Before using this unit, carefully read the sections entitled: “IMPORTANT
SAFETY INSTRUCTIONS” (p. 2), “USING THE UNIT SAFELY” (p. 3–5), and
“IMPORTANT NOTES” (p. 6–8). These sections provide important
information concerning the proper operation of the unit. Additionally, in
order to feel assured that you have gained a good grasp of every feature
provided by your new unit, Owner’s manual should be read in its entirety.
The manual should be saved and kept on hand as a convenient reference.
All rights reserved. No part of this publication may be reproduced in any form
without the written permission of ROLAND CORPORATION.
WARNING: To reduce the risk of fire or electric shock, do not expose this apparatus to rain or moisture.
CAUTION
RISK OF ELECTRIC SHOCK
DO NOT OPEN
ATTENTION: RISQUE DE CHOC ELECTRIQUE NE PAS OUVRIR
CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK,
DO NOT REMOVE COVER (OR BACK).
NO USER-SERVICEABLE PARTS INSIDE.
REFER SERVICING TO QUALIFIED SERVICE PERSONNEL.
The lightning flash with arrowhead symbol, within an
equilateral triangle, is intended to alert the user to the
presence of uninsulated “dangerous voltage” within the
product’s enclosure that may be of sufficient magnitude to
constitute a risk of electric shock to persons.
The exclamation point within an equilateral triangle is
intended to alert the user to the presence of important
operating and maintenance (servicing) instructions in the
literature accompanying the product.
INSTRUCTIONS PERTAINING TO A RISK OF FIRE, ELECTRIC SHOCK, OR INJURY TO PERSONS.
IMPORTANT SAFETY INSTRUCTIONS
SAVE THESE INSTRUCTIONS
WARNING - When using electric products, basic precautions should always be followed, including the following:
1. Read these instructions.
2. Keep these instructions.
3. Heed all warnings.
4. Follow all instructions.
5. Do not use this apparatus near water.
6. Clean only with a dry cloth.
7. Do not block any of the ventilation openings. Install in
accordance with the manufacturers instructions.
8. Do not install near any heat sources such as radiators,
heat registers, stoves, or other apparatus (including
amplifiers) that produce heat.
9. Do not defeat the safety purpose of the polarized or
grounding-type plug. A polarized plug has two blades with
one wider than the other. A grounding type plug has two
blades and a third grounding prong. The wide blade or the
third prong are provided for your safety. If the provided plug
does not fit into your outlet, consult an electrician for
replacement of the obsolete outlet.
10. Protect the power cord from being walked on or pinched
particularly at plugs, convenience receptacles, and the
point where they exit from the apparatus.
11. Only use attachments/accessories specified
by the manufacturer.
12. Unplug this apparatus during lightning storms or when
unused for long periods of time.
13. Refer all servicing to qualified service personnel. Servicing
is required when the apparatus has been damaged in any
way, such as power-supply cord or plug is damaged, liquid
has been spilled or objects have fallen into the apparatus,
the apparatus has been exposed to rain or moisture, does
not operate normally, or has been dropped.
For the U.K.
WARNING:
IMPORTANT:
As the colours of the wires in the mains lead of this apparatus may not correspond with the coloured markings identifying
the terminals in your plug, proceed as follows:
The wire which is coloured GREEN-AND-YELLOW must be connected to the terminal in the plug which is marked by the
letter E or by the safety earth symbol or coloured GREEN or GREEN-AND-YELLOW.
The wire which is coloured BLUE must be connected to the terminal which is marked with the letter N or coloured BLACK.
The wire which is coloured BROWN must be connected to the terminal which is marked with the letter L or coloured RED.
THIS APPARATUS MUST BE EARTHED
THE WIRES IN THIS MAINS LEAD ARE COLOURED IN ACCORDANCE WITH THE FOLLOWING CODE.
GREEN-AND-YELLOW: EARTH, BLUE: NEUTRAL, BROWN: LIVE
CAUTION: Danger of explosion if battery is incorrectly replaced.
Replace only with same or equivalent type.
2
Used for instructions intended to alert
the user to the risk of death or severe
injury should the unit be used
improperly.
Used for instructions intended to alert
the user to the risk of injury or material
damage should the unit be used
improperly.
* Material damage refers to damage or
other adverse effects caused with
respect to the home and all its
furnishings, as well to domestic
animals or pets.
The symbol alerts the user to important instructions
or warnings.The specific meaning of the symbol is
determined by the design contained within the
triangle. In the case of the symbol at left, it is used for
general cautions, warnings, or alerts to danger.
The symbol alerts the user to items that must never
be carried out (are forbidden). The specific thing that
must not be done is indicated by the design contained
within the circle. In the case of the symbol at left, it
means that the unit must never be disassembled.
The ● symbol alerts the user to things that must be
carried out. The specific thing that must be done is
indicated by the design contained within the circle. In
the case of the symbol at left, it means that the powercord plug must be unplugged from the outlet.
001-50
●
Connect mains plug of this model to a mains socket
outlet with a protective earthing connection.
Do not attempt to repair the unit, or replace parts
within it (except when this manual provides specific
instructions directing you to do so). Refer all servicing
to your retailer, the nearest Roland Service Center, or an
authorized Roland distributor, as listed on the “Information”
page.
Do not excessively twist or bend the power cord, nor
place heavy objects on it. Doing so can damage the
cord, producing severed elements and short circuits.
Damaged cords are fire and shock hazards!
This unit, either alone or in combination with an
amplifier and headphones or speakers, may be
capable of producing sound levels that could cause
permanent hearing loss. Do not operate for a long period of
time at a high volume level, or at a level that is uncomfortable. If you experience any hearing loss or ringing in the
ears, you should immediately stop using the unit, and consult
an audiologist.
Make sure you always have the unit placed so it is
level and sure to remain stable. Never place it on
stands that could wobble, or on inclined surfaces.
Immediately turn the power off, remove the power
cord from the outlet, and request servicing by your
retailer, the nearest Roland Service Center, or an
authorized Roland distributor, as listed on the “Information”
page when:
• The power-supply cord or the plug has been damaged; or
• If smoke or unusual odor occurs
• Objects have fallen into, or liquid has been spilled onto the
unit; or
• The unit has been exposed to rain (or otherwise has
become wet); or
• The unit does not appear to operate normally or exhibits a
marked change in performance.
In households with small children, an adult should
provide supervision until the child is capable of
following all the rules essential for the safe operation
of the unit.
Do not force the unit’s power-supply cord to share an
outlet with an unreasonable number of other
devices. Be especially careful when using extension
cords—the total power used by all devices you have
connected to the extension cord’s outlet must never exceed
the power rating (watts/amperes) for the extension cord.
Excessive loads can cause the insulation on the cord to heat
up and eventually melt through.
Before using the unit in a foreign country, consult
with your retailer, the nearest Roland Service Center,
or an authorized Roland distributor, as listed on the
“Information” page.
At regular intervals, you should unplug the power
plug and clean it by using a dry cloth to wipe all dust
and other accumulations away from its prongs. Also,
disconnect the power plug from the power outlet whenever
the unit is to remain unused for an extended period of time.
Any accumulation of dust between the power plug and the
power outlet can result in poor insulation and lead to fire.
Do not put anything that contains water (e.g., flower
vases) on this unit. Also, avoid the use of insecticides,
perfumes, alcohol, nail polish, spray cans, etc., near
the unit. Swiftly wipe away any liquid that spills on the unit
using a dry, soft cloth.
Used lithium batteries must be disposed of in
compliance with whatever regulations for their safe
disposal that may be observed in the region in which
you live.
118b, 118c
●
Keep the USB memory cover, the REAC caps, the
grounding terminal screw, the lithium battery, the
battery panel, the battery panel screws and any fader
knobs you may remove and the included the REAC connector
covers and the ferrite cores in a safe place out of children’s
reach, so there is no chance of them being swallowed
accidentally.
Always turn the phantom power off when
connecting any device other than condenser microphones that require phantom power. You risk
causing damage if you mistakenly supply phantom power to
dynamic microphones, audio playback devices, or other
devices that don’t require such power. Be sure to check the
specifications of any microphone you intend to use by
referring to the manual that came with it.
Do not connect this unit to same electrical outlet that is being
used by an electrical appliance that is controlled by an inverter
(such as a refrigerator, washing machine, microwave oven, or
air conditioner), or that contains a motor. Depending on the
way in which the electrical appliance is used, power supply
noise may cause this unit to malfunction or may produce
audible noise. If it is not practical to use a separate electrical
outlet, connect a power supply noise filter between this unit
and the electrical outlet.
307
●
Before connecting this unit to other devices, turn off the
power to all units. This will help prevent malfunctions and/or
damage to speakers or other devices.
308
●
Although the LCD and LEDs are switched off when the POWER
switch is switched off, this does not mean that the unit has
been completely disconnected from the source of power. If
you need to turn off the power completely, first turn off the
POWER switch, then unplug the power cord from the power
outlet. For this reason, the outlet into which you choose to
connect the power cord’s plug should be one that is within
easy reach and readily accessible.
Placement
351
●
Using the unit near power amplifiers (or other equipment
containing large power transformers) may induce hum. To
alleviate the problem, change the orientation of this unit; or
move it farther away from the source of interference.
352a
●
This device may interfere with radio and television reception.
Do not use this device in the vicinity of such receivers.
352b
●
Noise may be produced if wireless communications devices,
such as cell phones, are operated in the vicinity of this unit.
Such noise could occur when receiving or initiating a call, or
while conversing. Should you experience such problems, you
should relocate such wireless devices so they are at a greater
distance from this unit, or switch them off.
354a
●
Do not expose the unit to direct sunlight, place it near devices
that radiate heat, leave it inside an enclosed vehicle, or
otherwise subject it to temperature extremes. Excessive heat
can deform or discolor the unit.
355b
●
When moved from one location to another where the temperature and/or humidity is very different, water droplets
(condensation) may form inside the unit. Damage or
malfunction may result if you attempt to use the unit in this
condition. Therefore, before using the unit, you must allow it
to stand for several hours, until the condensation has
completely evaporated.
360
●
Depending on the material and temperature of the surface on
which you place the unit, its rubber feet may discolor or mar
the surface.
You can place a piece of felt or cloth under the rubber feet to
prevent this from happening. If you do so, please make sure
that the unit will not slip or move accidentally.
Maintenance
401a
●
For everyday cleaning wipe the unit with a soft, dry cloth or
one that has been slightly dampened with water. To remove
stubborn dirt, use a cloth impregnated with a mild, nonabrasive detergent. Afterwards, be sure to wipe the unit
thoroughly with a soft, dry cloth.
402
●
Never use benzine, thinners, alcohol or solvents of any kind, to
avoid the possibility of discoloration and/or deformation.
Repairs and Data
452
●
Please be aware that all data contained in the unit’s memory
may be lost when the unit is sent for repairs. Important data
should always be backed up on a USB memory, or written
down on paper (when possible). During repairs, due care is
taken to avoid the loss of data. However, in certain cases (such
as when circuitry related to memory itself is out of order), we
regret that it may not be possible to restore the data, and
Roland assumes no liability concerning such loss of data.
6
IMPORTANT NOTES
Memory Backup
501b
●
This unit contains a battery which powers the unit’s memory
circuits while the main power is off. When this battery
becomes weak, the message shown below will appear in the
display. Once you see this message, have the battery replaced
with a fresh one as soon as possible to avoid the loss of all
data in memory.
fig.BatteryLow.eps
Additional Precautions
551
●
Please be aware that the contents of memory can be
irretrievably lost as a result of a malfunction, or the improper
operation of the unit. To protect yourself against the risk of
loosing important data, we recommend that you periodically
save a backup copy of important data you have stored in the
unit’s memory on a USB memory.
552
●
Unfortunately, it may be impossible to restore the contents of
data that was stored on a USB memory once it has been lost.
Roland Corporation assumes no liability concerning such loss
of data.
553
●
Use a reasonable amount of care when using the unit’s
buttons, sliders, or other controls; and when using its jacks
and connectors. Rough handling can lead to malfunctions.
554
●
Never strike or apply strong pressure to the display.
556
●
When connecting / disconnecting all cables, grasp the
connector itself—never pull on the cable. This way you will
avoid causing shorts, or damage to the cable’s internal
elements.
557
●
A small amount of heat will radiate from the unit during
normal operation.
558b
●
To avoid disturbing your neighbors, try to keep the unit’s
volume at reasonable levels (especially when it is late at
night).
559a
●
When you need to transport the unit, package it in the box
(including padding) that it came in, if possible. Otherwise, you
will need to use equivalent packaging materials.
562
●
Some connection cables contain resistors. Do not use cables
that incorporate resistors for connecting to this unit. The use
of such cables can cause the sound level to be extremely low,
or impossible to hear. For information on cable specifications,
contact the manufacturer of the cable.
Before Using USB memory
Using USB memory
704
●
Carefully insert the USB memory card all the way in—until it is
firmly in place.
705
●
Never touch the terminals of the USB memory. Also, avoid
getting the terminals dirty.
708
●
USB memories are constructed using precision components;
handle the cards carefully, paying particular note to the
following:
• To prevent damage to the cards from static electricity, be
sure to discharge any static electricity from your own body
before handling the cards.
• Do not touch or allow metal to come into contact with the
contact portion of the cards.
• Do not bend, drop, or subject cards to strong shock or
vibration.
• Do not keep cards in direct sunlight, in closed vehicles, or
other such locations (storage temperature: -25 to 85˚ C).
• Do not allow cards to become wet.
• Do not disassemble or modify the cards.
About USB memory
●
Before using USB memory for the M-300, please format the
memory on the M-300.
For details, please refer to “Formatting USB memory”(p.177).
●
Some USB memory might not be able to be used on the M-
300.
If an error message appears when formatting as described in
“Formatting USB memory” (p.177), it is not possible to use this
USB memory for the M-300.
●
The M-300 supports only USB memory (USB flash Memory and
USB flash drive).
Hard Disk and Memory Card Reader via USB is not supported.
●
USB memory does not work via USB hub.
●
When the access lamp of USB memory is lit or blinking, please
do not remove the USB memory.
This might cause some damage to the data of the USB
memory or deficit.
●
We recommend to format USB memory before doing mixing
operation on the M-300.
●
We recommend to use USB memory exclusively for the M-300/
M-380/M-400 without storing any other files or programs.
7
IMPORTANT NOTES
Regarding the CAT5e cable
●
In order to keep superb digital transfer quality by REAC, please
make sure to use following optional cables for 100m CAT5e
cable:
• SC-W100S 100M CAT5e cable
• W100S-R 100M CAT5e cable with reel
Channel Edit operation
●
You might hear some noise when you control the following:
• Preamp Gain
• 4-band EQ
• 8-band EQ
• Gate
• Compressor
• Limiter
• Channel Link
• Library Recall
However, this is not out of order.
Multiple connection of REAC
products
Copyright
851
●
Recording, duplication, distribution, sale, lease, performance,
or broadcast of copyrighted material (musical works, visual
works, broadcasts, live performances, etc.) belonging to a
third party in part or in whole without the permission of the
copyright owner is forbidden by law.
852a
●
This product can be used to record or duplicate audio or visual
material without being limited by certain technological copyprotection measures. This is due to the fact that this product is
intended to be used for the purpose of producing original
music or video material, and is therefore designed so that
material that does not infringe copyrights belonging to others
(for example, your own original works) can be recorded or
duplicated freely.
853
●
Do not use this unit for purposes that could infringe on a
copyright held by a third party. We assume no responsibility
whatsoever with regard to any infringements of third-party
copyrights arising through your use of this unit.
204
* Microsoft and Windows are registered trademarks of Microsoft
Corporation.
206j
* Windows® is known officially as: “Microsoft® Windows®
operating system.”
* Neutrik and EtherCon are registered trademarks of Neutrik,
Inc.
●
When multiple REAC products are connected to either REAC A
or REAC B on the M-300 via REAC splitter or switching hub,
please set the REAC mode on each product correctly.
If you turn on the power of these products with REAC mode
set incorrectly, there might be some digital noise generated
from REAC products or M-300.
If this happens, please turn off the power of all REAC products
and set the REAC mode correctly.
●
MMP (Moore Microprocessor Portfolio) refers to a patent
portfolio concerned with microprocessor architecture, which
was developed by Technology Properties Limited (TPL).
Roland has licensed this technology from the TPL Group.
Check the included items.....................................................................................................................................................13
Conventions used in this manual ......................................................................................................................................13
Basic knowledge about REAC .............................................................................................................................................13
Turning the power on/off.....................................................................................................................................................17
About the internal lithium battery....................................................................................................................................18
À propos de la pile interne au lithium..............................................................................................................................18
About USB memory................................................................................................................................................................19
Explanation of the panels ................................................................... 20
Top panel/Front panel...........................................................................................................................................................20
Editing a name..........................................................................................................................................................................37
About the input channels.....................................................................................................................................................40
Operations using the CHANNEL EDIT section...............................................................................................................41
Operations in the CHANNEL DISPLAY screen................................................................................................................44
Specifying a channel name and color label...................................................................................................................50
Copying channel settings to another channel .............................................................................................................51
Using the channel library......................................................................................................................................................52
Assigning channels to DCA groups and MUTE groups..............................................................................................53
AUX, MTX, MAIN operations ............................................................... 54
About AUX, MTX, MAIN.........................................................................................................................................................54
Operations using the CHANNEL EDIT section...............................................................................................................55
Operations in the CHANNEL DISPLAY screen................................................................................................................58
Linking MAIN L/R and MAIN C ............................................................................................................................................64
Specifying a channel name and color label...................................................................................................................64
Copying channel settings to another channel .............................................................................................................64
Using the AUX/MTX/MAIN library .....................................................................................................................................65
Assigning channels to DCA groups and MUTE groups..............................................................................................66
Copying a MTX mix to another MTX (MTX1–4) ............................................................................................................67
Default setting of the input/output patchbay..............................................................................................................88
About the meters.....................................................................................................................................................................94
Viewing the meters.................................................................................................................................................................94
Viewing the channel strip of the channel layer............................................................................................................95
Editing the meter settings....................................................................................................................................................96
Listing the channel names and group names...............................................................................................................97
About effects.............................................................................................................................................................................98
Using the 31-band GEQ...................................................................................................................................................... 104
Inserting an external effects device .................................................106
About inserting an external effects device .................................................................................................................106
Inserting an external effects device into a channel ................................................................................................. 107
About DCA groups............................................................................................................................................................... 108
DCA group settings.............................................................................................................................................................. 108
Assigning a channel to a DCA group............................................................................................................................. 108
Specifying a name and color label for the DCA group ........................................................................................... 109
Using the panel to control DCA groups ....................................................................................................................... 109
Mute groups .......................................................................................110
About mute groups .............................................................................................................................................................110
Assigning a channel to a mute group........................................................................................................................... 110
Specifying a name and color label for a mute group.............................................................................................. 111
About talkback and oscillator ..........................................................................................................................................112
Using talkback ....................................................................................................................................................................... 113
Using the oscillator ..............................................................................................................................................................113
About monitoring ................................................................................................................................................................ 114
Using Monitor........................................................................................................................................................................ 115
Using Solo ............................................................................................................................................................................... 115
Scene memory.................................................................................... 116
About scene memory.......................................................................................................................................................... 116
Operations in the SCENE screen...................................................................................................................................... 118
Editing the scene list ........................................................................................................................................................... 119
The Global Scope function................................................................................................................................................ 121
Synchronizing scene memories with M-48 memories............................................................................................ 122
USB memory recorder ....................................................................... 124
About the USB memory recorder ................................................................................................................................... 124
10
Using the USB memory recorder ....................................................................................................................................125
User settings.......................................................................................128
About user settings.............................................................................................................................................................. 128
Creating and editing user settings................................................................................................................................. 128
Limiting the range of possible operations .................................................................................................................. 133
Editing the user fader layers............................................................................................................................................. 134
Editing the user button ......................................................................................................................................................136
Editing other user preferences ........................................................................................................................................ 137
REAC applications and settings ........................................................138
Other settings and functions ............................................................152
System information and basic mixer settings............................................................................................................ 152
Managing USB memory .....................................................................................................................................................159
Help function ......................................................................................................................................................................... 163
Other settings ........................................................................................................................................................................164
Management of the M-48 live personal mixer ................................ 166
What is the M-48 live personal mixer?.......................................................................................................................... 166
Connecting M-48 units to the M-300 ............................................................................................................................ 167
Editing and managing M-48 units.................................................................................................................................. 168
Specifying the outputs from the M-300 to the M-48 unit ..................................................................................... 169
Viewing the connected M-48 units................................................................................................................................ 170
Making settings for an M-48 unit.................................................................................................................................... 172
Using the M-48 library ........................................................................................................................................................ 185
Saving/loading USB memory........................................................................................................................................... 187
User button functions......................................................................................................................................................... 190
Requirements for switching hubs .................................................................................................................................. 194
Main specifications .............................................................................................................................................................. 195
Roland vintage effects ........................................................................................................................................................ 214
Index ................................................................................................... 216
Screen index ....................................................................................... 220
12
Introduction
Check the included items
The following items are included with the M-300. Make sure that
all of them are present:
• The M-300 itself
• Power cord
* Use only the power cord that was included with the M-300.
• REAC connector covers (two)
• Channel number sticker
• Ferrite cores (two)
• Owner’s manual (the document you’re reading)
Conventions used in this manual
985
The explanations in this manual include illustrations that depict
what should typically be shown by the display. Note, however,
that your unit may incorporate a newer, enhanced version of the
system, so what you actually see in the display may not always
match what appears in the manual.
Names
The following input/output units can be connected to the M300’s REAC ports:
• S-1608 stage unit
• S-0816 FOH unit
• S-4000S 40-channel I/O modular rack (Ver. 2.010 and later)
• S-0808 8x8 I/O UNIT
• S-4000M REAC MERGE UNIT
The REAC port on the M-300 does not support REAC EMBEDDED
POWER. When you connect an S-0808, install an external battery
on the S-0808 to power via the DC IN port. Note, however, that
when the connection on the M-300 is made via an S-4000M or S4000D, the S-0808 is powered by the S-4000M or S-4000D, and
so no external battery is needed.
In this manual, we may abbreviate these units as the S-1608, S0816, or S-4000S, or may refer to them collectively as input/
output units.
Text enclosed in square brackets [ ] indicates a button. For
example, the direction to “press [METER]” means that you are to
press the METER button.
If a secondary name is shown for a button, such as [DISP (BUTTON
ASSIGN)], the text in parentheses indicates the function that the
button has when pressed while holding down [SHIFT].
In the case of function buttons, the function is given in
parentheses, such as [F1 (LINK)].
Basic knowledge about REAC
About REAC
The REAC (Roland Ethernet Audio Communication) interface is
the core of this system. It uses a proprietary protocol based on
Ethernet technology, and allows 40 channels of digital audio to
be sent in each direction via a single Cat5e Ethernet cable.
REAC can do the following:
• Send 40 channels of digital audio in each direction
• Send audio up to 100 meters on one Cat5e cable
• A switching hub or the S-OPT option can be used to extend
the cable.
• Use a switching hub to easily split the signal
• The transmission delay between REAC devices is extremely
small (approximately 375 microseconds)
When the signal passes through a switching hub, there will be
approximately 200 microseconds of delay for each unit.
About cables
Since Cat5e Ethernet cables are used, it’s very easy to connect
REAC devices to each other. Cat5e Ethernet cables are commonly
used for computer network connections, and have RJ45 plugs.
Types of Ethernet cable
There are two types of Ethernet cables. Although both types have
the same exterior appearance, their RJ45 plugs are wired
differently, as follows:
• Crossover cable
The internal wiring of the cable is crossed at each RJ45 plug.
This means that the connections of the RJ45 plugs will differ
at each end of the cable.
• Straight cable
The internal wiring of the cable is the same at each end.
Crossover cables (such as RSS SC-W20F, RSS SC-W100S, or RSS
W100S-R) should be used when connecting to the REAC ports on
this product.
Certain cautions apply if you’re using a conventional switching
hub with this system. For details, refer to “REAC applications” (p.
138).
Introduction
13
Introduction
M-380
S-1608
S-1608
Ethernet connectors
Ethernet cables use RJ45 plugs. REAC equipment provides an
RJ45 connector for each REAC port.
fig.RJ45andREAC-j.eps
Introduction
RJ45 plug
For critically important communication, it is vital to protect the
RJ45 plug and connector. For such situations, REAC RJ45
connectors use a sturdy Neutrik EtherCon plug. Using the
EtherCon RJ45 plug allows a latched-type connector similar to an
XLR plug.
The Neutrik Corporation provides EtherCon RJ45 plugs, as well as
EtherCon plugs that can be added to the RJ45 plug of
commercially available Ethernet cable.
The RJ45 connectors of REAC ports can accept either RJ45 plugs
or EtherCon plugs.
Cautions for handling Cat5e cables
• Do not apply excessive force to Cat5e cables.
• Do not bundle (bend) a Cat5e cable to a radius less than 25
mm, or fold it in two.
• Do not tightly bundle a Cat5e cable.
• Do not place multiple Cat5e cables in parallel for an
extended distance.
• Do not place Cat5e cables near a source of electrical noise
(power supply cord, motor, fluorescent lights, etc.).
REAC RJ45 connector
fig.connect-REAC.eps
S-1608
SLAVESLAVE
Cat5e
REAC A
MASTER
S-1608
Cat5e
REAC B
MASTER
M-300
The default input/output patching between the M-300 and
input/output units connected to REAC ports A/B is as
follows:
Input jacks
Input channel
IN1–16CH1–16
REAC A
IN17–40none
REAC BIN1–40none
Output jacks
REAC A
or
REAC B
You can change the input/output settings. For details, refer to
“Input/output patchbay” (p. 88).
OUT1–5AUX1–5
OUT6–8MAIN L, MAIN R, MAIN C
OUT9–40CH1–32 DIRECT OUTS
Outputs
REAC connections
Here is a typical example of connections using the S-1608.
When connecting REAC devices to each other, the REAC mode of
one device must be set to REAC master, and the REAC mode of
the other must be set to REAC slave.
In this system, the M-300 is normally set to be the master (FOH
setting), while the input/output units are set to be slaves.
For a more detailed description of connections, refer to “REAC
applications” (p. 138).
Cat5e Ethernet cables up to 100 meters long are supported. If
you need a longer connection, we recommend that you use the
optional S-OPT.
14
Cautions when making REAC connections
• REAC connections are designed so that noise will not be
produced even if you hot-swap (plug or unplug a live
connection). However in rare cases, noise may occur at the
audio output of the system. To prevent hot-swapping from
causing damage to your speakers or other equipment
connected to the audio outputs, please observe the
following points:
• Make REAC connections while holding down the [MUTE ALL
OUTPUTS] of the input/output unit
• Before you make REAC connections, mute the outputs using
[F6 (MUTE ALL OUT)] in the MUTE GROUP screen (p. 110).
In some cases, the muted state will continue even after you
release your finger from [MUTE ALL OUTPUTS] of the input/
output unit. In this case, press [MUTE ALL OUTPUTS] once again
to mute, and then release your finger to unmute the unit.
Placement
Introduction
Attaching the ferrite core
You must attach the ferrite cores before using the M-300. This is
for the purpose of preventing electromagnetic noise; do not
remove it.
1.
Spread the tabs, and open the ferrite core.
fig.core1.eps
2.
Attach a ferrite core near the RJ45 plug on the Ethernet
cable.
fig.core2.eps
About the REAC caps
When the M-300 is shipped from the factory, REAC caps are
attached to the REAC ports. In order to use REAC port, you’ll need
to remove the REAC cap. Take care not to lose the REAC caps you
remove.
fig.connection.eps
About the REAC connector covers
When using an Ethernet cable with standard RJ45 plugs, fit the
included REAC connector covers on the REAC ports as shown.
fig.REAC-cover-inst3.eps
Introduction
3.
Close the ferrite core until you hear it snap shut.
fig.core3.eps
Connect the plug with the ferrite core to the M-300’s
4.
REAC port.
Remove the REAC connector cover if you’re using an EtherCon
type REAC cable (SC-W20F/SC-W100S/W100S-R). Take care not
to lose the REAC connector covers you removed.
15
Introduction
AC power connections
Connect one end of the supplied AC power cord to a grounded
AC outlet, and the other end to the AC INPUT connector to
provide power for the M-300’s internal power supply.
Use only the supplied power cords to prevent damage to the
units.
Introduction
Attaching the power cord hook
As shown in the illustration, fit the power cord hook over
1.
the power cord.
fig.cord-hook1.eps
When installing in a Rack
When installing in a Rack, the M-300 should be used only
with the optional rackmount angle brackets, RA-10U.
16
Turning the power on/off
M-380
Turning the power on
Turn on the power of your input/output units.
5.
Introduction
Introduction
941
Once the connections have been completed, turn on power
to your various devices in the order specified. By turning on
devices in the wrong order, you risk causing malfunction
and/or damage to speakers and other devices.
fig.PowerOnOrder.eps
3
INPUTOUTPUT
M-300
1.
Connect your input/output units (S-1608, S-0816, S4000S, etc.) to the M-300’s REAC port.
2.
Connect your audio equipment to the audio inputs and
audio outputs of the M-300 and your input/output units.
983
Audio feedback could be produced depending on the
location of microphones relative to speakers. This can be
remedied by:
1. Changing the orientation of the microphone(s).
2. Relocating microphone(s) at a greater distance from
speakers.
3. Lowering volume levels.
56
Cat5e
4
For information about how to turn the power of S-1608/S-0816
on, refer to the owner’s manual of the S-1608/S-0816.
For information about how to turn the power of S-0808 on, refer
to the owner’s manual of the S-0808.
6.
Turn on the power of the equipment connected to the
audio outputs of the M-300 and your input/output units.
942
This unit is equipped with a protection circuit. A brief interval
(a few seconds) after power up is required before the unit
will operate normally.
Turning the power off
1.
Mute the outputs using [F6 (MUTE ALL OUT)] in the MUTE
GROUP screen (p. 110).
2.
Turn off the power of the equipment connected to the
audio outputs of the M-300 and your input/output units.
3.
Turn off the power using the POWER switch located on
the M-300’s rear panel.
Before you turn off the power of the M-300, make sure that it
is not reading/writing USB memory or reading/writing scene
memory or library data. The data may be destroyed if you
turn off the power during such operations.
4.
Turn off the power of your input/output units.
For information about how to turn the power of S-1608/S-0816
off, refer to the owner’s manual of the S-1608/S-0816.
Turn on the power of the equipment connected to the
3.
audio inputs of the M-300 and your input/output units.
Turn on the power using the POWER switch located on
4.
the M-300’s rear panel.
When the power supply has started up, a screen like the
following will appear:
fig.ScrMeter.eps
For information about how to turn the power of S-0808 off, refer
to the owner’s manual of the S-0808.
Turn off the power of the equipment connected to the
5.
audio inputs of the M-300 and your input/output units.
921
To prevent malfunction and/or damage to speakers or other
devices, always turn down the volume, and turn off the
power on all devices before making any connections.
17
Introduction
About the internal lithium
battery
The M-300 has an internal lithium battery that backs up the clock
function and the mixer settings. If this battery runs down, the
clock function and the feature that provides for the
reinstatement of the mixer settings that existed prior to
switching off the power will no longer operate correctly. If a
popup message recommending that you replace the battery
appears when you turn on the power, replace the battery as
Introduction
described in the following procedure.
Replace the old battery with a CR2032 type lithium
battery. Ask your consumer electronics dealer for a
“CR2032 type lithium battery.”
Back up the M-300’s mixer settings to USB memory (p.
1.
156).
Switch off the M-300’s power, and disconnect the power
2.
cord from the AC outlet.
Remove the two screws that fasten the battery cover as
3.
shown in the illustration, and detach the battery cover.
fig.battery-panel1.eps
À propos de la
pile interne au
lithium
Le M-300 est équipé d’une pile au lithium qui fait fonctionner
l’horloge et préserve les réglages du mélangeur. Si la pile est
faible, l’horloge et la restauration des réglages du mélangeur ne
fonctionnent pas correctement. Si un message contextuel
recommandant de remplacer la pile s’affiche lorsque l’appareil
est mis sous tension, il faut la remplacer comme suit.
Remplacement de la pile usée par une pile au
lithium de type CR2032. Il faut s’assurer d’obtenir
pile au lithium de type CR2032 du détaillant
d’appareils électroniques.
Faire une copie de sauvegarde des réglages du
1.
mélangeur interne dans la mémoire USB (p. 156).
Couper l’alimentation du M-300 et débrancher le câble
2.
d’alimentation de la prise de courant.
Comme le montre l’illustration, retirer les deux vis qui
3.
retiennent le couvercle du compartiment de la pile et
retirer le couvercle.
fig.battery-panel1.eps
4.
Remove the old battery, and insert the new battery.
Be careful not you cut your hand.
Attach the battery cover as shown in the illustration, and
5.
fasten it using the two screws you removed in step 3.
ig.battery-panel2.eps
Turn on the power of the M-300, and set the date and
6.
time (p. 158).
Load the previously saved settings (MIXER PARAMETER,
7.
SYSTEM SETTING) from the USB memory to which you
backed up the data in step 1. (p. 156)
4.
Retirer la pile usée et insérer la pile neuve.
Faites attention de ne pas vous couper.
Remettre en place le couvercle du compartiment de la
5.
pile et le fixer à l’aide des deux vis retirées à l’étape 3.
ig.battery-panel2.eps
Mettre le M-300 sous tension et régler la date et l’heure
6.
(p. 158).
Charger les réglages enregistrés (PARAMÈTRE DU
7.
MÉLANGEUR, RÉGLAGE DU SYSTÈME) dans la mémoire
USB où la copie de sauvagarde a été faite à l’étape 1. (p.
156)
18
About USB memory
Introduction
The M-300 can use USB memory to store and read a variety of
data.
• Record and play WAV files using the USB Memory Recorder
• Save and load user settings files
• Back up and recover internal mixer data
Carefully insert the USB memory all the way in—until it is
firmly in place.
USB memory used with the USB Memory Recorder must support
USB 2.0 (Hi-speed).
About the USB memory cover
The USB memory connector is fitted with a USB memory cover.
When using USB memory, open the USB memory cover. When
not using USB memory, keep the USB memory cover closed.
battery-panel1.eps
Introduction
19
Explanation of the panels
Top panel/Front panel
fig.TopPanelGuide.eps
13
Explanation of the panels
45
101112
9
7
6
13
8
14 15
16
17
2
18
10
11
12
13
14
15
16
17
18
1
2
3
4
5
6
7
8
9
Fader module section
Layer section
Main fader module
CHANNEL EDIT section
Display
Function button section
Screen controller section
METER button
EFFECTS Section
GROUP section
SETUP Section
SCENE MEMORY section
USB MEMORY RECORDER section
TALKBACK/OSC Section
MONITOR Section
USER Section
PHONES jack
PHONES LEVEL knob
p. 21
p. 21
p. 22
p. 22
p. 25
p. 25
p. 25
p. 25
p. 25
p. 26
p. 26
p. 26
p. 26
p. 27
p. 27
p. 27
p. 27
p. 27
20
1
2
Fader module section
fig.FaderModSectGuide.eps
LAYER
fig.LayerSectGuide.eps
Explanation of the panels
section
1
2
3
4
5
This section lets you control the 16 channels you selected in the
Layer section.
SEL buttons
1
Use these buttons to select the channel that you want to
control in the CHANNEL EDIT section or in the screen. The
[SEL] button of the currently selected channel will light.
1
2
3
4
5
This section lets you select the channel layer that will be assigned
to the fader module section. The button of the currently assigned
channel layer will be lit.
USER1 layer button
1
USER2 layer button
2
This assigns the user fader layer 1 or user fader layer 2 to the
fader module section.
“Editing the user fader layers” (p. 134)
AUX/MTX/DCA layer button
3
This assigns AUX1–8, MTX1–4, and DCA1–4 to the fader
module section.
CH 17–32 layer button
4
This assigns CH17–32 to the fader module section
Explanation of the panels
SOLO buttons
2
These buttons turn solo on/off for each channel. The button
will light when solo is on.
“Using Solo” (p. 115)
Meters
3
These indicate the signal level of each channel.
“Editing the meter settings” (p. 96)
MUTE buttons
4
These turn muting on/off for each channel. The button will
be lit if mute is active.
Faders
5
These adjust the signal level of each channel.
CH 1–16 layer button
5
This assigns CH1–16 to the fader module section.
21
Explanation of the panels
4
3
Main fader module
fig.MainFaderModGuide.eps
1
CHANNEL EDIT section
fig.ChEditSectGuide.eps
3
4
2
3
Explanation of the panels
SEL button
1
This button selects the MAIN channel so that it can be
controlled from the CHANNEL EDIT section or in the screen.
It will light if the MAIN channel is selected.
1
2
5
6
8
7
By repeatedly pressing [SEL] you can alternately select the MAIN
L, MAIN R, or MAIN C channels.
SOLO button
2
This button turns solo on/off for the MAIN L/R/C channels. It
will light if solo is on.
Fader
3
This adjusts the signal level of the MAIN L/R/C channels.
In this section you can operate the main parameters of the
currently selected channel.
CH DISP button
1
This button accesses the CHANNEL DISPLAY screen. It will
light red while this screen is displayed.
fig.ChEdtBtn.eps
22
Explanation of the panels
PREAMP area
2
fig.ChEdtPreamp.eps
•
GAIN knob
This adjusts the preamp gain of CH1–32. When ATT Ctrl (p.
48) at the CHANNEL DISPLAY screen is on, this always adjusts
the attenuator.
This adjusts the attenuator of AUX1–8, MTX1–4, or MAIN L/R/
C.
•
+48V button
This turns the +48V phantom power on/off.
•
PAD button
This switches the pad on/off. Turning this on will lower the
input sensitivity of the preamp by 20 dB.
These controls are invalid for the following channels:
• Input channels to which you have not patched an input
port
• Input channels to which you’ve patched a port that has
no preamp gain, such as an internal port
EQUALIZER area
4
fig.ChEdtEQ.eps
In this area you can operate the 4-band EQ or 8-band EQ that is
provided on each channel.
• DISP button
This accesses the EQUALIZER popup where you can make
detailed settings. The button will light red while the popup is
shown.
• ON button
This button turns the EQ on/off. It will light if the EQ is on.
These buttons select the band controlled by knobs on the
EQUALIZER area. The button of the currently selected band
will light.
Explanation of the panels
HPF (High-pass filter) area
3
fig.ChEdtFilter.eps
In this area you can operate the HPF that is provided for each
input channel.
• ON button
This button turns the filter on/off. It will light if the filter is on.
These controls are invalid for the following channels:
• AUX1–8
• MAIN L/R/C
• MTX1–4
For AUX1–8, MTX1–4, or MAIN L/R/C, [HI MID ] / [HI ]
buttons move the target band of the 8-band EQ on screen. For
details, refer to “8-band EQ operations (AUX/MTX/MAIN)” (p. 82).
• Q knob
This adjusts the Q of the selected band.
• FREQ knob
This adjusts the center frequency of the selected band.
• GAIN knob
This adjusts the gain of the selected band.
When the GATE/EXPANDER popup, COMPRESSOR popup, or
LIMITER popup is displayed, the parameters of the gate/
expander, compressor, or limiter can be adjusted using the Q
knobs, FREQ knobs, or GAIN knobs. For more information, refer
to “GATE/EXPANDER popup” (p. 69), “COMPRESSOR popup” (p.
74) or “LIMITER popup” (p. 78).
23
Explanation of the panels
GATE area
5
fig.ChEdtGate.eps
In this area you can operate the gate/expander that is provided
for CH1–32.
• DISP button
This accesses the GATE/EXPANDER popup where you can
make detailed settings. The button will light red while the
popup is shown.
You can turn the gate/expander on or off by holding down
[SHIFT] and pressing [DISP].
Explanation of the panels
This control is invalid for the following channels:
• AUX1–8
• MTX1–4
• MAIN L/R/C
COMP area
6
fig.ChEdtComp.eps
AUX/MTX SENDS area
8
fig.ChEdtAux.eps
In this area you can adjust the send level from CH1–32 to the
AUX/MTX buses, or adjust the send level from AUX1–8, MAIN L/R/
C to the MTX buses.
• AUX1–AUX8 / MTX1–MTX4 buttons
These buttons select the AUX/MTX bus that will be the target
of the SEND LEVEL knob or the faders in SENDS ON FADER
mode.
In this area you can operate the compressor that is provided on
CH1–32 and the limiter that is provided on AUX1–8, MTX 1–4,
and MAIN L/R/C.
• DISP button
This accesses a popup where you can make detailed settings.
This will access the COMPRESSOR popup for CH1–32, or the
LIMITER popup for AUX1–8, MTX 1–4, and MAIN L/R/C. The
button will light red while the popup is shown.
You can turn the compressor or limiter on or off by holding
down [SHIFT] and pressing [DISP].
PAN area
7
fig.ChEdtPan.eps
• PAN knob
For CH1–32, this adjusts the pan. For AUX1–8, MTX 1–4,
MAIN L/R, it adjusts the balance.
You can turn the corresponding send switch on/off by holding
down [SHIFT] and pressing [AUX1]–[AUX8] / [MTX1]–[MTX4].
•
DISP button
This button accesses the AUX/MTX SENDS popup where you
can make detailed settings. It will light red while the popup
is shown.
•
SEND LEVEL knob
This adjusts the send level to the AUX/MTX bus selected by
the [AUX1]–[AUX8] / [MTX1]–[MTX4] buttons.
If an AUX or MAIN channel is selected, this will adjust the send
levels to MTX1–4.
If a MTX channel is selected, this will adjust the send levels from
AUX1–8 to MTX.
If AUX/MTX buses are stereo-linked, selecting the oddnumbered AUX/MTX bus will let you adjust the send pan, and
selecting the even-numbered AUX/MTX bus will let you adjust
the send level.
•
SENDS ON FADER button
This button turns SENDS ON FADER mode on/off. It will blink
if SENDS ON FADER mode is on.
24
“Using the SENDS ON FADER” (p. 43)
Explanation of the panels
8
9
5
Display
fig.DisplayGuide.eps
This area shows mixer parameters, system settings, and meters.
You can use the CHANNEL EDIT section, the function button
section, and the screen controller section to perform operations
in the display.
6
Function button section
fig.FunctionSectGuide.eps
Use these buttons to operate the function buttons shown at the
bottom of the display, and to operate the tabs that switch
between display screens.
7
Screen controller section
fig.GenCtrlSectGuide.eps
4
• You can hold down [SHIFT] to modify the range by which a
value will change when you operate the CHANNEL EDIT
section’s knob or the value dial, allowing you to adjust the
setting in finer detail.
You can use the user preference SHIFT LOCK (p. 137) to change
the behavior of the SHIFT button.
ENTER button
3
Use this button to turn an on-screen button on/off, or to
confirm a change you’ve made to the settings.
HELP button
4
This button accesses the HELP CONTENTS popup. If you hold
down [HELP] and press another button, an explanation of
that button will appear in the HELP popup. This button will
light red while the popup is shown.
For more about using HELP, refer to the “Help function” (p. 163).
METER button
fig.MeterBtn.eps
This button accesses the METER screen where you can view the
meters. It will light red while this screen is shown.
EFFECTS section
fig.EffectsBtn.eps
1
2
Explanation of the panels
1
2
Cursor buttons / Value dial
1
• Cursor buttons
These buttons move the cursor up/down/left/right in the
screen.
• Value dial
This adjusts the value of the parameter at which the cursor is
located.
SHIFT button
2
This button has the following two functions:
• Some buttons change their function while [SHIFT] is held
down.
3
INT FX button
1
This button accesses the EFFECTS screen where you can
control the effects. It will light red while this screen is shown.
EXT FX button
2
This button accesses the EXTERNAL INSERT screen where
you can control the external insert paths. It will light red
while this screen is shown.
25
Explanation of the panels
13
10
GROUP section
fig.GroupSectGuide.eps
1
DCA button
1
This button accesses the DCA GROUP screen where you can
control the DCA groups and make settings for them. It will
light red while the screen is shown.
MUTE button
2
This button accesses the MUTE GROUP screen where you can
control the mute groups and make settings for them. It will
light red while the screen is shown.
11
Explanation of the panels
SETUP section
fig.SetupSectGuide.eps
1
PATCHBAY button
1
This button accesses the PATCHBAY screen where you can
make settings for the input/output patchbay. It will light red
while the screen is shown.
SYSTEM button
2
This button accesses the SYSTEM screen where you can
make various system settings. It will light red while the
screen is shown.
12
SCENE MEMORY section
fig.SceneMemSectGuide.eps
2
2
2
1
3
USB MEMORY RECORDER section
fig.RecorderSectGuide.eps
2
1
1
• Selecting a song
• Rewinding or fast-forwarding during playback
2
• Playing a song
• Stopping a song
• Starting recording
• Stopping recording
4
/button
Here you can select the song to play, and rewind or fastforward the playback.
By pressing these buttons, you can jump to the beginning of
the preceding or following song. During playback,
button takes you back to the beginning of the currently
playing song.
By pressing and holding these buttons while a song is
playing, you can rewind or fast-forward. Normal playback
will resume when you release the button.
button
Use this button to start or stop playback, or to start
recording.
When you press this button while the recorder is stopped,
the currently selected song will play.
When you press this button while the song is playing,
playback will stop.
When you press this button in recording-standby mode,
recording will start.
When you press this button while recording a song,
recording will stop.
3
4
DISP button
1
This button accesses the SCENE screen where you can
manage the scene list and make scene settings. It will light
red while the screen is shown.
RECALL button
2
This recalls the mixer parameters from the currently selected
scene number.
PREV / NEXT buttons
3
These buttons move to the preceding or following scene
number.
STORE button
4
This stores the current mixer parameters into the currently
selected scene number.
26
REC button
3
Use this button to put the recorder in recording-standby
mode, or to divide the song currently being recorded.
• Recording-standby mode
When you press this button while the recorder is stopped,
the recorder will enter recording-standby mode. Press
to start recording.
• Dividing the song currently being recorded
When you press this button while a song is being recorded,
recording of the song currently being recorded will be
completed, and recording of a new song will begin.
DISP button
4
This button accesses the RECORDER screen where you can
make recorder settings and manage the song list. It will light
red while this screen is shown.
14
16
17
18
TALKBACK/OSC (talkback/oscillator) section
fig.TalkbackOscSectGuide.eps
Explanation of the panels
USER section
fig.UserSectGuide.eps
1
2
3
MIC LEVEL knob
1
This adjusts the preamp gain of the talkback mic input over a
range of -10dBu–65dBu.
In the TALKBACK/OSCILLATOR screen, you can select a talkback
mic input from the CONSOLE INPUT 1–4.
DISP button
2
This button accesses the TALKBACK/OSCILLATOR screen,
where you can make talkback settings and oscillator
settings. It will light red while the screen is shown.
TALKBACK button
3
This button turns talkback on/off. It will blink while talkback
is on.
15
MONITOR section
fig.MonitorSectGuide.eps
1
2
DISP button
1
This button accesses the USER screen where you can change
or edit the user settings. It will light red while the screen is
shown.
If you hold down [SHIFT] and press this button, the USER
BUTTON tab of the USER PREFERENCE popup will appear. This is
a convenient way to check the user button settings.
USER 1-8 button
2
These access the function that is assigned to each button.
You can make function assignments in the USER
PREFERENCE popup. For details, refer to “Editing the user
button assignments” (p. 136).
Explanation of the panels
1
2
3
LEVEL knob
1
This adjusts the monitor output level in a range of -Inf dB –
+10.0 dB.
DISP button
2
This button accesses the MONITOR screen where you can
make monitor or solo settings. It will light red while the
screen is shown.
SOLO CLEAR button
3
This button clears (turns off) the solo settings of all channels
in a single operation.
By holding down [SHIFT] and pressing a USER1–8 button, you
can access the functions assigned to user buttons 9–16.
PHONES jack
You can connect a set of headphones to this jack, and use it to
monitor the MONITOR L/R audio signal.
PHONES LEVEL knob
This adjusts the output level to the headphones connected to the
PHONES jack.
27
Explanation of the panels
Rear panel
fig.RearPanelGuide.eps
15
14
13
Explanation of the panels
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
2
98
CONSOLE INPUT jacks
CONSOLE OUTPUT jacks
REAC A, B ports
USB connector
MIDI connectors
RS-232C/MIDI select switch
RS-232C connector
DIGITAL OUT jack
Security slot
BATTERY slot
Grounding terminal
Power cord hook
AC INPUT connector
POWER switch
USB MEMORY connector
1
34567101112
p. 29
p. 29
p. 30
p. 30
p. 30
p. 30
p. 30
p. 31
p. 31
p. 31
p. 31
p. 31
p. 31
p. 31
p. 31
28
1
2
CONSOLE INPUT jacks
fig.ConsInJackGuide.eps
3
Explanation of the panels
CONSOLE OUTPUT jacks
fig.ConsOutJackGuide.eps
Explanation of the panels
12
CONSOLE INPUT 1–4
1
These are balanced XLR-3-31 female input jacks for inputting
analog audio signals from microphones or line level
equipment.
By default they are patched to CH17–20.
922
Wiring diagrams for these jacks are shown below. Make
connections after first checking the wiring diagrams of other
equipment you intend to connect.
fig.XLRJackInput.eps
+PHANTOM[+48V/14mA]
HOT
GND
COLD
CONSOLE INPUT 5–8
2
These are TRS type (balanced) jacks for inputting analog
audio signals from line level equipment.
By default they are patched to CH21–24.
922
Wiring diagrams for these jacks are shown below. Make
connections after first checking the wiring diagrams of other
equipment you intend to connect.
fig.TRSJack.eps
12
CONSOLE OUTPUT 1–4
1
These are balanced XLR-3-32 male output jacks for
outputting analog audio signals.
By default, MAIN L/R, MONITOR L/R are patched to them.
922
Wiring diagrams for these jacks are shown below. Make
connections after first checking the wiring diagrams of other
equipment you intend to connect.
fig.XLRJack.eps
12
GND
HOT
COLD
CONSOLE OUTPUT 5–8
2
These are TRS type (balanced) jacks for outputting analog
audio signals.
By default, AUX1–4 are patched to them.
922
Wiring diagrams for these jacks are shown below. Make
connections after first checking the wiring diagrams of other
equipment you intend to connect.
fig.TRSJack.eps
CONSOLE INPUT 9–12
3
These are RCA phono jacks for inputting analog audio
signals from line level equipment.
The CONSOLE INPUT 5–8 jacks and CONSOLE OUTPUT 5–8
jacks can also be used as input/output jacks for inserting
external effect processors into channels. For details, refer to
“Inserting an external effects device” (p. 106).
By default they are patched to CH25–28.
926a
When connection cables with resistors are used, the volume
level of equipment connected to the inputs (CONSOLE
INPUT) may be low. If this happens, use connection cables
that do not contain resistors.
29
Explanation of the panels
456
7
3
REAC A, B ports
fig.REACPortGuide.eps
USB connector
fig.USBPortGuide.eps
These are RJ45 connectors for connecting input/output units
such as the S-1608, S-0816, or S-4000S via Cat5e Ethernet cables.
These connectors support Cat5e Ethernet cables up to 100
meters long. If you need a longer connection, we recommend
that you use the optional S-OPT.
The default input/output patching between the M-300 and
input/output units connected to REAC ports A/B is as
follows:
Explanation of the panels
Input jacks
REAC A
REAC BIN1–40none
Output jacks
REAC A
or
REAC B
The REAC A/B ports have REAC indicators that show the
REAC communication status. The state of the REAC indicator
has the following significance:
Status
Unlit
Lit
BlinkingConnected normally with a REAC device.
IN1–16CH1–16
IN17–40none
OUT1–5AUX1–5
OUT6–8MAIN L, MAIN R, MAIN C
OUT9–40CH1–32 DIRECT OUTS
Explanation
No connection with a REAC device has been
established.
A split connection with a REAC device has been
established.
Input channel
Outputs
This USB connector can be connected to your PC to control the
M-300 remotely.
For details, refer to “USB MIDI” (p. 148).
MIDI connectors
fig.MIDIPortsGuide.eps
These connectors are for connection with MIDI equipment. An IN
connector (for reception) and an OUT/THRU connector (for
transmission and “thru”) are provided. You can use the REMOTE
popup to switch between the OUT and THRU functions.
For details, refer to “MIDI settings” (p. 149).
RS-232C / MIDI select switch
fig.SerialSelSWGuide.eps
On the M-300 you can use either the MIDI connectors or the RS232C connector. This switch selects the connector(s) you will use.
You must switch off the M-300’s power before changing the
position of this switch.
RS-232C connector
fig.RS232CPortGuide.eps
You can use this RS-232C connector to remotely control the M300 from an external device.
30
Loading...
+ 195 hidden pages
You need points to download manuals.
1 point = 1 manual.
You can buy points or you can get point for every manual you upload.