Roland GW-7 User Manual

Owner’s Manual

Thank you, and congratulations on your choice of the Roland Workstation GW-7.

201a

Before using this unit, carefully read the sections entitled: “USING THE UNIT SAFELY” and “IMPORTANT

NOTES” (p. 2–3; p. 4). These sections provide important information concerning the proper operation of

the unit. Additionally, in order to feel assured that you have gained a good grasp of every feature provided

by your new unit, Owner’s manual should be read in its entirety. The manual should be saved and kept on

hand as a convenient reference.

12

Conventions Used in This Manual

Operating buttons are enclosed by square brackets [ ]; e.g., [ENTER].

Reference pages are indicated by (p. **).

The following symbols are used.

This indicates an important note; be sure to read it.

This indicates a memo regarding the setting or function; read it as desired.

This indicates a useful hint for operation; read it as necessary.

This indicates information for your reference; read it as necessary.

This indicates an explanation of a term; read it as necessary.

202

permission of ROLAND CORPORATION.

For the U.K.

Used for instructions intended to alert the user to the risk of injury or material damage should the unit be used improperly.

* Material damage refers to damage or

other adverse effects caused with respect to the home and all its furnishings, as well to domestic animals or pets.

Used for instructions intended to alert the user to the risk of death or severe injury should the unit be used improperly.

The ● symbol alerts the user to things that must be carried out. The specific thing that must be done is indicated by the design contained within the circle. In the case of the symbol at left, it means that the powercord plug must be unplugged from the outlet.

The symbol alerts the user to important instructions or warnings.The specific meaning of the symbol is determined by the design contained within the triangle. In the case of the symbol at left, it is used for general cautions, warnings, or alerts to danger.

The symbol alerts the user to items that must never be carried out (are forbidden). The specific thing that must not be done is indicated by the design contained within the circle. In the case of the symbol at left, it means that the unit must never be disassembled.

IMPORTANT: THE WIRES IN THIS MAINS LEAD ARE COLOURED IN ACCORDANCE WITH THE FOLLOWING CODE.

As the colours of the wires in the mains lead of this apparatus may not correspond with the coloured markings identifying the terminals in your plug, proceed as follows: The wire which is coloured BLUE must be connected to the terminal which is marked with the letter N or coloured BLACK. The wire which is coloured BROWN must be connected to the terminal which is marked with the letter L or coloured RED. Under no circumstances must either of the above wires be connected to the earth terminal of a three pin plug.

USING THE UNIT SAFELY

BLUE: BROWN:

NEUTRAL LIVE

001

• Before using this unit, make sure to read the instructions below, and the Owner’s Manual.

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002c

• Do not open (or modify in any way) the unit or its AC adaptor.

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003

• Do not attempt to repair the unit, or replace parts within it (except when this manual provides specific instructions directing you to do so). Refer all servicing to your retailer, the nearest Roland Service Center, or an authorized Roland distributor, as listed on the “Information” page.

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004

• Never use or store the unit in places that are:

• Subject to temperature extremes (e.g., direct sunlight

in an enclosed vehicle, near a heating duct, on top of heat-generating equipment); or are

• Damp (e.g., baths, washrooms, on wet floors); or are

• Humid; or are

• Exposed to rain; or are

• Dusty; or are

• Subject to high levels of vibration.

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005

• This unit should be used only with a stand that is recommended by Roland.

2

006

• When using the unit with a stand recommended by Roland, the stand must be carefully placed so it is level and sure to remain stable. If not using a stand, you still need to make sure that any location you choose for placing the unit provides a level surface that will properly support the unit, and keep it from wobbling.

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008c

• Be sure to use only the AC adaptor supplied with the unit. Also, make sure the line voltage at the installation matches the input voltage specified on the AC adaptor’s body. Other AC adaptors may use a different polarity, or be designed for a different voltage, so their use could result in damage, malfunction, or electric shock.

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009

• Do not excessively twist or bend the power cord, nor place heavy objects on it. Doing so can damage the cord, producing severed elements and short circuits. Damaged cords are fire and shock hazards!

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010

• This unit, either alone or in combination with an amplifier and headphones or speakers, may be capable of producing sound levels that could cause permanent hearing loss. Do not operate for a long period of time at a high volume level, or at a level that is uncomfortable. If you experience any hearing loss or ringing in the ears, you should immediately stop using the unit, and consult an audiologist.

011

• Do not allow any objects (e.g., flammable material, coins, pins); or liquids of any kind (water, soft drinks, etc.) to penetrate the unit.

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012c

• Immediately turn the power off, remove the AC adaptor from the outlet, and request servicing by your retailer, the nearest Roland Service Center, or an authorized Roland distributor, as listed on the “Information” page when:

• The AC adaptor or the power-supply cord has been

damaged; or

• If smoke or unusual odor occurs

• Objects have fallen into, or liquid has been spilled

onto the unit; or

• The unit has been exposed to rain (or otherwise has

become wet); or

• The unit does not appear to operate normally or

exhibits a marked change in performance.

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013

• In households with small children, an adult should provide supervision until the child is capable of following all the rules essential for the safe operation of the unit.

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014

• Protect the unit from strong impact. (Do not drop it!)

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015

• Do not force the unit’s power-supply cord to share an outlet with an unreasonable number of other devices. Be especially careful when using extension cords—the total power used by all devices you have connected to the extension cord’s outlet must never exceed the power rating (watts/amperes) for the extension cord. Excessive loads can cause the insulation on the cord to heat up and eventually melt through.

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016

• Before using the unit in a foreign country, consult with your retailer, the nearest Roland Service Center, or an authorized Roland distributor, as listed on the “Information” page.

101b

• The unit and the AC adaptor should be located so their location or position does not interfere with their proper ventilation.

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101c

• This unit is for use only with Roland stand KS-12. Use with other stands is capable of resulting in instability causing possible injury.

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102d

• Always grasp only the output plug or the body of the AC adaptor when plugging into, or unplugging from, this unit or an outlet.

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103b

• At regular intervals, you should unplug the AC adaptor and clean it by using a dry cloth to wipe all dust and other accumulations away from its prongs. Also, disconnect the power plug from the power outlet whenever the unit is to remain unused for an extended period of time. Any accumulation of dust between the power plug and the power outlet can result in poor insulation and lead to fire.

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104

• Try to prevent cords and cables from becoming entangled. Also, all cords and cables should be placed so they are out of the reach of children.

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106

• Never climb on top of, nor place heavy objects on the unit.

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107d

• Never handle the AC adaptor body, or its output plugs, with wet hands when plugging into, or unplugging from, an outlet or this unit.

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108b

• Before moving the unit, disconnect the AC adaptor and all cords coming from external devices.

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109b

• Before cleaning the unit, turn off the power and unplug the AC adaptor from the outlet.

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110b

• Whenever you suspect the possibility of lightning in your area, disconnect the AC adaptor from the outlet.

3

IMPORTANT NOTES

291a

In addition to the items listed under “USING THE UNIT SAFELY” on page 2–3, please read and observe the following:

Power Supply

301

• Do not connect this unit to same electrical outlet that is being used by an electrical appliance that is controlled by an inverter (such as a refrigerator, washing machine, microwave oven, or air conditioner), or that contains a motor. Depending on the way in which the electrical appliance is used, power supply noise may cause this unit to malfunction or may produce audible noise. If it is not practical to use a separate electrical outlet, connect a power supply noise filter between this unit and the electrical outlet.

302

• The AC adaptor will begin to generate heat after long hours of consecutive use. This is normal, and is not a cause for concern.

307

• Before connecting this unit to other devices, turn off the power to all units. This will help prevent malfunctions and/or damage to speakers or other devices.

Placement

351

• Using the unit near power amplifiers (or other equipment containing large power transformers) may induce hum. To alleviate the problem, change the orientation of this unit; or move it farther away from the source of interference.

352a

• This device may interfere with radio and television reception. Do not use this device in the vicinity of such receivers.

352b

• Noise may be produced if wireless communications devices, such as cell phones, are operated in the vicinity of this unit. Such noise could occur when receiving or initiating a call, or while conversing. Should you experience such problems, you should relocate such wireless devices so they are at a greater distance from this unit, or switch them off.

354a

• Do not expose the unit to direct sunlight, place it near devices that radiate heat, leave it inside an enclosed vehicle, or otherwise subject it to temperature extremes. Excessive heat can deform or discolor the unit.

355b

• When moved from one location to another where the temperature and/or humidity is very different, water droplets (condensation) may form inside the unit. Damage or malfunction may result if you attempt to use the unit in this condition. Therefore, before using the unit, you must allow it to stand for several hours, until the condensation has completely evaporated.

358

• Do not allow objects to remain on top of the keyboard. This can be the cause of malfunction, such as keys ceasing to produce sound.

Maintenance

401a

• For everyday cleaning wipe the unit with a soft, dry cloth or one that has been slightly dampened with water. To remove stubborn dirt, use a cloth impregnated with a mild, non-abrasive detergent. Afterwards, be sure to wipe the unit thoroughly with a soft, dry cloth.

402

• Never use benzine, thinners, alcohol or solvents of any kind, to avoid the possibility of discoloration and/or deformation.

Repairs and Data

452

• Please be aware that all data contained in the unit’s memory may be lost when the unit is sent for repairs. Important data should always be backed up in another MIDI device (e.g., a sequencer) or on a computer, or written down on paper (when possible). During repairs, due care is taken to avoid the loss of data. However, in certain cases (such as when circuitry related to memory itself is out of order), we regret that it may not be possible to restore the data, and Roland assumes no liability concerning such loss of data.

Additional Precautions

551

• Please be aware that the contents of memory can be irretrievably lost as a result of a malfunction, or the improper operation of the unit. To protect yourself against the risk of loosing important data, we recommend that you periodically save a backup copy of important data you have stored in the unit’s memory, another MIDI device (e.g., a sequencer), or on a computer.

552

• Unfortunately, it may be impossible to restore the contents of data that was stored in the unit’s memory, another MIDI device (e.g., a sequencer), or on a computer once it has been lost. Roland Corporation assumes no liability concerning such loss of data.

553

• Use a reasonable amount of care when using the unit’s buttons, sliders, or other controls; and when using its jacks and connectors. Rough handling can lead to malfunctions.

554

• Never strike or apply strong pressure to the display.

556

• When connecting / disconnecting all cables, grasp the connector itself—never pull on the cable. This way you will avoid causing shorts, or damage to the cable’s internal elements.

558a

• To avoid disturbing your neighbors, try to keep the unit’s volume at reasonable levels. You may prefer to use headphones, so you do not need to be concerned about those around you (especially when it is late at night).

559a

• When you need to transport the unit, package it in the box (including padding) that it came in, if possible. Otherwise, you will need to use equivalent packaging materials.

561

• Use only the specified expression pedal (EV-5; sold separately). By connecting any other expression pedals, you risk causing malfunction and/or damage to the unit.

566a

• The effective range of the D Beam controller is greatly reduced in strong light, such as direct sunlight. Please be aware of this when using the D Beam controller.

204

* Microsoft and Windows are registered trademarks of Microsoft

Corporation.

206j

* Windows® is known officially as: “Microsoft® Windows®

operating system.”

207

* Apple and Macintosh are registered trademarks of Apple

Computer, Inc.

209

* Mac OS is a trademark of Apple Computer, Inc.

4

Panel Descriptions

2

Front Panel

1.

VOLUME knob

This knob controls the volume of the entire GW-7.

2.

D Beam controller

You can use this controller simply by moving your hand above

it. (p. 16)

3.

ASSIGNABLE buttons

You can use these buttons to turn the D Beam controller on/off,

or to select the D Beam function. (p. 16)

4.

TAP TEMPO button

You can use this button to set the tempo. (p. 14)

5.

BACKING TRACK button

Press this button when you want the backing to play. (p. 14)

6.

SYNC START button

This button activates the Sync Start function. (p. 14)

7.

BAND TYPE buttons

Use these buttons to change the backing ensemble, or to use the

minus-one function. (p. 14, p. 23)

8.

SONG REC button

Press this button to record a song. (p. 21)

9.

SONG CONTROL buttons

Use these buttons to play back the backing or song. (p. 14, p. 23)

1

10.

ANALOG MODIFY section

Turn the C1/C2 knobs to control the functions you select by

pressing the SELECT button. (p. 12, p. 14, p. 25)

11.

Screen

This displays various information according to the operations

you perform.

12.

VALUE dial

Use this to edit the value of the parameters (settings) in the

screen.

13.

SELECT buttons ([ ][ ])

Use these buttons to change between screen pages, tone

categories, or music styles.

14.

EXIT (NO)/ENTER (YES) buttons

Pressed to issue the “Cancel” (EXIT) or “OK” (ENTER)

commands in screens that prompt you to make such a selection.

To listen to the demo songs, hold down [SHIFT] and press

[EXIT]. (p. 9)

To use the metronome, hold down [SHIFT] and press [ENTER].

(p. 10)

15.

EFFECTS button

This button lets you make effect settings. (p. 19)

To lower the pitch of the keyboard tone in steps of one octave,

hold down [SHIFT] and press [EFFECTS]. (p. 11)

6

16.

FUNCTION button

This button takes you to the settings screen for various

parameters.

To raise the pitch of the keyboard tone in steps of one octave,

hold down [SHIFT] and press [FUNCTION]. (p. 11)

17.

KEYBOARD section

Use these buttons to switch the keyboard mode. (p. 9, p. 11)

18.

MODE section

Use these buttons to switch between Tone, Style, Performance,

and Song modes.

19.

USB button

The GW-7 can exchange music style data or song files with your

computer via a USB connection. (p. 24)

20.

[PIANO]–[DRUMS]

Use these buttons to select tones by category. (p. 9–11)

Panel Descriptions

21.

FAVORITE button

Use this button to access favorite tones. (p. 11)

22.

Bender/Modulation lever

You can raise or lower the pitch by moving this lever to the left

or right. Push the lever away from yourself to apply modulation

(normally vibrato) to the sound. (p. 17)

Rear Panel

1.

USB connector

Use a USB cable to connect the GW-7 to your computer via this

connector. (p. 24)

2.

MIDI OUT/IN connectors

Connect MIDI devices to these connectors. (p. 26)

3.

CONTROL PEDAL jack

Connect a separately available pedal switch (Roland DP Series),

a separately available foot switch (BOSS FS-5U) or a separately

available expression pedal (Roland EV-5) to this jack. (p. 8, p.

17)

4.

HOLD PEDAL jack

Connect a separately available pedal switch (Roland DP Series)

to this jack. (p. 8)

5.

OUTPUT R/L (MONO) jacks

Connect your cassette deck, power amp, audio amp, keyboard

amp, monitor speakers, etc., to these jacks. (p. 8)

9.

POWER switch

This turns the power on/off. (p. 9)

6.

PHONES jack

Connect a separately available pair of headphones to this jack.

Sound will be output from the OUTPUT jacks even if you

connect headphones.

7.

Cord hook

Use this to secure the AC adaptor cord. (p. 9)

8.

DC IN jack

Connect the included AC adaptor here. (p. 9)

7

Introduction

Cassette deck, power amp, audio amp, keyboard amp, monitor speakers, etc.

About the GW-7

What is a On the GW-7, each of the sounds you normally play is called a “Tone.” If we use the analogy of an orchestra, a Tone corresponds to an instrument played by one of the musicians. Settings for parameters such as effects and filters are also included in a Tone.

What is ”Backing” refers to the automatic accompaniment functionality of the GW-7.

What is a A “Music Style” is a musical template used by a Backing. The GW-7 contains a variety of music styles such as rock, dance, Latin, and jazz. You can also add style data by connecting the GW-7 to your computer via USB. (p. 24)

You can’t create music styles using the GW-7 itself; you’ll need to use the built-in styles provided by the GW-7, or load commercially available style data.

Tone

? (p. 11)

Backing

Music Style

? (p. 14)

? (p. 15)

Making Connections

To prevent malfunction and/or damage to speakers or other devices, always turn down the volume, and turn off the power on all devices before making any connections.

Connecting External Equipment, Pedals, and Switches

Connecting External Equipment

You can record your playing (or a song recorded on the GW-7) onto a cassette tape or other audio recording device. Connect the

OUTPUT

external device.

fig.connect

jacks on the GW-7’s rear panel to the input jacks of your

What is a A “Performance” is a group of settings that specifies the Tone and Style, the keyboard mode, and various other parameters.

What is a The GW-7 contains a 16-track recorder, which you can use to record the music you play. You can add a Backing to the performance you play on the keyboard, and save the result as a Song. You can also load Song data from a computer connected to the GW-7 via USB. (p. 24)

Performance

Song

? (p. 21)

? (p. 16)

Connecting a Pedal and Switch

You must switch off the GW-7’s power before you connect a pedal and/or switch.

Connect a separately available pedal switch (Roland DP Series) to the

HOLD PEDAL

switch to sustain notes even after taking your hands off the keyboard.

Connect a separately available pedal switch (Roland DP Series), a separately available foot switch (Boss FS-5U) or separately available expression pedal (Roland EV-5) to the rear panel jack. You can use this to control various functions that you assign. (p.

25)

jack on the rear panel. You can use this pedal

CONTROL PEDAL

8

Use only the specified expression pedal (EV-5; sold separately). By connecting any other expression pedals, you risk causing malfunction and/or damage to the unit.

Introduction

GW-7 rear panel

Cord hook

Connecting the AC Adaptor

1.

Remove the GW-7 from its shipping carton, and place it on a horizontal surface.

2.

Connect the included power supply cord to the included AC adaptor.

fig.ACadap

AC adaptor

Depending on your region, the included AC adaptor may be a different type than the one shown above. If so, omit step 2 and proceed.

3.

Connect the AC adaptor to the DC IN jack on the GW-7’s rear panel, and then plug the AC adaptor into an electrical outlet.

To prevent the inadvertent disruption of power to your unit (should the plug be pulled out accidentally), and to avoid applying undue stress to the AC adaptor jack, anchor the power cord using the cord hook, as shown in the illustration.

fig.codef

Power supply cord

to an AC outlet

Turning the Power Off

1.

Press the POWER switch once again to turn off the power.

If the GW-7 is connected to a keyboard amp or audio amp, switch off the power to your amp first, then turn off the power on the GW-7.

Adjusting the Screen Contrast

Hold down [FUNCTION] and turn the VALUE dial.

Listening to the Demo Song

1.

Hold down [SHIFT] and press [EXIT] (DEMO).

The screen will indicate “DEMO PLAY.”

2.

Press [START/STOP] to begin demo playback.

3.

Press [START/STOP] to stop demo playback.

4.

Press [EXIT] to return to the previous screen.

Turning the Power On/Off

Turning the Power On

Once the connections have been completed, turn on power to your various devices in the order specified. By turning on devices in the wrong order, you risk causing malfunction and/ or damage to speakers and other devices.

1.

Before you turn on the power, turn the VOLUME knob all the way to the left to minimize the volume.

2.

Press the rear panel POWER button to turn on the power.

This unit is equipped with a protection circuit. A brief interval (a few seconds) after power up is required before the unit will operate normally.

If the GW-7 is connected to a keyboard amp or audio amp, turn on the power of the GW-7 first, and then switch on your amp.

No data for the music that is played will be output from MIDI OUT.

Playing Sounds from the Keyboard (Keyboard Mode)

Immediately after you turn on the power, the GW-7 will be in a state where you can use the entire keyboard to play a piano sound. The GW-7’s keyboard can operate in one of the following three modes.

MAIN SPLIT

DUAL

Using Main Mode

1.

2.

The entire keyboard plays one Tone. The region of the keyboard to the left of the split point

becomes the board to the right of the split point becomes the

Part

. Each part plays a different Tone.

The entire keyboard plays two Tones simultaneously.

Turn on the power as described in “Turning the Power On”

A piano sound will be selected.

Select the desired Tone.

1.

Press MODE [TONE] so the button is lit.

2.

Turn the VALUE dial to step through the Tones one by one. Alternatively, you can press one of the ten buttons [PIANO]–[DRUMS] to select a Tone by category.

Refer to p. 11 for details.

Lower Part

, while the region of the key-

Upper

3.

Turn the VOLUME knob to adjust the volume of the GW-7.

3.

Play the keyboard.

Turn the VOLUME knob to adjust the volume.

9

Introduction

Using Split Mode

1.

If you want to use your left and right hands to play different Tones, press KEYBOARD [SPLIT] so the button is lit.

The Tone you selected in Main mode (i.e., when [SPLIT] and [DUAL] were extinguished) will be the Tone for the Upper Part.

2.

Select a different Tone for each Part.

1.

To select the Tone for the Upper Part, press [UPPER] so the button is lit. To select the Tone for the Lower Part, press [LOWER] so the button is lit.

2.

Turn the VALUE dial to step through the Tones one by one. Alternatively, you can press one of the ten buttons [PIANO]–[DRUMS] to select a Tone by category.

3.

Play the keyboard.

Turn the VOLUME knob to adjust the volume.

The split point is set to C4 (note number 60).

In Split mode, the most suitable octave settings for each tone are applied automatically.

If you press and hold [SPLIT] (for approximately two seconds), the split point setting screen will appear. You can turn the VALUE dial to change the split point. When you’re finished, press [EXIT].

If you press and hold [UPPER] or [LOWER] (for approximately two seconds), the volume setting screen for each part will appear. You can turn the VALUE dial to adjust the volume of each part. When you’re finished, press [EXIT].

Using the Metronome

It’s convenient to use the metronome when you’re practicing a new song.

1.

Hold down [SHIFT] and press [ENTER] (METRONOME).

The metronome setting screen will appear, and the metronome will begin sounding.

2.

Use SELECT [ ][ ] and turn the VALUE dial to specify the time signature and volume for the metronome.

3.

To stop the metronome, hold down [SHIFT] and press [ENTER] (METRONOME).

Restoring the GW-7 to Its Factory Settings

1.

Press [FUNCTION].

2.

Use SELECT [ ][ ] to get the screen to indicate “Utility?”, and then press [ENTER].

3.

Use SELECT [ ][ ] to get the screen to indicate “Factory Reset?”

4.

Press [ENTER]. The screen will prompt “Sure?”

5.

Press [ENTER] to initialize the GW-7.

If you press [EXIT] instead, you’re returned to the previous screen and no initialization takes place.

Once the initialization is complete, the previous screen will reappear.

Restoring the factory settings will initialize the System, User Tone, and User Performance settings.

You can’t select a drum set Tone for the Lower Part.

Using Dual Mode

1.

If you want to play two Tones simultaneously, press KEYBOARD [DUAL] so the button is lit.

2.

Select two Tones.

1.

To change the Tone that you selected in Main mode, press UPPER so the button is lit. To change the second Tone that you want to layer with the first Tone, press [LOWER] so the button is lit.

2.

Turn the VALUE dial to step through the Tones one by one. Alternatively, you can press one of the ten buttons [PIANO]–[DRUMS] to select a Tone by category.

3.

Play the keyboard.

Turn the VOLUME knob to adjust the volume.

If you press and hold [UPPER] or [LOWER] (for approximately two seconds), the volume setting screen for each part will appear. You can turn the VALUE dial to adjust the volume of each part. When you’re finished, press [EXIT].

You can’t select a drum set Tone as the second Tone.

Initializing the User Style and User Song Memory

1.

Press [FUNCTION].

2.

Use SELECT [ ][ ] to get the screen to indicate “Utility?”, and then press [ENTER].

3.

Use SELECT [ ][ ] to get the screen to indicate “Init IntDRV?”

4.

Press [ENTER]. The screen will prompt “Sure?”

5.

Press [ENTER] to initialize the settings.

If you press [EXIT] instead, you’re returned to the previous screen and no initialization takes place.

Once the initialization is complete, the previous screen will reappear.

10

Keyboard Mode Functions

Selecting the Tone for the Keyboard Mode

The GW-7 contains 657 different Tones. You can use these Tones in the three keyboard modes (Main, Split, Dual) (p. 9).

Selecting a Tone

1.

Press MODE [TONE] so the button is lit.

The Tone memory locations are organized as follows.

Number P001–

P657 U001–

U144

2.

Turn the VALUE dial to step through the Tones one by one. Alternatively, you can press one of the ten buttons [PIANO]–[DRUMS] to select a Tone by category.

You can use SELECT [ ][ ] to step through the categories one by one.

If, after selecting a Preset tone, you press and hold down (for approximately two seconds) the category button in which that tone is registered, that tone will be selected first when you press the same button the next time. (You can't do this for User tones.)

In Split mode or Dual mode, you can select two Tones independently. (p. 10)

Type Explanation

Preset

User

These Tones are built into the GW-7. They cannot be overwritten.

You can use these memory locations to store Tones you’ve edited. To switch to User Tones, press [USER] so the button is lit. To switch back to Preset Tones, press [USER] once again so its illumination is switched off.

* U129–U144

are only for

drum sets

Selecting a Favorite Tone

Press [FAVORITE] so the button is lit, and press the category button (one of the ten buttons [PIANO]–[DRUMS]) in which you registered the desired Tone.

Drum Sounds and Sound Effects (SFX)

Drum Sets

The last 51 Tones (P607–P657) are called “drum sets.” When you select a drum set, a different sound is assigned to each note of the keyboard. For example, the left most key will play a bass drum (kick) sound, and other keys will play snare drum and other sounds. A drum set is a collection of ninety or more sounds, each assigned to a different key.

.

You can’t select a drum set for the Lower Part of Split mode, nor as the second Tone in Dual mode.

Sound Effects (SFX)

The GW-7 contains sound effect, drum, and percussion Tones (P543– P606), and you can assign just one of these Tones to the keyboard and use it to play a melody. You can use these across the entire keyboard in Main, Split, or Dual modes.

If you’re using Split mode, you’ll probably want to set the split point to about C6 if you’re going to play a sound effect or percussion sound with your right hand, or to about C3 if you’re using your left hand.

When [BACKING TRACK] is lit, the left-hand region of the keyboard will play a string sound and a chord bass sound. If you don't want these to play, press [BACKING TRACK] so the illumination is turned off.

Using the Favorite Tone Function

The “

Favorite Tone

to each of the ten category buttons [PIANO]–[DRUMS], regardless of the category of the Tone or whether it is a Preset Tone or a User Tone. For example, if you register the Tones you use most frequently, you’ll be able to select them quickly in a live performance situation.

Registering a Favorite Tone

After selecting a Tone, hold down [FAVORITE] and press the category button (one of the ten buttons [PIANO]–[DRUMS]) in which you want to register that Tone.

” function lets you register up to ten Tones

Octave Settings

You can shift the pitch of a Tone upward or downward in steps of an octave, over a maximum of four octaves upward or downward.

Hold down [SHIFT] and use OCTAVE [ ][ ].

In Split Mode

If [UPPER] is lit, hold down [SHIFT] and use OCTAVE [ ][ ] to change the octave setting of the Upper Part.

If [LOWER] is lit, this operation will change the octave setting of the Lower Part.

In Dual Mode

If [UPPER] is lit, hold down [SHIFT] and use OCTAVE [ ][ ] to change the octave setting of the first Tone.

If LOWER is lit, this operation will change the octave setting of the second Tone.

11

Keyboard Mode Functions

Editing a Tone

You can turn the C1/C2 knobs to edit the currently selected Tone (including drum set Tones). After editing a Tone, you can save it in user memory.

For example, if the KEYBOARD [SPLIT] and [UPPER] buttons are lit, the following procedure will edit the Tone for the Upper Part of Split mode.

1.

Press ANALOG MODIFY [SELECT] to make FILTER light.

2.

Turn the C1 knob to adjust CUTOFF, or turn the C2 knob to adjust RESONANCE.

CUTOFF

RESONANCE This boosts the sound in the region of the

3.

Press ANALOG MODIFY [SELECT] to make ENV light.

4.

Turn the C1 knob to adjust ATTACK, or turn the C2 knob to adjust RELEASE.

These parameters affect the way in which the volume changes between the time a key is pressed and released.

ATTACK Adjusts the attack time (the time from when

RELEASE Adjusts the release time (the time from when

This specifies the cutoff frequency at which the filter will begin affecting the spectral components of the sound. Turn the knob toward the right to brighten the sound, or toward the left to darken the sound.

cutoff frequency, adding a distinctive character to the sound. Turn the knob toward the right to strengthen this character, or toward the left to decrease it.

you press a key until the sound reaches its full volume). Turn the knob toward the right to lengthen the attack time, or toward the left to shorten it.

you release a key until the sound disappears). Turn the knob toward the right to lengthen the release time, or toward the left to shorten it.

Parameter

Porta Time

Cutoff -64–+63 The same as CUTOFF described

Resonance -64–+63 The same as RESONANCE de-

Attack Time -64–+63 The same as ATTACK described

Decay Time -64–+63 Adjusts the decay time (the time

Release Time -64–+63 The same as RELEASE described

Vib Rate -64–+63 Adjusts the modulation speed of

Vib Depth -64–+63 Adjusts the modulation depth

Vib Delay -64–+63 Adjusts the time until vibrato be-

Portamento

one note to the next.

Vibrato

is an effect that uses an LFO (Low Frequency Oscillator)

to cyclically vary the pitch.

Range Explanation

0–127 Adjusts the speed at which the

pitch will change when portamento is used. Higher settings will lengthen the time over which the pitch changes to the next note.

in the left column of this page.

scribed in the left column of this page.

in the left column of this page.

from when the attack has finished until the volume reaches the level at which it will remain as long as you hold down the key). Higher settings produce a longer decay time.

in the left column of this page.

vibrato (see the glossary item below). Higher settings produce faster vibrato.

vibrato. Higher settings produce more intense vibrato.

gins. Higher settings produce a longer delay until vibrato will begin.

is an effect that smoothly changes the pitch from

Editing a Tone in Detail

You can edit the currently selected tone (including drum set Tones) in more detail. After editing a Tone, you can save it in user memory.

1.

Press [FUNCTION].

2.

Use SELECT [ ][ ] to get the screen to indicate “Edit Tone?”

3.

Press [ENTER].

If you press [EXIT], you’re returned to the previous screen.

4.

Use SELECT [ ][ ] to select a parameter, and turn the VALUE dial to adjust the value of the parameter.

Parameter Range Explanation

Tone Volume 0–127 Adjusts the volume of the tone. Porta Sw OFF,

ON

12

Specifies whether portamento (see the glossary item in the right column of this page) will be applied (ON) or not (OFF).

Saving a Tone

After you’ve edited the currently selected Tone (including drum set Tones), here’s how you can save it in user memory.

1.

Press [FUNCTION].

2.

Use SELECT [ ][ ] to get the screen to indicate “Write Tone?”

3.

Press [ENTER]; the screen will indicate “Tone Num: U001.”

4.

Turn the VALUE dial to select a save destination (U001– U144). Then press [ENTER].

5.

Input a name for the user Tone.

Use SELECT [ ][ ] to move the cursor, and turn the VALUE dial to change each character.

6.

Press [ENTER]; the screen will indicate “Write Sure?”

7.

Press [ENTER] to write the edited tone into user memory.

If you press [EXIT], you’re returned to the previous screen without the tone being written.

Other Functions

Keyboard Velocity (p. 18)

Master Tune (p. 25)

Volume (p. 18)

Transpose (p. 25)

Chord Mode (p. 18)

Using the GW-7 as a MIDI Keyboard Controller

Keyboard Mode Functions

You can change the is convenient when you’re using the GW-7 with an external computer, sequencer, or sound module.

1.

Hold down [SHIFT] and press MODE [SONG] so the button is lit. The screen will indicate “Kbd Ch:1.”

2.

Turn the [VALUE] dial to change the setting (1–16).

3.

Press SELECT [ ]; the screen will indicate “Local Ctrl: OFF.”

This lets you change the Local Control setting (p. 26).

4.

Press SELECT [ ] to return to the keyboard channel screen.

MIDI channel

transmitted by the keyboard. This

13

Playing with an Accompaniment (Backing)

Playing Back a Backing

1.

Press [BACKING TRACK] so the button is lit.

When you play the left-hand area of the keyboard, you will hear a strings sound and an chord bass sound.

At this time, the keyboard split point will be set to C4 (note number 60).

If you press and hold [SPLIT] (for approximately two seconds), the split point setting screen will appear. You can turn the VALUE dial to change the split point. When you’re finished, press [EXIT].

2.

Press [START/STOP]; the backing will start playing.

If [BACKING TRACK] is unlit, pressing [START/STOP] will cause only the drums to start playing.

3.

Use your left hand to play a chord (or a single note).

4.

If you play a different chord (or single note), the backing key will change.

5.

Use the following buttons to select a different pattern for the currently selected music style.

INTRO

ORIGINAL FILL IN

VARIATION

ENDING

A backing pattern suitable for an introduction.

A simple backing pattern. This backing pattern is used when transition-

ing to ORIGINAL or VARIATION. This is a more intense backing pattern, ideal

for use during a break. When you want to stop playback, you can

press this button instead of the [START/ STOP] button; the ending will play, and then the backing will stop.

Adjusting the Volume Balance

Volume Balance Between the Drum Part and Other Parts

1.

Press ANALOG MODIFY [SELECT] to make BACKING light.

2.

Turn the C1 knob (DRUM BAND) to adjust the volume balance between the drum part and the other parts.

Turn the knob toward the left to make the drum part louder.

Volume Balance Between the Backing and the Keyboard Performance

1.

Press ANALOG MODIFY [SELECT] to make BACKING light.

2.

Turn the C2 knob (BACK KBD) to adjust the volume balance between the backing and the keyboard performance.

Turn the knob toward the left to make the backing louder.

If you want to adjust the volume of the entire GW-7, turn the VOLUME knob.

Adjusting the Tempo

1.

Press [TAP TEMPO].

The tempo setting screen will appear.

2.

Turn the VALUE dial to adjust the tempo.

You can also specify the tempo by pressing [TAP TEMPO] three or more times at the desired interval.

To return to the original tempo, hold down [SHIFT] and press [TAP TEMPO].

3.

Press [EXIT] to return to the previous screen.

The chord name is displayed in the backing chord area of the screen.

Use your left hand to play the backing chord, and your right hand to play the melody.

Changing the Backing Ensemble

You can press the following BAND TYPE buttons to change the type of ensemble that will play the backing.

DRUMS & BASS

COMBO

FULL

When the power is turned on, “FULL” is selected.

14

Simple backing patterns, with only drums and bass line.

Backing patterns played by a band with several types of instrumental sounds.

Backing patterns with a full arrangement of multiple instruments.

Sync Start

1.

Press [SYNC START] so the button is lit.

Sync Start

when you play a note to the left of the split point. This is convenient when you want the backing to begin playing the moment you play a chord in the left hand.

To defeat this setting, press [SYNC START] so the button goes out.

is a function that automatically starts the backing

Stopping the Backing

1.

Press [START/STOP] once again to make the backing stop.

If you press [ENDING], the ending phrase will play and then the backing will stop.

Playing with an Accompaniment (Backing)

Selecting a Music Style

The style memory locations are organized as follows.

Number Ps001–

Ps110 Us001–

Us099

To switch to user styles, press [USER] so the button is lit. To return to preset styles, press [USER] once again so the button goes out.

Selecting a Preset Style

1.

Press [BACKING TRACK] so the button is lit.

2.

Press MODE [STYLE] so the button is lit.

3.

Press [USER] so the button goes out.

4.

Use SELECT [ ][ ] to select a style by genre.

Immediately after you press SELECT [ ][ ], the screen will show the name of the first music style in the selected genre.

5.

Turn the VALUE dial to step through the styles one by one.

Type Explanation

Preset

User

These are the styles built into the GW-7. They cannot be overwritten.

Separately sold Music Style data can be loaded from your computer via USB into the GW-7, and written into these memory locations. (p. 24)

Other Functions Related to Music Styles

Adjusting the volume balance between the backing and the keyboard performance (p. 14)

Adjusting the volume of a specific part in the music style (p. 18)

Changing the split point (p. 18)

The backing playback Hold function (p. 18)

Selecting a User Style

1.

Press [BACKING TRACK] so the button is lit.

2.

Press MODE [STYLE] so the button is lit.

3.

Press [USER] so the button is lit.

4.

Turn the VALUE dial to step through the styles one by one, and then press [ENTER].

Adding Music Styles

Use a USB cable to connect the GW-7 to your computer. (p. 24)

Copy music style files from your computer to the user memory of the GW-7.

Deleting a Music Style

1.

Press [FUNCTION].

2.

Use SELECT [ ][ ] to get the screen to indicate “Utility?” Then press [ENTER].

3.

Use SELECT [ ][ ] to choose “Delete Style?” Then press [ENTER].

4.

Turn the VALUE dial to select the user style (Us001–Us099) that you want to delete.

5.

Press [ENTER]; the screen will indicate “Delete Sure?”

6.

Press [ENTER] to delete the user style you selected.

If you press [EXIT], you’re returned to the previous screen without the style being deleted.

15

Performance Functions and Effects

Performance Functions

D Beam Controller

The D Beam controller is a controller that you use simply by positioning your hand above it. You can use this to control one of two functions that you select. By changing the selected assignment, you can control a wide variety of effects.

To turn the D Beam controller on, press either [ASSIGNABLE 1] or [ASSIGNABLE 2] so the button is lit. To turn it off, press the button to make it go dark.

You can’t use [ASSIGNABLE 1] and [ASSIGNABLE 2] at the same time.

Assigning the D Beam Controller Function

1.

Press [ASSIGNABLE 1] or [ASSIGNABLE 2] to access the D Beam assignment screen.

2.

Turn the VALUE dial to select the desired D Beam function.

D Beam function

DRUM ROLL

CHIMES Chimes will sound when you position your hand

CUICA Different sounds will be heard depending on the

GUIRO Same as above.

CONGA Same as above.

SITAR Same as above.

TABLA Same as above.

WADON Same as above.

GENDER Same as above.

BIG GONG A gong will sound when you position your hand

BUBBLE The sound of bubbles will continue as long as

STREAM The sound of running water will continue as

EXPLOSION An explosion will sound when you position your

GUN SHOT A pistol shot will sound when you position your

ENGINE An engine will continue sounding as long as

APPLAUSE+ Applause will continue sounding as long as your

LAUGHING Laughter will sound when you position your

Explanation

A snare drum roll will continue as long as your hand is positioned over the D Beam. Move your hand closer to increase the volume, and move your hand rapidly away to play a cymbal.

above the D Beam. The volume is greater when you move your hand more rapidly.

position of your hand above the D Beam. The volume is greater when you move your hand more rapidly.

over the D Beam. The volume is greater when you move your hand more rapidly.

your hand is positioned above the D Beam. The volume will increase as you move your hand closer.

long as your hand is positioned above the D Beam. The volume will increase as you move your hand closer.

hand over the D Beam. The volume is greater when you move your hand more rapidly.

your hand is positioned above the D Beam. The volume will increase as you move your hand closer.

hand is positioned above the D Beam. The volume will increase as you move your hand closer, and cheering will sound if you move your hand even closer.

hand over the D Beam. The volume is greater when you move your hand more rapidly.

D Beam function

SCREAMING A scream will sound when you position your

BIRD A bird call will sound when you position your

DOG A dog’s bark will sound when you position your

SEASHORE Surf will sound when you position your hand

RAIN+ The sound of rain will continue as long as your

MODULATION The D Beam controller will apply the same effect

EXPRESSION The volume will increase when you bring your

BEND UP The pitch will rise when you bring your hand

BEND DOWN The pitch will fall when you bring your hand

EXP+UP When you bring your hand closer to the D Beam,

EXP+DOWN When you bring your hand closer to the D Beam,

TEMPO UP The tempo will become faster when you bring

TEMPO DOWN The tempo will become slower when you bring

START/STOP Playback will start when you position your hand

FILL If you position your hand over the D Beam while

FADE OUT If you position your hand over the D Beam, the

Explanation

hand over the D Beam. The volume is greater when you move your hand more rapidly.

over the D Beam. The volume will increase as you move your hand closer.

hand is positioned above the D Beam. The volume will increase as you move your hand closer, and thunder will sound if you move your hand even closer.

as the MODULATION lever (p. 17).

hand closer to the D Beam. The volume will return to the original level when you take your hand away.

closer to the D Beam. The pitch will return to the original level when you take your hand away.

the volume of the keyboard performance will increase and the pitch will rise. The pitch and volume will return to the original level when you take your hand away.

the volume of the keyboard performance will increase and the pitch will fall. The pitch and volume will return to the original level when you take your hand away.

your hand closer to the D Beam. The tempo will return to the original value when you take your hand away.

over the D Beam. Playback will stop when you position your hand over the D Beam once again.

the backing is playing, a fill-in will sound. (This is the same function as [FILL IN].)

volume will begin decreasing and will then reach zero. The backing performance will stop, and then the original volume will return after two or three seconds.

If you turn off the power while the D Beam setting screen is displayed, the D Beam setting you chose will not be remembered by the GW-7. You must press [EXIT] before you turn off the power.

A performance using a function that produces a sound such as DRUM ROLL can't be recorded in a song.

16

Performance Functions and Effects

Pitch Bend and Modulation

The Bender/Modulation lever located at the left of the keyboard can be used to apply two types of effect to the sound you’re playing in Keyboard mode.

Pitch Bend

playing when you move the lever toward the left, or raises it when you move the lever toward the right.

Modulation

playing when you push the lever away from yourself.

If the MFX type is speed instead of Modulation.

Pitch falls

If you press the lever away from yourself while moving it to left or right, both effects will be applied at the same time.

is an effect that lowers the pitch of the sound you’re

is an effect that applies vibrato to the sound you’re

ROTARY

Modulation

, this will switch the rotational

Pitch rises

Selecting a Performance

1.

Press MODE [PERFORM] so the button is lit.

2.

Turn the VALUE dial to select the desired performance setting.

If you want to select a user performance, press [USER] so the button is lit.

In the screen,

Uf001–Uf032

Pf001–Pf110

indicates user performances.

indicates preset performances, and

Editing a Performance

You can edit the settings of a performance, and store them as a user performance.

1.

Press [FUNCTION].

2.

Use SELECT [ ][ ] to get the screen to indicate “Edit Perform?”, and press [ENTER].

If you press [EXIT], you’re returned to the previous screen.

3.

Use SELECT [ ][ ] to select a parameter, and turn the VALUE dial to edit the value of that parameter.

For details, refer to “Performance Parameters” (p. 18).

You can adjust the range of the pitch change. For details, refer to “P.Bend Range” (p. 25)

Assignable Pedal

You can connect a separately available foot switch (Boss FS-5U) or a separately available expression pedal (Roland EV-5) to the

CONTROL PEDAL

You can assign a variety of functions to this pedal. For details, refer to “Pedal” (p. 25).

jack on the rear panel.

Using Preset Performances

By selecting a preset performance, you can quickly recall settings that are appropriate for the song you’re playing.

When you select a preset performance, settings for the following items will be recalled.

• Music style

• Tempo

• Tone for the keyboard mode

• Effect (Chorus, Reverb)

• Band type

• Keyboard touch

Saving a Performance

1.

Press [FUNCTION].

2.

Use SELECT [ ][ ] to get the screen to indicate “Write Perform?”

3.

Press [ENTER]; the screen will indicate “Perform Num: Uf001.”

4.

Turn the VALUE dial to select the desired destination (Uf001–Uf032), and then press [ENTER].

5.

Input a name for your user performance.

Use SELECT [ ][ ] to move the cursor, and turn the VALUE dial to change each character.

6.

Press [ENTER]; the screen will prompt “Write Sure?”

7.

Press [ENTER] to save the performance.

If you press [EXIT], you’re returned to the previous screen without the performance being saved.

If MODE [PERFORM] is lit, you will hear a string sound and a chord bass sound when you play the left-hand area of the keyboard.

17

Performance Functions and Effects

Performance Parameters

Parameter

Kbd Velo Sw Kbd Velocity 1–127 Specifies the loudness of each note when the above “Kbd Velo Sw” is OFF. Split Point 36–96 Specifies the split point (the key at which the keyboard will be divided) used in Split mode. This will be the low-

Oct Main -4–+4 Raises or lowers the pitch in steps of one octave for Main mode, the Upper Part of Split mode, or the first Tone

Oct Dual -4–+4 Raises or lowers the pitch in steps of one octave for the second Tone of Dual mode. Oct Split -4–+4 Raises or lowers the pitch in steps of one octave for the Lower Part of Split mode. Vol Main 0–127 Adjusts the volume for Main mode, the Upper Part of Split mode, or the first Tone of Dual mode. Vol Dual 0–127 Adjusts the volume for the second Tone of Dual mode. Vol Split 0–127 Adjusts the volume for the Lower Part of Split mode. Vol ChordBs 0–127 Adjusts the Chord Bass volume.

Vol Drum 0–127 Adjusts the volume of the music style’s drum part. Vol Bass 0–127 Adjusts the volume of the music style’s bass part. Vol Backing 0–127 Adjusts the volume of the music style’s backing parts 1–6. Pan Main RND,

Pan Dual RND,

Pan Split RND,

Chord Mode OFF,

Backing Hold

Bass Inv OFF, ON Specifies how Chord Bass will be sounded.

ScaleType EQUAL,

Scale Mode MAIN,

Scale C–B -64–+63 As an alternative to the temperament commonly used in Western music, you can adjust the pitch of each note to

Range Explanation

OFF, ON Specifies whether the loudness of the notes you play from the keyboard will be fixed (OFF) or not (ON).

est note of the Upper Part. 60 corresponds to C4.

of Dual mode.

*

In the case of a drum set, this does not transpose the pitch; rather, it shifts the set of drum/percussion sounds

that are assigned to the keyboard.

When [BACKING TRACK] is lit and the backing is stopped, the bass will sound according to the chord you play in the left hand.

Adjusts the panning (left/right stereo position) for Main mode, the Upper Part of Split mode, or the first Tone of

L63–0–R63

MODE 1, MODE 2

OFF, ON Selects how the backing part will sound.

ARABIC

ALL

Dual mode.

RND

: The pan position will change randomly for each note.

L63–0–R63

Adjusts the panning (left/right stereo position) for the second Tone of Dual mode.

RND L63–0–R63

Adjusts the panning (left/right stereo position) for the Lower Part of Split mode.

RND L63–0–R63

This lets you use simple fingering to specify a chord without having to play all the notes in the chord.

OFF MODE 1 MODE 2

OFF

ON

OFF ON

Selects the scale setting.

EQUAL

ARABIC

Specifies the part(s) to which the Scale setting will apply.

MAIN ALL

create temperaments used in other musical cultures or historical periods (e.g., Oriental temperaments, or temperaments used in the Baroque era). You can adjust the pitch of each note in the octave (C, C#, D, Eb, E, F, F#, G, Ab, A, Bb, B). These settings are applied to every note of the same name (i.e., the C of each octave, the C# of each octave, etc.) Most often, the pitch is adjusted one quarter tone upward or downward, so you will select a value of 50 or

: Values beginning with “L” place the sound at the left, 0 at the center, and “R” at the right.

: The pan position will change randomly for each note.

: Values beginning with “L” place the sound at the left, 0 at the center, and “R” at the right.

: The pan position will change randomly for each note.

: Values beginning with “L” place the sound at the left, 0 at the center, and “R” at the right.

: The chord will consist of only the note(s) you play on the keyboard in the Lower Part.

: You can play chords as described in "Chord Intelligence" (p. 41). : You can specify chords in the following four ways.

Major chords Minor chords Seventh chords Minor seventh chords

: When you take your hand off the left side of the keyboard, instrumental sounds other than the drums of

the backing part will stop; only the rhythm part will continue sounding.

: The chord you played in the left hand will be remembered. The backing will continue playing with that

chord until you play another chord.

: The root note of the chord you play will sound.

: The lowest note of the chord you play will sound.

(Equal temperament): This is the method of tuning that is most widely used in Western music, in which

(Arabic temperament): Compared to equal temperament, E and B are half a semitone low, and C#, F#,

: The scale setting applies to Main mode, the Upper Part of Split mode, and the first Tone of Dual mode.

: The scale setting applies to all parts.

: Play the root note of the chord : Play the root note and the black key located at its left

: Play the root note and the white key located at its left

: Play the root note + black key at left + white key at left

the octave is divided into twelve equal steps.

and Ab are half a semitone high. The intervals G–B, C–E, F–Ab, Bb–C#, and Eb–F3 are a neutral third (between a major third and minor third).

-50

.

18

Performance Functions and Effects

Using Effects

The GW-7 contains built-in reverb, chorus, and multi-effect (MFX) processors. You can choose an effect type for each processor.

Adjusting the Reverb or Chorus Send Level

1.

Press ANALOG MODIFY [SELECT] so EFFECT is lit.

2.

Turn the C1 (REVERB) or C2 (CHORUS) knob.

Chorus is applied only if MFX is OFF.

Editing the Effects

1.

Press [EFFECTS].

2.

Use SELECT [ ][ ] to select a parameter, and turn the VALUE dial to edit its value.

Parameter Range Explanation

MFX

Tone MFX OFF, ON Normally you will leave this ON. Only one setting can be saved in the entire GW-7.

Chorus OFF,

Cho Main 0–127 Adjusts the amount of chorus applied to the Main mode Tone, the Tone of the Upper Part in Split mode,

Cho Dual 0–127 Adjusts the amount of chorus applied to the second Tone in Dual mode. It is memorized in each Perfor-

Cho Split 0–127 Adjusts the amount of chorus applied to the Tone of the Lower Part in Split mode. It is memorized in each

Reverb OFF,

Rev Main 0–127 Adjusts the amount of reverb applied to the Main mode Tone, the Tone of the Upper Part in Split mode,

Rev Dual 0–127 Adjusts the amount of reverb applied to the second Tone in Dual mode. It is memorized in each Perfor-

Rev Split 0–127 Adjusts the amount of reverb applied to the Tone of the Lower Part in Split mode. It is memorized in each

Refer to p. 20 Selects the type of multi-effect. It is memorized in each Tone.

*

For details, refer to “Multi-Effect List” (p. 20).

*

MFX are not applied to the following three types of tones.

The lower part in Split mode The second tone in Dual mode Drum sets

ON

: When you switch the Tone, the MFX will also change.

OFF

: The MFX will not change when you switch the Tone.

Selects the type of chorus. It is memorized in each Performance. CHORUS 1–4, FB CHORUS, FLANGER, SHORT DLY, S DLY FB

ROOM 1–3, HALL 1–2, PLATE, DELAY, PAN DELAY

*

Chorus is applied only if MFX is OFF.

OFF

: Chorus will not be applied.

CHORUS 1–4 FB CHORUS FLANGER SHORT DLY S DLY FB

or the first Tone in Dual mode. It is memorized in each Tone.

mance.

Performance.

Selects the type of reverb. It is memorized in each Performance.

OFF

: Reverb will not be applied.

ROOM 1–3

HALL 1–2

PLATE

DELAY PAN DELAY

or the first Tone in Dual mode. It is memorized in each Tone.

mance.

Performance.

: These are typical chorus effects that add depth and spaciousness.

: A chorus that produces a flanger-like effect, and a mild tone.

: A metallic-sounding effect reminiscent of a jet airplane taking off and landing.

: Delays the sound, producing an echo effect.

: A short delay will be repeated.

: These simulate the reverberation of a room. Higher-numbered settings simulate larger

rooms.

: These simulate the reverberation of a concert hall. Higher-numbered setting simulate larger

halls.

: This is a digital simulation of a metal-plate reverb unit. It is particularly appropriate for percus-

sive sounds.

: A delay effect (without reverb), producing a repeating echo.

: A delay sound is repeated, alternating between the left and right channels.

3.

When you’re finished editing the effect settings, press [EFFECTS] or [EXIT] to return to the previous screen.

19

Performance Functions and Effects

Multi-Effect List

OFF ENHANCER

OVERDRIVE 1–4

DISTORTION 1–4

PHASER

AUTO WAH

ROTARY

ST FLANGER

STEP FLANGER

COMPRESSOR

LIMITER

HEXA CHORUS

TREMOLO CHO ST CHORUS SPACE-D

ST DELAY MOD DELAY

3TAP DELAY

4TAP DELAY TM CTRL DLY

REVERB

GATE REV NR

GATE REV RV

GATE REV S1 GATE REV S2

MFX will not be applied. Controls the harmonic structure of the high-

frequency portion of the sound, adding sparkle and improving the definition.

Produces a natural-sounding distortion typical of a vacuum tube amplifier. 1: Small amp 2: Built-in type 3: Large double-stack amp 4: Large triple-stack amp

Produces a more intense distortion than Overdrive. Four types are available.

Adds a phase-shifted sound to the original sound, and modulates it over time to produce a twisting and turning sensation.

Cyclically moves a filter to produce a wah effect (cyclic change in tone).

Simulates the sound of classic rotary speakers from the past. You can switch the rotational speed (slow/fast) by moving the BENDER/MODULATION lever away from yourself, realistically simulating the behavior of an actual rotary speaker. This is particular effective when applied to organ sounds.

Produces a metallic whooshing effect reminiscent of a jet airplane taking off and landing.

The pitch of the flanger sound changes in stepwise fashion.

Suppresses high-level sounds and boosts low-level sounds, making the overall volume more consistent.

Compresses sounds that are louder than a specified level, thus preventing distortion.

Six-phase chorus that adds depth and spaciousness to the sound (six chorus units with different delay times are layered).

Chorus with an added tremolo effect. Stereo chorus. A multiple chorus that applies two-phase

modulation in stereo. It does not produce an impression of modulation, but generates a transparent chorus effect.

Repeats the input sound to create echoes. Adds modulation to the delayed sound, cre-

ating a flanger-like effect. Three delayed sounds are panned to mid-

dle, left, and right. Four delayed sounds are heard. This is a delay that lets you change the delay

time in real time by operating the modulation lever.

Adds reverberation to the original sound, simulating a large space.

Reverb that cuts the reverberation during its decay.

Gated reverb, where the reverberation gradually increases.

Reverb sound that moves from right to left. Reverb sound that moves from left to right.

2PITCH SHIFT

FB PITCH SFT

OD>CHORUS

OD>FLANGER

OD>DELAY DS>CHORUS

DS>FLANGER

DS>DELAY EH>CHORUS

EH>FLANGER

EH>DELAY CHO>DELAY FL>DELAY CHO>FLANGER CHO/DELAY FL/DELAY CHO/FLANGER

Shifts the pitch of the original sound. Two pitch-shifted sounds can be layered onto the original sound.

Pitch shifter in which the pitch-shifted sound is fed back to the input, producing an echo.

Overdrive and chorus are connected in series.

Overdrive and flanger are connected in series.

Overdrive and delay are connected in series. Distortion and chorus are connected in se-

ries. Distortion and flanger are connected in se-

ries. Distortion and delay are connected in series. Enhancer and chorus are connected in se-

ries. Enhancer and flanger are connected in se-

ries. Enhancer and delay are connected in series. Chorus and delay are connected in series. Flanger and delay are connected in series. Chorus and flanger are connected in series. Chorus and delay are connected in parallel. Flanger and delay are connected in parallel. Chorus and flanger are connected in paral-

lel.

20

Song Functions

The song memory locations are organized as follows.

Name

Sng00

Sng01– Sng99

Recording a Song

You can use the 16-track recorder of the GW-7 to record your own performances.

The following four recording modes are available.

Recording a new song ALL

KBD Recording additional material to an existing song SINGLE

PUNCH

in/out)

Type Explanation

Temporary song

User songs Contain the songs you record and save.

(Keyboard)

(Punch-

The GW-7 has one temporary song memory location (Sng00). This is the memory location that is used when you record a song—it is erased when you switch off the GW-7’s power. If you don’t want to lose the song, you must save it in a user song memory location (Sng01–Sng99). (p. 22)

Used when playing or recording a song. Erased when you switch off the GW-7’s power.

The contents are preserved even when you switch off the GW-7’s power.

Keyboard performance and backing are all recorded simultaneously.

Only the keyboard performance is recorded.

Record one track at a time. You can choose the track that will be recorded.

Re-record over a specified region of a track.

Keyboard

This recording mode records only the keyboard performance. The backing will not be available.

The temporary song (Sng00) will be erased by the new recording.

1.

Make preparations by selecting the keyboard mode (p. 9) and Tone (p. 11).

2.

Press [SONG REC] so the button is lit.

3.

Turn the VALUE dial to set “Rec Mode” to KBD.

4.

Use the metronome if desired. (p. 10)

5.

Press [ ] to start recording.

6.

Perform.

7.

Press [ ] to stop recording.

Single

This recording mode lets you layer additional material onto the previously recorded sounds, and record each track separately.

You can’t use this recording mode if the temporary track (Sng00) contains no data.

1.

Press [SONG REC] so the button is lit.

For the first recording, “SINGLE” is selected automatically. Be aware that if you choose “ALL” or “KBD,” the temporary song (Sng00) will be erased. If you want to record additional material to an existing song, you must choose “SINGLE” or “PUNCH.” If the temporary song (Sng00) contains no data, you can’t select “SINGLE” or “PUNCH.”

You can't record a song while the GW-7 is synchronized to an external MIDI device.

All

This recording mode records the keyboard performance and all of the backing.

The temporary song (Sng00) will be erased by the new recording.

1.

Make preparations by selecting the keyboard mode (p. 9), Tone (p. 11), and Backing (p. 14).

2.

Press [SONG REC] so the button is lit.

3.

Turn the VALUE dial to set “Rec Mode” to ALL.

4.

Press [ ] to start recording.

5.

Perform.

6.

Press [ ] to stop recording.

2.

Turn the VALUE dial to set “Rec Mode” to SINGLE.

3.

Press SELECT [ ]. The recording track screen will appear. Turn the VALUE dial to select the track you want to record.

4.

Make preparations to play a Tone (p. 11).

5.

Press [ ] to start recording.

6.

Perform.

7.

Press [ ] to stop recording.

If you want to record additional material, continue from step 1.

The keyboard and backing parts are recorded on the following tracks.

Track

Part name

Backing 1

1 2 Backing bass 3

Backing 2 4 Main (Keyboard) 5

Backing 3 6 Dual (Keyboard)

Backing 4

7 8 Backing 5 9 Backing 6

10 Backing drums 11 Split (Keyboard) 12 13

*1

*2

*3

*4

21

Song Functions

Track

*1

: The bass that sounds when the backing is playing

*2

: Main mode, the Upper Tone of Split mode, or the first Tone

*3

: Second Tone of Dual mode

*4

: Lower Tone of Split mode

*5

: If you assign a drum set for Main mode, the Upper Tone of

Part name

14 15 16 (Main (Keyboard))

of Dual mode

Split mode, or the first Tone of Dual mode

*5

Punch-In/Out

You can use punch-in/out to re-record a selected region of a previously recorded track. The data before and after the re-recorded region will not be erased.

9.

At the point where you want to start re-recording, press the foot switch.

10.

Perform.

11.

Press the foot switch once again to stop recording.

12.

Press [ ] to stop playback.

If you want to re-record again, continue from step 7.

Recording Another Song (After Previously Recording a Song)

1.

Save the song you previously recorded. (See note below.)

2.

Record your next song as described in the procedure for "All." (p. 21)

You can’t use this if the temporary song (Sng00) contains no data.

1.

Press [SONG REC] so the button is lit.

2.

Turn the VALUE dial to set “Rec Mode” to PUNCH.

3.

Press SELECT [ ]. The recording track screen will appear. Turn the VALUE dial to select the track you want to record.

4.

Press [ ] to start playback.

5.

At the point where you want to start re-recording, press [SONG REC] once again.

6.

Perform.

7.

Press [SONG REC] once again to stop recording.

8.

Press [ ] to stop playback.

If you want to re-record again, continue from step 3.

Using a Foot Switch to Punch-In/Out

You can use a separately available pedal switch (Roland DP Series), foot switch (Boss FS-5U) to start and stop recording. This lets you play using both hands, or lets you use your left hand to operate pitch bend/modulation while you play the melody with your right hand.

1.

Connect your foot switch to the rear panel CONTROL PEDAL jack.

2.

Press [FUNCTION].

3.

Use SELECT [ ][ ] to get the screen to indicate “Edit System?”, and then press [ENTER].

4.

Use SELECT [ ][ ] to choose “Pedal,” and turn the VALUE dial to select PUNCH I/O.

5.

Press [SONG REC] so the button is lit.

6.

Turn the VALUE dial to set “Rec Mode” to PUNCH.

7.

Press SELECT [ ]. The recording track screen will appear. Turn the VALUE dial to select the track you want to record.

8.

Press [ ] to start playback.

The temporary song (Sng00) memory contains the song you just recorded. If you set the recording mode to ALL, the previously recorded song will be erased, allowing you to record a new song.

Saving a Song

Here’s how you can save a song from the temporary song memory (Sng00) to a user song memory (Sng01–Sng99).

1.

Press [FUNCTION].

2.

Press SELECT [ ][ ] to get the screen to indicate “Write Song?” Then press [ENTER].

3.

Enter a name for the user song.

Use SELECT [ ][ ] to move the cursor, and turn the VALUE dial to choose the characters you need.

4.

Press [ENTER]; the screen will prompt “Write Sure?”

5.

Press [ENTER] to save the song.

If you press [EXIT], you’re returned to the previous screen without saving the song.

Deleting a Song

Here’s how you can delete a song from a user song memory location (Sng01–Sng99).

1.

Press [FUNCTION].

2.

Press SELECT [ ][ ] to get the screen to indicate “Utility?” Then press [ENTER].

3.

Use SELECT [ ][ ] to select “Delete Song?”

4.

Turn the VALUE dial to select the user song that you want to delete.

5.

Press [ENTER]; the screen will prompt “Delete Sure?”

6.

Press [ENTER] to delete the song.

If you press [EXIT], you’re returned to the previous screen without deleting the song.

22

Song Functions

Selecting and Playing a Song

1.

Press MODE [SONG] so the button is lit.

2.

Turn the VALUE dial to select a song.

3.

Press [ENTER].

4.

Press [ ] to play the song.

To stop, press [ ] once again.

When you select a user song, the temporary song memory (Sng00) will be overwritten by the user song you selected.

You can't play back SMF data that contains more than 16 parts.

Moving the Playback Location of a Song

You can use the following buttons to do this.

•[ ]

Moves to the beginning of the song.

•[ ]

Moves to the preceding measure.

•[ ]

Moves to the next measure.

Minus-One Playback

You can mute (silence) a desired track of the song. For example, if you’ve copied an SMF (Standard MIDI File) to the GW-7, you can mute one of the tracks, and play that part yourself on the keyboard.

Muting a Track

1.

Press BAND TYPE [DRUMS & BASS] (factory default setting: track 10), [COMBO] (factory default setting: track

1), or [FULL] (factory default setting: track 2) to specify the track you want to mute.

2.

Press [ ]. The song will play, and the track you specified in step 1 will be muted.

Changing the Muted Track

You can change the mute track specified for each button [DRUMS & BASS], [COMBO], and [FULL].

1.

Press and hold one of the BAND TYPE buttons [DRUMS & BASS], [COMBO], or [FULL]. The mute track setting screen will appear.

2.

Turn the VALUE dial to change the track that will be muted.

Repeatedly Playing a Specified Region

You can make a specified region (A–B) play repeatedly.

1.

Use [ ][ ] to move to the measure at which you want repeat playback to begin.

2.

Press [MARKER A-B] to set marker A to the current location.

3.

Use [ ][ ] to move to the measure at which you want repeat playback to end.

4.

Press [MARKER A-B] to set marker B to the current location.

5.

Press [REPEAT A-B].

6.

Press [ ] to start repeat playback.

Don't set a marker in the last measure of a song; repeat playback will not work properly if you do so.

23

USB Functions and System Functions

Transferring Files via USB

The GW-7 can send and receive music styles and song files via a USB connection with your computer.

You must not perform the following actions while the GW-7's [USB] button is lit or while files are being sent or received. If you perform these actions, your computer may freeze, or the files in the GW-7's memory may be damaged.

• Connect or disconnect the USB cable

• Restart, shut down, or enter or exit Suspend (Standby) or Hibernation mode on your computer

• Switch off power to the GW-7

If you are using Windows 2000/XP, you must log onto Windows as one of the following users in order to complete the USB connection correctly.

• A user name belonging to the Administrators group, such as Administrator

• A user name whose account type is a computer administrator

Do not connect two or more GW-7 units to one computer via USB. The system will not operate correctly with such connections.

1.

Turn on the power of your computer.

2.

Turn on the power of the GW-7.

3.

Use a separately available USB cable to connect the GW-7 to your computer.

4.

On the GW-7, press [USB] so the button is lit.

When a USB connection has been established with your computer, the GW-7’s screen will indicate “USB Connecting.” Then, the GW-7 will appear on your computer screen as an external drive (“GW-7_DRV” or as “Removable Disk”).

Do not delete or rename the "Style" or "Song" folders. The system will not operate correctly if you do so.

The filenames for styles or songs must be no longer than eight characters, and may consist only of uppercase letters and numerals. Style files must have an extension of files must have an extension of that do not conform to these specifications.

7.

Terminate the USB connection as described in "Terminating the USB Connection between the GW-7 and Your Computer" (below), and then press [USB] or [EXIT] on the GW-7.

If you copy a large number of music style files to the GW-7, the screen will indicate "Busy" -> "Converting," and the processing can take quite a while. This is because the converted to

.STH

(device-specific data) files.

.MID

. The GW-7 cannot use files

.STL

files are being

, and song

Terminating the USB Connection between the GW-7 and Your Computer

1.

Depending on the computer you’re using, perform the action below.

•

Macintosh

into the trash.

•

Windows XP

“Removable Disk” icon, and execute “Eject.”

•

Windows 2000/Me

1.

Click in the task tray, and click the message that

indicates “Stop drive.”

: Drag the “GW-7_DRV” or “Removable Disk” icon

: In My Computer, right-click the “GW-7_DRV” or

:

The drive letter will depend on the number of drives that Windows has detected. (This is not relevant for Mac OS.)

Data transfer is possible for Windows 2000/Me/XP or later, and for Mac OS 9.0.4 or later. If you experience a problem with your system, please contact the nearest Roland dealer.

5.

Open the GW-7 external drive on your computer screen, and open the “Style” or “Song” folder.

6.

You can perform the following file operations.

• Drag and drop music style files to copy them from the “Style” folder to the hard disk of your computer

• Drag and drop song files to copy them from the “Song” folder to the hard disk of your computer

• Drag and drop music style files to copy them from the hard disk of your computer to the “Style” folder

• Drag and drop song files to copy them from the hard disk of your computer to the “Song” folder

• Delete unwanted files

• Rename files

24

Task bar

2.

In the “Remove Hardware” dialog box, click [OK].

2.

Disconnect the USB cable from the GW-7 and your computer.

Task tray

System Settings

1.

Press [FUNCTION].

2.

Use SELECT [ ][ ] to get the screen to indicate “Edit System?” Then press [ENTER].

If you press [EXIT], you’re returned to the previous screen.

3.

Use SELECT [ ][ ] to select a parameter, and turn the VALUE dial to change the setting of that parameter.

For details, refer to “System Parameter Functions” (p. 25)

4.

When you’re finished making system settings, press [EXIT].

USB Functions and System Functions

System Parameter Functions

Parameter Range Explanation

LCD Contrast -20–+20 Adjusts the contrast of the text in the screen.

Local Ctrl OFF, ON Refer to “Local Ctrl (Local Control)” (p. 26).

Master Tune 427.4–452.6 Hz Adjusts the tuning of the entire GW-7. The displayed value is the frequency of the A4 key (middle A).

Transpose -12–+12 Transposes the pitch of the GW-7 in semitone steps.

Trans Mode INT,

SNG, I+S, MID, I+M, S+M, ALL

P.Bend Range 0–24 Specifies the range of pitch change that can be controlled using the pitch bend controller. (p. 17)

Pedal EXPRESSION,

CHORD OFF, CHORD TGL, SOSTENUTO, SOFT, ROTARY S/F, START/STOP, BASS INV, PUNCH I/O

Pedal Pol STD, RVS Switches the polarity of the pedal connected to the CONTROL PEDAL jack. Some pedals will operate in the opposite of

Hold Pol STD, RVS Switches the polarity of the pedal connected to the HOLD PEDAL jack. (* See “Pedal Pol,” above)

C1 REVERB SEND,

CHORUS SEND, PORTA SW, PORTA TIME, DECAY TIME, VIB RATE, VIB DEPTH, VIB DELAY

C2 Same as “C1”

above

Split Ctrl OFF, ON Selects whether the controllers (hold pedal, control pedal, pitch bend/modulation) will apply to the Lower Part of Split

Metro Time 1/4, 2/4, 3/4, 4/4,

5/4, 6/4, 6/8, 9/8

Metro Vol 0–127 Adjusts the volume of the metronome. (p. 10)

MIDI TxRx ALL, KBD, STL,

SNG, OFF

Sync Rx OFF, ON Refer to “Sync Rx (MIDI Synchronization)” (p. 26).

P.Bend TxRx OFF, ON Refer to “P.Bend TxRx (Pitch Bend Message Transmission/Reception)” (p. 27).

Mod TxRx OFF, ON Refer to “Mod TxRx (Modulation Message Transmission/Reception)” (p. 27).

Prog TxRx OFF, ON Refer to “Prog TxRx (Program Change Message Transmission/Reception)” (p. 27).

Velocity Rx OFF, ON Refer to “Velocity Rx (Velocity Reception)” (p. 27).

Clock Tx OFF, ON Refer to “Clock Tx (Clock Message Transmission)” (p. 27).

StartStop Tx OFF, ON Refer to “StartStop Tx (Start/Stop/Continue Message Transmission)” (p. 27).

SongPos TxRx OFF, ON Refer to “SongPos TxRx (Song Position Pointer Message Transmission/Reception)” (p. 27).

Lyrics Tx OFF, ON Refer to “Lyrics Tx (Lyrics Data Transmission)” (p. 27)

Selects the part(s) that will be affected by the above Transpose setting.

INT

: Only the keyboard part. Notes received from the MIDI IN connector will not be affected.

SNG

: Only the song parts will be transposed.

I+S

: The keyboard part and song part.

MID

: Only notes received from the MIDI IN connector will be transposed.

I+M

: The keyboard part and notes received from the MIDI IN connector.

S+M

: The song parts and notes received from the MIDI IN connector will be transposed.

ALL

: All parts and notes received from the MIDI IN connector will be transposed.

Selects the function that will be controlled when you press a separately available pedal connected to the CONTROL PEDAL jack.

EXPRESSION CHORD OFF

CHORD TGL

SOSTENUTO

SOFT

ROTARY S/F

START/STOP BASS INV PUNCH I/O

the expected way when you press them. If you’re using this type of pedal, set this parameter to RVS (reverse). If you’re using a Roland pedal (without a polarity switch), use the STD (standard) setting.

Choose the

REVERB SEND CHORUS SEND PORTA SW

PORTA TIME DECAY TIME VIB RATE VIB DEPTH VIB DELAY

Choose the

mode.

Specifies the time signature (the number of beats per measure) for the metronome. (p. 10)

Refer to “MIDI TxRx (MIDI Transmission/Reception)” (p. 26).

: The pedal will function as an Expression pedal.

: While you keep the pedal depressed, the Chord Assignment function in the left-hand region of the key-

board will be turned off, allowing you to play using the entire keyboard.

: When you press the pedal once, the Chord Assignment function for the left-hand region of the keyboard

will be turned off, allowing you to play using the entire keyboard. When you press the pedal again, the keyboard will revert to its previous state, and you can use the left-hand region to specify chords.

: The pedal will function as a Sostenuto pedal. When you press the pedal, notes that are already being held

down will be sustained. (This function can be used only for the keyboard part.)

: The pedal will function as a Soft pedal. Notes you play while holding down the pedal will have a softer tone. (This

function can be used only for the keyboard part.)

: The pedal will switch the speed of the rotary effect. This is valid only if the

MFX. (p. 20)

: The pedal will start/stop the backing or song playback.

: The pedal will switch the Bass Inversion function on/off. (p. 18)

: The pedal will control punch-in and punch-out during song recording. (p. 22)

EFFECT

to be controlled when you press [SELECT] to choose REVERB and then turn the C1 knob.

: Adjusts the send level of each tone to the reverb.

: Adjusts the send level of each tone to the chorus.

: Portamento will be applied if you turn the knob to the right, and will not be applied if you turn the knob

to the left. (p. 12)

: Adjusts the portamento time. Turn toward the right to lengthen the time. (p. 12) : Adjusts the decay time. Turn toward the right to lengthen the time. (p. 12)

: Adjusts the modulation speed of vibrato. Turn toward the right to make the vibrato faster. (p. 12)

: Adjusts the modulation depth of vibrato. Turn toward the right to make the vibrato deeper. (p. 12)

: Adjusts the amount of time to pass before vibrato begins. Turn toward the right to lengthen the delay. (p. 12)

EFFECT

to be controlled when you press [SELECT] to choose CHORUS and then turn the C2 knob.

ROTARY

type is selected for

25

MIDI Functions

MIDI sound module/ sequencer

Use the GW-7 to play your MIDI sound module

Play the GW-7's sounds from your MIDI sequencer

GW-7

(1)

MIDI

(2)

IN

OUT

Sequencer

Memory

Sound generator

Play a note once; it's sounded twice

Thru setting turned on

Local on

The GW-7 can transmit and receive performance data when connected to an external MIDI device, which enables the two devices to control each other’s performance. For example, one device can play or switch sounds on the other device.

MIDI

stands for “Musical Instrument Digital Interface.” It is a universal standard for exchanging musical performance data among electronic musical instruments and computers.

The GW-7’s MIDI connectors allow it to transmit performance data to, and receive such data from other devices. You can use the GW-7 in a wide range of ways by connecting external devices to these connectors.

* A separate publication titled "MIDI Implementation" is also available.

It provides complete details concerning the way MIDI has been implemented on this unit. If you should require this publication (such as when you intend to carry out byte-level programming), please contact the nearest Roland Service Center or authorized Roland distributor.

Connection Example

Before making connections with other devices, you must turn down the volume of all devices and turn off the power to avoid malfunctions or speaker damage.

*3

: Second Tone of Dual mode

*4

: Lower Tone of Split mode

*5

: The bass that sounds according to the chord you play in the

left hand when [BACKING TRACK] is lit and the backing is stopped

*6

: If you assign a drum set for Main mode, the Upper Tone of

Split mode, or the first Tone of Dual mode

MIDI Parameters

For details on how to make these settings, refer to “System Settings” (p. 24).

MIDI parameters other than “Local Ctrl” will be saved as soon as you exit System Edit mode.

Local Ctrl (Local Control)

(On/Off, default: On) If the notes you play on the keyboard are sent to the sound

generator via both of the two routes (1) and (2) as shown in the diagram, the notes will be duplicated or interrupted. To prevent this, you can disconnect route (1) by using the “Local Off” setting.

You should turn this setting Off if you’ve connected a MIDI sequencer to the GW-7.

MIDI Channels

MIDI provides sixteen channels, numbered 1–16. Even if two MIDI devices are connected, you won’t be able to select or play sounds on the other device unless both devices are set to the same MIDI channel. The GW-7 is capable of receiving on all channels, 1–16.

Backing 1

1 2 Backing bass

Backing 2

3 4 Main (Keyboard)

Backing 3

5 6 Dual (Keyboard)

Backing 4

7 8 Backing 5

9 Backing 6 10 Backing drums 11 Split (Keyboard)

Chord Bass (Keyboard)

12 13 14 15 16 (Main (Keyboard))

*1 *2

: The bass that sounds when the backing is playing : Main mode, the Upper Tone of Split mode, or the first Tone

of Dual mode

*1

*2

*3

*4

*6

*5

The setting of this parameter is cleared when you switch off the GW-7’s power.

MIDI TxRx (MIDI Transmission/Reception)

This specifies the part(s) that will receive and transmit MIDI.

Option

ALL All parts KBD • The keyboard part (refer to “(Keyboard)” in the

STL • The backing parts (Backing 1–6, Backing bass,

SNG Only the song parts (1–16) OFF None of the GW-7’s parts will transmit or receive

Meaning

“MIDI channel” table in the left column of this page)

• The song parts (1–16)

Backing drums)

• The song parts (1–16)

MIDI messages.

Sync Rx (MIDI Synchronization)

This specifies how the GW-7 will synchronize to an external MIDI device. Synchronization is available if the MIDI OUT connector of your external MIDI device is connected to the GW7’s MIDI IN connector. (If you’ve made the opposite connection, refer to the owner’s manual for your external device.)

26

MIDI Functions

Off The GW-7 will not synchronize to the external MIDI

device.

On The GW-7 will receive MIDI Start (or Continue) mes-

sages, and will begin playing the backing or song recording/playback in synchronization with the MIDI Clock messages that are subsequently received. When the GW-7 receives a Start message, it will wait a short time for MIDI Clock messages to arrive. If MIDI Clock messages are received, the GW-7 will synchronize to them. If not, the GW-7 will use its own tempo. In either case, you will be able to use MIDI Stop messages to stop playback or recording.

P.Bend TxRx (Pitch Bend Message Transmission/Reception)

(On/Off, default: On) This is an on/off switch for Pitch Bend message transmission/

reception. These messages temporarily raise or lower the pitch of the keyboard mode Tone.

Mod TxRx (Modulation Message Transmission/Reception)

(On/Off, default: On) This is an on/off switch for Modulation message transmission/

reception. These messages apply vibrato to the keyboard mode Tone (control change CC#01).

Prog TxRx (Program Change Message Transmission/Reception)

(On/Off, default: On) This is an on/off switch for Program Change message

transmission/reception. These messages are used to select Tones.

Velocity Rx (Velocity Reception)

(On, 1–127, default: On) This is an on/off switch for Velocity reception. This applies only

to the velocity of Note messages received via MIDI. If this is On, the GW-7 will use the velocity value that it receives. Otherwise, the GW-7 will use the velocity value you specify here.

Clock Tx (Clock Message Transmission)

(On/Off, default: On) This specifies whether MIDI Clock messages will be

transmitted. Use this when you want a connected external MIDI device to synchronize to the GW-7.

StartStop Tx (Start/Stop/Continue Message Transmission)

(On/Off, default: On) This specifies whether Start/Stop/Continue messages will be

transmitted. Song mode: Start/Stop/Continue Style mode: Start/Stop

Lyrics Tx (Lyrics Data Transmission)

(On/Off, default: Off) When playing back Format 0 SMF music data, this allows lyrics

imbedded in the data to be transmitted to an external device.

Bulk Dump

The GW-7’s User Tone data and User Performance data can be sent via MIDI and saved on an external sequencer or other MIDI device. Make settings on your external sequencer so that it is ready to record normal performance data, and perform the following steps on the GW-7.

User Style and User Song data cannot be transmitted via MIDI. Use USB to transfer this data. (p. 24)

1.

Use a separately available MIDI cable to connect the GW-7’s MIDI OUT connector to your external sequencer’s MIDI IN connector.

2.

Press [FUNCTION].

3.

Use SELECT [ ][ ] to get the screen to indicate “Utility?”, and then press [ENTER].

4.

Use SELECT [ ][ ] to choose “Bulk Dump?”

5.

Press [ENTER]; the screen will prompt “Sure?”

6.

Press [ENTER] again to execute the Bulk Dump.

If you press [EXIT], the procedure is canceled and you’re returned to the previous screen.

Bulk Load

GW-7 User Tone data and User Performance data saved on an external sequencer or other MIDI device can be received via MIDI (i.e., reloaded back into the GW-7).

User Style and User Song data cannot be received via MIDI. Use USB to transfer this data. (p. 24)

When you execute Bulk Load, the User Tone and User Performance data in the GW-7’s memory will be overwritten. You should save any important data on an external MIDI device before you proceed.

1.

Power up the GW-7.

2.

Use a separately available MIDI cable to connect the GW-7’s MIDI IN connector to your external sequencer’s MIDI OUT connector.

3.

Transmit the bulk dump from your external sequencer to the GW-7.

SongPos TxRx (Song Position Pointer Message Transmission/Reception)

(On/Off, default: On) This specifies whether Song Position Pointer messages will be

transmitted/received to indicate the currently playing position in Song mode. If you don’t want this message to be transmitted or received, choose the Off setting. This is valid only if MODE [SONG] is lit.

Using the GW-7 as a MIDI Sound Module

Press [SONG] to put the GW-7 in Song mode.

27

Troubleshooting

This section provides points to check and actions to take when the GW-7 does not function as you expect. Refer to the appropriate section for the problem you are experiencing.

No Sound in a Specific Range of Pitches

Power Does Not Turn On

Is the included AC adaptor/power cord correctly connected to an AC outlet and to the GW-7? (p. 9)

Do not use any AC adaptor and power cord other than the one included. Doing so will cause malfunctions.

No Sound from the GW-7

Could the VOLUME knob be turned down?

If playing the keyboard does not produce sound, could Local Control be turned OFF?

Turn

Local Ctrl ON

Could pedal operations or MIDI messages (exclusive or volume) received from an external MIDI device have lowered the volume?

. (p. 25, p. 26)

No Sound from a Specific Part

Some tones, such as drum sets or bass tones, have a limited range of pitches.

Effects Are Not Applied

The reverb and chorus effects for the keyboard parts won’t be applied if their amounts are set to 0.

Raise the

Rev Split

If MFX is not OFF, chorus is not applied to Main mode/the upper part of Split mode/the first tone of Dual mode.

Cho Main, Cho Dual, Cho Split, Rev Main, Rev Dual

settings above 0. (p. 19)

, and

The Effect Sounds Wrong

If Tone MFX is OFF, some combinations of tones and effects may sound different in comparison to other tones.

Turn the type. (p. 19)

Tone MFX

setting ON. Alternatively, select a different

MFX

Could the volume of the part be turned down?

Adjust the volume parameters (

ChordBs, Vol Drum, Vol Bass, Vol Backing

Could you have used the Minus-One function to mute (silence) a specific part? (p. 23)

Does the MIDI receive channel of the part match the MIDI transmit channel of the connected MIDI device?

Set the MIDI channel of the connected external device to match the GW-7. (p. 26)

Vol Main, Vol Dual, Vol Split, Vol

). (p. 18)

No Sound from a Connected MIDI Device

Are MIDI messages being transmitted?

Turn

MIDI TxRx

Does the MIDI transmit channel of the GW-7’s keyboard controller section match the MIDI receive channel of the connected MIDI device?

Set the MIDI channel of the connected external device to match the GW-7. (p. 26)

to a setting other than

OFF

. (p. 25, p. 26)

Pitch Bend Not Obtained When Pitch Bend Lever Is Moved

Could the pitch bend range be set to 0?

Set the

P.Bend Range

to a value other than 0. (p. 25)

Sound Is Alternately Heard from Left and Right (Panned) Each Time You Play a Note

Some tones alternately pan the sound to left and right each time you play a note.

You cannot change this setting for these tones.

If the Pan Main, Pan Dual, or Pan Split parameters are set to Rnd, the sound will alternate between left and right each time you play a note. (p. 18)

28

Sound Is Distorted

For some effect or part volume settings, the sound may distort. Adjust the following parameters.

• Volume parameters:

ChordBs, Vol Drum, Vol Bass, Vol Backing

• Amount of reverb or chorus for the keyboard part:

Cho Dual, Cho Split, Rev Main, Rev Dual, Rev Split

• Overall volume and volume balance (p. 14)

Vol Main, Vol Dual, Vol Split, Vol

(p. 18)

Cho Main

(p. 19)

Could you be applying an effect such as overdrive or distortion which intentionally distorts the sound? (p. 20)

Pitch Is Wrong

For some tones, the pitch in certain ranges may sound different than other tones.

Troubleshooting

,

Could the tuning of the GW-7 be incorrect?

Check the

Master Tune

setting. (p. 25)

Could the pitch have been changed by pedal operations or by pitch bend messages received from an external MIDI device?

Notes Are Cut Off

If you attempt to play more than 64 voices simultaneously, currently sounding notes may be cut off.

29

Tone Lists

Button

PIANO

KBD/ ORGAN

No. Tone Category PC CC00CC

1 St.Piano 1 PIANO 1 8 2

2 EuropeanPf PIANO 1 16 2

3 Piano 2 PIANO 2 0 2

4 Honkytonk PIANO 4 0 2

5 Piano 1 PIANO 1 0 2

6 St.Piano 2 PIANO 2 8 2

7 Piano 3 PIANO 3 0 2

8 EG+EP 1 PIANO 3 1 2

9 EG+EP 2 PIANO 3 2 2

10 St.Piano 3 PIANO 3 8 2

11 OldUpright PIANO 4 8 2

12 E.Piano 1 ELECTRIC PIANO 5 0 2

13 St.Soft EP ELECTRIC PIANO 5 8 2

14 Dyno EP ELECTRIC PIANO 5 47 2

15 Wurly ELECTRIC PIANO 5 48 2

16 EP Legend ELECTRIC PIANO 6 10 2

17 Hard FM EP ELECTRIC PIANO 6 24 2

18 EP Phase ELECTRIC PIANO 6 32 2

19 FM+SA EP ELECTRIC PIANO 5 16 2

20 60s EP ELECTRIC PIANO 5 24 2

21 Hard EP ELECTRIC PIANO 5 25 2

22 Mellow EP ELECTRIC PIANO 5 26 2

23 E.Piano 2 ELECTRIC PIANO 6 0 2

24 Detuned EP ELECTRIC PIANO 6 8 2

25 St.FM EP ELECTRIC PIANO 6 16 2

26 Nylon+EP ELECTRIC PIANO 100 5 2

27 Organ 2 ORGAN 18 0 2

28 Organ 1 ORGAN 17 0 2

29 R&B Organ ORGAN 17 10 2

30 Cool Organ ORGAN 17 34 2

31 60s Organ1 ORGAN 17 16 2

32 Cheese Org ORGAN 17 24 2

33 Org Oct 2 ORGAN 17 21 4

34 Org Oct 1 ORGAN 17 20 4

35 Perc Org 1 ORGAN 18 9 2

36 Organ 3 ORGAN 19 0 2

37 Rotary Org ORGAN 19 8 2

38 RotarySlow ORGAN 19 16 2

39 RotaryFast ORGAN 19 24 2

40 ChurchOrg1 ORGAN 20 0 2

41 ChurchOrg2 ORGAN 20 8 2

42 OrganFlute ORGAN 20 24 2

43 Trem Flute ORGAN 20 32 2

44 Reed Organ ORGAN 21 0 2

45 Organ 101 ORGAN 17 1 2

46 Dtnd Org 1 ORGAN 17 7 2

47 Trem Organ ORGAN 17 8 2

48 Organ 109 ORGAN 17 9 2

49 60s Organ2 ORGAN 17 17 2

50 60s Organ3 ORGAN 17 18 2

51 Pop Organ ORGAN 17 31 2

52 Rock Organ ORGAN 17 32 2

53 Even Bar ORGAN 17 33 2

54 Organ Bass ORGAN 17 40 2

55 Organ 201 ORGAN 18 1 2

56 Chorus Org ORGAN 18 8 2

57 Dtnd Org 2 ORGAN 18 10 2

58 Perc Org 2 ORGAN 18 32 2

59 ChurchOrg3 ORGAN 20 16 2

60 Puff Organ ORGAN 21 16 2

61 Squeeze Me ACCORDION 22 5 4

62 Oktober ACCORDION 22 6 4

63 Vint Accdn ACCORDION 22 10 4

64 Romance ACCORDION 22 11 4

65 La Seine ACCORDION 22 12 4

66 Accrdn 1 ACCORDION 22 1 4

67 Accrdn 2 ACCORDION 22 2 4

68 Accrdn 3 ACCORDION 22 3 4

69 AccrdnJuno ACCORDION 22 4 4

70 Accrdn It ACCORDION 22 8 2

71 Accrdn Fr ACCORDION 22 0 2

Button

32

KBD/ ORGAN

GUITAR/ BASS

No. Tone Category PC CC00CC

72 Bandoneon ACCORDION 24 0 2

73 Harmonica1 ACCORDION 23 0 2

74 Harmonica2 ACCORDION 23 1 2

75 Harpsi 2 KEYBOARD 7 24 2

76 St.Harpsi KEYBOARD 7 16 2

77 Harpsi 1 KEYBOARD 7 0 2

78 CoupledHps KEYBOARD 7 8 2

79 Clav KEYBOARD 8 0 2

80 Comp Clav KEYBOARD 8 8 2

81 Pulse Clav KEYBOARD 8 39 2

82 Celesta CHROMATIC PERC 9 0 2

83 Music Box CHROMATIC PERC 11 0 2

84 Vibraphone CHROMATIC PERC 12 0 2

85 Marimba CHROMATIC PERC 13 0 2

86 Xylophone CHROMATIC PERC 14 0 2

87 Tublr Bell CHROMATIC PERC 15 0 2

88 Sft Crystl CHROMATIC PERC 99 2 2

89 LoudGlockn CHROMATIC PERC 99 4 2

90 Choir&Bell CHROMATIC PERC 99 16 2

91 TinkleBell CHROMATIC PERC 113 0 2

92 Glocken CHROMATIC PERC 10 0 2

93 Hard Vibe CHROMATIC PERC 12 1 2

94 St.Vibe CHROMATIC PERC 12 8 2

95 St.Marimba CHROMATIC PERC 13 8 2

96 ChurchBell CHROMATIC PERC 15 8 2

97 Carillon CHROMATIC PERC 15 9 2

98 Crystal CHROMATIC PERC 99 0 2

99 Syn Mallet CHROMATIC PERC 99 1 2

100 RndGlocken CHROMATIC PERC 99 3 2

101 GlcknChime CHROMATIC PERC 99 5 2

102 Clr Bells CHROMATIC PERC 99 6 2

103 X’mas Bell CHROMATIC PERC 99 7 2

104 VibraBells CHROMATIC PERC 99 8 2

105 Digi Bell CHROMATIC PERC 99 9 2

106 Air Bells CHROMATIC PERC 99 17 2

107 Bell Harp CHROMATIC PERC 99 18 2

108 Gamelimba CHROMATIC PERC 99 19 2

109 Nylon Gt 1 ACOUSTIC GUITAR 25 0 2

110 Velo Harm ACOUSTIC GUITAR 25 24 2

111 Nyln+Steel ACOUSTIC GUITAR 26 9 2

112 Requint Gt ACOUSTIC GUITAR 25 40 2

113 FlamencoGt ACOUSTIC GUITAR 25 49 2

114 StlStr Gt1 ACOUSTIC GUITAR 26 0 2

115 12 Str Gt ACOUSTIC GUITAR 26 8 2

116 Mandolin ACOUSTIC GUITAR 26 16 2

117 Ukulele ACOUSTIC GUITAR 25 8 2

118 Guitarron ACOUSTIC GUITAR 25 9 4

119 Nylon Gt 2 ACOUSTIC GUITAR 25 16 2

120 Nylon Gt 3 ACOUSTIC GUITAR 25 32 2

121 StlStr Gt2 ACOUSTIC GUITAR 26 32 2

122 Steel+Body ACOUSTIC GUITAR 26 33 2

123 E.Gt Harm ACOUSTIC GUITAR 32 0 2

124 Ac.Gt Harm ACOUSTIC GUITAR 32 16 2

125 Atmosphere ACOUSTIC GUITAR 100 0 2

126 Nylon Harp ACOUSTIC GUITAR 100 2 2

127 Gt Fret Nz ACOUSTIC GUITAR 121 0 2

128 Jazz Gt 1 ELECTRIC GUITAR 27 0 2

129 PedalSteel ELECTRIC GUITAR 27 8 2

130 Clean Gt 2 ELECTRIC GUITAR 28 1 2

131 JC Cln Gt ELECTRIC GUITAR 28 4 2

132 MidTune Gt ELECTRIC GUITAR 28 23 2

133 Muted Gt ELECTRIC GUITAR 29 0 2

134 Overdrive ELECTRIC GUITAR 30 0 2

135 Dist Gt 1 ELECTRIC GUITAR 31 0 2

136 Power Gt 1 ELECTRIC GUITAR 31 16 2

137 Mellow Gt ELECTRIC GUITAR 27 1 2

138 Jazz Gt 2 ELECTRIC GUITAR 27 2 2

139 Clean Gt 1 ELECTRIC GUITAR 28 0 2

140 Open Hard ELECTRIC GUITAR 28 3 2

141 Chorus Gt ELECTRIC GUITAR 28 8 2

142 Clean Gt 3 ELECTRIC GUITAR 28 48 2

32

30

Tone Lists

Button

GUITAR/ BASS

No. Tone Category PC CC00CC

143 Mt Dist Bs ELECTRIC GUITAR 29 1 2

144 Funk Pop ELECTRIC GUITAR 29 8 2

145 Funk Gt ELECTRIC GUITAR 29 16 2

146 Jazz Man ELECTRIC GUITAR 29 24 2

147 Gt Pinch ELECTRIC GUITAR 30 4 2

148 Dist Gt 2 ELECTRIC GUITAR 31 1 2

149 Dazed Gt ELECTRIC GUITAR 31 2 2

150 Feedback 1 ELECTRIC GUITAR 31 8 2

151 Feedback 2 ELECTRIC GUITAR 31 9 2

152 Power Gt 2 ELECTRIC GUITAR 31 17 2

153 5th Dist ELECTRIC GUITAR 31 18 2

154 Rock Rhy 1 ELECTRIC GUITAR 31 24 2

155 Rock Rhy 2 ELECTRIC GUITAR 31 25 2

156 Rock Rhy 3 ELECTRIC GUITAR 31 26 2

157 Feedback 3 ELECTRIC GUITAR 32 8 2

158 Gt CutNz 1 ELECTRIC GUITAR 121 1 2

159 Gt CutNz 2 ELECTRIC GUITAR 121 3 2

160 Dist CutNz ELECTRIC GUITAR 121 4 2

161 PickScrape ELECTRIC GUITAR 121 6 2

162 Ac.Bass 1 BASS 33 0 2

163 Ac.Bass 2 BASS 33 1 2

164 Fingrd Bs1 BASS 34 0 2

165 Jazz Bass BASS 34 2 2

166 Fingrd Bs3 BASS 34 3 2

167 Pick Bass1 BASS 35 0 2

168 Frtlss Bs1 BASS 36 0 2

169 Slap Bass1 BASS 37 0 2

170 Syn Bass 1 BASS 39 0 2

171 Reso SH Bs BASS 39 16 2

172 Square Bs BASS 39 22 2

173 Ac.Bass 3 BASS 33 2 2

174 Ac.Bass 4 BASS 33 3 2

175 Baby Bass BASS 33 4 4

176 Fingrd Bs2 BASS 34 1 2

177 Fingrd Bs4 BASS 34 4 2

178 FingerSlap BASS 34 7 2

179 Pick Bass2 BASS 35 3 2

180 Mt Pick Bs BASS 35 8 2

181 Frtlss Bs2 BASS 36 1 2

182 Frtlss Bs3 BASS 36 2 2

183 Frtlss Bs4 BASS 36 3 2

184 Syn Frtlss BASS 36 4 2

185 Mr.Smooth BASS 36 5 2

186 Frtlss Bs5 BASS 36 8 2

187 Fat Frtlss BASS 36 48 2

188 Reso Slap BASS 37 8 2

189 Slap Bass2 BASS 38 0 2

190 Syn Bs 101 BASS 39 1 2

191 Juno Bass BASS 39 2 2

192 106 Bass BASS 39 3 2

193 Acid Bass BASS 39 8 2

194 TB303 Bass BASS 39 9 2

195 Techno Bs BASS 39 10 2

196 Clav Bass BASS 39 19 2

197 Hammer BASS 39 20 2

198 JungleBass BASS 39 21 2

199 Pop Syn Bs BASS 39 23 2

200 LightSynBs BASS 39 24 2

201 FatTB Bass BASS 39 25 2

202 Syn Bass 2 BASS 40 0 2

203 Syn Bs 201 BASS 40 1 2

204 Mod Bass BASS 40 2 2

205 Seq Bass BASS 40 3 2

206 Beef FM Bs BASS 40 8 2

207 X Wire Bs BASS 40 9 2

208 RubberBass BASS 40 16 2

209 SH101 Bs 1 BASS 40 17 2

210 SH101 Bs 2 BASS 40 18 2

211 SmoothBass BASS 40 19 2

212 Mild Bass BASS 40 20 2

213 Detuned Bs BASS 40 21 2

Button

32

GUITAR/ BASS

STRINGS 217 St.Strings STRINGS 49 16 2

SCAT 264 St.Choir VOCAL 53 8 2

SAX/ BRASS

No. Tone Category PC CC00CC

214 Attack Pls BASS 40 29 2

215 Str Slap BASS 121 2 2

216 Bass Slide BASS 121 5 2

218 St.SlowStr STRINGS 50 10 2

219 Legato Str STRINGS 50 8 2

220 SynStrings STRINGS 51 0 2

221 SuspensStr STRINGS 45 9 2

222 Pizz Str STRINGS 46 0 2

223 XP Strings STRINGS 49 4 4

224 Str Oct STRINGS 49 32 4

225 OR Str Oct STRINGS 49 35 4

226 Violin 1 STRINGS 41 0 2

227 SlowVioln1 STRINGS 41 8 2

228 Viola 1 STRINGS 42 0 2

229 Cello 1 STRINGS 43 0 2

230 Contrabass STRINGS 44 0 2

231 Violin 2 STRINGS 41 1 2

232 SlowVioln2 STRINGS 41 9 2

233 Viola 2 STRINGS 42 1 2

234 Cello 2 STRINGS 43 1 2

235 Trem Str STRINGS 45 0 2

236 Slow Trem STRINGS 45 8 2

237 Strings 1 STRINGS 49 0 2

238 Strings 2 STRINGS 49 1 2

239 Orchestra1 STRINGS 49 8 2

240 Orchestra2 STRINGS 49 9 2

241 Trem Orch STRINGS 49 10 2

242 XP Orch STRINGS 49 21 4

243 Choir Str STRINGS 49 11 2

244 Velo Str STRINGS 49 24 2

245 60s Str STRINGS 49 40 2

246 Slow Str 1 STRINGS 50 0 2

247 Slow Str 2 STRINGS 50 1 2

248 Warm Str STRINGS 50 9 2

249 OB Strings STRINGS 51 1 2

250 Syn Str 1 STRINGS 51 2 2

251 70s Str 1 STRINGS 51 8 2

252 70s Str 2 STRINGS 51 9 2

253 Syn Str 2 STRINGS 52 0 2

254 Syn Str 3 STRINGS 52 1 2

255 Double Hit STRINGS 56 10 2

256 Orch Hit STRINGS 56 0 2

257 Bass Hit STRINGS 56 1 2

258 6th Hit STRINGS 56 2 2

259 Euro Hit STRINGS 56 3 2

260 Techno Hit STRINGS 56 4 2

261 Impact Hit STRINGS 56 8 2

262 Philly Hit STRINGS 56 9 2

263 Lo-Fi Rave STRINGS 56 16 2

265 Humming VOCAL 54 40 2

266 Voice Doos VOCAL 54 0 2

267 Syn Vox VOCAL 55 0 2

268 Solo Vox VOCAL 86 0 2

269 ChoirAahs1 VOCAL 53 0 2

270 Mellow Chr VOCAL 53 9 2

271 ChoirAahs2 VOCAL 53 32 2

272 Syn Voice VOCAL 55 8 2

273 Ana Voice VOCAL 55 19 2

274 Harp Vox VOCAL 100 3 2

275 HllwReleas VOCAL 100 4 2

276 Blow Tenor SAX 67 8 2

277 XP Breathy SAX 67 10 4

278 Sop Sax 1 SAX 65 0 2

279 Alto Sax 1 SAX 66 0 2

280 XP AltoSax SAX 66 2 4

281 Tenor Sax1 SAX 67 0 2

282 XP Tnr Sax SAX 67 2 4

283 Baritn Sax SAX 68 0 2

284 Sop Sax 2 SAX 65 8 2

32

31

Tone Lists

Button

SAX/ BRASS

SYNTH 341 Syn Brass1 SYNTH BRASS 63 0 2

No. Tone Category PC CC00CC

285 Alto Sax 2 SAX 66 1 2

286 Hyper Alto SAX 66 8 2

287 Tenor Sax2 SAX 67 1 2

288 Velo Tenor SAX 67 9 2

289 Flute Vib WIND 74 48 2

290 Piccolo WIND 73 0 2

291 Oboe WIND 69 0 2

292 Bassoon WIND 71 0 2

293 Clarinet WIND 72 1 2

294 Pan Flute WIND 76 0 2

295 Whistle WIND 79 0 2

296 EnglshHorn WIND 70 0 2

297 JzClarinet WIND 72 0 2

298 BsClarinet WIND 72 8 2

299 Flute WIND 74 0 2

300 Recorder WIND 75 0 2

301 Ocarina WIND 80 0 2

302 BottleBlow WIND 77 0 2

303 Trumpet 1 ACOUSTIC BRASS 57 0 2

304 Latin Tp 1 ACOUSTIC BRASS 57 7 4

305 Latin Tp 2 ACOUSTIC BRASS 57 6 4

306 FlugelHorn ACOUSTIC BRASS 57 8 2

307 Trombone 1 ACOUSTIC BRASS 58 0 2

308 Tuba 1 ACOUSTIC BRASS 59 0 2

309 Mute Tp 1 ACOUSTIC BRASS 60 0 2

310 Fr.Horns 1 ACOUSTIC BRASS 61 0 2

311 Brass 1 ACOUSTIC BRASS 62 0 2

312 Brass Fall ACOUSTIC BRASS 62 16 2

313 Twin Tp ACOUSTIC BRASS 62 24 2

314 Tb Sect 1 ACOUSTIC BRASS 62 26 2

315 Latin Tbs1 ACOUSTIC BRASS 62 28 4

316 Latin Tbs2 ACOUSTIC BRASS 62 29 4

317 Brass Oct ACOUSTIC BRASS 62 30 4

318 Trumpet 2 ACOUSTIC BRASS 57 1 2

319 Trumpet 3 ACOUSTIC BRASS 57 2 2

320 Dark Tp ACOUSTIC BRASS 57 3 2

321 XP Trumpet ACOUSTIC BRASS 57 5 4

322 Bright Tp ACOUSTIC BRASS 57 24 2

323 Warm Tp ACOUSTIC BRASS 57 25 2

324 Trombone 2 ACOUSTIC BRASS 58 1 2

325 Trombone 3 ACOUSTIC BRASS 58 2 2

326 Bright Tb ACOUSTIC BRASS 58 4 2

327 Tuba 2 ACOUSTIC BRASS 59 1 2

328 Mute Tp 2 ACOUSTIC BRASS 60 2 2

329 Fr.Horns 2 ACOUSTIC BRASS 61 1 2

330 XP Horns ACOUSTIC BRASS 61 10 4

331 FrHornSolo ACOUSTIC BRASS 61 8 2

332 XP Horn ACOUSTIC BRASS 61 4 4

333 Horn Orch ACOUSTIC BRASS 61 16 2

334 Brass 2 ACOUSTIC BRASS 62 1 2

335 Brass 3 ACOUSTIC BRASS 62 8 2

336 XP Brass 1 ACOUSTIC BRASS 62 6 4

337 XP Brass 2 ACOUSTIC BRASS 62 11 4

338 XP Tp&Sax ACOUSTIC BRASS 62 15 4

339 Twin Bones ACOUSTIC BRASS 62 25 2

340 Tb Sect 2 ACOUSTIC BRASS 62 27 2

342 Jump Brass SYNTH BRASS 63 5 2

343 OctSynBrss SYNTH BRASS 63 16 2

344 VeloBrass2 SYNTH BRASS 64 17 2

345 Poly Brass SYNTH BRASS 63 1 2

346 Syn Brass5 SYNTH BRASS 63 3 2

347 Juno Brass SYNTH BRASS 63 4 2

348 Syn Brass3 SYNTH BRASS 63 8 2

349 Quak Brass SYNTH BRASS 63 9 2

350 Oct Brass SYNTH BRASS 63 18 2

351 Syn Brass2 SYNTH BRASS 64 0 2

352 Soft Brass SYNTH BRASS 64 1 2

353 Syn Brass4 SYNTH BRASS 64 8 2

354 VeloBrass1 SYNTH BRASS 64 16 2

355 Big Lead SYNTH LEAD 82 4 2

Button

32

SYNTH

No. Tone Category PC CC00CC

356 SquareWave SYNTH LEAD 81 0 2

357 Mellow FM SYNTH LEAD 81 3 2

358 CC Solo SYNTH LEAD 81 4 2

359 260 Sync SYNTH LEAD 81 17 2

360 Saw Wave 1 SYNTH LEAD 82 0 2

361 Pulse Saw SYNTH LEAD 82 2 2

362 GR-300 SYNTH LEAD 82 6 2

363 Waspy Syn SYNTH LEAD 82 16 2

364 Rhythm Saw SYNTH LEAD 82 45 4

365 Seq Saw SYNTH LEAD 82 46 2

366 SynCalliop SYNTH LEAD 83 0 2

367 PurePan Ld SYNTH LEAD 83 2 2

368 Charang SYNTH LEAD 85 0 2

369 Wire Lead SYNTH LEAD 85 1 2

370 Dist Lead SYNTH LEAD 85 8 2

371 Square SYNTH LEAD 81 1 2

372 Hollow Min SYNTH LEAD 81 2 2

373 Shmoog SYNTH LEAD 81 5 2

374 LM Square SYNTH LEAD 81 6 2

375 Sine Wave SYNTH LEAD 81 8 2

376 DistSquare SYNTH LEAD 81 16 2

377 P5 Saw SYNTH LEAD 82 1 2

378 Feline GR SYNTH LEAD 82 3 2

379 Velo Lead SYNTH LEAD 82 5 2

380 LA Saw SYNTH LEAD 82 7 2

381 Dr.Solo SYNTH LEAD 82 8 2

382 Saw Wave 2 SYNTH LEAD 82 9 2

383 Saw Wave 3 SYNTH LEAD 82 10 2

384 Natural Ld SYNTH LEAD 82 36 2

385 Vent Synth SYNTH LEAD 83 1 2

386 Chiffer Ld SYNTH LEAD 84 0 2

387 5thSawWave SYNTH LEAD 87 0 2

388 Big Fives SYNTH LEAD 87 1 2

389 Bass&Lead SYNTH LEAD 88 0 2

390 Big&Raw SYNTH LEAD 88 1 2

391 Fat&Perky SYNTH LEAD 88 2 2

392 Delayed Ld SYNTH LEAD 88 7 2

393 Poly Syn POLY SYNTHESIZER 91 0 2

394 80sPolySyn POLY SYNTHESIZER 91 1 2

395 Ice Rain POLY SYNTHESIZER 97 0 2

396 Warm Atoms POLY SYNTHESIZER 100 1 2

397 Brightness POLY SYNTHESIZER 101 0 2

398 Fantasia 1 POLY SYNTHESIZER 89 0 2

399 Fantasia 2 POLY SYNTHESIZER 89 1 2

400 Harm Rain POLY SYNTHESIZER 97 1 2

401 African wd POLY SYNTHESIZER 97 2 2

402 Clav Pad POLY SYNTHESIZER 97 8 2

403 Rave POLY SYNTHESIZER 98 8 2

404 Warm Pad PAD 90 0 2

405 Thick Pad PAD 90 1 2

406 Rotary Str PAD 90 3 2

407 Soft Pad PAD 90 4 2

408 SpaceVoice PAD 92 0 2

409 Heaven II PAD 92 1 2

410 Itopia PAD 92 3 2

411 Tine Pad PAD 94 1 2

412 Panner Pad PAD 94 2 2

413 Sweep Pad PAD 96 0 2

414 Polar Pad PAD 96 1 2

415 Shwimmer PAD 96 9 2

416 Soundtrack PAD 98 0 2

417 AmbientPad PAD 100 6 2

418 Goblin Syn PAD 102 1 2

419 ResoPanner PAD 103 5 2

420 StarTheme1 PAD 104 0 2

421 Horn Pad PAD 90 2 2

422 Sine Pad PAD 90 5 2

423 BowedGlass PAD 93 0 2

424 Metal Pad PAD 94 0 2

425 Halo Pad PAD 95 0 2

426 Converge PAD 96 8 2

32

Tone Lists

Button

SYNTH

WORLD 1 439 SitarDrone WORLD 1 105 4 4

No. Tone Category PC CC00CC

427 CelestlPad PAD 96 10 2

428 Ancestral PAD 98 1 2

429 Prologue PAD 98 2 2

430 Goblin PAD 102 0 2

431 50s Sci-Fi PAD 102 2 2

432 Echo Drops PAD 103 0 2

433 Echo Bell PAD 103 1 2

434 Echo Pan 1 PAD 103 2 2

435 Echo Pan 2 PAD 103 3 2

436 Big Panner PAD 103 4 2

437 WaterPiano PAD 103 6 2

438 StarTheme2 PAD 104 1 2

440 Sitar 3 WORLD 1 105 3 4

441 Sarod WORLD 1 105 24 4

442 Erhu WORLD 1 111 8 4

443 Erhu/Vib WORLD 1 111 10 4

444 Erhu/Harm WORLD 1 111 11 4

445 Bonang 2 WORLD 1 113 26 4

446 Gender 2 WORLD 1 113 27 4

447 Saron WORLD 1 113 28 4

448 Yangqin WORLD 1 47 32 4

449 Yanqin/Hrd WORLD 1 47 33 4

450 Yanqin/Trm WORLD 1 47 34 4

451 Yanqin Trm WORLD 1 47 36 4

452 Guzheng WORLD 1 108 1 4

453 Guzhng/Trm WORLD 1 108 2 4

454 Guzhng Trm WORLD 1 108 4 4

455 Guzhng/Hrm WORLD 1 108 3 4

456 Sanxian WORLD 1 107 16 4

457 Sanxn/Trem WORLD 1 107 17 4

458 Pipa WORLD 1 106 32 4

459 Pipa/Vib WORLD 1 106 33 4

460 Pipa/Trem WORLD 1 106 34 4

461 Pipa Trem WORLD 1 106 37 4

462 Pipa/Harm WORLD 1 106 35 4

463 Qudi WORLD 1 74 24 4

464 Qudi/Orn WORLD 1 74 25 4

465 Bangdi WORLD 1 74 28 4

466 Bandi/Grwl WORLD 1 74 29 4

467 Bandi Grwl WORLD 1 74 30 4

468 Xiao WORLD 1 78 8 4

469 Xiao/Orn WORLD 1 78 9 4

470 Xun WORLD 1 74 32 4

471 Xun/Orn WORLD 1 74 33 4

472 Shakuhachi WORLD 1 78 0 2

473 Hulusi WORLD 1 112 40 4

474 Shanai 1 WORLD 1 112 0 2

475 Shanai 2 WORLD 1 112 1 2

476 Pungi WORLD 1 112 8 2

477 Suona WORLD 1 112 32 4

478 Suona/Grwl WORLD 1 112 33 4

479 Suona Grwl WORLD 1 112 34 4

480 Hichiriki WORLD 1 112 16 2

481 Bagpipe WORLD 1 110 0 2

482 Shamisen WORLD 1 107 0 2

483 Tsugaru WORLD 1 107 1 2

484 Koto WORLD 1 108 0 2

485 TaishoKoto WORLD 1 108 8 2

486 Zither WORLD 1 47 24 2

487 Harp WORLD 1 47 0 2

488 Bonang 1 WORLD 1 113 8 2

489 Gender 1 WORLD 1 113 9 2

490 Gamln Gong WORLD 1 113 10 2

491 St.Gamelan WORLD 1 113 11 2

492 RamaCymbal WORLD 1 113 16 2

493 Atarigane WORLD 1 114 8 2

494 Gopichant WORLD 1 106 16 2

495 Sitar 2 WORLD 1 105 1 2

496 Sitar 1 WORLD 1 105 0 2

497 Dtnd Sitar WORLD 1 105 2 2

Button

32

WORLD 1

WORLD 2 499 SteelDrums WORLD 2 115 0 2

No. Tone Category PC CC00CC

498 TamburaDrn WORLD 1 105 17 4

500 Quena WORLD 2 75 8 4

501 Zampona WORLD 2 76 16 4

502 Duduks WORLD 2 112 41 4

503 Banjo WORLD 2 106 0 2

504 Mute Banjo WORLD 2 106 1 2

505 Bouzouki WORLD 2 106 11 4

506 Saz WORLD 2 106 13 4

507 Tar WORLD 2 106 12 4

508 HurdyGurdy WORLD 2 111 18 4

509 Fiddle WORLD 2 111 0 2

510 Kemanche WORLD 2 111 16 4

511 Gadulka WORLD 2 111 17 4

512 Rabab 2 WORLD 2 106 10 4

513 Rabab 1 WORLD 2 106 8 2

514 Oud 1 WORLD 2 106 24 2

515 Oud 2 WORLD 2 106 25 4

516 Oud/Trem WORLD 2 106 27 4

517 Oud Trem WORLD 2 106 26 4

518 Oud&Str WORLD 2 106 28 4

519 Tambura WORLD 2 105 9 4

520 Kanoon 2 WORLD 2 108 17 4

521 Kanoon Oct WORLD 2 108 18 4

522 Kanoon&Chr WORLD 2 108 19 4

523 Kanoon 1 WORLD 2 108 16 2

524 Kawala 2 WORLD 2 76 9 4

525 Kawala Oct WORLD 2 76 10 4

526 Kawala 1 WORLD 2 76 8 2

527 Kaval Duo WORLD 2 76 32 4

528 Nay WORLD 2 74 18 4

529 Nay Oct WORLD 2 74 19 4

530 Mizmar WORLD 2 112 24 4

531 Mizmar Oct WORLD 2 112 25 4

532 MizmarDual WORLD 2 112 26 4

533 Zourna WORLD 2 112 42 4

534 Gajda WORLD 2 110 16 4

535 Santur 3 WORLD 2 16 2 4

536 Santur 2 WORLD 2 16 1 2

537 Santur 1 WORLD 2 16 0 2

538 Cimbalom WORLD 2 16 8 2

539 Kalimba WORLD 2 109 0 2

540 Balafon 1 WORLD 2 13 16 2

541 Balafon 2 WORLD 2 13 17 2

542 Log Drum WORLD 2 13 24 2

543 Timpani PERCUSSION 48 0 2

544 Castanets PERCUSSION 116 8 2

545 Agogo Bell PERCUSSION 114 0 2

546 Woodblock PERCUSSION 116 0 2

547 Taiko PERCUSSION 117 0 2

548 Concert BD PERCUSSION 117 8 2

549 Mt CncrtBD PERCUSSION 117 9 2

550 Melo Tom 1 PERCUSSION 118 0 2

551 Real Tom PERCUSSION 118 1 2

552 Melo Tom 2 PERCUSSION 118 8 2

553 Rock Tom PERCUSSION 118 9 2

554 Synth Drum PERCUSSION 119 0 2

555 808 Tom PERCUSSION 119 8 2

556 Elec Perc PERCUSSION 119 9 2

557 RevCymbal1 PERCUSSION 120 0 2

558 RevCymbal2 PERCUSSION 120 1 2

559 Rev Snare1 PERCUSSION 120 8 2

560 Rev Snare2 PERCUSSION 120 9 2

561 Rev Kick PERCUSSION 120 16 2

562 RevCncrtBD PERCUSSION 120 17 2

563 Rev Tom 1 PERCUSSION 120 24 2

564 Rev Tom 2 PERCUSSION 120 25 2

565 Thunder SFX 123 2 2

566 Wind SFX 123 3 2

567 Bird 1 SFX 124 0 2

568 Bird 2 SFX 124 3 2

32

33

Tone Lists

Button

WORLD 2

No. Tone Category PC CC00CC

569 HorseGallp SFX 124 2 2

570 Telephone2 SFX 125 1 2

571 Helicopter SFX 126 0 2

572 Car Engine SFX 126 1 2

573 Car-Pass SFX 126 3 2

574 Siren SFX 126 5 2

575 Train SFX 126 6 2

576 Applause 1 SFX 127 0 2

577 Laughing SFX 127 1 2

578 Screaming SFX 127 2 2

579 Explosion SFX 128 3 2

580 Breath Nz SFX 122 0 2

581 FlKeyClick SFX 122 1 2

582 Seashore SFX 123 0 2

583 Rain SFX 123 1 2

584 Stream SFX 123 4 2

585 Bubble SFX 123 5 2

586 Dog SFX 124 1 2

587 Kitty SFX 124 4 2

588 Growl SFX 124 5 2

589 Telephone1 SFX 125 0 2

590 Door Creak SFX 125 2 2

591 Door SFX 125 3 2

592 Scratch 1 SFX 125 4 2

593 Scratch 2 SFX 125 7 2

594 WindChimes SFX 125 5 2

595 Car-Stop SFX 126 2 2

596 Car-Crash SFX 126 4 2

597 Jetplane SFX 126 7 2

598 Starship SFX 126 8 2

599 Burst Nz SFX 126 9 2

600 Punch SFX 127 3 2

601 Heart Beat SFX 127 4 2

602 Footsteps SFX 127 5 2

603 Applause 2 SFX 127 6 2

604 Gun Shot SFX 128 0 2

605 MachineGun SFX 128 1 2

606 Laser Gun SFX 128 2 2

32

Drum Sets

Button

DRUMS

No. Rhythm Category PC CC00CC

607 Standard 1 DRUMS 1 0 2

608 Jazz Kit 1 DRUMS 33 0 2

609 New TR-909 DRUMS 31 0 2

610 Hip Hop DRUMS 10 0 2

611 R&B DRUMS 14 0 2

612 Tech&House DRUMS 12 0 2

613 Drum’n’Bss DRUMS 11 0 2

614 Latin Perc DRUMS 47 0 4

615 India Perc DRUMS 45 0 4

616 GamelanPrc DRUMS 46 0 4

617 China Perc DRUMS 44 0 4

618 India Kit DRUMS 94 0 4

619 OrientlKit DRUMS 93 0 4

620 Std Latin DRUMS 75 0 4

621 Jazz Latin DRUMS 76 0 4

622 TR909Latin DRUMS 77 0 4

623 HipHopLatn DRUMS 80 0 4

624 R&B Latin DRUMS 81 0 4

625 TechnoLatn DRUMS 78 0 4

626 D’n’B Latn DRUMS 79 0 4

627 Std Asia DRUMS 67 0 4

628 Jazz Asia DRUMS 68 0 4

629 TR909 Asia DRUMS 69 0 4

630 HipHopAsia DRUMS 70 0 4

631 R&B Asia DRUMS 71 0 4

632 TechnoAsia DRUMS 72 0 4

633 D’n’B Asia DRUMS 73 0 4

634 Std OR DRUMS 82 0 4

635 Jazz OR DRUMS 83 0 4

636 TR-909 OR DRUMS 84 0 4

637 HipHop OR DRUMS 87 0 4

638 R&B OR DRUMS 88 0 4

639 Techno OR DRUMS 85 0 4

640 D’n’B OR DRUMS 86 0 4

641 MxKit&Latn DRUMS 89 0 4

642 MxKt&India DRUMS 90 0 4

643 MxKit&OR DRUMS 92 0 4

644 MxKit&Chin DRUMS 91 0 4

645 Standard 2 DRUMS 2 0 2

646 Standard 3 DRUMS 3 0 2

647 Room DRUMS 9 0 2

648 Power DRUMS 17 0 2

649 Jazz Kit 2 DRUMS 34 0 2

650 Brush Kit DRUMS 41 0 2

651 Orchestra DRUMS 49 0 2

652 Ethnic DRUMS 50 0 2

653 Electronic DRUMS 25 0 2

654 TR-808&909 DRUMS 26 0 2

655 Dance DRUMS 27 0 2

656 Kick&Snare DRUMS 51 0 2

657 SFX DRUMS 57 0 2

32

34

Drum Sets

C2 36

38

40

41

43

45

47

37

39

42

44

46

C3 48

50

52

53

55

57

59

49

51

54

56

58

C4 60

62

64

65

67

69

71

61

63

66

68

70

C5 72

74

76

77

79

81

83

73

75

78

80

82

C6 84

86

88

85

87

C0 12

14

16

17

19

21

23

13

15

18

20

22

9

11

3

10

C1 24

26

28

29

31

33

35

25

27

30

32

34

PC: 1 [CC32: 2] Standard 1

------------

-----------Snare Roll Finger Snap High-Q Slap ScratchPush ScratchPull Sticks SquareClick Mtrnm.Click Mtrnm. Bell Kick 1 Kick 2 Side Stick Snare 2 909Clap Snare 1 Real Tom 6 Close HiHat Real Tom 6 Pedal HiHat Real Tom 4 Open HiHat Real Tom 4 Real Tom 1 Crash Cym.1 Real Tom 1 Ride Cymbal China Cymbal Ride Bell Tambourine Splash Cym. Cowbell Crash Cym.2 Vibraslap Ride Cymbal Bongo High Bongo Lo Mute H.Conga Conga Hi Opn Conga Lo Opn High Timbale Low Timbale Agogo Agogo Cabasa Maracas ShrtWhistle LongWhistle Short Guiro Long Guiro Claves Woodblock Woodblock Mute Cuica Open Cuica Mute Triangle Open Triangle Shaker Jingle Bell Bar Chimes Castanets Mute Surdo Open Surdo

------------

PC: 33 [CC32: 2] Jazz Kit 1

------------

-----------Snare Roll Finger Snap High-Q Slap ScratchPush ScratchPull Sticks SquareClick Mtrnm.Click Mtrnm. Bell Jazz Kick 2 Jazz Kick 1 Side Stick Jazz Snare 1 Hand Clap2 Jazz Snare Real Tom 6 Jazz Clsd.HH Real Tom 6 Jazz Pedl.HH Real Tom 4 Jazz Open HH Real Tom 4 Real Tom 1 Crash Cym.1 Real Tom 1 Ride Cymbal China Cymbal Ride Bell Tambourine Splash Cym. Cowbell Crash Cym.2 Vibraslap Ride Cymbal Bongo High Bongo Lo Mute H.Conga Conga Hi Opn Conga Lo Opn High Timbale Low Timbale Agogo Agogo Cabasa Maracas ShrtWhistle LongWhistle Short Guiro Long Guiro Claves Woodblock Woodblock Mute Cuica Open Cuica Mute Triangle Open Triangle Shaker Jingle Bell Bell Tree Castanets Mute Surdo Open Surdo

------------

PC: 31 [CC32: 2] New TR-909

-----------909 Kick 3 House Kick TR-808 Kick HipHop Kick SimpleKick TR-909 OHHsh TR-909 OHH Ah Ha ShutHa ShutHi One Two Three Four Snare Roll Snap High-Q Slap Scrtch Push2 Scrtch Pull2 Sticks SquareClick Mtrnm.Click Mtrnm. Bell 909 Kick 909 Kick2 Side Stick 909 Snare 909Clap 909Snare2 808 Tom 2 TR-909 CHH 808 Tom 2 TR-909 CHH 808 Tom 2 TR-909 OHH 808 Tom 2 808 Tom 2 909 Crash 808 Tom 2 Ride Cymbal China Cymbal Ride Bell Tambourine Splash Cym. 808cowbe Crash Cym.2 Vibraslap Ride Cymbal Bongo High Bongo Lo 808 Conga 808 Conga 808 Conga High Timbale Low Timbale Agogo Agogo Cabasa 808marac ShrtWhistle LongWhistle Short Guiro Long Guiro 808clave Woodblock Woodblock Mute Cuica Open Cuica Mute Triangle Open Triangle Shaker Jingle Bell Bell Tree Castanets Mute Surdo Open Surdo

------------

PC: 10 [CC32: 2] Hip Hop

-----------909 Kick 3 House Kick TR-808 Kick 909 Kick 909 Kick2 TR-909 OHHsh TR-909 OHH Ah Ha ShutHa ShutHi One Two Three Four Snare Roll Snap High-Q Slap Scrtch Push2 Scrtch Pull2 Sticks SquareClick Mtrnm.Click Mtrnm. Bell HipHop Kick SimpleKick Side Stick HipHop Snare FunkClap HipHopSnare2 Real Tom 6 HipHopCHH Real Tom 6 HipHopCHH Real Tom 4 HipHopOHH Real Tom 4 Real Tom 1 Crash Cym.1 Real Tom 1 Ride Cymbal ReverseCymbl Ride Bell Tambourine Splash Cym. Cowbell Crash Cym.2 Vibraslap Ride Cymbal Bongo High Bongo Lo Mute H.Conga Conga Hi Opn Conga Lo Opn High Timbale Low Timbale Agogo Agogo Cabasa Maracas ShrtWhistle LongWhistle Short Guiro Long Guiro Claves Woodblock Woodblock Hoo Hoo Mute Triangle Open Triangle Shaker Jingle Bell Bell Tree Castanets Mute Surdo Open Surdo

------------

PC: 14 [CC32: 2] R&B

-----------909 Kick House Kick TR-808 Kick HipHop Kick 909 Kick2 R&B OHHsh R&B OHH Ah Ha ShutHa ShutHi One Two Three Four Snare Roll Snap High-Q Slap Scrtch Push2 Scrtch Pull2 Sticks SquareClick Mtrnm.Click Mtrnm. Bell 909 Kick 3 SimpleKick Side Stick R&B Snare R&B Clap 909Snare2 Real Tom 6 R&B CHH Real Tom 6 R&B CHH Real Tom 4 R&B OHH Real Tom 4 Real Tom 1 909 Crash Real Tom 1 Ride Cymbal ReverseCymbl Ride Bell Tambourine Splash Cym. Cowbell Crash Cym.2 Vibraslap Ride Cymbal Bongo High Bongo Lo Mute H.Conga Conga Hi Opn Conga Lo Opn High Timbale Low Timbale Agogo Agogo Cabasa Maracas ShrtWhistle LongWhistle Short Guiro Long Guiro Claves Woodblock Woodblock Hoo Hoo Mute Triangle Open Triangle Shaker Jingle Bell Bell Tree Castanets Mute Surdo Open Surdo

------------

PC: 12 [CC32: 2] Tech&House

-----------909 Kick 3 909 Kick2 TR-808 Kick HipHop Kick SimpleKick TR-909 OHHsh TR-909 OHH Ah Ha ShutHa ShutHi One Two Three Four Snare Roll Snap High-Q Slap Scrtch Push2 Scrtch Pull2 Sticks SquareClick Mtrnm.Click Mtrnm. Bell 909 Kick House Kick Side Stick Techno Snare 909Clap House Snare Synth Drum 2 TR-909 CHH Synth Drum 2 TR-909 CHH Synth Drum 2 TR-909 OHH Synth Drum 2 Synth Drum 2 909 Crash Synth Drum 2 Ride Cymbal ReverseCymbl Ride Bell Tambourine Splash Cym. Cowbell Crash Cym.2 Vibraslap Ride Cymbal Bongo High Bongo Lo Mute H.Conga Conga Hi Opn Conga Lo Opn High Timbale Low Timbale Agogo Agogo Cabasa Maracas ShrtWhistle LongWhistle Short Guiro Long Guiro Claves Woodblock Woodblock Hoo Hoo Mute Triangle Open Triangle Shaker Jingle Bell Bell Tree Castanets Mute Surdo Open Surdo

------------

PC: 11 [CC32: 2] Drum'n'Bss

-----------909 Kick 3 House Kick 909 Kick HipHop Kick SimpleKick TR-909 OHHsh TR-909 OHH Ah Ha ShutHa ShutHi One Two Three Four Snare Roll Snap High-Q Slap Scrtch Push2 Scrtch Pull2 Sticks SquareClick Mtrnm.Click Mtrnm. Bell TR-808 Kick 909 Kick2 Side Stick Jungle Snare 909Clap Ps Snare 808 Tom 2 R&B CHH 808 Tom 2 R&B CHH 808 Tom 2 HipHopOHH 808 Tom 2 808 Tom 2 909 Crash 808 Tom 2 Ride Cymbal China Cymbal Ride Bell Tambourine Splash Cym. 808cowbe Crash Cym.2 Vibraslap Ride Cymbal Bongo High Bongo Lo 808 Conga 808 Conga 808 Conga High Timbale Low Timbale Agogo Agogo Cabasa 808marac ShrtWhistle LongWhistle Short Guiro Long Guiro 808clave Woodblock Woodblock Mute Cuica Open Cuica Mute Triangle Open Triangle Shaker Jingle Bell Bell Tree Castanets Mute Surdo Open Surdo

------------

C7

89

91

93

95

90

92

94

98

100

97

99

96

------------

-----------Voice 1 Voice 2 Bongo Lo1 Bongo Lo2 Bongo Hi Conga Lo Conga Hi Conga Timbles Lo Timbles Hi Timbles Claves Cuica Lo Cuica Hi Surdo 1 Surdo 2 Caixa Repinique 1 Repinique 2 Repinique Quide Guiro RecoReco Mtl Guiro Maracas Shaker Cabasa Caxixi Ganza Agogo 1 Agogo 2 Bongo Bell Mambo Bell Cowbell 1 Cowbell 2 Pandeiro 1 Pandeiro 2 Tambourim 1 Tambourim 2 Tambourine Apito Quijada Chekere Cajon Lo Cajon Hi Hand Clap Castanets Mute Triangle Open Triangle Bombo 1 Bombo 2 Bombo 3 Bombo 4 Bombo 5

------------

PC: 47 [CC32: 4] Latin Perc

------------

-----------Tabla Ge Tabla Ge Tabla Te Tabla Ge Hi Hand Clap2 Tabla Na Tabla Tun Tambourine1 Conga Slap Tambourine2 Udo Slap Ceng Ceng Udo Short Udo Long Xiao Bo Timbl Paila Kwaengwari p Gamelan Gong Ride Bell Ceng Ceng Splash Cym. Nao Bo Crash Cym.1 Vibraslap Ride Bell Conga MtLow Cga Mute Hi Cga Mute Lo Dholak 1 Dholak 2 Dhol 1 Wadon 6 Wadon 1 Wadon 5 Wadon 7 Wadon 3 Wadon 4 Wadon 2 Wadaiko Rim DJembe Djembe rim Open Surdo Mute Surdo Tamborim Talking Drum Bend Tlk Drm Mut Pandiero Opn Pandiero Req Dum Req Tik Sitar 3 Sitar 3 Sitar 3 Sitar 3 Sitar 3 Sitar 3 Sitar 3 Sitar 3 Sitar 3 Sitar 3 Sitar 3 Sitar 3 Real Tom 6 Real Tom 4 Real Tom 4 Real Tom 1 Real Tom 1 909Clap High Timbale Mute Triangle Open Triangle Maracas Shaker Tambourine Jingle Bell Bar Chimes Kane

------------

PC: 45 [CC32: 4] India Perc

------------

-----------Wadon 6 Wadon 6 Wadon 3 Wadon 2 Wadon 5 Wadon 7 Wadon 4 Kane Side Wadon 1 Kane Dhol KwaengwariMt Tabla Ge Dholak 1 Kwaengwari f Tabla Te Rama Cymbal Gamelan Gong Kwaengwari f Ceng Ceng Kopyak Op Saron Kopyak Mt Saron Gamelan Gong Bonang Bonang Bonang Bonang Bonang Bonang Bonang Bonang Bonang Bonang Bonang Bonang Gender Gender Gender Gender Gender Gender Gender Gender Gender Gender Gender Gender Saron Saron Saron Saron Saron Saron Saron Saron Saron Saron Saron Saron Saron

------------

PC: 46 [CC32: 4] GamelanPrc

C8

101

103

105

107

102

104

106

110

112

109

111

108

PC: 44 [CC32: 4] China Perc

------------

-----------Gu Roll Gu Hi HuYinLuoL Op Changgo Asian Gong Tang Gu Mt Tang Gu Op Shu Gu Rim Shu Gu Shu Ban 2 Ban Gu 4 Tang Gu Op Nao Bo Tang Gu Mt Xiao Bo Tang Gu Op HuYinLuoH Op Tang Gu Mt Tang Gu Op HuYinLuoH Op Tang Gu Mt Shou Luo 1 HuYinLuoL Mt Shou Luo 2 Xiao Bo Ban Gu 4 Nao Bo HuYinLuoH Op HuYinLuoH Mt HuYinLuoL Mt Cga Mute Hi Cga Mute Lo Dholak 1 Dholak 2 Dhol Wadon 6 Wadon 1 Wadon 5 Wadon 7 Wadon 3 Wadon 4 Wadon 2 Wadaiko Ohkawa 2 Shimedaiko 1 Shimedaiko 2 Mokugyo 1 Mokugyo 2 Kane Side Wadaiko Rim Kwaengwari p Shu Gu Rim Kane Ban Gu 4 Gamelan Gong Saron Wind Bell Kopyak Mt Kopyak Op Chenchen Opn Chenchen Cls Ceng Ceng Kwaengwari p Kwaengwari f KwaengwariMt Req Slap Jingle Bell Sagat Open Sagat Close Ban Gu 1 Ban Gu 2

------------

35

Drum Sets

C2 36

38

40

41

43

45

47

37

39

42

44

46

C3 48

50

52

53

55

57

59

49

51

54

56

58

C4 60

62

64

65

67

69

71

61

63

66

68

70

C5 72

74

76

77

79

81

83

73

75

78

80

82

C6 84

86

88

85

87

C0 12

14

16

17

19

21

23

13

15

18

20

22

9

11

3

10

C1 24

26

28

29

31

33

35

25

27

30

32

34

PC: 94 [CC32: 4] India Kit

------------

-----------Wadaiko Mute Surdo TR-707 BD Low TR-707 BD Low TR-707 Rim TR-707 SD 909Clap TR-707 SD Real Tom 6 TR-707 HH-c Real Tom 6 TR-707 HH-c Real Tom 4 TR-707 HH-o Real Tom 4 Real Tom 1 TR-707 Crash Real Tom 1 Ride Cymbal Doholla Dom Doholla Sak Jingle Bell Doholla Tak2 Cowbell Doholla Tak1 Cabasa Doff Dom Tabla Ge Tabla Te Tabla Ge Hi Hand Clap2 Tabla Na Tabla Tun Tambourine1 Conga Slap Tambourine2 Udo Slap Ceng Ceng Udo Short Udo Long Xiao Bo Timbl Paila Kwaengwari p Gamelan Gong Ride Bell Ceng Ceng Splash Cym. Nao Bo Crash Cym.1 Vibraslap Ride Bell Conga MtLow Cga Mute Hi Cga Mute Lo Dholak 1 Dholak 2 Dhol 1 Wadon 6 Wadon 1 Wadon 5 Wadon 7 Wadon 3 Wadon 4 Wadon 2 Wadaiko Rim DJembe Djembe rim Open Surdo Mute Surdo Tamborim Talking Drum Bend Tlk Drm Mut Pandiero Opn Pandiero Req Dum Req Tik High Timbale Mute Triangle Open Triangle Maracas Shaker Bar Chimes Kane

PC: 93 [CC32: 4] Orientl Kit

------------

-----------Wadaiko Mute Surdo TR-707 BD TR-707 BD TR-707 Rim TR-707 SD Hand Clap ST TR-707 SD Tom TR-707 HH-c Tom TR-707 HH-c Tom TR-707 HH-o Tom Tom TR-707 Crash Tom Ride Cymbal Doholla Dom Doholla Sak Tambourine Doholla Tak2 Cowbell Doholla Tak1 Cabasa Doff Dom Doff Tak 2 Low Bongo Doff Tak 3 Bongo High Doff Tak 1 Tabla Dom Tabla Roll Tabla Tak Tabla Flam Tabla Rim1 Tabla Rim3 Tabla Rim2 Req Dom2 Req Tak2 Req Dom1 Req Tak1 Req Rim Req Slap ZaghrutaLoop Req Khan-c ZaghrutaStop Req Khan-o Req Loop Req Slap Sagat L-o Sagat R Sagat L-c Jingle Bell Mix Snare 1 Mix Snare 2 Mix Snare 3 Mix Snare 4 Mix Kick 2 Mix Kick 3 Mix Kick 4 Mix Kick 1 Mix HH Cl 4 Mix HH Cl 1 Mix HH Cl 2 Mix HH Cl 3 Mix HH Op 1 Mix HH Op 2 Mute Triangle Open Triangle

------------

PC: 75 [CC32: 4] Std Latin

------------

-----------Mix HH Cl 4 Mix HH Cl 1 Mix HH Cl 2 Mix HH Cl 3 Mix HH Op 1 Mix HH Op 2 Mix Snare 1 Mix Snare 2 Mix Snare 3 Mix Snare 4 Mix Kick 2 Mix Kick 3 Mix Kick 4 Mix Kick 1 Snare Roll Finger Snap High-Q Slap ScratchPush ScratchPull Sticks SquareClick Mtrnm.Click Mtrnm. Bell Kick 1 Kick 2 Side Stick Snare 2 909Clap Snare 1 Real Tom 6 Close HiHat Real Tom 6 Pedal HiHat Real Tom 4 Open HiHat Real Tom 4 Real Tom 1 Crash Cym.1 Real Tom 1 Ride Cymbal China Cymbal Ride Bell Tambourine Splash Cym. Cowbell Crash Cym.2 Vibraslap Ride Cymbal Voice 1 Voice 2 Bongo Lo1 Bongo Lo2 Bongo Hi Conga Lo Conga Hi Conga Timbles Lo Timbles Hi Timbles Claves Cuica Lo Cuica Hi Surdo 1 Surdo 2 Caixa Repinique 1 Repinique 2 Repinique Quide Guiro Maracas Shaker Cabasa Caxixi Ganza Bongo Bell Mambo Bell Cowbell 1 Cowbell 2 Pandeiro 1 Pandeiro 2 Tambourim 1 Tambourim 2 Tambourine Apito Quijada Chekere Cajon Lo Cajon Hi Hand Clap Castanets Mute Triangle Open Triangle Agogo 1 Agogo 2 RecoReco Mtl Guiro Bombo 1 Bombo 2 Bombo 3 Bombo 4 Bombo 5

------------

PC: 76 [CC32: 4] Jazz Latin

------------

-----------Mix HH Cl 4 Mix HH Cl 1 Mix HH Cl 2 Mix HH Cl 3 Mix HH Op 1 Mix HH Op 2 Mix Snare 1 Mix Snare 2 Mix Snare 3 Mix Snare 4 Mix Kick 2 Mix Kick 3 Mix Kick 4 Mix Kick 1 Snare Roll Finger Snap High-Q Slap ScratchPush ScratchPull Sticks SquareClick Mtrnm.Click Mtrnm. Bell Jazz Kick 2 Jazz Kick 1 Side Stick Jazz Snare 1 Hand Clap2 Jazz Snare Real Tom 6 Jazz Clsd.HH Real Tom 6 Jazz Pedl.HH Real Tom 4 Jazz Open HH Real Tom 4 Real Tom 1 Crash Cym.1 Real Tom 1 Ride Cymbal China Cymbal Ride Bell Tambourine Splash Cym. Cowbell Crash Cym.2 Vibraslap Ride Cymbal Voice 1 Voice 2 Bongo Lo1 Bongo Lo2 Bongo Hi Conga Lo Conga Hi Conga Timbles Lo Timbles Hi Timbles Claves Cuica Lo Cuica Hi Surdo 1 Surdo 2 Caixa Repinique 1 Repinique 2 Repinique Quide Guiro Maracas Shaker Cabasa Caxixi Ganza Bongo Bell Mambo Bell Cowbell 1 Cowbell 2 Pandeiro 1 Pandeiro 2 Tambourim 1 Tambourim 2 Tambourine Apito Quijada Chekere Cajon Lo Cajon Hi Hand Clap Castanets Mute Triangle Open Triangle Agogo 1 Agogo 2 RecoReco Mtl Guiro Bombo 1 Bombo 2 Bombo 3 Bombo 4 Bombo 5

------------

PC: 77 [CC32: 4] TR909Latin

-----------909 Kick 3 House Kick TR-808 Kick HipHop Kick SimpleKick TR-909 OHHsh TR-909 OHH Ah Ha ShutHa ShutHi One Two Three Four Snare Roll Snap High-Q Slap Scrtch Push2 Scrtch Pull2 Sticks SquareClick Mtrnm.Click Mtrnm. Bell 909 Kick 909 Kick2 Side Stick 909 Snare 909Clap 909Snare2 808 Tom 2 TR-909 CHH 808 Tom 2 TR-909 CHH 808 Tom 2 TR-909 OHH 808 Tom 2 808 Tom 2 909 Crash 808 Tom 2 Ride Cymbal China Cymbal Ride Bell Tambourine Splash Cym. 808cowbe Crash Cym.2 Vibraslap Ride Cymbal Voice 1 Voice 2 Bongo Lo1 Bongo Lo2 Bongo Hi Conga Lo Conga Hi Conga Timbles Lo Timbles Hi Timbles Claves Cuica Lo Cuica Hi Surdo 1 Surdo 2 Caixa Repinique 1 Repinique 2 Repinique Quide Guiro Maracas Shaker Cabasa Caxixi Ganza Bongo Bell Mambo Bell Cowbell 1 Cowbell 2 Pandeiro 1 Pandeiro 2 Tambourim 1 Tambourim 2 Tambourine Apito Quijada Chekere Cajon Lo Cajon Hi Hand Clap Castanets Mute Triangle Open Triangle Agogo 1 Agogo 2 RecoReco Mtl Guiro Bombo 1 Bombo 2 Bombo 3 Bombo 4 Bombo 5

------------

PC: 80 [CC32: 4] HipHopLatn

-----------909 Kick 3 House Kick TR-808 Kick 909 Kick 909 Kick2 TR-909 OHHsh TR-909 OHH Ah Ha ShutHa ShutHi One Two Three Four Snare Roll Snap High-Q Slap Scrtch Push2 Scrtch Pull2 Sticks SquareClick Mtrnm.Click Mtrnm. Bell HipHop Kick SimpleKick Side Stick HipHop Snare FunkClap HipHopSnare2 Real Tom 6 HipHopCHH Real Tom 6 HipHopCHH Real Tom 4 HipHopOHH Real Tom 4 Real Tom 1 Crash Cym.1 Real Tom 1 Ride Cymbal ReverseCymbl Ride Bell Tambourine Splash Cym. Cowbell Crash Cym.2 Vibraslap Ride Cymbal Voice 1 Voice 2 Bongo Lo1 Bongo Lo2 Bongo Hi Conga Lo Conga Hi Conga Timbles Lo Timbles Hi Timbles Claves Cuica Lo Cuica Hi Surdo 1 Surdo 2 Caixa Repinique 1 Repinique 2 Repinique Quide Guiro Maracas Shaker Cabasa Caxixi Ganza Bongo Bell Mambo Bell Cowbell 1 Cowbell 2 Pandeiro 1 Pandeiro 2 Tambourim 1 Tambourim 2 Tambourine Apito Quijada Chekere Cajon Lo Cajon Hi Hand Clap Castanets Mute Triangle Open Triangle Agogo 1 Agogo 2 RecoReco Mtl Guiro Bombo 1 Bombo 2 Bombo 3 Bombo 4 Bombo 5

------------

PC: 81 [CC32: 4] R&B Latin

-----------909 Kick House Kick TR-808 Kick HipHop Kick 909 Kick2 R&B OHHsh R&B OHH Ah Ha ShutHa ShutHi One Two Three Four Snare Roll Snap High-Q Slap Scrtch Push2 Scrtch Pull2 Sticks SquareClick Mtrnm.Click Mtrnm. Bell 909 Kick 3 SimpleKick Side Stick R&B Snare R&B Clap 909Snare2 Real Tom 6 R&B CHH Real Tom 6 R&B CHH Real Tom 4 R&B OHH Real Tom 4 Real Tom 1 909 Crash Real Tom 1 Ride Cymbal ReverseCymbl Ride Bell Tambourine Splash Cym. Cowbell Crash Cym.2 Vibraslap Ride Cymbal Voice 1 Voice 2 Bongo Lo1 Bongo Lo2 Bongo Hi Conga Lo Conga Hi Conga Timbles Lo Timbles Hi Timbles Claves Cuica Lo Cuica Hi Surdo 1 Surdo 2 Caixa Repinique 1 Repinique 2 Repinique Quide Guiro Maracas Shaker Cabasa Caxixi Ganza Bongo Bell Mambo Bell Cowbell 1 Cowbell 2 Pandeiro 1 Pandeiro 2 Tambourim 1 Tambourim 2 Tambourine Apito Quijada Chekere Cajon Lo Cajon Hi Hand Clap Castanets Mute Triangle Open Triangle Agogo 1 Agogo 2 RecoReco Mtl Guiro Bombo 1 Bombo 2 Bombo 3 Bombo 4 Bombo 5

------------

C7

89

91

93

95

90

92

94

98

100

97

99

96

-----------909 Kick 3 909 Kick2 TR-808 Kick HipHop Kick SimpleKick TR-909 OHHsh TR-909 OHH Ah Ha ShutHa ShutHi One Two Three Four Snare Roll Snap High-Q Slap Scrtch Push2 Scrtch Pull2 Sticks SquareClick Mtrnm.Click Mtrnm. Bell 909 Kick House Kick Side Stick Techno Snare 909Clap House Snare Synth Drum 2 TR-909 CHH Synth Drum 2 TR-909 CHH Synth Drum 2 TR-909 OHH Synth Drum 2 Synth Drum 2 909 Crash Synth Drum 2 Ride Cymbal ReverseCymbl Ride Bell Tambourine Splash Cym. Cowbell Crash Cym.2 Vibraslap Ride Cymbal Voice 1 Voice 2 Bongo Lo1 Bongo Lo2 Bongo Hi Conga Lo Conga Hi Conga Timbles Lo Timbles Hi Timbles Claves Cuica Lo Cuica Hi Surdo 1 Surdo 2 Caixa Repinique 1 Repinique 2 Repinique Quide Guiro Maracas Shaker Cabasa Caxixi Ganza Bongo Bell Mambo Bell

Cowbell 1 Cowbell 2 Pandeiro 1 Pandeiro 2 Tambourim 1 Tambourim 2 Tambourine Apito Quijada Chekere Cajon Lo Cajon Hi Hand Clap Castanets Mute Triangle Open Triangle Agogo 1 Agogo 2 RecoReco Mtl Guiro Bombo 1 Bombo 2 Bombo 3 Bombo 4 Bombo 5

------------

PC: 78 [CC32: 4] TechnoLatn

-----------909 Kick 3 House Kick 909 Kick HipHop Kick SimpleKick TR-909 OHHsh TR-909 OHH Ah Ha ShutHa ShutHi One Two Three Four Snare Roll Snap High-Q Slap Scrtch Push2 Scrtch Pull2 Sticks SquareClick Mtrnm.Click Mtrnm. Bell TR-808 Kick 909 Kick2 Side Stick Jungle Snare 909Clap Ps Snare 808 Tom 2 R&B CHH 808 Tom 2 R&B CHH 808 Tom 2 HipHopOHH 808 Tom 2 808 Tom 2 909 Crash 808 Tom 2 Ride Cymbal China Cymbal Ride Bell Tambourine Splash Cym. 808cowbe Crash Cym.2 Vibraslap Ride Cymbal Voice 1 Voice 2 Bongo Lo1 Bongo Lo2 Bongo Hi Conga Lo Conga Hi Conga Timbles Lo Timbles Hi Timbles Claves Cuica Lo Cuica Hi Surdo 1 Surdo 2 Caixa Repinique 1 Repinique 2 Repinique Quide Guiro Maracas Shaker Cabasa Caxixi Ganza Bongo Bell Mambo Bell

Cowbell 1 Cowbell 2 Pandeiro 1 Pandeiro 2 Tambourim 1 Tambourim 2 Tambourine Apito Quijada Chekere Cajon Lo Cajon Hi Hand Clap Castanets Mute Triangle Open Triangle Agogo 1 Agogo 2 RecoReco Mtl Guiro Bombo 1 Bombo 2 Bombo 3 Bombo 4 Bombo 5

------------

PC: 79 [CC32: 4] D'n'B Latn

------------

-----------Snare Roll Finger Snap High-Q Slap ScratchPush ScratchPull Sticks SquareClick Mtrnm.Click Mtrnm. Bell Kick 1 Kick 2 Side Stick Snare 2 909Clap Snare 1 Real Tom 6 Close HiHat Real Tom 6 Pedal HiHat Real Tom 4 Open HiHat Real Tom 4 Real Tom 1 Crash Cym.1 Real Tom 1 Ride Cymbal China Cymbal Ride Bell Tambourine Splash Cym. Cowbell Crash Cym.2 Vibraslap Ride Cymbal Tabla Ge Tabla Te Tabla Ge Hi Hand Clap2 Tabla Na Tabla Tun Tambourine1 Conga Slap Tambourine2 Udo Slap Ceng Ceng Udo Short Udo Long Xiao Bo Timbl Paila Kwaengwari p Gamelan Gong Ride Bell Ceng Ceng Mut Pandiero Nao Bo Opn Pandiero Req Dum Req Tik Wadon 6 Wadon 3 Wadon 2 Wadon 5 Wadon 7 Wadon 4 Kane Side Wadon 1 Kane Dhol KwaengwariMt Kwaengwari f Rama Cymbal

------------

PC: 67 [CC32: 4] Std Asia

C8

101

103

105

107

102

104

106

110

112

109

111

108

PC: 68 [CC32: 4] Jazz Asia

------------

-----------Snare Roll Finger Snap High-Q Slap ScratchPush ScratchPull Sticks SquareClick Mtrnm.Click Mtrnm. Bell Jazz Kick 2 Jazz Kick 1 Side Stick Jazz Snare 1 Hand Clap2 Jazz Snare Real Tom 6 Jazz Clsd.HH Real Tom 6 Jazz Pedl.HH Real Tom 4 Jazz Open HH Real Tom 4 Real Tom 1 Crash Cym.1 Real Tom 1 Ride Cymbal China Cymbal Ride Bell Tambourine Splash Cym. Cowbell Crash Cym.2 Vibraslap Ride Cymbal Tabla Ge Tabla Te Tabla Ge Hi Hand Clap2 Tabla Na Tabla Tun Tambourine1 Conga Slap Tambourine2 Udo Slap Ceng Ceng Udo Short Udo Long Xiao Bo Timbl Paila Kwaengwari p Gamelan Gong Ride Bell Ceng Ceng Mut Pandiero Nao Bo Opn Pandiero Req Dum Req Tik Wadon 6 Wadon 3 Wadon 2 Wadon 5 Wadon 7 Wadon 4 Kane Side Wadon 1 Kane Dhol KwaengwariMt Kwaengwari f Rama Cymbal

------------

113

115

114

116

36

Drum Sets

C2 36

38

40

41

43

45

47

37

39

42

44

46

C3 48

50

52

53

55

57

59

49

51

54

56

58

C4 60

62

64

65

67

69

71

61

63

66

68

70

C5 72

74

76

77

79

81

83

73

75

78

80

82

C6 84

86

88

85

87

C0 12

14

16

17

19

21

23

13

15

18

20

22

9

11

3

10

C1 24

26

28

29

31

33

35

25

27

30

32

34

PC: 1 [CC69: 4] TR909 Asia

-----------909 Kick 3 House Kick TR-808 Kick HipHop Kick SimpleKick TR-909 OHHsh TR-909 OHH Ah Ha ShutHa ShutHi One Two Three Four Snare Roll Snap High-Q Slap Scrtch Push2 Scrtch Pull2 Sticks SquareClick Mtrnm.Click Mtrnm. Bell 909 Kick 909 Kick2 Side Stick 909 Snare 909Clap 909Snare2 808 Tom 2 TR-909 CHH 808 Tom 2 TR-909 CHH 808 Tom 2 TR-909 OHH 808 Tom 2 808 Tom 2 909 Crash 808 Tom 2 Ride Cymbal China Cymbal Ride Bell Tambourine Splash Cym. 808cowbe Crash Cym.2 Vibraslap Ride Cymbal Tabla Ge Tabla Te Tabla Ge Hi Hand Clap2 Tabla Na Tabla Tun Tambourine1 Conga Slap Tambourine2 Udo Slap Ceng Ceng Udo Short Udo Long Xiao Bo Timbl Paila Kwaengwari p Gamelan Gong Ride Bell Ceng Ceng Mut Pandiero Nao Bo Opn Pandiero Req Dum Req Tik Wadon 6 Wadon 3 Wadon 2 Wadon 5 Wadon 7 Wadon 4 Kane Side Wadon 1 Kane Dhol KwaengwariMt Kwaengwari f Rama Cymbal

------------

PC: 70 [CC32: 4] HipHop Asia

-----------909 Kick 3 House Kick TR-808 Kick 909 Kick 909 Kick2 TR-909 OHHsh TR-909 OHH Ah Ha ShutHa ShutHi One Two Three Four Snare Roll Snap High-Q Slap Scrtch Push2 Scrtch Pull2 Sticks SquareClick Mtrnm.Click Mtrnm. Bell HipHop Kick SimpleKick Side Stick HipHop Snare FunkClap HipHopSnare2 Real Tom 6 HipHopCHH Real Tom 6 HipHopCHH Real Tom 4 HipHopOHH Real Tom 4 Real Tom 1 Crash Cym.1 Real Tom 1 Ride Cymbal ReverseCymbl Ride Bell Tambourine Splash Cym. Cowbell Crash Cym.2 Vibraslap Ride Cymbal Tabla Ge Tabla Te Tabla Ge Hi Hand Clap2 Tabla Na Tabla Tun Tambourine1 Conga Slap Tambourine2 Udo Slap Ceng Ceng Udo Short Udo Long Xiao Bo Timbl Paila Kwaengwari p Gamelan Gong Ride Bell Ceng Ceng Mut Pandiero Nao Bo Opn Pandiero Req Dum Req Tik Wadon 6 Wadon 3 Wadon 2 Wadon 5 Wadon 7 Wadon 4 Kane Side Wadon 1 Kane Dhol KwaengwariMt Kwaengwari f Rama Cymbal

------------

PC: 71 [CC32: 4] R&B Asia

-----------909 Kick House Kick TR-808 Kick HipHop Kick 909 Kick2 R&B OHHsh R&B OHH Ah Ha ShutHa ShutHi One Two Three Four Snare Roll Snap High-Q Slap Scrtch Push2 Scrtch Pull2 Sticks SquareClick Mtrnm.Click Mtrnm. Bell 909 Kick 3 SimpleKick Side Stick R&B Snare R&B Clap 909Snare2 Real Tom 6 R&B CHH Real Tom 6 R&B CHH Real Tom 4 R&B OHH Real Tom 4 Real Tom 1 909 Crash Real Tom 1 Ride Cymbal ReverseCymbl Ride Bell Tambourine Splash Cym. Cowbell Crash Cym.2 Vibraslap Ride Cymbal Tabla Ge Tabla Te Tabla Ge Hi Hand Clap2 Tabla Na Tabla Tun Tambourine1 Conga Slap Tambourine2 Udo Slap Ceng Ceng Udo Short Udo Long Xiao Bo Timbl Paila Kwaengwari p Gamelan Gong Ride Bell Ceng Ceng Mut Pandiero Nao Bo Opn Pandiero Req Dum Req Tik Wadon 6 Wadon 3 Wadon 2 Wadon 5 Wadon 7 Wadon 4 Kane Side Wadon 1 Kane Dhol KwaengwariMt Kwaengwari f Rama Cymbal

------------

PC: 72 [CC32: 4] TechnoAsia

-----------909 Kick 3 909 Kick2 TR-808 Kick HipHop Kick SimpleKick TR-909 OHHsh TR-909 OHH Ah Ha ShutHa ShutHi One Two Three Four Snare Roll Snap High-Q Slap Scrtch Push2 Scrtch Pull2 Sticks SquareClick Mtrnm.Click Mtrnm. Bell 909 Kick House Kick Side Stick Techno Snare 909Clap House Snare Synth Drum 2 TR-909 CHH Synth Drum 2 TR-909 CHH Synth Drum 2 TR-909 OHH Synth Drum 2 Synth Drum 2 909 Crash Synth Drum 2 Ride Cymbal ReverseCymbl Ride Bell Tambourine Splash Cym. Cowbell Crash Cym.2 Vibraslap Ride Cymbal Tabla Ge Tabla Te Tabla Ge Hi Hand Clap2 Tabla Na Tabla Tun Tambourine1 Conga Slap Tambourine2 Udo Slap Ceng Ceng Udo Short Udo Long Xiao Bo Timbl Paila Kwaengwari p Gamelan Gong Ride Bell Ceng Ceng Mut Pandiero Nao Bo Opn Pandiero Req Dum Req Tik Wadon 6 Wadon 3 Wadon 2 Wadon 5 Wadon 7 Wadon 4 Kane Side Wadon 1 Kane Dhol KwaengwariMt Kwaengwari f Rama Cymbal

------------

PC: 73 [CC32: 4] D'n'B Asia

-----------909 Kick 3 House Kick 909 Kick HipHop Kick SimpleKick TR-909 OHHsh TR-909 OHH Ah Ha ShutHa ShutHi One Two Three Four Snare Roll Snap High-Q Slap Scrtch Push2 Scrtch Pull2 Sticks SquareClick Mtrnm.Click Mtrnm. Bell TR-808 Kick 909 Kick2 Side Stick Jungle Snare 909Clap Ps Snare 808 Tom 2 R&B CHH 808 Tom 2 R&B CHH 808 Tom 2 HipHopOHH 808 Tom 2 808 Tom 2 909 Crash 808 Tom 2 Ride Cymbal China Cymbal Ride Bell Tambourine Splash Cym. 808cowbe Crash Cym.2 Vibraslap Ride Cymbal Tabla Ge Tabla Te Tabla Ge Hi Hand Clap2 Tabla Na Tabla Tun Tambourine1 Conga Slap Tambourine2 Udo Slap Ceng Ceng Udo Short Udo Long Xiao Bo Timbl Paila Kwaengwari p Gamelan Gong Ride Bell Ceng Ceng Mut Pandiero Nao Bo Opn Pandiero Req Dum Req Tik Wadon 6 Wadon 3 Wadon 2 Wadon 5 Wadon 7 Wadon 4 Kane Side Wadon 1 Kane Dhol KwaengwariMt Kwaengwari f Rama Cymbal

------------

PC: 82 [CC32: 4] Std OR

------------

-----------Mix HH Cl 4 Mix HH Cl 1 Mix HH Cl 2 Mix HH Cl 3 Mix HH Op 1 Mix HH Op 2 Mix Snare 1 Mix Snare 2 Mix Snare 3 Mix Snare 4 Mix Kick 2 Mix Kick 3 Mix Kick 4 Mix Kick 1 Snare Roll Finger Snap High-Q Slap ScratchPush ScratchPull Sticks SquareClick Mtrnm.Click Mtrnm. Bell Kick 1 Kick 2 Side Stick Snare 2 909Clap Snare 1 Real Tom 6 Close HiHat Real Tom 6 Pedal HiHat Real Tom 4 Open HiHat Real Tom 4 Real Tom 1 Crash Cym.1 Real Tom 1 Ride Cymbal China Cymbal Ride Bell Tambourine Splash Cym. Cowbell Crash Cym.2 Vibraslap Ride Cymbal Doff Dom Doff Tak 1 Doff Tak 2 Doff Tak 3 Low Bongo Bongo High Doholla Sak Doholla Tak2 Doholla Tak1 Doholla Dom Dholak 1 Dholak 2 Dhol Tabla Ge Tabla Ge Tabla Dom Tabla Ge Hi Tabla Roll Tabla Tak Tabla Flam Tabla Rim1 Tabla Rim3 Tabla Rim2 Tabla Te Tabla Na Tabla Tun Req Tak2 Req Tak1 Req Rim Req Dom2 Req Dom1 Req Khan-c Req Khan-o Req Slap Req Loop Req Dum Req Tik Sagat L-o Sagat R Sagat L-c Jingle Bell Mut Pandiero Opn Pandiero Tambourine1 Tambourine2 Udo Slap Udo Short Udo Long ZaghrutaLoop ZaghrutaStop Hand Clap ST Hand Clap2 Wadon 6 Wadon 1 Wadon 7 Wadon 4 Wadon 2 Wadon 5 Wadon 3 Wadaiko Mute Surdo Mute Triangle Open Triangle

PC: 83 [CC32: 4] Jazz OR

------------

-----------Mix HH Cl 4 Mix HH Cl 1 Mix HH Cl 2 Mix HH Cl 3 Mix HH Op 1 Mix HH Op 2 Mix Snare 1 Mix Snare 2 Mix Snare 3 Mix Snare 4 Mix Kick 2 Mix Kick 3 Mix Kick 4 Mix Kick 1 Snare Roll Finger Snap High-Q Slap ScratchPush ScratchPull Sticks SquareClick Mtrnm.Click Mtrnm. Bell Jazz Kick 2 Jazz Kick 1 Side Stick Jazz Snare 1 Hand Clap2 Jazz Snare Real Tom 6 Jazz Clsd.HH Real Tom 6 Jazz Pedl.HH Real Tom 4 Jazz Open HH Real Tom 4 Real Tom 1 Crash Cym.1 Real Tom 1 Ride Cymbal China Cymbal Ride Bell Tambourine Splash Cym. Cowbell Crash Cym.2 Vibraslap Ride Cymbal Doff Dom Doff Tak 1 Doff Tak 2 Doff Tak 3 Low Bongo Bongo High Doholla Sak Doholla Tak2 Doholla Tak1 Doholla Dom Dholak 1 Dholak 2 Dhol Tabla Ge Tabla Ge Tabla Dom Tabla Ge Hi Tabla Roll Tabla Tak Tabla Flam Tabla Rim1 Tabla Rim3 Tabla Rim2 Tabla Te Tabla Na Tabla Tun Req Tak2 Req Tak1 Req Rim Req Dom2 Req Dom1 Req Khan-c Req Khan-o Req Slap Req Loop Req Dum Req Tik Sagat L-o Sagat R Sagat L-c Jingle Bell Mut Pandiero Opn Pandiero Tambourine1 Tambourine2 Udo Slap Udo Short Udo Long ZaghrutaLoop ZaghrutaStop Hand Clap ST Hand Clap2 Wadon 6 Wadon 1 Wadon 7 Wadon 4 Wadon 2 Wadon 5 Wadon 3 Wadaiko Mute Surdo Mute Triangle Open Triangle

C7

89

91

93

95

90

92

94

98

100

97

99

96

-----------909 Kick 3 House Kick TR-808 Kick HipHop Kick SimpleKick TR-909 OHHsh TR-909 OHH Ah Ha ShutHa ShutHi One Two Three Four Snare Roll Snap High-Q Slap Scrtch Push2 Scrtch Pull2 Sticks SquareClick Mtrnm.Click Mtrnm. Bell 909 Kick 909 Kick2 Side Stick 909 Snare 909Clap 909Snare2 808 Tom 2 TR-909 CHH 808 Tom 2 TR-909 CHH 808 Tom 2 TR-909 OHH 808 Tom 2 808 Tom 2 909 Crash 808 Tom 2 Ride Cymbal China Cymbal Ride Bell Tambourine Splash Cym. 808cowbe Crash Cym.2 Vibraslap Ride Cymbal Doff Dom Doff Tak 1 Doff Tak 2 Doff Tak 3 Low Bongo Bongo High Doholla Sak Doholla Tak2 Doholla Tak1 Doholla Dom Dholak 1 Dholak 2 Dhol Tabla Ge Tabla Ge Tabla Dom Tabla Ge Hi Tabla Roll Tabla Tak Tabla Flam Tabla Rim1 Tabla Rim3 Tabla Rim2 Tabla Te Tabla Na Tabla Tun Req Tak2 Req Tak1 Req Rim Req Dom2 Req Dom1 Req Khan-c Req Khan-o Req Slap Req Loop Req Dum Req Tik Sagat L-o Sagat R Sagat L-c Jingle Bell Mut Pandiero Opn Pandiero Tambourine1 Tambourine2 Udo Slap Udo Short Udo Long ZaghrutaLoop ZaghrutaStop Hand Clap ST Hand Clap2 Wadon 6 Wadon 1 Wadon 7 Wadon 4 Wadon 2 Wadon 5 Wadon 3 Wadaiko Mute Surdo Mute Triangle Open Triangle

PC: 84 [CC32: 4] TR-909 OR

-----------909 Kick 3 House Kick TR-808 Kick 909 Kick 909 Kick2 TR-909 OHHsh TR-909 OHH Ah Ha ShutHa ShutHi One Two Three Four Snare Roll Snap High-Q Slap Scrtch Push2 Scrtch Pull2 Sticks SquareClick Mtrnm.Click Mtrnm. Bell HipHop Kick SimpleKick Side Stick HipHop Snare FunkClap HipHopSnare2 Real Tom 6 HipHopCHH Real Tom 6 HipHopCHH Real Tom 4 HipHopOHH Real Tom 4 Real Tom 1 Crash Cym.1 Real Tom 1 Ride Cymbal ReverseCymbl Ride Bell Tambourine Splash Cym. Cowbell Crash Cym.2 Vibraslap Ride Cymbal Doff Dom Doff Tak 1 Doff Tak 2 Doff Tak 3 Low Bongo Bongo High Doholla Sak Doholla Tak2 Doholla Tak1 Doholla Dom Dholak 1 Dholak 2 Dhol Tabla Ge Tabla Ge Tabla Dom Tabla Ge Hi Tabla Roll Tabla Tak Tabla Flam Tabla Rim1 Tabla Rim3 Tabla Rim2 Tabla Te Tabla Na Tabla Tun Req Tak2 Req Tak1 Req Rim Req Dom2 Req Dom1 Req Khan-c Req Khan-o Req Slap Req Loop Req Dum Req Tik Sagat L-o Sagat R Sagat L-c Jingle Bell Mut Pandiero Opn Pandiero Tambourine1 Tambourine2 Udo Slap Udo Short Udo Long ZaghrutaLoop ZaghrutaStop Hand Clap ST Hand Clap2 Wadon 6 Wadon 1 Wadon 7 Wadon 4 Wadon 2 Wadon 5 Wadon 3 Wadaiko Mute Surdo Mute Triangle Open Triangle

PC: 87 [CC32: 4] HipHop OR

-----------909 Kick House Kick TR-808 Kick HipHop Kick 909 Kick2 R&B OHHsh R&B OHH Ah Ha ShutHa ShutHi One Two Three Four Snare Roll Snap High-Q Slap Scrtch Push2 Scrtch Pull2 Sticks SquareClick Mtrnm.Click Mtrnm. Bell 909 Kick 3 SimpleKick Side Stick R&B Snare R&B Clap 909Snare2 Real Tom 6 R&B CHH Real Tom 6 R&B CHH Real Tom 4 R&B OHH Real Tom 4 Real Tom 1 909 Crash Real Tom 1 Ride Cymbal ReverseCymbl Ride Bell Tambourine Splash Cym. Cowbell Crash Cym.2 Vibraslap Ride Cymbal Doff Dom Doff Tak 1 Doff Tak 2 Doff Tak 3 Low Bongo Bongo High Doholla Sak Doholla Tak2 Doholla Tak1 Doholla Dom Dholak 1 Dholak 2 Dhol Tabla Ge Tabla Ge Tabla Dom Tabla Ge Hi Tabla Roll Tabla Tak Tabla Flam Tabla Rim1 Tabla Rim3 Tabla Rim2 Tabla Te Tabla Na Tabla Tun Req Tak2 Req Tak1 Req Rim Req Dom2 Req Dom1 Req Khan-c Req Khan-o Req Slap Req Loop Req Dum Req Tik Sagat L-o Sagat R Sagat L-c Jingle Bell Mut Pandiero Opn Pandiero Tambourine1 Tambourine2 Udo Slap Udo Short Udo Long ZaghrutaLoop ZaghrutaStop Hand Clap ST Hand Clap2 Wadon 6 Wadon 1 Wadon 7 Wadon 4 Wadon 2 Wadon 5 Wadon 3 Wadaiko Mute Surdo Mute Triangle Open Triangle

PC: 88 [CC32: 4] R&B OR

C8

101

103

105

107

102

104

106

110

112

109

111

108

PC: 85 [CC32: 4] Techno OR

-----------909 Kick 3 909 Kick2 TR-808 Kick HipHop Kick SimpleKick TR-909 OHHsh TR-909 OHH Ah Ha ShutHa ShutHi One Two Three Four Snare Roll Snap High-Q Slap Scrtch Push2 Scrtch Pull2 Sticks SquareClick Mtrnm.Click Mtrnm. Bell 909 Kick House Kick Side Stick Techno Snare 909Clap House Snare Synth Drum 2 TR-909 CHH Synth Drum 2 TR-909 CHH Synth Drum 2 TR-909 OHH Synth Drum 2 Synth Drum 2 909 Crash Synth Drum 2 Ride Cymbal ReverseCymbl Ride Bell Tambourine Splash Cym. Cowbell Crash Cym.2 Vibraslap Ride Cymbal Doff Dom Doff Tak 1 Doff Tak 2 Doff Tak 3 Low Bongo Bongo High Doholla Sak Doholla Tak2 Doholla Tak1 Doholla Dom Dholak 1 Dholak 2 Dhol Tabla Ge Tabla Ge Tabla Dom Tabla Ge Hi Tabla Roll Tabla Tak Tabla Flam Tabla Rim1 Tabla Rim3 Tabla Rim2 Tabla Te Tabla Na Tabla Tun Req Tak2 Req Tak1 Req Rim Req Dom2 Req Dom1 Req Khan-c Req Khan-o Req Slap Req Loop Req Dum Req Tik Sagat L-o Sagat R Sagat L-c Jingle Bell Mut Pandiero Opn Pandiero Tambourine1 Tambourine2 Udo Slap Udo Short Udo Long ZaghrutaLoop ZaghrutaStop Hand Clap ST Hand Clap2 Wadon 6 Wadon 1 Wadon 7 Wadon 4 Wadon 2 Wadon 5 Wadon 3 Wadaiko Mute Surdo Mute Triangle Open Triangle

C9

113

115

117

119

114

116

118

122

121

123

120

37

Drum Sets

C2 36

38

40

41

43

45

47

37

39

42

44

46

C3 48

50

52

53

55

57

59

49

51

54

56

58

C4 60

62

64

65

67

69

71

61

63

66

68

70

C5 72

74

76

77

79

81

83

73

75

78

80

82

C6 84

86

88

85

87

C0 12

14

16

17

19

21

23

13

15

18

20

22

9

11

3

10

C1 24

26

28

29

31

33

35

25

27

30

32

34

PC: 86 [CC32: 4] D'n'B OR

-----------909 Kick 3 House Kick 909 Kick HipHop Kick SimpleKick TR-909 OHHsh TR-909 OHH Ah Ha ShutHa ShutHi One Two Three Four Snare Roll Snap High-Q Slap Scrtch Push2 Scrtch Pull2 Sticks SquareClick Mtrnm.Click Mtrnm. Bell TR-808 Kick 909 Kick2 Side Stick Jungle Snare 909Clap Ps Snare 808 Tom 2 R&B CHH 808 Tom 2 R&B CHH 808 Tom 2 HipHopOHH 808 Tom 2 808 Tom 2 909 Crash 808 Tom 2 Ride Cymbal China Cymbal Ride Bell Tambourine Splash Cym. 808cowbe Crash Cym.2 Vibraslap Ride Cymbal Doff Dom Doff Tak 1 Doff Tak 2 Doff Tak 3 Low Bongo Bongo High Doholla Sak Doholla Tak2 Doholla Tak1 Doholla Dom Dholak 1 Dholak 2 Dhol Tabla Ge Tabla Ge Tabla Dom Tabla Ge Hi Tabla Roll Tabla Tak Tabla Flam Tabla Rim1 Tabla Rim3 Tabla Rim2 Tabla Te Tabla Na Tabla Tun Req Tak2 Req Tak1 Req Rim Req Dom2 Req Dom1 Req Khan-c Req Khan-o Req Slap Req Loop Req Dum Req Tik Sagat L-o Sagat R Sagat L-c Jingle Bell Mut Pandiero Opn Pandiero Tambourine1 Tambourine2 Udo Slap Udo Short Udo Long ZaghrutaLoop ZaghrutaStop Hand Clap ST Hand Clap2 Wadon 6 Wadon 1 Wadon 7 Wadon 4 Wadon 2 Wadon 5 Wadon 3 Wadaiko Mute Surdo Mute Triangle Open Triangle

PC: 89 [CC32: 4] MxKit&Latin

------------

-----------Mix Rev 5 Mix Rev 4 Mix Rev 3 Mix Rev 2 Mix Rev 1 TR-808 Kick Mix Sandy 1 Mix Kick 4 Mix Sandy 2 Mix Kick 3 House Kick Mix Sandy 3 Mix Kick 1 Mix Sandy 4 Mix Kick 2 Mix Sandy 5 Mix Kick 5 Mix Kick 6 TR-707 Rim Mix Snare 1 Mix Clap Mix Snare 5 Mix Snare 6 Norm HH Cl Mix Snare 2 Norm HH Pd 909Snare2 Norm HH Op Mix Snare 3 Jungle Snare Mix HH Cl 4 TR-707 SD Mix HH Cl 1 Snare 1 Snare Roll Mix HH Cl 2 Mix Snare 4 Mix HH Cl 3 Side Stick Mix HH Op 1 Mix HH Op 2 Voice 1 Voice 2 Bongo Lo1 Bongo Lo2 Bongo Hi Conga Lo Conga Hi Conga Timbles Lo Timbles Hi Timbles Claves Cuica Lo Cuica Hi Surdo 1 Surdo 2 Caixa Repinique 1 Repinique 2 Repinique Quide Guiro Maracas Shaker Cabasa Caxixi Ganza Bongo Bell Mambo Bell Cowbell 1 Cowbell 2 Pandeiro 1 Pandeiro 2 Tambourim 1 Tambourim 2 Tambourine Apito Quijada Chekere Cajon Lo Cajon Hi Hand Clap Castanets Mute Triangle Open Triangle Agogo 1 Agogo 2 RecoReco Mtl Guiro Bombo 1 Bombo 2 Bombo 3 Bombo 4 Bombo 5

------------

PC: 90 [CC32: 4] MxKt&India

------------

-----------Mix Rev 5 Mix Rev 4 Mix Rev 3 Mix Rev 2 Mix Rev 1 TR-808 Kick Mix Sandy 1 Mix Kick 4 Mix Sandy 2 Mix Kick 3 House Kick Mix Sandy 3 Mix Kick 1 Mix Sandy 4 Mix Kick 2 Mix Sandy 5 Mix Kick 5 Mix Kick 6 TR-707 Rim Mix Snare 1 Mix Clap Mix Snare 5 Mix Snare 6 Norm HH Cl Mix Snare 2 Norm HH Pd 909Snare2 Norm HH Op Mix Snare 3 Jungle Snare Mix HH Cl 4 TR-707 SD Mix HH Cl 1 Snare 1 Snare Roll Mix HH Cl 2 Mix Snare 4 Mix HH Cl 3 Side Stick Mix HH Op 1 Mix HH Op 2 Tabla Ge Tabla Te Tabla Ge Hi Hand Clap2 Tabla Na Tabla Tun Tambourine1 Conga Slap Tambourine2 Udo Slap Ceng Ceng Udo Short Udo Long Xiao Bo Timbl Paila Kwaengwari p Gamelan Gong Ride Bell Ceng Ceng Mut Pandiero Nao Bo Opn Pandiero Req Dum Req Tik Wadon 6 Wadon 3 Wadon 2 Wadon 5 Wadon 7 Wadon 4 Kane Side Wadon 1 Kane Dhol KwaengwariMt Kwaengwari f Rama Cymbal

------------

PC: 92 [CC32: 4] MxKit&OR

------------

-----------Mix Rev 5 Mix Rev 4 Mix Rev 3 Mix Rev 2 Mix Rev 1 TR-808 Kick Mix Sandy 1 Mix Kick 4 Mix Sandy 2 Mix Kick 3 House Kick Mix Sandy 3 Mix Kick 1 Mix Sandy 4 Mix Kick 2 Mix Sandy 5 Mix Kick 5 Mix Kick 6 TR-707 Rim Mix Snare 1 Mix Clap Mix Snare 5 Mix Snare 6 Norm HH Cl Mix Snare 2 Norm HH Pd 909Snare2 Norm HH Op Mix Snare 3 Jungle Snare Mix HH Cl 4 TR-707 SD Mix HH Cl 1 Snare 1 Snare Roll Mix HH Cl 2 Mix Snare 4 Mix HH Cl 3 Side Stick Mix HH Op 1 Mix HH Op 2 Doff Dom Doff Tak 1 Doff Tak 2 Doff Tak 3 Low Bongo Bongo High Doholla Sak Doholla Tak2 Doholla Tak1 Doholla Dom Dholak 1 Dholak 2 Dhol Tabla Ge Tabla Ge Tabla Dom Tabla Ge Hi Tabla Roll Tabla Tak Tabla Flam Tabla Rim1 Tabla Rim3 Tabla Rim2 Tabla Te Tabla Na Tabla Tun Req Tak2 Req Tak1 Req Rim Req Dom2 Req Dom1 Req Khan-c Req Khan-o Req Slap Req Loop Req Dum Req Tik Sagat L-o Sagat R Sagat L-c Jingle Bell Mut Pandiero Opn Pandiero Tambourine1 Tambourine2 Udo Slap Udo Short Udo Long ZaghrutaLoop ZaghrutaStop Hand Clap ST Hand Clap2 Wadon 6 Wadon 1 Wadon 7 Wadon 4 Wadon 2 Wadon 5 Wadon 3 Wadaiko Mute Surdo Mute Triangle Open Triangle

PC: 91 [CC32: 4] MxKit&Chin

------------

-----------Mix Rev 5 Mix Rev 4 Mix Rev 3 Mix Rev 2 Mix Rev 1 TR-808 Kick Mix Sandy 1 Mix Kick 4 Mix Sandy 2 Mix Kick 3 House Kick Mix Sandy 3 Mix Kick 1 Mix Sandy 4 Mix Kick 2 Mix Sandy 5 Mix Kick 5 Mix Kick 6 TR-707 Rim Mix Snare 1 Mix Clap Mix Snare 5 Mix Snare 6 Norm HH Cl Mix Snare 2 Norm HH Pd 909Snare2 Norm HH Op Mix Snare 3 Jungle Snare Mix HH Cl 4 TR-707 SD Mix HH Cl 1 Snare 1 Snare Roll Mix HH Cl 2 Mix Snare 4 Mix HH Cl 3 Side Stick Mix HH Op 1 Mix HH Op 2 Tang Gu Op Shu Gu Rim Shu Gu Shu Ban 2 Ban Gu 4 Tang Gu Op Nao Bo Tang Gu Mt Xiao Bo Tang Gu Op HuYinLuoH Op Tang Gu Mt Tang Gu Op HuYinLuoH Op Tang Gu Mt Shou Luo 1 HuYinLuoL Mt Shou Luo 2 Xiao Bo Ban Gu 4 Nao Bo HuYinLuoH Op HuYinLuoH Mt HuYinLuoL Mt Gu Roll Gu Hi Kane Side Kopyak Mt Kopyak Op Chenchen Opn Chenchen Cls Ceng Ceng Kwaengwari p Kwaengwari f KwaengwariMt Req Slap Jingle Bell Sagat Open Sagat Close Ban Gu 1 Ban Gu 2

------------

PC: 2 [CC32: 2] Standard 2

------------

-----------Snare Roll Finger Snap High-Q Slap ScratchPush ScratchPull Sticks SquareClick Mtrnm.Click Mtrnm. Bell Std2 Kick2 Std.2 Kick1 Side Stick Std.2 Snare1 808clap Std.2 Snare2 Real Tom 6 Jazz Clsd.HH Real Tom 6 Pedal HiHat Real Tom 4 Jazz Open HH Real Tom 4 Real Tom 1 Crash Cym.1 Real Tom 1 Ride Cymbal China Cymbal Ride Bell Tambourine Splash Cym. Cowbell Crash Cym.2 Vibraslap Ride Cymbal Bongo High Bongo Lo Mute H.Conga Conga Hi Opn Conga Lo Opn High Timbale Low Timbale Agogo Agogo Cabasa Maracas ShrtWhistle LongWhistle Short Guiro Long Guiro Claves Woodblock Woodblock Mute Cuica Open Cuica Mute Triangle Open Triangle Shaker Jingle Bell Bar Chimes Castanets Mute Surdo Open Surdo

------------

PC: 3 [CC32: 2] Standard 3

------------

-----------Snare Roll Finger Snap High-Q Slap ScratchPush ScratchPull Sticks SquareClick Mtrnm.Click Mtrnm. Bell Std.1 Kick2 Std.1 Kick1 Side Stick Std.1 Snare1 808clap Std.1 Snare2 Real Tom 6 Close HiHat Real Tom 6 Pedal HiHat Real Tom 4 Open Hi Hat Real Tom 4 Real Tom 1 Crash Cym.1 Real Tom 1 Ride Cymbal China Cymbal Ride Bell Tambourine Splash Cym. Cowbell Crash Cym.2 Vibraslap Ride Cymbal Bongo High Bongo Lo Mute H.Conga Conga Hi Opn Conga Lo Opn High Timbale Low Timbale Agogo Agogo Cabasa Maracas ShrtWhistle LongWhistle Short Guiro Long Guiro Claves Woodblock Woodblock Mute Cuica Open Cuica Mute Triangle Open Triangle Shaker Jingle Bell Bell Tree Castanets Mute Surdo Open Surdo

------------

C7

89

91

93

95

90

92

94

98

100

97

99

96

------------

Snare Roll Finger Snap High-Q Slap ScratchPush ScratchPull Sticks SquareClick Mtrnm.Click Mtrnm. Bell Room Kick 2 Room Kick 1 Side Stick Room Snare 1 808clap Room Snare 2 Room Tom 5 Room Chh Room Tom 5 Pedal HiHat Room Tom 2 R8 Ohh2 Room Tom 2 Room Tom 2 Crash Cym.1 Room Tom 2 Ride Cymbal China Cymbal Ride Bell Tambourine Splash Cym. Cowbell Crash Cym.2 Vibraslap Ride Cymbal Bongo High Bongo Lo Mute H.Conga Conga Hi Opn Conga Lo Opn High Timbale Low Timbale Agogo Agogo Cabasa Maracas ShrtWhistle LongWhistle Short Guiro Long Guiro Claves Woodblock Woodblock Mute Cuica Open Cuica Mute Triangl Open Triangl Shaker Jingle Bell Bell Tree Castanets Mute Surdo Open Surdo

------------

PC: 9 [CC32: 2] Room

------------

Kick 1 Kick 2

------------

Snare Roll Finger Snap High-Q Slap ScratchPush ScratchPull Sticks SquareClick Mtrnm.Click Mtrnm. Bell Power Kick2 Power Kick1 Side Stick Dance Snare1 808clap Power Snare1 Rock Tom 4 Room Chh Rock Tom 4 Pedal HiHat Rock Tom 4 R8 Ohh2 Rock Tom 4 Rock Tom 1 Crash Cym.1 Rock Tom 1 Ride Cymbal China Cymbal Ride Bell Tambourine Splash Cym. Cowbell Crash Cym.2 Vibraslap Ride Cymbal Bongo High Bongo Lo Mute H.Conga Conga Hi Opn Conga Lo Opn High Timbale Low Timbale Agogo Agogo Cabasa Maracas ShrtWhistle LongWhistle Short Guiro Long Guiro Claves Woodblock Woodblock Mute Cuica Open Cuica Mute Triangl Open Triangl Shaker Jingle Bell Bell Tree Castanets Mute Surdo Open Surdo

------------

PC: 17 [CC32: 2] Power

------------

Snare Roll Finger Snap High-Q Slap ScratchPush ScratchPull Sticks SquareClick Mtrnm.Click Mtrnm. Bell Jazz Kick 2 Jazz Kick 1 Side Stick Jazz Snare 1 Hand Clap2 Jazz Snare 2 Real Tom 6 Jazz Clsd.HH Real Tom 6 Pedal HiHat Real Tom 4 Jazz Open HH Real Tom 4 Real Tom 1 Crash Cym.1 Real Tom 1 Ride Cymbal China Cymbal Ride Bell Tambourine Splash Cym. Cowbell Crash Cym.2 Vibraslap Ride Cymbal Bongo High Bongo Lo Mute H.Conga Conga Hi Opn Conga Lo Opn High Timbale Low Timbale Agogo Agogo Cabasa Maracas ShrtWhistle LongWhistle Short Guiro Long Guiro Claves Woodblock Woodblock Mute Cuica Open Cuica Mute Triangl Open Triangl Shaker Jingle Bell Bell Tree Castanets Mute Surdo Open Surdo

------------

PC: 34 [CC32: 2] Jazz Kit 2

C8

101

103

105

107

102

104

106

110

112

109

111

108

PC: 41 [CC32: 2] Brush Kit

------------

Snare Roll Finger Snap High-Q Slap ScratchPush ScratchPull Sticks SquareClick Mtrnm.Click Mtrnm. Bell Jazz Kick 2 Jazz Kick 1 Side Stick Brush Swirl Brush Slap1 Brush Swirl Lite Tom 4 Brs Chh Lite Tom 4 Pedal HiHat Lite Tom 4 Brush Ohh Lite Tom 4 Lite Tom 4 Brush Crash Lite Tom 4 Brush Ride China Cymbal Brush RideBL Tambourine Splash Cym. Cowbell Crash Cym.2 Vibraslap Ride Cymbal Bongo High Bongo Lo Mute H.Conga Conga Hi Opn Conga Lo Opn High Timbale Low Timbale Agogo Agogo Cabasa Maracas ShrtWhistle LongWhistle Short Guiro Long Guiro Claves Woodblock Woodblock Mute Cuica Open Cuica Mute Triangl Open Triangl Shaker Jingle Bell Bell Tree Castanets Mute Surdo Open Surdo

------------

C9

113

115

117

119

114

116

118

122

121

123

120

38

Drum Sets

C2 36

38

40

41

43

45

47

37

39

42

44

46

C3 48

50

52

53

55

57

59

49

51

54

56

58

C4 60

62

64

65

67

69

71

61

63

66

68

70

C5 72

74

76

77

79

81

83

73

75

78

80

82

C6 84

86

88

85

87

C1 24

26

28

29

31

33

35

25

27

30

32

34

PC: 49 [CC32: 2] Orchestra

-----------Snare Roll Finger Snap Jazz Clsd.HH Pedal HiHat Jazz Open HH Ride Cymbal Sticks SquareClick Mtrnm.Click Mtrnm. Bell Jazz Kick 1 Concert BD Side Stick Concert Snr Castanets Concert Snr Timpani Timpani Timpani Timpani Timpani Timpani Timpani Timpani Timpani Timpani Timpani Timpani Timpani Tambourine Splash Cym. Cowbell Con.Cymbal2 Vibraslap Concert Cym. Bongo High Bongo Lo Mute H.Conga Conga Hi Opn Conga Lo Opn High Timbale Low Timbale Agogo Agogo Cabasa Maracas ShrtWhistle LongWhistle Short Guiro Long Guiro Claves Woodblock Woodblock Mute Cuica Open Cuica Mute Triangl Open Triangl Shaker Jingle Bell Bell Tree Castanets Mute Surdo Open Surdo Applause

------------

PC: 50 [CC32: 2] Ethnic

-----------Finger Snap Tambourine Castanets Crash Cym.1 Snare Roll Concert Snr Concert Cym. Concert BD Jingle Bell Bell Tree Bar Chimes Wadaiko Wadaiko Rim Shimedaiko Atarigane Hyoushigi Ohkawa H kotsuzumi L Kotsuzumi Ban Gu Big Gong Small Gong Bend Gong Rama Cymbal Rama Cymbal Gamelan Gong Udo Short Udo Long Udo Slap Bendir Req Dum Req Tik Tabla Te Tabla Na Tabla Tun Tabla Ge Tabla Ge Hi Talking Drum Bend Tlk Drm Caxixi DJembe Djembe rim Low Timbale Timbl Paila High Timbale Cowbell Bongo High Bongo Lo Mute H.Conga Conga Hi Opn Conga MtLow Conga Slap Conga Lo Opn Conga Slide Mut Pandiero Opn Pandiero Open Surdo Mute Surdo Tamborim Agogo Agogo Shaker Low Whistle Low Whistle Mute Cuica Open Cuica Mute Triangle Open Triangle Short Guiro Long Guiro Cabasa Up Cabasa Down Claves Woodblock Woodblock

------------

PC: 25 [CC32: 2] Electronic

-----------Snare Roll Finger Snap High-Q Slap Scrtch Push2 Scrtch Pull2 Sticks SquareClick Mtrnm.Click Mtrnm. Bell Elec Kick 2 Elec Kick 1 Side Stick Elec. Snare 808clap Elec Snare 2 Synth Drum 2 Jazz Clsd.HH Synth Drum 2 Pedal HiHat Synth Drum 2 Jazz Open HH Synth Drum 2 Synth Drum 2 Crash Cym.1 Synth Drum 2 Ride Cymbal ReverseCymbl Ride Bell Tambourine Splash Cym. Cowbell Crash Cym.2 Vibraslap Ride Cymbal Bongo High Bongo Lo Mute H.Conga Conga Hi Opn Conga Lo Opn High Timbale Low Timbale Agogo Agogo Cabasa Maracas ShrtWhistle LongWhistle Short Guiro Long Guiro Claves Woodblock Woodblock Mute Cuica Open Cuica Mute Triangl Open Triangl Shaker Jingle Bell Bell Tree Castanets Mute Surdo Open Surdo

------------

PC: 26 [CC32: 2] TR-808&909

-----------Snare Roll Finger Snap High-Q Slap Scrtch Push2 Scrtch Pull2 Sticks SquareClick Mtrnm.Click Mtrnm. Bell TR-909 Kick TR-808 Kick 808 Rimshot 808 Snare 1 808clap 909 Snare 1 808 Tom 2 808 chh 808 Tom 2 808 chh 808 Tom 2 808 ohh 808 Tom 2 808 Tom 2 808 Crash 808 Tom 2 Ride Cymbal China Cymbal Ride Bell Tambourine Splash Cym. 808cowbe Crash Cym.2 Vibraslap Ride Cymbal Bongo High Bongo Lo 808 Conga 808 Conga 808 Conga High Timbale Low Timbale Agogo Agogo Cabasa 808marac ShrtWhistle LongWhistle Short Guiro Long Guiro 808clave Woodblock Woodblock Mute Cuica Open Cuica Mute Triangl Open Triangl Shaker Jingle Bell Bell Tree Castanets Mute Surdo Open Surdo

------------

PC: 27 [CC32: 2] Dance

-----------Snare Roll Finger Snap High-Q Slap Scrtch Push2 Scrtch Pull2 Sticks SquareClick Mtrnm.Click Mtrnm. Bell Dance Kick 2 Elec Kick 2 Side Stick Power Snare2 808clap Elec Snare 1 Synth Drum 2 CR-78 chh Synth Drum 2 808 chh Synth Drum 2 CR-78 ohh Synth Drum 2 Synth Drum 2 Crash Cym.1 Synth Drum 2 Ride Cymbal ReverseCymbl Ride Bell Tambourine Splash Cym. Cowbell Crash Cym.2 Vibraslap Ride Cymbal Bongo High Bongo Lo Mute H.Conga Conga Hi Opn Conga Lo Opn High Timbale Low Timbale Agogo Agogo Cabasa Maracas ShrtWhistle LongWhistle Short Guiro Long Guiro Claves Woodblock Woodblock Hoo Hoo Mute Triangl Open Triangl Shaker Jingle Bell Bell Tree Castanets Mute Surdo Open Surdo

------------

PC: 51 [CC32: 2] Kick&Snare

------------

-----------Std.1 Kick1 Std.1 Kick2 Std.2 Kick1 Std2 Kick2 Kick 1 Kick 2 Soft Kick Jazz Kick 1 Jazz Kick 2 Concert BD Room Kick 1 Room Kick 2 Power Kick1 Power Kick2 Elec Kick 2 Elec Kick 1 Elec. Kick TR-808 Kick TR-909 Kick Dance Kick 2 Std.1 Snare1 Std.1 Snare2 Std.2 Snare1 Std.2 Snare2 Tight Snare Concert Snr Jazz Snare 1 Jazz Snare 2 Room Snare 1 Room Snare 2 Dance Snare1 Power Snare1 Rev.Snare Power Snare2 Elec Snare 1 Dance Snare2 Elec Snare 2 House Snare Elec. Snare Elec Snare 3 808 Snare 1 808 Snare 2 909 Snare 1 909 Snare 2 Brush Swirl Brush Tap Brush Slap1 Brush Slap2 Brush Slap Brush Swirl Brush Swirl Long Swirl

------------

PC: 57 [CC32: 2] SFX

------------

-----------Scrtch Push2 Scrtch Pull2 Gt.CutNoise2 Gt.CutNoise2 Dist.CutNoiz Dist.CutNoiz Bass Slide Pick Scrape High-Q Slap ScratchPush ScratchPull Sticks SquareClick Mtrnm.Click Mtrnm. Bell Gt.FretNoise Gt.Cut Noise Gt.Cut Noise String Slap Fl.KeyClick Laughing Screaming Punch Heart Beat Footsteps Footsteps Applause DoorCreaking Door Scratch Wind Chimes Car-Engine Car-Stop Car-Pass Car-Crash Siren Train Jetplane Helicopter Starship Gun Shot Machine Gun Lasergun Explosion Dog Horse-Gallop Bird Rain Thunder Wind Seashore Stream Bubble Kitty Bird 2 Growl Applause 2 Telephone 1 Telephone 2

------------

C7

89

91

93

95

90

92

94

98

100

97

99

96

39

Music Styles

Name Tempo Time sign.

Rock:

1 SteadyRk 73 4/4 2 PowerRck 132 4/4 3 ElecRock 124 4/4 4 DynoRock 76 4/4 5 ThumpRck 104 4/4 6 USBallad 88 4/4

Dance:

7 FeverDnc 113 4/4 8 80sTekno 134 4/4 9 EuroDnce 138 4/4 10 IbizaDnc 138 4/4 11 KeepOnDc 140 4/4 12 90sTekno 140 4/4 13 HrdTekno 140 4/4 14 90sHouse 132 4/4 15 ClubHous 130 4/4 16 Hip'nHop 102 4/4 17 NowHipHp 87 4/4 18 Cool Rap 94 4/4 19 PianoRap 94 4/4 20 70sDance 108 4/4 21 EasyHop 88 4/4

8Beat:

22 PianoBal 56 4/4 23 Soul Bal 58 4/4 24 ClassBal 62 4/4 25 SimpleBl 80 4/4 26 AlClapBl 80 4/4 27 LayBakBl 83 4/4 28 PoppinBl 92 4/4 29 UKLiteBl 104 4/4 30 UpTempBl 110 4/4 31 SmilePop 118 4/4 32 German P 120 4/4

16Beat:

33 Easy Pop 64 4/4 34 Soul Pop 75 4/4 35 NightPop 78 4/4 36 Guitar P 86 4/4 37 LatinPop 92 4/4 38 LightPop 94 4/4 39 FeelGood 98 4/4 40 Groovy P 100 4/4 41 SunnyPop 104 4/4

Jazz:

42 JzBallad 70 4/4 43 BigBand 144 4/4 44 JazzClub 150 4/4 45 BgBndBld 82 4/4 46 JazzWltz 100 3/4

Latin:

47 LuvBossa 136 4/4 48 MidBossa 150 4/4 49 UpBossa 168 4/4 50 UpSamba 103 4/4 51 Discsamb 117 4/4 52 Salsa 100 4/4 53 Merengue 124 4/4 54 Bachata 128 2/4 55 Jogetmly 114 4/4 56 Guarach 181 4/4

Name Tempo Time sign.

Traditional:

57 Blues 61 4/4 58 70s R&B 117 4/4 59 FunkSoul 105 4/4 60 Reggae 140 4/4 61 Country 130 4/4 62 CntryPop 105 4/4 63 Cajun 114 4/4 64 Cool6_8 64 6/8 65 Oldie6_8 92 6/8 66 Schlager 127 4/4 67 March4_4 125 4/4 68 Polka 130 4/4 69 PolkaPop 127 4/4

Ballroom:

70 70sDisco 126 4/4 71 BigSamba 116 4/4 72 Rockin' 185 4/4 73 Boogie 150 4/4 74 Twist 162 4/4 75 EngWltz 91 3/4 76 W'Waltz 180 3/4 77 SlWaltz 90 3/4 78 Tango 120 4/4 79 Musette 175 3/4 80 Cha-Cha 130 4/4 81 Mambo 102 4/4 82 Beguine 110 4/4 83 Rhumba 100 4/4 84 Shuffle 145 4/4 85 Foxtrot 185 4/4 86 Charlest 205 4/4 87 PasDoble 122 4/4

World:

88 Wehda-Kb 120 4/4 89 WehdaKb2 135 4/4 90 Masmoudi 120 8/4 91 Dabkah-T 113 6/4 92 Saidi 110 4/4 93 Saidi-EG 95 4/4 94 Progmks 119 4/4 95 Disco-OR 102 4/4 96 Raja Bha 89 4/4 97 Dadra 70 6/8 98 Kehrva A 110 4/4 99 Bhangra 109 4/4 100 Bangla 110 4/4 101 Cmprsari 132 4/4 102 Minang 82 4/4 103 Popsunda 98 4/4 104 Kromong 128 4/4 105 Korean 100 4/4 106 K_latin 134 4/4 107 ChinaPop 89 4/4 108 JiangNan 72 4/4 109 ChnOpera 120 4/4 110 JingJu 136 4/4

40

Chord Intelligence (“MODE 1” setting)

Cm7 ( 5 )

C C# D E E F

CM7 C#M7 DM7 E M7 EM7 FM7

C7 C#7 D7 E 7 E7 F7

Cm C#m Dm E m Em Fm

Cm7 C#m7 Dm7 E m7 Em7 Fm7

Cdim C#dim Ddim E dim Edim Fdim

Dm7 ( 5 ) Em7 ( 5 )

Caug C#aug Daug E aug Eaug Faug

Csus4 C#sus4 Dsus4 E sus4 Esus4 Fsus4

C7sus4 C#7sus4 D7sus4 E 7sus4 E7sus4 F7sus4

Fm7 ( 5 )E m7 ( 5 )C#m7 ( 5 )

CmM7 C#mM7 DmM7 E mM7 EmM7 FmM7

●

= Constituent notes of this chord.

★

= Keys you need to press to hear this chord.

41

Chord Intelligence (“MODE 1” setting)

F# G A A B B

F#M7 GM7 A M7 AM7 B M7 BM7

F#7 G7 A 7 A7 B 7 B7

F#m Gm A m Am B m Bm

F#m7 Gm7 A m7 Am7 B m7 Bm7

F#dim Gdim A dim Adim B dim Bdim

Gm7 ( 5 ) Am7 ( 5 ) Bm7 ( 5 )

F#aug Gaug A aug Aaug B aug Baug

F#sus4 Gsus4 A sus4 Asus4 B sus4 Bsus4

F#7sus4 G7sus4 A 7sus4 A7sus4 B 7sus4 B7sus4

B m7 ( 5 )A m7 ( 5 )F#m7 ( 5 )

F#mM7 GmM7 A mM7 AmM7 B mM7 BmM7

●

= Constituent notes of this chord.

★

= Keys you need to press to hear this chord.

42

Workstation

Model GW-7

MIDI Imprementation Chart

Date : Jan. 25, 2005

Version : 1.01

Function...

Basic Channel

Default Changed

Default

Mode

Messages Altered

Note Number :

Velocity

After Touch

True Voice

Note On Note Off

Key's Channel's

Pitch Bend

Control Change

Program Change

: True Number

System Exclusive

System Common

System Real Time

Aux Messages

: Song Position : Song Select : Tune Request

: Clock : Commands

: All Sound Off : Reset All Controllers : Local On/Off : All Notes Off : Active Sensing : System Reset

Notes

Mode 1 : OMNI ON, POLY Mode 3 : OMNI OFF, POLY

0, 32

6, 38

10 11 64 65 66 67 71 72 73 74 75 76 77 78 84 91 93

98, 99

100, 101

Transmitted Recognized

1–16 1–16, OFF

Mode 3 Mode 3, 4 (M = 1)

**************

0–127

**************

O X

X X

O *1

O

1

O

5

O O

7

O O O O O O O O O O O O O O O O O O O O

O *1

**************

O

O *1 X X

O *1 O *1 *3

X X X X O X

*1 *1

1–16 1–16, OFF

Mode 3 Mode 3, 4 (M = 1)

0–127 0–127

O X

O O

O *1

O O O O O O O O O O O O O O O O O O O O O (Reverb) O (Chorus) O O

*1 *1

O *1 0–127

O

O *1 X X

O O *3

O (120, 126, 127) O (121) O O (123–125) O X

* 1 O X is selectable. * 2 Recognized as M=1 even if M≠1. * 3 Continue is not transmitted or received in Style mode.

Mode 2 : OMNI ON, MONO Mode 4 : OMNI OFF, MONO

Remarks

* 2

Bank select Modulation Portamento time Data entry Volume Panpot Expression Hold 1 Portamento Sostenuto Soft Resonance Release time Attack time Cutoff Decay time Vibrato rate Vibrato depth Vibrato delay Portamento control Effects 1 depth Effects 3 depth NRPN LSB, MSB RPN LSB, MSB

Program No. 1–128

O : Yes X : No

43

Specifications

GW-7 Workstation

Keyboard

61 keys (with velocity)

[Sound Generator]

Maximum Polyphony

64 voices

Parts

16 parts + Keyboard part

Wave Memory

32 M bytes (16-bit linear equivalent)

Preset Memory

Tones: 606 + 256 (GM2)

Drum Sets: 51 + 9 (GM2)

Performances: 110

User Memory

Tones: 128

Drum Sets: 16

Performances: 32

[Others]

USB (Data transfer)

Operating System

Windows: Windows 2000/Me/XP

Macintosh: Mac OS 9.0.4 or later, Mac OS X 10.0 or later

Controllers

D Beam Controller: 1

Pitch Bend/Modulation Lever: 1

Control Knobs: 2

Display

Large backlit custom LCD

Connectors

Output Jacks (L/MONO, R)

Headphones Jack

MIDI Connectors (IN, OUT)

Hold Pedal Jack

Control Pedal Jack

USB Connector

Power Supply

DC 9 V (AC Adaptor)

Effects

Multi-FX: 47 types

Reverb: 8 types

Chorus: 8 types

Transpose

-12 to +12

[Backing Track]

Tempo

20 to 250

Tracks

16

16-track Recorder Mode

4 easy modes (ALL, Keyboard, Single, Punch In/Out)

Preset Memory

Styles: 110

User Memory

Styles: 99

Songs: 99

Current Draw

1,000 mA

Dimensions

1,045 (W) x 320 (D) x 86 (H) mm

41-3/16 (W) x 12-5/8 (D) x 3-7/16 (H) inches

Weight

5.0 kg / 11 lbs 1 oz (excluding AC adaptor)

Accessories

Owner's Manual

AC Adaptor (ACI Series or PSB-1U)

Options

Keyboard Stand: KS-12

Pedal Switch: DP Series

Foot Switch: BOSS FS-5U

Expression Pedal: EV-5

* In the interest of product improvement, the specifications and/or

appearance of this unit are subject to change without prior notice.

Band Type

3 levels: Drum & Bass, Combo, Full Band

44

Index

A

AC Adaptor ...................................................................... 9

ALL .................................................................................. 21

ANALOG MODIFY ...................................... 6, 12, 14, 19

ASSIGNABLE ............................................................ 6, 16

Attack .............................................................................. 12

B

Backing ....................................................................... 8, 14

BACKING TRACK .............................................. 6, 14–15

Balance ............................................................................ 14

BAND TYPE ......................................................... 6, 14, 23

Bender ......................................................................... 7, 17

Bulk Dump ..................................................................... 27

Bulk Load ....................................................................... 27

C

C1 ................................................................... 12, 14, 19, 25

C2 ................................................................... 12, 14, 19, 25

Chord .............................................................................. 14

Chorus ............................................................................. 19

COMBO .................................................................... 14, 23

Contrast ...................................................................... 9, 25

CONTROL PEDAL ............................................... 7–8, 17

Cord Hook .................................................................... 7, 9

Cutoff .............................................................................. 12

D

D Beam ........................................................................ 6, 16

DC IN ............................................................................ 7, 9

Decay ............................................................................... 12

Delete Song .................................................................... 22

Delete Style ..................................................................... 15

DEMO ............................................................................... 9

Drum Set ......................................................................... 11

DRUMS & BASS ...................................................... 14, 23

DUAL .......................................................................... 9–10

E

Edit Perform ................................................................... 17

Edit System ............................................................... 22, 24

Edit Tone ........................................................................ 12

EFFECTS ..................................................................... 6, 19

ENDING ......................................................................... 14

ENTER .............................................................................. 6

ENV ................................................................................. 12

EXIT ................................................................................... 6

Expression Pedal ....................................................... 8, 17

F

Factory Reset .................................................................. 10

FAVORITE ................................................................. 7, 11

FILL IN ........................................................................... 14

FILTER ............................................................................ 12

Foot Switch ........................................................... 8, 17, 22

FULL ......................................................................... 14, 23

FUNCTION ...................................................................... 7

H

HOLD PEDAL ............................................................. 7–8

I

Init IntDRV ..................................................................... 10

Initialize .......................................................................... 10

INTRO ............................................................................. 14

K

KBD ................................................................................. 21

KEYBOARD ............................................................... 7, 21

Keyboard Mode ......................................................... 9, 11

L

Local Ctrl ........................................................................ 26

LOWER ....................................................................... 9–10

M

MAIN ................................................................................ 9

MARKER ........................................................................ 23

Metronome ..................................................................... 10

MFX ........................................................................... 19–20

MIDI ...................................................................... 7, 26–27

MIDI Channel .......................................................... 13, 26

MODE ................................................... 7, 9, 11, 15, 17, 23

Modulation ................................................................. 7, 17

Music Style ................................................................. 8, 15

Mute ................................................................................ 23

O

Octave ............................................................................. 11

ORIGINAL ..................................................................... 14

OUTPUT ....................................................................... 7–8

P

Pedal .................................................................... 17, 22, 25

Pedal Switch ..................................................................... 8

PERFORM ...................................................................... 17

Performance ......................................................... 8, 16–18

PHONES ........................................................................... 7

Pitch Bend ....................................................................... 17

Portamento ..................................................................... 12

POWER ......................................................................... 7, 9

PUNCH ..................................................................... 21–22

R

Rec Mode .................................................................. 21–22

Recording ................................................................. 21–22

Release ............................................................................. 12

REPEAT .......................................................................... 23

Resonance ....................................................................... 12

Reverb ............................................................................. 19

ROTARY ......................................................................... 17

45

Index

S

Screen ............................................................................ 6, 9

SELECT ............................................................................. 6

Send Level ...................................................................... 19

SFX ................................................................................... 11

SINGLE ........................................................................... 21

SONG .................................................................... 8, 23, 27

SONG CONTROL ........................................................... 6

SONG REC ........................................................... 6, 21–22

SPLIT ........................................................................... 9–10

Split Point ....................................................................... 18

STYLE .............................................................................. 15

SYNC START ............................................................. 6, 14

T

TAP TEMPO .............................................................. 6, 14

Tempo ............................................................................. 14

Tone ................................................................... 8–9, 11–12

U

UPPER ......................................................................... 9–10

USB .............................................................................. 7, 24

USER ................................................................... 11, 15, 17

User Song ....................................................................... 10

User Style ........................................................................ 10

V

VALUE .............................................................................. 6

VARIATION .................................................................. 14

Vibrato ............................................................................ 12

VOLUME .................................................................... 6, 14

W

Write Perform ................................................................ 17

Write Song ...................................................................... 22

Write Tone ...................................................................... 12

46

For EU Countries

This product complies with the requirements of European Directive 89/336/EEC.

For the USA

FEDERAL COMMUNICATIONS COMMISSION

RADIO FREQUENCY INTERFERENCE STATEMENT

This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to Part 15 of the FCC Rules. These limits are designed to provide reasonable protection against harmful interference in a residential installation. This equipment generates, uses, and can radiate radio frequency energy and, if not installed and used in accordance with the instructions, may cause harmful interference to radio communications. However, there is no guarantee that interference will not occur in a particular installation. If this equipment does cause harmful interference to radio or television reception, which can be determined by turning the equipment off and on, the user is encouraged to try to correct the interference by one or more of the following measures:

– Reorient or relocate the receiving antenna. – Increase the separation between the equipment and receiver. – Connect the equipment into an outlet on a circuit different from that to which the receiver is connected. – Consult the dealer or an experienced radio/TV technician for help.

This device complies with Part 15 of the FCC Rules. Operation is subject to the following two conditions: (1) This device may not cause harmful interference, and (2) This device must accept any interference received, including interference that may cause undesired operation.

Unauthorized changes or modification to this system can void the users authority to operate this equipment. This equipment requires shielded interface cables in order to meet FCC class B Limit.

For Canada

NOTICE

This Class B digital apparatus meets all requirements of the Canadian Interference-Causing Equipment Regulations.

AVIS

Cet appareil numérique de la classe B respecte toutes les exigences du Règlement sur le matériel brouilleur du Canada.

For the USA

DECLARATION OF CONFORMITY

Compliance Information Statement

Model Name :

Type of Equipment :

Responsible Party :

Address :

Telephone :

GW-7 Workstation Roland Corporation U.S. 5100 S. Eastern Avenue, Los Angeles, CA 90040-2938 (323) 890-3700

As of January 15, 2005 (ROLAND)

Information When you need repair service, call your nearest Roland Service Center or authorized Roland

distributor in your country as shown below.

EGYPT

Al Fanny Trading Office

9, EBN Hagar A1 Askalany Street, ARD E1 Golf, Heliopolis, Cairo 11341, EGYPT TEL: 20-2-417-1828

REUNION

Maison FO - YAM Marcel

25 Rue Jules Hermann, Chaudron - BP79 97 491 Ste Clotilde Cedex, REUNION ISLAND TEL: (0262) 218-429

SOUTH AFRICA

That Other Music Shop(PTY)Ltd.

11 Melle St., Braamfontein, Johannesbourg, SOUTH AFRICA TEL: (011) 403 4105 FAX: (011) 403 1234

Paul Bothner(PTY)Ltd.

17 Werdmuller Centre, Main Road, Claremont 7708 SOUTH AFRICA

TEL: (021) 674 4030

CHINA

Roland Shanghai Electronics Co.,Ltd.

5F. No.1500 Pingliang Road Shanghai 200090, CHINA TEL: (021) 5580-0800

Roland Shanghai Electronics Co.,Ltd. (BEIJING OFFICE)

10F. No.18 3 Section Anhuaxili Chaoyang District Beijing 100011 CHINA TEL: (010) 6426-5050

Roland Shanghai Electronics Co.,Ltd. (GUANGZHOU OFFICE)

2/F., No.30 Si You Nan Er Jie Yi Xiang, Wu Yang Xin Cheng, Guangzhou 510600, CHINA TEL: (020) 8736-0428

HONG KONG

Tom Lee Music Co., Ltd. Service Division

22-32 Pun Shan Street, Tsuen Wan, New Territories, HONG KONG TEL: 2415 0911

Parsons Music Ltd.

8th Floor, Railway Plaza, 39 Chatham Road South, T.S.T, Kowloon, HONG KONG TEL: 2333 1863

INDIA

Rivera Digitec (India) Pvt. Ltd.

409, Nirman Kendra Mahalaxmi Flats Compound Off. Dr. Edwin Moses Road, Mumbai-400011, INDIA TEL: (022) 2493 9051

INDONESIA

PT Citra IntiRama

J1. Cideng Timur No. 15J-150 Jakarta Pusat INDONESIA TEL: (021) 6324170

KOREA

Cosmos Corporation

1461-9, Seocho-Dong, Seocho Ku, Seoul, KOREA TEL: (02) 3486-8855

MALAYSIA

Roland Asia Pacific Sdn. Bhd.

45-1, Block C2, Jalan PJU 1/39, Dataran Prima, 47301 Petaling Jaya, Selangor, MALAYSIA TEL: (03) 7805-3263

PHILIPPINES

G.A. Yupangco & Co. Inc.

339 Gil J. Puyat Avenue Makati, Metro Manila 1200, PHILIPPINES TEL: (02) 899 9801

SINGAPORE

SWEE LEE MUSIC COMPANY PTE. LTD.

150 Sims Drive, SINGAPORE 387381 TEL: 6846-3676

CRISTOFORI MUSIC PTE LTD

Blk 3014, Bedok Industrial Park E, #02-2148, SINGAPORE 489980 TEL: 6243-9555

TAIWAN

ROLAND TAIWAN ENTERPRISE CO., LTD.

Room 5, 9fl. No. 112 Chung Shan N.Road Sec.2, Taipei, TAIWAN, R.O.C. TEL: (02) 2561 3339

THAILAND

Theera Music Co. , Ltd.

330 Verng NakornKasem, Soi 2, Bangkok 10100, THAILAND TEL: (02) 2248821

VIETNAM

Saigon Music

Suite DP-8 40 Ba Huyen Thanh Quan Street Hochiminh City, VIETNAM TEL: (08) 930-1969

AUSTRALIA/ NEW ZEALAND

Roland Corporation Australia Pty.,Ltd.

38 Campbell Avenue Dee Why West. NSW 2099 AUSTRALIA

For Australia Tel: (02) 9982 8266 For New Zealand Tel: (09) 3098 715

ARGENTINA

Instrumentos Musicales S.A.

Av.Santa Fe 2055 (1123) Buenos Aires ARGENTINA TEL: (011) 4508-2700

BARBADOS

A&B Music Supplies LTD

12 Webster Industrial Park Wildey, St.Michael, Barbados TEL: (246)430-1100

BRAZIL

Roland Brasil Ltda.

Rua San Jose, 780 Sala B Parque Industrial San Jose Cotia - Sao Paulo - SP, BRAZIL TEL: (011) 4615 5666

CHILE

Comercial Fancy II S.A.

Rut.: 96.919.420-1 Nataniel Cox #739, 4th Floor Santiago - Centro, CHILE TEL: (02) 688-9540

COLOMBIA

Centro Musical Ltda.

Cra 43 B No 25 A 41 Bododega 9 Medellin, Colombia TEL: (574)3812529

COSTA RICA

JUAN Bansbach Instrumentos Musicales

Ave.1. Calle 11, Apartado 10237, San Jose, COSTA RICA TEL: 258-0211

CURACAO

Zeelandia Music Center Inc.

Orionweg 30 Curacao, Netherland Antilles TEL:(305)5926866

DOMINICAN REPUBLIC

Instrumentos Fernando Giraldez

Calle Proyecto Central No.3 Ens.La Esperilla Santo Domingo, Dominican Republic TEL:(809) 683 0305

ECUADOR

Mas Musika

Rumichaca 822 y Zaruma Guayaquil - Ecuador TEL:(593-4)2302364

EL SALVADOR

OMNI MUSIC

75 Avenida Norte y Final Alameda Juan Pablo II, Edificio No.4010 San Salvador, EL SALVADOR TEL: 262-0788

GUATEMALA

Casa Instrumental

Calzada Roosevelt 34-01,zona 11 Ciudad de Guatemala Guatemala TEL:(502) 599-2888

HONDURAS

Almacen Pajaro Azul S.A. de C.V.

BO.Paz Barahona 3 Ave.11 Calle S.O San Pedro Sula, Honduras TEL: (504) 553-2029

MARTINIQUE

Musique & Son

Z.I.Les Mangle 97232 Le Lamantin Martinique F.W.I. TEL: 596 596 426860

Gigamusic SARL

10 Rte De La Folie 97200 Fort De France Martinique F.W.I. TEL: 596 596 715222

MEXICO

Casa Veerkamp, s.a. de c.v.

Av. Toluca No. 323, Col. Olivar de los Padres 01780 Mexico D.F. MEXICO TEL: (55) 5668-6699

NICARAGUA

Bansbach Instrumentos Musicales Nicaragua

Altamira D'Este Calle Principal de la Farmacia 5ta.Avenida 1 Cuadra al Lago.#503 Managua, Nicaragua TEL: (505)277-2557

PANAMA

SUPRO MUNDIAL, S.A.

Boulevard Andrews, Albrook, Panama City, REP. DE PANAMA TEL: 315-0101

PARAGUAY

Distribuidora De Instrumentos Musicales

J.E. Olear y ESQ. Manduvira Asuncion PARAGUAY TEL: (595) 21 492147

PERU

Audionet

Distribuciones Musicales SAC Juan Fanning 530 Miraflores Lima - Peru TEL: (511) 4461388

NORWAY

Roland Scandinavia Avd. Kontor Norge

Lilleakerveien 2 Postboks 95 Lilleaker N-0216 Oslo NORWAY TEL: 2273 0074

POLAND

MX MUSIC SP.Z.O.O.

UL. Gibraltarska 4. PL-03664 Warszawa POLAND TEL: (022) 679 44 19

PORTUGAL

Roland Iberia, S.L. Portugal Office

Cais das Pedras, 8/9-1 Dto 4050-465, Porto, PORTUGAL TEL: 22 608 00 60

ROMANIA

FBS LINES

Piata Libertatii 1, 535500 Gheorgheni, ROMANIA TEL: (266) 364 609

RUSSIA

MuTek

3-Bogatyrskaya Str. 1.k.l 107 564 Moscow, RUSSIA TEL: (095) 169 5043

SPAIN

Roland Iberia, S.L.

Paseo García Faria, 33-35 08005 Barcelona SPAIN TEL: 93 493 91 00

SWEDEN

Roland Scandinavia A/S SWEDISH SALES OFFICE

Danvik Center 28, 2 tr. S-131 30 Nacka SWEDEN TEL: (0)8 702 00 20

SWITZERLAND

Roland (Switzerland) AG

Landstrasse 5, Postfach, CH-4452 Itingen, SWITZERLAND TEL: (061) 927-8383

UKRAINE

TIC-TAC

Mira Str. 19/108 P.O. Box 180 295400 Munkachevo, UKRAINE TEL: (03131) 414-40

UNITED KINGDOM

Roland (U.K.) Ltd.

Atlantic Close, Swansea Enterprise Park, SWANSEA SA7 9FJ, UNITED KINGDOM TEL: (01792) 702701

BAHRAIN

Moon Stores

No.16, Bab Al Bahrain Avenue, P.O.Box 247, Manama 304, State of BAHRAIN TEL: 17 211 005

CYPRUS

Radex Sound Equipment Ltd.

17, Diagorou Street, Nicosia, CYPRUS TEL: (022) 66-9426

IRAN

MOCO INC.

No.41 Nike St., Dr.Shariyati Ave., Roberoye Cerahe Mirdamad Tehran, IRAN TEL: (021) 285-4169

ISRAEL

Halilit P. Greenspoon & Sons Ltd.

8 Retzif Ha'aliya Hashnya St. Tel-Aviv-Yafo ISRAEL TEL: (03) 6823666

TRINIDAD

AMR Ltd

Ground Floor Maritime Plaza Barataria Trinidad W.I. TEL: (868)638 6385

URUGUAY

Todo Musica S.A.

Francisco Acuna de Figueroa 1771 C.P.: 11.800 Montevideo, URUGUAY TEL: (02) 924-2335

VENEZUELA

Instrumentos Musicales Allegro,C.A.

Av.las industrias edf.Guitar import #7 zona Industrial de Turumo Caracas, Venezuela TEL: (212) 244-1122

AUSTRIA

Roland Elektronische Musikinstrumente HmbH. Austrian Office

Eduard-Bodem-Gasse 8, A-6020 Innsbruck, AUSTRIA TEL: (0512) 26 44 260

BELGIUM/FRANCE/ HOLLAND/ LUXEMBOURG

Roland Central Europe N.V.

Houtstraat 3, B-2260, Oevel (Westerlo) BELGIUM TEL: (014) 575811

CZECH REP.

K-AUDIO

Kardasovska 626. CZ-198 00 Praha 9, CZECH REP. TEL: (2) 666 10529

DENMARK

Roland Scandinavia A/S

Nordhavnsvej 7, Postbox 880, DK-2100 Copenhagen DENMARK TEL: 3916 6200

FINLAND

Roland Scandinavia As, Filial Finland

Elannontie 5 FIN-01510 Vantaa, FINLAND TEL: (0)9 68 24 020

GERMANY

Roland Elektronische Musikinstrumente HmbH.

Oststrasse 96, 22844 Norderstedt, GERMANY TEL: (040) 52 60090

GREECE

STOLLAS S.A. Music Sound Light

155, New National Road Patras 26442, GREECE TEL: 2610 435400

HUNGARY

Roland East Europe Ltd.

Warehouse Area ‘DEPO’ Pf.83 H-2046 Torokbalint, HUNGARY TEL: (23) 511011

IRELAND

Roland Ireland

G2 Calmount Park, Calmount Avenue, Dublin 12 Republic of IRELAND TEL: (01) 4294444

ITALY

Roland Italy S. p. A.

Viale delle Industrie 8, 20020 Arese, Milano, ITALY TEL: (02) 937-78300

JORDAN

AMMAN Trading Agency

245 Prince Mohammad St., Amman 1118, JORDAN TEL: (06) 464-1200

KUWAIT

EASA HUSAIN AL-YOUSIFI & SONS CO.

Abdullah Salem Street, Safat, KUWAIT TEL: 243-6399

LEBANON

Chahine S.A.L.

Gerge Zeidan St., Chahine Bldg., Achrafieh, P.O.Box: 165857 Beirut, LEBANON TEL: (01) 20-1441

OMAN

TALENTZ CENTRE L.L.C.

P.O. BOX 37, MUSCAT, POSTAL CODE 113 TEL: 931-3705

QATAR

Al Emadi Co. (Badie Studio & Stores)

P.O. Box 62, Doha, QATAR TEL: 4423-554

SAUDI ARABIA

aDawliah Universal Electronics APL

Corniche Road, Aldossary Bldg., 1st Floor, Alkhobar, SAUDI ARABIA

P.O.Box 2154, Alkhobar 31952 SAUDI ARABIA TEL: (03) 898 2081

SYRIA

Technical Light & Sound Center

Rawda, Abdul Qader Jazairi St. Bldg. No. 21, P.O.BOX 13520, Damascus, SYRIA TEL: (011) 223-5384

TURKEY

Ant Muzik Aletleri Ithalat Ve Ihracat Ltd Sti

Siraselviler Caddesi Siraselviler Pasaji No:74/20 Taksim - Istanbul, TURKEY TEL: (0212) 2449624

U.A.E.

Zak Electronics & Musical Instruments Co. L.L.C.

Zabeel Road, Al Sherooq Bldg., No. 14, Grand Floor, Dubai, U.A.E. TEL: (04) 3360715

CANADA

Roland Canada Music Ltd. (Head Office)

5480 Parkwood Way Richmond B. C., V6V 2M4 CANADA TEL: (604) 270 6626

Roland Canada Music Ltd. (Toronto Office)

170 Admiral Boulevard Mississauga On L5T 2N6 CANADA TEL: (905) 362 9707

U. S. A.

Roland Corporation U.S.

5100 S. Eastern Avenue Los Angeles, CA 90040-2938, U. S. A. TEL: (323) 890 3700

ASIA

AFRICA

AUSTRALIA/ NEW ZEALAND

EUROPE

CENTRAL/LATIN AMERICA

MIDDLE EAST

NORTH AMERICA

03902456 1MP

Roland GW-7 User Manual

Specifications and Main Features

Frequently Asked Questions

User Manual

USING THE UNIT SAFELY

IMPORTANT NOTES

Contents

Panel Descriptions

Front Panel

Rear Panel

Introduction

About the GW-7

Making Connections

Connecting External Equipment, Pedals, and Switches

Connecting the AC Adaptor

Turning the Power Off

Adjusting the Screen Contrast

Listening to the Demo Song

Turning the Power On/Off

Turning the Power On

Playing Sounds from the Keyboard (Keyboard Mode)

Using Main Mode

Using Split Mode

Using the Metronome

Restoring the GW-7 to Its Factory Settings

Using Dual Mode

Initializing the User Style and User Song Memory

Keyboard Mode Functions

Selecting the Tone for the Keyboard Mode

Selecting a Tone

drum sets

Selecting a Favorite Tone

Drum Sounds and Sound Effects (SFX)

Sound Effects (SFX)

Using the Favorite Tone Function

Registering a Favorite Tone

Octave Settings

Editing a Tone

Editing a Tone in Detail

Saving a Tone

Other Functions

Using the GW-7 as a MIDI Keyboard Controller

Playing with an Accompaniment (Backing)

Playing Back a Backing

Adjusting the Volume Balance

Adjusting the Tempo

Changing the Backing Ensemble

Sync Start

Stopping the Backing

Selecting a Music Style

Other Functions Related to Music Styles

Adding Music Styles

Deleting a Music Style

Performance Functions and Effects

Performance Functions

D Beam Controller

Pitch Bend and Modulation

Selecting a Performance

Editing a Performance

Assignable Pedal

Using Preset Performances

Saving a Performance

Performance Parameters

Using Effects

Adjusting the Reverb or Chorus Send Level

Editing the Effects

Multi-Effect List

Song Functions

Recording a Song

Keyboard

Single

Punch-In/Out

Recording Another Song (After Previously Recording a Song)

Saving a Song

Deleting a Song

Selecting and Playing a Song

Moving the Playback Location of a Song

Minus-One Playback

USB Functions and System Functions

Transferring Files via USB