Panasonic AG-DVX100 P User Manual

Before operating this product, please read the instructions carefully and save this manual for future use.
Model AG- P
Digital Video Camera Recorder
Ò
NTSC
VQT0A97-3
@
P
2
IMPORTANT
“Unauthorized recording of copyrighted television programs, video tapes and other materials may infringe the right of copyright owners and be contrary to copyright laws.”
indicates safety information.
CAUTION
RISK OF ELECTRIC SHOCK
DO NOT OPEN
CAUTION: TO REDUCE THE RISK OF ELECTRIC
SHOCK, DO NOT REMOVE COVER (OR BACK).
NO USER SERVICEABLE PARTS INSIDE.
REFER TO SERVICING TO QUALIFIED SERVICE
PERSONNEL.
The lightning flash with arrowhead symbol, within an equilateral triangle, is intended to alert the user to the presence of uninsulated “dangerous voltage” within the product’s enclosure that may be of sufficient magnitude to constitute a risk of electric shock to persons.
The exclamation point within an equilateral triangle is intended to alert the user to the presence of important operating and maintenance (service) instructions in the literature accompanying the appliance.
CAUTION:
TO REDUCE THE RISK OF FIRE OR SHOCK HAZARD AND ANNOYING INTERFERENCE, USE THE RECOMMENDED ACCESSORIES ONLY.
FCC Note:
This device complies with Part 15 of the FCC Rules. To assure continued compliance follow the attached installation instructions and do not make any unauthorized modifications.
This equipment has been tested and found to comply with the limits for a class A digital device, pursuant to Part 15 of the FCC Rules. These limits are designed to provide reasonable protection against harmful interference when the equipment is operated in a commercial environment. This equipment generates, uses, and can radiate radio frequency energy and, if not installed and used in accordance with the instruction manual, may cause harmful interference to radio communications. Operation of this equipment in a residential area is likely to cause harmful interference in which case the user will be required to correct the interference at his own expense.
CAUTION:
Do not install or place this unit in a bookcase, built-in cabinet or any other confined space in order to maintain adequate ventilation. Ensure that curtains and any other materials do not obstruct the ventilation to prevent risk of electric shock or fire hazard due to overheating.
CAUTION:
Danger of explosion or fire if battery is mistreated.
O Replace only with same or specified type. O Do not disassemble or dispose of in fire. O Do not store in temperatures over 60°C. O Use specified charger for rechargeable
batteries.
O Do not recharge the battery if it is not a
rechargeable type.
For Remote Controller
O Replace battery with part No. CR2025 only. O Do not recharge the battery.
WARNING:
TO REDUCE THE RISK OF FIRE OR SHOCK HAZARD, DO NOT EXPOSE THIS EQUIPMENT TO RAIN OR MOISTURE.
TO REDUCE THE RISK OF FIRE OR SHOCK HAZARD, KEEP THIS EQUIPMENT AWAY FROM ALL LIQUIDS-USE AND STORE ONLY IN LOCATIONS WHICH ARE NOT EXPOSED TO THE RISK OF DRIPPING OR SPLASHING LIQUIDS, AND DO NOT PLACE ANY LIQUID CONTAINERS ON TOP OF THE EQUIPMENT.
3
Important Safeguards
1. Read Instructions — All the safety and operating instructions should be read before the unit is operated.
2. Retain Instructions — The safety and operating instructions should be retained for future reference.
3. Heed Warnings — All warnings on the unit and in the operating instructions should be adhered to.
4. Follow Instructions — All operating and maintenance instructions should be followed.
5. Cleaning — Unplug this video unit from the wall outlet before cleaning. Do not use liquid or aerosol cleaners. Use a dry cloth for cleaning.
6. Attachments — Do not use attachments not recommended by the video product manufacturer as they may be hazardous.
7. Water and Moisture — Do not use this video unit near water — for example near a bath tub, wash bowl, kitchen sink, or laundry tub, in a wet basement, or near a swimming pool, and the like.
8. Accessories — Do not place this video unit on an unstable cart, stand, tripod, bracket, or table. The video unit may fall, causing serious injury to a child or adult, and serious damage to the unit. Use only with a cart, stand, tripod, bracket, or table recommended by the manufacturer, or sold with the video unit. Any mounting of the unit should follow the manufacturer’s instructions and should use a mounting accessory recommended by the manufacturer. An appliance and cart combination should be moved with care. Quick stops, excessive force, and uneven surfaces may cause the appliance and cart combination to overturn.
9. Ventilation — Slots and openings in the cabinet are provided for ventilation and to ensure reliable operation of the video unit and to protect it from overheating. These openings must not be blocked or covered. Never place the video unit on a bed, sofa, rug, or other similar surface, or near or over a radiator or heat register. This video unit should not be placed in a built-in installation such as a bookcase or rack unless proper ventilation is provided or the manufacturer's instructions have been adhered to.
10. Power Sources — This video unit should be operated only from the type of power source indicated on the marking label. If you are not sure of the type of power supply to your home, consult your appliance dealer or local power company. For video units intended to be operated from battery power, or other sources, refer to the operating instructions.
11. Grounding or Polarization — This video unit may be equipped with either a polarized 2­wire AC (Alternating Current) line plug (a plug having one blade wider than the other) or 3-wire grounding type plug, a plug having a third (grounding) pin. The 2-wire polarized plug will fit into the power outlet only one way. This is a safety feature. If you are unable to insert the plug fully into the outlet, try reversing the plug. If the plug still fails to fit, contact your electrician to replace your obsolete outlet. Do not defeat the safety purpose of the polarized plug. The 3-wire grounding type plug will fit into a grounding type power outlet. This is a safety feature. If you are unable to insert the plug into the outlet, contact your electrician to replace your obsolete outlet. Do not defeat the safety purpose of the grounding type plug.
12. Power-Cord Protection — Power-supply cords should be routed so that they are not likely to be walked on or pinched by items placed upon or against them, paying particular attention to cords of plugs, convenience receptacles, and the point where they exit from the unit.
4
Important Safeguards
13. Outdoor Antenna Grounding — If an outside antenna or cable system is connected to the video unit, be sure the antenna or cable system is grounded so as to provide some protection against voltage surges and built­up static charges. Part 1 of the Canadian Electrical Code, in USA Section 810 of the National Electrical Code, provides information with respect to proper grounding of the mast and supporting structure, grounding of the lead-in wire to an antenna discharge unit, size of grounding conductors, location of antenna discharge unit, connection to grounding electrodes, and requirements for the grounding electrode.
14. Lightning — For added protection of this video unit receiver during a lightning storm, or when it is left unattended and unused for long periods of time, unplug it from the wall outlet and disconnect the antenna or cable system. This will prevent damage to the video unit due to lightning and power-line surges.
15. Power Lines — An outside antenna system should not be located in the vicinity of overhead power lines or other electric light or power circuits, or where it can fall into such power lines or circuits. When installing an outside antenna system, extreme care should be taken to keep from touching such power lines or circuits as contact with them might be fatal.
16. Overloading — Do not overload wall outlets and extension cords as this can result in a risk of fire or electric shock.
17. Objects and Liquids — Never push objects of any kind into this video unit through openings as they may touch dangerous voltage points or short out parts that could result in a fire or electric shock. Never spill liquid of any kind onto the video unit.
18. Servicing — Do not attempt to service this video unit yourself as opening or removing covers may expose you to dangerous voltage or other hazards. Refer all servicing to qualified service personnel.
19. Damage Requiring Service — Unplug this video unit from the wall outlet and refer servicing to qualified service personnel under the following conditions: a. When the power-supply cord or plug is
damaged.
b. If any liquid has been spilled onto, or
objects have fallen into the video unit.
c. If the video unit has been exposed to rain
or water.
d. If the video unit does not operate normally
by following the operating instructions. Adjust only those controls that are covered by the operating instructions, as an improper adjustment of other controls may result in damage and will often require extensive work by a qualified technician to restore the video unit to its normal peration.
e. If the video unit has been dropped or the
cabinet has been damaged.
f. When the video unit exhibits a distinct
change in performance – this indicates a need for service.
20. Replacement Parts — When replacement parts are required, be sure the service technician has used replacement parts specified by the manufacturer or have the same characteristics as the original part. Unauthorized substitutions may result in fire, electric shock or other hazards.
21. Safety Check — Upon completion of any service or repairs to this video unit, ask the service technician to perform safety checks to determine that the video unit is in safe operating order.
FCC Warning: Any unauthorized changes or modifications to this equipment would void the
user’s authority to operate.
ANTENNA LEAD IN WIRE
GROUND CLAMP
ELECTRIC SERVICE EQUIPMENT
NEC – NATIONAL ELECTRICAL CODE
ANTENNA DISCHARGE UNIT (NEC SECTION 810-20)
GROUNDING CONDUCTORS (NEC SECTION 810-21)
GROUND CLAMPS
POWER SERVICE GROUNDING ELECTRODE SYSTEM (NEC ART 250, PART H)
5
O “LEICA” is the registered trademark of Leica Microsystems. O “DICOMAR” is the registered trademark of Leica Camera AG.
Other model names, company names, products names, etc. are the trademarks and registered trademarks of the companies concerned.
Contents
Accessories . . . . . . . . . . . . . . . . . . . . . . . . . .6
Precautions for use . . . . . . . . . . . . . . . . . . . .7
Storage tips . . . . . . . . . . . . . . . . . . . . . . . . . . .9
Parts and their functions . . . . . . . . . . . . . . .10
Remote control unit . . . . . . . . . . . . . . . . . . .20
Charging the battery . . . . . . . . . . . . . . . . . .21
Mounting the battery . . . . . . . . . . . . . . . . . .22
Supplying power from the AC adapter . . . .22
Cassette tapes . . . . . . . . . . . . . . . . . . . . . . .23
Adjusting the hand strap . . . . . . . . . . . . . . .24
Attaching the shoulder strap . . . . . . . . . . . .24
Mounting the lens hood . . . . . . . . . . . . . . . .24
Viewfinders . . . . . . . . . . . . . . . . . . . . . . . . . .25
Setting the calendar . . . . . . . . . . . . . . . . . . .27
Charging the internal battery . . . . . . . . . . .28
Setting the electronic shutter . . . . . . . . . . .29
White balance and black balance . . . . . . . .30
Adjusting the white balance . . . . . . . . . . . .30
Adjusting the black balance . . . . . . . . . . . .31
ATW (Auto Tracking White) function . . . . .31
Setting the time data . . . . . . . . . . . . . . . . . .32
Setting the user’s bit . . . . . . . . . . . . . . . . . .32
Setting the time code . . . . . . . . . . . . . . . . .33
Scene files . . . . . . . . . . . . . . . . . . . . . . . . . . .34
Changing the scene file settings . . . . . . . . .35
Setting menus . . . . . . . . . . . . . . . . . . . . . . . .37
Operation method . . . . . . . . . . . . . . . . . . . .37
Configuration of setting menus . . . . . . . . . .38
SCENE FILE screen . . . . . . . . . . . . . . . . . .39
CAMERA SETUP screen . . . . . . . . . . . . . .40
SW MODE screen . . . . . . . . . . . . . . . . . . .40
AUTO SW screen . . . . . . . . . . . . . . . . . . . .41
PLAYBACK FUNCTIONS screen . . . . . . . .42
RECORDING SETUP screen . . . . . . . . . . .43
AV IN/OUT SETUP screen . . . . . . . . . . . . .44
DISPLAY SETUP screen . . . . . . . . . . . . . .45
OTHER FUNCTIONS screen . . . . . . . . . . .46
Screen displays . . . . . . . . . . . . . . . . . . . . . .47
Camera mode and VCR mode . . . . . . . . . .47
VCR mode . . . . . . . . . . . . . . . . . . . . . . . . .52
Selecting the display . . . . . . . . . . . . . . . . . .53
Connecting external components . . . . . . . .54
Shooting . . . . . . . . . . . . . . . . . . . . . . . . . . . .55
Preparation and inspections . . . . . . . . . . . .55
Regular shooting . . . . . . . . . . . . . . . . . . . .55
REC check . . . . . . . . . . . . . . . . . . . . . . . . .55
Face-to-face shooting . . . . . . . . . . . . . . . . .56
Index recording . . . . . . . . . . . . . . . . . . . . . .56
Using the USER buttons . . . . . . . . . . . . . . .56
Intermittent recording . . . . . . . . . . . . . . . . .56
Backup recording . . . . . . . . . . . . . . . . . . . .57
Progressive shooting . . . . . . . . . . . . . . . . .58
Playback . . . . . . . . . . . . . . . . . . . . . . . . . . . .59
Normal playback . . . . . . . . . . . . . . . . . . . . .59
Tape blank search . . . . . . . . . . . . . . . . . . .59
Variable speed search . . . . . . . . . . . . . . . .59
Index search . . . . . . . . . . . . . . . . . . . . . . . .59
Condensation . . . . . . . . . . . . . . . . . . . . . . . .60
Video heads . . . . . . . . . . . . . . . . . . . . . . . . .60
Troubleshooting (Q&A) . . . . . . . . . . . . . . . .61
Power supply-related problems . . . . . . . . .61
Battery-related problems . . . . . . . . . . . . . .61
Problems during normal video recording . .61 Problems during various kinds of video
recording . . . . . . . . . . . . . . . . . . . . . . . . . . .62
Editing-related problems . . . . . . . . . . . . . . .62
Display-related problems . . . . . . . . . . . . . .62
Playback-related problems (video) . . . . . . .62
Playback-related problems (audio) . . . . . . .63
Other types of problems . . . . . . . . . . . . . . .63
Maintenance . . . . . . . . . . . . . . . . . . . . . . . . .64
Specifications . . . . . . . . . . . . . . . . . . . . . . . .65
6
Accessories
OBattery (2)
OAC adapter (2)
OAC cable (K2CB2DB00001)
ODC cable (VEK8722)
OWireless remote control unit
(N2QAEC000003)
OBattery for remote control unit (CR2025)
OEye cup (VMG1458)
OMicrophone holder (VYC0870)
OScrews
6 mm in length (XSB4+6FZ) a2 12 mm in length (XSB4+12FZ) a2
OMicrophone holder adapter (VYC0890)
OShoulder strap (VFC3891)
OCleaning tape (AY-DVMCL)
2 :
Refer to the “OPTIONAL ACCESSORIES” item (on page 66) for the model numbers of the battery and AC adapter.
7
Precautions for use
Take care to prevent water from entering inside the camera recorder when using it in the rain or snow or at the seashore or in other similar environments.
O Failure to heed this caution may cause the
camera recorder and/or cassette to malfunction (possibly leading to irreparable damage).
Keep the camera recorder away from equipment (such as TV sets and TV game machines) that generate magnetic fields.
O When the camera recorder is used on top of or
in the vicinity of a TV set, the radiation of electromagnetic waves from the set may give rise to interference in the picture and/or sound.
O The strong magnetic fields generated by
speakers or large motors may ruin the tape recordings or distort the images.
O The electromagnetic waves from
microcomputers may have an adverse effect on the camera recorder or give rise to distortion in the images and sound.
O If the camera recorder is adversely affected by
a component that generates magnetic fields to such an extent that it can no longer operate normally, turn off the power and remove the battery or disconnect the AC adapter from the power outlet, then re-install the battery or reconnect the AC adapter to the outlet. After this, switch the camera recorder’s power back on.
Do not use the camera recorder near radio transmitters or high-voltage equipment.
O If the camera recorder is used near a radio
transmitter or high-voltage equipment, the recorded pictures and/or sound may be adversely affected.
When using the camera recorder on the seashore or other similar environment, take care to ensure that no sand or dust enter inside the camera recorder.
O Sand and dust may damage the camera
recorder and/or cassette. (Take particular care when inserting and ejecting the cassette.)
AC adapter and battery
O When the temperature of the battery unit has
risen to an extremely high level or dropped to an extremely low level or when the battery is not used for prolonged periods of time has become fully discharged, the “CHARGE” lamp flashes several times, and charging commences automatically.
O If the “CHARGE” lamp continues to flash even
though the battery temperature is normal, consult your dealer as a problem may have developed within the battery or AC adapter.
O When the battery is warm, it takes longer than
usual for the battery to be charged.
O When the AC adapter is used near a radio, the
radio sound may be distorted. Use the adapter at a distance of at least one meter from the radio.
O Noise may be heard while the AC adapter is in
use; however, this is normal and not indicative of any malfunctioning.
When carrying the camera recorder, take care not to drop it.
O A strong impact may damage the camera
recorder body and render it incapable of proper operation.
O When carrying the camera recorder, always
use the hand strap or shoulder strap and handle the camera carefully.
Keep the camera recorder away from insecticide sprays and volatile liquids.
O If the camera recorder comes into contact with
insecticide sprays or volatile liquids, the camera body may become deformed or the surface coating may peel off.
O Ensure that the camera recorder does not
remain in close contact with rubber or plastic products for prolonged periods of time.
After use, be absolutely sure to remove the cassette and either remove the camera recorder’s battery or disconnect its AC cable from the power outlet.
O If a cassette is left inside the camera recorder,
tape slack may develop and result in damage to the tape.
O If the battery is left inside the camera recorder
for a prolonged period, its voltage may drop to such a low level that even after it has been recharged, it may not be possible to re-use it.
8
Precautions for use
Battery characteristics
This camera recorder uses a rechargeable lithium-ion battery which produces electrical energy by means of an internal chemical reaction. This reaction tends to be easily affected by the ambient temperature and humidity, and the period during which the battery can be effectively used decreases as the temperature becomes very high or low. The battery charge will last for only 5 minutes if the battery is used in an environment where the temperature is extremely low. When the battery temperature rises to an abnormally high level, the protection function is activated, and it is not possible to use the battery for a while.
Always remove the battery upon completion of operation.
Never fail to remove the battery from the camera recorder. (If it is left in the camera, a small amount of current will be consumed even when the camera recorder’s power is off.) If the battery is left in the camera for a prolonged period, it will become excessively discharged to the extent that even after it has been recharged, it may not be possible to re-use it.
Disposing of the battery
ODispose of the battery when it has reached
the end of its service life.
ODo not dispose of the battery in a fire as it
may explode.
Protect the battery terminals.
Ensure that the battery terminals are free from dust and foreign matter. If the battery has been dropped, check that the battery body and terminals have not been bent out of shape. Inserting a deformed battery into the camera recorder or mounting it in the AC adapter may result in damage to the camera recorder or AC adapter.
LCD
OIf the same image or characters are left
displayed for a prolonged period on the LCD monitor or viewfinder, the image may be burned onto the screen. If this happens, keep the power off for several hours to restore the screen to its original condition.
OThe liquid crystal parts are fabricated using
high-precision technology. The screen has effective pixels that cover more than 99.99% of its area, but pixels may be missing or remain permanently lighted in less than
0.01% of the area. This is neither indicative of malfunctioning nor does it affect the images in any way.
OIn locations where the temperature fluctuates
considerably, condensation may form on the liquid crystal parts of LCD monitor. If this happens, wipe off the moisture using a soft, dry cloth.
OIf the temperature of the camera recorder
itself is very low, the LCD monitor may be slightly darker than usual immediately after the power has been turned on. Normal brightness is restored after the internal temperature has risen.
Do not point the lens or viewfinder’s eye­piece at the sun.
Doing so may damage the internal parts.
Protective caps for the connectors
Keep the protective caps in place over any connectors which are not being used.
9
Storage tips
When storing the camera recorder, eject the cassette from the camera recorder and remove the battery. Store all components in a location where the humidity level is low and the temperature is relatively stable.
Recommended temperature range:
59°F to 77°F (15°C to 25°C)
Recommended relative humidity:
40% to 60%
Camera recorder
OWrap the camera recorder in soft cloth to
keep out dust.
Battery
OThe battery’s service life is reduced if the
battery is stored in a location where the temperature is extremely high or extremely low.
OIf the battery is stored in a location exposed
to high concentrations of oily vapors and/or dust, the terminals may corrode or other problems may develop, possibly resulting in malfunctioning.
ODo not bring metal objects (such as
necklaces or hairpins) into contact with the battery terminals. The terminals may short circuit and generate heat, and touching them in this condition may cause severe burns.
OStore the battery only when it is fully
discharged. It is recommended that the battery be charged once a year when it is being stored long-term and that it be placed back in storage after it has been fully discharged using the camera recorder.
Cassette tapes
OBefore storing a cassette tape, rewind the
tape to its start. If a tape that has been stopped at some interim point along its length is stored for six months or more (this period of time differs depending on the storage conditions), tape slack will develop. Always rewind the tape to its start before storing it.
OReturn cassette tapes to their original cases
before storing them. Dust, direct sunlight (ultraviolet rays), humidity and other such conditions may damage the tapes. Dust contains particles of hard mineral substances, and if dust should enter inside a cassette, these particles may in turn be transferred to the heads and other parts, possibly resulting in their damage. Make a habit of always returning the cassettes to their original cases.
OFast forward and rewind cassette tapes once
every six months. If tapes are kept wound up for more than a year, they may become warped or distorted due to the expansion and contraction caused by changes in the temperature and humidity. In addition, layers of tape may stick together.
ODo not place cassette tapes near matter or
equipment which emits strong magnetic fields.
OExtremely fine magnetic particles are
contained in the coating of the tape surface, and it is here that the signals are recorded. Magnetic necklaces, toys and other such items may have stronger magnetic fields than suspected, which may erase recordings or give rise to noise in the pictures and sound.
Lights: While shooting is in progress.
Blinks:
O When a remote control operation has been received
(about 8 blinks per second)
O When shooting is commenced
(about 8 blinks per second)
O When the tape has come to the end
(about 4 blinks per second)
O When a problem has arisen in the tape transport
system (about 4 blinks per seconds)
O When there is little tape or battery charge remaining
(once a second)
10
Parts and their functions
1POWER switch
Move this switch while pressing the lock release button.
2START/STOP button
When this button is pressed in the camera mode, shooting can be started or stopped. Operation is switched between the camera mode and VCR mode using the CAMERA/VCR button >.
3EJECT switch
To open the cassette holder, slide this switch in the direction of the arrow while pressing the lock release button. Do not operate the switch while recording is in progress. The cassette holder will open but recording will continue, so external light and/or dust will adversely affect the tape.
O
Do not insert or eject the cassette tape holding onto the cassette holder alone.
Insert or eject the tape with the camera recorder placed on a flat and stable surface or, alternatively, support the camera recorder with both hands so that it will be kept in a stable condition even if the cassette holder is opened.
O
Close the cassette holder after ensuring that the cassette mechanism has completed the eject operation.
4Cassette holder
5CAM REMOTE jack (2.5 mm mini jack)
The remote control unit is connected to this jack to enable zooming and record start/stop to be initiated by remote control.
6PHONES jack (3.5 mm stereo mini jack)
The headphones are connected to this jack to monitor the sound.
7Remote control sensor (rear)
8Tally lamp (rear)
This lights or blinks depending on the status of the camera recorder.
The settings for causing the tally lamp to flash are performed using the REC LAMP item on the setting menu OTHER FUNCTIONS screen. (See page 46)
9Viewfinder
:Diopter adjustment dial
This is adjusted in such a way that the viewfinder screen comes into sharp focus.
;Power socket
<DC INPUT connector (7.9V)
=Battery eject button
2
783
56 41
O
N
POWER
OFF
Lock release button
E
JE
C
T
Lock release button
=
:
;
<
9
(Eye cup)
(Eye-piece)
11
AGAIN switch
When the camera screen is too dark, change the setting of this switch to boost the gain and make the screen brighter. The M and H gain values are set using the MID GAIN item and HIGH GAIN item on the setting menu SW MODE screen. (See page 40) L:The switch is normally kept at this
position. (0 dB)
M:The gain of the camera video amplifier is
boosted. (Factory setting: 6 dB)
H:The gain of the camera video amplifier is
further boosted. (Factory setting: 12 dB)
OIn the progressive mode, the screen is
controlled by a fixed gain value regardless of the position of the GAIN switch.
BWHITE BAL switch
This is used to set the white balance.
A or B:
The white balance value adjusted by the AWB button C is stored in the memory.
PRST (preset):
Set the switch to this position in cases where, for instance, there is no time to adjust the white balance. The 3200K and 5600K white balance values are stored in the memory. Press the AWB button to switch between the two values.
OThe ATW (Auto Tracking White) function
can be allocated to the A, B or PRST position using the ATW item on the setting menu SW MODE screen. (See page 40)
OWhat kind of light source is being used
during shooting is determined by the white balance sensor. Do not block the front of the white balance sensor with your hand or any other object during shooting or the ATW function will not operate properly.
B A
Parts and their functions
>CAMERA/VCR button and lamp
Each time this button is pressed, the operation mode is switched between the camera mode and VCR mode, and the lamp of the selected mode lights. Select the camera mode for shooting. Select the VCR mode to check the tape contents or input and record video signals from an external source.
?Scene file dial
This is used to select the scene files. (See page 34) Settings tailored to various shooting conditions are stored in the positions of this dial. During shooting, the necessary file can be instantly loaded using the dial.
@END SEARCH button
When this button is pressed in the VCR mode, the unrecorded blanks on the video tape are searched, and the still picture mode is established about one second before an unrecorded blank. The part which was shot last can also be searched using the END SEARCH item setting on the setting menu PLAYBACK FUNCTIONS screen. (See page 42) OWhen one tape is replaced with another,
the part which was shot last can be searched using this button.
OIf no signals have been recorded on the
tape, the tape stops at the tape end.
OThis function may not operate properly if
there is an unrecorded blank near the tape start or at a point along the tape.
OBefore proceeding with recording, check
the picture which has been searched.
>?@
White balance sensor
12
Parts and their functions
CAWB button
When this button is pressed while the WHITE BAL switch B is set to the A or B position, the white balance is automatically adjusted, and the white balance value is stored in the memory. If this button is then held down, the black balance is adjusted. In the progressive mode, the black balance is adjusted following the automatic adjustment of the white balance simply by pressing this button.
When this button is pressed while the WHITE BAL switch B is set to the PRST position, the current white balance value is displayed. When the AWB button is pressed again, the 3200K and 5600K white balance values are selected alternately. OWhile recording is in progress, the black
balance cannot be adjusted.
DIRIS button
Each time this button is pressed, the method of adjusting the lens iris is switched between the auto mode and manual mode.
EIRIS dial
This is used to adjust the lens iris. When the IRIS button D is set to the manual mode, this dial is used to adjust the lens iris. Even in the auto mode, the lens iris can be adjusted using this dial. OThe direction in which the IRIS dial is
turned and iris control can be set using the IRIS DIAL item on the setting menu SW MODE screen. (See page 40)
FFOCUS switch
This is used to select the method of controlling the focus.
A (AUTO):
Auto focus mode
M (MANUAL):
Manual focus mode The focus ring H is controlled manually to adjust the focus.
:
After the focal length has been set to infinity, the manual focus mode is established. Even if the FOCUS switch is set to the
position, it will return to the M
(MANUAL) position.
OEven when the manual focus mode is
established, the AUTO button K setting takes priority if it is pressed.
OIf flicker occurs, the auto focus control may
not be exercised properly, so select a shutter speed suited to the lighting. (See page 29)
OIn the progressive mode, the manual focus
mode is established.
GPUSH AUTO button
While this button is pressed with the FOCUS switch set to the M (MANUAL) position, the auto focus mode is established, and the focus is adjusted.
HFocus ring
IZoom ring
If the zoom ring pin is not required, fit it into the threaded hole under the handle so that it will not be lost.
F
I
H
G D E C
Zoom ring pin
13
Parts and their functions
JINDEX button
When the INDEX button is pressed while shooting or recording is in progress, the index signal is recorded on the tape. When it is pressed while shooting or recording has been temporarily stopped, the recording of the index signal is set to standby. If shooting or recording is commenced in this status, the index signal will then be recorded on the tape. By recording the index signal, searches (index searches) can be conducted during playback. (See page 59)
KAUTO button
When the AUTO button is pressed, the operation mode which was set on the setting menu AUTO SW screen is established, and “ ” appears in the upper part of the viewfinder and LCD monitor. On the setting menu AUTO SW screen, the mode of the operation to be performed automatically (auto iris, auto gain control, auto tracking white or auto focus) when the AUTO button is pressed is set. (See page 41) The setting is released when the button is pressed again.
LUSER1 and USER2 buttons
One of nine functions can be allocated to the USER1 button and one can be allocated to the USER2 button. In accordance with the subject concerned, the shooting conditions can be instantly selected or fade effects can be added to the images. For details, refer to the USER1 item and USER2 item (page 41) on the setting menu SW MODE screen.
A
MND FILTER switch
This is used to select the ND filter (for adjusting the light quantity) to be used.
OFF: The ND filter is not used. 1/8 : The light quantity is reduced to about
one eighth.
1/64: The light quantity is reduced to about
one sixty-fourth.
NAUDIO controls
These are used to adjust the recording level of the audio signals which have been input to the built-in microphone Q and INPUT 1 and 2 connectors Z. Adjust the recording level of the audio signals using these controls, irrespective of the setting selected for the MIC ALC item on the RECORDING SETUP screen of the setting menu (page 43). It is recommended that the center position normally be selected for use. OThey cannot be used to adjust the audio
signals which have been input to the AUDIO IN/OUT CH1 and CH2 connectors
W.
OLight shoe
A video light, for instance, is attached to this shoe.
PMicrophone shoe
The accessory microphone holder is attached to this shoe so that a microphone (optional accessory), etc. can be mounted. (See page
54)
QMicrophone (built-in, stereo)
Do not apply a strong load from an external source to this microphone as it may damage the microphone.
RTally lamp (front)
Refer to the details on the tally lamp (rear) 8.
SRemote control sensor (front)
TMENU button
When this button is pressed, the menu mode is established, and the setting menu screen is displayed in the viewfinder and on the LCD monitor. When it is pressed again, the menu mode is released.
P
M
K
O
L
J
Q
S
R
N
T
14
[In the camera mode] 5
When the lever is tilted in the “5” direction in the shooting pause mode, the tape is played back in the “5” direction at 1a speed while the lever is tilted.
6
When the lever is tilted in the “6” direction in the shooting pause mode, the tape is played back in the “6” direction at 1a speed while the lever is tilted.
OThe scenes shot up until now can be
checked in the shooting pause mode.
VS-VIDEO IN/OUT connector
This is the S-video input/output connector.
WAUDIO IN/OUT CH1 and CH2 connectors
(pin jacks)
These are the input/output connectors for the audio signals.
XVIDEO IN/OUT connector
(pin jack)
This is the input/output connector for the video signals.
YDV connector
An IEEE1394 (4-pin) cable (optional accessory) is connected here. Video signals, audio signals or time codes, for instance, can be transmitted digitally.
ZINPUT 1, 2 connectors (XLR, 3-pin)
External microphones or audio components are connected here.
[INPUT 1/2 switch
This is used to switch the audio input signals which are connected to the INPUT 1 and 2 connectors.
LINE:
The audio input signals from the audio component serving as the line input are selected; their input level is 0 dBu.
MIC:
The audio input signals from the external microphone(s) are selected; their input level is –50 dBu. The input level can be changed to –60 dBu using the MIC GAIN 1 and MIC GAIN 2 items on the setting menu RECORDING SETUP screen. (See page 43)
Parts and their functions
UOPERATION lever
This lever is used to operate the VCR and conduct the menu operations.
[In the VCR mode] 1 :
When the lever is tilted in the “1” direction in the stop mode, the tape is played back. When it is tilted in the same direction during playback, the variable speed search mode (see page 59) is established, and the tape is played back at the 1a speed. (Sound is not played back.)
5” :
When the lever is tilted in the “5” direction in the stop mode, the tape is fast forwarded. When it is tilted in the same direction during playback, the tape is cued at 10a speed.
6” :
When the lever is tilted in the “6” direction in the stop mode, the tape is rewound. When it is tilted in the same direction during playback, the tape is reviewed at 10a speed.
$” :
When the lever is tilted in the “$” direction, the tape is stopped.
“;” :
When the lever is pressed during playback, the tape is set to the pause (temporary stop) mode.
[In the menu mode] 3 :
When the lever is tilted in the “3” direction, the items displayed on the menu screen are moved upward.
4” :
When the lever is tilted in the “4” direction, the items displayed on the menu screen are moved downward.
“;” :
Press the lever to change a setting.
U
Z [X Y
W
V
\ZOOM switch
This is used to select motor-driven zoom operations or manual zoom operations.
SERVO:
For motor-driven zoom operations (At this position, do not attempt to perform manual zoom operations or malfunctioning may result.)
MANU:
For manual zoom operations
]START/STOP button (on the handle)
When this button is pressed in the camera mode, shooting start or stop is selected. The camera mode and VCR mode are switched using the CAMERA/VCR button >.
^REC CHECK button
When this button is pressed in the shooting pause mode, the picture and sound immediately before shooting was stopped are played back for several seconds, and the shooting pause mode is established at the original position on the tape.
_Zoom button
When the ZOOM switch is at the SERVO position, motor-driven zoom operations are performed. When this button is pressed lightly, zoom operations are performed at a low speed; when it is pressed with force, they are performed at a high speed.
`Zoom button (on the handle)
aHANDLE ZOOM switch
This switch is used to select one of the three speeds for the zoom operations conducted using the zoom button ` on the handle. The speed is set using the HANDLE ZOOM item on the setting menu SW MODE screen. (See page 40)
`a ]
_
^
bAUDIO DUB button
When the pause status is established in the VCR mode and this button is pressed, the mode in which audio dubbing can be started is established. Press “;” of the OPERATION lever U to record the sound. To stop the recording, tilt the OPERATION lever in the “$” direction. The audio input used for audio dubbing is set using the A DUB INPUT item on the setting menu AV IN/OUT SETUP screen. (See page
44) OBefore proceeding with the audio dubbing,
select “12 bit” as the AUDIO REC item setting on the setting menu RECORDING SETUP screen and then start shooting. (See page 43)
cVCR REC buttons
When these two buttons are pressed at the same time in the stop status of the VCR mode, the video signals from the connected component are recorded. When they are pressed at the same time in the playback pause status of the VCR mode, the recording standby status is established. Each time “;” of the OPERATION lever U is pressed, the status alternates between recording and recording standby. To stop recording, tilt the OPERATION lever in the “$” direction. OBefore proceeding to record, check that the
video signals have been input.
dAUDIO MON/VAR buttons
These buttons are used to adjust the volume at which the sound is to be output from the internal speaker g or PHONES jack 6. They cannot be adjusted in the camera mode. The playback direction and playback speed are changed in the variable speed search mode. (See page 59) When these buttons are pressed in the pause status, the tape is played back frame by frame.
b
d
c
\
ZOOM
SERVO MANU
15
Parts and their functions
16
Parts and their functions
eOPEN button
Press the OPEN button in the direction of the arrow to open the LCD monitor f. When the LCD monitor is opened, the image on the viewfinder switches to the LCD monitor. The image can be switched using the EVF MODE item on the setting menu DISPLAY SETUP screen. (See page 45)
jSPEED SEL button
After having pressed the SHUTTER button i, press this button to select the shutter speed. (See page 29)
kCH1 SELECT switch
This switch is used to select the input signals which are to be recorded on the audio channel 1 track.
INT (L):
Audio signals of the left (L) channel of the internal microphone
INPUT1:
Audio signals which are input to the INPUT 1 connector
INPUT2:
Audio signals which are input to the INPUT 2 connector
lCH2 SELECT switch
This switch is used to select the input signals which are to be recorded on the audio channel 2 track.
INT (R):
Audio signals of the right (R) channel of the internal microphone
INPUT2:
Audio signals which are input to the INPUT 2 connector
mINPUT 1 switch (MIC POWER +48 V)
When this switch is set to ON, +48 V power (power supply for the phantom mic) is supplied to the INPUT 1 connector.
nINPUT 2 switch (MIC POWER +48 V)
When this switch is set to ON, +48 V power (power supply for the phantom mic) is supplied to the INPUT 2 connector.
fLCD monitor
gInternal speaker
hRESET button
If the camera recorder cannot be operated even though its power is on or some other form of trouble has occurred, use a pointed object to press the RESET button. This will reset the system microcomputer. Even after resetting has been initiated, the entered setting menu values and memory contents will not be erased. Refrain from pressing the RESET button when the camera recorder is operating properly.
iSHUTTER button
Press this button to change the shutter speed. After pressing this button, press the SPEED SEL button j to select the shutter speed. (See page 29)
f e
l n
mk
j
i
h
g
OPEN
oCOUNTER RESET button
This button is used to reset the counter value on the counter display and the memory counter value to zero. It cannot reset the time code or users bit.
pCOUNTER button
This button is used to select what data is to be displayed on the counter display which is in the viewfinder and on the LCD monitor. Each time it is pressed, the data to be displayed changes.
COUNTER:
The counter value is displayed.
M COUNTER:
The counter value in the memory stop mode is displayed.
TC : The time code is displayed. UB : The users bit is displayed. FR : The frame rate information (30P, 24P or
24PA) when shooting is to be performed in the progressive mode, and the sequence information used for frame conversion are displayed.
Blank display :
No data is displayed.
qMODE CHK button
When this button is pressed, the current camera status setting can be checked in the viewfinder and on the LCD monitor.
rZEBRA button
When this button is pressed in camera mode, a zebra pattern or marker appears in the viewfinder and on the LCD monitor, enabling the brightness of the subject to be checked. Each time it is pressed, the display changes as shown below.
The level of each zebra pattern can be set using the ZEBRA DETECT 1 item and ZEBRA DETECT 2 item on the setting menu DISPLAY SETUP screen. Display of the marker can also be switched ON/OFF with the MARKER item on this screen. (See page 45)
sOIS button
This button is used to set camera shake compensation to ON or OFF. When the compensation is ON, appears in the viewfinder and on the LCD monitor. Select ON or OFF to suit the shooting conditions. When shooting using a tripod, the OFF setting is recommended.
tTripod mounting hole
Zebra pattern
Parts that may be whitened out due to overexposure are displayed using a striped pattern.
s
o
p
q r
Memory stop mode
The memory stop mode is established when the display is switched to M COUNTER using the COUNTER button. 1 Switch the display to M COUNTER, and press the
COUNTER RESET button o at any tape position to reset the counter value.
2 Proceed with playback or shooting. 3 Establish the VCR mode using the CAMERA/VCR
button.
4 When the tape is now rewound or fast forwarded, it
stops traveling automatically near where the counter value was reset.
O If the counter value is reset at the OUT point during
audio dubbing, audio dubbing can be stopped in the memory stop mode.
17
Parts and their functions
t
OFF
ZEBRA 1ZEBRA 2
Marker
Remote control unit
1OSD button
When this button is pressed, the information displayed in the viewfinder and on the LCD monitor is added to the video signals, and it can be displayed on a TV monitor as well. When it is pressed again, the display on the TV monitor is cleared.
2DATE/TIME button
When this button is pressed, the shooting date (year/month/day) and/or time are displayed in the viewfinder and on the LCD monitor. Each time it is pressed, the display is switched in the sequence shown below.
3START/STOP button
This button has the same function as the START/STOP button on the camera recorder body.
4ZOOM/VOL buttons
During shooting, these buttons are used to conduct motor-driven zoom operations. The zoom speed is fixed at the medium speed. During tape playback, they are used to adjust the volume at which the sound is to be output from the internal speaker and PHONES jack.
OSD
COUNTER
RESET TITLE
STILL ADV
PAUSE
STILL ADV
INDEX
SELECT
STORE
OFF/ON
P.B.DIGITAL
VAR.
SEARCH
– VOL +
PB.
ZOOM
MENU
SET
ITEM
STOP INDEX
MULTI/ P-IN-P
REC A.DUB
PLAYC/REW FF/
B
ZOOM
DATE/ TIME
PHOTO
SHOT
START/
STOP
1 5 7
6
2
3
4
8
No display
Time display
Date display
Time and date display
The buttons listed below are for functions which are not featured on the camera recorder.
OPHOTO SHOT OTITLE OMULTI/P-IN-P OSELECT OSTORE OOFF/ON OPB. ZOOM O N
5COUNTER button
This button has the same function as the COUNTER button on the camera recorder body.
6COUNTER RESET button
This button has the same function as the COUNTER RESET button on the camera recorder body.
7REC button
When this button is pressed together with the PLAY button while operation is stopped in the VCR mode, the video signals from the connected component are recorded. When it is pressed together with the PLAY button during playback pause in the VCR mode, the recording standby status is established. Each time the PAUSE (;) button is pressed, the status is switched between recording and recording standby. To stop recording, press the STOP ($) button.
8A. DUB button
This button has the same function as the AUDIO DUB button on the camera recorder body.
18
Parts and their functions
19
Parts and their functions
:VAR. SEARCH button
When this button is pressed during playback, the variable search mode is established, and 1a is displayed in the viewfinder and on the LCD monitor. When the V or B button among the SET buttons ; is pressed, the playback speed is changed. Each time the V or B button is pressed, the playback speed is changed by one setting in the following sequence: 1/5a (or 1/3a in the LP mode), 1a, 2a, 5a, 10a and 20a. Use the V button to change the speed in the forward direction and the B button to change it in the reverse direction.
;SET buttons
MENU button:
This button has the same function as the MENU button on the camera recorder body.
V button:
When this is pressed in the menu mode, the items displayed on the menu screen are moved upward. When it is pressed in the search mode, the speed is changed in the forward direction.
B button:
When this is pressed in the menu mode, the items displayed on the menu screen are moved downward. When it is pressed in the search mode, the speed is changed in the reverse direction.
M button:
Press this in the menu mode to change settings.
9VCR operation buttons
C/REW button (6)
This button has the same function as the OPERATION lever on the camera recorder body.
FF/C button (5)
This button has the same function as the OPERATION lever on the camera recorder body.
PLAY button (1)
When this button is pressed in the VCR mode, the tape is played back. When it pressed together with the REC button, the video signals from the connected component are recorded.
STILL ADV buttons (E, D)
When either button is pressed during tape playback, slow-motion playback results. When it is pressed in the pause status, frame advance playback results. (E in the reverse direction, D in the forward direction)
INDEX buttons (:, 9)
When either button is pressed during tape playback, the start of a recorded section is searched. (: in the reverse direction, 9 in the forward direction)
PAUSE button (;)
This button has the same function as the OPERATION lever on the camera recorder body.
STOP button ($)
This button has the same function as the OPERATION lever on the camera recorder body.
OSD
COUNTER
RESET TITLE
STILL ADV
PAUSE
STILL ADV
INDEX
SELECT
STORE
OFF/ON
P.B.DIGITAL
VAR.
SEARCH
– VOL +
PB.
ZOOM
MENU
SET
ITEM
STOP INDEX
MULTI/ P-IN-P
REC A.DUB
PLAYC/REW FF/
B
ZOOM
DATE/ TIME
PHOTO
SHOT
START/
STOP
9
;
:
20
Remote control unit
Remote control unit settings
In order to prevent mistakes made in operations performed using remote control when two camera recorders are operated at the same time, the operation buttons on the camera recorder and accessory wireless remote control unit can be set to work for VCR1 applications and for VCR2 applications.
Setting method
OWireless remote control unit
When the STOP ($) and STILL ADV (D) buttons among the VCR operation buttons are pressed at the same time, the operation buttons on the remote control unit are set to be used for VCR1. Similarly, when the STOP ($) and STILL ADV (E) buttons among the VCR operation buttons are pressed at the same time, the operation buttons on the remote control unit are set to be used for VCR2. When the battery in the remote control unit has been replaced, the operation buttons are set to be used for VCR1.
OCamera recorder body
Set VCR1 and VCR2 using the REMOTE item on the setting menu OTHER FUNCTIONS screen. (See page 46)
If the camera recorder body and remote control unit settings are at variance, REMOTE in red letters lights up and is displayed in the viewfinder and on the LCD monitor.
1
While pushing the knob in the direction of the arrow, pull out the holder.
2
Insert the battery with the “+” marking face up.
3
Return the holder to its original position.
Installing the battery
OWhen the battery (CR2025) has completely
run down, replace it with a new one. (The battery life is about one year although it depends on how often the remote control unit is used.) If the remote control unit is operated near the camera recorders remote control sensor and the camera recorder fails to operate, it means that the battery has run down.
OKeep batteries out of the reach of small
children.
OSD
COUNTER
RESET TITLE
STILL ADV
PAUSE
STILL ADV
INDEX
SELECT
STORE
OFF/ON
P.B.DIGITAL
VAR.
SEARCH
– VOL +
PB.
ZOOM
MENU
SET
ITEM
STOP INDEX
MULTI/ P-IN-P
REC A.DUB
PLAYC/REW FF/
B
ZOOM
DATE/ TIME
PHOTO
SHOT
START/
STOP
VCR 2 VCR 1
21
Charging the battery
Fully charge the battery using the AC adapter before use. It is recommended that a spare battery be kept on hand just in case it is needed.
Charging and recording times of accessory battery
Charging time Continuous recording time
1
Place the battery flat along the mark on the AC adapter, and slide it into position.
OIf the DC cable is connected to the AC
adapter, disconnect it before proceeding. The battery cannot be charged if this cable is connected.
2
Connect the AC cable to the power outlet.
OThe “POWER lamp and CHARGE lamp
on the AC adapter light up, and charging commences.
OIf the “CHARGE lamp fails to light when
the battery has been mounted, re-mount the battery.
3
Upon completion of the charging, the CHARGE lamp on the AC adapter goes off.
4
Slide the battery out of position and remove it.
POWER
CHARGE
Approx. 120 minutes Approx. 90 (80) minutes
O The table above gives the approximate durations. The
figure in parentheses is the duration when the LCD monitor is used.
O The durations in the above table apply when the ambient
temperature is 68°F (20°C) and the relative humidity is 60%. Charging may take longer at other temperature and humidity levels.
O Do not bring metal objects (such as
necklaces or hairpins) into contact with the battery terminals. The terminals may short circuit and generate heat, and touching them in this condition may cause severe burns.
O The battery heats up during operation and
during charging, as does the camera recorder body.
O If recording and stop operations are
repeated more than is necessary, the recording time will be less than the values given in the above table.
O Store the battery only when it is fully
discharged. It is recommended that the battery be charged once a year when it is being stored long-term and that it be placed back in storage after it has been fully discharged using the camera recorder.
O When the temperature of the battery unit
has risen to an extremely high level or dropped to an extremely low level or when the battery is not used for prolonged periods of time has become fully discharged, the CHARGE lamp flashes several times, and charging commences automatically.
O If the “CHARGE lamp continues to flash
even though the battery temperature is normal, consult your dealer as a problem may have developed within the battery or AC adapter.
O When the battery is warm, it takes longer
than usual for the battery to be charged.
O When the AC adapter is used near a radio,
the radio sound may be distorted. Use the adapter at a distance of at least one meter from the radio.
O Noise may be heard while the AC adapter
is in use; however, this is normal and not indicative of any malfunctioning.
O The battery cannot be charged while
supplying power from the AC adapter to the camera recorder.
CAUTION:
This unit will operate on 110/120/220/240V AC. An AC plug adapter may be required for voltages other than 120V AC. If a conversion plug is required, consult with your dealer as to which one is to be purchased.
22
Mounting the battery
1
Raise the viewfinder.
2
Push the battery straight in, and slide it downward until it clicks into position.
3
Return the viewfinder to its original position.
5
Return the viewfinder to its original position.
Supplying power from the AC adapter
1
Raise the viewfinder.
2
Push the battery-type connector on the DC cable straight in, and slide it downward until it clicks into position.
3
Connect the DC cable to the AC adapter.
4
Connect the AC cable to the power outlet.
Removing the battery
While pressing the battery eject button, slide the battery upward to remove.
O Set the POWER switch to OFF, and check
that the CAMERA/VCR lamp has gone off before removing the battery.
O Support the battery with your hand to
ensure that it will not drop.
1
2
3
Battery eject button
1
3
4
2
Connect the AC adapter correctly as shown in the figure.
O The battery cannot be charged while
supplying power from the AC adapter to the camera recorder.
4
Push the part marked “” to close the cassette holder securely. OOperations cannot be performed while the
cassette holder is open.
PUSH CLOSE
PUSH CLOSE
23
Cassette tapes
Inserting a cassette tape
Do not insert or eject a cassette tape by taking hold of the cassette holder alone.
Insert or eject the tape with the camera recorder placed on a flat and stable surface or, alternatively, support the camera recorder with both hands so that it will be kept in a stable condition even if the cassette holder is opened.
1
Check that the power supply (battery or AC adapter) is connected to the camera recorder.
2
While pressing the lock release button, slide the EJECT switch in the direction of the arrow to open the cassette holder.
3
Insert the cassette tape as shown in the figure below.
O Also, before removing the cassette tape,
check that the power supply is connected to the camera recorder, then slide the EJECT switch.
O If the a cassette is not going to be inserted
immediately after one has been removed, keep the cassette holder closed.
O Do not attempt this operation while
recording is in progress. The cassette holder will open but recording will continue, so external light and/or dust will adversely affect the tape.
To prevent accidental erasure of recordings
Set the cassette tab to SAVE in order to prevent what has been recorded on the tape from being erased by mistake.
REC
SAVE
$ Use of the following mini DV cassette tapes
is recommended for this camera recorder: AY-DVM30 (30 minutes in the SP mode) AY-DVM60 (60 minutes in the SP mode)
O Do not use 80-minute mini DV cassette
tapes.
$ Even when material is shot in the LP mode,
the picture quality will not deteriorate but mosaic-type noise may occur or certain restrictions may apply to some of the functions. In the following cases, mosaic-type noise may occur and/or proper operation may not be possible.
O When a tape which was shot by this
camera recorder in the LP mode is played back in another digital video component
O When a tape which was shot by another
digital video component in the LP mode is played back in this camera recorder
O When a tape which was shot by this
camera recorder in the LP mode is played back in a digital video component which is not equipped with the LP mode
O When slow or frame advance playback is
performed
O When the camera search function is used
$ Audio dubbing is not possible in the LP
mode as the track width on the tape is narrower than the head width.
EJE
C
T
Lock release button
24
Adjusting the hand strap
1
Open the cover, and adjust the strap length.
Adjust the hand strap to match the size of your hand.
2
Return the cover to its original position. OEnsure that the cover is closed securely
and tightly.
Attaching the shoulder strap
20 mm or more
Fixing screw
Mark
20 mm or more
Mounting the lens hood
Removing the lens hood
OLoosen the fixing screw, and turn the lens
hood counterclockwise to remove.
Mounting the lens hood
OPosition the lens hood so that its mark is
facing upward, and fit the hood onto the lens.
OTurn the lens hood clockwise, and secure it
using the fixing screw.
It is recommended that the shoulder strap be attached to ensure that you do not drop the camera recorder.
25
Viewfinders
Using the viewfinder
1
Set the POWER switch on the camera recorder to ON, and check that an image appears in the viewfinder. OKeep the LCD monitor closed.
2
Position the viewfinder where its screen images can be seen most comfortably. OThe viewfinder can be raised
perpendicularly up to angle of about 90 degrees.
3
Adjust the diopter adjustment dial in such a way that the characters on the viewfinder screen come into sharp focus.
4
Select YES as the setting for the LCD/EVF SET item on the setting menu DISPLAY SETUP screen. OFor details on the menu operations, refer
to page 37.
When ON is selected as the setting for the EVF MODE item on the setting menu DISPLAY SETUP screen, images will always appear in the viewfinder even when the LCD monitor is opened.
Do not point the viewfinders eye-piece at the sun.
This may damage the internal parts.
5
Select the EVF BRIGHTNESS item, and tilt the OPERATION lever in the 3 or 4 direction to adjust the screens brightness. (If the remote control unit is used, press the M button among the SET buttons.)
6
Press the MENU button three times to release the menu mode.
This camera recorder has two viewfinders: a viewfinder that uses a small LCD, and a 3.5­inch LCD monitor. Use the one that better suits the application and the shooting conditions concerned. OThe brightness and color tones may differ
between the images in the viewfinder and on the LCD monitor and the images on a TV monitor. Use the TV monitor when performing the final check of the images.
LCD BRIGHTNESS
[–]
????
––––
[+]
LCD COLOR LEVEL
[–]
????
––––
[+]
[–]
????
––––
[+]
PUSH MENU TO RETURN
EVF BRIGHTNESS
LCD/EVF SET
Attaching the eye cup
To attach the eye cup, align the projections on the eye cup holder and eye cup, and fit the holder and eye cup together.
O Turning the eye cup after attaching it to its
holder may cause the holder to become disengaged. If the eye cup holder becomes disengaged, refer to the procedure described in Viewfinder maintenance (page 64) to reattach it.
Eye cup
Eye cup holder
Protrusion
Eye-piece
Diopter adjustment dial
26
Viewfinders
Using the LCD monitor
1
Set the camera recorders POWER switch to ON.
2
Press the OPEN button in the direction of the arrow 1 to open the LCD monitor.
3
Position the LCD monitor where its screen images can be seen most comfortably. OThe LCD monitor can be rotated up to 180
degrees toward the lens and up to 90 degrees toward you.
Forcing it beyond these angles or closing it while it is still in the rotated position may cause the camera recorder to malfunction.
7
Press the MENU button three times to release the menu mode.
180° 90°
1
2
O When closing the LCD monitor, ensure that
it is closed properly.
O When the LCD monitor has been turned
toward the lens (for face-to-face shooting), both the viewfinder and LCD monitor light up at the same time.
4
Select YES as the setting for the LCD/EVF SET item on the setting menu DISPLAY SETUP screen. OFor details on the menu operations, refer
to page 37.
5
Select the LCD BRIGHTNESS item, and tilt the OPERATION lever in the 3 or 4 direction to adjust the screens brightness. (If the remote control unit is used, press the M button among the SET buttons.)
[–]
????
––––
[+]
LCD COLOR LEVEL
[–]
????
––––
[+]
EVF BRIGHTNESS
[–]
????
––––
[+]
PUSH MENU TO RETURN
LCD BRIGHTNESS
LCD/EVF SET
6
Select the LCD COLOR LEVEL item, and tilt the OPERATION lever in the 3 or 4 direction to adjust the screens color level. (If the remote control unit is used, press the M button among the SET buttons.)
LCD BRIGHTNESS
[–]
????
––––
[+]
[–]
????
––––
[+]
EVF BRIGHTNESS
[–]
????
––––
[+]
PUSH MENU TO RETURN
LCD COLOR LEVEL
LCD/EVF SET
27
Setting the calendar
1
Set the camera recorders POWER switch to ON.
Presented below is a sample setting where the calendar is set to December 25, 2002 and the time is set to 5:20 PM.
8
Press the MENU button three times to release the menu mode.
2
Select YES as the setting for the CLOCK SET item on the setting menu OTHER FUNCTIONS screen. OFor details on the menu operations, refer
to page 37.
3
Tilt the OPERATION lever in the 3 or 4 direction and set YEAR to 2002. (If the remote control unit is used, press the M button among the SET buttons.)
22000022
MONTH APR DAY 24 HOUR 13 MIN. 7
PUSH MENU TO RETURN
YYEEAARR
CLOCK SET
4
Press ;” of the OPERATION lever, and move the setting item to MONTH. (If the remote control unit is used, press the B button among the SET buttons.)
YEAR 2002
AAPPRR
DAY 24 HOUR 13 MIN. 7
PUSH MENU TO RETURN
MMOONNTTHH
CLOCK SET
5
Tilt the OPERATION lever in the 3 or 4 direction and set MONTH to DEC. (If the remote control unit is used, press the M button among the SET buttons.)
YEAR 2002
DDEECC
DAY 24 HOUR 13 MIN. 7
PUSH MENU TO RETURN
MMOONNTTHH
CLOCK SET
YEAR 2002 MONTH DEC DAY 25 HOUR 17
2200
PUSH MENU TO RETURN
MMIINN
..
CLOCK SET
6
In the same way, press “;” of the OPERATION lever, and move the setting item to DAY, HOUR and MIN. (If the remote control unit is used, press the B button among the SET buttons.)
7
Similarly, tilt the OPERATION lever in the 3 or 4 direction and set 25 for DAY, 17 for HOUR and 20 for MIN. (If the remote control unit is used, press the M button among the SET buttons.)
The 24-hour system is used to display the hours.
The year can be set from 2000 to 2089.
22000000
MONTH APR DAY 24 HOUR 13 MIN. 7
PUSH MENU TO RETURN
YYEEAARR
CLOCK SET
An error will develop in the time, so check whether the correct time is displayed before shooting.
28
Charging the internal battery
The date and time are stored in the memory using the internal battery. When the “” display appears in the viewfinder and on the LCD monitor screens, it means that the internal battery has run down. Recharge it by following the steps below. Upon completion of charging, reset the date and time.
1
Connect the AC adapter to the camera recorder.
3
Leave the camera recorders POWER switch at the OFF position.
4
Keep the camera recorder like this for about 4 hours. OThe internal battery is charged during this
time.
1
2
3
4
2
Return the viewfinder to its original position.
The setting for progressive mode can be switched with the PROGRESSIVE item on the SCENE FILE screen of the setting menu. (See page 39)
The luminance level of artificial lighting particularly that of fluorescent lights and mercury lampschanges in synchronization with the power line frequency. Especially in areas with a power line frequency of 50 Hz, the vertical sync frequency (approx. 60 Hz) of the camera recorder and frequency of the lighting (50 Hz) will interfere with each other, possibly causing the white balance to change cyclically. When shooting under artificial lighting or when adjusting the white balance, set the shutter speed as shown below.
Progressive mode
Shutter speed
60 Hz50 Hz
OFF (60i) 1/100 OFF (1/60)
30P OFF (1/50) 1/60
24P/24PA OFF (1/50) 1/60
Progressive mode
Standard (OFF)
shutter speed
Shutter speeds which can be selected using SPEED SEL button
Shutter speed settingsSYNCHRO SCAN
OFF (60i) 1/60 1/100, 1/120, 1/250, 1/500, 1/1000, 1/20001/60.3 --- 1/250
30P 1/50
1/30, 1/60, 1/120, 1/250, 1/500, 1/1000
1/24, 1/60, 1/120, 1/250, 1/500, 1/1000
1/30.1 --- 1/250.0
24P/24PA 1/50 1/24.1 --- 1/250.0
29
Setting the electronic shutter
1
Each time the SHUTTER button is pressed, the standard (OFF) shutter speed and the shutter speed selected by the SPEED SEL button are selected alternately.
2
After pressing the SHUTTER button, press the SPEED SEL button to select the shutter speed. Each time the SPEED SEL button is pressed, the shutter speed changes by one setting in the following sequence.
When the progressive mode is OFF (60i)
In the progressive mode (30P, 24P or 24PA)
OThe higher the shutter speed, the lower
the sensitivity of the camera.
OWhen the iris is controlled automatically, it
opens more and more and the depth of focus becomes shallower and shallower as the shutter speed increases.
SYNCHRO
SCAN
(1/24)
1/30
1/5001/1000
1/60 1/120
1/250
SYNCHRO
SCAN
1/100
1/10001/2000
1/120 1/250
1/500
Shutter speeds which can be set
Synchro scan
The shutter speed of synchro scan used when shooting TV screens or computer monitor screens is set using the SYNCHRO SCAN item on the setting menu CAMERA SETUP screen. (See page 40) OWhen the shutter is adjusted to suit the
frequency of a TV screen or computer monitor screen, the horizontal noise that occurs when shooting TV screens is minimized.
OWhen the progressive mode is set, TV
screens which have been played back with the PAL system can be shot as well.
If a setting other than OFF has been selected for the OTHER DISPLAY item on the setting menu DISPLAY SETUP screen, the current shutter speed setting is displayed in the viewfinder and on the LCD monitor. However, it is not displayed if the standard (OFF) shutter speed has been set.
1/
100
30
White balance and black balance
Adjusting the white balance
The white balance must always be re-adjusted when the lighting conditions have changed.
The white balance adjustment values can be stored in the memory at the A and B positions of the WHITE BAL switch. Use A or B, whichever better suits the shooting conditions concerned. The 3200K and 5600K white balance values have been stored in the memory at the PRST position of the WHITE BAL switch. When the AWB button is pressed while the WHITE BAL switch is at the PRST position, the current white balance value is displayed. When the AWB button is pressed again, the 3200K and 5600K white balance values are selected alternately. Use 3200K or 5600K, whichever better suits the shooting conditions concerned when, for instance, there is no time to adjust the white balance.
AWB Ach ACTIVE
Message that appears while adjustment is underway
AWB Ach OK
Message that appears upon completion of the adjustment
AWB Ach NG
Message that appears when adjustment is not possible
1
Set the shutter speed.
2
Place a white pattern in a location subject to the same conditions as the lighting source of the subject, zoom in on it, and fill the whole screen with white. A white object (white cloth or white wall) near the subject may be used instead of the white pattern. OEnsure that there are no high-luminance
spotlights on the screen.
3
The WHITE BAL switch can be set to the A or B position and white balance values here can be stored in the memory. Set the switch to the position (A or B) where the white balance adjustment value is to be stored, and press the AWB button. OIt takes a few seconds to complete the
adjustment. (The following messages appear on the screen.)
If it has not been possible to adjust the white balance automatically, an error message appears in the viewfinder and on the LCD monitor screen. OWhen the ATW (Auto Tracking White)
function is operating, the white balance cannot be adjusted automatically.
If one of the above error messages has appeared, implement the suggested countermeasure, and then try adjusting the white balance again. If the error message persists even after repeated attempts at adjustment, consult your dealer.
Error
message
Countermeasure
LOW LIGHT Increase the amount of light. Alternatively,
boost the gain.
LEVEL OVER Reduce the amount of light. Alternatively,
lower the gain.
Adjusting the black balance
There is normally no need to re-adjust the black balance. Adjustment is required only in the following cases. OWhen the camera recorder is to be used for
the first time
OWhen the camera recorder is to be used after
it has not been used for an extended period
OWhen the camera recorder is to be used in a
situation where the ambient temperature will vary significantly
OWhen the progressive mode has been
switched to the standard (60i) mode or vice versa
In the standard (60i) mode
The white balance is adjusted automatically by pressing the AWB button. If the button is then held down, the black balance is adjusted.
In the progressive mode
By simply pressing the AWB button, the white balance is adjusted automatically, and then the black balance is adjusted.
OWhen the AWB button is pressed, the white
balance is adjusted first. Therefore, ensure that the conditions under which the white balance is adjusted are satisfied before pressing the button.
OWhile recording is in progress, the black
balance cannot be adjusted.
31
White balance and black balance
ATW (Auto Tracking White) function
The ATW function can be allocated to the WHITE BAL switch (A, B or PRST position) using the ATW item on the setting menu SW MODE screen. (See page 40) Similarly, the ATW function can be allocated to the AUTO button using the ATW item on the setting menu AUTO SW screen. (See page 41)
When material is shot using the ATW function, it is recorded while the white balance is being continually adjusted automatically. OThe ATW function automatically identifies the
shooting environment and adjusts the white balance optimally. In some environments, a slight adjustment error may arise. If an extremely accurate white balance adjustment is required, adjust the white balance by following the instructions on the previous page.
ABB ACTIVE
Message that appears while adjustment is underway
ABB END
Message that appears upon completion of the adjustment
32
Setting the time data
Setting the user’s bit
By setting the users bit, memos (dates, times) and other information consisting of up to 8 digits in hexadecimal notation can be recorded on the sub-code track. The users bit settings are automatically stored in the memory and retained even after the power has been turned off.
1
Set the camera recorders POWER switch to ON.
2
Select USER as the setting for the UB MODE item on the setting menu RECORDING SETUP screen. OFor details on the menu operations, refer
to page 37.
:
FIRST REC TC
H
PRESET
TC PRESET
H
––––
H
UUSSEERR TTIIMMEE
DDAATTEE TTCCGG FFRRMM..RRAATTEE
UB PRESET
H
––––
;
PUSH MENU TO RETURN
UUBB MMOODDEE
RECORDING SETUP
3
Tilt the OPERATION lever in the 4 direction and move to the UB PRESET item.
:
FIRST REC TC
H
PRESET
TC PRESET
H
––––
UB MODE
H
USER
H
YYEESS
;
PUSH MENU TO RETURN
UUBB PPRREESSEETT
RECORDING SETUP
4
Press “;” of the OPERATION lever, and move 1 to YES.
:
FIRST REC TC
H
PRESET
TC PRESET
H
––––
UB MODE
H
USER
HYYEESS
;
PUSH MENU TO RETURN
UUBB PPRREESSEETT
RECORDING SETUP
5
The screen shown below appears. Set the users bit using the OPERATION lever. Tilt the OPERATION lever in the 3 or 4 direction, select the users bit characters, press “;” of the OPERATION lever, and move to the next digit. OThe numbers 0 to 9 and letters A to F can
be used as the users bit characters.
OWhen the COUNTER RESET button is
pressed on the screen shown below, the users bit is reset to zero.
0 0 0 0 0 0 0
+ :PUSH PLAY – :PUSH STOP
SEL:PUSH STILL
PUSH MENU TO RETURN
0
UB PRESET
PRESET OK?
–––.PUSH STILL
YES
NNOO
UB PRESET
6
Upon completion of the users bit setting, press the MENU button. The screen shown below appears. Tilt the OPERATION lever in the 4 direction, select YES, and press ; of the OPERATION lever.
7
Press the MENU button twice to release the menu mode.
33
Setting the time data
Setting the time code
The various settings related to the time code are performed using the following items on the setting menu RECORDING SETUP screen.
OTC MODE item OTCG item OFIRST REC TC item OTC PRESET item O1394 TC REGEN item (appears in the VCR
mode)
For further details, refer to page 43. OWhen ON has been selected as the setting
for the 1394 TC REGEN item in the VCR mode, the settings of the items listed above cannot be changed.
1
Set the camera recorders POWER switch to ON.
2
Select PRESET as the setting for the FIRST REC TC item on the setting menu RECORDING SETUP screen. OFor details on the menu operations, refer
to page 37.
3
Tilt the OPERATION lever is the 4 direction and move to the TC PRESET item.
:
FIRST REC TC
H
PRESET
H
YYEESS
UB MODE
H
USER
UB PRESET
H
––––
;
PUSH MENU TO RETURN
TTCC PPRREESSEETT
RECORDING SETUP
:
RREEGGEENN
H
PPRREESSEETT
TC PRESET
H
––––
UB MODE
H
USER
UB PRESET
H
––––
;
PUSH MENU TO RETURN
FFIIRRSSTT RREECC TTCC
RECORDING SETUP
4
Press “;” of the OPERATION lever, and move 1 to YES.
:
FIRST REC TC
H
PRESET
HYYEESS
UB MODE
H
USER
UB PRESET
H
––––
;
PUSH MENU TO RETURN
TTCC PPRREESSEETT
RECORDING SETUP
5
The screen shown below appears. Set the time code value using the OPERATION lever. Tilt the OPERATION lever in the 3 or 4 direction, select the time code value, press ; of the OPERATION lever, and move to the next digit. OWhen the COUNTER RESET button is
pressed on the screen shown below, the time code value is reset to zero.
0h00m00s00f
+ :PUSH PLAY – :PUSH STOP
SEL:PUSH STILL
PUSH MENU TO RETURN
0
TC PRESET
PRESET OK?
–––.PUSH STILL
YES
NNOO
TC PRESET
6
Upon completion of the time code value setting, press the MENU button. The screen shown below appears. Tilt the OPERATION lever in the 4 direction, select YES, and press “;” of the OPERATION lever.
7
Press the MENU button twice to release the menu mode.
How to select the TC PRESET item setting
When the time code at the start of the recording is to be recorded using the value specified by the user as its initial value, set the time code value using the TC PRESET item.
34
Scene files
The settings selected to suit various shooting situations are stored in the positions of the scene file dial. During shooting, the required file can be read out in an instant using this dial.
The following files were stored as factory settings prior to shipment.
OEven when a scene file has been changed
during recording, the progressive mode will not be changed. To change this mode, establish the recording standby mode.
F1: SCENE
File containing the settings suited to standard shooting
F2: SCENE FLOU.
File containing the settings suited to shooting where consideration is given to the characteristics of fluorescent lights (for shooting indoors, etc.)
F3: SCENE SPARK
File containing the settings suited to shooting for accentuating the subjects (for shooting wedding receptions, etc.)
F4: SCENE B-STR
File containing the settings suited to shooting with extended gradations for the dark areas (for shooting scenes at dusk, etc.)
F5: SCENE 24P
File containing the settings suited to shooting in the progressive 24P mode
F6: SCENE ADVANC
File for the progressive 24P advanced mode
35
1
Set the camera recorders POWER switch to ON.
2
Turn the scene file dial, and select the scene file in which changes are to be made.
3
Change the item on the setting menu SCENE FILE screen. OFor details on the menu operations, refer
to page 37.
7
Upon completion of the filename setting, press the MENU button.
4
Tilt the OPERATION lever in the 4 direction and move to the NAME EDIT item.
:
SKIN TONE DTLHOFF MATRIX
H
NORM
V DETAIL FREQ THIN PROGRESSIVE
H
OFF
H
YYEESS
SAVE/INIT
H
––––
PUSH MENU TO RETURN
NNAAMMEE EEDDIITT
SCENE F1:
Changing the scene file settings
Scene file settings can be changed. In addition, scene files in which changes have been made can be stored in the positions of the scene file dial.
5
Press “;” of the OPERATION lever, and move 1 to YES.
:
SKIN TONE DTLHOFF MATRIX
H
NORM
V DETAIL FREQ THIN PROGRESSIVE
H
OFF
HYYEESS
SAVE/INIT
H
––––
PUSH MENU TO RETURN
NNAAMMEE EEDDIITT
SCENE F1:
6
The screen shown below appears. Set a filename consisting of six characters using the OPERATION lever. OCharacters which can be set
) (space), letters A to Z, numbers 0 to 9, :, ;, <, =, >, ?, @, [, ¥, ], ^, _
SW POSITION F1
+ :PUSH PLAY – :PUSH STOP
SEL:PUSH STILL
PUSH MENU TO RETURN
NAME EDIT
Scene files
8
Tilt the OPERATION lever in the 4 direction and move to the SAVE/INIT item.
:
SKIN TONE DTLHOFF MATRIX
H
NORM
V DETAIL FREQ THIN PROGRESSIVE
H
OFF
NAME EDIT
H
––––
H
YYEESS
PUSH MENU TO RETURN
SSAAVVEE//IINNIITT
SCENE F1:
222222
9
Press “;” of the OPERATION lever, and move 1 to YES.
:
SKIN TONE DTLHOFF MATRIX
H
NORM
V DETAIL FREQ THIN PROGRESSIVE
H
OFF
NAME EDIT
H
–––– – HYYEESS
PUSH MENU TO RETURN
SSAAVVEE//IINNIITT
SCENE F1:
222222
36
Scene files
10
The screen shown below appears. Press
“;” of the OPERATION lever, and move “1” to YES.
H
YYEESS
INITIAL
H
––––
PUSH MENU TO RETURN
SSAAVVEE
FILE F1:
222222
11
The screen shown below appears. Tilt the OPERATION lever in the 4 direction, select YES, and press “;” of the OPERATION lever.
SAVE ?
–––.PUSH STILL
YES
NNOO
FILE F1:
222222
12
A beep sounds ten times in succession, the following message appears, and the scene file changes are completed.
SAVE
COMPLETED !
13
Press the MENU button three times to release the menu mode.
If the menu mode is released without saving the changes, the original scene file settings will be restored when operation is switched to the VCR mode or the power is turned off.
To return the scene file settings to the factory settings, select INITIAL in step
10, and then
perform the same steps
11 to 13.
37
Setting menus
The camera recorders settings can be changed to suit the scenes to be shot or what is to be recorded using the setting menus.
Operation method
1
In any operation mode except the shooting mode or recording mode, press the MENU button. The menu mode is established, and the function screen shown below appears in the viewfinder and on the LCD monitor.
2
Tilt the OPERATION lever in the 3 or 4 direction, and move the highlighted part to the function which is to be set. (If the remote control unit is used, press the V or B button among the SET buttons.)
2.CAMERA SETUP
3.SW MODE
4.AUTO SW
5.RECORDING SETUP
6.DISPLAY SETUP
7.OTHER FUNCTIONS
PUSH MENU TO EXIT
1.SCENE FILE
CAMERA MENU
[Camera mode]
2.RECORDING SETUP
3.AV IN/OUT SETUP
4.DISPLAY SETUP
5.OTHER FUINCTIONS
PUSH MENU TO EXIT
1.PLAYBACK FUNCTIONS
VCR FUNCTIONS
[VCR mode]
3
Press “;” of the OPERATION lever, and display the setting item. (If the remote control unit is used, press the
M button among the SET buttons.)
H
VVCCRR11 VVCCRR22 OOFFFF
DV CONTROLHOFF
DV CMD SELHREC P REC LAMP
H
BOTH
BEEP SOUNDHON
;
PUSH MENU TO RETURN
REMOTE
OTHER FUNCTIONS
Example:
4
Tilt the OPERATION lever in the 3 or 4 direction, and move the highlighted part to the function which is to be set. (If the remote control unit is used, press the V or B button among the SET buttons.)
REMOTE
H
VCR1
DV CONTROLHOFF
DV CMD SELHREC P
OOFFFF FFRROONNTT RREEAARRHBBOOTTHH
BEEP SOUNDHON
;
PUSH MENU TO RETURN
REC LAMP
OTHER FUNCTIONS
Example:
5
Press “;” of the OPERATION lever, and move 1” to the setting which is to be changed. (If the remote control unit is used, press the M button among the SET buttons.)
To change a numerical value, for example, move 1” to the position of the value to be changed, tilt the OPERATION lever in the 3 or 4 direction, and change the setting. (If the remote control unit is used, press the V or B button among the SET buttons.)
6
To change another item, repeat steps 4 and
5.
To exit the settings, press the MENU button to return to the function screen.
7
To change another function, repeat steps 2 to 5. To exit the menu mode, press the MENU button to return to the normal screen.
REMOTE
H
VCR1
DV CONTROLHOFF
DV CMD SELHREC P
OOFFFF HFFRROONNTT RREEAARR BBOOTTHH
BEEP SOUNDHON
;
PUSH MENU TO RETURN
REC LAMP
OTHER FUNCTIONS
Example:
38
Setting menus
Configuration of setting menus
Menus in the camera mode
SCENE FILE
CAMERA SETUP
DETAIL LEVEL CHROMA LEVEL CHROMA PHASE COLOR TEMP MASTER PED A. IRIS LEVEL GAMMA
MATRIX
SKIN TONE DTL
V DETAIL FREQ PROGRESSIVE NAME EDIT SAVE/INIT
AUTO SW A. IRIS
AGC ATW AF
RECORDING SETUP REC SPEED
AUDIO REC MIC ALC MIC GAIN 1 MIC GAIN 2 TC MODE TCG FIRST REC TC TC PRESET UB MODE UB PRESET INTERVAL REC REC TIME INTERVAL TIME
OTHER FUNCTIONS REMOTE
DV CONTROL DV CMD SEL REC LAMP BEEP SOUND CLOCK SET TIME SHIFT TAPE PROTECT USER FILE HOUR METER
SYNCRO SCAN ASPECT CONV COLOR BAR SETUP
SW MODE
MID GAIN HIGH GAIN ATW HANDLE ZOOM IRIS DIAL USER1 USER2
DISPLAY SETUP
ZEBRA DETECT 1 ZEBRA DETECT 2 MARKER
DATE/TIME LEVEL METER ZOOMFOCUS TAPEBATTERY OTHER DISPLAY
VIDEO OUT OSD
LCD BACKLIGHT LCD/EVF SET SELF SHOOT EVF MODE
Menus in the VCR mode
RECORDING SETUP REC SPEED
AUDIO REC
TC MODE TCG FIRST REC TC TC PRESET
1394 TC REGEN
UB MODE UB PRESET
1394 UB REGEN
OTHER FUNCTIONS REMOTE
CLOCK SET TIME SHIFT USER FILE HOUR METER
PLAYBACK FUNCTIONS
END SEARCH 12bit AUDIO AUDIO OUT
AV IN/OUT SETUP
A DUB INPUT DV OUT
DISPLAY SETUP
DATE/TIME LEVEL METER TAPEBATTERY OTHER DISPLAY VIDEO OUT OSD CAMERA DATA LCD BACKLIGHT LCD/EVF SET EVF MODE
Item/
(display mode)
Description of settings
DETAIL LEVEL (Camera)
For adjusting the detail amount.
–7 --- 0 --- +7
CHROMA LEVEL (Camera)
For adjusting the chroma level.
–7 --- 0 --- +7
CHROMA PHASE (Camera)
For finely adjusting the chroma phase.
–7 --- 0 --- +7
COLOR TEMP (Camera)
For finely adjusting the color temperature (for performing fine adjustments after the white balance has been adjusted).
–7 --- 0 --- +7
MASTER PED (Camera)
For adjusting the black master pedestal which serves as the video reference.
–15 --- 0 --- +15
A. IRIS LEVEL (Camera)
For setting the auto iris target value.
–4 --- 0 --- +4
SKIN TONE DTL (Camera)
For switching the skin tone detail ON or OFF. When ON is selected, the detail in the skin tone areas is diminished and the graininess of the skin is reduced.
OFF ON
GAMMA (Camera)
For selecting the gamma curve.
CINE-LIKE:
The gamma curve which gives the images a cinema-like finish is used. In order to make full use of the CINE­LIKE gamma characteristics, it is recommended that the lens iris be set lower (by approx. 1/2) than the regular video level.
LOW:
Using a gamma curve with a moderate gradient for the low-luminance areas, the images are given a calm, composed look. A sharp touch is conveyed by the contrast.
NORM:
Standard images are produced.
HIGH:
Using a gamma curve with a sharp gradient for the low-luminance areas, the gradations of the dark areas are extended to make them appear brighter. A soft touch is conveyed by the contrast.
MATRIX (Camera)
For selecting the matrix table and expressing the colors during shooting.
NORM:
Colors suited to shooting outdoors or under light sources using halogen lamps are expressed.
FLOU:
Colors suited to shooting indoors under fluorescent light sources are expressed.
CINE-LIKE:
Colors suited to cinema-like shooting are expressed.
39
Setting menus
SCENE FILE screen
V DETAIL FREQ (Camera)
For setting the detail in the vertical direction when shooting in the progressive mode.
THIN :
The detail is made finer.
THICK :
The detail is made coarser.
O When “THIN has been selected as the
items setting and the images shot in the progressive mode are played back using a standard TV monitor (60i: interlace), some flickering will occur on the horizontal lines and on the diagonal lines near the horizontal. When playing back a tape in a progressive environment, this flickering is reduced by selecting THIN as the items setting, which will also enable images with a higher resolution than that with the THICK setting to be obtained.
Item/
(display mode)
Description of settings
PROGRESSIVE (Camera)
For setting shooting in the progressive mode.
OFF:
Shooting is not performed in the progressive mode.
30P:
Shooting is performed in the 30P mode (30 frames/sec.).
24P:
Shooting is performed in the 24P mode (24 frames/sec.). Images are recorded on the tape using the [2:3] conversion system.
24P(ADV):
Shooting is performed in the 24P advanced mode (24 frames/sec.). Images are recorded on the tape using the advanced conversion system.
NAME EDIT (Camera)
For editing the name of the scene file selected by the scene file dial.
SAVE/INIT (Camera)
SAVE:
For saving the scene file settings after changes have been made to them. O If the menu mode is released without
saving the changes, the original scene file settings will be restored when operation is switched to the VCR mode or the power is turned off.
INITIAL:
For returning the scene file settings selected by the scene file dial to the factory settings.
40
Setting menus
CAMERA SETUP screen
Item/
(display mode)
Description of settings
SYNCRO SCAN (Camera)
For adjusting the shutter speed of synchro scan used when shooting TV screens, etc. If the OPERATION lever is left tilted in the 3 or 4 direction, the speed at which the setting changes is increased, and a beep is heard.
O Progressive mode OFF:
1/60.3 --- 1/250.0
O Progressive mode 30P:
1/30.1 --- 1/48.0 --- 1/250.0
O Progressive mode 24P or 24PA:
1/24.1 --- 1/48.0 --- 1/250.0
ASPECT CONV (Camera)
For selecting the aspect ratio of the images to be recorded.
NORM:
The images are recorded in the standard 4:3 mode.
LETTER BOX:
The aspect ratio is set to the 16:9 mode, and the images are recorded in this mode. Black bands are recorded at the top and bottom of the screen.
SETUP (Camera)
For setting whether to add the setup level (black level).
0%:
The setup level is not added.
7.5%:
The 7.5% setup level is added for recording.
COLOR BAR (Camera)
For setting the color bar display to ON or OFF. (Color bars are not displayed in the progressive mode.)
OFF ON
O Even when the color bar display has
been set to ON, it will return to OFF when operation is switched to the VCR mode or the power is turned off.
SW MODE screen
Item/
(display mode)
Description of settings
MID GAIN (Camera)
For setting the gain value which is to be allocated to the M position of the GAIN switch.
0 dB, 3 dB, 6 dB, 9 dB, 12 dB
HIGH GAIN (Camera)
For setting the gain value which is to be allocated to the H position of the GAIN switch.
0 dB, 3 dB, 6 dB, 9 dB, 12 dB
ATW (Camera)
For setting the ATW (Auto Tracking White) function which is to be allocated to the WHITE BAL switch.
OFF:
The ATW function is not activated. However, if it has been set in the AUTO button or USER button, it will follow the operation of the button concerned.
Ach:
The ATW function is activated when the WHITE BAL switch has been set to the A position.
Bch:
The ATW function is activated when the WHITE BAL switch has been set to the B position.
PRE:
The ATW function is activated when the WHITE BAL switch has been set to the PRST position.
HANDLE ZOOM (Camera)
For setting the zoom speeds which are to be allocated to the positions of the HANDLE ZOOM switch.
L/OFF/H
:
LOW/OFF/HIGH are set to the 1/2/3 positions. (At OFF, no zoom operations are performed.)
L/M/H:
LOW/MID/HIGH are set to the 1/2/3 positions.
IRIS DIAL (Camera)
For setting the rotational direction of the IRIS dial and iris control (in the MANUAL IRIS mode).
DOWN OPEN:
The iris opens when the IRIS dial is turned downward.
UP OPEN:
The iris opens when the IRIS dial is turned upward.
The underlining indicates the factory setting.
41
Setting menus
SW MODE screen
Item/
(display mode)
Description of settings
USER1 (Camera)
For setting the operation of the function allocated to the USER1 button.
COLOR BAR:
The color bar display is set to ON or OFF.
SPOTLIGHT:
The auto iris control for the spotlight is set to ON or OFF.
BACKLIGHT:
The auto iris control for backlight compensation is set to ON or OFF.
BLACKFADE:
When the button is held down, the whole image is faded out into black. The sound is also faded out at the same time.
WHITEFADE:
When the button is held down, the whole image is faded out into white. The sound is also faded out out at the same time.
MODECHECK:
When the button is pressed, the camera status currently set is displayed in the viewfinder and on the LCD monitor where it can be checked.
ATW:
The operation of the ATW function is set to ON or OFF.
ATWLOCK:
When the button is pressed, the white balance value is fixed; when it is pressed again, the operation of the ATW function is performed.
GAIN:18 dB:
When this button is pressed, the gain is set to 18 dB. O The picture may be temporarily
disturbed when the gain has been switched to 18 dB or from 18 dB to another value.
USER2 (Camera)
For setting the operation of the function to be allocated to the USER2 button. The settings are the same as for the ones for the USER1 items.
BACKLIGHT
The underlining indicates the factory setting.
AUTO SW screen
Item/
(display mode)
Description of settings
A. IRIS (Camera)
ON
:
When the AUTO button is pressed, the auto iris control operation is performed. The IRIS button does not work at this time.
OFF:
The auto iris control operation is not performed even if the AUTO button is pressed. The iris control operation selected by the IRIS button is performed.
ATW (Camera)
ON
:
The ATW (auto tracking white balance) function operation is set to ON or OFF using the AUTO button. At this time, the operation of this function cannot be set to ON or OFF using the WHITE BAL switch and USER button. However, when ATWLOCK is allocated to the USER button, the white balance value can be fixed using the USER button.
OFF:
The ATW function operation is not performed even if the AUTO button is pressed. The ATW function operation selected by the WHITE BAL switch is performed.
AF (Camera)
ON
:
When the AUTO button has been pressed, the auto focus operation is performed. The FOCUS switch and PUSH AUTO button do not work at this time.
OFF:
The auto focus operation is not performed even if the AUTO button is pressed. The focus operation selected by the FOCUS switch and PUSH AUTO button is performed.
AGC (Camera)
For setting the auto gain control operation when ON is selected as the A. IRIS item setting.
6 dB:
Auto gain control up to 6 dB is performed when the AUTO button is pressed.
12 dB:
Auto gain control up to 12 dB is performed when the AUTO button is pressed.
OFF:
Auto gain control is not performed even if the AUTO button is pressed.
42
Setting menus
The underlining indicates the factory setting.
PLAYBACK FUNCTIONS screen
Inputs and audio tracks recorded
Item/
(display mode)
Description of settings
END SEARCH (VCR)
For setting what kind of operation is to be performed when the END SEARCH button is pressed.
BLANK
:
The unrecorded blanks on the video tape are searched.
REC END:
The part which was shot last is searched.
<Notes>
O Even when the REC END setting is
selected, the part which was shot last will not be searched when the tape is switched.
O If nothing has been recorded on the
tape, operation will stop at the end of the tape.
O END SEARCH may not operate properly
if there is an unrecorded blank near the tape start or at a point along the tape.
Item/
(display mode)
Description of settings
AUDIO OUT (VCR)
For setting the audio signals to be output from the AUDIO IN/OUT connectors (pin jacks) when a tape is played back.
CH1CH2:
CH1 connector = CH1 signals CH2 connector = CH2 signals
CH1:
CH1 connector = CH1 signals CH2 connector = CH1 signals
CH2:
CH1 connector = CH2 signals CH2 connector = CH2 signals
12bit AUDIO (VCR)
For setting the sound to be output as the CH1 and CH2 signals when a tape recorded in the 12-bit audio mode is played back.
ST1
:
The sound recorded during shooting is selected. CH1 signals = CH1 track CH2 signals = CH2 track
ST2:
The sound recorded during audio dubbing is selected. CH1 signals = CH3 track CH2 signals = CH4 track
MIX:
The sound recorded during shooting and the sound recorded during audio dubbing are mixed. CH1 signals = CH1 + CH3 tracks CH2 signals = CH2 + CH4 tracks
<Note>
If the sound has been recorded in the 16-bit mode, there is no CH3 or CH4. Therefore, the correlation between the signals and tracks will always be as follows:
CH1 signals = CH1 track CH2 signals = CH2 track
Input
When audio dubbing
(12-bit mode)
When shooting
Internal
microphone L
CH1 CH3
Internal
microphone R
CH2 CH4
INPUT 1 (XLR) CH1 CH3
INPUT 2 (XLR) CH2 (CH1) CH4 (CH3)
AUDIO IN/OUT
CH1 (pin jack)
__
CH3
AUDIO IN/OUT
CH2 (pin jack)
The audio tracks on which signals are to be recorded during shooting can be changed using the CH1 SELECT switch and CH2 SELECT switch. The audio tracks on which signals are to be recorded during audio dubbing can be changed using the A DUB INPUT item on the AV IN/OUT SETUP screen.
__
CH4
12-bit AUDIO item and AUDIO OUT item settings, and audio tracks whose signals are output from the AUDIO IN/OUT connectors (pin jacks)
Audio recording
mode
AUDIO OUT item setting
AUDIO IN/OUT
CH1 output
AUDIO IN/OUT
CH2 output
12-bit AUDIO
item setting
12 bit
16 bit
CH1CH2
CH1 CH2
CH1 CH1 CH2
CH2 CH1 CH2
ST1
CH1CH2
CH1 CH2
CH3 CH3 CH4
CH4 CH3 CH4
ST2
__
CH1+CH3 CH2+CH4
MIX
CH1CH2
CH1 CH2
CH1 CH1 CH2
CH2 CH1 CH2
__
Item/
(display mode)
Description of settings
1394 UB REGEN (VCR)
For selecting the users bit to be recorded when recording the signals of the component connected to the DV connector.
OFF:
The users bit selected for the UB MODE item is used for the recording.
ON:
The users bit of the signals input to the DV connector is used for the recording.
O When ON has been selected as this
items setting, this setting takes precedence over the UB MODE item setting.
O The user’s bit is not recorded if the
signals do not contain the users bit information.
O When no signals are supplied to the DV
connector, the UB MODE item setting is followed.
RECORDING SETUP screen
Item/
(display mode)
Description of settings
REC SPEED (Camera) (VCR)
For selecting the recording time mode.
SP:SP (standard play) mode LP :
LP (long play) mode
AUDIO REC (Camera) (VCR)
For selecting the system for converting the recording to PCM audio.
12 bit :
12-bit/32kHz
16 bit :
16-bit/48kHz
TC MODE (Camera) (VCR)
For selecting the time code correction mode in which the time code of the internal time code generator is to be recorded.
DF :
The drop frame mode is used.
NDF :
The non-drop frame mode is used.
O When the progressive mode has been
set to 24P or 24P (ADV), the non-drop frame mode is established regardless of this items setting.
TCG (Camera) (VCR)
For setting the operation mode in which the internal time code generator is to be run.
FREE RUN:
The internal time code generator is run regardless of the operation mode.
REC RUN
:
The internal time code generator is run during recording.
FIRST REC TC (Camera) (VCR)
For selecting the time code which is to be recorded when recording is started.
REGEN:
Recording proceeds in such a way that the time code continues on (is regenerated) from the time code on the tape.
PRESET:
The time code is not regenerated from the time code on the tape. The time code is recorded using the value set in the TC PRESET item serving as the initial value. However, the time code is forcibly regenerated when shooting with frame­to-frame continuity has been performed.
TC PRESET (Camera) (VCR)
For setting the initial value of the time code to be recorded. This items setting is valid when PRESET has been selected as the setting for the FIRST REC TC item. O When the progressive mode has been
set to 24P or 24P (ADV), set the frame value to 0 or to a multiple of 5. If any other value is set, the time code recorded will shift.
MIC ALC (Camera)
For setting the mic level automatic control function to ON or OFF.
OFF ON
Audio distortion caused by excessively high input level can be minimized by selecting ON for this item. O The recording level of the audio signals
must be adjusted using the AUDIO controls, irrespective of this setting.
1394 TC REGEN (VCR)
For selecting the time code to be recorded when recording the signals of a component connected to the DV connector.
OFF:
The signals are recorded using the time code which was set using the TC MODE item, TCG item and FIRST REC TC item.
ON:
The signals are recorded using the time code of the signals which have been input to the DV connector.
O When ON has been selected as this
items setting, this setting takes precedence over the TC MODE item, TCG item and FIRST REC TC item settings.
O When no signals are supplied to the DV
connector, the TC MODE item, TCG item and FIRST REC TC item settings are followed.
MIC GAIN 1 (Camera)
For setting the input level of the external microphone which is connected to the INPUT 1 connector.
-
50 dB-60 dB
MIC GAIN 2 (Camera)
For setting the input level of the external microphone which is connected to the INPUT 2 connector.
-
50 dB-60 dB
43
Setting menus
The underlining indicates the factory setting.
44
Setting menus
The underlining indicates the factory setting.
Item/
(display mode)
Description of settings
REC TIME (Camera)
For setting the recording duration for which intermittent recording is to be performed.
0.5s:0.5 sec.
1s :
1.0 sec.
1.5s :
1.5 sec.
2s :
2.0 sec.
INTERVAL TIME (Camera)
For setting the duration of the interval time with which intermittent recording is to be performed.
30s :
30 sec.
1m :
1 min.
5m :
5 min.
10m :
10 min.
AV IN/OUT SETUP screen
Item/
(display mode)
Description of settings
A DUB INPUT (VCR)
For selecting the sound which is to be recorded when audio dubbing is performed.
MIC:
The sound from the internal microphone or the sound from the external components connected to the INPUT 1 and 2 connectors is recorded. (The sound is selected using the CH1 SELECT switch and CH2 SELECT switch.)
A_IN:
The sound of the audio component connected to the AUDIO IN/OUT connectors (pin jacks) is recorded.
<Note>
If audio dubbing is performed when the sound has been recorded in the 16-bit audio mode, the sound will be recorded over the sound heard during shooting.
DV OUT (VCR)
For setting the function, which converts the analog signals which have been input into digital signals and outputs them from the DV connector, to ON or OFF.
OFF ON
INTERVAL REC (Camera)
For setting the intermittent recording mode.
OFF: Intermittent recording is not performed. ON:
When the START/STOP button is pressed, intermittent recording is performed with the cycle set by the REC TIME item and INTERVAL TIME item.
ONE-SHOT:
The time lapse shooting mode is established. When the START/STOP button is pressed, recording is performed for the number of seconds set by the REC TIME item, after which the recording pause mode is established.
O
When intermittent recording is set to ON or ONE-SHOT, I –” flashes on the left of the VCR operation mode. When recording is started, it stops flashing and lights.
O Even when intermittent recording is set to
ON or ONE-SHOT, the intermittent recording mode returns to OFF when the power is turned off.
O When the progressive mode has been
set to 24P or 24P (ADV), the OFF is established regardless of this item’s setting.
UB PRESET (Camera) (VCR)
For setting the users bit. However, USER must be selected for the UB MODE item setting.
UB MODE (Camera) (VCR)
For setting what is to be recorded as the users bit.
USER:
The users information is recorded.
TIME:
The time of the recording is recorded.
DATE:
The date of the recording is recorded.
TCG:
The time code generators value is recorded.
FRM. RATE:
The frame rate information for frame conversion is recorded.
RECORDING SETUP screen
Item/
(display mode)
Description of settings
22 02 22 22
Recording control information
O Updated frame information O REC START/STOP
information
Frame rate information
O Frame rate (60, 30 or 24) O I/P identification information O Conversion information O Frame rate coefficient
Frame sequence number
O A number from 0 to 4 is displayed
in the 24P or 24P (ADV) mode.
O “F is displayed in the 60 or 30P
mode.
Users bit value verification information
45
Setting menus
The underlining indicates the factory setting.
DISPLAY SETUP screen
Item/
(display mode)
Description of settings
ZEBRA DETECT 1 (Camera)
For setting the level of the zebra pattern leaning to the left and displayed in the viewfinder and on the LCD monitor.
80%
, 85%, 90%, 95%, 100%
ZEBRA DETECT 2 (Camera)
For setting the level of the zebra pattern leaning to the right and displayed in the viewfinder and on the LCD monitor.
80%, 85%, 90%, 95%, 100%, OFF <Note>
When OFF has been set, the zebra pattern is not displayed.
MARKER (Camera)
For switching display of the marker ON/OFF.
ON OFF
O When ON is set, the marker can be
displayed by pressing the ZEBRA button. When the marker is displayed, the video level of the image near the center of the screen is displayed as a percentage value at the bottom left of the screen.
DATE/TIME (Camera) (VCR)
For setting the date and/or time to be displayed in the viewfinder, on the LCD monitor and in the video output signals.
OFF:
The date and time are not displayed.
TIME:
The time is displayed.
DATE:
The date is displayed.
TIME&DATTE:
Both the date and time are displayed.
O When a setting other than OFF is
selected, the date and/or time are displayed in the video output signals regardless of the setting selected for the VIDEO OUT OSD item.
LEVEL METER (Camera) (VCR)
For setting the audio level meter display to ON or OFF.
OFF ON
ZOOMFOCUS (Camera)
For setting the zoom and focus value displays to ON or OFF.
OFF ON
TAPEBATTERY (Camera) (VCR)
For setting the remaining tape amount and remaining battery charge displays to ON or OFF.
OFF ON
OTHER DISPLAY (Camera) (VCR)
For setting the amount of information to be displayed in the viewfinder and on the LCD monitor. (See page 53)
OFF, PARTIAL
, ALL
VIDEO OUT OSD (Camera) (VCR)
When ON is set, the information displayed in the viewfinder and on the LCD monitor is output as the video output signal together with the images.
ON OFF
LCD BACKLIGHT (Camera) (VCR)
For adjusting the backlight of the LCD monitor. When HI is set, the monitor becomes brighter than usual.
HI NORMAL
CAMERA DATA (VCR)
When ON is set, the camera information (such as camera shake correction, iris value and gain value) is displayed when the tape is played back.
OFF ON
Item/
(display mode)
Description of settings
LCD/EVF SET (Camera) (VCR)
For adjusting the display level of the viewfinder and LCD monitor images.
LCD BRIGHTNESS:
The brightness of the LCD monitor’s images is adjusted.
LCD COLOR LEVEL:
The color level of the LCD monitor’s images is adjusted.
EVF BRIGHTNESS:
The brightness of the viewfinder’s images is adjusted.
SELF SHOOT (Camera)
For selecting the LCD monitors mirror function for face-to-face shooting. When MIRROR is set, the image on the LCD monitor is reversed at the left and right for display during face-to-face shooting.
NORMAL MIRROR
EVF MODE (Camera) (VCR)
For selecting what is to be displayed in the viewfinder and on the LCD monitor.
ON
Images are shown at all times in the viewfinder.
AUTO:
When the LCD monitor is opened, the images no longer appear in the viewfinder.
Item/
(display mode)
Description of settings
BEEP SOUND (Camera)
CLOCK SET (Camera) (VCR)
For setting the internal calendar of the camera recorder.
HOUR METER (Camera) (VCR)
For indicating the total rotational time of the cylinder head (5-digit display in 1-hour increments).
TIME SHIFT (Camera) (VCR)
For adding the time which was set using this item to the time of the internal calendar (to compensate for time differences) for display in the viewfinder and on the LCD monitor. The clock time after the compensation is also recorded on the tape. +23h --- +1h, OFF, 1h --- –23h (In 1-hour increments)
TAPE PROTECT (Camera)
When the camera recorder is left on standby for about 5 minutes in the shooting pause mode, it is automatically set to the tape protection mode. Which tape protection mode is to be established is selected using this item.
POWEROFF:
The camera recorders power is
set to the OFF mode.
STBY:
The cylinder head is set to the stop
mode.
USER FILE (Camera) (VCR)
LOAD:
The settings stored last in the user
file are loaded.
SAVE:
The user file settings which have
been changed are saved.
INITIAL:
The user file settings are restored
to the factory settings.
O When the LOAD or INITIAL operation
has been performed, set the POWER switch on the camera recorder to OFF and then to ON again in order to enable the settings.
46
Setting menus
The underlining indicates the factory setting.
OTHER FUNCTIONS screen
Item/
(display mode)
Description of settings
REMOTE (Camera) (VCR)
For setting the operations which are performed using the accessory wireless remote control unit. (See page 20 for the remote control unit settings.)
VCR1:The operation performed by the
remote control unit which has been set to be used for VCR1 are accepted.
VCR2:
The operation performed by the remote control unit which has been set to be used for VCR2 are accepted.
OFF:
Operations performed by the remote
control unit are not accepted.
DV CONTROL (Camera)
For setting the control method when backup shooting is to be performed by connecting a component for backup purposes to the DV connector.
OFF:
The component for backup purposes
is not controlled.
EXT:
The component for backup purposes is controlled using the START/STOP button on the camera recorder. The images shot by the camera recorder are recorded by the component for backup purposes. However, the camera recorder does not record the images.
BOTH:
The images shot by the camera recorder are recorded by both camera recorder and the component for backup purposes.
CHAIN:
When the tape in the camera recorder approaches the end during shooting, recording is automatically commenced by the component for backup purposes, which has been set to the recording standby mode.
DV CMD SEL (Camera)
For setting the recording operation to be performed by the component for backup purposes when the START/STOP button on the camera recorder has been pressed.
REC_P:
The mode is switched between recording and recording pause.
STOP:
The mode is switched between recording and stop.
<Note>
Select STOP as the items setting if the component for backup purposes is not equipped with a recording pause function.
REC LAMP (Camera)
For setting the lighting of the tally lamps.
OFF:
The tally lamps do not light.
FRONT:
The front tally lamp (by the
microphone) lights.
REAR:
The rear tally lamp (by the
viewfinder) lights.
BOTH:
Both the front and rear tally lamps
light.
For setting the beep tone to ON or OFF.
OFF
ON
When ON is selected as the setting, the beep tone is sounded at the times given below. O When the beep tone is sounded, the
audio signals from the output connectors are muted, and the beep tone is output instead.
[Beep tone sounds once]
OWhen the POWER switch has been set
to ON
OWhen shooting has commenced
[Beep tone sounds twice]
OWhen shooting has been temporarily
stopped
[Beep tone sounds 10 times]
OWhen the cassette tape has not been
inserted
OWhen the cassette tape is in the
recording pause mode
OWhen condensation has formed inside
the camera recorder
OWhen a problem has occurred in the
camera recorder
47
Screen displays
Camera mode and VCR mode
1Counter display
Each time the COUNTER button is pressed, the data is selected in the sequence given below.
COUNTER:
Counter value
M COUNTER:
Counter value in the memory stop mode
TC:
Time code value TC2 is displayed when the time code value could not be read out properly from the tape. During operation in the drop frame mode, a colon (:) appears between the seconds and frames.
UB:
Users bit valueUB
2” is displayed when the users bit
value could not be read out properly from the tape.
FR:
Information on the frame rate used when shooting
FR 60I : Standard (60i interlace) mode
(60 fields per sec.)
FR 30P : 30P progressive mode
(30 frames per sec.)
FR 24P : 24P progressive mode
(24 frames per sec.)
FR 24PA: 24P advance mode
(24 frames per sec.) In the FR 24P and FR 24PA modes, the sequence information used for frame conversion is displayed at the last digits.
2AWB/ABB operation status display
The operation statuses of the auto white balance and auto black balance are displayed here.
3AWB error display
LOW LIGHT:
This appears when the luminance is too low during the auto white balance adjustment.
4Recording time mode display (SP or LP)
5Setting selection display
The selected setting appears here when a switch has been selected or a button has been pressed to select a setting.
6Auto iris control status display
STD : Standard auto iris control SPOT : Auto iris control for spotlight BACK : Auto iris control for backlight
compensation
7Shutter speed display
The shutter speed is normally displayed here. When the ZEBRA button is pressed and the marker is displayed (see page 17), the video level of the image near the center of the screen is displayed as a value from 0% to 90%. When the level exceeds 90%, 90%::” is displayed.
A I –PAUSE US ER - 1
DV
ALC
O
TC 12:34:56:00 Z78
SP
24PA MF25
22222222222222
MACR O
2222222222
P 3.2 K
22222222222222
2222222222222
222
F5. 6
2 222
18
dB
SPOT LOW L I GHT
ND1/64
1/
123. 4
ND1/64
02
INDEX
AUG 31 20 2 3 : 5 9 : 59
48K
22
mi n
CH1 CH2
4
6 7
5
3
2
1
Marker
48
Screen displays
=Zoom position display
The zoom position from Z00 (max. wide angle) to Z99 (max. telephoto) appears here.
>AWB information display
The white balance information appears here.
?Focus control information display
The focus control information from 99 to 00 appears here.
95 (focal length: infinity) : 50 (focal length: approx. 1 meter) Under 49 (macro range) : 00 (focal length: approx. 2 cm)
ODepending on the zoom position, the focus
may not be within the macro range. Similarly, depending on the zoom position, the lower limit of the macro range may differ.
@Macro control display
AIris display
The F-number appears here.
BGain display
The gain value setting of the video amplifier appears here.
CND filter display
The selected ND filter appears here. ND – –” appears on the display when the ND FILTER switch has shifted out of position (to a position other than OFF, 1/8 or 1/64). Check the ND FILTER switch position.
DRecommended ND filter display
Displayed here is the ND filter which is recommended under the current shooting conditions.
AI– PAUSE USER - 1
DV
ALC
O
TC 12:34:56:00 Z78
SP
24PA MF25
22222222222222
MACR O
2222222222
P 3.2 K
22222222222222
2222222222222
222
F5. 6
2 222
18
dB
SPOT LOW L I GHT
ND1/64
1/
123. 4
ND1/64
02
INDEX
AUG 31 20 2 3 : 5 9 : 59
48K
22
mi n
CH1 CH2
;
?
A
C
=
@ >
B
<
D
:
89
CH1 CH2
12 dB34 dB 0 dB
9Audio sampling frequency display
:Scene filename display
;Progressive display
The information on the frame rate when shooting in the progressive mode is displayed here.
<Warning information displays
REMOTE:
This flashes when the component for which the wireless remote control unit is set is the wrong one.
:
This lights when condensation has formed inside the camera recorder.
:
This flashes when the cylinder head is dirty.
:
This flashes when the cassette tape has not been inserted or when it has been set to the recording inhibit mode.
:
This lights if a problem occurs in the camera recorder when face-to-face shooting is performed in the mirror mode.
:
This lights when the internal battery used for the calendar has run down.
8Audio level meter display
49
FRemaining battery charge display
As the remaining battery charge diminishes, the display changes in the following sequence:
555
5
.
When the battery has run down completely,
(and then ) flashes. (When the AC adapter is used, a display other than may appear: this is normal and not indicative of malfunctioning.)
GRemaining tape display
Nothing appears here while the remaining tape is being calculated.
The remaining tape amount is not displayed when intermittent recording or slow-motion playback has been performed.
HCamera shake compensation display
This appears when ON has been selected as the camera shake compensation function setting.
mmm dd yyyy hh:mm:ss
Screen displays
EDate and time display
Month:
JAN (January), FEB (February), MAR (March), APR (April), MAY (May), JUN (June), JUL (July), AUG (August), SEP (September), OCT (October), NOV (November), DEC (December)
Day of the month
Year:
2002 --- 2089
Hours: (24-hour clock)
Minutes
Seconds
IBackup component status displays
The status of the backup component connected to the DV connector appears here. It does not appear when OFF has been selected as the setting for the DV CONTROL item on the setting menu OTHER FUNCTIONS screen.
DVO : Recording DV
;
: Recording standby : Status in which the backup
component cannot be controlled
DV : Backup component not connected DV – –: The backup component is
connected, but the recording or recording standby mode has not been established.
AI– PAUSE USER - 1
DV
ALC
O
TC 12:34:56:00 Z78
SP
24PA MF25
22222222222222
MACR O
2222222222
P 3.2 K
22222222222222
2222222222222
222
F5. 6
2 222
18
dB
SPOT LOW L I GHT
ND1/64
1/
123. 4
ND1/64
02
INDEX
AUG 31 20 2 3 : 5 9 : 59
48K
22
mi n
CH1 CH2
I
E
H
F
G
50
Screen displays
MIndex recording display
This lights when the INDEX button is pressed during recording and the index signal is recorded. It flashes when the INDEX button is pressed before recording (index signal recording standby status).
NAUTO button operation display
“” appears when the AUTO button has been pressed and the function which was set on the setting menu AUTO SW screen has been activated.
A
JOperation mode displays
REC : Recording
O : Recording (during face-to-face
shooting)
PAUSE : Recording standby
O
;
: Recording standby (during face-
to-face shooting)
;;
: Playback pause
STNDBY : Standby (cylinder head rotation
stopped)
A. DUB
;;
: Audio dubbing recording standby
A. DUB
11
: Audio dubbing
11
: Playback
55(66
):Fast forward/cue (rewind/review)
??11(22??
):Slow playback (reverse slow
playback)
CHK : Rec check
99(::
):Search (reverse search)
;;11(22;;
):Frame advance playback
(reverse frame advance playback)
BLANK : Blank search REC END : Rec end search
aa
11
/aa55
(aa22
/aa66
):
Variable speed search (reverse variable speed search)
KIntermittent recording display
This appears when ON or ONE-SHOT has been selected as the setting for the INTERVAL REC item on the setting menu RECORDING SETUP screen.
LMic level automatic control display
This appears when ON has been selected as the setting for the MIC ALC item on the setting menu RECORDING SETUP screen.
AI– PAUSE USER - 1
DV
ALC
O
TC 12:34:56:00 Z78
SP
24PA MF25
22222222222222
MACR O
2222222222
P 3.2 K
22222222222222
2222222222222
222
F5. 6
2 222
18
dB
SPOT LOW L I GHT
ND1/64
1/
123. 4
ND1/64
02
INDEX
AUG 31 20 2 3 : 5 9 : 59
48K
22
mi n
CH1 CH2
L
M
K
N J
51
Screen displays
OWarning displays
UNPLAYABLE TAPE (OTHER FORMAT)
The tape cannot be played back since it has the wrong format.
COPY INHIBITED
Since the input signals are copy-guarded, they cannot be recorded properly.
UNABLE TO A. DUB (LP RECORDED)
Since the tape was recorded in the LP mode, audio dubbing cannot be performed.
INCOMPATIBLE TAPE
Since the tape has different specifications (it may be a data storage tape, for instance), it cannot be used.
EXTERNAL DV DISCONNECT
This appears when EXT has been selected as the setting for the DV CONTROL item on the setting menu OTHER FUNCTIONS screen, and shooting has been performed without an external component connected to the DV connector.
AUTO OFF
This appears when a problem has occurred in the tape transport system. When this display appears, the camera recorders power is automatically turned off.
CYLINDER LOCK LOADING LOCK UNLOADING LOCK T REEL LOCK (take-up reel lock) S REEL LOCK (supply reel lock)
WARNING
This appears when a problem has occurred in the camera system.
FOCUS LOCK
(problem with focus operation)
PSD NG
(problem with camera shake detection)
GYRO NG
(problem with camera shake compensation control)
AI– PAUSE USER - 1
DV
ALC
O
TC 12:34:56:00 Z78
SP
24PA MF25
22222222222222
MACR O
2222222222
P 3.2 K
22222222222222
2222222222222
222
F5. 6
2 222
18
dB
SPOT LOW L I GHT
ND1/64
1/
123. 4
ND1/64
02
INDEX
AUG 31 20 2 3 : 5 9 : 59
48K
22
mi n
CH1 CH2
O
52
Screen displays
PSearch number display
The index number used to perform the index search appears here. (S1 to S9)
QCamera shake compensation display
When ON has been selected as the setting for the CAMERA DATA item on the setting menu DISPLAY SETUP screen, is displayed also during tape playback for the camera data when images were shot in the camera shake compensation mode.
RIris display
When ON has been selected as the setting for the CAMERA DATA item on the setting menu DISPLAY SETUP screen, the F­number during shooting is displayed also during tape playback as the camera data.
SGain display
When ON has been selected as the setting for the CAMERA DATA item on the setting menu DISPLAY SETUP screen, the gain value during shooting is displayed also during tape playback as the camera data.
TPlayback volume level meter display
When one of the AUDIO MON/VAR (+/–) buttons is pressed, the playback volume level meter is displayed.
F05
17
S1
TC 12:34:56:00
SP
F5. 6
22222222222222
2222222222
22222222222222
2222222222222
222
2 222
18
dB
48K
22
mi n
02
AUG 31 20 2 3 : 5 9 : 59
CH1 CH2
R
P
Q
S
T
VOLUME
??????
–– +
VCR mode
53
Screen displays
Display item MODE CHK button
ALL PARTIAL OFF
OTHER DISPLAY item setting
Selecting the display
The items listed below which appear in the viewfinder and on the LCD monitor are displayed by the setting selected for the OTHER DISPLAY item (see page 45) of the setting menu DISPLAY SETUP screen.
1 Counter display == == ==
4 Recording time mode display (SP or LP) ≤≤
k
(Camera)
(VCR)
k
6 Auto iris control status display ≤≤
k
7 Shutter speed display ≤≤
k
8 Audio level meter display == == ==
: Scene filename display ≤≤
kk
; Progressive display ≤≤
kk
= Zoom position display == == ==
> AWB information display ≤≤
k
? Focus control information display == == ==
A Iris display ≤≤
k
B Gain display ≤≤
kk
C ND filter display ≤≤
kk
D Recommended ND filter display ≤≤
k
E Date and time display == == ==
F Remaining battery charge display == == ==
G Remaining tape display == == ==
9 Audio sampling frequency display ≤≤
k
(Camera)
(VCR)
k
H Camera shake compensation display ≤≤
k
L Mic level automatic control display ≤≤
kk
N AUTO button operation display ≤≤
k
: Displayed
k : Not displayed
== : Displayed by another setting
54
INT(L) INPUT 1 INPUT 2
CH 2 SELECTCH 1 SELECT
INT(R)
INPUT 2
INPUT 1 INPUT 2
Connecting external components
$ When connecting an audio component, set
the INPUT1 switch or INPUT2 switch to the LINE position. The input level is 0 dBu; the recording level is adjusted using the AUDIO controls.
$ When connecting an external microphone,
set the INPUT1 switch or INPUT2 switch to the MIC position. OSet the input level (–50 dBu and –60
dBu) using the MIC GAIN 1 and MIC GAIN 2 items on the setting menu RECORDING SETUP screen.
OWhen mounting an external microphone
on the microphone shoe of the camera recorder, use the accessory microphone holder and microphone holder adapter.
OTo supply the signals from an external
microphone to CH1 and CH2, connect the external microphone to the INPUT2 jack, and set both the CH1 SELECT and CH2 SELECT switches to the INPUT2 position. (See page 16)
$ When an external component is to be
connected and its video and audio signals are to be input to the camera recorder, connect the camera recorder to the output connectors on the external component.
$ Conversely, when an external component is
to be connected and the video and audio signals of the camera recorder are to be input to the component, connect the camera recorder to the input connectors on the external component.
O If video signals have been input to both the
S-VIDEO IN/OUT connector and VIDEO IN/OUT connector, the signals of the S­VIDEO IN/OUT connector take precedence.
O It is not possible to record the audio signals
if video signals are not input to the S-VIDEO IN/OUT connector or VIDEO IN/OUT connector except when performing audio dubbing.
$ A digital video component equipped with a
DV connector can be connected, and its video signals, audio signals and time code, etc. can be transmitted digitally.
O When an IEEE 1394 cable has been
connected to the DV connector, do not apply a strong load from outside. Doing so may damage the connector.
OBefore recording signals from an external
component, check that the video signals are input.
OWhen signals from an external component
are being recorded, do not stop the signal output at the external component side or disconnect any of the cables. It may not be possible for the component to be recognized when recording is resumed.
6 mm
(XSB4+6FZ)
12 mm
(XSB4+12FZ)
Microphone holder adapter
Microphone holder
55
Shooting
Preparation and inspections
Before shooting, check that the camera recorder is operating properly. Also check that the equipment is set up in a way that is suited to the shooting conditions.
$ Batteries
Have a fully charged battery ready. It is also recommended that a spare battery be kept on hand as well.
$ Cassette tapes
Check that the cassette tapes available can be recorded on. OCheck that they have not been set to the
accidental erasure prevention status.
OCheck that they do not contain valuable
video recordings.
OCheck that the cassette holder is closed
properly.
$ Viewfinder
Check that the diopter adjustment has been performed for the viewfinder.
$ Zoom, focus and iris
OCheck whether the motor-driven zoom
operations and manual zoom operations can be performed.
OCheck whether the auto focus and manual
focus operations can be performed.
OCheck whether the auto iris and manual iris
operations can be performed.
$ Time data
OCheck whether the calendar and time are
correct.
OCheck whether the time code and user’s bit
have been set correctly.
$ External components
OCheck whether the external components
connected are operating properly.
OCheck whether the external components
have been connected properly.
Regular shooting
Set the camera recorders POWER switch to ON, and switch between shooting and shooting pause using the START/STOP button. When shooting from a low angle, the START/STOP button on the handle can be used to initiate shooting.
REC check
When the REC CHECK button is pressed in the shooting pause mode, the picture and sound 2 seconds before the shooting was suspended are played back, and the shooting pause mode is then established again at the original position on the tape. OIf recording has not been performed for 1 or
more seconds, the rec check function cannot be used.
OBear in mind that when a backup component
has been connected and used to record backup images, the rec check images will be recorded.
START/STOP button
REC CHECK button
56
Shooting
Face-to-face shooting
When the LCD monitor is opened and rotated 180 degrees toward the lens, and the person operating the camera recorder records images of himself or herself, the impression of the shot images may appear to be different from usual. If MIRROR is selected as the setting for the SELFSHOOT item on the setting menu DISPLAY SETUP screen, a left-right reversed image appears on the LCD monitor, and the person operating the camera recorder can shoot images of himself or herself that appear as if he or she is looking at himself or herself in the mirror. However, even when shooting images in the mirror mode, the recorded images will be the same as ones which have been shot regularly as the images are not recorded as a mirror reflection. When shooting in the mirror mode, the information which appears in the viewfinder and on the LCD monitor is limited to the following items:
O : Shooting
O
;
: Shooting pause
: Remaining battery charge display
: Warning display
When appears, return the LCD monitor to its original position, and check the message of the warning display.
Index recording
When the INDEX button is pressed during shooting or recording, the index signal is recorded on the tape. When it is pressed while shooting or recording is temporarily stopped, the index signal is set to the recording standby status. When the shooting or recording is then resumed, the index signal is recorded on the tape at that time. Searches (index searches) can be performed during playback once the index signals have been recorded.
Using the USER buttons
One of nine functions can be allocated to the USER1 button and one can be allocated to the USER2 button. In accordance with the subject concerned, the shooting conditions can be instantly selected or fade effects can be added to the images. For details, refer to the USER1 and USER2 items (page 41) on the setting menu SW MODE screen.
Intermittent recording
There are two intermittent recording modes: the mode in which images are shot at fixed intervals, and the frame-by-frame shooting mode. 1 Set the shooting mode for intermittent
recording using the INTERVAL REC item on the setting menu RECORDING SETUP screen. (See page 44) O If the progressive 24P mode or 24P (ADV)
mode has been established, the
INTERVAL REC item cannot be set.
2 Set the recording time using the REC TIME
item.
3 Set the standby time using the INTERVAL
TIME item.
4 When the START/STOP button is pressed,
recording starts in the shooting mode for intermittent recording.
5 When the OPERATION lever is tilted in the
$ direction, I –” blinks, and intermittent recording is set to the temporary stop status. O While intermittent recording is in progress,
no other operations are accepted.
O While intermittent recording is in progress,
the remaining tape amount is not
displayed.
Even when the intermittent recording mode has been set, it will be returned to OFF when the power is turned off.
57
Shooting
Backup recording
The camera images of the camera recorder can be recorded and their recording can be backed up automatically on the external component connected to the DV connector. OSet the external component control method
using the DV CONTROL item and DV CMD SEL item on the setting menu OTHER FUNCTIONS screen. (See page 46)
Bear in mind the following points when performing backup recording.
O The menu item settings remain stored in
the memory even after the power has been turned off. Therefore, if the camera recorder is used while the settings for backup recording are still in place, the images may be overwritten on the tape in the connected component. Upon completion of the backup recording, check the menu item settings before operating the camera recorder.
O If another model AG-DVX100 is to be used
as the external component which will perform the backup recording, select OFF as the setting for the DV CONTROL item of the external component, and set the camera recorder to the VCR mode for use.
O When backup recording is to be performed,
operation may not proceed properly if two or more external components are connected.
O Ensure that the IEEE 1394 cable used for
the connection is not more than 4.5 meters long.
O Before proceeding with backup recording,
establish the status in which the DV signals can be recorded by the external component.
O When the tape in the camera recorder is
approaching the end during shooting while backup recording is being performed with CHAIN selected as the setting for the DV CONTROL item (page 46), recording is automatically started by the back-up component which has been set to the recording standby mode.
58
Shooting
When editing images using the conventional 24P [2:3] conversion system, the images of different frames are expanded for the [BoCe] [CoDe] [FoGe] [GoHe] frames in the figure, causing the picture quality to further deteriorate. Under the 24P advanced conversion system, images with minimal picture quality deterioration in the 24P mode can be obtained by weeding out the [BoCe] [FoGe] frames in the figure. Furthermore, when an editing system that supports the advanced conversion system is used, editing can be performed with minimal picture quality deterioration compared with the 24P mode. OWhen an editing system that supports the
advanced conversion system is not going to be used, shoot in the regular 24P mode.
Progressive shooting
The progressive mode can be selected using the PROGRESSIVE item (see page 39) of the setting menu SCENE FILE screen.
30P mode:
Images are shot in the progressive mode at 30 frames per second. The 30 frames per second images are converted into 60-field interlace signals, and the resulting video signals are output or recorded. Shift-free, high-quality still pictures can be obtained in this mode.
24P mode:
Images are shot in the progressive mode at 24 frames per second. The 24 frames per second images are converted into 60-field interlace signals using the regular [2:3] conversion system, and the resulting video signals are output or recorded. Cinema-like images can be obtained in this mode.
24P advance mode:
Images are shot in the progressive mode at 24 frames per second. The 24 frames per second images are converted into 60-field interlace signals by the advanced conversion system, and the resulting video signals are output or recorded.
60 i
ABCDEFGH
24 PA
Ao Ae BoBe BoCe Co Ce Do De EoEe Fo Fe FoGeGoGeHo He
60 i
24 P
ABCDEFGH
Ao Ae BoBe BoCe Co De Do De EoEe Fo Fe FoGeGo He Ho He
60 i
Ao Ae BoBe Co Ce Do De EoEe Fo FeGoGeHo He Io Ie Jo Je
30 P
ABCDEFGH I J
Bear in mind the following points when shooting in any of the progressive modes.
O The color bars cannot be displayed. O The gain cannot be controlled. The gain
value is controlled using a fixed value.
O The auto focus cannot be controlled. O When the progressive mode has been
selected, the sync signals of the images are temporarily disturbed. Furthermore, no images are output for approximately 3 seconds.
O A shutter speed setting of 1/50 (OFF) or
1/60 is recommended.
O Since the images are recorded in 5-frame
increments when shooting in the 24P mode or 24P advance mode, the timing at which recording starts may be delayed slightly.
O When shooting in the progressive mode
using the ATW (Auto Tracking White) function, it will not be possible to adjust the black balance even by pressing the AWB button.
59
Playback
Normal playback
Set the POWER switch to ON, and press the CAMERA/VCR button to switch to the VCR mode. Normal playback operations can be performed using the OPERATION lever or accessory wireless remote control unit.
Tape blank search
By pressing the END SEARCH button in the VCR mode, it is possible to search for unrecorded parts on the tape or the part which was shot last. For details, refer to the section on the END SEARCH button (page 11).
Index search
This function is used to search the index signals recorded on the tape. An index search can be performed using the accessory wireless remote control unit. ODuring tape playback, press the INDEX
button (9 or :) on the wireless remote control unit. S1 appears in the viewfinder and on the LCD monitor, and the search for the next scene is started.
OTo stop the search at any time, press the
STOP ($) button.
OEach time the INDEX button is pressed after
the search operation has commenced, S2 S3 are displayed, and the second or any subsequent scene can be searched. When a scene is located, playback commences from that part of the tape. (Any scene up to the ninth in the reverse or forward direction from the present position of the tape can be specified.) The index search function may not operate smoothly if any of the intervals between one index and the next are less than one minute.
Variable speed search
This function changes the playback speed to locate scenes. OWhen the OPERATION lever is tilted in the 1
direction during tape playback, the variable search mode is established, “1a appears in the viewfinder and on the LCD monitor, and the tape is played back at the 1a speed. No sound is played back at this time.
OThe playback speed changes when the
AUDIO MON/VAR button is pressed. Each time the button is pressed, the playback speed changes by one setting in the following sequence: 1/5a (or 1/3a in the LP mode), 1a, 2a, 5a, 10a and 20a.
OThe speed is varied in the forward direction
using the “+” button; conversely it is varied in the reverse direction using the “–” button.
OWhen the remote control is used, pressing
the VAR.SEARCH button establishes the variable speed search mode, and the playback direction and playback speed are changed using the V and B buttons among the SET buttons.
OTo return to normal playback, tilt the
OPERATION lever in the 1 direction.
OPERATION lever
END SEARCH button
Tape protection mode
When the camera recorder remains in the playback pause or recording pause mode for more than 5 minutes, it is automatically set to the stop mode in order to protect the tape. However, if it remains in the playback pause mode when the temperature is low, the stop mode may be established sooner.
3
MENU
1
5
6
;
∫ 4
PUSH-SET
60
Condensation
How to tell when condensation has formed inside and what to do about it
If, after the camera recorders power has been turned on, the condensation display symbol flashes, it means that condensation has formed inside the camera recorder. If this happens, the power will be automatically turned off after several seconds. Take the following action.
1Remove the cassette.
No other functions will work. Depending on the degree of condensation, it may not be possible to eject the cassette, either. In this case, wait two or three hours, and then try ejecting the cassette.
2Wait two or three hours with the cassette
holder open.
The wait time differs depending on the degree of condensation and the ambient temperature.
3After two or three hours have elapsed,
turn on the power, and check whether the condensation display has gone off.
Even if the condensation display has gone off, wait another hour to be on the safe side before attempting to operate the camera recorder.
Bear in mind that condensation may be forming before the condensation display comes on.
OCondensation forms gradually so that the
condensation display may not appear for the first 10 to 15 minutes after it has started to form inside.
OIn very cold climates, condensation may
freeze and turn into frost. In this case, it will take two or three hours for the frost to melt and become condensation again.
Video heads
If the video heads are dirty, mosaic-type noise may occur in some areas or the whole image may turn blue when playing back a tape. If the dirt accumulates, the recording capability will deteriorate, and in the end it will not be possible to record.
Causes of dirty heads
OHigh concentrations of dust in the
atmosphere
OEnvironments which are very hot and very
humid
OTape damage OProlonged operation
Using the cleaning cassette tape (accessory) 1Insert the cleaning tape in the camera
recorder, and set the POWER switch to ON.
2Press the CAMERA/VCR button, and
check that the VCR lamp has lighted.
3Tilt the OPERATION lever in the 1
direction, and allow 10 seconds to pass before tilting it in the $ direction.
(Do not rewind the tape at this point.)
4Remove the cleaning tape, proceed with a
test recording and playback using another tape, and check the images.
5If the images are not clear, repeat steps 1
to 4.
(Do not run the cleaning tape continuously more than 4 times.)
ODo not rewind the cleaning tape at any
interim point. At the end of the tape, rewind it, and use it again from the start.
OIf the heads are still dirty even after cleaning,
it may mean that the tape itself has deteriorated so stop using it immediately.
OOveruse of the cleaning tape causes head
wear. If the heads are worn, clear pictures will not be played back even immediately after the heads have been cleaned.
OIf the cleanliness of the heads is not improved
by the cleaning tape, the camera recorder must be cleaned and/or repaired by your local dealer. Consult with your dealer.
Regular inspections
In order to view clean and clear images, it is recommended that the video heads and other worn parts be replaced after they have been used for about 1,000 hours (This period will vary significantly depending on the temperature, humidity, dust and other conditions in the operating environment.)
61
Troubleshooting (Q&A)
Power supply-related problems
Q1: No power.
A1: Has the battery or AC adapter been
connected correctly? Check the connections. (See page 22)
Q2: The power goes off on its own.
A2: The power will automatically go off if
shooting is temporarily stopped for more than 5 minutes in order to prevent the battery from running down and keep the tape from wearing. Check the setting selected for the TAPE PROTECT item on the setting menu OTHER FUNCTIONS screen. (See page
46)
Q3: The power is turned on but it goes off
immediately.
A3-1: Has the battery run down?
If the remaining battery charge display flashes or the display has appeared, it means that the battery has run down. Recharge the battery or insert an adequately charged battery. (See page
21)
A3-2: Has condensation formed?
When the camera recorder has been carried into a warm room from a cold place, condensation may form inside. If this happens, the power is automatically turned off, and ejecting the cassette is the only operation which can be performed. Wait until the condensation has dried up. (See page 60)
Battery-related problems
Q1: The battery runs down quickly.
A1-1: Has the battery been adequately
charged? Charge it until the CHARGE lamp of the AC adapter has gone off. (See page 21)
A1-2: Is the camera recorder being used in cold
place? The battery is easily affected by the ambient temperature. Its operating time is reduced in cold locations.
A1-3: Has the battery reached the end of its
service life? The service life of the battery differs depending on how it is used. If it works only for a short time even after it has adequately charged, it means that the battery has reached the end of its service life.
Q2: The battery cannot be charged.
A2: Is the DC cable connected to the AC
adapter? The battery cannot be charged if this cable is connected.
Problems during normal video recording
Q1: Recording is not possible even though
the cassette tape has been inserted properly.
A1-1: Has the accidental erasure prevention
knob on the cassette tape been set to SAVE? If it has, recording cannot be performed. (See page 23)
A1-2: Has the cassette tape reached the end?
Replace it with a new one. A1-3: Is the POWER switch at the ON position? A1-4: Is the VCR lamp lighted?
Shooting is not possible in the VCR mode. A1-5: Is the cassette holder open?
If the cassette holder is open, it is not
possible to perform any VCR operations. A1-6: Has condensation formed?
If condensation has formed, ejecting the
cassette tape is the only operation which
can be performed. Wait until the
condensation dries up. (See page 60) A1-7: If AUTO OFF/T REEL LOCK appears on
the display, the tape may have snapped.
Check the tape.
62
Troubleshooting (Q&A)
Problems during various kinds of video recording
Q1: No automatic focusing
A1-1: Has the manual focus mode been set?
The focus is adjusted automatically in the auto focus mode. (See page 12)
A1-2: Is a scene which is hard to bring into
focus in the auto focus mode being shot? Some scenes are hard to bring into focus using auto focus. In cases like this, use the manual focus mode instead for focusing.
Scenes hard to bring into focus
O Shooting both distant and close-up
subjects
O Shooting subjects through dirty window
panes
O Shooting subjects in dark locations O Shooting while objects that glitter or
dazzle are around the subject
O Shooting fast-moving subjects O Shooting subjects with minimal contrast
Editing-related problems
Q1: No audio dubbing.
A1-1: Has the accidental erasure prevention
knob on the cassette tape been set to SAVE? If it has, recording cannot be performed. (See page 23)
A1-2: Has an attempt been made to edit parts
shot in the LP mode? Audio dubbing cannot be performed as the track width on the tape is narrower than the head width in the LP mode.
Display-related problems
Q1: Something is wrong with the time code
display.
A1: When the reverse slow playback mode is
set, the count shown on the time code display becomes inconsistent; however, this is normal and not indicative of malfunctioning.
Q2: The remaining tape display does not
match the actual amount of tape remaining.
A2-1: The remaining tape is not displayed
accurately with continuous shooting sessions lasting less than 30 seconds.
A2-2: A display which is two to three minutes
less than the actual tape remaining time sometimes appears.
Playback-related problems (video)
Q1: No playback, even when the play
button is pressed.
A1: Has the CAMERA/VCR button been
pressed and has the VCR lamp lighted? If the VCR lamp is not lighted, playback­related operations cannot be performed. (See page 11)
Q2: Mosaic-type noise is generated during
cue and review.
A2: This is a phenomenon inherent to digital
video. It is not indicative of malfunctioning.
Q3: No playback images are seen even
though the camera recorder is connected with the TV set correctly.
A3: Is the TV sets input selector at video
input? Read through the operating instructions of the TV set, and select the video input connector to which the camera recorder has been connected.
Q4: The playback images are not displayed
clearly.
A4: Are the camera recorders heads dirty?
If they are dirty, the playback images will not be displayed clearly.
63
Troubleshooting (Q&A)
Other types of problems
Q1: The cassette tape cannot be ejected.
A1: Is power being supplied?
Has the AC adapter been plugged in or
the battery inserted properly?
When the power is supplied, the cassette
can be ejected without setting the
POWER switch to ON.
Q2: Ejecting the cassette tape is the only
operation which can be performed.
A2-1: Has any condensation formed?
If condensation forms, ejecting the
cassette tape is the only operation which
can be performed. Wait until the
condensation dries up. (See page 60) A2-2: When the cassette holder is closed
immediately after opening (by sliding the
EJECT switch), operations other than
eject may not be possible.
If this does happen, slide the EJECT
switch to open the cassette holder once
again, then close the holder after ensuring
that the cassette mechanism has
completed the eject operation.
Q3: The remote control unit does not work.
A3-1: Has the battery in the remote control unit
run down?
If the remote control unit fails to operate
even when it is operated near the remote
control sensor of the camera recorder, it
means that the button battery has run
down.
Replace it with a new one. (See page 20) A3-2: Do the remote control settings match
properly?
If the [REMOTE] settings of the remote
control unit and camera recorder do not
match, the remote control unit will not
work even when it is operated. (See page
20)
Q4: A rattling sound is heard when the
camera recorder is tilted toward the
front or back.
A4: When the VCR mode is established or the
power switch is at OFF, a rattling sound
may be heard from the camera unit due to
its structure. This is not indicative of
malfunctioning.
Playback-related problems (audio)
Q1: No playback sound is heard from the
camera recorders speaker.
A1: Has the camera recorders volume level
been set too low? In the VCR mode, press the AUDIO MON/VAR button “+” to increase the volume. (See page 15)
Q2: More than one recorded stream of
sound is heard.
A2: Has MIX been selected as the setting for
the 12-bit AUDIO item on the setting menu PLAYBACK FUNCTIONS screen? (See page 42) If audio dubbing editing is performed on a tape recorded with 12-bit selected as the setting for the AUDIO REC item on the setting menu RECORDING SETUP screen, the sound heard during the recording and the sound recorded later will be heard together. It is also possible to listen to each stream of sound separately. (See page 43)
Q3: When audio dubbing is performed, the
original sound is erased.
A3: When audio dubbing is performed for a
part which was shot with 16-bit selected as the setting for the AUDIO REC item on the setting menu RECORDING SETUP screen, the original sound will be erased. Use the 12-bit setting during shooting. (See page 43)
64
Maintenance
Viewfinder maintenance
When dust has collected inside the viewfinder, take off the eye cup holder, and remove the dust. OThe inside of the eye cup holder has a
special coating: for this reason, it must not be wiped under any circumstances. When dust has collected, use an air blower or similar device to blow off the dust.
OPoint the viewfinder slightly upward, then
remove the eye cup holder by turning it counterclockwise.
OTo attach the eye cup holder, turn it clockwise
with the index mark on the eye cup holder face up.
Do not use benzine or paint thinners to clean the camera recorder.
O Use of benzine or paint thinners may cause
the camera recorder body to become deformed or the surface coating to peel off.
O When cleaning or otherwise maintaining the
camera recorder, either remove its battery or disconnect its AC cable from the power outlet.
O Use a soft, clean cloth to wipe the camera
recorder. To remove stubborn stains, dilute some kitchen detergent, dip a cloth into the solution and use it to wipe off the dirt, and then remove any remaining moisture with a dry cloth.
Index mark
Eye cup holder
65
Specifications
indicates safety information.
Supply voltage: DC 7.2/7.9 V Power consumption:
6.8 W (when viewfinder is used)
7.8 W (when LCD monitor is used)
9.2 W (max.)
Ambient operating temperature
32°F to +104°F (0°C to +40°C)
Ambient operating humidity
10% to 85% (no condensation)
Weight
3.652 lb (1.66 kg) (excluding battery and accessories)
Dimensions (WaHaD)
5
1
/2a6 5/16a14 3/
8 inches
(139a160a364 mm)
Recording format
Digital video SD format
Tape format
Mini DV
Recorded video signals
525i (NTSC) In the progressive mode, the signals are converted into the 525i system and recorded.
Shooting mode
60i (525i) Progressive mode (30P, 24P or 24P advance)
Recorded audio signals
PCM digital recording
16 bits: 48 kHz/2 channels 12 bits: 32 kHz/4 channels
Recording tracks
Digital video, audio signals:
helical track
Time code:
helical track (sub-code area)
Tape speed
SP mode: 18.812 mm/sec. LP mode: 12.555 mm/sec.
Recording time (when AY-DVM60 is used)
SP mode: 60 minutes LP mode: 90 minutes
Tape used
6.35 mm wide metal tape
FF/REW time
Approx. 85 sec. (when AY-DVM60 is used)
[GENERAL]
Pick-up device
Interline transfer 1/3-inch CCD image senser (a3)
Number of pixels
Total number of pixels: 410,000, Number of effective pixels: 380,000 (pixel offset system)
Lens
Leica DICOMAR optical image stabilizer lens, motorized/manual mode switching, 10a zoom F1.6 (f = 4.5 to 45 mm) (35 mm equivalent: 32.5 to 325 mm)
Optical system
Prism system
ND filters
1/8, 1/64
Gain
0, +3, +6, +9, +12, +18 dB (60i mode only)
Shutter speeds
Preset
60i mode:
1/60 (OFF), 1/100, 1/120, 1/250, 1/500, 1/1000, 1/2000 sec.
30P mode:
1/30, 1/50 (OFF), 1/60, 1/120, 1/250, 1/500, 1/1000 sec.
24P, 24P (ADV) mode:
1/24, 1/50 (OFF), 1/60, 1/120, 1/250, 1/500, 1/1000 sec.
Synchro scan
60i mode:
1/60.3 to 1/250.0 sec.
30P mode:
1/30.1 to 1/250.0 sec.
24P, 24P (ADV) mode:
1/24.1 to 1/250.0 sec.
Minimum subject illuminance
3 lux (F1.6, 18 dB gain, 50 IRE video output)
Lens hood
Large-sized lens hood with wide angle of view
Filter diameter
72 mm
LCD monitor
3.5-inch LCD color monitor, 200,000 pixels
Viewfinder
0.44-inch LCD color viewfinder, 180,000 pixels
Internal microphone
Stereo microphone
Internal speaker
20 mm diameter
66
Specifications
[VIDEO]
Sampling frequency
Y: 13.5 MHz, PB/PR: 3.375 MHz
Quantizing
8 bits
Video compression system
DCT + variable length code
Error correction
Reed-Solomon product code
[AUDIO]
Sampling frequency
48 kHz/32 kHz
Quantizing
16 bits/12 bits
Frequency response
20 Hz to 20 kHz
Wow & flutter
Below measurable limits
[CONNECTORS]
VIDEO IN/OUT (input/output automatically switched)
Pin jack, analog composite input/output, 1.0 V [p-p], 75
S-VIDEO IN/OUT (input/output automatically switched)
S-connector, Y/C separate signal input/output, Y: 1.0 V [p-p], C: 0.286 V [p-p], 75
AUDIO IN/OUT (input/output automatically switched)
Pin jacks a2 (CH1, CH2) Input: 316 mV, high impedance Output: 316 mV, 600
DV
4-pin, digital input/output, IEEE 1394 standard complied with
INPUT 1, INPUT 2
XLR (3 pins) a2 (CH1, CH2) LINE/MIC switching, high impedance
LINE : 0 dBu MIC : –50 dBu/–60 dBu (menu selection)
DC INPUT
7.9 V
PHONES
Stereo (3.5 mm diameter), 77 mV, 32
CAM REMOTE
Mini jack (2.5 mm diameter)
[OPTIONAL ACCESSORIES]
Wide conversion lens
AG-LW7208G
16:9 conversion lens
AG-LA7200G
XLR microphone
AG-MC100G
Hard carrying case
AG-HT100G
Soft carrying case
AG-SC100G
Battery
CGR-D08 (800 mAh) CGR-D16 (1600 mAh: product equivalent to battery supplied) CGP-D28 (2800 mAh)
AC adapter kit
AG-B15 (product equivalent to AC cable, DC cable and AC adapter supplied)
Cleaning tape
AY-DVMCL
indicates safety information.
Power Source:
110/120/220/240 V AC, 50/60 Hz
Power Consumption:
18 W
Weight
0.35 Ib (0.16 kg)
Dimensions (WaHaD)
2
13
/16a1 13/16a4 5/8 inches
(70a44.5a116 mm)
[AC ADAPTER]
Weight and dimensions shown are approximate. Specifications are subject to change without notice.
Memo
PANASONIC BROADCAST & TELEVISION SYSTEMS COMPANY
UNIT COMPANY OF MATSUSHITA ELECTRIC CORPORATION OF AMERICA
Executive Office:
One Panasonic Way 4E-7, Secaucus, NJ 07094 (201) 348-7000
EASTERN ZONE:
One Panasonic Way 4E-7, Secaucus, NJ 07094 (201) 348-7621
Southeast Region:
1225 Northbrook Parkway, Ste 1-160, Suwanee, GA 30024 (770) 338-6835
Central Region:
1707 N Randall Road E1-C-1, Elgin, IL 60123 (847) 468-5200
WESTERN ZONE:
3330 Cahuenga Blvd W., Los Angeles, CA 90068 (323) 436-3500
Government Marketing Department:
52 West Gude Drive, Rockville, MD 20850 (301) 738-3840
Broadcast PARTS INFORMATION & ORDERING:
9:00 a.m. – 5:00 p.m. (EST) (800) 334-4881/24 Hr. Fax (800) 334-4880 Emergency after hour parts orders (800) 334-4881
TECHNICAL SUPPORT:
Emergency 24 Hour Service (800) 222-0741
Panasonic Canada Inc.
5770 Ambler Drive, Mississauga, Ontario L4W 2T3 (905) 624-5010
Panasonic de Mexico S.A. de C.V.
Av angel Urraza Num. 1209 Col. de Valle 03100 Mexico, D.F. (52) 1 951 2127
Panasonic Sales Company Division of Matsushita Electric of Puerto Rico Inc.
San Gabriel Industrial Park, 65th Infantry Ave., Km. 9.5, Carolina, Puerto Rico 00630 (787) 750-4300
© 2002 Matsushita Electric Industrial Co., Ltd. All rights reserved.
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