6. PARTS LOCATION .............................................................................................. 31
7. IC DATA................................................................................................................ 43
8. EXPLODED VIEW AND PARTS LIST ................................................................. 55
9. POWER AMPLIFIER ADJUSTMENT .................................................................. 59
10. SERVICE PROCEDURE ..................................................................................... 60
11. SYSTEM ERROR ................................................................................................ 60
12. ELECTRICAL PARTS LIST ................................................................................. 62
Please use this service manual with referring to the user guide ( D.F.U. ) without fail.
SR5400 / SR6400 / PS5400
Part no. 27AW855010
First Issue 2003.06
ecm
MARANTZ DESIGN AND SERVICE
Using superior design and selected high grade components,
Only original
MARANTZ
parts can insure that your
MARANTZ
MARANTZ
product will continue to perform to the specifi cations for which
company has created the ultimate in stereo sound.
it is famous.
Parts for your
MARANTZ
ORDERING PARTS :
equipment are generally available to our National Marantz Subsidiary or Agent.
Parts can be ordered either by mail or by Fax.. In both cases, the correct part number has to be specifi ed.
The following information must be supplied to eliminate delays in processing your order :
1. Complete address
2. Complete part numbers and quantities required
3. Description of parts
4. Model number for which part is required
5. Way of shipment
6. Signature : any order form or Fax. must be signed, otherwise such part order will be considered as null and void.
CAUTION : After servicing this appliance and prior to returning to customer, measure the resistance between either primary AC
cord connector pins ( with unit NOT connected to AC mains and its Power switch ON ), and the face or Front Panel of product and
controls and chassis bottom.
Any resistance measurement less than 1 Megohms should cause unit to be repaired or corrected before AC power is applied, and
verifi ed before it is return to the user/customer.
Ref. UL Standard No. 1492.
In case of diffi culties, do not hesitate to contact the Technical
Department at above mentioned address.
030307MIT
1. TECHNICAL SPECIFICATIONS
FM TUNER SECTION
Frequency Range.............................................87.5 - 108.0 MHz
FM Antenna............................................................................... 1
AM Loop Antenna ..................................................................... 1
1
The relation between the selected surround mode and the input signal
The surround mode is selected with the surround mode buttons on SR5400/SR6400/PS5400 or the remote control unit.
However, the sound you hear is subject to the relationship between the selected surround mode and input signal. That
relationship is as follows;
Multi Ch.Dolby Surr. EXDolby Digital EX
StereoDolby D (5.1ch)Dolby Digital 5.1
Dolby D (5.1ch)Dolby Digital 5.1
Dolby D(2ch)Dolby Digital 2.0
Dolby D (2ch Surr)Pro Logic II movie
DTS-ESDTS-ES
DTS 96/24DTS 96/24
DTS (5.1ch)DTS 5.1
PCM(Audio)PCM (Stereo)
PCM 96kHzPCM (96kHz Stereo)O-- --PCML, R
AnalogStereo
Dolby D (5.1ch)Dolby Digital 5.1
Dolby D (2ch)Dolby Digital 2.0
Dolby D (2ch Surr)Pro Logic
DTS-ESDTS-ES
DTS 96/24DTS 96/24
DTS (5.1ch)DTS 5.1
PCM (Audio)PCM (Stereo)
PCM 96kHzPCM (96kHz Stereo)O-- --PCML, R
AnalogStereo
Dolby D (5.1ch)Dolby Digital EX
DTS-ESDTS-ES
DTS(5.1ch)DTS-ES
PCM (Audio)Pro Logic
AnalogPro Logic
PCM (Audio)Neo:6
AnalogNeo:6
Dolby D (2ch)Neo:6
Dolby D (2ch Surr)Neo:6
Dolby D (2ch Surr)CS
Dolby D (5.1ch)Stereo
Dolby D (2ch)Stereo
Dolby D (2ch Surr)Stereo
DTS-ESStereo
DTS 96/24Stereo
DTS (5.1ch)Stereo
PCM (Audio)Stereo
PCM 96kHzStereo
AnalogStereo
Dolby D (5.1ch)Virtual
Dolby D (2ch)Virtual
Dolby D (2ch Surr)Virtual
DTS-ESVirtual
DTS (5.1ch)Virtual
PCM (Audio)Virtual
AnalogVirtual
• Dolby Digital (2 ch: Lt/Rt): signal with Dolby
Surround flag Speakers are full set.
• No sound outputs from the surround speaker,
center speaker and subwoofer if the DVD disc has
no surround data.
Abbrevations
L/R : Front speakers
C : Center speaker
SL/SR : Surround speakers
SB : Surround Back speaker
SubW : Sub woofer speaker
2
2. TECHNICAL DESCRIPTION
The advantages of discrete multichannel systems over matrix are
well known.
But even in homes equipped for discrete multichannel, there
remains a need for high-quality matrix decoding. This is because of
the large library of matrix surround motion pictures available on disc
and on VHS tape; and analog television broadcasts.
The typical matrix decoder of today derives a center channel and
a mono surround channel from two-channel matrix stereo material.
It is better than a simple matrix in that it includes steering logic to
improve separation, but because of its mono, band-limited surround
it can be disappointing to users accustomed to discrete multichannel.
Neo 6 offers several important improvements as follow,
. Neo 6 provides up to six full-band channels of matrix decoding
from stereo matrix material. Users with 6.1 and 5.1 systems will
derive six and five separate channels, respectively, corresponding to
the standard home-theater speaker layouts.
. Neo 6 technology allows various sound elements within a channel
or channels to be steered separately, and in a way which follows
naturally from the original presentation.
. Neo 6 offers a music mode to expand stereo nonmatrix recordings
into the five- or six-channel layout, in a way which does not diminish
the subtlety and integrity of the original stereo recording.
DTS-ES Extended Surround is a new multi-channel digital signal
format developed by Digital Theater Systems Inc. While offering high
compatibility with the conventional DTS Digital Surround format,
DTSES Extended Surround greatly improves the 360-degree surround impression and space expression thanks to further expanded
surround signals. This format has been used professionally in movie
theaters since 1999.
In addition to the 5.1 surround channels (FL, FR, C, SL, SR and
LFE), DTS-ES Extended Surround also offers the SB (Surround
Back) channel for surround playback with a total of 6.1 channels.
DTS-ES Extended Surround includes two signal formats with different surround signal recording methods, as DTS-ES Discrete 6.1 and
DTSES Matrix 6.1.
“DTS”, “DTS-ES Extended Surround” and “Neo:6” are trademarks of
Digital Theater Systems, Inc.
The stereo CD is a 16-bit medium with sampling at 44.1 kHz. Professional audio has been 20- or 24-bit for some time, and there is
increasing interest in higher sampling rates both for recording and
for delivery into the home. Greater bit depths provide extended
dynamic range. Higher sampling rates allow wider frequency
response and the use of anti-alias and reconstruction filters with
more favorable aural characteristics.
DTS 96/24 allows for 5.1channel sound tracks to be encoded at a
rate of 96kHz/24bits on DVD-Video titles.
When DVD-video appeared, it became possible to deliver 24-bit, 96
kHz audio into the home, but only in two channels, and with serious
limitations on picture. This capability has had little use.
DVD-audio allows 96/24 in six channels, but a new player is needed,
and only analog outputs are provided, necessitating the use of the
D/A converters and analog electronics provided in the player.
DTS 96/24 offers the following:
1.Sound quality transparent to the original 96/24 master.
2.Full backward compatibility with all existing decoders. (Existing
decoders will output a 48 kHz signal)
3.No new player required: DTS 96/24 can be carried on DVD-video,
or in the video zone of DVD-audio, accessible to all DVD players.
4.96/24 5.1-channel sound with full-quality full-motion video, for
music programs and motion picture soundtracks on DVD-video.
Dolby Digital identifies the use of Dolby Digital audio coding for
such consumer formats as DVD and DTV. As with film sound, Dolby
Digital can provide up to five full-range channels for left, center, and
right screen channels, independent left and right surround channels,
and a sixth ( “.1”) channel for low-frequency effects.
Dolby Surround Pro Logic II is an improved matrix decoding technology that provides better spatiality and directionality on Dolby Surround program material; provides a convincing three-dimensional
soundfield on conventional stereo music recordings; and is ideally
suited to bring the surround experience to automotive sound. While
conventional surround programming is fully compatible with Dolby
Surround Pro Logic II decoders, soundtracks will be able to be
encoded specifically to take full advantage of Pro Logic II playback,
including separate left and right surround channels. (Such material
is also compatible with conventional Pro Logic decoders.)
Dolby Digital EX creates six full-bandwidth output channels from
5.1- channel sources. This is done using a matrix decoder that
derives three surround channels from the two in the original recording. For best results, Dolby Digital EX should be used with movies
soundtracks recorded with Dolby Digital Surround EX.
Manufactured under license from Dolby Laboratories. “Dolby”, “Pro
Logic”, and the double-D symbol are trademarks of Dolby Laboratories.
Circle Surround II (CS-II) is a powerful and versatile multi channel
technology. CS-II is designed to enable up to 6.1 multi channel surround sound playback from mono, stereo, CS encoded sources and
other matrix encoded sources. In all cases the decoder extends
it into 6 channels of surround audio and a LFE/subwoofer signal.
The CS-II decoder creates a listening environment that places the
listener “inside” music performances and dramatically improves both
hi-fi audio conventional surround-encoded video material. CS-II
provides composite stereo rear channels to greatly improve separation and image positioning adding a heightened sense of realism
to both audio and A/V productions.
CS-II is packed with other useful feature like dialog clarity (SRS
Dialog) for movies and cinema-like bass enrichment (TruBass).
CS-II can enable the dialog to become clearer and more discernable in movies and it enables the bass frequencies contained in
the original programming to more closely achieve low frequencies
overcoming the low frequency limitations of the speakers by full
octave.
Circle Surround II, Dialog Clarity, TruBass, SRS and symbol
are trademarks of SRS Labs, Inc.
SRS Circle Surround II, SRS Dialog and SRS TruBass technology
are incorporated under license from SRS Labs, Inc.
3
Note :
4
3. WIRING DIAGRAM
7.92 mm
7.92 mm
2.5 mm
3.96 mm
BN68-1 : FL
BN68-2 : SL
BN68-3 : RL
BN68-4 : SR
BN68-5 : C
BN68-6 : SB