Roland GT-6 User Manual [ja]

BOSS GT-6

P.2 3

P.4

•[ ]

WRITE WRITE

UTILITY UTILITY

•P.**

MIDI AMEI

2001 ©

If you should require an English Owner’s Manual (at a modest fee), please contact an authorized Roland distributor.

定される内容を表わしています。

び家畜・ペットにかかわる拡大損害を表わしています。

す。

左図の場合は、「一般的な注意、警告、危険」を表わしています。

ます。

左図の場合は、「分解禁止」を表わしています。

●

● 明書をよく読んでください。

..............................................................................................................

●AC

..............................................................................................................

●

○

..............................................................................................................

●AC AC 100 V

..............................................................................................................

●

..............................................................................................................

●

..............................................................................................................

●AC

○AC

..............................................................................................................

● 与えないでください。

..............................................................................................................

あります。

..............................................................................................................

● ローランド・サービスに相談してください。

..............................................................................................................

●AC

..............................................................................................................

●AC

..............................................................................................................

●AC

..............................................................................................................

●

..............................................................................................................

● を置かないでください。

..............................................................................................................

● AC

い。

..............................................................................................................

●AC

..............................................................................................................

● AC

P.12

..............................................................................................................

●AC

..............................................................................................................

291a

2 3

301

●

302

● AC AC

307

352

●

355

401a

402

● コール類は、使用しないでください。

451c

●AC

452

● ます。大切な記憶内容は、他のMIDI

453

●6

501b

551

MIDI

552

553

554

● い。

556

558a

559a

●

561

● EV-5 FV-300L

562

●PCS

は、ケーブルのメーカーにお問い合わせください。

.......................................	2
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1 .....................	12
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.........................................	14
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..................	15
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2
....17
EZ .....................	17
................................	17
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...................	19

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3 ...........	22
......................................................................	22
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...................................................	23

4 .....................	24
PREAMP/SPEAKER
................	24
OVERDRIVE/DISTORTION
......................	27
DELAY .................................................	28
CHORUS ..............................................	29
REVERB ..............................................	29
WAH ............................................................	30
■ WAH .....................................................	30
■ AW ........................................................	31
■ FW ............................................	31
EQ ...................................................	32
FX-1 .......................................................................	32
■ CS .....................................................	33
■ LM .............................................................	33
■ AC ......	33
■ PIC .......................	33
■ TR .................................................................	34
■ SG .........................................................	34
■ FB .................................................	34
■ AFB ..................................	35
■ FRT .......................................................	35
FX-2 .......................................................................	35
■ PH .............................................................	37
■ FL ..........................................................	38
■ HR .........................................................	38
■ PS .................................................	39
■ PB .....................................................	40
■ 2CE 2x2 ......................................................	40
■ PAN .......................................................................	40
■ VB .............................................................	41
■ UV V .....................................................................	41
■ SDD ..........................................	41
■ HU .................................................	41
■ RM ...................................	42
■ SL ..............................................................	42
■ AR .........................................................	42
■ SYN ..................................................	43
■ SEQ ..........................................	45
NS ......................................	45
MASTER ..............................................	46
FV .........................................	46

5
CTL
...........	47
.............	47

CTL .....................................	47

..................................................	47
...............	48
MIDI
...................................	49

.........................	52
6 ...........	53
..........................	53

..............................................	54
......................	55
7 GT-6 ..................	56

PATCH LEVEL ........................................	56

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.................	56
	....57
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60
8 ...........................	61

LCD .................................................	61
PATCH/VALUE
......................................	61

......................................	61


.............................................	61

...................................................................	62
.....................	62

SUB CTL1, 2 ..............................	63
9 MIDI ......................	64
MIDI .............................................	64
MIDI ....................................	65
MIDI ..........................................	67
MIDI
..................................................................	67
MIDI
..................................................................	68
...................	69

MIDI .................	69
....................................................	70
MIDI ..........................................................	70
MIDI ............................................................	70
GT-6 MIDI ................................................	70
MIDI ...........................	71

.................................	72
GT-6
MIDI ..........	72
MIDI
GT-6 ..........................	73
.................................	74
.....74

.......................	75
...................................................	76
MIDI ....	77
.............................................	78
....................................................	80
.......	82

COSM & COSM

COSM COSM

COSM

音を作り出すことができます。

備。演奏中でも、リアルタイムに設定

発のデフレッター、ユニV

とコントロール・ペダルを装備しています。1

レッション・ペダル・スイッチ」を使うことができます。

COSM Composite Object Sound Modeling

COSM

いくローランド独自のモデリング技術です。



									45
				2
		1			29						44
								40
										43
			41					42
								42
								25
	3	4	5	6	7	8		9	30
									30
	10	11						26	31		33
											33
	12	13	14	17	18	21	23	27	34		36
	12	13	14	17	18	21	23				36
											39
	15	16		19	20	22	24	28	37	38
										38
									32		35
							■ PREAMP/SPEAKER P.24
	GT-6

							3 TYPE
2	PATCH LEVEL

							4 GAIN

							5 BASS

8

6MIDDLE

7TREBLE

8LEVEL

9SPEAKER

10PREAMP/SPEAKER

11TYPE VARIATION

■ OVERDRIVE/DISTORTION P.27

12TYPE

す。

13DRIVE

ます。

14LEVEL

す。

15OVERDRIVE/DISTORTION

16TYPE VARIATION

■ DELAY P.28

17FEEDBACK

18LEVEL

19DELAY

20TAP

す。P.28

■ CHORUS P.29

21LEVEL

音が大きくなります。

22CHORUS

■ REVERB P.29

23LEVEL

24REVERB

■ WAH P.30

25WAH

■ EQ P.32

26EQ

■ FX-1 P.32

27FX-1

■ FX-2 P.35		40	BANK

28	FX-2
		41

29	PATCH/VALUE
		42	CTL

30	PARAMETER

プします。

31EXIT

32WRITE

と本体の間に指を挟まないように注意してください。

	44 EXP PEDAL SW

33EZ TONE EZ

34PEDAL ASSIGN

関する設定をするときに使います。

35OUTPUT SELECT

GT-6

36TUNER/BYPASS

37NAME/NS/MASTER P.45, 46

(NAME(NS MASTER

38UTILITY

GT-6

39MANUAL

GT-6

オフさせることのできるスイッチです。

45EXP PEDAL SW ON/OFF

は消灯します。

1	2	3	4	5	6	7	8	9	10	11

1INPUT

2OUTPUT LEVEL

力される音量を調節します。

3OUTPUT R/L (MONO)

4PHONES

5SEND RETURN

6DIGITAL OUT

7SUB EXP PEDAL/SUB CTL 1,2

EXP

EV-5

FS-5U

8MIDI IN/OUT MIDI

MIDI MIDI

9POWER

10AC

AC BRC-100

AC AC

	Output Select P.14 LINE/PHONES, LINE (PA)

		AC
		AC
		BRC-100


	INPUT	PHONES
	INPUT	PHONES

OUTPUT L MONO
	OUTPUT R	OUTPUT L (MONO)

Output Select P.14

JC-120, SMALL AMP, COMBO AMP, STACK AMP

	AC	MTR
	BRC-100	MTR
INPUT


OUTPUT R OUTPUT L (MONO)

		INPUT OUTPUT
		SEND

INPUT	PHONES	RETURN

	SUB EXP PEDAL
	SUB EXP PEDAL
	/SUB CTL 1,2


	FS-5U	AC
	FS-5U	BRC-100
Output Select P.14	FS-5L	BRC-100
Output Select P.14	FS-5L
COMBO RETURN, STACK RETURN
COMBO RETURN, STACK RETURN

		EV-5
		FV-300L
	AC
	BRC-100
INPUT
INPUT		EV-5 Roland FV-300L + PCS-33
		EV-5 Roland FV-300L + PCS-33
		Roland
OUTPUT R OUTPUT L (MONO)
MAIN IN	MAIN IN

RETURN	RETURN

	AC


fig.01-05		1.
		1.
		•
		•

		2.	GT-6 POWER


	SUB EXP PEDAL/SUB CTL 1,2
	SUB EXP PEDAL/SUB CTL 1,2

	“MIN”	fig.01-08
	“MIN”
SUB EXP PEDAL/SUB CTL 1,2
	FS-5U

fig.01-06




		3.	→
	PCS-31 Roland

fig.01-07

GT-6 OUTPUT LEVEL

	PCS-31

		fig.01-09


SUB EXP PEDAL/SUB CTL 1,2


P.63
	1.
	•

	2.

	3.	GT-6

OUTPUT

GT-6

■

1.OUTPUT SELECT

2.PATCH/VALUE OUTPUT

JC-120

SMALL AMP

COMBO AMP

JC-120

“JC-120”

STACK AMP

設定です。

COMBO RETURN

RETURN

STACK RETURN

RETURN

LINE/PHONES

MTR

LINE PA

GT-6

P.57


GT-6
340


fig.01-11	1 85 1 4
	1 85 1 4
85	GT-6
36
36	fig.01-14a
35

	-
fig.01-14b

1 35

憶できます。これらのバンクのパッチを「ユーザー・パッチ」といいます。

	“U”



	fig.01-12

		P.61
		PATCH/VALUE


	36 85
	GT-6


		fig.01-15


	“P”

	fig.01-13
		1
		1.

1

	1
	2
1.	BANK
	BANK



		-

GT-6

EXIT P.13


EZ			GT-6 15
			GT-6 15
GT-6
GT-6

			fig.02-03
EZ			fig.02-03
EZ
EZ
			2

fig.02-01
	2
			PREAMP TYPE

3	4	1	TYPE VARIATION

1. EZTONE			PREAMP GAIN
			PREAMP GAIN
2. VALUE


3.			PREAMP BASS
			PREAMP BASS


fig.02-02

			PREAMP MIDDLE


			PREAMP TREBLE



EZ TONE EZ			PREAMP LEVEL
EZ TONE EZ



4. EXIT

	EZ	SPEAKER
	EZ

ORIGINAL PREAMP TYPE

EXIT

P.22

OVERDRIVE/DISTORTION TYPE

TYPE VARIATION

OVERDRIVE/DISTORTION DRIVE

す。右に回すほど歪み感が強くなります。

OVERDRIVE/DISTORTION LEVEL

右に回すほど大きな音になります。

DELAY FEEDBACK

しが多くなります。

DELAY LEVEL

大きくなります。

CHORUS LEVEL

大きくなります。

REVERB LEVEL

大きくなります。

PATCH LEVEL

EZ P.22


GT-6


1,2,3	4
1.

名が点滅しながら表示されます。

1 FX-1 FX-2 WAH FX Select

P.19

1 2

4.EXIT

（P.22

		2



		1 1
					2
		fig.02-07		3	2
		fig.02-07
1.
1.


				2
				2


2.	PARAMETER
			1	6
fig.02-06			1	6
fig.02-06
		1.


3.	VALUE
		2.	PARAMETER
		2.	PARAMETER
“P00: User”


			PARAMETER
			PARAMETER


	1 FX-1 FX-2 WAH FX Select
			PARAMETER
			PARAMETER
			PARAMETER
			PARAMETER



		3.	VALUE
		4. 2 3

		5.
			1 4
		6. EXIT

			P.22

2

							4
							4



							3

		1	4
						1	5
				1. FX-2
			3	2.	FX-2
					P.18

		5
		5		3.	PARAMETER	FX Select
				3.	PARAMETER	FX Select
1. WAH
1. WAH				4.	VALUE “PB”
				4.	VALUE “PB”
2. WAH
	P.18
	P.18

				PB
				PB


3.	PARAMETER	FX Select


4.	VALUE “WAH”


WAH



5. EXIT

P.22

		2

16


		fig.02-12
fig.02-10			2
	3		2
	3		2
			2
	2		2
	2
1	3	3	1
1	3
1. NAME/NS/MASTER		1. NAME/NS/MASTER “Effect Chain”
1. NAME/NS/MASTER

	NAME/NS/MASTER	NAME/NS/MASTER
		NAME → NOISE SUPPRESSOR → MASTER → FOOT
	NAME → NOISE SUPPRESSOR → MASTER → FOOT
		VOLUME → EFFECT CHAIN

	VOLUME → EFFECT CHAIN fig.02-13
	fig.02-11


2.	PARAMETER	2.	VALUE PARAMETER
2.	PARAMETER


3.	VALUE
3.	VALUE	3.
		3.

	CAPS
	CAPS

			PEDAL ASSIGN
	INS		PEDAL ASSIGN
	INS
	DEL	4.	2 3
	DEL
		5.
4. 2 3			P.22
			EXIT
5.
5.
	P.22
	P.22
	EXIT

	3

	EZ

		3
	P.15	3
	P.15

	2
		2,4
		1.
	1,3	P.15
	1. WRITE	2. WRITE
	1. WRITE







	2. VALUE	3. VALUE
	2. VALUE

		EXIT
		EXIT


		P.15
	EXIT	P.15
	EXIT

		4. WRITE
	P.15	4. WRITE
	P.15


	3. WRITE
	3. WRITE



GT-6

fig.03-05
4
3
	3
2,5
1.

P.15

2.WRITE

3.PARAMETER

fig.03-06

4.VALUE

EXIT

P.15

5.WRITE

面に戻ります。

GT-6

ています。

商標でボスとは関係ありません。本書ではCOSM

PREAMP/SPEAKER

COSM


On/Off	Off, On
Type	P.25
Gain	0 100
Bass	0 100
Middle	0 100
Treble	0 100
Presence	0 100
Level	0 100
Bright	Off, On
Gain SW	Low, Middle, High
Speaker SW	Off, On
Speaker Type	1x10", 1x12", 2x12", 4x12",
	8x12", ORIGINAL
Mic Setting (*)	Center, 1 cm 10 cm
Mic Level (*)	0 100
Direct Level (*)	0 100

(*)OUTPUT SELECT “LINE/PHONES”“LINE (PA)”

TYPE

		TYPE VARIATION



	JC-120	Jazz Combo	Full Range
JC CLEAN
JC CLEAN	JC-120
	JC-120



	Clean TWIN	Pro Crunch	Tweed
TW CLEAN
TW CLEAN	Fender Twin Reverb	Fender Pro Reverb	Fender Bassman 4 x 10''
	Fender Twin Reverb	Fender Pro Reverb	Fender Bassman 4 x 10''
			Combo

	Crunch	Blues	Stack Crunch
CRUNCH
CRUNCH




VO COMBO	VO Drive	VO Lead	VO Clean

	VOX AC-30TB	VOX AC-30TB	VOX AC-30TB
	VOX AC-30TB	VOX AC-30TB	VOX AC-30TB

				4
	MATCH Drive	MATCH Lead	Fat MATCH	4
	MATCH Drive	MATCH Lead	Fat MATCH

MATCH DRV	Matchless D/C-30	Matchless D/C-30
MATCH DRV	Matchless D/C-30	Matchless D/C-30
			MATCHLESS
			MATCHLESS


	BG Lead	BG Drive	BG Rhythm

BG LEAD	MESA/Boogie	MESA/Boogie TREBLE SHIFT	MESA/Boogie
		SW


	MS1959(I)	MS1959(I+II)	MS HiGain

MS STACK	Marshall 1959 I	Marshall 1959 I II
			Marshall


	R-Fier RED	R-FierOrang	R-FierVint

R-FIER	MESA/Boogie DUAL Rectifier	MESA/Boogie DUAL Rectifier	MESA/Boogie Rectifier
	RED	ORANGE	VINTAGE SW


	SLDN	Drive Stack	Lead Stack
Hi GAIN
Hi GAIN	Soldano SLO-100
	Soldano SLO-100


	5150 Drive	Metal Stack	Metal Lead
METAL
METAL	Peavey EVH5150
	Peavey EVH5150


CUSTOM	Custom1	Custom2	Custom3

	1	2	3
	1	2	3

CUSTOM

TYPE CUSTOM

P.53


	Custom Type 1 3	JC Clean, TW Clean, Crunch,
		VO Lead, BG Lead, MS1959 Stk,
		MODERN Stk
	Custom Bottom	-50 +50
1 3
	Custom Edge	-50 +50
1 3
	Custom Bass Freq	-50 +50
1 3
	Custom Treble Freq	-50 +50
1 3
	Custom Preamp Low	-50 +50
1 3
	Custom Preamp High	-50 +50
1 3
	Custom SpeakerLow	-50 +50
1 3
	Custom SpeakerHigh	-50 +50
1 3

Gain

Bass

Middle

Treble

Presence

MATCH DRV VO COMBO 0-100

Level

Bright

Off

Gain SW

Low/Middle/High 3Low Middle High

MiddleMiddle

Speaker SW

SPEAKER TYPE

1x10"

10 1

1x12"

12 1

2x12"

12 2

4x12"

12 4

8x12"

4x12" 2

ORIGINAL

“Type”

Mic Settting

Center1 cm 10 cm

Mic Level

Direct Level

Full range Mic Level=100, Direct Level=0

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