Phonic AM55, AM85, AM105, AM105FX, AM125 User’s Manual

					AM125FX
English	Deutsch	Español	Français	Português

AM55/AM85/

AM105/AM105FX/

AM125/AM125FX

User's Manual

Benutzerhandbuch

Manual del Usuario

Mode d'emploi

Manual do Usuário

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AM55/AM85/

AM105/AM105FX/

AM125/AM125FX

COMPACT MIXERS MEZCLADORA COMPACTAS

ENGLISH	I
ESPAÑOL	II
	III

V2.2 08/24/2011

USER´S MANUAL

CONTENTS

I N T R O D U C C I O N . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1 F E A T U R E S . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1 I N S T A N T S E T U P . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2 M A K I N G C O N N E C T I O N S . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3 C O N T R O L S A N D S E T T I N G S . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4 S P E C I F I C AT I O N S . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6

APPENDIX

A PPLI CACTIO N . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1 D I M E N S I O N . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5 B L O C K D I A G R A M . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9

Phonic preserves the right to improve or alter any information within this document without prior notice.

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English Deutsch Español Français Português

INTRODUCTION

Congratulations on purchasing one of Phonic’s many quality compact mixers. The entire AM series of mixers – designed by the ingenious engineers that have created a variety of mixers fantastic in style and performance in the past – displays similar proficiency that previous Phonic products have shown; with more than a few refinements, of course. The AM series features full gain ranges, amazingly low distortion levels, +22 dBu line signal handling, and incredibly wide dynamic ranges, just showing the dominance these small machines will have in the studio or live venues.

We know how eager you are to get started – wanting to get the mixer out and hook it all up is probably your number one priority right now – but before you do, we strongly urge you to take a look through this manual. Inside, you will find important facts and figures on the set up, use and applications of your brand new mixer. If you do happen to be one of the many people who flatly refuse to read user manuals, then we just urge you to at least glance at the Instant Setup section. After glancing at or reading through the manual (we applaud you if you do read the entire manual), please store it in a place that is easy for you to find, because chances are there’s something you missed the first time around.

FEATURES

AM55

zAudiophile-quality mic preamps & ultra low noise

z1 mic/line and 2 stereo channels

z2-Band EQ on mono input channel

z2T RTN & 2T REC for CD or tape recorder

zDual 4-segment master level meter

zHeadphones output with volume control

zPeak LED on mono input channel

zBalanced master output

AM85

zAudiophile-quality & ultra low noise

zTwo balanced Mic/Line inputs with 3-band EQ

zTwo stereo inputs with 3-band EQ

zOne stereo aux return

zPost-fader EFX send on every input

zGlobal +48V phantom power

zPeak and VU Metering

zPeak indicators on each mono input channel

z2T RTN assignable individually to Main or Control room

zBalanced master output

AM105

zAudiophile-quality & ultra low noise

zTwo balanced Mic/Line inputs with 3-band EQ and low cut

zFour stereo inputs with +4/-10 select button

zPost-fader AUX send on every input

zGlobal +48V Phantom Power

zCTRL RM and headphones outputs

zPeak indicators on each mono input channel

zConvenient RCA stereo I/O

zBalanced master output

AM105FX

zAudiophile-quality & ultra low noise circuitry

zTwo balanced Mic/Line inputs with 3-band EQ and low cut

zFour stereo inputs with +4/-10 select button

zPost-fader AUX send on every input

zGlobal +48V Phantom Power

zCTRL RM and headphones outputs

zPeak indicators on each mono input channel

zConvenient RCA stereo I/O

zVariable delay effect with variation control

zBalanced master output

AM125

zAudiophile-Quality & ultra low noise

z4 mono mic/line channels

z4 stereo channels

zAUX sends on each channel

z75Hz low-cut filter on mono channel

z3-band EQ on each mono channel

z+48V phantom power on mic channels

zControl room/Phones source matrix for maximum monitor flexibility

zAUX send cue for monitoring individual channel

zBalanced TRS output

AM125FX

zAudiophile-Quality & ultra low noise

z4 mono mic/line channels

z4 stereo channels

zAUX sends on each channel

z75Hz low-cut filter on mono channel

z3-band EQ on each mono channel

z+48V phantom power on mic channels

zControl room/Phones source matrix for maximum monitor flexibility

zAUX send cue for monitoring individual channel

zVariable delay effect with variation control

zBalanced TRS output

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AM55/AM85/AM105/AM105FX/AM125/AM125FX

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INSTANT SETUP

Getting Started

1.Ensure all power is turned off on your mixer. To totally ensure this, the AC cable should not be connected to the unit.

2.All faders and level controls should be set at the lowest level and all channels switched off to ensure no sound is inadvertently sent through the outputs when the device is switched on. All levels can be altered to acceptable degrees after the device is turned on.

3.Plug all necessary instruments and equipment into the device’s various inputs as required. This may include line signal devices, such as keyboards and drum machines, as well as microphones and/or guitars, keyboards, etc.

4.Plug any necessary equipment into the device’s various outputs. This could include amplifiers and speakers, monitors, signal processors, and/or recording devices.

5.Plug the supplied AC power supply into the inlet on the rear of the device and then into a power outlet of a suitable voltage.

6.Turn the power switch on and follow the channel setup instructions to get the most out of your equipment.

Channel Setup

1.To ensure the correct audio level of the input channel is selected, each of the level input controls of the Mixer should be turned counterclockwise as far as they will turn (which should be the -∞ mark).

2.No input other than the one being set should have any device plugged in. This will ensure the purest signal is used when setting channels.

3.Ensure the channel has a signal sent to it similar to the signal that will be sent when in common use. For example, if the channel is using a microphone, then you should speak or sing at the same level the performer normally would during a performance; if a guitar is plugged into the channel, then the guitar should also be strummed as it normally would be (and so on). This ensures levels are completely accurate and avoids having to reset them later.

4.Set the gain so the level meter indicates the audio level is around 0 dB.

5.This channel is now ready to be used; you can stop making the audio signal.

6.You can repeat the same process for other channels.

2	AM55/AM85/AM105/AM105FX/AM125/AM125FX

MAKING CONNECTIONS

Inputs and Outputs

1.XLR Microphone Jacks

	These jacks accept typical 3-pin XLR inputs
	for balanced and unbalanced signals. They	1
	can be used in conjunction with microphones
	– such as professional condenser, dynamic	2
	or ribbon microphones – with standard XLR
	male connectors, and feature low noise
	preamplifiers, serving for crystal clear sound
	replication. With exception to the AM55, each

of the AM series mixers features two standard XLR microphone inputs for your convenience.

NB. When these inputs are used with condenser microphones, the Phantom Power should be activated. However, when Phantom Power button is engaged, single ended (unbalanced) microphones and instruments should not be used on the Mic inputs unless specifically approved by the microphone manufacturer.

2.Line Inputs

This input accepts typical 1/4” TRS or TS inputs for balanced or unbalanced signals. There are various numbers of these inputs depending which mixer you are using. They can be used in conjunction with various line level devices, such as keyboards, drum machines, electric guitars, and a variety of other electric instruments.

3.Stereo Channels

Each of the AM Mixers feature a few stereo channels, thrown in for maximum flexibility. Each of these stereo channels features two 1/4” phone jacks, for the addition of various line level input devices, such as electronic keyboards, guitars and external signal processors or mixers. These stereo channels can also be used as mono channels, where the signal from any 1/4” phone jack plugged into the left stereo input will cause the signal to duplicate to the right input also. This does not work in reverse, however.

4.Main L and R Output

These two ports will output the final stereo line level signal sent from the main mixing bus. The primary purpose of these jacks is to send the main output to external devices, which may include power amplifiers (and in-turn, a pair of speakers), other mixers, as well as a wide range of other possible signal processors (equalizers, crossovers, etcetera).

5. Stereo AUX Return (AM85 only)	AM85
These 1/4” TS inputs are for the return of audio to
the AM85 mixer, processed by an external signal
processor. If really needed, they can also be used
as additional inputs, with a level control located on	5
the face of the mixer. The Stereo AUX Return can

also accept mono signals. Like with the stereo input channels, these inputs can be used as mono channels by plugging the 1/4” phone plug of any mono device into the Stereo AUX return’s left input.

6.AUX/EFX Send (AM85, AM105, AM105FX, AM125

and AM125FX only)

These 1/4” TS outputs may be used to connect to an external digital effect processor, or even to an amplifier and speakers

(depending on your desired settings) to the mixer. The signal is taken from the AUX control on each input channel. On the AM105FX and AM125FX, the signal sent from this output is taken from the built-in effect engine. This output is only featured on the AM85, AM105, AM105FX, AM125 and AM125FX mixers; therefore you shouldn’t go looking for it on the AM55.

7.Phones

This stereo output port is suited for use with headphones, allowing monitoring of the mix. The audio level of this output is controlled

using the Phones or Phones/Control Room control.

8.2T Record / Record Out

These outputs will accommodate RCA cables, able to be fed to a variety of recording devices.

9.2T Return

	These RCA inputs are used to connect the	8
	mixer with parallel external devices, such
	as sub mixers or external effect processors,	9
	receiving the processed signal from another
	source and feeding it to either the Main L
	and R or the Phones mixing bus.

10. Control Room Outputs (AM85, AM105, AM105FX,

AM125 and AM125FX only)

These two 1/4” phone jack outputs feed the signal altered by the Control Room/Phones level control on the face of the mixer. This output has extensive use, as it can be used to feed the signal from the mixer to an active monitor, for the monitoring of the audio signal from within a booth, or, alternatively, for the addition of external signal processing devices or mixers, as well as acting as a “side fill” output, supplying audio to indoor areas that the main speakers do not reach. This output is featured on the AM85, AM105, AM105FX, AM125 and AM125FX mixers only.

10	4
3	6
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Rear Panel

11. Power Connector

This port is for the addition of the external power
supply, allowing power to be supplied to the mixer.
Please use the power supply unit that is included	11
with the mixer only.

CONTROLS AND SETTINGS

Channel Controls

12. Line/Mic Gain Control

This controls the sensitivity of the inputsignal

of the Line/Microphone input. The gain
should be adjusted to a level that allows
the maximum use of the audio, while still
maintaining the quality of the feed. This can
be accomplished by adjusting it to a level
that will allow the peak indicator occasionally	12
illuminate. The AM55 features a single gain

control for channel 1, located on the face of

the mixer, whereas the AM85, AM105 and AM105FX all feature gain controls on both channels 1 and 2, located directly below the Line inputs. The AM125 and AM125FX feature gain controls on channels 1 through 4.

13. High Frequency Control

This control is used to give a shelving boost or cut of ±15 dB to high frequency (12 kHz) sounds. This will adjust the amount of treble included in the audio of the channel, adding strength and crispness to sounds such as guitars, cymbals, and synthesizers.

14. Low Cut Filter (75 Hz) (AM85, AM105, AM105FX,

AM125 and AM125FX only)

This button will activate a high pass filter that reduces all frequencies below 75 Hz at 18 dB per octave, helping to remove any unwanted ground noise or stage rumble. This button can be found on mono channels of the AM85, AM105, AM105FX,

AM125 and AM125FX only.

15. Middle Frequency Control (AM85, AM105 and

AM105FX only)

This control is used to provide a peaking style of boost and cut to the level of middle frequency sounds at a range of ±15 dB.

Changing middle frequencies of an audio feed can be rather difficult when used in a professional audio mix, as it is usually more desirable to cut middle frequency sounds rather than boost them – soothing overly harsh vocal and instrument sounds in the audio.

16. Low Frequency Control

This control is used to give a shelving boost or cut of ±15 dB to low frequency (80 Hz) sounds. This will adjust the amount of bass included in the audio of the channel, and bring more warmth and punch to drums and bass guitars.

	17. AUX/EFX Control (AM85, AM105,	13
	AM105FX, AM125 and AM125FX
	only)	15
	These controls alter the signal level that is
	sent to the AUX or EFX Sends, which can	16
	be used in conjunction with external signal
		14
	processors, or simply as an auxiliary output
	for any means required. On the AM105FX	17
	and AM125FX, the EFX control is used
	to alter the signal level that is sent to the	19
	internal effects mix.	21
		20

18. +4 / -10 Switch (AM85, AM105, AM105FX, AM125 and AM125FX only)

	Thisswitchisusedadjusttheinputsensitivity	18
	of the corresponding channels, which will
	adapt the mixer to external devices which
	may use different operating levels. If the
	inputsource is -10 dBV, it is best to engage
	the switch, allowing the signal to be heard.

The +4 dBu mode is suitable for use with professional audio level signals, which are considerably higher than the consumer level.

If you are unsure of the source’s operating level, we suggest leaving the switch disengaged until you test the source’s signal. You can then engage if necessary (if the level of input is obviously too low).

19. Pan / Balance Controls

This alternates the degree or level of audio that the left and right side of the main mix should receive. On mono channels, this control will adjust the level that the left and right should receive

(pan), where as on a stereo channel, adjusting the BAL control will attenuate the left or right audio signals accordingly (balance). Each model features a PAN or BAL control on every one of their channel strips.

20. Peak Indicator

This LED indicator will illuminate when the device hits high peaks,

6 dB before overload occurs. It is best to adjust the gain of the channel so that the PEAK indicator lights up on intervals. This will ensure a greater dynamic range of audio. The Peak indicator is featured on the mono channels of every model.

21. Level Control

This control will alter the signal level that is sent from the corresponding channel to the main mixing bus.

Effects Section

22. Effects On Button (AM105FX and AM125FX only)

Pushing this button will turn the built-in effect processor on and off.

23. Variation Control (AM105FX and AM125FX only)

This LED indicator will illuminate when the EFX signal hits high peaks, just before overload occurs. It is best to adjust the EFX to Main control so as to ensure the Peak indicator does not light up.

4	AM55/AM85/AM105/AM105FX/AM125/AM125FX

Master Section

24. 2T Return Controls

Pushing either one of the buttons in the 2T Return Control

Section selects the destination of the 2T Return signal. The uppermost button (“to L/R”) sends the signal to the Main L-R mixing bus, whereas the lower button (either “to Phones” or

“to Ctrl Rm”) sends the signal to the Phones or Control Room/

Phones mixing bus, respectively. These buttons can, of course, be used simultaneously, feeding the signal to both the Control

Room/Phones and Main L/R mixing bus. If the “to Phones” or “to Ctrl Rm” buttons are not engaged, the Phones and Control Room outputs will receive the Main L-R signal.

25. AUX / EFX Send Control (AM125 and	25

AM125FX only)

This control adjusts the level of signal, taken from each individual channel’s AUX controls, will be sent to the AUX send output. In the case of the AM125FX,

the EFX control will adjust the level of signal taken AM85 from the built in effect processor to the EFX send

output.

26. Phantom Power Switch

When this switch is in the on position it activates +48V of phantom power for both microphone inputs, allowing condenser

microphones to be used on these channels.

NB. Phantom Power should be used in conjunction with condenser microphones only. This switch is not featured on the AM 55.However many modern microphones are

unaffected by Phantom Power, so it’s best to consult your mic’s user’s manual for details.

27. Phones (Control Room/Phones) Control

On the AM55, this control is used to adjust the audio level of the phones feed, to be sent to the Phones output. It can be used in conjunction with headphones or, if required, as an auxiliary output. On the AM85, AM105, AM105FX, AM125 and AM125FX, however, this control adjusts not only the phones level, but the signal level sent to the Control Room output also. The Control

Room output is commonly used in monitoring, as a side fill, or for the addition of other, external devices.

28. AUX/EFX to CTRL Button (AM125 and AM125FX

only)

Pushing this button will send the signal from the AUX or EFX mix to the Control Room mix. This is useful for monitoring of the EFX mix or for the tracking of individual instruments.

28 28

AM125 AM125FX

29. Main L/R Control

This control is final level control for the main left and right audio feed, sent to the Main L and R output.

30. Level Meter

The AM series’ 4-segment level meters give an accurate indication of when audio levels of the MAIN L/R output reach certain levels. It is suggested for the maximum use of audio to set the various levels controls so that the peak light flashes only on occasionally (and perhaps it is better if to leave it a pinch below this level).

31. Power Indicator

The Power Indicator will light up when the power of the mixer is on.

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		31

23	30
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SPECIFICATIONS

		AM55	AM85	AM105	AM105FX	AM125	AM125FX
	Inputs
	Total Channels	3	4	6	6	8	8
	Balanced Mono Mic / Line	1	2	2	2	4	4
	channel
	Balanced Stereo Line Channel	2	4	4	4	4	4
	Aux Return	-	1 stereo	-	-	2 stereo	2 stereo
	2T Input	Stereo RCA	Stereo RCA	Stereo RCA	Stereo RCA	Stereo RCA	Stereo RCA
	Outputs
	Main L/R Stereo	2 x 1/4" TRS,	2 x 1/4" TRS,	2 x 1/4" TRS,	2 x 1/4" TRS, Bal.	2 x 1/4" TRS,	2 x 1/4" TRS, Bal.
		Bal.	Bal.	Bal.		Bal.
	Rec Out	Stereo RCA	Stereo RCA	Stereo RCA	Stereo RCA	Stereo RCA	Stereo RCA
	CTRL RM L/R	-	2 x 1/4" TS	2 x 1/4" TS	2 x 1/4" TS	2 x 1/4" TS	2 x 1/4" TS
	Phones	1	1	1	1	1	1
	Channel Strips	3	4	6	6	6	6
	Aux Sends	-	1	1	1	2	2
	Pan/Balance Control	Yes	Yes	Yes	Yes	Yes	Yes
	Channel insert	-	-	-	-	-	4
	Volume Controls	Rotary	Rotary	Rotary	Rotary	Rotary	Rotary
	Master Section
	Aux Send Masters	-	-	-	-	Yes	Yes
	Phones Level Control	Yes	Yes	Yes	Yes	Yes	Yes
	Faders	Main L & R	Main L & R	Main L & R	Main L & R	Main L & R	Main L & R
		(Rotary)
	Metering
	Number of Channels	2	2	2	2	2	2
	Segments	4	4	4	4	4	4
	Switches	Master	Master	Master	Master	Master	Master
	Digital Effect Processor				1Digital EFX with		1Digital EFX with
		-	-	-	one Variation	-	one Variation
					control		control
	20Hz ~ 60KHz	+0/-1 dB	+0/-1 dB	+0/-1 dB	+0/-1 dB	+0/-1 dB	+0/-1 dB
	20Hz ~ 100KHz	+0/-3 dB	+0/-3 dB	+0/-3 dB	+0/-3 dB	+0/-3 dB	+0/-3 dB
	Crosstalk(1KHz @ 0dBu, 20Hz to 20KHz bandwidth, channel in to main L/R outputs)
	Channel fader down, other	<-90 dB	<-90 dB	<-90 dB	<-90 dB	<-90 dB	<-90 dB
	channels at unity

Noise (20Hz~20KHz; measured at main output, Channels 1-4 unit gain; EQ flat; all channels on main mix; channels 1/3 as far left as possible, channels 2/4 as far right as possible. Reference=+6dBu)

	Master @ unity, channel fader	-86.5 dBu	-86.5 dBu	-86.5 dBu	-86.5 dBu	-86.5 dBu	-86.5 dBu
	down
	Master @ unity, channel fader @	-84 dBu	-84 dBu	-84 dBu	-84 dBu	-84 dBu	-84 dBu
	unity
	S/N ratio, ref to +4	>90 dB	>90 dB	>90 dB	>90 dB	>90 dB	>90 dB
	Microphone Preamp E.I.N. (150	<-129.5 dBm	<-129.5 dBm	<-129.5 dBm	<-129.5 dBm	<-129.5 dBm	<-129.5 dBm
	ohms terminated, max gain)

6	AM55/AM85/AM105/AM105FX/AM125/AM125FX

	THD (Any output,
	1KHz @ +14dBu,	<0.005%	<0.005%	<0.005%	<0.005%	<0.005%	<0.005%
	20Hz to 20KHz,
	channel inputs)
	CMRR (1 KHz @	80dB	80dB	80dB	80dB	80dB	80dB
	-60dBu, Gain at
	maximum)
	Maximum Level
	Mic Preamp Input	+10dBu	+10dBu	+10dBu	+10dBu	+10dBu	+10dBu
	All Other Input	+21dBu	+21dBu	+21dBu	+21dBu	+21dBu	+21dBu
	Balanced Output	+28dBu	+28dBu	+28dBu	+28dBu	+28dBu	+28dBu
	Impedance
	Mic Preamp Input	2 K ohms	2 K ohms	2 K ohms	2 K ohms	2 K ohms	2 K ohms
	All Other Input	10 K ohms	10 K ohms	10 K ohms	10 K ohms	10 K ohms	10 K ohms
	(except insert)
	RCA 2T Output	1.1 K ohms	1.1 K ohms	1.1 K ohms	1.1 K ohms	1.1 K ohms	1.1 K ohms
	Ch Equalization	2-band, +/-15 dB	3-band, +/-15 dB	3-band, +/-15 dB	3-band, +/-15 dB	3-band, +/-15 dB	3-band, +/-15 dB
	Low EQ	80 Hz	80 Hz	80 Hz	80 Hz	80 Hz	80 Hz
	Mid EQ (mono	-	2.5 KHz	2.5 KHz	2.5 KHz	2.5 KHz	2.5 KHz
	channel)
	Hi EQ	12 KHz	12 KHz	12 KHz	12 KHz	12 KHz	12 KHz
	Low cut filter	75Hz	-	75Hz	75Hz	75Hz (-18dB/oct)	75Hz (-18dB/oct)
		(-18 dB/oct)		(-18 dB/oct)	(-18 dB/oct)
	Built-in Power	100 VAC, 120 VAC,	100VAC, 120VAC,	100VAC, 120VAC,	100VAC, 120VAC,	100VAC, 120VAC,	100VAC, 120VAC,
		220 ~ 240 VAC,	220 ~ 240VAC,	220 ~ 240VAC,	220 ~ 240VAC,	220~240VAC,	220~240VAC,
	Supply
		50/60 Hz	50/60Hz	50/60Hz	50/60Hz	50/60Hz	50/60Hz
	Weight	0.63 kg	0.95 kg	1.50 kg	1.50 kg	1.77kg	1.77 kg
		(1.40 lbs)	(2.10 lbs)	(3.3 lbs)	(3.3 lbs)	(3.90 lbs)	(3.90lbs)
	Dimensions	120x54.3x175mm	145x56.9x234mm	175x62.8x236mm	175x62.8x236mm	216x62.8x236mm	216x62.8x236mm
	(WxHxD)
		(4.72"x2.13"x6.88")	(5.70"x2.24"x9.21")	(6.88"x2.47"x9.29")	(6.88"x2.47"x9.29")	(8.5"x2.47"x9.29")	(8.5"x2.47"x9.29")

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AM55/AM85/AM105/AM105FX/AM125/AM125FX

7

Manual del Usuario

CONTENIDO
I N T R O D U C C I Ó N . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .	1
C A R AC T E R Í S T I C A S. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .	1
C O N FI G U R AC I Ó N I N S TA N T E . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .	2
H AC I E N D O C O N E X I O N ES . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .	3
CONTROLES Y CONFIGURACIONES........................................................................	4
ES P EC I F I C AC I O N ES . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .	6
APÊNDICE
A P L I C AC I Ó M . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .	1
DIMENSIONES ......................................................................	5
D I G R A M A D E B L O Q U E . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .	9

Phonic se reserva el derecho de mejorar o alterar cualquier información provista dentro de este documento sin previo aviso.

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