Line 6 Bass POD User's Manual

More great sounds for your Bass POD will soon be available at www.line6.com

Working Man – Rock Classic with Compression (a la Working Man by Rush)

Hip Hop – Sub Dub with 1X18 Cab and Compression (a la Massive Attack and Dr. Dre) C Synth – Tube Preamp with Bass Synth and Compression D R&B – Motor City with Compression

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A Sleepless In Seattle – Silver Face with heavy Analog Chorus (a la Come As You Are by Nirvana) B Major Sunshine – Brit Major, 4X12 Cab and Octave Down (a la Sunshine of Your Love by Cream) C Brit Super – with Compression (a la Fire by Jimi Hendrix) D Funk – with Tron Down and Compression (a la Bootsy Collins)

A Session – with light Compression and Danish Chorus B Wicked Garden – Adam & Eve with Gray Flanger and Compression (a la Tool) C Deep Goo – Flip Top with cab modeled after Versatone 1X12 plus S/H + Driver with Compression D Chili – California with Tron Up and Compression (a la Higher Ground by Red Hot Chili Peppers)

A Eighties – with Danish Chorus (the sound of 80’s Metal) B Stadium – with full Large Pie (a la Smashing Pumpkins) C Class Trip – Brit Class A with Compression (a la Day Tripper by The Beatles) D Major Jones – Brit Major w/ mid boost and Compression (a la Whole Lotta Love by John Paul Jones)

A Growling Mids – Rock Classic with mid boost and Compression (a la New Year's Day by U2) B Mean Motor City – Motor City with everything on 10 C Sub Dub Fuzz – with full Drive and Compression D Moody Monk – Jazz Tone with light Analog Chorus (a la Monk's Mood by Thelonious Monk)

A Rock Classic – modeled after a 1974 Ampeg SVT B Brit Major – modeled after a 1969 Marshall Major C Brit Super – modeled after a 1968 Marshall Super Bass “Plexi” D Silver Panel – modeled after a 1967 Fender Bassman Head

A Brit Class A – modeled after a 1965 Vox AC-100 B Motor City – modeled after a 60’s Versatone Pan-O-Flex C Flip Top – modeled after a 1960’s Ampeg B-15 D Sub Dub – Lo-fi goodness perfect for Electronica, Dance, Hip Hop and more...

A Tube Preamp – for direct recording of non-bass instruments B Session – modeled after an SWR SM-400 C California – modeled after a Mesa Boogie Bass 400+ D Jazz Tone – modeled after a Polytone Mini Brute

A Adam & Eve – modeled after an Eden Traveler WT-300 B Eighties – modeled after a Gallien Krueger 800 RB C Stadium – modeled after a Sunn Coliseum

Fender, Marshall, Vox, and other amplifier model designations, and the names of musical artists, song titles and

groups, and effects, are all trademarks of their respective owners, which are in no way associated or affiliated with

Line 6. These marks and names are used solely for the purpose of describing certain amplifier tones produced using

Line 6’s modeling technology. The Line 6 modeling technology provides Bass POD with a wide variety of sounds and

effects modeled after some of the most popular sounds of the classic amps, effects, and artists mentioned here.

D Amp 360 – modeled after an Acoustic 360

Rev A