The Pioneer website shown above offers FAQs, information on software and various other types of information
and services to allow you to use your product in greater comfort.
Le site Pioneer ci-dessus offre une FAQ, des informations sur le logiciel et divers types d’informations et de
services permettant de tirer le meilleur parti de ce produit.
Die oben gezeigte Pioneer-Website enthält häufig gestellte Fragen, Informationen über Software und andere
wichtige Informationen und Dienste, die Ihnen helfen, Ihr Produkt optimal zu verwenden.
Thank you for buying this Pioneer product. Please read through these operating instructions so you will know how to operate your model properly. After
you have finished reading the instructions, put them away in a safe place for future reference.
In some countries or regions, the shape of the power plug and power outlet may sometimes differ from that shown in the explanatory drawings.
However the method of connecting and operating the unit is the same.
IMPORTANT
CAUTION
RISK OF ELECTRIC SHOCK
DO NOT OPEN
The lightning flash with arrowhead symbol,
within an equilateral triangle, is intended to
alert the user to the presence of uninsulated
“dangerous voltage” within the product’s
enclosure that may be of sufficient
magnitude to constitute a risk of electric
shock to persons.
If you want to dispose this product, do not mix it with general household waste. There is a separate collection system for used
electronic products in accordance with legislation that requires proper treatment, recovery and recycling.
Private households in the member states of the EU, in Switzerland and Norway may return their used electronic products free of charge to
designated collection facilities or to a retailer (if you purchase a similar new one).
For countries not mentioned above, please contact your local authorities for the correct method of disposal.
By doing so you will ensure that your disposed product undergoes the necessary treatment, recovery and recycling and thus prevent potential
negative effects on the environment and human health.
WARNING
This equipment is not waterproof. To prevent a fire or
shock hazard, do not place any container filled with
CAUTION:
TO PREVENT THE RISK OF ELECTRIC
SHOCK, DO NOT REMOVE COVER (OR
BACK). NO USER-SERVICEABLE PARTS
INSIDE. REFER SERVICING TO QUALIFIED
SERVICE PERSONNEL.
Before making or changing the connections,
switch off the power and disconnect the power
cord from the AC outlet.
liquid near this equipment (such as a vase or flower
pot) or expose it to dripping, splashing, rain or
moisture.
D3-4-2-1-3_A1_En
This product is for general household purposes. Any
failure due to use for other than household purposes
(such as long-term use for business purposes in a
WARNING
Before plugging in for the first time, read the following
section carefully.
restaurant or use in a car or ship) and which requires
repair will be charged for even during the warranty
period.
The voltage of the available power supply differs
according to country or region. Be sure that the
power supply voltage of the area where this unit
will be used meets the required voltage (e.g., 230 V
or 120 V) written on the side panel.
D3-4-2-1-4*_A1_En
WARNING
To prevent a fire hazard, do not place any naked flame
sources (such as a lighted candle) on the equipment.
D3-4-2-1-7a_A1_En
Operating Environment
Operating environment temperature and humidity:
+5 °C to +35 °C (+41 °F to +95 °F); less than 85 %RH
(cooling vents not blocked)
POWER-CORD CAUTION
Handle the power cord by the plug. Do not pull out the
plug by tugging the cord and never touch the power
cord when your hands are wet as this could cause a
short circuit or electric shock. Do not place the unit, a
piece of furniture, etc., on the power cord, or pinch the
cord. Never make a knot in the cord or tie it with other
cords. The power cords should be routed such that they
are not likely to be stepped on. A damaged power cord
can cause a fire or give you an electrical shock. Check
the power cord once in a while. When you find it
damaged, ask your nearest PIONEER authorized
service center or your dealer for a replacement.
Do not install this unit in a poorly ventilated area, or in
locations exposed to high humidity or direct sunlight (or
strong artificial light)
D3-4-2-1-7c*_A1_En
The exclamation point within an equilateral
triangle is intended to alert the user to the
presence of important operating and
maintenance (servicing) instructions in the
literature accompanying the appliance.
D3-4-2-1-1_A1_En
K058b_A1_En
D44-9-3_A1_En
K041_A1_En
S002*_A1_En
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2
VENTILATION CAUTION
When installing this unit, make sure to leave space
around the unit for ventilation to improve heat radiation
(at least 5cm at rear, and 3 cm at each side).
WARNING
Slots and openings in the cabinet are provided for
ventilation to ensure reliable operation of the product,
and to protect it from overheating. To prevent fire
hazard, the openings should never be blocked or
covered with items (such as newspapers, table-cloths,
curtains) or by operating the equipment on thick carpet
or a bed.
If the AC plug of this unit does not match the AC
outlet you want to use, the plug must be removed
and appropriate one fitted. Replacement and
mounting of an AC plug on the power supply cord of
this unit should be performed only by qualified
service personnel. If connected to an AC outlet, the
cut-off plug can cause severe electrical shock. Make
sure it is properly disposed of after removal.
The equipment should be disconnected by removing
the mains plug from the wall socket when left unused
for a long period of time (for example, when on
vacation).
D3-4-2-1-7b*_A1_En
D3-4-2-2-1a_A1_En
CAUTION
The POWER switch on this unit will not completely
shut off all power from the AC outlet. Since the power
cord serves as the main disconnect device for the
unit, you will need to unplug it from the AC outlet to
shut down all power. Therefore, make sure the unit
has been installed so that the power cord can be
easily unplugged from the AC outlet in case of an
accident. To avoid fire hazard, the power cord should
also be unplugged from the AC outlet when left
unused for a long period of time (for example, when
on vacation).
D3-4-2-2-2a*_A1_En
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3
Contents
How to read this manual
The names of displays, menus, and buttons in this manual are enclosed
in brackets. (e.g. [MASTER] channel, [ON/OFF], [File] menu)
Before start
Features ....................................................................................................... 5
What’s in the box ........................................................................................ 5
This unit is a 4-channel DJ mixer carrying over the technology of the
Pioneer DJM series, the world standard for club sound. It is not only
equipped with a variety of functions for DJ performances, including
USB sound card, BEAT COLOR FX, SOUND COLOR FX and BEAT
EFFECT, it also uses a high sound quality, high reliability design and a
panel layout with high operability to provide powerful support for all DJ
performances.
24 bit/96 kHz STEREO 4-IN 4-OUT SOUND
CARD
This unit is equipped with a 24 bit/96 kHz stereo 4-in 4-out compatible
USB sound card.
This unit supports ASIO/Core Audio standards, so it can be used not
only for DJ performances with DJ software but also with a wide variety of
other software applications, including for software for creating music.
! Four sets of stereo sound from a single computer can be input to the
respective channels and mixed.
! Up to four sets of stereo sound can be output to the computer from
the respective channels (channels 1 to 4, REC OUT, crossfader sides
A and B and microphone).
! The sampling rate can be switched between 96 kHz, 48 kHz and
44.1 kHz.
BEAT COLOR FX/SOUND COLOR FX
This unit inherits and further evolves the SOUND COLOR FX feature
popular on the DJM series. This feature offers four types of effects, and
effects can be achieved simply by turning the [COLOR] control provided
for each channel, enabling improvisational performances. The BEAT
COLOR FX function that changes the effect in association with the
sound of the respective channels makes for even more dynamic performances than before.
The simple, straightforward layout of the control panel not only makes
for easy DJ performances, it also allows DJs using it for the first time to
operate it without hesitation.
What’s in the box
! Driver software CD-ROM
! USB cable
! Warranty card
! Power cord
! Operating instructions (this document)
BEAT EFFECT
This unit also inherits the BEAT EFFECT feature popular on the DJM
series, equipped with 13 types of effects. The BEAT COLOR FX and
SOUND COLOR FX effects can be combined to create some 100 different
effects, letting the DJ produce a wide variety of sounds.
HIGH SOUND QUALITY
Efforts have been made to improve and enhance sound quality for the
digital/analog inputs/outputs. 96 kHz sampling and sound processing
with a 24 bit high sound quality A/D converter and a 32 bit high sound
quality D/A converter reproduce the source faithfully and provide powerful, high grade club sound.
BUILD QUALITY
This unit uses the high performance channel faders of the DJM900nexus and the “P-LOCK Fader Cap” mechanism for locking the fader
knobs. Frequently used controls with optimized internal structures using
metal shafts and other measures are taken to achieve smooth operation
and high endurance.
STANDARD LAYOUT
This unit carries over the control panel layout of the Pioneer DJM series,
the world standard in DJ mixers.
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5
Connections
Be sure to turn off the power and unplug the power cord from the power outlet whenever making or changing connections.
Refer to the operating instructions for the component to be connected.
Connect the power cord after all the connections between devices have been completed.
Be sure to use the included power cord.
Rear panel
13464643455782
CH 4CH 3
PHONO CD/ LINE
L
SIGNAL GNDSIGNAL GND
R
MASTER1
R
1 GND
OFF
ON
POWER
AC IN
RETURN
R
SEND
L
LR
(MONO)
(MONO)
1 POWER button (page 14)
Turns this unit’s power on and off.
2 RETURN terminals (page 7)
Connect to the output terminal of an external effector. When the [L
(MONO)] channel only is connected, the [L (MONO)] channel input is simultaneously input to the [R] channel.
3 PHONO terminals (page 7)
Connect to a phono level (MM cartridge) output device. Do not input
line level signals.
To connect a device to the [PHONO] terminals, remove the shortcircuit pin plug inserted in the terminals.
Insert this short-circuit pin plug into the [PHONO] terminals when
nothing is connected to them to cut external noise.
4 CD/LINE terminals (page 7)
Connect to a DJ player or a line level output component.
5 SIGNAL GND terminal (page 7)
Connects an analog player’s ground wire here. This helps reduce
noise when the analog player is connected.
6 LINE terminals (page 7)
Connect to a cassette deck or a line level output component.
7 MIC2 terminal (page 7)
Connects a microphone here.
8 MIDI OUT terminal (page 7)
Connects this to the MIDI IN terminal on an external MIDI
sequencer.
9 Kensington security slot
a CONTROL terminal (page 7)
This is a Ø 3.5 mm mini phone jack type DJ player control terminal.
If you connect a Pioneer DJ player using a control cable (supplied
with a DJ player), you can start playback of control other operations
of the DJ player with the fader of this unit.
LINE CD/LINE
L
2 HOT
3 COLD
LR
PHONO
CH 1
CD/LINE
L
R
DIGITAL
MASTER OUT
CH3
CH4
MIC2
CONTROL
MIDIOUT
CH1
CH2
CH 2
LINE CD/LINE
L
L
R
L
RR
REC OUTMASTER2
BOOTH
TRS
L
R
deb9hacgf
b DIGITAL MASTER OUT terminal (page 7)
Outputs the master channel audio signals.
c BOOTH terminals (page 7)
Output terminals for a booth monitor, compatible with balanced or
unbalanced output for a TRS connector.
d REC OUT terminals (page 7)
These are output terminals for recording.
e MASTER2 terminals (page 7)
Connect to a power amplifier, etc.
f MASTER1 terminals (page 7)
Connect to a power amplifier, etc.
g SEND terminals (page 7)
Connect to the input terminal of an external effector. When the [L
(MONO)] channel only is connected, a monaural audio signal is
output.
h AC IN
Connects to a power outlet using the included power cord. Wait until
all connections between the equipment are completed before connecting the power cord.
Be sure to use the included power cord.
WARNING
The short-circuit pin plugs out of the reach of children and infants. If
accidentally swallowed, contact a doctor immediately.
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6
Connecting input terminals
Analog playerAnalog playerMicrophonesCassette deck, CD player, etc.
! When creating a DVS (Digital Vinyl System) combining a computer, audio interface, etc., be careful in connecting the audio interface to this unit’s
input terminals and in the settings of the input selector switches.
Also refer to the operating instructions of the DJ software and audio interface.
(line level output devices)
English
L
L
LR
PHONO CD/LINE
(MONO)
(MONO)
R
CH 4CH 3
L
SIGNAL GNDSIGNAL GND
R
MASTER1
R
1 GND
L
L
R
RETURN
OFF
POWER
ON
AC IN
To power outlet
! To use the fader start function, connect a control cable (page 14).
R
SEND
R
L
Pioneer DJ players
LINE CD/LINE
L
2 HOT
3 COLD
R
L
R
CH 2
LINECD/LINE
L
L
R
L
RR
REC OUTMASTER2
L
R
BOOTH
TRS
LR
L
PHONO
L
R
CH 1
CD/LINE
L
R
DIGITAL
MASTER OUT
R
CH3
CH4
MIC2
CONTROL
MIDI OUT
CH1
CH2
R
L
Pioneer DJ players
Connecting output terminals
CH 4CH 3
PHONO CD/LINE
RETURN
R
L
SEND
LR
(MONO)
(MONO)
OFF
POWER
ON
AC IN
L
R
MASTER1
Power amplifier Power amplifier
External effector
1
1 Also connect the external effector to the [RETURN] terminal (input terminal).
LINE CD/LINE
L
SIGNAL GNDSIGNAL GND
R
1 GND
L
L
2 HOT
3 COLD
R
REC OUTMASTER2
L
R
L
Cassette deck, etc.
(analog input
recording device)
CH 2
LINECD/LINE
L
RR
BOOTH
TRS
L
R
R
Power amplifier
(for booth monitor)
LR
PHONO
CH 1
CD/LINE
L
R
DIGITAL
MASTER OUT
MIC2
CONTROL
CH3
CH4
Digital audio
input device
MIDI OUT
CH1
CH2
MIDI sequencer
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7
Connecting to the control panel
Be sure to connect using the included USB cable.
Computers
Microphones
1
2
Headphones
3
1 MIC1 terminal (page 15)
Connects a microphone here.
2 USB terminal (page 10)
Connect the computer.
3 PHONES terminal (page 14)
Connect headphones here.
MICUSB
MIC1
MIC 1
MIC 2
MIXING
CUE
LEVEL
PHONES
0
0
MASTER
0
LEVEL
CD/LINE PHONO
OVER
10
7
4
2
1
0
About the driver software and
setting utility software
The driver software is required to input and output the sound of a computer using this unit’s built-in USB sound card. Prepare a computer
on which a Windows or Mac operating system is installed and the proprietary driver software provided by Pioneer. When the driver software
is installed, the settings utility software is installed at the same time.
Change the settings of the settings utility and the computer according to
your environment.
Software end user license agreement
This Software End User License Agreement (“Agreement”) is between
you (both the individual installing the Program and any single legal
entity for which the individual is acting) (“You” or “Your”) and PIONEER
CORPORATION (“Pioneer”).
TAKING ANY STEP TO SET UP OR INSTALL THE PROGRAM MEANS
THAT YOU ACCEPT ALL OF THE TERMS OF THIS LICENSE AGREEMENT.
PERMISSION TO DOWNLOAD AND/OR USE THE PROGRAM IS
EXPRESSLY CONDITIONED ON YOUR FOLLOWING THESE TERMS.
TRIM
HI
-
26
/
WRITTEN OR ELECTRONIC APPROVAL IS NOT REQUIRED TO MAKE
THIS AGREEMENT VALID AND ENFORCEABLE. IF YOU DO NOT
AGREE TO ALL OF THE TERMS OF THIS AGREEMENT, YOU ARE NOT
AUTHORIZED TO USE THE PROGRAM AND MUST STOP INSTALLING IT
9
OR UNINSTALL IT, AS APPLICABLE.
1 Definitions
1 “Documentation” means written documentation, specifications
6
and help content made generally available by Pioneer to aid in
installing and using the Program.
2 “Program” means all or any part of Pioneer’s software licensed to
You by Pioneer under this Agreement.
2 Program license
1 Limited License. Subject to this Agreement’s restrictions,
Pioneer grants to You a limited, non-exclusive, nontransferable,
BATHRU
license (without the right to sublicense):
a To install a single copy of the Program on the hard disk
drive of Your computer, to use the Program only for Your
personal purpose complying with this Agreement and the
Documentation (“Authorized Use”);
b To use the Documentation in support of Your Authorized Use;
and
c To make one copy of the Program solely for backup pur-
poses, provided that all titles and trademark, copyright and
restricted rights notices are reproduced on the copy.
2 Restrictions. You will not copy or use the Program or
Documentation except as expressly permitted by this Agreement.
You will not transfer, sublicense, rent, lease or lend the Program,
or use it for third-party training, commercial time-sharing or
service bureau use. You will not Yourself or through any third
party modify, reverse engineer, disassemble or decompile the
Program, except to the extent expressly permitted by applicable
law, and then only after You have notified Pioneer in writing of
Your intended activities. You will not use the Program on multiple
processors without Pioneer’s prior written consent.
3 Ownership. Pioneer or its licensor retains all right, title and
interest in and to all patent, copyright, trademark, trade secret
and other intellectual property rights in the Program and
Documentation, and any derivative works thereof. You do not
acquire any other rights, express or implied, beyond the limited
license set forth in this Agreement.
4 No Support. Pioneer has no obligation to provide support,
maintenance, upgrades, modifications or new releases for the
Program or Documentation under this Agreement.
3 Warranty disclaimer
THE PROGRAM AND DOCUMENTATION ARE PROVIDED “AS IS”
WITHOUT ANY REPRESENTATIONS OR WARRANTIES, AND YOU
AGREE TO USE THEM AT YOUR SOLE RISK. TO THE FULLEST EXTENT
PERMISSIBLE BY LAW, PIONEER EXPRESSLY DISCLAIMS ALL
WARRANTIES OF ANY KIND WITH RESPECT TO THE PROGRAM AND
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8
DOCUMENTATION, WHETHER EXPRESS, IMPLIED, STATUTORY,
OR ARISING OUT OF COURSE OF PERFORMANCE, COURSE OF
DEALING OR USAGE OF TRADE, INCLUDING ANY WARRANTIES
OF MERCHANTABILITY, FITNESS FOR A PARTICULAR PURPOSE,
SATISFACTORY QUALITY, ACCURACY, TITLE OR NON-INFRINGEMENT.
4 Damages and remedies for breach
You agree that any breach of this Agreement’s restrictions would cause
Pioneer irreparable harm for which money damages alone would be
inadequate. In addition to damages and any other remedies to which
Pioneer may be entitled, You agree that Pioneer may seek injunctive
relief to prevent the actual, threatened or continued breach of this
Agreement.
5 Termination
Pioneer may terminate this Agreement at any time upon Your breach of
any provision. If this Agreement is terminated, You will stop using the
Program, permanently delete it from the computer where it resides, and
destroy all copies of the Program and Documentation in Your possession, confirming to Pioneer in writing that You have done so. Sections
2.2, 2.3, 2.4, 3, 4, 5 and 6 will continue in effect after this Agreement’s
termination.
6 General terms
1 Limitation of Liability. In no event will Pioneer or its subsidiaries
be liable in connection with this Agreement or its subject matter,
under any theory of liability, for any indirect, incidental, special,
consequential or punitive damages, or damages for lost profits,
revenue, business, savings, data, use, or cost of substitute procurement, even if advised of the possibility of such damages or if
such damages are foreseeable. In no event will Pioneer’s liability
for all damages exceed the amounts actually paid by You to
Pioneer or its subsidiaries for the Program. The parties acknowledge that the liability limits and risk allocation in this Agreement
are reflected in the Program price and are essential elements of
the bargain between the parties, without which Pioneer would
not have provided the Program or entered into this Agreement.
2 The limitations or exclusions of warranties and liability contained
in this Agreement do not affect or prejudice Your statutory rights
as consumer and shall apply to You only to the extent such limitations or exclusions are permitted under the laws of the jurisdiction where You are located.
3 Severability and Waiver. If any provision of this Agreement is held
to be illegal, invalid or otherwise unenforceable, that provision
will be enforced to the extent possible or, if incapable of enforcement, deemed to be severed and deleted from this Agreement,
and the remainder will continue in full force and effect. The
waiver by either party of any default or breach of this Agreement
will not waive any other or subsequent default or breach.
4 No Assignment. You may not assign, sell, transfer, delegate or
otherwise dispose of this Agreement or any rights or obligations
under it, whether voluntarily or involuntarily, by operation of law
or otherwise, without Pioneer’s prior written consent. Any purported assignment, transfer or delegation by You will be null and
void. Subject to the foregoing, this Agreement will be binding
upon and will inure to the benefit of the parties and their respective successors and assigns.
5 Entire Agreement. This Agreement constitutes the entire agree-
ment between the parties and supersedes all prior or contemporaneous agreements or representations, whether written or
oral, concerning its subject matter. This Agreement may not be
modified or amended without Pioneer’s prior and express written
consent, and no other act, document, usage or custom will be
deemed to amend or modify this Agreement.
6 You agree that this Agreement shall be governed and construed
by and under the laws of Japan.
Cautions on Installation
! Before installing the driver software, be sure to turn off the power of
this unit and disconnect the USB cable from both this unit and your
computer.
! If you connect this unit to your computer without installing the driver
software first, an error may occur on your computer depending on
the system environment.
! If you have discontinued the installation process in progress, step
through the installation process again from the beginning according
to the following procedure.
! Read Software end user license agreement carefully before installing
this unit’s proprietary driver software.
! Before installing the driver software, terminate all other programs
running on your computer.
! The driver software is compatible with the following OSs.
Supported operating systems
Mac OS X 10.5 / 10.6 / 10.7
®
7 Home Premium/Professional/Ultimate
Windows
®
Windows Vista
Ultimate
Windows
Windows® XP Professional x64 Edition is not supported.
! The included CD-ROM includes installation programs in the follow-
Russian, Simplified Chinese, Traditional Chinese, Korean, and
Japanese
When using operating systems in other languages, follow the
instructions on the screen to select [English (English)].
Home Basic/Home Premium/Business/
®
XP Home Edition/Professional (SP3 or later)32-bit version
32-bit version
64-bit version
32-bit version
64-bit version
1
1
1
1
1
1
Installing the driver software
About the installation procedure (Windows)
Read Cautions on Installation carefully before installing the driver
software.
! To install or uninstall the driver software, you need to be authorized
by the administrator of your computer. Log on as the administrator of
your computer before proceeding with the installation.
1 Insert the included CD-ROM into the computer’s CD
drive.
2 Double-click [DJM-850_X.XXX.exe].
The driver installation screen appears.
3 When the language selection screen appears, select
[English] and click [OK].
You can select one from multiple languages depending on the system
environment of your computer.
4 Carefully read the Software end user license
agreement and if you consent to the provisions, put a
check mark in [I agree.] and click [OK].
If you do not consent to the provisions of the Software end user license
agreement, click [Cancel] and stop installation.
5 Proceed with installation according to the instructions
on the screen.
If [Windows Security] appears on the screen while the installation is
in progress, click [Install this driver software anyway] and continue
with the installation.
! When installing on Windows XP
If [Hardware Installation] appears on the screen while the installa-
tion is in progress, click [Continue Anyway] and continue with the
installation.
! When the installation program is completed, a completion message
appears.
English
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9
! When the installation of the driver software is completed, you need to
reboot your computer.
About the installation procedure (Mac OS X)
Read Cautions on Installation carefully before installing the driver
software.
! To install or uninstall the driver software, you need to be authorized
by the administrator of your computer. Have the name and password
of the administrator of your computer ready in advance.
1 Insert the included CD-ROM into the computer’s CD
drive.
The CD-ROM folder appears.
! Double-click the CD icon on the desktop when folders are not dis-
played after a CD-ROM has been loaded.
2 Double-click [CD_menu].
3 Double-click [DJM-850_M_X.X.X.dmg].
The [DJM-850AudioDriver] menu screen appears.
4 Double-click [DJM-850AudioDriver.pkg].
The driver installation screen appears.
5 Check the details on the screen and click [Continue
Anyway].
6 When the Software Use Agreement screen appears,
select [English], carefully read the Software end user license agreement and click [Continue Anyway].
You can select one from multiple languages depending on the system
environment of your computer.
7 If you consent to the provisions of the Software end
user license agreement, click [Agree].
If you do not consent to the provisions of the Software end user license
agreement, click [I disagree] and stop installation.
8 Proceed with installation according to the instructions
on the screen.
! Click [Cancel] to cancel installation after it has started.
! When the installation of the driver software is completed, you need to
reboot your computer.
Select [No, not this time], then click [Next] to continue
installation.
— [What do you want the wizard to do?] may appear while
the installation is in progress. Select [Install the software automatically (Recommended)], then click [Next] to continue
installation.
— If [Windows Security] appears on the screen while the installa-
tion is in progress, click [Install this driver software anyway]
and continue with the installation.
About the setting utility software
The setting utility can be used to make the checks and settings
described below.
— Checking the status of this unit’s [CD/LINE, PHONO, LINE, USB */*]
selector switch
— Setting the audio data output from this unit to the computer
— Adjusting the buffer size (when using Windows ASIO)
— Checking the version of the driver software
1 Connect this unit to your computer via a USB cable.
This unit functions as an audio device conforming to the ASIO
standards.
! This operation does not work with computers that do not support
USB 2.0.
! When using ASIO-compatible applications, [USB 1/2], [USB 3/4],
[USB 5/6] and [USB 7/8] can be used as inputs.
! When using DirectX-compatible applications, only [USB 1/2] can be
used as the input.
! The computer’s recommended operating environment differs
according to the DJ software. Be sure to check the recommended
operating environment for the DJ software you are using.
! When another USB audio device is connected to the computer at the
same time, it may not operate or be recognized normally.
We recommend only connecting the computer and this unit.
! When connecting the computer and this unit, we recommend con-
necting directly to this unit’s USB port.
2 Press [POWER] button.
Turn on the power of this unit.
! The message [Installing device driver software] may appear when
this unit is first connected to the computer or when it is connected to
a different USB port on the computer. Wait a while until the message
[Your devices are ready for use] appears.
! When installing on Windows XP
— [Can Windows connect to Windows Update to search for
software?] may appear while the installation is in progress.
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10
Setting the audio data output from this unit to
the computer
Display the setting utility before starting.
1 Click the [MIXER OUTPUT] tab.
Click the [ASIO] tab.
! If the buffer size is made large, drops in audio data (breaks in the
sound) occur less easily, but the time lag due to the delay in the
transfer of the audio data (latency) increases.
English
2 Click the [Mixer Audio Output] pull-down menu.
Select and set the audio data to be output to the computer from the flow
of audio signals inside this unit.
CH1CH2CH3CH4
CH1 Timecode
1
PHONO
CH1 Timecode
1
CD/LINE
Post CH1 Fader2Post CH2 Fader2Post CH3 Fader2Post CH4 Fader
Cross Fader A2Cross Fader A2Cross Fader A2Cross Fader A
Cross Fader B2Cross Fader B2Cross Fader B2Cross Fader B
MICMICMICMIC
2
REC OUT
NoneNoneNoneNone
1 The audio data is output with the same volume at which it is input to this unit,
regardless of the [USB Output Level] setting.
2 When using for any purposes other than sound recording, pay attention to set
the DJ software so that sound loops are not generated. If sound loops are generated, sound with an unintended volume might be input or output.
CH2 Timecode
1
CD/LINE
CH2 Timecode
1
LINE
2
REC OUT
CH3 Timecode
1
CD/LINE
CH3 Timecode
1
LINE
2
REC OUT
CH4 Timecode
1
PHONO
CH4 Timecode
1
CD/LINE
2
REC OUT
2
2
2
3 Click the [USB Output Level] pull-down menu.
Adjust the volume of the audio data output from this unit.
! The [USB Output Level] setting is applied equally to all audio data.
However, when 1 on the table at step 2 is selected, the audio data is
output with the same volume at which it is input to this unit.
! If not enough volume can be achieved with the DJ software’s volume
adjustment alone, change the [USB Output Level] setting to adjust
the volume of the audio data output from this unit. Note that the
sound will be distorted if the volume is raised too high.
Adjusting the buffer size (when using Windows
ASIO)
If an application using this unit as the default audio device (DJ software,
etc.) is running, quit that application before adjusting the buffer size.
Display the setting utility before starting.
Checking the version of the driver software
Display the setting utility before starting.
Click the [About] tab.
Checking the latest information on the
driver software
For the latest information on the driver software for exclusive use with
this unit, visit our website shown below.
http://pioneerdj.com/support/
! Operation cannot be guaranteed when multiple units of this mixer
are connected to a single computer.
En
11
Operation
1
2
3
4
5
6
7
8
9
MICUSB
MIC1
MIC 1
0
MIC 2
0
HI
1212
LOW
1212
TALK
OVER
OFF
ON
NOISE
GATE
SOUND COLOR FX
CRUSH
FILTER
FADER START
1
234
HEAD PHONES
STEREOMONO SPLIT
MIXING
MASTER
CUE
LEVEL
0
PHONES
LEVEL
EQ
CD/LINE PHONO USB
TRIM
OVER
10
7
HI
4
2
1
0
-
26
/
MID
-
1
-
2
-
3
-
5
-
26
/
-
7
LOW
-
10
-
15
-
24
-
26
/
dB
BEAT
COLOR
CUE
1/2
b
c
d
9
6
EQ /
ISO
6
6
f
e
HILOW
g
h
BA THRU
i
aa
CD/LINE LINE USB
TRIM
OVER
10
7
HI
4
2
1
0
-
26
/
MID
-
1
-
2
-
3
-
5
-
26
/
-
7
LOW
-
10
-
15
-
24
-
26
/
dB
BEAT
COLOR
CUE
10
9
8
7
6
5
4
3
2
1
0
j
CD/LINE LINE USB
3/4
b
OVER
c
10
d
9
7
4
2
1
0
6
-
26
-
1
-
2
EQ /
-
3
ISO
-
5
6
-
26
-
7
-
10
-
15
-
24
6
-
26
dB
BEAT
f
e
HILOW
g
10
9
8
7
6
5
4
3
2
1
0
h
BA THRU
i
CROSS FADER ASSIGN
a
TRIM
/
MID
/
LOW
/
COLOR
CUE
POWER
ON/OFF
BEAT EFFECTS
1 2 3 4
MIC
AUTO
TAP
AUTO
/ TAP
FILTER
TRANS
SPIRAL
UP ECHO
ECHO
DELAY
3
2
1
LEVEL /DEPTH
MIN
MIDI
START
/STOP
CH SELECT
A B
PARAMETER
BEAT
TAP
CUE
FLANGER
4
TIME
ON/ OFF
SETUP
WAKE UP
MST
BPM
%
ms
PHASER
ROBOTREVERB
SLIP ROLL
ROLL
REV ROLL
SND/ RTN
MIC
CF.A
CF.B
MASTER
MAX
6
6
6
7/8
b
c
d
EQ /
ISO
f
e
g
h
i
MASTER
LEVEL
k
l
OVER
10
7
4
2
1
0
-
1
-
2
-
3
-
5
-
7
-
10
-
15
-
24
dB
BALANCE
m
g
STEREO
MONO
n
BOOTH MONITOR
o
EQ CURVE
EQ
ISOLATOR
p
CH FADER
q
CROSS FADER
0
RL
RL
0
a
CD/LINE PHONO USB
5/6
b
c
d
9
HI
6
EQ /
ISO
6
6
f
OVER
dB
10
7
4
2
1
-
-
-
-
-
-
-
-
0
10
15
24
1
2
3
5
7
BEAT
TRIM
9
HI
-
26
/
MID
-
26
/
LOW
-
26
/
COLOR
e
HILOW
g
10
9
8
7
6
5
4
3
2
1
0
h
BA THRU
HILOW
CUECUE
BA THRU
i
r
BA
s
t
u
v
w
x
y
g
z
A
B
C
D
12
En
1 MIC1 LEVEL control (page 15)
Adjusts the sound level output from the [MIC1] channel.
2 MIC2 LEVEL control (page 15)
Adjusts the sound level output from the [MIC2] channel.
3 EQ (HI, LOW) controls (page 15)
These adjust the tone quality of the [MIC1] and [MIC2] channels.
4 OFF, ON, TALK OVER selector switch (page 15)
Turns the microphone on/off.
5 SOUND COLOR FX buttons (page 16)
These turn the SOUND COLOR FX effects on/off.
6 FADER START (1, 2, 3, 4) buttons (page 14)
These turn the fader start function on/off.
7 MONO SPLIT, STEREO selector switch (page 14)
Switches how the monitor sound output from the headphones is
distributed.
8 MIXING control (page 14)
This adjusts the monitor volume balance of the sound of channels for
which the [CUE] button is pressed and the sound of the [MASTER]
channel.
9 LEVEL control (page 14)
Adjusts the sound level output from the headphones.
a CD/LINE, PHONO, LINE, USB */* selector switch (page 14)
Selects the input source of each channel from the components connected to this unit.
b Channel Level Indicator (page 14)
Displays the sound level of the respective channels before passing
through the channel faders.
c TRIM control (page 14)
Adjusts the level of audio signals input in each channel.
d EQ/ISO (HI, MID, LOW) controls (page 14)
These adjust the sound quality of the respective channels.
e COLOR control (page 16)
This changes the parameters of the SOUND COLOR FX of the different channels.
f BEAT button (page 16)
When the button is pressed while SOUND COLOR FX is turned on,
the effect sound is associated to the beat (change in volume) of the
currently playing track.
g CUE button (page 14)
Presses the [CUE] button(s) for the channel(s) you want to monitor.
h Channel Fader (page 14)
Adjusts the level of audio signals output in each channel.
i CROSS FADER ASSIGN (A, THRU, B) selector switch
(page 14)
Sets the output destination of each channel to [A] or [B].
j Crossfader (page 14)
Outputs audio signals assigned by the crossfader assign switch corresponding to the curve characteristics selected by [CROSS FADER]
(Crossfader Curve Selector Switch).
k MASTER LEVEL control (page 14)
Adjusts the sound level output from the [MASTER] channel.
l Master Level Indicator (page 14)
Displays the sound level output from the [MASTER] channel.
m BALANCE control (page 15)
Adjusts the left/right balance of the sound output from the
[MASTER1] terminals, etc.
n MONO, STEREO selector switch (page 15)
Switches the sound output from the [MASTER1] terminals, etc.,
between monaural and stereo.
o BOOTH MONITOR control (page 15)
Adjusts the level of audio signals output from the [BOOTH] terminal.
p EQ CURVE (ISOLATOR, EQ) selector switch (page 14)
Switches the function of the [EQ/ISO (HI, MID, LOW)] controls.
q CH FADER ( , , ) selector switch (page 14)
Switches the channel fader’s curve characteristics.
r CROSS FADER ( , , ) selector switch (page 14)
This switches the crossfader curve characteristics.
s ON/OFF button (page 17)
Switches the MIDI function on and off.
t START/STOP button (page 17)
Sends the MIDI start/MIDI stop signals.
u SETUP (WAKE UP) button (page 23)
— SETUP: Displays the [USER SETUP] or [CLUB SETUP] screen.
— WAKE UP: Cancels the auto standby mode.
v Main unit display
w BEAT c, d buttons (page 16)
Set the beat fraction for synchronizing the effect sound.
x TAP (ENTER) button
—TAP: When the BPM measurement mode is set to [TAP], the
BPM is input manually by tapping the button with a finger (page
16).
—ENTER: Used to change this unit’s settings (page 23).
Switches the channel to which the BEAT EFFECT is to be applied.
B TIME control (page 16)
Adjusts the BEAT EFFECT’s time parameter.
C LEVEL/DEPTH control (page 16)
Adjusts the BEAT EFFECT’s quantitative parameter.
D ON/OFF button (page 16)
Turns the BEAT EFFECT function on/off.
Do not pull on the channel fader and crossfader knobs with excessive
force. The knobs have a structure by which they cannot be pulled off
easily. Pulling the knobs strongly may result in damaging the unit.
English
En
13
Basic Operation
Outputting sound
1 Press [POWER] button.
Turns on the power of this unit.
2 Switch the [CD/LINE, PHONO, LINE, USB */*] selector
switch.
Selects the input sources for the different channels from among the
devices connected to this unit.
— [PHONO]: Selects the analog player connected to the [PHONO]
terminals.
— [CD/LINE], [LINE]: Selects the DJ player or cassette deck con-
nected to the [CD/LINE] or [LINE] terminals.
— [USB */*]: Selects the sound of the computer connected to the
[USB] port.
3 Turn the [TRIM] control.
Adjusts the level of audio signals input in each channel.
The corresponding channel level indicator lights when audio signals are
being properly input to that channel.
4 Move the channel fader away from you.
Adjusts the level of audio signals output in each channel.
— [THRU]: Selects this when you do not want to use the crossfader.
(The signals do not pass through the crossfader.)
6 Set the crossfader.
This operation is not necessary when the [CROSS FADER ASSIGN (A,
THRU, B)] selector switch is set to [THRU].
7 Turn the [MASTER LEVEL] control.
Audio signals are output from the [MASTER1] and [MASTER2]
terminals.
The master level indicator lights.
Adjusting the sound quality
Turn the [EQ/ISO (HI, MID, LOW)] controls for the
respective channels.
Refer to Specifications on page 27 for the range of sound that can be
adjusted by each control.
Switching the function of the [EQ/ISO (HI, MID,
LOW)] controls
Switch the [EQ CURVE (ISOLATOR, EQ)] selector switch.
— [ISOLATOR]: Functions as an isolator.
— [EQ]: The equalizer function is set.
Monitoring sound with headphones
1 Connect headphones to the [PHONES] terminal.
2 Press the [CUE] button(s) for the channel(s) you want
to monitor.
3 Switch the [MONO SPLIT, STEREO] selector switch.
— [MONO SPLIT]: The sound of the channels for which the [CUE]
button is pressed is output from the headphones output’s left
channel, the [MASTER] channel sound is output from the right
channel.
— [STEREO]: The sound of the channels for which the [CUE] button
is pressed is output from the headphones in stereo.
4 Turn the [MIXING] control.
This adjusts the monitor volume balance of the sound of channels for
which the [CUE] button is pressed and the sound of the [MASTER]
channel.
5 Turn the [LEVEL] control for [HEADPHONES].
The sound of the channels for which the [CUE] button is pressed is
output from the headphones.
! When the [CUE] button is pressed again, monitoring is canceled.
Switching the fader curve
Select the channel fader curve characteristics.
Switch the [CH FADER (
— [ ]: The curve rises suddenly at the back side.
— [ ]: A curve between the ones above and below is set.
]: The curve rises gradually (the sound gradually increases as
— [
the channel fader is moved away from the front side).
, , )] selector switch.
Select the crossfader curve characteristics.
Switch the [CROSS FADER (
— [ ]: Makes a sharply increasing curve (if the crossfader is
moved away from the [A] side, audio signals are immediately
output from the [B] side).
— [
]: Makes a curve shaped between the two curves above and
below.
]: Makes a gradually increasing curve (if the crossfader is
— [
moved away from the [A] side, the sound on the [B] side gradually increases, while the sound on the [A] gradually decreases).
, , )] selector switch.
Starting playback on a DJ player using
the fader (fader start)
If you connect a Pioneer DJ player using a control cable (supplied with
a DJ player), you can start playback of control other operations of the DJ
player with the fader of this unit.
Connect this unit and Pioneer DJ player beforehand. For instructions on
connections, see Connecting input terminals on page 7.
The fader start function can be switched on and off for all DJ players all
at once. For the switching procedure, see Changing the settings on page
23.
Start playback using the channel fader
1 Set the [CROSS FADER ASSIGN (A, THRU, B)] selector
switch to [THRU].
2 Press one of the [FADER START (1, 2, 3, 4)] buttons.
Select the channel to be started with the fader start function.
3 Set the channel fader to the nearest position towards
you.
4 Set the cue on the DJ player.
The DJ player pauses playback at the cue point.
5 Move the channel fader away from you.
Playback starts on the DJ player.
! If you set the channel fader back to the original position, the player
instantaneously returns to the cue point already set and pauses
playback (back cue).
14
En
Start playback using the crossfader
1 Set the [CROSS FADER ASSIGN (A, THRU, B)] selector
switch to [A] or [B].
2 Press one of the [FADER START (1, 2, 3, 4)] buttons.
Select the channel to be started with the fader start function.
3 Set the crossfader.
Set to the edge opposite the side on which the channel you want to use
with the fader start function is set.
4 Set the cue on the DJ player.
The DJ player pauses playback at the cue point.
5 Set the crossfader.
Playback starts on the DJ player.
! If you set the crossfader back to the original position, the player
instantaneously returns to the cue point already set and pauses
playback (back cue).
Using a microphone
1 Connect a microphone to the [MIC1] or [MIC2]
terminal.
2 Set the [OFF, ON, TALK OVER] selector switch to [ON]
or [TALK OVER].
— [ON]: The indicator lights.
— [TALK OVER]: The indicator flashes.
! When set to [TALK OVER], the sound of channels other than the
[MIC] channel is attenuated by 18 dB (default) when a sound of -10
dB or greater is input to the microphone.
! The [TALK OVER] sound attenuation level can be changed at
[USER SETUP] screen. For instructions on changing this, see
Changing the settings on page 23.
! The talk over mode can be switched to the normal mode or the
advanced mode. For instructions on changing it, see Changing the settings on page 23.
3 Turn the [MIC1 LEVEL] or [MIC2 LEVEL] control.
Adjust the level of the sound output from the [MIC] channel.
! Pay attention that rotating to the extreme right position outputs a
very loud sound.
4 Input audio signals to the microphone.
! To adjust the sound output from the [USB] terminals, select [REC
OUT] at [Mixer Audio Output] in the setting utility.
1 Set the [MONO, STEREO] selector switch to [STEREO].
2 Turn the [BALANCE] control.
The sound’s left/right balance changes according to the direction in
which the [BALANCE] control is turned and its position.
! Rotating to the rightmost position outputs only the right sound of
stereo audio. Rotating to the leftmost position outputs only the left
sound of stereo audio.
Audio is output from the [BOOTH]
terminal
Turn the [BOOTH MONITOR] control.
Adjusts the level of audio signals output from the [BOOTH] terminal.
English
Adjusting the sound quality
Turn the [MIC] channels’ [EQ (HI, LOW)] controls.
Refer to Specifications on page 27 for the range of sound that can be
adjusted by each control.
Switching between monaural and stereo
audio
This switches the sound output from the [MASTER1], [MASTER2],
[BOOTH], [REC OUT], [PHONES], [DIGITAL MASTER OUT] and [USB]
terminals between monaural and stereo.
! To adjust the sound output from the [USB] terminals, select [REC
OUT] at [Mixer Audio Output] in the setting utility.
The left/right balance of the sound output from the [MASTER1],
[MASTER2], [BOOTH], [REC OUT], [PHONES], [DIGITAL MASTER OUT]
and [USB] terminals can be adjusted.
En
15
Advanced Operations
SOUND COLOR FX
These effects change in association with the [COLOR] controls for the
different channels.
1 Press one of the [SOUND COLOR FX] buttons.
This selects the type of effect.
The button that was pressed flashes.
! For the types of effects, see BEAT COLOR FX/SOUND COLOR FX effect
types on page 18.
! The same effect is set for [CH1] to [CH4].
2 Turn the [COLOR] control.
The effect is applied to the channel(s) for which the control(s) was (were)
pressed.
BEAT COLOR FX
The SOUND COLOR FX effect can be associated to the beat (change in
volume) of the track when the [BEAT] buttons for the respective channels are pressed. The beat association function can be set separately for
the respective channels.
The following describes the operating procedure for when SOUND
COLOR FX is turned on.
Press the [BEAT] button.
The beat association function is turned on for the channel(s) whose
[BEAT] button(s) was (were) pressed.
The SOUND COLOR FX effect is associated to the track’s beat.
! When the [BEAT] button is pressed again, the beat association func-
tion is turned off.
! The beat association function can also be used by turning SOUND
COLOR FX on after pressing the [BEAT] button.
BEAT EFFECT
1
CH SELECT
2
3
6
8
This function lets you instantaneously set various effects according to
the tempo (BPM = Beats Per Minute) of the currently playing track.
Effect display section The name of the selected effect is displayed.
1
Channel select
2
display section
AUTO (TAP)
3
BPM value display (3
4
digits)
BPM
5
1234
MICMST
AB
PARAMETER
AUTO
TAPBPM
%
ms
The name of the channel to which the effect is
applied is displayed.
[AUTO] lights when the BPM measurement mode is
set to the auto mode.
[TAP] lights when in the manual input mode.
When in the auto mode, this displays the automatically detected BPM value.
When the BPM cannot be detected, the previously
detected BPM value is displayed and flashes.
When in the manual input mode, this displays the
BPM value that was input manually.
This is always lit.
4
5
7
This displays the parameters specified for the individual effects.
Parameter display
6
section
% (ms)
7
Beat display section
8
When the [BEATc, d] button is pressed, the corresponding beat fraction is displayed for 1 second.
When a value outside the parameter range is specified with the [BEATc, d] button, the value does not
change and the display flashes.
These light according to the units for the different
effects.
This lights according to the selected beat number
position.
1 Press [AUTO/TAP] button.
Select the BPM measurement mode.
— [AUTO]: The BPM is measured automatically from the audio sig-
nal that is being input. The [AUTO] mode is set when this unit’s
power is turned on.
— [TAP]: The BPM is input manually by tapping the [TAP] button
with a finger.
! The [AUTO] BPM measurement range is BPM = 70 to 180. With
some tracks it may not be possible to measure the BPM correctly. If
the BPM cannot be measured, the BPM value on the display flashes.
In such cases, use the [TAP] button to input the BPM manually.
This selects the channel to which the effect is applied.
— [1] – [4]: The effect is applied to the sound of the respective
channel.
— [MIC]: The effect is applied to the sound of [MIC] channel.
— [CF.A], [CF.B]: The effect is applied to the sound of the cross-
fader’s [A] (left) or [B] (right) side.
— [MASTER]: The effect is applied to the sound of the [MASTER]
channel.
4 Press the [BEAT c, d] button.
Set the beat fraction for synchronizing the effect sound.
The effect time corresponding to the beat fraction is set automatically.
5 Press the [ON/OFF] button for [BEAT EFFECTS].
The effect is applied to the sound.
The effect’s time parameter can be adjusted by turning the [TIME]
control.
The effect’s quantitative parameter can be adjusted by turning the
[LEVEL/DEPTH] control.
The [ON/OFF] button flashes when the effect is on.
! When the [ON/OFF] button is pressed again, the effect turns off.
Inputting the BPM manually
Tap the [TAP] button at least 2 times in rhythm with the
beat (in quarter notes) of the sound being played.
The average value of the interval at which the [TAP] button was tapped
by finger is set as the BPM.
! When the BPM is set using the [TAP] button, the beat fraction is set
to [1/1] and the time of one beat (quarter note) is set as the effect
time.
! The BPM can be set manually by turning the [TIME] control while
pressing the [TAP] button.
! The BPM can be set in units of 0.1 by pressing the [AUTO/TAP] but-
ton while pressing the [TAP] button and turning the [TIME] control
while pressing the two buttons.
16
En
Using the external effector
1 Connect this unit and external effector.
For instructions on connections, see Connecting output terminals on
page 7.
This selects the channel to which the effect is applied.
4 Press the [ON/OFF] button for [BEAT EFFECTS].
The sound that has passed through the external effector is output from
the [MASTER] channel.
! When the [ON/OFF] button is pressed again, the effect turns off.
Operating DJ software using the MIDI
function
This unit is equipped with a “Full Assignable MIDI” function allowing the
operation information of virtually all of the unit’s controls and buttons
to be sent to the DJ software as MIDI signals. This unit can be used as a
USB MIDI controller when it is connected by USB cable to a computer
on which MIDI-compatible DJ software is installed. Furthermore, the
tempo (BPM) of the sound being played is sent as MIDI timing clocks, so
the tempo on the DJ software can be synchronized with the tempo of the
sound output from this unit.
To operate DJ software with this unit, first install the MIDI-compatible DJ
software on the computer. The MIDI-related settings must also be made
on the DJ software.
! For the messages output by this unit, see List of MIDI Messages on
page 21.
! If you want to change this unit’s MIDI channel, see Changing the
settings on page 23.
1 Connect this unit’s [USB] terminal to the computer.
For details about connections, see Connecting to the control panel on
page 8.
2 Launch the DJ software.
3 Press the [MIDI] [ON/OFF] button.
Turn the MIDI function on.
Transmission of the MIDI messages begin.
! When a fader or control is moved, a message corresponding to the
position is sent.
! When the [START/STOP] button is pressed and held in for more than
2 seconds, a set of MIDI messages corresponding to the button,
fader or control positions is sent (Snapshot).
! When the [ON/OFF] button for [MIDI] is pressed again, transmission
of MIDI messages stops.
! The MIDI timing clocks (BPM information) are sent regardless of the
[MIDI] [ON/OFF] button’s setting.
Operating an external MIDI sequencer
This unit is equipped with a “Full Assignable MIDI” function allowing
the operation information of virtually all of the unit’s controls and buttons to be sent to an external device (effector, etc.) as MIDI signals. This
unit can be used as a USB MIDI controller when it is connected by MIDI
cable to a MIDI-compatible external device. Furthermore, the tempo
(BPM) of the sound being played is sent as MIDI timing clocks, so the
tempo on the external device (sequencer, etc.) can be synchronized with
the tempo of sound output from this unit.
! For the messages output by this unit, see List of MIDI Messages on
page 21.
! External MIDI sequencers not supporting MIDI timing clocks cannot
be synchronized.
! External MIDI sequencers cannot be synchronized for sources for
which the BPM cannot be measured stably.
! The MIDI timing clock is output even with BPM values input manu-
ally by tapping the [TAP] button with a finger. The MIDI timing clock
output range is 40 BPM to 250 BPM.
1 Connect the [MIDI OUT] terminal to the external
MIDI sequencer’s MIDI IN terminal using a commercially
available MIDI cable.
2 Set the external MIDI sequencer’s sync mode to Slave.
3 Press the [START/STOP] button for [MIDI].
The MIDI start message is sent.
4 Press the [MIDI] [ON/OFF] button.
Transmission of the MIDI messages begin.
English
Sending the MIDI start and MIDI stop messages
Press the [START/STOP] button for [MIDI].
! The MIDI start and MIDI stop messages are sent alternatively each
time the [START/STOP] button is pressed, regardless of whether the
MIDI function is on or off.
En
17
Types of effects
Input sound
BEAT COLOR FX/SOUND COLOR FX effect types
Effect Name[BEAT] button status Descriptions[COLOR] control
Off
NOISE
OnThe volume changes in association with the beat.
Off
GATE
On
Off
CRUSH
OnThe distortion changes in association with the beat.
OffOutputs sound that has passed through a filter.
FILTER
On
Types of BEAT EFFECT
White noise generated inside this unit is mixed in to the
sound of the channel via the filter and output.
!
The volume can be adjusted by turning the [TRIM] controls
for the respective channels. The sound quality can be
adjusted by turning the [EQ/ISO (HI, MID, LOW)] controls.
The gate effect makes the sound tighter and reduces the
sense of volume.
The sound is recorded while the gate is open, and when the
gate is closed, the recorded sound is output several times.
Changes the original sound to a crushed-like sound for
output.
The filter’s cut-off frequency changes in association with
the beat.
Turn counterclockwise: The cut-off frequency of the filter
through which the white noise passes gradually decreases.
Turn clockwise: The cut-off frequency of the filter through
which the white noise passes gradually increases.
Turn counterclockwise: The cut-off frequency of the filter
through which the white noise passes gradually decreases.
Turn clockwise: The cut-off frequency of the filter through
which the white noise passes gradually increases.
Turn counterclockwise: The gate effect is applied to the
medium and high frequencies.
Turn clockwise: The gate effect is applied to the low and high
frequencies.
Turn counterclockwise: The gate effect is applied to the medium
and high frequencies, and the sampled sound is added.
Turn clockwise: The gate effect is applied to the low and high
frequencies, and the sampled sound is added.
Turn counterclockwise: Increases the sound’s distortion.
Turn clockwise: The sound is crushed before passing through
the high pass filter.
Turn counterclockwise: Increases the sound’s distortion.
Turn clockwise: The sound is crushed before passing through
the high pass filter.
Turn counterclockwise: Gradually decreases the low-pass
filter’s cutoff frequency.
Turn clockwise: Gradually increases the high-pass filter’s
cutoff frequency.
Turn counterclockwise: Gradually decreases the low-pass
filter’s cutoff frequency.
Turn clockwise: Gradually increases the high-pass filter’s
cutoff frequency.
Input sound turned off
Fade-out
DELAY
1
A delay sound is output once according to the beat fraction set with the
[BEATc, d] buttons.
When 1/2 beat delay sound is added, 4 beats become 8 beats.
Original
(4 beats)
1/2 delay
(8 beats)
BEATc, d buttons
(parameter 1)
TIME control (parameter 2)
LEVEL/DEPTH control
(parameter 3)
ECHO1
2
Use these to set a time delay of 1/8 – 16/1 with
respect to the time of one beat of the BPM.
Use this to set the delay time.
1 to 4000 (ms)
Use this to set the balance between the original
sound and the delay sound.
A delay sound is output several times and gradually attenuated according to the beat fraction set with the [BEATc, d] buttons.
With 1/1 beat echoes, the delay sounds are faded out according to the
track’s tempo even after the input sound has been cut.
1 beat
BEATc, d buttons
(parameter 1)
TIME control (parameter 2)
LEVEL/DEPTH control
(parameter 3)
UP ECHO1
2
Use these to set a time delay of 1/8 – 16/1 with
respect to the time of one beat of the BPM.
Use this to set the delay time.
1 to 4000 (ms)
Use this to set the balance between the original
sound and the echo sound.
Time
A delay sound is output several times and gradually attenuated according to the beat fraction set with the [BEATc, d] buttons.
With 1/1 beat echoes, the delay sounds are faded out according to the
track’s tempo even after the input sound has been cut.
Also, it is also possible to change the pitch of the echo sound.
Fade-out
Time
1 beat
BEATc, d buttons
(parameter 1)
TIME control (parameter 2)
LEVEL/DEPTH control
(parameter 3)
turned off
Use these to set a time delay of 1/8 – 16/1 with
respect to the time of one beat of the BPM.
Use this to set the delay time.
1 to 4000 (ms)
Use this to set the balance between the original
sound and the echo sound and to set the amount by
which the echo sound’s pitch changes.
18
En
SPIRAL1
Direct sound
Short delay
Phase shift
2
This function adds a reverberation effect to the input sound.
When the delay time is changed, the pitch changes simultaneously.
Input sound turned off
Fade-out
1 beat
BEATc, d buttons
(parameter 1)
TIME control (parameter 2)
LEVEL/DEPTH control
(parameter 3)
REVERB1
2
Use these to set a time delay of 1/8 – 16/1 with
respect to the time of one beat of the BPM.
Use this to set the delay time.
10 to 4000 (ms)
Use this to set the balance between the original
sound and the effect sound and to set the quantitative parameter.
Time
This function adds a reverberation effect to the input sound.
Level
1%
Early reflected sound
Reverberations
Time
BEATc, d buttons
(parameter 1)
TIME control (parameter 2)
LEVEL/DEPTH control
(parameter 3)
FLANGER
1
Use these to set the cycle for moving the cut-off
frequency as a time of 1/4 – 64/1 with respect to the
time of one beat of the BPM.
Use this to set the cycle at which the cut-off frequency is moved.
10 to 32000 (ms)
The further the control is turned clockwise, the more
the effect is stressed.
A 1-cycle flanger effect is produced according to the beat fraction set
with the [BEATc, d] buttons.
Time
Cycle
BEATc, d buttons
(parameter 1)
TIME control (parameter 2)
LEVEL/DEPTH control
(parameter 3)
Use these to set the 1/4 – 64/1 effect time with
respect to the time of one beat of the BPM.
Use this to set the cycle by which the flanger effect
moves.
10 to 32000 (ms)
The further the control is turned clockwise, the more
the effect is stressed.
When turned all the way counterclockwise, only the
original sound is output.
English
100%
BEATc, d buttons
(parameter 1)
TIME control (parameter 2)
LEVEL/DEPTH control
(parameter 3)
TRANS
1
Use these to set the extent of the reverberation
effect, from 1 – 100 %.
Use this to set the degree of the reverb effect.
1 – 100 (%)
Use this to set the balance between the original
sound and the effect sound and to set the cut-off
frequency of the filter through which the effect
sound passes.
The sound is cut according to the beat fraction set with the [BEATc, d]
buttons.
CutCut
1/1 beat
BEATc, d buttons
(parameter 1)
TIME control (parameter 2)
LEVEL/DEPTH control
(parameter 3)
FILTER
1
Use these to set a cut time of 1/16 – 16/1 with
respect to the time of one beat of the BPM.
Use this to set the effect time.
10 to 16000 (ms)
Sets the balance between the original sound and the
effect sound.
Time
The filter’s cutoff frequency changes according to the beat fraction set
with the [BEATc, d] buttons.
PHASER
1
The phaser effect changes according to the beat fraction set with the
[BEATc, d] buttons.
Time
Cycle
BEATc, d buttons
(parameter 1)
TIME control (parameter 2)
LEVEL/DEPTH control
(parameter 3)
ROBOT
1
Use these to set the cycle for moving the phaser
effect as of time of 1/4 – 64/1 with respect to the
time of one beat of the BPM.
This sets the cycle by which the phaser effect is
moved.
10 to 32000 (ms)
The further the control is turned clockwise, the more
the effect is stressed.
When turned all the way counterclockwise, only the
original sound is output.
The original sound is changed to a sound like one produced by a robot.
BEATc, d buttons
(parameter 1)
TIME control (parameter 2)
LEVEL/DEPTH control
(parameter 3)
Use these to set the degree of the effect sound, from
-100 – 100 %.
Use this to set the degree of the effect sound.
-100–100 (%)
Sets the balance between the original sound and the
effect sound.
Frequency
En
19
SLIP ROLL1
2
The sound being input at the point when the [ON/OFF] is pressed is
recorded, and the recorded sound is output repeatedly according to the
beat fraction set with the [BEATc, d] buttons.
When the effect time changes, the input sound is recorded again.
Original
Effect turned on
Changed from 1/2
to 1/1
Roll
1/1 repeat1/2 repeat
BEATc, d buttons
(parameter 1)
TIME control (parameter 2)
LEVEL/DEPTH control
(parameter 3)
ROLL1
2
Use these to set an effect time of 1/16 – 16/1 with
respect to the time of one beat of the BPM.
Use this to set the effect time.
10 to 4000 (ms)
Use this to set the balance between the original
sound and ROLL.
The sound being input at the point when the [ON/OFF] is pressed is
recorded, and the recorded sound is output repeatedly according to the
beat fraction set with the [BEATc, d] buttons.
Original
SND/RTN
1
Connect an external effector, etc., here.
SEND
RETURN
MICUSB
MIC1
CD/LINEPHONOUSB
CD/LINELINEUSB
1/2
TRIM
OVER
OVER
10
10
9
7
7
MIC 1
HI
4
4
0
LEVEL
2
2
1
1
MIC 2
0
0
0
6
-
26
-
26
/
MID
-
-
1
1
-
-
2
2
HI
EQ/
-
-
3
3
ISO
12 12
EQ
-
-
5
5
6
-
26
-
26
/
LOW
-
-
7
7
LOW
12 12
-
-
10
10
TALK
-
-
OVER
ON
OFF
15
15
-
-
24
24
6
-
26
-
26
/
dB
dB
BEAT
BEAT
COLOR
NOISE
GATE
SOUND COLOR FX
CRUSH
FILTER
HILOW
CUE
FADER START
1
2 3 4
10
9
HEAD PHONES
8
STEREOMONO SPLIT
7
6
5
4
MIXING
3
2
1
0
MASTER
CUE
LEVEL
BATHRU
0
PHONES
POWER
MIDI
MASTER
LEVEL
START
ON/OFF
SETUP
CD/LINELINEUSB
CD/LINEPHONOUSB
/STOP
3/4
5/6
7/8
WAKE UP
TRIM
HI
/
MID
/
LOW
/
COLOR
CUE
CROSS FADER ASSIGN
BEAT EFFECTS
TRIM
TRIM
0
OVER
OVER
OVER
10
10
10
9
9
9
7
7
7
CH SELECT
HI
HI
1 2 3 4
4
4
4
MIC
MST
A B
2
2
2
PARAMETER
1
1
1
AUTO
TAP
BPM
0
0
0
6
EQ/
ISO
6
6
HILOW
10
BATHRU
%
6
6
-
26
-
26
/
/
ms
MID
MID
-
-
-
1
1
1
-
-
-
2
2
2
EQ/
EQ/
-
-
-
3
3
3
ISO
ISO
-
-
-
5
5
5
6
6
-
26
-
26
/
/
-
-
-
7
7
7
LOW
LOW
-
-
-
BEAT
10
10
10
-
-
-
15
15
15
-
-
-
24
24
24
AUTO
TAP
6
6
-
26
-
26
/
/
dB
dB
RL
dB
/ TAP
BEAT
BEAT
COLOR
COLOR
BALANCE
CUE
RL
HILOW
HILOW
FLANGER
FILTER
PHASER
TRANS
CUE
CUE CUE
ROBOTREVERB
SPIRAL
SLIP ROLL
ROLL
UP ECHO
STEREOEQMONO
REV ROLL
ECHO
DELAY
SND/ RTN
MIC
4
10
3
CF.A
9
9
2
CF.B
BOOTH MONITOR
8
8
1
7
6
5
4
3
2
1
0
MASTER
7
6
5
TIME
4
3
0
2
EQ CURVE
1
ISOLATOR
0
LEVEL /DEPTH
CH FADER
BATHRU
BATHRU
MAX
MIN
CROSS FADER
ON/OFF
BA
Effector
DJM-850
BEATc, d buttons
(parameter 1)
—
TIME control (parameter 2) —
LEVEL/DEPTH control
(parameter 3)
This adjusts the sound level input to the [RETURN]
terminal.
1 If the sound of the channel you want to monitor is not output from
the [MASTER] channel when [CF.A], [CF.B] or [MASTER] is selected
with the [1, 2, 3, 4, MIC, CF.A, CF.B, MASTER] selector switch, the
effect sound cannot be monitored even by pressing the [CUE] button
for [BEAT EFFECTS].
2 If the effect is off, the effect sound cannot be monitored even by
pressing the [CUE] button for [BEAT EFFECTS].
Effect turned on
1/1 roll
Repeated
BEATc, d buttons
(parameter 1)
TIME control (parameter 2)
LEVEL/DEPTH control
(parameter 3)
REV ROLL1
Use these to set an effect time of 1/16 – 16/1 with
respect to the time of one beat of the BPM.
Use this to set the effect time.
10 to 4000 (ms)
Use this to set the balance between the original
sound and ROLL.
2
The sound being input at the point when the [ON/OFF] button is pressed
is recorded, and the recorded sound is reversed then output repeatedly
according to the beat fraction set with the [BEATc, d] buttons.
Original
Effect turned on
1/1 reverse
roll
Reversed and repeated
BEATc, d buttons
(parameter 1)
TIME control (parameter 2)
LEVEL/DEPTH control
(parameter 3)
Use these to set an effect time of 1/16 – 16/1 with
respect to the time of one beat of the BPM.
Use this to set the effect time.
10 to 4000 (ms)
Use this to set the balance between the original
sound and ROLL.
20
En
List of MIDI Messages
! “CC” is the abbreviation of “control change”. A control change is a type of MIDI signal used to transmit various types of control information, such as
timbre, volume, etc.
On this unit, values from 0 to 127 are output as CC mainly when controls and faders are operated. CC are also output when certain buttons are
operated.
! “Note” is a MIDI term used when pressing or releasing notes on a piano or other keyboard.
CategorySW NameSW TypeMIDI assignmentTrigger/ToggleTransmitted data
CategorySW NameSW TypeMIDI assignmentTrigger/ToggleTransmitted data
DELAY
ECHO
UP ECHO
SPIRAL
REVERB
TRANS
EFFECT
SELECT
BEAT EFFECTS
MIC
SOUND COLOR FX
Fader Start
HEADPHONES
Fader Start
MIDI
1 When turning one button on switches another button from on to off, MIDI on and off messages are sent from the two buttons.
When there is no button that switches off, only the MIDI on message is sent from the button that was pressed.
2 When switched from one position to another position, the MIDI ON and OFF signals are sent respectively from both positions.
! When the [START/STOP] button is pressed for over 1 second, MIDI messages corresponding to the positions of the buttons, faders and controls are sent in a bundle
(Snapshot).
The MIDI Snapshot sends all MIDI messages other than MIDI start and MIDI stop.
1 Press the [MIDI] [SETUP (WAKE UP)] button for at
least 1 second.
The [USER SETUP] screen is displayed.
! To display the [CLUB SETUP] screen, first turn the unit’s power off,
then press the [POWER] button while pressing the [MIDI] [SETUP
(WAKE UP)] button.
2 Press the [BEAT c, d] button.
Select the setting item.
3 Press the [TAP] button.
The screen switches to the setting item’s setting value change screen.
4 Press the [BEAT c, d] button.
Change the setting value.
5 Press the [TAP] button.
Enter the setting value.
The previous screen reappears.
! To return to the previous screen without changing the settings, press
the [AUTO/TAP] button.
6 Press the [SETUP (WAKE UP)] button.
Close the [USER SETUP] screen.
! To close the [CLUB SETUP] screen, press the [POWER] button to turn
this unit’s power off.
English
About the auto standby function
When [Auto Standby] is set to [ON], the standby mode is set automatically if 4 hours pass with all of the conditions shown below met.
— That none of this unit’s buttons or controls are operated.
— That no audio signals of –10 dB or greater are input to this unit’s
input terminals.
! When the [SETUP (WAKE UP)] button is pressed, the standby mode
is canceled.
! This unit is shipped with the auto standby function turned on. If you
do not want to use the auto standby function, set [Auto Standby] to
[OFF].
About the talk over function
The talk over function has the two modes described below.
— [ADV] (advanced talk over): The mid-range only of the sound of chan-
nels other than the [MIC] channel is attenuated according to the
[Talk Over LEVEL] setting value and output.
dB
Frequency
— [NOR] (normal talk over): The sound of channels other than the [MIC]
channel is attenuated according to the [Talk Over LEVEL] setting
value and output.
dB
Setting preferences
*: Setting upon purchase
Mode
USER SETUP
CLUB SETUP
1 Note that the output sound may be distorted even if the master level indicator does not light up to the very top.
Options
settings
Fader StartF.S.
MIDI CHMIDI CH
MIDI Button Type MIDI BT
Talk Over ModeTLK MOD
Talk Over LEVELTLK LVL
Digital Master
Out Level
Digital Master
Out Sampling
Rate
MASTER ATT.MST ATT
Auto StandbyAUTOSTB
Mic Output To
Booth Monitor
PC UTILITYPC UTLY
Factory ResetINITIAL
Screen display Setting valueDescriptions
DOUT LV
DOUT FS
MIC BTH
ON*, OFF
1* to 16Sets the MIDI channel.
TGL*, TRGSelects the MIDI signal transmission mode, [TGL (TOGGLE)] or [TRG (TRIGGER)].
ADV*, NORSelects the talk over function’s mode, [ADV(ADVANCED)] or [NOR(NORMAL)].
–6 dB, –12 dB,
–18 dB*, –24 dB
–19 dB*, –15 dB,
–10 dB, –5 dB
48 kHz, 96 kHz*Sets the digital signal’s sampling rate.
–6 dB, –3 dB,
0 dB*
ON*, OFFTurns the auto standby function on and off.
ON*, OFFSets whether or not to output the microphone’s audio signals from [BOOTH] terminals.
ON*, OFF
YES, NO*Restores all the settings to their factory defaults.
Turns the fader start function on and off for all DJ players connected to the [CONTROL]
terminals.
Sets the talk over function’s sound attenuation level.
Sets the maximum level of the sound output from the [DIGITAL MASTER OUT] terminals.
Sets the attenuation level of the sound output from the [MASTER1] and [MASTER2]
terminals.
Sets whether or not to launch the computer’s setting utility software automatically
when a USB cable is connected.
Frequency
En
1
23
Additional information
Troubleshooting
! Incorrect operation is often mistaken for trouble or malfunction. If you think that there is something wrong with this component, check the points
below. Sometimes the trouble may lie in another component. Inspect the other components and electrical appliances being used. If the trouble
cannot be rectified after checking the items below, ask your nearest Pioneer authorized service center or your dealer to carry out repair work.
! The player may not operate properly due to static electricity or other external influences. In such cases, normal operation may be restored by
unplugging the power cord then plugging it back in.
ProblemCheckRemedy
The power is not turned on.Is the power cord properly connected?Plug in the power cord to an AC outlet.
No sound or small sound.Is the [CD/LINE, PHONO, LINE, USB */*] selector
Digital sound cannot be output.Is the digital audio output’s sampling frequency
Distorted sound.Is the sound level output from the [MASTER]
Can’t crossfade.Are the CROSS FADER ASSIGN (A, THRU, B)
Can’t fader start a DJ player.Is [FADER START] set to [OFF]?At the [USER SETUP] screen, set [FADER START] to [ON]. (page 23)
[BEAT EFFECTS] does not work.Is the [1, 2, 3, 4, MIC, CF.A, CF.B, MASTER] selec-
[SOUND COLOR FX] does not work.Is the [COLOR] control set to an appropriate
[BEAT COLOR FX] does not work.Is the [SOUND COLOR FX] [BEAT] button set to
Can’t use an external effector.Is the [ON/OFF] button for [BEAT EFFECTS] set
Distorted sound from an external
effector.
Tempo (BPM) cannot be measured or
measurement value of tempo (BPM) is
implausible.
Measured tempo (BPM) differs from
tempo indicated on CD.
MIDI sequencer does not synchronize. Is the MIDI sequencer’s sync mode set to Slave?Set the MIDI sequencer’s sync mode to Slave.
MIDI control does not work.Is the MIDI channel turned on?Press the [ON/OFF] button for [MIDI]. (Operating DJ software using the MIDI
This unit is not recognized after it has
been connected to a computer.
Sound of a computer cannot be
output from this unit.
switch set to the proper position?
Are the connection cables properly connected?Connect the connection cables properly. (page 7)
Are the terminals and plugs dirty?Clean the terminals and plugs before making connections.
Is [MASTER ATT.] set to [–6 dB], etc.?At the [CLUB SETUP] screen, switch [MASTER ATT.]. (page 23)
(fs) suited for the specifications of the connected
device?
channel appropriately set?
Is the level of audio input to each channel properly
set?
selector switches properly set?
Is the DJ player properly connected to the
[CONTROL] terminal?
Are the audio cables properly connected?Connect this unit’s audio input terminals and the DJ player’s audio output
tor switch properly set?
position?
[ON]?
to [ON]?
Is the external effector properly connected to the
[SEND] or [RETURN] terminal?
Is the external effector’s audio output level set to
an appropriate level?
Is the audio input level too high or too low?Adjust the [TRIM] control so that the channel level indicator lights at about
—The values may differ slightly due to the different ways in which the BPM is
Does the MIDI sequencer you are using support
MIDI timing clocks?
Are the MIDI settings properly set?To operate DJ software with this unit, this unit’s MIDI messages must be
Is the driver software properly installed on your
computer?
Are this unit and computer properly connected?
Are the audio output device settings properly set? Select this unit with the audio output device settings. For instructions on making
Is the [CD/LINE, PHONO, LINE, USB */*] selector
switch set to the proper position?
Switch the [CD/LINE, PHONO, LINE, USB */*] selector switch to switch the
channel’s input source. (page 14)
On the [CLUB SETUP] screen, set [Digital Master Out Sampling Rate] according to the specifications of the connected equipment. (page 23)
Adjust the [MASTER LEVEL] control so that the master channel level indicator
lights at around [0 dB] at the peak level. (Page 14)
Set [MASTER ATT.] to [–3 dB] or [–6 dB]. (page 23)
Adjust the [TRIM] control so that the channel level indicator lights at about
[0 dB] at the peak level. (Page 14)
Set the [CROSS FADER ASSIGN (A, THRU, B)] selector switches for the different
channels properly. (Page 14)
Set the [FADER START] button on the control panel to [ON]. (Page 14)
Properly connect the [CONTROL] terminal and DJ player using a control cable.
(page 7)
terminals by audio cable. (page 7)
Turn the [1, 2, 3, 4, MIC, CF.A, CF.B, MASTER] selector switch to select the
channel to which you want to apply the effect. (Page 16)
Turn the [COLOR] control clockwise or counterclockwise. (page 16)
Set the [SOUND COLOR FX] [BEAT] button to [ON]. (page 16)
Press the [ON/OFF] button for [BEAT EFFECTS] to set [SND/RTN] to [ON]. (page 16)
Connect the external effector to the [SEND] and [RETURN] terminals. (page 7)
Adjust the external effector’s audio output level.
[0 dB] at the peak level. (Page 14)
For some tracks, it may not be possible to measure the tempo (BPM). Use the
[TAP] button to input the tempo manually. (page 16)
measured. There is no need to make any corrections.
MIDI sequencers not supporting MIDI timing clocks cannot be synchronized.
function on page 17)
assigned to the DJ software you are using. For instructions on assigning messages, see your DJ software’s operating instructions.
Install the driver software. If it is already installed, reinstall it. (page 8)
Connect this unit and the computer directly using the included USB cable. (page 8)
settings for your application, see your application’s operating instructions.
Set the [CD/LINE, PHONO, LINE, USB */*] selector switch to the [USB */*]
position. (Page 14)
24
En
ProblemCheckRemedy
Effect sound cannot be monitored
even when the [CUE] button for [BEAT EFFECTS] is pressed.
Sound is distorted when an analog
player is connected to this unit’s
[PHONO] terminals.
Or, lighting of the channel level
indicator does not change even when
the [TRIM] control is turned.
—The circuit generating the [ECHO], [UP ECHO], [SPIRAL], [REVERB], [ROLL],
Have you connected an analog player with a builtin phono equalizer?
Is an audio interface for computers connected
between the analog player and this unit?
[SLIP ROLL] and [REV ROLL] echo sounds is positioned after the effect circuit,
so the effect sound cannot be monitored. This is not a malfunction.
For analog players with built-in phono equalizers, connect the player to the [CD/LINE] or [LINE] terminals. (page 7)
If the analog player with built-in phono equalizer has a PHONO/LINE selector
switch, switch it to PHONO.
If the audio interface for computers has a line level output, connect it to the [CD/LINE] or [LINE] terminal. (page 7)
If the analog player has a PHONO/LINE selector switch, switch it to PHONO.
English
En
25
Block Diagram
MIC1
MIC2
CD/LINE
CH1
PHONO
CD/LINE
CH2
CD/LINE
CH3
CD/LINE
CH4
PHONO
RETURN
Type B
USB
LINE
LINE
USB
MIC1 LEVEL
MIC2 LEVEL
CH1_ASEL_OUT
CH2_ASEL_OUT
CH3_ASEL_OUT
CH4_ASEL_OUT
I/Fμcom
USB
CH1 USB1/2 IN
CH2 USB3/4 IN
CH3 USB5/6 IN
CH4 USB7/8 IN
ADC
ADC
ADC
ADC
ADC
ADC
MIC
CH1_Analog
CH2_Analog
CH3_Analog
CH4_Analog
RETURN
CH1_USB1/2
CH2_USB3/4
CH3_USB5/6
CH4_USB7/8
DSP
Digital MASTER
PHONES
MASTER
BOOTH
REC
SEND
USB1/2
USB3/4
USB5/6
USB7/8
FPGA
DAC
DAC
DAC
DIGITAL
MUTE
MUTE
MUTE
MUTE
MUTE
MUTE
MUTE
MASTER
PHONES
MASTER 1
MASTER 2
BOOTH
REC
SEND
DIT
CHx in
Analog_PHONO
Analog_CD LINE
USB
CH1-4 COMMON
Return in
Send out
MIC1/2 in
MIC1,2 COMMON
[BEAT EFFECT (SND/RTN)]
Effect CH Select
CHx
CF A/B
MIC
Master
Return Level
RETURN
Phono
AMP
CH1,4
BEAT
Effect
(SND/RTN)
2Band
MIC EQ
MIC1,2
Digital Trim
Effect CH Select
No Cable
Cable Exist
Cable Check
CHx Timecode
BPM Detect CHx Select
SOUND
COLOR
EFFECT
CHx
CHx
CF A/B
MIC
Master
MIC
FILTER
Effect SW
SEL
MIC In
Level
detect
3Band
ISOLATOR
CH1 USB1/2 OUT
CH2 USB3/4 OUT
CH3 USB5/6 OUT
CH4 USB7/8 OUT
BEAT
EQ/
EFFECT
CHx
CHx
2posi
Assign A
CHx
Assign B
CHx
TalkOver ON/OFF
SEND Out
Effect CH Select
Effect Out
Effect_CUE
SOUND
COLOR
EFFECT
CHx
CF A/B
MIC
Master
CHx
Cross
Fader
Cross
Fader
Curve
Switch
3posi
BPM Detect CF B
CUE
BEAT
Monitor
EFFECT
CHx
CHx
Send/
Return
CHx _CUE
CHx
BPM Detect CF A
BEAT
EFFECT
CF A
Send/
Return
Cross Fader A
CF A
BEAT
EFFECT
CF B
Send/
Cross Fader B
Return
CF B
MIC 1,2
MIX
[BEAT EFFECT(Others)]
Effect CH Select
CHx
CF A/B
MIC
Master
BEAT
EFFECT
Level meter CHx
CH Fader
BEAT
EFFECT
CHx
CH
Fader
Curve
Switch
3posi
Assign Thru
CH1-4
BPM Detect MIC
Off
BEAT
On
EFFECT
TalkOver
MIC
Send/
3posi
Return
MIC
Level Depth
Post CHx Fader
CF Assign
Thru
CF A
CF B
3posi
MIC
Effect SW
MIC Monitor SW
BPM Detect Master
BEAT
Master
EFFECT
Mono/
Master
STEREO
Send/
2posi
Return
Master
Master
Balance
Effect CH Select
Effect Out
CHx
CF A/B
MIC
Master
Effect_CUE
MIC_Out
TalkOver ON/OFF
Master
Balance
Talk
Over
Talk Over
Talk
Mode
Over
Advanced
Level
/Normal
2para4para
CHx_CUE
Effect_CUE
Master_CUE
[Mono Split / Stereo SWITCH & MIXING]
CHx_CUE
Effect_CUE
Master_CUE
HP Level
Mono Split/
Stereo
SWITCH
& MIXING
MIC_Out
CHx Cue On/Off SW
Effect Cue On/Off SW
Master Cue On/Off SW
SEL
MIC Output
to Booth Monitor
On/Off SW
Master
Level
CHx Timecode
Post CHx Fader
Cross Fader A
Cross Fader B
MIC
Rec Out
CH1-4 COMMON
CUE
Mixing
MIXING
Master
Mixing
Rec Out
Master
CUE
L
R
MONO SPLIT/
STEREO SWITCH
L
R
Booth
Level
Level meter Master
Boost
ATT
Master_CUE
Mixer
Audio
Output
Select
Mono Split
SEL
Stereo
2posi
Mono Split
SEL
Stereo
Boost
Booth Out
REC out
Digital out
Master
H.P. out
USB Common out
H.P. MIX L Out
H.P. MIX R Out
26
En
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