Roland RD-300NX Patch/Performance List

Data List

Contents

Live Set List . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3

PIANO . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3

E.PIANO . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .3

PRESET . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3

CLAV/MALLET . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3

STRINGS/PAD . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3

ORGAN . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4

GUITAR/BASS. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4

CHOIR/SCAT . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5

BRASS/SYNTH . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .5

USER . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .6

CLAV/MALLET . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6

STRINGS/PAD . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6

ORGAN . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6

GUITAR/BASS. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6

CHOIR/SCAT . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6

BRASS/SYNTH . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .6

Tone List . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .7

PIANO . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7

E.PIANO . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .7

CLAV/MALLET . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7

STRINGS/PAD . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8

ORGAN . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9

GUITAR/BASS . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .10

CHOIR/SCAT . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .11

BRASS/SYNTH . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .12

Rhythm Set List . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .16

Rhythm Pattern List . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .21

Eect Parameter List . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .23

Multi-Eects Parameter . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .23

Chorus Parameter . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .46

Reverb Parameter . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .47

Live Set List

PIANO

No LIVE SET Name MSB LSB PC

01 Concert Grand 84 0 1

02 Bright Concert 84 0 2

03 Mellow Concert 84 0 3

04 Honky-tonk 84 0 4

05 NarrowStereoGd 84 0 5

06 Rock Grand 84 0 6

07 Concert Mono 84 0 7

08 ConcertGrd+Str 84 0 8

09 ConcertGrd+Cho 84 0 9

10 ConcertGrd/Bass 84 0 10

E.PIANO

No LIVE SET Name MSB LSB PC

01 Tine E.Piano 84 0 11

02 Reed E.Piano 84 0 12

03 Phaser Tine EP 84 0 13

04 Chorus Tine EP 84 0 14

05 Dyno Tine EP 84 0 15

06 Comp Reed EP 84 0 16

07 Driven Reed EP 84 0 17

08 Rotary Reed EP 84 0 18

09 SA E.Piano 84 0 19

10 Chorus SA EP 84 0 20

11 Delay Tine EP 84 0 21

12 Wah Tine EP 84 0 22

13 Driven Tine EP 84 0 23

14 Phaser Reed EP 84 0 24

15 Wah Reed EP 84 0 25

PRESET

CLAV/MALLET

No LIVE SET Name MSB LSB PC

001 Clav 1 84 0 26

002 Phaser Clav 84 0 27

003 Clav 2 84 0 28

004 Reso Clav 84 0 29

005 Pulse Clav 1 84 0 30

006 Pulse Clav 2 84 0 31

007 Sweepin Clav 84 0 32

008 Analog Clav 84 0 33

009 Biting Clav 84 0 34

010 DigiClav 84 0 35

011 Harpsichord 84 0 36

012 Coupled Harpsi 84 0 37

013 Room Harpsi 84 0 38

014 Enhanced Harpsi 84 0 39

015 Harpsitur 84 0 40

016 Harpsi/Flute 84 0 41

017 Vibraphone 1 84 0 42

018 Vibraphone 2 84 0 43

019 Vibraphone Tr 84 0 44

020 Marimba 1 84 0 45

021 Marimba 2 84 0 46

022 Marimba 3 84 0 47

023 Xylophone 84 0 48

024 Bass Marimba 84 0 49

025 Celesta 84 0 50

026 Glockenspiel 84 0 51

027 Music Box 84 0 52

028 Kalimba 84 0 53

029 Kalimba Bells 84 0 54

030 Steel Drums 84 0 55

031 FM Syn Bell 84 0 56

032 Dreaming Bell 84 0 57

033 Music Bells 84 0 58

034 Bell 84 0 59

035 Crystal 84 0 60

STRINGS/PAD

No LIVE SET Name MSB LSB PC

036 Slow Strings 84 0 61

037 Strings 1 84 0 62

038 Strings 2 84 0 63

039 Strings Stacc 84 0 64

040 Strings 3 84 0 65

041 Strings 4 84 0 66

042 Strings 5 84 0 67

043 Stage Strings 1 84 0 68

044 Stage Strings 2 84 0 69

045 Orchestra 1 84 0 70

Live Set List

No LIVE SET Name MSB LSB PC

046 Orchestra 2 84 0 71

047 Hybrid Strings 84 0 72

048 Tremolo Str 84 0 73

049 TapeStrings 84 0 74

050 Syn.Strings1 84 0 75

051 Syn.Strings2 84 0 76

052 JP Strings 1 84 0 77

053 JP Strings 2 84 0 78

054 106 Strings 84 0 79

055 VintageStr 1 84 0 80

056 VintageStr 2 84 0 81

057 PWM Str 1 84 0 82

058 PWM Str 2 84 0 83

059 Violin 84 0 84

060 Pizzicato 84 0 85

061 Soft Pad 1 84 0 86

062 Soft Pad 2 84 0 87

063 Soft Pad 3 84 0 88

064 Soft Pad 4 84 0 89

065 Soft Pad 5 84 0 90

066 Soft Pad 6 84 0 91

067 Bell Pad 84 0 92

068 Airy Pad 84 0 93

069 Hollow Pad 1 84 0 94

070 Hollow Pad 2 84 0 95

071 Warm Heaven 1 84 0 96

072 Warm Heaven 2 84 0 97

073 Heaven Pad 84 0 98

074 Wine Pad 84 0 99

075 Digital Pad 84 0 100

076 Sweep Pad 1 84 0 101

077 Sweep Pad 2 84 0 102

078 5th Pad 1 84 0 103

079 5th Pad 2 84 0 104

080 Paradise Pad 84 0 105

ORGAN

No LIVE SET Name MSB LSB PC

081 Rock Organ 1 84 0 106

082 Rock Organ 2 84 0 107

083 Rock Organ 3 84 0 108

084 Rock Organ 4 84 0 109

085 Rock Organ 5 84 0 110

086 Crunch Organ 1 84 0 111

087 Crunch Organ 2 84 0 112

088 Crunch Organ 3 84 0 113

089 Crunch Organ 4 84 0 114

090 60's Organ 84 0 115

091 70's E.Organ 1 84 0 116

092 70's E.Organ 2 84 0 117

093 70's E.Organ 3 84 0 118

094 Pu Organ 84 0 119

095 Nason Flute 84 0 120

096 Massive Organ 84 0 121

No LIVE SET Name MSB LSB PC

097 Mid Pipe Organ 84 0 122

098 Pipe Organ 84 0 123

099 Accordion Fr 84 0 124

100 Accordion It 1 84 0 125

101 Accordion It 2 84 0 126

102 Musette 84 0 127

103 Bandoneon 84 0 128

104 Harmonica 1 84 1 1

105 Harmonica 2 84 1 2

GUITAR/BASS

No LIVE SET Name MSB LSB PC

106 Nylon Guitar 84 1 3

107 Folk Guitar 84 1 4

108 Clean Guitar 84 1 5

109 Jazz Guitar 84 1 6

110 Mute Guitar 84 1 7

111 12-str.Gtr 84 1 8

112 Chorus Gtr 84 1 9

113 Pick E.Gtr 84 1 10

114 Wet E.Gtr 84 1 11

115 Funk Guitar 84 1 12

116 Funk Pop 84 1 13

117 Overdrive Gt 84 1 14

118 DistortionGtr 84 1 15

119 Metal Stack 84 1 16

120 Dist Gtr Mute 84 1 17

121 Mandolin 84 1 18

122 Yang Qin 84 1 19

123 Santur 84 1 20

124 Sitar 84 1 21

125 Banjo 84 1 22

126 Acoustic Bs1 84 1 23

127 Acoustic Bs2 84 1 24

128 Fingered Bs 84 1 25

129 Picked Bass 84 1 26

130 Fretless Bs 84 1 27

131 Slap Bass 84 1 28

132 MG Bass 84 1 29

133 Modular Bs 84 1 30

134 TB Bass 84 1 31

135 Big Mini 84 1 32

136 Fat Analog 84 1 33

137 Spike Bass 84 1 34

138 SH Bass 84 1 35

139 Synth Bass 1 84 1 36

140 Synth Bass 2 84 1 37

141 Synth Bass 3 84 1 38

142 Fat Bass 84 1 39

143 Reso Bass 1 84 1 40

144 Reso Bass 2 84 1 41

145 101 Bass 84 1 42

Live Set List

CHOIR/SCAT

No LIVE SET Name MSB LSB PC

146 Jazz Scat 84 1 43

147 Choir 1 84 1 44

148 Choir 2 84 1 45

149 Choir 3 84 1 46

150 Space Voice 84 1 47

151 Voice Oohs 84 1 48

152 Humming 84 1 49

153 Sop Vox 84 1 50

154 Vox Pad 84 1 51

155 SynVox 84 1 52

156 Dreamvox 84 1 53

BRASS/SYNTH

No LIVE SET Name MSB LSB PC

157 Brass 1 84 1 54

158 Brass 2 84 1 55

159 Brass 3 84 1 56

160 Brass 4 84 1 57

161 Brass 5 84 1 58

162 F.Horn Sect 84 1 59

163 Tp & Sax 84 1 60

164 Trumpet 84 1 61

165 Dark Trumpet 84 1 62

166 Mute Trumpet 84 1 63

167 Trombone 84 1 64

168 Tuba 84 1 65

169 French Horn 84 1 66

170 Soprano Sax 84 1 67

171 Alto Sax 84 1 68

172 Tenor Sax 84 1 69

173 Baritone Sax 84 1 70

174 Oboe 84 1 71

175 Clarinet 84 1 72

176 Flute 84 1 73

177 Bottle Blow 84 1 74

178 Pan Flute 84 1 75

179 Pan Pipes 84 1 76

180 Shakuhachi 84 1 77

181 Dream Keys 84 1 78

182 Super Saw 84 1 79

183 Jump Poly 84 1 80

184 Dreambell 84 1 81

185 Stacc Heaven 84 1 82

186 Fantasia 84 1 83

187 D-50 Bell 84 1 84

188 Saw Lead 1 84 1 85

189 Saw Lead 2 84 1 86

190 Synth Brass1 84 1 87

191 Synth Brass2 84 1 88

192 Analog Saws 84 1 89

193 Soft SynBrs1 84 1 90

No LIVE SET Name MSB LSB PC

194 Soft SynBrs2 84 1 91

195 EuroExpress1 84 1 92

196 EuroExpress2 84 1 93

197 JP Brass 1 84 1 94

198 JP Brass 2 84 1 95

199 106 Brass 84 1 96

200 Dual Saw Brs 84 1 97

Live Set List

USER

CLAV/MALLET

No LIVE SET Name MSB LSB PC

001 Concert Grand 84 64 1

002 Bright Concert 84 64 2

003 Mellow Concert 84 64 3

004 Honky-tonk 84 64 4

005 NarrowStereoGd 84 64 5

006 Rock Grand 84 64 6

007 Concert Mono 84 64 7

008 ConcertGrd+Str 84 64 8

009 ConcertGrd+Cho 84 64 9

010 ConcertGrd/Bass 84 64 10

STRINGS/PAD

No LIVE SET Name MSB LSB PC

011 Tine E.Piano 84 64 11

012 Reed E.Piano 84 64 12

013 Phaser Tine EP 84 64 13

014 Chorus Tine EP 84 64 14

015 Dyno Tine EP 84 64 15

016 Comp Reed EP 84 64 16

017 Driven Reed EP 84 64 17

018 Rotary Reed EP 84 64 18

019 SA E.Piano 84 64 19

020 Chorus SA EP 84 64 20

GUITAR/BASS

No LIVE SET Name MSB LSB PC

031 INIT LIVE SET 84 64 31

032 INIT LIVE SET 84 64 32

033 INIT LIVE SET 84 64 33

034 INIT LIVE SET 84 64 34

035 INIT LIVE SET 84 64 35

036 INIT LIVE SET 84 64 36

037 INIT LIVE SET 84 64 37

038 INIT LIVE SET 84 64 38

039 INIT LIVE SET 84 64 39

040 INIT LIVE SET 84 64 40

CHOIR/SCAT

No LIVE SET Name MSB LSB PC

041 INIT LIVE SET 84 64 41

042 INIT LIVE SET 84 64 42

043 INIT LIVE SET 84 64 43

044 INIT LIVE SET 84 64 44

045 INIT LIVE SET 84 64 45

046 INIT LIVE SET 84 64 46

047 INIT LIVE SET 84 64 47

048 INIT LIVE SET 84 64 48

049 INIT LIVE SET 84 64 49

050 INIT LIVE SET 84 64 50

BRASS/SYNTH

ORGAN

No LIVE SET Name MSB LSB PC

021 Delay Tine EP 84 64 21

022 Wah Tine EP 84 64 22

023 Driven Tine EP 84 64 23

024 Phaser Reed EP 84 64 24

025 Wah Reed EP 84 64 25

026 INIT LIVE SET 84 64 26

027 INIT LIVE SET 84 64 27

028 INIT LIVE SET 84 64 28

029 INIT LIVE SET 84 64 29

030 INIT LIVE SET 84 64 30

No LIVE SET Name MSB LSB PC

051 INIT LIVE SET 84 64 51

052 INIT LIVE SET 84 64 52

053 INIT LIVE SET 84 64 53

054 INIT LIVE SET 84 64 54

055 INIT LIVE SET 84 64 55

056 INIT LIVE SET 84 64 56

057 INIT LIVE SET 84 64 57

058 INIT LIVE SET 84 64 58

059 INIT LIVE SET 84 64 59

060 INIT LIVE SET 84 64 60

Tone List

PIANO

No Tone Name MSB LSB PC

001 ConcertGrand 114 0 1

002 Honky-tonk1 114 0 2

003 Concert Mono 114 0 3

004 St.Piano 1 87 0 1

005 St.Piano 2 87 0 2

006 St.Piano 3 87 0 3

007 St.Piano 4 87 0 4

008 St.Piano 5 87 0 5

009 Brite Piano 87 0 6

010 Stage Piano 87 0 7

011 Honky Tonk 87 0 8

012 Pop Piano 1 87 0 9

013 Pop Piano 2 87 0 10

014 Pop Piano 3 87 0 11

015 Piano 1 121 0 1

016 Piano 1 w 121 1 1

017 European Pf 121 2 1

018 Piano 2 121 0 2

019 Piano 2 w 121 1 2

020 Piano 3 121 0 3

021 Piano 3 w 121 1 3

022 Honky-tonk 121 0 4

023 Honky-tonk w 121 1 4

E.PIANO

No Tone Name MSB LSB PC

024 TINE EP 89 64 5

025 REED EP 89 65 5

026 Stage EP 1 87 0 12

027 Stage EP 2 87 0 13

028 Stage EP Trm 87 0 14

029 Tremolo EP 1 87 0 15

030 E.Piano 3 87 0 16

031 E.Piano 4 87 0 17

032 E.Piano 5 87 0 18

033 E.Piano 6 87 0 19

034 E.Piano 7 87 0 20

035 E.Piano 8 87 0 21

036 Dyno EP 87 0 22

037 Dyno EP Trm 87 0 23

038 Tremolo EP 2 87 0 24

039 Back2the60s 87 0 25

040 Tine EP 87 0 26

041 SA EP 1 87 0 27

042 SA EP 2 87 0 28

043 Psy EP 87 0 29

044 Hit EP 87 65 3

045 Wurly EP 87 0 30

046 Wurly EP Trm 87 0 31

047 Curly Wurly 87 0 32

048 Super Wurly 87 0 33

No Tone Name MSB LSB PC

049 EP Legend 3 87 0 34

050 EP Belle 87 0 35

051 80's EP 87 0 36

052 FM EP 1 87 0 37

053 FM EP 2 87 0 38

054 Sinus EP 87 0 39

055 Spirit Tines 87 0 40

056 E.Piano 1 121 0 5

057 St.Soft EP 121 1 5

058 EP Legend 1 121 2 5

059 Wurly 121 3 5

060 E.Piano 2 121 0 6

061 Detuned EP 121 1 6

062 St.FM EP 121 2 6

063 EP Legend 2 121 3 6

064 EP Phase 121 4 6

065 E.Grand 1 87 65 22

066 E.Grand 2 87 65 23

067 E.Grand 3 87 65 24

CLAV/MALLET

No Tone Name MSB LSB PC

068 Clav 121 0 8

069 Clav 2 87 0 42

070 Pulse Clav 121 1 8

071 Pulse Clav 2 87 0 43

072 Sweepin Clav 87 0 44

073 Analog Clav 87 0 45

074 Biting Clav 87 0 46

075 Pulse Clv St 87 0 47

076 Natural Hps. 87 66 16

077 Harpsichord 121 0 7

078 Harpsichord2 87 0 41

079 Coupled Hps 121 1 7

080 Harpsi w 121 2 7

081 Harpsi o 121 3 7

082 Vibraphone 121 0 12

083 Vibraphone 2 87 0 68

084 VibraphoneTr 87 0 69

085 Vibraphone w 121 1 12

086 Tremolo Vib 87 0 70

087 Jazz Vib 87 4 3

088 Marimba 121 0 13

089 Marimba 2 87 0 71

090 Marimba 3 87 0 72

091 Marimba w 121 1 13

092 BsMarimba 1 87 4 4

093 BsMarimba 2 87 4 5

094 Xylophone 121 0 14

095 Xylophone 2 87 0 74

096 Xylophone 3 87 0 75

097 Ethno Keys 87 0 76

098 Celesta 121 0 9

099 Glockenspiel 121 0 10

Tone List

No Tone Name MSB LSB PC

100 Music Box 121 0 11

101 Music Box 2 87 0 55

102 Kalimba 121 0 109

103 Kalimbells 87 0 57

104 Steel Drums 121 0 115

105 Steel Drums2 87 0 73

106 Soft StlDrm 87 4 2

107 FM Sparkles 87 0 48

108 FM Syn Bell 87 0 49

109 FM Heaven 87 0 50

110 D50 Fantasy 87 0 51

111 D50 Bell 87 0 52

112 Dreaming Bel 87 0 53

113 Analog Bell 87 0 54

114 Music Bells 87 0 56

115 Bell 1 87 0 58

116 Bell 2 87 0 59

117 Org Bell 87 4 1

118 Crystal 121 0 99

119 Tinkle Bell 121 0 113

120 Icy Keys 87 0 60

121 Toy Box 87 0 61

122 Dreambell 87 0 66

123 Sine Mallet 87 4 6

124 Syn Mallet 121 1 99

125 TubularBells 121 0 15

126 TubularBell2 87 0 64

127 Church Bell 121 1 15

128 Carillon 121 2 15

129 Carillon 2 87 0 62

130 Tower Bell 87 0 63

131 Bell Ring 87 0 65

STRINGS/PAD

No Tone Name MSB LSB PC

132 GX Strings 87 68 1

133 Mood Strings 87 1 70

134 Slow Strings 121 0 50

135 DecayStrings 87 68 27

136 Strings 121 0 49

137 Strings 2 87 1 71

138 Strings 3 87 1 72

139 Strings 4 87 1 73

140 Strings 5 87 1 74

141 Strings 6 87 4 33

142 Stage Str 1 87 1 75

143 Stage Str 2 87 1 76

144 Pop Str 87 1 77

145 Hall Strings 87 4 34

146 Marc.Str 87 1 78

147 StringsStacc 87 1 79

148 Orchestra 121 1 49

149 Oct Strings 121 2 49

150 Orc.Unison 1 87 1 86

No Tone Name MSB LSB PC

151 Orc.Unison 2 87 1 87

152 Full Orc 87 4 35

153 Tremolo Str 121 0 45

154 TapeStrings1 87 1 82

155 TapeStrings2 87 1 83

156 Hybrid Str 87 1 84

157 Violin 121 0 41

158 Violin 2 87 1 85

159 Slow Violin 121 1 41

160 Bright Vln 87 4 31

161 Viola 121 0 42

162 Cello 121 0 43

163 Bright Vc 87 4 32

164 Contrabass 121 0 44

165 PizzicatoStr 121 0 46

166 Pizz 1 87 1 80

167 Pizz 2 87 1 81

168 Harp 121 0 47

169 Yang Qin 121 1 47

170 Timpani 121 0 48

171 Fiddle 121 0 111

172 Cheezy Movie 87 4 49

173 CalmChoirPad 87 69 1

174 Soft Pad 1 87 3 28

175 Soft Pad 2 87 3 29

176 Soft Pad 3 87 3 30

177 Soft Pad 4 87 3 31

178 Soft Pad 5 87 3 32

179 Soft Pad 6 87 3 33

180 Soft Pad 7 87 3 34

181 Soft Pad 8 87 3 35

182 Soft Pad 9 87 3 36

183 Soft Pad 10 87 3 37

184 Dreamheaven 87 3 16

185 Air Key 1 87 3 17

186 Air Key 2 87 3 21

187 Sweet Keys 87 3 18

188 Soft Bell 87 3 20

189 Oct Heaven 87 3 22

190 Stacc Heaven 87 3 23

191 DigitalDream 87 3 24

192 Analog Dream 87 3 25

193 Harp Pad 87 3 26

194 Sitar Pad 87 3 27

195 VintageStr 1 87 3 38

196 VintageStr 2 87 3 39

197 VintageStr 3 87 3 40

198 VintageStr 4 87 3 41

199 VintageStr 5 87 3 42

200 VintageStr 6 87 3 43

201 VintageStr 7 87 3 44

202 JX Strings 87 3 45

203 JP Strings 1 87 3 46

204 JP Strings 2 87 3 47

205 106 Strings 87 3 48

206 PWM Str 1 87 3 49

Tone List

No Tone Name MSB LSB PC

207 PWM Str 2 87 3 50

208 PWM Str 3 87 4 81

209 Fading Str 87 3 51

210 ParadisePad 87 3 52

211 80s Strings 87 3 53

212 Stringship 87 3 54

213 Airy Pad 87 3 55

214 Neo RS-202 87 3 56

215 Sawtooth Str 87 3 57

216 Pulse Pad 87 3 58

217 Hollow Pad 1 87 3 59

218 WarmHeaven 1 87 3 60

219 WarmHeaven 2 87 3 61

220 Heaven Key 87 3 11

221 Heaven Pad 1 87 3 12

222 Heaven Pad 2 87 3 13

223 Heaven Pad 3 87 3 62

224 Heaven Pad 4 87 3 63

225 FineWinePad1 87 3 64

226 FineWinePad2 87 3 65

227 5th Pad 1 87 3 66

228 5th Pad 2 87 3 67

229 Nu Epic Pad 87 3 68

230 Angelis Pad 87 3 69

231 TrnsSweepPad 87 3 70

232 Giant Sweep 87 3 71

233 Voyager 87 3 72

234 Digital Pad 87 3 73

235 NuSoundtrack 87 3 74

236 Xadecimal 87 3 75

237 PanninFormnt 87 3 76

238 Fairy's Song 87 3 77

239 Atmospherics 87 3 78

240 Strobe Pad 87 3 79

241 StrobeBell 1 87 3 80

242 StrobeBell 2 87 3 81

243 Flying Pad 1 87 3 82

244 Flying Pad 2 87 3 83

245 Flying Pad 3 87 3 84

246 Flying Pad 4 87 3 85

247 Flying Pad 5 87 3 86

248 Shimmer Pad 87 3 107

249 BUBBLE 1 87 4 65

250 BUBBLE 2 87 4 66

251 BUBBLE 3 87 4 67

252 Soft PWM Pad 87 4 75

253 Org Pad 87 4 76

254 Hollow Pad 2 87 4 77

255 SavannaPad 1 87 4 78

256 SavannaPad 2 87 4 79

257 SavannaPad 3 87 4 80

258 PWM Pad 1 87 3 4

259 PWM Pad 2 87 4 82

260 Str Machine 87 4 83

261 Reso Pad 87 4 84

262 BPF Pad 87 4 85

No Tone Name MSB LSB PC

263 Sweep Pad 121 0 96

264 Sweep Pad 2 87 4 87

265 Sweep Pad 3 87 4 88

266 Sweep Pad 4 87 4 89

267 Scoop Pad 1 87 4 90

268 Scoop Pad 2 87 4 91

269 Brite Wine 87 4 92

270 Wine Pad 87 4 93

271 Sine Magic 87 4 95

272 Syn.Strings1 121 0 51

273 Syn.Strings2 121 0 52

274 Syn.Strings3 121 1 51

275 Fantasia 121 0 89

276 Warm Pad 121 0 90

277 Sine Pad 121 1 90

278 Poly Synth 121 0 91

279 Bowed Glass 121 0 93

280 Metal Pad 121 0 94

281 Halo Pad 121 0 95

282 Ice Rain 121 0 97

283 Soundtrack 121 0 98

284 Atmosphere 121 0 100

285 Brightness 121 0 101

ORGAN

No Tone Name MSB LSB PC

286 Rock Organ 1 87 0 77

287 Rock Organ 2 87 0 78

288 Rock Organ 3 87 0 79

289 Rock Organ 4 87 0 80

290 Rock Organ 5 87 0 81

291 RotaryOrgan1 87 0 82

292 RotaryOrgan2 87 0 83

293 Perc. Organ 121 2 18

294 Perc.Organ 2 87 0 84

295 Perc.Organ 3 87 0 85

296 Perc.Organ 4 87 0 86

297 E.Organ 1 87 0 87

298 E.Organ 2 87 0 88

299 E.Organ 3 87 0 89

300 E.Organ 4 87 0 90

301 E.Organ 5 87 0 91

302 E.Organ 6 87 0 92

303 E.Organ 7 87 0 93

304 Pu Organ 121 1 21

305 Nason Flute 87 67 19

306 Massive Pipe 87 67 17

307 Mid Pipe Org 87 67 18

308 Grand Pipes 87 0 96

309 Church Org 1 121 0 20

310 Church Org 2 121 1 20

311 Church Org 3 121 2 20

312 Theater Org 87 67 20

313 Accordion Fr 121 0 22

Tone List

No Tone Name MSB LSB PC

314 Accordion It 121 1 22

315 AccordionIt2 87 0 97

316 Musette 87 0 98

317 Vodkakordion 87 0 99

318 Bandoneon 121 0 24

319 Harmonica 121 0 23

320 Harmonica 2 87 0 100

321 70's E.Org 1 87 0 94

322 70's E.Org 2 87 0 95

323 Ana Organ 1 87 4 7

324 Ana Organ 2 87 4 8

325 Ana Organ 3 87 4 9

326 Ana Organ 4 87 4 10

327 Ana Organ 5 87 4 11

328 Organ 1 121 0 17

329 Trem. Organ 121 1 17

330 60's Organ 121 2 17

331 70's E.Organ 121 3 17

332 Organ 2 121 0 18

333 Chorus Organ 121 1 18

334 Organ 3 121 0 19

335 Reed Organ 121 0 21

GUITAR/BASS

No Tone Name MSB LSB PC

336 Nylon Gtr 1 121 0 25

337 Nylon Gtr 2 121 3 25

338 Nylon Gtr 3 87 0 101

339 Nylon Gtr 4 87 0 102

340 Nylon Gtr 5 87 0 103

341 Nylon Gtr 6 87 0 104

342 Wet Nyln Gtr 87 0 105

343 Folk Gtr 1 87 0 107

344 Folk Gtr 2 87 0 108

345 Folk Gtr 3 87 0 109

346 Latin Gtr 87 0 110

347 Clean Gtr 1 87 0 117

348 Clean Gtr 2 87 0 118

349 Clean Gtr 3 87 0 119

350 Jazz Guitar 121 0 27

351 Jazz Guitar2 87 0 120

352 Pick E.Gtr 87 0 121

353 Funk Guitar 121 2 29

354 Funk Guitar2 87 0 122

355 Wet E.Gtr 87 0 123

356 Overdrive Gt 121 0 30

357 OverdriveGt2 87 0 124

358 Guitar Pinch 121 1 30

359 Dist Gtr 1 87 0 125

360 Dist Gtr 2 87 0 126

361 Dist Gtr 3 87 0 127

362 DistortionGt 121 0 31

363 Gt Feedback1 121 1 31

364 Dist Rtm Gtr 121 2 31

No Tone Name MSB LSB PC

365 Ukulele 121 1 25

366 Ukulele 2 87 0 106

367 Nylon Gtr 1o 121 2 25

368 Steel-str.Gt 121 0 26

369 12-str. Gtr 121 1 26

370 Mandolin 121 2 26

371 Steel + Body 121 3 26

372 Pedal Steel 121 1 27

373 Pedal Steel2 87 4 12

374 Clean Guitar 121 0 28

375 Chorus Gtr 121 1 28

376 Mid Tone Gtr 121 2 28

377 Muted Guitar 121 0 29

378 Funk Pop 121 1 29

379 Jazz Man 121 3 29

380 Gt Harmonics 121 0 32

381 Gt Feedback2 121 1 32

382 Sitar 1 121 0 105

383 Sitar 2 121 1 105

384 Sitar 3 87 0 115

385 Banjo 121 0 106

386 Shamisen 121 0 107

387 Koto 121 0 108

388 Taisho Koto 121 1 108

389 Aerial Harp 87 0 113

390 LostParadise 87 0 114

391 Indian Frtls 87 0 116

392 Santur 121 0 16

393 Santur 2 87 0 111

394 Santur 3 87 0 112

395 Acoustic Bs 121 0 33

396 Acoustic Bs2 87 0 128

397 Acoustic Bs3 87 1 1

398 Fingered Bs 121 0 34

399 Fingered Bs2 87 1 2

400 Fingered Bs3 87 1 3

401 Fingered Bs4 87 1 4

402 Pick Bass 87 1 5

403 Picked Bass 121 0 35

404 Fretless Bs 121 0 36

405 FretlessBs 2 87 1 6

406 FretlessBs 3 87 1 7

407 Finger Slap 121 1 34

408 Finger Slap2 87 1 8

409 Slap Bass 1 121 0 37

410 Slap Bass 2 121 0 38

411 Return2Base! 87 1 9

412 MG Bass 1 87 1 10

413 MG Bass 2 87 1 11

414 MG Bass 3 87 1 12

415 Modular Bs 1 87 1 13

416 Modular Bs 2 87 1 14

417 PWM Bass 1 87 1 15

418 PWM Bass 2 87 1 16

419 Big Mini 87 1 17

420 Fat Analog 87 1 18

Tone List

No Tone Name MSB LSB PC

421 Spike Bass 87 1 19

422 SH Bass 87 1 20

423 Intrusive Bs 87 1 21

424 Synth Bass 1 121 0 39

425 Synth Bass 2 121 0 40

426 Synth Bass 3 87 1 22

427 Synth Bass 4 87 1 23

428 Synth Bass 5 87 1 24

429 Synth Bass 6 87 1 25

430 Synth Bass 7 87 1 26

431 Synth Bass 8 87 1 27

432 Synth Bass 9 87 1 28

433 Synth Bass10 87 1 29

434 Synth Bass11 87 1 30

435 Synth Bass12 87 1 31

436 Synth Bass13 87 1 32

437 Synth Bass14 87 1 33

438 Reso Bass 1 87 1 34

439 Reso Bass 2 87 1 35

440 Reso Bass 3 87 1 36

441 Reso Bass 4 87 1 37

442 Reso Bass 5 87 1 38

443 Reso Bass 6 87 1 39

444 Reso Bass 7 87 1 40

445 Reso Bass 8 87 1 41

446 Reso Bass 9 87 4 21

447 Reso Bass 10 87 4 22

448 Acid Bass 121 2 39

449 Acid Bass 2 87 1 42

450 Acid Bass 3 87 1 43

451 Acid Bass 4 87 1 44

452 Acid Bass 5 87 4 15

453 Acid Bass 6 87 4 16

454 Acid Bass 7 87 4 17

455 TB Bass 1 87 1 46

456 TB Bass 2 87 1 47

457 TB Bass 3 87 4 13

458 TB Bass 4 87 4 14

459 Alpha Bass 1 87 1 45

460 Alpha Bass 2 87 1 48

461 Alpha ResoBs 87 1 49

462 Nu Saw Bass 87 1 50

463 Nu RnB SawBs 87 1 51

464 Storm Bass 87 1 52

465 Detune Bass 87 1 53

466 Gashed Bass 87 1 54

467 Hi-Energy Bs 87 1 55

468 Pedal Bass 1 87 1 56

469 Pedal Bass 2 87 4 19

470 Monster Bass 87 1 57

471 JunoSqr Bs 1 87 1 58

472 JunoSqr Bs 2 87 1 59

473 101 Bass 87 1 60

474 106 Bass 1 87 1 61

475 106 Bass 2 87 1 62

476 Compu Bass 1 87 1 63

No Tone Name MSB LSB PC

477 Compu Bass 2 87 1 64

478 Triangle Bs 87 1 65

479 Mued Bass 87 1 66

480 Garage Bass 87 1 67

481 TransistorBs 87 1 68

482 Fazee Bass 87 1 69

483 Brite Bass 87 4 18

484 Saw Bass 87 4 20

485 Sub Bass 87 4 23

486 Ramp Bass 87 4 24

487 Fat Bass 1 87 4 25

488 Fat Bass 2 87 4 26

489 Fat Bass 3 87 4 27

490 Flat Bass 87 4 28

491 Electro Rubb 87 4 29

492 80s Bass 87 4 30

493 SynthBass101 121 1 39

494 Clav Bass 121 3 39

495 Hammer Bass 121 4 39

496 SynSlap Bass 121 1 40

497 Rubber Bass 121 2 40

498 Attack Pulse 121 3 40

CHOIR/SCAT

No Tone Name MSB LSB PC

499 Jazz Scat 1 87 3 87

500 Jazz Scat 2 87 3 88

501 GX Choir 87 72 1

502 Choir Aahs 121 0 53

503 Chorus Aahs 121 1 53

504 Choir Pad 87 3 89

505 Angels Choir 87 3 90

506 Aerial Choir 87 3 91

507 Voice Oohs 121 0 54

508 Doo Pad 87 3 92

509 Humming 121 1 54

510 Humming 2 87 3 93

511 Humming 3 87 3 94

512 Gospel Hum 87 3 95

513 Decay Choir 87 72 27

514 Dcy ChoirPad 87 69 25

515 Vox Pad 1 87 3 96

516 Vox Pad 2 87 3 97

517 Dreamvox 1 87 3 14

518 Dreamvox 2 87 3 15

519 80s Vox 87 3 98

520 SynVox 121 0 55

521 SynVox 2 87 3 99

522 SynVox 3 87 3 100

523 Mini Vox 87 3 101

524 Chipmunk 87 3 102

525 Sample Opera 87 3 103

526 Sad Ceremony 87 3 104

527 5th Voice 87 4 52

Tone List

No Tone Name MSB LSB PC

528 Sop Vox 87 4 94

529 Analog Voice 121 1 55

530 Space Voice 121 0 92

531 Itopia 121 1 92

532 Dreaming Box 87 0 67

BRASS/SYNTH

No Tone Name MSB LSB PC

533 Brass 1 121 0 62

534 Brass 2 121 1 62

535 Brass 3 87 1 96

536 Brass 4 87 1 97

537 Brass 5 87 1 98

538 Brass 6 87 1 99

539 80s Brass 1 87 1 100

540 80s Brass 2 87 1 101

541 80s Brass 3 87 1 102

542 80s Brass 4 87 1 103

543 80s Brass 5 87 1 104

544 80s Brass 6 87 1 105

545 80s Brass 7 87 1 106

546 80s Brass 8 87 1 107

547 Soft SynBrs1 87 1 108

548 Soft SynBrs2 87 1 118

549 Warm SynBrs 87 1 109

550 Brite SynBrs 87 1 110

551 Express Brs 87 1 111

552 EuroExpress1 87 1 112

553 JP Brass 1 87 1 113

554 JP Brass 2 87 1 119

555 Juno Brass 87 1 114

556 Ox Brass 87 1 115

557 Reso Brass 87 1 116

558 Wide SynBrs 87 1 117

559 106 Brass 87 1 120

560 Octa Brass 87 1 121

561 Poly Brass 1 87 1 122

562 Poly Brass 2 87 4 41

563 Dual Saw Brs 87 1 123

564 Jump Poly 87 2 109

565 Reso Key 1 87 2 124

566 EuroExpress2 87 2 127

567 Ox Synth 87 3 5

568 VintageBrs 1 87 4 37

569 VintageBrs 2 87 4 38

570 VintageBrs 3 87 4 39

571 VintageBrs 4 87 4 40

572 JP Brass 121 1 63

573 Oct SynBrass 121 2 63

574 Jump Brass 121 3 63

575 Synth Brass1 121 0 63

576 Synth Brass2 121 0 64

577 SynBrass sfz 121 1 64

578 Velo Brass 121 2 64

No Tone Name MSB LSB PC

579 Trumpet 121 0 57

580 Trumpet 2 87 1 94

581 Dark Trumpet 121 1 57

582 MuteTrumpet1 121 0 60

583 MuteTrumpet2 121 1 60

584 Trombone 1 121 0 58

585 Trombone 2 121 1 58

586 Bright Tb 121 2 58

587 Tuba 121 0 59

588 Fr.Horn 87 1 95

589 French Horn 121 1 61

590 F.Horn Sect 121 0 61

591 Soprano Sax 121 0 65

592 Soprano Sax2 87 1 124

593 Alto Sax 121 0 66

594 Tenor Sax 121 0 67

595 Tenor Sax 2 87 1 126

596 BreathyTenor 87 1 125

597 Baritone Sax 121 0 68

598 Oboe 121 0 69

599 English Horn 121 0 70

600 Bassoon 121 0 71

601 Bassoon 2 87 1 88

602 Clarinet 121 0 72

603 Piccolo 121 0 73

604 Flute 121 0 74

605 Flute 2 87 1 89

606 Recorder 121 0 75

607 Pan Flute 121 0 76

608 Pan Flute 2 87 1 90

609 Pan Pipes 1 87 1 91

610 Pan Pipes 2 87 4 36

611 Bottle Blow 121 0 77

612 Shakuhachi 121 0 78

613 Shakuhachi 2 87 1 92

614 Whistle 121 0 79

615 Ocarina 121 0 80

616 Ocarina 2 87 1 93

617 Bagpipe 121 0 110

618 Shanai 121 0 112

619 Dream Trance 87 2 96

620 Dream Saws 87 2 97

621 Dream Pulse 87 2 98

622 Trance Synth 87 2 99

623 Trancy 87 2 100

624 Trance Keys 87 2 101

625 Trance Saws 87 2 102

626 Auto Trance1 87 2 103

627 Super Saws 1 87 2 104

628 Analog Saws 87 2 105

629 Uni-G 87 2 106

630 Digitaless 87 2 107

631 Bustranza 87 2 108

632 Super Saws 2 87 2 110

633 Poly Synth 2 87 2 111

634 Poly Synth 3 87 2 112

Tone List

No Tone Name MSB LSB PC

635 Poly Synth 4 87 2 113

636 Poly Synth 5 87 2 114

637 Poly Synth 6 87 2 115

638 Poly Synth 7 87 2 116

639 Juno Saw Key 87 2 117

640 Saw Key 1 87 2 118

641 Saw Key 2 87 2 119

642 Waspy Synth 87 2 120

643 Juno SQR 87 2 121

644 Vintage Key 87 2 122

645 Ju-D Fifths 87 2 123

646 Reso Key 2 87 2 125

647 Fat Synth 87 2 126

648 DOC Stack 87 2 128

649 2 Saws 87 3 1

650 Hi Saw Band 87 3 2

651 Brite Synth 87 3 3

652 RAVtune 87 3 6

653 Saw Lead 1 87 1 127

654 Saw Lead 2 87 1 128

655 Saw Lead 3 87 2 1

656 Saw Lead 4 87 2 2

657 Saw Lead 5 87 2 3

658 Saw Lead 6 87 2 4

659 Saw Lead 7 87 2 5

660 Saw Lead 8 87 2 6

661 Saw Lead 9 87 2 7

662 Saw Lead 10 87 4 46

663 GR300 Lead 1 87 2 8

664 GR300 Lead 2 87 2 9

665 Classic GR 87 2 10

666 Bright GR 87 2 11

667 Fat GR Lead 87 2 12

668 MODied Ld 87 2 13

669 Syn Lead 1 87 2 14

670 Syn Lead 2 87 2 15

671 Syn Lead 3 87 2 16

672 Syn Lead 4 87 2 17

673 Syn Lead 5 87 2 18

674 Syn Lead 6 87 2 19

675 Syn Lead 7 87 2 20

676 Pro Fat Ld 1 87 2 21

677 Pro Fat Ld 2 87 2 27

678 JupiterLead1 87 2 22

679 JupiterLead2 87 2 23

680 Porta Lead 87 2 24

681 Classic Lead 87 2 25

682 On Air 87 2 26

683 Wormy Lead 87 2 28

684 Waspy Lead 87 2 29

685 Brite ResoLd 87 2 30

686 Brass Lead 87 2 31

687 Legato Tkno 87 2 32

688 Follow Me 87 2 33

689 Octa Juice 87 2 34

690 Juicy Jupe 87 2 35

No Tone Name MSB LSB PC

691 Octa Saw 87 2 36

692 Vintager 1 87 2 37

693 Vintager 2 87 2 38

694 Sync Lead 87 2 39

695 Octa Sync 87 2 40

696 Leading Sync 87 2 41

697 A Leader 87 2 42

698 Hot Coee 87 2 43

699 Hot Sync 87 2 44

700 Synchro Lead 87 2 45

701 Space Solo 87 2 46

702 Squareheads 87 2 47

703 Mod Lead 87 2 48

704 Alpha Spit 87 2 49

705 Air Lead 87 2 50

706 Pulstar Lead 87 2 51

707 Therasaw 87 2 52

708 Warmy Lead 87 2 53

709 ResoSawLead 87 2 54

710 Soft Reso Ld 87 2 55

711 Reso Lead 1 87 2 56

712 Reso Lead 2 87 2 57

713 Reso Lead 3 87 2 58

714 Reso Lead 4 87 2 59

715 Reso Lead 5 87 2 60

716 Juicy Lead 87 2 61

717 DC Triangle 87 2 62

718 Soft Lead 1 87 2 63

719 Soft Lead 2 87 2 64

720 Soft Lead 3 87 2 65

721 Soft Lead 4 87 2 66

722 Soft Lead 5 87 2 67

723 Soft Lead 6 87 2 68

724 Soft Lead 7 87 2 69

725 Soft Lead 8 87 2 70

726 Soft Lead 9 87 2 71

727 Soft Lead 10 87 2 72

728 Tri Lead 87 2 73

729 Pulse Lead 1 87 2 74

730 Pulse Lead 2 87 2 75

731 Pulse Lead 3 87 4 42

732 Pulse Lead 4 87 4 43

733 Simple Tri 87 2 76

734 Simple Sine 87 2 77

735 Whistle Ld 1 87 2 78

736 Whistle Ld 2 87 2 79

737 Square Pipe 87 2 80

738 CosmicDrops1 87 2 81

739 CosmicDrops2 87 3 117

740 Spooky Lead 87 2 82

741 Pure Lead 87 2 83

742 303 NRG 87 2 84

743 Round SQR 87 2 85

744 Brite SQR 87 2 86

745 Square SAW 87 2 87

746 Simple SQR 87 2 88

Tone List

No Tone Name MSB LSB PC

747 Sqr Lead 87 2 89

748 Atk Lead 87 2 90

749 Octa Square 87 2 91

750 CS Lead 87 2 92

751 Mini Growl 87 2 93

752 Hoover Again 87 2 94

753 Tranceformer 87 2 95

754 Analog Seq 87 3 7

755 Seq Pop 87 3 8

756 Periscope 87 3 9

757 Major 7 87 3 10

758 Pipe Key 87 3 19

759 Enigmatic 87 3 105

760 Planetz 87 3 106

761 Sci-Fi 87 3 108

762 ResoSweep Dn 87 3 109

763 Jet Noise 87 3 110

764 Brandish 87 3 111

765 909 Fx 87 3 112

766 Zap 87 3 113

767 PolySweep Nz 87 3 114

768 Passing By 87 3 115

769 Lazer Points 87 3 116

770 Crystal Fx 87 3 118

771 Crystal Ice 87 3 119

772 Mad Noise 87 3 120

773 Robot Sci-Fi 87 3 121

774 Computer 1 87 3 122

775 Computer 2 87 3 123

776 S&H Noise 87 3 124

777 S&H Ramp 87 3 125

778 S&H PWM 87 3 126

779 S&H Saw 1 87 3 127

780 S&H Saw 2 87 3 128

781 Ramp Lead 1 87 4 44

782 Ramp Lead 2 87 4 45

783 Sine Lead 1 87 4 47

784 Sine Lead 2 87 4 48

785 Mod Chord 87 4 50

786 Housechord 87 4 51

787 Juno-D Maj7 87 4 53

788 Sweet House 87 4 54

789 Detune Saws 87 4 55

790 Electrostar 87 4 56

791 Dance Saws1 87 4 57

792 Resoform 87 4 58

793 Melodic Drum 87 4 59

794 Alpha Said 87 4 60

795 Shroomy 87 4 61

796 Detune Seq 87 4 62

797 LoFi Piano 87 4 63

798 FX Ramp 87 4 64

799 Scratch 2 87 4 68

800 AnalogDays 1 87 4 69

801 Dance Saws 2 87 4 70

802 Sync Key 87 4 71

No Tone Name MSB LSB PC

803 Detune Ramp 87 4 72

804 Reso Saw 87 4 73

805 EuroExpress3 87 4 74

806 Sweep Saw 87 4 86

807 Pulsatron 87 4 96

808 Motion Bass 87 4 97

809 Trance Splt 87 4 98

810 Rhythmic 5th 87 4 99

811 Rhythmic 1 87 4 100

812 Rhythmic 2 87 4 101

813 Mega Sync 1 87 4 102

814 StrobeBell 3 87 4 103

815 Strobe 1 87 4 104

816 Strobe 2 87 4 105

817 Strobe 3 87 4 106

818 Strobe 4 87 4 107

819 LFO Saw 87 4 108

820 Keep Going 87 4 109

821 Keep Running 87 4 110

822 Electrons 87 4 111

823 BriskVortex 87 4 112

824 LFO Vox 87 4 113

825 Pulsasaw 87 4 114

826 Arposphere 87 4 115

827 Mega Sync 2 87 4 116

828 Compusonic 1 87 4 117

829 Compusonic 2 87 4 118

830 Compusonic 3 87 4 119

831 Compusonic 4 87 4 120

832 Compusonic 5 87 4 121

833 AnalogDays 2 87 4 122

834 Groove 007 87 4 123

835 Juno Pop 87 4 124

836 Auto Trance2 87 4 125

837 In Da Groove 87 4 126

838 80s Beat 87 4 127

839 Ride Cymbal 87 4 128

840 OrchestraHit 121 0 56

841 Bass Hit 121 1 56

842 6th Hit 121 2 56

843 Euro Hit 121 3 56

844 Square Wave 121 0 81

845 MG Square 121 1 81

846 2600 Sine 121 2 81

847 Saw Wave 121 0 82

848 OB2 Saw 121 1 82

849 Doctor Solo 121 2 82

850 Natural Lead 121 3 82

851 SequencedSaw 121 4 82

852 Syn.Calliope 121 0 83

853 Chier Lead 121 0 84

854 Charang 121 0 85

855 Wire Lead 121 1 85

856 Solo Vox 121 0 86

857 5th Saw Wave 121 0 87

858 Bass & Lead 121 0 88

Tone List

No Tone Name MSB LSB PC

859 Delayed Lead 121 1 88

860 Goblin 121 0 102

861 Echo Drops 121 0 103

862 Echo Bell 121 1 103

863 Echo Pan 121 2 103

864 Star Theme 121 0 104

865 Castanets 121 1 116

866 Taiko 121 0 117

867 Concert BD 121 1 117

868 Melo. Tom 1 121 0 118

869 Melo. Tom 2 121 1 118

870 Synth Drum 121 0 119

871 808 Tom 121 1 119

872 Elec Perc 121 2 119

873 Reverse Cymb 121 0 120

874 Agogo 121 0 114

875 Woodblock 121 0 116

876 Gt FretNoise 121 0 121

877 Gt Cut Noise 121 1 121

878 String Slap 121 2 121

879 Breath Noise 121 0 122

880 Fl.Key Click 121 1 122

881 Seashore 121 0 123

882 Rain 121 1 123

883 Thunder 121 2 123

884 Wind 121 3 123

885 Stream 121 4 123

886 Bubble 121 5 123

887 Bird 1 121 0 124

888 Dog 121 1 124

889 Horse Gallop 121 2 124

890 Bird 2 121 3 124

891 Telephone 1 121 0 125

892 Telephone 2 121 1 125

893 DoorCreaking 121 2 125

894 Door 121 3 125

895 Scratch 121 4 125

896 Wind Chimes 121 5 125

897 Helicopter 121 0 126

898 Car Engine 121 1 126

899 Car Stop 121 2 126

900 Car Pass 121 3 126

901 Car Crash 121 4 126

902 Siren 121 5 126

903 Train 121 6 126

904 Jetplane 121 7 126

905 Starship 121 8 126

906 Burst Noise 121 9 126

907 Applause 121 0 127

908 Laughing 121 1 127

909 Screaming 121 2 127

910 Punch 121 3 127

911 Heart Beat 121 4 127

912 Footsteps 121 5 127

913 Gun Shot 121 0 128

914 Machine Gun 121 1 128

No Tone Name MSB LSB PC

915 Laser Gun 121 2 128

916 Explosion 121 3 128

* 917–939 are rhythm sets. Refer to p. 16–p. 20 for details on the

sounds in the rhythm sets.

No Tone Name MSB LSB PC

917 Standard 1 86 0 1

918 Standard 2 86 0 2

919 Standard 3 86 0 3

920 Rock Kit 86 0 4

921 Jazz Kit 86 0 5

922 Brush Kit 86 0 6

923 Machine Kit 86 0 7

924 R&B T-Analog 86 0 8

925 R&B Mini Kit 86 0 9

926 HipHop Kit 86 0 10

927 R&B Kit 86 0 11

928 Dance Kit 1 86 0 12

929 Dance Kit 2 86 0 13

930 Dance Kit 3 86 0 14

931 GM2 STANDARD 120 0 1

932 GM2 ROOM 120 0 9

933 GM2 POWER 120 0 17

934 GM2 ELECTRIC 120 0 25

935 GM2 ANALOG 120 0 26

936 GM2 JAZZ 120 0 33

937 GM2 BRUSH 120 0 41

938 GM2 ORCHSTRA 120 0 49

939 GM2 SFX 120 0 57

Rhythm Set List

* [EXC] : Percussion sound of the same number will not be heard at the same time.

GM2 STANDARD

MSB:120/LSB:0/PC:001

High Q High Q High Q High Q High Q

Slap Slap Slap Slap Slap Scratch Push [EXC 7] Scratch Push [EXC 7] Scratch Push [EXC 7] Scratch Push [EXC 7] Scratch Push [EXC 7] Scratch Pull [EXC 7] Scratch Pull [EXC 7] Scratch Pull [EXC 7] Scratch Pull [EXC 7] Scratch Pull [EXC 7]

Sticks Sticks Sticks Sticks Sticks Square Click Square Click Square Click Square Click Square Click

Metron Click Metron Click Metron Click Metron Click Metron Click Metron Bell Metron Bell Metron Bell Metron Bell Metron Bell

Kick Drum 2 Kick Drum 2 Kick Drum 2 Kick Drum 2 Kick Drum 2 Kick Drum 1 Kick Drum 1 Power Kick Elec.Kick Ana.Kick Side Stick Side Stick Side Stick Side Stick Ana.Rim Sho

Aco.Snare Aco.Snare PowerSnare E.SnareDrum1 Ana.Snare Hand Clap Hand Clap Hand Clap Hand Clap Hand Clap

Elec.Snare Elec.Snare Elec.Snare E.SnareDrum2 Elec.Snare Low Tom 2 Room LowTom2 PowerLowTom2 E.Low Tom 2 Ana.Low Tom2 ClosedHi-hat [EXC 1] ClosedHi-hat [EXC 1] ClosedHi-hat [EXC 1] ClosedHi-hat [EXC 1] Ana.ClosedHH [EXC 1]

Low Tom 1 Room LowTom1 PowerLowTom1 E.Low Tom 1 Ana.Low Tom1 Pedal Hi-hat [EXC 1] Pedal Hi-hat [EXC 1] Pedal Hi-hat [EXC 1] Pedal Hi-hat [EXC 1] Ana.ClosedHH [EXC 1]

Mid Tom 2 Room MidTom2 PowerMidTom2 E.Mid Tom 2 Ana.Mid Tom2 Open Hi-hat [EXC 1] Open Hi-hat [EXC 1] Open Hi-hat [EXC 1] Open Hi-hat [EXC 1] Ana.Open HH [EXC 1]

Mid Tom 1 Room MidTom1 PowerMidTom1 E.Mid Tom 1 Ana.Mid Tom1 High Tom 2 Room Hi Tom2 Power HiTom2 E.Hi Tom 2 Ana.Hi Tom2 CrashCymbal1 CrashCymbal1 CrashCymbal1 CrashCymbal1 Ana.Cymbal

High Tom 1 Room Hi Tom1 Power HiTom1 E.Hi Tom 1 Ana.Hi Tom1 Ride Cymbal1 Ride Cymbal1 Ride Cymbal1 Ride Cymbal1 Ride Cymbal1

China Cymbal China Cymbal China Cymbal Reverse Cym. China Cymbal Ride Bell Ride Bell Ride Bell Ride Bell Ride Bell Tambourine Tambourine Tambourine Tambourine Tambourine

SplashCymbal SplashCymbal SplashCymbal SplashCymbal SplashCymbal Cowbell Cowbell Cowbell Cowbell Ana.Cowbell

CrashCymbal2 CrashCymbal2 CrashCymbal2 CrashCymbal2 CrashCymbal2

Vibra-slap Vibra-slap Vibra-slap Vibra-slap Vibra-slap Ride Cymbal2 Ride Cymbal2 Ride Cymbal2 Ride Cymbal2 Ride Cymbal2 High Bongo High Bongo High Bongo High Bongo High Bongo Low Bongo Low Bongo Low Bongo Low Bongo Low Bongo

MuteHi Conga MuteHi Conga MuteHi Conga MuteHi Conga Ana.Hi Conga OpenHi Conga OpenHi Conga OpenHi Conga OpenHi Conga Ana.MidConga

Low Conga Low Conga Low Conga Low Conga Ana.LowConga High Timbale High Timbale High Timbale High Timbale High Timbale Low Timbale Low Timbale Low Timbale Low Timbale Low Timbale

High Agogo High Agogo High Agogo High Agogo High Agogo Low Agogo Low Agogo Low Agogo Low Agogo Low Agogo

Cabasa Cabasa Cabasa Cabasa Cabasa

Maracas Maracas Maracas Maracas Ana.Maracas ShortWhistle [EXC 2] ShortWhistle [EXC 2] ShortWhistle [EXC 2] ShortWhistle [EXC 2] ShortWhistle [EXC 2] Long Whistle [EXC 2] Long Whistle [EXC 2] Long Whistle [EXC 2] Long Whistle [EXC 2] Long Whistle [EXC 2] Short Guiro [EXC 3] Short Guiro [EXC 3] Short Guiro [EXC 3] Short Guiro [EXC 3] Short Guiro [EXC 3]

Long Guiro [EXC 3] Long Guiro [EXC 3] Long Guiro [EXC 3] Long Guiro [EXC 3] Long Guiro [EXC 3] Claves Claves Claves Claves Ana.Claves

Hi WoodBlock Hi WoodBlock Hi WoodBlock Hi WoodBlock Hi WoodBlock LowWoodBlock LowWoodBlock LowWoodBlock LowWoodBlock LowWoodBlock Mute Cuica [EXC 4] Mute Cuica [EXC 4] Mute Cuica [EXC 4] Mute Cuica [EXC 4] Mute Cuica [EXC 4]

Open Cuica [EXC 4] Open Cuica [EXC 4] Open Cuica [EXC 4] Open Cuica [EXC 4] Open Cuica [EXC 4] MuteTriangle [EXC 5] MuteTriangle [EXC 5] MuteTriangle [EXC 5] MuteTriangle [EXC 5] MuteTriangle [EXC 5]

OpenTriangle [EXC 5] OpenTriangle [EXC 5] OpenTriangle [EXC 5] OpenTriangle [EXC 5] OpenTriangle [EXC 5]

Shaker Shaker Shaker Shaker Shaker Jingle Bell Jingle Bell Jingle Bell Jingle Bell Jingle Bell Bell Tree Bell Tree Bell Tree Bell Tree Bell Tree Castanets Castanets Castanets Castanets Castanets

Mute Surdo [EXC 6] Mute Surdo [EXC 6] Mute Surdo [EXC 6] Mute Surdo [EXC 6] Mute Surdo [EXC 6] Open Surdo [EXC 6] Open Surdo [EXC 6] Open Surdo [EXC 6] Open Surdo [EXC 6] Open Surdo [EXC 6]

– – – – –

GM2 ROOM

MSB:120/LSB:0/PC:009

GM2 POWER

MSB:120/LSB:0/PC:017

GM2 ELECTRIC

MSB:120/LSB:0/PC:025

GM2 ANALOG

MSB:120/LSB:0/PC:026

* [EXC] : Percussion sound of the same number will not be heard at the same time.

Rhythm Set List

GM2 JAZZ

MSB:120/LSB:0/PC:033

High Q High Q ClosedHi-hat [EXC 1] –

Slap Slap Pedal Hi-hat [EXC 1] – Scratch Push [EXC 7] Scratch Push [EXC 7] Open Hi-hat [EXC 1] – Scratch Pull [EXC 7] Scratch Pull [EXC 7] Ride Cymbal1 –

Sticks Sticks Sticks – Square Click Square Click Square Click –

Metron Click Metron Click Metron Click –

Metron Bell Metron Bell Metron Bell – Jazz Kick 2 Jazz Kick 2 Concert BD 2 – Jazz Kick 1 Jazz Kick 1 Concert BD 1 – Side Stick Side Stick Side Stick –

Aco.Snare Brush Tap Concert SD – Hand Clap Brush Slap Castanets High Q

Elec.Snare Brush Swirl Concert SD Slap Low Tom 2 Low Tom 2 Timpani F Scratch Push [EXC 7] ClosedHi-hat [EXC 1] ClosedHi-hat [EXC 1] Timpani F# Scratch Pull [EXC 7]

Low Tom 1 Low Tom 1 Timpani G Sticks Pedal Hi-hat [EXC 1] Pedal Hi-hat [EXC 1] Timpani G# Square Click

Mid Tom 2 Mid Tom 2 Timpani A Metron Click

Open Hi-hat [EXC 1] Open Hi-hat [EXC 1] Timpani A# Metron Bell Mid Tom 1 Mid Tom 1 Timpani B GtFret Noise High Tom 2 High Tom 2 Timpani c Cut Noise Up CrashCymbal1 CrashCymbal1 Timpani c# Cut Noise Dw

High Tom 1 High Tom 1 Timpani d Slap St.Bass Ride Cymbal1 Ride Cymbal1 Timpani d# Fl.Key Click

China Cymbal China Cymbal Timpani e Laughing Ride Bell Ride Bell Timpani f Scream Tambourine Tambourine Tambourine Punch

SplashCymbal SplashCymbal SplashCymbal Heart Beat

Cowbell Cowbell Cowbell Footsteps 1 CrashCymbal2 CrashCymbal2 Concert Cym2 Footsteps 2

Vibra-slap Vibra-slap Vibra-slap Applause Ride Cymbal2 Ride Cymbal2 Concert Cym1 Door Creak High Bongo High Bongo High Bongo Door Low Bongo Low Bongo Low Bongo Scratch

MuteHi Conga MuteHi Conga MuteHi Conga Wind Chimes

OpenHi Conga OpenHi Conga OpenHi Conga Car Engine Low Conga Low Conga Low Conga Car Stop High Timbale High Timbale High Timbale Car Pass

Low Timbale Low Timbale Low Timbale Car Crash High Agogo High Agogo High Agogo Siren

Low Agogo Low Agogo Low Agogo Train Cabasa Cabasa Cabasa Jetplane

Maracas Maracas Maracas Helicopter ShortWhistle [EXC 2] ShortWhistle [EXC 2] ShortWhistle [EXC 2] Starship Long Whistle [EXC 2] Long Whistle [EXC 2] Long Whistle [EXC 2] Gun Shot

Short Guiro [EXC 3] Short Guiro [EXC 3] Short Guiro [EXC 3] Machine Gun Long Guiro [EXC 3] Long Guiro [EXC 3] Long Guiro [EXC 3] Lasergun

Claves Claves Claves Explosion Hi WoodBlock Hi WoodBlock Hi WoodBlock Dog LowWoodBlock LowWoodBlock LowWoodBlock Horse Gallop

Mute Cuica [EXC 4] Mute Cuica [EXC 4] Mute Cuica [EXC 4] Birds Open Cuica [EXC 4] Open Cuica [EXC 4] Open Cuica [EXC 4] Rain

MuteTriangle [EXC 5] MuteTriangle [EXC 5] MuteTriangle [EXC 5] Thunder OpenTriangle [EXC 5] OpenTriangle [EXC 5] OpenTriangle [EXC 5] Wind

Shaker Shaker Shaker Seashore Jingle Bell Jingle Bell Jingle Bell Stream Bell Tree Bell Tree Bell Tree Bubble

Castanets Castanets Castanets – Mute Surdo [EXC 6] Mute Surdo [EXC 6] Mute Surdo [EXC 6] –

Open Surdo [EXC 6] Open Surdo [EXC 6] Open Surdo [EXC 6] – – – Applause –

GM2 BRUSH

MSB:120/LSB:0/PC:041

GM2 ORCHSTRA

MSB:120/LSB:0/PC:049

GM2 SFX

MSB:120/LSB:0/PC:057

Rhythm Set List

* [EXC] : Percussion sound of the same number will not be heard at the same time.

100

101

103

105

107 108

Standard 1

MSB:86/LSB:0/PC001

MC500 Beep1 MC500 Beep1 MC500 Beep1 MC500 Beep1 MC500 Beep1

MC500 Beep2 MC500 Beep2 MC500 Beep2 MC500 Beep2 MC500 Beep2 Concert SD Concert SD Concert SD Concert SD Concert SD Snare Roll Snare Roll Snare Roll Snare Roll Snare Roll

Snap Snap Snap Snap Snap High Q H igh Q High Q H igh Q High Q

Slap Slap Slap Slap Slap Scratch Push [EXC 7] Scratch Push [EXC 7] Scratch Push [EXC 7] Scratch Push [EXC 7] Scratch Push [EXC 7] Scratch Pull [EXC 7] S cratch Pull [EXC 7] Scratch Pull [EXC 7] Scratch Pull [EXC 7] Scratch Pull [EXC 7]

Sticks Sticks Sticks Sticks Sticks Square Click Square Click Square Click Square Click Square Click

Metron Click Metron Click Metron Click Metron Click Metron Click Metron Bell Metron Bell Metron Bell Metron Bell Metron Bell

Kick Drum 2 Kick Drum 2 Kick Drum 2 Power Kick2 Jazz Kick 2 Kick Drum 1 Kick Drum 1 Kick Drum 1 Power Kick1 Jazz Kick 1 Side Stick Side Stick Side Stick Side Stick Side Stick

Reg.Snr 2 Snare 1 Snare 1 Power Snare1 Jazz Snare1 Hand Clap Hand Clap Hand Clap Hand Clap Hand Clap

Reg.Snr 1 Snare 2 Snare 2 Power Snare2 Jazz Snare2 Reg.F.Tom Low Tom 2 Low Tom 2 Low Tom1 Low Tom 2 ClosedHi-hat [EXC 1] ClosedHi-hat [EXC 1] ClosedHi-hat [EXC 1] ClosedHi-hat [EXC 1] ClosedHi-hat [EXC 1]

Reg.L.Tom Low Tom 1 Low Tom 1 Low Tom2 Low Tom 1 Pedal Hi-hat [EXC 1] Pedal Hi-hat [EXC 1] Pedal Hi-hat [EXC 1] Pedal Hi-hat [EXC 1] Pedal Hi-hat [EXC 1]

Reg.M.Tom Mid Tom 2 Mid Tom 2 Mid Tom1 Mid Tom 2

Open Hi-hat [EXC 1] Open Hi-hat [EXC 1] Open H i-hat [EXC 1] Open Hi-hat [EXC 1] Open Hi-hat [EXC 1] Reg.M.Tom Mid Tom 1 Mid Tom 1 Mid Tom2 Mid Tom 1 Reg.H.Tom High Tom 2 High Tom 2 High Tom1 High Tom 2 CrashCymbal1 CrashCymbal1 CrashCymbal1 CrashCymbal1 CrashCymbal1

Reg.H.Tom High Tom 1 High Tom 1 High Tom2 High Tom 1 Ride Cymbal1 Ride Cymbal1 Ride Cymbal1 Ride Cymbal1 Ride Cymbal1

China Cymbal China Cymbal China Cymbal China Cymbal China Cymbal Ride Bell Ride Bell Ride Bell R ide Bell Ride Bell Tambourine Tambourine Tambourine Tambourine Tambourine

SplashCymbal SplashCymbal SplashCymbal SplashCymbal SplashCymbal Cowbell Cowbell Cowbell Cowbell Cowbell

CrashCymbal2 CrashCymbal2 CrashCymbal2 CrashCymbal2 CrashCymbal2

Vibra-slap Vibra-slap Vibra-slap Vibra-slap Vibra-slap Ride Cymbal2 Ride Cymbal2 Ride Cymbal2 Ride Cymbal2 Ride Cymbal2 High Bongo High Bongo H igh Bongo High Bongo High Bongo Low Bongo Low Bongo Low Bongo Low Bongo Low Bongo

MuteHi Conga MuteHi Conga MuteHi Conga MuteHi Conga MuteHi Conga OpenHi Conga OpenHi Conga OpenHi Conga OpenHi Conga OpenHi Conga

Low Conga Low Conga Low Conga Low Conga Low Conga High Timbale High Timbale High Timbale High Timbale High Timbale Low Timbale Low Timbale Low Timbale Low Timbale Low Timbale

High Agogo High Agogo High Agogo H igh Agogo High Agogo Low Agogo Low Agogo Low Agogo Low Agogo Low Agogo

Cabasa Cabasa Cabasa Cabasa Cabasa

Maracas Maracas Maracas Maracas Maracas ShortWhistle [EXC 2] ShortWhistle [EXC 2] ShortWhistle [EXC 2] ShortWhistle [EXC 2] ShortWhistle [EXC 2] Long Whistle [EXC 2] Long Whistle [EXC 2] Long Whistle [EXC 2] Long Whistle [EXC 2] Long Whistle [EXC 2] Short Guiro [EXC 3] Shor t Guiro [EXC 3] Short Guiro [EXC 3] Shor t Guiro [EXC 3] Short Guiro [EXC 3]

Long Guiro [EXC 3] Long Guiro [EXC 3] Long Guiro [EXC 3] Long Guiro [EXC 3] Long Guiro [EXC 3] Claves Claves Claves Claves Claves

Open Cuica [EXC 4] Open Cuica [EXC 4] Open Cuica [EXC 4] Open Cuica [EXC 4] Open Cuica [EXC 4]

MuteTriangle [EXC 5] MuteTriangle [EXC 5] MuteTriangle [EXC 5] MuteTriangle [EXC 5] MuteTriangle [EXC 5] OpenTriangle [EXC 5] OpenTriangle [EXC 5] OpenTriangle [EXC 5] OpenTriangle [EXC 5] OpenTriangle [EXC 5]

Shaker Shaker Shaker Shaker Shaker Jingle Bell Jingle Bell Jingle Bell Jingle Bell Jingle Bell Bell Tree Bell Tree Bell Tree Bell Tree Bell Tree Castanets Castanets Castanets Castanets Castanets

Mute Surdo [EXC 6] Mute Surdo [EXC 6] Mute Surdo [EXC 6] Mute Surdo [EXC 6] Mute Surdo [EXC 6]

Open Surdo [EXC 6] Open Surdo [EXC 6] Open Surdo Applause Applause Applause Applause Applause SnareGhost1 SnareGhost1 SnareGhost1 SnareGhost1 SnareGhost1

SnareGhost2 SnareGhost2 SnareGhost2 SnareGhost2 SnareGhost2 Hand Clap1 Hand Clap1 Hand Clap1 Hand Clap1 Hand Clap1

Hand Clap2 Hand Clap2 Hand Clap2 Hand Clap2 Hand Clap2 Scratch1 Scratch1 Scratch1 Scratch1 Scratch1

Scratch2 Scratch2 Scratch2 Scratch2 Scratch2 Scratch3 Scratch3 Scratch3 Scratch3 Scratch3 Hit1 H it1 H it1 Hit1 H it1 Hit2 H it2 H it2 Hit2 H it2

Hit3 H it3 H it3 Hit3 H it3

Hit4 H it4 H it4 Hit4 H it4 Hit5 H it5 H it5 Hit5 H it5 Low Tom1 Low Tom1 Low Tom1 Low Tom1 Low Tom1

102

Low Tom2 Low Tom2 Low Tom2 Low Tom2 Low Tom2 Cajon1 Cajon1 Cajon1 Cajon1 Cajon1

104

Cajon2 Cajon2 Cajon2 Cajon2 Cajon2 Syn Burst Nz Syn Burst Nz Syn Burst Nz Syn Burst Nz Syn Burst Nz

106

Sweep Down Sweep Down Sweep Down Sweep Down Sweep Down Laser Laser Laser Laser Laser Syn Back Nz Syn Back Nz Syn Back Nz Syn Back Nz Syn Back Nz

Standard 2

MSB:86/LSB:0/PC002

Standard 3

MSB:86/LSB:0/PC003

Rock Kit

MSB:86/LSB:0/PC004

[EXC 6] Open Surdo [EXC 6] Open Surdo [EXC 6]

Jazz Kit

MSB:86/LSB:0/PC005

* [EXC] : Percussion sound of the same number will not be heard at the same time.

Rhythm Set List

100

101

103

105

107 108

Brush Kit

MSB:086/LSB:0/PC:006

MC500 Beep1 MC500 Beep1 MC500 Beep1 MC500 Beep1 MC500 Beep1

MC500 Beep2 MC500 Beep2 MC500 Beep2 MC500 Beep2 MC500 Beep2 Concert SD Concert SD Concert SD Concert SD Concert SD Snare Roll Snare Roll Snare Roll Snare Roll Snare Roll

Snap Snap Snap Snap Snap High Q H igh Q High Q H igh Q High Q

Slap Slap Slap Slap Mix Kick1 Scratch Push [EXC 7] Scratch Push [EXC 7] Scratch Push [EXC 7] Scratch Push [EXC 7] Analog Kick1 Scratch Pull [EXC 7] S cratch Pull [EXC 7] Scratch Pull [EXC 7] Scratch Pull [EXC 7] Mix Snare4

Sticks Sticks Sticks Sticks Analog Kick2 Square Click Square Click Square Click Square Click Mix Snare3

Metron Click Metron Click Metron Click Metron Click Mix Kick2 Metron Bell Metron Bell Metron Bell Metron Bell HH Shaker [EXC 1]

Jazz Kick 2 Ana.Kick 1 Ana.Kick 1 Kick 2 Mix Kick4 Jazz Kick 1 Ana.Kick 2 Ana.Kick 2 Kick 1 Mix Kick3 Side Stick Ana.Rim Shot Ana.Rim Shot Side Stick TR808 Rim

Brush Tap Ana.Snare Ana.Snare Snare 1 Mix Snare1 Brush Slap Hand Clap Hand Clap Hand Clap TR808 Clap

Brush Swirl Elec.Snare Elec.Snare Snare 2 M ix Snare2 Low Tom 2 Ana.Low Tom2 Ana.Low Tom2 Reg.F.Tom Tom1 ClosedHi-hat [EXC 1] Ana.Cl HH 1 [EXC 1] Ana.Cl HH 1 [EXC 1] ClosedHi-hat [EXC 1] TR808 ClHH [EXC 1]

Low Tom 1 Ana.Low Tom1 Ana.Low Tom1 Reg.L.Tom Tom2 Pedal Hi-hat [EXC 1] Ana.Cl HH 2 [EXC 1] Ana.Cl HH 2 [EXC 1] Pedal Hi-hat [EXC 1] Noise ClHH [EXC 1]

Mid Tom 2 Ana.Mid Tom2 Ana.M id Tom2 Reg.M.Tom Tom3

Open Hi-hat [EXC 1] Ana.Open HH [EXC 1] Ana.Open HH [EXC 1] Open Hi-hat [EXC 1] TR808 OpHH [EXC 1] Mid Tom 1 Ana.Mid Tom1 Ana.M id Tom1 Reg.M.Tom Tom4 High Tom 2 Ana.Hi Tom2 Ana.Hi Tom2 Reg.H.Tom Tom5 CrashCymbal1 Ride Cymbal1 Ride Cymbal1 CrashCymbal1 TR909 Cym

High Tom 1 Ana.Hi Tom1 Ana.Hi Tom1 Reg.H.Tom Tom6 Ride Cymbal1 Ana.Cymbal Ana.Cymbal Ride Cymbal1 TR808 Cym

China Cymbal China Cymbal China Cymbal China Cymbal China Cymbal Ride Bell Ride Bell Ride Bell R ide Bell Rock Rd Edge Tambourine Tambourine Tambourine Tambourine Mix Perc

SplashCymbal SplashCymbal SplashCymbal SplashCymbal Mix Crash1 Cowbell Ana.Cowbell Ana.Cowbell Cowbell Ana.Cowbell

CrashCymbal2 CrashCymbal CrashCymbal CrashCymbal2 M ix Crash2

Vibra-slap Vibra-slap Vibra-slap Vibra-slap Roll FX Ride Cymbal2 Ride Cymbal2 Ride Cymbal2 Ride Cymbal2 Ride Cym High Bongo High Bongo H igh Bongo High Bongo High Bongo Low Bongo Low Bongo Low Bongo Low Bongo Low Bongo

MuteHi Conga Ana.Hi Conga Ana.Hi Conga MuteHi Conga MuteHi Conga OpenHi Conga Ana.MidConga Ana.MidConga OpenHi Conga OpenHi Conga

Low Conga Ana.LowConga Ana.LowConga Low Conga Low Conga High Timbale High Timbale High Timbale High Timbale High Timbale Low Timbale Low Timbale Low Timbale Low Timbale Low Timbale

High Agogo High Agogo High Agogo H igh Agogo High Agogo

Low Agogo Low Agogo Low Agogo Low Agogo Low Agogo Cabasa Cabasa Cabasa Cabasa Cabasa

Maracas Ana.Maracas Ana.Maracas Maracas Maracas ShortWhistle [EXC 2] ShortWhistle [EXC 2] ShortWhistle [EXC 2] ShortWhistle [EXC 2] ShortWhistle [EXC 2] Long Whistle [EXC 2] Long Whistle [EXC 2] Long Whistle [EXC 2] Long Whistle [EXC 2] Long Whistle [EXC 2] Short Guiro [EXC 3] Shor t Guiro [EXC 3] Short Guiro [EXC 3] Shor t Guiro [EXC 3] Short Guiro [EXC 3]

Long Guiro [EXC 3] Long Guiro [EXC 3] Long Guiro [EXC 3] Long Guiro [EXC 3] Long Guiro [EXC 3]

Claves Ana.Claves Ana.Claves Claves Claves Hi WoodBlock Hi WoodBlock Hi WoodBlock Hi WoodBlock Hi WoodBlock LowWoodBlock LowWoodBlock LowWoodBlock LowWoodBlock LowWoodBlock

Mute Cuica [EXC 4] Mute Cuica [EXC 4] Mute Cuica [EXC 4] Mute Cuica [EXC 4] Mute Cuica [EXC 4] Open Cuica [EXC 4] Open Cuica [EXC 4] Open Cuica [EXC 4] Open Cuica [EXC 4] Open Cuica [EXC 4]

Shaker Shaker Shaker Shaker Shaker Jingle Bell Jingle Bell Jingle Bell Jingle Bell Jingle Bell Bell Tree Bell Tree Bell Tree Bell Tree Bell Tree Castanets Castanets Castanets Castanets Castanets

Mute Surdo [EXC 6] Mute Surdo [EXC 6] Mute Surdo [EXC 6] Mute Surdo [EXC 6] Mute Surdo [EXC 6]

Open Surdo [EXC 6] Open Surdo [EXC 6] Open Surdo [EXC 6] Applause Applause Applause Applause Applause SnareGhost1 SnareGhost1 SnareGhost1 SnareGhost1 SnareGhost1

SnareGhost2 SnareGhost2 SnareGhost2 SnareGhost2 SnareGhost2 Hand Clap1 Hand Clap1 Hand Clap1 Hand Clap1 Hand Clap1

Hand Clap2 Hand Clap2 Hand Clap2 Hand Clap2 Hand Clap2 Scratch1 Scratch1 Scratch1 Scratch1 Scratch1

Scratch2 Scratch2 Scratch2 Scratch2 Scratch2 Scratch3 Scratch3 Scratch3 Scratch3 Scratch3 Hit1 H it1 H it1 Hit1 H it1

Hit2 H it2 H it2 Hit2 H it2 Hit3 H it3 H it3 Hit3 H it3

Hit4 H it4 H it4 Hit4 H it4 Hit5 H it5 H it5 Hit5 H it5 Low Tom1 Low Tom1 Low Tom1 Low Tom1 Low Tom1

102

Low Tom2 Low Tom2 Low Tom2 Low Tom2 Low Tom2 Cajon1 Cajon1 Cajon1 Cajon1 Cajon1

104

Cajon2 Cajon2 Cajon2 Cajon2 Cajon2 Syn Burst Nz Syn Burst Nz Syn Burst Nz Syn Burst Nz Syn Burst Nz

106

Sweep Down Sweep Down Sweep Down Sweep Down Sweep Down Laser Laser Laser Laser Laser Syn Back Nz Syn Back Nz Syn Back Nz Syn Back Nz Syn Back Nz

Machine Kit

MSB:086/LSB:0/PC:007

R&B T-Analog

MSB:086/LSB:0/PC:008

R&B Mini Kit

MSB:086/LSB:0/PC:009

Open Surdo [EXC 6] Open Surdo [EXC 6]

HipHop Kit

MSB:086/LSB:0/PC:010

Rhythm Set List

* [EXC] : Percussion sound of the same number will not be heard at the same time.

100

101

103

105

107 108

R&B Kit

MSB:086/LSB:0/PC:011

MC500 Beep1 MC500 Beep1 MC500 Beep1 MC500 Beep1

MC500 Beep2 MC500 Beep2 MC500 Beep2 MC500 Beep2 Concert SD Concert SD Concert SD Concert SD Snare Roll Snare Roll Snare Roll Snare Roll

Snap Snap Snap Snap High Q H igh Q High Q H igh Q

TR808 Kick TR909 Kick SH32 Kick1 TR808 Kick HH Kick SH32 Kick1 TR909 K ick1 Mix Kick1 Mix Snare2 AnalogSnare AnalogSnare1 TR909 Snare1

Mix Kick4 Analog Kick Analog Kick1 Mix Kick2 Short Snare2 TR808 Snare TR808 Snare TR909 Snare2

Mix Kick3 SH32 Kick2 SH32 K ick2 Mix Kick3 TR808 Cl HH [EXC 1] Syn ClHH1 [EXC 1] Pedal Hihat [EXC 1] Thin ClHH [EXC 1]

Mix Kick1 Mix Kick2 TR909 Kick2 TR909 Kick Mix Kick2 Mix Kick1 Analog Kick2 Analog Kick Soft Stick Mix Rim Synth Rim Mix Rim

Short Snare1 M ix Snare1 DistNz Snare Mix Snare2 Hand Clap TR808 Clap TR808 Clap Mix Clap

Mix Snare1 Mix Snare2 DistNz Snare Mix Snare1 TR808 Tom1 Mix Tom1 Deep Tom1 Mix Tom1 Cl Hihat1 [EXC 1] Mix ClHH1 [EXC 1] Syn ClHH1 [EXC 1] Mix ClHH1 [EXC 1]

TR808 Tom2 Mix Tom2 Deep Tom2 Mix Tom2 Cl Hihat2 [EXC 1] Mix ClHH2 [EXC 1] Syn ClHH2 [EXC 1] Mix ClHH2 [EXC 1]

TR808 Tom3 Mix Tom3 Deep Tom3 Mix Tom3

Op Hihat [EXC 1] Op Hihat [EXC 1] Syn OpHH [EXC 1] Op Hihat [EXC 1] TR808 Tom4 Mix Tom4 Deep Tom4 Mix Tom4 TR808 Tom5 Mix Tom5 Deep Tom5 Mix Tom5 TR909 Cym Mix Crash TR808 OpHH Mix Crash

TR808 Tom6 Mix Tom6 Deep Tom6 Mix Tom6 TR808 Cym Rock Rd Edge Wide Syn Cym Rock Rd Edge

China Cymbal China Cymbal TR808 Cym1 China Cymbal Rock Rd Edge R ide Cymbal Ride Cym1 Ride Cymbal Mix Hat Tambourine Castanet Tambourine

Mix Crash1 Syn Splash TR808 Cym2 Splash Cym Ana.Cowbell Cowbell TR808Cowbell Cowbell

Mix Crash2 Concert Cym Ride Cym2 Concert Cym

Vibra-slap Vibraslap Syn Cowbell Vibraslap Ride Cym TR808 Cym Ride Cym3 Syn China High Bongo High Bongo H igh Bongo High Bongo Low Bongo Low Bongo Low Bongo Low Bongo

MuteHi Conga MuteHi Conga MuteHi Conga MuteHi Conga OpenHi Conga OpenHi Conga OpenHi Conga OpenHi Conga

Low Conga Low Conga Low Conga Low Conga High Timbale High Timbale High Timbale High Timbale Low Timbale Low Timbale Low Timbale Low Timbale

High Agogo High Agogo High Agogo H igh Agogo

Low Agogo Low Agogo Low Agogo Low Agogo Cabasa Cabasa Cabasa Cabasa

Maracas Maracas Maracas Maracas ShortWhistle [EXC 2] ShortWhistle [EXC 2] ShortWhistle [EXC 2] ShortWhistle [EXC 2] Long Whistle [EXC 2] Long Whistle [EXC 2] Long Whistle [EXC 2] Long Whistle [EXC 2] Short Guiro [EXC 3] Shor t Guiro [EXC 3] Short Guiro [EXC 3] Shor t Guiro [EXC 3]

Long Guiro [EXC 3] Long Guiro [EXC 3] Long Guiro [EXC 3] Long Guiro [EXC 3]

Claves Claves Claves Claves Hi WoodBlock Hi WoodBlock Hi WoodBlock Hi WoodBlock LowWoodBlock LowWoodBlock LowWoodBlock LowWoodBlock Mute Cuica [EXC 4] Mute Cuica [EXC 4] Mute Cuica [EXC 4] Mute Cuica [EXC 4]

Open Cuica [EXC 4] Open Cuica [EXC 4] Open Cuica [EXC 4] Open Cuica [EXC 4]

MuteTriangle [EXC 5] MuteTriangle [EXC 5] MuteTriangle [EXC 5] MuteTriangle [EXC 5] OpenTriangle [EXC 5] OpenTriangle [EXC 5] OpenTriangle [EXC 5] OpenTriangle [EXC 5]

Shaker Shaker Shaker Shaker Jingle Bell Jingle Bell Jingle Bell Jingle Bell Bell Tree Bell Tree Bell Tree Bell Tree Castanets Castanets Castanets Castanets

Mute Surdo [EXC 6] Mute Surdo [EXC 6] Mute Surdo [EXC 6] Mute Surdo [EXC 6]

Open Surdo [EXC 6] Open Surdo [EXC 6] Open Surdo [EXC 6] Open Surdo [EXC 6] Applause Applause Applause Applause SnareGhost1 SnareGhost1 SnareGhost1 SnareGhost1

SnareGhost2 SnareGhost2 SnareGhost2 SnareGhost2 Hand Clap1 Hand Clap1 Hand Clap1 Hand Clap1

Hand Clap2 Hand Clap2 Hand Clap2 Hand Clap2 Scratch1 Scratch1 Scratch1 Scratch1

Scratch2 Scratch2 Scratch2 Scratch2 Scratch3 Scratch3 Scratch3 Scratch3 Hit1 H it1 H it1 Hit1 Hit2 H it2 H it2 Hit2

Hit3 H it3 H it3 Hit3

Hit4 H it4 H it4 Hit4 Hit5 H it5 H it5 Hit5 Low Tom1 Low Tom1 Low Tom1 Low Tom1

102

Low Tom2 Low Tom2 Low Tom2 Low Tom2 Cajon1 Cajon1 Cajon1 Cajon1

104

Cajon2 Cajon2 Cajon2 Cajon2 Syn Burst Nz Syn Burst Nz Syn Burst Nz Syn Burst Nz

106

Sweep Down Sweep Down Sweep Down Sweep Down Laser Laser Laser Laser Syn Back Nz Syn Back Nz Syn Back Nz Syn Back Nz

Dance Kit 1

MSB:086/LSB:0/PC:012

Dance Kit 2

MSB:086/LSB:0/PC:013

Dance Kit 3

MSB:086/LSB:0/PC:014

Rhythm Pattern List

No Pattern Name Rhythm Set

000 Metronome Standard 1

001 8-Beat Pop1 Standard 1

002 8-Beat Pop2 Jazz Kit

003 8-Beat Pop3 Standard 1

004 8-Beat Pop4 Standard 1

005 8-Beat Pop5 Standard 1

006 16-Beat Pop1 Standard 2

007 16-Beat Pop2 Standard 2

008 16-Beat Pop3 Standard 2

009 16-Beat Funk Standard 2

010 16Bt Fusion1 Standard 2

011 16Bt Fusion2 Standard 2

012 8-Beat Rock1 Standard 2

013 8-Beat Rock2 Standard 2

014 16Beat Rock1 Standard 2

015 16Beat Rock2 Standard 2

016 Pop Ballad Standard 2

017 Ballad 1 Machine Kit

018 Ballad 2 Machine Kit

019 Ballad 3 Machine Kit

020 Piano R&B 1 Jazz Kit

021 Piano R&B 2 Standard 3

022 Pop 1-1 Standard 1

023 Pop 1-2 Standard 1

024 Pop 1-3 Standard 1

025 Pop 1-4 Standard 1

026 Pop 2-1 Standard 1

027 Pop 2-2 Standard 1

028 Pop 2-3 Standard 1

029 Pop 2-4 Standard 1

030 Pop 2-5 Standard 1

031 Pop 3-1 Standard 1

032 Pop 3-2 Standard 1

033 Pop 3-3 Standard 1

034 Pop 3-4 Standard 1

035 Pop 4-1 Standard 1

036 Pop 4-2 Standard 1

037 Pop 5-1 Standard 1

038 Pop 5-2 Standard 1

039 Pop 5-3 Standard 1

040 Pop 5-4 Standard 1

041 Pop 5-5 Standard 1

042 Pop 6-1 Standard 1

043 Pop 6-2 Standard 1

044 Pop 7-1 Standard 1

045 Pop 7-2 Standard 1

046 Pop 7-3 Standard 1

047 Pop 7-4 Standard 1

048 West Coast Standard 2

049 Big Beat 1 Standard 2

050 Big Beat 2 Standard 2

051 Big Beat 3 Standard 2

052 Funk 1 Standard 3

053 Funk 2 Standard 3

054 Funk 3 Standard 3

055 Pop Funk 1 Standard 3

No Pattern Name Rhythm Set

056 Pop Funk 2 Standard 3

057 Pop Funk 3 Standard 3

058 R&B 1 R&B Mini Kit

059 R&B 2 R&B Mini Kit

060 R&B 3 R&B Mini Kit

061 R&B 4 R&B Mini Kit

062 R&B 5 R&B Mini Kit

063 R&B 6 R&B Mini Kit

064 R&B 7 R&B Mini Kit

065 R&B 8 R&B Mini Kit

066 R&B 9 R&B Mini Kit

067 R&B 10 R&B Mini Kit

068 R&B 11 R&B Mini Kit

069 R&B 12 R&B Mini Kit

070 R&B 13 R&B Mini Kit

071 R&B 14 R&B Mini Kit

072 R&B 15 R&B Mini Kit

073 R&B 16 R&B Mini Kit

074 R&B 17 R&B Mini Kit

075 R&B 18 R&B Mini Kit

076 R&B Pop 1 Standard 2

077 R&B Pop 2 Standard 2

078 R&B Pop 3 Standard 2

079 R&B Pop 4 Standard 2

080 R&B Pop 5 Standard 2

081 R&B Pop 6 Standard 2

082 Rockaballad Standard 3

083 Shue 1 Standard 3

084 Shue 2 Standard 3

085 ShuePop1 Standard 2

086 ShuePop2 Standard 2

087 ShuePop3 Standard 2

088 ShuePop4 Standard 2

089 ShuePop5 Standard 2

090 Slow Beat Standard 2

091 StraightRock Standard 1

092 Back Beat 1 Jazz Kit

093 Back Beat 2 R&B Mini Kit

094 Back Beat 3 R&B Mini Kit

095 Back Beat 4 R&B Mini Kit

096 Back Beat 5 R&B Mini Kit

097 Back Beat 6 R&B Mini Kit

098 Back Beat 7 R&B Mini Kit

099 Back Beat 8 R&B Mini Kit

100 Back Beat 9 R&B Mini Kit

101 Back Beat10 R&B Mini Kit

102 Jazz 1 Jazz Kit

103 Jazz 2 Jazz Kit

104 Jazz 3 Jazz Kit

105 Jazz 4 Jazz Kit

106 Jazz 5 Jazz Kit

107 Swing 1 Jazz Kit

108 Swing 2 Jazz Kit

109 Swing 3 Jazz Kit

110 Swing 4 Jazz Kit

111 Combo Jazz Kit

Rhythm Pattern List

No Pattern Name Rhythm Set

112 Free Jazz Jazz Kit

113 Acid Jazz R&B Kit

114 Motown Standard 3

115 Gospel 1 Standard 3

116 Gospel 2 Standard 3

117 Blues 1 Standard 1

118 Blues 2 Standard 1

119 Power Fusion Standard 1

120 PowerfulRock Standard 1

121 Progressive Standard 1

122 Rock 1 Standard 1

123 Rock 2 Standard 1

124 Rock 3 Standard 1

125 Rock 4 Standard 1

126 Rock 5 Standard 1

127 Rock 6 Standard 1

128 Rock 7 Standard 1

129 Rock 8 Standard 1

130 Rock 9 Standard 1

131 Rock 10 Standard 1

132 Rock 11 Standard 1

133 Rock 12 Standard 1

134 Rock 13 Standard 1

135 Rock 14 Standard 1

136 Rock 15 Standard 1

137 Rock 16 Standard 1

138 Rock 17 Standard 1

139 Rock 18 Standard 1

140 Rock 19 Standard 1

141 Rock 20 Standard 1

142 Rock 21 Standard 1

143 Rock 22 Standard 1

144 Rock 23 Standard 1

145 Rock 24 Standard 1

146 Rock 25 Standard 1

147 Rock 26 Standard 1

148 Rock 27 Standard 1

149 Rock 28 Standard 1

150 Rock 29 Standard 1

151 Latin Dance Standard 1

152 Latin Pop 1 Standard 3

153 Latin Pop 2 Standard 3

154 Latin Pop 3 Standard 3

155 Latin Pop 4 Standard 3

156 Latin Pop 5 Standard 3

157 Latin Pop 6 Standard 3

158 Salsa 1 Standard 3

159 Salsa 2 Standard 3

160 Samba Standard 3

161 Reggae Standard 2

162 Fast Bossa Standard 3

163 BossaNova 1 Standard 2

164 BossaNova 2 Standard 2

165 Mambo Standard 3

166 ElecDance 1 Machine Kit

167 ElecDance 2 Machine Kit

No Pattern Name Rhythm Set

168 ElecDance 3 Dance Kit 1

169 ElecDance 4 Dance Kit 1

170 ElecDance 5 Machine Kit

171 ElecDance 6 Machine Kit

172 ElecDance 7 Machine Kit

173 ElecDance 8 Machine Kit

174 Dance HipHop Kit

175 Rap 1 Dance Kit 3

176 Rap 2 Dance Kit 3

177 Hip Hop 1 Machine Kit

178 Hip Hop 2 Machine Kit

179 Hip Hop 3 Machine Kit

180 Hip Hop 4 Machine Kit

181 Hip Hop 5 Machine Kit

182 Techno Machine Kit

183 Polka 1 Standard 3

184 Polka 2 Standard 3

185 Simple Waltz Jazz Kit

186 Pop Waltz 1 Jazz Kit

187 Pop Waltz 2 Jazz Kit

188 Pop Waltz 3 Jazz Kit

189 Pop Waltz 4 Jazz Kit

190 Metro (2/4) Standard 1

191 Metro (3/4) Standard 1

192 Metro (4/4) Standard 1

193 Metro (5/4) Standard 1

194 Metro (6/4) Standard 1

195 Metro (7/4) Standard 1

196 Metro (5/8) Standard 1

197 Metro (6/8) Standard 1

198 Metro (7/8) Standard 1

199 Metro (9/8) Standard 1

200 Metro (12/8) Standard 1

Eect Parameter List

Multi-Eects Parameter

00: THRU

01: EQUALIZER

This is a four-band stereo equalizer (low, mid x 2, high).

Assignable Parameters

MFX Control Low Gain, High Gain, Level

Parameter Value Description

Low Freq 200, 400 Hz Frequency of the low range

Low Gain -15–+15 dB Gain of the low range

Mid1 Freq 200–8000 Hz Frequency of the middle range 1

Mid1 Gain -15–+15 dB Gain of the middle range 1

Mid1 Q 0.5, 1.0, 2.0, 4.0, 8.0

Mid2 Freq 200–8000 Hz Frequency of the middle range 2

Mid2 Gain -15–+15 dB Gain of the middle range 2

Mid2 Q 0.5, 1.0, 2.0, 4.0, 8.0

High Freq

High Gain -15–+15 dB Gain of the high range

Level 0–127 Output Level

2000, 4000, 8000 Hz

Width of the middle range 1 Set a higher value for Q to narrow the range to be aected.

Width of the middle range 2 Set a higher value for Q to narrow the range to be aected.

Frequency of the high range

03: ISOLATOR

This is an equalizer which cuts the volume greatly, allowing you to add a special eect to the sound by cutting the volume in varying ranges.

Assignable Parameters

MFX Control Boost/Cut Low, Boost/Cut Mid, Boost/Cut High

Parameter Value Description

Boost/Cut Low

Boost/Cut Mid

Boost/Cut High

APhase Low Sw OFF, ON

APhase Low Lev 0–127

APhase Mid Sw OFF, ON Settings of the Anti-Phase function for

APhase Mid Lev 0–127

Low Boost Sw OFF, ON

Low Boost Level 0–127

Level 0–127 Output Level

-60–+4 dB

These boost and cut each of the High, Middle, and Low frequency ranges. At -60 dB, the sound becomes inaudible. 0 dB is equivalent to the input level of the sound.

Turns the Anti-Phase function on and o for the Low frequency ranges. When turned on, the counter-channel of stereo sound is inverted and added to the signal.

Adjusts the level settings for the Low frequency ranges. Adjusting this level for certain frequencies allows you to lend emphasis to specic parts. (This is eective only for stereo source.)

the Middle frequency ranges. The parameters are the same as for the Low frequency ranges.

Turns Low Booster on/o. This emphasizes the bottom to create a heavy bass sound.

Increasing this value gives you a heavier low end.

Depending on the Isolator and lter settings this eect may be hard to distinguish.

02: SPECTRUM

This is a stereo spectrum. Spectrum is a type of lter which modies the timbre by boosting or cutting the level at specic frequencies.

Assignable Parameters

MFX Control Level

Parameter Value Description

Band1 (250Hz)

Band2 (500Hz)

Band3 (1000Hz)

Band4 (1250Hz)

Band5 (2000Hz)

Band6 (3150Hz)

Band7 (4000Hz)

Band8 (8000Hz)

Q 0.5, 1.0, 2.0, 4.0, 8.0

Level 0–127 Output Level

-15–+15 dB Gain of each frequency band

Simultaneously adjusts the width of the adjusted ranges for all the frequency bands.

04: LOW BOOST

Boosts the volume of the lower range, creating powerful lows.

Assignable Parameters

MFX Control Boost Gain, Boost Freq

Parameter Value Description

Boost Freq 50–125 Hz

Boost Gain 0–+12 dB

Boost Width

Low Gain -15–+15 dB Gain of the low frequency range

High Gain -15–+15 dB Gain of the high frequency range

Level 0–127 Output Level

WIDE, MID, NARROW

Center frequency at which the lower range will be boosted

Amount by which the lower range will be boosted

Width of the lower range that will be boosted

Eect Parameter List

05: SUPER FILTR (SUPER FILTER)

This is a lter with an extremely sharp slope. The cuto frequency can be varied cyclically.

Assignable Parameters

MFX Control Filter Cuto, Filter Resonance, Rate, Depth

Parameter Value Description

Filter type Frequency range that will pass through each lter

Filter Type

Filter Slope -12, -24, -36 dB

Filter Cuto 0–127

Filter Resonance 0–127

Filter Gain 0–+12 dB Amount of boost for the lter output

Modulation Sw OFF, ON On/o switch for cyclic change

Modulation Wave

Rate Mode Hz, note

Rate (Hz) 0.05–10.00 Hz Rate of modulation (Hz)

Rate (

)

Depth 0–127 Depth of modulation

Attack 0–127

Level 0–127 Output Level

LPF, BPF, HPF, NOTCH

TRI, SQR, SIN, SAW1, SAW2

SAW1 SAW2

note (*1) Rate of modulation (note)

LPF: Frequencies below the cuto BPF: Frequencies in the region of the

cuto

HPF: Frequencies above the cuto NOTCH: Frequencies other than the

region of the cuto

Amount of attenuation per octave

-36 dB: Extremely steep

-24 dB: Steep

-12 dB: Gentle

Cuto frequency of the lter Increasing this value will raise the cuto frequency.

Filter resonance level Increasing this value will emphasize the region near the cuto frequency.

How the cuto frequency will be modulated

TRI: Triangle wave SQR: Square wave SIN: Sine wave SAW1: Sawtooth wave (upward) SAW2: Sawtooth wave (downward)

When this is set to “note,” the eect is synchronized with the tempo.

Speed at which the cuto frequency will change This is eective if Modulation Wave is SQR, SAW1, or SAW2.

06: STEP FILTER

This is a lter whose cuto frequency can be modulated in steps. You can specify the pattern by which the cuto frequency will change.

Assignable Parameters

MFX Control Rate, Filter Resonance, Filter Type

Parameter Value Description

Step 01–16 0–127 Cuto frequency at each step

Rate Mode Hz, note

Rate (Hz) 0.05–10.00 Hz Rate of modulation (Hz)

Rate (

)

note (*1) Rate of modulation (note)

When this is set to “note,” the eect is synchronized with the tempo.

Parameter Value Description

Attack 0–127

Filter Type

Filter Slope -12, -24, -36 dB

Filter Resonance 0–127

Filter Gain 0–+12 dB Amount of boost for the lter output

Level 0–127 Output Level

LPF, BPF, HPF, NOTCH

Speed at which the cuto frequency changes between steps

Filter type Frequency range that will pass through each lter

LPF: Frequencies below the cuto BPF: Frequencies in the region of the

cuto

HPF: Frequencies above the cuto NOTCH: Frequencies other than the

region of the cuto

Amount of attenuation per octave

-12dB: Gentle

-24dB: Steep

-36dB: Extremely steep

Filter resonance level Increasing this value will emphasize the region near the cuto frequency.

07: ENHANCER

Controls the overtone structure of the high frequencies, adding sparkle and tightness to the sound.

Assignable Parameters

MFX Control Sens, Mix

Parameter Value Description

Sens 0–127 Sensitivity of the enhancer

Mix 0–127

Low Gain -15–+15 dB Gain of the low range

High Gain -15–+15 dB Gain of the high range

Level 0–127 Output Level

Level of the overtones generated by the enhancer

08: AUTO WAH

Cyclically controls a lter to create cyclic change in timbre.

Assignable Parameters

MFX Control Manual, Sens, Rate, Depth, Phase

Parameter Value Description

Type of lter

Filter Type LPF, BPF

Manual 0–127

Peak 0–127

Sens 0–127

LPF: The wah eect will be applied over a wide frequency range. BPF: The wah eect will be applied over a narrow frequency range.

Adjusts the center frequency at which the eect is applied.

Adjusts the amount of the wah eect that will occur in the range of the center frequency. Set a higher value for Q to narrow the range to be aected.

Adjusts the sensitivity with which the lter is controlled.

Eect Parameter List

Parameter Value Description

Sets the direction in which the frequency will change when the

Polarity UP, DOWN

Rate Mode Hz, note

Rate (Hz) 0.05–10.00 Hz Frequency of modulation (Hz)

)

Rate (

Depth 0–127 Depth of modulation

Phase 0–180 deg

Low Gain -15–+15 dB Gain of the low range

High Gain -15–+15 dB Gain of the high range

Level 0–127 Output Level

note (*1) Frequency of modulation (note)

autowah lter is modulated. UP: The lter will change toward a higher frequency. DOWN: The lter will change toward a lower frequency.

When this is set to “note,” the eect is synchronized with the tempo.

Adjusts the degree of phase shift of the left and right sounds when the wah eect is applied.

09: HUMANIZER

Adds a vowel character to the sound, making it similar to a human voice.

Assignable Parameters

MFX Control Rate, Drive, Depth, Vowel1, Vowel2, Manual

Parameter Value Description

Drive Sw OFF, ON Turns Drive on/o.

Drive 0–127

Vowel1 a, e, i, o, u

Vowel2 a, e, i, o, u

Rate Mode Hz, note

Rate (Hz) 0.05–10.00 Hz

Rate (

)

Depth 0–127 Eect depth

Input Sync Sw OFF, ON

Input Sync Thres 0–127 Volume level at which reset is applied

Manual 0–100

Low Gain -15–+15 dB Gain of the low frequency range

High Gain -15–+15 dB Gain of the high frequency range

Pan L64–63R Stereo location of the output

Level 0–127 Output Level

note (*1)

Degree of distortion Also changes the volume.

Selects the vowel.

When this is set to “note,” the eect is synchronized with the tempo.

Frequency at which the two vowels switch (Hz)

Frequency at which the two vowels switch (note)

Determines whether the LFO for switching the vowels is reset by the input signal (ON) or not (OFF).

Point at which Vowel 1/2 switch 49 or less: Vowel 1 will have a longer duration. 50: Vowel 1 and 2 will be of equal duration. 51 or more: Vowel 2 will have a longer duration.

10: SP.SIMULATR (SPEAKER SIMULATOR)

Simulates the speaker type and microphone settings used to record the speaker sound.

Assignable Parameters

MFX Control Direct Level, Mic Level, Speaker

Parameter Value Description

Speaker (See the table.) Type of speaker

Adjusts the location of the microphone that is recording the sound of the

Mic Setting 1, 2, 3

Mic Level 0–127 Volume of the microphone

Direct Level 0–127 Volume of the direct sound

Level 0–127 Output Level

Specications of each Speaker Type

The speaker column indicates the diameter of each speaker unit (in inches) and the number of units.

Type Cabinet Speaker Microphone

SMALL 1

SMALL 2

MIDDLE

JC-120

BUILT-IN 1

BUILT-IN 2

BUILT-IN 3

BUILT-IN 4

BUILT-IN 5

BG STACK 1 sealed enclosure 12 x 2 condenser

BG STACK 2

MS STACK 1

MS STACK 2

METAL STACK large double stack 12 x 4 condenser

2-STACK large double stack 12 x 4 condenser

3-STACK large double stack 12 x 4 condenser

small open-back enclosure

open back enclosure

large sealed enclosure

speaker. This can be adjusted in three steps, with the microphone becoming more distant in the order of 1, 2, and 3.

10 dynamic

12 x 1 dynamic

12 x 2 dynamic

12 x 2 condenser

12 x 4 condenser

Eect Parameter List

11: PHASER

This is a stereo phaser. A phase-shifted sound is added to the original sound and modulated.

Assignable Parameters

MFX Control Rate, Resonance, Manual, Mix

Parameter Value Description

Mode

Manual 0–127

Rate Mode Hz, note

Rate (Hz) 0.05–10.00 Hz Frequency of modulation (Hz)

)

Rate (

Depth 0–127 Depth of modulation

Polarity INVERSE, SYNCHRO

Resonance 0–127 Amount of feedback

Cross Feedback -98–+98 %

Mix 0–127 Level of the phase-shifted sound

Low Gain -15–+15 dB Gain of the low range

High Gain -15–+15 dB Gain of the high range

Level 0–127 Output Level

4-STAGE, 8-STAGE, 12-STAGE

note (*1) Frequency of modulation (note)

Number of stages in the phaser

Adjusts the basic frequency from which the sound will be modulated.

When this is set to “note,” the eect is synchronized with the tempo.

Selects whether the left and right phase of the modulation will be the same or the opposite. INVERSE: The left and right phase will be opposite. When using a mono source, this spreads the sound. SYNCHRO: The left and right phase will be the same. Select this when inputting a stereo source.

Adjusts the proportion of the phaser sound that is fed back into the eect. Negative (-) settings will invert the phase.

12: STEP PHASER

This is a stereo phaser. The phaser eect will be varied gradually.

Assignable Parameters

MFX Control StepRate, Depth, Resonance, Manual, Mix

Parameter Value Description

Mode

Manual 0–127

Rate Mode Hz, note

Rate (Hz) 0.05–10.00 Hz Frequency of modulation (Hz)

)

Rate (

Depth 0–127 Depth of modulation

Polarity INVERSE, SYNCHRO

Resonance 0–127 Amount of feedback

4-STAGE, 8-STAGE, 12-STAGE

note (*1) Frequency of modulation (note)

Number of stages in the phaser

Adjusts the basic frequency from which the sound will be modulated.

When this is set to “note,” the eect is synchronized with the tempo.

Parameter Value Description

Adjusts the proportion of the phaser

Cross Feedback -98–+98 %

Step Rate Mode Hz, note

Step Rate (Hz) 0.10–20.00 Hz

note (*1)

Step Rate (

Mix 0–127 Level of the phase-shifted sound

Low Gain -15–+15 dB Gain of the low range

High Gain -15–+15 dB Gain of the high range

Level 0–127 Output Level

)

sound that is fed back into the eect. Negative (-) settings will invert the phase.

When this is set to “note,” the eect is synchronized with the tempo.

Rate of the step-wise change in the phaser eect (Hz)

Rate of the step-wise change in the phaser eect (note)

13: MULT PHASER (MULTI STAGE PHASER)

Extremely high settings of the phase dierence produce a deep phaser eect.

Assignable Parameters

MFX Control Rate, Depth, Resonance, Manual, Mix

Parameter Value Description

4-STAGE, 8-STAGE,

Mode

Manual 0–127

Rate Mode Hz, note

Rate (Hz) 0.05–10.00 Hz Frequency of modulation (Hz)

)

Rate (

Depth 0–127 Depth of modulation

Resonance 0–127 Amount of feedback

Mix 0–127 Level of the phase-shifted sound

Pan L64–63R Stereo location of the output sound

Low Gain -15–+15 dB Gain of the low range

High Gain -15–+15 dB Gain of the high range

Level 0–127 Output Level

12-STAGE, 16-STAGE, 20-STAGE, 24-STAGE

note (*1) Frequency of modulation (note)

Number of phaser stages

Adjusts the basic frequency from which the sound will be modulated.

When this is set to “note,” the eect is synchronized with the tempo.

14: INF PHASER (INFINITE PHASER)

A phaser that continues raising/lowering the frequency at which the sound is modulated.

Assignable Parameters

MFX Control Speed, Resonance, Mix, Pan

Parameter Value Description

Mode 1, 2, 3, 4

Speed -100–+100

Resonance 0–127 Amount of feedback

Mix 0–127 Volume of the phase-shifted sound

Pan L64–63R Panning of the output sound

Higher values will produce a deeper phaser eect.

Speed at which to raise or lower the frequency at which the sound is modulated (+: upward / -: downward)

Eect Parameter List

Parameter Value Description

Low Gain -15–+15 dB

High Gain -15–+15 dB

Level 0–127 Output Level

Amount of boost/cut for the lowfrequency range

Amount of boost/cut for the highfrequency range

15: RING MODLTR (RING MODULATOR)

This is an eect that applies amplitude modulation (AM) to the input signal, producing bell-like sounds. You can also change the modulation frequency in response to changes in the volume of the sound sent into the eect.

Assignable Parameters

MFX Control Frequency, Sens, Balance

Parameter Value Description

Frequency 0–127

Sens 0–127

Polarity UP, DOWN

Low Gain -15–+15 dB Gain of the low frequency range

High Gain -15–+15 dB Gain of the high frequency range

Balance D100:0W–D0:100W

Level 0–127 Output Level

Adjusts the frequency at which modulation is applied.

Adjusts the amount of frequency modulation applied.

Determines whether the frequency modulation moves towards higher frequencies (UP) or lower frequencies (DOWN).

Volume balance between the direct sound (D) and the eect sound (W)

17: TREMOLO

Cyclically modulates the volume to add tremolo eect to the sound.

Assignable Parameters

MFX Control Rate, Depth, Mod Wave

Parameter Value Description

Modulation Wave

TRI, SQR, SIN, SAW1, SAW2, TRP

Mod Wave

SAW1 SAW2

Rate Mode Hz, note

Rate (Hz) 0.05–10.00 Hz Frequency of the change (Hz)

Rate (

)

Depth 0–127 Depth to which the eect is applied

Low Gain -15–+15 dB Gain of the low range

High Gain -15–+15 dB Gain of the high range

Level 0–127 Output Level

note (*1) Frequency of the change (note)

TRI: Triangle wave SQR: Square wave SIN: Sine wave SAW1, 2: Sawtooth wave TRP: Trapezoidal wave

When this is set to “note,” the eect is synchronized with the tempo.

18: AUTO PAN

Cyclically modulates the stereo location of the sound.

16: STEP R.MOD (STEP RING MODULATOR)

This is a ring modulator that uses a 16-step sequence to vary the frequency at which modulation is applied.

Assignable Parameters

MFX Control Rate, Attack, Balance

Parameter Value Description

Step 01–16 0–127

Rate Mode Hz, note

Rate (Hz) 0.05–10.00 Hz

)

Rate (

Attack 0–127

Low Gain -15–+15 dB

High Gain -15–+15 dB

Balance D100:0W–D0:100W

Level 0–127 Output Level

note (*1)

Frequency of ring modulation at each step

When this is set to “note,” the eect is synchronized with the tempo.

Rate at which the 16-step sequence will cycle (Hz)

Rate at which the 16-step sequence will cycle (note)

Speed at which the modulation frequency changes between steps

Amount of boost/cut for the lowfrequency range

Amount of boost/cut for the highfrequency range

Volume balance of the original sound (D) and eect sound (W)

Assignable Parameters

MFX Control Rate, Depth, Mod Wave

Parameter Value Description

Modulation Wave

TRI, SQR, SIN, SAW1, SAW2, TRP

Mod Wave

SAW1 SAW2

Rate Mode Hz, note

Rate (Hz) 0.05–10.00 Hz Frequency of the change (Hz)

Rate (

)

Depth 0–127 Depth to which the eect is applied

Low Gain -15–+15 dB Gain of the low range

High Gain -15–+15 dB Gain of the high range

Level 0–127 Output Level

note (*1) Frequency of the change (note)

TRI: triangle wave SQR: square wave SIN: sine wave SAW1/2: sawtooth wave TRP: Trapezoidal wave

When this is set to “note,” the eect is synchronized with the tempo.

Eect Parameter List

19: STEP PAN

This uses a 16-step sequence to vary the panning of the sound.

Assignable Parameters

MFX Control Rate, Attack

Parameter Value Description

Step 01–16 L64–63R Pan at each step

Rate Mode Hz, note

Rate (Hz) 0.05–10.00 Hz

)

Rate (

Attack 0–127

Input Sync Sw OFF, ON

Input Sync Thres 0–127

Level 0–127 Output Level

note (*1)

When this is set to “note,” the eect is synchronized with the tempo.

Rate at which the 16-step sequence will cycle (Hz)

Rate at which the 16-step sequence will cycle (note)

Speed at which the pan changes between steps

Species whether an input note will cause the sequence to resume from the rst step of the sequence (ON) or not (OFF)

Volume at which an input note will be detected

20: SLICER

By applying successive cuts to the sound, this eect turns a conventional sound into a sound that appears to be played as a backing phrase. This is especially eective when applied to sustain-type sounds.

Assignable Parameters

MFX Control Rate, Attack, Shue

21: ROTARY

The Rotary eect simulates the sound of the rotary speakers often used with the electric organs of the past. Since the movement of the high range and low range rotors can be set independently, the unique type of modulation characteristic of these speakers can be simulated quite closely. This eect is most suitable for electric organ Patches.

Assignable Parameters

MFX Control Speed, Tw Fast Rate, Wf Fast Rate, Separation

Parameter Value Description

Simultaneously switch the rotational speed of the low frequency rotor and

Speed SLOW, FAST

Wf Slow Rate 0.05–10.00 Hz

Wf Fast Rate 0.05–10.00 Hz

Woofer Accel 0–15

Wf Level 0–127 Volume of the low frequency rotor

Tw Slow Rate 0.05–10.00 Hz

Tw Fast Rate 0.05–10.00 Hz

Tweeter Accel 0–15

Tweeter Level 0–127

Separation 0–127 Spatial dispersion of the sound

Level 0–127 Output Level

high frequency rotor. SLOW: Slows down the rotation to the Slow Rate. FAST: Speeds up the rotation to the Fast Rate.

Slow speed (SLOW) of the low frequency rotor

Fast speed (FAST ) of the low frequency rotor

Adjusts the time it takes the low frequency rotor to reach the newly selected speed when switching from fast to slow (or slow to fast) speed. Lower values will require longer times.

Settings of the high frequency rotor The parameters are the same as for the low frequency rotor

Parameter Value Description

Step 01–16 0–127 Level at each step

Rate Mode Hz, note

Rate (Hz) 0.05–10.00 Hz

)

Rate (

Attack 0–127

Input Sync Sw OFF, ON

Input Sync Thres 0–127

Mode LEGATO, SLASH

Shue 0–127

Level 0–127 Output Level

note (*1)

When this is set to “note,” the eect is synchronized with the tempo.

Rate at which the 16-step sequence will cycle (Hz)

Rate at which the 16-step sequence will cycle (note)

Speed at which the level changes between steps

Species whether an input note will cause the sequence to resume from the rst step of the sequence (ON) or not (OFF)

Volume at which an input note will be detected

Sets the manner in which the volume changes as one step progresses to the next. LEGATO: The change in volume from one step’s level to the next remains unaltered. If the level of a following step is the same as the one preceding it, there is no change in volume. SLASH: The level is momentarily set to 0 before progressing to the level of the next step. This change in volume occurs even if the level of the following step is the same as the preceding step.

Timing of volume changes for evennumbered steps (step 2, step 4, step 6...). The higher the value, the later the beat progresses.

22: VK ROTARY

This type provides modied response for the rotary speaker, with the low end boosted further. This eect is a descendant of the Roland VK Series’ built-in rotary speaker.

Assignable Parameters

MFX Control Speed, Brake, Tw Fast Rate, Wf Fast Rate

Parameter Value Description

Speed SLOW, FAST Rotational speed of the rotating speaker

Switches the rotation of the rotary

Brake OFF, ON

Wf Slow Rate 0.05–10.00 Hz Low-speed rotation speed of the woofer

Wf Fast Rate 0.05–10.00 Hz High-speed rotation speed of the woofer

Wf Trans Up 0–127

Wf Trans Down 0–127

Wf Level 0–127 Volume of the woofer

Tw Slow Rate 0.05–10.00 Hz

Tw Fast Rate 0.05–10.00 Hz

Tw Trans Up 0–127

Tw Trans Down 0–127

Tweeter Level 0–127

speaker. When this is turned on, the rotation will gradually stop. When it is turned o, the rotation will gradually resume.

Adjusts the rate at which the woofer rotation speeds up when the rotation is switched from SLOW to FAST.

Adjusts the rate at which the woofer rotation speeds up when the rotation is switched from FAST to SLOW.

Settings of the tweeter The parameters are the same as for the woofer.

Eect Parameter List

Parameter Value Description

Spread 0–10

Low Gain -15–+15 dB Gain of the low range

High Gain -15–+15 dB Gain of the high range

Level 0–127 Output Level

Sets the rotary speaker stereo image. The higher the value set, the wider the sound is spread out.

23: CHORUS

This is a stereo chorus. A lter is provided so that you can adjust the timbre of the chorus sound.

Assignable Parameters

MFX Control Depth, Rate, Balance

Parameter Value Description

Type of lter OFF: No lter is used

Filter Type OFF, LPF, HPF

Cuto Freq 200–8000 Hz Basic frequency of the lter

Pre Delay 0.0–100.0 ms

Rate Mode Hz, note

Rate (Hz) 0.05–10.00 Hz Frequency of modulation (Hz)

)

Rate (

Depth 0–127 Depth of modulation

Phase 0–180 deg Spatial spread of the sound

Low Gain -15–+15 dB Gain of the low range

High Gain -15–+15 dB Gain of the high range

Balance D100:0W–D0:100W

Level 0–127 Output Level

note (*1) Frequency of modulation (note)

LPF: Cuts the frequency range above the Cuto Freq HPF: Cuts the frequency range below the Cuto Freq

Adjusts the delay time from the direct sound until the chorus sound is heard.

When this is set to “note,” the eect is synchronized with the tempo.

Volume balance between the direct sound (D) and the chorus sound (W)

24: FLANGER

This is a stereo anger. (The LFO has the same phase for left and right.) It produces a metallic resonance that rises and falls like a jet airplane taking o or landing. A lter is provided so that you can adjust the timbre of the anged sound.

Assignable Parameters

MFX Control Depth, Rate, Feedback, Balance

Parameter Value Description

Type of lter OFF: No lter is used

Filter Type OFF, LPF, HPF

Cuto Freq 200–8000 Hz Basic frequency of the lter

Pre Delay 0.0–100.0 ms

Rate Mode Hz, note

Rate (Hz) 0.05–10.00 Hz Frequency of modulation (Hz)

Rate (

)

note (*1) Frequency of modulation (note)

LPF: Cuts the frequency range above the Cuto Freq HPF: Cuts the frequency range below the Cuto Freq

Adjusts the delay time from when the direct sound begins until the anger sound is heard.

When this is set to “note,” the eect is synchronized with the tempo.

Parameter Value Description

Depth 0–127 Depth of modulation

Phase 0–180 deg Spatial spread of the sound

Adjusts the proportion of the anger

Feedback -98–+98 %

Low Gain -15–+15 dB Gain of the low range

High Gain -15–+15 dB Gain of the high range

Balance D100:0W–D0:100W

Level 0–127 Output Level

sound that is fed back into the eect. Negative (-) settings will invert the phase.

Volume balance between the direct sound (D) and the anger sound (W)

25: STEP FLANGR (STEP FLANGER)

This is a anger in which the anger pitch changes in steps. The speed at which the pitch changes can also be specied in terms of a note-value of a specied tempo.

Assignable Parameters

MFX Control StepRate, Depth, Feedback, Balance

Parameter Value Description

Type of lter OFF: No lter is used

Filter Type OFF, LPF, HPF

Cuto Freq 200–8000 Hz Basic frequency of the lter

Pre Delay 0.0–100.0 ms

Rate Mode Hz, note

Rate (Hz) 0.05–10.00 Hz Frequency of modulation (Hz)

)

Rate (

Depth 0–127 Depth of modulation

Phase 0–180 deg Spatial spread of the sound

Feedback -98–+98 %

Step Rate Mode Hz, note

StepRate (Hz) 0.10–20.00 Hz Rate (period) of pitch change (Hz)

Step Rate (

Low Gain -15–+15 dB Gain of the low range

High Gain -15–+15 dB Gain of the high range

Balance D100:0W–D0:100W

Level 0–127 Output Level

note (*1) Frequency of modulation (note)

note (*1) Rate (period) of pitch change (note)

)

LPF: Cuts the frequency range above the Cuto Freq HPF: Cuts the frequency range below the Cuto Freq

Adjusts the delay time from when the direct sound begins until the anger sound is heard.

When this is set to “note,” the eect is synchronized with the tempo.

Adjusts the proportion of the anger sound that is fed back into the eect. Negative (-) settings will invert the phase.

When this is set to “note,” the eect is synchronized with the tempo.

Volume balance between the direct sound (D) and the anger sound (W)

Eect Parameter List

26: HEXA-CHORUS

Uses a six-phase chorus (six layers of chorused sound) to give richness and spatial spread to the sound.

Assignable Parameters

MFX Control Depth, Rate, Balance

Parameter Value Description

Pre Delay 0.0–100.0 ms

Rate Mode Hz, note

Rate (Hz) 0.05–10.00 Hz Frequency of modulation (Hz)

)

Rate (

Depth 0–127 Depth of modulation

Pre Delay Deviat 0–20

Depth Deviation -20–+20

Pan Deviation 0–20

Balance D100:0W–D0:100W

Level 0–127 Output Level

note (*1) Frequency of modulation (note)

Adjusts the delay time from the direct sound until the chorus sound is heard.

When this is set to “note,” the eect is synchronized with the tempo.

Adjusts the dierences in Pre Delay between each chorus sound.

Adjusts the dierence in modulation depth between each chorus sound.

Adjusts the dierence in stereo location between each chorus sound.

0: All chorus sounds will be in the center. 20: Each chorus sound will be spaced at

60 degree intervals relative to the center.

Volume balance between the direct sound (D) and the chorus sound (W)

28: SPACE-D

This is a multiple chorus that applies two-phase modulation in stereo. It gives no impression of modulation, but produces a transparent chorus eect.

Assignable Parameters

MFX Control Depth, Rate, Balance

Parameter Value Description

Pre Delay 0.0–100.0 ms

Rate Mode Hz, note

Rate (Hz) 0.05–10.00 Hz Frequency of modulation (Hz)

)

Rate (

Depth 0–127 Depth of modulation

Phase 0–180 deg Spatial spread of the sound

Low Gain -15–+15 dB Gain of the low range

High Gain -15–+15 dB Gain of the high range

Balance D100:0W–D0:100W

Level 0–127 Output Level

note (*1) Frequency of modulation (note)

Adjusts the delay time from the direct sound until the chorus sound is heard.

When this is set to “note,” the eect is synchronized with the tempo.

Volume balance between the direct sound (D) and the chorus sound (W)

29: 3D CHORUS

This applies a 3D eect to the chorus sound. The chorus sound will be positioned 90 degrees left and 90 degrees right.

27: TREMOLO CHO (TREMOLO CHORUS)

This is a chorus eect with added Tremolo (cyclic modulation of volume).

Assignable Parameters

MFX Control Chorus Depth, Cho Rate, Treml Rate, Balance

Parameter Value Description

Pre Delay 0.0–100.0 ms

Rate Mode Hz, note

Cho Rate (Hz) 0.05–10.00 Hz

note (*1)

Cho Rate (

Chorus Depth 0–127 Modulation depth of the chorus eect

Treml Rate Mode Hz, note

Trm Rate (Hz) 0.05–10.00 Hz

Treml Rate (

Treml Separation 0–127 Spread of the tremolo eect

Treml Phase 0–180 deg Spread of the tremolo eect

Balance D100:0W–D0:100W

Level 0–127 Output Level

)

note (*1)

Adjusts the delay time from the direct sound until the chorus sound is heard.

When this is set to “note,” the eect is synchronized with the tempo.

Modulation frequency of the chorus eect (Hz)

Modulation frequency of the chorus eect (note)

When this is set to “note,” the eect is synchronized with the tempo.

Modulation frequency of the tremolo eect (Hz)

Modulation frequency of the tremolo eect (note)

Volume balance between the direct sound (D) and the tremolo chorus sound (W)

Assignable Parameters

MFX Control Depth, Rate, Balance

Parameter Value Description

Type of lter OFF: No lter is used

Filter Type OFF, LPF, HPF

Cuto Freq 200–8000 Hz Basic frequency of the lter

Pre Delay 0.0–100.0 ms

Rate Mode Hz, note

Rate (Hz) 0.05–10.00 Hz Frequency of modulation (Hz)

)

Rate (

Depth 0–127 Modulation depth of the chorus eect

Phase 0–180 deg Spatial spread of the sound

Output Mode SPEAKER, PHONES

Low Gain -15–+15 dB Gain of the low range

High Gain -15–+15 dB Gain of the high range

Balance D100:0W–D0:100W

Level 0–127 Output Level

note (*1) Frequency of modulation (note)

LPF: Cuts the frequency range above the Cuto Freq HPF: Cuts the frequency range below the Cuto Freq

Adjusts the delay time from the direct sound until the chorus sound is heard.

When this is set to “note,” the eect is synchronized with the tempo.

Adjusts the method that will be used to hear the sound that is output to the OUTPUT jacks. The optimal 3D eect will be achieved if you select SPEAKER when using speakers, or PHONES when using headphones.

Volume balance between the direct sound (D) and the chorus sound (W)

Eect Parameter List

30: 3D FLANGER

This applies a 3D eect to the anger sound. The anger sound will be positioned 90 degrees left and 90 degrees right.

Assignable Parameters

MFX Control Depth, Rate, Feedback, Balance

Parameter Value Description

Type of lter OFF: no lter is used

Filter Type OFF, LPF, HPF

Cuto Freq 200–8000 Hz Basic frequency of the lter

Pre Delay 0.0–100.0 ms

Rate Mode Hz, note

Rate (Hz) 0.05–10.00 Hz Frequency of modulation (Hz)

)

Rate (

Depth 0–127 Depth of modulation

Phase 0–180 deg Spatial spread of the sound

Feedback -98–+98 %

Output Mode SPEAKER, PHONES

Low Gain -15–+15 dB Gain of the low range

High Gain -15–+15 dB Gain of the high range

Balance D100:0W–D0:100W

Level 0–127 Output Level

note (*1) Frequency of modulation (note)

LPF: cuts the frequency range above the Cuto Freq HPF: cuts the frequency range below the Cuto Freq

Adjusts the delay time from when the direct sound begins until the anger sound is heard.

When this is set to “note,” the eect is synchronized with the tempo.

Adjusts the proportion of the anger sound that is fed back into the eect. Negative (-) settings will invert the phase.

Volume balance between the direct sound (D) and the anger sound (W)

31: 3D S.FLANGR (3D STEP FLANGER)

This applies a 3D eect to the step anger sound. The anger sound will be positioned 90 degrees left and 90 degrees right.

Assignable Parameters

MFX Control StepRate, Depth, Feedback, Balance

Parameter Value Description

Type of lter OFF: No lter is used

Filter Type OFF, LPF, HPF

Cuto Freq 200–8000 Hz Basic frequency of the lter

Pre Delay 0.0–100.0 ms

Rate Mode Hz, note

Rate (Hz) 0.05–10.00 Hz Frequency of modulation (Hz)

)

Rate (

Depth 0–127 Depth of modulation

Phase 0–180 deg Spatial spread of the sound

note (*1) Frequency of modulation (note)

LPF: Cuts the frequency range above the Cuto Freq HPF: Cuts the frequency range below the Cuto Freq

Adjusts the delay time from when the direct sound begins until the anger sound is heard.

When this is set to “note,” the eect is synchronized with the tempo.

Parameter Value Description

Adjusts the proportion of the anger

Feedback -98–+98 %

Step Rate Mode Hz, note

StepRate (Hz) 0.10–20.00 Hz Rate (period) of pitch change (Hz)

note (*1) Rate (period) of pitch change (note)

Step Rate (

Output Mode SPEAKER, PHONES

Low Gain -15–+15 dB Gain of the low range

High Gain -15–+15 dB Gain of the high range

Balance D100:0W–D0:100W

Level 0–127 Output Level

)

sound that is fed back into the eect. Negative (-) settings will invert the phase.

When this is set to “note,” the eect is synchronized with the tempo.

Volume balance between the direct sound (D) and the anger sound (W)

32: 2BND CHORUS (2 BAND CHORUS)

A chorus eect that lets you apply an eect independently to the low-frequency and high-frequency ranges.

Assignable Parameters

MFX Control Low Depth, High Depth, Low Rate, HighRate, Balance

Parameter Value Description

Split Freq 200–8000 Hz

Low Pre Delay 0.0–100.0 ms

Low Rate Mode Hz, note

Low Rate (Hz) 0.05–10.00 Hz

note (*1)

Low Rate (

Low Depth 0–127

Low Phase 0–180 deg

High Pre Delay 0.0–100.0 ms

High Rate Mode Hz, note

HighRate (Hz) 0.05–10.00 Hz

High Rate (

High Depth 0–127

High Phase 0–180 deg

Balance D100:0W–D0:100W

Level 0–127 Output Level

)

note (*1)

)

Frequency at which the low and high ranges will be divided

Delay time from when the original sound is heard to when the low-range chorus sound is heard

When this is set to “note,” the eect is synchronized with the tempo.

Rate at which the low-range chorus sound is modulated (Hz)

Rate at which the low-range chorus sound is modulated (note)

Modulation depth for the low-range chorus sound

Spaciousness of the low-range chorus sound

Delay time from when the original sound is heard to when the high-range chorus sound is heard

When this is set to “note,” the eect is synchronized with the tempo.

Rate at which the low-range chorus sound is modulated (Hz)

Rate at which the low-range chorus sound is modulated (note)

Modulation depth for the high-range chorus sound

Spaciousness of the high-range chorus sound

Volume balance of the original sound (D) and chorus sound (W)

Eect Parameter List

33: 2BND FLANGR (2 BAND FLANGER)

A anger that lets you apply an eect independently to the low-frequency and high-frequency ranges.

Assignable Parameters

MFX Control Balance, Low Rate, HighRate, Low Feedback, High Feedback

Parameter Value Description

Split Freq 200–8000 Hz

Low Pre Delay 0.0–100.0 ms

Low Rate Mode Hz, note

Low Rate (Hz) 0.05–10.00 Hz

note (*1)

Low Rate (

Low Depth 0–127

Low Phase 0–180 deg

Low Feedback -98–+98 %

High Pre Delay 0.0–100.0 ms

High Rate Mode Hz, note

HighRate (Hz) 0.05–10.00 Hz

High Rate (

High Depth 0–127

High Phase 0–180 deg

High Feedback -98–+98 %

Balance D100:0W–D0:100W

Level 0–127 Output Level

)

note (*1)

)

Frequency at which the low and high ranges will be divided

Delay time from when the original sound is heard to when the low-range anger sound is heard

When this is set to “note,” the eect is synchronized with the tempo.

Rate at which the low-range anger sound is modulated (Hz)

Rate at which the low-range anger sound is modulated (note)

Modulation depth for the low-range anger sound

Spaciousness of the low-range anger sound

Proportion of the low-range anger sound that is to be returned to the input (negative values invert the phase)

Delay time from when the original sound is heard to when the high-range anger sound is heard

When this is set to “note,” the eect is synchronized with the tempo.

Rate at which the high-range anger sound is modulated (Hz)

Rate at which the high-range anger sound is modulated (note)

Modulation depth for the high-range anger sound

Spaciousness of the high-range anger sound

Proportion of the high-range anger sound that is to be returned to the input (negative values invert the phase)

Volume balance of the original sound (D) and anger sound (W)

Parameter Value Description

Low Depth 0–127

Low Phase 0–180 deg

Low Feedback -98–+98 %

LoStp Mode Hz, note

LoStp Rt (Hz) 0.10–20.00 Hz

note (*1)

LoStp Rt (

Hi Pre Delay 0.0–100.0 ms

Hi Rate Mode Hz, note

Hi Rate (Hz) 0.05–10.00 Hz

Hi Rate (

Hi Depth 0–127

Hi Phase 0–180 deg

Hi Feedback -98–+98 %

HiStp Mode Hz, note

HiStp Rt (Hz) 0.10–20.00 Hz

HiStp Rt (

Balance D100:0W–D0:100W

Level 0–127 Output Level

)

note (*1)

Modulation depth for the low-range anger sound

Spaciousness of the low-range anger sound

Proportion of the low-range anger sound that is to be returned to the input (negative values invert the phase)

When this is set to “note,” the eect is synchronized with the tempo.

Rate at which the steps will cycle for the low-range anger sound (Hz)

Rate at which the steps will cycle for the low-range anger sound (note)

Delay time from when the original sound is heard to when the high-range anger sound is heard

When this is set to “note,” the eect is synchronized with the tempo.

Rate at which the high-range anger sound is modulated (Hz)

Rate at which the high-range anger sound is modulated (note)

Modulation depth for the high-range anger sound

Spaciousness of the high-range anger sound

Proportion of the high-range anger sound that is to be returned to the input (negative values invert the phase)

When this is set to “note,” the eect is synchronized with the tempo.

Rate at which the steps will cycle for the high-range anger sound (Hz)

Rate at which the steps will cycle for the high-range anger sound (note)

Volume balance of the original sound (D) and anger sound (W)

35: OVERDRIVE

Creates a soft distortion similar to that produced by vacuum tube ampliers.

Assignable Parameters

MFX Control Level, Amp Type, Drive, Pan

34: 2BND S.FLN (2 BAND STEP FLANGER)

A step anger that lets you apply an eect independently to the low-frequency and high-frequency ranges.

Assignable Parameters

MFX Control LoStp Rt, HiStp Rt, Low Feedback, Hi Feedback, Balance

Parameter Value Description

Split Freq 200–8000 Hz

Low Pre Delay 0.0–100.0 ms

Low Rate Mode Hz, note

Low Rate (Hz) 0.05–10.00 Hz

note (*1)

Low Rate (

)

Frequency at which the low and high ranges will be divided

Delay time from when the original sound is heard to when the low-range anger sound is heard

When this is set to “note,” the eect is synchronized with the tempo.

Rate at which the low-range anger sound is modulated (Hz)

Rate at which the low-range anger sound is modulated (note)

Parameter Value Description

Drive 0–127

Amp Type

Low Gain -15–+15 dB Gain of the low range

High Gain -15–+15 dB Gain of the high range

Pan L64–63R Stereo location of the output sound

Level 0–127 Output Level

SMALL, BUILT-IN, 2-STACK, 3-STACK

Degree of distortion Also changes the volume.

Type of guitar amp

SMALL: small amp BUILT-IN: single-unit type amp 2-STACK: large double stack amp 3-STACK: large triple stack amp

36: DISTORTION

Produces a more intense distortion than Overdrive. The parameters are the same as for “35: OVERDRIVE.”

Eect Parameter List

37: VS OVRDRIVE (VS OVERDRIVE)

This is an overdrive that provides heavy distortion.

Assignable Parameters

MFX Control Level, Tone, Amp Type, Drive, Pan

Parameter Value Description

Drive 0–127

Tone 0–127 Sound quality of the Overdrive eect

Amp Sw OFF, ON Turns the Amp Simulator on/o.

Amp Type

Low Gain -15–+15 dB Gain of the low range

High Gain -15–+15 dB Gain of the high range

Pan L64–63R Stereo location of the output sound

Level 0–127 Output Level

SMALL, BUILT-IN, 2-STACK, 3-STACK

Degree of distortion Also changes the volume.

Type of guitar amp

SMALL: small amp BUILT-IN: single-unit type amp 2-STACK: large double stack amp 3-STACK: large triple stack amp

38: VS DIST (VS DISTORTION)

This is a distortion eect that provides heavy distortion. The parameters are the same as for “37: VS OVERDRIVE.”

39: GTR AMP SIM (GUITAR AMP SIMULATOR)

This is an eect that simulates the sound of a guitar amplier.

Assignable Parameters

MFX Control Pre Amp Master, Pre Amp Volume, Pre Amp, Speaker

Parameter Value Description

Pre Amp Sw OFF, ON Turns the amp switch on/o.

JC-120, CLEAN TWIN, MATCH DRIVE, BG LEAD, MS1959I, MS1959II,

Pre Amp

Pre Amp Volume 0–127

Pre Amp Master 0–127 Volume of the entire pre-amp

Pre Amp Gain

Pre Amp Bass

Pre Amp Middle

Pre Amp Treble

Pre Amp Presence 0–127 Tone for the ultra-high frequency range

Pre Amp Bright OFF, ON

Speaker Sw OFF, ON

MS1959I+II, SLDN LEAD, METAL5150, METAL LEAD, OD-1, OD-2 TURBO, DISTORTION, FUZZ

LOW, MIDDLE, HIGH

0–127

Type of guitar amp

Volume and amount of distortion of the amp

Amount of pre-amp distortion

Tone of the bass/mid/treble frequency range Middle cannot be set if “Match Drive” is selected as the Pre Amp Type.

Turning this “On” produces a sharper and brighter sound. This parameter applies to the “JC- 120,” “Clean Twin,” and “BG Lead” Pre Amp Types.

Determines whether the signal passes through the speaker (ON), or not (OFF).

Parameter Value Description

Speaker

Mic Setting 1, 2, 3

Mic Level 0–127 Volume of the microphone

Direct Level 0–127 Volume of the direct sound

Pan L64–63R Stereo location of the output

Level 0–127 Output Level

(See the table below.)

Type of speaker

Adjusts the location of the microphone that’s capturing the sound of the speaker. This can be adjusted in three steps, from 1 to 3, with the microphone becoming more distant as the value increases.

Specications of each Speaker Type

The speaker column indicates the diameter of each speaker unit (in inches) and the number of units.

Type Cabinet Speaker Microphone

SMALL 1

SMALL 2

MIDDLE

JC-120

BUILT-IN 1

BUILT-IN 2

BUILT-IN 3

BUILT-IN 4

BUILT-IN 5

BG STACK 1 sealed enclosure 12 x 2 condenser

BG STACK 2

MS STACK 1

MS STACK 2

METAL STACK large double stack 12 x 4 condenser

2-STACK large double stack 12 x 4 condenser

3-STACK large triple stack 12 x 4 condenser

small open-back enclosure

open back enclosure

large sealed enclosure

10 dynamic

12 x 1 dynamic

12 x 2 dynamic

12 x 2 condenser

12 x 4 condenser

Eect Parameter List

40: COMPRESSOR

Flattens out high levels and boosts low levels, smoothing out uctuations in volume.

Assignable Parameters

MFX Control Threshold, Attack, Level

Parameter Value Description

Attack 0–127

Threshold 0–127

Post Gain 0–+18 dB Adjusts the output gain.

Low Gain -15–+15 dB Gain of the low frequency range

High Gain -15–+15 dB Gain of the high frequency range

Level 0–127 Output Level

Sets the speed at which compression starts

Adjusts the volume at which compression begins

41: LIMITER

Compresses signals that exceed a specied volume level, preventing distortion from occurring.

Assignable Parameters

MFX Control Threshold, Release, Level

Parameter Value Description

Release 0–127

Threshold 0–127

Ratio 1.5:1, 2:1, 4:1, 100:1 Compression ratio

Post Gain 0–+18 dB Adjusts the output gain.

Low Gain -15–+15 dB Gain of the low frequency range

High Gain -15–+15 dB Gain of the high frequency range

Level 0–127 Output Level

Adjusts the time after the signal volume falls below the Threshold Level until compression is no longer applied.

Adjusts the volume at which compression begins

Parameter Value Description

Balance D100:0W–D0:100W

Level 0–127 Output Level

Volume balance between the direct sound (D) and the eect sound (W)

43: DELAY

This is a stereo delay.

Assignable Parameters

MFX Control Balance, Delay L, Delay R

Parameter Value Description

Delay L Mode ms, note

Delay L (ms) 1–1300 ms

Delay L (

Delay R Mode ms, note

Delay R (ms) 1–1300 ms

Delay R (

Phase Left

Phase Right

Feedback Mode NORMAL, CROSS

Feedback -98–+98 %

HF Damp

Low Gain -15–+15 dB Gain of the low frequency range

High Gain -15–+15 dB Gain of the high frequency range

Balance D100:0W–D0:100W

Level 0–127 Output Level

)

note (*1)

NORMAL, INVERSE

200–8000 Hz, BYPASS

When this is set to “note,” the eect is synchronized with the tempo.

Adjusts the time until the delay sound is heard (ms)

Adjusts the time until the delay sound is heard (note)

Settings of the Delay R The parameters are the same as for the Delay L.

Phase of the delay (NORMAL: noninverted, INVERT: inverted)

Selects the way in which delay sound is fed back into the eect.

Adjusts the amount of the delay sound that’s fed back into the eect. Negative (-) settings invert the phase.

Adjusts the frequency above which sound fed back to the eect is ltered out. If you don’t want to lter out any high frequencies, set this parameter to BYPASS.

Volume balance between the direct sound (D) and the delay sound (W)

42: GATE

Cuts the reverb’s delay according to the volume of the sound sent into the eect. Use this when you want to create an articial-sounding decrease in the reverb’s decay.

Assignable Parameters

MFX Control Threshold, Hold, Release, Attack, Balance

Parameter Value Description

Threshold 0–127

Mode GATE, DUCK

Attack 0–127

Hold 0–127

Release 0–127

Volume level at which the gate begins to close

Type of gate GATE: The gate will close when the volume of the original sound decreases, cutting the original sound. DUCK (Ducking): The gate will close when the volume of the original sound increases, cutting the original sound.

Adjusts the time it takes for the gate to fully open after being triggered.

Adjusts the time it takes for the gate to start closing after the source sound falls beneath the Threshold.

Adjusts the time it takes the gate to fully close after the hold time.

Eect Parameter List

44: LONG DELAY

A delay that provides a long delay time.

Assignable Parameters

MFX Control Balance, Delay, Pan

Parameter Value Description

Delay Mode ms, note

Delay (ms) 1–2600 ms

Delay (

)

Phase NORMAL, INVERSE

Feedback -98–+98 %

HF Damp

Pan L64–63R Panning of the delay sound

Low Gain -15–+15 dB

High Gain -15–+15 dB

Balance D100:0W–D0:100W

Level 0–127 Output Level

note (*1)

200–8000 Hz, BYPASS

When this is set to “note,” the eect is synchronized with the tempo.

Delay time from when the original sound is heard to when the delay sound is heard (ms).

Delay time from when the original sound is heard to when the delay sound is heard (note).

Phase of the delay (NORMAL: noninverted, INVERT: inverted)

Proportion of the delay sound that is to be returned to the input (negative values invert the phase)

Frequency at which the high-frequency content of the delayed sound will be cut (BYPASS: no cut)

Amount of boost/cut for the highfrequency range

Volume balance of the original sound (D) and delay sound (W)

45: SERIAL DLY (SERIAL DELAY)

This delay connects two delay units in series. Feedback can be applied independently to each delay unit, allowing you to produce complex delay sounds.

Assignable Parameters

MFX Control Balance, Delay1, Delay2, Pan

Parameter Value Description

Delay1 Mode ms, note

Delay1 (ms) 1–1300 ms

Delay1 ( )

Delay1 Feedback -98–+98 %

Dly1 HF Damp

Delay2 Mode ms, note

Delay2 (ms) 1–1300 ms

)

Delay2 (

Delay2 Feedback -98–+98 %

note (*1)

200–8000 Hz, BYPASS

note (*1)

When this is set to “note,” the eect is synchronized with the tempo.

Delay time from when sound is input to delay 1 until the delay sound is heard (ms)

Delay time from when sound is input to delay 1 until the delay sound is heard (note)

Proportion of the delay sound that is to be returned to the input of delay 1 (negative values invert the phase)

Frequency at which the high-frequency content of the delayed sound of delay 1 will be cut (BYPASS: no cut)

When this is set to “note,” the eect is synchronized with the tempo.

Delay time from when sound is input to delay 2 until the delay sound is heard (ms)

Delay time from when sound is input to delay 2 until the delay sound is heard (note)

Proportion of the delay sound that is to be returned to the input of delay 2 (negative values invert the phase)

Parameter Value Description

Dly2 HF Damp

Pan L64–63R Panning of the delay sound

Low Gain -15–+15 dB

High Gain -15–+15 dB

Balance D100:0W–D0:100W

Level 0–127 Output Level

200–8000 Hz, BYPASS

Frequency at which the high-frequency content of the delayed sound of delay 2 will be cut (BYPASS: no cut)

Amount of boost/cut for the lowfrequency range

Amount of boost/cut for the highfrequency range

Volume balance of the original sound (D) and delay sound (W)

46: MOD DELAY (MODULATION DELAY)

Adds modulation to the delayed sound.

Assignable Parameters

MFX Control Balance, Depth, Delay L, Delay R

Parameter Value Description

Delay L Mode ms, note

Delay L (ms) 1–1300 ms

Delay L (

Delay R Mode ms, note

Delay R (ms) 1–1300 ms

Delay R (

Feedback Mode NORMAL, CROSS

Feedback -98–+98 %

HF Damp

Rate Mode Hz, note

Rate (Hz) 0.05–10.00 Hz Frequency of modulation (Hz)

Rate (

Depth 0–127 Depth of modulation

Phase 0–180 deg Spatial spread of the sound

Low Gain -15–+15 dB Gain of the low frequency range

High Gain -15–+15 dB Gain of the high frequency range

Balance D100:0W–D0:100W

Level 0–127 Output Level

)

note (*1)

200–8000 Hz, BYPASS

note (*1) Frequency of modulation (note)

When this is set to “note,” the eect is synchronized with the tempo.

Adjusts the time until the delay sound is heard (ms).

Adjusts the time until the delay sound is heard.

Settings of the Delay R The parameters are the same as for the Delay L.

Selects the way in which delay sound is fed back into the eect.

Adjusts the amount of the delay sound that’s fed back into the eect. Negative (-) settings invert the phase.

Adjusts the frequency above which sound fed back to the eect is ltered out. If you don’t want to lter out any high frequencies, set this parameter to BYPASS.

When this is set to “note,” the eect is synchronized with the tempo.

Volume balance between the direct sound (D) and the delay sound (W)

Eect Parameter List

47: 3TP PAN DLY (3 TAP PAN DELAY)

Produces three delay sounds; center, left and right.

Assignable Parameters

MFX Control Balance, Delay C, Delay L, Delay R

Parameter Value Description

Delay L Mode ms, note

Delay L (ms) 1–2600 ms

Delay L (

Delay R Mode ms, note

Delay R (ms) 1–2600 ms

Delay R (

Delay C Mode ms, note

Delay C (ms) 1–2600 ms

Delay C (

Center Feedback -98–+98 %

HF Damp

Left Level

Right Level Volume of Delays R

Center Level Volume of Delays C

Low Gain -15–+15 dB Gain of the low frequency range

High Gain -15–+15 dB Gain of the high frequency range

Balance D100:0W–D0:100W

Level 0–127 Output Level

)

note (*1)

200–8000 Hz, BYPASS

0–127

When this is set to “note,” the eect is synchronized with the tempo.

Adjusts the time until the delay sound is heard (ms).

Adjusts the time until the delay sound is heard (note).

Settings of the Delay R The parameters are the same as for the Delay L.

Settings of the Delay C The parameters are the same as for the Delay L.

Adjusts the amount of the delay sound that’s fed back into the eect. Negative (-) settings invert the phase.

Adjusts the frequency above which sound fed back to the eect is ltered out. If you do not want to lter out any high frequencies, set this parameter to BYPASS.

Volume of Delays L

Volume balance between the direct sound (D) and the delay sound (W)

48: 4TP PAN DLY (4 TAP PAN DELAY)

This eect has four delays.

Stereo location of each delay

2 3

1 4

L R

Assignable Parameters

MFX Control Balance, Delay1, Delay2, Delay3, Delay4

Parameter Value Description

Delay1 Mode ms, note

Delay1 (ms) 1–2600 ms

)

Delay1 (

Delay2 Mode ms, note

Delay2 (ms) 1–2600 ms

Delay2 (

)

note (*1)

When this is set to “note,” the eect is synchronized with the tempo.

Adjusts the time until the delay sound

is heard (ms).

Adjusts the time until the delay sound is heard (note).

Settings of the Delay 2 The parameters are the same as for the Delay 1.

Parameter Value Description

Delay3 Mode ms, note

Delay3 (ms) 1–2600 ms

)

Delay3 (

Delay4 Mode ms, note

Delay4 (ms) 1–2600 ms

)

Delay4 (

Delay1 Feedback -98–+98 %

HF Damp

Delay1 Level

Delay2 Level Volumel of Delays 2

Delay3 Level Volume of Delays 3

Delay4 Level Volume of Delays 4

Low Gain -15–+15 dB Gain of the low frequency range

High Gain -15–+15 dB Gain of the high frequency range

Balance D100:0W–D0:100W

Level 0–127 Output Level

note (*1)

200–8000 Hz, BYPASS

0–127

Settings of the Delay 3 The parameters are the same as for the Delay 1.

Settings of the Delay 4 The parameters are the same as for the Delay 1.

Adjusts the amount of the delay sound that’s fed back into the eect. Negative (-) settings invert the phase.

Adjusts the frequency above which sound fed back to the eect is ltered out. If you do not want to lter out any high frequencies, set this parameter to BYPASS.

Volume of Delays 1

Volume balance between the direct sound (D) and the delay sound (W)

49: MULTTAP DLY (MULTI TAP DELAY)

This eect provides four delays. Each of the Delay Time parameters can be set to a note length based on the selected tempo. You can also set the panning and level of each delay sound.

Assignable Parameters

MFX Control Balance, Delay1, Delay2, Delay3, Delay4

Parameter Value Description

Delay1 Mode ms, note

Delay1 (ms) 1–2600 ms

Delay1 ( )

Delay2 Mode ms, note

Delay2 (ms) 1–2600 ms

)

Delay2 (

Delay3 Mode ms, note

Delay3 (ms) 1–2600 ms

)

Delay3 (

Delay4 Mode ms, note

Delay4 (ms) 1–2600 ms

)

Delay4 (

Delay1 Feedback -98–+98 %

HF Damp

Delay1 Pan

Delay2 Pan Stereo location of Delays 2

Delay3 Pan Stereo location of Delays 3

Delay4 Pan Stereo location of Delays 4

note (*1)

200–8000 Hz, BYPASS

L64–63R

When this is set to “note,” the eect is synchronized with the tempo.

Adjusts the time until the delay sound is heard (ms).

Adjusts the time until the delay sound is heard (note).

Settings of the Delay 2 The parameters are the same as for the Delay 1.

Settings of the Delay 3 The parameters are the same as for the Delay 1.

Settings of the Delay 4 The parameters are the same as for the Delay 1.

Adjusts the amount of the delay sound that’s fed back into the eect. Negative (-) settings invert the phase.

Adjusts the frequency above which sound fed back to the eect is ltered out. If you don’t want to lter out any the high frequencies, set this parameter to BYPASS.

Stereo location of Delays 1

Eect Parameter List

Parameter Value Description

Delay1 Level

Delay2 Level Output level of Delays 2

Delay3 Level Output level of Delays 3

Delay4 Level Output level of Delays 4

Low Gain -15–+15 dB Gain of the low frequency range

High Gain -15–+15 dB Gain of the high frequency range

Balance D100:0W–D0:100W

Level 0–127 Output Level

0–127

Output level of Delays 1

Volume balance between the direct sound (D) and the eect sound (W)

50: REVERSE DLY (REVERSE DELAY)

This is a reverse delay that adds a reversed and delayed sound to the input sound. A tap delay is connected immediately after the reverse delay.

Assignable Parameters

MFX Control Balance, Rev Dly, Rev Dly Pan

Parameter Value Description

Threshold 0–127

Rev Dly Mode ms, note

Rev Dly (ms) 1–1300 ms

Rev Dly (

Rev Dly Fbk -98–+98 %

Rev Dly HFDmp

Rev Dly Pan L64–63R Panning of the reverse delay sound

Rev Dly Level 0–127 Volume of the reverse delay sound

Delay1 Mode ms, note

Delay1 (ms) 1–1300 ms

Delay1 (

Delay2 Mode ms, note

Delay2 (ms) 1–1300 ms

Delay2 (

Delay3 Mode ms, note

Delay3 (ms) 1–1300 ms

Delay3 (

Delay3 Feedback -98–+98 %

Delay HF Damp

Delay1 Pan

Delay2 Pan

Delay1 Level

Delay2 Level

Low Gain -15–+15 dB

)

note (*1)

200–8000 Hz, BYPASS

note (*1)

200–8000 Hz, BYPASS

L64–63R Panning of the tap delay sounds

0–127 Volume of the tap delay sounds

Volume at which the reverse delay will begin to be applied

When this is set to “note,” the eect is synchronized with the tempo.

Delay time from when sound is input into the reverse delay until the delay sound is heard (ms)

Delay time from when sound is input into the reverse delay until the delay sound is heard (note)

Proportion of the delay sound that is to be returned to the input of the reverse delay (negative values invert the phase)

Frequency at which the high-frequency content of the reverse-delayed sound will be cut (BYPASS: no cut)

When this is set to “note,” the eect is synchronized with the tempo.

Delay time from when sound is input into the tap delay until the delay sound is heard (ms)

Delay time from when sound is input into the tap delay until the delay sound is heard (note)

Settings of the Delay 2 The parameters are the same as for the Delay 1.

Settings of the Delay 3 The parameters are the same as for the Delay 1.

Proportion of the delay sound that is to be returned to the input of the tap delay (negative values invert the phase)

Frequency at which the low-frequency content of the tap delay sound will be cut (BYPASS: no cut)

Amount of boost/cut for the lowfrequency range

Parameter Value Description

High Gain -15–+15 dB

Balance D100:0W–D0:100W

Level 0–127 Output Level

Amount of boost/cut for the highfrequency range

Volume balance of the original sound (D) and delay sound (W)

51: SHUFFLE DLY (SHUFFLE DELAY)

Adds a shue to the delay sound, giving the sound a bouncy delay eect with a swing feel.

Assignable Parameters

MFX Control Balance, Delay, Shue Rate

Parameter Value Description

Delay Mode ms, note

Delay (ms) 1–2600 ms

Delay (

)

Shue Rate 0–100 %

Acceleration 0–15

Feedback -98–+98 %

HF Damp

Pan A

Pan B

Level A

Level B

Low Gain -15–+15 dB Gain of the low frequency range

High Gain -15–+15 dB Gain of the high frequency range

Balance D100:0W–D0:100W

Level 0–127 Output Level

note (*1)

200–8000 Hz, BYPASS

L64–63R Stereo location of Delay A/B

0–127 Volume of delay A/B

When this is set to “note,” the eect is synchronized with the tempo.

Adjusts the time until the delay sound is heard (ms).

Adjusts the time until the delay sound is heard (note).

Adjusts the ratio (as a percentage) of the time that elapses before Delay B sounds relative to the time that elapses before the Delay A sounds. When set to 100%, the delay times are the same.

Adjusts the time over which the Delay Time changes from the current setting to its specied new setting.

Adjusts the amount of the delay that’s fed back into the eect. Negative (-) settings invert the phase.

Adjusts the frequency above which sound fed back to the eect is ltered out. If you don’t want to lter out any high frequencies, set this parameter to BYPASS.

Volume balance between the direct sound (D) and the eect sound (W)

Eect Parameter List

52: 3D DELAY

This applies a 3D eect to the delay sound. The delay sound will be positioned 90 degrees left and 90 degrees right.

Assignable Parameters

MFX Control Balance, Delay C, Delay L, Delay R

Parameter Value Description

Delay L Mode ms, note

Delay L (ms) 1–2600 ms

Delay L (

Delay R Mode ms, note

Delay R (ms) 1–2600 ms

Delay R (

Delay C Mode ms, note

Delay C (ms) 1–2600 ms

Delay C (

Center Feedback -98–+98 %

HF Damp

Left Level

Right Level Volume of Delays R

Center Level Volume of Delays C

Output Mode SPEAKER, PHONES

Low Gain -15–+15 dB Gain of the low range

High Gain -15–+15 dB Gain of the high range

Balance D100:0W–D0:100W

Level 0–127 Output Level

)

note (*1)

200–8000 Hz, BYPASS

0–127

When this is set to “note,” the eect is synchronized with the tempo.

Adjusts the delay time from the direct sound until the delay sound is heard (ms).

Adjusts the delay time from the direct sound until the delay sound is heard (note).

Settings of the Delay R The parameters are the same as for the Delay L.

Settings of the Delay C The parameters are the same as for the Delay L.

Adjusts the proportion of the delay sound that is fed back into the eect. Negative (-) settings will invert the phase.

Adjusts the frequency above which sound fed back to the eect will be cut. If you do not want to cut the high frequencies, set this parameter to BYPASS.

Volume of Delays L

Volume balance between the direct sound (D) and the eect sound (W)

53: T-CTRL DLY (TIME CTRL DELAY)

A stereo delay in which the delay time can be varied smoothly.

Assignable Parameters

MFX Control Balance, Delay

Parameter Value Description

Adjusts the time over which the Delay

Acceleration 0–15

Feedback -98–+98 %

HF Damp

Low Gain -15–+15 dB Gain of the low frequency range

High Gain -15–+15 dB Gain of the high frequency range

Balance D100:0W–D0:100W

Level 0–127 Output Level

200–8000 Hz, BYPASS

Time changes from the current setting to a specied new setting. The rate of change for the Delay Time directly aects the rate of pitch change.

Adjusts the amount of the delay that’s fed back into the eect. Negative (-) settings invert the phase.

Adjusts the frequency above which sound fed back to the eect is ltered out. If you do not want to lter out any high frequencies, set this parameter to BYPASS.

Volume balance between the direct sound (D) and the delay sound (W)

54: LONG TC DLY (LONG TIME CTRL DELAY)

A delay in which the delay time can be varied smoothly, and allowing an extended delay to be produced.

Assignable Parameters

MFX Control Balance, Delay

Parameter Value Description

Delay Mode ms, note

Delay (ms) 1–2600 ms

Delay ( )

Acceleration 0–15

Feedback -98–+98 %

HF Damp

Pan L64–63R Stereo location of the delay

Low Gain -15–+15 dB Gain of the low frequency range

High Gain -15–+15 dB Gain of the high frequency range

Balance D100:0W–D0:100W

Level 0–127 Output Level

note (*1)

200–8000 Hz, BYPASS

When this is set to “note,” the eect is synchronized with the tempo.

Adjusts the delay time from the direct sound until the delay sound is heard (ms).

Adjusts the delay time from the direct sound until the delay sound is heard (note).

Adjusts the time over which the Delay Time changes from the current setting to a specied new setting. The rate of change for the Delay Time directly aects the rate of pitch change.

Adjusts the amount of the delay that’s fed back into the eect. Negative (-) settings invert the phase.

Adjusts the frequency above which sound fed back to the eect is ltered out. If you do not want to lter out any high frequencies, set this parameter to BYPASS.

Volume balance between the direct sound (D) and the delay sound (W)

Parameter Value Description

Delay Mode ms, note

Delay (ms) 1–1300 ms

Delay ( )

note (*1)

When this is set to “note,” the eect is synchronized with the tempo.

Adjusts the delay time from the direct sound until the delay sound is heard (ms).

Adjusts the delay time from the direct sound until the delay sound is heard (note).

Eect Parameter List

55: TAPE ECHO

A virtual tape echo that produces a realistic tape delay sound. This simulates the tape echo section of a Roland RE-201 Space Echo.

Assignable Parameters

MFX Control Echo Level, Repeat Rate, Mode

Parameter Value Description

Combination of playback heads to use

Mode

Repeat Rate 0–127

Intensity 0–127 Amount of delay repeats

Bass -15–+15 dB

Treble -15–+15 dB

Head S Pan

Head M Pan

Head L Pan

Tape Distortion 0–5

W/F Rate 0–127

W/F Depth 0–127 Depth of wow/utter

Echo Level 0–127 Volume of the echo sound

Direct Level 0–127 Volume of the original sound

Level 0–127 Output Level

S, M, L, S+M, S+L, M+L, S+M+L

L64–63R

Select from three dierent heads with dierent delay times.

S: short M: middle L: long

Tape speed Increasing this value will shorten the spacing of the delayed sounds.

Boost/cut for the lower range of the echo sound

Boost/cut for the upper range of the echo sound

Independent panning for the short playback heads

Independent panning for the middle playback heads

Independent panning for the long playback heads

Amount of tape-dependent distortion to be added This simulates the slight tonal changes that can be detected by signal-analysis equipment. Increasing this value will increase the distortion.

Speed of wow/utter (complex variation in pitch caused by tape wear and rotational irregularity)

56: LOFI NOISE

In addition to a lo- eect, this adds various types of noise such as white noise and disc noise.

Assignable Parameters

MFX Control

Balance, Hum Noise Level, Disc Noise Level, Noise Level, LoFi Type

Parameter Value Description

Noise Level 0–127 Volume of the white/pink noise

Disc Noise Type LP, EP, SP, RND

Disc Noise LPF

Disc Noise Level 0–127 Volume of the record noise

Hum Noise Type 50Hz, 60Hz Frequency of the hum noise

Hum Noise LPF

Hum Noise Level 0–127 Volume of the hum noise

Low Gain -15–+15 dB Gain of the low range

High Gain -15–+15 dB Gain of the high range

Balance D100:0W–D0:100W

Level 0–127 Output Level

200–8000 Hz, BYPASS

Type of record noise The frequency at which the noise is heard depends on the selected type.

Adjusts the cuto frequency of the low pass lter applied to the record noise. If you don’t want to lter out any high frequencies, set this parameter to BYPASS.

Center frequency of the low pass lter applied to the hum noise (BYPASS: no cut)

Volume balance between the direct sound (D) and the eect sound (W)

57: LOFI COMPRS (LOFI COMPRESS)

This is an eect that intentionally degrades the sound quality for creative purposes.

Assignable Parameters

MFX Control Balance, LoFi Type

Parameter Value Description

Pre Filter Type 1–6

LoFi Type 1–9

Post Fltr Type OFF, LPF, HPF

Post F-Cuto 200–8000 Hz Basic frequency of the Post Filter

Low Gain -15–+15 dB Gain of the low range

High Gain -15–+15 dB Gain of the high range

Balance D100:0W–D0:100W

Level 0–127 Output Level

Selects the type of lter applied to the sound before it passes through the LoFi eect.

Degrades the sound quality. The sound quality grows poorer as this value is increased.

Type of lter

OFF: no lter is used LPF: cuts the frequency range above

the Cuto HPF: cuts the frequency range below the Cuto

Volume balance between the direct sound (D) and the eect sound (W)

Parameter Value Description

LoFi Type 1–9

Post Fltr Type OFF, LPF, HPF

Post F-Cuto 200–8000 Hz Center frequency of the lter

Noise Type WHITE, PINK

Noise LPF

200–8000 Hz, BYPASS

Degrades the sound quality. The sound quality grows poorer as this value is increased.

Type of lter

OFF: no lter is used LPF: cuts the frequency range above

the Cuto HPF: cuts the frequency range below the Cuto

Switch between white noise and pink noise.

Center frequency of the low pass lter applied to the white/pink noise (BYPASS: no cut)

Eect Parameter List

58: LOFI RADIO

In addition to a Lo-Fi eect, this eect also generates radio noise.

Assignable Parameters

MFX Control Balance, Radio Detune, Radio Noise Lev, LoFi Type

Parameter Value Description

LoFi Type 1–9

Post Fltr Type OFF, LPF, HPF

Post F-Cuto 200–8000 Hz Basic frequency of the Post Filter

Radio Detune 0–127

Radio Noise Lev 0–127 Volume of the radio noise

Low Gain -15–+15 dB Gain of the low range

High Gain -15–+15 dB Gain of the high range

Balance D100:0W–D0:100W

Level 0–127 Output Level

Degrades the sound quality. The sound quality grows poorer as this value is increased.

Type of lter

OFF: no lter is used LPF: cuts the frequency range above

the Cuto HPF: cuts the frequency range below the Cuto

Simulates the tuning noise of a radio. As this value is raised, the tuning drifts further.

Volume balance between the direct sound (D) and the eect sound (W)

59: TELEPHONE

This eect produces a mued sound, like that heard through a telephone.

Assignable Parameters

MFX Control Balance, Voice Quality

Parameter Value Description

Voice Quality 0–15 Audio quality of the telephone voice

Treble -15–+15 dB Bandwidth of the telephone voice

Balance D100:0W–D0:100W

Level 0–127 Output Level

Volume balance between the direct sound (D) and the eect sound (W)

60: PHONOGRAPH

Simulates a sound recorded on an analog record and played back on a record player. This eect also simulates the various types of noise that are typical of a record, and even the rotational irregularities of an old turntable.

Parameter Value Description

Dust Noise Lev 0–127

Hiss Noise Lev 0–127 Volume of continuous “hiss”

Total Noise Lev 0–127 Volume of overall noise

Wow 0–127

Flutter 0–127

Random 0–127

Total W/F 0–127 Depth of overall rotational irregularity

Balance D100:0W–D0:100W

Level 0–127 Output Level

Volume of noise due to dust on the record

Depth of long-cycle rotational irregularity

Depth of short-cycle rotational irregularity

Depth of indenite-cycle rotational irregularity

Volume balance between the direct sound (D) and the eect sound (W)

61: PCH SHIFTER (PITCH SHIFTER)

A stereo pitch shifter.

Assignable Parameters

MFX Control Balance, Fine, Coarse, Delay

Parameter Value Description

Coarse -24–+12 semi

Fine -100–+100 cent

Delay Mode ms, note

Delay (ms) 1–1300 ms

)

Delay (

Feedback -98–+98 %

Low Gain -15–+15 dB Gain of the low range

High Gain -15–+15 dB Gain of the high range

Balance D100:0W–D0:100W

Level 0–127 Output Level

note (*1)

Adjusts the pitch of the pitch shifted sound in semitone steps.

Adjusts the pitch of the pitch shifted sound in 2-cent steps.

When this is set to “note,” the eect is synchronized with the tempo.

Adjusts the delay time from the direct sound until the pitch shifted sound is heard (ms).

Adjusts the delay time from the direct sound until the pitch shifted sound is heard (note).

Adjusts the proportion of the pitch shifted sound that is fed back into the eect. Negative (-) settings will invert the phase.

Volume balance between the direct sound (D) and the pitch shifted sound (W)

Assignable Parameters

MFX Control Total Noise Lev, Total W/F, Frequency Range, Balance

Parameter Value Description

Signal Dist 0–127 Depth of distortion

Frequency response of the playback

Frequency Range 0–127

Disc Type LP, EP, SP

ScratchNoise Lev 0–127

system Decreasing this value will produce the impression of an old system with a poor frequency response.

Rotational speed of the turntable This will aect the frequency of the scratch noise.

Amount of noise due to scratches on the record

Eect Parameter List

62: 2V P.SHIFTR (2 VOICE PITCH SHIFTER)

Shifts the pitch of the original sound. This 2-voice pitch shifter has two pitch shifters, and can add two pitch shifted sounds to the original sound.

Assignable Parameters

MFX Control Balance, Pch1 Coarse, Pch2 Coarse, Pch1 Dly, Pch2 Dly

Parameter Value Description

Pch1 Coarse -24–+12 semi

Pch1 Fine -100–+100 cent

Pch1 Delay Mode ms, note

Pch1 Dly (ms) 1–1300 ms

note (*1)

Pch1 Delay (

Pch1 Feedback -98–+98 %

Pch1 Pan L64–63R Stereo location of the Pitch Shift 1 sound

Pch1 Level 0–127 Volume of the Pitch Shift1 sound

Pch2 Coarse -24–+12 semi

Pch2 Fine -100–+100 cent

Pch2 Delay Mode ms, note

Pch2 Dly (ms) 1–1300 ms

Pch2 Delay

)

(

Pch2 Feedback -98–+98 %

Pch2 Pan L64–63R

Pch2 Level 0–127

Low Gain -15–+15 dB Gain of the low range

High Gain -15–+15 dB Gain of the high range

Balance D100:0W–D0:100W

Level 0–127 Output Level

)

note (*1)

Adjusts the pitch of Pitch Shift 1 in semitone steps.

Adjusts the pitch of Pitch Shift Pitch 1 in 2-cent steps.

When this is set to “note,” the eect is synchronized with the tempo.

Adjusts the delay time from the direct sound until the Pitch Shift 1 sound is heard (ms).

Adjusts the delay time from the direct sound until the Pitch Shift 1 sound is heard (note).

Adjusts the proportion of the pitch shifted sound that is fed back into the eect. Negative (-) settings will invert the phase.

Settings of the Pitch Shift 2 sound. The parameters are the same as for the Pitch Shift 1 sound.

Volume balance between the direct sound (D) and the pitch shifted sound (W)

63: S.P.SHIFTER (STEP PITCH SHIFTER)

A pitch shifter in which the amount of pitch shift is varied by a 16-step sequence.

Assignable Parameters

MFX Control Rate, Attack, Gate Time, Balance

Parameter Value Description

Step 01–16 -24–+12 semi

Rate Mode Hz, note

Rate (Hz) 0.05–10.00 Hz

)

Rate (

Attack 0–127

Gate Time 0–127

note (*1)

Amount of pitch shift at each step (semitone units)

When this is set to “note,” the eect is synchronized with the tempo.

Rate at which the 16-step sequence will cycle (Hz)

Rate at which the 16-step sequence will cycle (note)

Speed at which the amount of pitch shift changes between steps

Duration of the pitch shifted sound at each step

Parameter Value Description

Fine -100–+100 cent

Delay Mode ms, note

Delay (ms) 1–1300 ms

)

Delay (

Feedback -98–+98 %

Low Gain -15–+15 dB

High Gain -15–+15 dB

Balance D100:0W–D0:100W

Level 0–127 Output Level

note (*1)

Pitch shift adjustment for all steps (2-cent units)

When this is set to “note,” the eect is synchronized with the tempo.

Adjusts the delay time from the direct sound until the pitch shifted sound is heard (ms).

Adjusts the delay time from the direct sound until the pitch shifted sound is heard (note).

Proportion of the pitch-shifted sound that is to be returned to the input (negative values invert the phase)

Amount of boost/cut for the lowfrequency range

Amount of boost/cut for the highfrequency range

Volume balance of the original sound (D) and pitch-shifted sound (W)

64: REVERB

Adds reverberation to the sound, simulating an acoustic space.

Assignable Parameters

MFX Control Time, Type, Balance

Parameter Value Description

Type of reverb ROOM1: dense reverb with short decay

Type

Pre Delay 0.0–100.0 ms

Time 0–127 Time length of reverberation

HF Damp

Low Gain -15–+15 dB Gain of the low range

High Gain -15–+15 dB Gain of the high range

Balance D100:0W–D0:100W

Level 0–127 Output Level

ROOM1, ROOM2, STAGE1, STAGE2, HALL1, HALL2

200–8000 Hz, BYPASS

ROOM2: sparse reverb with short decay STAGE1: reverb with greater late

reverberation STAGE2: reverb with strong early reections

HALL1: reverb with clear reverberance HALL2: reverb with rich reverberance

Adjusts the delay time from the direct sound until the reverb sound is heard.

Adjusts the frequency above which the reverberant sound will be cut. As the frequency is set lower, more of the high frequencies will be cut, resulting in a softer and more muted reverberance. If you do not want to cut the high frequencies, set this parameter to BYPASS.

Volume balance between the direct sound (D) and the reverb sound (W)

Eect Parameter List

65: GATED REV (GATED REVERB)

This is a special type of reverb in which the reverberant sound is cut o before its natural length.

Assignable Parameters

MFX Control Balance

Parameter Value Description

Type of reverb NORMAL: conventional gated reverb

Type

Pre Delay 0.0–100.0 ms

Gate Time 5–500 ms

Low Gain -15–+15 dB Gain of the low range

High Gain -15–+15 dB Gain of the high range

Balance D100:0W–D0:100W

Level 0–127 Output Level

NORMAL, REVERSE, SWEEP1, SWEEP2

REVERSE: backwards reverb SWEEP1: the reverberant sound moves

from right to left SWEEP2: the reverberant sound moves from left to right

Adjusts the delay time from the direct sound until the reverb sound is heard.

Adjusts the time from when the reverb is heard until it disappears.

Volume balance between the direct sound (D) and the reverb sound (W)

66: OVDRV CHO (OVERDRIVE CHORUS)

This eect connects an overdrive and a chorus in series.

Assignable Parameters

MFX Control Chorus Bal, Cho Rate, Chorus Depth, Overdrive Drive

Parameter Value Description

Overdrive Drive 0–127

Overdrive Pan L64–63R Stereo location of the overdrive sound

Chorus PreDly 0.0–100.0 ms

Rate Mode Hz, note

Cho Rate (Hz) 0.05–10.00 Hz Frequency of modulation (Hz)

note (*1) Frequency of modulation (note)

Cho Rate (

Chorus Depth 0–127 Depth of modulation

Chorus Bal D100:0W–D0:100W

Level 0–127 Output Level

)

Degree of distortion Also changes the volume.

Adjusts the delay time from the direct sound until the chorus sound is heard.

When this is set to “note,” the eect is synchronized with the tempo.

Adjusts the volume balance between the sound that is sent through the chorus (W) and the sound that is not sent through the chorus (D).

Parameter Value Description

Overdrive Pan L64–63R Stereo location of the overdrive sound

Flngr PreDly 0.0–100.0 ms

Flngr Mode Hz, note

Fln Rate (Hz) 0.05–10.00 Hz Frequency of modulation (Hz)

Fln Rate (

Flngr Depth 0–127 Depth of modulation

Flngr Feedback -98–+98 %

Flngr Bal D100:0W–D0:100W

Level 0–127 Output Level

)

note (*1) Frequency of modulation (note)

Adjusts the delay time from when the direct sound begins until the anger sound is heard.

When this is set to “note,” the eect is synchronized with the tempo.

Adjusts the proportion of the anger sound that is fed back into the eect. Negative (-) settings will invert the phase.

Adjusts the volume balance between the sound that is sent through the anger (W) and the sound that is not sent through the anger (D).

68: OVDRV DELAY (OVERDRIVE DELAY)

This eect connects an overdrive and a delay in series.

Assignable Parameters

MFX Control Delay Bal, Overdrive Drive

Parameter Value Description

Overdrive Drive 0–127

Overdrive Pan L64–63R Stereo location of the overdrive sound

Delay Mode ms, note

Delay (ms) 1–2600 ms

)

Delay (

Delay Feedback -98–+98 %

Delay HF Damp

Delay Bal D100:0W–D0:100W

Level 0–127 Output Level

note (*1)

200–8000 Hz, BYPASS

Degree of distortion Also changes the volume.

When this is set to “note,” the eect is synchronized with the tempo.

Adjusts the delay time from the direct sound until the delay sound is heard (ms).

Adjusts the delay time from the direct sound until the delay sound is heard (note).

Adjusts the proportion of the delay sound that is fed back into the eect. Negative (-) settings will invert the phase.

Adjusts the frequency above which sound fed back to the eect will be cut. If you do not want to cut the high frequencies, set this parameter to BYPASS.

Adjusts the volume balance between the sound that is sent through the delay (W) and the sound that is not sent through the delay (D).

67: OVDRV FLNGR

(OVERDRIVE FLANGER)

This eect connects an overdrive and a anger in series.

Assignable Parameters

MFX Control

Parameter Value Description

Overdrive Drive 0–127

Flngr Bal, Fln Rate, Flngr Depth, Flngr Feedback, Overdrive Drive

Degree of distortion Also changes the volume.

Eect Parameter List

69: DIST CHORUS

(DISTORTION CHORUS)

The parameters are essentially the same as in “66: OVERDRIVE CHORUS,” with the exception of the following two.

Overdrive Drive

Overdrive Pan

Distortion Drive

Distortion Pan

70: DIST FLANGR

(DISTORTION FLANGER)

The parameters are essentially the same as in “67: OVERDRIVE FLANGER,” with the exception of the following two.

Overdrive Drive

Overdrive Pan

Distortion Drive

Distortion Pan

71: DIST DELAY (DISTORTION DELAY)

The parameters are essentially the same as in “68: OVERDRIVE DELAY,” with the exception of the following two.

Overdrive Drive

Overdrive Pan

Distortion Drive,

Distortion Pan

72: ENH CHORUS (ENHANCER CHORUS)

This eect connects an enhancer and a chorus in series.

Assignable Parameters

MFX Control Chorus Bal, Chorus Depth, Cho Rate, Enhancer Sens

Parameter Value Description

Enhancer Sens 0–127 Sensitivity of the enhancer

Enhancer Mix 0–127

Chorus PreDly 0.0–100.0 ms

Rate Mode Hz, note

Cho Rate (Hz) 0.05–10.00 Hz Frequency of modulation (Hz)

note (*1) Frequency of modulation (note)

Cho Rate (

Chorus Depth 0–127 Depth of modulation

Chorus Bal D100:0W–D0:100W

Level 0–127 Output Level

)

Level of the overtones generated by the enhancer

Adjusts the delay time from the direct sound until the chorus sound is heard.

When this is set to “note,” the eect is synchronized with the tempo.

Adjusts the volume balance between the sound that is sent through the chorus (W) and the sound that is not sent through the chorus (D).

Parameter Value Description

Enhancer Mix 0–127

Flngr PreDly 0.0–100.0 ms

Flngr Mode Hz, note

Fln Rate (Hz) 0.05–10.00 Hz Frequency of modulation (Hz)

Fln Rate (

Flngr Depth 0–127 Depth of modulation

Flngr Feedback -98–+98 %

Flngr Bal D100:0W–D0:100W

Level 0–127 Output Level

)

note (*1) Frequency of modulation (note)

Level of the overtones generated by the enhancer

Adjusts the delay time from when the direct sound begins until the anger sound is heard.

When this is set to “note,” the eect is synchronized with the tempo.

Adjusts the proportion of the anger sound that is fed back into the eect. Negative (-) settings will invert the phase.

Adjusts the volume balance between the sound that is sent through the anger (W) and the sound that is not sent through the anger (D).

74: ENH DELAY (ENHANCER DELAY)

This eect connects an enhancer and a delay in series.

Assignable Parameters

MFX Control Delay Bal, Enhancer Sens

Parameter Value Description

Enhancer Sens 0–127 Sensitivity of the enhancer

Enhancer Mix 0–127

Delay Mode ms, note

Delay (ms) 1–2600 ms

)

Delay (

Delay Feedback -98–+98 %

Delay HF Damp

Delay Bal D100:0W–D0:100W

Level 0–127 Output Level

note (*1)

200–8000 Hz, BYPASS

Level of the overtones generated by the enhancer

When this is set to “note,” the eect is synchronized with the tempo.

Adjusts the delay time from the direct sound until the delay sound is heard (ms).

Adjusts the delay time from the direct sound until the delay sound is heard (note).

Adjusts the proportion of the delay sound that is fed back into the eect. Negative (-) settings will invert the phase.

Adjusts the frequency above which sound fed back to the eect will be cut. If you do not want to cut the high frequencies, set this parameter to BYPASS.

Adjusts the volume balance between the sound that is sent through the delay (W) and the sound that is not sent through the delay (D).

73: ENH FLANGER

(ENHANCER FLANGER)

This eect connects an enhancer and a anger in series.

Assignable Parameters

MFX Control

Parameter Value Description

Enhancer Sens 0–127 Sensitivity of the enhancer

Flngr Bal, Fln Rate, Flngr Depth, Flngr Feedback, Enhancer Sens

Eect Parameter List

75: CHO DELAY (CHORUS DELAY)

This eect connects a chorus and a delay in series.

Assignable Parameters

MFX Control Delay Bal, Chorus Bal, Chorus Depth, Cho Rate