GT-10 Preset Patch List
Patch # |
Patch Name |
Explanation |
CTL1 |
CTL2 |
PU |
P01-1 |
STACK LEAD |
Well sustained distortion sound suitable for both backing and solos. |
Ch. A/B |
Reverb |
S/H |
|
|
|
|
|
|
P01-2 |
CLEAN THEATER |
Spacious clean sound. |
Ch. A/B |
Delay |
S/H |
P01-3 |
AMERICAN LEGEND |
Crunch sound of a combo-type amp. |
Ch. A/B |
FX-2 |
S |
|
|
|
|
|
|
P01-4 |
MS RIFF |
Rough distortion sound, good for backing. |
Ch. A/B |
Delay |
S/H |
P02-1 |
DELUX+BOOST |
Drive sound for 70’s west coast rock. |
OD/DS |
FX-2 |
S/H |
|
|
|
|
|
|
P02-2 |
OLD PUNK NU PUNK |
Switch from “old” to “new” punk rock sound with CTL1 pedal. |
Ch. A/B |
Delay |
H |
P02-3 |
IRISH DELAY |
Stereo crunch sound, with tempo delay. |
BPM Tap |
Delay |
H |
|
|
|
|
|
|
P02-4 |
JB LEAD |
Well sustained distortion sound, good for solos. |
Ch. A/B |
Delay |
H |
P03-1 |
L.A. WEEKEND |
Mild jazz sound, good for neck pickup. |
Ch. A/B |
Delay |
S/H |
|
|
|
|
|
|
P03-2 |
FUSION BG LEAD |
Mild lead sound for jazz-fusion. |
Ch. A/B |
Delay |
S/H |
P03-3 |
STEREO HiGAIN |
Stereo hi-gain distortion sound. |
Chorus |
Delay |
S |
|
|
|
|
|
|
P03-4 |
ROTARY CONTROL |
Rotary speaker sound, good for backing. |
Ch. A/B |
LED Toggle |
S |
P04-1 |
WARM&BRIGHT CLN |
Simple clean sound. |
Ch. A/B |
Delay |
S/H |
|
|
|
|
|
|
P04-2 |
VO CRUNCH |
Punchy crunch sound of VO Lead. |
Ch. A/B |
OD/DS |
H |
P04-3 |
BIG WING |
60’s rock sound. CTL pedal turns on FUZZ and UNI-V. |
Ch. A/B |
Delay |
S |
|
|
|
|
|
|
P04-4 |
METAL FOR SINGLE |
Metal sound, good for single-coil pickups. |
Ch. A/B |
FX-1 |
S |
P05-1 |
DELAYED TWIN |
Clean sound with delay and chorus. |
Ch. A/B |
Delay |
S/H |
|
|
|
|
|
|
P05-2 |
CRUNCHY TREM |
Crunch sound with TREMOLO. |
Ch. A/B |
FX-1 |
S/H |
P05-3 |
80s LOUD MS+OD-1 |
Classic rock sound with combination of OD-1 + MS1959. |
OD/DS |
Delay |
S/H |
|
|
|
|
|
|
P05-4 |
DRIVEN ROCK |
Lead sound for humbucking pickups. |
Ch. A/B |
Reverb |
H |
P06-1 |
WAH PDL CLEAN |
Clean sound with pedal wah. |
Ch. A/B |
Delay |
S/H |
|
|
|
|
|
|
P06-2 |
CRUNCH FOR CHORD |
Stereo crunch sound, good for chord strokes. |
OD/DS |
FX-1 |
S |
P06-3 |
GREEN PUNK |
90’s punk-pop sound. |
Ch. A/B |
Delay |
S/H |
|
|
|
|
|
|
P06-4 |
SYNTH LEAD |
Lead sound of guitar synth. |
FX-2 |
Delay |
S/H |
P07-1 |
CLEAN ROCK |
Clean sound for late 70’s - mid 80’s hard rock. |
Ch. A/B |
FX-1 |
S/H |
|
|
|
|
|
|
P07-2 |
ROCK CRUNCH |
Crunch sound for late 70’s - mid 80’s hard rock. |
Ch. A/B |
OD/DS |
H |
P07-3 |
ROCK RIFF |
Drive sound for late 70’s - mid 80’s hard rock. |
Reverb |
Delay |
H |
|
|
|
|
|
|
P07-4 |
ERUPTING |
Lead sound for late 70’s - mid 80’s hard rock. |
FX-1 |
Delay |
H |
P08-1 |
SURFLINE |
Tremolo sound for 60’s surf music. |
Ch. A/B |
FX-1 |
S/H |
|
|
|
|
|
|
P08-2 |
MATCH CRUNCH |
Crunch sound of MATCH Drive, good for backing play with single-coil pickups. |
Ch. A/B |
Delay |
S |
P08-3 |
60s FUZZ |
Standard fuzz sound of the 60’s. |
OD/DS |
Delay |
S/H |
|
|
|
|
|
|
P08-4 |
STEREO HARD DRIV |
Stereo distortion sound. Turn on the booster with CTL1 pedal. |
OD/DS |
Delay |
H |
P09-1 |
ACOUSTIC |
Acoustic guitar sound suitable for neck humbucking pickup. |
Chorus |
Delay |
H |
|
|
|
|
|
|
P09-2 |
CREAMCRUNCH |
Crunch sound for late 60’s British rock trio. |
Ch. A/B |
FX-2 |
S/H |
P09-3 |
TEXAS RIFF |
Drive sound for Texas rock trio. |
Ch. A/B |
Delay |
H |
|
|
|
|
|
|
P09-4 |
FX LEAD |
Distortion sound using PITCH SHIFTER as a chorus-like effect. |
FX-2 |
Delay |
H |
P10-1 |
FAT CLEAN |
Fat clean sound, good for solos. |
Ch. A/B |
Chorus |
S |
|
|
|
|
|
|
P10-2 |
BLUES LEAD |
Drive sound for blues. |
OD/DS |
FX-1 |
S |
P10-3 |
CLASSIC STUDIO |
Mild distortion sound for 70’s classic rock. |
Reverb |
Delay |
S/H |
|
|
|
|
|
|
P10-4 |
NEO CLASSICAL |
Distortion sound for shredding solos. |
Ch. A/B |
Delay |
S |
P11-1 |
CLEAN VIBE |
Clean sound with UNI-V. |
Ch. A/B |
FX-1 |
S/H |
|
|
|
|
|
|
P11-2 |
CRUNCH PHASE |
Crunch sound with PHASER. |
Ch. A/B |
Delay |
S/H |
P11-3 |
WHITE FRIDAY |
Early heavy metal sound of the late 60’s. |
A&B Solo |
Delay |
H |
|
|
|
|
|
|
P11-4 |
OCTAVE UP/DOWN |
Distortion sound with upper and lower octave tone mixed together. |
Ch. A/B |
Delay |
S/H |
P12-1 |
CLEAN FOR HUMBUC |
Clean sound for humbucking pickups. |
Ch. A/B |
A&B Solo |
H |
|
|
|
|
|
|
P12-2 |
EARLY UK BLUES |
60’s British blues sound. |
Ch. A/B |
Delay |
H |
P12-3 |
R-FIER LEAD |
Lead distortion sound for 90’s progressive metal. |
A&B Solo |
Chorus |
H |
|
|
|
|
|
|
P12-4 |
LEAD+CTL FLANGE |
American hard rock sound of the late 70’s. Flanger is on while CTL2 pedal is pressed. |
FX-1 |
LED Moment |
H |
|
|
|
|
|
|
• PU=Pickup |
1 |
|
S=This patch is good for single-coil pickups. H=This patch is good for humbucking pickups.
GT-10 Preset Patch List
Patch # |
Patch Name |
Explanation |
CTL1 |
CTL2 |
PU |
||
P13-1 |
CLEAN & DIRTY |
Stereo combination of clean and crunch sound. |
FX-1 |
FX-2 |
S/H |
||
|
|
|
|
|
|
|
|
P13-2 |
60s BRIT ROCK |
Stereo crunch sound for early 60’s British rock music. |
A&B Solo |
Delay |
S/H |
||
P13-3 |
DEVIL BOYS |
Stereo distortion sound for thrash metal. |
Chorus |
Delay |
H |
||
|
|
|
|
|
|
|
|
P13-4 |
SUSTAINED LEAD |
Distorted lead sound with a slight octave effect. |
FX-1 |
Delay |
S/H |
||
P14-1 |
DEFRETTER&OCTAVE |
Combination of DEFRETTER and OCTAVE. |
LED Toggle |
Delay |
H |
||
|
|
|
|
|
|
|
|
P14-2 |
BLUES SESSION |
Bright drive sound of a combo-type amp, good for blues. |
Ch. A/B |
Reverb |
H |
||
P14-3 |
SWAMP ROCK |
Tasteful drive sound, also good for slide-bar. |
OD Solo |
FX-2 |
H |
||
|
|
|
|
|
|
|
|
P14-4 |
StereoBOSS METAL |
Simple stereo metal sound of BOSS Metal. |
EQ |
Delay |
H |
||
P15-1 |
DUAL CLASS A |
Stereo combination of combo-type crunch sounds. |
FX-1 |
Delay |
S |
||
|
|
|
|
|
|
|
|
P15-2 |
BUNCH OF CRUNCH |
Crunch sound, good for 70’s American hard rock. |
Chorus |
Delay |
S/H |
||
P15-3 |
SEATTLE OVERLOAD |
Wild distortion for grunge rock. |
FX-1 |
Delay |
H |
||
|
|
|
|
|
|
|
|
P15-4 |
ROCKER BOTTOM |
Mid-boosted sound for 70’s hard rock. |
Ch. A/B |
Delay |
H |
||
P16-1 |
GRUNGE SPIRIT |
90’s grunge rock sound. |
Ch. A/B |
FX-2 |
S/H |
||
|
|
|
|
|
|
|
|
P16-2 |
SEDATED PUNK |
70’s American punk-rock sound. |
Ch. A/B |
Delay |
H |
||
P16-3 |
SOLID & DIRTY OD |
Combination of rough distortion sound. |
OD/DS |
FX-1 |
S |
||
|
|
|
|
|
|
|
|
P16-4 |
RADIO CREEP |
90’s alternative-rock sound. |
Ch. A/B |
Delay |
S/H |
||
P17-1 |
FUNKMEISTER |
Clean sound with T.WAH, good for funk rhythm. |
Ch. A/B |
FX-1 |
S/H |
||
|
|
|
|
|
|
|
|
P17-2 |
WAH PDL CRUNCH |
Crunch sound with pedal wah. |
Ch. A/B |
Delay |
S/H |
||
P17-3 |
YOUNG SPIRIT |
Drive sound with massive distortion. |
Ch. A/B |
Delay |
H |
||
|
|
|
|
|
|
|
|
P17-4 |
BROKEN DREAM |
Distortion sound with SLICER effect. |
Ch. A/B |
FX-2 |
S/H |
||
P18-1 |
METALCAT |
Switch from bright, clean sound to heavy distortion with CTL1 pedal. |
Ch. A/B |
Delay |
H |
||
|
|
|
|
|
|
|
|
P18-2 |
WHITE DIST |
Fuzz sound for single-note phrases. Octave effect is added to just the lower strings. |
Ch. A/B |
FX-2 |
S/H |
||
P18-3 |
GERMAN METAL |
Stereo distortion sound for German metal. |
FX-2 |
Delay |
H |
||
|
|
|
|
|
|
|
|
P18-4 |
MORE THAN LEAD |
Switch from distorted tone to acoustic guitar-like sound with CTL1 pedal. |
Ch. A/B |
Delay |
H |
||
P19-1 |
FLANGE CLEAN |
Flanging clean sound of a stack-type amp. |
Ch. A/B |
FX-1 |
S/H |
||
|
|
|
|
|
|
|
|
P19-2 |
PHOTO! RIFF |
Distorted sound suitable for early 80’s British heavy metal. |
Ch. A/B |
FX-2 |
H |
||
P19-3 |
MELTDOWN |
Shred sound for 80’s thrash metal. |
Ch. A/B |
Delay |
H |
||
|
|
|
|
|
|
|
|
P19-4 |
MEGA-METAL L/R |
Stereo distortion sound for 80’s - 90’s metal. |
FX-1 |
Delay |
H |
||
P20-1 |
SUMMER CLEAN |
Clean sound for late 70’s British rock trio. |
Ch. A/B |
Delay |
S/H |
||
|
|
|
|
|
|
|
|
P20-2 |
SOAKIN’ METAL |
Flanging metal sound. |
Chorus |
Delay |
H |
||
P20-3 |
7-STRING IMPACT |
Distorted sound suitable for Low-B tuning. |
FX-1 |
Delay |
H |
||
|
|
|
|
|
|
|
|
P20-4 |
MEGADREADS |
Metal distortion with cutting edge. |
FX-2 |
Delay |
H |
||
P21-1 |
METAL CLN/LEAD |
Switch from clean sound to heavy distorted sound with CTL1 pedal. |
Ch. A/B |
BPM Tap |
H |
||
|
|
|
|
|
|
|
|
P21-2 |
METAL RHYTHM |
Metal rhythm sound. |
FX-1 |
Delay |
H |
||
P21-3 |
METAL LEAD |
Metal solo sound. |
FX-2 |
Delay |
H |
||
|
|
|
|
|
|
|
|
P21-4 |
OCTAFUZZED PLEXI |
Dirty lead sound of Oct FUZZ and MS1959 combined. |
Ch. A/B |
Delay |
S |
||
P22-1 |
HOTEL HEARTBREAK |
Clean sound for oldies. |
Ch. A/B |
Delay |
S/H |
||
|
|
|
|
|
|
|
|
P22-2 |
SPY THEME |
Classic spy tone. |
Ch. A/B |
FX-1 |
S |
||
P22-3 |
J.B. GOODE |
Standard rock ’n’ roll sound of 50’s - 60’s. |
Ch. A/B |
Delay |
S/H |
||
|
|
|
|
|
|
|
|
P22-4 |
T-BIRD SURFING |
60’s surf rock sound. |
Reverb |
Delay |
S/H |
||
P23-1 |
CLASSIC CLEAN |
Clean sound for 60’s British rock. |
Ch. A/B |
Delay |
S/H |
||
|
|
|
|
|
|
|
|
P23-2 |
50s GUITAR |
Slap-back echo sound for rockabilly. |
OD/DS |
LED Toggle |
S/H |
||
P23-3 |
MATCH LEAD |
Drive sound for 60’s British rock |
Solo |
OD/DS |
S/H |
||
|
|
|
|
|
|
|
|
P23-4 |
EFFECTED Q |
Solo sound of the late 70’s studio session. |
Chorus |
Delay |
H |
||
P24-1 |
GROOVE CLEAN |
Clean sound for funky rhythm backing. |
Ch. A/B |
Delay |
S/H |
||
|
|
|
|
|
|
|
|
P24-2 |
PURPLE STACK |
Drive sound of stack-type amp suitable for 70’s British hard rock. |
Ch. A/B |
Reverb |
S/H |
||
P24-3 |
MS LEAD FOR LP |
80’s lead distortion sound for humbucking pickups. |
OD/DS |
Delay |
H |
||
|
|
|
|
|
|
|
|
P24-4 |
CHORUS LEAD |
Solo sound for 60’s - 70’s British rock. |
Ch. A/B |
Chorus |
S/H |
||
P25-1 |
DAY TRIP |
Clean tone for 60’s Liverpool sound. |
Ch. A/B |
Delay |
S/H |
||
|
|
|
|
|
|
|
|
P25-2 |
HONKY TONK |
Crunch sound for 60’s British rock. |
Ch. A/B |
Delay |
S/H |
||
P25-3 |
REVOLUTION FUZZ |
Fuzz tone for 60’s Liverpool sound. |
Ch. A/B |
OD/DS |
S/H |
||
|
|
|
|
|
|
|
|
P25-4 |
GENTLY WEEPS |
Crunch sound with ROTARY effects. Rotation speed changes with CTL1 pedal. |
LED Toggle |
OD/DS |
S/H |
||
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
• PU=Pickup |
|
S=This patch is good for single-coil pickups. H=This patch is good for humbucking pickups.