Marantz 6400 Service Manual

Service
SR5400 / SR6400 /
K1G/N1B/U1B
/K1S/N1S/L1G
K1G/K1S/U1B
Manual
SELECT
STANDBY
POWER ON/OFF
REMARK :
1. Refer to service manual (part no. 27AW855020) for the parts list of model SR5400/L1G.
2. Refer to service manual (part no. 28AW855010) for the parts list of model SR6400/K1G/K1S/U1B.
SELECTOR
AV SURROUND RECEIVER SR6400
ENTER
PHONES
DISP AUT O TUNED ST V – OFF NIGHT PEAK ANALOG
SURR
SLEEP
DIRECT DISC 6.1 MTX 6.1 SPKR AB EQ
AUTO
MEMORY
CLEAR
VCR1
TV
DVD
AV Surround Receiver
PS5400 /
F1N
AV Surround Amplifi er
VOLUME
SURROUND
ATT
DIGITAL
DIGITAL
LCR
LFE
PCM
S-DIRECT DISPLAY
CD-R
SL S SR
MODE
F/P
CD
TAPE
TUNING
A/D6.1CH INPUTSPEAKERS A/B
DSS/VCR2
AUX
DOWN
TUNER
MUTE
S-VIDEO VIDEO L AUDIO R
UP
ATT
AUX INPUT
PS5400
SR5400 / SR6400
SECTION PA GE
1. TECHNICAL SPECIFICATIONS ............................................................................ 1
2. TECHNICAL DESCRIPTION................................................................................. 3
3. WIRING DIAGRAM................................................................................................ 5
4. BLOCK DIAGRAM................................................................................................. 7
5. SCHEMATIC DIAGRAM ........................................................................................ 9
6. PARTS LOCATION .............................................................................................. 31
7. IC DATA................................................................................................................ 43
8. EXPLODED VIEW AND PARTS LIST ................................................................. 55
9. POWER AMPLIFIER ADJUSTMENT .................................................................. 59
10. SERVICE PROCEDURE ..................................................................................... 60
11. SYSTEM ERROR ................................................................................................ 60
12. ELECTRICAL PARTS LIST ................................................................................. 62
Please use this service manual with referring to the user guide ( D.F.U. ) without fail.
SR5400 / SR6400 / PS5400
Part no. 27AW855010 First Issue 2003.06
ecm
MARANTZ DESIGN AND SERVICE
Using superior design and selected high grade components, Only original
MARANTZ
parts can insure that your
MARANTZ
MARANTZ
product will continue to perform to the specifi cations for which
company has created the ultimate in stereo sound.
it is famous. Parts for your
MARANTZ
ORDERING PARTS :
equipment are generally available to our National Marantz Subsidiary or Agent.
Parts can be ordered either by mail or by Fax.. In both cases, the correct part number has to be specifi ed. The following information must be supplied to eliminate delays in processing your order :
1. Complete address
2. Complete part numbers and quantities required
3. Description of parts
4. Model number for which part is required
5. Way of shipment
6. Signature : any order form or Fax. must be signed, otherwise such part order will be considered as null and void.
USA
MARANTZ AMERICA, INC
1100 MAPLEWOOD DRIVE ITASCA, IL. 60143 USA PHONE : 630 - 741 - 0300 FAX : 630 - 741 - 0301
AMERICAS
SUPERSCOPE TECHNOLOGIES, INC.
MARANTZ PROFESSIONAL PRODUCTS 2640 WHITE OAK CIRCLE, SUITE A AURORA, ILLINOIS 60504 USA PHONE : 630 - 820 - 4800 FAX : 630 - 820 - 8103
EUROPE / TRADING
MARANTZ EUROPE B.V.
P. O. BOX 8744, BUILDING SILVERPOINT BEEMDSTRAAT 11, 5653 MA EINDHOVEN THE NETHERLANDS PHONE : +31 - 40 - 2507844 FAX : +31 - 40 - 2507860
AUSTRALIA
TECHNICAL AUDIO GROUP PTY, LTD
43-53 Bridge Rd., STANMORE NSW 2048 AUSTRALIA PHONE : +61 - (0)2 - 9519 - 0900 FAX : +61 - (0)2 - 9519 - 0600
CANADA
LENBROOK INDUSTRIES LIMITED
633 GRANITE COURT, PICKERING, ONTARIO L1W 3K1 CANADA PHONE : 905 - 831 - 6333 FAX : 905 - 831 - 6936
HONG KONG
Jolly ProAudio Broadcast Engineering Ltd.
UNIT 2, 10F, WAH HUNG CENTRE,
41 HUNG TO ROAD, KWUN TONG, KLN., HONG KONG PHONE : 852 - 21913660 FAX : 852 - 21913990
AUSTRALIA
QualiFi Pty Ltd,
24 LIONEL ROAD, MT. WAVERLEY VIC 3149 AUSTRALIA PHONE : +61 - (0)3 - 9543 - 1522 FAX : +61 - (0)3 - 9543 - 3677
NEW ZEALAND
WILDASH AUDIO SYSTEMS NZ
14 MALVERN ROAD MT ALBERT AUCKLAND NEW ZEALAND PHONE : +64 - 9 - 8451958 FAX : +64 - 9 - 8463554
JAPAN
MARANTZ JAPAN, INC.
35- 1, 7- CHOME, SAGAMIONO SAGAMIHARA - SHI, KANAGAWA JAPAN 228-8505 PHONE : +81 42 748 1013 FAX : +81 42 741 9190
Technical
THAILAND
MRZ STANDARD CO., LTD
746 - 754 MAHACHAI ROAD., WANGBURAPAPIROM, PHRANAKORN, BANGKOK, 10200 THAILAND PHONE : +66 - 2 - 222 9181 FAX : +66 - 2 - 224 6795
TAIWAN
PAI- YUING CO., LTD.
6 TH FL NO, 148 SUNG KIANG ROAD, TAIPEI, 10429, TAIWAN R.O.C. PHONE : +886 - 2 - 25221304 FAX : +886 - 2 - 25630415
SHOCK, FIRE HAZARD SERVICE TEST :
SINGAPORE
WO KEE HONG DISTRIBUTION PTE LTD
130 JOO SENG ROAD #03-02 OLIVINE BUILDING SINGAPORE 368357 PHONE : +65 6858 5535 / +65 6381 8621 FAX : +65 6858 6078
MALAYSIA
WO KEE HONG ELECTRONICS SDN. BHD.
2ND FLOOR BANGUNAN INFINITE CENTRE LOT 1, JALAN 13/6, 46200 PETALING JAYA SELANGOR DARUL EHSAN, MALAYSIA PHONE : +60 - 3 - 7954 8088 FAX : +60 - 3 - 7954 7088
KOREA
MK ENTERPRISES LTD.
ROOM 604/605, ELECTRO-OFFICETEL, 16-58, 3GA, HANGANG-RO, YONGSAN-KU, SEOUL KOREA PHONE : +822 - 3232 - 155 FAX : +822 - 3232 - 154
CAUTION : After servicing this appliance and prior to returning to customer, measure the resistance between either primary AC cord connector pins ( with unit NOT connected to AC mains and its Power switch ON ), and the face or Front Panel of product and controls and chassis bottom. Any resistance measurement less than 1 Megohms should cause unit to be repaired or corrected before AC power is applied, and verifi ed before it is return to the user/customer. Ref. UL Standard No. 1492.
In case of diffi culties, do not hesitate to contact the Technical Department at above mentioned address.
030307MIT
1. TECHNICAL SPECIFICATIONS
FM TUNER SECTION
Frequency Range.............................................87.5 - 108.0 MHz
Usable Sensitivity ...................................... IHF 1.6 µV/15.35 dBf
Signal to Noise Ratio............................... Mono/Stereo 73/64 dB
Distortion.................................................Mono/Stereo 0.6/0.7 %
Stereo Separation ....................................................1 kHz 33 dB
Alternate Channel Selectivity ............................± 300 kHz 60 dB
Image Rejection ....................................................98 MHz 70 dB
Tuner Output Level ....................... 1 kHz, ± 75 kHz Dev 850 mV
AM TUNER SECTION
Frequency Range................................... 531 - 1602 kHz [/K/N/L]
.......................................... 520 - 1710 kHz [U]
Signal to Noise Ratio.......................................................... 41 dB
Usable Sensitivity..................................................... Loop 560µV
Distortion............................................... 1 kHz, 30 % Mod. 1.0 %
Selectivity............................................................± 10 kHz 25 dB
AUDIO SECTION [SR5400/PS5400]
Power Output (20 Hz - 20 kHz/THD=0.08%)
Front L&R........................................................8 ohms 90 W / Ch
Center .............................................................8 ohms 90 W / Ch
Surround L&R .................................................8 ohms 90 W / Ch
Surround Back ................................................8 ohms 90 W / Ch
Front L&R......................................................6 ohms 110 W / Ch
Center ...........................................................6 ohms 110 W / Ch
Surround L&R ...............................................6 ohms 110 W / Ch
Surround Back ..............................................6 ohms 110 W / Ch
Input Sensitivity/Impedance .......................... 200 mV/ 47 kohms
Signal to Noise Ratio(Analog Input / Source Direct) .............100 dB
Frequency Response (Analog Input / Source Direct)
.........................................................8 Hz - 100 kHz (± 3 dB)
(Digital Input / 96 kHz PCM).......... 8 Hz - 45 kHz (± 3 dB)
AUDIO SECTION [SR6400]
Power Output (20 Hz - 20 kHz/THD=0.08%)
Front L&R......................................................8 ohms 100 W / Ch
Center ...........................................................8 ohms 100 W / Ch
Surround L&R ...............................................8 ohms 100 W / Ch
Surround Back ..............................................8 ohms 100 W / Ch
Front L&R......................................................6 ohms 125 W / Ch
Center ...........................................................6 ohms 125 W / Ch
Surround L&R ...............................................6 ohms 125 W / Ch
Surround Back ..............................................6 ohms 125 W / Ch
Input Sensitivity/Impedance ........................... 168mV/ 47 kohms
Signal to Noise Ratio(Analog Input / Source Direct) .............105 dB
Frequency Response (Analog Input / Source Direct)
.........................................................8 Hz - 100 kHz (± 3 dB)
(Digital Input / 96 kHz PCM).......... 8 Hz - 45 kHz (± 3 dB)
VIDEO
Television Format ....................................................... NTSC/PAL
Input Level/Impedance....................................... 1 Vp-p/75 ohms
Output Level/Impedance.................................... 1 Vp-p/75 ohms
Video Frequency Response ....................5 Hz to 8 MHz (- 1 dB)
S/N ..................................................................................... 60 dB
GENERAL
Power Requirement.................................AC 100 V 50/60 Hz [/F]
...............................................................AC 220 V 50 Hz [/K]
...............................................................AC 110 V 60 Hz [/L]
.............................................................. AC 230 V 50 Hz [/N]
.............................................................. AC 120 V 60 Hz [/U]
Power Consumption ............................ 400 W [SR5400/PS5400]
.................................................................... 420 W [SR6400]
Weight ............................................................................12.5 Kg
ACCESSORIES
Remote Control Unit RC5400SR .................1 [SR5400/PS5400]
AAA-size batteries....................................... 2 [SR6400/PS5400]
Remote Control Unit RC7300SRa ............................ 1 [SR6400]
AA-size batteries...................................................... 2 [SR6400]
FM Antenna............................................................................... 1
AM Loop Antenna ..................................................................... 1
1
The relation between the selected surround mode and the input signal
The surround mode is selected with the surround mode buttons on SR5400/SR6400/PS5400 or the remote control unit. However, the sound you hear is subject to the relationship between the selected surround mode and input signal. That relationship is as follows;
Surround Mode Input Signal Decoding
AUTO Dolby Surr. EX Dolby Digital EX
S-DIRECT Dolby D Surr. EX Dolby Digital EX
EX/ES Dolby D Surr. EX Dolby Digital EX
DOLBY Dolby D Surr. EX Dolby Digital 5.1 (PL
II
movie) Dolby D (5.1ch) Dolby Digital 5.1
(PL
II
music) Dolby D (2ch) Pro Logic
(Pro Logic) Dolby D (2ch Surr) Pro Logic
DTS DTS-ES DTS 5.1 (Neo:6 Cinema) DTS 96/24 DTS 96/24 (Neo:6 Music) DTS (5.1ch) DTS 5.1
CSII Cinema PCM (Audio) CS CSII Music Analog CS CS
II
Mono Dolby D (2ch) CS
STEREO Dolby Surr. EX Stereo
Virtual Dolby Surr. EX Virtual
Multi Ch. Dolby Surr. EX Dolby Digital EX Stereo Dolby D (5.1ch) Dolby Digital 5.1
Dolby D (5.1ch) Dolby Digital 5.1 Dolby D(2ch) Dolby Digital 2.0 Dolby D (2ch Surr) Pro Logic II movie DTS-ES DTS-ES DTS 96/24 DTS 96/24 DTS (5.1ch) DTS 5.1 PCM(Audio) PCM (Stereo) PCM 96kHz PCM (96kHz Stereo)O-- --PCM L, R Analog Stereo
Dolby D (5.1ch) Dolby Digital 5.1 Dolby D (2ch) Dolby Digital 2.0 Dolby D (2ch Surr) Pro Logic DTS-ES DTS-ES DTS 96/24 DTS 96/24 DTS (5.1ch) DTS 5.1 PCM (Audio) PCM (Stereo) PCM 96kHz PCM (96kHz Stereo)O-- --PCM L, R Analog Stereo
Dolby D (5.1ch) Dolby Digital EX DTS-ES DTS-ES DTS(5.1ch) DTS-ES
PCM (Audio) Pro Logic Analog Pro Logic
PCM (Audio) Neo:6 Analog Neo:6 Dolby D (2ch) Neo:6 Dolby D (2ch Surr) Neo:6
Dolby D (2ch Surr) CS
Dolby D (5.1ch) Stereo Dolby D (2ch) Stereo Dolby D (2ch Surr) Stereo DTS-ES Stereo DTS 96/24 Stereo DTS (5.1ch) Stereo PCM (Audio) Stereo PCM 96kHz Stereo Analog Stereo
Dolby D (5.1ch) Virtual Dolby D (2ch) Virtual Dolby D (2ch Surr) Virtual DTS-ES Virtual DTS (5.1ch) Virtual PCM (Audio) Virtual Analog Virtual
Dolby D (2ch) Multi Channel Stereo Dolby D (2ch Surr) Multi Channel Stereo DTS-ES DTS-ES DTS (5.1ch) DTS 5.1 PCM (Audio) Multi Channel Stereo Analog Multi Channel Stereo
II
movie
II II II II
II II II II
Output Channel Front information display
SubW
L/R CSLSB
SR OOOOO2 DIGITAL L, C, R, SL, SR, S, LFE OOO-O2 DIGITAL L, C, R, SL,S R, LFE O
-- --2 DIGITAL L, R OOO OOOOO OOO-O OOO-O O
-- --PCM L, R
O
- - - - ANALOG ­OOOOO2 DIGITAL L, C, R, SL, SR, S, LFE OOO-O2 DIGITAL L, C, R, SL, SR, LFE O
-- --2 DIGITAL L, R OOO OOOOO OOO-O OOO-O O
-- --PCM L, R
O
- - - - ANALOG ­OOOOO2 DIGITAL L, C, R, SL, SR, S, LFE OOOOO2 DIGITAL L, C, R, SL, SR, LFE OOOOO OOOOO OOO-O2 DIGITAL L, C, R, SL, SR, S, LFE OOO-O2 DIGITAL L, C, R, SL, SR, LFE OOO OOO OOO OOO OOO-O OOO-O OOO-O OOOO OOOO OOOO-2 OOOO-2 OOOOO OOOOO OOOOO2 DIGITAL L, R OOOOO2 DIGITAL , 2 SURROUND L, R, S O
-- -O2 O
-- -O2 O
-- --2 DIGITAL L, R O
-- --2DIGITAL , 2 SURROUND L, R, S O
-- -Odts , ES L, C, R, SL, SR, S, LFE O
-- -Odts 96/24 L, C, R, SL, SR, LFE O
-- -Odts L, C, R, SL, SR, LFE O
-- --PCM L, R O
-- --PCM L, R O
- - - - ANALOG ­O
-- --2 DIGITAL L, C, R, SL, SR, S, LFE O
-- --2 DIGITAL L, C, R, SL, SR, LFE O
-- --2 DIGITAL L, R O
-- --2 DIGITAL , 2 SURROUND L, R, S O
- - - - dts , ES L, C, R, SL, SR, S, LFE O
- - - - dts L, C, R, SL, SR, LFE O
-- --PCM L, R O
- - - - ANALOG ­OOOOO2 DIGITAL L, C, R, SL, SR, S, LFE OOO-O2 DIGITAL L, C, R, SL, SR, LFE OOOO-2 OOOO-2 OOOOO OOO-O OOOO OOOO
Signal format indicators Channel status
--2 DIGITAL , 2 SURROUND L, R, S dts , ES L, C, R, SL, SR, S, LFE dts 96/24 L, C, R, SL, SR, LFE dts L, C, R, SL, SR, LFE
--2 DIGITAL , 2 SURROUND L, , R, S dts , ES L, C, R, SL, SR, S, LFE dts 96/24 L, C, R, SL, SR, LFE dts L, C, R, SL, SR, LFE
dts , ES L, C, R, SL, SR, S, LFE dts L, C, R, SL, SR, LFE
--2 DIGITAL L, R
--2 DIGITAL , 2 SURROUND L, R, S
- - PCM L, R
- - ANALOG ­dts , ES L, C, R, SL, SR, S, LFE dts 96/24 L, C, R, SL, SR, LFE dts L, C, R, SL, SR, LFE
- PCM L, R
- ANALOG ­ DIGITAL L, R DIGITAL , 2 SURROUND L, R, S
PCM L, R ANALOG -
DIGITAL L, C, R, SL, SR, S, LFE DIGITAL L, C, R, SL, SR, LFE
DIGITAL L, R DIGITAL , 2 SURROUND L, R, S
dts , ES L, C, R, SL, SR, S, LFE dts L, C, R, SL, SR, LFE
- PCM L, R
- ANALOG -
Note:
• Dolby Digital (2 ch: Lt/Rt): signal with Dolby Surround flag Speakers are full set.
• No sound outputs from the surround speaker, center speaker and subwoofer if the DVD disc has no surround data.
Abbrevations
L/R : Front speakers
C : Center speaker
SL/SR : Surround speakers
SB : Surround Back speaker
SubW : Sub woofer speaker
2
2. TECHNICAL DESCRIPTION
The advantages of discrete multichannel systems over matrix are well known. But even in homes equipped for discrete multichannel, there remains a need for high-quality matrix decoding. This is because of the large library of matrix surround motion pictures available on disc and on VHS tape; and analog television broadcasts. The typical matrix decoder of today derives a center channel and a mono surround channel from two-channel matrix stereo material. It is better than a simple matrix in that it includes steering logic to improve separation, but because of its mono, band-limited surround it can be disappointing to users accustomed to discrete multichan­nel. Neo 6 offers several important improvements as follow, . Neo 6 provides up to six full-band channels of matrix decoding from stereo matrix material. Users with 6.1 and 5.1 systems will derive six and five separate channels, respectively, corresponding to the standard home-theater speaker layouts. . Neo 6 technology allows various sound elements within a channel or channels to be steered separately, and in a way which follows naturally from the original presentation. . Neo 6 offers a music mode to expand stereo nonmatrix recordings into the five- or six-channel layout, in a way which does not diminish the subtlety and integrity of the original stereo recording.
DTS-ES Extended Surround is a new multi-channel digital signal format developed by Digital Theater Systems Inc. While offering high compatibility with the conventional DTS Digital Surround format, DTSES Extended Surround greatly improves the 360-degree sur­round impression and space expression thanks to further expanded surround signals. This format has been used professionally in movie theaters since 1999. In addition to the 5.1 surround channels (FL, FR, C, SL, SR and LFE), DTS-ES Extended Surround also offers the SB (Surround Back) channel for surround playback with a total of 6.1 channels. DTS-ES Extended Surround includes two signal formats with differ­ent surround signal recording methods, as DTS-ES Discrete 6.1 and DTSES Matrix 6.1. “DTS”, “DTS-ES Extended Surround” and “Neo:6” are trademarks of Digital Theater Systems, Inc.
The stereo CD is a 16-bit medium with sampling at 44.1 kHz. Pro­fessional audio has been 20- or 24-bit for some time, and there is increasing interest in higher sampling rates both for recording and for delivery into the home. Greater bit depths provide extended dynamic range. Higher sampling rates allow wider frequency response and the use of anti-alias and reconstruction filters with more favorable aural characteristics. DTS 96/24 allows for 5.1channel sound tracks to be encoded at a rate of 96kHz/24bits on DVD-Video titles. When DVD-video appeared, it became possible to deliver 24-bit, 96 kHz audio into the home, but only in two channels, and with serious limitations on picture. This capability has had little use. DVD-audio allows 96/24 in six channels, but a new player is needed, and only analog outputs are provided, necessitating the use of the D/A converters and analog electronics provided in the player. DTS 96/24 offers the following:
1.Sound quality transparent to the original 96/24 master.
2.Full backward compatibility with all existing decoders. (Existing decoders will output a 48 kHz signal)
3.No new player required: DTS 96/24 can be carried on DVD-video, or in the video zone of DVD-audio, accessible to all DVD players.
4.96/24 5.1-channel sound with full-quality full-motion video, for music programs and motion picture soundtracks on DVD-video.
Dolby Digital identifies the use of Dolby Digital audio coding for such consumer formats as DVD and DTV. As with film sound, Dolby Digital can provide up to five full-range channels for left, center, and right screen channels, independent left and right surround channels, and a sixth ( “.1”) channel for low-frequency effects. Dolby Surround Pro Logic II is an improved matrix decoding tech­nology that provides better spatiality and directionality on Dolby Sur­round program material; provides a convincing three-dimensional soundfield on conventional stereo music recordings; and is ideally suited to bring the surround experience to automotive sound. While conventional surround programming is fully compatible with Dolby Surround Pro Logic II decoders, soundtracks will be able to be encoded specifically to take full advantage of Pro Logic II playback, including separate left and right surround channels. (Such material is also compatible with conventional Pro Logic decoders.) Dolby Digital EX creates six full-bandwidth output channels from
5.1- channel sources. This is done using a matrix decoder that derives three surround channels from the two in the original record­ing. For best results, Dolby Digital EX should be used with movies soundtracks recorded with Dolby Digital Surround EX. Manufactured under license from Dolby Laboratories. “Dolby”, “Pro Logic”, and the double-D symbol are trademarks of Dolby Laborato­ries.
Circle Surround II (CS-II) is a powerful and versatile multi channel technology. CS-II is designed to enable up to 6.1 multi channel sur­round sound playback from mono, stereo, CS encoded sources and other matrix encoded sources. In all cases the decoder extends it into 6 channels of surround audio and a LFE/subwoofer signal. The CS-II decoder creates a listening environment that places the listener “inside” music performances and dramatically improves both hi-fi audio conventional surround-encoded video material. CS-II provides composite stereo rear channels to greatly improve separa­tion and image positioning adding a heightened sense of realism to both audio and A/V productions. CS-II is packed with other useful feature like dialog clarity (SRS Dialog) for movies and cinema-like bass enrichment (TruBass). CS-II can enable the dialog to become clearer and more discern­able in movies and it enables the bass frequencies contained in the original programming to more closely achieve low frequencies overcoming the low frequency limitations of the speakers by full octave. Circle Surround II, Dialog Clarity, TruBass, SRS and symbol are trademarks of SRS Labs, Inc. SRS Circle Surround II, SRS Dialog and SRS TruBass technology are incorporated under license from SRS Labs, Inc.
3
Note :
4
3. WIRING DIAGRAM
7.92 mm
7.92 mm
2.5 mm
3.96 mm
BN68-1 : FL BN68-2 : SL BN68-3 : RL BN68-4 : SR BN68-5 : C BN68-6 : SB
SR6400 only
SR5400/6400 only
PS5400 only
2.5 mm
2.5 mm
CN41
BN21
CN12
CN37
2.5 mm
7.92 mm
2.5 mm
5 6
4. BLOCK DIAGRAM
SR5400/6400 only
SR6400 only
PS5400 only
SR5400/6400 only
87
5. SCHEMATIC DIAGRAM INPUT PCB -1/4
INPUT PCB
-3/4
INPUT PCB
-2/4
9 10
INPUT PCB
-1/4
INPUT PCB -2/4
INPUT PCB
-1/4
SR5400/6400 only
PS5400 only
1211
INPUT PCB
-1/4
INPUT PCB -3/4
13 14
INPUT PCB
-4/4
INPUT PCB -4/4
INPUT PCB 3/4
DSP PCB -1/2
DSP PCB
-1/2
INPUT
INPUT
1615
DSP PCB -2/2
DSP PCB -1/2
TO CNT
17 18
VIDEO PCB
2019
ENCODER PCB
BN14
FRONT PCB
H/P PCB
PUSH S/W PCB
INLET PCB
BN17
BN88BN92
BN11
BN12
21 22
TO INPUT B'D
AMP PCB -1/2
AMP PCB -2/2
CN73
TO POWER B'D
TO POWER B'D
AMP PCB -2/2
TO POWER B'D
2423
AMP PCB
-1/2
TO INPUT B'D
AMP PCB -2/2
COMPONET PCB
TO VIDEO B'D
BN41
AMP PCB
-1/2
ST-BY PCB
FROM MAINS CORD
SR6400 only
RS232C PCB
25 26
FROM AMP B'D
FROM MAIN TRANS
POWER PCB
TO AMP B'D
FROM AMP B'D
FROM / TO ST-BY B'D
FROM FRONT B'D
FROM MAIN TRANS
FROM H/P B'D
FROM / TO POWER B'D
FROM INPUT B'D
2827
DSP PCB -2/2
CN38
INPUT B'D
CN26
CN36
N only
CN37 17P
INPUT B'D
CN34 15P
29 30
6. PARTS LOCATION
RS232C [SR6400 only]
IC91
IC91
DSP A
IC101 - IC103 IC14 IC15
IC11 IC12
IC13 IC17 IC18 IC19 IC22 IC26 IC27
Q105 Q106 Q1 IC31 IC32
QC12 QC11
QC10 IC21 IC30
IC23
IC28 IC29
IC24 IC25
ENCODER & TACT
Q802
3231
DSP B
IC20
IC16
ST-BY
IC84
IC85
Q804 Q805
33 34
FRONT
IC81 IC83
H/P
PUSH S/W
INLET
TUNER [PS5400 only]
3635
AMP
Q620 Q622 Q619 Q621 Q520 Q522 Q519 Q521 Q420 Q422 Q419 Q421
Q624
Q616 Q608 Q614 Q610 Q612 Q618
CNT
Q615 Q607 Q613 Q609 Q611 Q617 Q516 Q208 Q214 Q510 Q512 Q515 Q207 Q213 Q509 Q511 Q517 Q416 Q408 Q114 Q410 Q412 Q418 Q415 Q407 Q413 Q409 Q411 Q417 Q701
Q504 Q506 Q518 IC51 Q503 Q505Q604 Q606 IC61 Q603 Q605
COMPONENT
IC12
Q404 Q406 IC41 Q403 Q405 Q704
Q703Q424 Q423Q523Q524Q623
IC71
IC11
37 38
INPUT
IC38 IC21 IC23
IC22 IC32 IC33
IC28 IC29 IC30 IC31 IC27 IC26
Q215 -Q219 Q220 - 226
IC25 IC36 IC37 Q205 - Q207 Q212 - Q214 IC24 IC34 IC35 Q201 - Q204 Q208 - Q211
4039
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