Mamiya RZ67 User Manual
Building upon its long experience since the introduction in
RB67
revolutionary
incorporated into the
SLR with revolving back and the later refinements
RB67
Pro-S, Mamiya Camera Company has
utilized the latest electronic technology in order to fulfill its
1970 of
the
Commitment
to advanced amateurs and professional photographers by producing
the ultimate 6 x
7cm
camera, the Mamiya
RZ67.
The result is a camera with incredible versatility and handling ease.
ideally suited for commercial,
and fashion photography. In fact, the Mamiya
industrial, scientific, news, portrait, scenic,
RZ67
knows no bounds
in photographic application?.. However, in order to fully take advantage
sure
of its capabilities, as well as avoid possible mishandling, be
to care-
fully read this instruction manual before attempting to use your new
camera.
Contents
Special Features of the Mamiya
Outline of Names and Functions of
Inserting
Attaching/Removing
Focusing
Releasing
Shutter Speed
Focusing and Locking the Focusing Knob
TheRevolving
The
Loading the
Taking
Unloading the
Distance
Close-up
Using
Mirror-up
Multiple
Flash
Close-up Photography with Auto Extension Tubes
How to
Interchanging Magnifier/Focusing
Attaching a Lens with Shutter Released or Mirror Raised
Camera
RB Series
Troubleshooting
Care of the
Mamiya
a
Battery...............................................................................
HoodOperation
theShutter
Film
Roll
Photographs
Scale/Depth-of-Field .....................................
Photography
a Tripod/Long
Operation
Exposures.............................................. ....................................
Photography
Use fheCarrying
Back
Lensesand Accessories
Camera
RZ67 Specifications
Lenses
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Aperture
and
Back.......................................................................
Holder............................................................
Film
Holder.........................................................
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Film
Lock System........................................................................
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Exposures
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.....................................................................................
Strap
....................................................................................
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RZ67
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Partss
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Hood/Focusing
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Screen
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Special Features of the Mamiya
RZ67
The
following exemplify how the outstanding features of the
RB67
have
been
further refined in the Mamiya
RZ67,
resulting in un-
precedented quality and performance.
1. Ultra Performance Lenses
Without changing the outer diameter of the lens mount on the camera
body, the inner diameter of the mount on the RZ67 has been increased by
7mm (from 54mm on the RB to
flange back (distance of the lens mount to film plane) has been reduced
by the same amount (from 111 mm on the RB to
The increase in
distance of the flange back have made it possible to design a new series
of ultra performance lenses designed exclusively
offering performance previously believed unattainable. It is now also possible to design new, specialized optics, such as shift or high speed
lenses.
Moreover, any RB lenses already in the possession of the photographer can be used on the RZ67 without an adapter or loss in performance.
size
of the diameter of the mount and decrease in the
61mm
on the RZ). Furthermore, the
104mm
on the RZ).
for
the Mamiya RZ67,
2. Improved Handling
It
is now possible to advance the film and Exposure Counter, set the
mirrorand Light Baffle, and cock the lens with
ing Lever.
With Winder RZ attached to the camera body, a gentle touch of the
electromagnetic release makes it possible to effortlessly take consecutive photographs.
As the revolving back is rotated to change from horizontal to vertical format, or vice versa, the
automatically, preventing the photographer from seeing anything other
than the area actually being photographed.
While retaining the “T” (time)
has been incorporated into the Shutter Speed Dial of the camera body for
added versatility.
viewfinder
masks also simultaneously change
setting
a single stroke of the Cock-
on the lens, a “B” (bulb) setting
The mirror-up mechanism is now automatically engaged as soon as a
cable release is attached to the Mirror-up Socket.
3. Improved Performance
Shutter speed accuracy and durability have been significantly enhanced by utilizing an electromagnetic release and Mamiya’s own Moving Coil system in conjunction with the Seiko
tionally, the longest fixed shutter speed has been increased to 8 seconds,
making the camera more flexible than ever.
When the camera is not prepared for use, the shutter release automatically locks and awaming lamp illuminates in the viewfinder, informing the
photographer precisely what needs to be done, a red lamp indicating that
the Dark Slide must be removed from the Film Holder, and an orange
lamp reminding the photographer to advance the Cocking Lever.
When using a Mamiyalite electronic flash, a green LED illuminates in
the viewfinder when the unit is fully charged and ready to fire.
For viewfinders with built-in exposure meters, the film speed, shutter
speed, and aperture information is electronically transmitted to the exposure meter.
With a Mamiyalite
and film speed information is automatically and electronically relayed to
the flash unit, controlling its light output.
By attaching Winder RZ and Receiver MZ to the RZ67, remote control
of the camera is possible with Transmitter MZ, thereby immensely increasing the applications of the camera.
MZ36R
or
MZ18R
(Special Features Shared with the
#1
electronic shutter. Addi-
attached to the RZ67, aperture
’
_ _
RB67)
The Ideal Format
The 6 x 7cm format not only offers an area approximately 4.5 x greater
than the 35mm negative size, but it enlarges to standard sizes, such as 8
x
1 0", with virtually no cropping, making it possible to utilize the full nega-
tive area. Ideally suited for publication and standard print sizes, the 6
7cm format makes the ideal choice for professional photographers.
x
2
Instant Change in Format
By
revolving
horizontal to vertical format, or vice versa. In the
also change automatically, totally eliminating the chance of exposing the
film with the incorrect composition.
the back 90’, the photographer can instantly change from
RZ67.
viewfinder masks
Peerless Film Flatness
After prolonged testing and research, Mamiya has developed Film
Holders which solve the problem of film curl by retaining the film perfectly
flat across the entire film plane. Thus, the full potential of Mamiya-Sekor
ultra performance lenses and the large negative size are realized.
In addition to unparalleled film flatness, the Roll Film Holders also incorporate a double exposure prevention mechanism. with multiple exposure provision as well.
Lens Shutter Design
Use of a lens shutter makes it possible to synchronize electronic flash
at all shutter speeds, not only eliminating the problem of ghost images
(secondary images recorded by available light) occasionally encountered with focal plane shutters, but also enabling the photographer to
balance flash illumination with available light.
Mirror-up Photography
For occasions when the camera is mounted on a tripod, both the
and RZ67 allow the photographer to raise the mirror well before releasing
the shutter. Since
sharp photographs are still possible when working at high magnifications
or long shutter speeds. This feature is especially useful
telephoto photography, and use of “slow” shutter speeds.
"mirror shock” is thereby completely eliminated.
for
close-up work,
RB
razor-
Interchangeable Film Holders
120, 220 and Polaroid holders are available which not only allow the
photographer to select a holder in accordance with the application, but
also make it possible to change film in mid-roll from color to black and
white, or color negative to color reversal.
Viewing Ease
The standard
large: bright image on the Focusing Screen. With another touch, the
Magnifier Instantly rises for critical focusing. The
ing Hood totally block the screen from extraneous light so that the image
always remains bright and clear, enabling the photographer to work
speedily and accurately. Both hood and screen are instantly interchangeable.
Focusing
Hood opens with a single touch. exposing a
four
sides of the Focus-
Built-in Bellows
Since the RB and
sion of
46mm,
Moreover. by adding an extension tube, a
than 1 : 1:1 (lifesize) is possible.
RZ67
close-up photography is possible without accessories,
have a built-in bellows with a maximum exten-
magnification
ratio of greater
Additional Features
The Film Holder can not be removed from the camera back unless the
Dark Slide is first inserted into the holder, thereby protecting the film from
accidental exposure to light. Additionally, after the holder is removed, the
Dark Slide remains locked to the holder, again guarding the film from
light.
When using wide-angle lenses, the Focusing Knob of the camera can
be locked at the
Focusing Knob Lock Lever also proves useful when engaged in close-up
photography, using telephoto lenses, or taking
a stationary subject.
Finally,
Lever.
3
hyperfocal
multiple exposures become possible with a mere flickof the RM
distance for focus-free photography. The
consecutive exposures of
R-M Lever
4
For double exposure prevention and
normal operation. keep R-M Lever
aligned with central index mark.
R: The lever is set to this
before revolving the back.
M: Set the lever to this position when
desiring to take multiple exposures.
The lever is also kept at this position
when releasing the shutter without
film in the camera.
position
l
Outline of Names and Functions of Parts
Carrying Strap Lug
(Detailed instructions follow.)
Focusing Hood Lock Button
To remove the hood, push in on
(right
and left) lock buttons and lift
off camera
body.
both
hood
In a single operation this lever advances the films,
sets the mirror. For proper operation.
be sure to push the lever completely
As a safety feature. the
be
released unless the Dark Slide is
first removed.
move
the Dark Slide before attempting
to take a photograph.
A single scale indicating distance in
meters and feet is
cocks
the shutter. and
Make it a habit to first
used
for all lenses.
Focal Length Scale
Curved
lines representing
lengths
appear on this scale. The point
at which the appropriate focal length
curve intersects
lion indicates the distance focused
upon
by the lens.
the Distance
Focusing Knob
shutter
most
can
not
focal
Gradua-
re-
Lens Alignment Dot
Mirror
Do not touch the mirror under any
cumstances.
cir-
Shutter Release Jack Cover
Sliding the
trical
shutter release.
cover
upwards
contacts (lack) for an auxiliary
reveals elec-
Shutter Release Button
Collar Stop Lever
As a safely feature. the Release Button
Collar
can
not be rotated to the orange
dot
position
is first depressed.
until the Collar Stop Lever
Release Button Collar
For normal operation the white dot on the Release
Button Collar is kept aligned with the white dot on the
Collar Stop Lever. Aligning the white dot of the
with the red dot on the camera body
Release Button. Aligning the
makes it possible to operate the shutter at approximately
1/400
sec. without
batteries
collar with
in the camera.
Iocks
the orange dot
collar
the Shutter
Prism
CdS
switches will not Operate without the
cover in place.
Finder, for the finder
Shutter Speed Dial
Magnifier Release
To raise the
nifier Release to the left.
magnifier.
push the Mag-
Magnifier
Interchangeable with other magnifiers
in various diopter strengths.
Focusing Hood Catch
Focusing Screen
The visible field of the focusing
automatically changes from vertical to
horizontal format, or vice-versa, as the
revolving back is rotated. The screen itself is also
interchangable.
screen
Lock Release Button
When the @ mark on the
Speed Dial is aligned with the index
mark on the camera
lock in
place.To
while pushing in on the Lock Release
Button.
body,
unlock it, rotate the dial
the dial will
Focusing Knob Lock Lever
Film Advance Knob
Memo Clip
Holds the film box top, or memo, as a
film-type reminder.
/
L
5
Dark Slide Slot
The small circle appearing on the Revolving Ring should be aligned with
either the uppermost (“12 o’ clock”) or
right-hand side
(“3 o’
clock”) index.
Film Advance Coupler
The central
film holder which disengages the film
advance-stop and activates the multiple exposure prevention mechanism.
pin transmits a signal to the
To avoid damaging the
“.::::B+
camera
do not
Camera Back Mount Pin
Battery Chamber Cover
The camera uses a 6 volt alkaline or
silver oxide
battery.
Winder Coupler Cover
The
socket
threads which can be removed, converting it to a
has standard U
3/8"
socket.
1/4"
6
Flash Sync Terminal
(
X-sync
Bayonet Ring
The Bayonet Ring is a breech mount which se-
)
cures the lens
feature, the lens can not be removed from the
camera body unless the mirror is set (lowered),
thereby assisting the Light Baffle in shielding the
film from light.
onto the
camera
body.
As a safety
Lens Distance Scale Knob
Depth-of-Field Preview Lever
Time Exposure Lever
Mirror-up Socket
screwing
Merely
up
Socket prepares the camera for mirror-up, or
vibration-free,
and the Shutter Release Button is depressed.
mirror and
trace of vibration is
released with the cable release.
a cable release into the
photography.
Light
Baffle rise. After rising, and any
When this is done
eliminated, the shutter can be
Mirror-
the
Depth-of-Field Scale
Lens Distance Scale
Aperture Ring
Shutter Lock Pin
When the lens is removed from the camera body.
the spring-loaded Shutter Lock Pin emerges.
locking the shutter and preventing accidental
shutter release. If desired. the
leased by rotating the Shutter Cocking Pins
clockwise while depressing the Shutter
shutter can
Lock
be re-
Pin.
Cocking Position Marks
Shutter Cocking Pins
When manually cocking the shutter, be sure to
rotate the Shutter Cocking Pins as far as they will
go (to the red dot).
7
Roll Film Holder RZ
Exposure Counter
After releasing the shutter, a red band
pears next to the frame number in the Exposure Counter. Upon advancing the film, the
red band disappears, informing the photographer that tie
to be exposed.
film is advanced and ready
ap-
Spool Release Pins
Depress these pins to load or unload a
spool.
film
Film Spool Stud
A new roll of film is loaded on this stud with
the paper leader pulled over the roller in the
direction indicated by
arrow which appears
the film holder is closed, and the film
vanced until the numeral “1” appears in the
Exposer Counter.
the
dotted line and
around
the stud.
ad-
When the Film Holder is removed
automatically locked in the holder, preventing accidental removal. Placing the
Film Holder
it can
onto the camera back automatically unlocks the Dark Slide, so that
easily be removed
from
the camera back, the Dark Slide is
Film Speed Dial
(I-SO)
Back Cover Latch
-.--2
Lock Release Lever
Holder Lock Lever
Should one inadvertently attempt to remove
the Film Holder
Dark Slide, the Holder Lock Lever will not
unlock, thereby preventing
posure of the film to light.
without
Take-up Spool
Alter
removing
the empty spool at this position.
8
an exposed roll of film,
first inserting the
accidental
ex-
place
Inserting a Battery
Because the Mamiya RZ67 does not function properly without a battery, be sure to load
one into the Battery Chamber before attempting to use the camera.
The camera uses one of either of the following batteries:
4LR444(6V alkaline manganese battery)
4SR44
(6V silver oxide battery)
1.
Pull the Battery Chamber
tion of the arrowhead to open it.
Cover in the direc-
2. Insert the battery into the chamber, taking
care to match the
f
poles of the battery with
those shown in the diagram found in the
chamber. Future replacement of the battery will
be simplified if the Battery Removal Ribbon (A)
is placed under and over the battery.
l
Even if battery power is depleted, aligning the
lease Button Collar
possible to release the shutter at approximately
1/400 sec.
CAUTION:
1.
Be
sure
shown in the diagram in the chamber.
2.
serting it into the chamber. Failure to do so could result
in
tioning of the camera.
3. When not using the camera for a long period of
time, remove the battery and store it in a
place.
4. Used batteries can be dangerous. Consequently,
when disposing of a battery. do
short circuit it.
the following factors: battery, type, battery brand,
freshness of the battery when purchased, the conditions under which the
purchase and is stored after purchase, temperature at
the time of use, whether the battery receives frequent
or intermittent use.
6. Silver oxide batteries have longer battery life than
alkaline batteries.
to match the poles of the battery with those
Carefully wipe the contacts of the battery before in-
poor
electrical contact and consequent erratic func-
5. Battery life
with the orange dot will make it
not
place it in a fire or
varies
considerably in accordance with
battery
was stored before
dry,
Re-
cool
1010
Attaching/Removing Lenses
Attaching
Before attaching a lens to the camera body,
the mirror of the body must be set and the shutter of the lens cocked.
Lenses
(A) Setting the Mirror
1. Remove the Body Cap from the camera.
2. Make sure the mirror is set (lowered). If the
mirror is raised, lower it by pushing the Cocking
Lever as far as it will go toward the front of the
camera body.
(B) Cocking the Lens Shutter
1.
Remove the Rear Lens Cap.
2.
If the lens shutter is not cocked, firmly rotate
the Shutter Cocking Pins as far as they will go
(to the red dot). When releasing the pins, they
will return to the green dot and the shutter
blades will remain open.
l
Moving the Shutter Cocking Pins only as far as the
green dot will result in incomplete
Be
sure to rotate
l
Whenever a lens is removed
it is already Cocked.
them as far as the red dot.
shutter cocking.
from the camera
body
(C) Attaching the Lens
1.
With the front of the lens facing you, rotate
the Bayonet Ring counterclockwise as far as it
will go (the white dot on the Bayonet Ring will
be aligned with the central index of the lens).
2. Seat the lens on the camera body with the
central index of the lens lined up with the red
Alignment Dot of the camera
the Bayonet Ring of the lens firmly in a
clockwise direction, securing the lens to the
camera body.
body. Next,
rotate
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