
GT-10 Preset Patch List
Patch #
P01-1
P01-2
P01-3 AMERICAN LEGEND
P01-4
P02-1
P02-2 OLD PUNK NU PUNK
P02-3
P02-4
P03-1 L.A. WEEKEND
P03-2
P03-3
P03-4 ROTARY CONTROL
P04-1
P04-2
P04-3 BIG WING
P04-4
P05-1
P05-2 CRUNCHY TREM
P05-3
P05-4
P06-1 WAH PDL CLEAN
P06-2
P06-3
P06-4 SYNTH LEAD
P07-1
P07-2
P07-3 ROCK RIFF
P07-4
P08-1
P08-2 MATCH CRUNCH
P08-3
P08-4
P09-1 ACOUSTIC
P09-2
P09-3
P09-4 FX LEAD
P10-1
P10-2
P10-3 CLASSIC STUDIO
P10-4
P11-1
P11-2 CRUNCH PHASE
P11-3
P11-4
P12-1 CLEAN FOR HUMBUC
P12-2
P12-3
P12-4 LEAD+CTL FLANGE
Patch Name Explanation CTL1 CTL2 PU
STACK LEAD
CLEAN THEATER
MS RIFF
DELUX+BOOST
IRISH DELAY
JB LEAD
FUSION BG LEAD
STEREO HiGAIN
WARM&BRIGHT CLN
VO CRUNCH
METAL FOR SINGLE
DELAYED TWIN
80s LOUD MS+OD-1
DRIVEN ROCK
CRUNCH FOR CHORD
GREEN PUNK
CLEAN ROCK
ROCK CRUNCH
ERUPTING
SURFLINE
60s FUZZ
STEREO HARD DRIV
CREAMCRUNCH
TEXAS RIFF
FAT CLEAN
BLUES LEAD
NEO CLASSICAL
CLEAN VIBE
WHITE FRIDAY
OCTAVE UP/DOWN
EARLY UK BLUES
R-FIER LEAD
Well sustained distortion sound suitable for both backing and solos.
Spacious clean sound.
Crunch sound of a combo-type amp.
Rough distortion sound, good for backing.
Drive sound for 70’s west coast rock.
Switch from “old” to “new” punk rock sound with CTL1 pedal.
Stereo crunch sound, with tempo delay.
Well sustained distortion sound, good for solos.
Mild jazz sound, good for neck pickup.
Mild lead sound for jazz-fusion.
Stereo hi-gain distortion sound.
Rotary speaker sound, good for backing.
Simple clean sound.
Punchy crunch sound of VO Lead.
60’s rock sound. CTL pedal turns on FUZZ and UNI-V.
Metal sound, good for single-coil pickups.
Clean sound with delay and chorus.
Crunch sound with TREMOLO.
Classic rock sound with combination of OD-1 + MS1959.
Lead sound for humbucking pickups.
Clean sound with pedal wah.
Stereo crunch sound, good for chord strokes.
90’s punk-pop sound.
Lead sound of guitar synth.
Clean sound for late 70’s - mid 80’s hard rock.
Crunch sound for late 70’s - mid 80’s hard rock.
Drive sound for late 70’s - mid 80’s hard rock.
Lead sound for late 70’s - mid 80’s hard rock.
Tremolo sound for 60’s surf music.
Crunch sound of MATCH Drive, good for backing play with single-coil pickups.
Standard fuzz sound of the 60’s.
Stereo distortion sound. Turn on the booster with CTL1 pedal.
Acoustic guitar sound suitable for neck humbucking pickup.
Crunch sound for late 60’s British rock trio.
Drive sound for Texas rock trio.
Distortion sound using PITCH SHIFTER as a chorus-like effect.
Fat clean sound, good for solos.
Drive sound for blues.
Mild distortion sound for 70’s classic rock.
Distortion sound for shredding solos.
Clean sound with UNI-V.
Crunch sound with PHASER.
Early heavy metal sound of the late 60’s.
Distortion sound with upper and lower octave tone mixed together.
Clean sound for humbucking pickups.
60’s British blues sound.
Lead distortion sound for 90’s progressive metal.
American hard rock sound of the late 70’s. Flanger is on while CTL2 pedal is pressed.
Ch. A/B
Ch. A/B
Ch. A/B FX-2 S
Ch. A/B
OD/DS
Ch. A/B Delay H
BPM Tap
Ch. A/B
Ch. A/B Delay S/H
Ch. A/B
Chorus
Ch. A/B LED Toggle S
Ch. A/B
Ch. A/B
Ch. A/B Delay S
Ch. A/B
Ch. A/B
Ch. A/B FX-1 S/H
OD/DS
Ch. A/B
Ch. A/B Delay S/H
OD/DS
Ch. A/B
FX-2 Delay S/H
Ch. A/B
Ch. A/B
Reverb Delay H
FX-1
Ch. A/B
Ch. A/B Delay S
OD/DS
OD/DS
Chorus Delay H
Ch. A/B
Ch. A/B
FX-2 Delay H
Ch. A/B
OD/DS
Reverb Delay S/H
Ch. A/B
Ch. A/B
Ch. A/B Delay S/H
A&B Solo
Ch. A/B
Ch. A/B A&B Solo H
Ch. A/B
A&B Solo
FX-1 LED Moment H
Reverb S/H
Delay S/H
Delay S/H
FX-2 S/H
Delay H
Delay H
Delay S/H
Delay S
Delay S/H
OD/DS H
FX-1 S
Delay S/H
Delay S/H
Reverb H
FX-1 S
Delay S/H
FX-1 S/H
OD/DS H
Delay H
FX-1 S/H
Delay S/H
Delay H
FX-2 S/H
Delay H
Chorus S
FX-1 S
Delay S
FX-1 S/H
Delay H
Delay S/H
Delay H
Chorus H
• PU=Pickup
S=This patch is good for single-coil pickups. H=This patch is good for humbucking pickups.
1

GT-10 Preset Patch List
Patch #
P13-1
P13-2
P13-3
P13-4
P14-1
P14-2
P14-3
P14-4
P15-1
P15-2
P15-3
P15-4
P16-1
P16-2
P16-3
P16-4
P17-1
P17-2
P17-3
P17-4
P18-1
P18-2
P18-3
P18-4
P19-1
P19-2
P19-3
P19-4 MEGA-METAL L/R
P20-1
P20-2
P20-3 7-STRING IMPACT
P20-4
P21-1
P21-2 METAL RHYTHM
P21-3
P21-4
P22-1 HOTEL HEARTBREAK
P22-2
P22-3
P22-4 T-BIRD SURFING
P23-1
P23-2
P23-3 MATCH LEAD
P23-4
P24-1
P24-2 PURPLE STACK
P24-3
P24-4
P25-1 DAY TRIP
P25-2
P25-3
P25-4 GENTLY WEEPS
Patch Name Explanation CTL1 CTL2 PU
CLEAN & DIRTY
60s BRIT ROCK
DEVIL BOYS
SUSTAINED LEAD
DEFRETTER&OCTAVE
BLUES SESSION
SWAMP ROCK
StereoBOSS METAL
DUAL CLASS A
BUNCH OF CRUNCH
SEATTLE OVERLOAD
ROCKER BOTTOM
GRUNGE SPIRIT
SEDATED PUNK
SOLID & DIRTY OD
RADIO CREEP
FUNKMEISTER
WAH PDL CRUNCH
YOUNG SPIRIT
BROKEN DREAM
METALCAT
WHITE DIST
GERMAN METAL
MORE THAN LEAD
FLANGE CLEAN
PHOTO! RIFF
MELTDOWN
SUMMER CLEAN
SOAKIN’ METAL
MEGADREADS
METAL CLN/LEAD
METAL LEAD
OCTAFUZZED PLEXI
SPY THEME
J.B. GOODE
CLASSIC CLEAN
50s GUITAR
EFFECTED Q
GROOVE CLEAN
MS LEAD FOR LP
CHORUS LEAD
HONKY TONK
REVOLUTION FUZZ
Stereo combination of clean and crunch sound.
Stereo crunch sound for early 60’s British rock music.
Stereo distortion sound for thrash metal.
Distorted lead sound with a slight octave effect.
Combination of DEFRETTER and OCTAVE.
Bright drive sound of a combo-type amp, good for blues.
Tasteful drive sound, also good for slide-bar.
Simple stereo metal sound of BOSS Metal.
Stereo combination of combo-type crunch sounds.
Crunch sound, good for 70’s American hard rock.
Wild distortion for grunge rock.
Mid-boosted sound for 70’s hard rock.
90’s grunge rock sound.
70’s American punk-rock sound.
Combination of rough distortion sound.
90’s alternative-rock sound.
Clean sound with T.WAH, good for funk rhythm.
Crunch sound with pedal wah.
Drive sound with massive distortion.
Distortion sound with SLICER effect.
Switch from bright, clean sound to heavy distortion with CTL1 pedal.
Fuzz sound for single-note phrases. Octave effect is added to just the lower strings.
Stereo distortion sound for German metal.
Switch from distorted tone to acoustic guitar-like sound with CTL1 pedal.
Flanging clean sound of a stack-type amp.
Distorted sound suitable for early 80’s British heavy metal.
Shred sound for 80’s thrash metal.
Stereo distortion sound for 80’s - 90’s metal.
Clean sound for late 70’s British rock trio.
Flanging metal sound.
Distorted sound suitable for Low-B tuning.
Metal distortion with cutting edge.
Switch from clean sound to heavy distorted sound with CTL1 pedal.
Metal rhythm sound.
Metal solo sound.
Dirty lead sound of Oct FUZZ and MS1959 combined.
Clean sound for oldies.
Classic spy tone.
Standard rock ’n’ roll sound of 50’s - 60’s.
60’s surf rock sound.
Clean sound for 60’s British rock.
Slap-back echo sound for rockabilly.
Drive sound for 60’s British rock
Solo sound of the late 70’s studio session.
Clean sound for funky rhythm backing.
Drive sound of stack-type amp suitable for 70’s British hard rock.
80’s lead distortion sound for humbucking pickups.
Solo sound for 60’s - 70’s British rock.
Clean tone for 60’s Liverpool sound.
Crunch sound for 60’s British rock.
Fuzz tone for 60’s Liverpool sound.
Crunch sound with ROTARY effects. Rotation speed changes with CTL1 pedal.
FX-1
A&B Solo
Chorus
FX-1
LED Toggle
Ch. A/B
OD Solo
EQ
FX-1
Chorus
FX-1
Ch. A/B
Ch. A/B
Ch. A/B
OD/DS
Ch. A/B
Ch. A/B
Ch. A/B
Ch. A/B
Ch. A/B
Ch. A/B
Ch. A/B
FX-2
Ch. A/B
Ch. A/B
Ch. A/B
Ch. A/B
FX-1 Delay H
Ch. A/B
Chorus
FX-1 Delay H
FX-2
Ch. A/B
FX-1 Delay H
FX-2
Ch. A/B
Ch. A/B Delay S/H
Ch. A/B
Ch. A/B
Reverb Delay S/H
Ch. A/B
OD/DS
Solo OD/DS S/H
Chorus
Ch. A/B
Ch. A/B Reverb S/H
OD/DS
Ch. A/B
Ch. A/B Delay S/H
Ch. A/B
Ch. A/B
LED Toggle OD/DS S/H
FX-2 S/H
Delay S/H
Delay H
Delay S/H
Delay H
Reverb H
FX-2 H
Delay H
Delay S
Delay S/H
Delay H
Delay H
FX-2 S/H
Delay H
FX-1 S
Delay S/H
FX-1 S/H
Delay S/H
Delay H
FX-2 S/H
Delay H
FX-2 S/H
Delay H
Delay H
FX-1 S/H
FX-2 H
Delay H
Delay S/H
Delay H
Delay H
BPM Tap H
Delay H
Delay S
FX-1 S
Delay S/H
Delay S/H
LED Toggle S/H
Delay H
Delay S/H
Delay H
Chorus S/H
Delay S/H
OD/DS S/H
2
• PU=Pickup
S=This patch is good for single-coil pickups. H=This patch is good for humbucking pickups.

GT-10 Preset Patch List
Patch #
P26-1
P26-2
P26-3
P26-4
P27-1
P27-2
P27-3
P27-4
P28-1
P28-2
P28-3
P28-4
P29-1
P29-2
P29-3
P29-4
P30-1
P30-2
P30-3
P30-4
P31-1
P31-2
P31-3
P31-4
P32-1
P32-2
P32-3
P32-4 PHATT ROCKSOUND
P33-1
P33-2
P33-3 COUNTRY CRUNCH
P33-4
P34-1
P34-2 FREEWAY DRTY L/R
P34-3
P34-4
P35-1 CONTEMPORARY JZZ
P35-2
P35-3
P35-4 DOVER’S CLIFFS
P36-1
P36-2
P36-3 SWEEP SOLO L/R
P36-4
P37-1
P37-2 BLUESY CRUNCH
P37-3
P37-4
P38-1 DIME FLOODS
P38-2
P38-3
P38-4 BROKEN DIME
Patch Name Explanation CTL1 CTL2 PU
AUTO WAH CLEAN
DIRTY SKA
MISTER FOO
PEDALBEND LEAD
JC-CHORUS
MATCH FOR CHORD
METAKILLER
“LP” To “ST”
REELIN M IN
LONG TRAIN
BADCO.
SCARY SUNDAY
AERO DREAM
WALK THAT WAY
TONE JOURNEY
ROCKING MAN
SWEET HOME
TEXAS TUSHER
FREEDOM BIRD
CALHOTEL SOLO
NASHVILLE CLEAN
HECKA-CASTERS
BLUES MASTER
COUNTRY SHREDL/R
HOUSE OF BLUES
BOUTIQUE DRIVE
PEDAL UNI-V
COUNTRY MEISTER
COUNTRY BOOGIE
PAISLEY TWANG
FREEWAY CRNCHL/R
CROSS INTHE ROAD
EUROPE LEAD
PROGRESSIVE JAZZ
SPANISH HWY
THUMB OCTAVE L/R
JAZZ CLEAN L/R
TOKYO DREAMLAND
SPARKLING CLEAN
SMOOTH LEAD
MULL IT OVER
JUNGLE GUNS
FEELGOOD DOC
Funky clean tone with AUTO WAH.
Crunch sound for teenage rock.
Stereo drive sound for modern American rock music.
Use EXP PEDAL to control PEDAL BEND effect.
JC-120’s chorus sound.
Crunch sound of MATCH Drive, good for chord strokes with humbucking pickups.
Mixture of hi-gain amps for metal.
Changes the sound of a humbucker to single-coil.
Clean sound of the 70’s studio session.
Crunch rhythm sound suitable for the 70’s west coast music.
Drive sound for 70’s British rock.
Fuzz sound for early 70’s British hard rock.
Clean sound, good for 70’s American hard rock.
Funk-rock rhythm sound of the 70’s.
Distortion sound for solos using humbucking pickups.
Press CTL1 pedal to turn on HARMONIST. Play phrases in E major.
Clean sound for Chicago blues.
Drive sound for 70’s southern rock.
Lead sound for 70’s southern rock.
Drive sound with phaser, good for soloing in 70’s west coast music.
Sparkling country clean sound with delay and tremolo.
Crunch sound for country music.
Lead sound for blues.
Shredding country tone in stereo.
Smoky blues sound.
Mild overdrive sound suitable for 80’s jazz-fusion.
Speed of UNI-V effect changes with EXP PEDAL.
Fat distortion with slightly out of phase sound.
Classic clean country sound.
Clean sound suitable for country/boogie.
Natural crunch sound.
Drive sound for soloing in country music.
Stereo crunch sound for 70’s instrumental rock music.
Stereo lead sound for 70’s instrumental rock music.
Drive sound for 60’s blues rock.
Stereo lead sound for 70’s latin rock.
Spacious clean tone for contemporary jazz, suitable for neck pickup.
Crunch sound for early 70’s jazz-rock.
Distortion sound for mid 70’s jazz-fusion.
Sweet overdrive sound for mid 80’s rock-fusion.
Jazz tone for octave phrasing using neck pickup.
Crisp clean tone.
Drive sound suitable for sweep picking.
Nice clean sound with delay and chorus.
Clean sound mixed with upper octave tone.
Crunch sound suitable for blues.
Smooth 80’s lead tone.
Standard 80’s guitar solo sound.
Clean tone direct to mixing console.
Drive sound of 80’s hard rock.
80’s west coast metal sound.
Heavy distortion sound for shredding riffs.
Ch. A/B
Ch. A/B
Chorus
Ch. A/B
Ch. A/B
FX-1
Chorus
OD/DS
Ch. A/B
Ch. A/B
Solo
A&B Solo
Ch. A/B
Ch. A/B
Ch. A/B
FX-1
Ch. A/B
Ch. A/B
Ch. A/B
Reverb
BPM Tap
Ch. A/B
Ch. A/B
Solo
BPM Tap
Ch. A/B
BPM Tap
FX-1 Delay H
Ch. A/B
Ch. A/B
Ch. A/B Delay S/H
FX-2
OD/DS
OD Solo Delay S/H
Ch. A/B
A&B Solo
Ch. A/B Delay H
Ch. A/B
Ch. A/B
Ch. A/B Delay Tap S
Chorus
Chorus
Chorus Delay H
Ch. A/B
Ch. A/B
Ch. A/B OD/DS S/H
OD/DS
Ch. A/B
Chorus Delay S/H
Ch. A/B
Ch. A/B
Ch. A/B Delay S/H
BPM Tap S/H
FX-2 S/H
Delay S/H
Delay S/H
Delay S/H
Chorus H
Delay H
FX-1 H
Delay S/H
Delay S/H
FX-1 S/H
Delay S/H
Delay S/H
Reverb S/H
Delay Tap H
Delay Tap H
Delay S/H
Reverb S
Reverb H
Delay S/H
Delay S
Delay S
Delay S
Delay S
Delay S
Delay S/H
Delay S/H
Reverb S/H
Chorus S/H
Delay S/H
Delay S/H
Delay S/H
Delay S/H
Delay H
Delay S/H
Delay H
Delay S/H
Delay H
Chorus S/H
Reverb S/H
Delay S/H
Delay H
Delay S/H
• PU=Pickup
S=This patch is good for single-coil pickups. H=This patch is good for humbucking pickups.
3

GT-10 Preset Patch List
Patch #
P39-1
P39-2
P39-3
P39-4
P40-1
P40-2
P40-3
P40-4
P41-1
P41-2
P41-3
P41-4
P42-1
P42-2
P42-3
P42-4
P43-1
P43-2
P43-3
P43-4
P44-1
P44-2
P44-3
P44-4
P45-1
P45-2
P45-3
P45-4 SYNTHPAD SWELL
P46-1
P46-2
P46-3 FRETLESS OCT
P46-4
P47-1
P47-2 STACK RIFF
P47-3
P47-4
P48-1 DRUNK INTRO
P48-2
P48-3
P48-4 SLICER MIX EXP.P
P49-1
P49-2
P49-3 VIO-GUITAR
P49-4
P50-1
P50-2 FAT RHYTHM TALK
P50-3
P50-4
Patch Name Explanation CTL1 CTL2 PU
MODERN STK CLEAN
BULLS ON RAGE
BLOOD REIGN
DOWN SICKNESS
LEASH FREAK
FUNK OUT GAIN
METAL GOD
KNOT FORGET
TUBE TRANSISTOR
CRUNCH APARTMENT
DS DRIVE
BIG RIFF
SNGLtoHUM CLEAN
MODERN LEAD
RIFF KING
HIGAIN METAL
SUPER FUSION
WARM OVERDRIVE
NICE TOUCH
MILD SOLO
CHORAL
RECRYTH
PUNKPOP
OCTAVE RIFFING
NEW YORK CLEAN
S.C.O. FUSION
LEGATO
WONT GET KEYS
JUST A MINOR
FEED IT
FUNKY BILLIE J
LA RAP METAL
A=CL+MOD | B=OD
OCT SQUARE LEAD
SOLID SCOOP
MANY EFFECTS CLN
DIRTY SYNTH BASS
FLOWER POWER
STUDIO AC GTR
SYNTH MANIAC
CRAFTWORKS
Fat, clean sound of a stack amp.
Tricky distortion sound with T.WAH.
Heavy distortion sound of T-AMP.
Wall of distortion sound.
Clean sound with combination of PHASER and ROTARY.
Drive sound for 90’s funk metal.
80’s twin-guitar-like Metal sound.
Massive metal distortion for single-coil pickup.
Punchy clean tone.
Fat crunch sound for chord strokes.
Drive sound with a combination of stomp box and preamp.
Stereo distortion sound for burning riffs.
Changes the sound of a single-coil to humbucker.
Stereo lead sound for 90’s metal.
Distortion sound for hard-core metal riffs.
Sound of hi-gain amps suitable for metal.
Clean sound for jazz-fusion.
Warm overdrive sound for jazz-fusion.
Lead sound for jazz-fusion.
Solo sound for jazz-fusion.
Common chorus sound for modern metal.
Crunchy riff sound.
Heavy distortion sound suitable for riffs/solos.
Heavy distortion with combination of OCTAVE effect.
Clean tone for rock-fusion.
Overdrive sound for contemporary jazz.
Drive sound suitable for legato phrasing
Synth-pad-like sound using SLOW GEAR.
Sequencer-like sound suitable for chords.
AUTO RIFF sound for single-note phrases in A minor (C major.)
Fretless guitar sound for single-note phrases.
Lead sound for single-note phrases. You’ll get a feedback effect on a sustained note.
Heavily compressed clean sound for 80’s funk.
Standard stack amp sound. Switch from backing to lead tone with CTL1 pedal.
Stereo metal sound, with tremolo effect on the right channel.
Switch from clean tone (left channel) to overdrive sound (right channel) with CTL1 pedal.
Heavily effected clean sound for 70’s progressive rock.
Guitar synth sound for single-note phrases. EXP PEDAL changes the pitch.
Solid distortion sound suitable for lead play.
Combination of SLICER and distortion. EXP PEDAL controls level of the sliced tone.
Heavily effected clean sound. Step on CTL1/2 pedal for more special effects.
Synth-bass-like sound for single-note phrases.
Synth-type sound.
Sitar-like sound.
Acoustic guitar sound suitable for neck single-coil pickup.
Distortion sound with HUMANIZER.
70’s analog synth bass sound for single-note phrases.
Sequence sound for 70’s techno music.
Ch. A/B
Ch. A/B
Ch. A/B
Ch. A/B
Ch. A/B
Ch. A/B
Solo
Ch. A/B
OD/DS
Ch. A/B
OD/DS
A&B Solo
Ch. A/B
A&B Solo
A&B Solo
Ch. A/B
OD/DS
LED Toggle
Ch. A/B
A&B Solo
Ch. A/B
Ch. A/B
OD/DS
OD/DS
Ch. A/B
Chorus
OD/DS
FX-1 Delay S/H
Reverb
Reverb
Ch. A/B FX-2 S/H
FX-1
Comp
Ch. A/B Delay S/H
FX-2
LED Toggle
Chorus Reverb S/H
FX-2
Ch. A/B
LED Toggle BPM Tap S/H
LED Moment
Ch. A/B
FX-2 BPM Tap S/H
Ch. A/B
Chorus
BPM Tap Delay S/H
FX-1
LED Toggle
Delay S/H
Delay S/H
Delay H
Delay H
Delay S/H
Delay S/H
Delay S/H
Delay S
Delay S
Delay S
Delay S
Delay S
Chorus S
Delay S/H
Delay S/H
Delay S/H
Delay S
Delay S
Delay S
Delay S
OD/DS H
Chorus H
Reverb H
FX-1 H
Delay S/H
Delay H
Reverb H
FX-2 S/H
Delay S/H
Delay S/H
Reverb S/H
BPM Tap S/H
Delay S/H
Chorus S/H
Delay S/H
LED Moment S/H
Delay S/H
Delay S/H
Delay S
OD/DS S/H
LED Toggle S/H
GT-10 Copyright © 2008 BOSS CORPORATION
All rights reserved. No part of this publication may be reproduced in any
4
form without the written permission of BOSS CORPORATION.
G6027130R0 1RTC
*G6027130-01*