Roland RD-700NX User Manual

WARNING: To reduce the risk of fire or electric shock, do not expose this apparatus to rain or moisture.
CAUTION
RISK OF ELECTRIC SHOCK
DO NOT OPEN
ATTENTION
CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK,
DO NOT REMOVE COVER (OR BACK).
NO USER-SERVICEABLE PARTS INSIDE.
REFER SERVICING TO QUALIFIED SERVICE PERSONNEL.
: RISQUE DE CHOC ELECTRIQUE NE PAS OUVRIR
The lightning flash with arrowhead symbol, within an equilateral triangle, is intended to alert the user to the presence of uninsulated “dangerous voltage” within the product’s enclosure that may be of sufficient magnitude to constitute a risk of electric shock to persons.
The exclamation point within an equilateral triangle is intended to alert the user to the presence of important operating and maintenance (servicing) instructions in the literature accompanying the product.
INSTRUCTIONS PERTAINING TO A RISK OF FIRE, ELECTRIC SHOCK, OR INJURY TO PERSONS.
IMPORTANT SAFETY INSTRUCTIONS
SAVE THESE INSTRUCTIONS
WARNING - When using electric products, basic precautions should always be followed, including the following:
1. Read these instructions.
2. Keep these instructions.
3. Heed all warnings.
4. Follow all instructions.
5. Do not use this apparatus near water.
6. Clean only with a dry cloth.
7. Do not block any of the ventilation openings. Install in accordance with the manufacturers instructions.
8. Do not install near any heat sources such as radiators, heat registers, stoves, or other apparatus (including amplifiers) that produce heat.
9. Do not defeat the safety purpose of the polarized or grounding-type plug. A polarized plug has two blades with one wider than the other. A grounding type plug has two blades and a third grounding prong. The wide blade or the third prong are provided for your safety. If the provided plug does not fit into your outlet, consult an electrician for replacement of the obsolete outlet.
10. Protect the power cord from being walked on or pinched particularly at plugs, convenience receptacles, and the point where they exit from the apparatus.
11. Only use attachments/accessories specified by the manufacturer.
12. Use only with the cart, stand, tripod, bracket, or table specified by the manufacturer, or sold with the apparatus. When a cart is used, use caution when moving the cart/apparatus combination to avoid injury from tip-over.
13. Unplug this apparatus during lightning storms or when unused for long periods of time.
14. Refer all servicing to qualified service personnel. Servicing is required when the apparatus has been damaged in any way, such as power-supply cord or plug is damaged, liquid has been spilled or objects have fallen into the apparatus, the apparatus has been exposed to rain or moisture, does not operate normally, or has been dropped.
For the U.K.
WARNING: IMPORTANT:
As the colours of the wires in the mains lead of this apparatus may not correspond with the coloured markings identifying
the terminals in your plug, proceed as follows:
The wire which is coloured GREEN-AND-YELLOW must be connected to the terminal in the plug which is marked by the
letter E or by the safety earth symbol or coloured GREEN or GREEN-AND-YELLOW.
The wire which is coloured BLUE must be connected to the terminal which is marked with the letter N or coloured BLACK. The wire which is coloured BROWN must be connected to the terminal which is marked with the letter L or coloured RED.
201b
202 + 3a
All rights reserved. No part of this publication may be reproduced in any form without the written permission of ROLAND CORPORATION.
Roland, GS, and SuperNATURAL are either registered trademarks or trademarks of Roland Corporation in the United States and/or other countries.
THIS APPARATUS MUST BE EARTHED THE WIRES IN THIS MAINS LEAD ARE COLOURED IN ACCORDANCE WITH THE FOLLOWING CODE. GREEN-AND-YELLOW: EARTH, BLUE: NEUTRAL, BROWN: LIVE
Copyright © 2010 ROLAND CORPORATION
USING THE UNIT SAFELY
USING THE UNIT SAFELY
About WARNING and CAUTION Notices
Used for instructions intended to alert the user to the risk of death or severe injury should the unit be used improperly.
Used for instructions intended to alert the user to the risk of injury or material damage should the unit be used improperly.
* Material damage refers to damage or
other adverse eects caused with respect to the home and all its furnishings, as well to domestic animals or pets.
ALWAYS OBSERVE THE FOLLOWING
001-50
Connect mains plug of this model to a mains socket outlet with a protective earthing connection.
002a
Do not open or perform any internal modications on the unit.
About the Symbols
The symbol alerts the user to important instructions or warnings.The specic meaning of the symbol is determined by the design contained within the triangle. In the case of the symbol at left, it is used for general cautions, warnings, or alerts to danger.
The symbol alerts the user to items that must never be carried out (are forbidden). The specic thing that must not be done is indicated by the design contained within the circle. In the case of the symbol at left, it means that the unit must never be disassembled.
The symbol alerts the user to things that must be carried out. The specic thing that must be done is indicated by the design contained within the circle. In the case of the symbol at left, it means that the power-cord plug must be unplugged from the outlet.
008a
The unit should be connected to a power supply only of the type described as marked on the rear side of unit.
008e
Use only the attached power-supply cord. Also, the supplied power cord must not be used with any other device.
003
Do not attempt to repair the unit, or replace parts within it (except when this manual provides specic instructions directing you to do so). Refer all servicing to your retailer, the nearest Roland Service Center, or an authorized Roland distributor, as listed on the “Information” page.
004
Never install the unit in any of the following locations.
Subject to temperature extremes (e.g., direct sunlight in an enclosed vehicle, near a heating duct, on top of heat-generating equipment); or are
Damp (e.g., baths, washrooms, on wet oors); or are
Exposed to steam or smoke; or are
Subject to salt exposure; or are
Humid; or are
Exposed to rain; or are
Dusty or sandy; or are
Subject to high levels of vibration and shakiness.
005
This unit should be used only with a rack or stand that is recommended by Roland.
006
When using the unit with a stand recommended by Roland, the stand must be carefully placed so it is level and sure to remain stable. If not using a stand, you still need to make sure that any location you choose for placing the unit pro­vides a level surface that will properly support the unit, and keep it from wobbling.
009
Do not excessively twist or bend the power cord, nor place heavy objects on it. Doing so can damage the cord, produc­ing severed elements and short circuits. Damaged cords are re and shock hazards!
010
This unit, either alone or in combination with an amplier and headphones or speakers, may be capable of producing sound levels that could cause permanent hearing loss. Do not operate for a long period of time at a high volume level, or at a level that is uncomfortable. If you experience any hearing loss or ringing in the ears, you should immediately stop using the unit, and consult an audiologist.
011
Do not place containers containing liquid on this product. Never allow foreign objects (e.g., ammable objects, coins, wires) or liquids (e.g., water or juice) to enter this product. Doing so may cause short circuits, faulty operation, or other malfunctions.
4
USING THE UNIT SAFELY
012a
Immediately turn the power o, remove the power cord from the outlet, and request servicing by your retailer, the nearest Roland Service Center, or an authorized Roland distributor, as listed on the “Information” page when:
The power-supply cord or the plug has been damaged; or
If smoke or unusual odor occurs
Objects have fallen into, or liquid has been spilled onto
the unit; or
The unit has been exposed to rain (or otherwise has become wet); or
The unit does not appear to operate normally or exhibits a marked change in performance.
013
In households with small children, an adult should provide supervision until the child is capable of following all the rules essential for the safe operation of the unit.
014
Protect the unit from strong impact.
(Do not drop it!)
015
Do not force the unit’s power-supply cord to share an outlet with an unreasonable number of other devices. Be especial­ly careful when using extension cords; the total power used by all devices you have connected to the extension cord’ outlet must never exceed the power rating (watts/amperes) for the extension cord. Excessive loads can cause the insula­tion on the cord to heat up and eventually melt through.
016
Before using the unit in a foreign country, consult with your retailer, the nearest Roland Service Center, or an authorized Roland distributor, as listed on the “Information” page.
101a
The unit should be located so that its location or position does not interfere with its proper ventilation.
101c
This (RD-700NX) for use only with Roland stand KS-G8. Use with other stands is capable of resulting in instability caus­ing possible injury.
101f
Even if you observe the cautions given in the owner’s manual, certain types of handling may allow this product to fall from the stand, or cause the stand to overturn. Please be mindful of any safety issues before using this product.
102b
Always grasp only the plug on the power-supply cord when plugging into, or unplugging from, an outlet or this unit.
103a
At regular intervals, you should unplug the power plug and clean it by using a dry cloth to wipe all dust and other accu­mulations away from its prongs. Also, disconnect the power plug from the power outlet whenever the unit is to remain unused for an extended period of time. Any accumulation of dust between the power plug and the power outlet can result in poor insulation and lead to re.
104
Try to prevent cords and cables from becoming entangled. Also, all cords and cables should be placed so they are out of the reach of children.
106
Never climb on top of, nor place heavy objects on the unit.
023
DO NOT play a CD-ROM disc on a conventional audio CD player. The resulting sound may be of a level that could cause permanent hearing loss. Damage to speakers or other system components may result.
107b
Never handle the power cord or its plugs with wet hands when plugging into, or unplugging from, an outlet or this unit.
108d: Selection
If you need to move the instrument, take note of the pre­cautions listed below. At least two persons are required to safely lift and move the unit. It should be handled carefully, all the while keeping it level. Make sure to have a rm grip, to protect yourself from injury and the instrument from damage.
2
Disconnect the power cord.
3
Disconnect all cords coming from external devices.
109a
Before cleaning the unit, turn o the power and unplug the power cord from the outlet (p. 14).
110a
Whenever you suspect the possibility of lightning in your area, pull the plug on the power cord out of the outlet.
5
IMPORTANT NOTES
Power Supply
301
Do not connect this unit to same electrical outlet that is being used by an electrical appliance that is controlled by an inverter (such as a refrigerator, washing machine, microwave oven, or air conditioner), or that contains a motor. Depending on the way in which the electrical appliance is used, power supply noise may cause this unit to malfunction or may produce audible noise. If it is not practical to use a separate electrical outlet, connect a power supply noise lter between this unit and the electrical outlet.
307
Before connecting this unit to other devices, turn o the power to all units. This will help prevent malfunctions and/or damage to speakers or other devices.
308
Although the LCD and LEDs are switched o when the POWER switch is switched o, this does not mean that the unit has been completely disconnected from the source of power. If you need to turn o the power completely, rst turn o the POWER switch, then unplug the power cord from the power outlet. For this reason, the outlet into which you choose to connect the power cord’s plug should be one that is within easy reach and readily accessible.
Placement
351
Using the unit near power ampliers (or other equipment containing large power transformers) may induce hum. To alleviate the problem, change the orientation of this unit; or move it farther away from the source of interference.
352a
This device may interfere with radio and television reception. Do not use this device in the vicinity of such receivers.
352b
Noise may be produced if wireless communications devices, such as cell phones, are operated in the vicinity of this unit. Such noise could occur when receiving or initiating a call, or while conversing. Should you experience such problems, you should relocate such wireless devices so they are at a greater distance from this unit, or switch them o.
354a
Do not expose the unit to direct sunlight, place it near devices that radiate heat, leave it inside an enclosed vehicle, or otherwise subject it to temperature extremes. Excessive heat can deform or discolor the unit.
355b
When moved from one location to another where the temperature and/or humidity is very dierent, water droplets (condensation) may form inside the unit. Damage or malfunction may result if you attempt to use the unit in this condition. Therefore, before using the unit, you must allow it to stand for several hours, until the condensation has completely evaporated.
358
Do not allow objects to remain on top of the keyboard. This can be the cause of malfunction, such as keys ceasing to produce sound.
360
Depending on the material and temperature of the surface on which you place the unit, its rubber feet may discolor or mar the surface. You can place a piece of felt or cloth under the rubber feet to prevent this from happening. If you do so, please make sure that the unit will not slip or move accidentally.
361
Do not put anything that contains water (e.g., ower vases) on this unit. Also, avoid the use of insecticides, perfumes, alcohol, nail polish, spray cans, etc., near the unit. Swiftly wipe away any liquid that spills on the unit using a dry, soft cloth.
Maintenance
401a
For everyday cleaning wipe the unit with a soft, dry cloth or one that has been slightly dampened with water. To remove stubborn dirt, use a cloth impregnated with a mild, non-abrasive detergent. Afterwards, be sure to wipe the unit thoroughly with a soft, dry cloth.
402
Never use benzine, thinners, alcohol or solvents of any kind, to avoid the possibility of discoloration and/or deformation.
Repairs and Data
452
Please be aware that all data contained in the unit’s memory may be lost when the unit is sent for repairs. Important data should always be backed up USB memories, or written down on paper (when possible). During repairs, due care is taken to avoid the loss of data. However, in certain cases (such as when circuitry related to memory itself is out of order), we regret that it may not be possible to restore the data, and Roland assumes no liability concerning such loss of data.
Additional Precautions
551
Please be aware that the contents of memory can be irretrievably lost as a result of a malfunction, or the improper operation of the unit. To protect yourself against the risk of loosing important data, we recommend that you periodically save a backup copy of important data you have stored in the unit’s memory on USB memories.
552
Unfortunately, it may be impossible to restore the contents of data that was stored in the unit’s memory, or USB memories once it has been lost. Roland Corporation assumes no liability concerning such loss of data.
553
Use a reasonable amount of care when using the unit’s buttons, sliders, or other controls; and when using its jacks and connectors. Rough handling can lead to malfunctions.
554
Never strike or apply strong pressure to the display.
555
A small amount of noise may be heard from the display during normal operation.
556
When connecting / disconnecting all cables, grasp the connector itself; never pull on the cable. This way you will avoid causing shorts, or damage to the cable’s internal elements.
557
A small amount of heat will radiate from the unit during normal operation.
558a
To avoid disturbing your neighbors, try to keep the unit’s volume at reasonable levels. You may prefer to use headphones, so you do not need to be concerned about those around you.
558d edit
The sound of keys being struck and vibrations produced by playing an instrument can be transmitted through a oor or wall to an unexpected extent. In particular, when using headphones, please take care not to cause annoyance to others nearby.
559a
When you need to transport the unit, package it in the box (including padding) that it came in, if possible. Otherwise, you will need to use equivalent packaging materials.
561
Use only the specied expression pedal (EV-5, EV-7; sold separately). By connecting any other expression pedals, you risk causing malfunction and/or damage to the unit.
6
IMPORTANT NOTES
Using USB Memories
704
Carefully insert the USB memories all the way in; until it is rmly in place.
705
Never touch the terminals of the USB memories. Also, avoid getting the terminals dirty.
708
USB memories are constructed using precision components; handle the USB memories carefully, paying particular note to the following.
To prevent damage to the USB memories from static electricity, be sure to discharge any static electricity from your own body before handling the USB memories.
Do not touch or allow metal to come into contact with the contact portion of the USB memories.
Do not bend, drop, or subject USB memories to strong shock or vibration.
Do not keep USB memories in direct sunlight, in closed vehicles, or other such locations.
Do not allow USB memories to become wet.
Do not disassemble or modify the USB memories.
Handling CDs / DVDs
801
Avoid touching or scratching the shiny underside (encoded surface) of the disc. Damaged or dirty CD discs may not be read properly. Keep your discs clean using a commercially available CD cleaner.
Copyright
851 (C-01-1)
Recording, duplication, distribution, sale, lease, performance, or broadcast of copyrighted material (musical works, visual works, broadcasts, live performances, etc.) belonging to a third party in part or in whole without the permission of the copyright owner is forbidden by law.
853 (C-01-2)
Do not use this product for purposes that could infringe on a copyright held by a third party. We assume no responsibility whatsoever with regard to any infringements of third-party copyrights arising through your use of this product.
(C-03-4)
The copyright of content in this product (the sound waveform data, style data, accompaniment patterns, phrase data, audio loops and image data) is reserved by Roland Corporation.
(C-03-5)
Purchasers of this product are permitted to utilize said content for the creating, performing, recording and distributing original musical works.
(C-03-6)
Purchasers of this product are NOT permitted to extract said content in original or modied form, for the purpose of distributing recorded medium of said content or making them available on a computer network.
240 (2a-2)
MMP (Moore Microprocessor Portfolio) refers to a patent portfolio concerned with microprocessor architecture, which was developed by Technology Properties Limited (TPL). Roland has licensed this technology from the TPL Group.
238 (2a-5)
MPEG Layer-3 audio compression technology is licensed from Fraunhofer IIS Corporation and THOMSON Multimedia Corporation.
203
GS ( ) is a registered trademark of Roland Corporation.
220 (3c-T-01)
All product names mentioned in this document are trademarks or registered trademarks of their respective owners.
7
Contents
USING THE UNIT SAFELY . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4
IMPORTANT NOTES . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6
Panel Descriptions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10
Front Panel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .10
Rear Panel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .12
Getting Ready . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 13
Placing the RD-700NX on a Stand . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .13
Connecting the Power Cord . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 14
Connecting the External Equipment to RD-700NX . . . . . . . . . . . . . . . .15
Connecting Pedals . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .16
Turning the Power On and O . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .17
Turning On the Power . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .17
Turning O the Power . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .17
Adjusting the Volume . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 18
Adjusting the Display Contrast . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 18
Connecting the USB Memory . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .18
Connecting the CD Drive . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 19
Overview of the RD-700NX . . . . . . . . . . . . . . . . . . . . . . . . . 20
Basic Organization of the RD-700NX . . . . . . . . . . . . . . . . . . . . . . . . . . . . .20
About Memory . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .20
About Live Sets . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .21
Basic Operation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 22
Main Screens . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .22
Special Indications . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 23
About the Function Buttons . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 23
About the Cursor Buttons . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 23
Editing a Value . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .24
Listening to the Demo (DEMO PLAY) . . . . . . . . . . . . . . . . 25
Performance . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 26
Piano Performances . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .26
Performing with a Variety of Live Sets . . . . . . . . . . . . . . . . . . . . . . . . . . . . 27
Playing Multiple Tones with the Keyboard . . . . . . . . . . . . . . . . . . . . . . . .28
Performing with Layered Tones . . . . . . . . . . . . . . . . . . . . . . . . . . . .28
Playing Dierent Tones in Two Dierent Sections of the
Keyboard . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .29
Changing the Tone for a Layer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 30
Adjusting the Volume Level for Individual Layers . . . . . . . . . . . . . . . . . 31
Transposing the Key of the Keyboard (TRANSPOSE) . . . . . . . . . . . . . .32
Adding Reverberation to the Sound (REVERB) . . . . . . . . . . . . . . . . . . . .33
Adding Breadth to the Sound (CHORUS/DELAY) . . . . . . . . . . . . . . . . . .33
Changing the Sound’s Pitch in Real Time . . . . . . . . . . . . . . . . . . . . . . . . .34
Adding Liveliness to the Sound (COMPRESSOR) . . . . . . . . . . . . . . . . . . 34
Enhancing the sound’s denition (SOUND FOCUS) . . . . . . . . . . . . . . . 34
Adjusting the Levels of Each Frequency Range (EQUALIZER) . . . . . .35
Disabling the Button . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .36
Using the Convenient Functions in Performances . . . . 37
Playing Rhythm . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 37
Changing Rhythm Tempos . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 37
Changing the Rhythm Pattern . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 37
Playing the Songs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .38
Selecting the Song . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 38
Changing Song Tempos . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 39
8
Fast-forwarding or Rewinding a Song . . . . . . . . . . . . . . . . . . . . . .39
Return to the Beginning of the Song . . . . . . . . . . . . . . . . . . . . . . .39
Recording Audio . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 40
Getting ready to record . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .40
Starting/stopping recording . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .40
Applying Eects to the Sound (MFX) . . . . . . . . . . . . . . . . . . . . . . . . . . . . .41
Simulating the Creation of Organ Tones . . . . . . . . . . . . . . . . . . . . . . . . . .42
Changing the Undulation of the Organ Tone (Rotary Eect) .43
Changing the Layer LEVEL Slider Feet Assignments . . . . . . . . .43
Selecting Stored Settings (Live Set ) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .44
Registering the Live Sets You Like . . . . . . . . . . . . . . . . . . . . . . . . . .44
Storing Settings to Live Sets . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 45
Making Detailed Settings for the ONE TOUCH Tones . 46
Making Detailed Settings for the Piano Tones . . . . . . . . . . . . . . . . . . . .46
Changing the Key Touch . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .48
Finely Adjusting the Tuning . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .48
Adjusting Resonance when the Damper Pedal is Depressed 48
Making the Equalizer Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . .49
Restore the Settings to Initial Conditions . . . . . . . . . . . . . . . . . . .49
Making Detailed Settings for the E. Piano Tones . . . . . . . . . . . . . . . . . . 50
Selecting an Eect . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .52
Selecting the Type of Amp . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .52
Adjusting the Keyboard Touch Response . . . . . . . . . . . . . . . . . . .53
Restore the settings to initial conditions . . . . . . . . . . . . . . . . . . . . 53
Making Detailed Settings for Tones . . . . . . . . . . . . . . . . . 54
Making Tone Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .54
Making Layer Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .56
Using the RD-700NX As a Master Keyboard . . . . . . . . . . 58
What’s MIDI? . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .58
About MIDI Connectors . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 58
Adjusting the Volume of Each Layer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .59
Selecting the MIDI Connector to Use for Output . . . . . . . . . . . . . . . . . .59
Setting the MIDI Transmit Channel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .60
Selecting Sounds on an External MIDI Device . . . . . . . . . . . . . . . . . . . .61
Detailed Settings for Transmitted Parts . . . . . . . . . . . . . . . . . . . . . . . . . . .62
Adjusting the Volume and Pan (Volume/Pan) . . . . . . . . . . . . . . .62
Setting the Amount of Reverb and Chorus (Reverb/Chorus) . 62
Playing Sound Monophonically (Mono/Poly) . . . . . . . . . . . . . . .62
Setting the Transposition for Each Individual Layer (Trans-
pose) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .62
Setting the Key Range for Each Layer (Key Range) . . . . . . . . . .62
Changing the Range That Plays in Response to the Veloc-
ity (Velocity Range) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .63
Changing Tone Elements (ATK/DCY/REL/COF/RES) . . . . . . . . . .63
Smoothly Changing the Pitch (Portamento) . . . . . . . . . . . . . . . .63
Setting the Change in Volume According to the Force
Used to Play the Keyboard (Velocity Sense/Max) . . . . . . . . . . . . 63
Changing the Pitch (Coarse Tune/Fine Tune) . . . . . . . . . . . . . . . . 63
Setting the Range for the Change in Pitch with the Pitch
Bend Lever (Bend Range) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .64
Setting the Amount of Modulation Applied (Modulation
Depth) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .64
Turning Each Controller On and O . . . . . . . . . . . . . . . . . . . . . . . .64
Transmitting the Control Change (USER CC) . . . . . . . . . . . . . . . .64
Detailed Settings for Each Function . . . . . . . . . . . . . . . . . 65
Setting Parameters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .65
Contents
Making System Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .66
Tuning to Other Instruments’ Pitches (Master Tune) . . . . . . . . .67
Adjusting the Volume (Master Volume) . . . . . . . . . . . . . . . . . . . . . 67
Preventing Equalizer Settings from Being Switched (EQ
Mode) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .67
Preventing Pedal Settings from Being Switched (Pedal
Mode) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .67
Retaining the Current Tone Even When Tones are
Switched (Tone Remain) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .68
Preventing the [S1] [S2] buttons from Being Switched
(S1/S2 Mode) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 68
Using Program Change Messages to Switch Live Sets
(Live Set Control Channel) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .69
Selecting the USB Driver (USB Driver) . . . . . . . . . . . . . . . . . . . . . . 69
Switching the USB Memory Mode (USB Memory Mode) . . . .69
Selecting the USB MIDI Thru Switch (USB MIDI Thru Switch) .69
Selecting the Function of the MIDI THRU/OUT 3 Connec-
tor (MIDI OUT3 Mode) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 69
Switching the Pedal’s Polarity (Damper/FC1/FC2 Polarity) . . .69
Selecting the Number of Parts (Part Mode) . . . . . . . . . . . . . . . . .69
Setting the Tuning Method (Temperament/Key) . . . . . . . . . . . .70
Switching Between Reception of GM/GM2 System On
and GS Reset (Rx GM/GM2 System ON, Rx GS Reset) . . . . . . . . 70
Setting the Keyboard Touch . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .70
Changing the Key Touch (Key Touch) . . . . . . . . . . . . . . . . . . . . . . .71
Making Fine Adjustments to the Keyboard Touch (Key
Touch Oset) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 71
Setting a Constant Volume Level in Response to the Play-
ing Force (Velocity) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .71
Changing the Timing of Sounds in Response to the Veloc-
ity (Velo Delay Sens) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 71
Changing the Touch Sensitivity According to the Key
Range (Velo Keyw Sens) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .71
Specifying the Note-o Keyboard Depth (Key O Position) .71
Pedal/[S1] [S2] Buttons Assignments . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 72
Assigning Functions to Pedals (FC1/FC2 Pedal Assign) . . . . . . 72
Assigning Functions to the [S1] [S2] Buttons (S1/S2 Assign) .73
Assigning Functions to the LAYER LEVEL Sliders (Slider
Assign) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .73
Specifying the Destination Layer for Multi-Eect Control
(MFX Ctrl Dest) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .73
Changing the Harmonic Bar Settings (Harmonic Bar) . . . . . . .73
Reverb/Chorus Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 74
Making Reverb Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .74
Setting Chorus and Delay . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .75
Making the Compressor Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .76
Selecting the Type of Compressor (Type) . . . . . . . . . . . . . . . . . . .76
Detailed Settings of Compressor . . . . . . . . . . . . . . . . . . . . . . . . . . . 76
File Management . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .77
Saving a Live Set File (LIVE SET Save) . . . . . . . . . . . . . . . . . . . . . . . 77
Calling Up Live Set Files (LIVE SET Load) . . . . . . . . . . . . . . . . . . . .78
Deleting a Live Set File (LIVE SET Delete) . . . . . . . . . . . . . . . . . . . 78
Copying a Live Set File (LIVE SET Copy) . . . . . . . . . . . . . . . . . . . . . 79
Deleting a Song (SONG Delete) . . . . . . . . . . . . . . . . . . . . . . . . . . . . 80
Copying a Song (SONG Copy) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .80
Formatting Memory (Format) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .81
Making the Rhythm Settings. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 82
Adjusting the Tempo (Tempo) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 82
Adjusting the Volume (Volume) . . . . . . . . . . . . . . . . . . . . . . . . . . . . 82
Changing Patterns (Pattern) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 82
Changing the Drum Set (Rhy Set) . . . . . . . . . . . . . . . . . . . . . . . . . . 82
Selecting the MIDI Output Connector (MIDI Out Port) . . . . . .82
Selecting the MIDI Output Channel (MIDI Channel) . . . . . . . . .82
About V-LINK. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .83
Turning the V-LINK ON/OFF . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 83
V-LINK Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 83
Detailed Settings of V-LINK . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 83
Local ON/OFF . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 83
Changing Settings Related to Song Playback . . . . . . . . . . . . . . . . . . . . . 84
Selecting the parts that will produce sound . . . . . . . . . . . . . . . . 84
Restoring the Settings to the Factory Condition . . . . . . . . . . . . . . . . . . 85
Factory Reset Current . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 85
Factory Reset All . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .85
Connecting External MIDI Devices . . . . . . . . . . . . . . . . . . 86
Recording RD-700NX Performances to an External MIDI Se-
quencer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 86
Connecting to an External Sequencer . . . . . . . . . . . . . . . . . . . . . .86
Settings for Recording . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .86
Recording the Performance . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 86
Exiting Rec Mode . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .87
About the Local Switch . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .87
Playing the RD-700NX’s Internal Sound Generator from an
External MIDI Device . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .88
Making Connections . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .88
Selecting RD-700NX Sounds from an External MIDI Device . .88
Connecting to Your Computer . . . . . . . . . . . . . . . . . . . . . . 89
Connecting to a Computer via the USB MIDI Connector . . . . . . . . . .89
Switching USB Drivers . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .90
Changing the USB Memory Setting . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 90
Using the RD-700NX as a USB MIDI Interface . . . . . . . . . . . . . . . . . . . . . 90
Material . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 91
Troubleshooting . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 91
List of Messages . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .94
Error Messages . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .94
Other Messages . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .95
Eect List . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 96
MFX . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .96
Chorus . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .96
Reverb . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .96
About the Ivory Feel Keyboard . . . . . . . . . . . . . . . . . . . . . 97
Features of an Ivory Feel keyboard . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .97
Handling . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .97
Care and Maintenance . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 97
Main Specications . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 98
Index . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 99
Purpose-Oriented Index. . . . . . . . . . . . . . . . . . . . . . . . . . . 102
9
Panel Descriptions
5
Front Panel
2 3
1
10
11
1. [VOLUME] slider
Adjusts the overall volume that is output from the rear panel OUTPUT jacks, PHONES jack, and BALANCED OUT jacks (p. 18).
2. [V-LINK] Button
Switching this on lets you control external V-LINK compatible video equipment connected to the RD-700NX (p. 83).
3. EQUALIZER
[LOW] Knob
Adjusts the sound’s low-frequency range (p. 35).
[LOW MID] Knob
Adjusts the sound’s low-midrange frequencies (p. 35).
[HIGH MID] Knob
Adjusts the sound’s high-midrange frequencies (p. 35).
[HIGH] Knob
Adjusts the sound’s high-frequency range (p. 35).
You can adjust the center frequency of each band by holding down the [EXIT/SHIFT] button and turning the corresponding EQUALIZER knob ([LOW] knob / [LOW MID] knob / [HIGH MID] knob / [HIGH] knob).
EQUALIZER [ON/OFF] Button
Turns the equalizer on/o (p. 35).
4. REVERB, CHORUS/DELAY, COMPRESSOR, SOUND FOCUS
REVERB [DEPTH] Knob
Adjusts the amount of reverb (p. 33).
[REVERB] Button
Changes the reverb type (p. 33).
CHORUS/DELAY [DEPTH] Knob
Adjusts the amount of chorus (p. 33).
[CHORUS/DELAY] Button
Changes the chorus type (p. 33).
COMPRESSOR [DEPTH] Knob
Adjusts the amount of compression (p. 34).
COMPRESSOR [ON/OFF] Button
Turns the compressor on/o (p. 34).
5
4
SOUND FOCUS [DEPTH] Knob
Allows you to enhance the sound’s de nition (p. 34).
SOUND FOCUS [ON/OFF] Button
Turns Sound Focus on/o (p. 34).
5. LAYER SWITCH/CONTROL
LAYER Switch
Turns each LAYER’s sound on and o (p. 31).
LAYER LEVEL Slider
Adjusts the volume level for each part (p. 31).
If the CONTROL indicator is lit, the sound will change in real time according to the parameter or function that is assigned (p. 31).
SONG/RHYTHM [SELECT ] Button
Displays a screen where you can select a song or rhythm (p. 37, p. 38).
SONG/RHYTHM [
Start/stops playback of the song or rhythm (p. 37, p. 38)
[CONTROL/LAYER LEVEL] Button
This determines the function of the LAYER LEVEL sliders (p. 73).
[MIDI] Button
Puts the RD-700NX in control of the external MIDI sound generator (p.
86).
[SPLIT] Button
This button selects “Split mode,” whereby the keyboard is divided into two regions, allowing you to play separate sounds with the right and left hands (p. 29).
In addition, you can listen to the demo songs by simultaneously pressing this button and the [TRANSPOSE] button (DEMO PLAY) (p. 25).
[TRANSPOSE] Button
Sets the range of the keyboard to transposed (p. 32).
In addition, you can listen to the demo songs by simultaneously pressing this button and the [SPLIT] button (DEMO PLAY) (p. 25).
] Button
10
6 7 8
9
Panel Descriptions
6. DISPLAY
This shows the Live Set names and the values of various settings, etc.
[LAYER EDIT] Button
This allows you to change the Layer settings (p. 56).
You can also use this to assign functions in some screens.
[TONE EDIT] Button
This allows you to change the tone settings (p. 54).
You can also use this to assign functions in some screens.
[DEC] Button, [INC] Button
These are used to modify values.
If you keep on holding down one button while pressing the other, the value change accelerates.
VALUE Dial
This is used to modify values.
Cursor [
Press these to switch pages and to move the cursor.
[EXIT/SHIFT] Button
Pressed to return to a previous screen or to cancel a procedure that is in progress.
Additionally, you can easily call up Edit screens for related parameters for the following functions by holding down this button while pressing buttons, turning knobs, or operating other controllers.
[ENTER] Button
This is used to  nalize a value or execute an operation.
] [ ] [ ] [ ] Buttons
7. ONE TOUCH
PIANO [CONCERT] Button, [STUDIO] Button, [BRILLIANT] Button
Selects the optimum settings for piano performances (p. 46).
E. PIANO [1] Button, [2] Button, [3] Button
Selects the optimum settings for E. Piano performances (p. 50).
8. FUNCTION
[MENU] Button
Press this button when you wish to adjust various settings (p. 65).
[WRITE] Button
Stores the current settings to “Live Set” (p. 45).
BANK [PRESET] button
Selects a Live Set from the Preset bank.
BANK [USER] button
Selects a Live Set that was saved in the User bank. Live Sets you edit can be stored in the User bank (p. 45).
9. LIVE SET buttons
These buttons select Live Set categories (p. 27).
When you’re in an edit screen, you can use these buttons to enter numerical values.
10. [S1] Button, [S2] Button
You can assign various functions to these buttons While performing, you can press these buttons to use the assigned functions.
11. Pitch Bend/Modulation Lever
This allows you to control pitch bend or apply vibrato (p. 34).
11
Panel Descriptions
Rear Panel
12
13
14 15 16 17 18 19 20 21
12. [POWER ON] Switch
This switch turns the power on/o (p. 17).
13. AC IN Connector
Connect the included power cord to this connector (p. 14).
14. USB MEMORY Connector
Connect separately sold USB memory or a CD-ROM drive here (p. 18).
Use USB memory or a CD-ROM drive made by Roland.
15. USB MIDI Connector
You can connect this to your computer so that it can exchange performance data with the RD-700NX (p. 89).
16. [DISPLAY CONTRAST] Knob
Adjusts the display’s contrast (p. 18).
17. PEDAL Jacks (DAMPER, FC1, FC2)
Connecting the pedal switch provided with the RD-700NX to the DAMPER jack allows you to use the switch as a damper pedal.
With a pedal connected to the FC1 or FC2 jack, you can then assign a variety of functions to the pedal (p. 72).
18. MIDI Connectors (IN, OUT 1, OUT 2, THRU/OUT 3)
Used for connecting external MIDI devices and for transmission of MIDI messages (p. 86).
The THRU/OUT 3 connector’s function can be switched to operate either as MIDI THRU or as MIDI OUT (p. 69).
19. OUTPUT L (MONO)/R Jacks
Provide output of the audio signals. These are connected to an amp or other device. For monaural output use the L/MONO jack (p. 15).
20. BALANCED OUT L/R Jacks
Connectors for balanced output of the audio signals. Connect to mixers and other such gear (p. 15).
21. PHONES Jack
A set of headphones can be connected to this jack (p. 15).
Even when headphones are connected, sound will still be output from the OUTPUT jacks and BALANCED OUT jacks.
12
Getting Ready
Align the center
screw on the
bottom of the
RD-700NX with
the center of the
stand.
Placing the RD-700NX on a Stand
If you place the RD-700NX on a stand, you must use the KS-G8 (sold separately). When placing the RD-700NX on the KS-G8, place it in the position shown below.
NOTE
Using the RD-700NX with any other stand may produce an unstable situation, possibly causing the instrument to fall or overturn, and resulting in injury or damage.
For details on how to assemble the stand, refer to the owner’s manual that accompanied the stand.
Seen from the side
Align the seam in the RD-700NX’s panel (on the bottom, near the front) with the corners of the stand’s rubber feet.
Seen from the rear
Align the center screw on the bottom of the RD-700NX with the center of the stand.
NOTE
When placing the RD-700NX on the stand, be careful not to pinch your  ngers between the instrument and the stand.
13
Getting Ready
Connecting the Power Cord
Rear Panel
1. Before you begin making connections, con rm the following.
Is the volume level of the RD-700NX or connected amp turned all the way down?
Is the power to the RD-700NX or connected amp turned o ?
2. Connect supplied power cord to the AC IN connector of the RD-700NX, and plug the other end into an AC outlet.
14
Getting Ready
Connecting the External Equipment to RD-700NX
The RD-700NX is not equipped with an ampli er or speakers. In order to produce sound, you need to hook up audio equipment such as a monitor speaker or a stereo set, or use headphones.
* Audio cables, USB cables, MIDI cables, headphones, expression pedals, and USB memory are not included. Consult your Roland dealer if you need
to purchase accessories such as these.
NOTE
921
To prevent malfunction and/or damage to speakers or other devices, always turn down the volume, and turn o the power on all devices before making any connections.
Power ampli er
Monitor speakers
(powered)
Computer
Mixer etc.
Stereo headphones
to Power outlet
Damper pedal
(DP Series)
RD-700NX Rear Panel
Expression pedal (EV-5, EV-7)
or Pedal switch (DP Series)
MIDI IN
MIDI IN
MIDI OUT
Pedal unit
(RPU-3)
MIDI sound module etc.
MIDI sequencer etc.
V-LINK-compatible
video equipment.
15
Getting Ready
1. Before you begin making connections, con rm the following.
Is the volume level of the RD-700NX or connected amp turned all the way down?
Is the power to the RD-700NX or connected amp turned o ?
2. Connect supplied power cord to the AC IN connector of the RD-700NX, and plug the other end into an AC outlet.
3. Connect the RD-700NX and the external devices.
Use audio cables to connect audio equipment, such as an amp or speakers.
Use MIDI cables to connect MIDI devices. Use USB cables to connect computer.
If you are using headphones, plug them into the PHONES jack.
Connect pedal switches or expression pedals as necessary.
About the Output Jacks
922
RD-700NX is equipped with balanced (XLR) type jacks. Wiring diagrams for these jacks are shown below. Make connections after  rst checking the wiring diagrams of other equipment you intend to connect.
NOTE
Use Stereo headphones.
Use headphones made by Roland. Using other headphones might not give you enough volume.
925
Use only the speci ed expression pedal (EV-5, EV-7; sold separately). By connecting any other expression pedals, you risk causing malfunction and/ or damage to the unit.
MEMO
You can connect a commercially available CD drive (sold separately) to the USB MEMORY connector. You can use a CD drive to play back songs from a CD.
Connecting Pedals
Connect the pedal included with the RD-700NX to one of the PEDAL jacks.
When connected to the DAMPER jack, the pedal can be used as a damper pedal.
Connecting the pedal to the FC1 or FC2 jack allows you to assign a variety of functions to the pedal (p. 57, p. 72).
NOTE
Set the switch on the included pedal to “Continuous” when the pedal is connected.
16
Turning the Power On and O
NOTE
941
Once the connections have been completed (p. 15), turn on power to your various devices in the order speci ed. By turning on devices in the wrong order, you risk causing malfunction and/or damage to speakers and other devices.
Turning On the Power
1. Before you turn on the power, use the [VOLUME] slider to minimize the volume.
Also completely turn down the volume of any connected audio device and other equipment.
Getting Ready
2. Press the upper portion of the [POWER ON] switch on the back of the RD-700NX to turn on the power.
The unit is powered up, and the display’s backlighting comes on.
NOTE
To prevent incorrect functioning of the Pitch Bend/Modulation Lever (p. 34), refrain from touching the lever while the power to the RD-700NX is
turned on.
942
This unit is equipped with a protection circuit. A brief interval (a few seconds) after power up is required before the unit will operate normally.
943
Always make sure to have the volume level turned down before switching on power. Even with the volume all the way down, you may still hear some sound when the power is switched on, but this is normal, and does not indicate a malfunction.
In the unlikely event the power is turned o or cut o while Factory Reset (p. 85) is in progress, the data may become corrupted, and it may require additional time for the unit to start up the next time.
3. Turn on the power to connected external devices.
4. Adjust the volume of the connected external devices.
5. Adjust the RD-700NX’s volume.
Turning O the Power
1. Before you switch on the power, turn the volume down all the way by moving the [VOLUME] slider.
Also completely turn down the volume of any connected audio device and other equipment.
2. Turn o the power to connected external devices.
3. Press the lower portion of the [POWER ON] switch on the back of the RD-700NX.
The power is switched o .
NOTE
945
If you need to turn o the power completely,  rst turn o the [POWER ON] switch, then unplug the power cord from the power outlet. Refer to “Power Supply” (p. 6).
17
Getting Ready
Adjusting the Volume
1. Adjust the volume using the [VOLUME] slider.
Move the slider up to increase the volume, or down to lower it.
Also adjust the volume of the connected device to an appropriate level.
Adjusting the Display Contrast
The characters in the display may be di cult to view immediately after turning on the power or after extended use; this may also be because of where and how the display is situated. In such instances, adjust the display contrast by turning the [DISPLAY CONTRAST] knob on the rear panel.
Rear Panel
Connecting the USB Memory
You can copy Live Set  les and song  les to separately sold USB memory for safekeeping.
You can also play back SMF music  les that’s saved on USB memory, or play audio  les from USB memory (p. 38).
1. Connect your USB memory to the USB MEMORY connector located on the RD-700NX’s rear panel.
Rear Panel
NOTE
930
Never insert or remove a USB memory while this unit’s power is on. Doing so may corrupt the unit’s data or the data on the USB memory.
931
Carefully insert the USB memory all the way in-until it is  rmly in place.
MEMO
If you’re using new USB memory, you must  rst initialize (format) it on the RD-700NX. For details, refer to “Formatting Memory (Format)” (p. 81).
18
Connecting the CD Drive
If you’re using a stand (KS-G8), you can use the screw holes on the bottom of the RD-700NX to attach a CD drive (sold separately).
MEMO
For information on turning on/o your CD drive and how to insert or remove a CD, refer to the owner’s manual that came with your CD drive.
Getting Ready
1. Connect the USB cable included with the CD drive to the RD-700NX’s USB MEMORY connector.
Rear Panel
NOTE
When connecting the USB cable, make sure that it is oriented correctly, and push it  rmly all the way into the connector. Do not use excessive force.
2. Switch on power to the connected CD drive.
3. Switch on the RD-700NX’s power.
NOTE
Use a CD drive sold by Roland. We cannot guarantee operation if any other CD drive is used.
CDs that contain both music tracks and data will not play correctly.
The RD-700NX is capable of playing back only commercial CDs that conform the o cial standards-those that carry the “COMPACT disc DIGITAL
AUDIO” logo.
The usability and sound quality of audio discs that incorporate copyright protection technology and other nonstandard CDs cannot be guaranteed.
For details on music discs that incorporate copyright protection technology, please contact the disc manufacturer.
You cannot save songs to CDs, and you cannot delete songs recorded to CDs. Furthermore, you cannot format CDs.
19
Overview of the RD-700NX
Basic Organization of the RD-700NX
The RD-700NX can be divided into two sections: a controller section and a sound generator section.
Controller Section
Sound Generator Section
Play
This section includes the keyboard, the Pitch Bend/Modulation lever, the panel knobs, the sliders, and any pedal connected to the rear panel. Actions such as pressing and releasing of keys on the keyboard, depressing a damper pedal, and so forth, are converted to MIDI messages and sent to the sound generator section, or to an external MIDI device.
Sound Generator Section
(controllers such as keyboard, pitch bend lever, etc.)
Controller Section
The sound generator section produces the sound. Here, MIDI messages received from the controller section or external MIDI device are converted to musical signals, which are then output as analog signals from the OUTPUT and PHONES jacks.
About Memory
Memory provides storage locations where Live Sets and other settings are stored. There are three types of memory: “temporary memory,” “rewritable memory,” and “non-rewritable memory.”
RD-700NX
Non-rewritable memory
Preset memory
Rewritable memory
System memory
User memory
Live Set 300 sets
Temporary memory (Temporary area)
Live Set
Live Set 100 sets
Temporary memory
Temporary area
Data for the patch you select via the front panel buttons is called up to this area.
When you play the keyboard or play back the SMF, sounds are produced according to the settings that are in the temporary area. When you edit a patch, the changes you make do not directly modify the data in memory; rather, the data is read into the temporary area, then modi ed.
The settings in the temporary area will be lost when you turn o the power or call up other settings. If you want to keep the data that’s in the temporary area, you must store it into rewritable memory.
Rewritable memory
20
Rewritable memory
USB memory
SONG
Live Set
System memory
System memory contains system parameter settings that specify how the RD-700NX is to operate.
User memory
Live Sets can be stored in user memory.
USB memory (p. 18)
Live Sets and songs can be stored in USB memory in the same way as in user memory.
Non-rewritable memory
Preset memory
The data in preset memory cannot be rewritten.
If you’ve edited data that was recalled from preset memory, you can store it in rewritable memory (user memory or USB memory).
About Live Sets
The RD-700NX lets you store the sounds that you create.
A sound you create is called a “Live Set”; you can use the buttons to recall a Live Set and then play it.
Live Sets are organized into a “preset bank” and a “user bank.”
Live Set
Controller Section Sound Generator Section
Overview of the RD-700NX
Layer (UPPER 1)
Layer (UPPER 2)
Layer (LOWER 1)
Layer (LOWER 2)
Tone
Tone
Tone
Tone
Rhythm
MFX1 MFX2
MFX1 MFX2
MFX1 MFX2
MFX1 MFX2
Sound
Focus
Reverb
Chorus
Compressor
Equalizer
Rhythm has only reverb
Layer
The RD-700NX features four parts (UPPER 1, UPPER 2, LOWER 1, and LOWER 2) that you can use for freely controlling the Internal parts with the RD-700NX’s buttons and keyboard. These four parts that are used for controlling the Internal parts are collectively known as the “Layer.”
Furthermore, you can freely control external MIDI sound generators with the RD-700NX in the same manner as with the Layer. You can likewise control the external MIDI sound generator with the four parts (UPPER 1, UPPER 2, LOWER 1, and LOWER 2), with this group of four parts being referred to as the “EXTERNAL Layer.” The external MIDI sound generator is assigned to these four parts for control.
Tone
The individual sounds used when playing the RD-700NX are referred to as “Tones.” Tones are assigned to each layer.
The Tones also include various groups of percussion instrument assembled into “Rhythm Sets.” Each key (note number) of a Rhythm Set will produce a di erent percussion instrument.
Preset bank
This contains 300 pre-programmed Live Sets.
Although you cannot rewrite the contents of this bank, you are free to create new sounds based on these Live Sets.
User bank
Sounds that you create can be saved in this bank of 100 Live Sets.
For details on how to save a sound, refer to “Storing Settings to Live Sets” (p. 45).
21
Overview of the RD-700NX
Basic Operation
Main Screens
985
The explanations in this manual include illustrations that depict what should typically be shown by the display. Note, however, that your unit may incorporate a newer, enhanced version of the system (e.g., includes newer sounds), so what you actually see in the display may not always match what appears in the manual.
ONE TOUCH Screen
When the ONE TOUCH PIANO button or ONE TOUCH E. PIANO button is pressed, setting the RD-700NX to the optimal status for Piano or E. Piano performances, this screen is displayed (p. 26).
Live Set Screen
The currently selected Live Set is displayed (p. 27).
You can edit this Live Set.
Song/Rhythm Screen
When the SONG/RHYTHM [SELECT] button is pressed, this screen is displayed.
You can change Rhythm patterns, Songs, and the tempo (p. 37, p. 38).
You can also connect USB memory (sold separately) to the USB MEMORY connector and play SMF music  les or audio  les that you’ve saved in the USB memory.
Tone Wheel Screen
In the Live Set screen, when any ORGAN Tone “Tone Wheel 1–10” is selected for any of the Layer, this screen is displayed when the Cursor [ ] button is pressed.
The mode when this screen is displayed is called “Tone Wheel mode,” and while in this mode you can simulate the creation of sounds using an organ’s harmonic bars (p. 42).
Pressing the Cursor [EXIT/SHIFT] button when this screen is displayed returns you to the Live Set screen.
If SMF music  le is selected, the measure number is shown in the upper right of the screen. If an audio  le is selected, the playing time is shown in the upper right of the screen.
Press the [EXIT] button to return to the Live Set screen.
MIDI Screen
When the [MIDI] button is pressed, and the RD-700NX switches to the mode enabling it to control an external MIDI sound generator.
The status of this button determines whether the RD-700NX’s buttons are used to control the INTERNAL Layer, or to control the EXTERNAL Layer.
In addition, you can make detailed settings for the MIDI messages to be transmitted to the external sound generator (p. 60).
22
Overview of the RD-700NX
Special Indications
Indication Explanation
When in the Live Set screen, this symbol will be shown in the upper-right part of the screen whenever you select a Live Set that has “TW-Organ 1–10” assigned to any of its layers. Pressing the Cursor [ ] button while this mark is displayed brings up the Tone Wheel screen (p. 42).
About the Function Buttons
[MENU] Button
By pressing the [MENU] button to make the indicator light, you can enter “Edit mode.”
In Edit mode you can make detailed settings for various functions (p. 65).
You can exit Edit mode by pressing the [MENU] button, extinguishing its indicator.
About the Cursor Buttons
The Cursor buttons are used for switching screens, and for moving to an item whose setting you want to change (by moving the cursor).
In the LAYER EDIT screen, these buttons are used to select the layer.
Moving Between Display Pages
When arrow symbols (“ ” and “ ”) appear at the upper right of the display screen, it indicates that there are additional pages in the directions shown by the arrows.
You can switch screens with the Cursor [
] and [ ] buttons.
[WRITE] Button
Stores the current settings to “Live Set” (p. 45).
Navigating Among Items To Be Set (Cursor)
When more than one parameter is present in a screen, the name and value of the parameter to be changed is shown with a box around it. This box is referred to as the “cursor.” The cursor is moved with the Cursor buttons.
Cursor
Additionally, when multiple parameters are presented horizontally in a row, as shown in the MIDI screen, you can get the cursor to move more rapidly by holding down the Cursor button that points in the direction you want the cursor to move while you also press the Cursor button that points in the opposite direction.
23
Overview of the RD-700NX
Editing a Value
When changing settings values, you can use the [DEC] and [INC] buttons, VALUE dial, or the LIVE SET buttons (numeric keys).
[DEC] Button, [INC] Button
Pressing the [INC] button increases the value, and the [DEC] button decreases it.
Purpose Panel operation
To continuously change the value
To rapidly increase the value
To set the item to its default value or turn it o
Hold down the [DEC] button or [INC] button.
While holding down the [INC] button, press the [DEC] button. Conversely, you can rapidly decrease the value by holding down the [DEC] button and pressing the [INC] button.
Press the [DEC] button and [INC] button simultane­ously.
VALUE Dial
Turn the dial clockwise to increase the value, or counterclockwise to decrease the value.
LIVE SET buttons ( Numeric Keys)
In edit screens, you can use the LIVE SET buttons as [0]–[9] buttons to directly specify a numerical value.
When you enter the number, the value will blink. This indicates that the value has not yet been  nalized. To  nalize the value press the [ENTER] button.
MEMO
Only numerical values can be entered using the numeric keys.
To switch the positive (+) or negative (-) signs for numerical values and make continuous changes in the numerical values, press the [DEC] or [INC] button.
24
Listening to the Demo (DEMO PLAY)
Here’s how to listen to these demo songs.
The RD-700NX features the internal demo songs that exhibit the special capabilities of the instrument.
Demo song “Tone Preview” makes e ective use of the internal tones. There are seventeen demo songs, and each of the One Touch buttons and LIVE SET buttons corresponds to one of the songs.
NOTE
981a
All rights reserved. Unauthorized use of this material for purposes other than private, personal enjoyment is a violation of applicable laws.
982
No data for the music that is played will be output from MIDI OUT connectors.
3
2
1
54 2 3
MEMO
When you enter Demo mode, the various settings will be in the same state as they are immediately after the RD-700NX is powered up. Store any arrangements of settings that you want to keep in Live Set (p. 45).
1. Hold down the [SPLIT] button and press the [TRANSPOSE] button.
The Demo screen appears.
2. Use the Cursor [ ] [ ] buttons, the [DEC] [INC] buttons, or the VALUE dial to select a demo song.
3. Press the [ENTER] button or the [TONE EDIT] (PLAY) button to start playback of the demo song.
When the last song  nishes playing, playback will return to the  rst song and continue.
4. Press the [EXIT/SHIFT] button or the [LAYER EDIT] (MENU) button to stop a demo song during playback.
MEMO
If you’ve selected “Tone Preview,” press one of the One Touch buttons or the LIVE SET buttons.
The demo songs will play consecutively, starting with the song of the button you pressed.
Pressing a One Touch button or a LIVE SET button during playback stops the song being played, and playback of the newly selected song begins.
5. Press the [EXIT/SHIFT] button or the [LAYER EDIT] (EXIT) button while the song is stopped to  nish with the Demo screen.
You will return to the previous screen.
NOTE
The RD-700NX’s keyboard will not produce sound while the demo songs are playing.
25
Performance
Piano Performances
Now, try performing with the piano.
The RD-700NX lets you call up the ideal settings for piano performance at any time simply by pressing a button. You can also select your preferred tones and settings and store them to the RD-700NX’s buttons.
12
1. Press the ONE TOUCH PIANO button or the ONE TOUCH E. PIANO button.
Pressing the ONE TOUCH PIANO button sets the entire keyboard to play with the piano tone.
Pressing the ONE TOUCH E. PIANO button sets the entire keyboard to play with the electric piano tone.
NOTE
When you press a ONE TOUCH PIANO button or a ONE TOUCH E. PIANO button, all settings other than the tone settings will be set to their power-up default values. If you want to preserve these settings, store them to a Live Set (p. 45).
2. Use the [DEC] [INC] buttons or turn the VALUE dial to select a variation.
MEMO
By holding down a ONE TOUCH PIANO button or a ONE TOUCH E. PIANO button for several seconds, you can store the variation that’s currently selected for that button. The next time you press that button, the stored variation will be selected.
Making Detailed Settings
With the RD-700NX, you can also make more detailed settings to make the sound even better match your favorite piano performances. Con gurations can be stored for each variation. Please refer to each as needed.
Making Detailed Settings for the Piano Tones
Making Detailed Settings for the E. Piano Tones
NOTE
When you edit a setting, an “*” will appear.
If you turn o the power or select a One Touch tone or a Live Set while the “*” is shown, the changes you made will be discarded. If you want to keep the settings, save the Live Set (p. 45).
p. 46
p. 50
26
Performing with a Variety of Live Sets
The RD-700NX comes with a many built-in Sounds.
Each one of these individual sounds is called a “Live Set.”
Live Sets are assigned to the LIVE SET buttons according to the tone category selected. Each category has several variations.
Try selecting and performing with a number of di erent Live Sets.
2
1. Press the BANK [PRESET] button or the BANK [USER] button to select the bank.
The indicator of the selected button will light.
2. Press any of the LIVE SET buttons to select the category.
The indicator of the selected LIVE SET button will light.
3. Use the [DEC] [INC] buttons or VALUE dial to select the tone.
Play the keyboard, and you will hear the selected Live Set.
NOTE
When you edit a setting, an “*” will appear.
If you turn o the power or select a di erent Live Set when an “*” is shown in the display, the setting changes you’ve made will be discarded. If you want to keep the settings, save the Live Set (p. 45).
Performance
13
27
Performance
Playing Multiple Tones with the Keyboard
The RD-700NX features four Internal layers (UPPER 1, UPPER 2, LOWER 1, and LOWER 2), and one tone can be assigned to each of these layers.
You can perform using combinations of tones by turning each layer on or o . You can have multiple tones layered together at the same time, and even have di erent tones played in the left and right parts of the keyboard.
Performing with Layered Tones
You can perform with up to four layered tones applied to the entire keyboard.
1 2
1. Press the [UPPER 1] button and [UPPER 2] button, getting the indicators to light.
Try  ngering the keyboard.
The Tones for UPPER 1 and UPPER 2 are layered and played.
UPPER 1
UPPER 2
LOWER 1
LOWER 2
2. Press the [UPPER 2] button once more, and the indicator light goes out.
The Tones for UPPER 1 played.
Likewise, pressing the [LOWER 1] button and [LOWER 2] button lets you then layer four tones.
28
Performance
Playing Di erent Tones in Two Di erent Sections of the Keyboard
Such a division of the keyboard into right- and left-hand sections is called a “ Split,” and the key where the division takes place is called the “Split Point.”
While in Split mode, a sound played in the right side is called an “UPPER part,” and the sound played in the left side is called a “LOWER part.” The split-point key is included in the LOWER section.
The Split Point has been set at the factory to “F#3.”
MEMO
You can change the split point. Please refer to “Changing the Keyboard’s Split Point” (p. 29).
1 2
1. Press the [SPLIT] button, getting the indicator to light.
[LOWER 1] button lights.
Try  ngering the keyboard.
The UPPER tone plays in the right-hand section of the keyboard, and the LOWER tone plays in the left-hand section.
LOWER 1 UPPER 1
2. To exit Split mode, press the [SPLIT] button once more, and the indicator light goes out.
Changing the Keyboard’s Split Point
You can change the point at which the keyboard is divided (the Split Point) in Split mode.
1. Hold down the [SPLIT] button for several seconds.
Current value of the setting is displayed.
2. While holding down the [SPLIT] button, press the key that is to become the new split point.
When you release the [SPLIT] button, the previous display will reappear.
The split-point key is included in the LOWER section.
When you specify the split point, each layer’s key range “LWR (Key Range
Lower)” (p. 56) and “UPR (Key Range Upper)” (p. 56) will be divided to left and right at the split point, and will be set to the values shown in the table.
MEMO
When the split point is changed, the Key Range “LWR (Key Range Lower)”
(p. 56), “UPR (Key Range Upper)” (p. 56) value also changes.
You can change the split point, adjusting it in semitone increments, by holding down the [SPLIT] button and pressing the [DEC] [INC] buttons. You can also use the VALUE dial to change the split point.
You can freely set whatever key ranges you like to each layer. For details, refer to “LWR (Key Range Lower)” (p. 56), “UPR (Key Range Upper)” (p. 56).
Layer Range
UPPER 1, UPPER 2 Split Point +1–C8
LOWER 1, LOWER 2 A0–Split Point
LOWER 2
Split Point (F#3)
UPPER 1
UPPER 2
LOWER 1
29
Performance
Changing the Tone for a Layer
3
1 2
1. Press the [Layer EDIT] button to access the layer edit screen.
2. Use the Cursor [
Layers that have their Layer switch turned o are dimmed in the screen.
3. Use the LIVE SET buttons to select the tone category, and then use the [DEC] [INC] buttons or the VALUE dial to select a tone.
MEMO
If you use the [ ] [ ] buttons to select a layer whose Layer switch is o (unlit), the Layer switch of the selected layer will blink. If you then press the blinking button, that layer’s Layer switch will turn on (lit).
] [ ] buttons to select the layer whose tone you want to change.
3
30
Performance
Adjusting the Volume Level for Individual Layers
With the RD-700NX, each of the parts that is performed using the internal sound generator is referred to as a Layer.
For each layer (UPPER 1, UPPER 2, LOWER 1, LOWER 2), you can use the Layer switch and Layer LEVEL slider to turn the sound on/o and adjust its volume.
Layer
Switch
Layer
LEVEL
Sliders
Layer Switch
These buttons turn each layer on/o .
Layers for which the Layer switch indicator is lit (on) will produce sound when you play the keyboard.
Layers for which the Layer switch indicator is unlit (o ) will not produce sound even if you play the keyboard.
Each Layer switch will alternately turn on/o each time it is pressed.
Layer LEVEL Slider
Adjusts the volume of an individual layer.
When a layer’s Layer switch indicator is not lighted, no sound is produced for the layer even when the slider is moved.
MEMO
Use the [VOLUME] slider when adjusting the overall volume level (p. 18).
NOTE
If the CONTROL indicator is lit, you can’t use the Layer LEVEL sliders to adjust the volume (p. 73).
31
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