Roland GT-10 User Manual
GT-10 Preset Patch List
Patch #
P01-1
P01-2
P01-3 AMERICAN LEGEND
P01-4
P02-1
P02-2 OLD PUNK NU PUNK
P02-3
P02-4
P03-1 L.A. WEEKEND
P03-2
P03-3
P03-4 ROTARY CONTROL
P04-1
P04-2
P04-3 BIG WING
P04-4
P05-1
P05-2 CRUNCHY TREM
P05-3
P05-4
P06-1 WAH PDL CLEAN
P06-2
P06-3
P06-4 SYNTH LEAD
P07-1
P07-2
P07-3 ROCK RIFF
P07-4
P08-1
P08-2 MATCH CRUNCH
P08-3
P08-4
P09-1 ACOUSTIC
P09-2
P09-3
P09-4 FX LEAD
P10-1
P10-2
P10-3 CLASSIC STUDIO
P10-4
P11-1
P11-2 CRUNCH PHASE
P11-3
P11-4
P12-1 CLEAN FOR HUMBUC
P12-2
P12-3
P12-4 LEAD+CTL FLANGE
Patch Name Explanation CTL1 CTL2 PU
STACK LEAD
CLEAN THEATER
MS RIFF
DELUX+BOOST
IRISH DELAY
JB LEAD
FUSION BG LEAD
STEREO HiGAIN
WARM&BRIGHT CLN
VO CRUNCH
METAL FOR SINGLE
DELAYED TWIN
80s LOUD MS+OD-1
DRIVEN ROCK
CRUNCH FOR CHORD
GREEN PUNK
CLEAN ROCK
ROCK CRUNCH
ERUPTING
SURFLINE
60s FUZZ
STEREO HARD DRIV
CREAMCRUNCH
TEXAS RIFF
FAT CLEAN
BLUES LEAD
NEO CLASSICAL
CLEAN VIBE
WHITE FRIDAY
OCTAVE UP/DOWN
EARLY UK BLUES
R-FIER LEAD
Well sustained distortion sound suitable for both backing and solos.
Spacious clean sound.
Crunch sound of a combo-type amp.
Rough distortion sound, good for backing.
Drive sound for 70’s west coast rock.
Switch from “old” to “new” punk rock sound with CTL1 pedal.
Stereo crunch sound, with tempo delay.
Well sustained distortion sound, good for solos.
Mild jazz sound, good for neck pickup.
Mild lead sound for jazz-fusion.
Stereo hi-gain distortion sound.
Rotary speaker sound, good for backing.
Simple clean sound.
Punchy crunch sound of VO Lead.
60’s rock sound. CTL pedal turns on FUZZ and UNI-V.
Metal sound, good for single-coil pickups.
Clean sound with delay and chorus.
Crunch sound with TREMOLO.
Classic rock sound with combination of OD-1 + MS1959.
Lead sound for humbucking pickups.
Clean sound with pedal wah.
Stereo crunch sound, good for chord strokes.
90’s punk-pop sound.
Lead sound of guitar synth.
Clean sound for late 70’s - mid 80’s hard rock.
Crunch sound for late 70’s - mid 80’s hard rock.
Drive sound for late 70’s - mid 80’s hard rock.
Lead sound for late 70’s - mid 80’s hard rock.
Tremolo sound for 60’s surf music.
Crunch sound of MATCH Drive, good for backing play with single-coil pickups.
Standard fuzz sound of the 60’s.
Stereo distortion sound. Turn on the booster with CTL1 pedal.
Acoustic guitar sound suitable for neck humbucking pickup.
Crunch sound for late 60’s British rock trio.
Drive sound for Texas rock trio.
Distortion sound using PITCH SHIFTER as a chorus-like effect.
Fat clean sound, good for solos.
Drive sound for blues.
Mild distortion sound for 70’s classic rock.
Distortion sound for shredding solos.
Clean sound with UNI-V.
Crunch sound with PHASER.
Early heavy metal sound of the late 60’s.
Distortion sound with upper and lower octave tone mixed together.
Clean sound for humbucking pickups.
60’s British blues sound.
Lead distortion sound for 90’s progressive metal.
American hard rock sound of the late 70’s. Flanger is on while CTL2 pedal is pressed.
Ch. A/B
Ch. A/B
Ch. A/B FX-2 S
Ch. A/B
OD/DS
Ch. A/B Delay H
BPM Tap
Ch. A/B
Ch. A/B Delay S/H
Ch. A/B
Chorus
Ch. A/B LED Toggle S
Ch. A/B
Ch. A/B
Ch. A/B Delay S
Ch. A/B
Ch. A/B
Ch. A/B FX-1 S/H
OD/DS
Ch. A/B
Ch. A/B Delay S/H
OD/DS
Ch. A/B
FX-2 Delay S/H
Ch. A/B
Ch. A/B
Reverb Delay H
FX-1
Ch. A/B
Ch. A/B Delay S
OD/DS
OD/DS
Chorus Delay H
Ch. A/B
Ch. A/B
FX-2 Delay H
Ch. A/B
OD/DS
Reverb Delay S/H
Ch. A/B
Ch. A/B
Ch. A/B Delay S/H
A&B Solo
Ch. A/B
Ch. A/B A&B Solo H
Ch. A/B
A&B Solo
FX-1 LED Moment H
Reverb S/H
Delay S/H
Delay S/H
FX-2 S/H
Delay H
Delay H
Delay S/H
Delay S
Delay S/H
OD/DS H
FX-1 S
Delay S/H
Delay S/H
Reverb H
FX-1 S
Delay S/H
FX-1 S/H
OD/DS H
Delay H
FX-1 S/H
Delay S/H
Delay H
FX-2 S/H
Delay H
Chorus S
FX-1 S
Delay S
FX-1 S/H
Delay H
Delay S/H
Delay H
Chorus H
• PU=Pickup
S=This patch is good for single-coil pickups. H=This patch is good for humbucking pickups.
1
GT-10 Preset Patch List
Patch #
P13-1
P13-2
P13-3
P13-4
P14-1
P14-2
P14-3
P14-4
P15-1
P15-2
P15-3
P15-4
P16-1
P16-2
P16-3
P16-4
P17-1
P17-2
P17-3
P17-4
P18-1
P18-2
P18-3
P18-4
P19-1
P19-2
P19-3
P19-4 MEGA-METAL L/R
P20-1
P20-2
P20-3 7-STRING IMPACT
P20-4
P21-1
P21-2 METAL RHYTHM
P21-3
P21-4
P22-1 HOTEL HEARTBREAK
P22-2
P22-3
P22-4 T-BIRD SURFING
P23-1
P23-2
P23-3 MATCH LEAD
P23-4
P24-1
P24-2 PURPLE STACK
P24-3
P24-4
P25-1 DAY TRIP
P25-2
P25-3
P25-4 GENTLY WEEPS
Patch Name Explanation CTL1 CTL2 PU
CLEAN & DIRTY
60s BRIT ROCK
DEVIL BOYS
SUSTAINED LEAD
DEFRETTER&OCTAVE
BLUES SESSION
SWAMP ROCK
StereoBOSS METAL
DUAL CLASS A
BUNCH OF CRUNCH
SEATTLE OVERLOAD
ROCKER BOTTOM
GRUNGE SPIRIT
SEDATED PUNK
SOLID & DIRTY OD
RADIO CREEP
FUNKMEISTER
WAH PDL CRUNCH
YOUNG SPIRIT
BROKEN DREAM
METALCAT
WHITE DIST
GERMAN METAL
MORE THAN LEAD
FLANGE CLEAN
PHOTO! RIFF
MELTDOWN
SUMMER CLEAN
SOAKIN’ METAL
MEGADREADS
METAL CLN/LEAD
METAL LEAD
OCTAFUZZED PLEXI
SPY THEME
J.B. GOODE
CLASSIC CLEAN
50s GUITAR
EFFECTED Q
GROOVE CLEAN
MS LEAD FOR LP
CHORUS LEAD
HONKY TONK
REVOLUTION FUZZ
Stereo combination of clean and crunch sound.
Stereo crunch sound for early 60’s British rock music.
Stereo distortion sound for thrash metal.
Distorted lead sound with a slight octave effect.
Combination of DEFRETTER and OCTAVE.
Bright drive sound of a combo-type amp, good for blues.
Tasteful drive sound, also good for slide-bar.
Simple stereo metal sound of BOSS Metal.
Stereo combination of combo-type crunch sounds.
Crunch sound, good for 70’s American hard rock.
Wild distortion for grunge rock.
Mid-boosted sound for 70’s hard rock.
90’s grunge rock sound.
70’s American punk-rock sound.
Combination of rough distortion sound.
90’s alternative-rock sound.
Clean sound with T.WAH, good for funk rhythm.
Crunch sound with pedal wah.
Drive sound with massive distortion.
Distortion sound with SLICER effect.
Switch from bright, clean sound to heavy distortion with CTL1 pedal.
Fuzz sound for single-note phrases. Octave effect is added to just the lower strings.
Stereo distortion sound for German metal.
Switch from distorted tone to acoustic guitar-like sound with CTL1 pedal.
Flanging clean sound of a stack-type amp.
Distorted sound suitable for early 80’s British heavy metal.
Shred sound for 80’s thrash metal.
Stereo distortion sound for 80’s - 90’s metal.
Clean sound for late 70’s British rock trio.
Flanging metal sound.
Distorted sound suitable for Low-B tuning.
Metal distortion with cutting edge.
Switch from clean sound to heavy distorted sound with CTL1 pedal.
Metal rhythm sound.
Metal solo sound.
Dirty lead sound of Oct FUZZ and MS1959 combined.
Clean sound for oldies.
Classic spy tone.
Standard rock ’n’ roll sound of 50’s - 60’s.
60’s surf rock sound.
Clean sound for 60’s British rock.
Slap-back echo sound for rockabilly.
Drive sound for 60’s British rock
Solo sound of the late 70’s studio session.
Clean sound for funky rhythm backing.
Drive sound of stack-type amp suitable for 70’s British hard rock.
80’s lead distortion sound for humbucking pickups.
Solo sound for 60’s - 70’s British rock.
Clean tone for 60’s Liverpool sound.
Crunch sound for 60’s British rock.
Fuzz tone for 60’s Liverpool sound.
Crunch sound with ROTARY effects. Rotation speed changes with CTL1 pedal.
FX-1
A&B Solo
Chorus
FX-1
LED Toggle
Ch. A/B
OD Solo
EQ
FX-1
Chorus
FX-1
Ch. A/B
Ch. A/B
Ch. A/B
OD/DS
Ch. A/B
Ch. A/B
Ch. A/B
Ch. A/B
Ch. A/B
Ch. A/B
Ch. A/B
FX-2
Ch. A/B
Ch. A/B
Ch. A/B
Ch. A/B
FX-1 Delay H
Ch. A/B
Chorus
FX-1 Delay H
FX-2
Ch. A/B
FX-1 Delay H
FX-2
Ch. A/B
Ch. A/B Delay S/H
Ch. A/B
Ch. A/B
Reverb Delay S/H
Ch. A/B
OD/DS
Solo OD/DS S/H
Chorus
Ch. A/B
Ch. A/B Reverb S/H
OD/DS
Ch. A/B
Ch. A/B Delay S/H
Ch. A/B
Ch. A/B
LED Toggle OD/DS S/H
FX-2 S/H
Delay S/H
Delay H
Delay S/H
Delay H
Reverb H
FX-2 H
Delay H
Delay S
Delay S/H
Delay H
Delay H
FX-2 S/H
Delay H
FX-1 S
Delay S/H
FX-1 S/H
Delay S/H
Delay H
FX-2 S/H
Delay H
FX-2 S/H
Delay H
Delay H
FX-1 S/H
FX-2 H
Delay H
Delay S/H
Delay H
Delay H
BPM Tap H
Delay H
Delay S
FX-1 S
Delay S/H
Delay S/H
LED Toggle S/H
Delay H
Delay S/H
Delay H
Chorus S/H
Delay S/H
OD/DS S/H
2
• PU=Pickup
S=This patch is good for single-coil pickups. H=This patch is good for humbucking pickups.
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