The OM -2 is a unique 35mm single lens reflex, utilizing the
Olympus TTL Direct (Off-the-Film) Light Measuring System
for unprecedented accuracy o f automatic exposure.
In addition, it offers full manual exposure control a t the
flip of a lever switch. OM-2 has s et a new standard for reliability and versatility in a compact SLR, to meet t he demands
of t he professional and amateur alike, f o r standard as well
as scientific and technical photography pursuits.
OM-2 is part of the total Olympus OM System, enabling you
to capture life as it happens, from photomicrography to
astrophotography, from photojournalism to portraiture.
Wit h its many system components, the OM-2 permits an infinite range of photographic capabilities ... a camera that
grows as your needs expand. To get the optimum results
from your OM-2, carefully study this Owner's Manual. It
is well worth your time, and will provide a sound basis for
years of f ine OM-2 phot o graphs.
1
DESCRIPTION OF CONTROLS
Spool
(P. 9, P 44)
(P.58)
(P.8)
(P. 43)
Film Take-Up
Viewfinder
Eyepiece Frame
Battery
Check Lamp
Rewind Shaft
Film Chamber
Film Guide
Pins (2)
Shutter Curtain
(P. 37, P. 40)
Motor
Guide Pin Hole
Refer
to
pages
in
parentheses
Recordata Back Contact
Dual Sprocket
B LOCK Button
(P. 12)
for
detailed
explanations
Camera Back
(P. 27)
Release Pin
(P. 9)
Camera Back
Pressure Plate
of
each part.
Battery
Chamber
(P. 7)
Motor Drive Socket Cap
Tripod Socket
(P.37, P40)
(P. 37)
Motor Coupling Terminal
2
Manual Shutter
Speed Rin g
Lens Release Button
FP and X Flash Synch Selector
Flash Syn ch ro ni zat io n Socket
Rewind Knob
/Camera Back Release
Rewind Crank
(P.9, P.20,
P. 44)
(P. 12)
(P. 7)
(P.30, P.35)
(P.35)
(P.20)
(P.26)
(P. 12,
P.15, P.16,
P. 17. P. 18, P. 35)
(P. 14)
(P.26)
(P. 11.
P.23)
(P.19, P.20, P.37,
P.42, P.44)
Depth of Field Scale
Aperture Ring
Focusing Ring
Lens Mount Ring
Body Mount Ring
Exposure Copensation
Dial/Film Speed Dial
Shutter Release Button
/Cable Release Socket
Exposure Counter
(P. 10, P. 20)
Sele ctor Lever
Hot Shoe Socket
(P. 8,
P.15,
P. 24,
P44)
AS A Film Speed
(P. 11)
Window
Film Advance Lever
(P. 10)
Memo Holder
(P. 11)
3
Rewind Release Lever
(P.20, P.44)
Accessory Shoe 4
Shoulder Strap Eyelet
Self-Timer
Depth-of-Field
Preview Button
(P.21, P.44)
(P. 25, P.
26.)
Lens
4
TABLE OF CONTENTS
On
OM-2
To an
OM-2
Owner
Description
Mounting the Lens/Inserting the Batteries . 7
Align the red dots on the lens flange and the body
mount ring. Turn the l ens clockwise until the lens
release
button
springs
tive "click".
Lens Removal
To detach the lens, press
down on the lens release
button and turn the lens
counter-clockwise. Always
attach the front and rear
lens caps when the lens is
removed from the body to
prevent any possibility of
damage.
up and you will
hear
posi-
Insert two 1.5V silver oxide batteries SR44
(Eveready EPX-76 or equivalents) into th e bat-
tery chamber.
CAUTION: Batteries should be always replaced
as a pair. If battery polarity is incorrect, the cam-
era does not function.
7
BATTERY CHECK AND MIRROR LOCK-UP
a point to switch off the selector lever when the
camera is not used.
Mirror Lock-Up
By pressing the selector lever to the "CHECK•
RESET" position, you can check the batteries
and/or unlock the mirror.
Check the Batteries.
Move the selector lever to the "CHECK•RESET"
position. The battery check lamp indicates bat-
tery condition as follows:
The r ed lamp lights brightly — Battery volt-
age i s sufficient.
The red lamp flashes on and off — Batteries
are very weak. Fresh batteries are recommended.
The lamp does not light — Batteries are drain-
ed. Replace them.
NOTE: Silver oxide batteries will last approxi-
mately one year. To avoid battery drain, make it
If the mirror is up, the field of view turns dark
through the viewfinder, and the film cannot be
advanced. This lock-up of the mirror occurs when
no batteries are loaded or batteries are deplet-
ed, or the film is advanced during exposure.
The mirror lock-up does not indicate any break-
down
of the
to prevent any trouble. Press the selector lever to
the "CHECK•RESET" position, and unlock the
mirror.
mediately. In case , replace batteries.
CAUTION: You cannot unlock the mirror after
battery replacement, if you omit pressing the
selector lever to the "CHECK•RESET" position.
NOTE: When the mirror locks up, a battery drain
prevention device is activated to conserve power.
8
In
camera,
case
,
but a
shooting
built-in
can be
safety
resumed
device
im-
LOADING THE FILM
Pull the rewind knob up
and open the camera back.
Insert a film cartridge into
the fi l m chamber and push
the rewind knob back.
Insert the fi l m leader i nto
one of the slots in the film
take-up spool.
Turn the advance lever so that the film perforations engage t h e sprocket teeth.
Close the camera back until it clicks.
Make sure the selector lever is in the OFF position.
NOTE: Fold out the rewind crank and rotate it
clockwise
Then if the rewind crank rotates as you turn the
advance
slightly
lever,
the
to
film
remove
is
properly
any
slack
advancing.
9
in the
film.
OPERATING THE FILM ADVANCE
LEVER
EXPOSURE COUNTER
Turn the advance lever to the right as far as it will
go. The film can be advanced by one frame, in a
single stroke or in multiple short strokes.
NOTE: If the advance lever stops moving because
you've shot the last remaining film frame while
you are
advancing
advance
and
for motor drive shooting.)
rewind
the
the
film,
film.
discontinue
(Read
pages
the
37~41
film
Exposure Counter
The exposure counter is indexed fro m "S" (Start)
to 1, 2 ... up to 36 in even numbers and "E"
(End). Whenever the camera back is opened, th e
exposure counter automatically returns to "S".
10
SETTING THE ASA FILM SPEED DIAL
Lift up the outer collar of the exposure compensation dial and rotate until th e AS A speed
for the film appears in the window.
The ASA
ed from 12 to 1600. If you are not able to
rotate the outer collar to the desired ASA in
film
speed
scale
on the
dial
is
mark-
one turn of the d ia l (only 3 stops can b e rotated
in one turn of the dial), release the collar and
turn the exposure compensation dial several
click stops in the opposite direction f rom the
ASA you are trying to set. Then, lift the outer
collar again and continue turn ing to the desir-
ed ASA setting. NEVER FORCE THE DIAL
WHEN SETTING AS A.
Once the setting has been made, turn the dial
until th e white line is aligned with the black
index line on the pentaprism housing.
CAUTION: Make sure you align the white line
with the black index line on the pentaprism
after setting ASA.
THE MEMO
HOLDER
A memo holder pro-
vided on the cam-
era back accepts a
memo slip or the
end flap from most
35mm film packages
as a reminder of
ASA, exposure n umbe r, etc.
11
APERTURE RING AND MANUAL SHUTTER SPEED RING
Aperture Ring
The opening (aperture) in the lens diaphragm is
marked in F stops on the aperture ring. The higher
the F number, the smaller the lens opening (less
light) and provides greater depth of field than
lower F numbers (see page 25).
When setting the aperture ring, you may use either
the click-stop positions or a n y in-between settings
to obtain precise exposure control.
NOTE: All lenses in the OM System (except cer-
tain specialized lenses) provide fully automatic
diaphragm control allowing you to focus and
compose your picture with the lens fully open.
The diaphragm will automatically close to the
pre-selected F stop at t he moment of exposure.
And immediately re-open after exposure.
Manual Shutter Speed R ing
Shutter speeds engraved on the manual shutter
speed ring are used only for non-automatic camera
operation. B indicates
ting the shutter will remain open as long as the
shutter release button is held down. T he other
engravings indicate fractions of a second; for ex-
ample "T" for 1 second, "2" for 1/2 second .....
up to
"1000"
rotate the ring while pressing the B LOCK but-
ton at the lower left of th e body mount.
Be careful that shutter speeds are set only at
click stop positions. Make sure that the selector
lever is set at a click stop position.
12
for 1
/1000
"bulb"
second.
at
which
To set at
set-
"B",
SETTING THE SELECTOR LEVER
VIEWFINDER
The selector lever on top of yo ur camera has four
positions as follows (with click stops at
AUTO-OFF-MANUAL):
1) AUTO — Automatic exposure control; you
preset the F s top and the camera automatical-
ly sets shutter speed fo r proper exposure.
2) OFF — Camera turned completely o f f to avoid
battery drain. Always store your camera with
the selector lever in this position.
3) MANUAL — Zero-method exposure operation;
set shutter speed and F stop for proper ex-
posure (see page 17).
4) CHECK•RESET
—
Battery test position simul-
taneously with release of mirror lock-up.
the
OFF
shutter
with
AUTO
The three-position viewfinder control center
allows you to see the operating mode of your
camera without checking the position of the
selector lever.
NOTE:
If you
lever at OFF in normal lighting condition, the
built-in automatic exposure control is activated
to take a properly-exposed picture, so as not to
miss optimum exposure opportunity, at any mo-
ment. The difference between the automatic ex-
posures in the O FF position and the AUTO posi-
tion, however, is that the O FF mode exposure
stops in 1/30 sec. maximum to save battery exhaustion, and the AUTO viewfinder scale does
not appear.
release
13
MANUAL
the
selector
FOCUSING
Look through th e viewfinder and turn the focusing
ring
in
either
sharpest. The split image will be vertically ali gned
in the central spot of the Focusing Screen or a
shimmering effect of the microprism ring around
the central spo t will disappear when critical focus-
In focus.
direction until
your
subject
appears
ing has been achieved.
NOTE: Yo u can determine the distance between
the subject and the film plane by reading the dis-
tance
scale
on the
the
focusing
white
cal focusing. Th e actua l distance is indicated op posite the red central index mark on the lens
mount
ring;
in meters and the orange scale in feet.
(For Focusing Screen replacement read pages 28,
59 and
60).
scale
ring
after
indicates
setting
this
criti-
distance
14
Out of focus.
Microprism
Ring
Matte Field
Rangefinder
Spot
AUTOMATIC EXPOSURE CONTROL
Red Zone
Blue Zone
The Aperture-Preferred System
The aperture-preferred system
is the most convenient and
easy-to-use method of auto-
matic operation, particularly
outdoors when using 50mm or
wide-angle lenses. To use this system:
Set the selector lever to th e "AUTO" position
making
sure
that
the
lever
Set the F stop you wish to use on the lens
aperture ring.
"clicks"
into
place.
The camera will automatically determine the
shutter speed required f or proper exposure and
indicate that speed in the viewfinder. Then RE-
LEASE THE SHUTTER.
NOTE: At shutter speeds slower than 1/60 second,
the possibility of camera movement during ex -
posure is increased. If the needle in the v iewfi nder
indicates a shutter
aperture ring to the left (so as to open the aperture).
For use of interchangeable lenses of various angles
of view, refer to the data below to determine the
hand-held shutter speed and avoid blurry pictures:
Wide-angle and super wide-angle lenses — 1 /3 0
second or faster. 50mm lenses — 1 /60 second
speed
in
this
area,
or faster. Telephoto and Zoom lenses to
100mm — 1/125 second or faster. Telephoto
and Zoom lenses to 200mm — 1/250 second or
15
turn
the
faster. Super telephoto lenses of 300mm and
up — 1/500 second or faster.
If the viewfinder needle enters the red zone
Warning against over-exposure. A shutter speed
faster than 1 /1000 second is required for pro-
per exposure, but the shutter will be released
at 1/1000 second. Since this is beyond the
range of your OM-2 and an overexposed photograph would result, turn th e lens aperture ring
to a higher F stop until the meter needle moves
out of the red zone.
If the viewfinder needle enters the blue
"AUTO" zone Indication for long time exposure. A shutte r speed longer than 1 second
is required fo r proper exposure.
Your OM-2 provides for automatic exposures
from 1 second to 120 seconds (with AS A 100
at normal temperature and hu midity). If you
wish to close the shutter during a long time
exposure under AUTO operation, turn the
selector lever to the OFF position, and the
shutter closes.
CAUTION: Do not advance the film while
the mirror is up during an automatic exposure,
or the mirror will lock up.
The Shutter Speed-Preferred System
Should you wish to select a shutter speed to meet
a specific photographic situation (e.g., stopping
fast action, eliminating camera movement or controlling depth-of-field), you may use a shutter
speed-preferred method of automatic exposure
control. To use this system:
Set the sele c t or lever to th e "AUTO" position.
Look through the viewfinder and turn the
aperture ring until the viewfinder needlepoints
at the desired shutter speed.
16
MANUAL EXPOSURE CONTROL
Set the selector lever to
"MANUAL", and the exposure index marks and
the meter needle are visi-
Shutter Speed-Preferred Manual Exposure Control
Should you wish to preselect a shutter speed
turn the shutter speed ring until the desired
speed is opposite the red reference dot on the
lens barrel (see page 12).
Look through the viewfinder and turn the
aperture ring until the needle lines up in the
center of the index. For fine exposure adjustment you can use any click-stop or intermediate F stop position.
ble in the viewfinder.
Apert u r e- P r e f er r e d Manual Exposure Control
Turn the aperture ring until the desired F stop
is opposite the white index mark.
Look through the viewfinder and rotate the
shutter
speed
ring
until
the
close as possible to t he center of th e index.
Make sure that the shutter speed ring is clicked
into position and not between two settings.
Make the final exposure adjustment by turning
the aperture ri n g u n t i l the needle aligns exactly
in the center of the index.
CAUTION: The shutter speed thus obtained
should meet the other photographic conditions
properly, especially at "B" where the shutter
speed ring is not coupled with the exposure meter.
17
needle
lines
up as
ASA 100
50mm F1.8 lens,
fully opened
1/2
sec.
Exposure Meter Needle
Exposure Meter Index
If the Exposure Needle Does Not Center on the
Index
If an exposure or a shutter speed is improperly
selected, the exposure needle w ill n ot center on
the
index.
Reset
the
shutter
speed
or F
stop
the needle is ce n tered.
You may use an ND (neutral density) filter i f t he
subject is too bright, or an electronic flash or flash
bul b if the subject is too dark.
until
ASA 100
ASA 100
Light Measuring Range of the Exposure Meter
The measuring range is EV 1.5-EV17 ( AS A 100,
with F1.2 55mm lens). The list above summarizes
the lowest measurable limits in dealing with extreme low light conditions.
CAUTION: If the aperture ring or shutter speed
ring is turned below the limits in the list, with ex-
tremely low lighting or the selector lever OFF,
the needle so metimes moves, but the meter is not
functioning.
18
50mm F1.4 lens,
fully opened
55mm F1. 2 lens,
fully opened
1/2
1/2
sec.
sec.
HOLDING THE CAMERA
Proper camera handling is important in assuring
the sharpest possible pictures.
Holding the Camera Horizontally
Keep both elbows close to the body, to steady
the camera.
Putting the Camera into Operation
The aperture ring, focusing ring and shutter speed
ring are so arranged as to enable one hand opera-
tion right up to the moment the shutter is released.
Hold your breath at the moment of shutter release.
Transport the film advance lever with your right
thumb and squeeze the release button smoothly
using the cushion, not the tip, of your index
finger.
Holding the Camera Vertically
For vertical shooting, keep one elbow close to
your body and press the camera tightly against
your forehead.
NOTE: Steady yourself against any nearby sup-
port (such as a tree, fence, or wall) whenever pos-
sible.
NOTE: For telephotography, or slow shutter
speed photography, it is recommended th at yo u
use a tripod and hold the camera steady with
your hands.
19
UNLOADING THE CAMERA
When t he entire roll of film has been exposed re-
wind th e film.
Turn the rewind release lever counter-clock-
wise by about 90°.
Fold out the rewind crank and wind it in the
direction of the arrow. Wh ile rewinding, yo u
will feel tension on the crank. When the ten-
sion stops and the crank turns freely, th e film
has been completely rewound back into the
cartridge.
Open the camera back by pulling up on the
rewind knob and remove the film cartridge.
Keep camera and film out of direct sunlight
while unloading.
MAKING MULTIPLE EXPOSURES
Should you wish to make more than one exposure
on the same frame:
Take up any slack in the film by slowly turning the rewind crank in a clockwise direction
until it stops, then take the first exposure.
Turn the rewind release lever counter-clock-
wis e by about 90°.
Hold both the rewind knob and rewind release lever to prevent them from turning and
advance the film advance lever. The shutter
will then be cocked for the next exposure
without advancing the film.
Press
the
shutter
release
button
steady squeeze.
The exposure counter will advance with each
exposure.
After completing the multiple exposures, put
the lens cap on the lens, advance the film, and
shoot a blank fram e to avoid overlapping.
NOTE: You can make as many multiple exposure
as you like by repeating the above procedure. With
each exposure on the same frame, the possibility
of slippage is increased.
20
with a slow,
SETTING THE SELF-TIMER
Rotate the self-timer lever counter-clockwise
so that the shutter can be released after an
elapse of delay time between 4 sec. to 12 sec.
according to the lever setting as shown above.
You may set the self-timer lever either before
or after advancing the film.
Turn the start lever clockwise to the vertical
position to activate the self-timer lever. The
shutter will then be released after the preset
time.
Stopping the Self-timer
To stop the self-timer during its operation, turn
the start lever coun ter-cloc kwise. If you turn the
start lever clockwise again, th e self-timer can re-
sume its action.
NOTE: After setting the lever, you can release
the
shutter
by
the
the
film.
pressing
film
NOTE: If you do not reset the self-timer, the
timer lever will begin moving immediately after
advancing
ed earlier than expected. If the film has not been
advanced fully, the timer lever will stop half-way.
To re-activate the timer, move the start lever
counter-clockwise to stop the timer lever, return
the timer lever to the starting position, and ad-
vance
and the
Then,
the
turn
shutter
shutter
the
release
will
start
lever
21
be
button.
releas-
again.
EXPOSURE COMPENSATION
After compensation
Before compen-
sation
When the most im-
portant area of the picture is much darker than
the general picture area (blue sky, snowfield,
etc.), the meter will have a tendency to read the
brightest part of the picture leaving the main subject under-exposed. Alternatively, when taking a
picture of a bright subject against a dark background the meter tends to read the darkest part
After compensation
Before compen-
sation
leaving the main subject over-exposed. In these
situations, proper exposure compensation helps
you take fine pictures.
NOTE: With backlighting or sidelighting it's al way s a good idea to use a lens hood to eliminate
unwanted glare.
22
EXPOSURE COMPENSATION FO R AUTOMATIC MEASUREMENT
If you wish to change the exposure setting auto-
matically selected by the camera, use the exposure
compensation dial and a compensation marker
appears in the viewfinder.
Whe n the main subject is much darker than the
general background or when strong light strikes
the subject from behind or from the side, turn
the dial t o the ( + ) side.
Turn the camera to the subject so that the subject
fills most of the viewfinder, or move the camera
toward the subject. After reading the shutter
speed, return to the original position and rotate
the compensation dial until the meter needle
points at the read-out speed in the finder.
NOTE:
In
the compensation dial to the + 1 side.
such a case
it is
recommended
to
turn
When taking a picture of a bright subject against
a dark background (spotlightng, deep shadows,
etc.), turn the compensation dial to the (—) side.
Move forward until the subject fills as much of
the viewfinder as possible, (with a zoom lens, you
may be able to do this by zooming in on the subject without chaning your positions). After
noting the shutter speed indicated by the meter
needle, return to your original position, recompose
the picture, and turn the compensation dial until
the shutter speed needle indicates the speed obtained from your close-up meter reading.
23
EXPOSURE COMPENSATION FOR MANUAL MEASUREMENT
1 Stop Over
Manual exposure can be compensated by adjust-
ing the F stop or shutter speed. The exposure
needle indicates over-exposure at the (+) side, or
under-exposure at the (—) side.
Dark subject in bright backlighting
When the most important area of the picture is
much darker than the general picture area (strong
light hitting the main subject from behind or from
the side) the meter will have a tendency to read
the brightest part of the picture leaving the main
subject under-exposed. To compensate for this,
move forward until the subject fills most of the
viewfinder picture area and set the F stop/shutter
speed combination which centers the meter needle
between the index marks. Return to your original
1/2 Stop Over
Correct Exposure
1/2 Stop Under
position and take the picture without changing
this F stop/shutter speed combination even though
the needle is not centered.
NOTE: Over-exposure by + 1 stop renders a good
result in such a case.
Bright subject in dar k background
As previously mentioned, fill the viewfinder pic-
ture
area
with
the
and set correct light measurement. Return to yo ur
subject
1 Sto p Under
as
much
as
possible,
original position and expose for fine pictures.
CAUTION: After taking a picture using the com-
pensation dial, be sure to return the dial to the
normal setting
24
DEPTH OF FIELD
F1 6 , 1/1 5 sec.
F2, 1/1000 sec.
Depth of fi eld is the a rea of acceptable sharpness
in front of and behind the subject in focus. As
you get closer to your subject or as you open your
lens (e.g. from F16 to F2.8) the depth of field
becomes shallower. By stopping your lens down
(e.g. from F2.8 to F16) or getting farther away
from your subject this depth of field can be increased.
The table below shows that when the camera-
to-subject distance is 3m, the depth of field at
F16 ranges from 1.93m t o 6.93m.
As you
press
the
preview
button,
the viewfinder, you can ascertain the actual depth
of field.
Depth of Field Table (F1.8 & F1.450mm Lenses)
Circle of least confusion 1 /30mm
25
looking
through
DEPTH OF FIELD SCALE
PREVIEW BUTTON
The double series of numbers engraved on the
depth of field scale represents F stops: F4, F8,
and F16. Once you have focused on your subject,
all objects within the distance range indicated
on the lens distance scale between the marks for
the F stop yo u have selected will have acceptable
sharpness. For example, in the above picture, t he
camera-to-subject distance is 3m (10ft.) and the
lens is set at F16. If you read the distance scale
at the points opposite the engraved "16" on both
sides of the refere nce dot, you will find that the
depth of field is from 1.9m ( 6f t. ) to 7m (23ft.).
When you wish to see which objects fall within
the acceptable zone of sharpness (depth of field),
press the preview button on your lens. The diaphragm of the lens wil l stop down to the preset
F stop enabling yo u to see the depth of f iel d in
the viewfinder.
CAUTION: If you jerk the preview button while
depressing the shutter release button halfway
down the shutter might be released.
26
INFRARED PHOTOGRAPHY
CAMERA BACK REPLACEMENT
The OLYMPUS OM System Lenses ar e provided
with an infrared index mark engraved in red on
the depth of field scale.
When
shooting
on your subject without the red filter on and read
the subject distance on the distance scales. Then,
turn the focusing ring to th e right until th e distance reading is opposite the infrared index mark.
Your
lens
frared photography. Shoot with the red filter on.
In the above picture, the red index is set at infinity.
CAUTION: Due to special light gathering requirements of infrared films, it is recommended that
you follow the film manufacturer's recommendations regarding exposure.
will
with
then
infrared
be in
film,
focus
focus
for
normally
average
in-
The camera back of the OM-2 is fully interchanbe-
able with th e Recordata Back 2, 3 and 250 Film
Back 1. To remove the camera back, push down
on the release pin a s shown. Do not remove the
back unless necessary.
The Recordata Back 2, 3 registers data such as
date, number, alphabetical code, etc. directly on
the picture.
The 250 Film Back 1 is designed for winder or
motor drive shooting; it accepts a bulk loaded
magazine of 250 frames.
27
INTERCHANGEABLE FOCUSING SCREENS
The OM System interchangeable focusing screens
provide
you
with
the
tility.
Optional
ly every picture-taking situation. The focusing
screens come with a special tool. To remove the
focusing screen:
a) Detach the camera lens from the camera body.
b) Use the special tool provided to push up on
the release catch underneath the top ledge of
the mirror box (see the photo above). This
allows the screen and screen frame to drop
down.
c) Remove the screen from inside t h e camera by
gripping th e ti p of the screen wi th the tool as
shown.
screens
ultimate
are
in
available
focusing
to
suit
versa-
virtual-
CAUTION: Although the above procedure can be
done with fingers, it is recommended that you
use the special tool supplied. Changing focusing
screens is a procedure to be exercised with great
care. Trying to change a screen with your fingers
can result in fingerprints and costly damage to
the surface of the screen, the prism, or the mirror.
Should this occur, cleaning or repair MUST be
handled by an authorized service center. Such
damage is not covered by the product warranty.
d) To install the screen, fit it into the frame and
push the frame upward gently until it clicks
into place. Gently shake the camera body to
make sure the screen is held securely in place.
28
FLASH PHOTOGRAPHY W ITH THE T32(or T20) ELECTRONIC FLASH
Electronic Flash T32
T32 calculator panel (blank side for TTL "OTF" Auto flash)
Electronic Flash T20
The T32 and T20 are the world's first fully automatic electronic flash units. Al l their functions are
controlled directly by the OM-2 to perform ex-
tremely easy, yet highly accurate flash exposures.
(See pp. 61~69 for further information on flash
units.)
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+ 71 hidden pages
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