Roland E 80 Service Manual

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Page 1

MIDI Implementation

1. Received data

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Channel Voice Messages

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Note off

Status 8nH kkH ccH

9nH kkH 00H

n= MIDI channel number: 0H~FH (Ch.1~16) kk= note number: 00H~7FH (0~127) vv= note off velocity: 00H~7FH (0~127)

●

Note on

Status 9nH kkH vvH

n= MIDI channel number: 0H~FH (Ch.1~16) kk= note number: 00H~7FH (0~127) vv= note on velocity: 01H~7FH (1~127)

• Not received when Rx.NOTE MESSAGE= OFF. (Initial value is ON)

●

Polyphonic Key Pressure

Status AnH kkH vvH

n= MIDI channel number: 0H~FH (Ch.1~16) kk= note number: 00H~7FH (0~127) vv= key pressure: 00H~7FH (0~127)

• The resulting effect is determined by System Exclusive messages. With the initial settings, there will be no effect.

●

Control Change

• The value specified by a Control Change message will not be reset even by a ProgramChange, etc.

❍

Bank Select (Controller number 0, 32)

Status BnH 00H mmH

BnH 20H llH

n= MIDI channel number: 0H~FH (Ch.1~16) mm= Bank number MSB: 00H~7FH

ll= Bank number LSB: 00H~7FH

• Bank Select processing is suspended until a program change is received.

❍

Modulation (Controller number 1)

Status 2nd byte 3rd byte BnH 01H vvH

n= MIDI channel number: 0H~FH (Ch.1~16) vv= Modulation depth: 00H~7FH (0~127)

• Not received when Rx.MODULATION= OFF (Initial value is ON).

• The resulting effect is determined by System Exclusive messages. With the initial settings, this is Pitch Modulation Depth.

Portamento Time (Controller number 5)

❍

Status BnH 05H vvH

n= MIDI channel number: 0H~FH (Ch.1~16) vv= Portamento Time: 00H~7FH (0~127),

• This adjusts the rate of pitch change when Portamento is ON or when using thePortamento Control. Avalue of 0 results in the fastest change.

2nd byte 3rd byte

Initial value= 00H

2nd byte 3rd byte

Initial value= 00H (0)

Data Entry (Controller number 6, 38)

❍

Status BnH 06H mmH

BnH 26H llH

n= MIDI channel number: 0H~FH (Ch.1~16) mm, ll= the value of the parameter specified by RPN/NRPN mm= MSB, ll= LSB

Volume (Controller number 7)

❍

Status BnH 07H vvH

n= MIDI channel number 0H~FH (Ch.1~16) vv= Volume: 00H~7FH (0~127),

• Volume messages are used to adjust the volume balance of each Part.

• Not recevied when “Volume” RX Event is off.

❍

Pan (Controller number 10)

Status BnH 0AH vvH

n= MIDI channel number: 0H~FH (Ch.1~16) vv= pan: 00H~40H~7FH (Left~Center~Right),

• Not received when “PanPot” RX Event is Off

Expression (Controller number 11)

❍

Status BnH 0BH vvH

n= MIDI channel number: 0H~FH (Ch.1~16) vv= Expression: 00H~7FH (0~127), Initial value= 7FH (127)

• Not received when "Expression" RX Event is Off.

❍

General Purpose Controller 1 (Controller number 16)

Status BnH 10H vvH

n= MIDI channel number: 0H~FH (Ch.1~16) vv= Control value: 00H~7FH (0~127)

• Not received when “CC16” RX Event is Off.

❍

Hold 1 (Controller number 64)

Status BnH 40H vvH

n= MIDI channel number: 0H~FH (Ch.1~16) vv= Control value: 00H~7FH (0~127)

• Not received when “Hold” RX Event is Off.

❍

Portamento (Controller number 65)

Status BnH 41H vvH

n= MIDI channel number: 0H~FH (Ch.1~16) vv= Control value: 00H~7FH (0~127) 0~63= OFF, 64~127=

Sostenuto (Controller number 66)

❍

Status 2nd byte 3rd byte BnH 42H vvH

n= MIDI channel number: 0H~FH (Ch.1~16) vv= Control value: 00H~7FH (0~127) 0~63= OFF, 64~127= ON

• Not received when “Sostenuto” RX Event is Off.

2nd byte 3rd byte

Initial value= 64H (100)

2nd byte 3rd byte

Initial value= 40H (Center)

2nd byte 3rd byte

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E-80 MIDI Implementation

Soft (Controller number 67)

❍

Status BnH 43H vvH

n= MIDI channel number: 0H~FH (Ch.1~16) vv= Control value: 00H~7FH (0~127) 0~63= OFF, 64~127= ON

• Not received when “Soft” RX Event is Off.

Hold 2 (Controller number 69)

❍

Status BnH 45H vvH

n= MIDI channel number: 0H~FH (Ch.1~16) vv= Control value: 00H~7FH (0~127) 0~63= OFF, 64~127= ON

• Not received when “Hold” RX Event is Off.

❍

Filter Resonance (Timbre/Harmonic Intensity) (Controller number 71)

Status BnH 47H vvH

n= MIDI channel number: 0H~FH(Ch.1~16) vv= Resonance value

(relative change):

❍

Release Time (Controller number 72)

Status 2nd byte 3rd byte BnH 48H vvH

n= MIDI channel number: 0H~FH(Ch.1~16) vv= Release Time value

(relative change):

❍

Attack time (Controller number 73)

Status 2nd byte 3rd byte BnH 49H vvH

n= MIDI channel number: 0H~FH (Ch.1~16) vv= Attack time value (relative

change):

❍

Cutoff (Controller number 74)

Status 2nd byte 3rd byte BnH 4AH vvH

n= MIDI channel number: 0H~FH (Ch.1~16) vv= Cutoff value (relative

change):

Decay Time (Controller number 75)

❍

Status 2nd byte 3rd byte BnH 4BH vvH

n= MIDI channel number: 0H~FH (Ch.1~16) vv= Decay Time value

(relative change):

❍

Vibrato Rate (Controller number 76)

Status 2nd byte 3rd byte BnH 4CH vvH

n= MIDI channel number: 0H~FH (Ch.1~16) vv= Vibrato Rate value

(relative change):

❍

Vibrato Depth (Controller number 77)

Status 2nd byte 3rd byte BnH 4DH vvH

n= MIDI channel number: 0H~FH (Ch.1~16) vv= Vibrato Depth Value

(relative change):

❍

Vibrato Delay (Controller number 78)

Status 2nd byte 3rd byte BnH 4EH vvH

n= MIDI channel number: 0H~FH (Ch.1~16) vv= Vibrato Delay value

(relative change):

2nd byte 3rd byte

00H~7FH(-64~0~+63), Initial value= 40H (no change)

00H~7FH (-64~0~+63), Initial value= 40H (no change)

00H~7FH (-64~0~+63), Initial value=40H (no change)

00H~7FH(-64~0~+63), Initial value= 40H (no change)

00H~7FH (-64~0~+63), Initial value= 40H (no change)

00H~7FH (-64~0~+63), Initial Value= 40H (no change)

00H~7FH (-64~0~+63), Initial value=40H (no change)

Portamento control (Controller number 84)

❍

Status 2nd byte 3rd byte BnH 54H kkH

n= MIDI channel number: 0H~FH (Ch.1~16) kk= source note number: 00H~7FH (0~127)

• A Note-on received immediately after a Portamento Control message will change continuously in pitch, starting from the pitch of the Source Note Number.

• If a voice is already sounding for a note number identical to the Source Note Number, this voice will continue sounding (i.e., legato) and will, when the next Note-on is received, smoothly change to the pitch of that Note-on.

• The rate of the pitch change caused by Portamento Control is determined by the Portamento Time value.

Example 1

On MIDI 90 3C 40 Note on C4 C4 on

B0 54 3C Portamento Control from C4 no change 90 40 40 Note on E4 glide from C4 to E4 80 3C 40 Note off C4 no change 80 40 40 Note off E4 E4 off

Example 2

On MIDI Description Result B0 54 3C Portamento Control from C4 no change

90 40 40 Note on E4 E4 is played with glide from

80 40 40 Note off E4 E4 off

Effect 1 (Reverb Send Level) (Controller number 91)

❍

Status BnH 5BH vvH

n= MIDI channel number: 0H~FH (Ch.1~16) vv= Reverb Send Level: 00H~7FH (0~127)

• This message adjusts the Reverb Send Level of each Part.

• Not received when “Reverb” RX Event is Off.

❍

Effect 3 (Chorus Send Level) (Controller number 93)

Status BnH 5DH vvH

n= MIDI channel number: 0H~FH (Ch.1~16) vv= Chorus Send Level: 00H~7FH (0~127)

• This message adjusts the Chorus Send Level of each Part.

• Not received when “Chorus” RX Event is Off.

❍

NRPN MSB/LSB (Controller number 99, 98)

Status BnH 63H mmH

BnH 62H llH

n= MIDI channel number: 0H~FH (Ch.1~16) mm= upper byte (MSB) of the parameter number specified by NRPN ll= lower byte (LSB) of the parameter number specified by NRPN

• The value set by NRPN will not be reset even if Program Change or Reset All Controllers is received.

• Not received when “NRPN” RX Event is Off.

**NRPN** The NRPN (Non Registered Parameter Number) message allows an extended range of control changes to be used. On the E-80, NRPN messages can be used to modify sound parameters, etc. To use these messages, you must first use NRPN messages (Controller number 98 and 99, their order does not matter) to specify the parameter to be controlled, and then use Data Entry messages (Controller number 6) to specify the value of the specified parameter. Once an NRPN parameter has been specified, all Data Entry messages received on that channel will modify the value of that parameter. To prevent accidents, it is recommended that you set RPN Null (RPN Number= 7FH 7FH) when you have finished setting the value of the desired parameter. Refer to “[Example 4]” on page 23. On the E-80, Data entry LSB (Controller number 38) of NRPN is ignored, so it is no problem to send Data entry MSB (Controller number 6) only (without Data entry LSB). On the E-80, NRPN can be used to modify the following parameters:

NRPN Data entry

MSB LSB 01H 08H mmH Vibrato Rate (relative change)

01H 09H mmH Vibrato Depth (relative change)

01H 0AH mmH Vibrato Delay (relative change)

Description Result

C4 to E4

2nd byte 3rd byte

MSB Function and range

mm: 00H~40H~7FH (-64~0~+63)

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E-80 MIDI Implementation

01H 20H mmH TVF Cutoff Frequency (relative change)

mm: 00H~40H~7FH (-64~0~+63)

01H 21H mmH TVF Resonance (relative change)

mm: 00H~40H~7FH (-64~0~+63)

01H 63H mmH TVF&TVA Envelope Attack Time (rel. change)

mm: 00H~40H~7FH (-64~0~+63)

01H 64H mmH TVF&TVA Envelope Decay Time (rel. change)

mm: 00H~40H~7FH (-64~0~+63)

01H 66H mmH TVF&TVA Env. Release Time (relative change)

mm: 00H~40H~7FH (-64~0~+63)

18H rrH mmH Drum Instrument Pitch Coarse (relative change)

rr: Drum Instrument note number mm: 00H~40H~7FH (-64~0~+63 semitone)

1AH rrH mmH Drum Instrument TVA Level (absolute change)

rr: Drum Instrument note number mm: 00H~7FH (0~max)

1CH rrH mmH Drum Instrument Panpot (absolute change)

rr: Drum Instrument note number mm: 00H, 01H~40H~7FH (random, left~center~ right)

1DH rrH mmH Drum Instr. Reverb Send (absolute change)

rr: Drum Instrument note number mm: 00H~7FH (0~max)

1EH rrH mmH Drum Instr. Chorus Send (absolute change)

rr: Drum Instrument note number mm: 00H~7FH (0~max)

60H rrH mmH Equalizer Switch

rr: Drum Instrument note number mm: 00H~02H (Global, Instrument, Off)

61H rrH mmH Equalizer Low Frequency

rr: Drum Instrument note number mm: 00H~05H (90, 150, 180, 300, 360, 600Hz)

62H rrH mmH Equalizer Low Gain

rr: Drum Instrument note number mm: 00H~1EH (–15~0~+15dB)

63H rrH mmH Equalizer Mid Frequency

rr: Drum Instrument note number mm: 00H~10H (200, 250, 315, 400, 500, 630, 800, 1000, 1250, 1600, 2000, 2500, 3150, 4000, 5000, 6300, 8000Hz)

64H rrH mmH Equalizer Mid Gain

rr: Drum Instrument note number mm: 00H~1EH (–15~0~+15dB)

65H rrH mmH Equalizer Mid Gain

rr: Drum Instrument note number mm: 00H~04H (0.5, 1.0, 2.0, 4.0, 8.0)

66H rrH mmH Equalizer High Frequency

rr: Drum Instrument note number mm: 00H~06H (1500, 2000, 3000, 4000, 6000, 8000, 12000Hz)

67H rrH mmH Equalizer High Gain

rr: Drum Instrument note number mm: 00H~1EH (–15~0~+15dB)

4FH 10H mmH Part 4 On / Off ( Upper 1)

mm: 00H~7FH (00-3FH=Off - 40-7FH= On)

4FH 11H mmH Part 11 On / Off (Lower1)

mm: 00H~7FH (00-3FH=Off - 40-7FH= On)

4FH 12H mmH Part 12 On / Off ( Man Bass)

mm: 00H~7FH (00-3FH=Off - 40-7FH= On)

4FH 13H mmH Part 6 On / Off ( Upper 2)

mm: 00H~7FH (00-3FH=Off - 40-7FH= On)

4FH 25H mmH Part 13 On / Off ( Upper 3)

mm: 00H~7FH (00-3FH=Off - 40-7FH= On)

4FH 27H mmH Part 14 On / Off ( Lower 2)

mm: 00H~7FH (00-3FH=Off - 40-7FH= On)

4FH 26H mmH Part 15 On / Off ( Melody Int.)

mm: 00H~7FH (00-3FH=Off - 40-7FH= On)

4FH 18H mmH Part 8 On / Off ( Acc 5)

mm: 00H~7FH (00-3FH=Off - 40-7FH= On)

4FH 19H mmH Part 9 On / Off ( Acc 6)

mm: 00H~7FH (00-3FH=Off - 40-7FH= On)

4FH 1AH mmH Part 10 On / Off ( Acc Drums )

mm: 00H~7FH (00-3FH=Off - 40-7FH= On)

4FH 1BH mmH Part 2 On / Off ( Acc Bass)

mm: 00H~7FH (00-3FH=Off - 40-7FH= On)

4FH 1CH mmH Part 1 On / Off ( Acc 1)

mm: 00H~7FH (00-3FH=Off - 40-7FH= On)

4FH 1DH mmH Part 3 On / Off (Acc2)

mm: 00H~7FH (00-3FH=Off - 40-7FH= On)

4FH 1EH mmH Part 5 On / Off ( Acc3)

mm: 00H~7FH (00-3FH=Off - 40-7FH= On)

4FH 1FH mmH Part 7 On / Off ( Acc 4 )

mm: 00H~7FH (00-3FH=Off - 40-7FH= On)

4FH 20H mmH Master Accompaniment On / Off

mm: 00H~7FH (00-3FH=Off - 40-7FH= On)

4FH 21H mmH Master Volume Upper (1-2-3) On / Off

4FH 22H mmH Master Volume Lower (1-2) On / Off

4FH 23H mmH Master Volume Bass (Acc./Man.Bass) On / Off

4FH 24H mmH Master Volume Acc.Drum On / Off

• Part On/Off NRPN messages are received on the Basic MIDI Channel.

❍

RPN MSB/LSB (Controller number 101, 100)

Status BnH 65H mmH BnH 64H llH

n= MIDI channel number: 0H~FH (Ch.1~16) mm= upper byte (MSB)of parameter number specified by RPN ll= lower byte (LSB) of parameter number specified by RPN

• Not received when "RPN" RX Event is Off.

• The value specified by RPN will not be reset even by messages such as Program Change or Reset All Controller.

**RPN** The RPN (Registered Parameter Number) messages are expanded control changes, and each function of an RPN is described by the MIDI Standard. To use these messages, you must first use RPN (Controller number 101 and 100, their order does not matter) to specify the parameter to be controlled, and then use Data Entry messages (Controller number 6, 38) to specify the value of the specified parameter. Once an RPN parameter has been specified, all Data Entry messages received on that channel will modify the value of that parameter. To prevent accidents, it is recommended that you set RPN to Null (RPN Number= 7FH 7FH) when you have finished setting the value of the desired parameter. Refer to “[Example 4]” on page 23. On the E-80, RPN can be used to modify the following parameters.

RPN Data entry

MSB LSB 00H 00H mmH —- Pitch Bend Sensitivity

00H 01H mmH llH Channel Fine Tuning

00H 02H mmH —- Master Coarse Tuning

00H 05H mmH llH Modulation Depth Range

7FH 7FH —- —- RPN null

●

Program Change

Status CnH ppH

n= MIDI channel number: 0H~FH (Ch.1~16) pp= Program number: 00H~7FH (prog.1~prog.128)

• Not received when “Program Change” RX Event is Off.

• After a Program Change message is received, the sound will change beginning with the next Note-on. Voices already sounding when the Program Change message was received will not be affected.

●

Channel Pressure

Status DnH vvH

n= MIDI channel number: 0H~FH (Ch.1~16) vv= Channel Pressure: 00H~7FH (0~127)

• Not received when “Channel Pressure” RX Event is Off.

• The resulting effect is determined by System Exclusive messages. With the initial settings there will be no effect.

MSB LSB Explanation

mm: 00H~7FH (00-3FH=Off - 40-7FH= On)

2nd byte 3rd byte

mm: 00H~18H (0~24 semitones) Initial value= 02H (2 semitones) ll: ignored (processed as 00H) Up to 2 octaves can be specified in semitone steps.

mm, ll: 00 00H~40 00H~7F 7FH (–100~0~ +99.99 cents), Initial value= 40 00H (+/- 0 cent) Refer to “About the Tuning” on page 23.

mm: 28H~40H~58H (-24~0~+24 semitones), Initial value= 40H (+/-0 semitone) ll: ignored (processed as 00H)

mm: 00H~04H (0~4 semitones) ll: 00H~7FH (0~100 cents) 100/128 Cent/ Value

Set condition where RPN and NRPN are unspecified. The data entry messages after set RPN null will be ignored. (No Data entry messages are required after RPN null). Settings already made will not change. mm, ll: ignored

2nd byte

Page 4

●

Pitch Bend Change

Status EnH llH mmH

n= MIDI channel number: 0H~FH (Ch.1~16) mm, ll= Pitch Bend value: 00 00H~40 00H~7F 7FH (–8192~0~+8191)

• Not received when “Pitch Bender ” RX Event is Off.

• The resulting effect is determined by System Exclusive messages. With the initial settings the effect is Pitch Bend.

■

Channel Mode Messages

●

All Sounds Off (Controller number 120)

Status BnH 78H 00H

n= MIDI channel number: 0H~FH (Ch.1~16)

• When the message is received, all notes currently sounding on the corresponding channel will be turned Off.

●

Reset All Controllers (Controller number 121)

Status BnH 79H 00H

n= MIDI channel number: 0H~FH (Ch.1~16)

• When this message is received, the following controllers will be set to their reset values.

Controller Pitch Bend Change +/-0 (center)

Polyphonic Key Pressure 0 (off) Channel Pressure 0 (off) Modulation 0 (off) Expression 127 (max) Hold 1 0 (off) Portamento 0 (off) Sostenuto 0 (off) Soft 0 (off) RPN unset; previously set data do not change NRPN unset; previously set data do not change

●

All Notes Off (Controller number 123)

Status BnH 7BH 00H

n= MIDI channel number: 0H~FH (Ch.1~16)

• When All Notes Off is received, all notes on the corresponding channel will be turned off. However, if Hold 1 or Sostenuto is ON, the sound will be continued until these are turned off.

●

OMNI OFF (Controller number 124)

Status BnH 7CH 00H

n= MIDI channel number: 0H~FH (Ch.1~16)

• The same processing will be carried out as when All Notes Off is received.

●

OMNI ON (Controller number 125)

Status BnH 7DH 00H

n= MIDI channel number: 0H~FH (Ch.1~16)

• The same processing will be carried out as when All Notes Off is received.OMNI ON will not be turned on.

●

MONO (Controller number 126)

Status BnH 7EH mmH

n= MIDI channel number: 0H~FH (Ch.1~16) mm= mono number: 00H~10H (0~16)

• The same processing will be carried out as when All Sounds Off and All Notes Off is received, and the corresponding channel will be set to Mode 4 (M= 1) regardless of the value of “mm (mono number).”

●

POLY (Controller number 127)

Status BnH 7FH 00H

n= MIDI channel number: 0H~FH (Ch.1~16)

• The same processing will be carried out as when All Sounds Off and All Notes Off is received, and the corresponding channel will be set to Mode 3.

2nd byte 3rd byte

Reset value

2nd byte 3rd byte

E-80 MIDI Implementation

■

System Realtime Messages

●

Active Sensing

Status FEH

• When Active Sensing is received, the unit will begin monitoring the inter-

●

Timing Clock

Status F8H

* STYLE: Received when Sync RX is On and the Sync Mode Style RX

* SONG: Received when Sync RX is On and the Sync Mode Song RX

• When “Timing Clock” message is received, the Style or Song is synchro-

Song/Style Sync RX Response Internal A Style/Song will neither start/stop nor follow the tem-

Auto If a Style/Song receives MIDI “Start/Stop” (FA/FC), it

MIDI If a Style/Song receives MIDI “Start/Stop” (FA/FC) it

Remote If a Style/Song receives MIDI “Start/Stop” (FA/FC) it

●

Start

Status FAH

* STYLE: Received when Sync RX is On and the Sync Mode Style RX

* SONG: Received when Sync RX is On and the Sync Mode Song RX

●

Continue (Song playback only)

Status FBH

• Received when Sync RX is On and the Sync Mode Song RX parameter

• When a “Continue” message is received, the Song continues playing from

●

Stop

Status FCH

* STYLE: Received when Sync RX is On and the Sync Mode Style RX

* SONG: Received when Sync RX is On and the Sync Mode Song RX

• When a “Stop” message is received, the Style or Song stops playing.

■

System Common Messages

●

Song Position Pointer

Status F2H XXH YYH

XX= Song Position ( Bar ) LSB YY= Song Position ( Bar ) MSB

vals of all further messages. While monitoring, if the interval between messages exceeds 420 ms, the same processing will be carried out as when All Sounds Off, All Notes Off and Reset All Controllers are received, and message interval monitoring will be halted.

parameter (MIDI\Edit\System) is set to AUTO or MIDI.

nized to an external clock according to the following table.

po of the external Timing Clock (F8) and “Start /Stop” (FA/FC) messages.

will follow Internal or External clock, depending on whether “MIDI Clock” (F8) messages are received.

will follow External “MIDI Clock” (F8) messages and herefore wait until they are received.

will follow only Internal tempo and thus ignore incoming “MIDI Clock” (F8) messages.

parameter (MIDI\Edit\System) is set to AUTO, MIDI or REMOTE.

(MIDI\Edit\System) is set to AUTO, MIDI or REMOTE.

the current position.

parameter (MIDI\Edit\System) is set to AUTO, MIDI or REMOTE.

2nd byte 3rd byte

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E-80 MIDI Implementation

■

System Exclusive Messages

Status

F0H iiH, ddH, ......,eeH F7H

F0H: System Exclusive Message status

F7H: EOX (End Of Exclusive)

❍

GM1 System On

This message resets the internal settings of the unit to the General MIDI 1 initial state.

Status F0H 7EH, 7FH, 09H, 01H F7H

Byte F0H Exclusive status

7EH ID number (Universal Non-realtime Message) 7FH Device ID (Broadcast) 09H Sub ID#1 (General MIDI Message) 01H Sub ID#2 (General MIDI 1 On) F7H EOX (End Of Exclusive)

• When this message is received, Rx.BANK SELECT will be OFF and Rx.NRPN will be OFF.

• There must be an interval of at least 50 ms between this message and the next message.

• Not received when RX SYSEX parameter (MENU/MIDI/EDIT/System/ Param) is OFF.

• Only for the Song parts.

❍

GM2 System On

Status F0H 7EH 7FH 09H 03H

Byte Explanation F0H Exclusive status

7EH ID number (Universal Non-realtime Message) 7FH Device ID (Broadcast) 09H Sub ID#1 (General MIDI Message) 03H Sub ID#2 (General MIDI 2 On) F7H EOX (End Of Exclusive)

• When this message is received, the E-80 will be able to receive the messages specified by General MIDI 2, and use the General MIDI 2 sound map.

• Not received when RX SYSEX parameter (MENU/MIDI/EDIT/System/ Param) is OFF.

• Only for the Song parts.

GM System Off

❍

GM System Off is a command message that resets the internal state of the E-80 from the GM state to its native condition. The E-80 will reset to the GS default state.

Status F0H F0H 7EH 7FH 09H 02H F7H

Byte F0H Exclusive status

7EH ID number (Universal Non-realtime Message) 7FH Device ID (Broadcast) 09H Sub ID#1 (General MIDI Message) 02H Sub ID#2 (General MIDI Off) F7H EOX (End Of Exclusive)

• When this message is received, the E-80 will reset to the GS default state.

• Not received when RX SYSEX parameter (MENU/MIDI/EDIT/System/ Param) is OFF.

• Only for the Song parts.

Data byte Status

ii= ID number: an ID number (manufacturer ID) to indicate the manufacturer whose Exclusive message this is. Roland 's manufacturer ID is 41H. ID numbers 7EH and 7FH are extensions of the MIDI standard; Universal Non-realtime Messages (7EH) and Universal Realtime Messages (7FH).

dd,...,ee= data: 00H~7FH (0~127)

Data byte Status

Explanation

Data byte Status

F7H

Data byte Status

Explanation

GS reset

❍

GS Reset is a command message that resets the internal settings of a device to the GS initial state. This message appears at the beginning of GS music data, and a GS device that receives this message will automatically be set to the proper state to correctly play back GS music data.

Status F0H 41H, dev, 42H, 12H, 40H, 00H, 7FH, 00H, 41HF7H

Byte F0H Exclusive status

41H ID number (Roland) dev Device ID (dev: 00H~1FH (1~32),

42H Model ID (GS) 12H Command ID (DT1) 40H Address MSB 00H Address 7FH Address LSB 00H Data (GS reset) 41H Checksum F7H EOX (End Of Exclusive)

• When this message is received, Rx.NRPN will be ON.

• There must be an interval of at least 50 ms between this message and the

• Not received when RX SYSEX parameter (MENU/MIDI/EDIT/System/

• Only for the Song parts.

Exit GS Mode

❍

“Exit GS Mode” resets the internal settings of the unit to Arranger Mode I initial state .

Status F0H 41H, dev, 42H, 12H, 40H, 00H, 7FH, 7FH,

Byte F0H Exclusive status

41H ID number (Roland) dev Device ID (dev: 00H~1FH (1~32) Initial value is

42H Model ID (GS) 12H Command ID (DT1) 40H Address MSB 00H Address 7FH AddressLSB 7FH Data (Exit GS Mode) 42H Checksum F7H EOX (End Of Exclusive)

• There must be an interval of at least 100 ms between this message and

• Not received when RX SYSEX parameter (MENU/MIDI/EDIT/System/

• Only for the Song parts.

●

Universal Realtime System Exclusive Messages

Master Volume

❍

Status F0H 7FH, 7FH, 04H, 01H, llH, mmH F7H

Byte F0H Exclusive status

7FH ID number (universal realtime message) 7FH Device ID (Broadcast) 04H Sub ID#1 (Device Control messages) 01H Sub ID#2 (Master Volume) llH Master Volume lower byte mmH Master Volume upper byte F7H EOX (End Of Exclusive)

• The lower byte (llH) of Master Volume will be handled as 00H.

• Not received when RX SYSEX parameter (MENU/MIDI/EDIT/System/

Data byte Status

Explanation

Initial value is 10H (17))

next.

Param) is OFF.

Data byte Status

F7H

42H

Explanation

10H(17))

the next message.

Param) is OFF.

Data byte Status

Explanation

Param) is OFF.

Page 6

E-80 MIDI Implementation

Master Fine Tuning

❍

Status Data byte Status F0H 7FH,7FH,04H,03H,llH,mmH F7H

Byte F0H Exclusive status

7FH ID number (universal realtime message) 7FH Device ID (Broadcast) 04H Sub ID#1 (Device Control) 03H Sub ID#2 (Master Fine Tuning) llH Master Fine Tuning LSB mmH Master Fine Tuning MSB F7H EOX (End Of Exclusive) mm, ll : 00 00H~40 00H~7F 7FH (-100~0~+99.9 [cents])

• Not received when RX SYSEX parameter (MENU/MIDI/EDIT/System/

❍

Master Coarse Tuning

Status F0H 7FH,7FH,04H,04H,llH,mmH F7

Byte F0H Exclusive status

7FH ID number (universal realtime message) 7FH Device ID (Broadcast) 04H Sub ID#1 (Device Control) 04H Sub ID#2 (Master Coarse Tuning) llH Master Coarse Tuning LSB mmH Master Coarse Tuning MSB F7H EOX (End Of Exclusive)

llH: ignored (processed as 00H) mmH: 28H~40H~58H (-24~0~+24 [semitones])

• Not received when RX SYSEX parameter (MENU/MIDI/EDIT/System/

●

Global Parameter Control

Global Parameter Control messages are newly provided for General MIDI 2.

❍

Reverb Parameters

Status F0H 7FH, 7FH, 04H, 05H, 01H, 01H, 01H, 01H,

Byte F0H Exclusive status

7FH ID number (universal realtime message) 7FH Device ID (Broadcast) 04H Sub ID#1 (Device Control) 05H Sub ID#2 (Global Parameter Control) 01H Slot path length 01H Parameter ID width 01H Value width 01H Slot path MSB 01H Slot path LSB (Effect 0101: Reverb) ppH Parameter to be controlled. vvH Value for the parameter. F7H EOX (End Of Exclusive)

pp=0 Reverb Type

pp=1 Reverb Time

❍

Chorus Parameters

Status F0H 7FH, 7FH, 04H, 05H, 01H, 01H, 01H, 01H,

Byte F0H Exclusive status

7FH ID number (universal realtime message) 7FH Device ID (Broadcast) 04H Sub ID#1 (Device Control) 05H Sub ID#2 (Global Parameter Control) 01H Slot path length 01H Parameter width 01H Value width 01H Slot path MSB

Explanation

Param) is OFF.

Data byte Status

Explanation

Param) is OFF.

Data byte Status

F7H

01H, ppH, vvH

Explanation

vv= 00H Small Room (Room1) vv= 01H Medium Room (Room2) vv= 02H Large Room (Room3) vv= 03H Medium Hall (Hall1) vv= 04H Large Hall (Hall2) vv= 08H Plate (Plate)

vv= 00H~7FH0~127

Data byte Status

F7H

02H, ppH, vvH

Explanation

02H Slot path LSB (Effect 0102: Chorus) ppH Parameter to be controlled. vvH Value for the parameter. F7H EOX (End Of Exclusive) pp=0 Chorus Type

pp=1 Mod Rate

pp=2 Mod Depth

pp=3 Feedback

pp=4 Send To Reverb

❍

Channel Pressure

Status F0H 7FH, 7FH, 09H, 01H, 0nH, ppH, rrH F7H

Byte

F0H Exclusive status 7FH ID number (universal realtime message)

7FH Device ID (Broadcast) 09H Sub ID#1 (Controller Destination Setting) 01H Sub ID#2 (Channel Pressure) 0nH MIDI Channel (00~0F) ppH Controlled parameter rrH Controlled range F7H EOX (End Of Exclusive)

pp=0 Pitch Control

pp=1 Filter Cutoff Control

pp=2 Amplitude Control

pp=3 LFO Pitch Depth

pp=4 LFO Filter Depth

pp=5 LFO Amplitude Depth

Controller

❍

Status F0H 7FH, 7FH, 09H, 03H, 0nH, ccH, ppH, rrH F7H

Byte F0H Exclusive status

7FH ID number (universal realtime message) 7FH Device ID (Broadcast) 09H Sub ID#1 (Controller Destination Setting) 03H Sub ID#2 (Control Change) 0nH MIDI Channel (00~0F) ccH Controller number (01~1F, 40~5F) ppH Controlled parameter rrH Controlled range F7H EOX (End Of Exclusive)

pp=0 Pitch Control

pp=1 Filter Cutoff Control

pp=2 Amplitude Control

pp=3 LFO Pitch Depth

pp=4 LFO Filter Depth

pp=5 LFO Amplitude Depth

vv=0 Chorus1 vv=1 Chorus2 vv=2 Chorus3 vv=3 Chorus4 vv=4 FB Chorus vv=5 Flanger

vv= 00H~7FH 0~127

Data byte Status

Explanation

rr= 28H~58H -24~+24 [semitones]

rr= 00H~7FH -9600~+9450 [cents]

rr= 00H~7FH 0~200%

rr= 00H~7FH 0~600 [cents]

rr= 00H~7FH 0~2400 [cents]

rr= 00H~7FH 0~100%

Data byte Status

Explanation

rr= 28H~58H -24~+24 [semitones]

rr= 00H~7FH -9600~+9450 [cents]

rr= 00H~7FH 0~200%

rr= 00H~7FH 0~600 [cents]

rr= 00H~7FH 0~2400 [cents]

rr= 00H~7FH 0~100%

Page 7

Scale/Octave Tuning Adjust

❍

Status Data byte Status F0H 7EH, 7FH, 08H, 08H, ffH, ggH, hhH, ssH… F7

Byte F0H Exclusive status

7EH ID number (Universal Non-realtime Message) 7FH Device ID (Broadcast) 08H Sub ID#1 (MIDI Tuning Standard) 08H Sub ID#2 (scale/octave tuning 1-byte form) ffH Channel/Option byte1

ggH Channel byte2

hhH Channel byte3

ssH 12 byte tuning offset of 12 semitones from C to

F7H EOX (End Of Exclusive)

Explanation

bits 0~1= channel 15 to 16 bit 2 to 6= Undefined

bits 0~6= channel 8 to 14

bits 0~6= channel 1 to 7

B 00H= –64 [cents] 40H= 0 [cents] (equal temperament) 7FH= +63 [cents]

E-80 MIDI Implementation

2. Transmitted data

■

Channel Voice Messages

●

Note off

Status 9nH kkH 00H

n= MIDI channel number: 0H~FH (Ch.1~16) kk= note number: 00H~7FH (0~127) vv= note off velocity: 00H~7FH (0~127)

●

Note on

Status 9nH kkH vvH

n= MIDI channel number: 0H~FH (Ch.1~16) kk= note number: 00H~7FH (0~127) vv= note on velocity: 01H~7FH (1~127)

●

Control Change

• The value specified by a Control Change message will not be reset even

Bank Select (Controller number 0, 32)

❍

Status BnH 00H mmH

BnH 20H llH

n= MIDI channel number: 0H~FH (Ch.1~16) mm= Bank number MSB: 00H~7FH ll= Bank number LSB: 00H~7FH

• Not trasmitted when “Program Change” Tx Event is Off.

Modulation (Controller number 1)

❍

Status BnH 01H vvH

n= MIDI channel number: 0H~FH (Ch.1~16) vv= Modulation depth: 00H~7FH (0~127)

• Not transmitte when “Modulation” TX Event= OFF.

Portamento Time (Controller number 5)

❍

Status BnH 05H vvH

n= MIDI channel number: 0H~FH (Ch.1~16) vv= Portamento Time: 00H~7FH (0~127),

• This adjusts the rate of pitch change when Portamento is ON or when

Data Entry (Controller number 6, 38)

❍

Status BnH 06H mmH

BnH 26H llH

n= MIDI channel number: 0H~FH (Ch.1~16) mm, ll= the value of the parameter specified by RPN/NRPN mm= MSB, ll= LSB

❍

Volume (Controller number 7)

Status BnH 07H vvH

n= MIDI channel number 0H~FH (Ch.1~16) vv= Volume: 00H~7FH (0~127), Initial value= 64H (100)

• Volume messages are used to adjust the volume balance of each Part.

• Not transmitted when “Volume” TX Event is off.

❍

Pan (Controller number 10)

Status BnH 0AH vvH

n= MIDI channel number: 0H~FH (Ch.1~16) vv= pan: 00H~40H~7FH (Left~Center~Right),

• The stereo position can be adhusted in 127 steps.

• Not received when “PanPot” RX Event is Off

2nd byte 3rd byte

by a ProgramChange, etc.

2nd byte 3rd byte

Initial value= 00H (0)

using thePortamento Control. A value of 0 results in the fastest change.

2nd byte 3rd byte

Initial value= 40H (Center)

Page 8

E-80 MIDI Implementation

Expression (Controller number 11)

❍

Status BnH 0BH vvH

n= MIDI channel number: 0H~FH (Ch.1~16) vv= Expression: 00H~7FH (0~127), Initial value= 7FH (127)

• This adjusts the volume of a Part. It can be used independently from Volume messages. Expression messages are used for musical expression within a performance, e.g., expression pedal movements, crescendo and decrescendo.

• Not transmitted when "Expression" TX Event is Off.

General Purpose Controller 1 (Controller number 16)

❍

Status BnH 10H vvH

n= MIDI channel number: 0H~FH (Ch.1~16) vv= Control value: 00H~7FH (0~127)

• Not transmitted when “CC16” TX Event is Off.

❍

Hold 1 (Controller number 64)

Status BnH 40H vvH

n= MIDI channel number: 0H~FH (Ch.1~16) vv= Control value: 00H~7FH (0~127)

• Not trabsnitted when “Hold” TX Event is Off.

Portamento (Controller number 65)

❍

Status BnH 41H vvH

n= MIDI channel number: 0H~FH (Ch.1~16) vv= Control value: 00H~7FH (0~127) 0~63= OFF, 64~127=

❍

Sostenuto (Controller number 66)

Status 2nd byte 3rd byte BnH 42H vvH

n= MIDI channel number: 0H~FH (Ch.1~16) vv= Control value: 00H~7FH (0~127) 0~63= OFF, 64~127= ON

• Not transmitted when “Sostenuto” TX Event is Off.

❍

Soft (Controller number 67)

Status BnH 43H vvH

n= MIDI channel number: 0H~FH (Ch.1~16) vv= Control value: 00H~7FH (0~127) 0~63= OFF, 64~127= ON

• Not transmitted when “Soft” TX Event is Off.

❍

Hold 2 (Controller number 69)

Status BnH 45H vvH

n= MIDI channel number: 0H~FH (Ch.1~16) vv= Control value: 00H~7FH (0~127) 0~63= OFF, 64~127= ON

• Not transmitted when “Hold” TX Event is Off.

❍

Filter Resonance (Timbre/Harmonic Intensity) (Controller number 71)

Status BnH 47H vvH

n= MIDI channel number: 0H~FH (Ch.1~16) vv= Resonance value

(relative change):

Release Time (Controller number 72)

❍

Status BnH 48H vvH

n= MIDI channel number: 0H~FH(Ch.1~16) vv= Release Time value

(relative change):

❍

Attack time (Controller number 73)

Status 2nd byte 3rd byte BnH 49H vvH

n= MIDI channel number: 0H~FH (Ch.1~16) vv= Attack time value

(relative change):

2nd byte 3rd byte

00H~7FH (-64~0~+63), Initial value= 40H (no change)

2nd byte 3rd byte

00H~7FH (-64~0~+63), Initial value= 40H (no change)

00H~7FH (-64~0~+63), Initial value=40H (no change)

Cutoff (Controller number 74)

❍

Status BnH 4AH vvH

n= MIDI channel number: 0H~FH (Ch.1~16) vv= Cutoff value

(relative change):

❍

Decay Time (Controller number 75)

Status 2nd byte 3rd byte BnH 4BH vvH

n= MIDI channel number: 0H~FH (Ch.1~16) vv= Decay Time value

(relative change):

❍

Vibrato Rate (Controller number 76)

Status BnH 4CH vvH

n= MIDI channel number: 0H~FH (Ch.1~16) vv= Vibrato Rate value

(relative change):

Vibrato Depth (Controller number 77)

❍

Status BnH 4DH vvH

n= MIDI channel number: 0H~FH (Ch.1~16) vv= Vibrato Depth Value

(relative change):

❍

Vibrato Delay (Controller number 78)

Status BnH 4EH vvH

n= MIDI channel number: 0H~FH (Ch.1~16) vv= Vibrato Delay value

(relative change):

Portamento control (Controller number 84)

❍

Status 2nd byte 3rd byte BnH 54H kkH

n= MIDI channel number: 0H~FH (Ch.1~16) kk= source note number: 00H~7FH (0~127)

❍

Effect 1 (Reverb Send Level) (Controller number 91)

Status BnH 5BH vvH

n= MIDI channel number: 0H~FH (Ch.1~16) vv= Reverb Send Level: 00H~7FH (0~127)

• This message adjusts the Reverb Send Level of each Part.

• Not transmitted when “Reverb” TX Event is Off.

❍

Effect 3 (Chorus Send Level) (Controller number 93)

Status BnH 5DH vvH

n= MIDI channel number: 0H~FH (Ch.1~16) vv= Chorus Send Level: 00H~7FH (0~127)

• This message adjusts the Chorus Send Level of each Part.

• Not transmitted when “Chorus” TX Event is Off.

❍

NRPN MSB/LSB (Controller number 99, 98)

Status BnH 63H mmH

BnH 62H llH

n= MIDI channel number: 0H~FH (Ch.1~16) mm= upper byte (MSB) of the parameter number specified by NRPN ll= lower byte (LSB) of the parameter number specified by NRPN

• Not transmitted when “NRPN” TX Event is Off.

**NRPN** The NRPN (Non Registered Parameter Number) message allows you to use an extended range of control changes, which are not defined by the MIDI specification. NRPNs provide a great deal of freedom, and can be used with any manufacturer’s devices. As a result, any particular parameter number can easily mean one thing when used for a certain device, and mean something completely different on another device. Note that RPNs and NRPNs require that a multiple number of messages be processed in the correct order. However, a majority of the sequencers currently on the market cannot always be relied on to consistently send messages in the proper order if the messages are located at almost exactly the same point in time.

2nd byte 3rd byte

00H~7FH(-64~0~+63), Initial value= 40H (no change)

00H~7FH (-64~0~+63), Initial value= 40H (no change)

2nd byte 3rd byte

00H~7FH (-64~0~+63), Initial value= 40H (no change)

2nd byte 3rd byte

00H~7FH (-64~0~+63), Initial Value= 40H (no change)

2nd byte 3rd byte

00H~7FH (-64~0~+63), Initial value=40H (no change)

2nd byte 3rd byte

Page 9

E-80 MIDI Implementation

On GS instruments, NRPN can be used to modify the following parameters. The range of values for relative change parameters will be different with certain models. Please see the explanation that follows the chart.:

NRPN Data entry

MSB LSB 01H 08H mmH Vibrato Rate (relative change)

01H 09H mmH Vibrato Depth (relative change)

01H 0AH mmH Vibrato Delay (relative change)

01H 20H mmH TVF Cutoff Frequency (relative change)

01H 21H mmH TVF Resonance (relative change)

01H 63H mmH TVF&TVA Envelope Attack Time (rel. change)

01H 64H mmH TVF&TVA Envelope Decay Time (rel. change)

01H 66H mmH TVF&TVA Env. Release Time (relative change)

18H rrH mmH Drum Instrument Pitch Coarse (relative change)

1AH rrH mmH Drum Instrument TVA Level (absolute change)

1CH rrH mmH Drum Instrument Panpot (absolute change)

1DH rrH mmH Drum Instr. Reverb Send (absolute change)

1EH rrH mmH Drum Instr. Chorus Send (absolute change)

60H rrH mmH Equalizer Switch

61H rrH mmH Equalizer Low Frequency

62H rrH mmH Equalizer Low Gain

63H rrH mmH Equalizer Mid Frequency

64H rrH mmH Equalizer Mid Gain

65H rrH mmH Equalizer Mid Gain

66H rrH mmH Equalizer High Frequency

67H rrH mmH Equalizer High Gain

4FH 10H mmH Part 4 On / Off ( Upper 1)

4FH 11H mmH Part 11 On / Off (Lower1)

4FH 12H mmH Part 12 On / Off ( Man Bass)

4FH 13H mmH Part 6 On / Off ( Upper 2)

4FH 25H mmH Part 13 On / Off ( Upper 3)

4FH 27H mmH Part 14 On / Off ( Lower 2)

4FH 26H mmH Part 15 On / Off ( Melody Int.)

4FH 18H mmH Part 8 On / Off ( Acc 5)

4FH 19H mmH Part 9 On / Off ( Acc 6)

4FH 1AH mmH Part 10 On / Off ( Acc Drums )

4FH 1BH mmH Part 2 On / Off ( Acc Bass)

MSB Function and range

mm: 00H~40H~7FH (-64~0~+63)

rr: Drum Instrument note number mm: 00H~40H~7FH (-64~0~+63 semitone)

rr: Drum Instrument note number mm: 00H~7FH (0~max)

rr: Drum Instrument note number mm: 00H, 01H~40H~7FH (random, left~center~ right)

rr: Drum Instrument note number mm: 00H~7FH (0~max)

rr: Drum Instrument note number mm: 00H~02H (Global, Instrument, Off)

rr: Drum Instrument note number mm: 00H~05H (90, 150, 180, 300, 360, 600Hz)

rr: Drum Instrument note number mm: 00H~1EH (–15~0~+15dB)

rr: Drum Instrument note number mm: 00H~10H (200, 250, 315, 400, 500, 630, 800, 1000, 1250, 1600, 2000, 2500, 3150, 4000, 5000, 6300, 8000Hz)

rr: Drum Instrument note number mm: 00H~1EH (–15~0~+15dB)

rr: Drum Instrument note number mm: 00H~04H (0.5, 1.0, 2.0, 4.0, 8.0)

rr: Drum Instrument note number mm: 00H~06H (1500, 2000, 3000, 4000, 6000, 8000, 12000Hz)

rr: Drum Instrument note number mm: 00H~1EH (–15~0~+15dB)

mm: 00H~7FH (00-3FH=Off - 40-7FH= On)

4FH 1CH mmH Part 1 On / Off ( Acc 1)

4FH 1DH mmH Part 3 On / Off (Acc2)

4FH 1EH mmH Part 5 On / Off ( Acc3)

4FH 1FH mmH Part 7 On / Off ( Acc 4 )

RPN MSB/LSB (Controller number 101, 100)

❍

Status BnH 65H mmH BnH 64H llH

n= MIDI channel number: 0H~FH (Ch.1~16) mm= upper byte (MSB)of parameter number specified by RPN ll= lower byte (LSB) of parameter number specified by RPN

• Not transmitted when "RPN" RX Event is Off.

**RPN** The RPN (Registered Parameter Number) messages are expanded control changes, and each function of an RPN is described by the MIDI Standard. On the E-80, RPN can be used to modify the following parameters.

RPN Data entry

MSB LSB 00H 00H mmH —- Pitch Bend Sensitivity

00H 01H mmH llH Channel Fine Tuning

00H 02H mmH —- Master Coarse Tuning

7FH 7FH —- —- RPN null

●

Program Change

Status CnH ppH

n= MIDI channel number: 0H~FH (Ch.1~16) pp= Program number: 00H~7FH (prog.1~prog.128)

• Not transmitted when “Program Change” TX Event is Off.

●

Pitch Bend Change

Status EnH llH mmH

n= MIDI channel number: 0H~FH (Ch.1~16) mm, ll= Pitch Bend value: 00 00H~40 00H~7F 7FH (–8192~0~+8191)

• Not transmitted when “Pitch Bender ” TX Event is Off.

■

Channel Mode Messages

●

All Sounds Off (Controller number 120)

Status BnH 78H 00H

n= MIDI channel number: 0H~FH (Ch.1~16)

• When the message is transmitted , all notes currently sounding on the corresponding channel will be turned Off.

MSB LSB Explanation

mm: 00H~7FH (00-3FH=Off - 40-7FH= On)

2nd byte 3rd byte

mm: 00H~18H (0~24 semitones) Initial value= 02H (2 semitones) ll: ignored (processed as 00H) Up to 2 octaves can be specified in semitone steps.

• Only for Upper2

mm, ll: 00 00H~40 00H~7F 7FH (–100~0~ +99.99 cents), Initial value= 40 00H (+/- 0 cent) Refer to “About the Tuning” on page 23.

• Only for Upper2

mm: 28H~40H~58H (-24~0~+24 semitones), Initial value= 40H (+/-0 semitone) ll: ignored (processed as 00H)

2nd byte

2nd byte 3rd byte

Page 10

E-80 MIDI Implementation

●

Reset All Controllers (Controller number 121)

Status BnH 79H 00H

n= MIDI channel number: 0H~FH (Ch.1~16)

• When this message is transmitted, the following controllers will be set to their reset values.

Controller Pitch Bend Change +/-0 (center)

●

MONO (Controller number 126)

Status BnH 7EH mmH

n= MIDI channel number: 0H~FH (Ch.1~16) mm= mono number: 00H~10H (0~16)

• The corresponding channel is set to Mode 4 (M= 1).

●

POLY (Controller number 127)

Status BnH 7FH 00H

n= MIDI channel number: 0H~FH (Ch.1~16)

• The corresponding channel is set to Mode 3.

■

System Realtime Messages

2nd byte 3rd byte

Reset value

2nd byte 3rd byte

● Active Sensing

Status FEH

• This message is transmitted at intervals of approximately 250 ms.

● Timing Clock

Status F8H

● Start

Status FAH

* STYLE: Transmitted when MIDI/Edit/System/SyncTX/StyleTX/Start-Stop

* SONG: Transmitted when MIDI/Edit/System/SyncTX/SongTX/Start-Stop

parameter is “On”.

● Continue (Song playback only)

Status FBH

• Transmitted when MIDI/Edit/System/SyncTX/SongTX/Start-Stop parameter is “On”.

• This message is transmitted when the sequencer is not started from the beginning.

● Stop

Status FCH

* STYLE: Transmitted when MIDI/Edit/System/SyncTX/StyleTX/Start-Stop

* SONG: Transmitted when MIDI/Edit/System/SyncTX/StongTX/Start-

parameter is “On”.

Stop parameter is “On”.

■ System Common Messages

● Song Position Pointer

Status 2nd byte 3rd byte F2H XXH YYH

XX= Song Position ( Bar ) LSB YY= Song Position ( Bar ) MSB

• Transmitted when MIDI/Edit/System/SyncTX/SongTX/SongPosition parameter is On.

■ System Exclusive Messages

Status

F0H iiH, ddH, ......,eeH F7H

F0H: System Exclusive Message status

F7H: EOX (End Of Exclusive)

• Not transmitted when TX SYSEX parameter (MENU/MIDI/EDIT/System/ Param) is OFF.

GS reset

❍

GS Reset is a message that resets the internal settings of a device to the GS initial state. This message appears at the beginning of GS music data, and a GS device that receives this message will automatically be set to the proper state to correctly play back GS music data.

Status F0H 41H, dev, 42H, 12H, 40H, 00H, 7FH, 00H, 41HF7H

Byte F0H Exclusive status

41H ID number (Roland) dev Device ID (dev: 00H~1FH (1~32),

42H Model ID (GS) 12H Command ID (DT1) 40H Address MSB 00H Address 7FH Address LSB 00H Data (GS reset) 41H Checksum F7H EOX (End Of Exclusive)

• Not transmitted when TX SYSEX parameter (MENU/MIDI/EDIT/System/ Param) is OFF.

Data byte Status

dd,...,ee= data: 00H~7FH (0~127)

Data byte Status

Explanation

Initial value is 10H (17))

3. Individual parameter transmission

Individual Parameter Transmission transmits data (or requests data) for one

parameter as one exclusive message (one packet of “F0 ..... F7”).

In Individual Parameter Transmission, you must use the Address and Size listed in the following "Parameter Address Map". Addresses marked at "#" cannot be used as starting addresses.

■ System Exclusive messages

Data Set 1 (DT1) is the only System Exclusive messages transmitted by the E-80.

● Data set 1 DT1 (12H)

Status F0H 41H, dev, 42H, 12H, aaH, bbH, ccH, ddH, ... eeH, sumF7H

Byte F0H Exclusive status

41H ID number (Roland) dev Device ID (dev: 00H~1FH, Initial value is 10H) 42H Model ID (GS) 12H Command ID (DT1) aaH Address MSB: upper byte of the starting address of the

bbH Address: middle byte of the starting address of the data

ccH Address LSB: lower byte of the starting address of the

ddH Data: the actual data to be sent. Multiple bytes of data

: : eeH Data sum Checksum F7H EOX (End Of Exclusive)

• The amount of data that can be transmitted at one time depends on the

• Data larger than 128 bytes will be divided into packets of 128 bytes or

• Regarding the checksum, please refer to “Example of an Exclusive mes-

Data byte Status

Explanation

data to be sent

to be sent

data to be sent.

are transmitted in order starting from the address.

type of data, and data will be transmitted from the specified starting address and size.

less, and each packet will be sent at an interval of about 40 ms.

sage checksum calculation” on page 23.

Page 11

E-80 MIDI Implementation

● Patch parameters

❍

Patch common parameters

Parameters that apply to all Parts of each module are called “Patch Common” parameters.

Address(H)

Size(H) Data (H) Parameter Description Default Value (H) Description

40 00 00 00 00 04 0018~07E8 MASTER TUNE -100.0~+100.0 [cents] 00 04 00 00 0 [cents] 40 00 01# Use nibblized data. 40 00 02# 40 00 03#

• Refer to “About the Tuning” on page 23.

40 00 04 00 00 01 00~7F MASTER VOLUME 0~127 7F 127

(= F0 7F 7F 04 01 00 vv F7) 40 00 05 00 00 01 28~58 MASTER KEY-SHIFT -24~+24 [semitones] 40 0 [semitones] 40 00 06 00 00 01 01~7F MASTER PAN -63 (LEFT)~+63 (RIGHT) 40 0 (CENTER) 40 00 7F 00 00 01 00 MODE SET 00 = GS Reset (Rx. only) 40 01 30 00 00 01 00~07 REVERB MACRO 00: Room 1

01: Room 2

04 Hall 2

02: Room 3

03: Hall 1

04: Hall 2

05: Plate

06: Delay

07: Panning Delay 40 01 31 00 00 01 00~07 REVERB CHARACTER 0~7 04 4 40 01 32 00 00 01 00~07 REVERB PRE-LPF 0~7 00 0 40 01 33 00 00 01 00~7F REVERB LEVEL 0~127 40 64 40 01 34 00 00 01 00~7F REVERB TIME 0~127 40 64 40 01 35 00 00 01 00~7F REVERB DELAY FEEDBACK 0~127 00 0 40 01 37 00 00 01 00~7F REVERB PREDELAY TIME 0~127 [ms] 00 0

• REVERB MACRO is a macro parameter that allows global setting of reverb parameters. When you select the reverb type with REVERB MACRO, each reverb parameter will be set to their most suitable value.

• REVERB CHARACTER is a parameter that changes the reverb algorithm. The value of REVERB CHARACTER corresponds to the REVERB MACRO of the same number.

Address(H) 40 01 38 00 00 01 00~07 CHORUS MACRO 00: Chorus 1

Size(H) Data (H) Parameter Description Default Value (H) Description

01: Chorus 2

02 Chorus 3

02: Chorus 3 03: Chorus 4 04: Feedback Chorus 05: Flanger 06: Short Delay

07: Short Delay(FB) 40 01 39 00 00 01 00~07 CHORUS PRE-LPF 0~7 00 0 40 01 3A 00 00 01 00~7F CHORUS LEVEL 0-127 40 64 40 01 3B 00 00 01 00~7F CHORUS FEEDBACK 0-127 08 8 40 01 3C 00 00 01 00~7F CHORUS DELAY 0-127 50 80 40 01 3D 00 00 01 00~7F CHORUS RATE 0-127 03 3 40 01 3E 00 00 01 00~7F CHORUS DEPTH 0-127 13 19 40 01 3F 00 00 01 00~7F CHORUS SEND LEVEL TO

0-127 00 0

REVERB

40 01 40 00 00 01 00~7F CHORUS SEND LEVEL TO

0-127 00 0

DELAY

• CHORUS MACRO is a macro parameter that allows global setting of chorus parameters. When you select the chorus type with CHORUS MACRO, each chorus parameter will be set to their most suitable value.

Page 12

E-80 MIDI Implementation

❍

Patch Part parameters

The E-80 has 23 Parts: 7 parts assigned to the Keyboard, and 16 parts for Songs. For Keyboard part control, use the address [50 xx xx] For Song part control, use the address [40 xx xx] The 23 Parts are:

Track Name MIDI channel Track Name MIDI channel SysEx X=

1 — — 1 Part 1 1 X= 1 2 — — 2 Part 2 2 X= 2 3 — — 3 Part 3 3 X= 3 4 Upper1 4 4 Part 4 UP1 4 X= 4 5 — — 5 Part 5 5 X= 5 6 Upper 2 6 6 Part 6 UP2 6 X= 6 7 — — 7 Part 7 7 X= 7 8 — — 8 Part 8 8 X= 8

9 — — 9 Part 9 9 X= 9 10 — — 10 Part 10 10 X= 0 11 Lower1 11 11 Part 11 LW1 11 X= A 12 M.Bass 12 12 Part 12 MBS 12 X= B 13 Upper3 13 13 Part 13 UP3 13 X= C 14 Lower2 14 14 Part 14 LW2 14 X= D 15 Melody Intell 15 15 Part 15 MI 15 X= E 16 — — 16 Part 16 16 X= F

The relation between Part number and Block number is as follows.

x...BLOCK NUMBER (0~F) Part 1 (default MIDIch = 1) x=1

• n... MIDI channel number (0~F) of the BLOCK.

In the following map, the control numbers of the control changes are indicated as CC#.

Address(H) 40 1x 00 00 00 02 00~7F TONE NUMBER CC#00 VALUE 0~127 00 0

40 1x 01# 00~7F P.C. VALUE 1~128 00 1 40 1x 02 00 00 01 00~10 Rx. CHANNEL 1~16, OFF Same as the Part Number 40 1x 03 00 00 01 00~01 Rx. PITCH BEND OFF/ON 01 ON 40 1x 04 00 00 01 00~01 Rx. CH PRESSURE (CAf) OFF/ON 01 ON 40 1x 05 00 00 01 00~01 Rx. PROGRAM CHANGE OFF/ON 01 ON 40 1x 06 00 00 01 00~01 Rx. CONTROL CHANGE OFF/ON 01 ON 40 1x 07 00 00 01 00~01 Rx. POLY PRESSURE(PAf) OFF/ON 01 ON 40 1x 08 00 00 01 00~01 Rx. NOTE MESSAGE OFF/ON 01 ON 40 1x 09 00 00 01 00~01 Rx. RPN OFF/ON 01 ON 40 1x 0A 00 00 01 00~01 Rx. NRPN OFF/ON 00 (01*) OFF (ON*) 40 1x 0B 00 00 01 00~01 Rx. MODULATION OFF/ON 01 ON 40 1x 0C 00 00 01 00~01 Rx. VOLUME OFF/ON 01 ON 40 1x 0D 00 00 01 00~01 Rx. PANPOT OFF/ON 01 ON 40 1x 0E 00 00 01 00~01 Rx. EXPRESSION OFF/ON 01 ON 40 1x 0F 00 00 01 00~01 Rx. HOLD1 OFF/ON 01 ON 40 1x 10 00 00 01 00~01 Rx. PORTAMENTO OFF/ON 01 ON 40 1x 11 00 00 01 00~01 Rx. SOSTENUTO OFF/ON 01 ON 40 1x 12 00 00 01 00~01 Rx. SOFT OFF/ON 01 ON 40 1x 13 00 00 01 00~01 MONO/POLY MODE Mono/Poly 01 Poly

40 1x 15 00 00 01 00~02 USE FOR RHYTHM PART 0 = OFF

• This parameter sets the Drum Map of the Part used as the Drum Part. The E-80 can simultaneously (in different Parts) use up to two Drum Maps (MAP1, MAP2). With the initial settings, Part10 (MIDI CH=10, x=0) is set to MAP1 (1), and other Parts are set to normal instrumental Parts (OFF(0)).

• Only for Song parts.

Size(H) Data (H) Parameter Description Default Value (H) Description

Keyboard parts Song parts

Part 2 (default MIDIch = 2) x=2 :: : Part 9 (default MIDIch = 9) x=9 Part10 (default MIDIch =10) x=0 Part11 (default MIDIch =11) x=A Part12 (default MIDIch =12) x=B :: : Part16 (default MIDIch =16) x=F

(=CC# 126 01/CC# 127 00)

1 = MAP1 2 = MAP2

00 atı 0 01 at x=0

OFF (Normal Part) MAP1 (Drum Part)

Address(H) 40 1x 16 00 00 01 28~58 PITCH KEY SHIFT -24~+24 [semitones] 40 0 [semitones]

40 1x 17 00 00 02 08~F8 PITCH OFFSET FINE -12.0~+12.0 [Hz] 08 00 0 [Hz] 40 1x 18# Use nibblized data.

• PITCH OFFSET FINE allows you to alter, by a specified frequency amount, the pitch at which notes will sound. This parameter differs from the conventional Fine Tuning (RPN #1) parameter in that the amount of frequency alteration (in Hertz) will be identical no matter which note is played. When a multiple number of Parts, each of which has been given a different setting for PITCH OFFSET FINE, are sounded by means of an identical note number, you can obtain a Celeste effect.

• Only for Song parts.

40 1x 19 00 00 01 00~7F PART LEVEL 0~127 64 100

40 1x 1A 00 00 01 00~7F VELOCITY SENSE DEPTH 0~127 40 64 40 1x 1B 00 00 01 00~7F VELOCITY SENSE OFFSET 0~127 40 64 40 1x 1C 00 00 01 00~7F PART PANPOT -64 (Left)~+63 (Right) 40 0 (CENTER) 40 1x 1D 00 00 01 00~7F KEYBOARD RANGE LOW (C-1)~(G9) 00 C-1

Size(H) Data (H) Parameter Description Default Value (H) Description

(=CC# 7)

Page 13

E-80 MIDI Implementation

40 1x 1E 00 00 01 00~7F KEYBOARD RANGE HIGH (C-1)~(G9) 7F G9 40 1x 1F 00 00 01 00~5F CC1 CONTROLLER NUMBER 0~95 10 16 40 1x 20 00 00 01 00~5F CC2 CONTROLLER NUMBER 0~95 11 17 40 1x 21 00 00 01 00~7F CHORUS SEND LEVEL 0~127 00 0

40 1x 22 00 00 01 00~7F REVERB SEND LEVEL 0~127 28 40

40 1x 23 00 00 01 00~01 Rx.BANK SELECT OFF/ON 01 ON 40 1x 24 00 00 01 00~01 RX BANK SELECT LSB OFF/ON 01 ON 40 1x 2A 00 00 02 00 00~40

00~7F 7F 40 1x 2B# 40 1x 30 00 00 01 00~7F TONE MODIFY 1 -64~+63 40 0

40 1x 31 00 00 01 00~7F TONE MODIFY2 -64~+63 40 0

40 1x 32 00 00 01 00~7F TONE MODIFY3 -64~+63 40 0

40 1x 33 00 00 01 00~7F TONE MODIFY4 -64~+63 40 0

40 1x 34 00 00 01 00~7F TONE MODIFY5 -64~+63 40 0

40 1x 35 00 00 01 00~7F TONE MODIFY6 -64~+63 40 0

40 1x 36 00 00 01 00~7F TONE MODIFY7 -64~+63 40 0

40 1x 37 00 00 01 00~7F TONE MODIFY8 -64~+63 40 0

40 1x 40 00 00 0C 00~7F SCALE TUNING C -64~+63 [cents] 40 0 [cents] 40 1x 41# 00~7F SCALE TUNING C# -64~+63 [cents] 40 0 [cents] 40 1x 42# 00~7F SCALE TUNING D -64~+63 [cents] 40 0 [cents] 40 1x 43# 00~7F SCALE TUNING D# -64~+63 [cents] 40 0 [cents] 40 1x 44# 00~7F SCALE TUNING E -64~+63 [cents] 40 0 [cents] 40 1x 45# 00~7F SCALE TUNING F -64~+63 [cents] 40 0 [cents] 40 1x 46# 00~7F SCALE TUNING F# -64~+63 [cents] 40 0 [cents] 40 1x 47# 00~7F SCALE TUNING G -64~+63 [cents] 40 0 [cents] 40 1x 48# 00~7F SCALE TUNING G# -64~+63 [cents] 40 0 [cents] 40 1x 49# 00~7F SCALE TUNING A -64~+63 [cents] 40 0 [cents] 40 1x 4A# 00~7F SCALE TUNING A# -64~+63 [cents] 40 0 [cents] 40 1x 4B# 00~7F SCALE TUNING B -64~+63 [cents] 40 0 [cents]

• SCALE TUNING is a function that allows fine adjustment to the pitch of each note in the octave. The pitch of each identically-named note in all octaves will change simultaneously. A setting of +/–0 cents (40H) is equal temperament (page 24).

PITCH FINE TUNE -100~0~+100 [cents]

Vibrato Rate (=NRPN# 8/CC#76)

Vibrato Depth (=NRPN# 9/CC#77)

TVF Cutoff Freq (=NRPN# 32/CC#74)

TVF Resonance (=NRPN# 33/CC#71)

TVF&TVA Env.attack (=NRPN# 99/CC#73)

TVF&TVA Env.decay (=NRPN# 100/CC#75)

TVF&TVA Env.release (=NRPN# 102/CC#72)

Vibrato Delay (=NRPN# 10/CC#78)

(=CC# 93)

(=CC# 91)

40 00 0

(= RPN#1)

Address(H) 40 2x 00 00 00 01 28~58 MOD PITCH CONTROL -24~+24 [semitones] 40 0 [semitones]

40 2x 01 00 00 01 00~7F MOD TVF CUTOFF CONTROL-9600~+9600 [cents] 40 0 [cents] 40 2x 02 00 00 01 00~7F MOD AMPLITUDE CONTROL -100.0~+100.0 [%] 40 0 [%] 40 2x 03 00 00 01 00~7F MOD LFO1 RATE CONTROL -10.0~+10.0 [Hz] 40 0 [Hz] 40 2x 04 00 00 01 00~7F MOD LFO1 PITCH DEPTH 0~600 [cents] 0A 10 [cents] 40 2x 05 00 00 01 00~7F MOD LFO1 TVF DEPTH 0~2400 [cents] 00 0 [cents] 40 2x 06 00 00 01 00~7F MOD LFO1 TVA DEPTH 0~100.0 [%] 00 0 [%] 40 2x 07 00 00 01 00~7F MOD LFO2 RATE CONTROL -10.0~+10.0 [Hz] 40 0 [Hz] 40 2x 08 00 00 01 00~7F MOD LFO2 PITCH DEPTH 0~600 [cents] 00 0 [cents] 40 2x 09 00 00 01 00~7F MOD LFO2 TVF DEPTH 0~2400 [cents] 00 0 [cents] 40 2x 0A 00 00 01 00~7F MOD LFO2 TVA DEPTH 0~100.0 [%] 00 0 [%]

• All MOD control parameters are ignored whenever you use sounds (XV patches) with CC00 values ranging from 80 to 91.

Address(H) 40 2x 10 00 00 01 40~58 BEND PITCH CONTROL 0~24 [semitones] 42 2 [semitones]

40 2x 11 00 00 01 00~7F BEND TVF CUTOFF CON-

40 2x 12 00 00 01 00~7F BEND AMPLITUDE CONTROL-100.0~+100.0 [%] 40 0 [%] 40 2x 13 00 00 01 00~7F BEND LFO1 RATE CONTROL -10.0~+10.0 [Hz] 40 0 [Hz] 40 2x 14 00 00 01 00~7F BEND LFO1 PITCH DEPTH 0~600 [cents] 00 0 [cents] 40 2x 15 00 00 01 00~7F BEND LFO1 TVF DEPTH 0~2400 [cents] 00 0 [cents] 40 2x 16 00 00 01 00~7F BEND LFO1 TVA DEPTH 0~100.0 [%] 00 0 [%] 40 2x 17 00 00 01 00~7F BEND LFO2 RATE CONTROL -10.0~+10.0 [Hz] 40 0 [Hz] 40 2x 18 00 00 01 00~7F BEND LFO2 PITCH DEPTH 0~600 [cents] 00 0 [cents] 40 2x 19 00 00 01 00~7F BEND LFO2 TVF DEPTH 0~2400 [cents] 00 0 [cents] 40 2x 1A 00 00 01 00~7F BEND LFO2 TVA DEPTH 0~100.0 [%] 00 0 [%]

• All BEND control parameters are ignored whenever you use sounds (XV patches) with CC00 values ranging from 80 to 91.

40 2x 20 00 00 01 28~58 CAf PITCH CONTROL -24~+24 [semitones] 40 0 [semitones] 40 2x 21 00 00 01 00~7F CAf TVF CUTOFF CONTROL -9600~+9600 [cents] 40 0 [cents] 40 2x 22 00 00 01 00~7F CAf AMPLITUDE CONTROL -100.0~+100.0 [%] 40 0 [%] 40 2x 23 00 00 01 00~7F CAf LFO1 RATE CONTROL -10.0~+10.0 [Hz] 40 0 [Hz] 40 2x 24 00 00 01 00~7F CAf LFO1 PITCH DEPTH 0~600 [cents] 00 0 [cents] 40 2x 25 00 00 01 00~7F CAf LFO1 TVF DEPTH 0~2400 [cents] 00 0 [cents] 40 2x 26 00 00 01 00~7F CAf LFO1 TVA DEPTH 0~100.0 [%] 00 0 [%] 40 2x 27 00 00 01 00~7F CAf LFO2 RATE CONTROL -10.0~+10.0 [Hz] 40 0 [Hz]

Size(H) Data (H) Parameter Description Default Value (H) Description

-9600~+9600 [cents] 40 0 [cents]

TROL

Page 14

E-80 MIDI Implementation

40 2x 28 00 00 01 00~7F CAf LFO2 PITCH DEPTH 0~600 [cents] 00 0 [cents] 40 2x 29 00 00 01 00~7F CAf LFO2 TVF DEPTH 0~2400 [cents] 00 0 [cents] 40 2x 2A 00 00 01 00~7F CAf LFO2 TVA DEPTH 0~100.0 [%] 00 0 [%] 40 2x 30 00 00 01 28~58 PAf PITCH CONTROL -24~+24 [semitones] 40 0 [semitones] 40 2x 31 00 00 01 00~7F PAf TVF CUTOFF CONTROL -9600~+9600 [cents] 40 0 [cents] 40 2x 32 00 00 01 00~7F PAf AMPLITUDE CONTROL -100.0~+100.0 [%] 40 0 [%] 40 2x 33 00 00 01 00~7F PAf LFO1 RATE CONTROL -10.0~+10.0 [Hz] 40 0 [Hz] 40 2x 34 00 00 01 00~7F PAf LFO1 PITCH DEPTH 0~600 [cents] 00 0 [cents] 40 2x 35 00 00 01 00~7F PAf LFO1 TVF DEPTH 0~2400 [cents] 00 0 [cents] 40 2x 36 00 00 01 00~7F PAf LFO1 TVA DEPTH 0~100.0 [%] 00 0 [%] 40 2x 37 00 00 01 00~7F PAf LFO2 RATE CONTROL -10.0~+10.0 [Hz] 40 0 [Hz] 40 2x 38 00 00 01 00~7F PAf LFO2 PITCH DEPTH 0~600 [cents] 00 0 [cents] 40 2x 39 00 00 01 00~7F PAf LFO2 TVF DEPTH 0~2400 [cents] 00 0 [cents] 40 2x 3A 00 00 01 00~7F PAf LFO2 TVA DEPTH 0~100.0 [%] 00 0 [%]

• All PAf control parameters are ignored whenever you use sounds (XV patches) with CC 00 values ranging from 80 to 91.

40 2x 40 00 00 01 28~58 CC1 PITCH CONTROL -24~+24 [semitones] 40 0 [semitones] 40 2x 41 00 00 01 00~7F CC1 TVF CUTOFF CONTROL -9600~+9600 [cents] 40 0 [cents] 40 2x 42 00 00 01 00~7F CC1 AMPLITUDE CONTROL -100.0~+100.0 [%] 40 0 [%] 40 2x 43 00 00 01 00~7F CC1 LFO1 RATE CONTROL -10.0~+10.0 [Hz] 40 0 [Hz] 40 2x 44 00 00 01 00~7F CC1 LFO1 PITCH DEPTH 0~600 [cents] 00 0 [cents] 40 2x 45 00 00 01 00~7F CC1 LFO1 TVF DEPTH 0~2400 [cents] 00 0 [cents] 40 2x 46 00 00 01 00~7F CC1 LFO1 TVA DEPTH 0~100.0 [%] 00 0 [%] 40 2x 47 00 00 01 00~7F CC1 LFO2 RATE CONTROL -10.0~+10.0 [Hz] 40 0 [Hz] 40 2x 48 00 00 01 00~7F CC1 LFO2 PITCH DEPTH 0~600 [cents] 00 0 [cents] 40 2x 49 00 00 01 00~7F CC1 LFO2 TVF DEPTH 0~2400 [cents] 00 0 [cents] 40 2x 4A 00 00 01 00~7F CC1 LFO2 TVA DEPTH 0~100.0 [%] 00 0 [%]

• All CC01 control parameters are ignored whenever you use sounds (XV patches) with CC 00 values ranging from 80 to 91.

40 2x 50 00 00 01 28~58 CC2 PITCH CONTROL -24~+24 [semitones] 40 0 [semitones] 40 2x 51 00 00 01 00~7F CC2 TVF CUTOFF CONTROL -9600~+9600 [cents] 40 0 [cents] 40 2x 52 00 00 01 00~7F CC2 AMPLITUDE CONTROL -100.0~+100.0 [%] 40 0 [%] 40 2x 53 00 00 01 00~7F CC2 LFO1 RATE CONTROL -10.0~+10.0 [Hz] 40 0 [Hz] 40 2x 54 00 00 01 00~7F CC2 LFO1 PITCH DEPTH 0~600 [cents] 00 0 [cents] 40 2x 55 00 00 01 00~7F CC2 LFO1 TVF DEPTH 0~2400 [cents] 00 0 [cents] 40 2x 56 00 00 01 00~7F CC2 LFO1 TVA DEPTH 0~100.0 [%] 00 0 [%] 40 2x 57 00 00 01 00~7F CC2 LFO2 RATE CONTROL -10.0~+10.0 [Hz] 40 0 [Hz] 40 2x 58 00 00 01 00~7F CC2 LFO2 PITCH DEPTH 0~600 [cents] 00 0 [cents] 40 2x 59 00 00 01 00~7F CC2 LFO2 TVF DEPTH 0~2400 [cents] 00 0 [cents] 40 2x 5A 00 00 01 00~7F CC2 LFO2 TVA DEPTH 0~100.0 [%] 00 0 [%]

• All CC02 control parameters are ignored whenever you use sounds (XV patches) with CC 00 values ranging from 80 to 91.

• You may not always be able to obtain the desired effect by modifying the LFO 1 and LFO 2 parameters.

4. Vocal Harmonist (RX & TX)

■ Voice

❍

SINGER

arameter NRPN (MSB) NRPN (LSB)

MALE 95 5F 115 73 0 00 FEMALE 95 5F 115 73 1 01

EDIT Vibrato Rate 95 5F 26 1A 0~127 00~7F

Vibrato Depth 95 5F 27 1B 0~127 00~7F Vibrato Rise Time 95 5F 28 1C 0~5 00~05

EQUALIZER Frequency Hz 95 5F 35 23 0~38 00~26

❍

VOICE FX

Vibrato Delay Time 95 5F 29 1D 0~127 00~7F

Gain Db 95 5F 31 1F 57~71 39~47

arameter NRPN (MSB) NRPN (LSB)

TYPE DJ Talk 95 5F 4 04 3 03

Woman Talk 95 5F 4 04 4 04 Alien 95 5F 4 04 5 05 Tenor 95 5F 4 04 6 06 Robot 95 5F 4 04 7 07 Radio 95 5F 4 04 8 08 Sailor Man 95 5F 4 04 9 09 DJ Sing 95 5F 4 04 10 0A Soprano 95 5F 4 04 11 0B Child 95 5F 4 04 12 0C Ogre Sing 95 5F 4 04 13 0D Mouse 95 5F 4 04 14 0E

DEC 99 HEX 63 DEC 98 HEX 62 DEC 06 HEX 06

DEC 99 HEX 63 DEC 98 HEX 62 DEC 06 HEX 06 DEC 38 HEX 26

Page 15

E-80 MIDI Implementation

EDIT Gender 95 5F 7 07 0~127 00~7F

Pitch Coarse 95 5F 8 08 40~88 28~58 Pitch Fine

0~99 –1~-99 Vibrato Rate 95 5F 10 0A 0~127 00~7F Vibrato Depth 95 5F 11 0B 0~127 00~7F Vibrato Rise Time 95 5F 12 0C 0~5 00~05

EQUALIZER Frequency Hz 95 5F 30 1E 0~38 00~26

❍

AUTOPITCH

EQUALIZER Frequency Hz 95 5F 32 20 0~38 00~26

Vibrato Delay Time 95 5F 13 0D 0~127 00~7F

Gain Db 95 5F 31 1F 57~71 39~47

arameter NRPN (MSB) NRPN (LSB)

Octave 0,1, 2 95 5F 16 10 0 00 0~2 00~02 Octave -1,-2 95 5F 16 10 1 01 1~2 01~02

ASSIGN Left + Right Off

Track 1~16-Off Only Left On

Track Off Only Right On

Track Off Left + Right On

Track Off

EDIT Gender 95 5F 18 12 0~127 00~7F

Pitch Portam.Time 95 5F 19 13 0~127 00~7F Vibrato Rate 95 5F 20 14 0~127 00~7F Vibrato Depth 95 5F 21 15 0~127 00~7F Vibrato Rise Time 95 5F 22 16 0~5 00~05 Vibrato Delay Time 95 5F 23 17 0~127 00~7F

Gain Db 95 5F 33 21 57~71 39~47

95 5F 9 09 0

DEC 99 HEX 63 DEC 98 HEX 62 DEC 06 HEX 06 DEC 38 HEX 26

95 5F 17 11 0 00 0~16 00~10

95 5F 17 11 0 00 80 50

95 5F 17 11 1 01 16 10

95 5F 17 11 1 01 80 50

00 01

0~99 1~99

0~63 1~63

■ Harmony

❍

VOCODER

arameter NRPN (MSB) NRPN (LSB)

MALE TYPE Closed Vintage 95 5F 73 49 75 4B

FEMALE

MIX TYPE Opera 95 5F 73 49 91 5B

EDIT SINGLE

Closed Pad 95 5F 73 49 79 4F 2 Men 95 5F 73 49 76 4C Out of Tune 95 5F 73 49 80 50 Radio 95 5F 73 49 77 4D Mountn 95 5F 73 49 81 51 Normal 95 5F 73 49 78 4E EFX 95 5F 73 49 82 52 Open Vintage 95 5F 73 49 83 53

TYPE

Special Vox 95 5F 73 49 87 57 Light 95 5F 73 49 84 54 2 Women 95 5F 73 49 88 58 Brdway 95 5F 73 49 85 55 Girls 95 5F 73 49 89 59 Angel Pad 95 5F 73 49 86 56 Church 95 5F 73 49 90 5A

Dirty Vox 95 5F 73 49 95 5F My Voice 95 5F 73 49 92 5C Vintage 95 5F 73 49 96 60 Celest 95 5F 73 49 93 5D Classic 95 5F 73 49 97 61 Children 95 5F 73 49 94 5E Amen 95 5F 73 49 98 62

ASSIGN Left+Right Off T

rk 1~16, AUTO, Off Left+Right On

Trk 1~16, AUTO, Off Only Left On

Trk 1~16, AUTO, Off Only Right On

Trk 1~16, AUTO, Off

PART 1 Gender 95 5F 75 4B 0~127 00~7F

PanPot 95 5F 79 4F 0~127 00~7F Volume 95 5F 83 53 0~127 00~7F

PART 2 Gender 95 5F 76 4C 0~127 00~7F

PanPot 95 5F 80 50 0~127 00~7F Volume 95 5F 84 54 0~127 00~7F

PART 3 Gender 95 5F 77 4D 0~127 00~7F

PanPot 95 5F 81 51 0~127 00~7F Volume 95 5F 85 55 0~127 00~7F

DEC 99 HEX 63 DEC 98 HEX 62 DEC 06 HEX 06 DEC 38 HEX 26

95 5F 74 4A 0 00 0~17 00~11

95 5F 74 4A 1 01 64~81 40~51

95 5F 74 4A 1 01 0~17 00~11

95 5F 74 4A 0 00 64~81 40~51

Page 16

E-80 MIDI Implementation

PART 4 Gender 95 5F 78 4E 0~127 00~7F

PanPot 95 5F 82 52 0~127 00~7F

EDIT COMMON

EQUALIZER

ALL PARTS Frequency Hz 95 5F 47 2F 38~0 26~00

❍

SMALL

MALE TYPE Gospel Duet 95 5F 89 59 15 0F

MIX TYPE Simple Duet 95 5F 89 59 35 23

HARMONY

OCTAVE Octave -1, 0, 1 95 5F 66 42 0~2 00~02

EDIT SINGLE

EDIT COMMON

EQUALIZER

ALL PARTS

Volume 95 5F 86 56 0~127 00~7F

Portamento Time 95 5F 87 57 0~127 00~7F Random Tuning Off,

Low, Mid, High Octave 0,1,2 96 60 59 3B 0 00 0~2 00~02 Octave -1,-2 96 60 59 3B 1 01 1~2 01~02

PART 1 Frequency Hz 95 5F 39 27 0~38 00~26

Gain Db 95 5F 43 2B 57~71 39~47

PART 2 Frequency Hz 95 5F 40 28 0~38 00~26

Gain Db 95 5F 44 2C 57~71 39~47

PART 3 Frequency Hz 95 5F 41 29 0~38 00~26

Gain Db 95 5F 45 2D 57~71 39~47

PART 4 Frequency Hz 95 5F 42 2A 0~38 00~26

Gain Db 95 5F 46 2E 57~71 39~47

Gain Db 95 5F 48 30 57~71 39~47

arameter NRPN (MSB) NRPN (LSB)

Country Duet 95 5F 89 59 16 10 2 Voices 95 5F 89 59 17 11 1 Vox Down 95 5F 89 59 18 12 Abbey Road 95 5F 89 59 19 13 Falsetto 95 5F 89 59 20 14 Jazz Duet 95 5F 89 59 21 15 Special EQ 95 5F 89 59 22 16 2 Voices Down 95 5F 89 59 23 17 Octave Down 95 5F 89 59 24 18

FEMALE

40’s 50’s 95 5F 89 59 25 19

TYPE

3 rd Up 95 5F 89 59 26 1A Soul Duet 95 5F 89 59 27 1B Bahia Girls 95 5F 89 59 28 1C Pop Duet 95 5F 89 59 29 1D Pop 8ve Up 95 5F 89 59 30 1E Unison 95 5F 89 59 31 1F Rock Duet 95 5F 89 59 32 20 5th Up 95 5F 89 59 33 21 Solo 95 5F 89 59 34 22

Romant 95 5F 89 59 36 24 Walkin’ Vox 95 5F 89 59 37 25 Rio Duet 95 5F 89 59 38 26 Down ’N Up 95 5F 89 59 39 27 Pop’s 95 5F 89 59 40 28 3 M ‘N 8F 95 5F 89 59 41 29 M ‘N Unison F 95 5F 89 59 42 2A Unison ‘N F 95 5F 89 59 43 2B Dance EQ 95 5F 89 59 44 2C Auto 95 5F 90 5A 0 00 0 00

ASSIGN

Keyboard 95 5F 90 5A 0 00 1 01 Keyboard Left 95 5F 90 5A 0 00 2 02 Keyboard Right 95 5F 90 5A 0 00 3 03 Song 95 5F 90 5A 0 00 4 04

PART 1 Gender 95 5F 91 5B 0~127 00~7F

PanPot 95 5F 93 5D 0~127 00~7F Volume 95 5F 95 5F 0~127 00~7F

PART 2 Gender 95 5F 92 5C 0~127 00~7F

PanPot 95 5F 94 5E 0~127 00~7F Volume 95 5F 96 60 0~127 00~7F

Portamento Time 95 5F 97 61 0~127 00~7F Random Tuning

Off, Low, Mid, High

PART 1 Frequency Hz 95 5F 67 43 0~38 00~26

Gain Db 95 5F 69 45 57~71 39~47

PART 2 Frequency Hz 95 5F 68 44 0~38 00~26

Gain Db 95 5F 70 46 57~71 39~47

Frequency Hz 95 5F 71 47 38~0 26~00 Gain Db 95 5F 72 48 57~71 39~47

95 5F 88 58 0~3 00~03

DEC 99 HEX 63 DEC 98 HEX 62 DEC 06 HEX 06 DEC 38 HEX 26

95 5F 98 62 0~3 00~03

Page 17

E-80 MIDI Implementation

❍

ENSEMBLE

Parameter NRPN (MSB) NRPN (LSB)

MALE TYPE Metallic Trio 95 5F 99 63 45 2D

FEMALE

MIX TYPE Soul 95 5F 99 63 65 41

HARMONY

OCTAVE Octave -1, 0, 1 95 5F 52 34 0~2 00~02

EDIT SINGLE

EDIT COMMON

EQUALIZER

ALL PARTS Frequency Hz 95 5F 61 3D 38~0 26~00

Gees Falsetto 95 5F 99 63 46 2E 50’s Quartet 95 5F 99 63 47 2F Jazz Trio 95 5F 99 63 48 30 Pop 95 5F 99 63 49 31 Soft Trio 95 5F 99 63 50 32 Cow Boys 95 5F 99 63 51 33 4 Alpines 95 5F 99 63 52 34 Elvis Trio 95 5F 99 63 53 35 Unison EQ 95 5F 99 63 54 36 A Cappella 95 5F 99 63 55 37

TYPE

Strange EQ 95 5F 99 63 56 38 Latin Girls 95 5F 99 63 57 39 Pop Trio 95 5F 99 63 58 3A Church Quartet 95 5F 99 63 59 3B Sweet Quartet 95 5F 99 63 60 3C Trio ‘N 8ve Up 95 5F 99 63 61 3D Gospel Trio 95 5F 99 63 62 3E Jazz ‘N Unison 95 5F 99 63 63 3F Duet ‘N 8ve Up 95 5F 99 63 64 40

Gospel Quartet 95 5F 99 63 66 42 Manhat 95 5F 99 63 67 43 Musical 95 5F 99 63 68 44 Improv 95 5F 99 63 69 45 Blues 95 5F 99 63 70 46 1M+1F+Solo 95 5F 99 63 71 47 Wide 4 95 5F 99 63 72 48 Luis ‘N Girls 95 5F 99 63 73 49 Children 95 5F 99 63 74 4A Auto 95 5F 100 64 0 00 0 00

ASSIGN

Keyboard 95 5F 100 64 0 00 1 01 Keyboard Left 95 5F 100 64 0 00 2 02 Keyboard Right 95 5F 100 64 0 00 3 03 Song 95 5F 100 64 0 00 4 04

PART 1 Gender 95 5F 101 65 0~127 00~7F

PanPot 95 5F 105 69 0~127 00~7F Volume 95 5F 109 6D 0~127 00~7F

PART 2 Gender 95 5F 102 66 0~127 00~7F

PanPot 95 5F 106 6A 0~127 00~7F Volume 95 5F 110 6E 0~127 00~7F

PART 3 Gender 95 5F 103 67 0~127 00~7F

PanPot 95 5F 107 6B 0~127 00~7F Volume 95 5F 111 6F 0~127 00~7F

PART 4 Gender 95 5F 104 68 0~127 00~7F

PanPot 95 5F 108 6C 0~127 00~7F Volume 95 5F 112 70 0~127 00~7F

Portamento Time 95 5F 113 71 0~127 00~7F Random Tuning Off,

Low, Mid, High

PART 1 Frequency Hz 95 5F 53 35 0~38 00~26

Gain Db 95 5F 57 39 57~71 39~47

PART 2 Frequency Hz 95 5F 54 36 0~38 00~26

Gain Db 95 5F 58 3A 57~71 39~47

PART 3 Frequency Hz 95 5F 55 37 0~38 00~26

Gain Db 95 5F 59 3B 57~71 39~47

PART 4 Frequency Hz 95 5F 56 38 0~38 00~26

Gain Db 95 5F 60 3C 57~71 39~47

Gain Db 95 5F 62 3E 57~71 39~47

DEC 99 HEX 63 DEC 98 HEX 62 DEC 06 HEX 06 DEC 38 HEX 26

95 5F 114 72 0~3 00~03

■ Vocal Effect

❍

VOICE

arameter NRPN (MSB) NRPN (LSB)

TALK

Reverb Send 95 5F 120 78 0~127 00~7F Delay Send 95 5F 123 7B 0~127 00~7F

AUTO PITCH Reverb Send 96 60 8 08 0~127 00~7F

Delay Send 96 60 11 0B 0~127 00~7F

VOICE FX Reverb Send 96 60 0 00 0~127 00~7F

Delay Send 96 60 3 03 0~127 00~7F

DEC 99 HEX 63 DEC 98 HEX 62 DEC 06 HEX 06 DEC 38 HEX 26

Page 18

E-80 MIDI Implementation

SINGER Reverb Send 96 60 16 10 0~127 00~7F

HARMONY

VOCODER Reverb Send 96 60 48 30 0~127 00~7F

ENSEMBLE Reverb Send 96 60 36 24 0~127 00~7F

Delay Send 96 60 19 13 0~127 00~7F

Chorus Send 96 60 50 32 0~127 00~7F Delay Send 96 60 54 36 0~127 00~7F

SMALL Reverb Send 96 60 24 18 0~127 00~7F

Chorud Send 96 60 26 1A 0~127 00~7F Delay Send 96 60 30 1E 0~127 00~7F

Chorus Send 96 60 38 26 0~127 00~7F Delay Send 96 60 42 2A 0~127 00~7F

■ Effect Type

❍

VOICE TALK

arameter NRPN (MSB) NRPN (LSB)

REVERB

TYPE Studio 95 5F 116 74 99 63

Hall 95 5F 116 74 102 66 Live 95 5F 116 74 105 69 Talk 95 5F 116 74 100 64 Large Hall 95 5F 116 74 103 67 Reflect 95 5F 116 74 106 6A Room 95 5F 116 74 101 65 Concert 95 5F 116 74 104 68

WALL TYPE Carpet 95 5F 118 76 57 39

DELAY

WALL TYPE Carpet 95 5F 121 79 57 39

❍

VOICE AUTO PITCH

REVERB

WALL TYPE Carpet 96 60 6 06 57 39

DELAY

Church 95 5F 116 74 107 6B

Wood 95 5F 118 76 61 3D Brick 95 5F 118 76 64 40 Concrete 95 5F 118 76 68 44 Marble 95 5F 118 76 71 47

EFFECT Reverb Send 95 5F 120 78 0~127 00~7F

Reverb Time 95 5F 119 77 0~19 00~13

TYPE Slow 95 5F 117 75 108 6C

Short Echo 95 5F 117 75 111 6F Pan Delay 1 95 5F 117 75 95 5F Medium 95 5F 117 75 109 6D One Echo 95 5F 117 75 112 70 Pan Delay 2 95 5F 117 75 115 73 Fast 95 5F 117 75 110 6E Bubble 95 5F 117 75 113 71 Space 95 5F 117 75 116 74

Wood 95 5F 121 79 61 3D Brick 95 5F 121 79 64 40 Concrete 95 5F 121 79 68 44 Marble 95 5F 121 79 71 47

EFFECT Delay Send 95 5F 123 7B 0~127 00~7F

Delay Time 95 5F 122 7A 0~100 00~64 Dly‡Rev Snd 95 5F 125 7D 0~127 00~7F Delay Fback 95 5F 124 7C 0~127 00~7F

arameter NRPN (MSB) NRPN (LSB)

TYPE Studio 95 5F 6 06 99 63

Hall 95 5F 6 06 102 66 Live 95 5F 6 06 105 69 Talk 95 5F 6 06 100 64 Large Hall 95 5F 6 06 103 67 Reflect 95 5F 6 06 106 6A Room 95 5F 6 06 101 65 Concert 95 5F 6 06 104 68 Church 95 5F 6 06 107 6B

Wood 96 60 6 06 61 3D Brick 96 60 6 06 64 40 Concrete 96 60 6 06 68 44 Marble 96 60 6 06 71 47

EFFECT Reverb Send 96 60 8 08 0~127 00~7F

Reverb Time 96 60 7 07 0~19 00~13

TYPE Slow 95 5F 15 0F 108 6C

Short Echo 95 5F 15 0F 111 6F Pan Delay 1 95 5F 15 0F 95 5F Medium 95 5F 15 0F 109 6D One Echo 95 5F 15 0F 112 70

DEC 99 HEX 63 DEC 98 HEX 62 DEC 06 HEX 06 DEC 38 HEX 26

Page 19

E-80 MIDI Implementation

Pan Delay 2 95 5F 15 0F 115 73 Fast 95 5F 15 0F 110 6E Bubble 95 5F 15 0F 113 71

WALL TYPE Carpet 96 60 9 09 57 39

EFFECT Delay Send 96 60 11 0B 0~127 00~7F

❍

VOICE VFX

REVERB

WALL TYPE Carpet 95 5F 126 7E 57 39

EFFECT Reverb Send 96 60 0 00 0~127 00~7F

DELAY

WALL TYPE Carpet 96 60 1 01 57 39

EFFECT Delay Send 96 60 3 03 0~127 00~7F

❍

VOICE SINGER

REVERB

WALL TYPE Carpet 96 60 14 0E 57 39

EFFECT Reverb Send 96 60 16 10 0~127 00~7F

DELAY

Space 95 5F 15 0F 116 74

Wood 96 60 9 09 61 3D Brick 96 60 9 09 64 40 Concrete 96 60 9 09 68 44 Marble 96 60 9 09 71 47

Delay Time 96 60 10 0A 0~100 00~64 Dly‡Rev Snd 96 60 13 0D 0~127 00~7F Delay Fback 96 60 12 0C 0~127 00~7F

arameter NRPN (MSB) NRPN (LSB)

DEC 99 HEX 63 DEC 98 HEX 62 DEC 06 HEX 06 DEC 38 HEX 26

TYPE Studio 95 5F 5 05 99 63

Hall 95 5F 5 05 102 66 Live 95 5F 5 05 105 69 Talk 95 5F 5 05 100 64 Large Hall 95 5F 5 05 103 67 Reflect 95 5F 5 05 106 6A Room 95 5F 5 05 101 65 Concert 95 5F 5 05 104 68 Church 95 5F 5 05 107 6B

Wood 95 5F 126 7E 61 3D Brick 95 5F 126 7E 64 40 Concrete 95 5F 126 7E 68 44 Marble 95 5F 126 7E 71 47

Reverb Time 95 5F 127 7F 0~19 00~13

TYPE Slow 95 5F 6 06 108 6C

Short Echo 95 5F 6 06 111 6F Pan Delay 1 95 5F 6 06 95 5F Medium 95 5F 6 06 109 6D One Echo 95 5F 6 06 112 70 Pan Delay 2 95 5F 6 06 115 73 Fast 95 5F 6 06 110 6E Bubble 95 5F 6 06 113 71 Space 95 5F 6 06 116 74

Wood 96 60 1 01 61 3D Brick 96 60 1 01 64 40 Concrete 96 60 1 01 68 44 Marble 96 60 1 01 71 47

Delay Time 96 60 2 02 0~100 00~64 Dly‡Rev Snd 96 60 5 05 0~127 00~7F Delay Fback 96 60 4 04 0~127 00~7F

arameter NRPN (MSB) NRPN (LSB)

DEC 99 HEX 63 DEC 98 HEX 62 DEC 06 HEX 06 DEC 38 HEX 26

TYPE Studio 95 5F 24 18 99 63

Hall 95 5F 24 18 102 66 Live 95 5F 24 18 105 69 Talk 95 5F 24 18 100 64 Large Hall 95 5F 24 18 103 67 Reflect 95 5F 24 18 106 6A Room 95 5F 24 18 101 65 Concert 95 5F 24 18 104 68 Church 95 5F 24 18 107 6B

Wood 96 60 14 0E 61 3D Brick 96 60 14 0E 64 40 Concrete 96 60 14 0E 68 44 Marble 96 60 14 0E 71 47

Reverb Time 96 60 15 0F 0~19 00~13

TYPE Slow 95 5F 25 19 108 6C

Short Echo 95 5F 25 19 111 6F Pan Delay 1 95 5F 25 19 95 5F Medium 95 5F 25 19 109 6D One Echo 95 5F 25 19 112 70 Pan Delay 2 95 5F 25 19 115 73

Page 20

E-80 MIDI Implementation

Fast 95 5F 25 19 110 6E Bubble 95 5F 25 19 113 71

WALL TYPE Carpet 96 60 17 11 57 39

❍

HARMONY VOCODER

REVERB

WALL TYPE Carpet 96 60 46 2E 57 39

Effect Reverb Send 96 60 48 30 0~127 00~7F

CHORUS

LOW PASS

DELAY

WALL TYPE Carpet 96 60 52 34 57 39

❍

HARMONY SMALL

REVERB

Space 95 5F 25 19 116 74

Wood 96 60 17 11 61 3D Brick 96 60 17 11 64 40 Concrete 96 60 17 11 68 44 Marble 96 60 17 11 71 47

EFFECT Delay Send 96 60 19 13 0~127 00~7F

Delay Time 96 60 18 12 0~100 00~64 Dly‡Rev Snd 96 60 21 15 0~127 00~7F Delay Fback 96 60 20 14 0~127 00~7F

arameter NRPN (MSB) NRPN (LSB)

DEC 99 HEX 63 DEC 98 HEX 62 DEC 06 HEX 06 DEC 38 HEX 26

TYPE Studio 95 5F 36 24 117 75

Room 95 5F 36 24 120 78 Arena 95 5F 36 24 123 7B Garage 95 5F 36 24 118 76 Hall 95 5F 36 24 121 79 Theater 95 5F 36 24 124 7C Box 95 5F 36 24 119 77 Jazz Club 95 5F 36 24 122 7A Church 95 5F 36 24 125 7D

Wood 96 60 46 2E 61 3D Brick 96 60 46 2E 64 40 Concrete 96 60 46 2E 68 44 Marble 96 60 46 2E 71 47

Reverb Time 96 60 47 2F 0~19 00~13

TYPE Smooth 95 5F 38 26 0 00 126 7E

Detuned 95 5F 38 26 1 01 1 01 Reflect 2 95 5F 38 26 1 01 4 04 Light 95 5F 38 26 0 00 127 7F Space 95 5F 38 26 1 01 2 02 Reflect 3 95 5F 38 26 1 01 5 05 Medium 95 5F 38 26 1 01 0 00 Reflect1 95 5F 38 26 1 01 3 03 Celeste 95 5F 38 26 1 01 6 06 Thru, 8, 5, 2.5, 1, 800,

FILTER

630, 500 KHz

EFFECT Chorus Send 96 60 50 32 0~127 00~7F

Cho->Rev Time 96 60 51 33 0~127 00~7F

TYPE Mono 1 95 5F 37 25 1 01 7 07

Stereo Pan 1 95 5F 37 25 1 01 10 0A Mono Echo 95 5F 37 25 1 01 13 0D Mono 2 95 5F 37 25 1 01 8 08 Stereo Pan 2 95 5F 37 25 1 01 11 0B Stereo Echo 95 5F 37 25 1 01 14 0E Mono 3 95 5F 37 25 1 01 9 09 Stereo Pan 3 95 5F 37 25 1 01 12 0C Space 95 5F 37 25 1 01 15 0F

Wood 96 60 52 34 61 3D Brick 96 60 52 34 64 40 Concrete 96 60 52 34 68 44 Marble 96 60 52 34 71 47

EFFECT Delay Send 96 60 54 36 0~127 00~7F

Delay Time 96 60 53 35 0~100 00~64 Dly->Rev Snd 96 60 55 37 0~127 00~7F Dly->Cho Snd 96 60 56 38 0~127 00~7F Delay Fback 96 60 57 39 0~127 00~7F

arameter NRPN (MSB) NRPN (LSB)

TYPE Studio 95 5F 63 3F 117 75

Room 95 5F 63 3F 120 78 Arena 95 5F 63 3F 123 7B Garage 95 5F 63 3F 118 76 Hall 95 5F 63 3F 121 79 Theater 95 5F 63 3F 124 7C Box 95 5F 63 3F 119 77 Jazz Club 95 5F 63 3F 122 7A Church 95 5F 63 3F 125 7D

96 60 49 31 0~7 00~07

DEC 99 HEX 63 DEC 98 HEX 62 DEC 06 HEX 06 DEC 38 HEX 26

Page 21

E-80 MIDI Implementation

WALL TYPE Carpet 96 60 22 16 57 39

EFFECT Reverb Send 96 60 24 18 0~127 00~7F

CHORUS

LOW PASS

EFFECT Chorus Send 96 60 26 1A 0~127 00~7F

DELAY

WALL TYPE Carpet 96 60 28 1C 57 39

EFFECT Delay Send 96 60 30 1E 0~127 00~7F

❍

HARMONY ENSEMBLE

REVERB

WALL TYPE Carpet 96 60 34 22 57 39

EFFECT Reverb Send 96 60 36 24 0~127 00~7F

CHORUS

LOW PASS

EFFECT Chorus Send 96 60 38 26 0~127 00~7F

DELAY

Wood 96 60 22 16 61 3D Brick 96 60 22 16 64 40 Concrete 96 60 22 16 68 44 Marble 96 60 22 16 71 47

Reverb Time 96 60 23 17 0~19 00~13

TYPE Smooth 95 5F 65 41 0 00 126 7E

Detuned 95 5F 65 41 1 01 1 01 Reflect 2 95 5F 65 41 1 01 4 04 Light 95 5F 65 41 0 00 127 7F Space 95 5F 65 41 1 01 2 02 Reflect 3 95 5F 65 41 1 01 5 05 Medium 95 5F 65 41 1 01 0 00 Reflect1 95 5F 65 41 1 01 3 03 Celeste 95 5F 65 41 1 01 6 06 Thru, 8, 5, 2.5, 1, 800,

FILTER

630, 500 KHz

Cho->Rev Time 96 60 27 1B 0~127 00~7F

TYPE Mono 1 95 5F 64 40 1 01 7 07

Stereo Pan 1 95 5F 64 40 1 01 10 0A Mono Echo 95 5F 64 40 1 01 13 0D Mono 2 95 5F 64 40 1 01 8 08 Stereo Pan 2 95 5F 64 40 1 01 11 0B Stereo Echo 95 5F 64 40 1 01 14 0E Mono 3 95 5F 64 40 1 01 9 09 Stereo Pan 3 95 5F 64 40 1 01 12 0C Space 95 5F 64 40 1 01 15 0F

Wood 96 60 28 1C 61 3D Brick 96 60 28 1C 64 40 Concrete 96 60 28 1C 68 44 Marble 96 60 28 1C 71 47

Delay Time 96 60 29 1D 0~100 00~64 Dly->Rev Snd 96 60 31 1F 0~127 00~7F Dly->Cho Snd 96 60 32 20 0~127 00~7F Delay Fback 96 60 33 21 0~127 00~7F

arameter NRPN (MSB) NRPN (LSB)

TYPE Studio 95 5F 49 31 117 75

Room 95 5F 49 31 120 78 Arena 95 5F 49 31 123 7B Garage 95 5F 49 31 118 76 Hall 95 5F 49 31 121 79 Theater 95 5F 49 31 124 7C Box 95 5F 49 31 119 77 Jazz Club 95 5F 49 31 122 7A Church 95 5F 49 31 125 7D

Wood 96 60 34 22 61 3D Brick 96 60 34 22 64 40 Concrete 96 60 34 22 68 44 Marble 96 60 34 22 71 47

Reverb Time 96 60 35 23 0~19 00~13

TYPE Smooth 95 5F 51 33 0 00 126 7E

Detuned 95 5F 51 33 1 01 1 01 Reflect 2 95 5F 51 33 1 01 4 04 Light 95 5F 51 33 0 00 127 7F Space 95 5F 51 33 1 01 2 02 Reflect 3 95 5F 51 33 1 01 5 05 Medium 95 5F 51 33 1 01 0 00 Reflect1 95 5F 51 33 1 01 3 03 Celeste 95 5F 51 33 1 01 6 06 Thru, 8, 5, 2.5, 1, 800,

FILTER

630, 500 KHz

Cho->Rev Time 96 60 39 27 0~127 00~7F

TYPE Mono 1 95 5F 50 32 1 01 7 07

Stereo Pan 1 95 5F 50 32 1 01 10 0A Mono Echo 95 5F 50 32 1 01 13 0D Mono 2 95 5F 50 32 1 01 8 08

96 60 25 19 0~7 00~07

DEC 99 HEX 63 DEC 98 HEX 62 DEC 06 HEX 06 DEC 38 HEX 26

96 60 37 25 0~7 00~07

Page 22

E-80 MIDI Implementation

Stereo Pan 2 95 5F 50 32 1 01 11 0B Stereo Echo 95 5F 50 32 1 01 14 0E Mono 3 95 5F 50 32 1 01 9 09 Stereo Pan 3 95 5F 50 32 1 01 12 0C Space 95 5F 50 32 1 01 15 0F

WALL TYPE Carpet 96 60 40 28 57 39

Wood 96 60 40 28 61 3D Brick 96 60 40 28 64 40 Concrete 96 60 40 28 68 44 Marble 96 60 40 28 71 47

EFFECT Delay Send 96 60 42 2A 0~127 00~7F

Delay Time 96 60 41 29 0~100 00~64 Dly->Rev Snd 96 60 43 2B 0~127 00~7F Dly->Cho Snd 96 60 44 2C 0~127 00~7F Delay Fback 96 60 45 2D 0~127 00~7F

■ Voice

arameter NRPN (MSB) NRPN (LSB)

DEC 99 HEX 63 DEC 98 HEX 62 DEC 06 HEX 06 DEC 38 HEX 26 Talk On 95 5F 0 00 8 08 Auto Pitch On 95 5F 0 00 2 02 Voice FX On 95 5F 0 00 4 04 Singer On 95 5F 0 00 1 01 Note: Talk, Auto Pitch, Voice and Singer exclude mutually one another; none of them is ever OFF. When Talk is ON, the “Har-

mony” section doesn’t work.

■ Harmony

arameter NRPN (MSB) NRPN (LSB)

Vocoder + Auto Pitch 95 5F 0 00 18 12 Small + Auto Pitch 95 5F 0 00 66 42 Ensemble+Auto Pitch 95 5F 0 00 34 22 Vocoder + Voice FX 95 5F 0 00 20 14 Small + Voice FX 95 5F 0 00 68 44 Ensemble + Voice FX 95 5F 0 00 36 24 Vocoder + Singer 95 5F 0 00 17 11 Small + Singer 95 5F 0 00 65 41 Ensemble + Singer 95 5F 0 00 33 21

DEC 99 HEX 63 DEC 98 HEX 62 DEC 06 HEX 06 DEC 38 HEX 26

5. Supplementary material

● Decimal and Hexadecimal table

(An “H” is appended to the end of numbers in hexadecimal notation.) In MIDI documentation, data values and addresses/sizes of Exclusive messages, etc. are expressed as hexadecimal values for each 7 bits. The following table shows how these correspond to decimal numbers.

Dec. Hex. Dec. Hex. Dec. Hex. Dec. Hex.

00H

20H

40H

100 101 102 103 104 105 106 107 108 109 110 111 112 113 114 115 116 117 118 119 120 121 122 123 124 125 126 127

60H

61H

62H

63H 64H 65H 66H 67H 68H

69H 6AH 6BH 6CH 6DH 6EH

6FH

70H

71H

72H

73H

74H

75H

76H

77H

78H

79H 7AH 7BH 7CH 7DH 7EH

7FH

01H

21H

02H

03H

04H

05H

06H

07H

08H

09H

0AH

0BH

0CH

0DH

0EH

0FH

10H

11H

12H

13H

14H

15H

16H

17H

18H

19H

1AH

1BH

1CH

1DH

1EH

1FH

22H

23H

24H

25H

26H

27H

28H

29H

2AH

2BH

2CH

2DH

2EH

2FH

30H

31H

32H

33H

34H

35H

36H

37H

38H

39H

3AH

3BH

3CH

3DH

3EH

3FH

41H

42H

43H

44H

45H

46H

47H

48H

49H

4AH

4BH

4CH

4DH

4EH

4FH

50H

51H

52H

53H

54H

55H

56H

57H

58H

59H

5AH

5BH

5CH

5DH

5EH

5FH

• Decimal values such as MIDI channel, bank select, and program change are listed as one greater than the values given in the above table.

• A 7-bit byte can express data in the range of 128 steps. For data where greater precision is required, we must use two or more bytes. For example, two hexadecimal numbers aa bbH expressing two 7-bit bytes would indicate a value of aa x 128+bb.

• In the case of values which have a +/– sign, 00H = –64, 40H = +/–0, and 7FH = +63, so that the decimal expression would be 64 less than the

value given in the above chart. In the case of two types, 00 00H = –8192, 40 00H = +/–0, and 7F 7FH = +8191. For example, if aa bbH were expressed as decimal, this would be aa bbH - 40 00H = aa x 128+bb –64 x 128.

• Data marked “Use nibbled data” is expressed in hexadecimal in 4-bit units. A value expressed as a 2-byte nibble 0a 0bH has the value of a x 16+b.

[Example 1]

What is the decimal expression of 5AH ?

From the preceding table, 5AH = 90

[Example 2]

What is the decimal expression of the value 12 34H given as hexadecimal for each 7 bits? From the preceding table, since 12H = 18 and 34H = 52 18 x 128+52 = 2356

[Example 3]

What is the decimal expression of the nibbled value 0A 03 09 0D ? From the preceding table, since 0AH = 10, 03H = 3, 09H = 9, 0DH = 13 ((10 x 16+3) x 16+9) x 16+13 = 41885

[Example 4]

What is the nibbled expression of the decimal value 1258?

16) 1258

16) 78 ... 10

16) 4 ... 14 0 … 4 Since from the preceding table, 0 = 00H, 4 = 04H, 14 = 0EH, 10 = 0AH, the result is: 00 04 0E 0AH.

● Examples of actual MIDI messages

[Example 1]

9n is the Note-on status, and n is the MIDI channel number. Since 2H = 2, 3EH= 62, and 5FH = 95, this is a Note-on message with MIDI CH = 3, note number 62 (note name is D4), and velocity 95.

[Example 2]

CnH is the Program Change status, and n is the MIDI channel number. Since EH = 14 and 49H = 73, this is a Program Change message with MIDI CH = 15, program number 74 (Flute in GS).

92 3E 5F

CE 49

Page 23

E-80 MIDI Implementation

[Example 3]

EnH is the Pitch Bend Change status, and n is the MIDI channel number. The 2nd byte (00H = 0) is the LSB and the 3rd byte (28H = 40) is the MSB, but Pitch Bend Value is a signed number in which 40 00H (= 64 x 12+80 = 8192) is 0, so this Pitch Bend Value is 28 00H - 40 00H = 40 x 12+80 - (64 x 12+80) = 5120 –8192 = –3072 If the Pitch Bend Sensitivity is set to 2 semitones, -8192 (00 00H) will cause the pitch to change -200 cents, so in this case -200 x (-3072) ÷ (-8192) = -75 cents of Pitch Bend is being applied to MIDI channel 11.

[Example 4]

BnH is the Control Change status, and n is the MIDI channel number. For Control Changes, the 2nd byte is the control number, and the 3rd byte is the value. In a case in which two or more messages consecutive messages have the same status, MIDI has a provision called “running status” which allows the status byte of the second and following messages to be omitted. Thus, the above messages have the following meaning.

B3 64 00 MIDI ch.4, lower byte of RPN parameter number: 00H (B3) 65 00 (MIDI ch.4) upper byte of RPN parameter number: 0 0H (B3) 06 0C (MIDI ch.4) upper byte of parameter value: 0CH (B3) 26 00 (MIDI ch.4) lower byte of parameter value: 00H (B3) 64 7F (MIDI ch.4) lower byte of RPN parameter number: 7FH (B3) 65 7F (MIDI ch.4) upper byte of RPN parameter number: 7FH

In other words, the above messages specify a value of 0C 00H for RPN parameter number 00 00H on MIDI channel 4, and then set the RPN parameter number to 7F 7FH.

RPN parameter number 00 00H is Pitch Bend Sensitivity, and the MSB of the value indicates semitone units, so a value of 0CH = 12 sets the maximum pitch bend range to ±12 semitones (1 octave). (On GS sound generators the LSB of Pitch Bend Sensitivity is ignored, but the LSB should be transmitted anyway (with a value of 0) so that operation will be correct on any device.) Once the parameter number has been specified for RPN or NRPN, all Data Entry messages transmitted on that same channel will be valid, so after the desired value has been transmitted, it is a good idea to set the parameter number to 7F 7FH to prevent accidents. This is the reason for the (B3) 64 7F (B3) 65 7F at the end. It is not desirable for performance data (such as Standard MIDI File data) to contain many events with running status as given in [Example 4]. This is because if playback is halted during the song and then rewound or fast-forwarded, the sequencer may not be able to transmit the correct status, and the sound generator will then misinterpret the data. Take care to give each event its own status. It is also necessary that the RPN or NRPN parameter number setting and the value setting be done in the proper order. On some sequencers, events occurring in the same (or consecutive) clock may be transmitted in an order different than the order in which they were received. For this reason it is a good idea to slightly skew the time of each event (about 1 tick for TPQN = 96, and about 5 ticks for TPQN = 480). * TPQN: Ticks Per Quarter Note

EA 00 28

B3 64 00 65 00 06 0C 26 00 64 7F 65 7F

● Example of an Exclusive message checksum calculation

Roland Exclusive messages (RQ1, DT1) are transmitted with a checksum at the end (before F7) to make sure that the message was correctly received. The value of the checksum is determined by the address and data (or size) of the transmitted Exclusive message.

How to calculate the checksum (hexadecimal numbers are indicated by “H”)

❍

The checksum is a value derived by adding the address, size, and checksum itself and inverting the lower 7 bits. Here’s an example of how the checksum is calculated. We will assume that in the exclusive (SysEx) message we are transmitting, the address is aa bb ccH and the data or size is “dd ee ffH”.

aa+bb+cc+dd+ee+ff = sum sum ÷ 128 = quotient ... remainder 128 – remainder = checksum

[Example 1]

According to the “Patch parameters” on page 11, the REVERB MACRO Address is “40 01 30H”, and ROOM 3 corresponds to “02H”. Thus…

Next, we calculate the checksum.

This means that F0 41 10 42 12 40 01 30 02 0D F7 is the message we need to transmit.

Setting REVERB MACRO to “ROOM 3”

F0 41 10 42 12 40 01 30 02 ?? F7 (1) (2) (3) (4) (5) address data checksum (6)

(1) Exclusive Status (2) ID (Roland) (3) Device ID (17) (4) Model ID (GS) (5) Command ID (DT1) (6) End of Exclusive

40H+01H+30H+02H = 64+1+48+2 = 115 (sum) 115 (sum) ÷ 128 = 0 (quotient) ... 115 (remainder) checksum = 128 - 115 (remainder) = 13 = 0DH

[Example 2]

According to the “Patch parameters” on page 11, the REVERB LEVEL Address is “40 01 33H”, and the parameter value is “0CH”. Thus,

F0 41 10 42 12 40 01 33 0C ?? F7 (1) (2) (3) (4) (5) address data checksum (6)

(1) Exclusive Status (2) ID (Roland) (3) Device ID (17) (4) Model ID (GS) (5) Command ID (DT1) (6) EOX

Next we calculate the checksum.

40H + 01H + 33H + 0CH=64 + 1 + 51 + 12=128 (sum) 128 (sum) ÷ 128 = 0 (quotient) ... 0 (remainder)

checksum = 128 - 0 (remainder) = 128 = 80H In this case, however, the checksum value should be 00H, not 80H. You should use 00H if the remainder is 0. This means that F0 41 10 42 12 40 01 33 0C 00 F7 is the message we transmit.

Setting REVERB LEVEL to “12”

● About the Tuning

In MIDI, individual Parts are tuned by sending RPN #1 (Master Fine Tuning) to the appropriate MIDI channel. In MIDI, an entire device is tuned by either sending RPN #1 to all MIDI channels being used, or by sending a System Exclusive MASTER TUNE (address 40 00 00H). RPN #1 allows tuning to be specified in steps of approximately 0.012 cents (to be precise, 100/8192 cent), and System Exclusive MASTER TUNE allows tuning in steps of 0.1 cent. One cent is 1/100th of a semitone. The values of RPN #1 (Master Fine Tuning) and System Exclusive MASTER TUNE are added together to determine the actual pitch sounded by each Part. Frequently used tuning values are given in the following table for your reference. Values are in hexadecimal (decimal in parentheses).

Hz at A4 cents RPN #1 Sys.Ex. 40 00 00

445.0 +19.56 4C 43 (+1603) 00 04 0C 04 (+196)

444.0 +15.67 4A 03 (+1283) 00 04 09 0D (+157)

443.0 +11.76 47 44 (+ 964) 00 04 07 06 (+118)

442.0 + 7.85 45 03 (+ 643) 00 04 04 0F (+79)

441.0 + 3.93 42 42 (+ 322) 00 04 02 07 (+39)

440.0 0 40 00 (0) 00 04 00 00 (0)

439.0 - 3.94 3D 3D (- 323) 00 03 0D 09 (–39)

438.0 - 7.89 3A 7A (- 646) 00 03 0B 01 (–79)

[Example]

Send RPN#1 to MIDI channel 3. From the above table, the value is 45 03H.

Setting the tuning of MIDI channel 3 to A4 = 442.0 Hz

B2 64 00 MIDI ch.3, lower byte of RPN parameter number: 00H

(B2) 65 01 (MIDI ch.3) upper byte of RPN parameter number: 01H

(B2) 06 45 (MIDI ch.3) upper byte of parameter value: 45H

(B2) 26 03 (MIDI ch.3) lower byte of parameter value: 03H

(B2) 64 7F (MIDI ch.3) lower byte of RPN parameter number: 7FH

(B2) 65 7F (MIDI ch.3) upper byte of RPN parameter number: 7FH

● The Scale Tune Feature (address: 40 1x 40 or 50 1X 40)

The scale Tune feature allows you to finely adjust the individual pitch of the notes from C through B. Though the settings are made while working with one octave, the fine adjustments will affect all octaves. By making the appropriate Scale Tune settings, you can obtain a complete variety of tuning methods other than equal temperament. As examples, three possible types of scale setting are explained below.

Equal Temperament

❍

This method of tuning divides the octave into 12 equal parts. It is currently the most widely used form of tuning, especially in occidental music. On the E-80, the default settings for the Scale Tune feature produce equal temperament.

Just Temperament (Tonic of C)

❍

The principal triads resound much more beautifully than with equal temperament, but this benefit can only be obtained in one key. If transposed, the chords tend to become ambiguous. The example given involves settings for a key in which C is the keynote.

Arabic Scale

❍

By altering the setting for Scale Tune, you can obtain a variety of other tunings suited for ethnic music. For example, the settings introduced below will set the unit to use the Arabic scale.

Page 24

E-80 MIDI Implementation

Example Settings

Note name Equal Temperament

C# 0 –8 +45

D# 0 +16 -12

G# 0 +14 +47

The values in the table are given in cents. Refer to the explanation of Scale Tuning on page 13 to convert these values to hexadecimal, and transmit them as Exclusive data. For example, to set the tune (C-B) of the Part1 Arabian Scale, send the following data: F0 41 10 42 12 40 11 40 3A 6D 3E 34 0D 38 6B 3C 6F 40 36 0F 76 F70

Just Temperament

(Keytone C)

C0 0–6

D0 +4–2

E0 –14 –51 F0 –2 –8

F# 0 –10 +43

G0 +2–4

A0 –16 0

A# 0 +14 –10

B0 –12 –49

Arabic Scale

INDIVIDUAL PARAMETER TRANSMISSION XV GENERATION (Model ID E-80 = 00H, 00H, 08H)

Individual Parameter Transmission transmits data (or requests data) for one parameter as one exclusive message (one packet of “F0…F7”). In Individual Parameter Transmission, you must use the Address and Size listed in the following “Parameter Address Map”. Addresses marked at "#" cannot be used as starting addresses.

■ System Exclusive messages

Data Set 1 (DT1) is the only System Exclusive messages transmitted by the E-80.

● Data set 1 DT1 (12H)

Status F0H 41H, dev, 00H, 00H, 08H, 12H, aaH, bbH, ccH, ddH,

Byte F0H Exclusive status

41H ID number (Roland) dev Device ID (dev: 00H ~ 1FH, Initial value is 10H)

12H Command ID (DT1) aaH Address MSB: upper byte of the starting address of the

bbH Address: middle 1 byte of the starting address of the

ccH Address: middle 2 byte of the starting address of the

ddH Address LSB: lower byte of the starting address of the

eeH Data: the actual data to be sent. Multiple bytes of data

: : ffH Data sum Checksum F7H EOX (End Of Exclusive)

• The amount of data that can be transmitted at one time depends on the

• Data larger than 128 bytes will be divided into packets of 128 bytes or

• Regarding the checksum, please refer to page 23.

Setup

❍

Offset Address Description

01 00 00 0A 0000 000a MFX Switch (0 - 1) BYPASS, ON 01 00 00 0B 0000 000a IFX Switch (0 - 1) BYPASS, ON 01 00 00 0D 0000 000a Keyboard Chorus Switch (0 - 1) OFF, ON 01 00 00 0E 0000 000a Keyboard Reverb Switch (0 - 1) OFF, ON 01 00 00 30 0000 000a Line In Input Switch (0 - 1) OFF, ON 01 00 00 31 0aaa aaaa Line In Input Level (0 - 127) 01 00 00 32 0000 aaaa Line In Input Gain (0 - 8)

01 00 00 33 0000 000a Style/Song Chorus Switch (0 - 1) OFF, ON 01 00 00 34 0000 000a Style/Song Reverb Switch (0 - 1) OFF, ON 01 00 00 35 0000 000a MFX A Switch (0 - 1) OFF, ON 01 00 00 36 0000 000a MFX B Switch (0 - 1) OFF, ON 01 00 00 37 0000 000a MFX C Switch (0 - 1) OFF, ON

Data byte Status

F7H

eeH, ... ffH, sum

Explanation

00H, 00H, 08H Model ID (E-80)

data to be sent

data to be sent.

are transmitted in order starting from the address.

type of data, and data will be transmitted from the specified starting address and size.

less, and each packet will be sent at an interval of about 40 ms.

-24,-18,-12,-6,0,+6,+12,+18,+24 (dB)

❍

Common MFX

Offset Address Description

10 00 02 00 0aaa aaaa MFX Type (0 - 83) 10 00 02 01 0aaa aaaa MFX Dry Send Level (0 - 127) 10 00 02 02 0aaa aaaa MFX Chorus Send Level (0 - 127) 10 00 02 03 0aaa aaaa MFX Reverb Send Level (0 - 127) 10 00 02 05 0aaa aaaa MFX Control 1 Source (0 - 101)

10 00 02 06 0aaa aaaa MFX Control 1 Sens (1 - 127)

10 00 02 07 0aaa aaaa MFX Control 2 Source (0 - 101)

10 00 02 08 0aaa aaaa MFX Control 2 Sens (1 - 127)

10 00 02 09 0aaa aaaa MFX Control 3 Source (0 - 101)

10 00 02 0A 0aaa aaaa MFX Control 3 Sens (1 - 127)

10 00 02 0B 0aaa aaaa MFX Control 4 Source (0 - 101)

10 00 02 0C 0aaa aaaa MFX Control 4 Sens (1 - 127)

10 00 02 0D 000a aaaa MFX Control Assign 1 (0 - 16) OFF, 1 - 16 10 00 02 0E 000a aaaa MFX Control Assign 2 (0 - 16) OFF, 1 - 16 10 00 02 0F 000a aaaa MFX Control Assign 3 (0 - 16) OFF, 1 - 16 10 00 02 10 000a aaaa MFX Control Assign 4 (0 - 16) OFF, 1 - 16

#10 00 02 11 0000 aaaa

0000 bbbb 0000 cccc 0000 dddd MFX Parameter 1 (12768~52768)

#10 00 02 15 0000 aaaa

0000 bbbb 0000 cccc 0000 dddd MFX Parameter 2 (12768~52768)

#10 00 02 19 0000 aaaa

0000 bbbb 0000 cccc 0000 dddd MFX Parameter 3 (12768~52768)

#10 00 02 1D 0000 aaaa

0000 bbbb 0000 cccc 0000 dddd MFX Parameter 4 (12768~52768)

#10 00 02 21 0000 aaaa

0000 bbbb 0000 cccc 0000 dddd MFX Parameter 5 (12768~52768)

#10 00 02 25 0000 aaaa

0000 bbbb 0000 cccc 0000 dddd MFX Parameter 6 (12768~52768)

#10 00 02 29 0000 aaaa

0000 bbbb 0000 cccc 0000 dddd MFX Parameter 7 (12768~52768)

#10 00 02 2D 0000 aaaa

0000 bbbb 0000 cccc 0000 dddd MFX Parameter 8 (12768~52768)

#10 00 02 31 0000 aaaa

0000 bbbb 0000 cccc 0000 dddd MFX Parameter 9 (12768~52768)

#10 00 02 35 0000 aaaa

0000 bbbb 0000 cccc 0000 dddd MFX Parameter 10 (12768~52768)

#10 00 02 39 0000 aaaa

0000 bbbb 0000 cccc 0000 dddd MFX Parameter 11 (12768~52768)

OFF, CC01 - CC31, CC33 - CC95, BEND,

AFT, SYS1 - SYS4

–63~+63

OFF, CC01 - CC31, CC33 - CC95, BEND,

AFT, SYS1 - SYS4

-63 - +63

OFF, CC01 - CC31, CC33 - CC95, BEND,

AFT, SYS1 - SYS4

-63 - +63

OFF, CC01 - CC31, CC33 - CC95, BEND,

AFT, SYS1 - SYS4

-63 - +63

–20000~+20000

Page 25

E-80 MIDI Implementation

#10 00 02 3D 0000 aaaa

#10 00 02 41 0000 aaaa

#10 00 02 45 0000 aaaa

#10 00 02 49 0000 aaaa

#10 00 02 4D 0000 aaaa

#10 00 02 51 0000 aaaa

#10 00 02 55 0000 aaaa

#10 00 02 59 0000 aaaa

#10 00 02 5D 0000 aaaa

#10 00 02 61 0000 aaaa

#10 00 02 65 0000 aaaa

#10 00 02 69 0000 aaaa

#10 00 02 6D 0000 aaaa

#10 00 02 71 0000 aaaa

#10 00 02 75 0000 aaaa

#10 00 02 79 0000 aaaa

#10 00 02 7D 0000 aaaa

0000 bbbb 0000 cccc 0000 dddd MFX Parameter 12 (12768~52768)

0000 bbbb 0000 cccc 0000 dddd MFX Parameter 13 (12768~52768)

0000 bbbb 0000 cccc 0000 dddd MFX Parameter 14 (12768~52768)

0000 bbbb 0000 cccc 0000 dddd MFX Parameter 15 (12768~52768)

0000 bbbb 0000 cccc 0000 dddd MFX Parameter 16 (12768~52768)

0000 bbbb 0000 cccc 0000 dddd MFX Parameter 17 (12768~52768)

0000 bbbb 0000 cccc 0000 dddd MFX Parameter 18 (12768~52768)

0000 bbbb 0000 cccc 0000 dddd MFX Parameter 19 (12768~52768)

0000 bbbb 0000 cccc 0000 dddd MFX Parameter 20 (12768~52768)

0000 bbbb 0000 cccc 0000 dddd MFX Parameter 21 (12768~52768)

0000 bbbb 0000 cccc 0000 dddd MFX Parameter 22 (12768~52768)

0000 bbbb 0000 cccc 0000 dddd MFX Parameter 23 (12768~52768)

0000 bbbb 0000 cccc 0000 dddd MFX Parameter 24 (12768~52768)

0000 bbbb 0000 cccc 0000 dddd MFX Parameter 25 (12768~52768)

0000 bbbb 0000 cccc 0000 dddd MFX Parameter 26 (12768~52768)

0000 bbbb 0000 cccc 0000 dddd MFX Parameter 27 (12768~52768)

0000 bbbb 0000 cccc 0000 dddd MFX Parameter 28 (12768~52768)

–20000~+20000

#10 00 03 01 0000 aaaa

#10 00 03 05 0000 aaaa

#10 00 03 09 0000 aaaa

#10 00 03 0D 0000 aaaa

❍

Common MFX A

Offset Address Description

10 00 72 00 0aaa aaaa MFX A Type (0 - 83)

10 00 72 01 0aaa aaaa MFX A Dry Send Level (0 - 127)

10 00 72 02 0aaa aaaa MFX A Chorus Send Level (0 - 127)

10 00 72 03 0aaa aaaa MFX A Reverb Send Level (0 - 127)

10 00 72 05 0aaa aaaa MFX A Control 1 Source (0 - 101)

10 00 72 06 0aaa aaaa MFX A Control 1 Sens (1 - 127)

10 00 72 07 0aaa aaaa MFX A Control 2 Source (0 - 101)

10 00 72 08 0aaa aaaa MFX A Control 2 Sens (1 - 127)

10 00 72 09 0aaa aaaa MFX A Control 3 Source (0 - 101)

10 00 72 0A 0aaa aaaa MFX A Control 3 Sens (1 - 127)

10 00 72 0B 0aaa aaaa MFX A Control 4 Source (0 - 101)

10 00 72 0C 0aaa aaaa MFX A Control 4 Sens (1 - 127)

10 00 72 0D 000a aaaa MFX A Control Assign 1(0 - 16) OFF, 1 - 16

10 00 72 0E 000a aaaa MFX A Control Assign 2 (0 - 16) OFF, 1 - 16

10 00 72 0F 000a aaaa MFX A Control Assign 3 (0 - 16) OFF, 1 - 16

10 00 72 10 000a aaaa MFX A Control Assign 4(0 - 16) OFF, 1 - 16

#10 00 72 11 0000 aaaa

#10 00 72 15 0000 aaaa

#10 00 72 19 0000 aaaa

#10 00 72 1D 0000 aaaa

#10 00 72 21 0000 aaaa

#10 00 72 25 0000 aaaa

#10 00 72 29 0000 aaaa

0000 bbbb

0000 cccc

0000 dddd MFX Parameter 29 (12768~52768)

0000 bbbb

0000 cccc

0000 dddd MFX Parameter 30 (12768~52768)

0000 bbbb

0000 cccc

0000 dddd MFX Parameter 31 (12768~52768)

0000 bbbb

0000 cccc

0000 dddd MFX Parameter 32 (12768~52768)

OFF, CC01 - CC31, CC33 - CC95, BEND,

0000 bbbb

0000 cccc

0000 dddd MFX A Parameter 1 (12768~52768)

0000 bbbb

0000 cccc

0000 dddd MFX A Parameter 2 (12768~52768)

0000 bbbb

0000 cccc

0000 dddd MFX A Parameter 3 (12768~52768)

0000 bbbb

0000 cccc

0000 dddd MFX A Parameter 4 (12768~52768)

0000 bbbb

0000 cccc

0000 dddd MFX A Parameter 5 (12768~52768)

0000 bbbb

0000 cccc

0000 dddd MFX A Parameter 6 (12768~52768)

0000 bbbb

0000 cccc

0000 dddd MFX A Parameter 7 (12768~52768)

–20000~+20000

AFT, SYS1 - SYS4

–63~+63

AFT, SYS1 - SYS4

-63 - +63

AFT, SYS1 - SYS4

-63 - +63

AFT, SYS1 - SYS4

-63 - +63

–20000~+20000

Page 26

E-80 MIDI Implementation

#10 00 72 2D 0000 aaaa

#10 00 72 31 0000 aaaa

#10 00 72 35 0000 aaaa

#10 00 72 39 0000 aaaa

#10 00 72 3D 0000 aaaa

#10 00 72 41 0000 aaaa

#10 00 72 45 0000 aaaa

#10 00 72 49 0000 aaaa

#10 00 72 4D 0000 aaaa

#10 00 72 51 0000 aaaa

#10 00 72 55 0000 aaaa

#10 00 72 59 0000 aaaa

#10 00 72 5D 0000 aaaa

#10 00 72 61 0000 aaaa

#10 00 72 65 0000 aaaa

#10 00 72 69 0000 aaaa

#10 00 72 6D 0000 aaaa

0000 bbbb 0000 cccc 0000 dddd MFX A Parameter 8 (12768~52768)

0000 bbbb 0000 cccc 0000 dddd MFX A Parameter 9 (12768~52768)

0000 bbbb 0000 cccc 0000 dddd MFX A Parameter 10 (12768~52768)

0000 bbbb 0000 cccc 0000 dddd MFX A Parameter 11 (12768~52768)

0000 bbbb 0000 cccc 0000 dddd MFX A Parameter 12 (12768~52768)

0000 bbbb 0000 cccc 0000 dddd MFX A Parameter 13 (12768~52768)

0000 bbbb 0000 cccc 0000 dddd MFX A Parameter 14 (12768~52768)

0000 bbbb 0000 cccc 0000 dddd MFX A Parameter 15 (12768~52768)

0000 bbbb 0000 cccc 0000 dddd MFX A Parameter 16 (12768~52768)

0000 bbbb 0000 cccc 0000 dddd MFX A Parameter 17 (12768~52768)

0000 bbbb 0000 cccc 0000 dddd MFX A Parameter 18 (12768~52768)

0000 bbbb 0000 cccc 0000 dddd MFX A Parameter 19 (12768~52768)

0000 bbbb 0000 cccc 0000 dddd MFX A Parameter 20 (12768~52768)

0000 bbbb 0000 cccc 0000 dddd MFX A Parameter 21 (12768~52768)

0000 bbbb 0000 cccc 0000 dddd MFX A Parameter 22 (12768~52768)

0000 bbbb 0000 cccc 0000 dddd MFX A Parameter 23 (12768~52768)

0000 bbbb 0000 cccc 0000 dddd MFX A Parameter 24 (12768~52768)

–20000~+20000

#10 00 72 71 0000 aaaa

#10 00 72 75 0000 aaaa

#10 00 72 79 0000 aaaa

#10 00 72 7D 0000 aaaa

#10 00 73 01 0000 aaaa

#10 00 73 05 0000 aaaa

#10 00 73 09 0000 aaaa

#10 00 73 0D 0000 aaaa

❍

Common MFX B

Offset Address Description

10 00 74 00 0aaa aaaa MFX B Type (0 - 83) 10 00 74 01 0aaa aaaa MFX B Dry Send Level (0 - 127) 10 00 74 02 0aaa aaaa MFX B Chorus Send Level (0 - 127) 10 00 74 03 0aaa aaaa MFX B Reverb Send Level (0 - 127) 10 00 74 05 0aaa aaaa MFX B Control 1 Source (0 - 101)

10 00 74 06 0aaa aaaa MFX B Control 1 Sens (1 - 127)

10 00 74 07 0aaa aaaa MFX B Control 2 Source (0 - 101)

10 00 74 08 0aaa aaaa MFX B Control 2 Sens (1 - 127)

10 00 74 09 0aaa aaaa MFX B Control 3 Source (0 - 101)

10 00 74 0A 0aaa aaaa MFX B Control 3 Sens (1 - 127)

10 00 74 0B 0aaa aaaa MFX B Control 4 Source (0 - 101)

10 00 74 0C 0aaa aaaa MFX B Control 4 Sens (1 - 127)

10 00 74 0D 000a aaaa MFX B Control Assign 1(0 - 16) OFF, 1 - 16 10 00 74 0E 000a aaaa MFX B Control Assign 2 (0 - 16) OFF, 1 - 16 10 00 74 0F 000a aaaa MFX B Control Assign 3 (0 - 16) OFF, 1 - 16 10 00 74 10 000a aaaa MFX B Control Assign 4(0 - 16) OFF, 1 - 16

#10 00 74 11 0000 aaaa

#10 00 74 15 0000 aaaa

#10 00 74 19 0000 aaaa

0000 bbbb 0000 cccc 0000 dddd MFX A Parameter 25 (12768~52768)

0000 bbbb 0000 cccc 0000 dddd MFX A Parameter 26 (12768~52768)

0000 bbbb 0000 cccc 0000 dddd MFX A Parameter 27 (12768~52768)

0000 bbbb 0000 cccc 0000 dddd MFX A Parameter 28 (12768~52768)

0000 bbbb 0000 cccc 0000 dddd MFX A Parameter 29 (12768~52768)

0000 bbbb 0000 cccc 0000 dddd MFX A Parameter 30 (12768~52768)

0000 bbbb 0000 cccc 0000 dddd MFX A Parameter 31 (12768~52768)

0000 bbbb 0000 cccc 0000 dddd MFX A Parameter 32 (12768~52768)

OFF, CC01 - CC31, CC33 - CC95, BEND,

0000 bbbb 0000 cccc 0000 dddd MFX B Parameter 1 (12768~52768)

0000 bbbb 0000 cccc 0000 dddd MFX B Parameter 2 (12768~52768)

0000 bbbb 0000 cccc 0000 dddd MFX B Parameter 3 (12768~52768)

–20000~+20000

AFT, SYS1 - SYS4

–63~+63

AFT, SYS1 - SYS4

-63 - +63

AFT, SYS1 - SYS4

-63 - +63

AFT, SYS1 - SYS4

-63 - +63

–20000~+20000

Page 27

E-80 MIDI Implementation

#10 00 74 1D 0000 aaaa

#10 00 74 21 0000 aaaa

#10 00 74 25 0000 aaaa

#10 00 74 29 0000 aaaa

#10 00 74 2D 0000 aaaa

#10 00 74 31 0000 aaaa

#10 00 74 35 0000 aaaa

#10 00 74 39 0000 aaaa

#10 00 74 3D 0000 aaaa

#10 00 74 41 0000 aaaa

#10 00 74 45 0000 aaaa

#10 00 74 49 0000 aaaa

#10 00 74 4D 0000 aaaa

#10 00 74 51 0000 aaaa

#10 00 74 55 0000 aaaa

#10 00 74 59 0000 aaaa

#10 00 74 5D 0000 aaaa

0000 bbbb 0000 cccc 0000 dddd MFX B Parameter 4 (12768~52768)

0000 bbbb 0000 cccc 0000 dddd MFX B Parameter 5 (12768~52768)

0000 bbbb 0000 cccc 0000 dddd MFX B Parameter 6 (12768~52768)

0000 bbbb 0000 cccc 0000 dddd MFX B Parameter 7 (12768~52768)

0000 bbbb 0000 cccc 0000 dddd MFX B Parameter 8 (12768~52768)

0000 bbbb 0000 cccc 0000 dddd MFX B Parameter 9 (12768~52768)

0000 bbbb 0000 cccc 0000 dddd MFX B Parameter 10 (12768~52768)

0000 bbbb 0000 cccc 0000 dddd MFX B Parameter 11 (12768~52768)

0000 bbbb 0000 cccc 0000 dddd MFX B Parameter 12 (12768~52768)

0000 bbbb 0000 cccc 0000 dddd MFX B Parameter 13 (12768~52768)

0000 bbbb 0000 cccc 0000 dddd MFX B Parameter 14 (12768~52768)

0000 bbbb 0000 cccc 0000 dddd MFX B Parameter 15 (12768~52768)

0000 bbbb 0000 cccc 0000 dddd MFX B Parameter 16 (12768~52768)

0000 bbbb 0000 cccc 0000 dddd MFX B Parameter 17 (12768~52768)

0000 bbbb 0000 cccc 0000 dddd MFX B Parameter 18 (12768~52768)

0000 bbbb 0000 cccc 0000 dddd MFX B Parameter 19 (12768~52768)

0000 bbbb 0000 cccc 0000 dddd MFX B Parameter 20 (12768~52768)

–20000~+20000

#10 00 74 61 0000 aaaa

#10 00 74 65 0000 aaaa

#10 00 74 69 0000 aaaa

#10 00 74 6D 0000 aaaa

#10 00 74 71 0000 aaaa

#10 00 74 75 0000 aaaa

#10 00 74 79 0000 aaaa

#10 00 74 7D 0000 aaaa

#10 00 75 01 0000 aaaa

#10 00 75 05 0000 aaaa

#10 00 75 09 0000 aaaa

#10 00 75 0D 0000 aaaa

❍

Common MFX C

Offset Address Description

10 00 76 00 0aaa aaaa MFX C Type (0 - 83)

10 00 76 01 0aaa aaaa MFX C Dry Send Level (0 - 127)

10 00 76 02 0aaa aaaa MFX C Chorus Send Level (0 - 127)

10 00 76 03 0aaa aaaa MFX C Reverb Send Level (0 - 127)

10 00 76 05 0aaa aaaa MFX C Control 1 Source (0 - 101)

10 00 76 06 0aaa aaaa MFX C Control 1 Sens (1 - 127)

10 00 76 07 0aaa aaaa MFX C Control 2 Source (0 - 101)

10 00 76 08 0aaa aaaa MFX C Control 2 Sens (1 - 127)

10 00 76 09 0aaa aaaa MFX C Control 3 Source (0 - 101)

10 00 76 0A 0aaa aaaa MFX C Control 3 Sens (1 - 127)

10 00 76 0B 0aaa aaaa MFX C Control 4 Source (0 - 101)

10 00 76 0C 0aaa aaaa MFX C Control 4 Sens (1 - 127)

0000 bbbb

0000 cccc

0000 dddd MFX B Parameter 21 (12768~52768)

0000 bbbb

0000 cccc

0000 dddd MFX B Parameter 22 (12768~52768)

0000 bbbb

0000 cccc

0000 dddd MFX B Parameter 23 (12768~52768)

0000 bbbb

0000 cccc

0000 dddd MFX B Parameter 24 (12768~52768)

0000 bbbb

0000 cccc

0000 dddd MFX B Parameter 25 (12768~52768)

0000 bbbb

0000 cccc

0000 dddd MFX B Parameter 26 (12768~52768)

0000 bbbb

0000 cccc

0000 dddd MFX B Parameter 27 (12768~52768)

0000 bbbb

0000 cccc

0000 dddd MFX B Parameter 28 (12768~52768)

0000 bbbb

0000 cccc

0000 dddd MFX B Parameter 29 (12768~52768)

0000 bbbb

0000 cccc

0000 dddd MFX B Parameter 30 (12768~52768)

0000 bbbb

0000 cccc

0000 dddd MFX B Parameter 31 (12768~52768)

0000 bbbb

0000 cccc

0000 dddd MFX B Parameter 32 (12768~52768)

OFF, CC01 - CC31, CC33 - CC95, BEND,

–20000~+20000

AFT, SYS1 - SYS4

–63~+63

AFT, SYS1 - SYS4

-63 - +63

AFT, SYS1 - SYS4

-63 - +63

AFT, SYS1 - SYS4

-63 - +63

Page 28

E-80 MIDI Implementation

10 00 76 0D 000a aaaa MFX C Control Assign 1(0 - 16) OFF, 1 - 16 10 00 76 0E 000a aaaa MFX C Control Assign 2(0 - 16) OFF, 1 - 16 10 00 76 0F 000a aaaa MFX C Control Assign 3(0 - 16) OFF, 1 - 16 10 00 76 10 000a aaaa MFX C Control Assign 4(0 - 16) OFF, 1 - 16

#10 00 76 11 0000 aaaa

#10 00 76 15 0000 aaaa

#10 00 76 19 0000 aaaa

#10 00 76 1D 0000 aaaa

#10 00 76 21 0000 aaaa

#10 00 76 25 0000 aaaa

#10 00 76 29 0000 aaaa

#10 00 76 2D 0000 aaaa

#10 00 76 31 0000 aaaa

#10 00 76 35 0000 aaaa

#10 00 76 39 0000 aaaa

#10 00 76 3D 0000 aaaa

#10 00 76 41 0000 aaaa

#10 00 76 45 0000 aaaa

#10 00 76 49 0000 aaaa

#10 00 76 4D 0000 aaaa

0000 bbbb 0000 cccc 0000 dddd MFX C Parameter 1 (12768~52768)

0000 bbbb 0000 cccc 0000 dddd MFX C Parameter 2 (12768~52768)

0000 bbbb 0000 cccc 0000 dddd MFX C Parameter 3 (12768~52768)

0000 bbbb 0000 cccc 0000 dddd MFX C Parameter 4 (12768~52768)

0000 bbbb 0000 cccc 0000 dddd MFX C Parameter 5 (12768~52768)

0000 bbbb 0000 cccc 0000 dddd MFX C Parameter 6 (12768~52768)

0000 bbbb 0000 cccc 0000 dddd MFX C Parameter 7 (12768~52768)

0000 bbbb 0000 cccc 0000 dddd MFX C Parameter 8 (12768~52768)

0000 bbbb 0000 cccc 0000 dddd MFX C Parameter 9 (12768~52768)

0000 bbbb 0000 cccc 0000 dddd MFX C Parameter 10 (12768~52768)

0000 bbbb 0000 cccc 0000 dddd MFX C Parameter 11 (12768~52768)

0000 bbbb 0000 cccc 0000 dddd MFX C Parameter 12 (12768~52768)

0000 bbbb 0000 cccc 0000 dddd MFX C Parameter 13 (12768~52768)

0000 bbbb 0000 cccc 0000 dddd MFX C Parameter 14 (12768~52768)

0000 bbbb 0000 cccc 0000 dddd MFX C Parameter 15 (12768~52768)

0000 bbbb 0000 cccc 0000 dddd MFX C Parameter 16 (12768~52768)

–20000~+20000

#10 00 76 51 0000 aaaa

#10 00 76 55 0000 aaaa

#10 00 76 59 0000 aaaa

#10 00 76 5D 0000 aaaa

#10 00 76 61 0000 aaaa

#10 00 76 65 0000 aaaa

#10 00 76 69 0000 aaaa

#10 00 76 6D 0000 aaaa

#10 00 76 71 0000 aaaa

#10 00 76 75 0000 aaaa

#10 00 76 79 0000 aaaa

#10 00 76 7D 0000 aaaa

#10 00 77 01 0000 aaaa

#10 00 77 05 0000 aaaa

#10 00 77 09 0000 aaaa

#10 00 77 0D 0000 aaaa

0000 bbbb 0000 cccc 0000 dddd MFX C Parameter 17 (12768~52768)

0000 bbbb 0000 cccc 0000 dddd MFX C Parameter 18 (12768~52768)

0000 bbbb 0000 cccc 0000 dddd MFX C Parameter 19 (12768~52768)

0000 bbbb 0000 cccc 0000 dddd MFX C Parameter 20 (12768~52768)

0000 bbbb 0000 cccc 0000 dddd MFX C Parameter 21 (12768~52768)

0000 bbbb 0000 cccc 0000 dddd MFX C Parameter 22 (12768~52768)

0000 bbbb 0000 cccc 0000 dddd MFX C Parameter 23 (12768~52768)

0000 bbbb 0000 cccc 0000 dddd MFX C Parameter 24 (12768~52768)

0000 bbbb 0000 cccc 0000 dddd MFX C Parameter 25 (12768~52768)

0000 bbbb 0000 cccc 0000 dddd MFX C Parameter 26 (12768~52768)

0000 bbbb 0000 cccc 0000 dddd MFX C Parameter 27 (12768~52768)

0000 bbbb 0000 cccc 0000 dddd MFX C Parameter 28 (12768~52768)

0000 bbbb 0000 cccc 0000 dddd MFX C Parameter 29 (12768~52768)

0000 bbbb 0000 cccc 0000 dddd MFX C Parameter 30 (12768~52768)

0000 bbbb 0000 cccc 0000 dddd MFX C Parameter 31 (12768~52768)

0000 bbbb 0000 cccc 0000 dddd MFX C Parameter 32 (12768~52768)

–20000~+20000

Page 29

❍

Common IFX

Offset Address Description

10 00 08 00 0aaa aaaa IFX Type (0 - 83) 10 00 08 01 0aaa aaaa IFX Dry Send Level (0 - 127) 10 00 08 02 0aaa aaaa IFX Chorus Send Level (0 - 127) 10 00 08 03 0aaa aaaa IFX Reverb Send Level (0 - 127) 10 00 08 05 0aaa aaaa IFX Control 1 Source (0 - 101)

10 00 08 06 0aaa aaaa IFX Control 1 Sens (1 - 127)

10 00 08 07 0aaa aaaa IFX Control 2 Source (0 - 101)

10 00 08 08 0aaa aaaa IFX Control 2 Sens (1 - 127)

10 00 08 09 0aaa aaaa IFX Control 3 Source (0 - 101)

10 00 08 0A 0aaa aaaa IFX Control 3 Sens (1 - 127)

10 00 08 0B 0aaa aaaa IFX Control 4 Source (0 - 101)

10 00 08 0C 0aaa aaaa IFX Control 4 Sens (1 - 127)

10 00 08 0D 000a aaaa IFX Control Assign 1 (0 - 16) OFF, 1 - 16

10 00 08 0E 000a aaaa IFX Control Assign 2 (0 - 16) OFF, 1 - 16 10 00 08 0F 000a aaaa IFX Control Assign 3 (0 - 16) OFF, 1 - 16 10 00 08 10 000a aaaa IFX Control Assign 4 (0 - 16) OFF, 1 - 16

#10 08 02 11 0000 aaaa

0000 bbbb 0000 cccc 0000 dddd IFX Parameter 1 (12768~52768)

#10 08 02 15 0000 aaaa

0000 bbbb 0000 cccc 0000 dddd IFX Parameter 2 (12768~52768)

#10 08 02 19 0000 aaaa

0000 bbbb 0000 cccc 0000 dddd IFX Parameter 3 (12768~52768)

#10 08 02 1D 0000 aaaa

0000 bbbb 0000 cccc 0000 dddd IFX Parameter 4 (12768~52768)

#10 08 02 21 0000 aaaa

0000 bbbb 0000 cccc 0000 dddd IFX Parameter 5 (12768~52768)

#10 08 02 25 0000 aaaa

0000 bbbb 0000 cccc 0000 dddd IFX Parameter 6 (12768~52768)

#10 08 02 29 0000 aaaa

0000 bbbb 0000 cccc 0000 dddd IFX Parameter 7 (12768~52768)

#10 08 02 2D 0000 aaaa

0000 bbbb 0000 cccc 0000 dddd IFX Parameter 8 (12768~52768)

#10 08 02 31 0000 aaaa

0000 bbbb 0000 cccc 0000 dddd IFX Parameter 9 (12768~52768)

#10 08 02 35 0000 aaaa

0000 bbbb 0000 cccc 0000 dddd IFX Parameter 10 (12768~52768)

#10 08 02 39 0000 aaaa

0000 bbbb 0000 cccc 0000 dddd IFX Parameter 11 (12768~52768)

OFF, CC01 - CC31, CC33 - CC95, BEND,

AFT, SYS1 - SYS4

–63~+63

OFF, CC01 - CC31, CC33 - CC95, BEND,

AFT, SYS1 - SYS4

-63 - +63

OFF, CC01 - CC31, CC33 - CC95, BEND,

AFT, SYS1 - SYS4

-63 - +63

OFF, CC01 - CC31, CC33 - CC95, BEND,

AFT, SYS1 - SYS4

-63 - +63

–20000~+20000

E-80 MIDI Implementation

#10 08 02 3D 0000 aaaa

#10 08 02 41 0000 aaaa

#10 08 02 45 0000 aaaa

#10 08 02 49 0000 aaaa

#10 08 02 4D 0000 aaaa

#10 08 02 51 0000 aaaa

#10 08 02 55 0000 aaaa

#10 08 02 59 0000 aaaa

#10 08 02 5D 0000 aaaa

#10 08 02 61 0000 aaaa

#10 08 02 65 0000 aaaa

#10 08 02 69 0000 aaaa

#10 08 02 6D 0000 aaaa

#10 08 02 71 0000 aaaa

#10 08 02 75 0000 aaaa

#10 08 02 79 0000 aaaa

#10 08 02 7D 0000 aaaa

0000 bbbb

0000 cccc

0000 dddd IFX Parameter 12 (12768~52768)

0000 bbbb

0000 cccc

0000 dddd IFX Parameter 13 (12768~52768)

0000 bbbb

0000 cccc

0000 dddd IFX Parameter 14 (12768~52768)

0000 bbbb

0000 cccc

0000 dddd IFX Parameter 15 (12768~52768)

0000 bbbb

0000 cccc

0000 dddd IFX Parameter 16 (12768~52768)

0000 bbbb

0000 cccc

0000 dddd IFX Parameter 17 (12768~52768)

0000 bbbb

0000 cccc

0000 dddd IFX Parameter 18 (12768~52768)

0000 bbbb

0000 cccc

0000 dddd IFX Parameter 19 (12768~52768)

0000 bbbb

0000 cccc

0000 dddd IFX Parameter 20 (12768~52768)

0000 bbbb

0000 cccc

0000 dddd IFX Parameter 21 (12768~52768)

0000 bbbb

0000 cccc

0000 dddd IFX Parameter 22 (12768~52768)

0000 bbbb

0000 cccc

0000 dddd IFX Parameter 23 (12768~52768)

0000 bbbb

0000 cccc

0000 dddd IFX Parameter 24 (12768~52768)

0000 bbbb

0000 cccc

0000 dddd IFX Parameter 25 (12768~52768)

0000 bbbb

0000 cccc

0000 dddd IFX Parameter 26 (12768~52768)

0000 bbbb

0000 cccc

0000 dddd IFX Parameter 27 (12768~52768)

0000 bbbb

0000 cccc

0000 dddd IFX Parameter 28 (12768~52768)

–20000~+20000

Page 30

E-80 MIDI Implementation

#10 00 03 01 0000 aaaa

#10 00 03 05 0000 aaaa

#10 00 03 09 0000 aaaa

#10 00 03 0D 0000 aaaa

❍

Part Output

Offset Address Description

10 00 3x 20 0000 aaaa Part Output Assign Keyboard (0~3)

10 00 2x 20 0000 aaaa Part Output Assign Song (0~3)

10 00 3x 21 0000 aaaa Part Output Keyboard MFX Select (0~2)

10 00 2x 21 0000 aaaa Part Output Song MFX Select (0~5)

• See the table on page 12 for the “X” value.

Song Part Equalizer

❍

Offset Address Description

10 00 2x 32 0000 000a Equalizer Switch (0~1)

10 00 2x 33 0000 0aaa Equalizer Low Freq (0~5)

10 00 2x 34 000a aaaa Equalizer Low Gain (0~30)

10 00 2x 35 000a aaaa Equalizer Mid Freq (0~16)

10 00 2x 36 000a aaaa Equalizer Mid Gain (0~4)

10 00 2x 37 0000 0aaa Equalizer Mid Q (0~30)

10 00 2x 38 0000 0aaa Equalizer Hi Freq (0~6)

10 00 2x 39 000a aaaa Equalizer High Gain (0~30)

❍

Keyboard Part Equalizer

Offset Address Description

10 00 3x 32 0000 000a Equalizer Switch (0~1)

10 00 3x 33 0000 0aaa Equalizer Low Freq (0~5)

10 00 3x 34 000a aaaa Equalizer Low Gain (0~30)

10 00 3x 35 000a aaaa Equalizer Mid Freq (0~16)

10 00 3x 36 000a aaaa Equalizer Mid Gain (0~4)

10 00 3x 37 0000 0aaa Equalizer Mid Q (0~30)

10 00 3x 38 0000 0aaa Equalizer Hi Freq (0~6)

10 00 3x 39 000a aaaa Equalizer High Gain (0~30)

❍

Common Chorus

Offset Address Description

10 00 04 00 0000 aaaa Chorus Type (0~3) 10 00 04 01 0aaa aaaa Chorus Level (0~127) 10 00 04 03 0000 00aa Chorus Output Select (0~2)

0000 bbbb 0000 cccc 0000 dddd IFX Parameter 29 (12768~52768)

0000 bbbb 0000 cccc 0000 dddd IFX Parameter 30 (12768~52768)

0000 bbbb 0000 cccc 0000 dddd IFX Parameter 31 (12768~52768)

0000 bbbb 0000 cccc 0000 dddd IFX Parameter 32 (12768~52768)

0= MFX, 1=Main/RevKbd, 2=Disable,

MFX, IFX, MFX Vtw, MFX A, MFX B, MFX C

90, 150, 180, 300, 360, 600 [Hz]

200, 250, 315, 400, 500, 630, 800, 1000,

1250, 1600, 2000, 2500, 3150, 4000, 5000,

1500, 2000, 3000, 4000, 6000, 8000, 12000

90, 150, 180, 300, 360, 600 [Hz]

200, 250, 315, 400, 500, 630, 800, 1000,

1250, 1600, 2000, 2500, 3150, 4000, 5000,

1500, 2000, 3000, 4000, 6000, 8000, 12000

–20000~+20000

3=Main/RevStyle-Song

MFX, IFX, MFX Vtw

OFF, ON

–15~+15 [dB]

6300, 8000 [Hz]

–15~+15 [dB]

0.5, 1.0, 2.0, 4.0, 8.0

–15~+15 [dB]

OFF, ON

–15~+15 [dB]

6300, 8000 [Hz]

–15~+15 [dB]

0.5, 1.0, 2.0, 4.0, 8.0

–15~+15 [dB]

MAIN, REV, MAIN+REV

[Hz]

#10 00 04 04 0000 aaaa

#10 00 04 08 0000 aaaa

#10 00 04 0C 0000 aaaa

#10 00 04 10 0000 aaaa

#10 00 04 14 0000 aaaa

#10 00 04 18 0000 aaaa

#10 00 04 1C 0000 aaaa

#10 00 04 20 0000 aaaa

#10 00 04 24 0000 aaaa

#10 00 04 28 0000 aaaa

#10 00 04 2C 0000 aaaa

#10 00 04 30 0000 aaaa

#10 00 04 34 0000 aaaa

#10 00 04 38 0000 aaaa

#10 00 04 3C 0000 aaaa

#10 00 04 40 0000 aaaa

#10 00 04 44 0000 aaaa

0000 bbbb 0000 cccc 0000 dddd Chorus Parameter 1 (12768~52768)

0000 bbbb 0000 cccc 0000 dddd Chorus Parameter 2 (12768~52768)

0000 bbbb 0000 cccc 0000 dddd Chorus Parameter 3 (12768~52768)

0000 bbbb 0000 cccc 0000 dddd Chorus Parameter 4 (12768~52768)

0000 bbbb 0000 cccc 0000 dddd Chorus Parameter 5 (12768~52768)

0000 bbbb 0000 cccc 0000 dddd Chorus Parameter 6 (12768~52768)

0000 bbbb 0000 cccc 0000 dddd Chorus Parameter 7 (12768~52768)

0000 bbbb 0000 cccc 0000 dddd Chorus Parameter 8 (12768~52768)

0000 bbbb 0000 cccc 0000 dddd Chorus Parameter 9 (12768~52768)

0000 bbbb 0000 cccc 0000 dddd Chorus Parameter 10 (12768~52768)

0000 bbbb 0000 cccc 0000 dddd Chorus Parameter 11 (12768~52768)

0000 bbbb 0000 cccc 0000 dddd Chorus Parameter 12 (12768~52768)

0000 bbbb 0000 cccc 0000 dddd Chorus Parameter 13 (12768~52768)

0000 bbbb 0000 cccc 0000 dddd Chorus Parameter 14 (12768~52768)

0000 bbbb 0000 cccc 0000 dddd Chorus Parameter 15 (12768~52768)

0000 bbbb 0000 cccc 0000 dddd Chorus Parameter 16 (12768~52768)

0000 bbbb 0000 cccc 0000 dddd Chorus Parameter 17 (12768~52768)

–20000~+20000

Page 31

E-80 MIDI Implementation

#10 00 04 48 0000 aaaa

#10 00 04 4C 0000 aaaa

#10 00 04 50 0000 aaaa

❍

Common Reverb

Offset Address Description

10 00 06 00 0000 aaaa Reverb Type (0~5) 10 00 06 01 0aaa aaaa Reverb Level (0~127)

#10 00 06 03 0000 aaaa

#10 00 06 07 0000 aaaa

#10 00 06 0B 0000 aaaa

#10 00 06 0F 0000 aaaa

#10 00 06 13 0000 aaaa

#10 00 06 17 0000 aaaa

#10 00 06 1B 0000 aaaa

#10 00 06 1F 0000 aaaa

#10 00 06 23 0000 aaaa

#10 00 06 27 0000 aaaa

#10 00 06 2B 0000 aaaa

#10 00 06 2F 0000 aaaa

#10 00 06 33 0000 aaaa

0000 bbbb 0000 cccc 0000 dddd Chorus Parameter 18 (12768~52768)

0000 bbbb 0000 cccc 0000 dddd Chorus Parameter 19 (12768~52768)

0000 bbbb 0000 cccc 0000 dddd Chorus Parameter 20 (12768~52768)

0000 bbbb 0000 cccc 0000 dddd Reverb Parameter 1 (12768~52768)

0000 bbbb 0000 cccc 0000 dddd Reverb Parameter 2 (12768~52768)

0000 bbbb 0000 cccc 0000 dddd Reverb Parameter 3 (12768~52768)

0000 bbbb 0000 cccc 0000 dddd Reverb Parameter 4 (12768~52768)

0000 bbbb 0000 cccc 0000 dddd Reverb Parameter 5 (12768~52768)

0000 bbbb 0000 cccc 0000 dddd Reverb Parameter 6 (12768~52768)

0000 bbbb 0000 cccc 0000 dddd Reverb Parameter 7 (12768~52768)

0000 bbbb 0000 cccc 0000 dddd Reverb Parameter 8 (12768~52768)

0000 bbbb 0000 cccc 0000 dddd Reverb Parameter 9 (12768~52768)

0000 bbbb 0000 cccc 0000 dddd Reverb Parameter 10 (12768~52768)

0000 bbbb 0000 cccc 0000 dddd Reverb Parameter 11 (12768~52768)

0000 bbbb 0000 cccc 0000 dddd Reverb Parameter 12 (12768~52768)

0000 bbbb 0000 cccc 0000 dddd Reverb Parameter 13 (12768~52768)

–20000~+20000

#10 00 06 37 0000 aaaa

#10 00 06 3B 0000 aaaa

#10 00 06 3F 0000 aaaa

#10 00 06 43 0000 aaaa

#10 00 06 47 0000 aaaa

#10 00 06 4B 0000 aaaa

#10 00 06 4F 0000 aaaa

❍

Common Harmonic Bar

Offset Address Description

10 00 70 00 0000 aaaa Upper Harmonic Bar 16’ 0~8 (0~8)

10 00 70 01 0000 aaaa Upper Harmonic Bar 5-1/3’ 0~8 (0~8)

10 00 70 02 0000 aaaa Upper Harmonic Bar 8’ 0~8 (0~8)

10 00 70 03 0000 aaaa Upper Harmonic Bar 4’ 0~8 (0~8)

10 00 70 04 0000 aaaa Upper Harmonic Bar 2-2/3’ 0~8 (0~8)

10 00 70 05 0000 aaaa Upper Harmonic Bar 2’ 0~8 (0~8)

10 00 70 06 0000 aaaa Upper Harmonic Bar 1-3/5’ 0~8 (0~8)

10 00 70 07 0000 aaaa Upper Harmonic Bar 1-1/3’ 0~8 (0~8)

10 00 70 09 0000 aaaa Upper Harmonic Bar 1’ 0~8 (0~8)

10 00 70 09 0000 aaaa Lower Harmonic Bar 16’ 0~8 (0~8)

10 00 70 0A 0000 aaaa Lower Harmonic Bar 5-1/3’ 0~8 (0~8)

10 00 70 0B 0000 aaaa Lower Harmonic Bar 8’ 0~8 (0~8)

10 00 70 0C 0000 aaaa Lower Harmonic Bar 4’ 0~8 (0~8)

10 00 70 0D 0000 aaaa Lower Harmonic Bar 2-2/3’ 0~8 (0~8)

10 00 70 0E 0000 aaaa Lower Harmonic Bar 2’ 0~8 (0~8)

10 00 70 0F 0000 aaaa Lower Harmonic Bar 1-3/5’ 0~8 (0~8)

10 00 70 10 0000 aaaa Lower Harmonic Bar 1-1/3’ 0~8 (0~8)

10 00 70 11 0000 aaaa Lower Harmonic Bar 1’ 0~8 (0~8)

10 00 70 12 0000 aaaa MBass Harmonic Bar 16’ 0~8 (0~8)

10 00 70 13 0000 aaaa MBass Harmonic Bar 8’ 0~8 (0~8)

10 00 70 14 0000 aaaa Percussion Switch OFF, ON (0~1)

10 00 70 15 0000 aaaa Percussion Harmonic 2-2/3’, 4’ (0~1)

10 00 70 16 0000 aaaa Percussion Level HARD, SOFT (0~1)

10 00 70 17 0000 aaaa Percussion Attack FAST, SLOW (0~1)

10 00 70 19 0000 aaaa Leakage Level 0~127 (0~127)

0000 bbbb

0000 cccc

0000 dddd Reverb Parameter 14 (12768~52768)

0000 bbbb

0000 cccc

0000 dddd Reverb Parameter 15 (12768~52768)

0000 bbbb

0000 cccc

0000 dddd Reverb Parameter 16 (12768~52768)

0000 bbbb

0000 cccc

0000 dddd Reverb Parameter 17 (12768~52768)

0000 bbbb

0000 cccc

0000 dddd Reverb Parameter 18 (12768~52768)

0000 bbbb

0000 cccc

0000 dddd Reverb Parameter 19 (12768~52768)

0000 bbbb

0000 cccc

0000 dddd Reverb Parameter 20 (12768~52768)

–20000~+20000

Page 32

E-80 MIDI Implementation

MIDI Implementation Chart

[Music Workstation] Date: May 2006 Model: E-80 Version: 1.00

Function... Transmitted Recognized Remarks

Basic Channel

Mode

Note Number True Voice

Velocity

After Touch

Pitch Bend O *1 O *1

Control Change

Program Change True #

System Exclusive O *1 O *1

System Common

System Real Time

Aux Messages

Notes

Mode 1: OMNI ON, POLY Mode 3: OMNI OFF, POLY

Default Changed

Default Message Altered

Note ON Note OFF

Key’s Ch’s

100, 101

Song Position Pointer Song Sel Tune

Clock Commands

All Sounds Off Reset All Controllers Local On/Off All Notes Off Active Sensing Reset

0,32

6, 38

10 11 16 64 65 66 67 69 71 72 73 74 75 76 77 78 84 91 93

98, 99

1~16 1~16, Off

Mode 3 Mode 3, 4 (M=1) *****

0~127 *****

O*1 X

O O

O*1

O O

O*1 O*1 O*1 O*1 O*1 O O*1 O*1 O O O O O O O O O O O*1 O*1 O*1 O*1

O*1 *****

O*1 X X

O*1 O*1

X X O*1 X O X

*1 O X is selectable *2 Recognized as M= 1 even if M≠ 1

Mode 2: OMNI ON, MONO Mode 4: OMNI OFF, MONO

1~16 1~16, Off

Mode 3 Mode 3, 4 (M=1) *2

0~127 0~127

O*1 X

O*1 O*1

O *1 O*1 O O*1 O*1 O*1 O*1 O*1 O*1 O*1 O*1 O*1 O O O O O O O O O O O (Reverb) *1 O (Chorus) *1 O*1 O*1

O*1 0~127

O X X

O*1 O*1

O (120, 126, 127) O (121) O O (123-125) O X

32 Parts 3 Logical Parts (Basic Channel, NTA1, NTA2)

Bank Select Modulation Portamento Time Data Entry Volume Panpot Expression C1 Hold 1 Portamento Sostenuto Soft Hold 2 Resonance Realease Time Attack Time Cutoff Decay Time Vibrato Rate Vibrato Depth Vibrato Delay Portamento Control Effect 1 Depth Effect 3 Depth NRPN LSB, MSB RPN LSB, MSB

Program Number 1~128

O: Yes X: No