g

For faster value increases, keep [INC] pressed down and press [DEC]. For decreasing value faster, keep [DEC] pressed down and press [INC].

1,62,43

Press CURSOR [ ] to move the cursor to the “Master Tune” parameter.

Press [INC]/[DEC] to select the value (415.3–440.0–466.2).

Press [EDIT] to make the indicator go dark.

You are returned to the Tone screen.

If you want to save this setting, press [F1(WRITE)]. Settings saved in the RD-700SX are not deleted even when the power is turned off.

Overview of the RD-700SX

Part

Basic Organization of the RD-700SX

The RD-700SX can be divided into two sections: a keyboard controller section and a sound generator section. The two sections are connected internally by means of MIDI.

fig.00-G01e

Sound

Generator

Section

A sound generator of this type which can control multiple sounds using one device is referred to as a multitimbral sound generator. The RD-700SX contains a multitimbral sound generator capable of playing sixteen Tones simultaneously. “Parts” are where Tones that are created when the RD-700SX is used as a sound generator are assigned. Since different Tones can be assigned to each of the Parts and controlled individually, you can have multiple Tones play simultaneously, divide the keyboard into separate ranges and have different Tones sound in the different parts (Split), and enjoy playing ensemble performances. The sixteen Parts played by the RD-700SX’s internal sound generator are referred to as “Internal Parts.”

Play

Keyboard Controller Section

(controllers such as keyboard, pitch bend lever, etc.)

Keyboard Controller Section

This section includes the keyboard, the Pitch Bend/Modulation Lever, the panel knobs, the sliders, and any pedal connected to the rear panel. Actions such as pressing and releasing of keys on the keyboard, depressing a pedal, and so forth, are converted to MIDI messages and sent to the sound generator section, or to an external MIDI device.

Sound Generator Section

The sound generator section produces the sound. Here, MIDI messages received from the keyboard controller section or external MIDI device are converted to musical signals, which are then output as analog signals from the OUTPUT and PHONES jacks.

Zone

The RD-700SX features four Parts (UPPER1, UPPER2, LOWER1, and LOWER2) that you can use for freely controlling the Internal Parts with the RD-700SX’s buttons and keyboard. These four Parts that are used for controlling the Internal Parts are collectively known as the “INTERNAL Zone.” Four of the sixteen Internal Parts are assigned to the INTERNAL Zone for control (the RHYTHM Part is fixed at Part 10). Furthermore, you can freely control external MIDI sound generators with the RD-700SX in the same manner as with the INTERNAL Zone. You can likewise control the external MIDI sound generator with the four Parts (UPPER1, UPPER2, LOWER1, and LOWER2), with this group of four Parts being referred to as the “EXTERNAL Zone.” The external MIDI sound generator is assigned to these three Parts for control (the RHYTHM Part can also be partially set).

Basic Operation

Main Screens

Units of Sound

When using the RD-700SX, you will notice that a variety of different categories come into play when working with sounds. What follows is a simple explanation of each sound category.

Tone

The individual sounds used when playing the RD-700SX are referred to as “Tones.” The RD-700SX provides 488 types of Tones. Tones are assigned to each part. The Tones also include various groups of percussion instrument assembled into “Rhythm Sets.” Each key (note number) of a Rhythm Set will produce a different percussion instrument.

ONE TOUCH Screen

When ONE TOUCH [PIANO] or [E.PIANO] is pressed, setting the RD-700SX to the optimal status for piano performances, this screen is displayed.

fig.00-G03g

Overview of the RD-700SX

The Tone Screen (Basic Screen)

The names of the Tones currently selected for the INTERNAL Zone are displayed. This is the screen that is ordinarily displayed. You can change the INTERNAL Zone (UPPER1, UPPER2, LOWER1, and LOWER2) Tones and tempo.

fig.00-G02g

The Tone Wheel Screen

In the Tone screen, when any ORGAN Tone “Tone Wheel 1-10” is selected for any of the INTERNAL Zone, this screen is

displayed when CURSOR [ ] is pressed. The mode when this screen is displayed is called “Tone Wheel mode,” and while in this mode you can simulate the creation of sounds using an organ’s harmonic bars (p. 53).

Pressing CURSOR [ ] when this screen is displayed returns you to the Tone screen.

fig.00-G04g

fig.00-G06g

EXTERNAL Screen

When [EXTERNAL/INTERNAL] is pressed, the button’s indicator lights up, and the RD-700SX switches to the mode enabling it to control an external MIDI sound generator. The status of this button determines whether the RD-700SX’s buttons are used to control the INTERNAL Zone ([EXTERNAL/ INTERNAL] unlit), or to control the EXTERNAL Zone ([EXTERNAL/INTERNAL] lit). In addition, you can make detailed settings for the MIDI messages to be transmitted to the external sound generator (p.

61).

fig.00-G06g

The Setup Screen

The currently selected Setup is displayed (p. 56).

Pressing CURSOR [ ] when the Tone screen or Tone Wheel Screen is displayed switches the RD-700SX to this screen. You can also have this screen displayed by pressing [SETUP]. You can change the Setups (p. 46, p. 48, p. 50).

Pressing CURSOR [ ] when this screen is displayed returns you to the Tone screen or Tone Wheel Screen.

fig.00-G05g

The Rhythm/Song/Arpeggio Screen

Pressing CURSOR [ ] when the Tone screen is displayed switches the RD-700SX to this screen. You can change Song, Rhythm patterns, Arpeggio patterns, and the tempo.

Special Indications

fig.mark-tempoM

A mark is displayed to the right of the tone name when you select an 88-key multisampled piano tone in the Tone screen.

fig.mark-tempoM

A mark is displayed to the left of the tone name when you select “TW-Organ 1–10” in the Tone screen.

Pressing CURSOR [ ] while this mark is displayed brings up the Tone Wheel screen (p. 53).

fig.mark-tempoM

With Clock Source (p. 81) set to MIDI, the tempo indication changes to “M:” for each screen. The tempo can be changed with the external MIDI devices when this mark is indicated.

fig.mark-EQ

With EQ Mode (p. 80) set to SYSTEM, this mark appears upper right on the screen. Equalizer settings do not change when Setups are switched while this mark is indicated.

fig.mark-PD

With Pedal Mode (p. 80) set to “SYSTEM,” this mark appears on the upper right of the screen. Pedal settings do not change when Setups are switched while this mark is indicated.

About the Function Buttons

fig.00-G07p

Pressing CURSOR [ ] when this screen is displayed returns you to the Tone screen.

Overview of the RD-700SX

[EDIT]

By pressing [EDIT] to make the indicator light, you can enter “Edit mode.” In Edit mode you can make detailed settings for various functions. You can exit Edit mode by pressing [EDIT], extinguishing its indicator.

[WRITE]

Stores the current settings to “Setup” (p. 58).

[NUM LOCK]

When [NUM LOCK] is pressed, the button’s indicator lights up, enabling input of numerical values using the TONE SELECT buttons. The button indicators automatically light according to the values set.

About the CURSOR Buttons

fig.00-G08p

Additionally, when multiple parameters are presented horizontally in a row, as shown in the EXTERNAL screen, you can get the cursor to move more rapidly by holding down the CURSOR button that points in the direction you want the cursor to move while you also press the CURSOR button that points in the opposite direction.

fig.00-G11pj

Changing the Settings Values

fig.00-G12p

The CURSOR buttons are used for switching screens, and for moving to an item whose setting you want to change (by moving the cursor).

Moving Between Display Pages

When arrow symbols (“ ” and “ ”) appear at the upper right of the display screen, it indicates that there are additional pages in the directions shown by the arrows.

You can switch screens with CURSOR [ ] and [ ].

fig.00-G09g

Navigating Among Items To Be Set (CURSOR)

When more than one parameter is present in a screen, the name and value of the parameter to be changed is shown with a box around it. This box is referred to as the “cursor.” The cursor is moved with the CURSOR buttons.

fig.00-G10g

Cursor

When changing settings values, you can use [DEC] and [INC], or the TONE SELECT buttons (numeric keys).

[DEC], [INC]

Pressing [INC] increases the value, and [DEC] decreases it. Keep the button pressed for continuous adjustment. For faster value increases, keep [INC] pressed down and press [DEC]. For decreasing value faster, keep [DEC] pressed down and press [INC]. Simultaneously pressing [DEC] and [INC] sets that parameter to the standard default value or switches it off.

TONE SELECT Buttons (Numeric Keys)

When [NUM LOCK] is on (lit), numerical values can be input directly using the TONE SELECT buttons, which then serve as [0]–[9] numeric keys. When you enter the number, the value will blink. This indicates that the value has not yet been finalized. To finalize the value press [ENTER]. With some parameters, [NUM LOCK] may come on automatically, allowing you to input numerical values directly with the TONE SELECT buttons.

Only numerical values can be entered using the numeric keys. To switch the positive (+) or negative (-) signs for numerical values and make continuous changes in the numerical values, press [INC] or [DEC].

Listening to the Demo (DEMO PLAY)

No data for the music that is played will be output from the MIDI OUT connector.

982

Here’s how to listen to these songs. The RD-700SX features the internal demo songs that exhibit the special capabilities

of the instrument.

No. Song Name Composer/Copyright

ten pieces are offered, one for each TONE CATEGORY.

fig.Q1-01p

981a

1234,5

* When demo songs are playing back, all settings are switched to their status at the time the

RD-700SX’s power was turned on. Store any arrangements of settings that you want to keep in Setup (p. 58).

Hold down [NUM LOCK] and press [EDIT].

The Demo screen appears.

fig.Q1-02g

Press CURSOR [ ] / [ ] or [INC] / [DEC] to select the song that you wish to hear.

Press CURSOR [F2(PLAY)] or [ENTER] to start playback of the demo song.

Press any one of the TONE SELECT buttons, and playback begins from the demo song corresponding to the button pressed. When all songs have been played, playback will return to the first song and resume. Pressing a TONE SELECT button during playback stops the song being played, and playback of the newly selected song begins.

Press CURSOR [EXIT] or [F1(MENU)] to stop a song during playback.

Regardless of whether the song is playing or stopped, pressing ONE TOUCH [PIANO] or [E.PIANO] ends the demo and returns the original screen to the display.

Press [EXIT] or [F1(EXIT)] while the song is stopped to finish with the Demo screen.

You are returned to the Tone screen.

Performing with the Keyboard

Pressing ONE TOUCH [PIANO] or [E.PIANO] restores all of the settings except for the Piano Edit(p. 73) or Electric Piano Edit(p. 76) settings to their status at the time the power was turned on. If you want to preserve these settings, record them to a setup(p. 56).

Piano Performances (ONE TOUCH)

Now, try performing with the piano. With the RD-700SX, you can call up the optimal settings for piano performances with

the press of a single button. You can also select your preferred tones and settings and store them to the

instrument’s buttons.

fig.Q1-03p

Press ONE TOUCH [PIANO] or [E.PIANO].

fig.Q1-04g

Pressing ONE TOUCH [PIANO] sets the entire keyboard to play with the piano tone.

Pressing ONE TOUCH [E.PIANO] sets the entire keyboard to play with the electric piano tone.

You can now press [F1] to switch the type.

Pressing [F1] toggles you between Types A and B.

fig.Q1-05g

You can use CURSOR [ ]/ [ ] in the ONE TOUCH

(PIANO) screen to adjust the amount the grand piano lid is opened.

With the RD-700SX, you can also make more detailed settings to make the sound even better match your favorite piano performances. You can store a total of four

settings configurations, two each to [PIANO] and [E.PIANO]. Please refer to each as needed.

• Fine Adjustment of Piano Tones (Piano Edit) →p. 73

• Fine Adjustment of E.Piano Tones (E.Piano Edit) →p. 76

• Fine Adjustment of the Piano Touch Sense →p. 74

Performing with a Variety of Tones

If multiple tones are playing, do not press the ONE TOUCH [PIANO] button, but instead select the zone containing the tone to be changed using the ZONE SELECT buttons. Refer to

“Changing the Tone for a

Zone” (p. 40).

The RD-700SX provides 488 types of Tones. Each one of these individual sounds is called a “tone.” Tones are assigned to the TONE SELECT buttons according to the tone category

selected. Try selecting and performing with a number of different tones.

fig.Q1-06p

Press ONE TOUCH [PIANO] or [E.PIANO].

This selects a single tone to be played over the entire keyboard.

Performing with the Keyboard

“Tone List” (p. 146)

Press any of the TONE SELECT buttons to select the tone category.

The TONE SELECT button for the selected category lights.

Press [INC]/[DEC] to select the tone.

Play the keyboard, and you will hear the selected tone. The next time you choose this TONE SELECT button, the tone you’re selected here

is played.

If [NUM LOCK] is turned on, the Tone Category cannot be selected with TONE SELECT

utton. For details, refer to p.

34.

Tones selected with [RHY/ GM2] are registered in the following order: “Rhythm Sets,” “GM2 Rhythm Sets,” and “GM2 Tones.” Refer to the “Tone List” (p. 146).

Performing with the Keyboard

If multiple tones are playing, do not press the ONE TOUCH [PIANO] button, but instead select the zone containing the tone to be changed using the ZONE SELECT buttons. Refer to

“Changing the Tone for a

Zone” (p. 40).

Specifying the Tone Number to Select a Tone ([NUM LOCK])

Each individual tone has a different tone number. You can select tones with the TONE SELECT buttons by inputting numerals with

these buttons to specify tone numbers. Turn [NUM LOCK] on when inputting numerals with the TONE SELECT buttons.

fig.Q1-07p

432

Press ONE TOUCH [PIANO] or [E.PIANO].

This selects a single tone to be played over the entire keyboard.

Press [NUM LOCK] to make the indicator light.

This enables input of numerals with the TONE SELECT buttons. The numerical value that can be entered with each button is indicated beneath the buttons.

“Tone List” (p. 146)

Enter the tone number with the TONE SELECT buttons.

Press [ENTER].

The tone is set. Play the keyboard, and you will hear the selected tone. The TONE SELECT buttons included in the selected Tone numbers lit.

Playing a Rhythm Set

Among the tones that can be selected with the TONE SELECT buttons are Rhythm Sets, which are collections of a variety of percussion instrument sounds and special sound effects. Here’s how to select a Rhythm Set and play percussion sounds.

1. Press ONE TOUCH [PIANO] or [E.PIANO].

2. Press TONE SELECT [RHY/GM2].

If [NUM LOCK] is turned on at this time, the Rhythm Set Category cannot be selected. Turn [NUM LOCK] off.

3. Press different keys to play different percussion instruments.

4. To select a different Rhythm Set, press [INC]/[DEC].

The combination of sounds assigned to the keyboard varies according to the Rhythm set. Refer to “Rhythm Set List” (p. 149).

Tones selected with [RHY/ GM2] are registered in the following order: “Rhythm Sets,” “GM2 Rhythm Sets,” and “GM2 Tones.” Refer to the “Rhythm Set List” (p. 149).

Selecting Wave Expansion Board Tones

Up to two optional wave expansion boards (SRX series) can be installed into the RD700SX.

Use the following procedure when selecting tones stored on an wave expansion board.

fig.Q1-08p

Performing with the Keyboard

423

Press ONE TOUCH [PIANO] or [E.PIANO].

This selects a single tone to be played over the entire keyboard.

Press EXPANSION [A] or [B] to make its indicator light.

fig.Q1-09g

If you hold down EXPANSION [A] or [B] for several seconds, the name of the installed wave expansion board appears in the display (p. 17).

Press [NUM LOCK] to turn on the button indicator.

Press [INC]/[DEC], or press the TONE SELECT buttons to select the Tone.

When using the TONE SELECT buttons to input Tone numbers, press [ENTER] afterwards to set the number.

For instructions on installing the Expansion Board, refer to

“Installing the Wave Expansion Board” (p. 15).

For more on the wave expansion board tone lists, refer to “Patch List” (for RD-

700) and “Rhythm Set List” (for RD-700) in the SRX Series Owner's Manuals. However, some of the tone names may be displayed differently on the RD-700SX. Refer to “Wave

Expansion Board Tone Name Correspondence Table” (p. 36).

Play the keyboard, and you will hear the selected tone.

Performing with the Keyboard

Wave Expansion Board Rhythm Set Tone Numbers

When selecting a Wave Expansion Board Rhythm Set with the RD-700SX, the Wave Expansion Board Rhythm Sets are placed after Patches (called Tones on the RD700SX).

Thus, when you want to specify a Wave Expansion Board Rhythm Set in terms of a Tone number, the Tone number can be arrived at by adding the desired Rhythm Set number in the Rhythm Set List to the last Patch number in the Patch List.

Selecting Tones Without Pressing [NUM LOCK]

You can select tones stored on expansion boards with [NUM LOCK] off.

1. Press EXPANSION [A] or [B] to make its indicator light.

2. Use the TONE SELECT buttons and [DEC]/[INC] to select the tone.

Wave expansion board tones are assigned to the TONE SELECT buttons as shown below.

fig.Q1-10e

001

011

021

Tone

Number

010

020

3. Play the keyboard, and you will hear the selected tone.

030

031

040

041

050

051

061

071

081

Rhythm

070

080

060

090 091

100 101

Set

Wave Expansion Board Tone Name Correspondence Table

The RD-700SX displays certain SRX Series tone names as shown below. There may be displayed differently from Owner’s Manuals of SRX series.

SRX-03 (STUDIO SRX)

No. Tone Name No. Tone Name No. Tone Name No. Tone Name

005

Taxi EP 236 Tri EP 011 TouchEP SRX 378 Echo EP SRX 021 US EP 239 EP Chd Menu 013 Stage EP 2 022 Studio EP 240 EP Maj 9th 015 80’s EP 023 All EP 241 EP Maj 11th 017 Padded EP 024 Sens. EP 242 EP Min 11th 019 Sine EP

SRX-05 (Supreme Dance)

SRX-07 (Ultimate Keys)

022 ClaviQ EP 024 70’EP Bs 033 The 70’EP

SRX-08 (Platinum Trax)

Performing with the Keyboard

1,2

Playing Multiple Tones with the Keyboard

The RD-700SX features four Internal zones (UPPER 1, UPPER 2, LOWER 1, and LOWER 2), and one tone can be assigned to each of these zones.

You can perform using combinations of tones by turning each zone on or off. You can have multiple tones layered together at the same time, and even have different tones played in the left and right parts of the keyboard.

Performing with Layered Tones

You can perform with up to four layered tones applied to the entire keyboard.

fig.Q1-11layer

UPPER1

UPPER2

LOWER1

LOWER2

fig.Q1-12p

Press PART SWITCH [UPPER1] and [UPPER2], getting the indicators to light.

Try fingering the keyboard.

fig.Q1-13g

The Tones for UPPER1 and UPPER2 are layered and played.

Press [UPPER2] once more, and the indicator light goes out.

The Tones for UPPER1 played. Likewise, pressing [LOWER 1] and [LOWER 2] lets you then layer four tones.

Performing with the Keyboard

Pressing Two TONE SELECT buttons Simultaneously

* Keep [NUM LOCK] off when carrying out this operation.

Even without pressing the ZONE SWITCH buttons, you can layer two tones by pressing two TONE SELECT buttons simultaneously.

For example, if you want to layer a piano sound with strings, together press both [PIANO] and [STRINGS].

The [UPPER1] and [UPPER2] indicator automatically light up, and when you begin playing the keyboard, the piano and strings sounds are layered together.

When this is done, the tone for the button that is pressed down first is assigned to UPPER1, and the other tone is assigned to UPPER2. The UP1 and UP2 Part names are both highlighted in the screen, with both Parts being selected.

Once you have selected two TONE SELECT buttons, pressing either TONE SELECT button then selects that tone as the [UPPER 1] tone. The [UPPER 2] indicator goes out, and that tone stops playing.

* The above procedure is enabled only when the [UPPER 1] or [UPPER 2] ZONE SELECT

button is selected.

Playing Different Tones in Two Different Sections of the Keyboard ([SPLIT])

Such a division of the keyboard into right- and left-hand sections is called a “Split,” and the key where the division takes place is called the “Split Point.” While in Split Play, a sound played in the right side is called an “Upper Tone,” and the sound played in the left side is called a “Lower Tone.” The split-point key is included in the LOWER section.

The Split Point has been set at the factory to “B3.”

fig.Q1-14sp

Split Mode

Split Point

UPPERLOWER

fig.Q1-15p

You can change the split point. Please refer to “Changing the Keyboard’s Split Point” (p.

39).

1,2

Press [SPLIT], getting the indicator to light.

ZONE SWITCH [LOWER 1] lights. Try fingering the keyboard.

fig.Q1-16g

The UPPER tone plays in the right-hand section of the keyboard, and the LOWER tone plays in the left-hand section.

fig.Q1-17sp

Split Point (B3)

UPPERLOWER

To exit Split mode, press [SPLIT] once more, and the indicator light goes out.

Performing with the Keyboard

Changing the Keyboard’s

You can change the point at which the keyboard is divided (the Split Point) in Split mode.

Hold down [SPLIT] for several seconds.

A screen such as the following appears, and the current value of the setting is displayed.

fig.Q1-18g

Hold down [SPLIT] and press a key.

When you release [SPLIT], the previous display will reappear. The split-point key is included in the LOWER section.

When the split point is set, the Key Range (p. 69) in each zone is divided into left and right ranges with the split point as the boundary, and the following values are set.

• UPPER 1, UPPER 2: Split Point+1–C8

• LOWER 1, LOWER 2: A0–Split Point

Split Point

You can change the split point, adjusting it in semitone increments, by holding down [SPLIT] and pressing [INC] of [DEC].

When the split point is changed, the Key Range (p. 69) value also changes.

You can freely set whatever key ranges (registers) you like to each zone.

UPPER1

UPPER2

LOWER1

LOWER2

For details, refer to “Setting the Key Range for Each Zone (Key Range)” (p. 69).

Performing with the Keyboard

When you press the ZONE SELECT button corresponding to a zone for which the ZONE SWITCH is OFF (unlit), the three buttons for that zone, ZONE SWITCH, ZONE SELECT, and ENTER, start flashing. Pressing any of these flashing buttons then sets that zone’s ZONE SWITCH to ON (lit).

Changing the Tone for a Zone

When changing the tone assigned to a zone, use the ZONE SELECT button to specify the zone with the tone you want to change.

fig.Q1-20p

Press the ZONE SELECT button for the part whose tone you want to change, causing the zone’s indicator to light up.

The indicator for the currently selected TONE SELECT button lights up in the same color as the indicator for the selected zone.

Select the tone category with a TONE SELECT button, then press [INC]/[DEC] to select the tone.

When [NUM LOCK] is on, you can specify tone numbers with the TONE SELECT buttons (p. 34).

Performing with the Keyboard

Adjust the Volume Level for Individual Zones (ZONE SWITCH/ZONE LEVEL Slider)

fig.Q1-21pe

ZONE LEVEL Slider

ZONE SWITCH

With the RD-700SX, each of the parts that is performed using the internal sound generator is referred to as an INTERNAL Zone.

You can use the ZONE SWITCH buttons and ZONE LEVEL sliders (UPPER 1, UPPER 2, LOWER 1, LOWER 2) to turn sounds on and off and set their volume level.

ZONE SWITCH

This determines whether or not the sounds in the particular zone are played. When a zone’s ZONE SWITCH indicator is lit (on), the zone sounds when the

keyboard is played. The screen Zone names are indicated in uppercase letters. When a zone’s ZONE SWITCH indicator is not lighted (off), the zone does not sound

even when the keyboard is played. The screen Zone names are not indicated (Only UPPER1 appears in lowercase.).

ZONE SWITCH will turn on or off each time you press it.

ZONE LEVEL Slider

Adjusts the volume of an individual zone. When a zone’s ZONE SWITCH indicator is not lighted, no sound is produced for the

zone even when the slider is moved.

Zones to which tones from external sound modules are assigned are called EXTERNAL Zones. With the RD-700SX, you can control both the External and INTERNAL Zones in the same manner. For more on the control of EXTERNAL Zone, refer to “Adjusting the Volume of Each Zone (EXTERNAL Zone)” (p. 64).

Use the VOLUME slider when adjusting the overall volume level (p. 24).

You cannot adjust the volume level with the ZONE LEVEL sliders when [CONTROL/ ZONE LEVEL] is lit.

Performing with the Keyboard

Transposing the Key of the Keyboard ([TRANSPOSE])

You can transpose performances without changing the keys you are playing, as well as change the pitch by an octave. This feature is called “Transpose.”

This is a convenient feature to use when you want to match the pitch of the keyboard performance to a vocalist’s pitch, or perform using the printed music for trumpets or other transposed instruments.

The reference Transpose setting is C4, and the setting can be adjusted in semitone units in a range of -48–0–+48.

fig.Q1-22p

1,2,3

Note messages from MIDI IN connector will not be transposed.

Hold down [TRANSPOSE] for several seconds.

A screen such as the following appears, and the current value of the setting is displayed.

fig.Q1-23g

Hold down [TRANSPOSE] and press a key.

For example, to have “E” sound when you play “C” on the keyboard, hold down [TRANSPOSE] and press the E4 key. The degree of transposition then becomes “+4.”

When you release [TRANSPOSE], the previous display will reappear. When the amount of transposition is set, the Transpose function switches on, and

[TRANSPOSE] lights up When the transpose value is set to “0,” the button’s indicator will remain dark even

if you press the [TRANSPOSE].

You can also transpose by holding down the [TRANSPOSE] and pressing the [INC] or [DEC].

Even when the Transpose function is turned on, the Split Point remains unchanged (p. 39).

To turn off Transpose, press [TRANSPOSE] so that its indicator goes off.

The next time [TRANSPOSE] is pressed, the sound is transposed by an amount corresponding to the value set here.

You can set the degree of transposition for each of the Zone individually. For details, refer to “Setting the

Transposition for Each Individual Zone (Transpose)”

(p. 69).

Performing with the Keyboard

Adding Reverberation to the Sound ([REVERB])

The RD-700SX can apply a reverb effect to the notes you play on the keyboard. Applying reverb adds pleasing reverberation to what you play, so it sounds almost as if you were playing in a concert hall.

fig.Q1-24rev

Press the [REVERB].

The reverb type switches each time you press the [REVERB].

“Making Reverb Settings” (p.

87).

You can select the reverb types other than those shown at the left with ““Reverb Type” (p.

87)” in “3. Effects” in the Edit screen. In this case, the [REVERB] indicator corresponding to the selected type flashes.

TYPE

OFF (unlit) ROOM Simulates the reverberation of a room. HALL Simulates the reverb of a large concert hall. CATHEDRAL Simulates the reverberation of a cathedral.

Adjust the REVERB [DEPTH] knob to select the amount of reverb

explanation

No reverb is used.

When the Tone Info’s Reverb Amount setting is set to “0,” then no effect is applied, even when the REVERB knob is turned (p. 71).

effect to be applied.

Rotating the knob clockwise applies a deeper reverb, and rotating it counterclockwise applies less reverb.

Adding Breadth to the Sound ([CHORUS/DELAY])

You can apply a chorus and delay effect to the notes you play on the keyboard. By adding the chorus and delay effect, you can give the sound greater dimension, with more fatness and breadth.

fig.Q1-25cho

Press the [CHORUS/DELAY].

The chorus type switches each time you press the [CHORUS/DELAY].

“Setting Chorus and Delay” (p. 88).

You can select the chorus types other than those shown at the left with ““Chorus Type” (p.

88)” in “3. Effects” in the Edit screen. In this case, the [CHORUS/DELAY] indicator corresponding to the selected type flashes.

TYPE

OFF (unlit) CHORUS You can give the sound greater dimension, with more fatness

DELAY This effect delays the sound to produce an echo-like effect.

explanation

Chorus and Delay is not used.

and breath.

Performing with the Keyboard

When the Tone Wheel screen is displayed, the Pitch Bend Lever is set so that tilting the lever from left to right switches the Rotary effect from fast to slow. For details, refer to

“Simulating the Creation of Organ Tones (Tone Wheel Mode)” (p. 53).

Adjust the CHORUS/DELAY [DEPTH] knob to select the amount of chorus effect to be applied.

Rotating the knob clockwise applies a deeper chorus, and rotating it counterclockwise applies less chorus.

When the Tone Info’s Chorus Amount setting is set to “0,” then no effect is applied, even when the CHORUS knob is turned (p. 71).

Changing the Sound’s Pitch in Real Time (Bender/ Modulation Lever)

While playing the keyboard, move the lever to the left to lower the pitch, or to the right to raise the pitch. This is known as Pitch Bend.

You can also apply vibrato by manipulating the lever away from you. This is known as Modulation.

If you move the lever away from you and at the same time move it to the right or left, you can apply both effects simultaneously.

fig.Q1-26bend

The effect obtained when you move the lever may differ according to the tone being used. Additionally, the effect applied by moving the lever is predetermined for each tone, and cannot be changed.

Pitch Bend

Modulation

Adding Liveliness to the Sound ([SOUND CONTROL])

Switching on the Sound Control function suppresses differences in volume for a more consistent sound.

This is set to OFF when the power is turned on.

fig.Q1-27sctrl

Sounds may become distorted with certain tones.

Press the [SOUND CONTROL] button, getting its indicator to light.

To cancel this function, press the [SOUND CONTROL] once more, extinguishing the indicator.

“Making the Sound Control Settings (Sound Control)” (p.

88)

Performing with the Keyboard

Adjusting the Level of the Sound’s Low, Mid, and High-Frequency Ranges ([EQUALIZER])

The RD-700SX is equipped with a three-band equalizer. You can adjust the levels of the low-frequency, midrange, and high-frequency ranges using the EQUALIZER [LOW], [MID], and [HIGH] knobs, respectively. You can also adjust the midrange frequency with [MID FREQ].

fig.Q1-28eq

Press EQUALIZER [ON/OFF] to make its indicator light.

A screen like the one shown below appears, and the equalizer is turned on.

fig.Q1-29g

Equalization is applied to the overall sound output from the OUTPUT jacks.

You can set the RD-700SX so that the equalizer settings are not changed when you change setups. Refer to “Preventing

Equalizer Settings from Being Switched (EQ Mode)”

(p. 80).

Turn the knobs to adjust the levels in each range.

Rotating a knob ([LOW], [MID LEVEL], [HIGH]) in the negative direction cuts the level of that frequency range; rotate it in the positive direction boost the level of that range. In addition, rotating [MID FREQ] in the negative direction lowers the frequency, while rotating it in the positive direction raises the frequency. You can press [F2] to get a numerical reading for the value of the setting. Pressing [F2] toggles you between “NUMERIC” and “GRAPHIC” as the format for what you see indicated in the screen.

fig.Q1-30g

GRAPHIC NUMERIC

The way settings are made differs depending on the format used, as follows:

When the Graphic format is used

• Slightly adjust the knob for the range in which you want to change the value to move the cursor.

• Press CURSOR [ ]/[ ] to adjust the frequency.

• Press CURSOR [ ]/[ ] to adjust the Q.

When the Numeric format is used

Sounds may be distorted with certain knob settings. If this occurs, adjust the Input Gain on the upper of the “NUMERIC‘ screen.

• Press CURSOR [ ]/[ ]/[ ]/[ ] to move the cursor.

• Press [INC]/[DEC] to change the value.

To turn the equalizer off, press EQUALIZER [ON/OFF], extinguishing its indicator.

Using the Convenient Functions in

At the factory settings, arpeggios continue playing even after the keys are released, but you can also have arpeggios stop playing when you release the keys (p. 96).

Performances

Playing Arpeggios ([ARPEGGIO])

The RD-700SX’s Arpeggio function lets you produce arpeggios automatically; simply hold down some keys, and a corresponding arpeggio will be played automatically.

fig.Q2-01p

1,3

Press [ARPEGGIO], getting the indicator to light.

Press a key below Middle C (C4).

The arpeggio starts, with the notes being played in the sequence the keys were pressed.

fig.Q2-02arp

Key ranges in which arpeggios can be played

If you press [ARPEGGIO] once more, the indicator light goes out, and the keyboard returns to the normal performance mode.

When the Arpeggio’s Arpeggio Hold is set to ON in Edit mode (p. 96), the [ARPEGGIO] indicator flashes.

For more detailed information, including applicable key ranges and instructions for playing arpeggios, refer to “Making Arpeggio Settings” (p. 95).

When you are performing arpeggios while a rhythm is playing, the arpeggio stops playing at the same time the rhythm stops.

Changing the Arpeggio Style

When you’re at the Tone screen, you can press CURSOR

[ ] to go to the Rhythm/ Song/Arpeggio screen. From the Rhythm/Song/Arpeggio screen, you can get back to the Tone screen by pressing

CURSOR [ ].

You can select the way an arpeggio is played (the style) to match a variety of different musical genres.

Press [ARPEGGIO], getting the indicator to light.

Using the Convenient Functions in Performances

“Setting the Way Arpeggios are Played (Arpeggio Style)”

(p. 95)

Press CURSOR [ ] to go to the Rhythm/Song/Arpeggio screen.

fig.Q2-03g

Press CURSOR [ ] to move the cursor to “ARP.”

Press [INC]/[DEC] to select the style.

The arpeggio’s style changes.

Try playing the keyboard.

If you press [ARPEGGIO] once more, the indicator light goes out, and the keyboard returns to the normal performance mode.

“Arpeggio Style List” (p.

152).

Changing Arpeggio Tempos

In the Rhythm/Song/Arpeggio screen, press CURSOR [ ] to move the cursor to “ ” in the screen.

Press [INC]/[DEC] to change the tempo.

When you play the keyboard, arpeggios are played at the selected tempo.

You can change a variety of arpeggio settings beyond just the arpeggio style and tempo by holding down [SHIFT] and pressing [ARPEGGIO].

For details, refer to “Making Arpeggio Settings” (p. 95).

The way arpeggio is played and the tempo display may differ with some arpeggio Styles.

Using the Convenient Functions in Performances

When “SONG/ARP” screen is selected for the Rhythm/Song/Arpeggio screen, pressing [RHYTHM/SONG] then starts playback of the song.

Before playing the rhythm, first check the screen using the following procedure.

1. Press CURSOR [ ] in the Tone screen to select the Rhythm/Song/

Arpeggio screen.

fig.Q2-04g

2. If you’re at the “SONG/ARP” screen, press [F1] to access the “RHY/ARP”

screen.

Playing Rhythm ([RHYTHM/SONG])

The RD-700SX features internal drum patterns complementing Jazz, Rock, and other various musical genres. These drum patterns are referred to as “Rhythms.”

You can perform using Rhythms combined with various functions, for example performing arpeggios while a Rhythm is playing.

Rhythm/Song/Arpeggio screen

“Song/Arpeggio” screen (playback songs)

You’ll then be able to play back rhythms.

fig.02-05p

“Rhythm/Arpeggio” screen (playback rhythms)

1,2

Press [RHYTHM/SONG] to make the button indicator light.

The Rhythm begins playing.

Press [RHYTHM/SONG] once more; the indicator goes out, and the Rhythm stops playing.

You can also start and stop playback of the rhythm by pressing [F2].

When the Arpeggio’s Arpeggio Hold is set to ON in Edit mode (p. 96), if an arpeggio is played while a rhythm plays, the arpeggio will stop at the moment that the rhythm stops.

Changing the Rhythm Pattern

You can select the way a Rhythm is played (the pattern) to match a variety of different musical genres.

Press CURSOR [ ] to go to the Rhythm/Song/Arpeggio screen.

fig.02-06g

Using the Convenient Functions in Performances

For more information about the kind of Rhythm Patterns, please refer to “Rhythm Pattern List” (p. 153).

If you’re in the “SONG/ARP” screen, press [F1] to access the “RHY/ARP” screen.

Press [RHYTHM/SONG] to make the button indicator light.

The Rhythm begins playing.

Press CURSOR [ ]/[ ] to move the cursor to “RHY.”

Press [INC]/[DEC] to select the pattern.

The Rhythm’s pattern changes.

If you press [RHYTHM/SONG] once more, the indicator light goes out, and the Rhythm stops playing.

Changing Rhythm Tempos

In the Rhythm/Song/Arpeggio screen, press CURSOR [ ] to move the cursor to “ ” in the screen.

When the Tone screen is displayed, the Rhythm/Song/ Arpeggio screen appears when

CURSOR [ ] is pressed.

Pressing CURSOR [ ] when the Rhythm/Song/Arpeggio screen is showing then displays the Tone screen.

The way Rhythm is played and the tempo display may differ with some Rhythm Patterns.

Press [INC]/[DEC] to change the tempo.

The Rhythm are played at the selected tempo.

You can change a variety of arpeggio settings beyond just the arpeggio style and tempo by holding down [SHIFT] and pressing [RHYTHM/SONG].

For details, refer to “Making the Rhythm and Arpeggio Settings (Rhythm/ Arpeggio)” (p. 93).

Using the Convenient Functions in Performances

Playing the Songs ([RHYTHM/SONG])

The RD-700SX can play back SMF music files.

When “RHY/ARP” screen is selected for the Rhythm/Song/Arpeggio screen, pressing [RHYTHM/SONG] then starts playback of the rhythm.

Before playing the rhythm, first check the screen using the following procedure.

1. Press CURSOR [ ] in the Tone screen to select the Rhythm/Song/

Arpeggio screen.

fig.Q2-07g

Rhythm/Song/Arpeggio screen

You can use the USB connector to exchange song data between the RD-700SX and your computer. Refer to

“Exchanging Files with Computers (Storage Mode)”

(p. 105)

“Song/Arpeggio” screen (playback songs)

2. If you’re at the “RHY/ARP” screen, press [F1] to access the “SONG/ARP”

screen.

You’ll then be able to play back songs.

fig.02-08p

“Rhythm/Arpeggio” screen (playback rhythms)

1,2

Press [RHYTHM/SONG] to make the button indicator light.

The song data begins playing.

Press [RHYTHM/SONG] once more; the indicator goes out, and the song stops playing.

You can also start and stop playback of the song by pressing [F2].

Selecting the Song

Song number “000” is programmed with a Preset song. Enjoy performing on the keyboard along with this song as it is played back.

No. Song Name Composer/Copyright

Press CURSOR [ ] to go to the Rhythm/Song/Arpeggio screen.

fig.02-09g

If you’re in the “RHY/ARP” screen, press [F1] to access the “SONG/ARP” screen.

Press CURSOR [ ]/[ ] to move the cursor to “SONG.”

Press [INC]/[DEC] to select the song.

Using the Convenient Functions in Performances

When the Tone screen is displayed, the Rhythm/Song/ Arpeggio screen appears when

CURSOR [ ] is pressed.

Pressing CURSOR [ ] when the Rhythm/Song/Arpeggio screen is showing then displays the Tone screen.

Press [RHYTHM/SONG] to make the button indicator light.

The selected song begins playing.

Changing Song Tempos

In the Rhythm/Song/Arpeggio screen, press CURSOR [ ] to move the cursor to “ ” in the screen.

Press [INC]/[DEC] to change the tempo.

The song are played at the selected tempo.

You can change the Output

ack of the song data when

setting the MIDI OUT Port (p.

61).

Using the Convenient Functions in Performances

The allowable values adjusted with the MULTI-EFFECTS [CONTROL] knob vary with the selected effect. For details, refer to

“MFX Control” (p. 87).

Applying Effects to the Sound (Multi-Effects)

In addition to chorus (p. 43) and reverb (p. 43), the RD-700SX also allows you to apply “multi-effects” to sounds. Multi-effects provides a collection of 125 different effects, such as distortion and rotary, from which you can choose.

You can use two multi-effects simultaneously; these are referred to as MFX1 and MFX2.

The factory settings have a suitable effect assigned to each of the tones.

fig.Q2-10p

1,2,3

“Effect/Parameter List” (p. 112).

Press MULTI-EFFECTS [ON/OFF], getting its indicator to light.

Adjust the amount of multi-effect applied with the MULTI-EFFECTS [CONTROL] knob.

To cancel the multi-effect, press MULTI-EFFECTS [ON/OFF], the indicator light goes out.

Specifying the Zone on Which to Use the Multi-effects

With the RD-700SX, you can use two different multi-effects simultaneously. Thus, the RD-700SX features settings parameters called “MFX Source” for selecting the multi-effects settings to be used and “MFX Dest” for selecting the zone to which the multi-effects are applied. Therefore, when multiple zones are being played, please note that according to the MFX Source and MFX Dest settings, there may be certain zones to which no multi-effects are applied.

For more detailed information, refer to MFX Source (p. 86), and MFX Dest (p. 87).

Effects are not applied to Tones for which the Tone Info MFX settings are set to “00 THRU” (p. 71).

You can change a variety of Multi-effects settings beyond just the Multi-effects type by holding down [SHIFT] and pressing MULTI-EFFECTS [ON/OFF]. For details, refer to “Making Multi-Effects Settings” (p. 86).

Using the Convenient Functions in Performances

2,5

Simulating the Creation of Organ Tones (Tone Wheel Mode)

When any of the “TW-Organ 1–10” Tones is selected for any of the INTERNAL Zone (UPPER1, UPPER2, LOWER1, LOWER2), you can perform in “Tone Wheel mode,” in which the creation of organ sounds is simulated.

An organ features nine “harmonic bars” that can be drawn in and out, and by using the bars in different combinations of positions, a variety of different tones can be created. Different “Feet” are assigned to each bar, with the pitches of the sounds being determined by these “Feet.”

You can simulate the creation of tones using the harmonic bars by assigning Feet to the ZONE LEVEL sliders.

While there are only four ZONE LEVEL sliders, you can switch the Feet setting by turning the ZONE SWITCH buttons on and off, thus allowing you to assign eight Feet settings to the sliders.

What Are “Feet?”

Feet basically refers to the lengths of pipe used in pipe organs. The length of pipe used to produce the reference pitch (the fundamental) for the keyboard is eight feet. Reducing the pipe to half its length produces a pitch one octave higher; conversely, doubling the pipe length creates a pitch one octave lower. Therefore, a pipe producing a pitch one octave below that of the reference of 8’ (eight feet) would be 16’; for one octave above the reference, the pipe would be 4’, and to take the pitch up yet another octave it would be shortened to 2’.

fig.Q2-11p

Bring up the Tone screen (p. 29), then press the [ORGAN].

If the Tone screen is not currently displayed, press ONE TOUCH [PIANO], then press the [ORGAN].

Press the [INC] / [DEC] to select one of the “TW-Organ 1–10” Tone.

Press the CURSOR [ ] button.

The following Tone Wheel screen appears. This Tone Wheel screen appears only when a Tone Wheel Tone is selected for one of

the Zone in the Tone screen.

fig.Q2-12g

Using the Convenient Functions in Performances

When the ZONE LEVEL sliders are moved, the harmonic bars move in the display, and the tone changes.

By pressing the ZONE SWITCH buttons on and off, you can adjust the sounds for other Feet. If the cursor is moved to the value at the bottom of the screen, you can adjust the sounds for Feet with [DEC] and [INC].

The Percussion is applied only to the UPPER Tone.

Press CURSOR [ ]/[ ] to move the cursor to <Perc> and press [DEC]/[INC] to change the value.

Perc (Percussion) adds an attack-type sound to the beginning of the note to give the sound more crispness. The attack sound changes according to the value.

Settings

OFF 2nd Percussion sounds at a pitch one octave above that of the key

3rd Percussion sounds at a pitch an octave and a fifth above that

Slow The percussion’s attenuation time is lengthened. This softens

Fast The percussive sound will decay more quickly. This gives

Changing the Undulation of the Organ Tone (Rotary Effect)

While the Tone Wheel screen is displayed, you can change the undulation rate of the Rotary effect with the Pitch Bend lever.

The Rotary effect is an effect that recreates the sound of the rotating speakers used to augment the sound of an organ.

The Rotary effect is set to alternately rotate more rapidly or slowly when the Pitch Bend lever is moved to the left and right; the direction is not fixed.

Description

No percussion is added.

pressed.

of the key pressed.

the sense of attack.

more of a sense of attack for a sharp sound.

When percussion is on, the 1’ pitch will not be produced (p. 53).

The settings changed here are stored to each Tone. Even when you exit from Tone Wheel mode, you can press [ORGAN] to select the Tone with the changed settings.

This Pitch Bend Lever setting is effective only in the Tone Wheel screen.

Changing the ZONE LEVEL Slider Feet Assignments (Harmonic Bar)

You can change the Feet assigned to each of the ZONE LEVEL sliders used in Tone Wheel mode.

Press [EDIT], getting the indicator to light.

The Edit Menu screen appears.

fig.Q2-13g

Press CURSOR [ ]/[ ] to select “2.Control.”

Press [ENTER] to display the Edit screen.

Press CURSOR [ ]/ [ ] to select “Harmonic Bar.”

fig.Q2-14HBar

Feet Assignments in the Tone Wheel Screen

Using the Convenient Functions in Performances

fig.Q2-15g

8'16' 5 1/3' 2'4' 2 2/3' 1'1 3/5'

1 1/3'

Press CURSOR [ ]/[ ]/[ ]/[ ] to move the cursor to the parameter for changing the Feet.

“LED ON” and “LED OFF” in the screen indicate whether ZONE SWITCH is switched on or off.

Parameter

UP1 UP2 LW1 LW2

Value

16’, 5-1/3’, 8’, 4’, 2-2/3, 2’, 1-3/5’, 1-1/3’, 1’

Press [INC]/[DEC] to select the Feet.

When you have finished making the settings, press [EDIT], extinguishing its indicator.

You are returned to the Tone screen.

Disabling the Button (Panel Lock)

Once Panel Lock is engaged, all buttons (except for the VOLUME slider, CONTRAST knob, Pitch Bend/Modulation lever, Pedal, ONE TOUCH [PIANO], ONE TOUCH [E.PIANO], and [EXIT]) will not function. This prevents settings from being changed inadvertently on stage or in other such situations.

While holding down [EDIT], press [ENTER].

Following display will appear.

Press ONE TOUCH [PIANO] or [EXIT] to cancel Panel Lock.

Using the Convenient Functions in Performances

Selecting Stored Settings ([SETUP])

The RD-700SX’s INTERNAL ZONE (p. 28) and EXTERNAL ZONE (p. 28) tone settings, effect settings, and other such settings are collectively referred to as a “Setup.” Once you’ve stored your preferred settings, and settings for the songs to be performed as a Setup, you can then switch whole groups of settings during a performance just by switching Setups. You can store up to 100 different Setups. The RD-700SX is shipped from the factory with recommended Setups already prepared. You can also register the Setups you like and use frequently to the TONE SELECT buttons. These registered Setups are called the “Favorite Setups.” This function allows you to select Setups more quickly.

Now try actually calling up a Setup.

fig.Q2-16p

The current settings are erased when a Setup is called up. Be sure to save any Setup you would like to keep first before calling up another Setup (p.

58).

2 1

Press [SETUP], getting the indicator to light.

At this time, turn [NUM LOCK] off. The Setup screen, shown below, appears in the display.

fig.Q2-17g

Press [F2 (BANK CHANGE)] to select a bank.

When you press [F1], a list of the Setups registered to the buttons for the selected bank is displayed. Hold down [F1] and press CURSOR [ ]/[ ] to switch the screens.

fig.Q2-17g

There are four banks, A, B, C, and D. Each time you press [F2], the bank is switched in the following sequence: A → B → C → D → A →...

Press one of the TONE SELECT buttons to select a Setup.

Try playing the keyboard.

The settings are switched to those of the Setup that has been called up.

Using the Convenient Functions in Performances

Selecting Setups Other Than the Favorite Setups

1. Press [SETUP], getting the indicator to light.

2. Press [INC]/[DEC] or TONE SELECT buttons to select the Setup to be

called up.

After [INC]/[DEC] is pressed, the following screen appears; the Setup screen then reappears after a few moments.

The screen does not change when the TONE SELECT buttons are used to input Setup numbers. Press [ENTER] afterwards to set the number.

fig.Q2-18g

When the Tone screen is displayed, the [SETUP] indicator lights and the Setup

screen appears when CURSOR [ ] is pressed. From the Setup screen, you can get back to the Tone screen by pressing CURSOR

[ ]. However, the Tone Wheel screen is displayed if “TW-Organ 1–10” is selected for any

Part in the Tone screen. Refer to “Simulating the Creation of Organ Tones (Tone Wheel Mode)” (p. 53).

Setups indicated by a “RHY:”

efore the name let you enjoy performing with a session-like feel while playing a Rhythm. Be sure to check it out.

Registering the Setups You Like (Favorite Setups)

You can also register the Setups you like and use frequently to the TONE SELECT buttons. This function allows you to select Setups more quickly.

You can register a total of 40 setups, ten tones in each of the four banks, to the Favorite Setups.

Settings registered in the RD-

Press [SETUP] to call up the Setup you want to register.

Make sure [NUM LOCK] is off at this time.

Press [F2] to select the bank to which you want to register the Setup.

Hold down [F1] and press the TONE SELECT button for the registration destination.

The Setup is registered to the button that is pressed.

700SX are not deleted even when the power is turned off.

Using the Convenient Functions in Performances

New Setup Name

Destination

Storing Settings to Setups ([WRITE])

If you want to use the changed content as a new Setup, use the following procedure to save the settings to a Setup. You can also change the name of a Setup. You can store 100 Setups on the RD-700SX.

fig.Q2-19p

Press [WRITE], getting the indicator to light.

The Setup screen appears.

fig.Q2-20ge

12 4,76 3 4,78,9

Press CURSOR [ ]/[ ] to move the cursor to the positions where the characters are to be input.

Press [INC]/[DEC] to enter the characters.

The following characters are available.

space, ! " # $ % & ' ( ) * + , - . / 0–9, : ; < = > ? @ A–Z, [ \ ] ^ _ ` a–z, { | } ~

When [F2] is pressed, a single-character blank space is inserted; pressing [F1] deletes one character.

Repeat steps 2–3 to input the name.

Press CURSOR [ ] to move the cursor to the destination Setup name.

Select the save-destination Setup, either by pressing [INC]/[DEC].

When using the TONE SELECT buttons to input Setup numbers, press [ENTER] afterwards to set the number.

fig.Q2-22g

You can use the TONE SELECT buttons to directly specify and enter characters.

The file that the file name starts from “. (dot)” cannot be written.

Pressing CURSOR [ ], even while inputting the name, moves the cursor to the savedestination Setup number.

Using the Convenient Functions in Performances

Settings Not Saved in a Setup

The following settings cannot be saved to a Setup.

• Song Number

• ONE TOUCH [PIANO] and [E.PIANO] Settings (p. 73)

• System Settings (p. 79)

• Sound Control Settings (p. 88)

• V-Link Settings (p. 97)

• Rec Setting (p. 101) Pressing [F1 (WRITE)] in the Edit screen saves the System, Sound Control, and V-

Link settings.

When you have finished determining the save destination and the name for the new Setup, press [ENTER] or [F1].

The [ENTER] indicator is flashing, and the confirmation message appears.

fig.Q2-23g

If you do not want to save the Setup, press [EXIT] or [WRITE]. The operation is cancelled, and you are returned to the Tone screen.

When [ENTER] is pressed, saving of the Setup begins.

When you have finished saving the Setup, the [WRITE] indicator goes out and you are returned to the Tone screen.

Never switch off the power while “Writing...” appears in the display. Doing so may damage the internal memory, making it impossible to use this instrument.

Setup <000> (PIANO SETUP)

When you press the ONE TOUCH [PIANO] or [E.PIANO], and then press CURSOR

[ ] to bring up the Setup screen, SETUP<000> is displayed.

fig.Q2-24g

This SETUP<000> is the Setup containing the stored settings for ONE TOUCH [PIANO] or [E.PIANO]; the contents cannot be overwritten by pressing the [WRITE] as with other Setups.

When saving content changed from the ONE TOUCH [PIANO] or [E.PIANO] settings, write the settings to SETUP<001> or later.

Using the RD-700SX As a Master

“Connecting the RD-700SX to External Equipment” (p.

21)

Keyboard

By connecting an external MIDI device to the MIDI OUT connector on the RD700SX’s rear panel, you can then control the external MIDI device with the RD-700SX. Normally, the RD-700SX transmits Note messages from the MIDI OUT connector, but when [EXTERNAL/INTERNAL] is on, you can control not only Note messages, but a variety of other external MIDI device settings as well. You can control internal and external sound generators independently. Pressing [EXTERNAL/INTERNAL] so the button’s indicator is lit enables the RD700SX to control external MIDI sound modules. You use the [EXTERNAL/ INTERNAL] to switch between control of the INTERNAL zone and control of the EXTERNAL zone. You can also make detailed settings for MIDI messages transmitted to external sound modules.

What’s MIDI?

MIDI (Musical Instrument Digital Interface) is a standard specification that allows musical data to be exchanged between electronic musical instruments and computers. By using a MIDI cable to connect devices that have MIDI connectors, you can create an ensemble in which a single MIDI keyboard can play multiple instruments, or change settings automatically as the song progresses.

About MIDI Connectors

The RD-700SX has the following three types of MIDI connector. Their functions differ as described below.

fig.Q3-01

MIDI IN Connector

Performance messages from an external MIDI device are received here. These incoming messages may instruct the RD-700SX to play sounds or switch tones.

MIDI OUT Connector

MIDI messages are transmitted from this connector to external MIDI devices. The RD-700SX’s MIDI OUT connector is used for sending the performance data of the keyboard controller section as well as data used for saving various settings and patterns (Bulk Dump

MIDI THRU Connector

MIDI messages received at MIDI IN connectors are re-transmitted without change from this connector to an external MIDI device. Use this in situations such as when you use multiple MIDI devices simultaneously.

→

p. 99).

Connecting to External MIDI Sound Generators

Messages received via the USB connector are not transmitted from the MIDI THRU connector.

fig.Q3-02

V-LINK-compatible

video equipment.

MIDI sound module etc.

MIDI IN

MIDI OUT

USB IN

USB OUT

Computer

RD-700SX

Use a USB Cable no longer than 3 meters.

Using the RD-700SX As a Master Keyboard

When Rec Mode is set to ON in the Utility Rec Setting in Edit mode, the EXTERNAL screen as shown to the left is not displayed. Set Rec Mode to OFF when setting the MIDI Transmit channel (p. 101).

Selecting the MIDI Connector to Use for Output (MIDI OUT Port)

The RD-700SX is equipped with two MIDI connectors and one USB connector. You can select which MIDI OUT connector or USB connector is used for outputting

the signals for each individual zone.

fig.Q3-04p

Press [EXTERNAL/INTERNAL], getting the indicator to light.

The EXTERNAL screen appears.

If “OUT” doesn’t appear on screen, press CURSOR [ ] several times to display the following screen.

fig.Q3-05g

Press CURSOR [ ]/[ ]/[ ]/[ ] to move the cursor, then press [INC]/[DEC] to set the connector from which the MIDI messages of each zone are to be output.

Part

UP1 (UPPER1) UP2 (UPPER2) LW1 (LOWER1) LW1 (LOWER2)

Parameter Settings Description

OUT (MIDI OUT Port)

ALL, 1 (MIDI OUT 1), 2 (MIDI OUT 2), USB

The RD-700SX’s performance data is transmitted from the selected connector.

Using the RD-700SX As a Master Keyboard

When Rec Mode is set to ON in the Utility Rec Setting in Edit mode, the EXTERNAL screen as shown to the left is not displayed. Set Rec Mode to OFF when setting the MIDI Transmit channel (p. 101).

MIDI Send Channel Settings

When you have finished connecting the external MIDI device, match the keyboard’s Transmit channel and the Receive channel for each of the external MIDI sound generator’s Parts. Sounds is produced when the MIDI channels for the sending device (the RD-700SX) and the receiving device (the external MIDI sound generator) are set to the same MIDI channel.

fig.Q3-03p

Press [EXTERNAL/INTERNAL], getting the indicator to light.

The EXTERNAL screen appears.

If “Ch” doesn’t appear on screen, press CURSOR [ ] several times to display the following screen.

fig.Q3-03g

Press CURSOR [ ]/[ ]/[ ]/[ ] to move the cursor, then press [INC]/[DEC] to set the Transmit channel (Ch) for each part.

Part

UP1 (UPPER1) UP2 (UPPER2) LW1 (LOWER1) LW1 (LOWER2)

Parameter Settings Description

Ch (MIDI OUT Channel)

1–16 RD-700SX perfor-

mance data is sent over a selected channel.

For instructions on setting each of the external MIDI sound generator’s Part’s Receive channel, refer to the owner’s manual for each device.

Part names for Parts in which ZONE SWITCH is set to OFF appear in the display in lowercase letters, such as “up1,” “up2,” “lw1,” and

MIDI messages for

“rw2.”

Parts with the ZONE SWITCH set to OFF are not transmitted.

Using the RD-700SX As a Master Keyboard

Selecting Sounds on an External MIDI Device

To switch the tones of an external MIDI device, the program number and the MSB/ LSB of the Bank Select message are entered as numerical values on the RD-700SX.

fig.Q3-06p

Press [EXTERNAL/INTERNAL], getting the indicator to light.

The EXTERNAL screen appears.

If “MSB” doesn’t appear on screen, press CURSOR [ ] several times to display the following screen.

fig.Q3-07g

Parameter

OUT (MIDI OUT Port) Ch (MIDI Channel) --- 1–16 MSB (Bank Select MSB) CC 00 0–127, --- (OFF) LSB (Bank Select LSB) CC 32 0–127, --- (OFF) PC (Program Change) Program Change 0–127, --- (OFF)

Tx Settings

--- ALL, 1, 2, USB

Press CURSOR [ ]/[ ]/[ ]/[ ] to move the cursor, then press [INC]/[DEC] to set the MSB, LSB, and PC for each part.

Pressing [INC] and [DEC] simultaneously switches the settings value to “--- (OFF).” When this setting is “--- (OFF),” bank select messages will not be transmitted.

When Rec Mode is set to ON in the Utility Rec Setting in Edit mode, the EXTERNAL screen as shown to the left is not displayed. Set Rec Mode to OFF when setting the MIDI Transmit channel (p. 101).

If the external MIDI sound generator transmits a Program number or a Bank number for which no Tone has been assigned, an alternate Tone may be selected, or in some cases, there may be no sound played. If you do not want to transmit the Program number or Bank Select, use the procedure described left to set the PC/MSB/LSB to “--(OFF).”

Using the RD-700SX As a Master Keyboard

“Adjust the Volume Level for Individual Zones (ZONE SWITCH/ZONE LEVEL Slider)” (p. 41)

Adjusting the Volume of Each Zone (EXTERNAL Zone)

fig.Q3-08pe

ZONE LEVEL Slider

ZONE SWITCH

When the [EXTERNAL/INTERNAL] indicator is on, you can use the ZONE SWITCH and ZONE LEVEL sliders to control the EXTERNAL Zone in the same way as with the INTERNAL Zone (p. 28).

[EXTERNAL/INTERNAL] ON (lit)

ZONE SWITCH

This setting determines whether or not MIDI messages, including the information for Note On in the EXTERNAL zone, are to be transmitted from MIDI OUT when the [EXTERNAL/INTERNAL] indicator is lit.

When the ZONE SWITCH indicator for a part is lit (on), MIDI messages are transmitted from MIDI OUT when the keys for that part are played.

When the ZONE SWITCH indicator for a part is not lighted (off), MIDI messages are not transmitted from MIDI OUT even when the keys for that part are played.

ZONE SWITCH will turn on or off each time you press it.

ZONE LEVEL Slider

When the [EXTERNAL/INTERNAL] indicator is on, ZONE LEVEL sliders adjust the volume level of each of the EXTERNAL Zone.

Using the RD-700SX As a Master Keyboard

Detailed Settings for Transmitted Parts (EXTERNAL)

After pressing [EXTERNAL/INTERNAL], you can then set the following parameters affecting EXTERNAL Zone.

fig.Q3-09g

How to Make Settings

Press [EXTERNAL/INTERNAL], getting the indicator to light.

The RD-700SX is set to control the external MIDI devices.

When Rec Mode is set to ON in the Utility Rec Setting in Edit mode, the EXTERNAL screen as shown to the left is not displayed. Set Rec Mode to OFF when setting the MIDI Transmit channel (p. 101).

Press CURSOR [ ]/[ ]/[ ]/[ ] to move the cursor to the parameter to be set.

You can get the cursor to move more rapidly by holding down the CURSOR button that points in the direction you want the cursor to move while you also press the CURSOR button that points in the opposite direction.

Press [INC]/[DEC] to set the value.

Pressing [INC] and [DEC] simultaneously sets the value to “--(OFF).”

Adjusting the Volume and Pan (Volume/Pan)

Sets the volume and the panning (localizes sound image) for each of the Tones.

The Volume setting is mainly used when multiple tones are playing to obtain the desired balance in volume between each part.

The Pan setting positions the sound image of each part when the output is in stereo. With an increase in the value for L, more of the sound will be heard as coming from the left side. Similarly, more of the sound will originate at the right if the value of R is increased. When set to 0, the sound is heard as coming from the center.

Parameter

VOL (Volume) PAN (Pan) CC10 L64–0–63R, --- (OFF)

TX CC# Value

CC07 --- (OFF), 0–127

Setting the Amount of Reverb and Chorus (Reverb/Chorus)

This sets the depth of the reverb and chorus effects.

Parameter

REV (Reverb) CHO (Chorus) CC93

TX CC# Value

CC91 --- (OFF), 0-127

Using the RD-700SX As a Master Keyboard

Playing Sound Monophonically (Mono/Poly)

Specifies whether the tone will play polyphonically (POLY) or monophonically (MONO).

The MONO setting is effective when playing a solo instrument tone such as sax or flute.

Parameter

M/P (Mono/Poly)

Value

--- (OFF), M (MONO, CC126), P (POLY, CC127)

Setting the Transposition for Each Individual Zone (Transpose)

You can perform with each zone transposed to a different pitch.

When multiple zones are set to on

by setting the two Tones to different octaves. Also, if the Keyboard Mode is set to Split and you are playing a bass Tone in the lower Part, you can use the Transpose function to play the bass at a lower pitch.

Parameter

TRA (Transpose)

, you can create a richer sound

Value

-48 – 0 –+48

Setting the Key Range (Key Range Lower/Upper)

Set the keyboard range in which each Zone will sound. This can be used to make notes in different areas of the keyboard

play different Tones. Specify the lower limit (LWR) and upper limit (UPR) of the key

range being set. You can also set this by pressing a specific key and then pressing

[ENTER].

Parameter

LWR (Key Range Lower) UPR (Key Range Upper)

This is effective only when [SPLIT] is on (p. 38) in the key range settings.

“FUL” is displayed when [SPLIT] is set to OFF. In this case, [SPLIT] is automatically switched on when the value is changed to something other than “FUL” with [INC]/[DEC].

You cannot set the key range’s lower limit higher than the upper limit, nor can you set the upper limit below the lower limit.

You can use ZONE SWITCH for each individual zone to select whether or not MIDI Note messages for that zone are to be transmitted (p. 64).

Value

A0–C8

Changing the Range That Plays in Response to the Velocity (Velocity Range Lower/Upper)

This specifies the lower limit (LWR) and upper limit (UPR) of the range in which the tone is played according to how strongly the keys are played (velocity). Make this setting when you want the tone to change depending on the key velocity.

Parameter

VRL (Velocity Range Lower) VRU (Velocity Range Upper)

If you set the minimum velocity to a value above the upper limit, or set the maximum velocity to a value that is below the lower limit, the setting for the other limit is changed to the same value.

Value

1–127

Changing Tone Elements (ATK/DCY/REL/COF/RES)

You can make changes in tones by adjusting the settings of the following four elements.

ATK (Attack Time Offset):

The time it takes after the key is pressed for a sound to reach full volume.

DCY (Decay Time Offset):

The time it is to take following the attack for the volume to decrease.

REL (Release Time Offset):

The time it takes after the key is released for a sound to become inaudible.

COF (Cutoff Offset):

Adjusts how much the filter is opened.

RES (Resonance Offset):

This boosts the portions in the region around the cutoff frequency, lending a particular quality to the sound. Excessively high settings can produce oscillation, causing the sound to distort.

Parameter

ATK

DCY CC75 The time it takes for the vol-

REL CC73 Higher values produce

COF CC74 Higher values brighten the

RES CC71 Higher value makes the

TX CC# Value Description

CC73 --- (OFF),

-64–+63

Higher values produce a milder attack; lower values produce a sharper attack.

ume to fall increases as the value is raised; lowering the value decreases the decay time.

longer decay; set lower values for a clear-cut sound.

sound; lower values make the sound seem darker.

special quality of the sound stronger; lower value reduce these characteristics.

Using the RD-700SX As a Master Keyboard

Smoothly Changing the Pitch (Portamento)

Portamento is a function that causes the pitch to change smoothly from one note to the next note played.

The Portamento Time setting determines the time for the change in pitch when the portamento effect is applied to the sound. Higher settings will cause the pitch change to the next note to take more time.

Parameter

POR (Portamento Switch) P.T (Portamento Time) CC5 ---, 0–127

TX CC# Value

CC65 ---, OFF, ON

Setting the Change in Volume According to the Force Used to Play the Keyboard (Velocity Sensitivity/Max)

Set the change in volume that occurs in response to the force used to play the keyboard (velocity) and the maximum value of the change.

Parameter

SNS (Velocity Sensitivity)

MAX (Velocity Max)

Value Description

-63–+63 This setting determines how the volume changes in response to the velocity. The volume is increased as the keyboard is played with greater force when a positive Value is used; when a negative value is selected, the volume decreases as the keys are played with greater force. If this is set to “0,” the volume will not be affected by the strength of your playing on the keyboard.

1–127 Maximum velocity value for the

corresponding key. Lowering this value will produce softer notes even if you play the keyboard strongly.

Setting the Range for the Change in Pitch with the Bender (Bend Range)

This sets the amount of pitch change that will occur when you move the Pitch Bend lever (4 octaves).

Parameter

B.R (Bend Range)

RPN Value

00H/00H --- (OFF), 0–48

(semitone)

Setting the Amount of Modulation Applied (Modulation Depth)

This sets the depth of the effect when the Modulation lever is tilted.

Parameter

M.D (Modulation Depth)

RPN Value

00H/05H --- (OFF), 0–127st

Turning Each Controller On and Off

These settings determine whether the external MIDI device is controlled (ON), or not (OFF) by the pedals connected to each PEDAL jack, the slider, the Modulation lever, and the Bender.

Parameter

Dp F1 Pedal connected to the FC1 jack F2 Pedal connected to the FC2 jack PB Pitch Bender Md Modulation Lever UP1 Control Slider (UP1) UP2 Control Slider (UP2) LW1 Control Slider (LW1) LW2 Control Slider (LW2)

Description Value

Damper pedal ON, OFF

Changing the Pitch (Coarse Tune/Fine Tune)

This makes settings related to the pitch of each Part.

Parameter

C.T (Coarse Tune)

F.T (Fine Tune)

1 cent = 1/100 semitone

RPN Description Value

00H/ 02H

Sets the sound’s pitch in semitone units.

Sets the sound’s pitch in units of one cent.

--- (OFF),

-48– +48 (+/- 4 octaves)

--- (OFF),

-50– +50 (+/- 50 cents),

Transmitting the Control Change (USER CC/USER CC Value)

You can make two types of settings here, the Control Change message to be transmitted and the value for the Control Change.

Parameter

CC1 (User CC1) Value (User CC1 Value) CC2 (User CC2) Value (User CC2 Value)

Value

OFF, 0–127

Making Detailed Settings for Tones

Making Zone Settings (Zone Info)

The sixteen Parts played by the RD-700SX’s internal sound generator are referred to as “Internal Parts.”

Of the sixteen Internal Parts, you can select four of them to function as the four Parts (UPPER1, UPPER2, LOWER1, and LOWER2) which can be freely controlled with the RD-700SX’s buttons and keyboard. These four Parts are collectively known as the “Zone.”

You can perform operations like Split with the INTERNAL Zone very simply using the RD-700SX’s keyboard, and you can make more detailed settings for the Zone as well.

Depending on the tone selected, there may be parameters that cannot be altered.

How to Make Settings

In the Tone screen, press [F2 (Zone Info)].

The [F2] is lit, and the Zone Info screen appears.

fig.04-01g

Selecting the Tone

When the zone to be set is selected, the name of the assigned tone appears. You can select tone using the TONE SELECT buttons.

Parameter

Tone

Value

Refer to

“Tone List”

(p. 146)

Setting the Volume and Pan (Volume/Pan)

Sets the volume and the panning (localizes sound image) for each of the Zones.

The Volume setting is mainly used when multiple tones are playing to obtain the desired balance in volume between each zone.

The Pan setting localizes the sound image of each zone when the output is in stereo. With an increase in the value for L, more of the sound will be heard as coming from the left side. Similarly, more of the sound will originate at the right if the value of R is increased. When set to 0, the sound is heard as coming from the center.

Parameter

VOL (Volume) PAN L64–0–R63

Value

0–127

The names of zones that have Zone SW set to OFF are shown in lowercase letters.

Press CURSOR [ ]/[ ] to switch screens.

Press CURSOR [ ]/[ ]/[ ]/[ ] to move the cursor to the parameter to be set.

fig.04-02g

Press [INC]/[DEC] to set the value.

Pressing [INC] and [DEC] simultaneously sets

to the standard default value

When you finish making settings, press [F2],

that parameter

extinguishing its indicator.

You are returned to the Tone screen.

Setting the Zone to Which Multieffects Are Applied (MFX1/MFX2 Source)

This setting determines the zone to which multi-effects are applied.

Parameter Value

FX1 (MFX1 Source) FX2 (MFX2 Source)

Multi-effects can be applied to only one zone. Once one zone has been switched on, the same multi-effect is switched off in the other zones.

You can apply either MFX1 or MFX2 (not both) to a zone. If both MFX1 and MFX2 are switched on for the same zone, MFX2 alone will be the one that is actually applied.

ON, OFF

Making Detailed Settings for Tones

Setting the Transposition for Each Individual Zone (Transpose)

You can perform with each Zone transposed to a different pitch. When multiple tones are playing, you can create a richer sound by

setting the two Tones to different octaves. Also, if the Keyboard Mode is set to Split and you are playing a bass Tone in the lower Zone, you can use the Transpose function to play the bass at a lower pitch.

Parameter

TRA (Transpose)

You can also set the same degree of transposition for all parts with [TRANSPOSE]. For details, refer to

of the Keyboard ([TRANSPOSE])”

Value

-48–0–+48

“Transposing the Key

(p. 42).

Setting the Key Range for Each Zone (Key Range)

When [SPLIT] is pressed in normal performance conditions, the key range is divided at the Split Point, and you can play with two different tones on one keyboard.

Using Key Range allows you to make even more detailed key range settings.

This sets the lower and upper limit of the key range in each part. After moving the cursor to the parameter to be set, you can make the

setting by pressing the designated key and [ENTER].

Parameter

LWR (Key Range Lower) UPR (Key Range Upper)

This is effective only when [SPLIT] is on (p. 38) in the key range settings.

“FUL” is displayed when [SPLIT] is set to OFF. In this case, [SPLIT] is automatically switched on when the value is changed to something other than “FUL” with [INC]/[DEC].

Value

A0–C8

Setting the Change in Volume According to the Force Used to Play the Keyboard (Velocity Range/Sens/Max)

This setting determines how the volume changes in response to the force used to play the keyboard (velocity) and the maximum value of the change.

This setting is disregarded with certain tones.

Parameter Value Description

VRL (Velocity Range Lower)

VRU (Velocity Range Upper)

Sns (Velocity Sensitivity)

Max (Velocity Max)

1–127 This specifies the lower limit

(VLW) and upper limit (VUP) of

1–127

-63–+63 This setting determines how the

1–127 Maximum velocity value for the

the range in which the tone is played according to the velocity. Make this setting when you want the tone to change depending on the key velocity.

volume changes in response to the velocity. The volume is increased as the keyboard is played with greater force when a positive Value is used; when a negative value is selected, the volume decreases as the keys are played with greater force. If this is set to “0,” the volume will not be affected by the strength of your playing on the keyboard.

corresponding key. Lowering this value will produce softer notes even if you play the keyboard strongly.

Assigning Internal Parts to INTERNAL Zone (Part Assign)

This determines which internal Parts are assigned to the INTERNAL Zone.

You cannot set the key range’s lower limit higher than the upper limit, nor can you set the upper limit below the lower limit.

When the split point (p. 39) is changed, the Key Range value also changes.

Parameter

P.A (Part Assign)

Value

1–16

Making Detailed Settings for Tones

Turning the Controllers in Each Zone On and Off

These settings determine whether the pedals connected to each PEDAL jack (DaMPER, FC1, FC2), the Modulation lever, the Bender, and the Slides are used to control the Parts (ON), or not (OFF).

Parameter

Description Value

Damper pedal ON, OFF

Making Tone Settings (Tone Info)

You can make more detailed settings to the tones assigned to each of the Internal parts.

In certain selected Tones, there may be parameters that cannot be changed.

How to Make Settings

In the Tone screen, press [F1(Tone Info)].

The [F1] is lit, and the Tone Info screen appears.

fig.04-03g

Press CURSOR [ ]/[ ] to switch screens, and press CURSOR [ ]/[ ] to move the cursor to the parameter to be set.

fig.04-04g

Press [INC]/[DEC] to set the value.

When you finish making settings, press [F1], extinguishing its indicator.

You are returned to the Tone screen.

The following parameters cannot be changed when the selected tone is used as the Virtual Tonewheel tone.

• Mono/Poly

• Coarse Tune

• Fine Tune

• Portamento Switch

• Portamento Time

• Attack Time

• Release Time

• Cutoff

• Resonance

• Decay Time

Making Detailed Settings for Tones

Selecting the Part and the Tone to Be Set (Part, Tone)

Choose the Part and the Tone for which you want to make settings.

Parameter

<Part>

Tone When the part to be set is selected, the name of the

Value

1–16 Parts assigned to the INTERNAL Zone are indicated by a marker (UPPER1) appearing after the part name.

assigned tone appears. You can select tone using the TONE SELECT buttons.

Setting the Reverb/Chorus Depth (Reverb/Chorus Amount)

This sets the depth of the reverb and chorus effects.

When this value is set to “0,” no reverb or chorus effect is applied when the REVERB [DEPTH] or CHORUS [DEPTH] knob is turned.

Parameter

Reverb Amount Chorus Amount

Value

0–127

Playing Sound Monophonically (Mono/Poly)

Specifies whether the tone will play polyphonically (POLY) or monophonically (MONO). The MONO setting is effective when playing a solo instrument tone such as sax or flute. Additionally, when this is set to “MONO LEGATO,” you can have monophonic performances played legato. Legato is a playing style in which the spaces between notes are smoothed, creating a flowing feel with no borders between the notes. This creates a smooth transition between notes, which is effective when you wish to simulate the hammering-on and pulling-off techniques used by a guitarist.

Parameter

Mono/Poly

Value Description

MONO Only the last-played note

will sound.

POLY Two or more notes can be

played simultaneously.

MONO LEGATO Legato is applied to

monophonic performances.

Changing the Pitch (Coarse Tune/Fine Tune)

This sets the pitch of the tone.

The manner in which the effect is applied will differ depending on the settings for MFX Source (p. 86) and MFX1 Dest (p. 87).

• When MFX1 Dest is set to ALL PART The Reverb/Chorus Amount setting for the part selected for

MFX Source applies to all parts. However, when the MFX Source is set to FIXED, the Reverb/Chorus Amount setting for UPPER 1 applies to all parts.

• When MFX1 Dest is set to SAME MFX The Reverb/Chorus Amount setting for the part selected for

MFX Source applies to parts assigned the same MFX Type as the part selected for MFX Source.

Changing the Effect Applied to the Tone (MFX Type)

This sets the multi-effect applied to the tone.

The MFX selected here may not be applied with certain MFX Source and MFX Dest settings. For details, refer to

Source”

Parameter

MFX TYPE

(p. 86),

“MFX Dest”

Value

Refer to

(p. 87).

“Effect/Parameter List”

“MFX

(p. 112).

Parameter

Coarse Tune

Fine Tune -50–+50

1 cent = 1/100 semitone

With some Tones, there may be ranges in which the pitch does not change as intended.

Value Description

-48–+48 (+/- 4 octaves)

(+/- 50 cents)

Sets the sound’s pitch in semitone units. Sets the sound’s pitch in units of one cent.

Creating Smooth Pitch Changes (Portamento Switch/Time)

Portamento is a function that causes the pitch to change smoothly from one note to the next note played. With the Mono/Poly parameter set to MONO, portamento is especially effective when simulating playing techniques such as a violin glissandos. The Portamento Time setting determines the time for the change in pitch when the portamento effect is applied to the sound. Higher settings will cause the pitch change to the next note to take more time.

Parameter

Portamento Sw Portamento Time 0–127

Value

ON, OFF

Making Detailed Settings for Tones

Changing Tone Elements (Attack Time/Release Time/Cutoff/ Resonance/Decay Time)

You can make changes in tones by adjusting the settings of the following four elements.

Attack Time Offset:

The time it takes after the key is pressed for a sound to reach full volume.

Release Time Offset:

The time it takes after the key is released for a sound to become inaudible.

Cutoff Offset:

Adjusts how much the filter is opened.

Resonance Offset:

Emphasizes the overtones in the region of the cutoff frequency, adding character to the sound. Excessively high settings can produce oscillation, causing the sound to distort.

Decay Time Offset:

The time it is to take following the attack for the volume to decrease.

Making abrupt changes in the settings values may cause the sound to become distorted or overly loud. Carefully monitor volume levels while making the settings.

Parameter

Attack Time (Offset)

Release Time (Offset)

Cutoff (Offset)

Resonance (Offset)

Decay Time (Offset)

With some Tones, the effect does not work as intended.

Value Description

-64–+63 Higher values produce a milder attack; lower values produce a sharper attack. Higher values produce longer decay; set lower values for a clearcut sound Higher values brighten the sound; lower values make the sound seem darker. Higher value makes the special quality of the sound stronger; lower value reduce these characteristics. The time it takes for the volume to fall increases as the value is raised; lowering the value decreases the decay time.

Changing the Bend Range (Bend Range)

This sets the amount of pitch change that will occur when you move the Pitch Bend lever (2 octaves).

Parameter

Bend Range

Value

0–24 (semitone)

Making Detailed Settings for the ONE TOUCH Tones

Making Detailed Settings for the Piano Tones (Piano Edit)

You can make more detailed settings to fashion just the Tones you want using the piano Tone selected by pressing ONE TOUCH [PIANO] (p. 32).

This function is called “Piano Edit.” Furthermore, you can save up to two of the changed settings. The Piano Edit settings and ONE TOUCH [PIANO] Type A or B is

stored in memory.

When ONE TOUCH [PIANO] is pressed, all settings other than the Piano Edit settings are switched to their status at the time the RD-700SX’s power was turned on. Store any arrangements of settings that you want to keep in Setup (p. 58).

Making the settings

Press [F1] in the ONE TOUCH [PIANO] screen to select the type you want to set.

Pressing [F1] toggles you between Types A and B.

Depending on the piano Tone selected, this setting may not be available.

Selecting the Piano Sound

This chooses the piano Tone to be selected when ONE TOUCH [PIANO] is pressed. There are 20 Tones to choose from.

Changing the Width of the Sound (Stereo Width)

Adjusts the spaciousness of the sound.

Parameter Value Description

Stereo Width CENTER,

L01-01R– L63-63R

The higher the value set, the wider the sound is spread out.

Changing the Sound’s Nuance (Nuance)

This changes the Tone’s subtle nuances by altering the phase of the left and right sounds.

Press [F2 (EDIT)].

A Piano Edit screen will appear.

fig.04-05-1g

fig.04-05-2g

Press CURSOR [ ]/[ ] to switch screens, and press CURSOR [ ]/[ ] to move the cursor to the parameter to be set.

Move the cursor to one of the following menus and press [ENTER], then select the parameter you want to set in the screen that follows.

1. Key Touch Edit

2. Micro Tune Edit

3. Sym. Resonance

4. Tone Modify

5. Initialize

Press [INC]/[DEC] to set the value.

If you want to save the setting, press [F1 (WRITE)].

The confirmation message appears. Press [F1 (WRITE)] to save the settings. If you want to cancel, press [EXIT].

Parameter

Nuance

This effect is difficult to hear when headphones are used.

Value

TYPE1, 2, 3

Changing the Sense of Space Surrounding the Sound (Ambience)

Changing the sound’s ambience allows you give your performances a sound resembling that obtained in a wide open space.

Parameter

Ambience

Value Description

OFF, 1–5 The effect becomes deeper as the

value is increased.

Changing the Amount of Reverb Effect (Reverb Level)

Adjusts the depth of the Reverb effect. This functions the same way as the REVERB knob, but the setting made here can be called up simply by pressing ONE TOUCH [PIANO].

Parameter

Reverb Level

Value Description

0–127 The reverb effect becomes

stronger as the value is increased.

When you finish making settings, press [EXIT].

You are returned to the ONE TOUCH [PIANO] screen.

Making Detailed Settings for the ONE TOUCH Tones

Opening/Closing the Piano Lid (Lid)

Reproduces the way the brightness of a grand piano’s sound is affected by how much the piano’s lid is opened.

Parameter

Lid

Value Description

1–6 The lid is opened more as the

value is increased, creating a brighter sound.

Changing the Characteristics of the Mic (Mic Type/Distance)

This changes the sound of the instrument in a manner similar to that accomplished in recordings of miked acoustic instruments like pianos, where the sound is changed by using mics with different characteristics and changing the mic placement. This function is a virtual reproduction of these phenomena.

Parameter

Mic Type

Distance 0–10 The distance to the microphone

Value Description

OFF No microphone is used. CONDENSER This is a simulation of a small

condenser mic used for musical instruments. The mic features a very bright high end.

DYNAMIC This simulates the type of

dynamic mic used widely for vocals and instruments.

decreases as the value is raised, and the distance increases as the value is lowered.

Adjusting the Resonant Sounds When the Keys are Pressed (String Resonance)

When the keys are pressed on an acoustic piano, the strings for keys that are already pressed also vibrate sympathetically. The function used to reproduce is called “String Resonance.”

Parameter Value Description

String Resonance

OFF, 1–5 Increasing the value will

increase the amount of effect.

Making the Midrange Equalizer Settings (EQ SW/EQ Gain/EQ Frequency/EQ Q)

Parameter

EQ Gain -12.0–+12.0 dB Change the amount of

EQ Frequency

EQ Q 0.5, 1.0, 2.0, 4.0,

Value Description

equalization (gain).

100, 125, 160, 200, 250, 315, 400, 500, 630, 800, 1000, 1250, 1600, 2000, 2500, 3150, 4000Hz

8.0

Set Frequency Point. Changes the level of the selected frequency range, with frequency selected here at the center.

Adjusts the “Q” (bandwidth) of equalization. The higher the value, the narrower the range of frequencies that are affected.

Changing the Key Touch (Key Touch)

You can make advanced settings for the touch used for the keys.

Parameter

Key Touch

This setting is switched automatically according to the value of Key Touch Offset, which follows.

Changing this setting also changes the Key Touch setting in Edit Mode (p. 83).

Value Description

SUPER LIGHT

LIGHT This sets the keyboard to a light

MEDIUM This sets the keyboard to the

HEAVY This sets the keyboard to a heavy

SUPER HEAVY

An even lighter setting than LIGHT.

touch. You can achieve fortissimo (ff) play with a less forceful touch than usual, so the keyboard feels lighter. This setting makes it easy to play, even for children.

standard touch. You can play with the most natural touch. This is the closest to the touch of an acoustic piano.

touch. You have to finger the keyboard more forcefully than usual in order to play fortissimo (ff), so the keyboard touch feels heavier. Dynamic fingering adds even more feeling to what you play.

An even heavier setting than HEAVY.

This sets the midrange equalization.

Parameter Value Description

EQ SW ON, OFF This determines whether the

following EQ Gain, EQ Frequency, and EQ Q settings are enabled (ON), or not (OFF).

Making Detailed Settings for the ONE TOUCH Tones

Making Fine Adjustments to the Keyboard Touch (Key Touch Offset)

This setting provides even more precise adjustment of the key touch than available with the Key Touch setting alone.

This allows you to adjust between Key Touch settings values.

Parameter

Key Touch Offset

When this settings value continues into the positive or negative direction, the Key Touch’s five-step value is switched automatically in accordance with that value.

Value Description

-10–+9 The touch sensitivity becomes heavier as the value increases.

Setting a Constant Volume Level in Response to the Playing Force (Velocity)

This sets the sound to play at a fixed volume, regardless of the strength used to play the keyboard (the velocity).

Parameter Value Description

Velocity

REAL Volume levels and the way sounds

are played change in response to the velocity.

1–127 Values for the volume and the way

sounds are played remain constant.

Changing the Timing of Sounds in Response to the Velocity (Velocity Delay Sens)

This sets the interval from the time the key is played to when the sound is produced.

As the value is decreased, the timing of the sound is delayed more when more force is used to play the keys.

As the value is increased, the timing of the sound is delayed more when less force is used to play the keys.

Parameter

Velo Delay Sens

Value

-63–+63

Changing the Touch Sensitivity According to the Key Range (Velocity Keyfollow Sens)

This setting changes the touch sensitivity according to the key range being used.

As the value is increased, the touch becomes heavier in the upper registers, and lighter in the lower keys.

Parameter

Velo Keyfolw Sens

Value

-63–+63

Finely Adjusting the Tuning (Micro Tune)

This procedure allows micro-tuning of each individual key.

Parameter

Type

Select “2. Micro Tune Edit” in Step 3 of the piano edit settings procedure (p. 73), then press [ENTER].

The Micro Tune Edit screen appears.

fig.04-06g

Pressing [EXIT] returns you to the immediately preceding screen.

Press CURSOR [ ] to move the cursor to the “TYPE.”

Press [INC]/[DEC] to select the type.

Press CURSOR [ ] to move the cursor to the numerical value (Offset).

Press the key to specify it as the one you want to tune.

Press [INC]/[DEC] to adjust the value.

If you want to save the setting, press [F1 (WRITE)].

The setting is saved to “USER.”

Value

PRST (PRESET), USER, 1–14

Adjusting Resonance when the Damper Pedal is Depressed (Sympathetic Resonance)

You can adjust this resonance when the damper pedal is depressed. On an acoustic piano, holding down the damper pedal will allow the

remaining strings to resonate in sympathy with the sounds that you played from the keyboard, adding a rich resonance. This feature reproduces that resonance sound.

Parameter Value Description

Resonance Depth

Resonance Pitch

Resonance Level

0–10 The volume of the resonance

increases as the value is raised. Adjusts the amount of the

wavering effect. The wavering effect increases as the value is raised.

The volume of the wavering effect increases as the value is raised.

Making Detailed Settings for the ONE TOUCH Tones

Changing Sound Characteristics (Tone Modify)

You can make changes in tones by adjusting the settings of the elements.

Decay Time Offset:

The time it is to take following the attack for the volume to decrease.

Cutoff Offset:

Adjusts how much the filter is opened.

Release Time Offset:

The time it takes after the key is released for a sound to become inaudible.

Parameter

Decay Time (Offset)

Cutoff (Offset)

Release Time (Offset)

With certain tones, the effect may be difficult to distinguish.

Value Description

-64–+63 The time it takes for the volume to fall increases as the value is raised; lowering the value decreases the decay.

Higher values brighten the sound; lower values make the sound seem darker.

Higher values produce longer decay; set lower values for a clear-cut sound.

Making Detailed Settings for the E.Piano Tones (E.Piano Edit)

You can make more detailed settings to fashion just the Tones you want using the E.piano Tone selected by pressing ONE TOUCH [E.PIANO] (p. 32).

This function is called “E.Piano Edit.” The settings made in E.Piano Edit are stored to ONE TOUCH

[E.PIANO].

When ONE TOUCH [E.PIANO] is pressed, all settings other than the E.Piano Edit settings are switched to their status at the time the RD-700SX’s power was turned on. Store any arrangements of settings that you want to keep in Setup (p. 58).

Making the settings

Press [F1] in the ONE TOUCH [E.PIANO] screen to select the type you want to set.

Press [F2].

fig.04-g07-1

Restore the settings to initial conditions (Initialize)

This restores the One Touch E. Piano settings to their initial conditions.

In Step 3 of the Piano Edit settings instructions (p. 73), select “5. Initialize” and press [ENTER].

To cancel the Initialize, press [EXIT].

Press [ENTER].

The confirmation message appears.

Press [ENTER] once again.

The ONE TOUCH [PIANO] tones are initialized.

Press CURSOR [ ]/[ ] to switch screens, and press CURSOR [ ]/[ ] to move the cursor to the parameter to be set.

Press [INC]/[DEC] to set the value.

If you want to save the setting, press [F1 (WRITE)].

The confirmation message appears. Press [F1 (WRITE)] to save the settings. If you want to cancel, press [EXIT].

When you finish making settings, press [EXIT].

You are returned to the ONE TOUCH [E.PIANO] screen.

Making Detailed Settings for the ONE TOUCH Tones

Selecting the E.Piano Sound

This chooses the piano Tone to be selected when ONE TOUCH [E.PIANO] is pressed.

There are 21 Tones to choose from.

Selecting the Amp Type(AMP Type)

In the past, the sounds of electric pianos and similar instruments were always played through some kind of instrument amp.

The function simulates the sonic characteristics of these instrument amps.

Parameter

AMP Type

Value Description

OFF No amp is used. EP-AMP This simulates the amp section of a

vintage electric piano featuring a built-in amp.

GTR-AMP This simulates a multipurpose guitar

amp.

Applying Effects to the Sound (Effect Type/Depth/Rate)

You can use effects that are often used with electric pianos.

Parameter

Effect Type OFF, CHORUS,

Effect Depth 0–127 This sets the amount of effect

Effect Rate 1–200 This sets the rate of the effect's

Value Description

Selecting the type of effects. TRERMOLO, AUTO-WAH, PHASER

applied to the sound.

Increasing the value deepens

the effect, while the effect gets

weaker at lower values.

cycling. Increasing the value

deepens the effect, while the

effect gets weaker at lower

values.

Making the Midrange Equalizer Settings (EQ-SW/EQ Gain/ EQ Frequency/EQ Q)

Parameter

EQ Q 0.5, 1.0, 2.0, 4.0, 8.0 Adjusts the “Q” (bandwidth)

Depending on the piano Tone selected, this setting may not be available.

Value Description

of equalization. The higher the value, the narrower the range of frequencies that are affected.

Changing Sound Characteristics (Tone Modify)

You can make changes in tones by adjusting the settings of the elements.

Decay Time Offset:

The time it is to take following the attack for the volume to decrease.

Cutoff Offset:

Adjusts how much the filter is opened.

Resonance Offset:

Emphasizes the overtones in the region of the cutoff frequency, adding character to the sound. Excessively high settings can produce oscillation, causing the sound to distort

Release Time Offset:

The time it takes after the key is released for a sound to become inaudible.

Making abrupt changes in the settings values may cause the sound to become distorted or overly loud. Carefully monitor volume levels while making the settings.

Parameter

Decay Time (Offset)

Cutoff (Offset)

Resonance (Offset)

Release Time (Offset)

Value Description

-64–+63 The time it takes for the volume to fall increases as the value is raised; lowering the value decreases the decay time.

-64–+63 Higher values brighten the sound; lower values make the sound seem darker.

-64–+63 Higher value makes the special quality of the sound stronger; lower value reduce these characteristics.

-64–+63 Higher values produce longer decay; set lower values for a clear-cut sound

This sets the midrange equalization.

Parameter Value Description

EQ SW ON, OFF This determines whether the

following EQ-Freq, EQ Gain, and EQ Q settings are enabled (ON), or not (OFF).

EQ Gain -12.0–+12.0 dB Change the amount of

equalization (gain).

EQ Frequency

100, 125, 160, 200, 250, 315, 400, 500, 630, 800, 1000, 1250, 1600, 2000, 2500, 3150, 4000Hz

Set Frequency Point. Changes the level of the selected frequency range, with frequency selected here at the center.

Detailed Settings for Each Function ([EDIT])

The process of changing tone parameters to create the tones you like, and changing the settings for various functions is known as “editing.”

When [EDIT] is pressed and the indicator is lit, the RD-700SX switches to “Edit mode.”

You can save edited settings to Setups. Edited settings are discarded when the RD-700SX’s power is turned

off, so be sure that any settings you want to keep are saved to a Setup. For details, refer to (p. 58).

System function (0. System) settings are saved the instant a change is made in any of the parameter values. Therefore, no changes to the settings are lost, even when the power is turned off.

“Storing Settings to Setups ([WRITE])”

Parameters That Can Be Set

You can set the following parameters in Edit mode.

0.System

1. Key Touch

2. Control

3. Effects

Master Tune Master Volume p. 80 EQ Mode p. 80 Pedal Mode p. 80 Tone Remain p. 81 Clock Source p. 81 Clock Out p. 81 SETUP Control Channel p. 81 Device ID p. 81 USB Driver p. 106 Damper Polarity p. 81 FC1 Polarity p. 81 FC2 Polarity p. 81 Display Mode p. 82 Part Mode p. 82 Temperament p. 82 Temperament Key p. 82 Stretch Tune p. 82 Rx GM/GM2 System ON p. 82 Rx GS Reset p. 82 Key Touch Key Touch Offset p. 83 Velocity p. 84 Velocity Delay Sensitivity p. 84 Velocity Keyfollow Sensitivity p. 84 FC1 Pedal Assign p. 85 FC2 Pedal Assign p. 85 Control Knob Assign p. 85 Slider Assign p. 85 Harmonic Bar p. 54 MFX Structure p. 86 MFX1 Source p. 86 MFX2 Source p. 86 MFX1 Destination p. 87 Type p. 87 MFX Control p. 87 MFX Parameters p. 87 Reverb Type p. 87 Reverb Parameters p. 87 Chorus Type p. 88 Output Select p. 88 Chorus Parameters p. 88

p. 27

p. 83

4. Sound Control

5. File Utility/ USB

6. Part Parameter

7. Rhythm/ Arpeggio

8. V-Link

9. Utility

Type Split Frequency L p. 89 Split Frequency H p. 89 Level p. 89 Attack Time p. 89 Release Time p. 89 Threshold p. 89 Ratio p. 89 Save SETUP File Load SETUP File p. 90 File Delete p. 91 USB Setting p. 104 USB Storage p. 105 Part Tone p. 92 Receive Channel p. 92 Volume p. 92 Pan p. 92 Voice Reserve p. 92 Part Switch p. 92 MFX Switch p. 92 Rx Bank Select p. 92 Rx Program Change p. 92 Rx Modulation p. 92 Rx Pitch Bend p. 92 Rx Volume p. 92 Rx Hold -1 p. 92 Rx Pan p. 92 Rx Expression p. 92

Rhythm

Rhythm Tempo p. 93 Rhythm Volume p. 93 Rhythm Pattern p. 93 Rhythm Set p. 94 Rhythm Set Change p. 94 Rhythm Accent p. 94 Rhythm/Arpeggio Grid p. 94 Rhythm/Arpeggio Duration p. 94 MIDI Out Port p. 94 MIDI Out Channel p. 94

Arpeggio

Arpeggio Tempo p. 95 Arpeggio Style p. 95 Arpeggio Motif p. 95 Arpeggio Zone p. 96 Arpeggio Key Range p. 96 Arpeggio Velocity p. 96 Rhythm/Arpeggio Grid p. 94 Rhythm/Arpeggio Duration p. 94 Arpeggio Accent p. 96 Arpeggio Octave Range p. 96 Arpeggio Hold p. 96 V-Link Mode V-Link Tx Channel p. 98 V-Link Out Port p. 98 Key Range p. 98 Lowest No. p. 98 Local ON/OFF p. 98 Rec Setting Bulk Dump Temporary p. 99 Bulk Dump SETUP p. 99 Factory Reset Current p. 100 Factory Reset All p. 100

p. 89

p. 92

p. 98

p. 101

Detailed Settings for Each Function ([EDIT])

Edit Menu Screen

Edit Screen

Select a menu

Select an item

Switch screens

Change the value

(The number of Edit screen pages may vary according to the menu selected.)

Getting [EDIT] indicator light

Extinguishing [EDIT] indicator

Exit the Edit Mode

Enter the Edit Mode

You can input the value using the TONE SELECT buttons, and press [ENTER] to set the value.

Setting Parameters

fig.05-01e

Making System Settings (System)

Functions that affect the RD-700SX’s overall operating environment are called “System functions.”

How to Make Settings

Press [EDIT], getting the indicator to light.

The Edit Menu screen appears.

fig.05-02g

Press CURSOR [ ] to select “0.System.”

Press [ENTER] to display the Edit screen.

fig.05-03-1g

You can press [F1(WRITE)] to save following settings as common settings to RD-700SX.

• 0. System

• 4. Sound Control

• 8. V-Link However, following settings are not saved.

• V-Link On or Off

• Sound Control On or Off

fig.05-03-2g

fig.05-03-3g

Press CURSOR [ ]/[ ] to switch screens, and press CURSOR [ ]/[ ] to move the cursor to the parameter to be set.

Press [INC]/[DEC] to set the value.

When you have finished making the settings, press [EDIT], extinguishing its indicator.

If you want to save this settings, press [F1(WRITE)]. Settings saved in the RD-700SX are not deleted even when the power is turned off. However, following settings are not memorized.

Device ID→p. 81

Detailed Settings for Each Function ([EDIT])

For more on the following system function parameters, refer to the corresponding pages.

Master Tune →p. 27 USB Driver →p. 106

Adjusting the Volume (Master Volume)

Adjusts the volume of the entire RD-700SX.

Parameter Value

Master Volume 0-127

Preventing Equalizer Settings from Being Switched (EQ Mode)

You can store different equalizer settings (p. 45) for each individual Setup (p. 56).

This setting determines whether or not the Setup equalizer settings values are to be changed when Setups are switched.

Parameter Value Description

EQ Mode

When this is set to SYSTEM, a “ ” is displayed in the upper right of each screen.

SETUP Equalizer settings change when

Setups are switched.

SYSTEM Equalizer settings do not change

when Setups are switched.

Preventing Pedal Settings from Being Switched (Pedal Mode)

You can store separate pedal settings (p. 85) for each Setup (p. 56). This setting determines whether or not the pedal settings are

switched to the values stored in the setup you are switching to.

Parameter

Pedal Mode

Value Description

SETUP Pedal settings change when Setups

are switched.

SYSTEM Pedal settings do not change when

Setups are switched.

Assigning the Pedal Function When Pedal Mode is Set to “SYSTEM”

When this is set to SYSTEM, “Pedal Setting” appears in the lower right of the screen. Pressing [F2] at this point calls up the screen for the function assigned to the pedal.

Parameter

FC1 FC2

Value Function/Parameter Setting

Changed

OFF No control CC01–CC31,

CC33–CC95 96:

BEND-UP 97:

BEND-DOWN 98:

AFTER TOUCH 99:

OCTAVE UP

100: OCTAVE DWN

101: START/STOP

102: TAP TEMPO

103: RHY PLY/STP

104: ARPEGGIO SW

105: MFX ON/OFF

106: MFX CONTROL

107: SNG PLY/STP

108: SETUP-UP

109: SETUP-DOWN

Controller Numbers 1–31, 33–95

Raises the pitch (up to a maximum of four octaves). Lowers the pitch (up to a

maximum of four octaves). After Touch

Each pedal press raises the key range in octave steps (up to 4 octaves higher).

Each pedal press lowers the key range in octave steps (up to 4 octaves lower).

Starts/Stops the external sequencer.

The tempo will be modified to the interval at which you press the pedal.

Starts and stops Rhythms (p.

48). Performs the same function as

[ARPEGGIO]. Switches the Arpeggio (p. 46) on and off.

Performs the same function as MULTI EFFECTS [ON/OFF]. Switches the multi-effects (p.

52) on and off. Adjusting the amount of the

multi-effects (p. 52). Starts and stops the song (p.

50). Switches the Setups in ascending order. Switches the Setups in descending order.

When this is set to SYSTEM, a “ ” is displayed in the upper right of each screen.

Detailed Settings for Each Function ([EDIT])

Retaining the Current Tone Even When Tones Are Switched (Tone Remain)

This setting specifies whether the currently heard sound will continue (ON) or not (OFF) when another tone is selected.

Parameter

Tone Remain

Effects settings change as soon as you switch to a new Tone, without being influenced by the Tone Remain setting. Because of this, certain effects settings can cause notes that were until then sounding to no longer be heard, even though Tone Remain has been set to ON.

Even if Tone Remain is set to ON, the sound of the current tone is not carried over when changing from a Virtual Tonewheel tone to a non-Virtual Tonewheel tone.

Value

OFF, ON

Changing the Clock (Timing) Source (Clock Source)

You can control the tempo from an external MIDI device. Set this to MIDI when synchronizing to the clock (tempo) of an external MIDI device.

Parameter

Clock Source

Internal tempo settings are made in the Tone screen (p. 29), the Rhythm Edit screen (p. 93), the Arpeggio Edit Screen (p. 93), Song/Rhythm/Arpeggio screen (p. 29), and Virtual Tonewheel Screen (p. 29).

The tempo cannot be set if Clock Source is set to MIDI without there being any external MIDI device connected. This can result in Arpeggios (p. 46) and Rhythms (p. 48) not sounding, and may change the manner in which certain effects are applied.

Value Description

INT Synchronized to the internal clock MIDI Synchronized to the external MIDI

device’s clock. The tempo indication “ ” changes to “ ” for each screen.

Transmitting Synchronization Messages (Clock Out)

This setting determines whether or not the MIDI messages necessary to synchronize the RD-700SX with external devices are to be transmitted from the MIDI OUT connector.

Using Program Change Messages to Switch Setups (SETUP Control Channel)

You can switch the RD-700SX’s Setups with MIDI messages from an external MIDI device.

Set the MIDI Receive channel for receiving the MIDI messages (Program Changes) from the external MIDI device to be used for switching Setups.

When not switching Setups from an external MIDI device, set this to OFF.

Parameter

Control Channel

When the Control Channel settings are transmitted along with the part’s MIDI receive channel (p. 92), switching of Setups takes priority over the switching of tones. For more information about Switching Setups, refer to

“Switching Setups”

(p. 103).

Value

1–16, OFF

Setting the Device ID Number (Device ID)

The Device ID number is an identification number used when transmitting and receiving MIDI Exclusive messages. When transmitting Exclusive messages, the device ID numbers of the corresponding devices must be matched.

Parameter

Device ID

Value

17–32

Switching the Pedal’s Polarity (Pedal/FC1/FC2 Polarity)

Switch the polarity of pedals connected to the RD-700SX. This can be set individually for each of the Pedal jacks on the rear

panel (FC1, FC2, DAMPER). On some pedals, the electrical signal output by the pedal when it is

pressed or released is the opposite of other pedals. If your pedal has an effect opposite of what you expect, set this parameter to Reverse.

If you are using a Roland pedal (that has no polarity switch), set this parameter to STANDARD.

Parameter

Damper FC1 FC2

Value

STND (STANDARD), REV (REVERSE)

Parameter

Clock Out ON, OFF

Value

Detailed Settings for Each Function ([EDIT])

Selecting the Display Appearance (Display Mode)

This switches the appearance of the display. When “INVERT” is selected, the blue and white portions of the display are the reverse of what they are when “NORMAL” is selected.

Parameter

Display Mode

Value

NORMAL, INVERT

Selecting the Number of Parts (Part Mode)

This selects the number of parts for the RD-700SX. When set to “16PART+PERF,” the performance on the keyboard is

not affected by MIDI messages from the MIDI IN connector or song data played by the RD-700SX. This is useful when you want to perform on the keyboard while playing song data with the RD700SX.

Parameter

Part Mode

Value

16PART, 16PART+PERF (Performance)

Setting the Tuning Method (Temperament/Key)

This sets the tuning and keynote (tonic). Most modern songs are composed and played with the assumption

that equal temperament will be used, but when classical music was composed, there were a wide variety of other tuning systems in existence. Playing a composition with its original tuning lets you enjoy the sonorities of the chords that the composer originally intended.

When playing with tuning other than equal temperament, you need to specify the keynote for tuning the song to be performed (that is, the note that corresponds to C for a major key or to A for a minor key).

If you choose an equal temperament, there’s no need to select a keynote.

Parameter Value Description

Temperament EQUAL Equal Temperament. This

tuning divides an octave into 12 equal parts. Every interval produces about the same amount of slight dissonance.

JUST MAJ Just (Major). This scale

eliminates dissonance in fifths and thirds. It is unsuited to playing melodies and cannot be transposed, but is capable of beautiful sonorities.

Parameter

Temperament JUST MIN Just (Minor). The scales of the

Temperament Key

Value Description

major and minor just intonations are different. You can get the same effect with the minor scale as with the major scale.

PYTHAGOR EAN

KIRNBERGERThis scale is a modification of

MEAN TONE

WERCKMEI STER

ARABIC Arabic Scale. This scale is

C, C#, D, Eb, E, F, F#, G, G#, A, Bb, B

This scale devised by the philosopher Pythagoras eliminates dissonance in fourths and fifths. Dissonance is produced by third-interval chords, but melodies are euphonious.

the meantone and just intonations that permits greater freedom in transposition to other keys. Performances are possible in all keys (III).

This scale makes some compromises in just intonation, enabling transposition to other keys.

This is a combination of the mean tone and Pythagorean scales. Performances are possible in all keys (first technique, III).

suitable for Arabic music. Sets the keynote.

Precise Modification of Chord Sonorities (Stretch Tune)

Changes the pitch using the “stretch tuning” method typically used on acoustic pianos. This makes high-range sounds slightly higher in pitch, and low-range sounds slightly lower in pitch.

Parameter Value Description

Stretch Tune OFF No stretch tune.

DEFAULT This is the standard tuning curve.

Switching Between Reception of GM/GM2 System On and GS Reset

Specifies whether General MIDI System On, General MIDI 2 System On, or GS Reset messages from external MIDI devices will be received (ON) or not (OFF).

Parameter Value

Rx. GM/GM2 System ON

Rx. GS Reset

ON, OFF

Detailed Settings for Each Function ([EDIT])

Setting the Keyboard Touch (Key Touch)

You can make advanced settings for the touch used for the keys.

How to Make Settings

Press [EDIT], getting the indicator to light.

The Edit Menu screen appears.

fig.05-04g

Press CURSOR [ ]/[ ] to select “1.Key Touch.”

Press [ENTER] to display the Edit screen.

fig.05-05g

Press CURSOR [ ]/[ ] to move the cursor to the parameter to be set.

Press [INC]/[DEC] to set the value.

When you have finished making the settings, press [EDIT], extinguishing its indicator.

You are returned to the Tone screen.

Changing the Key Touch (Key Touch)

The setting below allows you to adjust the response you get from the keyboard when you finger the keys.

Parameter

Key Touch

Value Description

SUPER LIGHT

LIGHT This sets the keyboard to a light

MEDIUM This sets the keyboard to the

HEAVY This sets the keyboard to a heavy

SUPER HEAVY

An even lighter setting than LIGHT.

touch. You can achieve fortissimo (ff) play with a less forceful touch than usual, so the keyboard feels lighter. This setting makes it easy to play, even for children.

standard touch. You can play with the most natural touch. This is the closest to the touch of an acoustic piano.

touch. You have to finger the keyboard more forcefully than usual in order to play fortissimo (ff), so the keyboard touch feels heavier. Dynamic fingering adds even more feeling to what you play.

An even heavier setting than HEAVY.

Making Fine Adjustments to the Keyboard Touch (Key Touch Offset)

This setting provides even more precise adjustment of the key touch than available with the Key Touch setting alone.

This allows you to adjust between Key Touch settings values.

Parameter Value Description

Key Touch Offset -10– +9 The touch sensitivity becomes

heavier as the value increases.

When this settings value continues into the positive or negative direction, the Key Touch’s five-step value is switched automatically in accordance with that value.

Detailed Settings for Each Function ([EDIT])

Setting a Constant Volume Level in Response to the Playing Force (Velocity)

This sets the sound to play at a fixed volume, regardless of the strength used to play the keyboard (the velocity).

Parameter

Velocity

Value Description

REAL Volume levels and the way sounds

are played change in response to the velocity.

1–127 Values for the volume and the way

sounds are played remain constant.

Changing the Timing of Sounds in Response to the Velocity (Velocity Delay Sens)

This sets the interval from the time the key is played to when the sound is produced.

As the value is decreased, the timing of the sound is delayed more when more force is used to play the keys.

As the value is increased, the timing of the sound is delayed more when less force is used to play the keys.

Pedal and MULTI EFFECTS [CONTROL] Knob Settings (Control)

You can change the functions assigned to the pedals, sliders, and MULTI EFFECTS [CONTROL] knob settings.

How to Make Settings

Press [EDIT], getting the indicator to light.

The Edit Menu screen appears.

fig.05-06g

Press CURSOR [ ]/[ ] to select “2.Control/ EQ.”

Press [ENTER] to display the Edit screen.

fig.05-07-1g

Parameter Value

Velo Delay Sens -63–+63

Changing the Touch Sensitivity According to the Key Range (Velocity Keyfollow Sens)

This setting changes the touch sensitivity according to the key range being used.

As the value is increased, the touch becomes heavier in the upper registers, and lighter in the lower keys.

Parameter Value

Velo Keyfolw Sens -63–+63

fig.05-07-2g

fig.05-07-3g

Press CURSOR [ ]/[ ] to switch screens, and press CURSOR [ ]/[ ] to move the cursor to the parameter to be set.

Press [INC]/[DEC] to set the value.

When you have finished making the settings, press [EDIT], extinguishing its indicator.

You are returned to the Tone screen.

For more on the following parameters, refer to the corresponding pages. Harmonic Bar →p. 54

Detailed Settings for Each Function ([EDIT])

Assigning Functions to Pedals (FC1/FC2 Pedal Assign)

This setting determines the function of the pedal switches or expression pedals (such as the optional EV series) that are connected to the FC1 and FC2 jacks on the rear panel.

Parameter

FC1/FC2 (Pedal Assign)

Value Function/Parameter Setting

Changed

OFF No control CC01–CC31,

CC33–CC95 96:

BEND-UP 97:

BEND-DWN 98:

AFTER TOUCH 99:

OCT-UP

100: OCT-DOWN

101: START/STOP

102: TAP-TEMPO

103: RHY PLY/STP

104: ARPEGGIO SW

105: MFX ON/OFF

106: MFX CONTROL

107: SNG PLY/STP

Controller Numbers 1–31, 33–95

Raises the pitch (up to a maximum of four octaves).

Lowers the pitch (up to a maximum of four octaves).

After Touch

Each pedal press raises the key range in octave steps (up to 4 octaves higher).

Each pedal press lowers the key range in octave steps (up to 4 octaves lower).

Starts/Stops the external sequencer.

The tempo will be modified to the interval at which you press the pedal.

Starts and stops Rhythms (p.

48). Performs the same function as

[ARPEGGIO]. Switches the Arpeggio (p. 46) on and off.

Performs the same function as MULTI EFFECTS [ON/OFF]. Switches the multi-effects (p.

52) on and off. Adjusts the amount of multi-

effects (p. 52). Starts/Stops the song (p. 50).

Changing the MULTI EFFECTS [CONTROL] Knob Settings (Control Knob Assign)

Normally, MULTI EFECTS [CONTROL] knob is used for making settings that adjust the multi-effects (MFX1 Control), but they can also be used for settings that change the way tones are played or the tempo.

Parameter

Ctrl Knob (Control Knob Assign)

Value Description

OFF No control MFX1

CTRL

MFX2 CTRL

MFX1 &2 CTRL

TEMPO MULTI EFECTS [CONTROL] knob

MULTI EFECTS [CONTROL] knob adjusts the MFX Control of MFX1 applied.

MULTI EFECTS [CONTROL] knob adjusts the MFX Control of MFX2 applied.

MULTI EFECTS [CONTROL] knob adjusts the MFX Control of MFX1 and MFX2 applied.

changes the tempo.

Changing the Slider Settings (Slider Assign)

This sets the function of the slider when [CONTROL/ZONE LEVEL] is set to “CONTROL” (lit).

Parameter Value Description

Slider Assign (UP1/UP2/ LW1/LW2)

OFF No control CC01–CC31,

CC33–CC95 96:

BEND-UP

97: BEND-DOWN

98: AFTER TOUCH

Controller Numbers 1-31, 3395

Raises the pitch in semitone units (up to a maximum of four octaves).

Lowers the pitch in semitone units (up to a maximum of four octaves).

After Touch

Detailed Settings for Each Function ([EDIT])

Setting the Multi-Effects, Reverb, and Chorus Effects (Effects)

The RD-700SX contains four effects processors: two multi-effects, chorus, and reverb. Settings can be made separately for each effects processor.

Press CURSOR [ ]/[ ] to switch screens, and press CURSOR [ ]/[ ] to move the cursor to the parameter to be set.

Press [INC]/[DEC] to set the value.

When you have finished making the settings, press [EDIT], extinguishing its indicator.

You are returned to the Tone screen.

Making abrupt changes in the settings values may cause the sound to become distorted or overly loud. Carefully monitor volume levels while making the settings.

How to Make Settings

Press [EDIT], getting the indicator to light.

The Edit Menu screen appears.

fig.05-08g

Press CURSOR [ ]/[ ] to select “3.Effects.”

Press [ENTER] to display the Edit screen.

Press [F2] to switch between MFX1 and MFX2.

fig.05-09-1g

Making Multi-Effects Settings

The Multi-effects are multi-purpose effects that completely change the sound type by changing the sound itself. Contained are 125 different effects types; select and use the type that suits your aims. In addition to effects types composed of simple effects such as Distortion, Flanger, and other such effects, you can also set up a wide variety of other effects, even connecting effects in series or in parallel. Additionally, while some multi-effects types feature chorus and reverb, the reverb (p. 43) and chorus (p. 43) effects discussed later in this volume are handled separately.

MFX Structure

This setting determines how MFX1 and MFX2 are connected.

Parameter

MFX Structure

MFX Source

On the RD-700SX, the MFX Type can be stored along with the tones assigned to each part.

This settings determine which multi-effects are used.

Value Description

PARALEL The effects are connected in parallel. SERIAL The effects are connected serially.

fig.05-09-2g

“REVERB” Settings Screen

fig.05-09-4g

“CHORUS” Settings Screen

fig.05-09-3g

Parameter

MFX1/2 Source

When MFX Source is set to FIXED, the MFX Dest setting is fixed at ALL PART, and the multi-effects are applied to all parts.

Value Description

FIXED (“OFF” at MFX2 Source)

UPPER1, UPPER2, LOWER, RHYTHM

The multi-effect doesn’t change even when you switch to a different tone. This setting is convenient when you want to use the same multi-effect, even when changing tones.

The MFX Type of the Tone assigned to the selected part is applied.

MFX Dest

This settings determine the part to which the MFX1 are applied.

Detailed Settings for Each Function ([EDIT])

Making Reverb Settings

Parameter

MFX Dest (Destination)

Value Description

SOURCE PART

SAME MFX

ALL PART The multi-effects are applied to all

The multi-effect is applied only to the part selected in MFX1 Source.

The multi-effect is applied to parts assigned the same multi-effect as the part selected in MFX1 Source.

parts.

Type

Select the Multi-Effects Type. There are 125 different multi-effects available. Refer to the Effect/

Parameter List (p. 112).

Parameter

Type

When MFX Source is set to UPPER1, UPPER2, LOWER1, or LOWER2, the Tone Info MFX Type settings (p. 71) also change.

Value

Refer to

“Effect/Parameter List”

(p. 112).

MFX Control

You can make changes to the multi-effect parameters in real time with the MULTI EFFECTS [CONTROL] knob. Here, select the parameter to be changed.

The parameters that can be changed vary with the different multieffects selected in Type.

The available choices depend on the Type setting.

Parameter

C1/2 (MFX Control)

Value

Refer to

“Effect/Parameter List”

(p. 112).

Other Multi-effects Settings

You can make even more detailed settings to the multi-effects. When you select the multi-effects Type, a number of parameters particular to that type are displayed. Refer to the

112) for the values that can be set.

Multi-effects are not applied to parts in which the Part Parameter MFX Switch is set to “OFF.”

With some types of multi-effects, lowering the volume of the Part to which the multi-effects are added may end up changing the amount of the effect applied. In such cases, adjust the Level in MFX parameters.

Use caution before setting the Feedback parameter to its maximum or minimum values, since such settings may cause the sound to play continuously.

“Effect/Parameter List”

(p.

Reverb adds the reverberation characteristics of halls or auditoriums. Six different types are offered, so you can select and use the type that suits your purpose.

You can set the amount of reverb applied separately for each individual tone (p. 71).

Reverb Type

Select the reverb type. When you change the Reverb Type, the Reverb parameters will be

automatically adjusted to the optimal values. Rather than setting the reverb parameters one by one, you can make the settings more easily by first setting the Reverb Type and then changing only the necessary parameters.

The way the [REVERB] indicators light changes with the selected type.

Parameter Value Description

Reverb Type

OFF No reverb is used.

The indicator does not light.

REVERB Normal Reverb.

The “HALL” indicator flashes.

ROOM Simulates the reverberation of

room interiors. It produces a well-defined and spacious reverberation. The “ROOM” indicator remains lit.

HALL Simulates the reverberation

exhibited by hall. It provides a deeper reverberation than the Room reverbs. The “HALL” indicator remains lit.

PLATE Simulates a plate reverb unit (a

type of artificial reverb that utilized a metal plate). The “ROOM” indicator flashes.

GM2 REVERB This is a GM2 reverb.

The “CATHEDRAL” indicator flashes.

CATHEDRAL This reproduces the reverb

found in a church cathedral. The “CATHEDRAL” indicator remains lit.

Other Reverb Settings

You can make even more detailed reverb settings. When you select a Reverb Type, a number of parameters unique to

that type are displayed. Refer to p. 145 for the values that can be set.

Detailed Settings for Each Function ([EDIT])

Setting Chorus and Delay

Chorus adds depth and spaciousness to the sound. You can select whether to use this as a chorus effect or a delay effect.

You can set the amount of Chorus applied separately for each individual tone (p. 71).

Chorus Type

You can select the chorus type. When you change the Chorus Type, the Chorus parameters will be

automatically adjusted to the optimal values. Rather than setting the chorus parameters one by one, you can make the settings more easily by first setting the Chorus Type and then changing only the necessary parameters.

The way the [CHORUS/DELAY] indicators light changes with the selected type.

Parameter Value Description

Chorus Type OFF Chorus or Delay is not used.

The indicator does not light.

CHORUS Normal Chorus.

The “CHORUS” indicator remains lit.

DELAY Normal Delay.

The “DELAY” indicator remains lit.

GM2 CHORUS This is a GM2 reverb.

The “CHORUS” indicator flashes.

Making the Sound Control Settings (Sound Control)

This is a stereo compressor (limiter) that is applied to the final output.

With separate settings for the high-frequency range, midrange, and low-frequency range, this reduces inconsistencies in volume levels by compressing the sound when the volume exceeds a preset volume level.

How to Make Settings

Press [EDIT], getting the indicator to light.

The Edit Menu screen appears.

fig.05-10g

Press CURSOR [ ]/[ ] to select “4.Sound Control.”

Press [ENTER] to display the Edit screen.

fig.05-11g

Selecting the Output Destination (OUT PUT SELECT)

This selects the output mode for the chorus sound.

Parameter

Output SELECT

Value Description

MAIN The chorus sound is output

without being passed through the reverb. The chorus sound without the reverb applied to it is mixed with the reverb sound.

REVERB The chorus sound is output with

reverb applied to it.

MAIN+ REVERB

The chorus sound without the reverb applied to it is mixed with the chorus sound to which reverb has been applied.

Other Chorus Settings

You can make even more detailed chorus/delay settings. When you select a Chorus Type, a number of parameters unique to

that type are displayed. Refer to p. 144 for the values that can be set.

Press CURSOR [ ] to select “Type.”

Press [INC]/[DEC] to set the type of compressor.

Press CURSOR [ ]/[ ] to switch screens, and press CURSOR [ ]/[ ] to move the cursor to the parameter to be set.

With certain parameters, pressing [F2 (L-M-H)] selects the lowfrequency range, midrange, or high-frequency range.

Press [INC]/[DEC] to set the value.

If you want to save this settings, press [F1(WRITE)].

The settings are written to Sound Control Type “USER.”

When you have finished making the settings, press [EDIT], extinguishing its indicator.

You are returned to the Tone screen.

Detailed Settings for Each Function ([EDIT])

Settings saved in the RD-700SX are not deleted even when the power is turned off.

Selecting the Type of Compressor (Sound Control Type)

When you change the this parameter, the Sound Control parameters will be automatically adjusted to the optimal values. You can make the settings easily by first setting the Sound Control Type and then changing only the necessary parameters.

Parameter Value Description

Type (Sound Control Type)

HARD COMP Applies strong compression. SOFT COMP Applies mild compression. LOW BOOST Boosts the low end. MID BOOST Boosts the midrange. HI BOOST Boosts the high end. USER The saved settings are written.

Detailed Settings of Compressor

Parameter Split Freq L

Split Freq H

Level

Attack Time

Release Time

Threshold

Ratio

Value Description

200, 250, 315, 400, 500, 630, 800 [Hz]

2000, 2500, 3150, 4000, 5000, 6300, 8000 [Hz]

0–24dB (1dB/1Step)

0–100ms

50–5000ms

-36dB–0dB (1dB/ 1step)

1:1.0, 1:1.1, 1:1.2. 1:1.4, 1:1.6, 1:1.8, 1:2.0, 1:2.5, 1:3.2, 1:4.0, 1:5.6, 1:8.0, 1:16, 1:INF

This sets the frequency separating the low-frequency range (Lo) and midrange (MID).

This sets the frequency separating the high-frequency range (HI) and midrange (MID).

Output Level

This sets the time it takes until the level is compressed after the input exceeds the THRESHOLD.

This sets the time it takes for the compression to be released after the input falls below the THRESHOLD.

This sets the level at which compression begins.

Compression Ratio

Managing Setup Files (File Utility/USB)

The RD-700SX features a memory in which you can save the RD700SX's Setup settings. You can also connect a computer using a USB cable to save files to the computer and to load files from the computer to the RD-700SX.

For more on using USB in managing setup files, refer to

“Connecting to Your Computer via USB (USB Mode)”

104).

Saving Setup Files to the Memory (Save SETUP File)

A single, individual file containing a collection of 100 setups registered to the RD-700SX is called a “setup file.” You can save these setup files to the RD-700SX’s memory.

The Setup files you’ve saved in memory can be transferred to a computer that’s been connected using a USB cable and stored there (p. 105).

If you want to save the changed settings of a system parameter, memorize settings by pressing [F1 (WRITE)], then save an setup file.

Press [EDIT], getting the indicator to light.

The Edit Menu screen appears.

fig.05-12g

Press CURSOR [ ]/[ ] to select “5.File Utility/ USB,” then press [ENTER].

The Edit screen appears.

fig.05-13g

(p.

Press CURSOR [ ]/[ ] to select “0. SAVE SETUP File,” then press [ENTER].

The following screen appears.

Detailed Settings for Each Function ([EDIT])

fig.05-14g

Press CURSOR [ ]/[ ] to move the cursor to the positions where the characters are to be input.

Press [INC]/[DEC] to enter the characters.

Names can consist of up to 16 characters. The following characters are available.

space ! # $ % & ' ( ) + , - . 0–9 ; = @ A–Z [ ] ^ _ ` a–z { } ~

When [F2] is pressed, a single-character blank space is inserted; pressing [F1] deletes one character.

Repeat steps 4–5 to input the name.

When you have finished determining the name for the new Setup file, press [ENTER].

The setup files are saved in memory.

“Saving...” appears in the display while the save is in progress.

Be sure never to turn off the power.

fig.05-16g

Press CURSOR [ ]/[ ] to select “1. Load SETUP File,” then press [ENTER].

The following screen appears.

fig.05-16-2g

When loading System parameter settings, press [F2 (System)] to check in the check box.

System Parameter is following settings.

• System settings (p. 79)

• Sound Control Settings (p. 88)

• V-Link Settings (p. 97)

• Favorite Setup Settings (p. 57)

• ONE TOUCH [PIANO] and [E.PIANO] Settings (p. 73)

If a file with the same name has already been saved, the confirmation message “Overwrite OK?” appears. To overwrite the file, press [ENTER]; to save the file under a different name, press [EXIT].

Press [EDIT], extinguishing its indicator.

You are returned to the Tone screen.

Calling Up Setup Files from Memory (Load SETUP File)

Use this procedure to call up setup files that have been saved in memory.

The current settings are erased when a setup file is called up. Be sure to save you would like to keep first before calling up.

Press [EDIT], getting the indicator to light.

The Edit Menu screen appears.

fig.05-15g

The system parameter is memorized by only the setup file saved after pressing [F1 (WRITE)] to memorize a setup to RD700SX.

Use CURSOR [ ]/[ ] to select the file you want to call up, then press [ENTER].

The confirmation message appears.

fig.05-16-3g

If you do not want to load the Setup file, press [EXIT].

Press [ENTER] once again to load the setup file.

The file is loaded into the RD-700SX.

Be sure never to turn off the power while the load is in progress.

If you load a file with a name that contains characters that cannot be displayed by the RD-700SX, the file name is displayed as “?.”

Press CURSOR [ ]/[ ] to select “5.File Utility/ USB,” then press [ENTER].

The Edit screen appears.

Press [EDIT], extinguishing its indicator.

You are returned to the Tone screen.

Detailed Settings for Each Function ([EDIT])

Deleting Files from Memory (File Delete)

This procedure deletes Setup files and song data loaded from computers that have been saved in memory.

Press [EDIT], getting the indicator to light.

The Edit Menu screen appears.

fig.05-17g

Press CURSOR [ ]/[ ] to select “5.File Utility/ USB,” then press [ENTER].

The Edit screen appears.

fig.05-18g

Press CURSOR [ ]/[ ] to select “2. File Delete,” then press [ENTER].

The following screen appears.

fig.05-19g

Setting MIDI Receive Parts (Part Parameter)

The sixteen Parts played by the RD-700SX’s internal sound generator are referred to as “Internal Parts.”

When connecting an external MIDI device to a sequencer or other device, by assigning the Receive channel to an Internal Part you can receive MIDI messages from the external MIDI device and control the Internal Parts.

These parameters determine how each Part will receive MIDI messages.

How to Make Settings

Press [EDIT], getting the indicator to light.

The Edit Menu screen appears.

fig.05-21g

Press CURSOR [ ]/[ ] to select “6. Part Parameter.”

Press [ENTER] to display the Edit screen.

fig.05-22-1g

Press [F2] to select the type of file to be deleted.

The file type switches each time [F2] is pressed.

Parameter

File Type

Use CURSOR [ ]/[ ] to select the file you want

Value

ALL FILES SETUP SMF

to delete.

Press [F1 (DELETE)].

The confirmation message appears.

fig.05-20g

If you do not want to delete the file, press [EXIT].

Press [ENTER] to delete the file.

Press [EDIT], extinguishing its indicator.

You are returned to the Tone screen.

fig.05-22-2g

Press CURSOR [ ]/[ ] to move the cursor to the parameter to be set.

Press [INC]/[DEC] to set the value.

When you have finished making the settings, press [EDIT], extinguishing its indicator.

You are returned to the Tone screen.

Detailed Settings for Each Function ([EDIT])

Selecting the Part to Be Set (Part/Tone)

Choose the Part for which you want to make settings.

Parameter

Part

Tone When the Part to be set is selected, the name of the

Value

1-16 Parts assigned to the INTERNAL Zone are indicated by a marker (UPPER1) appearing after the part name.

assigned tone appears. You can select tone using the TONE SELECT buttons. For more on the Tone, refer to

“Tone List”

(p. 146)

Setting the Receive Channel (Receive Channel)

When using MIDI messages from an external MIDI device to play the RD-700SX, set the Receive channels for each of the RD-700SX’s parts so they’re matched up with the channels that’ll be used for transmission by the external MIDI device.

Parameter

Receive Channel

Value

1–16

Parameter

Voice Reserve

Value

0–64 * The figure in parentheses before the settings value shows the remaining number of voices that can be set. It is not possible for the settings of all Parts to total an amount greater than 64.

Preventing Parts from Being Played (Part Switch)

Sets the part on or off.

Parameter

Part Switch

Value

ON, OFF

Making the Effect ON/OFF Settings (MFX Switch)

This setting determines whether the multi-effects are applied (ON), or not (OFF).

For example, with the MFX Dest setting (p. 87) set to “ALL” (multieffects are applied to all parts), multi-effects are not applied to the parts for which this is set to “OFF.”

Parameter

MFX Switch

Value

OFF, ON

Setting the Volume and Pan (Volume/Pan)

Sets the volume and the panning (localizes sound image) for each of the Tones.

The Volume setting is mainly used when multiple tones are playing to obtain the desired balance in volume between each part.

The Pan setting localizes the sound image of each part when the output is in stereo. With an increase in the value for L, more of the sound will be heard as coming from the left side. Similarly, more of the sound will originate at the right if the value of R is increased. When set to 0, the sound is heard as coming from the center.

Parameter

Volume 0–127 Pan L64–0–63R

Value

Setting the Required Polyphony (Voice Reserve)

The RD-700SX has a maximum polyphony (the number of sounds, or “voices” that can be produced simultaneously by the sound generator) of 128 voices. This setting specifies the number of voices that will be reserved for each Part when more than 128 voices are played simultaneously. For example if Voice Reserve is set to 6 for Part 1, Part 1 will always have 6 notes of sound-producing capacity available to it even if a total of more than 128 notes (total for all Parts) are being requested. You can make separate Voice Reserve settings for each individual Part.

Setting Reception and Blocking of MIDI Messages from External MIDI Controllers

You can change the RD-700SX’s tones by reception of MIDI messages generated through the actions of modulation levers, pedals, knobs, and other such external MIDI devices controls.

You can set whether to have the following MIDI messages received (ON), or not (OFF) individually in each part.

Parameter Description Value

BS Rx.Bank Select ON, OFF PC Rx.Program Change Md Rx.Modulation PB Rx.Pitch Bend Vl Rx.Volume H1 Rx.Hold-1 Pn Rx.Pan Ex Rx.Expression

Detailed Settings for Each Function ([EDIT])

Making the Rhythm and Arpeggio Settings (Rhythm/Arpeggio)

How to Make Settings

Press [EDIT], getting the indicator to light.

The Edit Menu screen appears.

fig.05-23g

Press CURSOR [ ]/[ ] to select “7.Rhythm/ Arpeggio.”

Press [ENTER] to display the Edit screen.

fig.05-24g

Making the rhythm Settings

The RD-700SX features internal drum patterns complementing Jazz, Rock, and other various musical genres. This kind of drum pattern is called a “Rhythm.”

For more about switching Rhythms on and off, refer to

“Playing Rhythm ([RHYTHM/SONG])”

Adjusting the Tempo (Tempo)

Specify the tempo of the Rhythm.

The RD-700SX has only one tempo setting. Once you change the setting, the tempo indicated in the Tone screen and the tempo setting for the arpeggiator (p. 47) both change.

Parameter

Tempo

The way Rhythm is played and the tempo display may differ with some Rhythm Patterns.

Value

10–250

(p. 48).

Press CURSOR [ ]/[ ] to switch screens.

Press CURSOR [ ]/[ ] to move the cursor to the parameter to be set.

Press [INC]/[DEC] to set the value.

When you have finished making the settings, press [EDIT], extinguishing its indicator.

You are returned to the Tone screen.

With Clock Source (p. 81) set to MIDI, “M:” appears in the display, and the RD-700SX is synchronized to the tempo of the external MIDI device. The tempo cannot be changed with the RD-700SX when “M:” is indicated.

Adjusting the Volume (Rhythm Volume)

Adjusts the volume of the rhythm.

Parameter

Volume 0–127

Value

Changing Patterns (Rhythm Pattern)

This selects the rhythm pattern. Select from 185 options.

Parameter

Patrn

You can also change a rhythm’s pattern in the

Arpeggio screen”

Value

Refer to

(p. 49).

“Rhythm Pattern List”

“Song/Rhythm/

(p. 153).

Detailed Settings for Each Function ([EDIT])

Changing the Drum Set (Rhythm Set)

You can change a rhythm’s drum set (set of drum and percussion tones).

Parameter

Rhy Set

You can select Tones other than Rhythm Sets.

When this setting is changed, the Part 10 Tone also changes. In addition, Rhythm Set Change is set to OFF.

Depending on the Rhythm Set that is selected, the Rhythm Set may not play back properly.

Value

Refer to

“Rhythm Set List”

149).

(p.

Changing the Pattern Without Changing the Drum Set (Rhythm Set Change)

Each Rhythm in a rhythm pattern has the most suitable drum set assigned to it. When rhythm patterns are changed, the drum sets also switch, so the tone is changed, but here the drum set stays constant and does not change.

Parameter

Rhy Set Change

Value Description

ON When the Rhythm is changed, the

drum set also changes.

OFF When the Rhythm is changed, the

drum set does not change.

Changing the Accent Strength (Rhythm Accent)

Modifies the strength of accents and the length of the notes to adjust the “groove” feel of the arpeggio. A setting of 100% will produce the most pronounced groove feel.

Parameter

Rhy Accent

Value

0–100%

Parameter

Rhy/Arp Grid

Value Description

1/8H: Eighth note shuffle Heavy

(two grid sections = one beat, with a heavy shuffle)

1/12: Eighth note triplet

(three grid sections = one beat)

1/16: Sixteenth note

(four grid sections = one beat)

1/16L: Sixteenth note shuffle Light

(four grid sections = one beat, with a light shuffle)

1/16H: Sixteenth note shuffle Heavy

(four grid sections = one beat, with a heavy shuffle)

1/24: Sixteenth note triplet

(six grid sections = one beat)

Making the Sound More Staccato or Legato (Rhythm/Arpeggio Duration)

This sets the duration of the sound. You can make it more staccato (short and clipped), or legato, so notes are played longer.

This setting is shared by the Arpeggiator settings.

Parameter

Rhy/Arp Duration

Value Description

30, 40, 50, 60, 70, 80, 90, 100, 120 (%)

Full Even if the linked grid is not

For example, when set to “30,” the length of the note in a grid (or when a series of grids is connected with ties, the final grid) is 30% of the full length of the note set in the grid type.

connected with a tie, the same note continues to sound until the point at which the next new sound is specified.

Selecting the MIDI Output Connector (Rhythm MIDI Out Port)

This sets the MIDI connector (port) from which the rhythm part is to be output.

Changing the Beat Syncopation (Rhythm/Arpeggio Grid)

This sets the minimum value of the notes comprising rhythms and arpeggios and adjusts the amount of swing (None/Weak/Strong).

This setting is shared by the Arpeggiator settings.

Parameter

Rhy/Arp Grid

Value Description

1/4: Quarter note

(one grid section = one beat)

1/8: Eighth note

(two grid sections = one beat)

1/8L: Eighth note shuffle Light

(two grid sections = one beat, with a light shuffle)

Changing this setting also changes the song’s MIDI output settings.

Parameter

MIDI Out Port

Value

ALL, INT (INTERNAL), 1 (MIDI OUT 1), 2 (MIDI OUT 2), USB

Selecting the MIDI Output Channel (Rhythm MIDI Out Channel)

This sets the channel used for outputting rhythm parts as MIDI output.

Parameter

MIDI Out Channel

Value

OFF, 1–16

Detailed Settings for Each Function ([EDIT])

Making Arpeggio Settings

The function that allows you to perform arpeggios (chords whose notes are played sequentially rather than together) from a chord’s constituent notes, just by playing the chord, is called “Arpeggiator.”

You can make more detailed arpeggio settings, including tempo and range.

fig.05-24g

For more on switching the Arpeggiator on and off, refer to

“Playing Arpeggios ([ARPEGGIO])”

Adjusting the Tempo (Arpeggio Tempo)

This sets the speed of the arpeggio.

The RD-700SX has one tempo setting. You can change this setting in the tempo display in the Tone screen; or alternatively, you can change the rhythm’s tempo setting (p. 49).

Parameter

Tempo

The way Arpeggio is played and the tempo display may differ with some Arpeggio Styles.

Setting the Way Arpeggios are Played (Arpeggio Style)

This sets the style of the arpeggio.

Parameter

Style

Changing the Order in Which Notes Are Played (Arpeggio Motif)

Set the order to play the notes for the keys pressed from the following.

(p. 46).

Value

10–250

Value “Arpeggio Style List”

(p. 152)

Param

Motif

Value Description

UP (L) The notes are played one by one in

sequence from the lowest of the pressed keys. The note for the lowest pressed key is sounded each time.

UP (L&H) The notes are played one by one in

sequence from the lowest of the pressed keys. The notes for both the lowest and highest pressed keys are sounded each time.

UP (_) The notes are played one by one in

sequence from the lowest of the pressed keys. No one note is played every time.

DOWN (L) The notes are played one by one in

sequence from the highest of the pressed keys. The note for the lowest pressed key is sounded each time.

DOWN (L&H)

DOWN (_) The notes are played one by one in

UP&DOWN (L)

UP&DOWN (L&H)

UP&DOWN (_)

RANDOM (L)

RANDOM (_)

PHRASE A phrase based on the pitch of the

The notes are played one by one in sequence from the highest of the pressed keys. The notes for both the lowest and highest pressed keys are sounded each time.

sequence from the highest of the pressed keys. No one note is played every time.

The notes are played one by one in sequence from the lowest of the pressed keys to the highest, and then back again in the reverse order. The note for the lowest pressed key is sounded each time.

The notes are played one by one in sequence from the lowest of the pressed keys to the highest, and then back again in the reverse order. The notes for the lowest and highest pressed keys are sounded each time.

The notes are played one by one in sequence from the lowest of the pressed keys to the highest, and then back again in the reverse order. No one note is played every time.

The notes are played one by one in random order. The note for the lowest pressed key is sounded each time.

The notes are played one by one in random order. No one note is played every time.

lowest pressed key is played. If more than one key is pressed, the pitch of the key that is pressed last is used.

Depending on the Arpeggio Style selected, it is not so effective as it expected.

Detailed Settings for Each Function ([EDIT])

Selecting the Zone for the Arpeggio Performance (Arpeggio Zone)

This sets the zone to be used for the arpeggio performance when multiple tones are used (p. 37).

Parameter

Arp Zone

Value

UPPER, UPPER2, LOWER1, LOWER2. ALL

Setting the Key Range for the Arpeggio Performances (Arpeggio Key Range)

You cannot perform in the normal manner in the range set for arpeggio performances, but you can specify the range used for the arpeggios, which even allows you, for example, to split the keyboard and play arpeggios as accompaniment in the left side, and the melody in the right.

Specify the leftmost and rightmost keys in the range to be used for arpeggios.

Parameter

Key Range

Value

A0–C8

Keeping the Force of the Notes Constant (Arpeggio Velocity)

This sets how strongly sounds are played when you press the keys.

Changing the Octave Range in Arpeggio Style (Arpeggio Octave Range)

Sets the key range in octaves over which arpeggio will take place. If you want the arpeggio to sound using only the notes that you

actually play, set this parameter to 0. To have the arpeggio sound using the notes you play and notes 1

octave higher, set this parameter to +1. A setting of -1 will make the arpeggio sound using the notes you play and notes 1 octave lower.

Parameter

Arp Octave Range

Value

-3–+3

Continuing Arpeggios Even After the Keys Are Released (Arpeggio Hold)

When the hold setting is switched on, you can have arpeggios continue to play even after you release the keys.

Parameter

Arp Hold

The [ARPEGGIO] indicator flashes when the Arpeggio Hold is set to ON.

Value Description

ON Arpeggios continue to play even

after the keys are released.

OFF Arpeggios stop playing when the

keys are released.

Parameter Value Description

Arp Velocity REAL Reproduces the actual strength of the

keyboard touch.

1–127 Sets the velocity at a fixed valued,

regardless of the keyboard touch.

Even if Arpeggio Velocity is set to a value other than “REAL,” the sound’s velocity changes in accordance with the Arpeggio Style and Arpeggio Accent values.

Rhythm/Arpeggio Grid

Refer to p. 94.

Rhythm/Arpeggio Duration

Refer to p. 94.

Changing the Accent Strength (Arpeggio Accent)

Modifies the strength of accents and the length of the notes to adjust the “groove” feel of the arpeggio. A setting of 100% will produce the most pronounced groove feel.

Parameter

Arp Accent

Value

0–100%

Switching Hold On and Off with the Buttons

Even when not in the Edit screen, you can use the buttons to turn the Hold function on and off.

• Hold down [ARPEGGIO] and press [CONTROL/

ZONE LEVEL].

Hold is turned on or off each time the button is pressed.

Detailed Settings for Each Function ([EDIT])

About V-LINK

V-LINK ( ) is a function that provides for the play of music and visual material. By using V-LINK-compatible video equipment, visual effects can be easily linked to, and made part of the expressive elements of a performance.

(Examples)

By using the RD-700SX and Edirol DV-7PR together, you can:

• Make Edirol DV-7PR playback settings remotely from the RD700SX.

• Use the RD-700SX’s keyboard to switch the Edirol DV-7PR’s images (clips/palettes).

* In order to use V-LINK with the RD-700SX and Edirol DV-7PR, you

will need to make connections using an USB-MIDI Interface (sold

separately).

Connection Examples

Use a USB MIDI Interface cable to connect the RD-700SX’s MIDI OUT connector to the DV-7PR’s remote jack.

Before connecting this unit to other devices, turn off the power to all units. This will help prevent malfunctions and/or damage to speakers or other devices.

fig.05-25vlink

RD-700SX

Turning the V-Link ON/OFF

Press [V-LINK] so the indicator is lighted.

[V-LINK] will light, and the V-Link setting will be on. In this state, you can operate the keyboard to manipulate

images in sync with the playback of the RD-700SX.

Press [V-LINK] again.

[V-LINK] will go out, and the V-Link setting will be off.

V-Link Settings

Press [EDIT], getting the indicator to light.

The Edit Menu screen appears.

fig.05-26g

Press CURSOR [ ]/[ ] to select “8.V-Link.”

Press [ENTER] to display the Edit screen.

fig.05-27-1g

Projector

MIDI OUT

USB MIDI interface cable

REMOTE

Edirol DV-7PR

Display

Press CURSOR [ ]/[ ] to move the cursor to the parameter to be set.

Press [INC]/[DEC] to set the value.

When you have finished making the settings, press [EXIT].

You are returned to the previous screen.

If you want to save this settings, press [F1(WRITE)]. Settings saved in the RD-700SX are not deleted even when the power is turned off.

The RD-700SX does not support the Edirol DV-7PR’s Dual Stream mode.

Detailed Settings for Each Function ([EDIT])

Detailed Settings of V-Link

V-Link Mode

This selects the type of MIDI message output.

Parameter

V-Link Mode

V-Link Tx Channel

This selects the MIDI channel used in outputting messages.

Parameter

V-Link Tx Channel

V-Link OUT Port

This selects the port used for outputting messages.

Parameter

V-Link OUT Port

Key Range

Selecting the Range of Keys to Use as the V-Link Controller.

Parameter

Key Range

Value Description

BANK/PC PC (Clip) output with the white keys,

Bank Select (Pallet) output with the black keys

NOTE Note output

Value

1–16

Value

ALL, OUT1, OUT2, USB

Value

A0–C8

Other Functions (Utility)

Utility includes functions for sending data to external MIDI sequencers and other devices and for restoring the settings to their original factory state.

For more on “Rec Setting” in Utility menu, refer to

for Recording (Rec Setting)”

(p. 101).

Transferring the RD-700SX’s Settings to an External MIDI Device (Bulk Dump)

You can transfer the contents of Setups and the RD-700SX’s system settings to an external MIDI device. This operation is called “bulk dump.”

Use this procedure to save the data to an external MIDI device in situations such as when you want to perform by connecting another RD-700SX with the same settings, or to prevent your Setups and system settings from corruption.

Use a MIDI cable (optional) to connect the RD700SX’s MIDI OUT connector to the MIDI IN connector on an external sequencer.

Press [EDIT], getting its indicator to light.

The Edit Menu screen appears.

fig.05-28g

“Settings

Lowest No

This sets the number that is output when the lowest key in the range set with Key Range is pressed.

Parameter Value Description

Lowest No 1–128 When V-Link Mode is set to BANK/PC

0–127 When V-Link Mode is set to NOTE

Local ON/OFF

This setting determines whether or not the RD-700SX’s sounds are played when a key within the range set with Key Range is pressed.

The function is alternately turned on or off each time press [F2] in the EDIT V-Link screen.

Parameter Value Description

Local ON/ OFF

LOCAL OFF

LOCAL ONSounds are played when keys in the

No sounds are played, even when keys in the range set in Key Range are pressed.

range set in Key Range are pressed.

Press CURSOR [ ] to select “9.Utility.”

Press [ENTER] to display the Edit screen.

fig.05-29g

Press CURSOR [ ]/[ ] to select “1. Bulk Dump Temporary” or “2. Bulk Dump SETUP.”

Parameter

Bulk Dump Temporary

Bulk Dump SETUP The contents of Setups in the

Value

The contents of the currently selected Setup are transmitted.

specified range are transmitted.

Bulk Dump Temporary

Press CURSOR [ ].

A screen like the one shown below appears.

fig.05-30g

Put the external sequencer in record mode.

Press [ENTER] to transmit the settings.

To cancel the Bulk Dump, press [DEC]. The message “Now, Executing...” appears in the display during

transmission of the data.

After the transmitting is finished, the display will indicate “COMPLETE!.”

You are returned to the Edit screen.

10.

Stop the external sequencer.

Detailed Settings for Each Function ([EDIT])

10.

After the transmitting is finished, the display will indicate “COMPLETE!.”

You are returned to the Edit screen.

11.

Stop the external sequencer.

Restoring saved settings to the RD700SX

When returning settings saved to an external sequencer back to the RD-700SX, an Exclusive message is transmitted from the external sequencer, then the data is received by the RD-700SX.

Be aware that when you restore Setups data to the RD-700SX, the data in the RD-700SX will be overwritten and lost.

Use a MIDI cable to connect the MIDI OUT connector of the external sequencer to the MIDI IN connector of the RD-700SX.

Set the device ID number to the same setting as when you performed the bulk dump.

Bulk Dump SETUP

Press CURSOR [ ].

A screen like the one shown below appears.

fig.05-31g

Parameter

From

To Setup number for the last Setup to be

Send System Determines whether the system settings

Press CURSOR [ ] / [ ] and [INC]/[DEC] to set the transmitted Setups.

Put the external sequencer in record mode.

Press [ENTER] to transmit the settings.

To cancel the Bulk Dump, press [DEC]. A screen like the one shown below appears.

fig.05-33g

Value

Setup number for the first Setup to be transmitted.

transmitted.

are to be transmitted (YES), or not (NO).

Setting the Device ID Number `

Number (Device ID)”

Make sure that [EDIT] indicator is extinguished.

If the [EDIT] indicator is lit, press [EDIT] to turn the indicator light off and put the RD-700SX in normal performance mode.

Transmit (play back) the data from the external

(p. 81).

“Setting the Device ID

sequencer.

After playback of the Bulk Dump SETUP data, the RD700SX writes the data to the internal memory. Be sure never to turn off the power while this data is being written (while “Now, writing Bulk Dump Data. Keep on POWER!” is showing).

For details on transmitting exclusive data, refer to the owner’s manual for your sequencer.

Play back the external sequencer at the same tempo you used when performing the bulk dump. If you use a faster tempo, the data may not be restored correctly.

Data cannot be received if the Device ID of the receiving device differs from the Device ID used when Bulk Dump was carried out.

Detailed Settings for Each Function ([EDIT])

Restoring the settings to the factory condition (Factory Reset)

The settings stored in the RD-700SX can be returned to their factory settings.

Executing “Factory Reset All” results in deletion of the Setups (p. 56). If you want to keep the recorded content, save the Setup file to your computer (p. 105) or use “Bulk Dump (Bulk Dump SETUP)” to save it to an external sequencer (p. 99).

When making USB connections, be absolutely sure to disconnect the USB cable before starting.

Press [EDIT], getting the indicator to light.

The Edit Menu screen appears.

fig.05-34g

Factory Reset Current

Press [ENTER].

A screen like the one shown below appears.

fig.05-36g

Selecting “000” as the Setup initializes the ONETOUCH [PIANO] and [E. PIANO] settings.

Press [ENTER].

The confirmation message appears. To cancel the Factory Reset, press [EXIT].

Press [ENTER] once again to start the Factory Reset operation.

Press CURSOR [ ] to select “9.Utility.”

Press [ENTER] to display the Edit screen.

fig.05-35g

Press CURSOR [ ]/[ ] to select “3. Factory Reset Curnt” or “4. Factory Reset All.”

Parameter

Factory Reset Curnt

Factory Reset All The settings stored in the RD-700SX can

While the Factory Reset is in progress, no sounds are produced even when the keys are pressed. In addition, Rhythms and arpeggios being played are also stopped.

Value

The currently selected Setup returned to their factory settings.

be returned to their factory settings.

Never turn off the power during Factory Reset (while “Executing... Don’t Power Off” appears in the display).

After the Factory Reset operation is finished, the Utility screen returns to the display.

Factory Reset All

Press [ENTER].

A screen like the one shown below appears.

fig.05-38g

Press [ENTER].

The confirmation message appears. To cancel the Factory Reset, press [EXIT].

Press [ENTER] once again to start the Factory Reset operation.

Never turn off the power during Factory Reset (while “Executing... Don’t Power Off” appears in the display).

100

After the Factory Reset operation is finished, The Utility screen returns to the display.

Roland RD-700SX User Manual

Specifications and Main Features

Frequently Asked Questions

User Manual

USING THE UNIT SAFELY

IMPORTANT NOTES

Main Features

Contents

Panel Descriptions

Front Panel

Rear Panel

Getting Ready

Installing the Wave Expansion Board

Cautions When Installing an Wave Expansion Board

Installing SRX Series Boards

Checking the Installed Wave Expansion Boards

Installation de la carte d’extension Wave(French language for Canadian Safety Standard)

Precautions lors de l’installation de la carte d’extension Wave

Installer les cartes de serie SRX

Connecting the RD-700SX to External Equipment

Connecting Pedals

Turning the Power On and Off

Turning On the Power

Turning Off the Power

Adjusting the Volume

Restoring the Factory Settings (Factory Reset)

Adjusting the Display Contrast (LCD Contrast)

Tuning to Other Instruments’ Pitches (Master Tune)

Overview of the RD-700SX

Basic Organization of the RD-700SX

Basic Operation

Main Screens

Units of Sound

Special Indications

About the Function Buttons

About the CURSOR Buttons

Changing the Settings Values

Listening to the Demo (DEMO PLAY)

Performing with the Keyboard

Piano Performances (ONE TOUCH)

Performing with a Variety of Tones

Specifying the Tone Number to Select a Tone ([NUM LOCK])

Selecting Wave Expansion Board Tones

Playing Multiple Tones with the Keyboard

Performing with Layered Tones

Playing Different Tones in Two Different Sections of the Keyboard ([SPLIT])

Changing the Tone for a Zone

Adjust the Volume Level for Individual Zones (ZONE SWITCH/ZONE LEVEL Slider)

Transposing the Key of the Keyboard ([TRANSPOSE])

Adding Reverberation to the Sound ([REVERB])

Adding Breadth to the Sound ([CHORUS/DELAY])

Changing the Sound’s Pitch in Real Time (Bender/ Modulation Lever)

Adding Liveliness to the Sound ([SOUND CONTROL])

Adjusting the Level of the Sound’s Low, Mid, and High-Frequency Ranges ([EQUALIZER])

Playing Arpeggios ([ARPEGGIO])

Changing the Arpeggio Style

Changing Arpeggio Tempos

Playing Rhythm ([RHYTHM/SONG])

Changing the Rhythm Pattern

Changing Rhythm Tempos

Playing the Songs ([RHYTHM/SONG])

Selecting the Song

Changing Song Tempos

Applying Effects to the Sound (Multi-Effects)

Simulating the Creation of Organ Tones (Tone Wheel Mode)

Changing the Undulation of the Organ Tone (Rotary Effect)

Changing the ZONE LEVEL Slider Feet Assignments (Harmonic Bar)

Disabling the Button (Panel Lock)

Selecting Stored Settings ([SETUP])

Registering the Setups You Like (Favorite Setups)

Storing Settings to Setups ([WRITE])

What’s MIDI?

About MIDI Connectors

Connecting to External MIDI Sound Generators

Selecting the MIDI Connector to Use for Output (MIDI OUT Port)

MIDI Send Channel Settings

Selecting Sounds on an External MIDI Device

Adjusting the Volume of Each Zone (EXTERNAL Zone)

Detailed Settings for Transmitted Parts (EXTERNAL)

How to Make Settings