d.2 PROFESSIONAL 2-CHANNEL DJ MIXER
technologies
contact-free controls
infinium
R
W/ PREMIUM VCA CIRCUITRY AND FIREWIRE I/O
After nearly two years of extensive R&D and collaboration with some of
the world’s foremost DJs, Mackie is proud to introduce its first DJ mixer,
the d.2—the world’s first DJ mixer with premium analog circuitry and
optional FireWire computer connection.
This revolutionary 2-channel mixer is built upon intelligent ergonomics,
bulletproof construction, premium analog VCA circuitry, and ultra highperformance components—including an Infinium® optical crossfader,
Mackie-designed mic and turntable preamps, smooth analog EQ with
blue backlit knobs, 3-position spring-loaded Transform switches, and
plenty of mixer headroom for a wide, open “analog” sound.
Most notably, the d.2 is the first DJ mixer with optional FireWire
connectivity, letting turntablists, remixers and digital DJs mix in mp3
files directly from a Mac or PC laptop, or record DJ sets directly to
their computers.
FEATURES
• Premium 2-channel DJ mixer with analog
VCA circuitry
• FireWire option card for recording and
mixing mp3s and other files directly to and
from Mac or PC
• 45mm “no-contact” Infinium optical
crossfader for years of use with no audio
degradation
• Mackie-designed mic and turntable preamps
for ultra-low noise and maximum “punch”
www.mackie.com ☎ 425 487 4333 (Outside U.S.) ☎ 800 898 3211 (Toll free within U.S.)
• 2 stereo program channels with CD,
Phono/Line, and FireWire input select
• 3-band EQ per channel with complete kill
filters and blue backlit knobs
• User-rotatable 3-position spring-loaded
Transform switches with latching mode
• Flexible effects routing with variable
FX send control
• Neutrik combo jack for XLR and 1/4”
microphone connections
• “Planet Earth” Power Supply – no need for
power converters, no matter the country
• XLR main outs with mic/line switch for easy
stage integration (No D.I.’s)
• Crossfader features contact-free tension
control, Curve control and Reverse switch
• Fader Reverse switches and Curve controls
• Separate mono/stereo booth out
• Individual program meters plus
main out meters
• Ideal mixer for turntablists, remixers, and
digital DJs alike
S P E C I F I C A T I O N S *
Frequency Response:
Mic Input to any Output (Trim at 0 dB) ..................+0, –1 dB, 20 Hz to 20 kHz
Line/CD Input to any Output .....................................+/- 0.5 dB, 20 Hz to 20 kHz
Phono Input to any Output ........................................+/- 1 dB of RIAA EQ curve
Distortion (THD and IMD):
THD @ Main Output, 20 Hz to 20 kHz
Mic Input @ 30 dB Gain ................................................Less than 0.0075%
Line/CD Input @ 0 dB Gain ..........................................Less than 0.0075%
Phono Input .....................................................................Less than 0.01 %
THD @ Phones Output, 20 Hz to 20 kHz
Line Input @ 0 dB Gain .................................................Less than 0.03%
SMPTE IMD @ +4dBu Output
Mic Input @ 30 dB Gain ................................................Less than 0.008%
Line/CD Input @ 0 dB Gain ..........................................Less than 0.008%
Common Mode Rejection Ratio (CMRR):
Mic Input (Gain = maximum) ..................................... Greater than 60 dB @ 1 kHz
Crosstalk:
Adjacent Inputs or Input to Main Output ..............Less than -85 dB @ 1 kHz
Noise Characteristics:
Equivalent Input Noise (E.I.N.), 20 Hz to 20 kHz
Mic Input (150
Phono Input (500
CD/Line Input (150 Ω source impedance) ............Less than -110 dBu
Dynamic Range (Main Out) ........................................Greater than 100 dB
Ω source impedance) .....................Less than -123 dBu
Ω/500 mH source imp.) ............ Less than 0.3 µV
Maximum Input Levels:
Rated at 1% THD
Mic Input (Gain @ minimum) .....................................+9 dBu
CD and Line Inputs (PGM Gain = 0 db) ................... +22 dBu
FX Input ..............................................................................+22 dBu
Phono Input .....................................................................
78mV @ 1kHz
Input/Output Characteristics:
Input Gain Control Range
Mic Input ...........................................................................+3 dB to +50 dB
PGM Input ......................................................................... OFF to +13 dB
FX Return ...........................................................................OFF to +13 dB
Input Impedance:
Mic Input: ..........................................................................2.4 kΩ, balanced
CD/ Line Input .................................................................20 kΩ, balanced
FX Return ...........................................................................
Phono Input .....................................................................47.5 kΩ shunted with 200 pF
20 kΩ, balanced
Maximum Output Levels:
XLR Main Output ............................................................+22 dBu
RCA Main Output ...........................................................+22 dBu
Booth Output ...................................................................+22 dBu
FX Send ..............................................................................+22 dBu
Phones ................................................................................15 volts rms into 8
Ω (28 watts)
Output Impedance:
Main XLR/RCA Output ..................................................150 Ω
Booth Output ...................................................................
FX Send ..............................................................................150 Ω
Phones ................................................................................
150 Ω
25 Ω
Equalization:
Mic Channel
Low ......................................................................................
Mid .......................................................................................±15 dB @ 2.5 kHz
High ..................................................................................... ±15 dB @ 12 kHz
PGM Channel
Low ......................................................................................
Mid .......................................................................................+10/–inf dB @ 1 kHz
High ..................................................................................... +10/–inf dB @ 4 kHz
±15 dB @ 80 Hz
+10/–inf dB @ 300 Hz
VU Meters:
12-segment pre-fader PGM meters
12-segment pre-fader Main Mix meters
OL (+20), +10, +7, +4, +2, 0, –2, –4, -7, –10, –20, -30
0 LED = +4 dBu
Mic Input Signal Present LED (Sensitivity) .............-20 dBu
AC Power Requirements:
Power Consumption .....................................................20 watts
Universal AC Power Supply .........................................100 VAC – 240 VAC, 50-60 Hz
Physical Dimensions and Weight:
Height .................................................................................15.49” / 393.4mm (including
knobs and connectors)
Width ..................................................................................10” / 254mm
Depth .................................................................................. 4.62” / 117.3mm (including
knobs and connectors)
Weight ................................................................................ 11lb / 5kg (with FireWire card)
The d.2 mounting slots are compatible with the Odyssey Battle Bridge. This
consists of two L brackets which bolt to the d.2 and allow you to fit it securely
between two turntable cases. See www.odysseygear.com for more details.
Options:
d.2 FireWire I/O Card
© 2 005 LOUD TE CHNO LOGI ES INC. AL L RI GHTS RES ERV ED. “MAC KIE .” A ND T HE “RUN NIN G MA N” F IGU RE A RE
REGI STER ED TRAD EMA RKS OF L OUD TEC HNO LOGI ES I NC. ALL OTH ER TRAD EMA RKS ARE PRO PERT Y O F TH EIR
RESP ECT IVE OWNE RS.
ALL SPE CIFI CATI ONS SUBJ ECT TO CHAN GE WITH OUT NOT ICE.
*
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