please
ing and ope
cated,
rous operating features merits
fam il iar
recommended procedures
securing
Model
For
convenience,
parts.
second
cedure.
description
and explains some
techniques. Technical specificat ions are also included in
For
connection
Model
are
printed
maximum
the Model
study
rat
but
the
with
the
5220
The
part
The
of
this
quick
identification
5220
in
performance
5220
these instructions ca
ing
the
flexibility
its
controls
superb
was designed.
this
first
part
outlines a simplified
third
part
the
of
part.
facilities, and adjustments on
all references
BOLDFACE
Stereo Cassette Deck,
Model
provided
and connections.
performance
manual is divided
covers installation.
provides a
features
the
finer
of
to
type.
5220
will
of
points
the
them
the
and
enjoyment
refully.
is
not
com
by
its nume -
your
becoming
assure you
for
which
into
operating
more
detailed
Model
of
recording
many
in
controls,
this
manual
Inst
all-
pii-
Our
the
three
The
pro-
5220,
the
of
FT
It
is advisable
material
transport
16
careful that
or lose the parts packed
Please inspect
Deck
Our
pride
factory
damaged or fails
your
directly,
out
a claim against
Save the
evidence
assistance be required,
cooperate
Please
Card
remain on fi le at
durat
advise
prov
Warranty
to
prevent damage should
or
ship
for
repacking and sh
you
carefully
very
strict quality
ensure
dealer.
delay.
fill
within
ion
that
ide
that
in
perfect
If
notify
Only
carton
of
damage
fully
out
and mail
ten
of
the warr
you
proof
service is sought.
A
to
the
do
not
your
Model
for
any signs
each Model
to
operate,
the
the
transportation
you,
the
carrier
and all packing material as
for
in assisting
days
the
anty
retain
of
purchase in the event
reta in all original packing
you
wish
to
Model
condition.
unit
the
the
of
Marantz
5220
(refe r
ipping
inadvertently
with
control
consignee, may
their
the
purchase.
period. We also st
your
instructions).
the
unit.
5220
Stereo Cassette
of
shipping damage.
and professional
5220
If
immediately
was shipped
company
for
shipping damage.
inspection.
Marantz
your
Warranty
Company
claim.
The
Company
sales rece
to
page
Be
throwaway
left
the
the
unit
notify
to
you
with
institute
Should
will
Registration
card
will
for
the
rongly
ipt
to
that
is
-
AC
Line
Operation
WARNING : TO
NOT
EXPOSE
THIS
PREVENT
FIRE
APPLIANCE
OR
SHOCK
TO
RAIN
HAZARD,
00
OR
MOISTURE.
Figure 1 shows
and
swit
ches on
feature is
description
Model
5220
How t o c
How t o use
How t o install in a cab inet, pa ge 3.
C
assette Compartment
How to ma ke rea lly
Clea ning
the
the
the
number
about
the feature appears.
Ster
eo Cass
onnect, page 5.
with
a Dolby System , page 12.
the
exce
head s, p age 10 .
loc
ation
of
the
Model
ette
llen t reco rdings, p age 9 .
Deck
5220.
of
the
page where a
main cont rols
Listed
by
each
Before proceeding
deck, take a few
with
some
of
the
will
encounter
in
Peak
How to set p
with
connect
moments
features and
this
book.
Ind
icator
roper
Pow er
AC po
ing
your
to
acqu
term
recor
ding levels, page 8.
arge
L
See page 8 .
Switch
wer
co n
nect
new tape
aint
yourself
inology
VU Met
ion,
page
you
ers
5.
~
Tape
Counter
See page 8.
Tape
Transport
Simplified
Input
Level
Microphone
Dolby
FM
with
Controls
Operatin
Controls
Jacks
Switch
Memory
g Proce
dur
e, page 6.
Bi
as/Equ
alization
See page 9.
Th e typ e an d br
Figure
1.
He
See pa ge 8 .
Selector
and
of tape yo u use, page 9.
Dolby
Main
Controls
p u _ _ r
ph
..,
...
..
adphone Jack
Limiter
See page 8.
NR
Switch
and
Switches
2
liON
F
MECHANICAL
The Model
installed in
veneer
or
installation.
cabinet
mounted
MARANTZ
An
attractive
WC-15T,
dealer.
and can be placed on
Complete
vided
may
The
with
INSTALLATION
5220
Stereo Cassette Deck can be
two
basic ways : In a
for
placement
in
your
WALNUT
walnut
be
obtained
case provides
furniture,
instructions
the
WC-15T.
own
CABINET
veneer cabinet, Model
for
CUSTOM INSTALLATIOI\I
When
To
a
wide
of
will
plastic feet
the
of
with
planning a custom
quate spacing between
surfaces, and
lation.
install
custom
by
the
neatly
it
through
Model
the
cabinet
the
the
cabinet,
5-1/8
Model
hide
from
the
5220,
rear
other
componets
Model
of
5220
cut
inches high. Since
5220
is larger
the
edges
the
bottom
opening.
adequate bracing across
must
be located
the
unit.
installation,
the
Stereo Cassette Deck in
an opening
of
To
beautiful
on a table
cabinetry
from
your
for
proper
or on a
installation
Model 5220,
for
adequate
16-7/8
the
than
the
the
cut.
of
the
unit
support
to
provide
the
walnut
or
shelf,
or
custom
Marantz
ventilation,
bookshelf.
are
pro
allow
front
Remove
ade-
cabinet
venti
inches
panel
cutout,
and slide
weight
the
rear
contact
the
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of
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CONNECTING
THE
MODEL
5220
AC POWER SOURCE
With
the POWER
position,
providing
plug
the
the
AC
proper
switch
voltage.
CONNECTION
set
to
the
line cord
into
an
OF F
AC
(out)
outlet
REAR PANEL
Figure 2 shows th e loc
output
" permanent" connections.
their
All
with
The
with
connect
and
the
or
When
nectors
nections may cause
LINE
These jacks
source.
FM
jacks should be connected
output
signals
own
components,
Model
preamplifier.
jackson
use
will
connections
the
power
rear panel signal
shielded
one cable at a
the
oth
safest way
confusing
connecting
completely
INPUTS
They
cir
cuitry
jacks on
from
an audio system comprised
5220
SIGNAL
ation
the
rear panel. These jacks are
be discussed later.
to
the
rear panel should be made
to
the entire system tu rned
connect
audio
er
components
signal source
will
are also
in
FM and
connect
to
cables. To avoid
time
to
avoid cross-connecting channels
audio
hum
acc
ept
the
your
th e t ape
cables insert the con -
into
the
and noi se.
signals
the
inputs
Model
receiver,
other
the
COI\INECTIONS
of
th e
input
Front
of
5220.
LINE
output
panel jacks and
ions should be made
confusion,
between the
your
system.
outputs
to
audio
with
jacks. Loose con -
from
any line level
for
the
DOLBY
Therefore, these
the
set
of
which
will
sources.
of
separate
IN jacks
jacks
of
and
for
off.
5220
This
is
inputs.
t ape
supply
If
you
of
th e
your
CAUTION:
If
you
rear panel,
Model
Now
that
to
you
are
doubtlessly
following
ing
proc
ing and
immediately.
Deck
the Stereo Cassette Deck,
advantage
versati I
DO
NOT
PLUG
INTO
DAMAGE
r receiver has a switched
you
5220
into
you
r receiver and e
section
edure
listening
of
itv.
A DC
OUTLET,
WILL
may find
that
have connected
eager
will
to
follow
its
many
it
outlet.
xternal
to
outline a simplified
so
to
your
Aft
er becoming
featu res and
THE
MODEL
AS SERIOUS
OCCUR.
AC
outlet
convenient
your
t ape recorder,
try
it
out.
you
can begin record-
new
Stereo Cassette
famili
you
may
to
plug
Model
So,
operat-
ar
take full
operating
5220
on its
the
5220
you
the
with
LINE
OUTPUTS
AND
CONTROLS
Connect the
jacks
of
The
LEVEL
jacks
channel.
control,
purpose
output
sensitivity
receiver. When
adjusted, th e
remain
in and
adjustments
present
approximate ly one qu
mum
volume
OUTPUT
your
receiv er.
controls
determine
They
and can be
of
level
of
constant
out.
time,
the
operat
turned
these adjustments is
of
the
the
tape
the
volume
as
Of
cour
until
the
the
LEVEL
setting.
5
OUTPUT
to
the
located ne
volume
e the same as a
with
Model
monitor
LEVEL
the
controls
through
tape
se,
you can't
system is set up, so
controls
arter
turn
LEVEL
tape
monitor
xt
to
output
a screwdriver.
to
5220
monitor
to
circuits
your
should be set
above the
input
the
output
of
each
volume
The
match
the
are
speakers wi ll
is switched
make these
the
input
in
your
properly
for
the
mini-
o
First,
set
the
5220
as foll ows:
PO
WE
R Switch
TRAN SPO
TAPE
DOLBY
DOLBY FM-OFF
DOLBY
BIAS
LIMITER
ALL
After
a b lan k
NR
Switch
FM-OI\I
/EQ
SELECTOR
LEVEL
setting the
cassette
Con
INSTRUCTIO
control
Swi
s and
switche
RT
Controls
Switch (in)
tch
Switches
trois
controls
as fol lows:
and
s on the Model
OFF (out)
OPPE
ST
D
OFF (out)
(out)
Depress button that
matcheskind
u
sed
.
of tape
OFF (out)
Minim
um
(to
left)
SWitches,
record
on
----~
--
---
ejee::1
1. Depress th e POWER swi
il
luminate,
If
they
cord
equipm ent (receiver, t
2. Befo re inserting th e
of t he ta pe to
en
tangled around
hub
inside t he
with
a pencil. (
3. Depress the
cassette c
holder.
-
---
-
ree::
re~
play
ff
indicating
don
't,
check
is plugged in.
pre
the
cassette
See
EJECT button
ompar
tme
slop
tch
. Th e meters will
the uni
to
make
Turn
urntable,
cassett
Fig
nt
e,
vent it from
capstan
with
your
ure
4 .)
fu lly to
and
raise th e casse
pause
t's
power
sure
on
etc.l
take
. Twist
fingernai l
the
up
the
the
beco
the
open
is
on.
power
sou
rce
slack
ming
tape
or
the
tte
---,
Eject
Record
Button Button
Rewind
Button
Play
Button
Fast
Forward
Button
I
Stop
Button
Figure
3.
Pause
Button
Tape
Transport
Controls
6
4. Insert
recording up. Close
I\IOTE:
5. Play
etc.)
receiver in
6. Press
TER
cording.
7. Place
Depress
simultaneously.
VU
the
The
cassette
the
with
the
to
the
the
meters
cassette
audio
reference
cassette
holder
the
the
RESET
Model
record (REC)
will illuminate.
with
the
can
is
signal
tape
"source"
button
the
5220
The
up.
monitor
REC light
the
desired
lid.
only
be
inserted
source
position.
beginning of
in
on
and
the
the
(phono,
switch
record
PLAY
side
tuner,
on
tape
COUN-
the
mode:
buttons
between
if
for
the
the
re-
the
CAUTION:
Do
not
attempt
push
buttons
depressed
are
tion
depressing
The
released by pressing it a
position.
mechanically
and
PAUSE
to
when
can
be released
the
STOP
pushbutton
manually
they
The
locked
lift
are
in
push
buttons
into
posi-
only
pushbutton.
can
only
second
time.
the
the
by
be
NOTE:
8. Slide
maximum
controls
9.
Gradually
level
Adjust
passages of
of
minimum
dicator
10.
Set
the
NOTE:
The
smoothest
mode
Then,
PLAY
the
should
controls
the
the
meters
(light
the
tape
"tape"
If
the
tape
OUTPUT
panel of
should
monitor
way
is
to
depress
while
holding
button.
MASTER
setting
increase
level
the
triggering of
monitor
position
volume
monitor
(to
be
set
the
while
watching
controls
program
as fully as possible with
emitting
.
is
LEVEL
the
5220.
remain
is
switched
to
engage
the
REC
it
down,
LEVEL
the
right). All
at
minimum.
left
so
deflect
the
diode).
switch on
level
changes
switched
controls
The
constant
in
and
button
depress
Control
and
right
the
VU meters.
that
the
the
PEAK
the
in,
on
volume
as
out.
the
record
first.
to
other
LINE
loudest
pointers
level in-
receiver
when
adjust
the
level
the
tape
the
its
to
the
the
rear
11. When finished recording,
LEVEL
STOP
12. Rewind
(REW)
COUNTER
RY
13. Play
button.
The
Model
just
recorded.
the
front
adding
technique.
7
control
button.
the
button.
feature
back
5220
panel
more
to
minimum
tape
by depressing
Stop
registers
(see page
the
is
The
features
sophistication
zero,
8).
tape
by pressing
now
playing
following
reduce
the
sections
and
tape
or
back
some
to
the
and
use
your
MASTER
press
the
rewind
when
the
MEMO -
the
the
tape
will
explain
methods
recording
the
the
PLAY
you
of
A E
VU
METERS
Tw
o large VU meters in
the relative recording and
channel.
Al l meters are
words,
meter to respond to a qu
though
are very lightweight,
and are re
instantaneous natu re
th
to
two
The Model
indicator
the V U meters, is a valu able aid to
recording level adjustment. The
unlike
transients du ring recording. The i
minates
cause tape saturation (distorti on) occurs. If the
PEAK
level should be reduced .
INPUT
On the
type
LEVEL
in
puts
front
signals
Th e four input con
the ir a
ti ons chosen
the audio
outp
and R beside each s
NOTE:
it
the
en, indicate an average value reading w
mon
itor
channels.
the meters, reacts instantaneously to
indicator flashes repeatedly, the recordi ng
LEVEL
front
input
control. The
from the le
panel. The
from
udio
uts
of
When
cording
speakers, as th is w
(acoustic feedback)
your
for
AND
PEAK
"time
takes a
meter
latively
the
5220
wh ich, when used in conjuncti on w
if
an audio transient strong enough to
panel are
level controls and a stereo
the rear panel
signals in a stereo mix in the
by
input
the mi xer asi
microphone
, do
aud io
mon
sensitive" devices. In oth er
short
needle and
they
sluggish when comp ared to the
of
average level and balance
is also equipped w
CONTROLS
MIC
ft
and r
LINE
tro
you, the recordist. They
s to th e l
lider
equipment.
itoring.
INDICATORS
the
Model 5220
playback
amount
ickly
audio peaks. The meters,
four
ight
controls
ls,
or
ndicat
slot
not
of
appl ied signal. Even
oth
er moving parts
still
have some inertia
PEAK
independent slide-
controls
MIC jacks on th e
LINE
" sliders,"
eft
and right stereo
ed
by
.
are selected
monitor
ill
cause
which
Use headphones
mon
level of each
time
for
ith
whi
of
ith a PEAK
pro
indicator,
audio
ndic
ator
MASTER
receive thei r
receive
INPU T jacks.
combine
propor
assign
the lett
for
through
howl
could
damage
itor
the
ch
the
ith
per
illu-
their
ers L
re-
ing
channels wit hout changing the
tions and without affec ti ng thei r
audio levels.
mi
are
The
out"
cassette recording
may wish to fade
before th e end
you will avoid th e abrupt
occu rs
out
in"
PEAK
The
reduces the record level
surges. By
from exceeding 0
mizes di
T he
(A u
rather as a safeguard against high
that
the record levels in
advantageous when record ing sources such as
radio programs or live music whos e peak volume
levels are somet imes unpredictable.
If
the
" compress" th e
othe
pass
the recordi ng levels should be set before the
-
LIM
P
Th is jack accepts headphon es utili zing a standard
thre
connected
adequate sound level
stereo headphones.
phones may be used wi th the aid of
conn ec
ou
are added.
xed in the exact
the
VU
MASTER
the
MASTER
or "fade in" .
of t ape. Likewise, the music cou ld be " faded
at the beginn ing
peak
LIMITER
to
mat
you had
the recording levels were set much
LIM
r words,
ages
ITER
HONES
e condu
tors
tput
If, for
meters register
dur
ing
LIMITER
LIMITER
pr
stortion
ic Level Con
ITER
would be reduced in volume. Therefore,
is turned on.
JACK
ctor
to
(available at yo
level
will
instance,
proportions
too
LEVE
L accord ingly.
LEVEL
of
playback
eventing th e peak rec
.
is
not
were activated, it
dyn
not
the output circ
slider can be used
For
example, wh en maki ng a
of
a phonograph record, yo u
out
the
th e tape is reached.
wh en the cassette runs
of
the c
, when in use,
dur
VU,
the peak LI MI
not
the same as an
trol
) circ
antic
ipat
iti
ally. Th e
amic range
only
the
phon
e plug.
with
popu lar low impedance
Two
or
drop
as addi tional headphones
input
slider posi-
pr
oport ionate
the
four
input levels
you
want
, b
high a reading, reduce
to
"fade
mu sic gradually just
Thi
s way,
cut-off
asse
ed when
peaks,
ur
of
sound that
tte
.
automati
ing sudden volume
ord
uit
; it is designed
input
you
LIMITER
too
would
of
th e music. In
but
It
is
uit
ry
to
mor
e sets
dealer). However,
ing level
TER
A.L.
signals
adjusted
is also
high and
tend
all loud
intern
provide
of
head-
cally
mini-
ally
"Y
ut
C.
to
"
MASTER
Th e
MASTER
stereo
audio level
output
LEVEL
LEVEL
level. Its
of
the
CON
TROL
slider adjusts th e total
purp
ose is to
entire mixture
of
contr
th e f
our
ol
the
input
MEMORY
The
MEMORY
progr
am reloc
the side or far int o th e record ed tape.
COUN
TER
COUNTER
ation, whether at th e beginnin g of
is used
for precise
8
The
MEMORY
1.
Locate a desired
RESET
("000"
2.
Depress
3.
Play
4.
Depress
the
button
starting
stops
avoid
gram.
BIAS/EO
button
shown
the
(or
record)
the
tape.
The
releases
point
at
missing
SELECTOR
feature
on
MEMORY
rewind
tape
automatically
"999",
the
operates
starting
to
register
the
Tape
01\1
the
tape.
(REW)
motion
is
reached.
one
count
starting
PUSHSWITCHES
as
point
this
Counter).
button.
button
stops
when
Actually,
before
point
follows
and
depress
starting
and
the
the
of
:
point.
to
rewind
rewind
original
the
"000"
the
the
tape
to
pro-
The
Model
mented
System,
recordings.
be
important
tained
can
the
5220,
techniques
by its
negatively
heads,
spoil
full
potential
the
5220
is
capable
But
influenced
factors.
and
your
recordings.
following
of
skillful
Stereo
built-in
of
the
quality
Inferior
improperly
of
your
section
recording.
Cassette
Dolby
making
investment
of
by
So
Noise
recording
some
tape,
set
that
will
Deck,
really
other
poorly
recording
you
can
in
explain a few
aug-
Reduction
excellent
can
very
main-
levels
realize
the
Model
also
These
equalization
types
See
on
DOLBY
PUSHSWITCHES
These
tion
is
Page
TOTAL
The
ly
the
rewind,
will
pushswitches
of
cassette
NORMAL
Cr0
2
Fe-Cr
"The
this
page.
FM
switches
circuitry
explained
12.
SHUT
TOTAL
disengage
.tape is
etc.).
also
activate
to
Type
AND
in
in
SH UT
the
reached
The
select
suit
tape:
for
normal
for
Chromium
for
Ferri-Chrome
and
DOLBY
control
the
Model 5220.
the
"DOLBY
OFF
OF F feature
tape
in
TOTAL
if
the
the
the
three
Ferric
Brand
the
DO LBY
transport
any
transport
SHUT
tape
should
proper
most
Oxide
Dioxide
tape
of
Tape
NR
Noise
Their
SYSTEM"
will
when
OFF
jam.
bias
common
tape
tape
You
Use,"
Reduc-
operation
section
automatical-
the
end
mode
(play,
feature
and
of
THE
TYPE
USE
In
cassette
cassette
quality
best
cassettes
assist
Chrom
tape.
appropriate
t
the
tion
PROPER
One
in
loud
requires
the
saturate
recording
the
residual
pate
record
meters
takes
name
best
results,
(Fe-Cr)
When
5220
to
of
other
passages.
loudest
soft
the
place.
you
brand
AND
recording,
you
use
of
your
you
in
selecting a nationally
of
use
ium
Dioxide
tapes
provide
using
BIAS/EO
to
provide
suit
the
characteristics
RECORDING
the
beauties
words,
To
that
the
passages
the
tape
levels
passages
noise.
and
as a
loudest
set
guide
The
the
BRAND
has
the
recordings.
can.
low-noise,
a 60
or
90
(Cr0
better
these
kinds
SELECTOR
the
of
music
the
contrast
capture
recording
you
and
cause
shouldn't
would
proper
section
of
recording
before
OF
TAPE
the
type
greatest
Your
clean-running
minute
2)
correct
LEVEL
intend
be
simply
technique
the
any
influence
Therefore,
Marantz
and
fidelity
of
tape,
bias
of
the
is its
of
very
this
contrast
levels be
to
distortion.
set
too
disappear
music
levels using
recording
YOU
and
brand
on
buy
dealer
recognized
tape.
cassette.
Ferri-Chrome
than
normal
depress
pushswitch
and
equaliza-
tape
.
dynam
ic range,
soft
on
set
record
Yet,
low,
is
to
you
actually
to
so
because
in
antici-
want
the
of
the
the
will
For
the
on
very
tape
that
don't
the
the
to
VU
If,
for
example,
graph
loudest
levels
PAUSE
the
recording
record,
on
record
section
the
button
level
you
you
of
5220,
and
mode.
to
are
should
the
insert
then
This
be
recording
at
record.
the
place
technique
checked
from a phono-
the
outset
To
set
cassette,
the
Model
and
adjusted
the
depress
allows
find
the
recording
the
5220
in
the
with-
9
out
actually
the
levels
music,
phonograph
release the
ing.
NOTE:
When
inserting
the
recording
ly
assured
recorded.
leave
Most
inches
ning
tape.
ed,
to
played
taking
spliced
where
that
recording
are
record
PAUSE
and
and
pass
up
it
for
area
head
the
the
set
for
them
cassette
The
where
over
button
of
clear
end
leader
it
usually
by
the
from
the
recording,
of
the
(see
Figure
recordable
beginning
anything
the
manufacturers
leader
of
the
slack
tape
on
loudest
they
at
the
to
commence
tape
the
magnetic
tape
cannot
takes
about
heads
beginning.
advance
in
the
is
4). By
tape
of
the
when
the
portion
are.
beginn
to
cassette
the
ready
knowing
begins,
program
tape.
Once
of
the
Start
splice a few
the
be
six
the
tape
to
the
ing
and
record-
begin-
recording
record-
seconds
tape
before
so
that
pass
the
exact-
you
can
will be
is
CLEAN
The
are
cassette deck. After
during record
from
and
shed
of
response,
sound
recording
exhibits
ately clean
build
prematurely,
fore,
Now, a word
ten
Don't
th e
audiophi le gives
at
h
abit.
cle
ditions
AND
RECORD/PLAYBACK
the
th e
pinch
some
this
oxide
dropout
any
up,
the
ance:
put
deck
the beginning
Thi
anliness
, and it
DEMAGNETIZED
most
tape
heads
s is a n
important
and
playback,
accumulate
roll er. Even
particles
will
loss
of
and
or
erasing
of
the
the
heads.
it
may
causing
must
abo ut
off
cle
aning the
is p
erforming
the
of
and
the
only
and
parts
tape
ru bs agai
brown
on
the
the
best
cassette
of
oxide.
cause
sound
unsatisfactory
tape.
preceding
If
cause
permanent
be
kept
routine
tape
every
exc
ellent
best
requires a minute
The
loss
of
volume,
If
your
symptoms,
the
oxide
the
heads
clean.
preventative
heads
well .
The
path a thorough
usage
practice
possible
HEADS
ERASE
of
the
nst
the
oxide
deposits
heads,
accumulation
high
damage.
simply
as a
recording
guides,
tapes
frequency
intermittent
results
Model
immedi
is
allowed
to
wear
because
experienced
cleaning
matter
for
assuring
to
do.
heads
stereo
heads
will
when
5220
out
There
rnarn-
con
-
to
-
of
-
To
clean
the tape
denatured
Please
shou ld
content
Dip
the
tape
where
be
picked
To
gain access
dema
1.
Turn
2.
Depress
c
assette
alcoho l (available
note
not
be
. Use " DENAT URED"
cotton
heads,
gnetiz
the
off
capstan,
tape
up on a
ation,
the
the
.
3. Reach inside
push
the
cassette
4.
Push
the
PLAY
roller
w ill
protrude
ment. The
ed .
5.
After
STOP
6.
Depress
cassette
cleaning
button.
the
hold
path, use
that
common
used
because
swab
in
the
guides,
touches -until
fresh
cotton
to the
pow
EJECT
the cassette
head
and
EJECT
er.
heads
er.
button
holder
button.
surfaces
down.
into
demagnetizing,
button
cotton
at
any
"rubbing
it has a high
alcohol.
alcohol
pinch
The
the
may
and
roller -every-
no
more
swab.
for
cleaning
and
compartment
heads
cassette
now
fully
swabs
pharmacy).
remove
be
to
alcohol"
water
clean
oxide
and
pinch
compart
inspect
press
life
and
the
can
and
the
and
the
the
-
-
Figure 4. Cassette Preparation
Obviously, the
Model
5220
are
heads
more
and
pinch
difficult
to
roller
inspect,
of
clean,
the
10
and demagnetize than those
cassette machine, because
heads
opening. Therefore,
venient
inspection and cleaning.
On
cotton
kind
hemostat.
the head surfaces and
The
provides a simple, visual
clean
oxide
is
The
swab
you
room.
Tape heads and guides also become magnetized
after a period
excessive noise and can even
tape.
demagnetized
hours
must
your
the
pinch
the
around
time
to
hemostat can be used
while
may wish
The
of
be made
to
obtain a few
trip
to
the
swabs, also
dentists use) and an inexpensive
The
heads.
clean
cleaning. If the swab is made
tape heads and guides should be
playing
buy
mirror
roller
If
you
the
perimeter
the
entire
to
break
of
use. When
periodically
time)
access
through
you
may
pharmacy
an inspection
can be used
the
rubber
in
the
can
tape path .
it
with
of a toploading
to
the
rear-facing
the
front-facing
find
it
more
special
cassette mechanism
indication
see
of
to
in
half
this
(about
a demagnetizer.
tools
to
buy
alcohol and
mirror
for
pinch roller.
of
a stripe
the
pinch
hold
the
to
provide
occurs
partially
they
every nine
to
inspecting
when
of
brown
roller,
cotton
of
erase
con-
aid
(the
to
wood,
more
cause
the
it
The
demagnetizer should be
those used
that
is,
ing element
I
nstructions
CAUTION:
with
the
type
with
bent
at an angle near
are enclosed
BEFORE USING THE DEIVIAGNETIZER,
TO THE MODEL 5220.
of
the same design as
8-track
tape cartridge players -
a long, slender demagnetiz -
the
end.
with
the
demagnetizer.
TURN
OFF
THE POWER
11
I\IOTE:
BASIC
The
volume
recording and reduces the level
an identical
the
source signal,
generated by
A
first
i'
being transm
through
and high
'.
The
5220
back
DOLBY
Dolby
mid-
playback
Dolbyized
phase
of
the
frequency
Dolby
can be used
Dolbyized
PROCESS
system increases
and high-
amount
frequency
during
signal is identical
but
the
level
the
tape recorder is greatly reduced.
the
signals
of
these signals by
playback.
to
of
background noise
FM broadcast is subjected
the
noise
itted.
Dolby
reduction
When these signals pass
playback
process
circuitry,
noise is greatly reduced.
Noise
Reduction
for
System in the Model
recording,
or
cassettes.
level
of
during
As a result,
the original
to
before
the
mid-
for
playing
low
the
To
as
follows:
1. The
the
Apply
2.
above.
3. Depress
4. Depress
5.
The
pre-adjusted at
normally
with
with
when used
equipped, FM
this
The
following
the
Dolby
to
process cassettes, FM broadcasts, and external
sources.
section
Noise
will
explain
Reduction
how
to
System in the
operate
5220
provided
be adjusted so
transmitted
of a Dolby
meters. Once
CASSETTES
need
If
built
EMPHASIS
"F
circuits
listen
to a Dolbyized
tuner
LINE
the
the
the
Dolby
the
"DOLBY
purpose,
to
be readjusted unless a
you
into
LAT".
are using
the
Do
tuner,
switch
not
the
de-emphasis
leave
on
the
use
both
circuit
the
FM DE-
Model
5220
de-emphasis
at
simultaneously.
FM broadcast, proceed
or receiver should be connected
INPUT
need
jacks.
proper
DOLBY
DOLBY
FM
calibration
the
to
de-emphasis as
NR ON pushswitch.
FM-ON
pushswitch.
levels have been
factory
and should
be readjusted when used
to
outlined
not
Marantz tuners and receivers equipped
FM"
pushswitches. However,
with
receivers
calibration
PLAY/FM
on the rear panel. The
that
the
by
the
FM
broadcast registers DO on
the
levels are set,
or
will
CAL
Dolby
station
tuners
not
be required.
controls
controls
should
reference
at
the
beginning
the
they
do
different
so
For
are
tone
VU
not
tuner
or receiver is connected.
The
Dolby
5220
recording
tion
factory,
for
recording level.
Noise
is designed
or
Reduction
for
playing
maximum
back a cassette.
levels have been
so the
only
adjustment
circuit
convenience when
internally
in the Model
The
preset at
to
make is
calibra-
the
that
The
decoded
through
the
a cassette at
Dolby
from
encoded
the noise
Dolby
amplifier
the
same
to
reduction
FM program can be
system.
obtain
time,
If
the
the
you
are recording
cassette
maximum
process.
monitord
will
be
effect
The
procedure
is identical
DO
LBY
N R ON pushswitch is depressed
recording levels are set.
DOLBY
Dolbyized
audio
information
,
~
applied
for
reduction
(25jJS) is
Dolbyized
original program material, a
constant
second FM de-emphasis
Marantz Model 112, 125, and
tuners and should be activated when recording
. listening
Model
such a
on
activate
5220.
circuit,
the
rear panel
the
for
Dolby
to
that
for
FM
BROADCASTS
FM broadcasts
to
the
purpose
process.
The
different
broadcasts.
at
the
receiver is required. A 25
to
Dolby
If
FM broadcasts
your
set
the
of
corrective
recording and
non-Dolby
contain
which
a special pre-emphasis
of
improving
pre-emphasis
from
To
the
properly
complementary
circuit
present
FM
the
tuner
DE-EMPHASIS
Model
network.
except
used
is
built
150
through
does
5220
playback
that
after
Dolbyized
the noise
time
constant
with
recover
into
stereo FM
not
to
25jJS
the
the
non-
the
time
micro-
the
or
your
have
switch
to
NOTE:
When
the
DOLBY
depressed,
(the
level is
the
sliders) are bypassed. The recording
determined
CA L controls.
properly
tone,
the
using
levels
FIVI-ON push
record
When
input
by
the
the
controls
the
broadcast reference
will
be
correct
level
PLAY
switch
controls
/ FM
are set
for
Dolby
recording.
EXTERNAL
The
Dolby
Dolby
as a
equipped
manner as a decoder
Because
of
istics
controls
PLAY/FM
sensitivity
a
Dolbyized
TAPE
RECORDER
System in the Model
decoder
with
of
the
for
its
own
Dolby
for
dissimilar
an external tape deck
Dolby
playback
various tape recorders,
are
provided
CAL
of
the
program
controls
Dolby
from
on
the
circuit
the
determine
5220
can be used
circuits
in
FM broadcasts.
level character-
PLAY
/FM
Model
5220.
the
when
playing
external
unit.
the
not
same
CAL
The
input
back
The external tape recorder should be connected
is
12
di
rectly
outputs
the
or
receiver.
It
is necessary
of
PLAY
when using
section
playback
CALIBRATION
If
you
reel
Marantz dealer.
available in cassette
record er is
prerecorded
Dolby
levels
FM
store the
accidental erasure.
calibration
because th e magnetic fields produced
transformer
the
tape!)
When
pro
1. Set
"T
2. Depress the
3. Depress th e
If
4.
in
5. Load
external recorder and play it.
6. Set
recorder
level
to
the
rear panel
of
the
Model
tape
monitoring
to
the
ext
ernal tape deck and
/FM
CAL
the
will
outline
procedures.
haven't
Dolby
level and is used
of
you
CAL
tape. (The same holds
you
ceed as
the
APE".
you
the
Model
the
controls
already done so,
System
another
with a 400
r external tape deck and
levels on
calibration
tape on
in
the
have obtained a cal
follows
tape
monitor
DOLBY
DOLBY
are using
5220,
the
Dolby
monitor
to
"TAPE"
5220
facilities
adjust
controls
Dolby
calibration,
Calibration
The
calibration
format,
cassette deck.
your
tape
For
examp le, do
top
amplifier
:
switch on
NR ON pushswitch.
FM-ON pushswitch.
the
251lSec de-emphasis
switch
Calibration
switch(es) on
so
that
L11\1
E I
NPUT. The
remain connected
on
the
preampl
the
output
on the Model
System .
Hz
tone
for
Model 5220. Use and
carefully
of
your
could
true
it
and adjust
the
level
the
rear panel
The
recordi ng and
obtain
Tape
from
tape is also
if
your external
The
at
the
setting
to
VU
the
the
not
power
partially
for
any cassette
ibration
your
receiver
FLAT.
Tape on
the
the
meters register
to
ifier
controls
5220
following
a reel-to-
your
tape is
specified
output
PLAY
to
avoid
store
the
amplifier,
by
the
erase
tape,
to
circuit
your
ext ernal
output
Dolby
a
record
maximum
cess,
controls
If
cassette,
Marantz deck
level.
the
MULTIPLEX
The
high
high
signals
Although
outside the human hearing range,
the action
making
/
stereo broadcasts.
Normally,
filter
quality
(40
with
MPX
correct
when used
not
the
If
you
Dolby
recording
FI L
frequency interference and
cu
itry
FM broadcast. Again,
will
be Dolby-encoded
effect
and no
is necessary.
you
have purchased a
you
The
meters should register
"DO"
have
MPX
TER.
mark.
rear panel
filter
which
frequency
which
these
of
Dolby
it
out
tuner
dB)
pilot
all
Marantz tuners and receivers, use
FI L
TER
operation
with
sufficient
FILTER
are using a non-Marantz
cir
cuit
from
The
to operate asdesigned.
from
the
noise
adjustment
may play
to
confirm
FILTER
MPX
FI LTE R switch activates a
is specially designed
multiplex
are present in stereo FM broadcasts.
pilot
the noise
encoded recordings
is the
these undesired signals.
job
sections already
and subcarrier rejection. In
is unnecessary. However,
of
the noise
other
pilot
is
provided.
seems
FM stereo, then activate
filter
will
of
Dolby
the
the
playback reference
pilot
and subcarrier signals are
reduction
of
the
tuner
reduction
brands
to
of
and subcarrier rejection,
have no
then
allow
the
cassette
to
obtain
reduction
the
input
Calibration
cassette on
within
and subcarrier
they
of
provide
tuners
tuner,
block
the
1 dB
to
block
can
circuit
standard FM
or
receiver
Most
sufficient
to
circuitry
that
and
effect
the
the
Dolby
you
the
pro
level
your
of
the
inhibit
when
to
high
fact,
of
the
ensure
may
if
the
when
MPX
high
cir
-
,
-
With
the
7.
FIVI
Model
8. When
calibration
NOTE:
The
decoded program
recorder can be
system.
insert a cassette and record in the same manner as
tape still playing, adjust the
CAL
controls
5220
so
the
levels are set, rewind
tape .
The
Model
position
to
decode an external source.
monitored
To
make a cassette
on
the
that
its
VU
5220
may
when using
from
through
copy
rear panel
meters register
the
be
left
the
Dolby
the
ext
of
PLAY/
of
the
DO.
remove
in
ernal tape
the
the program,
the
the
stop
circuits
amplifier
13
TECHNICAL
SPECIFICA
Signal to
DOLB
DOL
T
ot
Frequency Response
with Ferr iwith C
with standard tape 45 Hz
ow
W
put
In
Mi c
Line
Line
Headph ones O
GENER
Power Requirements 120 V AC, 60 Hz
Powe r Consu
Di mension s: