Line 6 all products MIDI Continuous Controller Reference

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MIDI ContInuous Controller referenCe

For Line 6® Hardware, POD Farm™ 2 & GearBox™ Software

Mac OS® X & Windows

March 2010

Table of Contents

Line 6 Products and MIDI .....................................................................1•1

What’s MIDI? .................................................................................................................. 1•2

MIDI In & Out ............................................................................................................... 1•2

USB ................................................................................................................................. 1•3

MIDI Channel ................................................................................................................ 1•4

Making the connection .................................................................................................. 1•7

MIDI CC Reference Tables ......................................................................2•1

Line 6 Hardware MIDI CC Reference Table ................................................................. 2•2

GearBox™ Software MIDI CC Reference Table ......................................................... 2•14

MIDI CC Range Reference - Model Tables .............................................3•1

Pocket POD® Model Tables ............................................................................................ 3•1

Floor POD® Model Tables ............................................................................................. 3•3

POD® 2.0 Model Tables .................................................................................................. 3•5

POD

xt Model Tables ................................................................................................... 3•7

Bass POD

POD® X3 Model Tables ................................................................................................ 3•13

Flextone™ III Model Tables ......................................................................................... 3•17

HD147™ Model Tables ................................................................................................ 3•19

Vetta™ II Model Tables ............................................................................................... 3•21

GearBox™ Software Model Tables .............................................................................. 3•23

Effects Model Tables (All Line 6 Products) ................................................................. 3•29

xt Model Tables .......................................................................................... 3•11

Line 6, POD, POD Farm, POD Studio, TonePort, GearBox, GuitarPort, Line 6 Monkey, Vetta, Flextone, HD147, FBV, FBV Shortboard, FBV Express, Spider and Spider Valve are trademarks of Line 6, Inc. All other product names, trademarks, and artists’ names are the property of their respective owners, which are in no way associated or afﬁliated with Line 6.

MIDI CC Reference - Line 6 Products & MIDI

lIne 6 ProDuCts anD MIDI

This document describes the setup of Line 6 devices for MIDI communication and includes reference tables for the products’ MIDI controllers. Many Line 6 products allow their parameters to be tweaked remotely by external MIDI controller hardware units (including the Line 6 FBV™ MkII devices as well as 3rd party controllers), and/or software MIDI sequencers. These items communicate with Line 6 products by sending MIDI Continuous Controller (MIDI CC), Note, Pitch Wheel, Bank Change, Program Change and/or MIDI System Exclusive (SysEx) commands. A MIDI CC is the most common type of message used for this task, and what is used for accessing most functions on Line 6 products. A MIDI CC message consists of a “controller” number followed by a data value. When you access a button, slider, knob or pedal on your MIDI controller device, or when you conﬁgure your MIDI sequencing software to output MIDI control data, this MIDI CC command is what is transmitted, which makes it possible to do things such as remotely control the Volume level or other parameters of your Line 6 hardware or software in real-time! Likewise, some Line 6 products’ functions, (such as Monitor levels in the Line 6 GearBox software), can be remotely accessed using MIDI SysEx commands. Additionally, these same Line 6 products are also capable of transmitting MIDI control data. This makes it possible to control another software or hardware device’s parameters in real-time via your Line 6 product.

The key to all this communication is the MIDI CC mapping. The following pages include MIDI CC master tables for Line 6 hardware and POD FarmTM 2 & GearBoxTM software, as well as Model Tables for each product. These tables serve as references for determining the MIDI assignments you need to conﬁgure on your MIDI controller to access the parameters of each Line 6 product. These tables additionally show what MIDI data each Line 6 product transmits. The Line 6 products included in this reference are:

• Pocket POD

• Floor POD® Plus

• POD® 2.0, POD® Pro

• POD

• POD® X3 Live, POD® X3 Pro

• FlextoneTM III & HD147®

• Vetta™ II & Vetta™ II HD

• POD Studio™ UX2 & KB37 & TonePort™ UX2, UX8 & KB37

• FBV Shortboard™ MkII & FBV Express™ MkII Series Controllers

• POD Farm™ 2 Plug-In & POD Farm™ 2 standalone application

• GearBox™ 3.7 standalone application

For all MIDI information regarding Line 6 Spider Valve™ MkII ampliﬁers, please see the Spider Valve MkII Advanced Guide, available from the Spider Valve MkII Online Help site.

xt, POD® xt Pro & POD® xt Live / Bass POD® xt, Bass POD® xt Pro & Bass POD® xt Live

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MIDI CC Reference - Line 6 Products & MIDI

What’s MIDI?

MIDI (Musical Instrument Digital Interface) is a communications protocol designed to allow various music-making machines and/or software to exchange information. It allows one device to control another, and several devices to all be used together in coordination. To follow are details on the MIDI connections for your Line 6 device.

MIDI In & Out

Hardware devices commonly use standard 5-pin MIDI cables, which are always connected from the MIDI Out jack of the sending device to the MIDI In jack of the receiving device. Each connection is a one-way street: information ﬂows from the OUT of one device to the IN of another device. To allow information to ﬂow back, you must connect a second cable, from IN to OUT. Several of the Line 6 hardware devices include MIDI jacks and can be connected to other MIDI devices in this manner.

To send and receive MIDI data to and from a computer, unless your MIDI controller device includes a USB connection, a MIDI Interface device is required. This type of device allows you to connect your MIDI 5-pin cables to a hardware MIDI “Port” and then routes the MIDI data between the Port and computer via a USB or serial port connection.

Connecting a device to a computer MIDI Interface with “5-pin” MIDI cables

These days, you’ll often see MIDI synthesizers, controllers and other MIDI devices simply come with just a USB connection, and all MIDI data communication uses this rather than 5-pin MIDI cables (see the next section for more on USB). For example, the Line 6 FBV MkII Series Controllers offer a USB connection for their MIDI communication with a Mac® or Windows® computer.

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MIDI CC Reference - Line 6 Products & MIDI

USB

If you are using a Mac® or Windows® computer in your setup, then you can exchange MIDI data via USB rather than via a 5-pin MIDI cable connection. USB is commonly used to route MIDI data among hardware and software where software-based USB MIDI In and Out ports are created on the computer. These “virtual” MIDI In and Out ports are accessible within software applications on the computer, and function very much the same as “hardware” MIDI ports. Many computer-based Line 6 products such as Pocket POD, PODxt, BASS PODxt, TonePort, POD Studio, and FBV MkII devices utilize device drivers that establish Line 6 USB MIDI ports on your computer, allowing them to be connected to the MIDI ports of other computer-based hardware and MIDI software.

When connected to your computer via USB, the Line 6 MIDI device drivers provide “virtual” MIDI ports that are accessible to other computerconnected MIDI hardware and MIDI software. If you are using a MIDI or DAW software application, typically you can go into the software’s MIDI control panel (typically found in the application’s Preferences or Options menus) to access the Line 6 MIDI In and Out ports. For example, here is how the Line 6 KB37 USB MIDI In and Out ports appear in the Ableton Live software’s MIDI Preferences dialog:

Select the MIDI ports for each device you want Live to receive MIDI Control from in the Input menus

If you want to route Live’s MIDI output to a Line 6 device, select the port(s) for your Line 6 device in the Output menus

For each selected MIDI port, switch the Track option “On” to route its MIDI data to a Live MIDI track (such as for the ability to record MIDI from the KB37 note keys, or to route MIDI commands to POD Farm 2 Plug-In inserted within Live)

To receive MIDI control data into the Live application, other than just as MIDI track input, switch Remote to “On” for each MIDI port (such to control Live’s transport controls, mixer parameters, etc.)

The Ableton Live MIDI Preferences panel

Once the Line 6 MIDI device is conﬁgured as an active MIDI Input, you can then choose the device for any MIDI track and/or MIDI control options within the software. This allows you to use your Line 6 device’s on-board controllers (footswitches, knobs, pedals, note keys, pitch or mod wheel, etc.) to send MIDI note data or MIDI control data into the software. Conﬁguring your Line 6 MIDI device as an active MIDI Output allows you to feed MIDI data from the software to your Line 6 MIDI device. For example, if you have MIDI control data within a MIDI track of the DAW software, this would allow you to route that data out to a Line 6 PODxt USB MIDI port to control the PODxt parameters! Check your sequencing software’s documentation fore more speciﬁcs on its MIDI capabilities.

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MIDI CC Reference - Line 6 Products & MIDI

Note that if you are connecting your Line 6 device to your computer using MIDI cables to and from a MIDI Interface (such as an M-Audio MIDISport™, MOTU Express™, etc.) then the MIDI Interface’s ports will be selectable in your DAW software’s MIDI control panel. In this conﬁguration, your Line 6 device transmits and receives MIDI data through the MIDI Interface unit’s hardware ports, providing MIDI communication with the DAW software.

MIDI Channel

MIDI allows sixteen different “channels” of information to be transmitted and received through one MIDI port. You can think of MIDI channels much like “channels” on your TV - your TV can receive from numerous channels, but you need to “tune in” to one particular channel to receive the desired program. Similarly, MIDI channels allow MIDI devices and software to “ﬁlter” MIDI communication on the selected port, so that some channels can be received only at particular destinations. For example, you may want some speciﬁc MIDI data received by one MIDI track in your DAW, but not into other tracks that are set to receive from the same MIDI port.

By default, Line 6 devices are conﬁgured to send and receive all MIDI on Channel 1 of their MIDI ports, however, most offer MIDI Channel options, as described in the following sections. Your DAW software may also offer MIDI channel options for sending & receiving MIDI - Please consult your software’s documentation for info on its MIDI channel options.

Floor POD Plus

To set Floor POD Plus’ MIDI Channel, hold the Manual button and press Save to enter MIDI channel mode. The display will indicate the current MIDI transmit/receive channel. Use the Bank Up/Down footswitches to change the MIDI transmit/receive channel. Selecting “All” places the unit into Omni mode - In Omni mode the unit receives MIDI on all channels and transmits only on channel 1. Press the Manual button to save the MIDI channel selection and exit MIDI channel mode.

POD 2.0, POD Pro

To set the POD MIDI Channel, press the MIDI button (which will light up). The single-digit display will show you the current channel POD is tuned in to – the default is Channel 1. Use the Up and Down arrows to select a different MIDI channel from 1 thru 16. POD displays channels 10 through 16 by lighting up the decimal point to the right of the single digit. So “2.” means channel 12. You can also set POD to listen to all channels (Omni mode) by selecting “A” (A for all) for the MIDI channel. When in Omni mode, POD transmits on channel 1.

PODxt and Bass PODxt

To set the MIDI Channel on PODxt, PODxt Pro, Bass PODxt or Bass PODxt Pro, press the TUNE/SYSTEM button (which will light up). For PODxt Live or Bass PODxt Live, press the OUTPUT MODE/SYSTEM button so that it lights up. Then, for any of these units, use the Select knob to ﬁnd the MIDI page:

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MIDI CC Reference - Line 6 Products & MIDI

PODxt/Bass PODxt MIDI options

Press the button under CHANL and start spinning the EFFECT TWEAK knob to change the MIDI Channel. You can choose channels 1 thru 16, or OMNI (Omni means PODxt will ‘listen’ on all MIDI channels, which is ﬁne if it’s your only connected MIDI device). PODxt/ Bass PODxt always accepts SysEx data on any channel, so if you are only working with SysEx data, this channel setting is only important to determine to what channel your PODxt/Bass PODxt will send MIDI data.

POD X3 Live, POD X3 Pro

To set the MIDI Channel on POD X3, press and hold the Outputs/Hold for System button for 2 seconds to go to the SYSTEM page:

The POD X3 System page

Choose from MIDI Channel 1-16, or select Omni to have POD X3 respond to all MIDI channels, while transmitting on Channel 1. When MIDI Program Change messages 0-127 are received, POD X3 Live will recall User Presets 01A-32D, and it will send those same program changes as presets are selected from the POD X3. It also echoes all Program Change messages it receives to the MIDI Out, so they can be connected “thru” to another MIDI device.

Vetta II and Vetta II HD

To set the MIDI Channel on a Vetta II Combo or HD ampliﬁer, press the SYSTEM SETUP button (which will light up), then turn the PAGE knob until the LCD displays page 3. Select the knob directly beneath the MIDI CHAN item in the display and adjust it to the desired channel number (1-16).

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MIDI CC Reference - Line 6 Products & MIDI

Flextone III, HD147, and Pocket POD

Flextone III, HD147, and Pocket POD always communicate on MIDI Channel 1 as a ﬁxed setting.

POD Studio and TonePort UX2, UX8 and KB37

These POD Studio and TonePort devices are capable of transmitting on any MIDI Channel (1 thru 16) on their one USB MIDI Out port. The transmitting MIDI channel settings are conﬁgurable in the MIDI Control Settings utility, found in the Line 6 Audio-MIDI Devices MIDI panel. The Line 6 Audio-MIDI Devices utility is installed on your computer along with POD Farm 2, GearBox or Line 6 Device Driver installations (in the System Preferences on Mac® or in the Control Panel on Windows®). These devices receive MIDI data on all 16 MIDI channels. Also see the POD Studio & Tone Port MIDI Setup Guide.

FBV Shortboard & Express MkII Controllers

The FBV MkII Series controllers are capable of transmitting on any MIDI Channel (1 thru 16) on any of their four USB MIDI Out ports. This is conﬁgurable within the Line 6 FBV Control application (available free from the Line 6 software downloads site). Note the options in the MIDI Port and MIDI Channel columns in the Line 6 FBV Control application allow you to set these individually, per control, and these Port and Channel settings are saved with your FBV Preset. Also see the FBV Control Basic User Guide.

POD Farm 2 Plug-In & Standalone Application

POD Farm 2 receives MIDI on all 16 MIDI channels. Also see the POD Farm 2 Basic User Guide.

GearBox Software

GearBox receives and sends MIDI data on Channel 1 as a ﬁxed setting. See page 1•9 for more about GearBox control.

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MIDI CC Reference - Line 6 Products & MIDI

Making the connection

To follow are more details for connecting speciﬁc Line 6 products to other devices for MIDI communication.

POD X3 Live & POD X3 Pro

POD X3 Live & Pro devices include 5-Pin MIDI In and Out jacks, and it is necessary for you to use these connections to receive and transmit MIDI data.* Most functions within POD X3 Live and Pro can be controlled remotely by receiving MIDI messages coming into the 5-Pin MIDI Input. POD X3 Live and Pro devices also transmit MIDI data. Although these devices are not primarily designed to be full-featured “MIDI controller” devices, most POD X3 Live & Pro parameters’ adjustments result in a unique, “ﬁxed” MIDI command being fed to their 5-pin MIDI Out. This allows you to control software and/or other hardware devices’ parameters via MIDI! Please refer to “Line 6 Hardware MIDI CC

Reference Table” on page 2•2 and “POD® X3 Model Tables” on page 3•13 for the list of the speciﬁc MIDI commands these devices transmit.

*Note: POD X3 Live and POD X3 Pro devices do not utilize the USB connection for MIDI communication. The POD X3 “Bean” device does not support MIDI communication.

Floor POD Plus, POD 2.0, POD Pro, Flextone III, HD147 and Vetta II

Each of these Line 6 devices include two MIDI 5-pin cable connections: MIDI In & MIDI Out. You connect to other MIDI devices by plugging MIDI cables to these In & Out jacks. As covered in “MIDI In & Out” on page 1•2, be sure to use two MIDI cables, and connect between the MIDI Out of one device to the MIDI In of the other, and vice-versa. If you are connecting to a computer, then you’ll need a MIDI Interface device that offers at least one set of physical MIDI ports (one MIDI In and one MIDI Out jack). Then go into the MIDI software’s MIDI Preferences or Control Panel dialog and choose the 3rd party MIDI Interface’s MIDI In and MIDI Out port to allow the software to communicate to your connected Line 6 device.

PODxt, Bass PODxt, TonePort, POD Studio & Pocket POD

All PODxt and Bass PODxt family devices include both USB and 5-pin MIDI jacks. You can use the USB connection for MIDI connectivity with your computer when it is desired to feed MIDI to your PODxt to control its functions, as well as to route this MIDI “Thru” to another software application. Alternatively, you can use the 5-Pin MIDI cable connection as described in “MIDI In & Out” on page 1•2 for all MIDI communication. PODxt devices are not primarily designed to be full-featured MIDI controller devices. However, most parameters’ adjustments on these devices result in a unique, “ﬁxed” MIDI command being fed to their 5-pin MIDI Out. You can use a PODxt device to control software that supports external MIDI control, but you’ll need to use the PODxt 5-pin MIDI connection to your computer or MIDI hardware (the PODxt USB MIDI Out port does not carry these PODxt-generated MIDI control output messages). Please refer to “Line 6 Hardware MIDI CC

Reference Table” on page 2•2 and “POD® xt Model Tables” on page 3•7 for the list of the speciﬁc MIDI commands these devices transmit.

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MIDI CC Reference - Line 6 Products & MIDI

POD Studio and TonePort UX2, UX8 & KB37 devices include a USB MIDI driver that allows other Mac® or Windows® software applications to access “virtual” USB Line 6 MIDI In and Out ports. This allows you to send and receive MIDI control data to and from any MIDI or DAW software applications. These POD Studio & TonePort devices include Footswitch and/or Expression Pedal inputs that transmit MIDI control commands, allowing you to remotely control numerous functions within POD Farm 2, GearBox software and other applications. KB37 additionally includes several rotary knob, push button and pitch & mod wheel controllers, as well as note keys which all send MIDI to the KB37 USB MIDI Out port. You can conﬁgure the speciﬁc MIDI control messages these devices transmit from their controllers using the “MIDI Control Settings” application, found in the Line 6 Audio-MIDI Devices - MIDI panel. The Line 6 Audio-MIDI Devices utility is installed on your computer along with POD Farm 2, GearBox or Line 6 Device Driver installations (in the System Preferences on Mac® or in the Control Panel on Windows®). Please see the POD Studio & Tone Port MIDI Setup Guide for instructions on conﬁguring these MIDI settings.

Pocket POD includes a mini USB jack, which provides MIDI connectivity to your computer. There is no need to install any type of device driver for USB or MIDI operation - Pocket POD utilizes a “class-compliant” USB driver (i.e. - a driver already included with the Mac® OS X, Windows® XP or Windows Vista® operating system). Just connect Pocket POD via USB cable to your computer and the operating system will “install” the device automatically.

FBV Shortboard & Express MkII Controllers

Just like the ﬁrst generation Line 6 FBV Series devices, the latest FBV MkII Series controllers connect to Line 6 amps and PODs that include the RJ45 cable connection, allowing remote control for these products’ settings. FBV Shortboard and Express MkII Series devices additionally include a USB connection and the Line 6 FBV Control software, allowing them to function as external MIDI controller devices for Line 6 POD Farm 2, GearBox and other MIDI/DAW applications on your Mac® or Windows® computer!

When connected to your computer via USB, the FBV MkII device’s main function is, of course, to transmit MIDI control data to the software that you want to control. As with any USB MIDI controller hardware, you’ll need to conﬁgure your MIDI/DAW software to receive MIDI data from any of the FBV MkII USB MIDI Out ports. Typically this is accomplished within the MIDI/DAW software’s Options or Preferences, where there is a selector for something such as “External MIDI Controller” or just “MIDI Input”. Here you should see the FBV MkII USB MIDI Out ports 1 thru 4 available. You can then conﬁgure what type of MIDI control messages your FBV MkII footswitches and Pedals transmit, as well as what MIDI Out ports and channels they transmit on, by using the Line 6 FBV Control application.

The Line 6 FBV Control application is available as a free download from the line6.com/software page. For more about the FBV MkII USB MIDI and Line 6 FBV Control application, please see the FBV MkII Advanced User Guide and the FBV Control Basic User Guide found on the FBV MkII Online Help page.

Line 6 POD Farm 2 Plug-In & Standalone Application

Both POD Farm 2 Plug-In & standalone application fully support external MIDI control for the majority of their functions, providing hands-free control over numerous amp & effects parameters, system settings and Setlists & Tone Preset navigation! Any MIDI control device connected to your computer that is capable of transmitting MIDI CC, Note On, Pitch Wheel and Bank & Program Change commands can be used to

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MIDI CC Reference - Line 6 Products & MIDI

remotely access POD Farm 2 functions. The FBV MkII devices are very well suited for this task, and it is also possible to utilize the MIDI controllers available on POD Studio & TonePort UX2, UX8 and KB37 devices, or even some POD X3 & PODxt devices (see “POD X3 Live

& POD X3 Pro” and “PODxt, Bass PODxt, TonePort, POD Studio & Pocket POD”). The majority of 3rd-party MIDI controller devices are

supported as well. POD Farm 2 includes a large set of Tone Presets that already include “pre-conﬁgured” MIDI control assignments, which allow you to simply conﬁgure your MIDI controller device to transmit a set of MIDI commands to access them immediately. Additionally, POD Farm 2 offers “MIDI Learn” functionality, where it can instantly “map” the individual footswitches, pedals or knobs of your device to any of the numerous POD Farm 2 functions with just a few mouse clicks. Please refer to the POD Farm 2 and FBV MkII User Guides for the complete info on POD Farm 2 MIDI control - available from the POD Farm Online Help site.

Line 6 GearBox Software

Controlling GearBox with POD Studio & TonePort devices:

If using a POD Studio or TonePort UX2, UX8 or KB37, GearBox control is built right in to allow the device’s footswitch and/or pedal, push buttons, and pitch & mod wheel to send dedicated control commands to GearBox. All these settings are managed within the MIDI Control Settings utility (accessed in the Line 6 Audio-MIDI Devices > MIDI dialog). Also see the POD Studio & Tone Port MIDI Setup Guide.

Controlling GearBox with external MIDI controller devices:

The GearBox software supports external MIDI control, allowing many of its on-screen knobs, buttons, sliders and model selections to be accessed remotely via hardware MIDI controller devices or via MIDI software. Most GearBox functions can be controlled via MIDI CC type commands – please refer to the “GearBox Software MIDI CC Reference Table” and “GearBox Software Model Tables” for the MIDI CC mappings.

Connect your external MIDI controller device to your computer (either via 5-pin MIDI cables to a MIDI Interface, or via USB if your controller offers it). Next, go to the GearBox Preferences dialog and choose the MIDI/Control tab. Click on the MIDI Input selector, where you can choose the MIDI device or port from which you want GearBox to receive MIDI controller data:

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MIDI CC Reference - Line 6 Products & MIDI

The GearBox Preferences – MIDI/Control tab. Choosing a device for MIDI Input.

In the above example, we’ve selected to receive MIDI Input from MIDI Port 1 of an FBV Shortboard MkII device. GearBox will automatically receive MIDI data on MIDI Channel 1 from the connected Line 6 USB source hardware, so you’ll want to conﬁgure your MIDI controller to transmit all its MIDI control commands speciﬁcally to MIDI Channel 1. For FBV MkII, the MIDI Channel is selectable for each control in the Line 6 FBV Control application. For POD Studio & TonePort devices, use the Line 6 MIDI Control Settings dialog.

If you want to control GearBox from a MIDI/DAW software, you can route the MIDI sequencer application’s MIDI Output to the MIDI In port of your source Line 6 USB device. For example, you can set the Ableton Live Preferences - MIDI Input setting to your connected Line 6 TonePort MIDI port, then MIDI control data can be transmitted from your Ableton Live MIDI track to manipulate GearBox controls in real time during the Live playback. Again, GearBox receives this MIDI data on Channel 1, so you’ll need to set your MIDI/DAW software to transmit on this channel. Check your MIDI/DAW software’s documentation for details on its particular MIDI output capabilities.

Note: When using a PODxt family device as your USB source device for GearBox, then the PODxt hardware is already a “ﬁxed” MIDI Input device into GearBox, therefore, the Preferences-MIDI/Control tab appears blank. You can plug an external controller into the PODxt 5-Pin MIDI In, or set your MIDI/DAW software to use the PODxt USB MIDI In port to route MIDI data into GearBox.

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MIDI CC Reference - Line 6 Products & MIDI

GearBox SysEx Control

Some GearBox and GuitarPort Online (GPO) functions, such as Monitor & Send Levels, can be controlled via MIDI by using SysEx commands. GearBox SysEx messages take on the following format:

F0 00 01 0C 08 <opcode> <data> … F7

Where:

<opcode> is a single byte opcode (00 – 7F)

Number of bytes in <data> depends on the opcode.

The following table lists the opcodes implemented in GearBox 3.5 and later:

Function Opcode Data Size (bytes) Data Description Bypass 00 1 Byte 1: 00 for bypass off; 01 for bypass on

Monitor Mute 01 2

Next/Previous Tone 02 1 Byte 1: 01 for next tone; 00 for previous tone

Record Send Level 03 2

Monitor Level 04 2

GPO Track Level 05 1 Byte 1: Gain scale, 00-7F (00 = 0.0 to 7F = 1.0) GPO Player Half Speed 06 1 Byte 1: 01 = enable half speed; 0x00 = disable half speed GPO Player Loop Enable 07 1 Byte 1: 01 = loop enable; 00 = loop disable

Byte 1: Audio stream, 00 = Send 1/2, 01 = Send 3/4 ... 7F = all Byte 2: 01 is mute on; 00 is mute off

Byte 1: Audio stream, 00 = Send 1/2, 01 = Send 3/4 ...7F = all Byte 2: Gain scale, 00-7F (00 = 0.0 to 7F = 1.0)

GuitarPort Online Player Transport Control

In addition, the following MIDI events are recognized for the Guitar Port Online (GPO) Player transport control. These 3 byte MIDI short messages (not SysEx) are based on the Mackie control speciﬁcation.

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MIDI CC Reference - Line 6 Products & MIDI

GPO Track Play 90 5E 7F GPO Track Stop 90 5D 7F GPO Track FWD Start 90 5C 7F GPO Track FWD Stop 90 5C 00 GPO Track REW Start 90 5B 7F GPO Track REW Stop 90 5B 00

TIP: If you are using an FBV MkII controller with GearBox, you can set any of the Controls within the Line 6 FBV Control application’s MIDI Command column to “Mackie” and conﬁgure the footswitch to toggle these GPO Player transport options! FBV MkII controllers are not conﬁgurable to send MIDI SysEx commands.

To conﬁgure GearBox to send MIDI data:

GearBox can additionally output MIDI CC data whenever most of its functions are operated, which allows the remote control of other hardware or software products that are capable of responding to MIDI CC messages. In the GearBox Preferences - MIDI/Control tab, simply check the box for “Send MIDI as on-screen controls are operated” (this box is unchecked by default).

The GearBox MIDI data is automatically transmitted to the USB MIDI Out of the connected Line 6 POD Studio, TonePort or PODxt. (This GearBox MIDI data output is “ﬁxed” to only be fed to the Line 6 USB devices currently in use as the GearBox USB audio device.)

Also check out the Line 6 Product Manuals page to grab additional info on Line 6 gear, recording, computer optimizations and more!

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MIDI CC Reference - Line 6 Hardware & Software Reference Tables

MIDI CC referenCe tables

The following sections include MIDI CC reference table, which are provided to show the ﬁxed MIDI CC commands for several Line 6 products. The ﬁrst MIDI CC reference table on page 2•2 is speciﬁcally for Line 6 hardware devices, followed by a table for the Line 6 GearBox software on page 2•14 . These tables list all controllable parameters, the MIDI CC controller number and values assigned to each parameter, as well as descriptions for what is being controlled. To follow are descriptions of the columns shown in the Line 6 Hardware and GearBox MIDI CC tables.

Note: For MIDI control of the Line 6 POD Farm 2 Plug-In and standalone application, please also see the POD Farm 2 & FBV MkII User Guides for more information, available from the POD Farm Online Help site.

Parameter - Lists all parameters that can be remotely controlled by MIDI CCs, and you can see that many parameters are common to several Line 6

hardware devices.

Notes - Some Parameters may not be too obvious by name alone, or have some special behaviors for how their data value ranges are applied, so this column is where to look for this info.

Product Columns - (Line 6 Hardware chart) There are 5 sets of paired columns that refer to each product type. Note that PODxt and Bass PODxt are each one paired column set – these each include all PODxt and Bass PODxt products (XT, XT Pro and XT Live), unless otherwise noted. Each has a column for “TX” (transmit) and “RX” (receive). A check mark in the column means that the control of the parameter via MIDI CC is supported for the product type.

MIDI CC# and Range - This set of columns lists the assigned MIDI CC controller number, followed by the range for the data values supported. You can see that most CCs offer a range from 0 to 127, which typically map to a knob or slider. If the parameter is a simple on/off type, then usually values from 0 to 63 will all set that parameter to “off” and 64 to 127 will set the parameter to “on”. Some parameters, such as the various “Model Select” items, will number only from 0 up to a number less than 127, since each value represents a speciﬁc, available Model – all higher values have no related function (see the Model Tables section*). Check the Notes column to see if other behaviors apply.

*The Model Tables section provides the detailed breakdown of MIDI CC range values that are assigned to the individual Amp, Cabinet and Effects Models and Effect parameters. These are the available Model types that can be selected for each Amp/Cab/Effect type, and each Model is recalled using the speciﬁc range value for the assigned MIDI CC.

2•1

Line 6 Hardware MIDI CC Reference Table

MIDI CC Reference - Line 6 Hardware & Software Reference Tables

Parameter Notes MIDI CC # and

Range

CC# Min Max TX RX TX RX TX RX TX RX TX RX TX RX TX RX TX RX

Tweak 1 0 127 √ √ √ √ √ √ √ √ √ √ √ √ Pedal 1 1 0 127 √ √ Delay Tweak 2 0 127 √ √ Tweak 2 2 0 127 √ √ Pedal 2 2 0 127 √ √ Modulation

Tweak Wah Position 4 0 127 √ √ √ √ √ √ √ √ √ √ √ √ √ √ √ Compressor

Gain Split/Blend 0=Blend/Blend, 1=Split/

Blend, 2=Blend/Split, 3=Split/Split

Volume Pedal Realtime (not saved in

Channel or Setup)

Amp 2 Pan 0=Full Left, 64=Center,

127=Full Right

Compression Threshold

Amp 1/Studio Pan

Amp 1 Model w/ Amp defaults

0=Full Left, 64=Center, 127=Full Right

Loads Amp with Amp Defaults. Range depends on device (see model tables)

3 0 127

5 0 127

6 0 3

7 0 127

8 0 127

9 0 63

10 0 127

11 0 -

POD 2.0

√ √ √ √ √ √ √ √ √ √ √ √ √ √ √

PODxt Bass

PODxt

√ √ √ √ √ √

√ √ √ √

√ √ √ √ √ √ √ √

Flex III HD147

√ √

Vetta II Floor

POD Plus

Pocket

POD

POD X3

Live /Pro

2•2

MIDI CC Reference - Line 6 Hardware & Software Reference Tables

Line 6 Hardware MIDI CC Reference Table

Parameter Notes MIDI CC # and

Range

CC# Min Max TX RX TX RX TX RX TX RX TX RX TX RX TX RX TX RX

Amp 1 Model w/out Amp defaults

Amp 1 Model w/ Amp defaults

Amp 1 Drive 13 0 127 √ √ √ √ √ √ √ √ √ √ √ √ √ √ √ √ Mic Pre Amp

Param 0 Amp 1 Bass 14 0 127 √ √ √ √ √ √ √ √ √ √ √ √ √ √ √ √ Mic Pre Amp

Param 1 Amp 1 Mid 15 0 127 √ √ √ √ √ √ √ √ √ √ √ √ √ √ Mic Pre Amp

Param 2 Low Mid 15 0 127 √ √ Amp 1 Treble 16 0 127 √ √ √ √ √ √ √ √ √ √ √ √ √ √ Mic Pre Amp

Param 3 High Mid 16 0 127 √ √ Amp 1

Channel Volume

Mic Pre Amp Param 4

Reverb Level 18 0 127 √ √ √ √ √ √ √ √ √ √ √ √

Loads Amp Model without Amp Model Defaults. Range depends on device (see model tables)

12 0 -

13 0 127

14 0 127

15 0 127

16 0 127

17 0 127

POD 2.0

√ √ √ √ √ √ √ √

√ √ √ √ √ √ √ √ √ √ √ √ √ √ √ √

PODxt Bass

PODxt

√ √ √ √

Flex III HD147

Vetta II Floor

POD Plus

Pocket

POD

POD X3

Live /Pro

2•3

MIDI CC Reference - Line 6 Hardware & Software Reference Tables

Line 6 Hardware MIDI CC Reference Table

Parameter Notes MIDI CC # and

Range

CC# Min Max TX RX TX RX TX RX TX RX TX RX TX RX TX RX TX RX

Effect Model Range depends on device

(see model tables)

Effect Setup 19 0 63 √ √ √ √ √ √ √ √ Drive 2 (Only

if Amp Type = Layer)

EQ Freq 1 (low shelving)

Amp 1 Presence

Mic Pre Amp Param 5

Treble 21 0 127 √ √ Noise Gate

Enable Gate

Threshold Gate Decay 0=.1msec; 127=3000msec 24 0 127 √ √ √ √ √ √ √ √ √ √ √ √ Stomp Enable 0~63=Off ; 64~127=On 25 0 127 √ √ √ √ √ √ √ √ √ √ Drive/Boost 0~63=Off ; 64~127=On 25 √ √ Comp Enable 0~63=Off ; 64~127=On 26 0 127 √ √ √ √ √ √ √ √ √ √ √ √ √ √ Volume Boost 0~63=Off ; 64~127=On 26 0 127 √ √ Stomp Param 1

MSB Presence Boost 0~63=Off ; 64~127=On 27 0 127 √ √ √ Delay Enable 0~63=Off ; 64~127=On 28 0 127 √ √ √ √ √ √ √ √ √ √ √ √ √ √ √ √ Modulation

Param 1

Non-linear mapping 20 0 127

0~63=Off ; 64~127=On 22 0 127

0<>31=-96dB, 32=-96dB...127=0dB

Not currently in use 27 0 127

19 0 -

21 0 127

23 32 127

29 0 127

POD 2.0

√ √ √ √ √ √ √ √ √ √

√ √ √ √ √ √

√ √ √ √ √ √ √ √ √ √ √

√ √ √ √ √ √ √ √ √ √ √ √ √ √ √ √

PODxt Bass

PODxt

√ √

√ √ √ √ √ √ √ √ √ √ √ √ √

√ √ √ √ √ √ √

Flex III HD147

Vetta II Floor

POD Plus

√ √

Pocket

POD

POD X3

Live /Pro

2•4

MIDI CC Reference - Line 6 Hardware & Software Reference Tables

Line 6 Hardware MIDI CC Reference Table

Parameter Notes MIDI CC # and

Range

CC# Min Max TX RX TX RX TX RX TX RX TX RX TX RX TX RX TX RX

Delay Param 1 MSB

Delay Param 1 Note value

EQ Freq 2 (peaking)

Delay Regeneration

Delay Param 2 33 0 127 √ √ √ √ √ √ √ √ √ Delay Mix 34 0 127 √ √ √ √ √ √ √ √ √ √ √ Delay Param 3 35 0 127 √ √ √ √ √ √ √ Reverb Enable 0~63=Off ; 64~127=On 36 0 127 √ √ √ √ √ √ √ √ √ √ √ √ √ Reverb Model Range depends on device

Reverb Decay 38 0 127 √ √ √ √ √ √ √ √ √ Reverb Tone 39 0 127 √ √ √ √ √ √ √ √ Reverb

Diffusion Reverb Pre-

Delay Reverb Density 41 0 127 √ √ √ Reverb Pre/

Post

1=Whole, 2=Dotted Half, 3=Half, 4=Half Triplet, 5=Dotted Quarter, 6=Quarter,

7=Quarter Triplet, 8=Dotted Eighth, 9=Eighth, 10=Eighth Triplet, 11=Dotted Sixteenth, 12=Sixteenth, 13=Sixteenth Triplet

Non-linear mapping 32 0 127

(see model tables)

0~63 = Pre-Amp Model, 64~127 = Post-Amp Model

30 0 127

31 0 127

32 0 127

37 0 127

40 0 127

41 0 127

POD 2.0

√ √ √ √ √ √ √ √

PODxt Bass

PODxt

√ √ √ √ √ √ √ √ √ √ √

√ √

√ √ √ √

√ √ √ √ √ √ √ √

√ √ √ √ √

√ √ √

√ √ √ √ √ √

Flex III HD147

Vetta II Floor

POD Plus

Pocket

POD

POD X3

Live /Pro

2•5

MIDI CC Reference - Line 6 Hardware & Software Reference Tables

Line 6 Hardware MIDI CC Reference Table

Parameter Notes MIDI CC # and

Range

CC# Min Max TX RX TX RX TX RX TX RX TX RX TX RX TX RX TX RX

Compression Ratio

EQ Freq 2 (peaking)

EQ Freq 3 (peaking)

Wah Enable 0~63=Off ; 64~127=On 43 0 127 √ √ √ √ √ √ √ √ √ √ √ √ Pedal 1 Enable 0~63=Off ; 64~127=On 43 0 127 √ √ Wah Model 44 0 127 √ √ Modulation

lo-cut Wah Bottom

Frequency Wah Top

Frequency Delay/Reverb

lo-cut Volume Pedal

Maximum Volume Pedal

Minimum EQ Pre/Post 0~63 = Pre-Amp Model,

Volume Pre/ Post

Volume Swell Enable

D.I.>Model 48 0 127 √ √

Non-linear mapping 42 0 127

64~127 = Post-Amp Model

0~63 = Pre-Amp Model, 64~127 = Post-Amp Model

42 0 127

44 0 127

45 0 127

46 0 127

47 0 127

48 0 127

POD 2.0

PODxt Bass

PODxt

√ √ √

√ √ √ √

√ √

√ √ √

√ √

√ √ √ √ √ √ √ √ √

√ √

√ √ √ √ √ √ √ √ √ √

√ √

Flex III HD147

Vetta II Floor

POD Plus

Pocket

POD

√ √

POD X3

Live /Pro

√ √

2•6

MIDI CC Reference - Line 6 Hardware & Software Reference Tables

Line 6 Hardware MIDI CC Reference Table

Parameter Notes MIDI CC # and

Range

CC# Min Max TX RX TX RX TX RX TX RX TX RX TX RX TX RX TX RX

Vol Swell Ramp Time

D.I. Delay 49 0 127 √ √ Mod Enable 0~63=Off ; 64~127=On 50 0 127 √ √ √ √ √ √ √ √ √ √ √ √ √ √ √ √ Chorus/Flange

Speed Modulation

Param 1 Note value

Chorus/Flange Depth

Mod Param 2 52 0 127 √ √ √ √ √ √ √ Chorus/Flange

Regen. Mod Param 3 53 0 127 √ √ √ √ √ √ √ Chorus

PreDelay Mod Param 4 54 0 127 √ √ √ √ √ √ √ Rotary Speed 55 0 127 √ √ √ Mod Param 5 55 0 127 √ √ √ √ Rotary Max

Speed Mod Mix 56 0 127 √ √ √ √ √ √ √

1=Whole, 2=Dotted Half, 3=Half, 4=Half Triplet, 5=Dotted Quarter, 6=Quarter,

7=Quarter Triplet, 8=Dotted Eighth, 9=Eighth, 10=Eighth Triplet, 11=Dotted Sixteenth, 12=Sixteenth, 13=Sixteenth Triplet

49 0 127

51 0 127

51 0 13

52 0 127

53 0 127

54 0 127

56 0 127

POD 2.0

PODxt Bass

PODxt

√ √ √

√ √ √ √ √ √ √

√ √ √

Flex III HD147

Vetta II Floor

POD Plus

Pocket

POD

POD X3

Live /Pro

2•7

MIDI CC Reference - Line 6 Hardware & Software Reference Tables

Line 6 Hardware MIDI CC Reference Table

Parameter Notes MIDI CC # and

Range

CC# Min Max TX RX TX RX TX RX TX RX TX RX TX RX TX RX TX RX

Rotary Min Speed

Mod Pre/Post 0~63 = Pre-Amp Model,

64~127 = Post-Amp Model

Tremolo Speed 58 0 127 √ √ √ Mod Model 58 0 - √ √ √ √ √ √ √ √ Tremolo Depth 59 0 127 √ √ √ Stomp Param

1 LSB EQ Freq 3

(peaking) EQ Freq 4

(peaking) Mod Param 1

LSB Delay Time

(Dbl Precision) Delay Param 1

LSB EQ Enable 0~63=Off ; 64~127 63 0 127 √ √ √ √ √ √ √ √ Tap Tempo 64-127 = a Tap 64 0 127 √ √ √ √ √ √ √ √ √ √ √ √ √ √ √ √ Pedal Assign 0~41 = Wah/Off -

Not currently in use 59 0 127

Non-linear mapping 60 0 127

Volume; 42~85 = TweakVolume; 86~127 = Wah/ Vol - Tweak

57 0 127

61 0 127

62 0 127

65 0 127

POD 2.0

PODxt Bass

PODxt

√ √ √

√ √ √ √ √ √ √

√ √ √ √

√ √

√ √ √ √ √ √ √

√ √ √ √

√ √ √ √ √ √ √

√ √ √ √ √ √

Flex III HD147

Vetta II Floor

POD Plus

Pocket

POD

POD X3

Live /Pro

√ √

2•8

MIDI CC Reference - Line 6 Hardware & Software Reference Tables

Line 6 Hardware MIDI CC Reference Table

Parameter Notes MIDI CC # and

Range

CC# Min Max TX RX TX RX TX RX TX RX TX RX TX RX TX RX TX RX

Amp/Preamp Bank Select

Tone 1 or 2 Toggle

Cab Bank Select

Dual Tone Enable

EQ Freq 5 (peaking)

Tuner Enable 0~63=Off ; 64~127=On 69 0 127 √ √ √ √ √ √ √ Mic Model

Select Amp 1

Cabinet Type A.I.R.

Ambience Level

Pitch Shift On/ Off

Determines how CC 11 and 12 messages (Amp Model Select) will be interpreted. 0=load model from Guitar Amp Model set; 1=load model from Bass Amp Model set; 2=Preamps

Determines how CC 71 messages (Cab Model Select) will be interpreted. 0=load model from Guitar Cab Model set; 1=load model from Bass Cab Model set

Non-linear mapping 68 0 127

Range depends on device (see model tables)

RCV: 0-63=Disable, 64-127=Enable.TX: 0=disable, 127=enable

66 0 2

66 0 127

67 0 1

67 0 127

70 0 -

71 0 -

72 0 127

POD 2.0

PODxt Bass

PODxt

√ √

√ √ √ √ √ √ √

√ √ √ √ √ √ √ √ √ √ √ √

√ √ √

Flex III HD147

Vetta II Floor

POD Plus

√ √

Pocket

POD

POD X3

Live /Pro

√ √

2•9

MIDI CC Reference - Line 6 Hardware & Software Reference Tables

Line 6 Hardware MIDI CC Reference Table

Parameter Notes MIDI CC # and

Range

CC# Min Max TX RX TX RX TX RX TX RX TX RX TX RX TX RX TX RX

Double Tracker On/Off

Bright Switch 0~63=Off ; 64~127=On 73 0 127 √ √ Stomp Pre/Post 0~63 = Pre-Amp Model,

64~127 = Post-Amp Model

Stomp Model Range depends on device

(see model tables)

Room Level 76 0 127 √ √ √ √ √ √ EQ Freq 4

(high shelving) EQ Freq 6

(high shelving) Stomp Param 1

Note Value

Stomp Param 2 79 0 127 √ √ √ √ √ √ Stomp Param 3 80 0 127 √ √ √ √ √ √ Stomp Param 4 81 0 127 √ √ √ √ √ √ Stomp Param 5 82 0 127 √ √ √ √ √ √ Stomp Param 6 83 0 127 √ √ √ √ √ √ Amp Switch

Select

Non-linear mapping 77 0 127

1=Whole, 2=Dotted Half, 3=Half, 4=Half Triplet, 5=Dotted Quarter, 6=Quarter,

7=Quarter Triplet, 8=Dotted Eighth, 9=Eighth, 10=Eighth Triplet, 11=Dotted Sixteenth, 12=Sixteenth, 13=Sixteenth Triplet

0~63=Amp switch will turn Amp on/off ; 64~127=Amp switch will turn Comp on/off

73 0 127

74 0 127

75 0 -

78 0 127

84 0 127

POD 2.0

PODxt Bass

PODxt

√ √ √ √ √ √

√ √ √ √

√ √

Live Live Live Live √ √

Flex III HD147

Vetta II Floor

POD Plus

√ √

Pocket

POD

POD X3

Live /Pro

√ √

2•10

MIDI CC Reference - Line 6 Hardware & Software Reference Tables

Line 6 Hardware MIDI CC Reference Table

Parameter Notes MIDI CC # and

Range

CC# Min Max TX RX TX RX TX RX TX RX TX RX TX RX TX RX TX RX

Delay Param 4 85 0 127 √ √ √ √ √ √ √ Delay Param 5 86 0 127 v √ Delay Pre/Post 0~63 = Pre-Amp Model,

64~127 = Post-Amp Model

Delay Model Range depends on device

(see model tables)

Delay/Verb Model

Tempo MSB 89 0 127 √ √ √ √ √ √ √ √ Tempo LSB 90 0 127 √ √ √ √ √ √ √ √ Amp 2 Model Range depends on device

Amp 2 Drive 92 0 127 √ √ Mic Pre Amp

Param 6 Amp 2 Bass 93 0 127 √ √ Mic Pre Amp

Param 7 Amp 2 Mid 94 0 127 √ √ Mic Pre Amp

Param 8 Amp 2 Treble 95 0 127 √ √ Mic Pre Amp

Param 9 Amp 2

Presence Mic Pre Amp

Param 10 Amp 2 Chan

Volume

Range depends on device (see model tables)

(see model tables)

87 0 127

88 0 -

91 0 63

92 0 127

93 0 127

94 0 127

95 0 127

102 0 127

103 0 127

POD 2.0

√ √ √ √ √ √ √ √ √

√ √ √ √ √ √ √ √ √ √

PODxt Bass

PODxt

√ √

Flex III HD147

Vetta II Floor

POD Plus

√ √

Pocket

POD

POD X3

Live /Pro

2•11

MIDI CC Reference - Line 6 Hardware & Software Reference Tables

Line 6 Hardware MIDI CC Reference Table

Parameter Notes MIDI CC # and

Range

CC# Min Max TX RX TX RX TX RX TX RX TX RX TX RX TX RX TX RX

Mic Pre Amp Param 11

FX Loop Send Level

Amp 2 Cabinet Type

Amp Bypass Channel Volume

FX Loop Return Level

Amp 2 Reverb Send Level

FX Loop Enable

FX Loop Pre/ Post Toggle

Tweak Parameter Destination

FX Loop Mix 109 0 127 √ √ Stomp Box 2

Enable Live Out Pan 110 0 127 √ √ Stomp Box 3

Enable Amp 1 Engage 0~63=Off ; 64~127=On 111 0 127 √ √ √ √ √ √ √ √ √ √ Amp 2 Engage 0~63=Off ; 64~127=On 112 0 127 √ √

Range depends on device (see model tables)

0~63=Off ; 64~127=On 107 0 127

103 0 127

104 0 127

104 0 -

105 0 127

106 0 127

108 0 127

108 0 13

109 0 127

110 0 127

POD 2.0

PODxt Bass

PODxt

√ √ √ √ √ √

Pro Pro Pro Pro √ √ √ √ √ √

√ √ √ √

Flex III HD147

Vetta II Floor

POD Plus

√ √

Pocket

POD

POD X3

Live /Pro

√ √

2•12

MIDI CC Reference - Line 6 Hardware & Software Reference Tables

Line 6 Hardware MIDI CC Reference Table

Parameter Notes MIDI CC # and

Range

CC# Min Max TX RX TX RX TX RX TX RX TX RX TX RX TX RX TX RX

Pitch/Tremolo (Vetta II)

EQ Gain 1 (low shelving)

EQ Gain 2 (peaking)

EQ Gain 3 (peaking)

EQ Gain 4 (peaking)

EQ Gain 5 (peaking)

EQ Gain 4 (high shelving)

EQ Gain 6 (high shelving)

113 0 127

114 0 127

115 0 127

116 0 127

117 0 127

118 0 127

119 0 127

POD 2.0

PODxt Bass

PODxt

√ √ √ √ √ √

√ √

√ √ √ √

√ √

√ √ √ √

√ √

√ √ √ √

√ √

Flex III HD147

Vetta II Floor

POD Plus

√ √

Pocket

POD

POD X3

Live /Pro

2•13

MIDI CC Reference - Line 6 Hardware & Software Reference Tables

GearBox™ Software MIDI CC Reference Table

The following table provides the MIDI CC values assigned to the Line 6 GearBox 3.7 parameters. Use these values to conﬁgure your external MIDI controller device to access the desired GearBox functions. If you are using an FBV MkII device, these MIDI CC values can be entered into the Line 6 FBV Control application to conﬁgure your FBV MkII device’s controls for controlling GearBox. See the FBV MkII Online Help documentation for details.

GearBox Software MIDI CC Reference Table

Parameter Notes MIDI CC# and Range

CC# Min Max TX RX

Not used 0 0 127 Effect Tweak Controls a GearBox parameter depending on current CC 108 setting. 1 0 127 √ √ Not used 2 0 127 Not used 3 0 127 Wah Level 4 0 127 √ √ Compressor Gain 5 0 127 √ √ Not used 6 0 3 Volume Pedal Level 7 0 127 √ √ Not used 8 0 127 Compressor Threshold 9 0 63 √ √ GearBox Output Pan 0=Full Left, 64=Center, 127=Full Right. Controls pan at the DSP output, before the

monitor and record send paths

Amp Model Select Performs same action as CC 12, but C 11 does not transmit. 11 0 106 √ Amp Model Select See GearBox Model Tables pages 12 0 106 √ √ Amp Param 1 13 0 127 √ √ Amp Param 2 14 0 127 √ √ Amp Param 3 15 0 127 √ √ Amp Param 4 16 0 127 √ √ Amp Param 6 17 0 127 √ √ Reverb Mix 18 0 127 √ √ Not used 19 0 127 EQ Frequency 1 Non-linear mapping 20 0 127 √ √ Amp Param 5 21 0 127 √ √ Noise Gate Enable 0~63=Off ; 64~127=On 22 0 127 √ √ Noise Gate Threshold 0<>31=-96dB, 32=-96dB...127=0dB 23 32 127 √ √ Noise Gate Decay 0=.1msec; 127=3000msec 24 0 127 √ √

10 0 127 √ √

2•14

MIDI CC Reference - Line 6 Hardware & Software Reference Tables

GearBox Software MIDI CC Reference Table

Parameter Notes MIDI CC# and Range

CC# Min Max TX RX

Stomp Enable 0~63=Off ; 64~127=On 25 0 127 √ √ Compressor Enable 0~63=Off ; 64~127=On 26 0 127 √ √ Stomp Param 1 MSB of 14-bit value (transmitted ﬁrst) 27 0 127 √ √ Delay Enable 0~63=Off ; 64~127=On

Mod Param 1 MSB of 14-bit value (transmitted ﬁrst) 29 0 127 √ √ Delay Param 1 MSB of 14-bit value (transmitted ﬁrst) Delay Note (for tempo

sync)

Not used 32 0 127 Delay Param 2 33 0 127 √ √ Delay Mix 34 0 127 √ √ Delay Param 3 35 0 127 √ √ Reverb Enable 0~63=Off ; 64~127=On 36 0 127 √ √ Reverb Model Select See GearBox Model Tables pages 37 0 14 √ √ Reverb Decay 38 0 127 √ √ Reverb Tone 39 0 127 √ √ Reverb PreDelay 40 0 127 √ √ Reverb Pre/Post 0~63 = Pre-Amp Model, 64~127 = Post-Amp Model 41 0 127 √ √ EQ Frequency 2 Non-linear mapping 42 0 127 √ √ Wah Enable 0~63=Off ; 64~127=On 43 0 127 √ √ Not used 44 0 127 Bass Amp DI Lo Cut 45 0 127 √ √ Volume Pedal Min Position 46 0 127 √ √ Volume Pre/Post 0~63 = Pre-Amp Model, 64~127 = Post-Amp Model 47 0 127 √ √ Bass Amp DI Level 48 0 127 √ √ Bass Amp DI Delay 49 0 127 √ √ Modulation Enable 0~63=Off ; 64~127=On 50 0 127 √ √ Modulation Note (for

tempo sync)

1=Whole, 2=Dotted Half, 3=Half, 4=Half Triplet, 5=Dotted Quarter, 6=Quarter, 7=Quarter Triplet, 8=Dotted Eighth, 9=Eighth, 10=Eighth Triplet, 11=Dotted Sixteenth, 12=Sixteenth, 13=Sixteenth Triplet

28 0 127 √ √

30 0 127 √ √

31 0 127 √ √

51 0 13 √ √

2•15

MIDI CC Reference - Line 6 Hardware & Software Reference Tables

GearBox Software MIDI CC Reference Table

Parameter Notes MIDI CC# and Range

CC# Min Max TX RX

Modulation Param 2 52 0 127 √ √ Modulation Param 3 53 0 127 √ √ Modulation Param 4 54 0 127 √ √ Modulation Param 5 55 0 127 Modulation Mix 56 0 127 √ √ Modulation Pre/Post 0~63 = Pre-Amp Model, 64~127 = Post-Amp Model 57 0 127 √ √ Modulation Model Select See GearBox Model Tables pages 58 0 23 √ √ Stomp Param 1 (Dbl Prec) LSB of 14-bit value (transmitted second)

EQ Frequency 3 Non-linear mapping 60 0 127 √ √ Modulation Param 1 (Dbl

Prec) Delay Time Param 1 (Dbl

Prec) EQ Enable 0~63=Off ; 64~127 63 0 127 √ √ Tap Tempo Trigger 64-127 = a Tap 64 0 127 √ √ Not used 65 0 127 Amp Model Bank Select The setting of this control determines how CC 12 messages (Amp Model Select) will be

Cab Model Bank Select The setting of this control determines how CC 71 messages (Cab Model Select) will

Not used 68 0 127 Tuner Enable 0~63=Off ; 64~127=On 69 0 127 √ √ Cabinet Mic Model

(guitar) Cabinet Model Select

(bass) Not used 72 0 127 Not used 73 0 127 √ √ Stomp Pre/Post 0~63 = Pre-Amp Model, 64~127 = Post-Amp Model 74 0 127 √ √

LSB of 14-bit value (transmitted second)

interpreted. 0=load model from Guitar Amp Model set; 1=load model from Bass Amp Model set; 2=Preamps

be interpreted. 0=load model from Guitar Cab Model set; 1=load model from Bass Cab Model set, 2=Preamps

See GearBox Model Tables pages

59 0 127

61 0 127 √ √

62 0 127 √ √

66 0 2 √ √

67 0 1 √ √

70 0 3 √ √

71 0 3 √ √

2•16

MIDI CC Reference - Line 6 Hardware & Software Reference Tables

GearBox Software MIDI CC Reference Table

Parameter Notes MIDI CC# and Range

CC# Min Max TX RX

Stomp Model Select See GearBox Model Tables pages 75 0 127 √ √ Cabinet Early Reﬂections 76 0 127 √ √ EQ Frequency 4 Non-linear mapping 77 0 127 √ √ Not used 78 0 127 Stomp Param 2 Stomp Param 3 80 0 127 √ √ Stomp Param 4 81 0 127 √ √ Stomp Param 5 82 0 127 √ √ Stomp Param 6 83 0 127 √ √ Amp Switch Assign 0~63=Amp switch will turn Amp on/off ; 64~127=Amp switch will turn Comp on/off.

Assign CC 111 to either Amp or Comp (enable/disable)

Delay Param 4 85 0 127 √ √ Delay Param 5 86 0 127 √ √ Delay Pre/Post 0~63 = Pre-Amp Model, 64~127 = Post-Amp Model 87 0 127 √ √ Delay Model Select See GearBox Model Tables pages 88 0 13 √ √ Tempo MSB of 14-bit value (transmitted ﬁrst) 89 0 127 √ √ Tempo (Dbl Prec) LSB of 14-bit value (transmitted second) 90 0 127 √ √ Wah Model Select 0=Vetta, 1=Fassel, 2=Weeper, 3=Chrome, 4=Chome Custom, 5=Throaty, 6=Conductor,

7=Colorful

Amp Param 7 92 0 127 √ √ Amp Param 8 93 0 127 √ √ Amp Param 9 94 0 127 √ √ Amp Param 10 95 0 127 √ √ Not Applicable 96 ---- ---Not Applicable 97 ---- ---Not Applicable Not Applicable 99 ---- ---Not Applicable 100 ---- ---Not Applicable 101 ---- ---Amp Param 11 102 0 127 √ √ Amp Param 12 103 0 127 √ √

79 0 127 √ √

84 0 127 √ √

91 0 7 √ √

98 ---- ----

2•17

MIDI CC Reference - Line 6 Hardware & Software Reference Tables

GearBox Software MIDI CC Reference Table

Parameter Notes MIDI CC# and Range

CC# Min Max TX RX

Not used 104 0 127 Amp Bypass Volume 105 0 127 √ √ Not used 106 0 127 Not used 107 0 127 Tweak Assignment Assign CC 1 to control a GearBox parameter 108 0 13 √ √ Not used 109 0 127 Not used 110 0 127 Amp State 0~63=Off ; 64~127=On. Toggles between Amp or Compressor (depending on CC 84

parameter) Not used 112 0 127 Not used 113 0 127 EQ Gain 1 114 0 127 √ √ Not used 115 0 127 EQ Gain 2 116 0 127 √ √ EQ Gain 3 117 0 127 √ √ Not used 118 0 127 EQ Gain 4 119 0 127 √ √ Not Applicable 120 Not Applicable 121 Not Applicable 122 Not Applicable 123 Not Applicable 124 Not Applicable 125 Not Applicable 126 Not Applicable 127

111 0 127 √ √

2•18

MIDI CC Reference - Model Tables

MIDI CC range referenCe - MoDel tables

The following Model Tables provide the detailed breakdown of MIDI CC range values that are assigned to the individual Amp, Cabinet and Effects’ “Model Select” parameters. Each Amp/Cab/Effect Model type is recalled using the speciﬁc range value for the assigned MIDI CC. Use these MIDI CC values to conﬁgure your MIDI controller device assignments to control the parameters for your Line 6 gear.

Pocket POD® Model Tables

Amp Models (MIDI CC 12) Amp Models (MIDI CC 12)

Value Model Name Value Model Name

0 Tube Preamp 27 Modern Hi Gain #2 1 Line 6 Clean 28 Line 6 Twang 2 Line 6 Crunch 29 Line 6 Crunch #2 3 Line 6 Drive 30 Line 6 Blues 4 Line 6 Layer 31 Line 6 INSANE 5 Small Tweed 6 Tweed Blues 7 Black Panel 8 Modern Class A 9 Brit Class A 10 Brit Blues 11 Brit Classic 0 1x 8 ’60 Fender Tweed Champ 12 Brit Hi Gain 1 1x12 ’52 Fender Tweed Deluxe 13 Treadplate 2 1x12 ’60 Vox AC15 14 Modern Hi Gain 3 1x12 ’64 Fender Blackface Deluxe 15 Fuzz Box 4 1x12 ’98 Line 6 Flextone 16 Jazz Clean 5 2x12 ’65 Fender Blackface Twin 17 Boutique #1 6 2x12 ’67 VOX AC30 18 Boutique #2 7 2x12 ’95 Matchless Chieftain 19 Brit Class A #2 8 2x12 ’98 Pod custom 2x12 20 Brit Class A #3 9 4x10 ’59 Fender Bassman 21 Small Tweed #2 10 4x10 ’98 Pod custom 4x10 cab 22 Black Panel #2 11 4x12 ’96 Marshall with V30s 23 Boutique #3 12 4x12 ’78 Marshall with 70s 24 California Crunch #1 13 4x12 ’97 Marshall Basketweave with Greenbacks 25 California Crunch #2 14 4x12 ’98 Pod custom 4x12 26 Treadplate #2 15 No Cabinet

Value Model Name

Cab Models (MIDI CC 71)

3•1

Pocket POD® Model Tables - continued

Effects Models (MIDI CC 19)

Value Model Name

0 Chorus2 1 Flanger1 2 Rotary 3 Flanger2 4 Delay/Chorus1 5 Delay/Tremolo 6 Delay 7 Delay/Comp 8 Chorus1 9 Tremolo 10 Bypass 11 Compressor 12 Delay/Chorus2 13 Delay/Flanger1 14 Delay/Swell 15 Delay/Flanger2

MIDI CC Reference - Model Tables

3•2

Floor POD® Model Tables

Amp Models (MIDI CC 12) Cab Models (MIDI CC 71)

Value Model Name Value Model Name 0 Tube Preamp 0 1x 8 ’60 Fender Tweed Champ

1 Line 6 Clean 1 1x12 ’52 Fender Tweed Deluxe 2 Line 6 Crunch 2 1x12 ’60 Vox AC15 3 Line 6 Drive 3 1x12 ’64 Fender Blackface Deluxe 4 Line 6 Layer 4 1x12 ’98 Line 6 Flextone 5 Smal Tweed 5 2x12 ’65 Fender Blackface Twin 6 Tweed Blues 6 2x12 ’67 VOX AC30 7 Black Panel 7 2x12 ’95 Matchless Chieftain 8 Modern Class A 8 2x12 ’98 POD custom 2x12 9 Brit Class A 9 4x10 ’59 Fender Bassman 10 Brit Blues 10 4x10 ’98 POD custom 4x10 cab 11 Brit Classic 11 4x12 ’96 Marshall with V30s 12 Brit Hi Gain 12 4x12 ’78 Marshall with 70s 13 TreadPlate 13 4x12 ’97 Marshall off axis 14 Modern Hi Gain 14 4x12 ’98 POD custom 4x12 15 Fuzz Box 15 No Cabinet 16 Jazz Clean 17 Boutique #1 Reverb Type (MIDI CC 37) 18 Boutique #2 Value Model Name 19 Brit Class A #2 0-63 Spring 20 Brit Class A #3 64-127 Hall 21 Small Tweed #2 22 Black Panel #2 Delay Type (MIDI CC 88) 23 Boutique #3 Value Model Name 24 California Crunch #1 0 Tape 25 California Crunch #2 1 Multi-Tap 26 TreadPlate #2 2 Digital 27 Modern Hi Gain #2 3 Reverse 28 Line 6 Twang 4 Sweep Echo 29 Line 6 Crunch #2 5 Analog 30 Line 6 Blues 31 Line 6 Insane

MIDI CC Reference - Model Tables

3•3

Floor POD® Model Tables - continued

MIDI CC Reference - Model Tables

Effects Models (MIDI CC 19) Value Model Name Value Ratio 0 Tremolo 0-21 Off

1 Chorus 1 22-42 1.4:1 2 Chorus 2 43-64 2:1 3 Flange 1 65-85 3:1 4 Flange 2 86-107 6:1 5 Rotary 108-127 inﬁnity:1 6 Phaser 7 U-Vibe 8 Obi-Wah 9 Tron-Up 10 Octave Fuzz 11 Sub Octave 12 Comet Trails 13 Ring Modulator 14 Otto Phase 15 Swell

Compression Ratio (MIDI CC 42)

3•4

POD® 2.0 Model Tables

Amp Models (MIDI CC 11/12) Cab Models (MIDI CC 71)

Value Model Name Value Model Name

0 Tube Preamp 0 1x 8 ’60 Fender Tweed Champ 1 POD Clean Line 6 1 1x12 ’52 Fender Tweed Deluxe 2 POD Crunch Line 6 2 1x12 ’60 Vox AC15 3 POD Drive Line 6 3 1x12 ’64 Fender Blackface Deluxe 4 POD Layer Line 6 4 1x12 ’98 Line 6 Flextone 5 Small Tweed 5 2x12 ’65 Fender Blackface Twin 6 Tweed Blues 6 2x12 ’67 VOX AC30 7 Black Panel 7 2x12 ’95 Matchless Chieftain 8 Modern Class A 8 2x12 ’98 Pod custom 2x12 9 Brit Class A 9 4x10 ’59 Fender Bassman 10 Brit Blues 10 4x10 ’98 Pod custom 4x10 cab 11 Brit Classic 11 4x12 ’96 Marshall with V30s 12 Brit Hi Gain 12 4x12 ’78 Marshall with 70s 13 Rectiﬁed ’94 13 4x12 ’97 Marshall off axis 14 Modern Hi Gain 14 4x12 ’98 Pod custom 4x12 15 Fuzz Box 15 No Cabinet 16 Jazz Clean 17 Boutique #1 18 Boutique #2 19 Brit Class A #2 20 Brit Class A #3 21 Small Tweed #2 22 Black Panel #2 23 Boutique #3 24 California Crunch #1 25 California Crunch #2 26 Rectiﬁed #2 27 Modern Hi Gain #2 28 Line 6 Twang 29 Line 6 Crunch #2 30 Line 6 Blues 31 Line 6 Insane

MIDI CC Reference - Model Tables

3•5

POD® 2.0 Model Tables - continued

Effects Models (MIDI CC 19)

Value Model Name

MIDI CC Reference - Model Tables

3•6

MIDI CC Reference - Model Tables

POD

Model Packs: PP=Power Pack, MS=Metal Shop, CC=Collector Classics, FX=FX Junkie, BX=Bass Expansion

Value Pack Model Name Value Pack Model Name Value Pack Model Name

0 Bypass 28 Jazz Clean 56 CC Deity Crunch 1 Tube Preamp 29 Solo 100 57 CC Blackface Vibro 2 PP Line 6 Clean 30 PP Super O 58 CC Double Show 3 PP Line 6 JTS-45 31 PP Class A-15 59 CC Silverface Bass 4 PP Line 6 Class A 32 Class A-30 TB 60 CC Mini Double 5 PP Line 6 Mood 33 PP Line 6 Agro 61 CC Gibtone Expo 6 Line 6 Spinal Puppet 34 PP Line 6 Lunatic 62 CC Brit Bass 7 Line 6 Chemical X 35 Line 6 Treadplate 63 CC Brit Major 8 Line 6 Insane 36 PP Line 6 Variax Acoustic 64 CC Silver Twelve 9 Line 6 Acoustic 2 37 MS Bomber Uber 65 CC Super O Thunder 10 PP Zen Master 38 MS Connor 50 66 CC Line 6 Bayou 11 Small Tweed 39 MS Deity Lead 67 CC Line 6 Crunch 12 Tweed B-Man 40 MS Deity's Son 68 CC Line 6 Purge 13 PP Tiny Tweed 41 MS Angel P-Ball 69 CC Line 6 Sparkle 14 Blackface Lux 42 MS Silver J 70 CC Line 6 Super Clean 15 PP Double Verb 43 MS Brit J-900 Clean 71 CC Line 6 Super Sparkle 16 PP Two-Tone 44 MS Brit J-900 Dist 72 CC Line 6 Twang 17 PP Hiway 100 45 MS Brit J-2000 73 BX Tube Preamp 18 PP Plexi 45 46 MS Diamondplate 74 BX L6 Classic Jazz 19 Plexi Lead 100 47 MS Criminal 75 BX L6 Brit Invader 20 Plexi Jump Lead 48 MS Line 6 Big Bottom 76 BX L6 Super Thor 21 PP Plexi Variac 49 MS Line 6 Chunk-Chunk 77 BX L6 Frankenstein 22 Brit J-800 50 MS Line 6 Fuzz 78 BX L6 Ebony Lux 23 PP Brit JM Pre 51 MS Line 6 Octone 79 BX L6 Doppelganger 24 PP Match Chief 52 MS Line 6 Smash 80 BX L6 Sub Dub 25 PP Match D-30 53 MS Line 6 Sparkle Clean 81 BX Amp 360 26 Treadplate Dual 54 MS Line 6 Throttle 82 BX Jaguar 27 PP Cali Crunch 55 CC Bomber XTC 83 BX Alchemist

xt Model Tables

Amp Models (MIDI CC 11/12) Amp Models (MIDI CC 11/12) Amp Models (MIDI CC 11/12)

3•7

POD

Model Packs: PP=Power Pack, MS=Metal Shop, CC=Collector Classics, FX=FX Junkie, BX=Bass Expansion

Value Pack Model Name Value Pack Model Name

84 BX Rock Classic 0 No Cabinet 85 BX Flip Top 1 1x6 Super O 86 BX Adam and Eve 2 1x8 Tweed 87 BX Tweed B-Man 3 1x10 Gibtone 88 BX Silverface Bass 4 1x10 G-Brand 89 BX Double Show 5 1x12 Line 6 90 BX Eighties 6 1x12 Tweed 91 BX Hiway 100 7 1x12 Blackface 92 BX Hiway 200 8 1x12 Class A 93 BX British Major 9 2x2 Mini T 94 BX British Bass 10 2x12 Line 6 95 BX California 11 2x12 Blackface 96 BX Jazz Tone 12 2x12 Match 97 BX Stadium 13 2x12 Jazz 98 BX Studio Tone 14 2x12 Class A 99 BX Motor City 15 4x10 Line 6 100 BX Brit Class A100 16 4x10 Tweed 101 Citrus D-30 17 4x12 Line 6 102 L6 Mod Hi Gain 18 4x12 Green 20's 103 L6 Boutique #1 19 4x12 Green 25's 104 Class A-30 Fawn 20 4x12 Brit T75 105 Brit Gain 18 21 4x12 Brit V30's 106 Brit J-2000 #2 22 4x12 Treadplate

xt Model Tables - continued

Amp Models (MIDI CC 11/12) Cab Models (MIDI CC 71)

MIDI CC Reference - Model Tables

3•8

MIDI CC Reference - Model Tables

POD

Model Packs: PP=Power Pack, MS=Metal Shop, CC=Collector Classics, FX=FX Junkie, BX=Bass Expansion

Value Pack Model Name Value Pack Model Name Value Pack Model Name

0 Facial Fuzz 27 Bass Overdrive 0 Sine Chorus 1 Fuzz Pi 28 Bronze Master 1 PP Analog Chorus 2 Screamer 29 Sub Octaves 2 Line 6 Flanger 3 Classic Dist 30 Bender 3 PP Jet Flanger 4 PP Octave Fuzz 4 Phaser 5 PP Blue Comp 5 U-Vibe 6 PP Red Comp 6 Opto Trem 7 Vetta Comp 7 PP Bias Trem 8 PP Auto Swell 8 Rotary Drum + Horn 9 PP Auto Wah 9 PP Rotary Drum 10 FX Killer Z 10 PP Auto Pan 11 FX Tube Drive 11 FX Analog Square 12 FX Vetta Juice 12 FX Square Chorus 13 FX Line 6 Boost + EQ 13 FX Expo Chorus 14 FX Blue Comp Treb 14 FX Random Chorus 15 FX Dingo-Tron 15 FX Square Flange 16 FX Clean Sweep 16 FX Expo Flange 17 FX Seismik Synth 17 FX Lumpy Phase 18 FX Double Bass 18 FX Hi-Talk 19 FX Buzz Wave 19 FX Line 6 Sweeper 20 FX Rez Synth 20 FX POD Purple X 21 FX Saturn 5 Ring Mod 21 FX Random S&H 22 FX Synth Analog 22 FX Tape Eater 23 FX Synth FX 23 FX Warble-Matic 24 FX Synth Harmony 25 FX Synth Lead 26 FX Synth String

xt Model Tables - continued

Stomp Models (MIDI CC 75) Stomp Models (MIDI CC 75) Mod Models (MIDI CC 58)

3•9

MIDI CC Reference - Model Tables

POD

Model Packs: PP=Power Pack, MS=Metal Shop, CC=Collector Classics, FX=FX Junkie, BX=Bass Expansion

Value Pack Model Name Value Pack Model Name Value Pack Model Name

0 PP Analog 0 PP Lux Spring 0 Vetta Wah 1 Analog w/Mod 1 Std Spring 1 PP Jen Fassel 2 Tube Echo 2 PP King Spring 2 Weeper 3 PP Multi-Head 3 PP Small Room 3 PP Chrome 4 PP Sweep Echo 4 PP Tiled Room 4 PP Chrome Custom 5 Digital Delay 5 Brite Room 5 PP Throaty 6 PP Stereo Delay 6 PP Dark Hall 6 PP Conductor 7 PP Ping-Pong 7 Medium Hall 7 PP Colorful 8 PP Reverse 8 PP Large Hall 9 FX Echo Platter 9 PP Rich Chamber 10 FX Tape Echo 10 PP Chamber 11 FX Low Rez 11 Cavernous 12 FX Phase Eko 12 Slap Plate 13 FX Bubble Echo 13 PP Vintage Plate

xt Model Tables - continued

Delay Models (MIDI CC 88) Reverb Models (MIDI CC 37) Wah Models (MIDI CC 91)

14 PP Large Plate

3•10

MIDI CC Reference - Model Tables

Bass POD

Amp Models (MIDI CC 11/12) Cab Models (MIDI CC 71) Stomp Models (MIDI CC 75)

Value Model Name Value Model Name Value Model Name

0 Bypass 0 No Cabinet 0 Bass Overdrive 1 Tube Preamp 1 1x12 Boutiqe 1 Screamer 2 Line 6 Classic Jazz 2 1x12 Motor City 2 Classic Dist 3 Line 6 Brit Invader 3 1x15 Flip Top 3 Facial Fuzz 4 Line 6 Super Thor 4 1x15 Jazz Tone 4 Fuzz Pi 5 Line 6 Frankenstein 5 1x18 Session 5 Octave 6 Line 6 Ebony Lux 6 1x18 Amp 360 6 Bronze Master 7 Line 6 Doppleganger 7 1x18 California 7 Blue Comp 8 Line 6 Sub Dub 8 1x18+12 Stadium 8 Red Comp 9 Amp 360 9 2x10 Modern UK 9 Vetta Comp 10 Jaguar 10 2x15 Double Show 10 Auto Wah 11 Alchemist 11 2x15 California 11 Dingo-Tron 12 Rock Classic 12 2x15 Class A 12 Buzz Wave 13 Flip Top 13 4x10 Line 6 13 Seismik Synth 14 Adam and Eve 14 4x10 Tweed 14 Rez Synth 15 Tweed B-Man 15 4x10 Adam Eve 15 Saturn 5 Ring Mod 16 Silverface Bass 16 4x10 Silvercone 16 Synth Analog 17 Double Show 17 4x10 Session 17 Synth FX 18 Eighties 18 4x12 Hiway 18 Synth Harmony 19 Hiway 100 19 4x12 Green 20's 19 Synth Lead 20 Hiway 200 20 4x12 Green 25's 20 Synth String 21 British Major 21 4x15 Big Boy 21 Double Bass 22 British Bass 22 8x10 Classic 23 California 24 Jazz Tone 25 Stadium 26 Studio Tone 27 Motor City 28 Brit Class A100

xt Model Tables

3•11

MIDI CC Reference - Model Tables

Bass POD

Mod Models (MIDI CC 58)

Value Model Name Value Model Name 0 Deluxe Chorus 0 Analog

1 Analog Chorus 1 Analog w/Mod 2 Deluxe Flange 2 Tube Echo 3 Jet Flanger 3 Multi-Head 4 Phaser 4 Sweep Echo 5 U-Vibe 5 Digital Delay 6 Opto Trem 6 Reverse Delay 7 Bias Trem 7 Lux Spring 8 Rotary Drum 8 Std Spring 9 Rotary Drum + Horn 9 King Spring 10 Line 6 Rotor 10 Small Room 11 Random S&H 11 Tiled Room 12 Tape Eater 12 Brite Room

xt Model Tables - continued

13 Dark Hall 14 Medium Hall 15 Large Hall 16 Rich Chamber 17 Chamber 18 Cavernous 19 Slap Plate 20 Vintage Plate 21 Large Plate

Delay/Reverb Models (MIDI CC 88)

3•12

MIDI CC Reference - Model Tables

POD® X3 Model Tables

Guitar Amp Models (MIDI CC 11) Guitar Amp Models (MIDI CC 11) Guitar Amp Models (MIDI CC 11)

Value Model Name Value Model Name Value Model Name

0 Line 6 Agro 28 Line 6 Variax Acoustic 56 1965 Double Verb 1 Line 6 Bayou 29 2002 Angel P-Ball 57 1960 Gibtone Expo 2 Line 6 Big Bottom 30 1964 Blackface ‘Lux 58 1973 Hiway 100 3 Line 6 Boutique #1 31 1963 Blackface Vibro 59 1987 Jazz Clean 4 Line 6 Chemical X 32 2002 Bomber Uber 60 1996 Match Chief 5 Line 6 Chunk Chunk 33 2002 Bomber X-TC 61 1993 Match D-30 6 Line 6 Class A 34 1968 Brit Plexi Bass 100 62 1996 Mini Double 7 Line 6 Clean 35 Brit Gain 18 63 1965 Plexi 45 8 Line 6 Crunch 36 2003 Brit Gain J-2000 64 1968 Plexi Jump Lead 9 Line 6 Fuzz 37 Brit J-2000 #2 65 1968 Plexi Lead 100 10 Line 6 Insane 38 1990 Brit J-800 66 1968 Plexi Variac’d 11 Line 6 JTS-45 39 1992 Brit J900 Clean 67 1967 Silver Twelve 12 Line 6 Lunatic 40 1992 Brit J900 Dist 68 1972 Silverface Bass 13 Line 6 Modern Hi Gain 41 1996 Brit JM Pre 69 1953 Small Tweed 14 Line 6 Mood 42 1969 Brit Plexi Lead 200 70 1993 Solo 100 Head 15 Line 6 Octone 43 1987 Brit Gain Slvr J 71 1960’s Super O 16 Line 6 Piezacoustic 2 44 1985 Cali Crunch 72 1962 Super O Thunder 17 Line 6 Purge 45 Citrus D-30 73 1960 Tiny Tweed 18 Line 6 Smash 46 1960 Class A-15 74 2001 Treadplate Dual 19 Line 6 Sparkle 47 Class A-30 Fawn 75 1958 Tweed B-Man 20 Line 6 Sparkle Clean 48 1967 Class A30 Top Boost 76 1960 Two-Tone 21 Line 6 Spinal Puppet 49 2003 Connor 50 77 2001 Zen Master 22 Line 6 Super Clean 50 2002 Criminal 78 No Amp 23 Line 6 Super Sparkle 51 2003 Deity Crunch 24 Line 6 Throttle 52 2003 Deity Lead 25 Line 6 Treadplate 53 2003 Deity’s Son 26 Line 6 Tube Preamp 54 2001 Diamond Plate 27 Line 6 Twang 55 1967 Double Showman

3•13

MIDI CC Reference - Model Tables

POD® X3 Model Tables - continued

Bass Amp Models (MIDI CC 11) Guitar Cab Models (MIDI CC 71) Bass Cab Models (MIDI CC 71)

Value Model Name Value Model Name Value Model Name

79 Line 6 Brit Invader 0 1x6 60’s Super O 25 Bass - 1x12 Boutique 80 Line 6 Classic Jazz 1 1x8 ‘60 Tiny Tweed 26 Bass - 1x12 Motor City 81 Line 6 Doppleganger 2 1x10 ‘59 Gibtone 27 Bass - 1x15 Flip Top 82 Line 6 Ebony Lux 3 1x10 ‘60 G-Brand 28 Bass - 1x15 Jazz Tone 83 Line 6 Frankenstein 4 1x12 ‘01 Line 6 29 Bass - 1x18 Session 84 Line 6 Sub Dub 5 1x12 ‘53 Small Tweed 30 Bass - 1x18 Amp 360 85 Line 6 Super Thor 6 1x12 ‘64 Blackface Lux 31 Bass - 1x18 California 86 Line 6 Tube Preamp 7 1x12 ‘60 Class A-15 32 Bass - 1x18+12 87 1998 Adam and Eve 8 2x2 ‘01 Mini T 33 Bass - 2x10 Modern UK 88 1975 Alchemist 9 2x12 ‘01 Line 6 34 Bass - 2x15 Doubleshow 89 1972 Amp 360 10 2x12 ‘65 Blackface 35 Bass - 2x15 California 90 1968 Brit Bass 11 2x12 ‘96 Match Chief 36 Bass - 2x15 Class A 91 1965 Brit Class A 100 12 2x12 ‘87 Jazz Clean 37 Bass - 4x10 Line 6 92 1969 British Major 13 2x12 ‘67 Class A-30 38 Bass - 4x10 Tweed 93 2003 California 14 4x10 ‘01 Line 6 39 Bass - 4x10 Adam and Eve 94 1964 Double Show 15 4x10 ‘58 Tweed B-Man 40 Bass - 4x10 Silvercone 95 1989 Eighties 16 4x12 ‘01 Line 6 42 Bass - 4x10 Session 96 1968 Flip Top 17 4x12 ‘67 Green 20's 42 Bass - 4x12 Hiway 97 1973 Hiway 100 18 4x12 ‘68 Green 25's 43 Bass - 4x12 Green 20’s 98 1971 Hiway 200 19 4x12 ‘78 Brit Celest T-75’s 44 Bass - 4x12 Green 25’s 99 2003 Jaguar 20 4x12 ‘98 Brit Celest V30 45 Bass - 4x15 Big Boy 100 1998 Jazz Tone 21 4x12 ‘01 Treadplate 46 Bass - 8x10 Classic 101 1967 Motor City 22 4x12 ‘62 Thunder 47 No Cabinet 102 1974 Rock Classic 23 2x12 ‘67 Wishbook 103 1967 Silverface Bass 24 No Cabinet 104 1978 Stadium 105 2002 Studio Tone 106 1958 Tweed B-Man 107 American Classic

Preamp Models (MIDI CC 11)

Value Model Name

108 Console 109 Lo-Fi 110 Modern 111 Vintage 112 Vintage UK

3•14

POD® X3 Model Tables - continued

Stomp Models (MIDI CC 75) Mod Models (MIDI CC 58) Delay Models (MIDI CC 88)

Value Model Name Value Model Name Value Model Name

0 Facial Fuzz 0 Sine Chorus 0 Analog Delay 1 Fuzz Pi 1 Analog Chorus 1 Analog w/Modulation 2 Screamer 2 Line 6 Flanger 2 Tube Echo 3 Classic Distortion 3 Jet Flanger 3 Multi-Head Delay 4 Octave Fuzz 4 Phaser 4 Sweep Echo 5 Killer Z 5 U-Vibe 5 Digital Delay 6 Tube Drive 6 Opto Tremolo 6 Stereo Delay 7 Boost + EQ 7 Bias Tremolo 7 Ping-Pong Delay 8 Bass Overdrive 8 Rotary Drum + Horn 8 Reverse Delay 9 Bronze Master 9 Rotary Drum 9 Echo Platter 10 Red Comp 10 Auto Pan 10 Tape Echo 11 Blue Comp 11 Analog Square Chorus 11 Low Rez Delay 12 Blue Comp Treb 12 Stereo Square Chorus 12 Phaze Eko 13 Vetta Comp 13 Stereo Expo Chorus 13 Bubble Echo 14 Vetta Juice 14 Random Chorus 15 Auto Swell 15 Stereo Square Flange 16 Femal De-Esser 16 Expo Flange 17 Male De-Esser 17 Lumpy Phase 18 Auto Wah 18 Hi-Talk 19 Dingo Tron 19 Sweeper 20 Clean Sweep 20 POD Purple X 21 Seismik Synth 21 Random S&H 22 Double Bass 22 Tape Eater 23 Buzz Wave 23 Warble-Matic 24 Rez Synth 25 Saturn 5 Ring Mod 26 Synth Analog 27 Synth FX 28 Synth Harmony 29 Synth Lead 30 Synth String 31 Sub Octaves 32 Bender

MIDI CC Reference - Model Tables

3•15

POD® X3 Model Tables - continued

Reverb Models (MIDI CC 37) Wah Models (MIDI CC 44)

Value Model Name Value Model Name

0 ‘Lux Spring 0 Vetta Wah 1 Standard Spring 1 Fassel 2 King Spring 2 Weeper 3 Small Room 3 Chrome 4 Tiled Room 4 Chrome Custom 5 Brite Room 5 Throaty 6 Dark Hall 6 Conductor 7 Medium Hall 7 Colorful 8 Large Hall 9 Rich Chamber 10 Chamber 11 Cavernous 12 Slap Plate 13 Vintage Plate 14 Large Plate

MIDI CC Reference - Model Tables

3•16

Flextone™ III Model Tables

Amp Models (MIDI CC 11/12) Amp Models (MIDI CC 11/12) Cab Models (MIDI CC 71)

Value Model Name Value Model Name Value Model Name

0 Line 6 Clean 29 Diamondplate 0 No Cabinet 1 Line 6 Crunch 30 Bomber XTC 1 1x6 Super O 2 Line 6 Mood 31 Super O 2 1x10 Gibtone 3 Line 6 Insane 3 1x12 Tweed 4 Jazz Clean 4 1x12 Blackface 5 Blackface Lux 5 2x10 Vibro 6 Tweed B-Man 6 2x12 Blackface 7 Double Verb 7 2x12 Match 8 Match Chief 8 2x12 Jazz 9 Class A-30 TB 9 2x12 Class A 10 Plexi 45 10 4x10 Tweed 11 Plexi Lead 100 11 4x12 Green 20's 12 Brit J-800 12 4x12 Green 25's 13 Treadplate Dual 13 4x12 Brit T75 14 Solo 100 14 4x12 Brit V30's 15 Gibtone Expo 15 4x12 Treadplate 16 Line 6 Super Clean 17 Line 6 Sparkle 18 Line 6 Chemical X 19 Line 6 Fuzz 20 Hiway 100 21 Small Tweed 22 Blackface Vibro 23 Zen Master 24 Connor 50 25 Class A-15 26 Brit Bass 27 Brit Silver 28 Brit J-2000

MIDI CC Reference - Model Tables

3•17

Flextone™ III Model Tables - continued

MIDI CC Reference - Model Tables

Mod Models (MIDI CC 58)

Value Model Name Value Model Name Value Model Name

0 Tremolo 0 Tube Echo 0 Lux Spring 1 Chorus 1 Tape Echo 1 Std Spring 2 Flanger 2 Analog 2 King Spring 3 Phaser 3 Digital 3 Small Room 4 U-Vibe 4 Ping Pong 4 Tiled Room 5 Rotary 5 Sweep Echo 5 Brite Room

Delay Models (MIDI CC 88) Reverb Models (MIDI CC 37)

6 Dark Hall 7 Medium Hall 8 Large Hall 9 Rich Chamber 10 Chamber 11 Cavernous 12 Slap Plate 13 Vintage Plate 14 Large Plate

3•18

MIDI CC Reference - Model Tables

HD147™ Model Tables

Amp Models (MIDI CC 11/12) Amp Models (MIDI CC 11/12) Cab Models (MIDI CC 71)

Value Model Name Value Model Name Value Model Name

0 Line 6 Clean 28 Brit Silver 0 No Cabinet 1 Line 6 Super Sparkle 29 Diamondplate 1 1x6 Super O 2 Line 6 Crunch 30 Bomber XTC 2 1x10 Gibtone 3 Line 6 Insane 31 Deity's Son 3 1x12 Tweed 4 Line 6 Smash 4 1x12 Blackface 5 Line 6 Octone 5 2x10 Vibro 6 Line 6 Treadplate 6 2x12 Blackface 7 Jazz Clean 7 2x12 Match 8 Blackface Lux 8 2x12 Jazz 9 Double Verb 9 2x12 Class A 10 Plexi Lead 100 10 4x10 Tweed 11 Brit J-800 11 4x12 Green 20's 12 Connor 50 12 4x12 Green 25's 13 Treadplate Dual 13 4x12 Brit T75 14 Bomber Uber 14 4x12 Brit V30's 15 Deity Lead 15 4x12 Treadplate 16 Line 6 Super Clean 17 Line 6 Mood 18 Line 6 Spinal Puppet 19 Line 6 Purge 20 Line 6 Big Bottom 21 Line 6 Agro 22 Criminal 23 Class A-30 TB 24 Tiny Tweed 25 Tweed B-Man 26 Plexi 45 27 Brit J-2000

3•19

HD147™ Model Tables - continued

MIDI CC Reference - Model Tables

Mod Models (MIDI CC 58)

Value Model Name Value Model Name Value Model Name

Delay Models (MIDI CC 88) Reverb Models (MIDI CC 37)

6 Dark Hall 7 Medium Hall 8 Large Hall 9 Rich Chamber 10 Chamber 11 Cavernous 12 Slap Plate 13 Vintage Plate 14 Large Plate

3•20

Vetta™ II Model Tables

Amp Models (MIDI CC 12/91) Amp Models (MIDI CC 12/91)

Display # CC Value Model Name Display # CC Value Model Name

1 49 Bypass (no amp) 29 12 Line 6 Octone 2 45 Line 6 Tube Preamp 30 47 '02 Bomber X-TC 3 50 Line 6 Variax Acous 31 46 '02 Bomber Uber 4 13 Line 6 Piezacoustic1 32 15 '01Zen Master 5 14 Line 6 Piezacoustic2 33 62 '03 Connor 50 6 0 Line 6 Clean 34 63 '03 Deity Crunch 7 51 Line 6 Super Clean 35 64 '03 Deity Lead 8 1 Line 6 Sparkle 36 65 '03 Deity's Son 9 52 Line 6 Super Sparkl 37 48 '02 Angel P-Ball 10 53 Line 6 Splarkle Clean 38 16 '53 Fn Tweed Small Tweed 11 2 Line 6 Twang 39 17 '58 Fn Tweed B-Man 12 3 Line 6 Bayou 40 18 '61 Fn Tweed Tiny Tweed 13 5 Line 6 Class A 41 66 '63 Fn Black Vib Verb 14 4 Line 6 JTS-45 42 19 '64 Fn Black Lux 15 6 Line 6 Mood 43 20 '65 Fn Black Double 16 10 Line 6 Purge 44 67 '67 Fn Black Dual Show 17 54 Line 6 Crunch 45 68 '72 Fn Silver Bass Head 18 8 Line 6 Throttle 46 21 '96 Fn Mini Double 19 9 Line 6 Chemical X 47 22 '60 Gibtone Explorer 20 55 Line 6 Smash 48 23 '60 G-Brand Two-Tone 21 7 Line 6 Spinal Puppet 49 24 '73 Hiway 100 Custom 22 56 Line 6 Fuzz 50 25 '65 Brit Plexi Lead J-45 23 57 Line 6 Chunk Chunk 51 26 '68 Brit Plexi Lead 100 24 58 Line 6 Big Bottom 52 27 '68 Brit Plexi Bass 100 25 59 Line 6 Treadplate 53 28 '68 Brit Plexi Jump Lead 26 60 Line 6 Lunatic 54 29 '68 Brit Plexi Variac 27 61 Line 6 Agro 55 30 '69 Brit Plexi Lead 200 28 11 Line 6 Insane 56 31 '87 Brit Gain J-800

MIDI CC Reference - Model Tables

3•21

Vetta™ II Model Tables - continued

Amp Models (MIDI CC 12/91)

Display # CC Value Model Name

57 69 '87 Brit Gain Silver J 58 32 '96 Brit Gain JM Pre 59 70 '92 Brit Gain J-900 Clean 60 71 '92 Brit Gain J-900 Dist 61 72 '03 Brit Gain J-2000 62 33 '96 Match Chief 63 34 '93 Match D-30 64 37 '85 California Crunch 65 35 '01 California Treadplate 66 36 '01 California Diamondplate 67 73 '02 Mississippi Criminal 68 38 '87 Jazz Clean 120 69 39 '67 Wishbook Silver 12 70 40 '93 Hi Gain Solo 100 71 41 '63 Super O Pawnshop 72 42 '62 Super O Thunder 73 43 '61 Class A C-15 74 44 '67 Class A C-30 TB 75 45 '05 Citrus D-30 76 46 L6 Modern Hi Gain 77 47 L6 Boutique #1 78 48 Class A C-30 Fawn 79 49 '05 Brit Gain Eighteen 80 50 '03 Brit Gain J-2000 #2

MIDI CC Reference - Model Tables

3•22

MIDI CC Reference - Model Tables

GearBox™ Software Model Tables

The following Model Tables provide the detailed breakdown of MIDI CC range values that are assigned to the GearBox 3.7 individual Amp, Cab, Preamp and Effects “Model Select” parameters. Each Model type is recalled using the speciﬁc range value for the assigned MIDI CC. Use these MIDI CC values to conﬁgure your MIDI controller device assignments to access these GearBox functions remotely.

Model Pack Set Index

Power Pack (included with all PODxt devices) TonePort Free Set Metal Shop Collector Classics FX Junkie Bass Pack (includes all bass amps/cabs in TonePort Free)

Amp & Cabinet Models (MIDI CC 11/12)

Value Guitar Amp

(Bank=CC66, Val 0)

0 No Amp No Amp American Classic No Cabinet No Cabinet 1 Tube Preamp Line 6 Tube Preamp Brit Classic 1x6 1960s Super O 1x12 Boutique 2 Line 6 21st Century

Clean 3 Line 6 JTS-45 Line 6 Brit Invader Vintage 1x10 1959 Gibtone 1x15 Flip Top 4 Line 6 Class A Line 6 Super Thor Modern 1x10 1960 G-Brand 1x15 Jazz Tone 5 Line 6 Mood Line 6 Frankenstein Console 1x12 2001 Line 6 1x18 Session 6 Line 6 Spinal Puppet Line 6 Ebony Lux 1x12 1953 Small Tweed 1x18 Amp 360 7 Line 6 Chemical X Line 6 Doppleganger 1x12 1964 Blackface 'Lux 1x18 California 8 Line 6 Insane Line 6 Sub Dub 1x12 1960 Class A-15 1x18+12 Stadium 9 Line 6 Piezacoustic 2 1972 Amp 360 2x2 2001 Mini T 2x10 Modern UK 10 2001 Zen Master 2003 Jaguar 2x12 2001 Line 6 2x15 Doubleshow 11 1953 Small Tweed 1975 Alchemist 2x12 1965 Blackface 2x15 California 12 1958 Tweed B-Man 1974 Rock Classic 2x12 1996 Match Chief 2x15 Class A 13 1960 Tiny Tweed 1968 Flip Top 2x12 1987 Jazz Clean 4x10 Line 6 14 1964 Blackface 'Lux 1998 Adam and Eve 2x12 1967 Class A-30 4x10 Tweed 15 1965 Double Verb 1958 Tweed B-Man 4x10 2001 Line 6 4x10 Adam and Eve 16 1960 Two-Tone 1967 Silverface Bass 4x10 1958 Tweed B-Man 4x10 Silvercone 17 1973 Hiway 100 1964 Double Show 4x12 2001 Line 6 4x10 Session

Bass Amp*

(Bank=CC66, Val 1)

Line 6 Classic Jazz Lo-Fi 1x8 1960 Tiny Tweed 1x12 Motor City

Preamp*

(Bank=CC66, Val 2)

Guitar Cabinet

(Bank=CC67, Val 0)

Bass Cabinet**

(Bank=CC67, Val 1)

3•23

MIDI CC Reference - Model Tables

GearBox™ Software Model Tables - continued

18 1965 Plexi 45 1989 Eighties 4x12 1967 Green 20s 4x12 Hiway 19 1968 Plexi Lead 100 1973 Hiway 100 4x12 1968 Green 25s 4x12 Green 20s 20 1968 Plexi Jump Lead 1971 Hiway 200 4x12 1978 Brit Celest

T-75s

21 1968 Plexi Variac'd 1969 British Major 4x12 1996 Brit Celest

V-30s 22 1990 Brit J-800 1968 Brit Bass 4x12 2001 Treadplate 8x10 Classic 23 1996 Brit JM Pre 2003 California 1x15 1962 Thunder 24 1996 Match Chief 1998 Jazz Tone 2x12 1967 Wishbook 25 1993 Match D-30 1978 Stadium 1x12 Boutique** 26 2001 Treadplate Dual 2002 Studio Tone 1x12 Motor City 27 1985 Cali Crunch 1967 Motor City 1x15 Flip Top 28 1987 Jazz Clean 1965 Brit Class A100 1x15 Jazz Tone 29 1993 Solo 100 Head 1x18 Session 30 1960s Super O 1x18 Amp 360

Amp & Cabinet Models (MIDI CC 11/12)

Value Guitar Amp Bass Amp* Pre Amp Cabinet Bass Cabinet**

31 1960 Class A-15 1x18 California 32 1967 Class A-30 Top

Boost 33 Line 6 Agro 2x10 Modern UK 34 Line 6 Lunatic 2x15 Doubleshow 35 Line 6 Treadplate 2x15 California 36 Line 6 Variax Acoustic 2x15 Class A 37 2002 Bomber Uber 4x10 Line 6 38 2003 Connor 50 4x10 Tweed 39 2003 Deity Lead 4x10 Adam and Eve 40 2003 Deity's Son 4x10 Silvercone 41 2002 Angel P-Ball 4x10 Session 42 1987 Brit Gain Silver J 4x12 Hiway 43 1992 Brit Gain J-900

Clean

1x18+12 Stadium

4x12 Green 20s

4x12 Green 25s

4x15 Big Boy

3•24

GearBox™ Software Model Tables - continued

MIDI CC Reference - Model Tables

44 1992 Brit Gain J-900

Dist 45 2003 Brit Gain J-2000 4x15 Big Boy 46 2001 Cali Diamond

Plate 47 2002 Mississippi

Criminal 48 Line 6 Big Bottom 49 Line 6 Chunk Chunk 50 Line 6 Fuzz 51 Line 6 Octone 52 Line 6 Smash 53 Line 6 Sparkle Clean 54 Line 6 Throttle 55 2002 Bomber X-TC 56 2003 Deity Crunch 57 1963 Blackface Vibro 58 1967 Double Show 59 1972 Silverface Bass 60 1996 Mini Double 61 1960 Gibtone Expo 62 1968 Brit Plexi Bass

100 63 1969 Brit Plexi Lead

200 64 1967 Wishbook Silver

12 65 1962 Super O Thunder 66 Line 6 Bayou 67 Line 6 Crunch 68 Line 6 Purge 69 Line 6 Sparkle 70 Line 6 Super Clean 71 Line 6 Super Sparkle

4x12 Green 25s

3•25

MIDI CC Reference - Model Tables

GearBox™ Software Model Tables - continued

72 Line 6 Twang 73 Line 6 Tube Preamp* 74 Line 6 Classic Jazz

Amp & Cabinet Models (MIDI CC 11/12)

Value Guitar Amp Bass Amp* Pre Amp Cabinet Bass Cabinet**

75 Line 6 Brit Invader 76 Line 6 Super Thor 77 Line 6 Frankenstein 78 Line 6 Ebony Lux 79 Line 6 Doppleganger 80 Line 6 Sub Dub 81 1972 Amp 360 82 2003 Jaguar 83 1975 Alchemist 84 1974 Rock Classic 85 1968 Flip Top 86 1998 Adam and Eve 87 1958 Tweed B-Man 88 1967 Silverface Bass 89 1964 Double Show 90 1989 Eighties 91 1973 Hiway 100 92 1971 Hiway 200 93 1969 British Major 94 1968 Brit Bass 95 2003 California 96 1998 Jazz Tone 97 1978 Stadium 98 2002 Studio Tone

3•26

MIDI CC Reference - Model Tables

GearBox™ Software Model Tables - continued

99 1967 Motor City 100 1965 Brit Class A100 101 Citrus D-30 102 L6 Modern Hi Gain 103 L6 Boutique #1 104 Class A-30 Fawn 105 Brit Gain 18 106 Brit J-2000 #2

* Bass Amps can selected by using CC 11 or 12 and selecting values within the Guitar Amp range (73-100), or by ﬁrst switching to the Bass Amp bank (Bank Select CC 66, Value 1), and then selecting values in the Bass Amp range (CC 11 or 12 and Values 0-28).

* Preamps can be selected by ﬁrst sending an amp Bank Select (CC 66 with a Value of 2), and then selecting CC11 or 12 and the Values 0-5. ** Bass Cabs can selected by using CC 71 and a value within the Guitar Cab range (25-46), or by ﬁrst switching to the Bass Cab bank (Bank Select CC 67, Value

1), and then selecting values in the Bass Cab range (CC 71, Values 0-22) .

Mic & Effects Models

Model Pack Set Index

Power Pack (included with all PODxt devices)

FX Junkie

Value Mic (on guitar cab) -

CC 70

0 57 On Axis Tube 47 Close Facial Fuzz Sine Chorus Analog Delay 'Lux

1 57 Off Axis Tube 47 Far Fuzz Pi Analog Chorus Analog Delay w/Mod Standard

2 421 Dynamic 112 Dynamic Screamer Line 6 Flanger Tube Echo King

3 67 Condenser 20 Dynamic Classic Distortion Jet Flanger Multi-Head Delay Small

4 Octave Fuzz Phaser Sweep Echo Tiled

5 Blue Comp U-Vibe Digital Delay Brite

6 Red Comp Opto Tremolo Stereo Delay Dark Hall Conductor

Mic (on bass cab) CC 70

Stomp - CC 75 Modulation - CC 58 Delay - CC 88 Reverb -

CC 37

Spring

Room

Wah - CC 91

Vetta Wah

Fassel

Weeper

Chrome

Chrome Custom

Throaty

3•27

GearBox™ Software Model Tables - continued

MIDI CC Reference - Model Tables

7 Vetta Comp Bias Tremolo Ping Pong Delay Medium

Hall 8 Auto Swell Rotary Drum + Horn Reverse Delay Large Hall 9 Auto Wah Rotary Drum Echo Platter Rich

Chamber 10 Killer Z Auto Pan Tape Echo Chamber 11 Tube Drive Analog Square Chorus Low Rez Cavernous 12 Vetta Juice Stereo Square Chorus Phaze Eko Slap Plate 13 Boost + EQ Stereo Expo Chorus Bubble Echo Vintage

Plate 14 Blue Comp Treb Random Chorus Large Plate 15 Dingo Tron Stereo Square Flange 16 Clean Sweep Expo Flange 17 Seismik Synth Lumpy Phase 18 Double Bass Hi Talk 19 Buzz Wave Sweeper 20 Rez Synth POD Purple X 21 Saturn 5 Ring Mod Random S & H 22 Synth Analog Tape Eater 23 Synth FX Warble-Matic 24 Synth Harmony 25 Synth Lead 26 Synth String 27 Bass Overdrive 28 Bronze Master 29 Sub Octaves 30 Bender 126 Female De-esser 127 Male De-esser

Colorful

3•28

Effects Model Tables (All Line 6 Products)

Note - When GearBox is in Dual Tone Mode, only Tone 1 receives and responds to incoming MIDI control messages.

Stomp Category Models

CC #75 Model Select

Facial Fuzz Pre/Post Drive Gain Tone n/a n/a Fuzz Pi Pre/Post Drive Gain Tone n/a n/a Screamer Pre/Post Drive Gain Tone n/a n/a Classic Dist Pre/Post Drive Gain Tone n/a n/a PowerPack Octave Fuzz Pre/Post Drive Gain Tone n/a n/a PowerPack Blue Comp Pre/Post Sustain Level n/a n/a n/a PowerPack Red Comp Pre/Post Sustain Level n/a n/a n/a Vetta Comp Pre/Post Sens Level n/a n/a n/a PowerPack Auto Swell Pre/Post Ramp Depth n/a n/a n/a PowerPack Auto Wah Pre/Post Sens Q n/a Mid n/a FX Junkie Killer Z Pre/Post Drive Contour Gain Bass n/a FX Junkie Tube Drive Pre/Post Drive Treble Gain n/a n/a FX Junkie Vetta Juice Pre/Post Amount Level n/a Mid Mid Freq. FX Junkie Boost + EQ Pre/Post Drive Bass Treble n/a n/a FX Junkie Blue Comp Treb Pre/Post Level Sustain n/a n/a n/a FX Junkie Dingo Tron Pre/Post n/a Sensitivity Q n/a n/a FX Junkie Clean Sweep Pre/Post Decay Sens Q Mix n/a FX Junkie Seismik Synth Pre/Post Wave n/a n/a Mix n/a FX Junkie Double Bass Pre/Post -1 Octave -2 Octave n/a Mix n/a FX Junkie Buzz Wave Pre/Post Wave Filter Decay Mix n/a FX Junkie Rez Synth Pre/Post Wave Filter Decay Mix n/a FX Junkie Saturn 5 Ring Mod Pre/Post Wave n/a n/a Mix n/a FX Junkie Synth Analog Pre/Post Wave Filter Decay Mix n/a FX Junkie Synth FX Pre/Post Wave Filter Decay Mix n/a FX Junkie Synth Harmony Pre/Post Interval 1 Filter Wave Mix n/a FX Junkie Synth Lead Pre/Post Wave Filter Decay Mix n/a FX Junkie Synth String Pre/Post Wave Filter Attack n/a n/a FX Junkie Female De-Esser Pre/Post Amount n/a n/a n/a n/a

CC #74 Pre/Post

CC #79 Param 2

CC #80 Param 3

CC#81 Param 4

CC#82 Param 5

CC#83 Param 6

Model Pack Dependency

MIDI CC Reference - Model Tables

3•29

Effects Model Tables - continued

Male De-Esser Pre/Post Amount n/a n/a n/a n/a Bass Overdrive Pre/Post Bass n/a Drive Gain n/a Bronze Master Pre/Post Drive Tone n/a Blend n/a Sub Octaves Pre/Post -1 Oct Gn -2 Oct Gn n/a Mix n/a Bender Pre/Post Position Heel Toe Mix n/a

Modulation Category Models

CC #58 Model Select

Sine Chorus Pre/Post Depth Mix Bass Treble Analog Chorus Pre/Post Depth Mix Bass Treble Line 6 Flanger Pre/Post Depth Mix n/a n/a Jet Flanger Pre/Post Depth Mix Fdbk Manual Phaser Pre/Post n/a Mix n/a n/a Vibe Phase Pre/Post Depth Mix n/a n/a PowerPack Opto Trem Pre/Post Wave Mix n/a n/a Bias Trem Pre/Post Wave Mix n/a n/a PowerPack Rotary Drum+Horn Pre/Post n/a Mix Tone n/a Rotary Drum Pre/Post n/a Mix Tone n/a PowerPack Auto Pan Pre/Post Depth Mix n/a n/a PowerPack Analog Square Chorus Pre/Post Depth Mix Bass Treble FX Junkie Stereo Square Chorus Pre/Post Depth Mix Predelay Feedback FX Junkie Stereo Expo Chorus Pre/Post Depth Mix Predelay Feedback FX Junkie Random Chorus Pre/Post Depth Mix Bass Treble FX Junkie Stereo Square Flange Pre/Post Depth Mix Predelay Feedback FX Junkie Expo Flange Pre/Post Depth Mix Predelay Feedback FX Junkie Lumpy Phase Pre/Post Depth Mix Bass Treble FX Junkie Hi Talk Pre/Post Depth Mix Q n/a FX Junkie Sweeper Pre/Post Depth Mix Q Frequency FX Junkie POD Purple X Pre/Post Fdbk Mix Depth n/a FX Junkie Random S & H Pre/Post Depth Mix Q n/a FX Junkie Tape Eater Pre/Post Fdbk Mix Flutter Dist FX Junkie Warble-Matic Pre/Post Depth Mix Q n/a FX Junkie

CC #57 Pre/Post

CC #52 Param 2

CC #56 Vol./Mix

CC #53 Param 3

CC #54 Param 4

Model Pack Dependency

MIDI CC Reference - Model Tables

3•30

Delay Category Models

CC #88 Model Select

Analog Pre/Post Fdbk Mix Bass Treble PowerPack Analog w/Mod Pre/Post Fdbk Mix ModSpd Depth Tube Echo Pre/Post Fdbk Mix Flut Drive Multi-Head Pre/Post Fdbk Mix Heads Flutter PowerPack Sweep Echo Pre/Post Fdbk Mix Speed Depth PowerPack Digital Pre/Post Fdbk Mix Bass Treble Stereo Pre/Post Offst Mix Fdbk L Fdbk R PowerPack Ping Pong Pre/Post Fdbk Mix Offst Spread PowerPack Reverse Pre/Post Fdbk Mix n/a n/a PowerPack Echo Platter Pre/Post Fdbk Mix Heads Flutter FX Junkie Tape Echo Pre/Post Fdbk Mix Bass Treble FX Junkie Low Res Pre/Post Fdbk Mix Tone Bits FX Junkie Phaze Echo Pre/Post Fdbk Mix Speed Depth FX Junkie Bubble Echo Pre/Post Fdbk Mix Speed Depth FX Junkie

CC#37 Model Select

Lux Spring Pre/Post Decay Mix Tone n/a Standard Sping Pre/Post Decay Mix Tone n/a PowerPack King Spring Pre/Post Decay Mix Tone n/a PowerPack Small Room Pre/Post Decay Mix Tone PreDelay Tiled Room Pre/Post Decay Mix Tone PreDelay PowerPack Brite Room Pre/Post Decay Mix Tone PreDelay Dark Hall Pre/Post Decay Mix Tone PreDelay PowerPack Medium Hall Pre/Post Decay Mix Tone PreDelay Large Hall Pre/Post Decay Mix Tone PreDelay PowerPack Rich Chamber Pre/Post Decay Mix Tone PreDelay PowerPack Chamber Pre/Post Decay Mix Tone PreDelay PowerPack Cavernous Pre/Post Decay Mix Tone PreDelay Slap Plate Pre/Post Decay Mix Tone PreDelay Vintage Plate Pre/Post Decay Mix Tone PreDelay PowerPack Large Plate Pre/Post Decay Mix Tone PreDelay PowerPack

CC #87 Pre/Post

CC#41 Pre/Post

CC #33 Param 2

Reverb Category Models

CC#38 Decay

CC #34 Vol./Mix

CC#18 Mix

CC #35 Param 3

CC#39 Tone

CC #85 Param 4

CC#40 PreDelay

Model Pack Dependency

MIDI CC Reference - Model Tables

3•31

Effects Model Tables - continued

Wah Category Models

CC#91 Model Select

Vetta Wah On/Off Position Jen Fassel On/Off Position PowerPack Weeper On/Off Position Chrome On/Off Position PowerPack Chrome Custom On/Off Position PowerPack Throaty On/Off Position PowerPack Conductor On/Off Position PowerPack Colorful On/Off Position PowerPack

CC#43 On/Off

CC#4 Position

Model Pack Dependency

MIDI CC Reference - Model Tables

3•32

Line 6 all products MIDI Continuous Controller Reference

Specifications and Main Features

Frequently Asked Questions

User Manual

lIne 6 ProDuCts anD MIDI

What’s MIDI?

MIDI In & Out

MIDI Channel

Making the connection

MIDI CC referenCe tables

Line 6 Hardware MIDI CC Reference Table

GearBox™ Software MIDI CC Reference Table

MIDI CC range referenCe - MoDel tables

Pocket POD® Model Tables

Floor POD® Model Tables

POD® 2.0 Model Tables

POD® X3 Model Tables

Flextone™ III Model Tables

HD147™ Model Tables

Vetta™ II Model Tables

GearBox™ Software Model Tables

Effects Model Tables (All Line 6 Products)