Roland RD-700NX Data List

Data List

Live Set List . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3

PIANO . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3

CONCERT . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3

STUDIO . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3

BRILLIANT . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3

E.PIANO . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3

E.PIANO 1 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3

E.PIANO 2 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3

E.PIANO 3 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3

PRESET . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4

CLAV . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4

MALLET . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4

STRINGS . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4

PAD . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4

ORGAN . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5

GUITAR . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5

BASS . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5

CHOIR/SCAT . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6

BRASS . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6

SYNTH . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6

USER . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7

CLAV . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7

MALLET . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7

STRINGS . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7

PAD . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7

ORGAN . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8

GUITAR . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8

BASS . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8

CHOIR/SCAT . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8

BRASS . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8

SYNTH . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8

Tone List . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9

CONCERT . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9

STUDIO . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9

BRILLIANT . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9

E.PIANO 1 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9

E.PIANO 2 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9

E.PIANO 3 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9

CLAV . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10

MALLET . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10

STRINGS . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10

PAD . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 11

ORGAN . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 12

GUITAR . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 12

BASS . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .13

CHOIR/SCAT . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 14

BRASS . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .14

SYNTH . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .15

Rhythm Set List . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 19

Rhythm Pattern List . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 24

Eect/Parameter List . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 26

Multi-Eects Parameter . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 26

Chorus Parameter . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .49

Reverb Parameter . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .50

Live Set List

PIANO

CONCERT

No LIVE SET Name MSB LSB PC

01 Concert Grand 84 0 1

02 Bright Concert 84 0 2

03 Mellow Concert 84 0 3

04 Honky-tonk 84 0 4

05 NarrowStereoGd 84 0 5

06 Rock Grand 84 0 6

07 Concert Mono 84 0 7

08 ConcertGrd+Str 84 0 8

09 ConcertGrd+Cho 84 0 9

10 ConcertGrd/Bass 84 0 10

STUDIO

No LIVE SET Name MSB LSB PC

01 Studio Grand 84 0 11

02 Bright Studio 84 0 12

03 Mellow Studio 84 0 13

04 Clear Studio 84 0 14

05 Comp StudioGrd1 84 0 15

06 Comp StudioGrd2 84 0 16

07 Studio Mono 84 0 17

08 StudioGrd+EP 84 0 18

09 StudioGrd+Pad 84 0 19

10 StudioGrd/Pad 84 0 20

E.PIANO

E.PIANO 1

No LIVE SET Name MSB LSB PC

01 Tine E.Piano 84 0 31

02 Phaser Tine EP1 84 0 32

03 Soft Tine EP 84 0 33

04 NewCase Tine EP 84 0 34

05 Dyno Tine EP 84 0 35

06 Driven Tine EP 84 0 36

07 Delay Tine EP 84 0 37

08 Chorus Tine EP 84 0 38

09 Wah Tine EP 84 0 39

10 Phaser Tine EP2 84 0 40

E.PIANO 2

No LIVE SET Name MSB LSB PC

01 Reed E.Piano 84 0 41

02 Comp Reed EP 84 0 42

03 Soft Reed EP 84 0 43

04 Driven Reed EP1 84 0 44

05 Driven Reed EP2 84 0 45

06 Reed Bell 84 0 46

07 Phaser Reed EP 84 0 47

08 Wah Reed EP 84 0 48

09 Rotary Reed EP 84 0 49

10 AutoPan Reed EP 84 0 50

BRILLIANT

No LIVE SET Name MSB LSB PC

01 Brilliant Grand 84 0 21

02 Hard BrillGrd 84 0 22

03 Soft BrillGrd 84 0 23

04 Antique Piano1 84 0 24

05 Antique Piano2 84 0 25

06 Brilliant Mono 84 0 26

07 BrillGrand+EP 84 0 27

08 BrillGrand+Str 84 0 28

09 BrillGrand+Pad 84 0 29

10 BrillGrand/Cho 84 0 30

E.PIANO 3

No LIVE SET Name MSB LSB PC

01 SA E.Piano1 84 0 51

02 Mellow SA EP 84 0 52

03 SA E.Piano2 84 0 53

04 Chorus SA EP 84 0 54

05 Phaser SA EP 84 0 55

06 SA EP + Piano 84 0 56

07 SA EP + FM EP 84 0 57

08 SA EP + Bell 84 0 58

09 SA EP + Pad1 84 0 59

10 SA EP + Pad2 84 0 60

Live Set List

PRESET

CLAV

No LIVE SET Name MSB LSB PC

001 Clav 1 84 0 61

002 Phaser Clav 1 84 0 62

003 Clav 2 84 0 63

004 Phaser Clav 2 84 0 64

005 Wah Clav 84 0 65

006 Reso Clav 84 0 66

007 Pulse Clav 1 84 0 67

008 Pulse Clav 2 84 0 68

009 Sweepin Clav 84 0 69

010 Analog Clav 84 0 70

011 Biting Clav 84 0 71

012 Phaser Clav 3 84 0 72

013 Phaser Clav 4 84 0 73

014 Phaser Clav 5 84 0 74

015 DigiClav 84 0 75

016 Harpsichord 1 84 0 76

017 Harpsichord 2 84 0 77

018 Coupled Harpsi 84 0 78

019 Room Harpsi 84 0 79

020 Enhanced Harpsi 84 0 80

021 St.Harpsi 84 0 81

022 BaRockEns 84 0 82

023 Harpsitur 84 0 83

024 Phaser Harpsi 84 0 84

025 Hard Harpsi 84 0 85

026 Harpsi/Flute 84 0 86

MALLET

No LIVE SET Name MSB LSB PC

027 Vibraphone 1 84 0 87

028 Vibraphone 2 84 0 88

029 Jazz Vib 84 0 89

030 Vibraphone Tr 84 0 90

031 Cool Jazz 84 0 91

032 Marimba 1 84 0 92

033 Marimba 2 84 0 93

034 Marimba 3 84 0 94

035 Xylophone 1 84 0 95

036 Xylophone 2 84 0 96

037 Tremolo Marimba 84 0 97

038 Xylophone 3 84 0 98

039 Bass Marimba 1 84 0 99

040 Bass Marimba 2 84 0 100

041 Celesta 84 0 101

042 Glockenspiel 84 0 102

043 Music Box 1 84 0 103

044 Music Box 2 84 0 104

045 Kalimba 84 0 105

046 Kalimba Bells 84 0 106

No LIVE SET Name MSB LSB PC

047 Steel Drums 84 0 107

048 FM Sparkles 84 0 108

049 FM Syn Bell 84 0 109

050 FM Heaven 84 0 110

051 Dreaming Bell 84 0 111

052 Music Bells 84 0 112

053 Bell 84 0 113

054 Crystal 84 0 114

055 Magic Bell 84 0 115

STRINGS

No LIVE SET Name MSB LSB PC

056 Strings 1 84 0 116

057 Strings 2 84 0 117

058 Marc Strings 84 0 118

059 Slow Strings 84 0 119

060 Mood Strings 84 0 120

061 Strings Stacc 84 0 121

062 Strings 3 84 0 122

063 Strings 4 84 0 123

064 Strings 5 84 0 124

065 Stage Strings 1 84 0 125

066 Stage Strings 2 84 0 126

067 Orchestra 1 84 0 127

068 Orchestra 2 84 0 128

069 Orchestra 3 84 1 1

070 Chamber Strings 84 1 2

071 Hybrid Strings 84 1 3

072 Tremolo Str 84 1 4

073 TapeStrings1 84 1 5

074 TapeStrings2 84 1 6

075 Syn.Strings1 84 1 7

076 Syn.Strings2 84 1 8

077 Syn.Strings3 84 1 9

078 JP Strings 1 84 1 10

079 JP Strings 2 84 1 11

080 JP Strings 3 84 1 12

081 106 Strings 84 1 13

082 VintageStr 1 84 1 14

083 VintageStr 2 84 1 15

084 VintageStr 3 84 1 16

085 VintageStr 4 84 1 17

086 VintageStr 5 84 1 18

087 PWM Str 1 84 1 19

088 PWM Str 2 84 1 20

089 Violin 84 1 21

090 Pizzicato 84 1 22

PAD

No LIVE SET Name MSB LSB PC

091 Soft Pad 1 84 1 23

092 Soft Pad 2 84 1 24

093 Soft Pad 3 84 1 25

Live Set List

No LIVE SET Name MSB LSB PC

094 Soft Pad 4 84 1 26

095 Soft Pad 5 84 1 27

096 Soft Pad 6 84 1 28

097 Finewine Pad 84 1 29

098 Bell Pad 84 1 30

099 Analog Pad 84 1 31

100 Airy Pad 84 1 32

101 SoftTouch Pad 84 1 33

102 Hollow Pad 1 84 1 34

103 Hollow Pad 2 84 1 35

104 Strobe Pad 84 1 36

105 Warm Heaven 1 84 1 37

106 Warm Heaven 2 84 1 38

107 Heaven Pad 84 1 39

108 Wine Pad 84 1 40

109 Digital Pad 84 1 41

110 Sweep Pad 1 84 1 42

111 Sweep Pad 2 84 1 43

112 5th Pad 1 84 1 44

113 5th Pad 2 84 1 45

114 Soft Pad 7 84 1 46

115 Soft Pad 8 84 1 47

116 Soft Pad 9 84 1 48

117 Soft Pad 10 84 1 49

118 Soft Pad 11 84 1 50

119 WideSoftStr Pad 84 1 51

120 Paradise Pad 84 1 52

ORGAN

No LIVE SET Name MSB LSB PC

121 Tone Wheel Org1 84 1 53

122 Tone Wheel Org2 84 1 54

123 Tone Wheel Org3 84 1 55

124 Tone Wheel Org4 84 1 56

125 Tone Wheel Org5 84 1 57

126 Tone Wheel Org6 84 1 58

127 Tone Wheel Org7 84 1 59

128 Tone Wheel Org8 84 1 60

129 Tone Wheel Org9 84 1 61

130 ToneWheelOrg10 84 1 62

131 Rock Organ 1 84 1 63

132 Rock Organ 2 84 1 64

133 Rock Organ 3 84 1 65

134 Rock Organ 4 84 1 66

135 Rock Organ 5 84 1 67

136 Crunch Organ 1 84 1 68

137 Crunch Organ 2 84 1 69

138 Crunch Organ 3 84 1 70

139 Crunch Organ 4 84 1 71

140 60's Organ 84 1 72

141 70's E.Organ 1 84 1 73

142 70's E.Organ 2 84 1 74

143 70's E.Organ 3 84 1 75

144 Pu Organ 84 1 76

No LIVE SET Name MSB LSB PC

145 Nason Flute 84 1 77

146 Massive Organ 84 1 78

147 Mid Pipe Organ 84 1 79

148 Pipe Organ 84 1 80

149 Accordion Fr 84 1 81

150 Accordion It 1 84 1 82

151 Accordion It 2 84 1 83

152 Musette 84 1 84

153 Bandoneon 84 1 85

154 Harmonica 1 84 1 86

155 Harmonica 2 84 1 87

GUITAR

No LIVE SET Name MSB LSB PC

156 Nylon Guitar 1 84 1 88

157 Nylon Guitar 2 84 1 89

158 Folk Guitar 1 84 1 90

159 Folk Guitar 2 84 1 91

160 Folk Guitar 3 84 1 92

161 Clean Guitar 1 84 1 93

162 Clean Guitar 2 84 1 94

163 Jazz Guitar1 84 1 95

164 Jazz Guitar2 84 1 96

165 Mute Guitar 84 1 97

166 12-str.Gtr 84 1 98

167 Chorus Gtr 1 84 1 99

168 Chorus Gtr 2 84 1 100

169 Pick E.Gtr 84 1 101

170 Wet E.Gtr 84 1 102

171 Funk Guitar 1 84 1 103

172 Funk Guitar 2 84 1 104

173 Funk Pop 84 1 105

174 Overdrive Gt1 84 1 106

175 Overdrive Gt2 84 1 107

176 DistortionGtr1 84 1 108

177 DistortionGtr2 84 1 109

178 Metal Stack 84 1 110

179 Dist Gtr Mute 84 1 111

180 Mandolin 84 1 112

181 Yang Qin 84 1 113

182 Santur 84 1 114

183 Sitar 1 84 1 115

184 Sitar 2 84 1 116

185 Banjo 84 1 117

BASS

No LIVE SET Name MSB LSB PC

186 Acoustic Bs1 84 1 118

187 Acoustic Bs2 84 1 119

188 Acoustic Bs3 84 1 120

189 Fingered Bs1 84 1 121

190 Fingered Bs2 84 1 122

191 Picked Bass 1 84 1 123

Live Set List

No LIVE SET Name MSB LSB PC

192 Picked Bass 2 84 1 124

193 Fretless Bs 1 84 1 125

194 Fretless Bs 2 84 1 126

195 Slap Bass 1 84 1 127

196 Slap Bass 2 84 1 128

197 MG Bass 1 84 2 1

198 MG Bass 2 84 2 2

199 Modular Bs 84 2 3

200 TB Bass 84 2 4

201 Big Mini 84 2 5

202 Fat Analog 84 2 6

203 Spike Bass 84 2 7

204 SH Bass 84 2 8

205 Synth Bass 1 84 2 9

206 Synth Bass 2 84 2 10

207 Synth Bass 3 84 2 11

208 Synth Bass 4 84 2 12

209 Synth Bass 5 84 2 13

210 Synth Bass 6 84 2 14

211 Synth Bass 7 84 2 15

212 Fat Bass 84 2 16

213 Reso Bass 1 84 2 17

214 Reso Bass 2 84 2 18

215 101 Bass 84 2 19

CHOIR/SCAT

No LIVE SET Name MSB LSB PC

216 Jazz Scat 84 2 20

217 Choir 1 84 2 21

218 Choir 2 84 2 22

219 Choir 3 84 2 23

220 Angel Choir 84 2 24

221 Flangy Angel 84 2 25

222 Aerial Choir 84 2 26

223 Space Voice 84 2 27

224 Voice Oohs 84 2 28

225 Humming 1 84 2 29

226 Humming 2 84 2 30

227 Gospel Hum 84 2 31

228 Sop Vox 84 2 32

229 Sample Opera 84 2 33

230 Vox Pad 1 84 2 34

231 Vox Pad 2 84 2 35

232 SynVox 1 84 2 36

233 SynVox 2 84 2 37

234 SynVox 3 84 2 38

235 Dreamvox 1 84 2 39

236 Dreamvox 2 84 2 40

BRASS

No LIVE SET Name MSB LSB PC

237 Brass 1 84 2 41

238 Brass 2 84 2 42

No LIVE SET Name MSB LSB PC

239 Brass 3 84 2 43

240 Brass 4 84 2 44

241 Brass 5 84 2 45

242 Brass 6 84 2 46

243 Brass 7 84 2 47

244 Live Trumps 84 2 48

245 F.Horn Sect 84 2 49

246 Sax Sect 84 2 50

247 Live Brass 84 2 51

248 Tp & Sax 84 2 52

249 Trumpet 1 84 2 53

250 Trumpet 2 84 2 54

251 Dark Trumpet 84 2 55

252 Mute Trumpet1 84 2 56

253 Mute Trumpet2 84 2 57

254 Trombone 1 84 2 58

255 Trombone 2 84 2 59

256 Tuba 84 2 60

257 French Horn 84 2 61

258 Soprano Sax 84 2 62

259 Alto Sax 84 2 63

260 Tenor Sax 1 84 2 64

261 Tenor Sax 2 84 2 65

262 Baritone Sax 84 2 66

263 Chamber Winds 84 2 67

264 Oboe 84 2 68

265 Clarinet 84 2 69

266 Flute 84 2 70

267 Bottle Blow 84 2 71

268 Pan Flute 84 2 72

269 Pan Pipes 84 2 73

270 Shakuhachi 84 2 74

SYNTH

No LIVE SET Name MSB LSB PC

271 Dream Keys 84 2 75

272 Super Saw 84 2 76

273 Trance Synth 84 2 77

274 Jump Poly 84 2 78

275 ShakuBell 84 2 79

276 Dreambell 84 2 80

277 FantaPiano 84 2 81

278 Stacc Heaven 84 2 82

279 Fantasia 84 2 83

280 D-50 Bell 84 2 84

281 On Air 84 2 85

282 Saw Lead 1 84 2 86

283 Saw Lead 2 84 2 87

284 Saw Lead 3 84 2 88

285 Synth Brass1 84 2 89

286 Synth Brass2 84 2 90

287 SynBrass sfz 84 2 91

288 Analog Saws 84 2 92

289 Soft SynBrs1 84 2 93

Live Set List

No LIVE SET Name MSB LSB PC

290 Soft SynBrs2 84 2 94

291 Warm SynBrs 84 2 95

292 EuroExpress1 84 2 96

293 EuroExpress2 84 2 97

294 SupperSynBrass 84 2 98

295 JP Brass 1 84 2 99

296 JP Brass 2 84 2 100

297 JP Brass 3 84 2 101

298 Wide SynBrs 84 2 102

299 106 Brass 84 2 103

300 Dual Saw Brs 84 2 104

USER

CLAV

No LIVE SET Name MSB LSB PC

001 Concert Grand 84 64 1

002 Bright Concert 84 64 2

003 Mellow Concert 84 64 3

004 Honky-tonk 84 64 4

005 NarrowStereoGd 84 64 5

006 Rock Grand 84 64 6

007 Concert Mono 84 64 7

008 ConcertGrd+Str 84 64 8

009 ConcertGrd+Cho 84 64 9

010 ConcertGrd/Bass 84 64 10

MALLET

No LIVE SET Name MSB LSB PC

011 Studio Grand 84 64 11

012 Bright Studio 84 64 12

013 Mellow Studio 84 64 13

014 Clear Studio 84 64 14

015 Comp StudioGrd1 84 64 15

016 Comp StudioGrd2 84 64 16

017 Studio Mono 84 64 17

018 StudioGrd+EP 84 64 18

019 StudioGrd+Pad 84 64 19

020 StudioGrd/Pad 84 64 20

STRINGS

No LIVE SET Name MSB LSB PC

021 Brilliant Grand 84 64 21

022 Hard BrillGrd 84 64 22

023 Soft BrillGrd 84 64 23

024 Antique Piano1 84 64 24

025 Antique Piano2 84 64 25

026 Brilliant Mono 84 64 26

027 BrillGrand+EP 84 64 27

028 BrillGrand+Str 84 64 28

029 BrillGrand+Pad 84 64 29

030 BrillGrand/Cho 84 64 30

PAD

No LIVE SET Name MSB LSB PC

031 Tine E.Piano 84 64 31

032 Phaser Tine EP1 84 64 32

033 Soft Tine EP 84 64 33

034 NewCase Tine EP 84 64 34

035 Dyno Tine EP 84 64 35

036 Driven Tine EP 84 64 36

037 Delay Tine EP 84 64 37

038 Chorus Tine EP 84 64 38

Live Set List

No LIVE SET Name MSB LSB PC

039 Wah Tine EP 84 64 39

040 Phaser Tine EP2 84 64 40

ORGAN

No LIVE SET Name MSB LSB PC

041 Reed E.Piano 84 64 41

042 Comp Reed EP 84 64 42

043 Soft Reed EP 84 64 43

044 Driven Reed EP1 84 64 44

045 Driven Reed EP2 84 64 45

046 Reed Bell 84 64 46

047 Phaser Reed EP 84 64 47

048 Wah Reed EP 84 64 48

049 Rotary Reed EP 84 64 49

050 AutoPan Reed EP 84 64 50

GUITAR

No LIVE SET Name MSB LSB PC

051 SA E.Piano1 84 64 51

052 Mellow SA EP 84 64 52

053 SA E.Piano2 84 64 53

054 Chorus SA EP 84 64 54

055 Phaser SA EP 84 64 55

056 SA EP + Piano 84 64 56

057 SA EP + FM EP 84 64 57

058 SA EP + Bell 84 64 58

059 SA EP + Pad1 84 64 59

060 SA EP + Pad2 84 64 60

BASS

No LIVE SET Name MSB LSB PC

061 INIT LIVE SET 84 64 61

062 INIT LIVE SET 84 64 62

063 INIT LIVE SET 84 64 63

064 INIT LIVE SET 84 64 64

065 INIT LIVE SET 84 64 65

066 INIT LIVE SET 84 64 66

067 INIT LIVE SET 84 64 67

068 INIT LIVE SET 84 64 68

069 INIT LIVE SET 84 64 69

070 INIT LIVE SET 84 64 70

No LIVE SET Name MSB LSB PC

076 INIT LIVE SET 84 64 76

077 INIT LIVE SET 84 64 77

078 INIT LIVE SET 84 64 78

079 INIT LIVE SET 84 64 79

080 INIT LIVE SET 84 64 80

BRASS

No LIVE SET Name MSB LSB PC

081 INIT LIVE SET 84 64 81

082 INIT LIVE SET 84 64 82

083 INIT LIVE SET 84 64 83

084 INIT LIVE SET 84 64 84

085 INIT LIVE SET 84 64 85

086 INIT LIVE SET 84 64 86

087 INIT LIVE SET 84 64 87

088 INIT LIVE SET 84 64 88

089 INIT LIVE SET 84 64 89

090 INIT LIVE SET 84 64 90

SYNTH

No LIVE SET Name MSB LSB PC

091 INIT LIVE SET 84 64 91

092 INIT LIVE SET 84 64 92

093 INIT LIVE SET 84 64 93

094 INIT LIVE SET 84 64 94

095 INIT LIVE SET 84 64 95

096 INIT LIVE SET 84 64 96

097 INIT LIVE SET 84 64 97

098 INIT LIVE SET 84 64 98

099 INIT LIVE SET 84 64 99

100 INIT LIVE SET 84 64 100

CHOIR/SCAT

No LIVE SET Name MSB LSB PC

071 INIT LIVE SET 84 64 71

072 INIT LIVE SET 84 64 72

073 INIT LIVE SET 84 64 73

074 INIT LIVE SET 84 64 74

075 INIT LIVE SET 84 64 75

Tone List

CONCERT

No Tone Name MSB LSB PC

001 ConcertGrand 114 0 1

002 Honky-tonk1 114 0 2

003 Concert Mono 114 0 3

STUDIO

No Tone Name MSB LSB PC

004 Studio Grand 114 1 1

005 Honky-tonk2 114 1 2

006 Studio Mono 114 1 3

BRILLIANT

No Tone Name MSB LSB PC

007 Brill Grand 114 2 1

008 Honky-tonk3 114 2 2

009 Brill Mono 114 2 3

010 St.Piano 1 87 0 1

011 St.Piano 2 87 0 2

012 St.Piano 3 87 0 3

013 St.Piano 4 87 0 4

014 St.Piano 5 87 0 5

015 Brite Piano 87 0 6

016 Stage Piano 87 0 7

017 Honky Tonk 87 0 8

018 Pop Piano 1 87 0 9

019 Pop Piano 2 87 0 10

020 Pop Piano 3 87 0 11

021 Piano 1 121 0 1

022 Piano 1 w 121 1 1

023 European Pf 121 2 1

024 Piano 2 121 0 2

025 Piano 2 w 121 1 2

026 Piano 3 121 0 3

027 Piano 3 w 121 1 3

028 Honky-tonk 121 0 4

029 Honky-tonk w 121 1 4

E.PIANO 1

No Tone Name MSB LSB PC

030 TINE EP 113 0 1

031 TINE EP2 113 0 2

032 FM TINE 113 0 3

033 TINE EP3 113 0 4

034 TINE EP4 113 0 5

E.PIANO 2

No Tone Name MSB LSB PC

036 REED BELL 113 1 2

037 REED EP2 113 1 3

038 REED EP3 113 1 4

039 REED EP4 113 1 5

E.PIANO 3

No Tone Name MSB LSB PC

040 SA EP1 113 2 1

041 SA EP2 113 2 2

042 Stage EP 1 87 0 12

043 Stage EP 2 87 0 13

044 Stage EP Trm 87 0 14

045 Tremolo EP 1 87 0 15

046 E.Piano 3 87 0 16

047 E.Piano 4 87 0 17

048 E.Piano 5 87 0 18

049 E.Piano 6 87 0 19

050 E.Piano 7 87 0 20

051 E.Piano 8 87 0 21

052 Dyno EP 87 0 22

053 Dyno EP Trm 87 0 23

054 Tremolo EP 2 87 0 24

055 Back2the60s 87 0 25

056 Tine EP 87 0 26

057 SA EP 1 87 0 27

058 SA EP 2 87 0 28

059 Psy EP 87 0 29

060 Hit EP 87 65 3

061 Wurly EP 87 0 30

062 Wurly EP Trm 87 0 31

063 Curly Wurly 87 0 32

064 Super Wurly 87 0 33

065 EP Legend 3 87 0 34

066 EP Belle 87 0 35

067 80's EP 87 0 36

068 FM EP 1 87 0 37

069 FM EP 2 87 0 38

070 Sinus EP 87 0 39

071 Spirit Tines 87 0 40

072 E.Piano 1 121 0 5

073 St.Soft EP 121 1 5

074 EP Legend 1 121 2 5

075 Wurly 121 3 5

076 E.Piano 2 121 0 6

077 Detuned EP 121 1 6

078 St.FM EP 121 2 6

079 EP Legend 2 121 3 6

080 EP Phase 121 4 6

081 E.Grand 1 87 65 22

082 E.Grand 2 87 65 23

083 E.Grand 3 87 65 24

No Tone Name MSB LSB PC

035 REED EP 113 1 1

Tone List

CLAV

No Tone Name MSB LSB PC

084 Clav 121 0 8

085 Clav 2 87 0 42

086 Pulse Clav 121 1 8

087 Pulse Clav 2 87 0 43

088 Sweepin Clav 87 0 44

089 Analog Clav 87 0 45

090 Biting Clav 87 0 46

091 Pulse Clv St 87 0 47

092 Natural Hps. 87 66 16

093 Harpsichord 121 0 7

094 Harpsichord2 87 0 41

095 Coupled Hps 121 1 7

096 Harpsi w 121 2 7

097 Harpsi o 121 3 7

MALLET

No Tone Name MSB LSB PC

098 Vibraphone 121 0 12

099 Vibraphone 2 87 0 68

100 VibraphoneTr 87 0 69

101 Vibraphone w 121 1 12

102 Tremolo Vib 87 0 70

103 Jazz Vib 87 4 3

104 Marimba 121 0 13

105 Marimba 2 87 0 71

106 Marimba 3 87 0 72

107 Marimba w 121 1 13

108 BsMarimba 1 87 4 4

109 BsMarimba 2 87 4 5

110 Xylophone 121 0 14

111 Xylophone 2 87 0 74

112 Xylophone 3 87 0 75

113 Ethno Keys 87 0 76

114 Celesta 121 0 9

115 Glockenspiel 121 0 10

116 Music Box 121 0 11

117 Music Box 2 87 0 55

118 Kalimba 121 0 109

119 Kalimbells 87 0 57

120 Steel Drums 121 0 115

121 Steel Drums2 87 0 73

122 Soft StlDrm 87 4 2

123 FM Sparkles 87 0 48

124 FM Syn Bell 87 0 49

125 FM Heaven 87 0 50

126 D50 Fantasy 87 0 51

127 D50 Bell 87 0 52

128 Dreaming Bel 87 0 53

129 Analog Bell 87 0 54

130 Music Bells 87 0 56

131 Bell 1 87 0 58

132 Bell 2 87 0 59

No Tone Name MSB LSB PC

133 Org Bell 87 4 1

134 Crystal 121 0 99

135 Tinkle Bell 121 0 113

136 Icy Keys 87 0 60

137 Toy Box 87 0 61

138 Dreambell 87 0 66

139 Sine Mallet 87 4 6

140 Syn Mallet 121 1 99

141 TubularBells 121 0 15

142 TubularBell2 87 0 64

143 Church Bell 121 1 15

144 Carillon 121 2 15

145 Carillon 2 87 0 62

146 Tower Bell 87 0 63

147 Bell Ring 87 0 65

STRINGS

No Tone Name MSB LSB PC

148 GX Strings 87 68 1

149 Mood Strings 87 1 70

150 Slow Strings 121 0 50

151 DecayStrings 87 68 27

152 Strings 121 0 49

153 Strings 2 87 1 71

154 Strings 3 87 1 72

155 Strings 4 87 1 73

156 Strings 5 87 1 74

157 Strings 6 87 4 33

158 Stage Str 1 87 1 75

159 Stage Str 2 87 1 76

160 Pop Str 87 1 77

161 Hall Strings 87 4 34

162 Marc.Str 87 1 78

163 StringsStacc 87 1 79

164 Orchestra 121 1 49

165 Oct Strings 121 2 49

166 Orc.Unison 1 87 1 86

167 Orc.Unison 2 87 1 87

168 Full Orc 87 4 35

169 Tremolo Str 121 0 45

170 TapeStrings1 87 1 82

171 TapeStrings2 87 1 83

172 Hybrid Str 87 1 84

173 Violin 121 0 41

174 Violin 2 87 1 85

175 Slow Violin 121 1 41

176 Bright Vln 87 4 31

177 Viola 121 0 42

178 Cello 121 0 43

179 Bright Vc 87 4 32

180 Contrabass 121 0 44

181 PizzicatoStr 121 0 46

182 Pizz 1 87 1 80

183 Pizz 2 87 1 81

Tone List

No Tone Name MSB LSB PC

184 Harp 121 0 47

185 Yang Qin 121 1 47

186 Timpani 121 0 48

187 Fiddle 121 0 111

188 Cheezy Movie 87 4 49

PAD

No Tone Name MSB LSB PC

189 CalmChoirPad 87 69 1

190 Soft Pad 1 87 3 28

191 Soft Pad 2 87 3 29

192 Soft Pad 3 87 3 30

193 Soft Pad 4 87 3 31

194 Soft Pad 5 87 3 32

195 Soft Pad 6 87 3 33

196 Soft Pad 7 87 3 34

197 Soft Pad 8 87 3 35

198 Soft Pad 9 87 3 36

199 Soft Pad 10 87 3 37

200 Dreamheaven 87 3 16

201 Air Key 1 87 3 17

202 Air Key 2 87 3 21

203 Sweet Keys 87 3 18

204 Soft Bell 87 3 20

205 Oct Heaven 87 3 22

206 Stacc Heaven 87 3 23

207 DigitalDream 87 3 24

208 Analog Dream 87 3 25

209 Harp Pad 87 3 26

210 Sitar Pad 87 3 27

211 VintageStr 1 87 3 38

212 VintageStr 2 87 3 39

213 VintageStr 3 87 3 40

214 VintageStr 4 87 3 41

215 VintageStr 5 87 3 42

216 VintageStr 6 87 3 43

217 VintageStr 7 87 3 44

218 JX Strings 87 3 45

219 JP Strings 1 87 3 46

220 JP Strings 2 87 3 47

221 106 Strings 87 3 48

222 PWM Str 1 87 3 49

223 PWM Str 2 87 3 50

224 PWM Str 3 87 4 81

225 Fading Str 87 3 51

226 ParadisePad 87 3 52

227 80s Strings 87 3 53

228 Stringship 87 3 54

229 Airy Pad 87 3 55

230 Neo RS-202 87 3 56

231 Sawtooth Str 87 3 57

232 Pulse Pad 87 3 58

233 Hollow Pad 1 87 3 59

234 WarmHeaven 1 87 3 60

No Tone Name MSB LSB PC

235 WarmHeaven 2 87 3 61

236 Heaven Key 87 3 11

237 Heaven Pad 1 87 3 12

238 Heaven Pad 2 87 3 13

239 Heaven Pad 3 87 3 62

240 Heaven Pad 4 87 3 63

241 FineWinePad1 87 3 64

242 FineWinePad2 87 3 65

243 5th Pad 1 87 3 66

244 5th Pad 2 87 3 67

245 Nu Epic Pad 87 3 68

246 Angelis Pad 87 3 69

247 TrnsSweepPad 87 3 70

248 Giant Sweep 87 3 71

249 Voyager 87 3 72

250 Digital Pad 87 3 73

251 NuSoundtrack 87 3 74

252 Xadecimal 87 3 75

253 PanninFormnt 87 3 76

254 Fairy's Song 87 3 77

255 Atmospherics 87 3 78

256 Strobe Pad 87 3 79

257 StrobeBell 1 87 3 80

258 StrobeBell 2 87 3 81

259 Flying Pad 1 87 3 82

260 Flying Pad 2 87 3 83

261 Flying Pad 3 87 3 84

262 Flying Pad 4 87 3 85

263 Flying Pad 5 87 3 86

264 Shimmer Pad 87 3 107

265 BUBBLE 1 87 4 65

266 BUBBLE 2 87 4 66

267 BUBBLE 3 87 4 67

268 Soft PWM Pad 87 4 75

269 Org Pad 87 4 76

270 Hollow Pad 2 87 4 77

271 SavannaPad 1 87 4 78

272 SavannaPad 2 87 4 79

273 SavannaPad 3 87 4 80

274 PWM Pad 1 87 3 4

275 PWM Pad 2 87 4 82

276 Str Machine 87 4 83

277 Reso Pad 87 4 84

278 BPF Pad 87 4 85

279 Sweep Pad 121 0 96

280 Sweep Pad 2 87 4 87

281 Sweep Pad 3 87 4 88

282 Sweep Pad 4 87 4 89

283 Scoop Pad 1 87 4 90

284 Scoop Pad 2 87 4 91

285 Brite Wine 87 4 92

286 Wine Pad 87 4 93

287 Sine Magic 87 4 95

288 Syn.Strings1 121 0 51

289 Syn.Strings2 121 0 52

Tone List

No Tone Name MSB LSB PC

290 Syn.Strings3 121 1 51

291 Fantasia 121 0 89

292 Warm Pad 121 0 90

293 Sine Pad 121 1 90

294 Poly Synth 121 0 91

295 Bowed Glass 121 0 93

296 Metal Pad 121 0 94

297 Halo Pad 121 0 95

298 Ice Rain 121 0 97

299 Soundtrack 121 0 98

300 Atmosphere 121 0 100

301 Brightness 121 0 101

ORGAN

No Tone Name MSB LSB PC

302 TW-Organ 1 112 0 1

303 TW-Organ 2 112 0 2

304 TW-Organ 3 112 0 3

305 TW-Organ 4 112 0 4

306 TW-Organ 5 112 0 5

307 TW-Organ 6 112 0 6

308 TW-Organ 7 112 0 7

309 TW-Organ 8 112 0 8

310 TW-Organ 9 112 0 9

311 TW-Organ 10 112 0 10

312 Rock Organ 1 87 0 77

313 Rock Organ 2 87 0 78

314 Rock Organ 3 87 0 79

315 Rock Organ 4 87 0 80

316 Rock Organ 5 87 0 81

317 RotaryOrgan1 87 0 82

318 RotaryOrgan2 87 0 83

319 Perc. Organ 121 2 18

320 Perc.Organ 2 87 0 84

321 Perc.Organ 3 87 0 85

322 Perc.Organ 4 87 0 86

323 E.Organ 1 87 0 87

324 E.Organ 2 87 0 88

325 E.Organ 3 87 0 89

326 E.Organ 4 87 0 90

327 E.Organ 5 87 0 91

328 E.Organ 6 87 0 92

329 E.Organ 7 87 0 93

330 Pu Organ 121 1 21

331 Nason Flute 87 67 19

332 Massive Pipe 87 67 17

333 Mid Pipe Org 87 67 18

334 Grand Pipes 87 0 96

335 Church Org 1 121 0 20

336 Church Org 2 121 1 20

337 Church Org 3 121 2 20

338 Theater Org 87 67 20

339 Accordion Fr 121 0 22

340 Accordion It 121 1 22

No Tone Name MSB LSB PC

341 AccordionIt2 87 0 97

342 Musette 87 0 98

343 Vodkakordion 87 0 99

344 Bandoneon 121 0 24

345 Harmonica 121 0 23

346 Harmonica 2 87 0 100

347 70's E.Org 1 87 0 94

348 70's E.Org 2 87 0 95

349 Ana Organ 1 87 4 7

350 Ana Organ 2 87 4 8

351 Ana Organ 3 87 4 9

352 Ana Organ 4 87 4 10

353 Ana Organ 5 87 4 11

354 Organ 1 121 0 17

355 Trem. Organ 121 1 17

356 60's Organ 121 2 17

357 70's E.Organ 121 3 17

358 Organ 2 121 0 18

359 Chorus Organ 121 1 18

360 Organ 3 121 0 19

361 Reed Organ 121 0 21

GUITAR

No Tone Name MSB LSB PC

362 Nylon Gtr 1 121 0 25

363 Nylon Gtr 2 121 3 25

364 Nylon Gtr 3 87 0 101

365 Nylon Gtr 4 87 0 102

366 Nylon Gtr 5 87 0 103

367 Nylon Gtr 6 87 0 104

368 Wet Nyln Gtr 87 0 105

369 Folk Gtr 1 87 0 107

370 Folk Gtr 2 87 0 108

371 Folk Gtr 3 87 0 109

372 Latin Gtr 87 0 110

373 Clean Gtr 1 87 0 117

374 Clean Gtr 2 87 0 118

375 Clean Gtr 3 87 0 119

376 Jazz Guitar 121 0 27

377 Jazz Guitar2 87 0 120

378 Pick E.Gtr 87 0 121

379 Funk Guitar 121 2 29

380 Funk Guitar2 87 0 122

381 Wet E.Gtr 87 0 123

382 Overdrive Gt 121 0 30

383 OverdriveGt2 87 0 124

384 Guitar Pinch 121 1 30

385 Dist Gtr 1 87 0 125

386 Dist Gtr 2 87 0 126

387 Dist Gtr 3 87 0 127

388 DistortionGt 121 0 31

389 Gt Feedback1 121 1 31

390 Dist Rtm Gtr 121 2 31

391 Ukulele 121 1 25

Tone List

No Tone Name MSB LSB PC

392 Ukulele 2 87 0 106

393 Nylon Gtr 1o 121 2 25

394 Steel-str.Gt 121 0 26

395 12-str. Gtr 121 1 26

396 Mandolin 121 2 26

397 Steel + Body 121 3 26

398 Pedal Steel 121 1 27

399 Pedal Steel2 87 4 12

400 Clean Guitar 121 0 28

401 Chorus Gtr 121 1 28

402 Mid Tone Gtr 121 2 28

403 Muted Guitar 121 0 29

404 Funk Pop 121 1 29

405 Jazz Man 121 3 29

406 Gt Harmonics 121 0 32

407 Gt Feedback2 121 1 32

408 Sitar 1 121 0 105

409 Sitar 2 121 1 105

410 Sitar 3 87 0 115

411 Banjo 121 0 106

412 Shamisen 121 0 107

413 Koto 121 0 108

414 Taisho Koto 121 1 108

415 Aerial Harp 87 0 113

416 LostParadise 87 0 114

417 Indian Frtls 87 0 116

418 Santur 121 0 16

419 Santur 2 87 0 111

420 Santur 3 87 0 112

BASS

No Tone Name MSB LSB PC

421 Acoustic Bs 121 0 33

422 Acoustic Bs2 87 0 128

423 Acoustic Bs3 87 1 1

424 Fingered Bs 121 0 34

425 Fingered Bs2 87 1 2

426 Fingered Bs3 87 1 3

427 Fingered Bs4 87 1 4

428 Pick Bass 87 1 5

429 Picked Bass 121 0 35

430 Fretless Bs 121 0 36

431 FretlessBs 2 87 1 6

432 FretlessBs 3 87 1 7

433 Finger Slap 121 1 34

434 Finger Slap2 87 1 8

435 Slap Bass 1 121 0 37

436 Slap Bass 2 121 0 38

437 Return2Base! 87 1 9

438 MG Bass 1 87 1 10

439 MG Bass 2 87 1 11

440 MG Bass 3 87 1 12

441 Modular Bs 1 87 1 13

442 Modular Bs 2 87 1 14

No Tone Name MSB LSB PC

443 PWM Bass 1 87 1 15

444 PWM Bass 2 87 1 16

445 Big Mini 87 1 17

446 Fat Analog 87 1 18

447 Spike Bass 87 1 19

448 SH Bass 87 1 20

449 Intrusive Bs 87 1 21

450 Synth Bass 1 121 0 39

451 Synth Bass 2 121 0 40

452 Synth Bass 3 87 1 22

453 Synth Bass 4 87 1 23

454 Synth Bass 5 87 1 24

455 Synth Bass 6 87 1 25

456 Synth Bass 7 87 1 26

457 Synth Bass 8 87 1 27

458 Synth Bass 9 87 1 28

459 Synth Bass10 87 1 29

460 Synth Bass11 87 1 30

461 Synth Bass12 87 1 31

462 Synth Bass13 87 1 32

463 Synth Bass14 87 1 33

464 Reso Bass 1 87 1 34

465 Reso Bass 2 87 1 35

466 Reso Bass 3 87 1 36

467 Reso Bass 4 87 1 37

468 Reso Bass 5 87 1 38

469 Reso Bass 6 87 1 39

470 Reso Bass 7 87 1 40

471 Reso Bass 8 87 1 41

472 Reso Bass 9 87 4 21

473 Reso Bass 10 87 4 22

474 Acid Bass 121 2 39

475 Acid Bass 2 87 1 42

476 Acid Bass 3 87 1 43

477 Acid Bass 4 87 1 44

478 Acid Bass 5 87 4 15

479 Acid Bass 6 87 4 16

480 Acid Bass 7 87 4 17

481 TB Bass 1 87 1 46

482 TB Bass 2 87 1 47

483 TB Bass 3 87 4 13

484 TB Bass 4 87 4 14

485 Alpha Bass 1 87 1 45

486 Alpha Bass 2 87 1 48

487 Alpha ResoBs 87 1 49

488 Nu Saw Bass 87 1 50

489 Nu RnB SawBs 87 1 51

490 Storm Bass 87 1 52

491 Detune Bass 87 1 53

492 Gashed Bass 87 1 54

493 Hi-Energy Bs 87 1 55

494 Pedal Bass 1 87 1 56

495 Pedal Bass 2 87 4 19

496 Monster Bass 87 1 57

497 JunoSqr Bs 1 87 1 58

Tone List

No Tone Name MSB LSB PC

498 JunoSqr Bs 2 87 1 59

499 101 Bass 87 1 60

500 106 Bass 1 87 1 61

501 106 Bass 2 87 1 62

502 Compu Bass 1 87 1 63

503 Compu Bass 2 87 1 64

504 Triangle Bs 87 1 65

505 Mued Bass 87 1 66

506 Garage Bass 87 1 67

507 TransistorBs 87 1 68

508 Fazee Bass 87 1 69

509 Brite Bass 87 4 18

510 Saw Bass 87 4 20

511 Sub Bass 87 4 23

512 Ramp Bass 87 4 24

513 Fat Bass 1 87 4 25

514 Fat Bass 2 87 4 26

515 Fat Bass 3 87 4 27

516 Flat Bass 87 4 28

517 Electro Rubb 87 4 29

518 80s Bass 87 4 30

519 SynthBass101 121 1 39

520 Clav Bass 121 3 39

521 Hammer Bass 121 4 39

522 SynSlap Bass 121 1 40

523 Rubber Bass 121 2 40

524 Attack Pulse 121 3 40

CHOIR/SCAT

No Tone Name MSB LSB PC

525 Jazz Scat 1 87 3 87

526 Jazz Scat 2 87 3 88

527 GX Choir 87 72 1

528 Choir Aahs 121 0 53

529 Chorus Aahs 121 1 53

530 Choir Pad 87 3 89

531 Angels Choir 87 3 90

532 Aerial Choir 87 3 91

533 Voice Oohs 121 0 54

534 Doo Pad 87 3 92

535 Humming 121 1 54

536 Humming 2 87 3 93

537 Humming 3 87 3 94

538 Gospel Hum 87 3 95

539 Decay Choir 87 72 27

540 Dcy ChoirPad 87 69 25

541 Vox Pad 1 87 3 96

542 Vox Pad 2 87 3 97

543 Dreamvox 1 87 3 14

544 Dreamvox 2 87 3 15

545 80s Vox 87 3 98

546 SynVox 121 0 55

547 SynVox 2 87 3 99

548 SynVox 3 87 3 100

No Tone Name MSB LSB PC

549 Mini Vox 87 3 101

550 Chipmunk 87 3 102

551 Sample Opera 87 3 103

552 Sad Ceremony 87 3 104

553 5th Voice 87 4 52

554 Sop Vox 87 4 94

555 Analog Voice 121 1 55

556 Space Voice 121 0 92

557 Itopia 121 1 92

558 Dreaming Box 87 0 67

BRASS

No Tone Name MSB LSB PC

559 Brass 1 121 0 62

560 Brass 2 121 1 62

561 Brass 3 87 1 96

562 Brass 4 87 1 97

563 Brass 5 87 1 98

564 Brass 6 87 1 99

565 80s Brass 1 87 1 100

566 80s Brass 2 87 1 101

567 80s Brass 3 87 1 102

568 80s Brass 4 87 1 103

569 80s Brass 5 87 1 104

570 80s Brass 6 87 1 105

571 80s Brass 7 87 1 106

572 80s Brass 8 87 1 107

573 Soft SynBrs1 87 1 108

574 Soft SynBrs2 87 1 118

575 Warm SynBrs 87 1 109

576 Brite SynBrs 87 1 110

577 Express Brs 87 1 111

578 EuroExpress1 87 1 112

579 JP Brass 1 87 1 113

580 JP Brass 2 87 1 119

581 Juno Brass 87 1 114

582 Ox Brass 87 1 115

583 Reso Brass 87 1 116

584 Wide SynBrs 87 1 117

585 106 Brass 87 1 120

586 Octa Brass 87 1 121

587 Poly Brass 1 87 1 122

588 Poly Brass 2 87 4 41

589 Dual Saw Brs 87 1 123

590 Jump Poly 87 2 109

591 Reso Key 1 87 2 124

592 EuroExpress2 87 2 127

593 Ox Synth 87 3 5

594 VintageBrs 1 87 4 37

595 VintageBrs 2 87 4 38

596 VintageBrs 3 87 4 39

597 VintageBrs 4 87 4 40

598 JP Brass 121 1 63

599 Oct SynBrass 121 2 63

Tone List

No Tone Name MSB LSB PC

600 Jump Brass 121 3 63

601 Synth Brass1 121 0 63

602 Synth Brass2 121 0 64

603 SynBrass sfz 121 1 64

604 Velo Brass 121 2 64

605 Trumpet 121 0 57

606 Trumpet 2 87 1 94

607 Dark Trumpet 121 1 57

608 MuteTrumpet1 121 0 60

609 MuteTrumpet2 121 1 60

610 Trombone 1 121 0 58

611 Trombone 2 121 1 58

612 Bright Tb 121 2 58

613 Tuba 121 0 59

614 Fr.Horn 87 1 95

615 French Horn 121 1 61

616 F.Horn Sect 121 0 61

617 Soprano Sax 121 0 65

618 Soprano Sax2 87 1 124

619 Alto Sax 121 0 66

620 Tenor Sax 121 0 67

621 Tenor Sax 2 87 1 126

622 BreathyTenor 87 1 125

623 Baritone Sax 121 0 68

624 Oboe 121 0 69

625 English Horn 121 0 70

626 Bassoon 121 0 71

627 Bassoon 2 87 1 88

628 Clarinet 121 0 72

629 Piccolo 121 0 73

630 Flute 121 0 74

631 Flute 2 87 1 89

632 Recorder 121 0 75

633 Pan Flute 121 0 76

634 Pan Flute 2 87 1 90

635 Pan Pipes 1 87 1 91

636 Pan Pipes 2 87 4 36

637 Bottle Blow 121 0 77

638 Shakuhachi 121 0 78

639 Shakuhachi 2 87 1 92

640 Whistle 121 0 79

641 Ocarina 121 0 80

642 Ocarina 2 87 1 93

643 Bagpipe 121 0 110

644 Shanai 121 0 112

SYNTH

No Tone Name MSB LSB PC

645 Dream Trance 87 2 96

646 Dream Saws 87 2 97

647 Dream Pulse 87 2 98

648 Trance Synth 87 2 99

649 Trancy 87 2 100

650 Trance Keys 87 2 101

No Tone Name MSB LSB PC

651 Trance Saws 87 2 102

652 Auto Trance1 87 2 103

653 Super Saws 1 87 2 104

654 Analog Saws 87 2 105

655 Uni-G 87 2 106

656 Digitaless 87 2 107

657 Bustranza 87 2 108

658 Super Saws 2 87 2 110

659 Poly Synth 2 87 2 111

660 Poly Synth 3 87 2 112

661 Poly Synth 4 87 2 113

662 Poly Synth 5 87 2 114

663 Poly Synth 6 87 2 115

664 Poly Synth 7 87 2 116

665 Juno Saw Key 87 2 117

666 Saw Key 1 87 2 118

667 Saw Key 2 87 2 119

668 Waspy Synth 87 2 120

669 Juno SQR 87 2 121

670 Vintage Key 87 2 122

671 Ju-D Fifths 87 2 123

672 Reso Key 2 87 2 125

673 Fat Synth 87 2 126

674 DOC Stack 87 2 128

675 2 Saws 87 3 1

676 Hi Saw Band 87 3 2

677 Brite Synth 87 3 3

678 RAVtune 87 3 6

679 Saw Lead 1 87 1 127

680 Saw Lead 2 87 1 128

681 Saw Lead 3 87 2 1

682 Saw Lead 4 87 2 2

683 Saw Lead 5 87 2 3

684 Saw Lead 6 87 2 4

685 Saw Lead 7 87 2 5

686 Saw Lead 8 87 2 6

687 Saw Lead 9 87 2 7

688 Saw Lead 10 87 4 46

689 GR300 Lead 1 87 2 8

690 GR300 Lead 2 87 2 9

691 Classic GR 87 2 10

692 Bright GR 87 2 11

693 Fat GR Lead 87 2 12

694 MODied Ld 87 2 13

695 Syn Lead 1 87 2 14

696 Syn Lead 2 87 2 15

697 Syn Lead 3 87 2 16

698 Syn Lead 4 87 2 17

699 Syn Lead 5 87 2 18

700 Syn Lead 6 87 2 19

701 Syn Lead 7 87 2 20

702 Pro Fat Ld 1 87 2 21

703 Pro Fat Ld 2 87 2 27

704 JupiterLead1 87 2 22

705 JupiterLead2 87 2 23

Tone List

No Tone Name MSB LSB PC

706 Porta Lead 87 2 24

707 Classic Lead 87 2 25

708 On Air 87 2 26

709 Wormy Lead 87 2 28

710 Waspy Lead 87 2 29

711 Brite ResoLd 87 2 30

712 Brass Lead 87 2 31

713 Legato Tkno 87 2 32

714 Follow Me 87 2 33

715 Octa Juice 87 2 34

716 Juicy Jupe 87 2 35

717 Octa Saw 87 2 36

718 Vintager 1 87 2 37

719 Vintager 2 87 2 38

720 Sync Lead 87 2 39

721 Octa Sync 87 2 40

722 Leading Sync 87 2 41

723 A Leader 87 2 42

724 Hot Coee 87 2 43

725 Hot Sync 87 2 44

726 Synchro Lead 87 2 45

727 Space Solo 87 2 46

728 Squareheads 87 2 47

729 Mod Lead 87 2 48

730 Alpha Spit 87 2 49

731 Air Lead 87 2 50

732 Pulstar Lead 87 2 51

733 Therasaw 87 2 52

734 Warmy Lead 87 2 53

735 ResoSawLead 87 2 54

736 Soft Reso Ld 87 2 55

737 Reso Lead 1 87 2 56

738 Reso Lead 2 87 2 57

739 Reso Lead 3 87 2 58

740 Reso Lead 4 87 2 59

741 Reso Lead 5 87 2 60

742 Juicy Lead 87 2 61

743 DC Triangle 87 2 62

744 Soft Lead 1 87 2 63

745 Soft Lead 2 87 2 64

746 Soft Lead 3 87 2 65

747 Soft Lead 4 87 2 66

748 Soft Lead 5 87 2 67

749 Soft Lead 6 87 2 68

750 Soft Lead 7 87 2 69

751 Soft Lead 8 87 2 70

752 Soft Lead 9 87 2 71

753 Soft Lead 10 87 2 72

754 Tri Lead 87 2 73

755 Pulse Lead 1 87 2 74

756 Pulse Lead 2 87 2 75

757 Pulse Lead 3 87 4 42

758 Pulse Lead 4 87 4 43

759 Simple Tri 87 2 76

760 Simple Sine 87 2 77

No Tone Name MSB LSB PC

761 Whistle Ld 1 87 2 78

762 Whistle Ld 2 87 2 79

763 Square Pipe 87 2 80

764 CosmicDrops1 87 2 81

765 CosmicDrops2 87 3 117

766 Spooky Lead 87 2 82

767 Pure Lead 87 2 83

768 303 NRG 87 2 84

769 Round SQR 87 2 85

770 Brite SQR 87 2 86

771 Square SAW 87 2 87

772 Simple SQR 87 2 88

773 Sqr Lead 87 2 89

774 Atk Lead 87 2 90

775 Octa Square 87 2 91

776 CS Lead 87 2 92

777 Mini Growl 87 2 93

778 Hoover Again 87 2 94

779 Tranceformer 87 2 95

780 Analog Seq 87 3 7

781 Seq Pop 87 3 8

782 Periscope 87 3 9

783 Major 7 87 3 10

784 Pipe Key 87 3 19

785 Enigmatic 87 3 105

786 Planetz 87 3 106

787 Sci-Fi 87 3 108

788 ResoSweep Dn 87 3 109

789 Jet Noise 87 3 110

790 Brandish 87 3 111

791 909 Fx 87 3 112

792 Zap 87 3 113

793 PolySweep Nz 87 3 114

794 Passing By 87 3 115

795 Lazer Points 87 3 116

796 Crystal Fx 87 3 118

797 Crystal Ice 87 3 119

798 Mad Noise 87 3 120

799 Robot Sci-Fi 87 3 121

800 Computer 1 87 3 122

801 Computer 2 87 3 123

802 S&H Noise 87 3 124

803 S&H Ramp 87 3 125

804 S&H PWM 87 3 126

805 S&H Saw 1 87 3 127

806 S&H Saw 2 87 3 128

807 Ramp Lead 1 87 4 44

808 Ramp Lead 2 87 4 45

809 Sine Lead 1 87 4 47

810 Sine Lead 2 87 4 48

811 Mod Chord 87 4 50

812 Housechord 87 4 51

813 Juno-D Maj7 87 4 53

814 Sweet House 87 4 54

815 Detune Saws 87 4 55

Tone List

No Tone Name MSB LSB PC

816 Electrostar 87 4 56

817 Dance Saws1 87 4 57

818 Resoform 87 4 58

819 Melodic Drum 87 4 59

820 Alpha Said 87 4 60

821 Shroomy 87 4 61

822 Detune Seq 87 4 62

823 LoFi Piano 87 4 63

824 FX Ramp 87 4 64

825 Scratch 2 87 4 68

826 AnalogDays 1 87 4 69

827 Dance Saws 2 87 4 70

828 Sync Key 87 4 71

829 Detune Ramp 87 4 72

830 Reso Saw 87 4 73

831 EuroExpress3 87 4 74

832 Sweep Saw 87 4 86

833 Pulsatron 87 4 96

834 Motion Bass 87 4 97

835 Trance Splt 87 4 98

836 Rhythmic 5th 87 4 99

837 Rhythmic 1 87 4 100

838 Rhythmic 2 87 4 101

839 Mega Sync 1 87 4 102

840 StrobeBell 3 87 4 103

841 Strobe 1 87 4 104

842 Strobe 2 87 4 105

843 Strobe 3 87 4 106

844 Strobe 4 87 4 107

845 LFO Saw 87 4 108

846 Keep Going 87 4 109

847 Keep Running 87 4 110

848 Electrons 87 4 111

849 BriskVortex 87 4 112

850 LFO Vox 87 4 113

851 Pulsasaw 87 4 114

852 Arposphere 87 4 115

853 Mega Sync 2 87 4 116

854 Compusonic 1 87 4 117

855 Compusonic 2 87 4 118

856 Compusonic 3 87 4 119

857 Compusonic 4 87 4 120

858 Compusonic 5 87 4 121

859 AnalogDays 2 87 4 122

860 Groove 007 87 4 123

861 Juno Pop 87 4 124

862 Auto Trance2 87 4 125

863 In Da Groove 87 4 126

864 80s Beat 87 4 127

865 Ride Cymbal 87 4 128

866 OrchestraHit 121 0 56

867 Bass Hit 121 1 56

868 6th Hit 121 2 56

869 Euro Hit 121 3 56

870 Square Wave 121 0 81

No Tone Name MSB LSB PC

871 MG Square 121 1 81

872 2600 Sine 121 2 81

873 Saw Wave 121 0 82

874 OB2 Saw 121 1 82

875 Doctor Solo 121 2 82

876 Natural Lead 121 3 82

877 SequencedSaw 121 4 82

878 Syn.Calliope 121 0 83

879 Chier Lead 121 0 84

880 Charang 121 0 85

881 Wire Lead 121 1 85

882 Solo Vox 121 0 86

883 5th Saw Wave 121 0 87

884 Bass & Lead 121 0 88

885 Delayed Lead 121 1 88

886 Goblin 121 0 102

887 Echo Drops 121 0 103

888 Echo Bell 121 1 103

889 Echo Pan 121 2 103

890 Star Theme 121 0 104

891 Castanets 121 1 116

892 Taiko 121 0 117

893 Concert BD 121 1 117

894 Melo. Tom 1 121 0 118

895 Melo. Tom 2 121 1 118

896 Synth Drum 121 0 119

897 808 Tom 121 1 119

898 Elec Perc 121 2 119

899 Reverse Cymb 121 0 120

900 Agogo 121 0 114

901 Woodblock 121 0 116

902 Gt FretNoise 121 0 121

903 Gt Cut Noise 121 1 121

904 String Slap 121 2 121

905 Breath Noise 121 0 122

906 Fl.Key Click 121 1 122

907 Seashore 121 0 123

908 Rain 121 1 123

909 Thunder 121 2 123

910 Wind 121 3 123

911 Stream 121 4 123

912 Bubble 121 5 123

913 Bird 1 121 0 124

914 Dog 121 1 124

915 Horse Gallop 121 2 124

916 Bird 2 121 3 124

917 Telephone 1 121 0 125

918 Telephone 2 121 1 125

919 DoorCreaking 121 2 125

920 Door 121 3 125

921 Scratch 121 4 125

922 Wind Chimes 121 5 125

923 Helicopter 121 0 126

924 Car Engine 121 1 126

925 Car Stop 121 2 126

Tone List

No Tone Name MSB LSB PC

926 Car Pass 121 3 126

927 Car Crash 121 4 126

928 Siren 121 5 126

929 Train 121 6 126

930 Jetplane 121 7 126

931 Starship 121 8 126

932 Burst Noise 121 9 126

933 Applause 121 0 127

934 Laughing 121 1 127

935 Screaming 121 2 127

936 Punch 121 3 127

937 Heart Beat 121 4 127

938 Footsteps 121 5 127

939 Gun Shot 121 0 128

940 Machine Gun 121 1 128

941 Laser Gun 121 2 128

942 Explosion 121 3 128

* 943–965 are rhythm sets. Refer to p. 19–p. 23 for details on the sounds in

the rhythm sets.

No Tone Name MSB LSB PC

943 Standard 1 86 0 1

944 Standard 2 86 0 2

945 Standard 3 86 0 3

946 Rock Kit 86 0 4

947 Jazz Kit 86 0 5

948 Brush Kit 86 0 6

949 Machine Kit 86 0 7

950 R&B T-Analog 86 0 8

951 R&B Mini Kit 86 0 9

952 HipHop Kit 86 0 10

953 R&B Kit 86 0 11

954 Dance Kit 1 86 0 12

955 Dance Kit 2 86 0 13

956 Dance Kit 3 86 0 14

957 GM2 STANDARD 120 0 1

958 GM2 ROOM 120 0 9

959 GM2 POWER 120 0 17

960 GM2 ELECTRIC 120 0 25

961 GM2 ANALOG 120 0 26

962 GM2 JAZZ 120 0 33

963 GM2 BRUSH 120 0 41

964 GM2 ORCHSTRA 120 0 49

965 GM2 SFX 120 0 57

Rhythm Set List

* [EXC] : Percussion sound of the same number will not be heard at the same time.

100

101

103

105

107 108

Standard 1

MSB:86/LSB:0/PC001

MC500 Beep1 MC500 Beep1 MC500 Beep1 MC500 Beep1 MC500 Beep1 MC500 Beep2 MC500 Beep2 MC500 Beep2 MC500 Beep2 MC500 Beep2 Concert SD Concert SD Concert SD Concert SD Concert SD Snare Roll Snare Roll Snare Roll Snare Roll Snare Roll

Snap Snap Snap Snap Snap High Q High Q High Q High Q High Q

Slap Slap Slap Slap Slap Scratch Push [EXC 7] Scratch Push [EXC 7] Scratch Push [EXC 7] Scratch Push [EXC 7] Scratch Push [EXC 7] Scratch Pull [EXC 7] Scratch Pull [EXC 7] Scratch Pull [EXC 7] Scratch Pull [EXC 7] Scratch Pull [EXC 7]

Sticks Sticks Sticks Sticks Sticks Square Click Square Click Square Click Square Click Square Click

Metron Click Metron Click Metron Click Metron Click Metron Click

Metron Bell Metron Bell Metron Bell Metron Bell Metron Bell Kick Drum 2 Kick Drum 2 Kick Drum 2 Power Kick2 Jazz Kick 2 Kick Drum 1 Kick Drum 1 Kick Drum 1 Power Kick1 Jazz Kick 1 Side Stick Side Stick Side Stick Side Stick Side Stick

Reg.Snr 2 Snare 1 Snare 1 Power Snare1 Jazz Snare1 Hand Clap Hand Clap Hand Clap Hand Clap Hand Clap

Reg.Snr 1 Snare 2 Snare 2 Power Snare2 Jazz Snare2 Reg.F.Tom Low Tom 2 Low Tom 2 Low Tom1 Low Tom 2 ClosedHi-hat [EXC 1] ClosedHi-hat [EXC 1] ClosedHi-hat [EXC 1] ClosedHi-hat [EXC 1] ClosedHi-hat [EXC 1]

Reg.L.Tom Low Tom 1 Low Tom 1 Low Tom2 Low Tom 1

Pedal Hi-hat [EXC 1] Pedal Hi-hat [EXC 1] Pedal Hi-hat [EXC 1] Pedal Hi-hat [EXC 1] Pedal Hi-hat [EXC 1] Reg.M.Tom Mid Tom 2 Mid Tom 2 Mid Tom1 Mid Tom 2

Open Hi-hat [EXC 1] Open Hi-hat [EXC 1] Open Hi-hat [EXC 1] Open Hi-hat [EXC 1] Open Hi-hat [EXC 1] Reg.M.Tom Mid Tom 1 Mid Tom 1 Mid Tom2 Mid Tom 1 Reg.H.Tom High Tom 2 High Tom 2 High Tom1 High Tom 2 CrashCymbal1 CrashCymbal1 CrashCymbal1 CrashCymbal1 CrashCymbal1

Reg.H.Tom High Tom 1 High Tom 1 High Tom2 High Tom 1

Ride Cymbal1 Ride Cymbal1 Ride Cymbal1 Ride Cymbal1 Ride Cymbal1 China Cymbal China Cymbal China Cymbal China Cymbal China Cymbal Ride Bell Ride Bell Ride Bell Ride Bell Ride Bell Tambourine Tambourine Tambourine Tambourine Tambourine

SplashCymbal SplashCymbal SplashCymbal SplashCymbal SplashCymbal

Cowbell Cowbell Cowbell Cowbell Cowbell CrashCymbal2 CrashCymbal2 CrashCymbal2 CrashCymbal2 CrashCymbal2

Vibra-slap Vibra-slap Vibra-slap Vibra-slap Vibra-slap Ride Cymbal2 Ride Cymbal2 Ride Cymbal2 Ride Cymbal2 Ride Cymbal2 High Bongo High Bongo High Bongo High Bongo High Bongo Low Bongo Low Bongo Low Bongo Low Bongo Low Bongo

MuteHi Conga MuteHi Conga MuteHi Conga MuteHi Conga MuteHi Conga OpenHi Conga OpenHi Conga OpenHi Conga OpenHi Conga OpenHi Conga

Low Conga Low Conga Low Conga Low Conga Low Conga High Timbale High Timbale High Timbale High Timbale High Timbale Low Timbale Low Timbale Low Timbale Low Timbale Low Timbale

High Agogo High Agogo High Agogo High Agogo High Agogo

Low Agogo Low Agogo Low Agogo Low Agogo Low Agogo

Cabasa Cabasa Cabasa Cabasa Cabasa

Maracas Maracas Maracas Maracas Maracas ShortWhistle [EXC 2] ShortWhistle [EXC 2] ShortWhistle [EXC 2] ShortWhistle [EXC 2] ShortWhistle [EXC 2] Long Whistle [EXC 2] Long Whistle [EXC 2] Long Whistle [EXC 2] Long Whistle [EXC 2] Long Whistle [EXC 2] Short Guiro [EXC 3] Short Guiro [EXC 3] Short Guiro [EXC 3] Short Guiro [EXC 3] Short Guiro [EXC 3]

Long Guiro [EXC 3] Long Guiro [EXC 3] Long Guiro [EXC 3] Long Guiro [EXC 3] Long Guiro [EXC 3] Claves Claves Claves Claves Claves

Hi WoodBlock Hi WoodBlock Hi WoodBlock Hi WoodBlock Hi WoodBlock LowWoodBlock LowWoodBlock LowWoodBlock LowWoodBlock LowWoodBlock Mute Cuica [EXC 4] Mute Cuica [EXC 4] Mute Cuica [EXC 4] Mute Cuica [EXC 4] Mute Cuica [EXC 4]

Open Cuica [EXC 4] Open Cuica [EXC 4] Open Cuica [EXC 4] Open Cuica [EXC 4] Open Cuica [EXC 4]

MuteTriangle [EXC 5] MuteTriangle [EXC 5] MuteTriangle [EXC 5] MuteTriangle [EXC 5] MuteTriangle [EXC 5] OpenTriangle [EXC 5] OpenTriangle [EXC 5] OpenTriangle [EXC 5] OpenTriangle [EXC 5] OpenTriangle [EXC 5]

Shaker Shaker Shaker Shaker Shaker Jingle Bell Jingle Bell Jingle Bell Jingle Bell Jingle Bell Bell Tree Bell Tree Bell Tree Bell Tree Bell Tree Castanets Castanets Castanets Castanets Castanets

Mute Surdo [EXC 6] Mute Surdo [EXC 6] Mute Surdo

Open Surdo [EXC 6] Open Surdo [EXC 6] Open Surdo [EXC 6] Open Surdo [EXC 6] Open Surdo [EXC 6] Applause Applause Applause Applause Applause SnareGhost1 SnareGhost1 SnareGhost1 SnareGhost1 SnareGhost1 SnareGhost2 SnareGhost2 SnareGhost2 SnareGhost2 SnareGhost2

Hand Clap1 Hand Clap1 Hand Clap1 Hand Clap1 Hand Clap1

Hand Clap2 Hand Clap2 Hand Clap2 Hand Clap2 Hand Clap2 Scratch1 Scratch1 Scratch1 Scratch1 Scratch1

Scratch2 Scratch2 Scratch2 Scratch2 Scratch2 Scratch3 Scratch3 Scratch3 Scratch3 Scratch3 Hit1 Hit1 Hit1 Hit1 Hit1 Hit2 Hit2 Hit2 Hit2 Hit2

Hit3 Hit3 Hit3 Hit3 Hit3

Hit4 Hit4 Hit4 Hit4 Hit4 Hit5 Hit5 Hit5 Hit5 Hit5 Low Tom1 Low Tom1 Low Tom1 Low Tom1 Low Tom1 Low Tom2 Low Tom2 Low Tom2 Low Tom2 Low Tom2

102

Cajon1 Cajon1 Cajon1 Cajon1 Cajon1

104

Cajon2 Cajon2 Cajon2 Cajon2 Cajon2 Syn Burst Nz Syn Burst Nz Syn Burst Nz Syn Burst Nz Syn Burst Nz

106

Sweep Down Sweep Down Sweep Down Sweep Down Sweep Down Laser Laser Laser Laser Laser Syn Back Nz Syn Back Nz Syn Back Nz Syn Back Nz Syn Back Nz

Standard 2

MSB:86/LSB:0/PC002

Standard 3

MSB:86/LSB:0/PC003

Rock Kit

MSB:86/LSB:0/PC004

Jazz Kit

MSB:86/LSB:0/PC005

[EXC 6] Mute Surdo [EXC 6] Mute Surdo [EXC 6]

Rhythm Set List

* [EXC] : Percussion sound of the same number will not be heard at the same time.

100

101

103

105

107 108

Brush Kit

MSB:086/LSB:0/PC:006

Snap Snap Snap Snap Snap

High Q High Q High Q High Q High Q Slap Slap Slap Slap Mix Kick1 Scratch Push [EXC 7] Scratch Push [EXC 7] Scratch Push [EXC 7] Scratch Push [EXC 7] Analog Kick1 Scratch Pull [EXC 7] Scratch Pull [EXC 7] Scratch Pull [EXC 7] Scratch Pull [EXC 7] Mix Snare4

Sticks Sticks Sticks Sticks Analog Kick2

Square Click Square Click Square Click Square Click Mix Snare3 Metron Click Metron Click Metron Click Metron Click Mix Kick2

Metron Bell Metron Bell Metron Bell Metron Bell HH Shaker [EXC 1] Jazz Kick 2 Ana.Kick 1 Ana.Kick 1 Kick 2 Mix Kick4 Jazz Kick 1 Ana.Kick 2 Ana.Kick 2 Kick 1 Mix Kick3 Side Stick Ana.Rim Shot Ana.Rim Shot Side Stick TR808 Rim

Brush Tap Ana.Snare Ana.Snare Snare 1 Mix Snare1

Brush Slap Hand Clap Hand Clap Hand Clap TR808 Clap Brush Swirl Elec.Snare Elec.Snare Snare 2 Mix Snare2 Low Tom 2 Ana.Low Tom2 Ana.Low Tom2 Reg.F.Tom Tom1

ClosedHi-hat [EXC 1] Ana.Cl HH 1 [EXC 1] Ana.Cl HH 1 [EXC 1] ClosedHi-hat [EXC 1] TR808 ClHH [EXC 1] Low Tom 1 Ana.Low Tom1 Ana.Low Tom1 Reg.L.Tom Tom2

Pedal Hi-hat [EXC 1] Ana.Cl HH 2 [EXC 1] Ana.Cl HH 2 [EXC 1] Pedal Hi-hat [EXC 1] Noise ClHH [EXC 1] Mid Tom 2 Ana.Mid Tom2 Ana.Mid Tom2 Reg.M.Tom Tom3

Open Hi-hat [EXC 1] Ana.Open HH [EXC 1] Ana.Open HH [EXC 1] Open Hi-hat [EXC 1] TR808 OpHH [EXC 1] Mid Tom 1 Ana.Mid Tom1 Ana.Mid Tom1 Reg.M.Tom Tom4 High Tom 2 Ana.Hi Tom2 Ana.Hi Tom2 Reg.H.Tom Tom5 CrashCymbal1 Ride Cymbal1 Ride Cymbal1 CrashCymbal1 TR909 Cym

High Tom 1 Ana.Hi Tom1 Ana.Hi Tom1 Reg.H.Tom Tom6

Ride Cymbal1 Ana.Cymbal Ana.Cymbal Ride Cymbal1 TR808 Cym China Cymbal China Cymbal China Cymbal China Cymbal China Cymbal Ride Bell Ride Bell Ride Bell Ride Bell Rock Rd Edge

Tambourine Tambourine Tambourine Tambourine Mix Perc SplashCymbal SplashCymbal SplashCymbal SplashCymbal Mix Crash1

Cowbell Ana.Cowbell Ana.Cowbell Cowbell Ana.Cowbell CrashCymbal2 CrashCymbal CrashCymbal CrashCymbal2 Mix Crash2

Vibra-slap Vibra-slap Vibra-slap Vibra-slap Roll FX Ride Cymbal2 Ride Cymbal2 Ride Cymbal2 Ride Cymbal2 Ride Cym High Bongo High Bongo High Bongo High Bongo High Bongo Low Bongo Low Bongo Low Bongo Low Bongo Low Bongo

MuteHi Conga Ana.Hi Conga Ana.Hi Conga MuteHi Conga MuteHi Conga

OpenHi Conga Ana.MidConga Ana.MidConga OpenHi Conga OpenHi Conga Low Conga Ana.LowConga Ana.LowConga Low Conga Low Conga High Timbale High Timbale High Timbale High Timbale High Timbale

Low Timbale Low Timbale Low Timbale Low Timbale Low Timbale High Agogo High Agogo High Agogo High Agogo High Agogo

Low Agogo Low Agogo Low Agogo Low Agogo Low Agogo

Cabasa Cabasa Cabasa Cabasa Cabasa

Maracas Ana.Maracas Ana.Maracas Maracas Maracas ShortWhistle [EXC 2] ShortWhistle [EXC 2] ShortWhistle [EXC 2] ShortWhistle [EXC 2] ShortWhistle [EXC 2] Long Whistle [EXC 2] Long Whistle [EXC 2] Long Whistle [EXC 2] Long Whistle [EXC 2] Long Whistle [EXC 2] Short Guiro [EXC 3] Short Guiro [EXC 3] Short Guiro [EXC 3] Short Guiro [EXC 3] Short Guiro [EXC 3]

Long Guiro [EXC 3] Long Guiro [EXC 3] Long Guiro [EXC 3] Long Guiro [EXC 3] Long Guiro [EXC 3]

Claves Ana.Claves Ana.Claves Claves Claves Hi WoodBlock Hi WoodBlock Hi WoodBlock Hi WoodBlock Hi WoodBlock LowWoodBlock LowWoodBlock LowWoodBlock LowWoodBlock LowWoodBlock

Mute Cuica [EXC 4] Mute Cuica [EXC 4] Mute Cuica [EXC 4] Mute Cuica [EXC 4] Mute Cuica [EXC 4] Open Cuica [EXC 4] Open Cuica [EXC 4] Open Cuica [EXC 4] Open Cuica [EXC 4] Open Cuica [EXC 4]

Shaker Shaker Shaker Shaker Shaker Jingle Bell Jingle Bell Jingle Bell Jingle Bell Jingle Bell Bell Tree Bell Tree Bell Tree Bell Tree Bell Tree Castanets Castanets Castanets Castanets Castanets

Mute Surdo [EXC 6] Mute Surdo [EXC 6] Mute Surdo [EXC 6]

Open Surdo [EXC 6] Open Surdo [EXC 6] Open Surdo [EXC 6] Open Surdo [EXC 6] Open Surdo [EXC 6] Applause Applause Applause Applause Applause SnareGhost1 SnareGhost1 SnareGhost1 SnareGhost1 SnareGhost1

SnareGhost2 SnareGhost2 SnareGhost2 SnareGhost2 SnareGhost2 Hand Clap1 Hand Clap1 Hand Clap1 Hand Clap1 Hand Clap1

Hand Clap2 Hand Clap2 Hand Clap2 Hand Clap2 Hand Clap2 Scratch1 Scratch1 Scratch1 Scratch1 Scratch1

Scratch2 Scratch2 Scratch2 Scratch2 Scratch2 Scratch3 Scratch3 Scratch3 Scratch3 Scratch3 Hit1 Hit1 Hit1 Hit1 Hit1 Hit2 Hit2 Hit2 Hit2 Hit2

Hit3 Hit3 Hit3 Hit3 Hit3

Hit4 Hit4 Hit4 Hit4 Hit4 Hit5 Hit5 Hit5 Hit5 Hit5 Low Tom1 Low Tom1 Low Tom1 Low Tom1 Low Tom1 Low Tom2 Low Tom2 Low Tom2 Low Tom2 Low Tom2

102

Cajon1 Cajon1 Cajon1 Cajon1 Cajon1

104

Cajon2 Cajon2 Cajon2 Cajon2 Cajon2 Syn Burst Nz Syn Burst Nz Syn Burst Nz Syn Burst Nz Syn Burst Nz

106

Sweep Down Sweep Down Sweep Down Sweep Down Sweep Down Laser Laser Laser Laser Laser Syn Back Nz Syn Back Nz Syn Back Nz Syn Back Nz Syn Back Nz

Machine Kit

MSB:086/LSB:0/PC:007

R&B T-Analog

MSB:086/LSB:0/PC:008

R&B Mini Kit

MSB:086/LSB:0/PC:009

HipHop Kit

MSB:086/LSB:0/PC:010

Mute Surdo [EXC 6] Mute Surdo [EXC 6]

* [EXC] : Percussion sound of the same number will not be heard at the same time.

Rhythm Set List

100

101

103

105

107 108

R&B Kit

MSB:086/LSB:0/PC:011

MC500 Beep1 MC500 Beep1 MC500 Beep1 MC500 Beep1 MC500 Beep2 MC500 Beep2 MC500 Beep2 MC500 Beep2 Concert SD Concert SD Concert SD Concert SD Snare Roll Snare Roll Snare Roll Snare Roll

Snap Snap Snap Snap High Q High Q High Q High Q

TR808 Kick TR909 Kick SH32 Kick1 TR808 Kick HH Kick SH32 Kick1 TR909 Kick1 Mix Kick1 Mix Snare2 AnalogSnare AnalogSnare1 TR909 Snare1

Mix Kick4 Analog Kick Analog Kick1 Mix Kick2

Short Snare2 TR808 Snare TR808 Snare TR909 Snare2 Mix Kick3 SH32 Kick2 SH32 Kick2 Mix Kick3

TR808 Cl HH [EXC 1] Syn ClHH1 [EXC 1] Pedal Hihat [EXC 1] Thin ClHH [EXC 1] Mix Kick1 Mix Kick2 TR909 Kick2 TR909 Kick Mix Kick2 Mix Kick1 Analog Kick2 Analog Kick Soft Stick Mix Rim Synth Rim Mix Rim

Short Snare1 Mix Snare1 DistNz Snare Mix Snare2

Hand Clap TR808 Clap TR808 Clap Mix Clap Mix Snare1 Mix Snare2 DistNz Snare Mix Snare1 TR808 Tom1 Mix Tom1 Deep Tom1 Mix Tom1

Cl Hihat1 [EXC 1] Mix ClHH1 [EXC 1] Syn ClHH1 [EXC 1] Mix ClHH1 [EXC 1] TR808 Tom2 Mix Tom2 Deep Tom2 Mix Tom2

Cl Hihat2 [EXC 1] Mix ClHH2 [EXC 1] Syn ClHH2 [EXC 1] Mix ClHH2 [EXC 1] TR808 Tom3 Mix Tom3 Deep Tom3 Mix Tom3

Op Hihat [EXC 1] Op Hihat [EXC 1] Syn OpHH [EXC 1] Op Hihat [EXC 1] TR808 Tom4 Mix Tom4 Deep Tom4 Mix Tom4 TR808 Tom5 Mix Tom5 Deep Tom5 Mix Tom5 TR909 Cym Mix Crash TR808 OpHH Mix Crash

TR808 Tom6 Mix Tom6 Deep Tom6 Mix Tom6

TR808 Cym Rock Rd Edge Wide Syn Cym Rock Rd Edge China Cymbal China Cymbal TR808 Cym1 China Cymbal Rock Rd Edge Ride Cymbal Ride Cym1 Ride Cymbal

Mix Hat Tambourine Castanet Tambourine Mix Crash1 Syn Splash TR808 Cym2 Splash Cym

Ana.Cowbell Cowbell TR808Cowbell Cowbell Mix Crash2 Concert Cym Ride Cym2 Concert Cym

Vibra-slap Vibraslap Syn Cowbell Vibraslap Ride Cym TR808 Cym Ride Cym3 Syn China High Bongo High Bongo High Bongo High Bongo Low Bongo Low Bongo Low Bongo Low Bongo

MuteHi Conga MuteHi Conga MuteHi Conga MuteHi Conga

OpenHi Conga OpenHi Conga OpenHi Conga OpenHi Conga Low Conga Low Conga Low Conga Low Conga High Timbale High Timbale High Timbale High Timbale Low Timbale Low Timbale Low Timbale Low Timbale

High Agogo High Agogo High Agogo High Agogo

Low Agogo Low Agogo Low Agogo Low Agogo Cabasa Cabasa Cabasa Cabasa

Maracas Maracas Maracas Maracas ShortWhistle [EXC 2] ShortWhistle [EXC 2] ShortWhistle [EXC 2] ShortWhistle [EXC 2] Long Whistle [EXC 2] Long Whistle [EXC 2] Long Whistle [EXC 2] Long Whistle [EXC 2] Short Guiro [EXC 3] Short Guiro [EXC 3] Short Guiro [EXC 3] Short Guiro [EXC 3]

Long Guiro [EXC 3] Long Guiro [EXC 3] Long Guiro [EXC 3] Long Guiro [EXC 3]

Claves Claves Claves Claves Hi WoodBlock Hi WoodBlock Hi WoodBlock Hi WoodBlock LowWoodBlock LowWoodBlock LowWoodBlock LowWoodBlock Mute Cuica [EXC 4] Mute Cuica [EXC 4] Mute Cuica [EXC 4] Mute Cuica [EXC 4]

Open Cuica [EXC 4] Open Cuica [EXC 4] Open Cuica [EXC 4] Open Cuica [EXC 4]

MuteTriangle [EXC 5] MuteTriangle [EXC 5] MuteTriangle [EXC 5] MuteTriangle [EXC 5] OpenTriangle [EXC 5] OpenTriangle [EXC 5] OpenTriangle [EXC 5] OpenTriangle [EXC 5]

Shaker Shaker Shaker Shaker Jingle Bell Jingle Bell Jingle Bell Jingle Bell Bell Tree Bell Tree Bell Tree Bell Tree Castanets Castanets Castanets Castanets

Mute Surdo [EXC 6] Mute Surdo [EXC 6] Mute Surdo [EXC 6] Mute Surdo [EXC 6]

Open Surdo [EXC 6] Open Surdo [EXC 6] Open Surdo [EXC 6] Open Surdo [EXC 6] Applause Applause Applause Applause SnareGhost1 SnareGhost1 SnareGhost1 SnareGhost1 SnareGhost2 SnareGhost2 SnareGhost2 SnareGhost2

Hand Clap1 Hand Clap1 Hand Clap1 Hand Clap1

Hand Clap2 Hand Clap2 Hand Clap2 Hand Clap2 Scratch1 Scratch1 Scratch1 Scratch1

Scratch2 Scratch2 Scratch2 Scratch2 Scratch3 Scratch3 Scratch3 Scratch3 Hit1 Hit1 Hit1 Hit1 Hit2 Hit2 Hit2 Hit2

Hit3 Hit3 Hit3 Hit3

Hit4 Hit4 Hit4 Hit4 Hit5 Hit5 Hit5 Hit5 Low Tom1 Low Tom1 Low Tom1 Low Tom1 Low Tom2 Low Tom2 Low Tom2 Low Tom2

102

Cajon1 Cajon1 Cajon1 Cajon1

104

Cajon2 Cajon2 Cajon2 Cajon2 Syn Burst Nz Syn Burst Nz Syn Burst Nz Syn Burst Nz

106

Sweep Down Sweep Down Sweep Down Sweep Down

Laser Laser Laser Laser

Dance Kit 1

MSB:086/LSB:0/PC:012

Dance Kit 2

MSB:086/LSB:0/PC:013

Dance Kit 3

MSB:086/LSB:0/PC:014

Syn Back Nz Syn Back Nz Syn Back Nz Syn Back Nz

Rhythm Set List

* [EXC] : Percussion sound of the same number will not be heard at the same time.

GM2 STANDARD

MSB:120/LSB:0/PC:001

High Q High Q High Q High Q High Q Slap Slap Slap Slap Slap Scratch Push [EXC 7] Scratch Push [EXC 7] Scratch Push [EXC 7] Scratch Push [EXC 7] Scratch Push [EXC 7] Scratch Pull [EXC 7] Scratch Pull [EXC 7] Scratch Pull [EXC 7] Scratch Pull [EXC 7] Scratch Pull [EXC 7]

Sticks Sticks Sticks Sticks Sticks

Square Click Square Click Square Click Square Click Square Click Metron Click Metron Click Metron Click Metron Click Metron Click

Metron Bell Metron Bell Metron Bell Metron Bell Metron Bell Kick Drum 2 Kick Drum 2 Kick Drum 2 Kick Drum 2 Kick Drum 2 Kick Drum 1 Kick Drum 1 Power Kick Elec.Kick Ana.Kick Side Stick Side Stick Side Stick Side Stick Ana.Rim Sho

Aco.Snare Aco.Snare PowerSnare E.SnareDrum1 Ana.Snare

Hand Clap Hand Clap Hand Clap Hand Clap Hand Clap Elec.Snare Elec.Snare Elec.Snare E.SnareDrum2 Elec.Snare Low Tom 2 Room LowTom2 PowerLowTom2 E.Low Tom 2 Ana.Low Tom2

ClosedHi-hat [EXC 1] ClosedHi-hat [EXC 1] ClosedHi-hat [EXC 1] ClosedHi-hat [EXC 1] Ana.ClosedHH [EXC 1] Low Tom 1 Room LowTom1 PowerLowTom1 E.Low Tom 1 Ana.Low Tom1

Pedal Hi-hat [EXC 1] Pedal Hi-hat [EXC 1] Pedal Hi-hat [EXC 1] Pedal Hi-hat [EXC 1] Ana.ClosedHH [EXC 1] Mid Tom 2 Room MidTom2 PowerMidTom2 E.Mid Tom 2 Ana.Mid Tom2

Open Hi-hat [EXC 1] Open Hi-hat [EXC 1] Open Hi-hat [EXC 1] Open Hi-hat [EXC 1] Ana.Open HH [EXC 1] Mid Tom 1 Room MidTom1 PowerMidTom1 E.Mid Tom 1 Ana.Mid Tom1 High Tom 2 Room Hi Tom2 Power HiTom2 E.Hi Tom 2 Ana.Hi Tom2 CrashCymbal1 CrashCymbal1 CrashCymbal1 CrashCymbal1 Ana.Cymbal

High Tom 1 Room Hi Tom1 Power HiTom1 E.Hi Tom 1 Ana.Hi Tom1

Ride Cymbal1 Ride Cymbal1 Ride Cymbal1 Ride Cymbal1 Ride Cymbal1 China Cymbal China Cymbal China Cymbal Reverse Cym. China Cymbal Ride Bell Ride Bell Ride Bell Ride Bell Ride Bell

Tambourine Tambourine Tambourine Tambourine Tambourine SplashCymbal SplashCymbal SplashCymbal SplashCymbal SplashCymbal

Cowbell Cowbell Cowbell Cowbell Ana.Cowbell CrashCymbal2 CrashCymbal2 CrashCymbal2 CrashCymbal2 CrashCymbal2

Vibra-slap Vibra-slap Vibra-slap Vibra-slap Vibra-slap Ride Cymbal2 Ride Cymbal2 Ride Cymbal2 Ride Cymbal2 Ride Cymbal2 High Bongo High Bongo High Bongo High Bongo High Bongo

Low Bongo Low Bongo Low Bongo Low Bongo Low Bongo MuteHi Conga MuteHi Conga MuteHi Conga MuteHi Conga Ana.Hi Conga

OpenHi Conga OpenHi Conga OpenHi Conga OpenHi Conga Ana.MidConga Low Conga Low Conga Low Conga Low Conga Ana.LowConga High Timbale High Timbale High Timbale High Timbale High Timbale

Low Timbale Low Timbale Low Timbale Low Timbale Low Timbale High Agogo High Agogo High Agogo High Agogo High Agogo

Low Agogo Low Agogo Low Agogo Low Agogo Low Agogo Cabasa Cabasa Cabasa Cabasa Cabasa

Maracas Maracas Maracas Maracas Ana.Maracas ShortWhistle [EXC 2] ShortWhistle [EXC 2] ShortWhistle [EXC 2] ShortWhistle [EXC 2] ShortWhistle [EXC 2] Long Whistle [EXC 2] Long Whistle [EXC 2] Long Whistle [EXC 2] Long Whistle [EXC 2] Long Whistle [EXC 2]

Short Guiro [EXC 3] Short Guiro [EXC 3] Short Guiro [EXC 3] Short Guiro [EXC 3] Short Guiro [EXC 3]

Long Guiro [EXC 3] Long Guiro [EXC 3] Long Guiro [EXC 3] Long Guiro [EXC 3] Long Guiro [EXC 3]

Claves Claves Claves Claves Ana.Claves Hi WoodBlock Hi WoodBlock Hi WoodBlock Hi WoodBlock Hi WoodBlock LowWoodBlock LowWoodBlock LowWoodBlock LowWoodBlock LowWoodBlock

Mute Cuica [EXC 4] Mute Cuica [EXC 4] Mute Cuica [EXC 4] Mute Cuica [EXC 4] Mute Cuica [EXC 4] Open Cuica [EXC 4] Open Cuica [EXC 4] Open Cuica [EXC 4] Open Cuica [EXC 4] Open Cuica [EXC 4]

Shaker Shaker Shaker Shaker Shaker Jingle Bell Jingle Bell Jingle Bell Jingle Bell Jingle Bell Bell Tree Bell Tree Bell Tree Bell Tree Bell Tree

Castanets Castanets Castanets Castanets Castanets Mute Surdo [EXC 6] Mute Surdo [EXC 6] Mute Surdo [EXC 6] Mute Surdo [EXC 6] Mute Surdo [EXC 6]

Open Surdo [EXC 6] Open Surdo [EXC 6] Open Surdo [EXC 6] Open Surdo [EXC 6] Open Surdo [EXC 6] – – – – –

GM2 ROOM

MSB:120/LSB:0/PC:009

GM2 POWER

MSB:120/LSB:0/PC:017

GM2 ELECTRIC

MSB:120/LSB:0/PC:025

GM2 ANALOG

MSB:120/LSB:0/PC:026

* [EXC] : Percussion sound of the same number will not be heard at the same time.

Rhythm Set List

GM2 JAZZ

MSB:120/LSB:0/PC:033

High Q High Q ClosedHi-hat [EXC 1] – Slap Slap Pedal Hi-hat [EXC 1] – Scratch Push [EXC 7] Scratch Push [EXC 7] Open Hi-hat [EXC 1] – Scratch Pull [EXC 7] Scratch Pull [EXC 7] Ride Cymbal1 –

Sticks Sticks Sticks –

Square Click Square Click Square Click – Metron Click Metron Click Metron Click –

Metron Bell Metron Bell Metron Bell – Jazz Kick 2 Jazz Kick 2 Concert BD 2 – Jazz Kick 1 Jazz Kick 1 Concert BD 1 – Side Stick Side Stick Side Stick –

Aco.Snare Brush Tap Concert SD –

Hand Clap Brush Slap Castanets High Q Elec.Snare Brush Swirl Concert SD Slap Low Tom 2 Low Tom 2 Timpani F Scratch Push [EXC 7]

ClosedHi-hat [EXC 1] ClosedHi-hat [EXC 1] Timpani F# Scratch Pull [EXC 7] Low Tom 1 Low Tom 1 Timpani G Sticks

Pedal Hi-hat [EXC 1] Pedal Hi-hat [EXC 1] Timpani G# Square Click Mid Tom 2 Mid Tom 2 Timpani A Metron Click

Open Hi-hat [EXC 1] Open Hi-hat [EXC 1] Timpani A# Metron Bell Mid Tom 1 Mid Tom 1 Timpani B GtFret Noise High Tom 2 High Tom 2 Timpani c Cut Noise Up

CrashCymbal1 CrashCymbal1 Timpani c# Cut Noise Dw High Tom 1 High Tom 1 Timpani d Slap St.Bass

Ride Cymbal1 Ride Cymbal1 Timpani d# Fl.Key Click China Cymbal China Cymbal Timpani e Laughing Ride Bell Ride Bell Timpani f Scream

Tambourine Tambourine Tambourine Punch SplashCymbal SplashCymbal SplashCymbal Heart Beat

Cowbell Cowbell Cowbell Footsteps 1 CrashCymbal2 CrashCymbal2 Concert Cym2 Footsteps 2

Vibra-slap Vibra-slap Vibra-slap Applause Ride Cymbal2 Ride Cymbal2 Concert Cym1 Door Creak High Bongo High Bongo High Bongo Door

Low Bongo Low Bongo Low Bongo Scratch MuteHi Conga MuteHi Conga MuteHi Conga Wind Chimes

OpenHi Conga OpenHi Conga OpenHi Conga Car Engine Low Conga Low Conga Low Conga Car Stop High Timbale High Timbale High Timbale Car Pass

Low Timbale Low Timbale Low Timbale Car Crash High Agogo High Agogo High Agogo Siren

Low Agogo Low Agogo Low Agogo Train Cabasa Cabasa Cabasa Jetplane

Maracas Maracas Maracas Helicopter ShortWhistle [EXC 2] ShortWhistle [EXC 2] ShortWhistle [EXC 2] Starship Long Whistle [EXC 2] Long Whistle [EXC 2] Long Whistle [EXC 2] Gun Shot

Short Guiro [EXC 3] Short Guiro [EXC 3] Short Guiro [EXC 3] Machine Gun Long Guiro [EXC 3] Long Guiro [EXC 3] Long Guiro [EXC 3] Lasergun

Claves Claves Claves Explosion Hi WoodBlock Hi WoodBlock Hi WoodBlock Dog LowWoodBlock LowWoodBlock LowWoodBlock Horse Gallop

Mute Cuica [EXC 4] Mute Cuica [EXC 4] Mute Cuica [EXC 4] Birds Open Cuica [EXC 4] Open Cuica [EXC 4] Open Cuica [EXC 4] Rain

MuteTriangle [EXC 5] MuteTriangle [EXC 5] MuteTriangle [EXC 5] Thunder OpenTriangle [EXC 5] OpenTriangle [EXC 5] OpenTriangle [EXC 5] Wind

Shaker Shaker Shaker Seashore Jingle Bell Jingle Bell Jingle Bell Stream Bell Tree Bell Tree Bell Tree Bubble

Castanets Castanets Castanets – Mute Surdo [EXC 6] Mute Surdo [EXC 6] Mute Surdo [EXC 6] –

Open Surdo [EXC 6] Open Surdo [EXC 6] Open Surdo [EXC 6] – – – Applause –

GM2 BRUSH

MSB:120/LSB:0/PC:041

GM2 ORCHSTRA

MSB:120/LSB:0/PC:049

GM2 SFX

MSB:120/LSB:0/PC:057

Rhythm Pattern List

No Pattern Name Drum Set

000 Metronome Standard 1

001 8-Beat Pop1 Standard 1

002 8-Beat Pop2 Jazz Kit

003 8-Beat Pop3 Standard 1

004 8-Beat Pop4 Standard 1

005 8-Beat Pop5 Standard 1

006 16-Beat Pop1 Standard 2

007 16-Beat Pop2 Standard 2

008 16-Beat Pop3 Standard 2

009 16-Beat Funk Standard 2

010 16Bt Fusion1 Standard 2

011 16Bt Fusion2 Standard 2

012 8-Beat Rock1 Standard 2

013 8-Beat Rock2 Standard 2

014 16Beat Rock1 Standard 2

015 16Beat Rock2 Standard 2

016 Pop Ballad Standard 2

017 Ballad 1 Machine Kit

018 Ballad 2 Machine Kit

019 Ballad 3 Machine Kit

020 Piano R&B 1 Jazz Kit

021 Piano R&B 2 Standard 3

022 Pop 1-1 Standard 1

023 Pop 1-2 Standard 1

024 Pop 1-3 Standard 1

025 Pop 1-4 Standard 1

026 Pop 2-1 Standard 1

027 Pop 2-2 Standard 1

028 Pop 2-3 Standard 1

029 Pop 2-4 Standard 1

030 Pop 2-5 Standard 1

031 Pop 3-1 Standard 1

032 Pop 3-2 Standard 1

033 Pop 3-3 Standard 1

034 Pop 3-4 Standard 1

035 Pop 4-1 Standard 1

036 Pop 4-2 Standard 1

037 Pop 5-1 Standard 1

038 Pop 5-2 Standard 1

039 Pop 5-3 Standard 1

040 Pop 5-4 Standard 1

041 Pop 5-5 Standard 1

042 Pop 6-1 Standard 1

043 Pop 6-2 Standard 1

044 Pop 7-1 Standard 1

045 Pop 7-2 Standard 1

046 Pop 7-3 Standard 1

047 Pop 7-4 Standard 1

048 West Coast Standard 2

049 Big Beat 1 Standard 2

050 Big Beat 2 Standard 2

051 Big Beat 3 Standard 2

052 Funk 1 Standard 3

053 Funk 2 Standard 3

054 Funk 3 Standard 3

No Pattern Name Drum Set

055 Pop Funk 1 Standard 3

056 Pop Funk 2 Standard 3

057 Pop Funk 3 Standard 3

058 R&B 1 R&B Mini Kit

059 R&B 2 R&B Mini Kit

060 R&B 3 R&B Mini Kit

061 R&B 4 R&B Mini Kit

062 R&B 5 R&B Mini Kit

063 R&B 6 R&B Mini Kit

064 R&B 7 R&B Mini Kit

065 R&B 8 R&B Mini Kit

066 R&B 9 R&B Mini Kit

067 R&B 10 R&B Mini Kit

068 R&B 11 R&B Mini Kit

069 R&B 12 R&B Mini Kit

070 R&B 13 R&B Mini Kit

071 R&B 14 R&B Mini Kit

072 R&B 15 R&B Mini Kit

073 R&B 16 R&B Mini Kit

074 R&B 17 R&B Mini Kit

075 R&B 18 R&B Mini Kit

076 R&B Pop 1 Standard 2

077 R&B Pop 2 Standard 2

078 R&B Pop 3 Standard 2

079 R&B Pop 4 Standard 2

080 R&B Pop 5 Standard 2

081 R&B Pop 6 Standard 2

082 Rockaballad Standard 3

083 Shue 1 Standard 3

084 Shue 2 Standard 3

085 ShuePop1 Standard 2

086 ShuePop2 Standard 2

087 ShuePop3 Standard 2

088 ShuePop4 Standard 2

089 ShuePop5 Standard 2

090 Slow Beat Standard 2

091 StraightRock Standard 1

092 Back Beat 1 Jazz Kit

093 Back Beat 2 R&B Mini Kit

094 Back Beat 3 R&B Mini Kit

095 Back Beat 4 R&B Mini Kit

096 Back Beat 5 R&B Mini Kit

097 Back Beat 6 R&B Mini Kit

098 Back Beat 7 R&B Mini Kit

099 Back Beat 8 R&B Mini Kit

100 Back Beat 9 R&B Mini Kit

101 Back Beat10 R&B Mini Kit

102 Jazz 1 Jazz Kit

103 Jazz 2 Jazz Kit

104 Jazz 3 Jazz Kit

105 Jazz 4 Jazz Kit

106 Jazz 5 Jazz Kit

107 Swing 1 Jazz Kit

108 Swing 2 Jazz Kit

109 Swing 3 Jazz Kit

Rhythm Pattern List

No Pattern Name Drum Set

110 Swing 4 Jazz Kit

111 Combo Jazz Kit

112 Free Jazz Jazz Kit

113 Acid Jazz R&B Kit

114 Motown Standard 3

115 Gospel 1 Standard 3

116 Gospel 2 Standard 3

117 Blues 1 Standard 1

118 Blues 2 Standard 1

119 Power Fusion Standard 1

120 PowerfulRock Standard 1

121 Progressive Standard 1

122 Rock 1 Standard 1

123 Rock 2 Standard 1

124 Rock 3 Standard 1

125 Rock 4 Standard 1

126 Rock 5 Standard 1

127 Rock 6 Standard 1

128 Rock 7 Standard 1

129 Rock 8 Standard 1

130 Rock 9 Standard 1

131 Rock 10 Standard 1

132 Rock 11 Standard 1

133 Rock 12 Standard 1

134 Rock 13 Standard 1

135 Rock 14 Standard 1

136 Rock 15 Standard 1

137 Rock 16 Standard 1

138 Rock 17 Standard 1

139 Rock 18 Standard 1

140 Rock 19 Standard 1

141 Rock 20 Standard 1

142 Rock 21 Standard 1

143 Rock 22 Standard 1

144 Rock 23 Standard 1

145 Rock 24 Standard 1

146 Rock 25 Standard 1

147 Rock 26 Standard 1

148 Rock 27 Standard 1

149 Rock 28 Standard 1

150 Rock 29 Standard 1

151 Latin Dance Standard 1

152 Latin Pop 1 Standard 3

153 Latin Pop 2 Standard 3

154 Latin Pop 3 Standard 3

155 Latin Pop 4 Standard 3

156 Latin Pop 5 Standard 3

157 Latin Pop 6 Standard 3

158 Salsa 1 Standard 3

159 Salsa 2 Standard 3

160 Samba Standard 3

161 Reggae Standard 2

162 Fast Bossa Standard 3

163 BossaNova 1 Standard 2

164 BossaNova 2 Standard 2

No Pattern Name Drum Set

165 Mambo Standard 3

166 ElecDance 1 Machine Kit

167 ElecDance 2 Machine Kit

168 ElecDance 3 Dance Kit 1

169 ElecDance 4 Dance Kit 1

170 ElecDance 5 Machine Kit

171 ElecDance 6 Machine Kit

172 ElecDance 7 Machine Kit

173 ElecDance 8 Machine Kit

174 Dance HipHop Kit

175 Rap 1 Dance Kit 3

176 Rap 2 Dance Kit 3

177 Hip Hop 1 Machine Kit

178 Hip Hop 2 Machine Kit

179 Hip Hop 3 Machine Kit

180 Hip Hop 4 Machine Kit

181 Hip Hop 5 Machine Kit

182 Techno Machine Kit

183 Polka 1 Standard 3

184 Polka 2 Standard 3

185 Simple Waltz Jazz Kit

186 Pop Waltz 1 Jazz Kit

187 Pop Waltz 2 Jazz Kit

188 Pop Waltz 3 Jazz Kit

189 Pop Waltz 4 Jazz Kit

190 Metro (2/4) Standard 1

191 Metro (3/4) Standard 1

192 Metro (4/4) Standard 1

193 Metro (5/4) Standard 1

194 Metro (6/4) Standard 1

195 Metro (7/4) Standard 1

196 Metro (5/8) Standard 1

197 Metro (6/8) Standard 1

198 Metro (7/8) Standard 1

199 Metro (9/8) Standard 1

200 Metro (12/8) Standard 1

Eect/Parameter List

Multi-Eects Parameter

00: THRU

01: EQUALIZER

This is a four-band stereo equalizer (low, mid x 2, high).

Assignable Parameters

MFX Control Low Gain, High Gain, Level

Parameter Value Description

Low Freq 200, 400 Hz Frequency of the low range

Low Gain -15–+15 dB Gain of the low range

Mid1 Freq 200–8000 Hz Frequency of the middle range 1

Mid1 Gain -15–+15 dB Gain of the middle range 1

Mid1 Q

Mid2 Freq 200–8000 Hz Frequency of the middle range 2

Mid2 Gain -15–+15 dB Gain of the middle range 2

Mid2 Q

High Freq

High Gain -15–+15 dB Gain of the high range

Level 0–127 Output Level

0.5, 1.0, 2.0, 4.0,

8.0

0.5, 1.0, 2.0, 4.0,

8.0

2000, 4000, 8000 Hz

02: SPECTRUM

This is a stereo spectrum. Spectrum is a type of lter which modies the timbre by boosting or cutting the level at specic frequencies.

Assignable Parameters

MFX Control Level

Parameter Value Description

Band1 (250Hz)

Band2 (500Hz)

Band3 (1000Hz)

Band4 (1250Hz)

Band5 (2000Hz)

Band6 (3150Hz)

Band7 (4000Hz)

Band8 (8000Hz)

Level 0–127 Output Level

-15–+15 dB Gain of each frequency band

0.5, 1.0, 2.0, 4.0,

8.0

Width of the middle range 1 Set a higher value for Q to narrow the range to be aected.

Width of the middle range 2 Set a higher value for Q to narrow the range to be aected.

Frequency of the high range

Simultaneously adjusts the width of the adjusted ranges for all the frequency bands.

Parameter Value Description

Boost/Cut Low

Boost/Cut Mid

Boost/Cut High

APhase Low Sw OFF, ON

APhase Low Lev 0–127

APhase Mid Sw OFF, ON Settings of the Anti-Phase function for

APhase Mid Lev 0–127

Low Boost Sw OFF, ON

Low Boost Level 0–127

Level 0–127 Output Level

-60–+4 dB

These boost and cut each of the High, Middle, and Low frequency ranges. At -60 dB, the sound becomes inaudible. 0 dB is equivalent to the input level of the sound.

Turns the Anti-Phase function on and o for the Low frequency ranges. When turned on, the counter-channel of stereo sound is inverted and added to the signal.

Adjusts the level settings for the Low frequency ranges. Adjusting this level for certain frequencies allows you to lend emphasis to specic parts. (This is eective only for stereo source.)

the Middle frequency ranges. The parameters are the same as for the Low frequency ranges.

Turns Low Booster on/o. This emphasizes the bottom to create a heavy bass sound.

Increasing this value gives you a heavier low end.

Depending on the Isolator and lter settings this eect may be hard to distinguish.

04: LOW BOOST

Boosts the volume of the lower range, creating powerful lows.

Assignable Parameters

MFX Control Boost Gain, Boost Freq

Parameter Value Description

Boost Freq 50–125 Hz

Boost Gain 0–+12 dB

Boost Width

Low Gain -15–+15 dB Gain of the low frequency range

High Gain -15–+15 dB Gain of the high frequency range

Level 0–127 Output Level

WIDE, MID, NARROW

Center frequency at which the lower range will be boosted

Amount by which the lower range will be boosted

Width of the lower range that will be boosted

05: SUPER FILTR (SUPER FILTER)

This is a lter with an extremely sharp slope. The cuto frequency can be varied cyclically.

Assignable Parameters

MFX Control Filter Cuto, Filter Resonance, Rate, Depth

03: ISOLATOR

This is an equalizer which cuts the volume greatly, allowing you to add a special eect to the sound by cutting the volume in varying ranges.

Assignable Parameters

MFX Control Boost/Cut Low, Boost/Cut Mid, Boost/Cut High

Parameter Value Description

Filter type Frequency range that will pass through each lter

Filter Type

LPF, BPF, HPF, NOTCH

LPF: Frequencies below the cuto BPF: Frequencies in the region of the

cuto

HPF: Frequencies above the cuto NOTCH: Frequencies other than the

region of the cuto

Eect/Parameter List

Parameter Value Description

Amount of attenuation per octave

Filter Slope -12, -24, -36 dB

Filter Cuto 0–127

Filter Resonance 0–127

Filter Gain 0–+12 dB Amount of boost for the lter output

Modulation Sw OFF, ON On/o switch for cyclic change

TRI, SQR, SIN, SAW1, SAW2L

Modulation Wave

SAW1 SAW2

Rate Mode Hz, note

Rate (Hz) 0.05–10.00 Hz Rate of modulation (Hz)

Rate (

)

Depth 0–127 Depth of modulation

Attack 0–127

Level 0–127 Output Level

note (*1) Rate of modulation (note)

-36 dB: Extremely steep

-24 dB: Steep

-12 dB: Gentle

Cuto frequency of the lter Increasing this value will raise the cuto frequency.

Filter resonance level Increasing this value will emphasize the region near the cuto frequency.

How the cuto frequency will be modulated

TRI: Triangle wave SQR: Square wave SIN: Sine wave SAW1: Sawtooth wave (upward) SAW2: Sawtooth wave (downward)

When this is set to “note,” the eect is synchronized with the tempo.

Speed at which the cuto frequency will change This is eective if Modulation Wave is SQR, SAW1, or SAW2.

06: STEP FILTER

This is a lter whose cuto frequency can be modulated in steps. You can specify the pattern by which the cuto frequency will change.

Assignable Parameters

MFX Control Rate, Filter Resonance, Filter Type

Parameter Value Description

Step 01–16 0–127 Cuto frequency at each step

Rate Mode Hz, note

Rate (Hz) 0.05–10.00 Hz Rate of modulation (Hz)

)

Rate (

Attack 0–127

Filter Type

Filter Slope -12, -24, -36 dB

Filter Resonance 0–127

Filter Gain 0–+12 dB Amount of boost for the lter output

note (*1) Rate of modulation (note)

LPF, BPF, HPF, NOTCH

When this is set to “note,” the eect is synchronized with the tempo.

Speed at which the cuto frequency changes between steps

Filter type Frequency range that will pass through each lter

LPF: Frequencies below the cuto BPF: Frequencies in the region of the

cuto

HPF: Frequencies above the cuto NOTCH: Frequencies other than the

region of the cuto

Amount of attenuation per octave

-12dB: Gentle

-24dB: Steep

-36dB: Extremely steep

Filter resonance level Increasing this value will emphasize the region near the cuto frequency.

Parameter Value Description

Level 0–127 Output Level

07: ENHANCER

Controls the overtone structure of the high frequencies, adding sparkle and tightness to the sound.

Assignable Parameters

MFX Control Sens, Mix

Parameter Value Description

Sens 0–127 Sensitivity of the enhancer

Mix 0–127

Low Gain -15–+15 dB Gain of the low range

High Gain -15–+15 dB Gain of the high range

Level 0–127 Output Level

Level of the overtones generated by the enhancer

08: AUTO WAH

Cyclically controls a lter to create cyclic change in timbre.

Assignable Parameters

MFX Control Manual, Sens, Rate, Depth, Phase

Parameter Value Description

Type of lter

Filter Type LPF, BPF

Manual 0–127

Peak 0–127

Sens 0–127

Polarity UP, DOWN

Rate Mode Hz, note

Rate (Hz) 0.05–10.00 Hz Frequency of modulation (Hz)

)

Rate (

Depth 0–127 Depth of modulation

Phase 0–180 deg

Low Gain -15–+15 dB Gain of the low range

High Gain -15–+15 dB Gain of the high range

Level 0–127 Output Level

note (*1) Frequency of modulation (note)

LPF: The wah eect will be applied over a wide frequency range. BPF: The wah eect will be applied over a narrow frequency range.

Adjusts the center frequency at which the eect is applied.

Adjusts the amount of the wah eect that will occur in the range of the center frequency. Set a higher value for Q to narrow the range to be aected.

Adjusts the sensitivity with which the lter is controlled.

Sets the direction in which the frequency will change when the autowah lter is modulated. UP: The lter will change toward a higher frequency. DOWN: The lter will change toward a lower frequency.

When this is set to “note,” the eect is synchronized with the tempo.

Adjusts the degree of phase shift of the left and right sounds when the wah eect is applied.

Eect/Parameter List

09: HUMANIZER

Adds a vowel character to the sound, making it similar to a human voice.

Assignable Parameters

MFX Control Rate, Drive, Depth, Vowel1, Vowel2, Manual

Parameter Value Description

Drive Sw OFF, ON Turns Drive on/o.

Drive 0–127

Vowel1 a, e, i, o, u

Vowel2 a, e, i, o, u

Rate Mode Hz, note

Rate (Hz) 0.05–10.00 Hz

Rate (

)

Depth 0–127 Eect depth

Input Sync Sw OFF, ON

Input Sync Thres 0–127 Volume level at which reset is applied

Manual 0–100

Low Gain -15–+15 dB Gain of the low frequency range

High Gain -15–+15 dB Gain of the high frequency range

Pan L64–63R Stereo location of the output

Level 0–127 Output Level

note (*1)

Degree of distortion Also changes the volume.

Selects the vowel.

When this is set to “note,” the eect is synchronized with the tempo.

Frequency at which the two vowels switch (Hz)

Frequency at which the two vowels switch (note)

Determines whether the LFO for switching the vowels is reset by the input signal (ON) or not (OFF).

Point at which Vowel 1/2 switch 49 or less: Vowel 1 will have a longer duration. 50: Vowel 1 and 2 will be of equal duration. 51 or more: Vowel 2 will have a longer duration.

Type Cabinet Speaker Microphone

MIDDLE

JC-120

BUILT-IN 1

BUILT-IN 2

BUILT-IN 3

BUILT-IN 4

BUILT-IN 5

BG STACK 1 sealed enclosure 12 x 2 condenser

BG STACK 2

MS STACK 1

MS STACK 2

METAL STACK large double stack 12 x 4 condenser

2-STACK large double stack 12 x 4 condenser

3-STACK large double stack 12 x 4 condenser

open back enclosure

large sealed enclosure

12 x 1 dynamic

12 x 2 dynamic

12 x 2 condenser

12 x 4 condenser

11: PHASER

This is a stereo phaser. A phase-shifted sound is added to the original sound and modulated.

Assignable Parameters

MFX Control Rate, Resonance, Manual, Mix

10: SP.SIMULATR (SPEAKER SIMULATOR)

Simulates the speaker type and microphone settings used to record the speaker sound.

Assignable Parameters

MFX Control Direct Level, Mic Level, Speaker

Parameter Value Description

Speaker (See the table.) Type of speaker

Adjusts the location of the microphone that is recording the sound of the

Mic Setting 1, 2, 3

Mic Level 0–127 Volume of the microphone

Direct Level 0–127 Volume of the direct sound

Level 0–127 Output Level

Specications of each Speaker Type

The speaker column indicates the diameter of each speaker unit (in inches) and the number of units.

Type Cabinet Speaker Microphone

SMALL 1

SMALL 2

small open-back enclosure

speaker. This can be adjusted in three steps, with the microphone becoming more distant in the order of 1, 2, and 3.

10 dynamic

Parameter Value Description

Mode

Manual 0–127

Rate Mode Hz, note

Rate (Hz) 0.05–10.00 Hz Frequency of modulation (Hz)

)

Rate (

Depth 0–127 Depth of modulation

Polarity

Resonance 0–127 Amount of feedback

Cross Feedback -98–+98 %

Mix 0–127 Level of the phase-shifted sound

Low Gain -15–+15 dB Gain of the low range

High Gain -15–+15 dB Gain of the high range

Level 0–127 Output Level

4-STAGE, 8-STAGE, 12-STAGE

note (*1) Frequency of modulation (note)

INVERSE, SYNCHRO

Number of stages in the phaser

Adjusts the basic frequency from which the sound will be modulated.

When this is set to “note,” the eect is synchronized with the tempo.

Selects whether the left and right phase of the modulation will be the same or the opposite. INVERSE: The left and right phase will be opposite. When using a mono source, this spreads the sound. SYNCHRO: The left and right phase will be the same. Select this when inputting a stereo source.

Adjusts the proportion of the phaser sound that is fed back into the eect. Negative (-) settings will invert the phase.

Eect/Parameter List

12: STEP PHASER

This is a stereo phaser. The phaser eect will be varied gradually.

Assignable Parameters

MFX Control StepRate, Depth, Resonance, Manual, Mix

Parameter Value Description

Mode

Manual 0–127

Rate Mode Hz, note

Rate (Hz) 0.05–10.00 Hz Frequency of modulation (Hz)

)

Rate (

Depth 0–127 Depth of modulation

Polarity

Resonance 0–127 Amount of feedback

Cross Feedback -98–+98 %

Step Rate Mode Hz, note

Step Rate (Hz) 0.10–20.00 Hz

Step Rate (

Mix 0–127 Level of the phase-shifted sound

Low Gain -15–+15 dB Gain of the low range

High Gain -15–+15 dB Gain of the high range

Level 0–127 Output Level

4-STAGE, 8-STAGE, 12-STAGE

note (*1) Frequency of modulation (note)

INVERSE, SYNCHRO

note (*1)

)

Number of stages in the phaser

Adjusts the basic frequency from which the sound will be modulated.

When this is set to “note,” the eect is synchronized with the tempo.

Adjusts the proportion of the phaser sound that is fed back into the eect. Negative (-) settings will invert the phase.

When this is set to “note,” the eect is synchronized with the tempo.

Rate of the step-wise change in the phaser eect (Hz)

Rate of the step-wise change in the phaser eect (note)

13: MULT PHASER (MULTI STAGE PHASER)

Extremely high settings of the phase dierence produce a deep phaser eect.

Assignable Parameters

MFX Control Rate, Depth, Resonance, Manual, Mix

Parameter Value Description

4-STAGE, 8-STAGE,

Mode

Manual 0–127

Rate Mode Hz, note

Rate (Hz) 0.05–10.00 Hz Frequency of modulation (Hz)

)

Rate (

Depth 0–127 Depth of modulation

Resonance 0–127 Amount of feedback

Mix 0–127 Level of the phase-shifted sound

Pan L64–63R Stereo location of the output sound

Low Gain -15–+15 dB Gain of the low range

High Gain -15–+15 dB Gain of the high range

12-STAGE, 16-STAGE, 20-STAGE, 24-STAGE

note (*1) Frequency of modulation (note)

Number of phaser stages

Adjusts the basic frequency from which the sound will be modulated.

When this is set to “note,” the eect is synchronized with the tempo.

Parameter Value Description

Level 0–127 Output Level

14: INF PHASER (INFINITE PHASER)

A phaser that continues raising/lowering the frequency at which the sound is modulated.

Assignable Parameters

MFX Control Speed, Resonance, Mix, Pan

Parameter Value Description

Mode 1, 2, 3, 4

Speed -100–+100

Resonance 0–127 Amount of feedback

Mix 0–127 Volume of the phase-shifted sound

Pan L64–63R Panning of the output sound

Low Gain -15–+15 dB

High Gain -15–+15 dB

Level 0–127 Output Level

Higher values will produce a deeper phaser eect.

Speed at which to raise or lower the frequency at which the sound is modulated (+: upward / -: downward)

Amount of boost/cut for the lowfrequency range

Amount of boost/cut for the highfrequency range

15: RING MODLTR (RING MODULATOR)

This is an eect that applies amplitude modulation (AM) to the input signal, producing bell-like sounds. You can also change the modulation frequency in response to changes in the volume of the sound sent into the eect.

Assignable Parameters

MFX Control Frequency, Sens, Balance

Parameter Value Description

Frequency 0–127

Sens 0–127

Polarity UP, DOWN

Low Gain -15–+15 dB Gain of the low frequency range

High Gain -15–+15 dB Gain of the high frequency range

Balance

Level 0–127 Output Level

D100:0W– D0:100W

Adjusts the frequency at which modulation is applied.

Adjusts the amount of frequency modulation applied.

Determines whether the frequency modulation moves towards higher frequencies (UP) or lower frequencies (DOWN).

Volume balance between the direct sound (D) and the eect sound (W)

Eect/Parameter List

16: STEP R.MOD (STEP RING MODULATOR)

This is a ring modulator that uses a 16-step sequence to vary the frequency at which modulation is applied.

Assignable Parameters

MFX Control Rate, Attack, Balance

Parameter Value Description

Step 01–16 0–127

Rate Mode Hz, note

Rate (Hz) 0.05–10.00 Hz

)

Rate (

Attack 0–127

Low Gain -15–+15 dB

High Gain -15–+15 dB

Balance

Level 0–127 Output Level

note (*1)

D100:0W– D0:100W

Frequency of ring modulation at each step

When this is set to “note,” the eect is synchronized with the tempo.

Rate at which the 16-step sequence will cycle (Hz)

Rate at which the 16-step sequence will cycle (note)

Speed at which the modulation frequency changes between steps

Amount of boost/cut for the lowfrequency range

Amount of boost/cut for the highfrequency range

Volume balance of the original sound (D) and eect sound (W)

Parameter Value Description

Modulation Wave

TRI, SQR, SIN, SAW1, SAW2

Mod Wave

Rate Mode Hz, note

Rate (Hz) 0.05–10.00 Hz Frequency of the change (Hz)

Rate (

)

Depth 0–127 Depth to which the eect is applied

Low Gain -15–+15 dB Gain of the low range

High Gain -15–+15 dB Gain of the high range

Level 0–127 Output Level

SAW1 SAW2

note (*1) Frequency of the change (note)

TRI: triangle wave SQR: square wave SIN: sine wave SAW1/2: sawtooth wave

When this is set to “note,” the eect is synchronized with the tempo.

19: STEP PAN

This uses a 16-step sequence to vary the panning of the sound.

Assignable Parameters

MFX Control Rate, Attack

17: TREMOLO

Cyclically modulates the volume to add tremolo eect to the sound.

Assignable Parameters

MFX Control Rate, Depth, Mod Wave

Parameter Value Description

Modulation Wave

TRI, SQR, SIN, SAW1, SAW2

Mod Wave

Rate Mode Hz, note

Rate (Hz) 0.05–10.00 Hz Frequency of the change (Hz)

Rate (

)

Depth 0–127 Depth to which the eect is applied

Low Gain -15–+15 dB Gain of the low range

High Gain -15–+15 dB Gain of the high range

Level 0–127 Output Level

SAW1 SAW2

note (*1) Frequency of the change (note)

TRI: Triangle wave SQR: Square wave SIN: Sine wave SAW1/2: Sawtooth wave

When this is set to “note,” the eect is synchronized with the tempo.

Parameter Value Description

Step 01–16 L64–63R Pan at each step

Rate Mode Hz, note

Rate (Hz) 0.05–10.00 Hz

)

Rate (

Attack 0–127

Input Sync Sw OFF, ON

Input Sync Thres 0–127

Level 0–127 Output Level

note (*1)

When this is set to “note,” the eect is synchronized with the tempo.

Rate at which the 16-step sequence will cycle (Hz)

Rate at which the 16-step sequence will cycle (note)

Speed at which the pan changes between steps

Species whether an input note will cause the sequence to resume from the rst step of the sequence (ON) or not (OFF)

Volume at which an input note will be detected

20: SLICER

By applying successive cuts to the sound, this eect turns a conventional sound into a sound that appears to be played as a backing phrase. This is especially eective when applied to sustain-type sounds.

Assignable Parameters

MFX Control Rate, Attack, Shue

18: AUTO PAN

Cyclically modulates the stereo location of the sound.

Assignable Parameters

MFX Control Rate, Depth, Mod Wave

Parameter Value Description

Step 01–16 0–127 Level at each step

Rate Mode Hz, note

Rate (Hz) 0.05–10.00 Hz

)

Rate (

Attack 0–127

note (*1)

When this is set to “note,” the eect is synchronized with the tempo.

Rate at which the 16-step sequence will cycle (Hz)

Rate at which the 16-step sequence will cycle (note)

Speed at which the level changes between steps

Eect/Parameter List

Parameter Value Description

Species whether an input note will

Input Sync Sw OFF, ON

Input Sync Thres 0–127

Mode LEGATO, SLASH

Shue 0–127

Level 0–127 Output Level

cause the sequence to resume from the rst step of the sequence (ON) or not (OFF)

Volume at which an input note will be detected

Sets the manner in which the volume changes as one step progresses to the next. LEGATO: The change in volume from one step’s level to the next remains unaltered. If the level of a following step is the same as the one preceding it, there is no change in volume. SLASH: The level is momentarily set to 0 before progressing to the level of the next step. This change in volume occurs even if the level of the following step is the same as the preceding step.

Timing of volume changes for evennumbered steps (step 2, step 4, step 6...). The higher the value, the later the beat progresses.

21: ROTARY

The Rotary eect simulates the sound of the rotary speakers often used with the electric organs of the past. Since the movement of the high range and low range rotors can be set independently, the unique type of modulation characteristic of these speakers can be simulated quite closely. This eect is most suitable for electric organ Patches.

Assignable Parameters

MFX Control Speed, Tw Fast Rate, Wf Fast Rate, Separation

Parameter Value Description

Simultaneously switch the rotational speed of the low frequency rotor and

Speed SLOW, FAST

Wf Slow Rate 0.05–10.00 Hz

Wf Fast Rate 0.05–10.00 Hz

Woofer Accel 0–15

Wf Level 0–127 Volume of the low frequency rotor

Tw Slow Rate 0.05–10.00 Hz

Tw Fast Rate 0.05–10.00 Hz

Tweeter Accel 0–15

Tweeter Level 0–127

Separation 0–127 Spatial dispersion of the sound

Level 0–127 Output Level

high frequency rotor. SLOW: Slows down the rotation to the Slow Rate. FAST: Speeds up the rotation to the Fast Rate.

Slow speed (SLOW) of the low frequency rotor

Fast speed (FAST ) of the low frequency rotor

Adjusts the time it takes the low frequency rotor to reach the newly selected speed when switching from fast to slow (or slow to fast) speed. Lower values will require longer times.

Settings of the high frequency rotor The parameters are the same as for the low frequency rotor

22: VK ROTARY

This type provides modied response for the rotary speaker, with the low end boosted further. This eect is a descendant of the Roland VK Series’ built-in rotary speaker.

Assignable Parameters

MFX Control Speed, Brake, Tw Fast Rate, Wf Fast Rate

Parameter Value Description

Speed SLOW, FAST Rotational speed of the rotating speaker

Switches the rotation of the rotary

Brake OFF, ON

Wf Slow Rate 0.05–10.00 Hz Low-speed rotation speed of the woofer

Wf Fast Rate 0.05–10.00 Hz High-speed rotation speed of the woofer

Wf Trans Up 0–127

Wf Trans Down 0–127

Wf Level 0–127 Volume of the woofer

Tw Slow Rate 0.05–10.00 Hz

Tw Fast Rate 0.05–10.00 Hz

Tw Trans Up 0–127

Tw Trans Down 0–127

Tweeter Level 0–127

Spread 0–10

Low Gain -15–+15 dB Gain of the low range

High Gain -15–+15 dB Gain of the high range

Level 0–127 Output Level

speaker. When this is turned on, the rotation will gradually stop. When it is turned o, the rotation will gradually resume.

Adjusts the rate at which the woofer rotation speeds up when the rotation is switched from Slow to Fast.

Adjusts the rate at which the woofer rotation speeds up when the rotation is switched from Fast to Slow.

Settings of the tweeter The parameters are the same as for the woofer.

Sets the rotary speaker stereo image. The higher the value set, the wider the sound is spread out.

Eect/Parameter List

23: CHORUS

This is a stereo chorus. A lter is provided so that you can adjust the timbre of the chorus sound.

Assignable Parameters

MFX Control Depth, Rate, Balance

Parameter Value Description

Type of lter OFF: No lter is used

Filter Type OFF, LPF, HPF

Cuto Freq 200–8000 Hz Basic frequency of the lter

Pre Delay 0.0–100.0 ms

Rate Mode Hz, note

Rate (Hz) 0.05–10.00 Hz Frequency of modulation (Hz)

)

Rate (

Depth 0–127 Depth of modulation

Phase 0–180 deg Spatial spread of the sound

Low Gain -15–+15 dB Gain of the low range

High Gain -15–+15 dB Gain of the high range

Balance

Level 0–127 Output Level

note (*1) Frequency of modulation (note)

D100:0W– D0:100W

LPF: Cuts the frequency range above the Cuto Freq HPF: Cuts the frequency range below the Cuto Freq

Adjusts the delay time from the direct sound until the chorus sound is heard.

When this is set to “note,” the eect is synchronized with the tempo.

Volume balance between the direct sound (D) and the chorus sound (W)

24: FLANGER

This is a stereo anger. (The LFO has the same phase for left and right.) It produces a metallic resonance that rises and falls like a jet airplane taking o or landing. A lter is provided so that you can adjust the timbre of the anged sound.

Assignable Parameters

MFX Control Depth, Rate, Feedback, Balance

25: STEP FLANGR (STEP FLANGER)

This is a anger in which the anger pitch changes in steps. The speed at which the pitch changes can also be specied in terms of a note-value of a specied tempo.

Assignable Parameters

MFX Control StepRate, Depth, Feedback, Balance

Parameter Value Description

Type of lter OFF: No lter is used

Filter Type OFF, LPF, HPF

Cuto Freq 200–8000 Hz Basic frequency of the lter

Pre Delay 0.0–100.0 ms

Rate Mode Hz, note

Rate (Hz) 0.05–10.00 Hz Frequency of modulation (Hz)

)

Rate (

Depth 0–127 Depth of modulation

Phase 0–180 deg Spatial spread of the sound

Feedback -98–+98 %

Step Rate Mode Hz, note

StepRate (Hz) 0.10–20.00 Hz Rate (period) of pitch change (Hz)

Step Rate (

Low Gain -15–+15 dB Gain of the low range

High Gain -15–+15 dB Gain of the high range

Balance

Level 0–127 Output Level

note (*1) Frequency of modulation (note)

note (*1) Rate (period) of pitch change (note)

)

D100:0W– D0:100W

LPF: Cuts the frequency range above the Cuto Freq HPF: Cuts the frequency range below the Cuto Freq

Adjusts the delay time from when the direct sound begins until the anger sound is heard.

When this is set to “note,” the eect is synchronized with the tempo.

Adjusts the proportion of the anger sound that is fed back into the eect. Negative (-) settings will invert the phase.

When this is set to “note,” the eect is synchronized with the tempo.

Volume balance between the direct sound (D) and the anger sound (W)

Parameter Value Description

Type of lter OFF: No lter is used

Filter Type OFF, LPF, HPF

Cuto Freq 200–8000 Hz Basic frequency of the lter

Pre Delay 0.0–100.0 ms

Rate Mode Hz, note

Rate (Hz) 0.05–10.00 Hz Frequency of modulation (Hz)

)

Rate (

Depth 0–127 Depth of modulation

Phase 0–180 deg Spatial spread of the sound

Feedback -98–+98 %

Low Gain -15–+15 dB Gain of the low range

High Gain -15–+15 dB Gain of the high range

Balance

Level 0–127 Output Level

note (*1) Frequency of modulation (note)

D100:0W– D0:100W

LPF: Cuts the frequency range above the Cuto Freq HPF: Cuts the frequency range below the Cuto Freq

Adjusts the delay time from when the direct sound begins until the anger sound is heard.

When this is set to “note,” the eect is synchronized with the tempo.

Adjusts the proportion of the anger sound that is fed back into the eect. Negative (-) settings will invert the phase.

Volume balance between the direct sound (D) and the anger sound (W)

26: HEXA-CHORUS

Uses a six-phase chorus (six layers of chorused sound) to give richness and spatial spread to the sound.

Assignable Parameters

MFX Control Depth, Rate, Balance

Parameter Value Description

Pre Delay 0.0–100.0 ms

Rate Mode Hz, note

Rate (Hz) 0.05–10.00 Hz Frequency of modulation (Hz)

)

Rate (

Depth 0–127 Depth of modulation

Pre Delay Deviat 0–20

Depth Deviation -20–+20

Pan Deviation 0–20

Balance

Level 0–127 Output Level

note (*1) Frequency of modulation (note)

D100:0W– D0:100W

Adjusts the delay time from the direct sound until the chorus sound is heard.

When this is set to “note,” the eect is synchronized with the tempo.

Adjusts the dierences in Pre Delay between each chorus sound.

Adjusts the dierence in modulation depth between each chorus sound.

Adjusts the dierence in stereo location between each chorus sound.

0: All chorus sounds will be in the center. 20: Each chorus sound will be spaced at

60 degree intervals relative to the center.

Volume balance between the direct sound (D) and the chorus sound (W)

Eect/Parameter List

27: TREMOLO CHO (TREMOLO CHORUS)

This is a chorus eect with added Tremolo (cyclic modulation of volume).

Assignable Parameters

MFX Control Chorus Depth, Cho Rate, Treml Rate, Balance

Parameter Value Description

Pre Delay 0.0–100.0 ms

Rate Mode Hz, note

Cho Rate (Hz) 0.05–10.00 Hz

note (*1)

Cho Rate (

Chorus Depth 0–127 Modulation depth of the chorus eect

Treml Rate Mode Hz, note

Trm Rate (Hz) 0.05–10.00 Hz

Treml Rate (

Treml Separation 0–127 Spread of the tremolo eect

Treml Phase 0–180 deg Spread of the tremolo eect

Balance

Level 0–127 Output Level

)

note (*1)

D100:0W– D0:100W

Adjusts the delay time from the direct sound until the chorus sound is heard.

When this is set to “note,” the eect is synchronized with the tempo.

Modulation frequency of the chorus eect (Hz)

Modulation frequency of the chorus eect (note)

When this is set to “note,” the eect is synchronized with the tempo.

Modulation frequency of the tremolo eect (Hz)

Modulation frequency of the tremolo eect (note)

Volume balance between the direct sound (D) and the tremolo chorus sound (W)

Parameter Value Description

Type of lter OFF: No lter is used

Filter Type OFF, LPF, HPF

Cuto Freq 200–8000 Hz Basic frequency of the lter

Pre Delay 0.0–100.0 ms

Rate Mode Hz, note

Rate (Hz) 0.05–10.00 Hz Frequency of modulation (Hz)

)

Rate (

Depth 0–127 Modulation depth of the chorus eect

Phase 0–180 deg Spatial spread of the sound

Output Mode SPEAKER, PHONES

Low Gain -15–+15 dB Gain of the low range

High Gain -15–+15 dB Gain of the high range

Balance

Level 0–127 Output Level

note (*1) Frequency of modulation (note)

D100:0W– D0:100W

LPF: Cuts the frequency range above the Cuto Freq HPF: Cuts the frequency range below the Cuto Freq

Adjusts the delay time from the direct sound until the chorus sound is heard.

When this is set to “note,” the eect is synchronized with the tempo.

Adjusts the method that will be used to hear the sound that is output to the OUTPUT jacks. The optimal 3D eect will be achieved if you select SPEAKER when using speakers, or PHONES when using headphones.

Volume balance between the direct sound (D) and the chorus sound (W)

28: SPACE-D

This is a multiple chorus that applies two-phase modulation in stereo. It gives no impression of modulation, but produces a transparent chorus eect.

Assignable Parameters

MFX Control Depth, Rate, Balance

Parameter Value Description

Pre Delay 0.0–100.0 ms

Rate Mode Hz, note

Rate (Hz) 0.05–10.00 Hz Frequency of modulation (Hz)

)

Rate (

Depth 0–127 Depth of modulation

Phase 0–180 deg Spatial spread of the sound

Low Gain -15–+15 dB Gain of the low range

High Gain -15–+15 dB Gain of the high range

Balance

Level 0–127 Output Level

note (*1) Frequency of modulation (note)

D100:0W– D0:100W

Adjusts the delay time from the direct sound until the chorus sound is heard.

When this is set to “note,” the eect is synchronized with the tempo.

Volume balance between the direct sound (D) and the chorus sound (W)

29: 3D CHORUS

This applies a 3D eect to the chorus sound. The chorus sound will be positioned 90 degrees left and 90 degrees right.

Assignable Parameters

MFX Control Depth, Rate, Balance

30: 3D FLANGER

This applies a 3D eect to the anger sound. The anger sound will be positioned 90 degrees left and 90 degrees right.

Assignable Parameters

MFX Control Depth, Rate, Feedback, Balance

Parameter Value Description

Type of lter OFF: no lter is used

Filter Type OFF, LPF, HPF

Cuto Freq 200–8000 Hz Basic frequency of the lter

Pre Delay 0.0–100.0 ms

Rate Mode Hz, note

Rate (Hz) 0.05–10.00 Hz Frequency of modulation (Hz)

)

Rate (

Depth 0–127 Depth of modulation

Phase 0–180 deg Spatial spread of the sound

Feedback -98–+98 %

Output Mode SPEAKER, PHONES

Low Gain -15–+15 dB Gain of the low range

High Gain -15–+15 dB Gain of the high range

Balance

Level 0–127 Output Level

note (*1) Frequency of modulation (note)

D100:0W– D0:100W

LPF: cuts the frequency range above the Cuto Freq HPF: cuts the frequency range below the Cuto Freq

Adjusts the delay time from when the direct sound begins until the anger sound is heard.

When this is set to “note,” the eect is synchronized with the tempo.

Adjusts the proportion of the anger sound that is fed back into the eect. Negative (-) settings will invert the phase.

Volume balance between the direct sound (D) and the anger sound (W)

Eect/Parameter List

31: 3D S.FLANGR (3D STEP FLANGER)

This applies a 3D eect to the step anger sound. The anger sound will be positioned 90 degrees left and 90 degrees right.

Assignable Parameters

MFX Control StepRate, Depth, Feedback, Balance

Parameter Value Description

Type of lter OFF: No lter is used

Filter Type OFF, LPF, HPF

Cuto Freq 200–8000 Hz Basic frequency of the lter

Pre Delay 0.0–100.0 ms

Rate Mode Hz, note

Rate (Hz) 0.05–10.00 Hz Frequency of modulation (Hz)

)

Rate (

Depth 0–127 Depth of modulation

Phase 0–180 deg Spatial spread of the sound

Feedback -98–+98 %

Step Rate Mode Hz, note

StepRate (Hz) 0.10–20.00 Hz Rate (period) of pitch change (Hz)

Step Rate (

Output Mode SPEAKER, PHONES

Low Gain -15–+15 dB Gain of the low range

High Gain -15–+15 dB Gain of the high range

Balance

Level 0–127 Output Level

note (*1) Frequency of modulation (note)

note (*1) Rate (period) of pitch change (note)

)

D100:0W– D0:100W

LPF: Cuts the frequency range above the Cuto Freq HPF: Cuts the frequency range below the Cuto Freq

Adjusts the delay time from when the direct sound begins until the anger sound is heard.

When this is set to “note,” the eect is synchronized with the tempo.

Adjusts the proportion of the anger sound that is fed back into the eect. Negative (-) settings will invert the phase.

When this is set to “note,” the eect is synchronized with the tempo.

Volume balance between the direct sound (D) and the anger sound (W)

32: 2BND CHORUS (2 BAND CHORUS)

A chorus eect that lets you apply an eect independently to the low-frequency and high-frequency ranges.

Assignable Parameters

MFX Control Low Depth, High Depth, Low Rate, HighRate, Balance

Parameter Value Description

Split Freq 200–8000 Hz

Low Pre Delay 0.0–100.0 ms

Low Rate Mode Hz, note

Low Rate (Hz) 0.05–10.00 Hz

note (*1)

Low Rate (

Low Depth 0–127

)

Frequency at which the low and high ranges will be divided

Delay time from when the original sound is heard to when the low-range chorus sound is heard

When this is set to “note,” the eect is synchronized with the tempo.

Rate at which the low-range chorus sound is modulated (Hz)

Rate at which the low-range chorus sound is modulated (note)

Modulation depth for the low-range chorus sound

Parameter Value Description

Low Phase 0–180 deg

High Pre Delay 0.0–100.0 ms

High Rate Mode Hz, note

HighRate (Hz) 0.05–10.00 Hz

note (*1)

High Rate (

High Depth 0–127

High Phase 0–180 deg

Balance

Level 0–127 Output Level

)

D100:0W– D0:100W

Spaciousness of the low-range chorus sound

Delay time from when the original sound is heard to when the high-range chorus sound is heard

When this is set to “note,” the eect is synchronized with the tempo.

Rate at which the low-range chorus sound is modulated (Hz)

Rate at which the low-range chorus sound is modulated (note)

Modulation depth for the high-range chorus sound

Spaciousness of the high-range chorus sound

Volume balance of the original sound (D) and chorus sound (W)

33: 2BND FLANGR (2 BAND FLANGER)

A anger that lets you apply an eect independently to the low-frequency and high-frequency ranges.

Assignable Parameters

MFX Control Balance, Low Rate, HighRate, Low Feedback, High Feedback

Parameter Value Description

Split Freq 200–8000 Hz

Low Pre Delay 0.0–100.0 ms

Low Rate Mode Hz, note

Low Rate (Hz) 0.05–10.00 Hz

note (*1)

Low Rate (

Low Depth 0–127

Low Phase 0–180 deg

Low Feedback -98–+98 %

High Pre Delay 0.0–100.0 ms

High Rate Mode Hz, note

HighRate (Hz) 0.05–10.00 Hz

High Rate (

High Depth 0–127

High Phase 0–180 deg

High Feedback -98–+98 %

Balance

Level 0–127 Output Level

)

note (*1)

)

D100:0W– D0:100W

Frequency at which the low and high ranges will be divided

Delay time from when the original sound is heard to when the low-range anger sound is heard

When this is set to “note,” the eect is synchronized with the tempo.

Rate at which the low-range anger sound is modulated (Hz)

Rate at which the low-range anger sound is modulated (note)

Modulation depth for the low-range anger sound

Spaciousness of the low-range anger sound

Proportion of the low-range anger sound that is to be returned to the input (negative values invert the phase)

Delay time from when the original sound is heard to when the high-range anger sound is heard

When this is set to “note,” the eect is synchronized with the tempo.

Rate at which the high-range anger sound is modulated (Hz)

Rate at which the high-range anger sound is modulated (note)

Modulation depth for the high-range anger sound

Spaciousness of the high-range anger sound

Proportion of the high-range anger sound that is to be returned to the input (negative values invert the phase)

Volume balance of the original sound (D) and anger sound (W)

Eect/Parameter List

34: 2BND S.FLN (2 BAND STEP FLANGER)

A step anger that lets you apply an eect independently to the low-frequency and high-frequency ranges.

Assignable Parameters

MFX Control LoStp Rt, HiStp Rt, Low Feedback, Hi Feedback, Balance

Parameter Value Description

Split Freq 200–8000 Hz

Low Pre Delay 0.0–100.0 ms

Low Rate Mode Hz, note

Low Rate (Hz) 0.05–10.00 Hz

note (*1)

Low Rate (

Low Depth 0–127

Low Phase 0–180 deg

Low Feedback -98–+98 %

LoStp Mode Hz, note

LoStp Rt (Hz) 0.10–20.00 Hz

LoStp Rt (

Hi Pre Delay 0.0–100.0 ms

Hi Rate Mode Hz, note

Hi Rate (Hz) 0.05–10.00 Hz

Hi Rate (

Hi Depth 0–127

Hi Phase 0–180 deg

Hi Feedback -98–+98 %

HiStp Mode Hz, note

HiStp Rt (Hz) 0.10–20.00 Hz

HiStp Rt (

Balance

Level 0–127 Output Level

)

note (*1)

)

note (*1)

D100:0W– D0:100W

Frequency at which the low and high ranges will be divided

Delay time from when the original sound is heard to when the low-range anger sound is heard

When this is set to “note,” the eect is synchronized with the tempo.

Rate at which the low-range anger sound is modulated (Hz)

Rate at which the low-range anger sound is modulated (note)

Modulation depth for the low-range anger sound

Spaciousness of the low-range anger sound

Proportion of the low-range anger sound that is to be returned to the input (negative values invert the phase)

When this is set to “note,” the eect is synchronized with the tempo.

Rate at which the steps will cycle for the low-range anger sound (Hz)

Rate at which the steps will cycle for the low-range anger sound (note)

Delay time from when the original sound is heard to when the high-range anger sound is heard

When this is set to “note,” the eect is synchronized with the tempo.

Rate at which the high-range anger sound is modulated (Hz)

Rate at which the high-range anger sound is modulated (note)

Modulation depth for the high-range anger sound

Spaciousness of the high-range anger sound

Proportion of the high-range anger sound that is to be returned to the input (negative values invert the phase)

When this is set to “note,” the eect is synchronized with the tempo.

Rate at which the steps will cycle for the high-range anger sound (Hz)

Rate at which the steps will cycle for the high-range anger sound (note)

Volume balance of the original sound (D) and anger sound (W)

35: OVERDRIVE

Creates a soft distortion similar to that produced by vacuum tube ampliers.

Assignable Parameters

MFX Control Level, Amp Type, Drive, Pan

Parameter Value Description

Drive 0–127

Amp Type

Low Gain -15–+15 dB Gain of the low range

High Gain -15–+15 dB Gain of the high range

Pan L64–63R Stereo location of the output sound

Level 0–127 Output Level

SMALL, BUILT-IN, 2-STACK, 3-STACK

Degree of distortion Also changes the volume.

Type of guitar amp

SMALL: small amp BUILT-IN: single-unit type amp 2-STACK: large double stack amp 3-STACK: large triple stack amp

36: DISTORTION

Produces a more intense distortion than Overdrive. The parameters are the same as for “35: OVERDRIVE.”

37: VS OVRDRIVE (VS OVERDRIVE)

This is an overdrive that provides heavy distortion.

Assignable Parameters

MFX Control Level, Tone, Amp Type, Drive, Pan

Parameter Value Description

Drive 0–127

Tone 0–127 Sound quality of the Overdrive eect

Amp Sw OFF, ON Turns the Amp Simulator on/o.

Amp Type

Low Gain -15–+15 dB Gain of the low range

High Gain -15–+15 dB Gain of the high range

Pan L64–63R Stereo location of the output sound

Level 0–127 Output Level

SMALL, BUILT-IN, 2-STACK, 3-STACK

Degree of distortion Also changes the volume.

Type of guitar amp

SMALL: small amp BUILT-IN: single-unit type amp 2-STACK: large double stack amp 3-STACK: large triple stack amp

38: VS DIST (VS DISTORTION)

This is a distortion eect that provides heavy distortion. The parameters are the same as for “37: VS OVERDRIVE.”

Eect/Parameter List

39: GTR AMP SIM (GUITAR AMP SIMULATOR)

This is an eect that simulates the sound of a guitar amplier.

Assignable Parameters

MFX Control Pre Amp Master, Pre Amp Volume, Pre Amp, Speaker

Parameter Value Description

Pre Amp Sw OFF, ON Turns the amp switch on/o.

JC-120, CLEAN TWIN, MATCH DRIVE, BG LEAD, MS1959I, MS1959II,

Pre Amp

Pre Amp Volume 0–127

Pre Amp Master 0–127 Volume of the entire pre-amp

Pre Amp Gain

Pre Amp Bass

Pre Amp Middle

Pre Amp Treble

Pre Amp Presence

Pre Amp Bright OFF, ON

Speaker Sw OFF, ON

Speaker

Mic Setting 1, 2, 3

Mic Level 0–127 Volume of the microphone

Direct Level 0–127 Volume of the direct sound

Pan L64–63R Stereo location of the output

Level 0–127 Output Level

Specications of each Speaker Type

The speaker column indicates the diameter of each speaker unit (in inches) and the number of units.

Type Cabinet Speaker Microphone

SMALL 1

SMALL 2

MIDDLE

JC-120

BUILT-IN 1

MS1959I+II, SLDN LEAD, METAL5150, METAL LEAD, OD-1, OD-2 TURBO, DISTORTION, FUZZ

LOW, MIDDLE, HIGH

0–127

0–127 Tone for the ultra-high frequency range

(See the table below.)

small open-back enclosure

open back enclosure

Type of guitar amp

Volume and amount of distortion of the amp

Amount of pre-amp distortion

Tone of the bass/mid/treble frequency range Middle cannot be set if “Match Drive” is selected as the Pre Amp Type.

Turning this “On” produces a sharper and brighter sound. This parameter applies to the “JC- 120,” “Clean Twin,” and “BG Lead” Pre Amp Types.

Determines whether the signal passes through the speaker (ON), or not (OFF).

Type of speaker

Adjusts the location of the microphone that’s capturing the sound of the speaker. This can be adjusted in three steps, from 1 to 3, with the microphone becoming more distant as the value increases.

10 dynamic

12 x 1 dynamic

12 x 2 dynamic

Type Cabinet Speaker Microphone

BUILT-IN 2

BUILT-IN 3

BUILT-IN 4

BUILT-IN 5

BG STACK 1 sealed enclosure 12 x 2 condenser

BG STACK 2

MS STACK 1

MS STACK 2

METAL STACK large double stack 12 x 4 condenser

2-STACK large double stack 12 x 4 condenser

3-STACK large triple stack 12 x 4 condenser

open back enclosure

large sealed enclosure

12 x 2 condenser

12 x 4 condenser

40: COMPRESSOR

Flattens out high levels and boosts low levels, smoothing out uctuations in volume.

Assignable Parameters

MFX Control Threshold, Attack, Level

Parameter Value Description

Attack 0–127

Threshold 0–127

Post Gain 0–+18 dB Adjusts the output gain.

Low Gain -15–+15 dB Gain of the low frequency range

High Gain -15–+15 dB Gain of the high frequency range

Level 0–127 Output Level

Sets the speed at which compression starts

Adjusts the volume at which compression begins

41: LIMITER

Compresses signals that exceed a specied volume level, preventing distortion from occurring.

Assignable Parameters

MFX Control Threshold, Release, Level

Parameter Value Description

Release 0–127

Threshold 0–127

Ratio

Post Gain 0–+18 dB Adjusts the output gain.

Low Gain -15–+15 dB Gain of the low frequency range

High Gain -15–+15 dB Gain of the high frequency range

Level 0–127 Output Level

1.5:1, 2:1, 4:1, 100:1

Adjusts the time after the signal volume falls below the Threshold Level until compression is no longer applied.

Adjusts the volume at which compression begins

Compression ratio

Eect/Parameter List

42: GATE

Cuts the reverb’s delay according to the volume of the sound sent into the eect. Use this when you want to create an articial-sounding decrease in the reverb’s decay.

Assignable Parameters

MFX Control Threshold, Hold, Release, Attack, Balance

Parameter Value Description

Threshold 0–127

Mode GATE, DUCK

Attack 0–127

Hold 0–127

Release 0–127

Balance

Level 0–127 Output Level

D100:0W– D0:100W

Volume level at which the gate begins to close

Type of gate GATE: The gate will close when the volume of the original sound decreases, cutting the original sound. DUCK (Ducking): The gate will close when the volume of the original sound increases, cutting the original sound.

Adjusts the time it takes for the gate to fully open after being triggered.

Adjusts the time it takes for the gate to start closing after the source sound falls beneath the Threshold.

Adjusts the time it takes the gate to fully close after the hold time.

Volume balance between the direct sound (D) and the eect sound (W)

43: DELAY

This is a stereo delay.

Assignable Parameters

MFX Control Balance, Delay L, Delay R

44: LONG DELAY

A delay that provides a long delay time.

Assignable Parameters

MFX Control Balance, Delay, Pan

Parameter Value Description

Delay Mode ms, note

Delay (ms) 1–2600 ms

Delay (

)

Phase NORMAL, INVERSE

Feedback -98–+98 %

HF Damp

Pan L64–63R Panning of the delay sound

Low Gain -15–+15 dB

High Gain -15–+15 dB

Balance

Level 0–127 Output Level

note (*1)

200–8000 Hz, BYPASS

D100:0W– D0:100W

When this is set to “note,” the eect is synchronized with the tempo.

Delay time from when the original sound is heard to when the delay sound is heard (ms).

Delay time from when the original sound is heard to when the delay sound is heard (note).

Phase of the delay (NORMAL: noninverted, INVERT: inverted)

Proportion of the delay sound that is to be returned to the input (negative values invert the phase)

Frequency at which the high-frequency content of the delayed sound will be cut (BYPASS: no cut)

Amount of boost/cut for the highfrequency range

Volume balance of the original sound (D) and delay sound (W)

Parameter Value Description

Delay L Mode ms, note

Delay L (ms) 1–1300 ms

Delay L ( )

Delay R Mode ms, note

Delay R (ms) 1–1300 ms

Delay R (

Phase Left

Phase Right

Feedback Mode NORMAL, CROSS

Feedback -98–+98 %

HF Damp

Low Gain -15–+15 dB Gain of the low frequency range

High Gain -15–+15 dB Gain of the high frequency range

Balance

Level 0–127 Output Level

)

note (*1)

NORMAL, INVERSE

200–8000 Hz, BYPASS

D100:0W– D0:100W

When this is set to “note,” the eect is synchronized with the tempo.

Adjusts the time until the delay sound is heard (ms)

Adjusts the time until the delay sound is heard (note)

Settings of the Delay R The parameters are the same as for the Delay L.

Phase of the delay (NORMAL: noninverted, INVERT: inverted)

Selects the way in which delay sound is fed back into the eect.

Adjusts the amount of the delay sound that’s fed back into the eect. Negative (-) settings invert the phase.

Adjusts the frequency above which sound fed back to the eect is ltered out. If you don’t want to lter out any high frequencies, set this parameter to BYPASS.

Volume balance between the direct sound (D) and the delay sound (W)

Eect/Parameter List

45: SERIAL DLY (SERIAL DELAY)

This delay connects two delay units in series. Feedback can be applied independently to each delay unit, allowing you to produce complex delay sounds.

Assignable Parameters

MFX Control Balance, Delay1, Delay2, Pan

Parameter Value Description

Delay1 Mode ms, note

Delay1 (ms) 1–1300 ms

Delay1 (

)

Delay1 Feedback -98–+98 %

Dly1 HF Damp

Delay2 Mode ms, note

Delay2 (ms) 1–1300 ms

)

Delay2 (

Delay2 Feedback -98–+98 %

Dly2 HF Damp

Pan L64–63R Panning of the delay sound

Low Gain -15–+15 dB

High Gain -15–+15 dB

Balance

Level 0–127 Output Level

note (*1)

200–8000 Hz, BYPASS

note (*1)

200–8000 Hz, BYPASS

D100:0W– D0:100W

When this is set to “note,” the eect is synchronized with the tempo.

Delay time from when sound is input to delay 1 until the delay sound is heard (ms)

Delay time from when sound is input to delay 1 until the delay sound is heard (note)

Proportion of the delay sound that is to be returned to the input of delay 1 (negative values invert the phase)

Frequency at which the high-frequency content of the delayed sound of delay 1 will be cut (BYPASS: no cut)

When this is set to “note,” the eect is synchronized with the tempo.

Delay time from when sound is input to delay 2 until the delay sound is heard (ms)

Delay time from when sound is input to delay 2 until the delay sound is heard (note)

Proportion of the delay sound that is to be returned to the input of delay 2 (negative values invert the phase)

Frequency at which the high-frequency content of the delayed sound of delay 2 will be cut (BYPASS: no cut)

Amount of boost/cut for the lowfrequency range

Amount of boost/cut for the highfrequency range

Volume balance of the original sound (D) and delay sound (W)

46: MOD DELAY (MODULATION DELAY)

Adds modulation to the delayed sound.

Assignable Parameters

MFX Control Balance, Depth, Delay L, Delay R

Parameter Value Description

Delay L Mode ms, note

Delay L (ms) 1–1300 ms

Delay L ( )

Delay R Mode ms, note

Delay R (ms) 1–1300 ms

)

Delay R (

Feedback Mode NORMAL, CROSS

Feedback -98–+98 %

note (*1)

When this is set to “note,” the eect is synchronized with the tempo.

Adjusts the time until the delay sound is heard (ms).

Adjusts the time until the delay sound is heard.

Settings of the Delay R The parameters are the same as for the Delay L.

Selects the way in which delay sound is fed back into the eect.

Adjusts the amount of the delay sound that’s fed back into the eect. Negative (-) settings invert the phase.

Parameter Value Description

Adjusts the frequency above which

HF Damp

Rate Mode Hz, note

Rate (Hz) 0.05–10.00 Hz Frequency of modulation (Hz)

)

Rate (

Depth 0–127 Depth of modulation

Phase 0–180 deg Spatial spread of the sound

Low Gain -15–+15 dB Gain of the low frequency range

High Gain -15–+15 dB Gain of the high frequency range

Balance

Level 0–127 Output Level

200–8000 Hz, BYPASS

note (*1) Frequency of modulation (note)

D100:0W– D0:100W

sound fed back to the eect is ltered out. If you don’t want to lter out any high frequencies, set this parameter to BYPASS.

When this is set to “note,” the eect is synchronized with the tempo.

Volume balance between the direct sound (D) and the delay sound (W)

47: 3TP PAN DLY (3 TAP PAN DELAY)

Produces three delay sounds; center, left and right.

Assignable Parameters

MFX Control Balance, Delay C, Delay L, Delay R

Parameter Value Description

Delay L Mode ms, note

Delay L (ms) 1–2600 ms

Delay L ( )

Delay R Mode ms, note

Delay R (ms) 1–2600 ms

)

Delay R (

Delay C Mode ms, note

Delay C (ms) 1–2600 ms

)

Delay C (

Center Feedback -98–+98 %

HF Damp

Left Level

Right Level Volume of each delay

Center Level Volume of each delay

Low Gain -15–+15 dB Gain of the low frequency range

High Gain -15–+15 dB Gain of the high frequency range

Balance

Level 0–127 Output Level

note (*1)

200–8000 Hz, BYPASS

0–127

D100:0W– D0:100W

When this is set to “note,” the eect is synchronized with the tempo.

Adjusts the time until the delay sound is heard (ms).

Adjusts the time until the delay sound is heard (note).

Settings of the Delay R The parameters are the same as for the Delay L.

Settings of the Delay C The parameters are the same as for the Delay L.

Adjusts the amount of the delay sound that’s fed back into the eect. Negative (-) settings invert the phase.

Adjusts the frequency above which sound fed back to the eect is ltered out. If you do not want to lter out any high frequencies, set this parameter to BYPASS.

Volume of each delay

Volume balance between the direct sound (D) and the delay sound (W)

Eect/Parameter List

48: 4TP PAN DLY (4 TAP PAN DELAY)

This eect has four delays.

Stereo location of each delay

2 3

1 4

L R

Assignable Parameters

MFX Control Balance, Delay1, Delay2, Delay3, Delay4

Parameter Value Description

Delay1 Mode ms, note

Delay1 (ms) 1–2600 ms

)

Delay1 (

Delay2 Mode ms, note

Delay2 (ms) 1–2600 ms

)

Delay2 (

Delay3 Mode ms, note

Delay3 (ms) 1–2600 ms

)

Delay3 (

Delay4 Mode ms, note

Delay4 (ms) 1–2600 ms

)

Delay4 (

Delay1 Feedback -98–+98 %

HF Damp

Delay1 Level

Delay2 Level

Delay3 Level

Delay4 Level

Low Gain -15–+15 dB Gain of the low frequency range

High Gain -15–+15 dB Gain of the high frequency range

Balance

Level 0–127 Output Level

note (*1)

200–8000 Hz, BYPASS

0–127 Volume of each delay

D100:0W– D0:100W

When this is set to “note,” the eect is synchronized with the tempo.

Adjusts the time until the delay sound

is heard (ms).

Adjusts the time until the delay sound is heard (note).

Settings of the Delay 2 The parameters are the same as for the Delay 1.

Settings of the Delay 3 The parameters are the same as for the Delay 1.

Settings of the Delay 4 The parameters are the same as for the Delay 1.

Adjusts the amount of the delay sound that’s fed back into the eect. Negative (-) settings invert the phase.

Adjusts the frequency above which sound fed back to the eect is ltered out. If you do not want to lter out any high frequencies, set this parameter to BYPASS.

Volume balance between the direct sound (D) and the delay sound (W)

Parameter Value Description

Delay2 Mode ms, note

Delay2 (ms) 1–2600 ms

)

Delay2 (

Delay3 Mode ms, note

Delay3 (ms) 1–2600 ms

)

Delay3 (

Delay4 Mode ms, note

Delay4 (ms) 1–2600 ms

)

Delay4 (

Delay1 Feedback -98–+98 %

HF Damp

Delay1 Pan

Delay2 Pan Stereo location of Delays 2

Delay3 Pan Stereo location of Delays 3

Delay4 Pan Stereo location of Delays 4

Delay1 Level

Delay2 Level Output level of Delays 2

Delay3 Level Output level of Delays 3

Delay4 Level Output level of Delays 4

Low Gain -15–+15 dB Gain of the low frequency range

High Gain -15–+15 dB Gain of the high frequency range

Balance

Level 0–127 Output Level

note (*1)

200–8000 Hz, BYPASS

L64–63R

0–127

D100:0W– D0:100W

Settings of the Delay 2 The parameters are the same as for the Delay 1.

Settings of the Delay 3 The parameters are the same as for the Delay 1.

Settings of the Delay 4 The parameters are the same as for the Delay 1.

Adjusts the amount of the delay sound that’s fed back into the eect. Negative (-) settings invert the phase.

Adjusts the frequency above which sound fed back to the eect is ltered out. If you don’t want to lter out any the high frequencies, set this parameter to BYPASS.

Stereo location of Delays 1

Output level of Delays 1

Volume balance between the direct sound (D) and the eect sound (W)

49: MULTTAP DLY (MULTI TAP DELAY)

This eect provides four delays. Each of the Delay Time parameters can be set to a note length based on the selected tempo. You can also set the panning and level of each delay sound.

Assignable Parameters

MFX Control Balance, Delay1, Delay2, Delay3, Delay4

Parameter Value Description

Delay1 Mode ms, note

Delay1 (ms) 1–2600 ms

Delay1 ( )

note (*1)

When this is set to “note,” the eect is synchronized with the tempo.

Adjusts the time until the delay sound is heard (ms).

Adjusts the time until the delay sound is heard (note).

Eect/Parameter List

50: REVERSE DLY (REVERSE DELAY)

This is a reverse delay that adds a reversed and delayed sound to the input sound. A tap delay is connected immediately after the reverse delay.

Assignable Parameters

MFX Control Balance, Rev Dly, Rev Dly Pan

Parameter Value Description

Threshold 0–127

Rev Dly Mode ms, note

Rev Dly (ms) 1–1300 ms

)

Rev Dly (

Rev Dly Fbk -98–+98 %

Rev Dly HFDmp

Rev Dly Pan L64–63R Panning of the reverse delay sound

Rev Dly Level 0–127 Volume of the reverse delay sound

Delay1 Mode ms, note

Delay1 (ms) 1–1300 ms

)

Delay1 (

Delay2 Mode ms, note

Delay2 (ms) 1–1300 ms

)

Delay2 (

Delay3 Mode ms, note

Delay3 (ms) 1–1300 ms

)

Delay3 (

Delay3 Feedback -98–+98 %

Delay HF Damp

Delay1 Pan

Delay2 Pan

Delay1 Level

Delay2 Level

Low Gain -15–+15 dB

High Gain -15–+15 dB

Balance

Level 0–127 Output Level

note (*1)

200–8000 Hz, BYPASS

note (*1)

200–8000 Hz, BYPASS

L64–63R Panning of the tap delay sounds

0–127 Volume of the tap delay sounds

D100:0W– D0:100W

Volume at which the reverse delay will begin to be applied

When this is set to “note,” the eect is synchronized with the tempo.

Delay time from when sound is input into the reverse delay until the delay sound is heard (ms)

Delay time from when sound is input into the reverse delay until the delay sound is heard (note)

Proportion of the delay sound that is to be returned to the input of the reverse delay (negative values invert the phase)

Frequency at which the high-frequency content of the reverse-delayed sound will be cut (BYPASS: no cut)

When this is set to “note,” the eect is synchronized with the tempo.

Delay time from when sound is input into the tap delay until the delay sound is heard (ms)

Delay time from when sound is input into the tap delay until the delay sound is heard (note)

Settings of the Delay 2 The parameters are the same as for the Delay 1.

Settings of the Delay 3 The parameters are the same as for the Delay 1.

Proportion of the delay sound that is to be returned to the input of the tap delay (negative values invert the phase)

Frequency at which the low-frequency content of the tap delay sound will be cut (BYPASS: no cut)

Amount of boost/cut for the lowfrequency range

Amount of boost/cut for the highfrequency range

Volume balance of the original sound (D) and delay sound (W)

51: SHUFFLE DLY (SHUFFLE DELAY)

Adds a shue to the delay sound, giving the sound a bouncy delay eect with a swing feel.

Assignable Parameters

MFX Control Balance, Delay, Shue Rate

Parameter Value Description

Delay Mode ms, note

Delay (ms) 1–2600 ms

Delay (

)

Shue Rate 0–100 %

Acceleration 0–15

Feedback -98–+98 %

HF Damp

Pan A

Pan B

Level A

Level B

Low Gain -15–+15 dB Gain of the low frequency range

High Gain -15–+15 dB Gain of the high frequency range

Balance

Level 0–127 Output Level

note (*1)

200–8000 Hz, BYPASS

L64–63R Stereo location of Delay A/B

0–127 Volume of delay A/B

D100:0W– D0:100W

When this is set to “note,” the eect is synchronized with the tempo.

Adjusts the time until the delay sound is heard (ms).

Adjusts the time until the delay sound is heard (note).

Adjusts the ratio (as a percentage) of the time that elapses before Delay B sounds relative to the time that elapses before the Delay A sounds. When set to 100%, the delay times are the same.

Adjusts the time over which the Delay Time changes from the current setting to its specied new setting.

Adjusts the amount of the delay that’s fed back into the eect. Negative (-) settings invert the phase.

Adjusts the frequency above which sound fed back to the eect is ltered out. If you don’t want to lter out any high frequencies, set this parameter to BYPASS.

Volume balance between the direct sound (D) and the eect sound (W)

52: 3D DELAY

This applies a 3D eect to the delay sound. The delay sound will be positioned 90 degrees left and 90 degrees right.

Assignable Parameters

MFX Control Balance, Delay C, Delay L, Delay R

Parameter Value Description

Delay L Mode ms, note

Delay L (ms) 1–2600 ms

Delay L ( )

Delay R Mode ms, note

Delay R (ms) 1–2600 ms

)

Delay R (

Delay C Mode ms, note

Delay C (ms) 1–2600 ms

)

Delay C (

note (*1)

When this is set to “note,” the eect is synchronized with the tempo.

Adjusts the delay time from the direct sound until the delay sound is heard (ms).

Adjusts the delay time from the direct sound until the delay sound is heard (note).

Settings of the Delay R The parameters are the same as for the Delay 1.

Settings of the Delay C The parameters are the same as for the Delay 1.

Eect/Parameter List

Parameter Value Description

Center Feedback -98–+98 %

HF Damp

Left Level

Center Level

Output Mode SPEAKER, PHONES

Low Gain -15–+15 dB Gain of the low range

High Gain -15–+15 dB Gain of the high range

Balance

Level 0–127 Output Level

200–8000 Hz, BYPASS

0–127 Output level of the delay soundRight Level

D100:0W– D0:100W

Adjusts the proportion of the delay sound that is fed back into the eect. Negative (-) settings will invert the phase.

Adjusts the frequency above which sound fed back to the eect will be cut. If you do not want to cut the high frequencies, set this parameter to BYPASS.

Volume balance between the direct sound (D) and the eect sound (W)

53: T-CTRL DLY (TIME CTRL DELAY)

A stereo delay in which the delay time can be varied smoothly.

Assignable Parameters

MFX Control Balance, Delay

Parameter Value Description

Delay Mode ms, note

Delay (ms) 1–1300 ms

Delay ( )

Acceleration 0–15

Feedback -98–+98 %

HF Damp

Low Gain -15–+15 dB Gain of the low frequency range

High Gain -15–+15 dB Gain of the high frequency range

Balance

Level 0–127 Output Level

note (*1)

200–8000 Hz, BYPASS

D100:0W– D0:100W

When this is set to “note,” the eect is synchronized with the tempo.

Adjusts the time until the delay is heard (ms).

Adjusts the time until the delay is heard (note).

Adjusts the time over which the Delay Time changes from the current setting to a specied new setting. The rate of change for the Delay Time directly aects the rate of pitch change.

Adjusts the amount of the delay that’s fed back into the eect. Negative (-) settings invert the phase.

Adjusts the frequency above which sound fed back to the eect is ltered out. If you do not want to lter out any high frequencies, set this parameter to BYPASS.

Volume balance between the direct sound (D) and the delay sound (W)

54: LONG TC DLY (LONG TIME CTRL DELAY)

A delay in which the delay time can be varied smoothly, and allowing an extended delay to be produced.

Assignable Parameters

MFX Control Balance, Delay

Parameter Value Description

Delay (ms) 1–2600 ms

Delay (

)

Acceleration 0–15

Feedback -98–+98 %

HF Damp

Pan L64–63R Stereo location of the delay

Low Gain -15–+15 dB Gain of the low frequency range

High Gain -15–+15 dB Gain of the high frequency range

Balance

Level 0–127 Output Level

note (*1)

200–8000 Hz, BYPASS

D100:0W– D0:100W

Adjusts the time until the delay is heard (ms).

Adjusts the time until the delay is heard (note).

Adjusts the time over which the Delay Time changes from the current setting to a specied new setting. The rate of change for the Delay Time directly aects the rate of pitch change.

Adjusts the amount of the delay that’s fed back into the eect. Negative (-) settings invert the phase.

Adjusts the frequency above which sound fed back to the eect is ltered out. If you do not want to lter out any high frequencies, set this parameter to BYPASS.

Volume balance between the direct sound (D) and the delay sound (W)

55: TAPE ECHO

A virtual tape echo that produces a realistic tape delay sound. This simulates the tape echo section of a Roland RE-201 Space Echo.

Assignable Parameters

MFX Control Echo Level, Repeat Rate, Mode

Parameter Value Description

Combination of playback heads to use

Mode

Repeat Rate 0–127

Intensity 0–127 Amount of delay repeats

Bass -15–+15 dB

Treble -15–+15 dB

Head S Pan

Head M Pan

Head L Pan

Tape Distortion 0–5

W/F Rate 0–127

W/F Depth 0–127 Depth of wow/utter

Echo Level 0–127 Volume of the echo sound

Direct Level 0–127 Volume of the original sound

Level 0–127 Output Level

S, M, L, S+M, S+L, M+L, S+M+L

L64–63R

Select from three dierent heads with dierent delay times.

S: short M: middle L: long

Tape speed Increasing this value will shorten the spacing of the delayed sounds.

Boost/cut for the lower range of the echo sound

Boost/cut for the upper range of the echo sound

Independent panning for the short, middle, and long playback heads

Amount of tape-dependent distortion to be added This simulates the slight tonal changes that can be detected by signal-analysis equipment. Increasing this value will increase the distortion.

Speed of wow/utter (complex variation in pitch caused by tape wear and rotational irregularity)

Parameter Value Description

Delay Mode ms, note

When this is set to “note,” the eect is synchronized with the tempo.

Eect/Parameter List

56: LOFI NOISE

In addition to a lo- eect, this adds various types of noise such as white noise and disc noise.

Assignable Parameters

MFX Control

Parameter Value Description

LoFi Type 1–9

Post Fltr Type OFF, LPF, HPF

Post F-Cuto 200–8000 Hz Center frequency of the lter

Noise Type WHITE, PINK

Noise LPF

Noise Level 0–127 Volume of the white/pink noise

Disc Noise Type LP, EP, SP, RND

DiscNoise LPF

Disc Noise Level 0–127 Volume of the record noise

Hum Noise Type 50Hz, 60Hz Frequency of the hum noise

Hum Noise LPF

Hum Noise Level 0–127 Volume of the hum noise

Low Gain -15–+15 dB Gain of the low range

High Gain -15–+15 dB Gain of the high range

Balance

Level 0–127 Output Level

Balance, Hum Noise Level, Disc Noise Level, Noise Level, LoFi Type

Degrades the sound quality. The sound quality grows poorer as this value is increased.

Type of lter

OFF: no lter is used LPF: cuts the frequency range above

the Cuto HPF: cuts the frequency range below the Cuto

Switch between white noise and pink noise.

200–8000 Hz, BYPASS

D100:0W– D0:100W

Center frequency of the low pass lter applied to the white/pink noise (BYPASS: no cut)

Type of record noise The frequency at which the noise is heard depends on the selected type.

Adjusts the cuto frequency of the low pass lter applied to the record noise. If you don’t want to lter out any high frequencies, set this parameter to BYPASS.

Center frequency of the low pass lter applied to the hum noise (BYPASS: no cut)

Volume balance between the direct sound (D) and the eect sound (W)

57: LOFI COMPRS (LOFI COMPRESS)

This is an eect that intentionally degrades the sound quality for creative purposes.

Assignable Parameters

MFX Control Balance, LoFi Type

Parameter Value Description

Pre Filter Type 1–6

LoFi Type 1–9

Post Fltr Type OFF, LPF, HPF

Post F-Cuto 200–8000 Hz Basic frequency of the Post Filter

Low Gain -15–+15 dB Gain of the low range

High Gain -15–+15 dB Gain of the high range

Selects the type of lter applied to the sound before it passes through the LoFi eect.

Degrades the sound quality. The sound quality grows poorer as this value is increased.

Type of lter

OFF: no lter is used LPF: cuts the frequency range above

the Cuto HPF: cuts the frequency range below the Cuto

Parameter Value Description

Balance

Level 0–127 Output Level

D100:0W– D0:100W

Volume balance between the direct sound (D) and the eect sound (W)

58: LOFI RADIO

In addition to a Lo-Fi eect, this eect also generates radio noise.

Assignable Parameters

MFX Control Balance, Radio Detune, Radio Noise Lev, LoFi Type

Parameter Value Description

LoFi Type 1–9

Post Fltr Type OFF, LPF, HPF

Post F-Cuto 200–8000 Hz Basic frequency of the Post Filter

Radio Detune 0–127

Radio Noise Lev 0–127 Volume of the radio noise

Low Gain -15–+15 dB Gain of the low range

High Gain -15–+15 dB Gain of the high range

Balance

Level 0–127 Output Level

D100:0W– D0:100W

Degrades the sound quality. The sound quality grows poorer as this value is increased.

Type of lter

OFF: no lter is used LPF: cuts the frequency range above

the Cuto HPF: cuts the frequency range below the Cuto

Simulates the tuning noise of a radio. As this value is raised, the tuning drifts further.

Volume balance between the direct sound (D) and the eect sound (W)

59: TELEPHONE

This eect produces a mued sound, like that heard through a telephone.

Assignable Parameters

MFX Control Balance, Voice Quality

Parameter Value Description

Voice Quality 0–15 Audio quality of the telephone voice

Treble -15–+15 dB Bandwidth of the telephone voice

Balance

Level 0–127 Output Level

D100:0W– D0:100W

Volume balance between the direct sound (D) and the eect sound (W)

60: PHONOGRAPH

Simulates a sound recorded on an analog record and played back on a record player. This eect also simulates the various types of noise that are typical of a record, and even the rotational irregularities of an old turntable.

Assignable Parameters

MFX Control Total Noise Lev, Total W/F, Frequency Range, Balance

Parameter Value Description

Signal Dist 0–127 Depth of distortion

Frequency response of the playback

Frequency Range 0–127

system Decreasing this value will produce the impression of an old system with a poor frequency response.

Eect/Parameter List

Parameter Value Description

Disc Type LP, EP, SP

ScratchNoise Lev 0–127

Dust Noise Lev 0–127

Hiss Noise Lev 0–127 Volume of continuous “hiss”

Total Noise Lev 0–127 Volume of overall noise

Wow 0–127

Flutter 0–127

Random 0–127

Total W/F 0–127 Depth of overall rotational irregularity

Balance

Level 0–127 Output Level

D100:0W– D0:100W

Rotational speed of the turntable This will aect the frequency of the scratch noise.

Amount of noise due to scratches on the record

Volume of noise due to dust on the record

Depth of long-cycle rotational irregularity

Depth of short-cycle rotational irregularity

Depth of indenite-cycle rotational irregularity

Volume balance between the direct sound (D) and the eect sound (W)

61: PCH SHIFTER (PITCH SHIFTER)

A stereo pitch shifter.

Assignable Parameters

MFX Control Balance, Fine, Coarse, Delay

Parameter Value Description

Coarse -24–+12 semi

Fine -100–+100 cent

Delay Mode ms, note

Delay (ms) 1–1300 ms

)

Delay (

Feedback -98–+98 %

Low Gain -15–+15 dB Gain of the low range

High Gain -15–+15 dB Gain of the high range

Balance

Level 0–127 Output Level

note (*1)

D100:0W– D0:100W

Adjusts the pitch of the pitch shifted sound in semitone steps.

Adjusts the pitch of the pitch shifted sound in 2-cent steps.

When this is set to “note,” the eect is synchronized with the tempo.

Adjusts the delay time from the direct sound until the pitch shifted sound is heard (ms).

Adjusts the delay time from the direct sound until the pitch shifted sound is heard (note).

Adjusts the proportion of the pitch shifted sound that is fed back into the eect. Negative (-) settings will invert the phase.

Volume balance between the direct sound (D) and the pitch shifted sound (W)

62: 2V P.SHIFTR (2 VOICE PITCH SHIFTER)

Shifts the pitch of the original sound. This 2-voice pitch shifter has two pitch shifters, and can add two pitch shifted sounds to the original sound.

Assignable Parameters

MFX Control Balance, Pch1 Coarse, Pch2 Coarse, Pch1 Dly, Pch2 Dly

Parameter Value Description

Pch1 Coarse -24–+12 semi

Pch1 Fine -100–+100 cent

Adjusts the pitch of Pitch Shift 1 in semitone steps.

Adjusts the pitch of Pitch Shift Pitch 1 in 2-cent steps.

Parameter Value Description

Pch1 Delay Mode ms, note

Pch1 Dly (ms) 1–1300 ms

Pch1 Delay (

Pch1 Feedback -98–+98 %

Pch1 Pan L64–63R Stereo location of the Pitch Shift 1 sound

Pch1 Level 0–127 Volume of the Pitch Shift1 sound

Pch2 Coarse -24–+12 semi

Pch2 Fine -100–+100 cent

Pch2 Delay Mode ms, note

Pch2 Dly (ms) 1–1300 ms

Pch2 Delay

)

(

Pch2 Feedback -98–+98 %

Pch2 Pan L64–63R

Pch2 Level 0–127

Low Gain -15–+15 dB Gain of the low range

High Gain -15–+15 dB Gain of the high range

Balance

Level 0–127 Output Level

)

note (*1)

D100:0W– D0:100W

When this is set to “note,” the eect is synchronized with the tempo.

Adjusts the delay time from the direct sound until the Pitch Shift 1 sound is heard (ms).

Adjusts the delay time from the direct sound until the Pitch Shift 1 sound is heard (note).

Adjusts the proportion of the pitch shifted sound that is fed back into the eect. Negative (-) settings will invert the phase.

Settings of the Pitch Shift 2 sound. The parameters are the same as for the Pitch Shift 1 sound.

Volume balance between the direct sound (D) and the pitch shifted sound (W)

63: S.P.SHIFTER (STEP PITCH SHIFTER)

A pitch shifter in which the amount of pitch shift is varied by a 16-step sequence.

Assignable Parameters

MFX Control Rate, Attack, Gate Time, Balance

Parameter Value Description

Step 01–16 -24–+12 semi

Rate Mode Hz, note

Rate (Hz) 0.05–10.00 Hz

)

Rate (

Attack 0–127

Gate Time 0–127

Fine -100–+100 cent

Delay Mode ms, note

Delay (ms) 1–1300 ms

)

Delay (

Feedback -98–+98 %

Low Gain -15–+15 dB

note (*1)

Amount of pitch shift at each step (semitone units)

When this is set to “note,” the eect is synchronized with the tempo.

Rate at which the 16-step sequence will cycle (Hz)

Rate at which the 16-step sequence will cycle (note)

Speed at which the amount of pitch shift changes between steps

Duration of the pitch shifted sound at each step

Pitch shift adjustment for all steps (2-cent units)

When this is set to “note,” the eect is synchronized with the tempo.

Delay time from the original sound until the pitch-shifted sound is heard (ms)

Delay time from the original sound until the pitch-shifted sound is heard (note)

Proportion of the pitch-shifted sound that is to be returned to the input (negative values invert the phase)

Amount of boost/cut for the lowfrequency range

Eect/Parameter List

Parameter Value Description

High Gain -15–+15 dB

Balance

Level 0–127 Output Level

D100:0W– D0:100W

Amount of boost/cut for the highfrequency range

Volume balance of the original sound (D) and pitch-shifted sound (W)

64: REVERB

Adds reverberation to the sound, simulating an acoustic space.

Assignable Parameters

MFX Control Time, Type, Balance

Parameter Value Description

Type of reverb ROOM1: dense reverb with short decay

Type

Pre Delay 0.0–100.0 ms

Time 0–127 Time length of reverberation

HF Damp

Low Gain -15–+15 dB Gain of the low range

High Gain -15–+15 dB Gain of the high range

Balance

Level 0–127 Output Level

ROOM1, ROOM2, STAGE1, STAGE2, HALL1, HALL2

200–8000 Hz, BYPASS

D100:0W– D0:100W

ROOM2: sparse reverb with short decay STAGE1: reverb with greater late

reverberation STAGE2: reverb with strong early reections

HALL1: reverb with clear reverberance HALL2: reverb with rich reverberance

Adjusts the delay time from the direct sound until the reverb sound is heard.

Adjusts the frequency above which the reverberant sound will be cut. As the frequency is set lower, more of the high frequencies will be cut, resulting in a softer and more muted reverberance. If you do not want to cut the high frequencies, set this parameter to BYPASS.

Volume balance between the direct sound (D) and the reverb sound (W)

65: GATED REV (GATED REVERB)

This is a special type of reverb in which the reverberant sound is cut o before its natural length.

Assignable Parameters

MFX Control Balance

Parameter Value Description

Type of reverb

Type

Pre Delay 0.0–100.0 ms

Gate Time 5–500 ms

Low Gain -15–+15 dB Gain of the low range

High Gain -15–+15 dB Gain of the high range

Balance

Level 0–127 Output Level

NORMAL, REVERSE, SWEEP1, SWEEP2

D100:0W– D0:100W

NORMAL: conventional gated reverb REVERSE: backwards reverb SWEEP1: the reverberant sound moves

from right to left SWEEP2: the reverberant sound moves from left to right

Adjusts the delay time from the direct sound until the reverb sound is heard.

Adjusts the time from when the reverb is heard until it disappears.

Volume balance between the direct sound (D) and the reverb sound (W)

66: OVDRV CHO (OVERDRIVE CHORUS)

This eect connects an overdrive and a chorus in series.

Assignable Parameters

MFX Control Chorus Bal, Cho Rate, Chorus Depth, Overdrive Drive

Parameter Value Description

Overdrive Drive 0–127

Overdrive Pan L64–63R Stereo location of the overdrive sound

Chorus PreDly 0.0–100.0 ms

Rate Mode Hz, note

Cho Rate (Hz) 0.05–10.00 Hz Frequency of modulation (Hz)

note (*1) Frequency of modulation (note)

Cho Rate (

Chorus Depth 0–127 Depth of modulation

Chorus Bal

Level 0–127 Output Level

)

D100:0W– D0:100W

Degree of distortion Also changes the volume.

Adjusts the delay time from the direct sound until the chorus sound is heard.

When this is set to “note,” the eect is synchronized with the tempo.

Adjusts the volume balance between the sound that is sent through the chorus (W) and the sound that is not sent through the chorus (D).

67: OVDRV FLNGR

(OVERDRIVE

This eect connects an overdrive and a anger in series.

Assignable Parameters

MFX Control

Parameter Value Description

Overdrive Drive 0–127

Overdrive Pan L64–63R Stereo location of the overdrive sound

Flngr PreDly 0.0–100.0 ms

Flngr Mode Hz, note

Fln Rate (Hz) 0.05–10.00 Hz Frequency of modulation (Hz)

Fln Rate (

Flngr Depth 0–127 Depth of modulation

Flngr Feedback -98–+98 %

Flngr Bal

Level 0–127 Output Level

)

Flngr Bal, Fln Rate, Flngr Depth, Flngr Feedback, Overdrive Drive

note (*1) Frequency of modulation (note)

D100:0W– D0:100W

FLANGER)

Degree of distortion Also changes the volume.

Adjusts the delay time from when the direct sound begins until the anger sound is heard.

When this is set to “note,” the eect is synchronized with the tempo.

Adjusts the proportion of the anger sound that is fed back into the eect. Negative (-) settings will invert the phase.

Adjusts the volume balance between the sound that is sent through the anger (W) and the sound that is not sent through the anger (D).

Eect/Parameter List

68: OVDRV DELAY (OVERDRIVE DELAY)

This eect connects an overdrive and a delay in series.

Assignable Parameters

MFX Control Delay Bal, Overdrive Drive

Parameter Value Description

Overdrive Drive 0–127

Overdrive Pan L64–63R Stereo location of the overdrive sound

Delay Mode ms, note

Delay (ms) 1–2600 ms

)

Delay (

Delay Feedback -98–+98 %

Delay HF Damp

Delay Bal

Level 0–127 Output Level

note (*1)

200–8000 Hz, BYPASS

D100:0W– D0:100W

Degree of distortion Also changes the volume.

When this is set to “note,” the eect is synchronized with the tempo.

Adjusts the delay time from the direct sound until the delay sound is heard (ms).

Adjusts the delay time from the direct sound until the delay sound is heard (note).

Adjusts the proportion of the delay sound that is fed back into the eect. Negative (-) settings will invert the phase.

Adjusts the frequency above which sound fed back to the eect will be cut. If you do not want to cut the high frequencies, set this parameter to BYPASS.

Adjusts the volume balance between the sound that is sent through the delay (W) and the sound that is not sent through the delay (D).

69: DIST CHORUS

(DISTORTION

The parameters are essentially the same as in “66: OVERDRIVE CHORUS,” with the exception of the following two.

Overdrive Drive

Overdrive Pan

Distortion Drive

Distortion Pan

CHORUS)

70: DIST FLANGR

(DISTORTION

The parameters are essentially the same as in “67: OVERDRIVE FLANGER,” with the exception of the following two.

Overdrive Drive

Overdrive Pan

Distortion Drive

Distortion Pan

FLANGER)

Parameter Value Description

Enhancer Sens 0–127 Sensitivity of the enhancer

Enhancer Mix 0–127

Chorus PreDly 0.0–100.0 ms

Rate Mode Hz, note

Cho Rate (Hz) 0.05–10.00 Hz Frequency of modulation (Hz)

note (*1) Frequency of modulation (note)

Cho Rate (

Chorus Depth 0–127 Depth of modulation

Chorus Bal

Level 0–127 Output Level

)

D100:0W– D0:100W

Level of the overtones generated by the enhancer

Adjusts the delay time from the direct sound until the chorus sound is heard.

When this is set to “note,” the eect is synchronized with the tempo.

Adjusts the volume balance between the sound that is sent through the chorus (W) and the sound that is not sent through the chorus (D).

73: ENH FLANGER

(ENHANCER

This eect connects an enhancer and a anger in series.

Assignable Parameters

MFX Control Flngr Bal, Fln Rate, Flngr Depth, Flngr Feedback, Enhancer Sens

Parameter Value Description

Enhancer Sens 0–127 Sensitivity of the enhancer

Enhancer Mix 0–127

Flngr PreDly 0.0–100.0 ms

Flngr Mode Hz, note

Fln Rate (Hz) 0.05–10.00 Hz Frequency of modulation (Hz)

Fln Rate (

Flngr Depth 0–127 Depth of modulation

Flngr Feedback -98–+98 %

Flngr Bal

Level 0–127 Output Level

)

note (*1) Frequency of modulation (note)

D100:0W– D0:100W

FLANGER)

Level of the overtones generated by the enhancer

Adjusts the delay time from when the direct sound begins until the anger sound is heard.

When this is set to “note,” the eect is synchronized with the tempo.

Adjusts the proportion of the anger sound that is fed back into the eect. Negative (-) settings will invert the phase.

Adjusts the volume balance between the sound that is sent through the anger (W) and the sound that is not sent through the anger (D).

71: DIST DELAY (DISTORTION DELAY)

The parameters are essentially the same as in “68: OVERDRIVE DELAY,” with the exception of the following two.

Overdrive Drive

Overdrive Pan

Distortion Drive,

Distortion Pan

72: ENH CHORUS (ENHANCER CHORUS)

This eect connects an enhancer and a chorus in series.

Assignable Parameters

MFX Control Chorus Bal, Chorus Depth, Cho Rate, Enhancer Sens

Eect/Parameter List

74: ENH DELAY (ENHANCER DELAY)

This eect connects an enhancer and a delay in series.

Assignable Parameters

MFX Control Delay Bal, Enhancer Sens

Parameter Value Description

Enhancer Sens 0–127 Sensitivity of the enhancer

Enhancer Mix 0–127

Delay Mode ms, note

Delay (ms) 1–2600 ms

)

Delay (

Delay Feedback -98–+98 %

Delay HF Damp

Delay Bal

Level 0–127 Output Level

note (*1)

200–8000 Hz, BYPASS

D100:0W– D0:100W

Level of the overtones generated by the enhancer

When this is set to “note,” the eect is synchronized with the tempo.

Adjusts the delay time from the direct sound until the delay sound is heard (ms).

Adjusts the delay time from the direct sound until the delay sound is heard (note).

Adjusts the proportion of the delay sound that is fed back into the eect. Negative (-) settings will invert the phase.

Adjusts the frequency above which sound fed back to the eect will be cut. If you do not want to cut the high frequencies, set this parameter to BYPASS.

Adjusts the volume balance between the sound that is sent through the delay (W) and the sound that is not sent through the delay (D).

75: CHO DELAY (CHORUS DELAY)

This eect connects a chorus and a delay in series.

Assignable Parameters

MFX Control Delay Bal, Chorus Bal, Chorus Depth, Cho Rate