Roland Integra-7 Parameter Guide

Studio Set . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4

Top Screen . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4

STUDIO SET COMMON . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5

GENERAL tab . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5

CONTROL tab . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5

PHASE LOCK tab . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5

PART VIEW . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6

TONE tab . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6

LEVEL/CH tab . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6

EQ tab . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7

KBD tab . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7

PITCH tab . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8

OFFSET tab . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9

SCALE tab . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10

MIDI tab . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10

MOTIONAL SURROUND . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 11

COMMON tab . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 11

PART tab . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 11

CONTROL tab . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 11

EFFECTS ROUTING . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 12

STUDIO SET EFFECTS . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 13

COMP+EQ OUTPUT tab . . . . . . . . . . . . . . . . . . . . . . . . . . . 13

CHORUS tab . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 13

REVERB tab . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 13

MASTER EQ tab . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 14

SuperNATURAL Acoustic Tone (SN-A) . . . . . . . . . . . . . . . 15

TONE EDIT (SN-A) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 15

COMMON tab . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 15

INST tab . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 16

Instrument List . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 16

SuperNATURAL INST Parameters . . . . . . . . . . . . . . . . . . 18

Performance Variation Sounds . . . . . . . . . . . . . . . . . . . . 28

MFX tab . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 31

MFX CTRL tab . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 31

SuperNATURAL Synth Tone (SN-S) . . . . . . . . . . . . . . . . . . 32

TONE EDIT (SN-S) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 32

COMMON tab . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 32

OSC tab . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 34

PITCH tab . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 34

FILTER tab . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 34

AMP tab . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 35

LFO tab . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 36

MOD LFO tab . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 37

AFTERTOUCH tab . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 37

MISC tab . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 37

MFX tab . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 38

MFX CTRL tab . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 38

SuperNATURAL Drum Kit (SN-D) . . . . . . . . . . . . . . . . . . .39

TONE EDIT (SN-D) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 39

COMMON tab . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 39

DRUM INST tab . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 39

COMP tab . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 40

EQ tab . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 40

MFX tab . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 40

MFX CTRL tab . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 40

SuperNATURAL Drum Inst List . . . . . . . . . . . . . . . . . . . . . . . . . . 41

PCM Synth Tone (PCMS) . . . . . . . . . . . . . . . . . . . . . . . . . . .47

TONE EDIT (PCMS) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 47

COMMON tab . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 47

WAVE tab . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 50

PMT tab . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 52

PITCH tab . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 54

PITCH ENV tab . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 55

TVF tab . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 56

TVF ENV tab . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 57

TVA tab . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 58

TVA ENV tab . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 59

OUTPUT tab . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 60

LFO1/LFO2 tab . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 60

STEP LFO tab . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 61

How to Apply the LFO . . . . . . . . . . . . . . . . . . . . . . . . . . . . 62

CTRL tab . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 63

MTRX CTRL1–4 tab . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 63

MFX tab . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 65

MFX CTRL tab . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 65

PCM Drum Kit (PCMD) . . . . . . . . . . . . . . . . . . . . . . . . . . . . .66

TONE EDIT (PCMD) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 66

COMMON tab . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 66

WAVE tab . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 67

WMT tab . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 68

PITCH tab . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 68

PITCH ENV tab . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 68

TVF tab . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 69

TVF ENV tab . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 70

TVA tab . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 70

TVA ENV tab . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 71

OUTPUT tab . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 71

COMP tab . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 71

EQ tab . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 72

MFX tab . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 72

MFX CTRL tab . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 72

Contents

MFX Parameters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .73

Equalizer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 74

Spectrum . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 74

Low Boost . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 74

Step Filter . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 74

Enhancer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 75

Auto Wah . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 75

Humanizer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 75

Speaker Simulator . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 75

Phaser 1 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 76

Phaser 2 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 76

Phaser 3 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 76

Step Phaser . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 77

Multi Stage Phaser. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 77

Innite Phaser . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 77

Ring Modulator . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 78

Tremolo . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 78

Auto Pan . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 78

Slicer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 78

Rotary 1 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 79

Rotary 2 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 79

Rotary 3 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 80

Chorus . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 80

Flanger. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 81

Step Flanger. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 81

Hexa-Chorus . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 82

Tremolo Chorus . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 82

Space-D . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 82

Overdrive . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 82

Distortion . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 82

Guitar Amp Simulator . . . . . . . . . . . . . . . . . . . . . . . . . . . . 83

Compressor . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 83

Limiter . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 83

Gate . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 84

Delay . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 84

Modulation Delay . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 85

3Tap Pan Delay . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 85

4Tap Pan Delay . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 85

Multi Tap Delay . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 86

Reverse Delay . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 86

Time Ctrl Delay . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 87

LOFI Compress . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 87

Bit Crasher . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 87

Pitch Shifter . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 87

2Voice Pitch Shifter . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 88

Overdrive -> Chorus . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 88

Overdrive -> Flanger . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 88

Overdrive -> Delay . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 89

Distortion -> Chorus . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 89

Distortion -> Flanger . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 89

Distortion -> Delay . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 89

OD/DS -> TouchWah . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 89

OD/DS -> AutoWah . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 90

GuitarAmpSim -> Chorus . . . . . . . . . . . . . . . . . . . . . . . . . 90

GuitarAmpSim -> Flanger . . . . . . . . . . . . . . . . . . . . . . . . . 91

GuitarAmpSim -> Phaser . . . . . . . . . . . . . . . . . . . . . . . . . 91

GuitarAmpSim -> Delay . . . . . . . . . . . . . . . . . . . . . . . . . . 92

EP AmpSim -> Tremolo . . . . . . . . . . . . . . . . . . . . . . . . . . . 93

EP AmpSim -> Chorus . . . . . . . . . . . . . . . . . . . . . . . . . . . . 93

EP AmpSim -> Flanger . . . . . . . . . . . . . . . . . . . . . . . . . . . 93

EP AmpSim -> Phaser . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 94

EP AmpSim -> Delay . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 94

Enhancer -> Chorus . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 95

Enhancer -> Flanger . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 95

Enhancer -> Delay . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 95

Chorus -> Delay . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 95

Flanger -> Delay . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 96

Chorus -> Flanger . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 96

About the STEP RESET function . . . . . . . . . . . . . . . . . . . 97

Controlling a MFX via MIDI (MFX CONTROL) . . . . . . . 97

Chorus, Reverb . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .98

Chorus Parameters. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 98

Reverb Parameters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 98

SuperNATURAL Tone CC Assign . . . . . . . . . . . . . . . . . . .100

SuperNATURAL Acoustic (SN-A) . . . . . . . . . . . . . . . . . . . . . . . 100

SuperNATURAL Drum (SN-D) . . . . . . . . . . . . . . . . . . . . . . . . . .106

No part of this publication may be reproduced in any form without the written permission of ROLAND CORPORATION.

Studio Set

Top Screen

Part number, Tone number/name

Tone type/bank

Solo and mute on/o for each part

* There are two types of top screen: TYPE 1 and TYPE 2. Use [SHIFT] + [ENTER] to switch between them.

Parameter Value Explanation

Studio Set Number 1–64

Tone Type

For details, refer to “TONE tab” (p. 6) of the PART VIEW screen.Tone Bank

Tone Number

MUTE OFF, ON

SOLO OFF, 1–16

TYPE1

Studio set number/name

Part number, Tone type/bank/name

Solo and mute on/o for each part

TYPE2

Selects the number of the studio set.

The studio set will be switched when you change the number and press [ENTER].

(This is shown if the system setting “Top Screen” is TYPE 2.)

Mutes (ON) or un-mutes (OFF) each part.

Use this setting when, for example, you want to use the instrument for karaoke by muting the part playing the melody, or when you want to play something using a separate sound module.

* The bar (—) above the part number is erased for parts whose mute setting is on.

* The Mute Switch parameter does not turn the part o, but sets the volume to minimum so that

no sound is heard. Therefore, MIDI messages are still received.

Only the sound of the part set to Solo will be heard.

* You can’t set the Ext part to Solo.

STUDIO SET COMMON

1. In the top screen, press the [MENU] button.

2. Choose “STUDIO SET COMMON,” and press the [ENTER] button.

Parameter Value Explanation

GENERAL tab

Tempo for the studio set

MEMO

Studio Set Tempo 20–250

Drum Comp+EQ Assign Part1–Part16

CONTROL tab

Tone Control 1 Src

Tone Control 2 Src

Tone Control 3 Src

Tone Control 4 Src

OFF, CC01–CC31, CC33–CC95, BEND, AFT

If the system setting “Tempo Assign Source” is set to STUDIO SET, the tempo setting of the studio set will be used as the tempo. If “Tempo Assign Source” is set to SYSTEM, the system’s tempo setting will be used as the tempo.

Species the part that will use the six sets of compressor + equalizer that are provided for use with a drum kit.

* If a tone (not a drum kit) is assigned to the part specied by Drum Comp+EQ Assign, the

Comp+EQ will not be available.

Specify the MIDI messages that will be used for Tone Control of the studio set.

MEMO

If you want to use the Tone Control 1–4 Src settings of each studio set to control the tone, set the system setting “Control Source Select” to STUDIO SET. If you want to use the system settings System Control 1–4 Src to control the tone, set the system setting “Control Source

Select” to “SYSTEM.”

Studio Set – GENERAL tab

PHASE LOCK tab

CH 1–CH 16 OFF, ON

Set Phase Lock to “ON” when you want to suppress discrepancies in timing of parts played on the same MIDI channel.

When the Phase Lock parameter is set to “ON,” parts on the same MIDI channel are put in a condition in which their timing is matched, enabling them to be played at the same time. Accordingly, a certain amount of time may elapse between reception of the Note messages and playing of the sounds. Turn this setting to “ON” only as needed.

* Phase Lock is not available for SuperNATURAL acoustic organ-type instruments.

Studio Set – TONE tab

PART VIEW

1. In the top screen, press the [PART VIEW] button.

The PART VIEW -ALL- screen appears.

* Some of the part parameters are not shown in the

PART VIEW -ALL- screen.

2. Press the [PART VIEW] button again.

The PART VIEW screen appears.

Parameter Value Explanation

TONE tab

SN-A : SuperNATURAL Acoustic Tones

SN-S : SuperNATURAL Synth Tones

SN-D : SuperNATURAL Drum Kits

PCMS : PCM Synth Tones

PCMD : PCM Drum Kits

Tone Type

SN-A, SN-S, SN-D

PCMS, PCMD

Species the type of tone/drum kit assigned to each part.

PRST, USER,

GM2 (GM2#),

Tone Bank

Tone Number 001– Selects the number of the tone/drum kit assigned to each part.

ExSN1–ExSN6,

SRX01–SRX12,

ExPCM

Selects the group of the tone/drum kit assigned to each part.

• ExSN1–5 can be selected as SN-A if that expansion is loaded

• ExSN6 can be selected as SN-D if that expansion is loaded

• SRX01–12 and ExPCM can be selected as PCMS and PCMD if that expansion is loaded

LEVEL/CH tab

Level

(Also valid for the Ext part)

Pan L64–63R

Cho Send Level

(Also valid for the Ext part)

Rev Send Level

(Also valid for the Ext part)

Output Assign A, B, C, D, 1–8

Rx Switch OFF, ON

Rx Channel 1–16 Species the MIDI receive channel for each part.

Mono/Poly MONO, POLY, TONE

0–127

Adjust the volume of each part.

This setting’s main purpose is to adjust the volume balance between parts.

Adjust the pan of each part.

“L64” is far left, “0” is center, and “63R” is far right.

* If motional surround is on, surround output will be enabled and this setting will be ignored.

Adjusts the amount of Chorus for each Part.

If you don’t want to add the Chorus eect, set it to 0.

* This has no eect if motional surround is on.

Adjusts the amount of Reverb for each Part.

If you don’t want to add the Reverb eect, set it to 0.

* This has no eect if motional surround is on.

Species for each part how the sound will be output.

A, B, C, D: The sound will be output in stereo to the OUTPUT A (MIX) jacks or from the OUTPUT B, C, D jacks.

1–8: The sound will be output in monaural to the INDIVIDUAL 1–8 jacks.

For each part, specify whether MIDI messages will be received (ON), or not (OFF).

If this is “OFF,” the part will not respond. Normally, you should leave this “ON,” but you can turn it

“OFF” when you do not want a specic part to be playing during song playback.

Set this parameter to “MONO” when the tone assigned to the part is to be played monophonically, or to “POLY” when the tone is to be played polyphonically. If you want to use the Mono/Poly setting of the tone assigned to the part (p. **), set this to “TONE.”

* This is not shown in PART VIEW -ALL-.

SN-A

(Ac.Piano)

SN-A

(Organ)

–

SN-A

(Other)

ü ü

SN-S SN-D PCMS PCMD

–

Parameter Value Explanation

You can add legato when performing monophonically. The term “legato” refers to a playing style in which notes are smoothly connected to create a owing feel. This creates a smooth transition between notes, which is eective when you wish to simulate the hammering-on and pulling-o techniques used by a guitarist.

Turn this parameter “ON” when you want to use the Legato feature and “OFF” when you don’t. If

Legato Switch OFF, ON, TONE

you want to use the Legato Switch setting of the tone assigned to the part, set this to “TONE.”

* This is not shown in PART VIEW -ALL-.

Studio Set – EQ tab

Voice Reserve 0–63, FULL

SN-A

(Ac.Piano)

This setting species the number of voices that will be reserved for each part when more than 128 voices are played simultaneously.

It is not possible for the settings of all parts to total an amount greater than 64.

* This is not shown in PART VIEW -ALL-.

SN-A

(Organ)

– –

EQ tab

EQ Switch OFF, ON EQ for each part on/o setting

EQ Low Freq 200, 400 [Hz]

EQ Low Gain -15–+15 [dB] Gain of the low frequency range

EQ Mid Freq

EQ Mid Gain -15–+15 [dB] Gain of the middle frequency range

EQ Mid Q 0.5, 1.0, 2.0, 4.0, 8.0

EQ High Freq 2000, 4000, 8000 [Hz]

EQ High Gain -15–+15 [dB] Gain of the high frequency range

200, 250, 315, 400, 500, 630, 800, 1000, 1250, 1600, 2000, 2500, 3150, 4000, 5000, 6300,8000 [Hz]

Frequency of the low range

* This is not shown in PART VIEW -ALL-.

Frequency of the middle range

* This is not shown in PART VIEW -ALL-.

Width of the middle frequency range

Set a higher value for Q to narrow the range to be aected.

* This is not shown in PART VIEW -ALL-.

Frequency of the high range

* This is not shown in PART VIEW -ALL-.

KBD tab

SN-A

(Other)

SN-S SN-D PCMS PCMD

–

Level

Pitch

Fade Lower

Range Lower

Determines what will happen to the Part’s level when a note that’s higher than its specied

Key Fade Upper 0–127

Key Range Upper LOWER–G9

Key Range Lower C-1–UPPER Species the lowest note that the tone will sound for each part.

Key Fade Lower 0–127

keyboard range is played. Higher settings produce a more gradual change in volume.

If you don’t want the Tone to sound at all when a note above the keyboard range is played, set this parameter to 0.

Species the highest note that the tone will sound for each part.

* It is not possible to set Lower to a value greater than the Upper value, or Upper to a value less

than the Lower value.

Determines what will happen to the Part’s level when a note that’s lower than its specied keyboard range is played. Higher settings produce a more gradual change in volume.

If you don’t want the Tone to sound at all when a note below the keyboard range is played, set this parameter to 0.

Range Upper

Fade Upper

Studio Set – PITCH tab

Parameter Value Explanation

Level

Velocity

Velo Fade Upper 0–127

Velo Range Upper LOWER–127

Velo Range Lower 1–UPPER

Velo Fade Lower 0–127

Velo Sens Oset -63–+63

Fade Lower

Range Lower

Fade Upper

Range Upper

Determines what will happen to the tone’s level when the tone is played at a velocity greater than Velo Range Upper. If you don’t want the tone to sound at all, set this parameter to “0.”

* This is not shown in PART VIEW -ALL-.

SN-A

(Ac.Piano)

SN-A

(Organ)

–

SN-A

(Other)

SN-S SN-D PCMS PCMD

ü ü ü ü ü

Species the highest velocity at which the part will sound.

* This is not shown in PART VIEW -ALL-.

Species the lowest velocity at which the part will sound.

* This is not shown in PART VIEW -ALL-.

Determines what will happen to the tone’s level when the tone is played at a velocity lower than Velo Range Lower. If you don’t want the tone to sound at all, set this parameter to “0.”

* This is not shown in PART VIEW -ALL-.

SN-A

(Ac.Piano)

SN-A

(Organ)

–

SN-A

(Other)

SN-S SN-D PCMS PCMD

ü ü ü ü ü

Adjusts the velocity sensitivity. The higher the value, the greater the sensitivity.

* This is not shown in PART VIEW -ALL-.

SN-A

(Ac.Piano)

SN-A

(Organ)

– –

SN-A

(Other)

SN-S SN-D PCMS PCMD

ü ü ü ü

PITCH tab

Adjusts the pitch of the part’s sound up or down in units of an octave (+/-3 octaves).

Octave Shift -3–+3

SN-A

(Ac.Piano)

ü ü ü ü

Coarse Tune -48–+48 Adjusts the pitch of the part’s sound up or down in semitone steps (+/-4 octaves).

Adjusts the pitch of the part’s sound up or down in 1-cent steps (+/- 50 cents).

Fine Tune -50–+50

MEMO

One cent is 1/100th of a semitone.

Species the amount of pitch change in semitones (2 octaves) that will occur when the Pitch Bend Lever is moved. The amount of change when the lever is tilted is set to the same value for both left and right sides. If you want to use the Pitch Bend Range setting of the tone assigned to the part, set this to “TONE.”

Bend Range 0–24, TONE

SN-A

(Ac.Piano)

ü ü ü ü

Specify whether portamento will be applied. Turn this parameter “ON” when you want to apply Portamento and “OFF” when you don’t. If you want to use the Portamento Switch setting of the tone assigned to the part, set this to “TONE.”

* This is not shown in PART VIEW -ALL-.

Porta Switch OFF, ON, TONE

SN-A

(Ac.Piano)

SN-A

(Organ)

SN-A

(Organ)

SN-A

(Organ)

–

SN-A

(Other)

SN-A

(Other)

SN-A

(Other)

ü ü

SN-S SN-D PCMS PCMD

–

SN-S SN-D PCMS PCMD

–

SN-S SN-D PCMS PCMD

–

ü ü

–

Parameter Value Explanation

When portamento is used, this species the time over which the pitch will change. Higher settings will cause the pitch change to the next note to take more time. If you want to use the Portamento Time setting of the tone assigned to the part, set this to “TONE.”

* This is not shown in PART VIEW -ALL-.

Porta Time 0–127, TONE

SN-A

(Ac.Piano)

OFFSET tab

Adjusts the cuto frequency for the tone/drum kit assigned to a part.

SN-A

(Organ)

–

SN-A

(Other)

ü ü

Studio Set – OFFSET tab

SN-S SN-D PCMS PCMD

–

Cuto Oset -64–+63

Reso Oset -64–+63

Attack Oset -64–+63

Decay Oset -64–+63

Release Oset -64–+63

SN-A

(Ac.Piano)

– –

SN-A

(Organ)

SN-A

(Other)

ü* ü

SN-S SN-D PCMS PCMD

–

ü ü

* For some tones, the eect may be dicult to notice.

Adjusts the Resonance for the tone/drum kit assigned to a part.

SN-A

(Ac.Piano)

– –

SN-A

(Organ)

SN-A

(Other)

ü* ü

SN-S SN-D PCMS PCMD

–

ü ü

* For some tones, the eect may be dicult to notice.

Adjusts the Attack Time for the tone/drum kit assigned to a part.

SN-A

(Ac.Piano)

– –

SN-A

(Organ)

SN-A

(Other)

ü ü

SN-S SN-D PCMS PCMD

–

ü ü

Adjusts the Decay Time for the tone/drum kit assigned to a part.

SN-A

(Ac.Piano)

– – –

SN-A

(Organ)

SN-A

(Other)

SN-S SN-D PCMS PCMD

ü ü ü ü

Adjusts the Release Time for the tone/drum kit assigned to a part.

SN-A

(Ac.Piano)

– –

SN-A

(Organ)

SN-A

(Other)

SN-S SN-D PCMS PCMD

ü ü ü ü ü

For each part, adjust the vibrato speed (the rate at which the pitch is modulated). The pitch will be modulated more rapidly for higher settings, and more slowly with lower settings.

* This is not shown in PART VIEW -ALL-.

Vibrato Rate -64–+63

Vibrato Depth -64–+63

Vibrato Delay -64–+63

SN-A

(Ac.Piano)

SN-A

(Organ)

–

SN-A

(Other)

ü* ü

SN-S SN-D PCMS PCMD

–

ü ü

* This eect does not apply to instruments of the Bell/Mallet and Percussion categories.

For each part, this adjusts the depth of the vibrato eect (the depth at which the pitch is modulated). The pitch will be modulated more greatly for higher settings, and less with lower settings.

* This is not shown in PART VIEW -ALL-.

SN-A

(Ac.Piano)

SN-A

(Organ)

–

SN-A

(Other)

ü* ü

SN-S SN-D PCMS PCMD

–

ü ü

* This eect does not apply to instruments of the Bell/Mallet and Percussion categories.

For each part, this adjusts the time delay until the vibrato (pitch modulation) eect begins. Higher settings will produce a longer delay time before vibrato begins, while lower settings produce a shorter time.

* This is not shown in PART VIEW -ALL-.

SN-A

(Ac.Piano)

SN-A

(Organ)

–

SN-A

(Other)

ü* ü

SN-S SN-D PCMS PCMD

–

ü ü

* This eect does not apply to instruments of the Bell/Mallet and Percussion categories.

Studio Set – SCALE tab

Parameter Value Explanation

SCALE tab

These are templates that set all of the Scale Tune C–B settings.

CUSTOM: Specify the tuning individually for Scale Tune C–B.

EQUAL: Equal temperament

JUST-MAJ: Just intonation (major)

Scale Tune Type

CUSTOM, EQUAL, JUST-MAJ, JUST-MIN, PYTHAGORE, KIRNBERGE, MEANTONE, WERCKMEIS, ARABIC

JUST-MIN: Just intonation (minor)

PYTHAGORE: Pythagorean tuning

KIRNBERGE: Kirnberger (type 3)

MEANTONE: Meantone temperament

WERCKMEIS: Werckmeister (type 1, number 3)

ARABIC: Arabic scale

Scale Tune Key C, C#, D, D#, E, F, F#, G, G#, A, A#, B

Scale Tune for C–B -64–+63

MIDI tab

(Rx Program Change)

(Rx Bank Select)

(Rx Pitch Bend)

(Rx Poly Key Press)

(Rx Ch Press)

(Rx Modulation)

(Rx Volume)

(Rx Pan)

(Rx Expression)

(Rx Hold-1)

OFF, ON

OFF, ON For each MIDI channel, specify whether MIDI Pan messages will be received “ON”, or not “OFF”.

OFF, ON

OFF, ON For each MIDI channel, specify whether MIDI Hold 1 messages will be received “ON”, or not “OFF”.

SN-A

(Ac.Piano)

Species the tonic note for the scale tune template.

SN-A

(Ac.Piano)

Species the scale tuning.

* This is not shown in PART VIEW -ALL-.

SN-A

(Ac.Piano)

For each MIDI channel, specify whether MIDI Program Change messages will be received “ON”, or not “OFF”.

For each MIDI channel, specify whether MIDI Bank Select messages will be received “ON”, or not

“OFF”.

For each MIDI channel, specify whether MIDI Pitch Bend messages will be received “ON”, or not

“OFF”.

For each MIDI channel, specify whether MIDI polyphonic key pressure messages will be received

“ON”, or not “OFF”.

For each MIDI channel, specify whether MIDI Channel Pressure messages will be received “ON”, or not “OFF”.

For each MIDI channel, specify whether MIDI Modulation messages will be received “ON”, or not

“OFF”.

For each MIDI channel, specify whether MIDI Volume messages will be received “ON”, or not

“OFF”.

For each MIDI channel, specify whether MIDI Expression messages will be received “ON”, or not

“OFF”.

Velocity Curve selects for each part one of the four following Velocity Curve types that best matches the touch of the connected MIDI keyboard. Set this to “OFF” if you are using the MIDI keyboard’s own velocity curve.

SN-A

(Organ)

–

SN-A

(Organ)

–

SN-A

(Organ)

–

SN-A

(Other)

ü ü

SN-A

(Other)

ü ü

SN-A

(Other)

ü ü

SN-S SN-D PCMS PCMD

–

SN-S SN-D PCMS PCMD

–

SN-S SN-D PCMS PCMD

–

ü ü

(Velo Crv Type)

OFF, 1–4

SN-A

(Ac.Piano)

21 3 4

SN-A

(Organ)

–

SN-A

(Other)

ü ü ü ü ü

SN-S SN-D PCMS PCMD

Studio Set – COMMON tab

MOTIONAL SURROUND

1. Press the [MOTIONAL SURROUND] button.

2. Press the [ENTER] button.

Parameter Value Explanation

COMMON tab

Room Type ROOM1, ROOM2, HALL1, HALL2 Species the room type.

Room Size SMALL, MEDIUM, LARGE Species the room size.

Motional Surround Depth 0–100 Species the depth of the Motional Surround eect.

Ambience Level 0–127 Species the volume of ambience.

Ambience Time 0–100 Species the duration of ambience.

Ambience Density 0–100 Species the density of ambience.

Ambience HF Damp 0–100 Species the frequency at which the high range of the ambience will be cut.

PART tab

Species the left/right position.

Part L-R -64–+63

Part F-B -64–+63

Part Width 0–32 Species the width of the positioned sound.

Part Ambience Send Level 0–127

Control change number

• 1–16 Part : CC12

• Ext Part : CC28

Species the front/rear (back) position.

Control change number

• 1–16 Part : CC13

• Ext Part : CC29

Species the send level to ambience

Control change number

• 1–16 Part : CC14

• Ext Part : CC30

CONTROL tab

Ext Part Control Ch 1–16, OFF

Species the MIDI channel used when controlling the front/back/left/right position and ambience send level of an Ext part via MIDI.

Studio Set – CONTROL tab

EFFECTS ROUTING

1. In the top screen, press the [EFFECTS] button.

Motional surround : ONMotional surround : OFF

Parameter Value Explanation

MFX Switch OFF, ON

Cho Send Level

(Also valid for the Ext part)

Rev Send Level

(Also valid for the Ext part)

Chorus Switch OFF, ON

Reverb Switch OFF, ON

Master EQ Switch OFF, ON Switches the Master EQ on/o.

Comp+EQ Switch OFF, ON

OFF, ON

Species whether Multi-Eect will be used (ON) or not used (OFF).

* You can also set this in the tone MFX tab for each type.

Adjusts the amount of Chorus for each Part.

If you don’t want to add the Chorus eect, set it to 0.

* You can also set this in the LEVEL/CH tab of PART VIEW (p. 6).

* This is ignored if motional surround is on.

Adjusts the amount of Reverb for each Part.

If you don’t want to add the Reverb eect, set it to 0.

* You can also set this in the LEVEL/CH tab of PART VIEW (p. 6).

* This is ignored if motional surround is on.

Species whether chorus will be used (ON) or not used (OFF).

* This is ignored if motional surround is on.

Species whether Reverb will be used (ON) or not used (OFF).

* This is ignored if motional surround is on.

Turns the six drum kit compressor + equalizer units on/o together.

* This is shown only if you’ve selected the part specied by Drum Comp+EQ Assign.

Studio Set – COMP+EQ OUTPUT tab

STUDIO SET EFFECTS

1. In the EFFECTS ROUTING screen, move the cursor to the eect that you want to edit, and press the [ENTER] button.

* MFX and COMP+EQ can be set individually for each tone.

Parameter Value Explanation

COMP+EQ OUTPUT tab

Comp+EQ 1 Output Assign

Comp+EQ 2 Output Assign

Comp+EQ 3 Output Assign

Comp+EQ 4 Output Assign

Comp+EQ 5 Output Assign

Comp+EQ 6 Output Assign

PART, A, B, C, D, 1–8

CHORUS tab

* This is ignored if motional surround is on.

Chorus Switch OFF, ON

00: OFF

Chorus Type

Chorus Parameter -

Chorus Level 0–127 Adjusts the volume of the sound that has passed through chorus.

Chorus Output Assign A, B, C, D

Chorus Output Select MAIN, REV, MAIN+REV

01: Chorus

02: Delay

03: GM2 Chorus

Specify the output destination for each the six drum kit compressor + equalizer units.

PART: Input to the MFX of the part.

A, B, C, D: Output in stereo to the OUTPUT A (MIX) jacks or the OUTPUT B, C, D jacks.

1–8: Output in monaural to the INDIVIDUAL 1–8 jacks.

* If motional surround is on, the output from each compressor + equalizer will always be the MFX

of the part, regardless of the COMP+EQ Output Assign setting.

Switches the chorus on/o.

* This is ignored if motional surround is on.

Selects the types of chorus.

Choose “00: OFF” if you don’t want to apply a chorus.

Edit the parameters for the selected chorus type.

Refer to “Chorus Parameters” (p. 98).

Selects the pair of OUTPUT jacks to which the chorus sound is routed when Chorus Output Select is set to “MAIN” or “MAIN+REV.”

Species how the sound routed through chorus will be output.

MAIN: Output in stereo to the OUTPUT jacks.

REV: Output in monaural to the reverb.

MAIN+REV: Output in stereo to the OUTPUT jacks, and in monaural to the reverb.

REVERB tab

* This is ignored if motional surround is on.

Reverb Switch OFF, ON

00: OFF

01: Room 1

02: Room 2

Reverb Type

Reverb Parameter -

Reverb Level 0–127 Adjusts the volume of the sound that has passed through reverb.

Reverb Output Assign A, B, C, D

03: Hall 1

04: Hall 2

05: Plate

06: GM2 Reverb

Switches the reverb on/o.

* This is ignored if motional surround is on.

Selects the types of reverb.

Choose “00: OFF” if you don’t want to apply a reverb.

Edit the parameters for the selected reverb type.

Refer to “Reverb Parameters” (p. 98).

Species how the sound routed through reverb will be output.

A, B, C, D: Output in stereo to the OUTPUT A (MIX) jacks or the OUTPUT B, C, D jacks.

Studio Set – MASTER EQ tab

Parameter Value Explanation

MASTER EQ tab

Master EQ Switch OFF, ON Master EQ on/o setting

EQ Low Freq 200, 400 [Hz] Frequency of the low range

EQ Low Gain -15–+15 [dB] Gain of the low frequency range

EQ Mid Freq

EQ Mid Gain -15–+15 [dB] Gain of the middle frequency range

EQ Mid Q 0.5, 1.0, 2.0, 4.0, 8.0

EQ High Freq 2000, 4000, 8000 [Hz] Frequency of the high range

EQ High Gain -15–+15 [dB] Gain of the high frequency range

200, 250, 315, 400, 500, 630, 800, 1000, 1250, 1600, 2000, 2500, 3150, 4000, 5000, 6300,8000 [Hz]

Frequency of the middle range

Width of the middle frequency range

Set a higher value for Q to narrow the range to be aected.

SuperNATURAL Acoustic Tone (SN-A)

TONE EDIT (SN-A)

For each tone, there are instrument settings (INST) and multi-eect settings (MFX). The instrument settings let you make settings for the tone and its parameters.

MFXINST

1. In the top screen, press the [EDIT] button.

Parameter Value Explanation

COMMON tab

No assign, Ac.Piano, E.Piano, Organ, Other Keyboards, Accordion/ Harmonica, Bell/Mallet, Ac.Guitar, E.Guitar, Dist.Guitar, Ac.Bass, E.Bass,

INST tab

INST BANK

INST NUMBER 001– Select the instrument number of the tone.

Parameters for the each inst

INT, ExSN1–ExSN5 (only if an expansion is loaded)

Make parameter settings for the selected instrument.

Refer to “SuperNATURAL INST Parameters” (p. 18).

Select the instrument bank of the tone.

INT: Internal sound bank

ExSN1–ExSN5: Expanded sound bank

Instrument List

INST

BANK NUM NAME Category

INT 1 ConcertGrand Ac.Piano

INT 2 Grand Piano1 Ac.Piano

INT 3 Grand Piano2 Ac.Piano

INT 4 Grand Piano3 Ac.Piano

INT 5 Mellow Piano Ac.Piano

INT 6 Bright Piano Ac.Piano

INT 7 UprightPiano Ac.Piano

INT 8 Concert Mono Ac.Piano

INT 9 Honky-tonk Ac.Piano

INT 10 Pure Vintage EP1 E.Piano

INT 11 Pure Vintage EP2 E.Piano

INT 12 Pure Wurly E.Piano

INT 13 Pure Vintage EP3 E.Piano

INT 14 Old Hammer EP E.Piano

INT 15 Dyno Piano E.Piano

INT 16 Clav CB Flat Other Keyboards

INT 17 Clav CA Flat Other Keyboards

INT 18 Clav CB Medium Other Keyboards

INT 19 Clav CA Medium Other Keyboards

INT 20 Clav CB Brillia Other Keyboards

INT 21 Clav CA Brillia Other Keyboards

INT 22 Clav CB Combo Other Keyboards

INT 23 Clav CA Combo Other Keyboards

INT 24 Glockenspiel Bell/Mallet

INT 25 Vibraphone Bell/Mallet

INT 26 Marimba Bell/Mallet

INT 27 Xylophone Bell/Mallet

INT 28 Tubular Bells Bell/Mallet

INT 29 TW Organ Organ

INT 30 French Accordion Accordion/Harmonica

INT 31 Italian Accordion Accordion/Harmonica

INT 32 Harmonica Accordion/Harmonica

INT 33 Bandoneon Accordion/Harmonica

INT 34 Nylon Guitar Ac.Guitar

INT 35 Flamenco Guitar Ac.Guitar

INT 36 SteelStr Guitar Ac.Guitar

INT 37 Jazz Guitar E.Guitar

INT 38 ST Guitar Half E.Guitar

INT 39 ST Guitar Front E.Guitar

INT 40 TC Guitar Rear E.Guitar

INST

BANK NUM NAME Category

INT 41 Acoustic Bass Ac.Bass

INT 42 Fingered Bass E.Bass

INT 43 Picked Bass E.Bass

INT 44 Fretless Bass E.Bass

INT 45 Violin Strings

INT 46 Violin 2 Strings

INT 47 Viola Strings

INT 48 Cello Strings

INT 49 Cello 2 Strings

INT 50 Contrabass Strings

INT 51 Harp Plucked/Stroke

INT 52 Timpani Percussion

INT 53 Strings Strings

INT 54 Marcato Strings Strings

INT 55 London Choir Vox/Choir

INT 56 Boys Choir Vox/Choir

INT 57 Trumpet Brass

INT 58 Trombone Brass

INT 59 Tb2 CupMute Brass

INT 60 Mute Trumpet Brass

INT 61 French Horn Brass

INT 62 Soprano Sax 2 Sax

INT 63 Alto Sax 2 Sax

INT 64 Tenor Sax 2 Sax

INT 65 Baritone Sax 2 Sax

INT 66 Oboe Wind

INT 67 Bassoon Wind

INT 68 Clarinet Wind

INT 69 Piccolo Flute

INT 70 Flute Flute

INT 71 Pan Flute Flute

INT 72 Shakuhachi Flute

INT 73 Sitar Plucked/Stroke

INT 74 Uilleann Pipes Wind

INT 75 Bag Pipes Wind

INT 76 Erhu Strings

INT 77 Steel Drums Percussion

ExSN1 1 Santoor Bell/Mallet

ExSN1 2 Yang Chin Bell/Mallet

ExSN1 3 Tin Whistle Flute

SuperNATURAL Acoustic Tone (SN-A) – INST tab

INST

BANK NUM NAME Category

ExSN1 4 Ryuteki Flute

ExSN1 5 Tsugaru Plucked/Stroke

ExSN1 6 Sansin Plucked/Stroke

ExSN1 7 Koto Plucked/Stroke

ExSN1 8 Taishou Koto Plucked/Stroke

ExSN1 9 Kalimba Plucked/Stroke

ExSN1 10 Sarangi Strings

ExSN2 1 Soprano Sax Sax

ExSN2 2 Alto Sax Sax

ExSN2 3 Tenor Sax Sax

ExSN2 4 Baritone Sax Sax

ExSN2 5 English Horn Wind

ExSN2 6 Bass Clarinet Wind

ExSN2 7 Flute2 Flute

ExSN2 8 Soprano Recorder Recorder

ExSN2 9 Alto Recorder Recorder

ExSN2 10 Tenor Recorder Recorder

ExSN2 11 Bass Recorder Recorder

ExSN2 12 Ocarina SopC Recorder

ExSN2 13 Ocarina SopF Recorder

ExSN2 14 Ocarina Alto Recorder

ExSN2 15 Ocarina Bass Recorder

ExSN3 1 TC Guitar w/Fing Ac.Guitar

ExSN3 2 335Guitar w/Fing Ac.Guitar

INST

BANK NUM NAME Category

ExSN3 3 LP Guitar Rear E.Guitar

ExSN3 4 LP Guitar Front E.Guitar

ExSN3 5 335 Guitar Half E.Guitar

ExSN3 6 Acoustic Bass 2 Ac.Bass

ExSN3 7 Fingered Bass 2 E.Bass

ExSN3 8 Picked Bass 2 E.Bass

ExSN4 1 Ukulele Ac.Guitar

ExSN4 2 Nylon Guitar 2 Ac.Guitar

ExSN4 3 12th Steel Gtr Ac.Guitar

ExSN4 4 Mandolin Ac.Guitar

ExSN4 5 SteelFing Guitar Ac.Guitar

ExSN4 6 SteelStr Guitar2 Ac.Guitar

ExSN5 1 Classical Trumpet Brass

ExSN5 2 Frugal Horn Brass

ExSN5 3 Trumpet 2 Brass

ExSN5 4 Mariachi Tp Brass

ExSN5 5 Trombone 2 Brass

ExSN5 6 Bass Trombone Brass

ExSN5 7 Tuba Brass

ExSN5 8 Straight Mute Tp Brass

ExSN5 9 Cup Mute Trumpet Brass

ExSN5 10 French Horn 2 Brass

ExSN5 11 Mute French Horn Brass

SuperNATURAL Acoustic Tone (SN-A) – INST tab

SuperNATURAL INST Parameters

Ac.Piano

INT 001: Concert Grand

INT 002: Grand Piano1

INT 003: Grand Piano2

INT 004: Grand Piano3

INT 005: Mellow Piano

INT 006: Bright Piano

INT 007: Upright Piano

INT 008: Concert Mono

INT 009: Honky-tonk

• Dierences in your playing strength will smoothly change the tone character in a natural way.

Parameter Value Explanation

When the keys are pressed on an acoustic piano, the strings for keys that are already

String Resonance 0–127

Key O Resonance 0–127

Hammer Noise -2, -1, 0, +1, +2

StereoWidth 0–63 The higher the value set, the wider the sound is spread out.

Nuance Type1, Type2, Type3

Tone Character -5, -4, -3, -2, -1, 0, +1, +2, +3, +4, +5 Higher values produce a harder sound; lower values produce a more mellow sound.

pressed also vibrate sympathetically. The function used to reproduce is called “String

Resonance.”

Increasing the value will increase the amount of eect.

This adjusts resonances such as the key-o sound of an acoustic piano (subtle sounds that are heard when you release a key).

Higher values will increase the volume of the resonances.

This adjusts the sound of the hammer striking the string of an acoustic piano.

Higher values will increase the sound of the hammer striking the string.

This changes the Tone’s subtle nuances by altering the phase of the left and right sounds.

This eect is dicult to hear when headphones are used.

* This has no eect for 008:Concert Mono.

E.Piano

INT: 010 Pure Vintage EP1

INT: 011 Pure Vintage EP2

INT: 012 Pure Wurly

INT: 013 Pure Vintage EP3

INT: 014 Old Hammer EP

INT: 015 Dyno Piano

• Dierences in your playing strength will smoothly change the tone character in a natural way.

• A key-o noise typical of that instrument will be heard when you release the key (PureWurly is excepted).

Parameter Value Explanation

Noise Level (CC16) -64–+63 Adjusts the amount of hum noise and key-o noise. Higher settings will raise the volume.

Other Keyboards

INT: 016 Clav CB Flat

INT: 017 Clav CA Flat

INT: 018 Clav CB Medium

INT: 019 Clav CA Medium

INT: 020 Clav CB Brillia

INT: 021 Clav CA Brillia

INT: 022 Clav CB Combo

INT: 023 Clav CA Combo

SuperNATURAL Acoustic Tone (SN-A) – INST tab

• Dierences in your playing strength will smoothly change the tone character in a natural way.

• A key-o noise typical of that instrument will be heard when you release the key.

Parameter Value Explanation

Noise Level (CC16) -64–+63 Adjusts the amount of hum noise and key-o noise. Higher settings will raise the volume.

Bell/Mallet

INT: 024 Glockenspiel

INT: 025 Vibraphone

INT: 026 Marimba

INT: 027 Xylophone

INT: 028 Tubular Bells

ExSN1: 001 Santoor

ExSN1: 002 Yang Chin

• You can play a roll by operating the Modulation controller (CC01) while playing a note.

• You can produce a glissando eect by operating the pitch bend lever while holding down a note, or by playing legato with the Portamento SW (CC65)

turned on.

• If Bend Range is set to Tone, you can produce a glissando eect by operating the pitch bend lever.

• If Bend Range is set to anything other than Tone, this eect will be obtained if Bend Mode (CC19) is turned on.

Use this when you want to switch between glissando playing and conventional pitch change.

• By using CC18, you can simulate the following technique.

INT: 024–028: the technique of using your hand or mallet to mute the vibration (sound). ExSN1: 001–002: the technique of playing a rapid and delicate roll (Slide Roll)

Parameter Value Explanation

Mallet Hardness (CC16) -64–+63 Adjusts the hardness of the mallet. Higher settings produce the sound of a harder mallet.

Roll Speed (CC17) -64–+63 Adjusts the speed of the roll eect.

Variation Refer to p. 28. Performance variation sounds

Organ

INT: 029 TW Organ

• The sound will be unaected by the strength with which you play the keyboard.

• This allows you to use the nine harmonic bars to create your sound just as on a tone wheel organ.

Parameter Value Explanation

Harmonic Bar 16' 0–8

Harmonic Bar 5-1/3' 0–8

Harmonic Bar 8' 0–8

Harmonic Bar 4' 0–8

Harmonic Bar 2-2/3' 0–8

Harmonic Bar 2' 0–8

Harmonic Bar 1-3/5' 0–8

Harmonic Bar 1-1/3' 0–8

Harmonic Bar 1' 0–8

Leakage Level 0–127

Percussion Switch OFF, ON If this is on, a crisp attack will be added to the beginning of the notes.

Percussion Soft NORM, SOFT

Percussion Soft Level 0–15 Volume of the percussion sound when Percussion Soft is set to SOFT

Percussion Normal Level 0–15 Volume of the percussion sound when Percussion Soft is set to NORM

Adjust the level of each footage.

A dierent harmonic component is assigned to each footage; the sound of the organ is created by mixing these components.

The 8’ footage is the core of the sound; this is the basic pitch around which the sound is created.

* Harmonic Bar 1’ is unavailable if Percussion Switch is on.

Noise Level at which the signal of tone wheels unrelated to the pressed keys is mixed into the input

NORM: The percussion sound will be at the normal volume, and the sound of the harmonic bars will be reduced.

SOFT: The percussion sound will be reduced, and the harmonic bars will be at the normal volume.

SuperNATURAL Acoustic Tone (SN-A) – INST tab

Parameter Value Explanation

Percussion Slow FAST, SLOW

Percussion Slow Time 0–127 Decay time of the percussion sound when Percussion Slow is set to SLOW

Percussion Fast Time 0–127 Decay time of the percussion sound when Percussion Slow is set to FAST

Percussion Harmonic 2ND, 3RD

Percussion Recharge Time 0–15

Percussion Harmonic Bar Level 0–127

Key On Click Level 0–31 Level of the key-click when a key is pressed

Key O Click Level 0–31 Level of the key-click when a key is released

FAST: The percussion sound will disappear immediately, producing a sharp attack.

SLOW: The percussion sound will disappear slowly, producing a more gentle attack.

2ND: The percussion sound will be the same pitch as the 4’ harmonic bar.

3RD: The percussion sound will be the same pitch as the 2-2/3’ harmonic bar.

Normally, the percussion sound will be added only to the rst note of successive notes played legato.

This reproduces the characteristics of the analog circuitry that produced the percussion sound in tone wheel organs, which caused the percussion sound to be softer when keys were pressed in quick succession. This species the characteristics of this analog circuit.

The volume of the organ will be reduced if Percussion Soft is set to NORM.

This species how much the volume will be reduced.

Accordion/Harmonica

INT: 030 French Accordion

INT: 031 Italian Accordion

INT: 033 Bandoneon

• Varying your keyboard playing dynamics will create volume changes as if you were using the bellows.

• If Bend Range is set to Tone, moving the pitch bend lever upward will produce a tremolo eect, as if you were moving the bellows in small steps.

• If Bend Range is set to anything other than Tone, this eect will be produced if Bend Mode (CC19) is turned on.

Use this when you want to switch between the tremolo eect and conventional pitch change.

Parameter Value Explanation

Noise Level (CC16) -64–+63 Adjusts the amount of key noise heard when you press or release a key.

INT: 032 Harmonica

• If Bend Range is set to Tone, moving the pitch bend lever upward will produce a wah eect as if you were using your hands to enclose the harmonica.

• If Bend Range is set to anything other than Tone, this eect will be produced if Bend Mode (CC19) is turned on.

Use this when you want to switch between the wah eect and conventional pitch change.

Parameter Value Explanation

Noise Level (CC16) -64–+63 Adjusts the amount of breath noise.

Growl Sens (CC18) 0–127 Adjusts the distinctive nuance (growl) of the breath noise.

Ac.Guitar

INT: 034 Nylon Guitar

INT: 035 Flamenco Guitar

INT: 036 SteelStr Guitar

ExSN3: 001 TC Guitar w/Fing

ExSN3: 002 335Guitar w/Fing

ExSN4: 001 Ukulele

ExSN4: 002 Nylon Guitar 2

ExSN4: 003 12th Steel Gtr

ExSN4: 005 SteelFing Guitar

ExSN4: 006 SteelStr Guitar2

• Rapid legato playing in an interval of two semitones or less will produce either a slide or a hammering-on eect, depending on how fast you play.

• If Strum Mode is o, playing an arpeggio with the Hold pedal held down will produce an arpeggio eect typical of a guitar.

• If Strum Mode is on, playing a chord with the Hold pedal held down will produce a guitar-like chordal performance.

• Note numbers 34 and lower will produce ghost notes as played on a guitar.

SuperNATURAL Acoustic Tone (SN-A) – INST tab

Parameter Value Explanation

Noise Level (CC16) -64–+63

Strum Speed (CC17) -64–+63

Strum Mode (CC19) OFF, ON

Sub String Tune -64–+63

Variation Refer to p. 28. Performance variation sounds

ExSN4: 004 Mandolin

• If Strum Mode is o, playing an arpeggio with the Hold pedal held down will produce a distinctively mandolin-like arpeggio eect.

• If Strum Mode is on, playing a chord with the Hold pedal held down will produce a distinctively mandolin-like chordal performance.

• Note numbers 46 and lower will produce ghost notes as played on a mandolin.

Parameter Value Explanation

Noise Level (CC16) -64–+63 Adjusts the volume of the string grazing or picking noise.

Tremolo Speed (CC17) -64–+63 Adjusts the speed of the tremolo eect.

Strum Mode (CC19) OFF, ON

Variation Refer to p. 28. Performance variation sounds

Adjusts the volume of the string grazing or picking noise.

* This has no eect on the ExSN4 001: Ukulele.

Adjusts the deviation in the timing of sound production by the strings when strumming with Strum Mode turned on. Higher values produce a greater time deviation. The eect will be more signicant for lower velocities.

If Strum Mode is turned on, strumming will be produced when you play multiple keys simultaneously. This also reproduces the dierence in time at which each string of a guitar is sounded. The guitar’s up strokes and down strokes will alternately be produced when chords are played in succession.

It is eective to play while holding down the Hold pedal.

Adjusts the pitch of the sympathetic strings.

* This is valid only for ExSN4 003: 12th Steel Gtr.

If Strum Mode is turned on, strumming will be produced when you play multiple keys simultaneously. This also reproduces the dierence in time at which each string of a mandolin is sounded. The mandolin’s up strokes and down strokes will alternately be produced when chords are played in succession.

It is eective to play while holding down the Hold pedal.

E.Guitar

INT: 037 Jazz Guitar

INT: 038 ST Guitar Half

INT: 039 ST Guitar Front

INT: 040 TC Guitar Rear

ExSN3: 003 LP Guitar Rear

ExSN3: 004 LP Guitar Front

ExSN3: 005 335 Guitar Half

• Rapid legato playing in an interval of two semitones or less will produce either a slide or a hammering-on eect, depending on how fast you play.

• If Strum Mode is o, playing an arpeggio with the Hold pedal held down will produce an arpeggio eect typical of a guitar.

• If Strum Mode is on, playing a chord with the Hold pedal held down will produce a guitar-like chordal performance.

• Note numbers 34 and lower will produce ghost notes as played on a guitar.

Parameter Value Explanation

Noise Level (CC16) -64–+63 Adjusts the volume of the string grazing or picking noise.

Strum Speed (CC17) -64–+63

Strum Mode (CC19) OFF, ON

Picking Harmonics OFF, ON

Variation Refer to p. 28. Performance variation sounds

It is eective to play while holding down the Hold pedal.

If this is on, strongly played notes will have a picking harmonic eect added to them.

* This has no eect on the INT 037: Jazz Guitar.

SuperNATURAL Acoustic Tone (SN-A) – INST tab

Ac.Bass

INT: 041 Acoustic Bass

ExSN3: 006 Acoustic Bass 2

• Rapid legato playing in an interval of two semitones or less will produce either a slide or a hammering-on eect, depending on how fast you play.

Parameter Value Explanation

Noise Level (CC16) -64–+63 Adjusts the volume of the string grazing or picking noise.

Variation Refer to p. 28. Performance variation sounds

E.Bass

INT: 042 Fingered Bass

INT: 043 Picked Bass

INT: 044 Fretless Bass

ExSN3: 007 Fingered Bass 2

ExSN3: 008 Picked Bass 2

• Rapid legato playing in an interval of two semitones or less will produce either a slide or a hammering-on eect, depending on how fast you play.

Parameter Value Explanation

Noise Level (CC16) -64–+63 Adjusts the volume of the string grazing or picking noise.

Variation Refer to p. 28. Performance variation sounds

Plucked/Stroke

INT: 051 Harp

• By turning Glissando mode (CC19) on, you can cause only the notes included in a specic scale to be sounded. This lets you easily produce an

idiomatic harp glissando simply by playing a glissando on the white keys.

* It is eective to play this while holding down the HOLD pedal.

• By using CC18 you can simulate the technique of using your hand to stop the vibration of the strings.

Parameter Value Explanation

Glissando Mode (CC19) OFF, ON

Play Scale

Scale Key

Variation Refer to p. 28. Performance variation sounds

7th, Major, Minor, Hrm-Mi (Harmonic Minor), Dim (Diminish), Whole (Whole Tone)

, D, E , E, F, G , G, A , A, B , B

C, D

If this is on, you can produce the eect of sweeping across the harp strings by playing a glissando on the keyboard.

Species the scale used when Glissando Mode is on.

Species the key of the scale produced when you play a glissando with Glissando Mode turned on.

INT: 073 Sitar

• Strongly playing legato from a higher to a lower note will produce a distinctive ornamental eect.

• Rapid legato playing in an interval of two semitones or less will produce a slide eect.

• Note numbers 47 and below will produce a sitar sound eect.

• CC80 values in the range of 64–127 will play a tambura phrase, and values in the range 0–63 will silence it.

Parameter Value Explanation

Resonance Level (CC16) -64–+63

Tambura Level -64–+63 Adjusts the volume of the tambura sound eect sounded by CC80.

Tambura Pitch -12–+12 Adjusts the pitch of the tambura sound eect sounded by CC80.

Adjusts the sympathetic resonance. Higher settings will increase the sympathetic resonance.

SuperNATURAL Acoustic Tone (SN-A) – INST tab

ExSN1: 005 Tsugaru

ExSN1: 006 Sansin

• Play strongly to produce a bend-up eect that is distinctive of the shamisen.

• Rapid legato playing in an interval of two semitones or less will produce a slide eect.

• If you turn CC81 on, a ghost note will be heard on the upstroke when you release the key. This simulates the return of the plectrum.

Parameter Value Explanation

Resonance Level (CC16) -64–+63

Bend Depth (CC17) -64–+63 Adjusts the amount of pitch change that occurs at the attack when you play strongly.

Buzz Key Switch OFF, ON

Variation Refer to p. 28. Performance variation sounds

ExSN1: 007 Koto

• If glissando mode (CC19) is on, only the notes within the specied scale will sound.

This means that you can easily reproduce the distinctive glissando of the koto simply by playing the white keys.

* It is eective to set Play Scale to Hira (Hirajyoshi) and play while holding down the Hold pedal.

• By using CC18 you can simulate the technique of using your hand to stop the vibration of the strings.

Adjusts the sympathetic resonance. Higher settings will increase the sympathetic resonance.

If this is on, keys of note number 42 and lower will sound vocal interjections or other sound eects.

Parameter Value Explanation

Tremolo Speed (CC17) -64–+63 Adjusts the speed of the tremolo eect which is controlled by CC80.

Glissando Mode (CC19) OFF, ON If you turn this on, the selected scale for the “Play Scale” will apply to the glissando.

Play Scale

Scale Key

Buzz Key Switch OFF, ON

Variation Refer to p. 28. Performance variation sounds

Chroma (Chromatic), Hira (Hirajyoshi)

, D, E , E, F, G , G, A , A, B , B

C, D

Species the scale used when Glissando Mode is on.

Species the key of the scale you specify for Play Scale.

If this is on, keys of note number 42 and lower will sound vocal interjections or other sound eects.

ExSN1: 008 Taishou Koto

• Operating the Modulation controller (CC01) while playing the keyboard will produce a tremolo performance eect.

Parameter Value Explanation

Noise Level (CC16) -64–+63 Adjusts the level of the key-on noise.

Tremolo Speed (CC17) -64–+63 Adjusts the speed of the tremolo eect.

ExSN1: 009 Kalimba

• Dierences in your playing strength will smoothly change the tone character in a natural way.

Parameter Value Explanation

Resonance Level (CC16) -64–+63

Variation Refer to p. 28. Performance variation sounds

Adjusts the sympathetic resonance. Higher settings will increase the sympathetic resonance.

SuperNATURAL Acoustic Tone (SN-A) – INST tab

Strings

INT: 045 Violin

INT: 046 Violin 2

INT: 047 Viola

INT: 048 Cello

INT: 049 Cello 2

INT: 050 Contrabass

• When you play multiple keys simultaneously, the vibrato will automatically be limited so that chords will sound natural.

• Note ranges corresponding to open strings will produce an open-string sound without vibrato.

* However, this is valid only if the Part View parameter Vibrato Depth is set to 0 for the note range of the open string (upper limit Violin: note no. 55,

Viola: note no. 48, Cello: note no. 36, Contrabass: note no. 28).

Parameter Value Explanation

Noise Level (CC16) -64–+63 Adjusts the amount of string grazing noise.

Variation Refer to p. 28. Performance variation sounds

INT: 053 Strings

INT: 054 Marcato Strings

• The attack and release will be adjusted appropriately for the speed at which you play the phrase.

For example, notes will sound more crisply for rapidly played passages.

Parameter Value Explanation

Species how notes are sounded when Hold (CC64) is on.

Hold Legato Mode (CC19) OFF, ON

Variation Refer to p. 28. Performance variation sounds

If Hold Legato Mode is on, notes that were being held will go silent when you play a key.

For example if you play and release C major with Hold (CC64) on, the C major notes will be held. When you then play E major, the C major notes will go silent, and the E major notes will be heard.

INT: 076 Erhu

• While playing legato, a distinctive ornamental sound will be produced when you play strongly.

• If Portamento SW is turned on, a portamento eect typical of a erhu will be produced.

• Note ranges corresponding to open strings will produce an open-string sound without vibrato.

* However, this is valid only if the Part View parameter Vibrato Depth is set to 0 for the note range of the open string (upper limit : note no. 62).

Parameter Value Explanation

Noise Level (CC16) -64–+63 Adjusts the amount of string grazing noise.

Variation Refer to p. 28. Performance variation sounds

ExSN1: 010 Sarangi

• While playing legato, a distinctive ornamental sound will be produced when you play strongly.

• If Porta SW is turned on, a portamento eect typical of a sarangi will be produced.

• CC80 values in the range of 64–127 will play a tambura phrase, and values in the range 0–63 will silence it.

Parameter Value Explanation

Resonance Level (CC16) -64–+63

Tambura Level -64–+63 Adjusts the volume of the tambura sound eect sounded by CC80.

Tambura Pitch -12–+12 Adjusts the pitch of the tambura sound eect sounded by CC80.

Adjusts the sympathetic resonance. Higher settings will increase the sympathetic resonance.

SuperNATURAL Acoustic Tone (SN-A) – INST tab

Brass

INT: 057 Trumpet

INT: 058 Trombone

INT: 059 Tb2 CupMute

INT: 060 Mute Trumpet

INT: 061 French Horn

ExSN5: 001 Classical Trumpet

ExSN5: 002 Frugal Horn

ExSN5: 003 Trumpet 2

ExSN5: 004 Mariachi Tp

ExSN5: 005 Trombone 2

ExSN5: 006 Bass Trombone

ExSN5: 007 Tuba

ExSN5: 008 StraightMute Tp

ExSN5: 009 Cup Mute Trumpet

ExSN5: 0010 French Horn 2

ExSN5: 0011 Mute French Horn

• By setting Bend Range to Tone, you can use the pitch bend lever to create discontinuous pitch changes or falls that are typical of a brass instrument.

* Moving the pitch bend lever in the upward direction will create a discontinuous pitch change typical of brass instruments.

* Moving the pitch bend lever in the downward direction will produce a fall eect.

• If Bend Range is set to anything other than Tone, this eect will be produced if Bend Mode (CC19) is turned on. Use this when you want to switch

between discontinuous pitch changes or falls, and conventional pitch change.

• By playing legato with the Portamento SW turned on, you can create the eect of glissando performance on a trombone.

Parameter Value Explanation

Noise Level (CC16) -64–+63 Adjusts the amount of breath noise for the brass instrument.

Adjusts the amount of automatically produced crescendo. The eect is most noticeable

Crescendo Depth (CC17) -64–+63

Growl Sens (CC18) 0–127 Adjusts the distinctive nuance (growl) that occurs when a brass instrument is blown.

Variation Refer to p. 28. Performance variation sounds

when you play softly.

* This applies only for ExSN5 004: Mariachi Tp.

Wind

INT: 066 Oboe

INT: 067 Bassoon

INT: 068 Clarinet

ExSN2: 005 English Horn

ExSN2: 006 Bass Clarinet

• If Bend Range is set to Tone, you can use the pitch bend lever to create glissando or fall eects.

* Moving the pitch bend lever in the upward direction will produce a glissando eect.

* Moving the pitch bend lever in the downward direction will produce a fall eect.

• If Bend Range is set to anything other than Tone, this eect will be produced if Bend Mode (CC19) is turned on. Use this when you want to switch

between glissando/fall eects and conventional pitch change.

Parameter Value Explanation

Noise Level (CC16) -64–+63 Adjusts the amount of breath noise for the woodwind instrument.

Growl Sens (CC18) 0–127 Adjusts the distinctive nuance (growl) that occurs when a woodwind instrument is blown.

Play Scale

Scale Key

Variation Refer to p. 28. Performance variation sounds

Chroma (Chromatic), Major, Minor, 7th, Dim (Diminish), Whole (Whole Tone)

, D, E , E, F, G , G, A , A, B , B

C, D

Produces discontinuous pitch changes according to the specied scale.

Species the key of the scale you specify for Play Scale.

SuperNATURAL Acoustic Tone (SN-A) – INST tab

INT: 074 Uilleann Pipes

INT: 075 Bag Pipes

• While playing legato, a distinctive ornamental sound will be produced when you play strongly.

• CC80 values in the range of 64–127 will sound a drone. Values in the range of 0–63 will silence the drone.

Parameter Value Explanation

Drone Level -64–+63 Adjusts the volume of the drone sound eect sounded by CC80.

Drone Pitch -12–+12 Adjusts the pitch of the drone sound eect sounded by CC80.

Variation Refer to p. 28. Performance variation sounds

Flute

INT: 069 Piccolo

INT: 070 Flute

INT: 071 Pan Flute

ExSN2: 007 Flute2

• If Bend Range is set to Tone, you can use the pitch bend lever to create glissando or fall eects.

* Moving the pitch bend lever in the upward direction will produce a glissando eect.

* Moving the pitch bend lever in the downward direction will produce a fall eect.

• If Bend Range is set to anything other than Tone, this eect will be produced if Bend Mode (CC19) is turned on. Use this when you want to switch

between glissando/fall eects and conventional pitch change.

• While playing legato, a distinctive ornamental sound will be produced when you play strongly.

Parameter Value Explanation

Noise Level (CC16) -64–+63 Adjusts the amount of breath noise for the woodwind instrument.

Growl Sens (CC18) 0–127 Adjusts the distinctive nuance (growl) that occurs when a woodwind instrument is blown.

Play Scale

Scale Key

Variation Refer to p. 28. Performance variation sounds

INT: 072 Shakuhachi

ExSN1: 003 Tin Whistle

ExSN1: 004 Ryuteki

• Legato playing will produce notes that are connected as if they were played in a single breath.

• While playing legato, a distinctive ornamental sound will be produced when you play strongly.

Parameter Value Explanation

Noise Level (CC16) -64–+63 Adjusts the amount of breath noise for the woodwind instrument.

Growl Sens (CC18) 0–127 Adjusts the distinctive nuance (growl) that occurs when a woodwind instrument is blown.

Variation Refer to p. 28. Performance variation sounds

Chroma (Chromatic), Major, Minor, 7th, Dim (Diminish), Whole (Whole Tone)

C, D

, D, E , E, F, G , G, A , A, B , B

Produces discontinuous pitch changes according to the specied scale.

* This has no eect on INT: 071 Pan Flute.

Species the key of the scale you specify for Play Scale.

* This has no eect on INT: 071 Pan Flute.

Sax

INT: 062 Soprano Sax 2

INT: 063 Alto Sax 2

INT: 064 Tenor Sax 2

INT: 065 Baritone Sax 2

ExSN2: 001 Soprano Sax

ExSN2: 002 Alto Sax

ExSN2: 003 Tenor Sax

ExSN2: 004 Baritone Sax

SuperNATURAL Acoustic Tone (SN-A) – INST tab

• If Bend Range is set to Tone, you can use the pitch bend lever to create glissando or fall eects.

* Moving the pitch bend lever in the upward direction will produce a glissando eect.

* Moving the pitch bend lever in the downward direction will produce a fall eect.

• If Bend Range is set to anything other than Tone, this eect will be produced if Bend Mode (CC19) is turned on. Use this when you want to switch

between glissando/fall eects and conventional pitch change.

Parameter Value Explanation

Noise Level (CC16) -64–+63 Adjusts the amount of the woodwind instrument’s breath noise or key noise.

Growl Sens (CC18) 0–127 Adjusts the distinctive nuance (growl) that occurs when a woodwind instrument is blown.

Play Scale

Scale Key

Glide Porta, Gliss

Variation Refer to p. 28. Performance variation sounds

Chroma (Chromatic), Major, Minor, 7th, Dim (Diminish), Whole (Whole Tone)

, D, E , E, F, G , G, A , A, B , B

C, D

Produces discontinuous pitch changes according to the specied scale.

Species the key of the scale you specify for Play Scale.

Species whether portamento or glissando will be applied when the portamento switch is on.

Recorder

ExSN2: 008 Soprano Recorder

ExSN2: 009 Alto Recorder

ExSN2: 0010 Tenor Recorder

ExSN2: 0011 Bass Recorder

• Legato playing will produce notes that are smoothly connected as if they were played with a single breath.

Parameter Value Explanation

Noise Level (CC16) -64–+63 Adjusts the amount of breath noise for the woodwind instrument.

Growl Sens (CC18) 0–127 Adjusts the distinctive nuance (growl) that occurs when a woodwind instrument is blown.

Variation Refer to p. 28. Performance variation sounds

ExSN2: 012 Ocarina SopC

ExSN2: 013 Ocarina SopF

ExSN2: 014 Ocarina Alto

ExSN2: 015 Ocarina Bass

• Legato playing will produce notes that are connected as if they were played in a single breath.

• While playing legato, a distinctive ornamental sound will be produced when you play strongly.

Parameter Value Explanation

Noise Level (CC16) -64–+63 Adjusts the amount of breath noise.

Growl Sens (CC18) 0–127 Adjusts the distinctive nuance (growl) that occurs when an instrument is blown.

Variation Refer to p. 28. Performance variation sounds

Vox/Choir

INT: 055 London Choir

INT: 056 Boys Choir

• You can obtain a wide range of expression by combining volume change produced by dynamics with the dierent variation sounds.

Parameter Value Explanation

Species how notes are sounded when Hold (CC64) is on.

If Hold Legato Mode is on, notes that were being held will go silent when you play a key.

Hold Legato Mode (CC19) OFF, ON

Variation Refer to p. 28. Performance variation sounds

For example if you play and release C major with Hold (CC64) on, the C major notes will be held.

When you then play E major, the C major notes will go silent, and the E major notes will be heard.

SuperNATURAL Acoustic Tone (SN-A) – INST tab

Percussion

INT: 052 Timpani

• You can play a roll by operating the Modulation controller (CC01) while playing a note.

• You can use CC18 to simulate the muting technique of using your hand to press down on the timpani.

Parameter Value Explanation

Roll Speed (CC17) -64– +63 Adjusts the speed of the roll eect.

Variation Refer to p. 28. Performance variation sounds

INT: 077 Steel Drums

• You can play a roll by operating the Modulation controller (CC01) while playing a note.

• You can produce a glissando eect by employing pitch bend while playing the keyboard, or by playing legato with the Portamento SW (CC65) turned

on.

* If Bend Range is set to Tone, you can use the pitch bend lever to produce a glissando eect.

* If Bend Range is set to anything other than Tone, this eect will be produced if Bend Mode (CC19) is turned on. Use this when you want to switch

between glissando/fall eects and conventional pitch change.

• By using CC18 you can simulate the technique of using your hand or mallet to mute the vibration (sound).

Parameter Value Explanation

Resonance Level (CC16) -64–+63

Roll Speed (CC17) -64–+63 Adjusts the speed of the roll eect.

Variation Refer to p. 28. Performance variation sounds

Adjusts the sympathetic resonance. Higher settings will increase the sympathetic resonance.

Performance Variation Sounds

INST Variation

BANK NUM NAME 1 2 3 4

INT 1 ConcertGrand - - - -

INT 2 Grand Piano1 - - - -

INT 3 Grand Piano2 - - - -

INT 4 Grand Piano3 - - - -

INT 5 Mellow Piano - - - -

INT 6 Bright Piano - - - -

INT 7 UprightPiano - - - -

INT 8 Concert Mono - - - -

INT 9 Honky-tonk - - - -

INT 10 Pure Vintage EP1 - - - -

INT 11 Pure Vintage EP2 - - - -

INT 12 Pure Wurly - - - -

INT 13 Pure Vintage EP3 - - - -

INT 14 Old Hammer EP - - - -

INT 15 Dyno Piano - - - -

INT 16 Clav CB Flat - - - -

INT 17 Clav CA Flat - - - -

INT 18 Clav CB Medium - - - -

INT 19 Clav CA Medium - - - -

INT 20 Clav CB Brillia - - - -

INT 21 Clav CA Brillia - - - -

INT 22 Clav CB Combo - - - -

SuperNATURAL Acoustic Tone (SN-A) – INST tab

INST Variation

BANK NUM NAME 1 2 3 4

INT 23 Clav CA Combo - - - -

INT 24 Glockenspiel Dead Stroke - - -

INT 25 Vibraphone Dead Stroke Tremolo Sw - -

INT 26 Marimba Dead Stroke - - -

INT 27 Xylophone Dead Stroke - - -

INT 28 Tubular Bells Dead Stroke - - -

INT 29 TW Organ - - - -

INT 30 French Accordion - - - -

INT 31 Italian Accordion - - - -

INT 32 Harmonica - - - -

INT 33 Bandoneon - - - -

INT 34 Nylon Guitar Mute Harmonics - -

INT 35 Flamenco Guitar Rasugueado Harmonics - -

INT 36 SteelStr Guitar Mute Harmonics - -

INT 37 Jazz Guitar FingerPicking Octave Tone - -

INT 38 ST Guitar Half Mute Harmonics - -

INT 39 ST Guitar Front Mute Harmonics - -

INT 40 TC Guitar Rear Mute Harmonics - -

INT 41 Acoustic Bass Staccato Harmonics - -

INT 42 Fingered Bass Slap Harmonics - -

INT 43 Picked Bass Bridge Mute Harmonics - -

INT 44 Fretless Bass Staccato Harmonics - -

INT 45 Violin Staccato Pizzicato Tremolo -

INT 46 Violin 2 Staccato Pizzicato Tremolo -

INT 47 Viola Staccato Pizzicato Tremolo -

INT 48 Cello Staccato Pizzicato Tremolo -

INT 49 Cello 2 Staccato Pizzicato Tremolo -

INT 50 Contrabass Staccato Pizzicato Tremolo -

INT 51 Harp Nail - - -

INT 52 Timpani Flam Accent Roll - -

INT 53 Strings Staccato Pizzicato Tremolo -

INT 54 Marcato Strings Staccato Pizzicato Tremolo -

INT 55 London Choir Voice Woo - - -

INT 56 Boys Choir Voice Woo - - -

INT 57 Trumpet Staccato Fall - -

INT 58 Trombone Staccato Fall - -

INT 59 Tb2 CupMute Staccato Fall - -

INT 60 Mute Trumpet Staccato Fall - -

INT 61 French Horn Staccato - - -

INT 62 Soprano Sax 2 Staccato Fall SubTone -

INT 63 Alto Sax 2 Staccato Fall SubTone -

INT 64 Tenor Sax 2 Staccato Fall SubTone -

INT 65 Baritone Sax 2 Staccato Fall SubTone -

INT 66 Oboe Staccato - - -

INT 67 Bassoon Staccato - - -

INT 68 Clarinet Staccato - - -

INT 69 Piccolo Staccato - - -

INT 70 Flute Staccato - - -

INT 71 Pan Flute Staccato Flutter - -

INT 72 Shakuhachi Staccato Ornament - -

INT 73 Sitar - - - -

INT 74 Uilleann Pipes - Ornament - -

INT 75 Bag Pipes - Ornament - -

INT 76 Erhu Staccato Ornament - -

INT 77 Steel Drums Mute - - -

SuperNATURAL Acoustic Tone (SN-A) – INST tab

INST Variation

BANK NUM NAME 1 2 3 4

ExSN1 1 Santoor Mute Tremolo - -

ExSN1 2 Yang Chin Mute Tremolo - -

ExSN1 3 Tin Whistle Cut Ornament - -

ExSN1 4 Ryuteki Staccato Ornament - -

ExSN1 5 Tsugaru Strum Up Picking Auto Bend -

ExSN1 6 Sansin Strum Up Picking Auto Bend -

ExSN1 7 Koto Tremolo Ornament - -

ExSN1 8 Taishou Koto - - - -

ExSN1 9 Kalimba Buzz - - -

ExSN1 10 Sarangi - - - -

ExSN2 1 Soprano Sax Staccato Fall SubTone -

ExSN2 2 Alto Sax Staccato Fall SubTone -

ExSN2 3 Tenor Sax Staccato Fall SubTone -

ExSN2 4 Baritone Sax Staccato Fall SubTone -

ExSN2 5 English Horn Staccato - - -

ExSN2 6 Bass Clarinet Staccato - - -

ExSN2 7 Flute2 Staccato - - -

ExSN2 8 Soprano Recorder Staccato - - -

ExSN2 9 Alto Recorder Staccato - - -

ExSN2 10 Tenor Recorder Staccato - - -

ExSN2 11 Bass Recorder Staccato - - -

ExSN2 12 Ocarina SopC Staccato Ornament - -

ExSN2 13 Ocarina SopF Staccato Ornament - -

ExSN2 14 Ocarina Alto Staccato Ornament - -

ExSN2 15 Ocarina Bass Staccato Ornament - -

ExSN3 1 TC Guitar w/Fing FingerPicking Octave Tone - -

ExSN3 2 335Guitar w/Fing FingerPicking Octave Tone - -

ExSN3 3 LP Guitar Rear Mute Harmonics - -

ExSN3 4 LP Guitar Front Mute Harmonics - -

ExSN3 5 335 Guitar Half Mute Harmonics - -

ExSN3 6 Acoustic Bass 2 Staccato Harmonics - -

ExSN3 7 Fingered Bass 2 Slap Harmonics - -

ExSN3 8 Picked Bass 2 Bridge Mute Harmonics - -

ExSN4 1 Ukulele - - - -

ExSN4 2 Nylon Guitar 2 Mute Harmonics - -

ExSN4 3 12th Steel Gtr Mute Harmonics - -

ExSN4 4 Mandolin Mute Harmonics - -

ExSN4 5 SteelFing Guitar FingerPicking Octave Tone - -

ExSN4 6 SteelStr Guitar2 Mute Harmonics - -

ExSN5 1 Classical Trumpet Staccato Fall - -

ExSN5 2 Frugal Horn Staccato Fall - -

ExSN5 3 Trumpet 2 Staccato Fall - -

ExSN5 4 Mariachi Tp Staccato Fall - -

ExSN5 5 Trombone 2 Staccato Fall - -

ExSN5 6 Bass Trombone Staccato Fall - -

ExSN5 7 Tuba Staccato - - -

ExSN5 8 Straight Mute Tp Staccato Fall - -

ExSN5 9 Cup Mute Trumpet Staccato Fall - -

ExSN5 10 French Horn 2 Staccato - - -

ExSN5 11 Mute French Horn Staccato - - -

+ 78 hidden pages

Roland Integra-7 Parameter Guide

Specifications and Main Features

Frequently Asked Questions

User Manual

Contents

Studio Set

Top Screen

STUDIO SET COMMON

GENERAL tab

CONTROL tab

PHASE LOCK tab

PART VIEW

TONE tab

LEVEL/CH tab

EQ tab

KBD tab

PITCH tab

OFFSET tab

SCALE tab

MIDI tab

MOTIONAL SURROUND

COMMON tab

PART tab

CONTROL tab

EFFECTS ROUTING

STUDIO SET EFFECTS

COMP+EQ OUTPUT tab

CHORUS tab

REVERB tab

MASTER EQ tab

SuperNATURAL Acoustic Tone (SN-A)

TONE EDIT (SN-A)

COMMON tab

INST tab

Instrument List

SuperNATURAL INST Parameters

Performance Variation Sounds