Kurzweil Music Systems SP76, SP88, SP88X User Manual

Page 1

Stage Piano

User’s Guide

©1999 All rights reserved. Kurzweil is a product line of Young Chang Co.; V. A. S. T. is a registered trademark, and Kurzweil, SP76, SP88, and K2600 are trademarks of Young Chang Co. All other products and brand names are trademarks or registered trademarks of their respective companies. Product features and speciÞcations are subject to change without notice.

Part Number: 910329 Rev. A

Page 2

The lightning flash with the arrowhead symbol,

CAUTION

RISK OF ELECTRIC SHOCK

DO NOT OPEN

CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK, DO NOT REMOVE THE COVER NO USER SERVICEABLE PARTS INSIDE REFER SERVICING TO QUALIFIED SERVICE PERSONNEL

within an equilateral triangle, is intended to alert the user to the presence of uninsulated

"dangerous voltage" within the product's enclosure that may be of sufficient magnitude to constitute a risk of electric shock to persons.

The exclamation point within an equilateral triangle is intended to alert the user to the presence of important operating and maintenance (servicing) instructions in the

literature accompanying the product.

IMPORTANT SAFETY & INSTALLATION INSTRUCTIONS

INSTRUCTIONS PERTAINING TO THE RISK OF FIRE, ELECTRIC SHOCK, OR INJURY TO PERSONS

WARNING:

always be followed, including the following:

1. Read all of the Safety and Installation Instructions and

2. This product must be grounded. If it should malfunction or

4. Do not use this product near water - for example, near a

5. This product should only be used with a stand or cart that is

6. This product, either alone or in combination with an ampliﬁer

7. The product should be located so that its location or position

When using electric products, basic precautions should

Explanation of Graphic Symbols before using the product. break down, grounding provides a path of least resistance for

electric current to reduce the risk of electric shock. This product is equipped with a power supply cord having an equipment-grounding conductor and a grounding plug. The plug must be plugged into an appropriate outlet which is properly installed and grounded in accordance with all local codes and ordinances.

DANGER:

conductor can result in a risk of electric shock. Do not modify the plug provided with the product - if it will not ﬁt the outlet, have a proper outlet installed by a qualiﬁed electrician. Do not use an adapter which defeats the function of the equipmentgrounding conductor. If you are in doubt as to whether the product is properly grounded, check with a qualiﬁed serviceman or electrician.

WARNING:

selector. The voltage selector has been factory set for the mains supply voltage in the country where this unit was sold. Changing the voltage selector may require the use of a different power supply cord or attachment plug, or both. To reduce the risk of ﬁre or electric shock, refer servicing to qualiﬁed maintenance personnel.

bathtub, washbowl, kitchen sink, in a wet basement, or near a swimming pool, or the like.

recommended by the manufacturer. and speakers or headphones, may be capable of producing

sound levels that could cause permanent hearing loss. Do not operate for a long period of time at a high volume level or at a level that is uncomfortable. If you experience any hearing loss or ringing in the ears, you should consult an audiologist.

Improper connection of the equipment-grounding

This product is equipped with an AC input v oltage

does not interfere with its proper ventilation.

8. The product should be located away from heat sources such as radiators, heat registers, or other products that produce heat.

9. The product should be connected to a power supply only of the type described in the operating instructions or as marked on the product.

10. This product may be equipped with a polarized line plug (one blade wider than the other). This is a safety feature. If you are unable to insert the plug into the outlet, contact an electrician to replace your obsolete outlet. Do not defeat the safety purpose of the plug.

11. The power supply cord of the product should be unplugged from the outlet when left unused for a long period of time. When unplugging the power supply cord, do not pull on the cord, but grasp it by the plug.

12. Care should be taken so that objects do not fall and liquids are not spilled into the enclosure through openings.

13. The product should be serviced by qualiﬁed service personnel when:

A. The power supply cord or the plug has been damaged; B. Objects have fallen, or liquid has been spilled into the

product; C. The product has been exposed to rain; D. The product does not appear to be operating normally or

exhibits a marked change in performance; E. The product has been dropped, or the enclosure

14. Do not attempt to service the product beyond that described

15.

damaged.

in the user maintenance instructions. All other servicing should be referred to qualiﬁed service personnel.

WARNING:

supply cord, or place the product in a position where anyone could trip over, walk on, or roll an ything ov er cords of any type. Do not allow the product to rest on or be installed over cords of any type. Improper installations of this type create the possibility of a ﬁre hazard and/or personal injury.

Do not place objects on the product’s power

RADIO AND TELEVISION INTERFERENCE

WARNING:

expressly approved by Young Chang could void your authority to operate the instrument.

IMPORTANT:

other equipment use only high quality shielded cables.

NOTE:

the limits for a Class B digital device, pursuant to P art 15 of the FCC Rules. These limits are designed to provide reasonable protection against harmful interference in a residential installation. This instrument generates, uses, and can radiate radio frequency energy and, if not installed and used in accordance with the instructions, may cause harmful interference to radio communications. However, there is no guarantee that interference will not occur in a particular installation. If this instrument does cause harmful interference to radio or television reception, which can be determined by turning the instrument off and on, the user is encouraged to try to correct the interference by one or more of the following measures:

• Reorient or relocate the receiving antenna.

Changes or modiﬁcations to this instrument not

When connecting this product to accessories and/or

This instrument has been tested and found to comply with

SA VE THESE INSTRUCTIONS

• Increase the separation between the instrument and the receiver.

• Connect the instrument into an outlet on a circuit other than the one to which the receiver is connected.

• If necessary consult your dealer or an experienced radio/ television technician for additional suggestions.

NOTICE

This apparatus does not exceed the Class B limits for radio noise emissions from digital apparatus set out in the Radio Interference Regulations of the Canadian Department of Communications.

AVIS

Le present appareil numerique n’emet pas de bruits radioelectriques depassant les limites applicables aux appareils numeriques de la class B prescrites dans le Reglement sur le brouillage radioelectrique edicte par le ministere des Communications du Canada.

Page 3

Young Chang Distributors

Contact the nearest Young Chang ofÞce listed below to locate your local Young Chang/ Kurzweil representative.

Young Chang America, Inc.

P.O. Box 99995 Lakewood, WA 98499-0995 Tel: (253) 589-3200 Fax: (253) 984-0245

Young Chang Co.

178-55 Gajwa-Dong Seo-Ku, Inchon, Korea 404-714 Tel: 011-82-32-570-1380 Fax: 011-82-32-570-1218

Young Chang Akki Europe GmbH

Industriering 45 D-41751 Viersen Germany Tel: 011-49-2162-4491 Fax: 011-49-2162-41744

Young Chang Canada Corp.

250 Shields Court, Unit #11 Markham, Ontario L3R 9W7 Tel: (905) 948-8052 Fax: (905) 948-8172

iii

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Page 5

Contents

Young Chang Distributors ....................................................................... iii

Chapter 1 Introducing the Stage Piano

Welcome! .................................................................................................. 1-1

Stage Piano Overview ............................................................................ 1-1

Sound, Internal Voices Setup, MIDI Setup ................................... 1-1

The Keyboard........................................................................................... 1-2

The Front Panel........................................................................................ 1-2

The Ribbon Controllers .......................................................................... 1-2

Other Controllers..................................................................................... 1-2

Connectors................................................................................................ 1-3

Modes........................................................................................................ 1-3

How to Use This Book............................................................................ 1-3

Chapter 2 Getting Started

Unpacking the Instrument..................................................................... 2-1

Quick Start................................................................................................ 2-1

Playing the Demo.................................................................................... 2-2

Placement and Support .......................................................................... 2-2

The Rear Panel......................................................................................... 2-2

Power Switch .................................................................................... 2-3

Power Jack......................................................................................... 2-3

Audio Jacks ....................................................................................... 2-3

Phones Jack ....................................................................................... 2-3

Switch Pedal Jack ............................................................................. 2-3

Control Pedal Jack............................................................................ 2-3

MIDI Ports......................................................................................... 2-4

Connecting Switch Pedals .............................................................. 2-4

A Special Note About Switch Pedals............................................. 2-4

Connecting a Control Pedal............................................................ 2-4

Connecting to Your Audio System....................................................... 2-5

Changing to Mono Output ............................................................. 2-5

Connecting Headphones........................................................................ 2-6

Connecting MIDI..................................................................................... 2-6

Basic MIDI Hookup ......................................................................... 2-6

Connecting More Sound Modules................................................. 2-7

Connecting to a Computer Sequencer .......................................... 2-8

Full System...................................................................................... 2-10

The Front Panel.......................................................................................2-11

Page 6

The Kurzweil Stage Piano User’s Guide

Sound and Setup Select Buttons ...................................................2-11

The Numeric Display .....................................................................2-11

Mode LEDs ..................................................................................... 2-12

Parameter Editing Buttons............................................................ 2-12

The Parameter Display.................................................................. 2-12

The Info Strip .................................................................................. 2-12

Button Combinations..................................................................... 2-13

Direct Select ............................................................................. 2-13

Panic.......................................................................................... 2-13

Demo Song............................................................................... 2-13

What Mode Am I In? ............................................................................ 2-14

Chapter 3 Internal Voices Mode

Selecting Internal Voices Mode ............................................................. 3-1

Selecting Sounds .............................................................................. 3-1

Modifying Effects............................................................................. 3-2

Saving a SoundÕs Effects Settings.......................................................... 3-3

Modifying The MIDI Transmit Channel .............................................. 3-3

Sending a MIDI Program Change......................................................... 3-4

Modifying Other Internal Voice Parameters ....................................... 3-4

MIDI Program .................................................................................. 3-4

MIDI Bank Sel Lo ............................................................................. 3-4

MIDI Channel ................................................................................... 3-5

Destination........................................................................................ 3-5

Internal Effect.................................................................................... 3-5

Transpose........................................................................................... 3-5

Velocity Curve .................................................................................. 3-5

Reverb Wet/Dry, Chorus Wet/Dry ............................................... 3-5

A Ribbon............................................................................................ 3-5

Hold or Center.................................................................................. 3-5

B Ribbon Up, B Ribbon Down........................................................ 3-5

Hold or Zero ..................................................................................... 3-6

Control Slider, Control Pedal ......................................................... 3-6

Switch Pedal R, Switch Pedal L...................................................... 3-6

Editing Basics........................................................................................... 3-6

Edit vs. Play Mode ........................................................................... 3-7

Selecting a Parameter ...................................................................... 3-7

Increment/Decrement Editing....................................................... 3-7

Direct Numerical Editing................................................................ 3-8

Cancelling Edits................................................................................ 3-8

Saving The Edited Parameters ....................................................... 3-8

Page 7

The Kurzweil Stage Piano User’s Guide

Chapter 4 MIDI Setups Mode

Selecting Setups....................................................................................... 4-1

Zones......................................................................................................... 4-2

Editing MIDI Setups ............................................................................... 4-3

Saving a ModiÞed MIDI Setup.............................................................. 4-3

Sending a MIDI Program Change ........................................................ 4-4

Parameter Summary ............................................................................... 4-4

Internal Sound .................................................................................. 4-4

MIDI Program .................................................................................. 4-4

MIDI Bank Sel Lo, MIDI Bank Sel Hi............................................ 4-4

MIDI Channel ................................................................................... 4-4

Destination........................................................................................ 4-5

Internal Effect.................................................................................... 4-5

Key Range Lo, Key Range Hi......................................................... 4-5

Transpose........................................................................................... 4-5

Velocity Curve .................................................................................. 4-6

Reverb Wet/Dry, Chorus Wet/Dry ............................................... 4-6

A Ribbon............................................................................................ 4-6

Hold or Center.................................................................................. 4-6

B Ribbon Up, B Ribbon Down........................................................ 4-7

Hold or Zero ..................................................................................... 4-7

Control Slider, Control Pedal ......................................................... 4-7

Switch Pedal R, Switch Pedal L...................................................... 4-7

MIDI Controller Destinations................................................................ 4-7

Continuous Controller Destinations .................................................... 4-8

Switch Controller Destinations ............................................................. 4-9

More on Keyboard Splits.......................................................................4-11

Changing Setups: Special Considerations .........................................4-11

Chapter 5 Global Parameters

Access to the Global Parameters........................................................... 5-1

What the Global Parameters Do .................................................... 5-1

Local............................................................................................ 5-1

Stereo .......................................................................................... 5-1

Touch .......................................................................................... 5-2

Effect ........................................................................................... 5-3

MIDI In ....................................................................................... 5-3

Set Change Channel ................................................................. 5-3

Tune ............................................................................................ 5-3

Saving Global Parameters............................................................... 5-4

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The Kurzweil Stage Piano User’s Guide

Chapter 6 Advanced Applications

External Sound Modules........................................................................ 6-1

Example: The Kurzweil MicroPiano ............................................ 6-1

Example: The Kurzweil K2600R ................................................... 6-2

Computer Sequencers............................................................................. 6-2

MIDI Hookup ................................................................................... 6-3

Local Control Off and Patch Thru On........................................... 6-3

Basic Sequencer Operations............................................................ 6-3

Saving Setup Memory ..................................................................... 6-4

Reloading Setup Memory ............................................................... 6-5

External MIDI Processors....................................................................... 6-5

Receive Program Change................................................................ 6-6

Example: The Kurzweil ExpressionMate .................................... 6-6

Chapter 7 Troubleshooting

Maintenance............................................................................................. 7-1

Common Problems ................................................................................. 7-1

Power Problems ............................................................................... 7-1

Audio Problems................................................................................ 7-2

MIDI Problems ................................................................................. 7-3

Switch Pedal Problems.................................................................... 7-3

Control Pedal Problems .................................................................. 7-4

Use the Right Impedance, Taper, and Range........................ 7-5

If None of the AboveÉ ................................................................... 7-5

Service Centers ........................................................................................ 7-5

Restoring Factory Defaults .................................................................... 7-6

Diagnostics ............................................................................................... 7-6

Starting Diagnostics......................................................................... 7-6

Main Diagnostic Menu.................................................................... 7-6

Player Control Diagnostic........................................................ 7-7

Testing the Keyboard ........................................................ 7-7

Testing the Ribbons ........................................................... 7-7

Testing the Switch Pedals ................................................. 7-7

Testing the Control Pedal ................................................. 7-7

Testing the Buttons and LEDs.......................................... 7-8

CPU Diagnostics ....................................................................... 7-8

ROM Test ( EEPROM Test ( MIDI Test ( Timers Test ( Burnin Test ( Initialize EEPROM (

).............................................................. 7-8

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) ...................................................... 7-8

).............................................................. 7-8

mmmmiiiidd

)........................................................... 7-8

ttttiiiimm

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) .......................................................... 7-9

).............................................. 7-9

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viii

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The Kurzweil Stage Piano User’s Guide

Sound Board Diagnostics......................................................... 7-9

Interface Test ( ROM Test ( RAM Test ( Timers Test ( Sound ROM Test ( Sound Chip Test ( Delay RAM Test ( Sine Wave Test ( Burnin Test (

iiiinnnnff

)........................................................ 7-9

).............................................................. 7-9

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).............................................................. 7-9

rrrraaaamm

ttttiiiimm

)........................................................... 7-9

) ................................................. 7-9

ssssnnnnrr

).................................................. 7-9

ssssnnnncc

ddddrrrrmm

) ................................................ 7-10

ssssiiiinn

)................................................... 7-10

)......................................................... 7-10

bbbbuuuurr

Jumper Settings Display ........................................................ 7-10

Exiting Diagnostics................................................................. 7-10

Chapter 8 Reference

Display Characters.................................................................................. 8-1

Factory Default Internal Voices Setup ................................................. 8-2

Internal Voices Parameters ............................................................. 8-2

The Internal Voices .......................................................................... 8-3

Factory Default MIDI Setups................................................................. 8-4

MIDI Setup Parameters................................................................... 8-4

Factory Default Global Parameters ...................................................... 8-5

Stage Piano Effects .................................................................................. 8-5

MIDI Implementation Chart.................................................................. 8-6

Default MIDI Controller Assignments................................................. 8-7

Specifications ........................................................................................... 8-8

Controllers......................................................................................... 8-8

Standard ..................................................................................... 8-8

Optional...................................................................................... 8-8

User Interface.................................................................................... 8-8

Display........................................................................................ 8-8

Buttons........................................................................................ 8-8

Audio ................................................................................................. 8-8

Output Connections ................................................................. 8-8

Impedance.................................................................................. 8-8

Electrical Requirements................................................................... 8-9

Environment ..................................................................................... 8-9

Operating ................................................................................... 8-9

Storage........................................................................................ 8-9

Physical Dimensions........................................................................ 8-9

SP76............................................................................................. 8-9

SP88............................................................................................. 8-9

Index

Page 10

Page 11

Chapter 1 Introducing the Stage Piano

Welcome!

Congratulations, and thank you for purchasing a Kurzweil / Young Chang Stage

Piano. YouÕve got your hands on an excellent-sounding and ßexibleÑyet

economicalÑperformance instrument and MIDI controller.

This manual will get you started with your new instrument. YouÕll deÞnitely want to

keep the manual handy as you become an advanced user, also.

Stage Piano Overview

The Stage Piano is a great live performance instrument. It has many excellent

keyboard sounds (voices), including the famous Kurzweil Grand Piano, already

programmed and ready to go. It is also a ßexible MIDI controller ideally suited for

controlling additional sound modules and as input to a sequencer.

Sound, Internal Voices Setup, MIDI Setup

WeÕll use these three terms throughout this manual. TheyÕre the components of the

Stage PianoÕs performance features.

Sounds

are the 32 internal voices of the Stage Piano: pianos, organs, strings.

The

Internal Voices Setup

performance (no external sound modules or sequencers). The Internal Voices Setup

speciÞes which sound youÕll hear, and with which audio effect (if any) applied to it. It

speciÞes several other performance features as well:

¥ What the physical controllers (like ribbons and pedals) do

¥ Transposition

¥ MIDI channel

¥ MIDI Program Change commands

ThereÕs one Internal Voices Setup, and itÕs programmableÑthat is, you can change

these speciÞcations, and save those changes to the Stage PianoÕs memory.

There are 32

Voices Setup. When youÕre using a MIDI Setup, the Stage PianoÕs keyboard has two

zones, which can be anywhere on the keyboard (even overlapping). This enables you

to play the Stage Piano and control two external MIDI instruments at the same time.

You can edit and save each MIDI Setup.

MIDI Setups

is the basic conÞguration of your Stage Piano for standalone

, each of which controls the same features as the Internal

Page 12

Introducing the Stage Piano

The Keyboard

Depending on model, the keyboard has 76 keys (E1ÐG7) or a full 88 keys (A0ÐC8).

These are full-sized, weighted keys, the equal of keyboards found on more expensive

synthesizers and controllers. The keyboard is

(faster) you press a key, the louder the voice (except for organ voices which,

realistically, are not velocity-sensitive).

velocity-sensitive

, meaning the harder

As a MIDI controller, the keyboard is also

signals expressing how rapidly a key is

The Front Panel

The front panel has a 3-digit numeric display, 10 mode and editing status LEDS, 16

sound/setup select buttons with dual-color LEDs, and 4 editing buttons. The sound/

setup select buttons make random selection of 32 different sounds or MIDI Setups

quick and easy while the display and LEDs shows the unitÕs present status at a glance.

The Ribbon Controllers

The Stage Piano also has 3 ribbon controllers, which take the place of conventional

wheels and offer signiÞcant advantages. The A ribbon (the one on the left) typically

performs a pitch bending function with the upper half bending pitch upwards and the

lower half bending pitch downwards. Pressing the center bar restores pitch to normal.

The B ribbon is actually split into upper and lower sections. Each section can control a

different characteristic of the sound simultaneously. This is like having two

conventional modulation wheels. Pressing the center bar removes both modulations.

NOTE

: The sounds of the Stage Piano do not respond to pitch bending, or to the lower section

of the B ribbon. External MIDI devices may respond to the signals sent by these controllers.

An advantage of ribbons over conventional wheels is that their

A conventional pitch wheel is spring-loaded so that it always returns to its center

position (no pitch change) when released. Conventional modulation wheels usually

do not spring back, and remain where they were when released. Likewise these are the

default modes of the A and B ribbons respectively, but each can also be set to operate

in the opposite mode. See

Hold or Center

release

-velocity-sensitive, meaning that MIDI

released

get sent to external equipment.

and

Hold or Zero

on page 3-6 for details.

mode

is programmable.

Other Controllers

The Volume/Controller slider is actually a general purpose control. Although its

default setting is to control volume (MIDI Volume), it can be set to control any aspect

of the sound. See

One Control Pedal can be plugged into the rear panel to permit foot control over the

sound. The foot controller can be set to control volume, modulation, or other sound

parameters. See

A single or dual switch pedal (piano pedal) can also be plugged into the rear panel. By

default, a single pedal or the right half of a dual pedal will perform a sustain (or

damper) function while the left half of a dual pedal will perform sostenuto. See

Connecting Switch Pedals

for more.

1-2

Control Slider, Control Pedal

on page 2-4 and

A Special Note About Switch Pedals

on page 3-6 for more information.

on page 3-6 for details.

on page 2-4

Page 13

Connectors

The rear panel has a total of 8 connectors:

¥ Left and Right audio jacks accept standard 1/4-inch mono plugs connected to your

stereo audio system. (See mono output.)

¥ Headphone jack accepts a standard 1/4-inch stereo plug.

¥ MIDI In and Out jacks for connecting to external sound modules or a computer.

¥ Control pedal jack for connecting to a continuous-control pedal.

¥ Switch pedals jack for connecting to a single or dual piano-pedal unit.

¥ DC power jack for receiving 12V DC power from the supplied power adapter.

Connecting to and using all of these connectors is described thoroughly in the

following sections.

Modes

The Stage Piano operates in one of two fundamental

Changing to Mono Output

Introducing the Stage Piano

Connectors

on page 2-5 for how to obtain a

modes

When in

stand-alone performance instrument. To change sounds, just press one of the 16 sound

select buttons. The entire keyboard will always play the sound named on the sound

select button. See Chapter 3 for more on Internal Voices mode.

When in

with a built-in sound module. The keyboard can be split into 2 sections or

going to a different MIDI channel. Up to 32 different MIDI setups can be deÞned and

stored in the built-in nonvolatile memory. You can quickly select these setups with the

16 sound/setup select buttons. In MIDI Setups mode, any sound (or none at all) can be

associated with each setup. See Chapter 4 for details about MIDI Setups mode.

Internal Voices

MIDI Setups

mode, the Stage Piano is an easy to understand and operate,

mode, the Stage Piano becomes a sophisticated MIDI controller

How to Use This Book

This

Stage Piano UserÕs Guide

you know electronic instruments and MIDI already and you know pretty much what

you want to do with your Stage Piano, at least read

need some more help on using the Stage PianoÕs many features, you should also read

all of Chapters 3 and 4. Chapters 5 and 6 give more information on global functions

and describe some typical applications. The remaining chapters provide

troubleshooting and reference material that can be referred to when needed. Finally,

donÕt underestimate the index. WeÕve tried to think of every word and topic you may

need quick access toÑitÕs the next best thing to a search engine!

Also, donÕt forget to check our web site for any late-breaking information on the Stage

Piano and other Kurzweil products:

http://www.youngchang.com/kurzweil

Above all, have fun, and make lots of great music with your Stage Piano!

zones

, each

is designed to help you get up and running quickly. If

Quick Start

on page 2-1. If you

1-3

Page 14

Page 15

Chapter 2 Getting Started

This chapter will help you hook up your Stage Piano and learn its basic functions.

Unpacking the Instrument

The box that your Stage Piano ships in contains the following:

¥ The Stage Piano

¥ AC Adapter (12V DC, 0.5A)

¥ Single switch pedal

¥ Four adhesive-backed rubber feet

¥ This manual

¥ Warranty card

Be sure to keep the box and packing materials, at least during the warranty period, in

case you need to ship the unit for any reason.

Quick Start

We recommend that you read through this whole chapter at some point. However, if

you want to start exploring your new instrument right away, follow these steps:

1. Carefully remove all the contents of the box.

2. Set the Stage Piano on a keyboard stand or table. For optimum stability, particularly of the 88-key model, make sure the ends are supported, not just the middle.

3. Turn the power switch (at the rear of the unit) off then plug the power adapter into the unit and into the wall. If youÕre not in the USA, check that the linevoltage rating of the adapter matches line voltage in your area.

4. Plug a pair of headphones into the Phones jack on the back of the unitÑor connect the Left and Right audio outputs to your audio system or mixer. The outputs are unbalanced inputs to your audio system.

5. Plug the included switch pedal into the rear panel jack marked Switch Pedals.

6. Turn the power switch to the On position. The display and all of the LEDs should light brießy, then the Internal Voices and Grand Piano LEDs should light.

7. Play away. Use the Volume/Controller slider or your audio systemÕs volume control to vary the volume. Press a sound/setup select button once to hear the red sound; twice to hear the green. See

Buttons

on page 2-11 if you donÕt understand about red and green sounds.

Read on for more details about each of these steps.

line-level

(approximately 1V), so use the line or aux

Sound and Setup Select

Page 16

Getting Started

Playing the Demo

To play the demonstration song, press the left-most two buttons (

MIDI Prog Change

and effects. The unit must be in this to work. The demo can be stopped before it is complete by pressing any button.

NOTE

: MIDI signals from the demo song will not be sent.

) at the same time. YouÕll hear a short demonstration of the sounds

Placement and Support

The Stage Piano is designed to be used on a keyboard stand or on a ßat table. For tables, we recommend attaching the included rubber feet to the bottom to avoid scratching the table when moving the unit. Refer to Figure 2-1 for the best places to attach the feet.

Internal/Setup

Play

mode (all LEDs to the left of the display off) for

and

Figure 2-1 Placement of Rubber Feet

The Stage Piano will feel most stable when supported along its entire length, especially at both ends. Place it on a hard ßat surface to keep it from rocking. If desired, it can be tilted without affecting the feel of the keyboard.

The Rear Panel

Here are descriptions of the rear-panel connectors, as illustrated in Figure 2-2.

Figure 2-2 Stage Piano Rear Panel

2-2

Page 17

Power Switch

Press the white dot to turn the Stage Piano on or the blank area to turn it off. If it will be off for a long period of time, unplug the power adapter from the wall. The Stage PianoÕs hi-tech EEPROM memory is like a computerÕs hard drive and needs no power or battery to retain information. So there is no advantage in leaving the power on.

Power Jack

Plug the cord from the included power adapter into this jack. Try to always use the adapter supplied with the unit. However, if it should become lost or forgotten, refer to

SpeciÞcations

Getting Started

The Rear Panel

on page 8-8 for information about possible substitutes.

To help prevent the power cord from being pulled out accidentally, a mounted near the power jack. To use, just wrap a 3/4 loop around it as illustrated.

Figure 2-3 Power Cord Retainer

Audio Jacks

The left and right audio jacks are used to connect to your audio system. See

to Your Audio System

Phones Jack

Plug your headphones in here. YouÕll need a Ò1/4 -inch to-1/8-inchÓ (or Òphone-to-miniÓ) adapter plug when using headphones that have a mini plug. See

Connecting Headphones

12VDC

0.5A

SP88

on page 2-5 for connection details.

on page 2-6 for additional information.

cord retainer

Connecting

Switch Pedal Jack

Use this jack to plug in the single piano pedal that came with your Stage Piano. For this pedal to work properly, it must be plugged in

Special Note About Switch Pedals

dual pedals.

Control Pedal Jack

You can plug a

Connecting a Control Pedal on page 2-4 for details.

control pedal

before

power is turned on. See

on page 2-4 for info about using aftermarket single or

in here but be careful, not every kind will work well. See

2-3

Page 18

Getting Started

The Rear Panel

MIDI Ports

Use the MIDI Out port to connect to an external sound module like a Kurzweil K2600R. Use the MIDI In port to connect to a computer for use in sequencer applications. See page 2-6 through page 2-10 for more possibilities.

Connecting Switch Pedals

The included single switch pedal will, by default, act like a piano damper pedal and will control sustain. Of course this can be changed by programming as described in Chapters 3 and 4.

The jack will also accept a dual switch pedal having a single stereo plug which is available separately (Kurzweil KFP-2M). The plug should be wired so that the left pedal connects to the ring contact and the right pedal to the tip contact. ItÕs also possible to use two single pedals. First buy a 1/4-inch stereo-to-dual-mono Y adapter. This will have two mono 1/4-inch phone jacks and a stereo 1/4-inch plug. Combinations of adapters can be used if that exact item is not available. Then plug the pedal you wish to use for sustain into the left jack and your sostenuto pedal into the right jack. Note that the ÒleftÓ pedal goes into the right jack and vice-versaÑone of those confusing facts of life.

By default, the right pedal will control sustain as before and the left pedal will control the sostenuto function. If youÕre not familiar with traditional piano technique, the sostenuto (center) pedal on a grand piano allows one to hold chords in the bass while continuing to play the melody without the latter notes sustaining. Any keys that are down when you depress the pedal will sustain when you let go of the keys, but new notes played afterward will not be sustained. Releasing the pedal puts things back to normal. Of course it too can be programmed to do other functions as well.

A Special Note About Switch Pedals

If you choose to use aftermarket switch pedals, be aware that there are two kinds: normally-open (like the included one) and normally-closed. Much Japanese equipment uses the latter type. The Stage Piano will automatically adapt to either typeÑif it is plugged in before the power is turned on; just donÕt step on it until the power-up sequence is complete. If you Þnd that your pedal has become schizoid, simply turn power off for a couple of seconds then back on and it will adapt.

CAUTION: Be sure not to step on the switch pedals when powering up your Stage Piano!

Connecting a Control Pedal

A control pedal can be very useful for controlling volume, vibrato, or other effect by foot. The Kurzweil CC-1 control pedal will plug in directly and work perfectly but it is also possible to use aftermarket ÒcontrolÓ pedals designed for synthesizers. A volume pedal may or may not be satisfactory depending on how it is constructed. See Control Pedal Problems on page 7-4 for pedal speciÞcations or if you are having trouble with your control pedal.

2-4

Page 19

Connecting to Your Audio System

The Audio Output jacks are professional 1/4-inch ÒphoneÓ jacks so if you are connecting to an audio system with ÒRCAÓ jacks, you will need two Òphone plug-toRCA plugÓ adapter cables. Remember: always lower the volume of your audio system when changing audio connectionsÑor better yet, turn the power off!

CAUTION: Be sure to lower the volume of your audio system or switch it off when changing audio connections!

The source impedance of the audio output jacks is 1000 ohms, so they can drive relatively long cables if needed. If connecting to a mixer, use a high-impedance, unbalanced line input. If using a keyboard ampliÞer, its normal input should be Þne. If using a home stereo system, inputs marked Aux should work well but Tuner and CD inputs are generally OK. A guitar ampliÞer may work if it has Line or Aux inputs. Avoid using a Guitar input though, it will likely be way too noisy and may distort your sound.

Changing to Mono Output

By default, the Stage Piano produces stereo audio signals. In cases requiring a mono signal, use the following procedure to change the outputs to mono:

1. Make sure you are starting from Internal Voices Play mode. This is the default right after power on. Only the Internal Voices LED and one of the sound LEDs will be on.

Getting Started

Connecting to Your Audio System

2. Press the Play/Edit button once.

3. Press the Col Select (Column Select) button twice. Both of the parameter-

column LEDs should be off after doing so. (See The Parameter Display on page 2-12 if you donÕt know what we mean by Òparameter-column

LEDs.Ó)

4. The top parameter-row LED should be blinking and the display should show

sssstttteeee (stereo) or mmmmoooonnnn (mono). If not, press Row Select repeatedly until this

is achieved.

5. To change the selection, press the Up arrow button or the Down arrow button.

6. If you would like for this change to be remembered next time power is turned on, press the Store button twice. Otherwise it will revert to the previous setting next time power is turned on.

7. Press Play/Edit to return to Play mode.

The above sequence may seem complicated, but after reading Chapter 3 it will seem quite simple and logical. When in mono mode, the left and right jacks produce the same signal.

2-5

Page 20

Getting Started

Connecting Headphones

The Phones jack is designed to drive 100 ohm or greater headphones. Lower impedance is safe too but the volume level can be reduced. You can also use a stereo Y adapter and connect two headphones at the same time if they are 100 ohms or greater.

You can use headphones and an audio system at the same time; plugging in the phones does not affect the line outputs at all. Note that if the instrument is switched to mono mode as described above, the phones signal will also be mono, that is, the same signal is heard from left and right.

The signal at the phones jack is just as high a quality as that at the line output jacks described above. So if you prefer to use a single stereo cable to your audio system and do not intend to use headphones, you can use the headphones output to drive your audio system.

Connecting MIDI

The Stage Piano is a great live performance instrument all by itself but you can expand its capabilities almost endlessly by using its MIDI (Musical Instrument Digital Interface) connectors.

Basic MIDI Hookup

The simplest application of MIDI is to connect and control an external sound module for more sounds, more polyphony, and more timbre control than the internal sound module offers. The drawing below shows how simple this really is to do.

2-6

Intemal Sound MIDI Program

MIDI Bank Sel Lo MIDI Bank Sel Hi

MIDI Channel Destination

Intemal Effect

Key Range Lo Key Range Hi

Transpose Velocity Curve

Global

Local

Reverb Wet / Dry

Stereo

Chorus Wet / Dry

A Ribbon

Touch Hold or Center

B Ribbon Up

Effect Hold or Zero

B Ribbon Down

MIDI In Hold or Zero

Control Slider

Set Chg Chan Control Pedal

Switch Pedal R

Tune Switch Pedal L

75 to 79 - Sound Control 6 to 10

70 - Sound Variation

80 tp 83 - General Control 5 to 8

71 - Timbre Control

84 - Portamento Control

72 - Release Time

85 to 90 - Undefined

73 - Attack Time

91 - Reverb Depth 96 - Data Increment

74 - Brightness

Internal Voices

MIDI Setups

Sound / Setup Select

Grand Pno 1 Grand Pno 2

12345

Trem Dig EP St Hard EP

17 18

97 - Data Decrement

92 - Effects 2 Depth

98 - Non-Reg Parm LSB

93 - Chorus Depth

99 - Non-Reg Parm MSB

94 - Effects 4 Depth

100 - Registered Parm LSB

95 - Effects 5 Depth

101 - Registered Parm MSB

Stage Pno 1 Stage Pno 2 Sustain Pno

Digital EP Dig EP & Str Pad

19 20

Bright Pno Piano & Str 1

Tack Piano Bright E Grand

Classic EP

Dyno EP

Piano & Str 2 Tite E Grand

Warm E Grand Dig E Grand

Hard Dyno EP

Ld/Dmp

Yes

Ballad Org 1

Rock Org 1

Perc Org

Fast Str 1

St Slo Str Pad

Touch Str

Ballad Org 2

Rock Org 2

Org & Piano

Fast Str 2

Slow Dig Pad

St Slo Strings

09876

+/-NoCancel

Enter

Effects:

102 to 119 - Undefined 0 - None

5 - Hall & Chorus

120 to 127 - Channel Mode Set

1 - Room & Chorus

6 - Bright Hall & Chorus

128 - Send as Pitch Bend

2 - Bright Room & Chorus

7 - Large Hall & Chorus

129 - Send as Pressure

4 - Bright Stage & Chorus

8 - Large Bright Hall & Chorus

101 - Registered Parm MSB 4 - Foot Controller

9 - Deep Space

SP88

Built-In Effects Award Winning Soungs Flexible MIDI Controller

Stage Piano

MIXER

MIDI Out

Volume / Controller

MIDI

ParameterMode Select / Param Edit

Panic

Internal/Steup Row Select

Zone

Play

MIDI Prog Chg

Edit

Store

Destinations:

10 - Pan

16 to 19 - Gennral Control 1 to 4

65 - Portamento Switch

0 - Bank Select MSB

5 - Portamento Time

11 - Expression

20 to 31 - Undefined

66 - Sostenuto Pedal

1 - Modulation Wheel

6 - Data Entry MSB

12 - Effect Control 1

32 - Bank Select LSB

67 - Soft Peal

2 - Breath Controller

7 - Volume

13 - Effect Control 2

33 to 63 - LSB for 1 to 31

68 - Legato Switch

3 - Undefined

8 - Balance

14 to 15 - Undefined

64 - Sustain Pedal 69 - Hold Pedal

4 - Foot Controller 9 - Undefined

Figure 2-4 MIDI Connections to External Module

The external sound module can be almost anything: a K2000R, K2500R, K2600R, Kurzweil MicroPiano, and a world of other possibilities from alternative manufacturers. It could be another keyboard synthesizer or large digital piano as well, in fact nearly anything with a MIDI In connection.

With this simple setup you may be able to play up to 3 sounds at once; one from the Stage PianoÕs sounds and 2 from the external module, if it is multitimbral. The external module can make use of more of the Stage PianoÕs MIDI controls as well such as the A Ribbon, lower B ribbon, and control pedal. MIDI Setups mode, which is covered in Chapter 4, is used to control a setup like this.

Page 21

Connecting More Sound Modules

With MIDI, youÕre not limited to just one add-on sound module; you could connect 2, 3, or even more using the basic method illustrated below. Although your Stage Piano will be able to play independent sounds on only 1 multitimbral or 2 monotimbral modules at once, you can address up to 16 different external sounds using MIDI Setups, all from your Stage PianoÕs front panel!

Getting Started

Connecting MIDI

In Thru

Module A Module B Module C

Out

Sound / Setup Select

ParameterMode Select / Param Edit

Global

Grand Pno 1

Stage Pno 1

Bright Pno Piano & Str 1

Tack Piano Bright E Grand

Classic EP

Stage Pno 2 Sustain Pno

Piano & Str 2 Tite E Grand

Grand Pno 2

12345

Trem Dig EP

Ballad Org 1

Rock Org 1

Digital EP

Ballad Org 2

Rock Org 2

Dig EP & Str Pad

St Hard EP

97 - Data Decrement

102 to 119 - Undefined 0 - None

98 - Non-Reg Parm LSB

120 to 127 - Channel Mode Set

99 - Non-Reg Parm MSB

128 - Send as Pitch Bend

100 - Registered Parm LSB

129 - Send as Pressure

101 - Registered Parm MSB

101 - Registered Parm MSB 4 - Foot Controller

Dyno EP

Warm E Grand Dig E Grand

Hard Dyno EP

Ld/Dmp

Yes

Perc Org

Fast Str 1

St Slo Str Pad

Touch Str

Org & Piano

Fast Str 2

Slow Dig Pad

St Slo Strings

09876

+/-NoCancel

Enter

Effects:

5 - Hall & Chorus

1 - Room & Chorus

6 - Bright Hall & Chorus

2 - Bright Room & Chorus

7 - Large Hall & Chorus

4 - Bright Stage & Chorus

8 - Large Bright Hall & Chorus 9 - Deep Space

Panic

Local

Reverb Wet / Dry

Intemal Sound

Internal Voices

Stereo

Chorus Wet / Dry

Volume / Controller

Destinations: 0 - Bank Select MSB 1 - Modulation Wheel 2 - Breath Controller 3 - Undefined 4 - Foot Controller 9 - Undefined

MIDI Program

A Ribbon

MIDI Bank Sel Lo

Touch

Hold or Center

MIDI Bank Sel Hi

Internal/Steup Row Select

B Ribbon Up

MIDI Channel

Effect

Hold or Zero

Destination

B Ribbon Down

Zone

MIDI In

Intemal Effect

Hold or Zero

Control Slider

Key Range Lo

Set Chg Chan

MIDI Setups

Control Pedal

Key Range Hi

Play

MIDI Prog Chg

Transpose

Switch Pedal R

Edit

Store

Tune

Velocity Curve

Switch Pedal L

10 - Pan

16 to 19 - Gennral Control 1 to 4

65 - Portamento Switch

75 to 79 - Sound Control 6 to 10

92 - Effects 2 Depth

70 - Sound Variation

5 - Portamento Time

20 to 31 - Undefined

66 - Sostenuto Pedal

80 tp 83 - General Control 5 to 8

93 - Chorus Depth

71 - Timbre Control

6 - Data Entry MSB

11 - Expression

32 - Bank Select LSB

67 - Soft Peal

84 - Portamento Control

94 - Effects 4 Depth

72 - Release Time

7 - Volume

12 - Effect Control 1

33 to 63 - LSB for 1 to 31

68 - Legato Switch

85 to 90 - Undefined

95 - Effects 5 Depth

73 - Attack Time

8 - Balance

13 - Effect Control 2

64 - Sustain Pedal 69 - Hold Pedal

91 - Reverb Depth 96 - Data Increment

74 - Brightness

14 to 15 - Undefined

Figure 2-5 MIDI Connections to Additional Modules

Thru

SP88

Built-In Effects Award Winning Soungs Flexible MIDI Controller

Stage Piano

2-7

Page 22

Getting Started

Connecting MIDI

Connecting to a Computer Sequencer

If you have a computer with a MIDI interface and MIDI sequencing software, your Stage Piano can become an integral part of a home MIDI recording studio. The basic connection pattern is shown below.

Computer

Sound Card

MIDI Audio

Out In

Mixer

In Out R

Panic

Volume / Controller

Internal/Steup Row Select

Zone

Play

MIDI Prog Chg

Edit

Store

Destinations: 0 - Bank Select MSB

5 - Portamento Time

10 - Pan

16 to 19 - Gennral Control 1 to 4

11 - Expression

1 - Modulation Wheel

6 - Data Entry MSB

20 to 31 - Undefined

12 - Effect Control 1

2 - Breath Controller

7 - Volume

32 - Bank Select LSB

13 - Effect Control 2

3 - Undefined

8 - Balance

33 to 63 - LSB for 1 to 31

14 to 15 - Undefined

4 - Foot Controller 9 - Undefined

64 - Sustain Pedal 69 - Hold Pedal

Sound / Setup Select

ParameterMode Select / Param Edit

Global

Grand Pno 1

Stage Pno 1

Bright Pno Piano & Str 1

Tack Piano Bright E Grand

Stage Pno 2 Sustain Pno

Piano & Str 2 Tite E Grand

Warm E Grand Dig E Grand

Grand Pno 2

Local

Reverb Wet / Dry

Intemal Sound

Internal Voices

12345

Stereo

Chorus Wet / Dry

MIDI Program

A Ribbon

MIDI Bank Sel Lo

Touch

Hold or Center

MIDI Bank Sel Hi

B Ribbon Up

MIDI Channel

Effect

Hold or Zero

Destination

B Ribbon Down

MIDI In

Intemal Effect

Hold or Zero

Control Slider

Key Range Lo

Set Chg Chan

MIDI Setups

Control Pedal

Key Range Hi

Transpose

Switch Pedal R

Tune

Velocity Curve

Switch Pedal L

70 - Sound Variation

65 - Portamento Switch

75 to 79 - Sound Control 6 to 10

71 - Timbre Control

66 - Sostenuto Pedal

80 tp 83 - General Control 5 to 8

72 - Release Time

67 - Soft Peal

84 - Portamento Control

73 - Attack Time

68 - Legato Switch

85 to 90 - Undefined

74 - Brightness

91 - Reverb Depth 96 - Data Increment

Ld/Dmp

Trem Dig EP

Ballad Org 1

Rock Org 1

Digital EP

Perc Org

Fast Str 1

Ballad Org 2

Rock Org 2

Dig EP & Str Pad

Org & Piano

Fast Str 2

St Hard EP

09876

+/-NoCancel

Effects:

97 - Data Decrement

92 - Effects 2 Depth

102 to 119 - Undefined 0 - None

98 - Non-Reg Parm LSB

93 - Chorus Depth

120 to 127 - Channel Mode Set

1 - Room & Chorus

99 - Non-Reg Parm MSB

94 - Effects 4 Depth

128 - Send as Pitch Bend

2 - Bright Room & Chorus

100 - Registered Parm LSB

95 - Effects 5 Depth

129 - Send as Pressure

4 - Bright Stage & Chorus

101 - Registered Parm MSB

101 - Registered Parm MSB 4 - Foot Controller

Classic EP

Dyno EP Hard Dyno EP

Yes

St Slo Str Pad

Touch Str

Slow Dig Pad

St Slo Strings

Enter

5 - Hall & Chorus 6 - Bright Hall & Chorus 7 - Large Hall & Chorus 8 - Large Bright Hall & Chorus 9 - Deep Space

SP88

Built-In Effects Award Winning Soungs Flexible MIDI Controller

Stage Piano

Figure 2-6 MIDI Connections: Computer and Sound Card

The cable from the Stage PianoÕs MIDI Out to the ComputerÕs MIDI In allows the sequencing software to ÒhearÓ and record what you are playing. Likewise the cable from the computerÕs MIDI Out to the Stage PianoÕs MIDI In allows the computer to ÒplayÓ the sounds of your Stage Piano.

NOTE: Depending on the sound card or MIDI interface in your computer, you may need to buy a special cable to make MIDI connections. See the manual that came with your computer or sound card.

When using a sequencer, you need to make two important conÞguration settings to avoid doubled notes when you are playing. First, the Local parameter (one of the global parameters) should be set to a value of Off. This disconnects the internal path from the keyboard (and other controls) to the sounds. Also you should be sure that MIDI In (another global parameter) is set to Normal (nnnnrrrrmmmm) to avoid creating a MIDI loop. If youÕre just starting out, that shouldnÕt be a problem because nnnnrrrrmmmm is the default setting. See page Local Control Off and Patch Thru On on page 6-3 for information about changing the values of the Local and MIDI In parameters.

2-8

Second, the sequencer should be set to Through mode which means that it passes on what it hears at the computerÕs MIDI input to the computer Õs MIDI output. From there the MIDI signal goes to the Stage PianoÕs MIDI input where it will activate the sounds. If the sequencer is not in Through mode, you wonÕt hear anything as you play the Stage Piano.

Page 23

Getting Started

Connecting MIDI

NOTE: Different sequencer applications use different terms for what weÕre calling Through mode. For example, the sequencer may have a Patch Thru or Soft Thru parameter, which you should set to On in this case.

If you want to use an external sound module with your Stage Piano and a sequencer, it should be connected into the loop before the Stage Piano, as illustrated below:

Computer

Sound Card

MIDI Audio

MIDI

Out In

Out

Panic

Volume / Controller

Internal/Steup Row Select

Zone

Play

MIDI Prog Chg

Edit

Store

Destinations:

10 - Pan

16 to 19 - Gennral Control 1 to 4

0 - Bank Select MSB

5 - Portamento Time

20 to 31 - Undefined

1 - Modulation Wheel

6 - Data Entry MSB

11 - Expression

32 - Bank Select LSB

2 - Breath Controller

7 - Volume

12 - Effect Control 1

33 to 63 - LSB for 1 to 31

3 - Undefined

8 - Balance

13 - Effect Control 2

64 - Sustain Pedal 69 - Hold Pedal

4 - Foot Controller 9 - Undefined

14 to 15 - Undefined

Sound / Setup Select

ParameterMode Select / Param Edit

Global

Grand Pno 1

Stage Pno 1

Bright Pno Piano & Str 1

Stage Pno 2 Sustain Pno

Grand Pno 2

Local

Reverb Wet / Dry

Intemal Sound

Internal Voices

12345

Stereo

Chorus Wet / Dry

MIDI Program

A Ribbon

MIDI Bank Sel Lo

Touch

Hold or Center

MIDI Bank Sel Hi

B Ribbon Up

MIDI Channel

Effect

Hold or Zero

Destination

Trem Dig EP

Rock Org 1

Digital EP

Rock Org 2

Dig EP & Str Pad

St Hard EP

B Ribbon Down

MIDI In

Intemal Effect

Hold or Zero

Control Slider

Key Range Lo

Set Chg Chan

MIDI Setups

Control Pedal

Key Range Hi

19 Switch Pedal R Switch Pedal L

Tune

75 to 79 - Sound Control 6 to 10 80 tp 83 - General Control 5 to 8 84 - Portamento Control 85 to 90 - Undefined 91 - Reverb Depth 96 - Data Increment

97 - Data Decrement

92 - Effects 2 Depth

102 to 119 - Undefined 0 - None

98 - Non-Reg Parm LSB

93 - Chorus Depth

120 to 127 - Channel Mode Set

99 - Non-Reg Parm MSB

94 - Effects 4 Depth

128 - Send as Pitch Bend

100 - Registered Parm LSB

95 - Effects 5 Depth

129 - Send as Pressure

101 - Registered Parm MSB

101 - Registered Parm MSB 4 - Foot Controller

Transpose

Velocity Curve

65 - Portamento Switch

70 - Sound Variation

66 - Sostenuto Pedal

71 - Timbre Control

67 - Soft Peal

72 - Release Time

68 - Legato Switch

73 - Attack Time 74 - Brightness

Thru

Module B

Tack Piano Bright E Grand

Classic EP

Dyno EP

Piano & Str 2 Tite E Grand

Warm E Grand Dig E Grand

Hard Dyno EP

Ld/Dmp

Yes

Ballad Org 1

Perc Org

Fast Str 1

St Slo Str Pad

Touch Str

Ballad Org 2

Org & Piano

Fast Str 2

Slow Dig Pad

St Slo Strings

09876

+/-NoCancel

Enter

Effects:

5 - Hall & Chorus

1 - Room & Chorus

6 - Bright Hall & Chorus

2 - Bright Room & Chorus

7 - Large Hall & Chorus

4 - Bright Stage & Chorus

8 - Large Bright Hall & Chorus 9 - Deep Space

SP88

Built-In Effects Award Winning Soungs Flexible MIDI Controller

Stage Piano

Figure 2-7 MIDI Connections: Computer and Sound Module

2-9

Page 24

Getting Started

Connecting MIDI

Full System

Even more complex setups are possible. Below is just one possibility using a Kurzweil ExpressionMate MIDI processor and K2600R to provide unprecedented expressive control over a vast palette of sounds.

Computer

Sound Card

MIDI Audio

Out In

Sound Module

In Thru

MIDI Processor

xpressionEate

Out

In Out

Panic

Volume / Controller

Internal/Steup Row Select

MIDI Prog Chg

Store

Destinations:

5 - Portamento Time

10 - Pan

16 to 19 - Gennral Control 1 to 4

0 - Bank Select MSB

6 - Data Entry MSB

1 - Modulation Wheel

20 to 31 - Undefined

11 - Expression

2 - Breath Controller

7 - Volume

32 - Bank Select LSB

12 - Effect Control 1

3 - Undefined

8 - Balance

33 to 63 - LSB for 1 to 31

13 - Effect Control 2

64 - Sustain Pedal 69 - Hold Pedal

4 - Foot Controller 9 - Undefined

14 to 15 - Undefined

Sound / Setup Select

ParameterMode Select / Param Edit

Global

Grand Pno 1

Stage Pno 1

Bright Pno Piano & Str 1

Tack Piano Bright E Grand

Classic EP

Dyno EP

Stage Pno 2 Sustain Pno

Piano & Str 2 Tite E Grand

Warm E Grand Dig E Grand

Hard Dyno EP

Grand Pno 2

Local

Reverb Wet / Dry

Intemal Sound

Internal Voices

12345

Ld/Dmp

Digital EP Dig EP & Str Pad

3 4

19 20

Ballad Org 1

Rock Org 1

Ballad Org 2

Rock Org 2

102 to 119 - Undefined 0 - None

120 to 127 - Channel Mode Set

128 - Send as Pitch Bend

129 - Send as Pressure

101 - Registered Parm MSB 4 - Foot Controller

Yes

Perc Org

Fast Str 1

St Slo Str Pad

Touch Str

Org & Piano

Fast Str 2

Slow Dig Pad

St Slo Strings

09876

+/-NoCancel

Enter

Effects:

5 - Hall & Chorus

1 - Room & Chorus

6 - Bright Hall & Chorus

2 - Bright Room & Chorus

7 - Large Hall & Chorus

4 - Bright Stage & Chorus

8 - Large Bright Hall & Chorus 9 - Deep Space

Stereo

Chorus Wet / Dry

MIDI Program

A Ribbon

MIDI Bank Sel Lo

Touch

Hold or Center

MIDI Bank Sel Hi

1 2

B Ribbon Up

MIDI Channel

Effect

Hold or Zero

Destination

Trem Dig EP St Hard EP

B Ribbon Down

Zone

MIDI In

Intemal Effect

Hold or Zero

Control Slider

Key Range Lo

Set Chg Chan

MIDI Setups

Control Pedal

Key Range Hi Play Edit

Transpose

Switch Pedal R

Tune

Velocity Curve

Switch Pedal L

70 - Sound Variation

65 - Portamento Switch

97 - Data Decrement

75 to 79 - Sound Control 6 to 10

92 - Effects 2 Depth

71 - Timbre Control

66 - Sostenuto Pedal

98 - Non-Reg Parm LSB

80 tp 83 - General Control 5 to 8

93 - Chorus Depth

72 - Release Time

67 - Soft Peal

99 - Non-Reg Parm MSB

84 - Portamento Control

94 - Effects 4 Depth

73 - Attack Time

68 - Legato Switch

100 - Registered Parm LSB

85 to 90 - Undefined

95 - Effects 5 Depth

74 - Brightness

101 - Registered Parm MSB

91 - Reverb Depth 96 - Data Increment

SP88

Built-In Effects Award Winning Soungs Flexible MIDI Controller

Stage Piano

Figure 2-8 MIDI Connections: Compute, Module, Processor

With this setup, note signals from the Stage Piano Þrst pass through the ExpressionMate where they can be processed into additional zones, have automatic arpeggiation added to them, or be processed in other ways as well. MIDI signals from the Stage PianoÕs controllers are also modiÞed and combined with the ExpressionMateÕs own unique controls. Note and control signals then travel to the computer where they can be optionally recorded, then Þnally to the K2600R module and the Stage PianoÕs internal sound module. As always when using with a computer sequencer, set the Stage PianoÕs Local parameter to Off. See Example: The Kurzweil ExpressionMate on page 6-6 for more about what this example system can do.

2-10

Page 25

The Front Panel

The Stage PianoÕs front panel is illustrated in detail below.

Getting Started

The Front Panel

Control Slider Strip

Volume / Controller

Destinations: 0 - Bank Select MSB

5 - Portamento Time

1 - Modulation Wheel

6 - Data Entry MSB

2 - Breath Controller

7 - Volume

3 - Undefined

8 - Balance

4 - Foot Controller 9 - Undefined

Info

10 - Pan 11 - Expression 12 - Effect Control 1 13 - Effect Control 2 14 to 15 - Undefined

Buttons

Editing

Panic

Internal/Steup Row Select

MIDI Prog Chg

Store

16 to 19 - Gennral Control 1 to 4 20 to 31 - Undefined 32 - Bank Select LSB 33 to 63 - LSB for 1 to 31 64 - Sustain Pedal 69 - Hold Pedal

Parameter Display

Zone

Play Edit

65 - Portamento Switch 66 - Sostenuto Pedal 67 - Soft Peal 68 - Legato Switch

Mode

LEDs

ParameterMode Select / Param Edit

MIDI Bank Sel Lo MIDI Bank Sel Hi

Intemal Sound MIDI Program

MIDI Channel

Destination

Intemal Effect

Key Range Lo Key Range Hi

Velocity Curve

Transpose

Reverb Wet / Dry Chorus Wet / Dry

A Ribbon Hold or Center

B Ribbon Up Hold or Zero

B Ribbon Down Hold or Zero

Control Slider Control Pedal

Switch Pedal R Switch Pedal L

70 - Sound Variation 71 - Timbre Control 72 - Release Time 73 - Attack Time 74 - Brightness

Global

Local Stereo

Touch

Effect

MIDI In

Set Chg Chan

Tune

75 to 79 - Sound Control 6 to 10 80 tp 83 - General Control 5 to 8 84 - Portamento Control 85 to 90 - Undefined 91 - Reverb Depth 96 - Data Increment

Figure 2-9 Stage Piano Front Panel

Sound and Setup Select Buttons

To the right of the display are the 16 sound and setup select buttons. When in Internal Voices mode (indicated by the LED over the display being on), each button can select the two sounds named in the label above the button. Press a button the Þrst time, itÕll glow red, and youÕll get the ÒredÓ sound (the sound thatÕs in the row that has a red arrow pointing to it). Press the same button again; it will turn green, and youÕll get the green sound. In this way you can very quickly select any of the Stage PianoÕs 32 builtin sounds (voices).

When in MIDI Setups mode (indicated by the LED under the display being on), these same buttons allow you to select one of 32 possible MIDI Setups. For these, youÕll want to use the numbers under the button; odd for red and even for green. Note that the sound associated with each setup is programmable and may be different from the sound named on the button.

Numeric Sound / Setup Display

Sound / Setup Select

Grand Pno 1

Stage Pno 1

Bright Pno Piano & Str 1

Stage Pno 2 Sustain Pno

Grand Pno 2

Internal Voices

12345

Trem Dig EP

Rock Org 1

Digital EP

Rock Org 2

Dig EP & Str Pad

St Hard EP

MIDI Setups

92 - Effects 2 Depth 93 - Chorus Depth 94 - Effects 4 Depth 95 - Effects 5 Depth

17 18

97 - Data Decrement 98 - Non-Reg Parm LSB 99 - Non-Reg Parm MSB 100 - Registered Parm LSB 101 - Registered Parm MSB

102 to 119 - Undefined 0 - None 120 to 127 - Channel Mode Set 128 - Send as Pitch Bend 129 - Send as Pressure 101 - Registered Parm MSB 4 - Foot Controller

Select Buttons

Tack Piano Bright E Grand

Piano & Str 2 Tite E Grand

Ballad Org 1

Perc Org

Ballad Org 2

Org & Piano

09876

Effects:

1 - Room & Chorus 2 - Bright Room & Chorus 4 - Bright Stage & Chorus

Warm E Grand Dig E Grand

Ld/Dmp

11 12

Fast Str 1 Fast Str 2

+/-NoCancel

27 28

Classic EP

Touch Str St Slo Strings

29 30

5 - Hall & Chorus 6 - Bright Hall & Chorus 7 - Large Hall & Chorus 8 - Large Bright Hall & Chorus 9 - Deep Space

Dyno EP Hard Dyno EP

Yes

15 16

St Slo Str Pad Slow Dig Pad

Enter

31 32

In Edit mode (indicated by some of the LEDs to the left of the display being on), the sound or setup is frozen and these buttons serve a variety of data entry functions as marked on the buttons themselves. Refer to Chapter 3 for details on their use with the editors.

The Numeric Display

The numeric display is in the center of the panel and is better described as a 3character display because sometimes it will also display stylized letters. The display shows 4 kinds of information depending on mode as follows:

1. In Internal Voices Play mode, it shows the current Sound Number, 1Ð32.

2. In MIDI Setups Play mode, it shows the current Setup Number, also 1Ð32.

3. In Edit mode, it shows the current parameter value, which may be a positive number, a negative number, or a string of 3 characters depending on the parameter.

4. Sometimes, regardless of mode, the display may show a message or even ask a question.

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Page 26

Getting Started

The Front Panel

Each character in the display also has a small dot at the bottom right. If these dots are on, it means that the current setup has been edited but the change has not yet been made permanent by storing it into memory.

Mode LEDs

The two fundamental modes of the Stage Piano are Internal Voices mode and MIDI Setups mode. The mode LEDs above and below the display indicate which mode is current. One of them will always be on. Internal Voices Play mode is always selected when you Þrst turn your Stage Piano on.

Parameter Editing Buttons

The 4 parameter-editing buttons are to the left of the display; most of them have dual markings. The top marking is active when in Play mode and the bottom marking when in Edit mode. One exception is Row Select, whose single marking is for Edit mode. The Play/Edit button is used to shift between Play mode and Edit mode.

The Parameter Display

Your Stage Piano has a total of 30 parameters, whose values determine sound selection, effects, what the player controls do, keyboard split, and a host of other options. The active parameter is indicated by 8 LEDs arranged around a list of the 30 parameter names.

The 30 parameters are arranged into 3 columns. The two column-designator LEDs identify the active column as follows:

Left column LED on Left parameter column is active

Right column LED on Center parameter column is active

Both column LEDs off Right (global) parameter column is active

Each column of parameters has 6 rows of (usually) two paired parameters each.

Each column of parameters consists of 6 rows, with two parameters for each row (except for the Effect parameter). There is a row-designator LED for each pair. If the row LED is on continuously, the upper parameter of the pair is active. If the row LED is blinking, then the lower parameter of the pair is active. The LED for the Efect parameter (left column, 4th row) always lights continuously when the Effect parameter is selected.

Use the Col Select and Row Select buttons to navigate to the parameter that you want to view or edit.

The Info Strip

This long strip below all of the buttons, LEDs, and display contains useful reference information. Most of the strip tells what each of the 128 possible MIDI destination numbers does. The remainder lists the 10 effects by number and name. Chapters 3 and 4 tell you how to use the information on the strip.

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Page 27

Button Combinations

How many ways can you press a button? Actually the Stage Piano recognizes 3 special cases beyond just Òpressing a button.Ó

Direct Select

In Play mode, if you want the red sound or odd-numbered setup next, itÕs simpleÑ just press the corresponding sound/setup select button. Two presses, however, are required to get a green sound or setup. There may be cases where youÕd prefer to skip the Þrst (red or odd) selection and go directly to the second. So, if you press the same sound select button, twice, rapidly (like double-clicking a computer mouse), the intermediate selection will be skipped.

Panic

Simultaneously pressing the two buttons labeled Panic will start transmitting the panic sequence, which is a kind of ÒMIDI resetÓÑthis will silence all sounding notes, turn

sustain off, and so forth. Regardless of how long you hold the buttons, the minimum effective sequence will be sent (as described below). If you continue to hold them, a more elaborate (and more effective) sequence is sent. As long as the sequence is being sent, all of the parameter LEDs will light.

Here is the panic sequence:

Getting Started

The Front Panel

1. All Notes Off, All Sound Off, Reset All Controllers to the internal sound module.

2. All Notes Off, All Sound Off, Reset All Controllers sent to the MIDI output on all 16 MIDI channels.

3. Individual Note Off messages sent to the MIDI output for all possible audible notes on all MIDI channels.

4. Present position of Stage Piano controls according to the current setup.

Steps 1 and 2 are always sent completely no matter how long the Panic buttons are held; this takes only a fraction of a second. Step 3 starts with low notes on Channel 1, progresses to higher notes, then moves on to Channel 2, etc. until you release the Panic buttons or the sequence is complete (about 3 seconds). Note that note numbers 0Ð11, which are not audible and perform special functions on some modules, are not affected by the panic sequence.

As soon as you release the Panic buttons, all player control positions get refreshed, according to the current setup. This takes only a fraction of a second, and it happens even if the entire panic sequence hasnÕt been sent.

Demo Song

If you press the two left-most edit buttons simultaneously when in Play mode, the short demo song will start to play. Release the buttons once the song starts playing. You can stop the demo song before it ends by pressing any other button. While the demo song is playing, the display will sequentially show ddddmmmmoooo, ssssnnnngggg, ppppllllaaaa.

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Page 28

Getting Started

What Mode Am I In?

WeÕve used the word ÒmodeÓ quite a bit in this chapter. Here is a reference list of all of the possible modes and how to recognize them. The signiÞcance of the modes will become clear as you read on through Chapters 3 and 4.

Mode How to Recognize it What You Can Do

Internal Voices, Play

MIDI Setups, Play

Internal Voices, Edit

MIDI Setups, Edit

Number Entry Display shows number

Query Display sequentially shows

Internal Voices LED on, all others off; display shows sound number

MIDI Setups LED on, all others off; display shows setup number

Internal Voices LED, 1 or 2 Parameter Select LEDs on; display shows parameter value

MIDI Setups LED, 1 or 2 Parameter Select LEDs on; display shows parameter value

being entered, blinking

2 or more abbreviated words as a question

Directly select which of 32 sounds to play

Directly select which of 32 MIDI setups to use

Select parameter to edit and change its value

Use Sound/Setup Select buttons to enter digits, accept entry, or cancel

Use Up arrow (Yes), Down arrow (No), or Cancel buttons to answer the query

2-14

Table 2-1 Stage Piano Modes

Page 29

Chapter 3 Internal V oices Mode

This chapter describes Internal Voices mode in detail. This is the simpler of the two modes and is automatically selected when power is turned on. Internal Voices mode is indicated by the LED immediately over the display being on.

When in Internal Voices mode, the entire keyboard plays the selected sound. MIDI signals can also be sent so that an external sound module can Òplay along,Ó or a computer sequencer can record your performance.

Selecting Internal Voices Mode

There are two ways to get to Internal Voices mode:

¥ If the Stage Piano is in Play mode (no LEDs to the left of the display are lit), simply

press the upper-left editing button (marked Internal/Setup).

¥ If the Stage Piano is in Edit mode (LEDs to the left of the display are lit), press the

lower right editing button (marked Play/Edit). This returns the Stage Piano to Play mode; all LEDs to the left of the display should turn off. If not, press Play/Edit repeatedly until they do. Then press Internal/Setup.

When successful, the LED above the display marked Internal Voices will light. Of course, turning the power switch off then on again will always return to Internal Voices mode.

Selecting Sounds

To select a sound for playing, simply locate its name and press the corresponding button once if itÕs a red sound, or twice if itÕs green). In case the buttonÕs LED is already on but is the wrong color, press the button once to change it.

Keys (or the sustain pedal) may be down when selecting the new sound. Notes already playing at the time a different sound is selected will continue to play using the previous sound. If the new sound has a different effects setting, however, the effects will change when the new sound is selected. This may or may not be noticeable, depending on the contrast between the two effects. Read on for more on effects settings.

Page 30

Internal V oices Mode

Selecting Internal Voices Mode

Modifying Effects

To change the effect type or intensity of the currently selected sound, you will need to make a brief excursion into Edit mode. Do the following to temporarily change the effect setting of a sound:

1. Press the Play/Edit button once if in Play mode. This enters Edit mode.

2. Select the left column of parameters by pressing the Col Select button until the left-column LED lights. At most 2 presses will be required.

3. Select the Effect parameter by pressing the Row Select button repeatedly until the Effect-parameter LED lights. If you go past it, just keep pressing and the LED sequence will continue from the top.

4. The display should show a number between 0 and 9. This is the number of the current effect. Check the right end of the Info Strip to Þnd out the corresponding name.

5. To choose a different effect type, either use the Up/Down arrow buttons (in the Sound Select section) to scroll through the 10 possibilities, or press one of the digit buttons then the Enter button.

This procedure selects a different effect type. Use a similar procedure to adjust only the intensity of the existing effectÕs reverberation and/or chorus components (this is called the wet/dry mix; wetter is more intense):

1. Go to Edit mode, select the center column of parameters, and select either Reverb Wet/Dry or Chorus Wet/Dry (the top-row LED will light if you select Reverb; it will blink if you select Chorus). Remember that when there are two parameters for the same LED, the lower one always corresponds to a blinking LED.

2. The display should show a number between 0 (inaudible) and 100 (maximum). This is the percent proportion of the effect.

3. Either use the Up/Down arrow buttons (in the Sound Select section) to scroll through the values, or press one of the digit buttons then the Enter button.

Check out Editing Basics on page 3-6 for more about editing. When Þnished editing the effects for the current sound, press Play/Edit to return to play mode. Note that the effects changes just described are temporary; they will be forgotten when changing to another sound. To have them remembered, read on.

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Saving a Sound’s Effects Settings

1. Go to Edit mode and select one of the 3 effects parametersÑEffect (left column, 4th row), Reverb Wet/Dry (right column, 1st row upper), or Chorus Wet/Dry (right column, 1st row lower). If youÕre not sure how to select parameters, see Modifying Effects on page 3-2 for an example.

ItÕs important to select one of these 3 parameters, because doing so tells the Stage Piano that you want to save only the effects settings for the current sound, and nothing else. If you select one of the other parameters, executing a save will save the Internal Voices Setup, which includes MIDI control information.

2. Press the Store button (the bottom-left button in the Edit Group).

3. The display will sequentially show ssssnnnndddd, ssssaaaa////, which means ÒSave the soundÕs effect?Ó If it shows 1111nnnntttt, ssssuuuu, ssssaaaa////,youÕre about to save the Internal Voices Setup, which is not what you want to do. In this case, press Cancel, and go back to Step 1. Be sure one of the 3 effects parameters (Internal Effect, Reverb Wet/Dry, or Chorus Wet/Dry) is selected, then try again. This ensures that all youÕre doing is associating a particular effect to a particular sound. Saving the Internal Voices Setup saves additional information, like the MIDI channel used by the sound.

4. Press the Up arrow (Yes) button (Sound Select Group) or Store button to execute the save. If you change you mind, press the Down arrow (No) button or Cancel instead.

Internal V oices Mode

Saving a Sound’s Effects Settings

5. The display will ßicker brießy while the current effect number and intensity settings for the current sound are saved in EEPROM memory.

Now, whenever this sound is selected, the internal effects will change to the settings you just saved.

Modifying The MIDI T ransmit Channel

When in Internal Voices mode, anything you play is also sent to the MIDI Out port, which can be connected to external sound modules, a synthesizer, or a computer. By default, the MIDI signals are transmitted on Channel 1 but you may need to change that to match the channel your external device is ÒlisteningÓ to. Do this to change the MIDI transmit channel:

1. Go to Edit mode, and select the MIDI Channel parameter (left column, third parameter; the LED should be on, not blinking). If youÕre not sure how to select parameters, see Modifying Effects on page 3-2 for an example.

2. Use the Up or Down arrow buttonsÑor the digit buttons plus EnterÑto change to a new channel between 1 and 16.

The next notes or control movements you make will be sent on the new MIDI channel. The MIDI channel change is temporary. To make it permanent for Internal Voices mode, press the Store button twice.

CAUTION: If you change the MIDI channel while holding keys or the sustain pedal down, those notes may become Òstuck.Ó To silence them, press both buttons labeled Panic at the same time and hold until the stuck notes are silenced. Many LEDs will light while the panic sequence is sent.

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Page 32

Internal V oices Mode

Sending a MIDI Program Change

You can change the program (sound) in an external device from the front panel of your Stage Piano quickly and easily without leaving Play mode:

1. While in Play mode, press the MIDI Prog Chg (MIDI Program Change) buttonÑitÕs the lower-left editing button. The display will change to the last sent program number (or Ñ if none).

2. Enter the desired new program number (1Ð128) by using the Up or Down arrow buttons Ñor the digit buttons.

3. When the desired number is showing, press the Enter button. Press Cancel instead if you decide not to send a program change. A MIDI Program Change command will be sent on the current MIDI Transmit Channel. The new program number will persist in the display brießy, then it will revert to the current Internal Voice selection.

The next notes you play will be the newly selected sound in your external module. Depending on the external moduleÕs design, notes that were sounding just before the program change was sent may either be unaffected, cut off, or take on some characteristics of the newly selected sound.

Just as opinions differ on whether 2000 or 2001 is the millennium year, some modules begin numbering their programs at zero while others begin at 1. The former type will switch to a program number thatÕs 1 lower than you specify.

Modifying Other Internal Voice Parameters

Internal Voices mode is really a special MIDI Setup with a number of parameters governing what happens when you select Internal Voices mode, and how your keystrokes and control movements are interpreted and sent. This section describes the parameters used by Internal Voices mode. More detail can be found in Chapter 4, which describes MIDI Setups in general. However, even if you are not using MIDI, many of these parameters will still affect the internal sound module.

NOTE: Some parameters marked on the front panel are not relevant to Internal Voices mode, and cannot be selected for examination or editing.

MIDI Program

1–128 and Off

SpeciÞes the MIDI Program Change number sent whenever changing to Internal Voices mode. Off means do not send a program change.

MIDI Bank Sel Lo

0–127 and Off

SpeciÞes the MIDI Bank Select number(s) sent in conjunction with MIDI Program Change to further specify the program desired. See MIDI Bank Sel Lo, MIDI Bank Sel Hi on page 4-4 for more about Bank Select.

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Page 33

Internal V oices Mode

Modifying Other Internal Voice Parameters

MIDI Channel

1-16 and Off

SpeciÞes which MIDI channel to send on. No MIDI signals are sent if the value is Off.

Destination

Int, Mid, Bot

This speciÞes where your performance data should be sent. Int means the internal sound module, Mid means MIDI, and Bot means both.

Internal Effect

0-9, Noc

This is the effect number for the currently-selected sound. A value of 0 means no effect, and Noc (no change) means the effect doesnÕt change when this sound is selected. As you select different sounds, the value of this parameter will change.

Transpose

-60 to 60

Subtracts or adds the speciÞed number of semitones to the notes you play. Caution: changing this parameter while keys are down may cause stuck notes.

Velocity Curve

1-8

Allows you to alter the relationship between keyboard playing effort (keystroke velocity) and the resulting sound volume (for velocity sensitive voices). 1 is normal. See page 4-11, and Velocity Curve on page 4-6 for more.

Reverb Wet/Dry , Chorus Wet/Dry

0-100, Noc

This is the effect intensity for the currently-selected sound. Noc means that the effect intensity doesnÕt change when this sound is selected.

A Ribbon

0-129, Off

SpeciÞes where signals from the left ribbon are sent. See the Info Strip for corresponding MIDI controller names. Default is Pitch Wheel, which the internal sound module does not respond to.

Hold or Center

Hld, Ctr

SpeciÞes whether the A ribbon signal remains at its last value or returns to center when your Þnger is lifted. Default is Center (Ctr).

B Ribbon Up, B Ribbon Down

0-129 and Off

SpeciÞes where signals from the two halves of the right ribbon are sent. Defaults are Modulation Wheel (01) and Pan (10) respectively. Some sounds will respond to modulation but none will respond to Expression.

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Page 34

Internal V oices Mode

Editing Basics

Hold or Zero

Hld, Zro

SpeciÞes whether the B ribbon signal remains at its last value or returns to zero when your Þnger is lifted. Default is Hold.

Control Slider, Control Pedal

0-129 and Off

SpeciÞes where signals from the front panel Volume/Controller slider and control pedal are sent. Defaults are Volume and Foot Controller. The internal sound module does not respond to Foot Controller signals.

Switch Pedal R, Switch Pedal L

0-129 and Off

SpeciÞes where signals from the two possible switch pedals go. Defaults are Sustain Pedal and Sostenuto Pedal. The standard single switch pedal functions as Switch Pedal R.

You can examine and change the values of any of these parameters using the same procedure as Modifying MIDI Transmit Channel above except modify the Þrst step to select the parameter of interest. And you can save your changes by selecting any noneffects parameter, then press Store. YouÕll see iiiinnnntttt, ssssuuuu, ssssaaaa//// when you do. Read on for more about editing and saving parameters.

Editing Basics

The way the Stage Piano responds to your playing and control movements is determined by the setting or value of various parameters. Editing is changing those values and thus changing the Stage PianoÕs response to your playing. You can use similar procedures to examine the current values of parameters without changing them.

Below is a drawing of the front panel pointing out the main groupings of buttons and displays that you use to edit. The following sections will refer to these groupings frequently so it pays to become familiar with them.

C0l / Row Column LEDs

Panic

Internal/Steup Row Select

MIDI Prog Chg

Store

Figure 3-1 Stage Piano Front Panel

Select

Zone

Play Edit

ModeStore Select

Parameter Area

ParameterMode Select / Param Edit

Reverb Wet / Dry

Intemal Sound

Chorus Wet / Dry

MIDI Program

A Ribbon

MIDI Bank Sel Lo

Hold or Center

MIDI Bank Sel Hi

B Ribbon Up

MIDI Channel

Hold or Zero

Destination

B Ribbon Down

Intemal Effect

Hold or Zero

Control Slider

Key Range Lo

Control Pedal

Key Range Hi

Transpose

Switch Pedal R

Velocity Curve

Switch Pedal L

Row LEDs

Global

Local Stereo

Touch

Effect

MIDI In

Set Chg Chan

Tune

Internal Voices

MIDI Setups

Mode

LEDs

Display

Sound / Setup Select

Grand Pno 1

Stage Pno 1

Bright Pno Piano & Str 1

Stage Pno 2 Sustain Pno

Grand Pno 2

12345

3 4

Digital EP Dig EP & Str Pad

19 20

Rock Org 1 Rock Org 2

5 6

21 22

Trem Dig EP St Hard EP

17 18

Sound / Setup Select

Tack Piano Bright E Grand

Piano & Str 2 Tite E Grand

7 8

Ballad Org 1

Perc Org

Ballad Org 2

Org & Piano

23 24

09876

9 10

25 26

Warm E Grand Dig E Grand

Ld/Dmp

Fast Str 1 Fast Str 2

+/-NoCancel

27 28

Classic EP

Touch Str St Slo Strings

Dyno EP Hard Dyno EP

Yes

St Slo Str Pad Slow Dig Pad

Enter

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Page 35

Edit vs. Play Mode

In Play mode you select different sounds (or MIDI Setups if in MIDI Setups mode) by pressing the Sound/Setup Select buttons to the right of the display. In Edit mode, the sound (or setup) is frozen and the Sound/Setup Select buttons perform a variety of editing functions as marked on the buttons themselves. That is really the main differenceÑyou can play the keyboard and controls equally well in either mode.

In Play mode, the display shows the sound (or setup) number. A bi-color LED in one of the Sound/Setup Select buttons also indicates the current sound (or setup). All of the LEDs to the left of the display are off as well.

In Edit mode, the display shows the value of the currently selected parameter. LEDs to the left of the display indicate which parameter is current. The current sound (or setup) continues to be indicated in the Sound/Setup Select buttons.

The following assumes that you are in Edit mode.

Selecting a Parameter

The names of all 30 possible parameters are listed in the Parameters area. The listing is in 3 columns (Left, Right, and Global) and 6 rows. In each column, there are 1 or 2 parameters per row.

The 2 column-designator LEDs indicate a column, either Left or Right. If both are off, then the Global column is current.

Internal V oices Mode

Editing Basics

The 6 row-designator LEDs indicate a row. If the LED is on continuously, then the upper parameter of the pair is current. If it is blinking, the lower parameter is current.

To select a different column, press the Col Select button repeatedly until the column LEDs indicate the desired column. Note that the current row LED may change from blinking to continuous when you change to a column with only one parameter for the current row.

To select a different row, press the Row Select button until the desired row and parameter are selected. If you overshoot, just keep pressing and the row selection will ÒwrapÓ from bottom to top again.

As you select different parameters, the display will change to show their value. If you return to Play mode then later reenter Edit mode, you will Þnd that the parameter selection is remembered.

Increment/Decrement Editing

The easiest way to change the value of the currently selected parameter is to use the Up/Down buttons (the ones with the arrows on them) to cycle through all of the possible values for the parameter. This is particularly effective when the parameterÕs values are words like iiiinnnntttt, mmmmiiiidddd, and bbbbooootttt, but is also effective for small changes in numerical values.

If you hold an arrow button down, its action will begin to repeat rapidly after a short delay which will speed up larger changes.

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Page 36

Internal V oices Mode

Editing Basics

Direct Numerical Editing

Most parameters have numerical values which can also be entered directly using the Sound/Setup Select buttons marked with digits. You can enter a 1, 2, or 3-digit value, then press Enter to accept it. There are a couple of rules though:

¥ You cannot enter a value greater than 255. If you try, the current entry value will

revert to just the last digit entered.

¥ If you try to enter a value that is not valid for the current parameter (like 27 for the

Internal Effect), it will change to the closest valid value when you press Enter.

Once numeric entry has started by pressing the Þrst digit, the display will blink until you press Enter to accept it or Cancel to abandon it. If the parameter has a signed value, like Transpose or Tune, you can press the +/- button during numeric entry to change the sign from positive (not indicated) to negative (Ð) and back.

Cancelling Edits

As mentioned above, you can cancel numeric entry of a new parameter value once itÕs started (indicated by the blinking display) by pressing the Cancel button. The display will change back to the parameterÕs value before numeric entry started.

You can also cancel all changes youÕve made to a parameterÕs value since you selected it by pressing Cancel outside of numeric entry when the display is not blinking. However, once you select a different parameter, the only way to recover the original value of earlier selected parameters is to ÒreloadÓ the Internal Voices setup. Read on to Þnd out how this is done.

Saving The Edited Parameters

Until you save your changes, they will remain in effect only until you change modes (Internal Voices to MIDI Setups or back), change setups (when in MIDI Setups mode), change sounds (if youÕve edited an internal effects parameter in Internal Voices mode) or turn the power off. To save your changes in EEPROM memory so theyÕll come back next time you select the same mode, setup, sound, or turn power on, use the following general procedure:

1. Be sure youÕre in Edit mode then press the Store button in the edit group.

2. Depending on the mode and what parameter is selected, one of these query sequences will appear in the display:

Sequence Meaning

3-8

iiiinnnntttt ssssuuuu ssssaaaa//

ssssnnnndddd ssssaaaa//

ssssuuuu ssssaaaa//

ggggbbbbllll ssssaaaa//

3. To execute the save, press Up arrow (Yes) or Store. To cancel the save, press Down arrow (No) or Cancel.

Internal Voices Setup Save? Sound: Effects Settings Save? MIDI Setup Save? (See Chapter 4) Global Parameters Save? (See Chapter 5)

Page 37

Internal V oices Mode

Editing Basics

You may have noticed that on return to Play mode after editing a non-effects parameter, all of the dots in the display are lit. This is a signal that the Internal Voices Setup has been edited but not yet saved. Executing the above save procedure will turn them off.

If you attempt to change modes and the dots are on, youÕll see one of the query sequences shown in Step 2 above, and you can do one of the following:

1. Press Up arrow or Store to save before the mode change.

2. Press Down arrow or Cancel to skip saving and continue with the mode change.

3. Press Cancel to abandon the mode change.

This is a safety feature to prevent accidental loss of your edits.

If you wish to abandon all of your edits since the last save, do this:

1. Exit Edit mode (press the Play/Edit button).

2. Change to MIDI Setups mode (press the Internal/Setup button).

3. Answer No to the iiiinnnntttt ssssuuuu ssssaaaa//// query (Down arrow).

4. Change back to Internal Voices mode (press the Internal/Setup button again).

The Internal Voices Setup will be reloaded from EERPOM memory thus erasing all edits since the last save.

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Page 39

Chapter 4 MIDI Setups Mode

Up to now youÕve been operating your Stage Piano exclusively in Internal Voices mode (unless of course youÕre like most readers and have tried MIDI Setups mode anyway). YouÕve learned that you can set the physical controllers, like ribbons and pedals, to transmit to desired MIDI destination numbers; transpose the keyboard; send a MIDI Program Change; specify the MIDI channel; and set the effects for each of the 32 interval voices. This entire collection of information, along with a sound and an effect, constitutes the Internal Voices Setup, which you can save in memory.

Now imagine 32 of these setups, each of which can have different parameter settings, that can be called up at the press of a button. Then further imagine that each setup is split into two parts, each of which has all of these setup parameters but is active only over a part of the keyboard range. What you have imagined is MIDI Setups mode, which weÕll explain next.

Selecting Setups

First youÕll need to switch to MIDI Setups mode. Check that all of the LEDs to the left of the display are off meaning youÕre in Play mode. If they are not, press the Play/Edit button until they go out. Next check the LED beneath the display labeled MIDI Setups. If it is off, press the Internal/Setup button to change to MIDI Setups mode and illuminate the LED. If the display shows a question about saving (like ssssuuuu ssssaaaa////), and you donÕt know what that means, refer to Saving The Edited Parameters on page 3-8, or just press the No arrow button.

Now youÕre in MIDI Setups mode and can select different MIDI Setups the same way you selected different sounds before. The sound associated with each MIDI Setup is

programmable, so it doesnÕt necessarily correspond to the labels above the Sound/Setup Select buttons (although the factory-default MIDI Setups do correspond). For this

reason, itÕs good to think of MIDI Setups in terms of numbers (which are printed below the buttons and shown on the display) rather than names. See below for more on the sound and the two external MIDI programs that are associated with each MIDI Setup.

NOTE: The sound associated with a setup may be different from the name printed above its select button.

One other note about selection of MIDI Setups: it may be important to avoid passing through an intermediate setup when switching to an even-numbered (green) setup. By performing the necessary two button presses rapidly, the Stage Piano logic will skip the odd (red) setup entirely. Practice this a few times; youÕll be able to see whether the red selection is skipped. You donÕt have to be super-quick; a tempo about like doubleclicking a computer mouse is sufÞcient.

Page 40

MIDI Setups Mode

Zones

The biggest difference between the Internal Voices Setup and a MIDI Setup is that the latter has 2 zones whereas the former has only 1. This name comes about from its usual association with a split keyboard. In the Stage Piano, however, the zones can overlap partially or even completely thus making the term layer more accurate. Nevertheless, weÕll use Òzone.Ó Figure 4-1 should help you better understand the concept of zones.

Sound / Setup Select

ParameterMode Select / Param Edit

Global

Grand Pno 1

Stage Pno 1

Bright Pno Piano & Str 1

Tack Piano Bright E Grand

Classic EP

Stage Pno 2 Sustain Pno

Digital EP Dig EP & Str Pad

19 20

3 4

Piano & Str 2 Tite E Grand

Ballad Org 1

Rock Org 1

Ballad Org 2

Rock Org 2

102 to 119 - Undefined 0 - None 120 to 127 - Channel Mode Set 128 - Send as Pitch Bend 129 - Send as Pressure 101 - Registered Parm MSB 4 - Foot Controller

Dyno EP

Warm E Grand Dig E Grand

Hard Dyno EP

Ld/Dmp

Yes

Perc Org

Fast Str 1

St Slo Str Pad

Touch Str

Org & Piano

Fast Str 2

Slow Dig Pad

St Slo Strings

09876

+/-NoCancel

Enter

Effects:

5 - Hall & Chorus

1 - Room & Chorus

6 - Bright Hall & Chorus

2 - Bright Room & Chorus

7 - Large Hall & Chorus

4 - Bright Stage & Chorus

8 - Large Bright Hall & Chorus 9 - Deep Space

Destinations: 0 - Bank Select MSB 1 - Modulation Wheel 2 - Breath Controller 3 - Undefined 4 - Foot Controller 9 - Undefined

Panic

Internal/Steup Row Select

Zone

Play

MIDI Prog Chg

Edit

Store

5 - Portamento Time

10 - Pan

16 to 19 - Gennral Control 1 to 4

6 - Data Entry MSB

20 to 31 - Undefined

11 - Expression

7 - Volume

32 - Bank Select LSB

12 - Effect Control 1

8 - Balance

33 to 63 - LSB for 1 to 31

13 - Effect Control 2

64 - Sustain Pedal 69 - Hold Pedal

14 to 15 - Undefined

Volume / Controller

Grand Pno 2

Local

Reverb Wet / Dry

Intemal Sound

Internal Voices

12345

Stereo

Chorus Wet / Dry

MIDI Program

A Ribbon

MIDI Bank Sel Lo

Touch

Hold or Center

MIDI Bank Sel Hi

1 2

B Ribbon Up

MIDI Channel

Effect

Hold or Zero

Destination

Trem Dig EP St Hard EP

B Ribbon Down

MIDI In

Intemal Effect

Hold or Zero

Control Slider

Key Range Lo

Set Chg Chan

MIDI Setups

Control Pedal

Key Range Hi

Transpose

Switch Pedal R

Tune

Velocity Curve

Switch Pedal L

70 - Sound Variation

65 - Portamento Switch 66 - Sostenuto Pedal 67 - Soft Peal 68 - Legato Switch

97 - Data Decrement

75 to 79 - Sound Control 6 to 10

92 - Effects 2 Depth

71 - Timbre Control

98 - Non-Reg Parm LSB

80 tp 83 - General Control 5 to 8

93 - Chorus Depth

72 - Release Time

99 - Non-Reg Parm MSB

84 - Portamento Control

94 - Effects 4 Depth

73 - Attack Time

100 - Registered Parm LSB

85 to 90 - Undefined

95 - Effects 5 Depth

74 - Brightness

101 - Registered Parm MSB

91 - Reverb Depth 96 - Data Increment

SP88

Built-In Effects Award Winning Soungs Flexible MIDI Controller

Stage Piano

Zone L

Key Range Lo 21(A0) Key Range Hi 52(E3) Internal Sound Destination MID MIDI Channel 2 MIDI Program 51(E. Bass) Control Slider Off Control Pedal 7 (Volume)

1 (Grand Pno 1)

Zone R

53(F3) 108(C8) 1 (Grand Pno 1) INT Off

7 (Volume) Off

Figure 4-1 Zones

LetÕs say that one zone is a lead sound, like Grand Piano 1, playing through the internal sound module; the other is assigned to play a bass sound through an external module. You may want different controller assignments for each zone. For example, you may want to control the pianoÕs volume with the slider, and the bassÕs volume with the control pedal. Figure 4-1 shows how these basic characteristics can be programmed using different parameter values for each zone.

First you arbitrarily choose the right zone to be the piano and the left zone to be the bass. WeÕll call these Zone R and Zone L. The Key Range Hi and Key Range Lo parameter settings determine where on the keyboard each zone lies. L and R actually refer to the zone indicator LEDs; either zone can cover any note range.

The Destination parameter makes Zone R send to just the internal sound module and Zone L send only to MIDI. This prevents Zone L notes from reaching the piano voice, and Zone R notes from being sent to MIDI. The MIDI Channel and MIDI Program settings for Zone L must match the external moduleÕs channel setting and program number for the desired bass sound.

Grand Piano 1 is the sound selection. Note that the sound selection always applies to both zones, but since the Destination parameter in Zone L speciÞes MIDI only, Zone L notes wonÕt reach the internal sound module. Independent volume control by slider (Zone R) and Control Pedal (Zone L) is achieved by cross assignment to Destination 7 as shown.

4-2

The example above lists only a few of the many parameters available that can be assigned different functions in the two zones. Using the ideas outlined above, itÕs possible to specify quite elaborate custom setups. Read on for more about parameters and zones.

Page 41

Editing MIDI Setups

Editing MIDI Setups is much like editing the Internal Voices Setup. The main difference is that you have the two zones to deal with now. The Play/Edit button now functions as a zone selector button as well. Starting from Play mode, the Þrst press of Play/Edit will take you to Edit mode, Zone L. This is indicated by the Left Zone LED above the button being lit. The value shown for the current parameter is its value in Zone L. Pressing Play/Edit again takes you to Zone R and the right zone LED lights instead. A third press returns to Play mode.

A few parameters, like Internal Sound and the ribbon modes, are always the same in both zones. To remind you of this, both zone LEDs will be on when selecting such a parameter. If the current parameter is one of these, then the next press of Play/Edit will always exit to Play mode.

Except for these differences, the same procedures described in Chapter 3 for editing parameter values also apply to editing MIDI Setups parameters.

Saving a Modiﬁed MIDI Setup

As with Internal Voices mode, you can save a modiÞed MIDI Setup either in Edit mode or in Play mode. ItÕs good practice to save in Edit mode by pressing the Store button but if you forget, youÕll be asked to save when changing MIDI Setups or changing to Internal Voices mode.

MIDI Setups Mode

Editing MIDI Setups

Regardless of where or how saving is initiated, youÕll see a query sequence ssssuuuu ssssaaaa////. As before, you can press Cancel or No arrow to abandon the save. If you press Ye s arrow, youÕll Þrst be given the opportunity to specify where to save your edited setup. This is shown by a blinking number on the display. You can press Enter or Store again to accept the number as shown or modify the number with the arrow or digit buttons Þrst. The number showing when you press Enter or Store is where the current MIDI Setup will be saved.

CAUTION: When you save a setup to a different number, the setup that was at that number is overwritten.

Being able to save a setup to a different number means that you can move MIDI Setups around in the EEPROM memory. For example, you might adopt the convention to retain factory setups 1Ð10 (which are primarily solo pianos) and begin your own setup library with setup 11. You might always begin creating a new MIDI Setup by starting with 1, making your changes, then saving in the higher numbers. Further changes to your newly created setup are then saved in place. You can adopt other conventions as well. After a little practice youÕll soon develop your own working style.

NOTE: In Edit mode, pressing Store 3 times is a short cut for saving a MIDI Setup.

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MIDI Setups Mode

Sending a MIDI Program Change

You can send a MIDI Program Change from Play mode using the same procedure that was described for Internal Voices mode on page 3-4. In MIDI Setups mode however you will need to specify which zone the program change is for. When the MIDI Prog Chg button is Þrst pressed, Zone L is selected initially and its LED will be blinking. You can press the Play/Edit button to swap to Zone R at any time during number entry. Then when you press Enter, the program change will be sent on the MIDI channel associated with the zone that is blinking at the time.

Parameter Summary

Here is a detailed summary of all of the setup parameters. With a few exceptions, each can have a different value in each zone. Although most parameters are the same for Internal Voices mode and MIDI Setups mode, for those that differ the descriptions here are for MIDI Setups mode.

Internal Sound

1-32 and Off

This speciÞes the internal sound to be used by this MIDI Setup. This parameter applies to both zones so both Zone LEDs will be on when it is selected. That means that notes from both zones will play the same internal sound. You can change this action and prevent a zone from playing the internal sound by setting the Destination parameter for that zone to MID.

MIDI Program

1-128 and Off

MIDI Program Change number sent whenever selecting (changing to) this MIDI Setup. Off means do not send a program change. The program change is sent on the MIDI channel associated with this zone.

MIDI Bank Sel Lo, MIDI Bank Sel Hi

0-127 and Off

MIDI Bank Select number(s) sent in conjunction with MIDI Program Change to further specify the program desired. Some external sound modules and synthesizers use only Bank Select Low (often called MIDI 0) while others use only Bank Select High (MIDI 32). Many use both while older or simpler modules have fewer than 128 sounds and so do not need Bank Select. Using appropriate combinations of speciÞc values and Off you can accommodate all of these variations but youÕll need to consult the external deviceÕs manual to Þnd out what is required. Note that when both Bank Select numbers are speciÞed, Bank Sel Hi is sent Þrst.

MIDI Channel

1-16 and Off

SpeciÞes which MIDI channel to send on for this zone. No MIDI signals are sent from the zone if the value is Off.

4-4

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MIDI Setups Mode

Parameter Summary

Destination

Int, Mid, Bot

This speciÞes where your performance data for this zone should be sent. Int means the internal sound module, Mid means MIDI, and Bot means both.

Internal Effect

0-9, Noc

This is the effect number for the sounds for this setup and is the same for both zones. A value of 0 means no effect and Noc means no effects change when changing to this setup. Note that the Effect global parameter also inßuences effect selection and should be set to Set for this parameter to work. See Effect on page 5-3.

Key Range Lo, Key Range Hi

These parameters specify the range of keys that will be recognized by this zone. The value is the MIDI note number of the lowest (or highest) key that is recognized and notes outside the range from low to high will not transmit in this zone. Normally the value of Key Range Lo is lower than that of Key Range Hi. If the opposite is true, then only keys outside the range will transmit. See More on Keyboard Splits on page 4-11 for details.

Transpose

-60 to 60

Subtracts or adds the speciÞed number of semitones to the notes you play for this zone. Using this feature permits each section of a split keyboard to be ÒmovedÓ up or down in pitch independently. Two cautions, though. First, donÕt change the value of this parameter while keys are down, or you may get stuck notes. Second, if after transposition the keyboard zones overlap and both play the internal sound module, you may get interference between keys that play the same note. Finally, if a transposed note is out of the MIDI range of 0-127 (C 1ÐD

10), nothing is sent.

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MIDI Setups Mode

Parameter Summary

Velocity Curve

1-8

Allows you to alter the relationship between keyboard playing effort (keystroke velocity) and the resulting sound volume in this zone. Below are sketches of these curves.

Volume

Max

1 Linear

5 Reverse 6 Reverse Expand 7 Reverse Compress 8 Dip

Figure 4-2 Velocity Curves

127

Key Velocity

2 Expand 3 Compress 4 Bump

You can use Velocity Curves is several ways. Number 1 is normal but you can use 2 and 3 to alter the keyboard response to favor softer playing (2) or louder playing (3) without a loss of dynamic range. The others are typically used with overlapping zones (see Low Key, High Key, and Transpose) to create ÒcrossfadesÓ (see More on Keyboard Splits on page 4-11).

Reverb Wet/Dry , Chorus Wet/Dry

0-100, Noc

This is the effect intensity for the internal effect selected for this setup. ItÕs the same for both zones.

A Ribbon

0-129 and Off

SpeciÞes where signals from the left ribbon are sent for this zone. Default is Pitch Bend (128). See MIDI Controller Destinations on page 4-7 for a description of MIDI destination numbers. Note that the Stage PianoÕs sounds do not respond to Pitch Bend.

4-6

Hold or Center

Hld, Ctr

SpeciÞes whether the A ribbon signal remains at its last value or returns to center when your Þnger is lifted. Default is Center (Ctr).

Page 45

MIDI Setups Mode

MIDI Controller Destinations

B Ribbon Up, B Ribbon Down

0-129 and Off

SpeciÞes where signals from the two halves of the right ribbon are sent for this zone. Defaults are Modulation Wheel (1) and Pan (10) respectively. See MIDI Controller Destinations for a description of MIDI destination numbers. Some internal sounds will respond to Modulation but none will respond to Pan.

Hold or Zero

Hld, Zro

SpeciÞes whether the B ribbon signal remains at its last value or returns to zero when your Þnger is lifted. Default is Hold.

Control Slider, Control Pedal

0-129 and Off

SpeciÞes where signals from the front panel Volume/Controller slider and control pedal are sent for this zone. Defaults are Volume (7) and Foot Controller (4) respectively. The internal sound module does not respond to Foot Controller signals.

Switch Pedal R, Switch Pedal L

0-129 and Off

SpeciÞes where signals from the two possible switch pedals go for this zone. Defaults are Sustain Pedal (64) and Sostenuto Pedal (66). The standard single switch pedal functions as Switch Pedal R.

MIDI Controller Destinations

As noted above, all of the performance controls have a Destination parameter. The Info Strip on the front panel has a very brief summary of the 130 possible MIDI destinations, which weÕll detail here.

ItÕs important to realize that the deÞnitions below are merely conventions and may be different for some external modules, especially older ones. Your Stage piano, being programmable, can adapt to match most any sound moduleÕs assignment by changing the MIDI destination number for the control.

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MIDI Setups Mode

Continuous Controller Destinations

These communicate ÒcontinuousÓ (meaning smoothly varying) values of 0Ð127 to an external sound module or effects device. If you assign one of these to a switch pedal, 127 (maximum effect) will be sent when the pedal is down and 0 (minimum effect) when it is up. Destinations listed as UndeÞned can be used by some receivers for purposes that donÕt Þt the deÞned functions.

MIDI # Controller Name Description

0 Bank Select MSB High order sound bank select. See page 4-4. 1 Modulation Wheel Usually controls vibrato depth, tremolo depth, or

other expression for sustained sounds. Default destination of B Ribbon Up.

2 Breath Controller Usually controls loudness or brightness and

typically used with a breath pressure sensing

device. 3 Undeﬁned 4 Foot Controller Usually controls loudness or timbre and typically

used with a control pedal. Default destination of

Control Pedal. 5 Portamento Time Controls time to glide from one note to the next

when Portamento Switch (65) is on. 6 Data Entry MSB Used in conjunction with Registered and Non-

Registered Parameter Numbers (98-101) to edit

sound parameters in some synthesizers. 7 Volume Controls overall volume without affecting timbre.

Default destination of Control/Volume slider. 8 Balance Typically controls relative mix of 2-layered sounds. 9 Undeﬁned

10 Pan Changes stereo pan position of sound. Default

destination of B Ribbon Down.

11 Expression Controls overall volume perhaps with timbre

change. Used for note-to-note expression.

12 Effect Control 1 Used by external effects processors to vary some

aspect (usually the most prominent) of its

processing.

13 Effect Control 2 Same as 12 but typically controls a less prominent

aspect.

14, 15 Undeﬁned 16–19 General Control 1-4 Function varies freely with receiving device. 20–31 Undeﬁned

32 Bank Select LSB Low order sound bank select. See page 4-4.

4-8

Table 4-1 Continuous Controller Destinations

Page 47

MIDI # Controller Name Description

33–63 LSB for 1-31 Originally deﬁned for vernier (ﬁne) control of

destination numbers 32 less than these. The Stage

Piano will send to these like any other destination

and so they should be considered Undeﬁned.

Table 4-1 Continuous Controller Destinations (Continued)

Switch Controller Destinations

These were originally reserved for binary (On-Off) switched functions, transmitted by momentary or locking action pedals and buttons. However, like destinations 0Ð63 above, a continuous 0Ð127 value is included in the message anyway so many of these are used for continuous control functions. For On-Off switch functions, values of 0Ð63 are regarded as Off and 64Ð127 as On.

MIDI # Controller Name Description

64 Sustain Pedal Also known as Damper or Hold 1. When on,

sounding notes are either held indeﬁnitely or decay more slowly. Default destination of Right Switch Pedal (or single pedal).

65 Portamento Switch Turns the portamento function on and off. See

destination 5.

66 Sostenuto Pedal Sustains notes that are sounding when the

control switched from off to on but does not affect later notes. Default destination of Left Switch Pedal.

67 Soft Pedal Lowers the volume or softens the timbre by a

preset amount.

68 Legato Switch Puts receiver into “legato” mode where only one

note can sound at a time and overlapping notes result in a change of pitch rather than a newly attacked note.

69 Hold Pedal A second hold control that may hold the

sounding notes differently from 64.

Although the following are in “Switch Controller space”, the y are typically used as continuous controls.

70 Sound Variation Could control any aspect of sounding notes. 71 Timbre Control Controls richness or intensity of timbre. 72 Release Time Controls rate of sound decay. 73 Attack Time Controls rate of sound attack. 74 Brightness Controls high frequency portion of timbre. 75–79 Sound Control 6-10 Function varies freely with receiving device. 80–83 General Control 5-8 Function varies freely with receiving device.

MIDI Setups Mode

Switch Controller Destinations

Table 4-2 Switch Controller Destinations

4-9

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MIDI Setups Mode

Switch Controller Destinations

MIDI # Controller Name Description

84 84 Portamento Control When Portamento Switch (65) is turned on and

85–90 Undeﬁned 91 Reverb Depth Controls the mix ratio of reverberated sound to

92 Effects 2 Depth General effects control. 93 Chorus Depth Controls the mix ratio of chorus processed

94 Effects 4 Depth General effects control. 95 Effects 5 Depth General effects control. 96 Data Increment Used in conjunction with Registered and Non-

97 Data Decrement Same as 96 but increment edits the parameter. 98 Non Reg Parm LSB This and 99 address a manufacturer-and model-

99 Non Reg Parm MSB See 98. 100 Registered Parm LSB This and 101 address a standardized parameter

101 Registered Parm MSB See 100. 102–119 Undeﬁned Function varies freely with the receiving device.

120–127 Channel Mode Set These set the MIDI mode of the receiving device

128 Send as Pitch Bend The value is sent as a Pitch Bend (or Pitch

129 Send as Pressure The value is sent as a Channel Pressure

Portamento Time (5) is not zero , the v alue of this Controller is the MIDI note number from which the pitch glide will start.

unprocessed sound (0 = all unprocessed, 127=all reverberation). The Stage Piano’s internal sound module responds to this control.

sound to unprocessed sound. The Stage Piano’ s internal sound module responds to this control.

Registered Parameter Numbers (98-101) to decrement (lower the value of a particular parameter. Not all synthesizers respond to this.

speciﬁc parameter to be edited. Not all synthesizers respond to this.

to be edited.

118 is the Stereo/Mono switch for the internal sound module. 119 is the Tune control for the internal sound module (64=A440).

and generally should not be used as control destinations.

wheel) message. Default destination of A Ribbon.

message. It allows some other control to assume the function of key pressure (or Aftertouch) which the Stage Piano’s keyboard lacks.

4-10

Table 4-2 Switch Controller Destinations (Continued)

Page 49

More on Keyboard Splits

The example given earlier described the simplest possible keyboard split where one section of the keyboard controls one sound and an adjacent section controls a different sound but there are other possibilities too.

Split-with-transpose is one of these possibilities. The Piano/Bass split discussed earlier might be modiÞed to make the split between E 2 and F 2 thus giving the piano an octave more downward range. Then to permit the bass to reach notes above E 2, you could set Transpose in Zone L to +12 which will raise its pitch by one octave. Note that although the keyboard sections donÕt overlap, the instrument pitches do for notes between F 2 and E 3. This is only a problem if both zones send on the same MIDI channel.

MIDI Setups Mode

Changing Setups: Special Considerations

When you change from the current setup to a new one, several messages may be sent as the change is made before any new notes or control changes are transmitted using the new setup. One example is the Program Change messages sent to external modules that specify the sounds they are to play for the setup. These messages are only sent at setup change time. That is why editing the MIDI Program parameter has no immediate effect.

Another example is the effects settings associated with the sound speciÞed by the setup. The effect number, reverb mix value, and chorus mix value speciÞed by the

4-11

Page 50

MIDI Setups Mode

Changing Setups: Special Considerations

setup are sent at setup change time. When the effect type (number) changes, the Stage Piano will brießy mute the effects processor to avoid any audible pops and clicks. Although much less objectionable than a click, this momentary muting will be audible if notes are sounding or still decaying during the changeover. However, if the effect number is the same in the old and new setup or the new setup speciÞes Noc (no change), then no muting occurs.

Another consideration when changing setups is paired messages. A note, for example is started by a Note On MIDI message when the key Þrst goes down and is stopped by a Note Off message when the key returns to rest. If there is a setup change between the two that causes notes in that part of the keyboard to be sent on a different MIDI channel or with a different transposition, then the Note Off will not be ÒheardÓ by the sound module and a stuck note results.

Paired messages are also produced by switch pedals, notably Sustain and Sostenuto. When the pedal is pressed down, an On message is sent; when it is released, an Off message is sent. If the MIDI channel changes between the two, then the previous channel, and thus any notes being held by it, will never receive the Off message and the notes will be stuck.

When stuck notes occur you can always clear them with the Panic double-press but itÕs better to avoid the situation. One way is to ensure that both the current setup and the next setup have compatible MIDI channel assignments and transposition. Or, if they must be incompatible, you can make sure that all keys are up before the change. If the MIDI channels are incompatible, the switch pedals will probably need to be up as well.

4-12

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Chapter 5 Global Parameters

Global parameters do just what their name implies: affect the operation of instrument-wide behavior (like the tuning of all the notes you play). There is one set of seven global parameters; they affect both Internal Voices mode and MIDI Setups mode.

Access to the Global Parameters

View or edit the global parameters in Edit mode (either Internal Voices or MIDI Setups) by pressing the Col Select button until both of the Parameters column LEDs are off. Then use the Row Select button to select a speciÞc parameter. The names of the global parameters are in the right-most column under the label Global. WeÕll describe the function of each below.

Editing a global parameter is the same as editing any other parameter. You can increment or decrement its value with the Down and Up arrow buttons or enter a new value directly with the digit buttons and Enter. After editing, the new value will take effect immediately.

What the Global Parameters Do

Here is a description of what each global parameter does, in the order they appear on the front panel.

Local

Off, On

This parameter establishes (On) or breaks (Off) the internal link between the keyboard plus controls and the internal sound module. Default is On which is appropriate for standalone use and with external sound modules. Off is typically used with a computer sequencer or external MIDI processor.

Stereo

Stereo, Mono

This parameter switches the internal sound module between stereo audio output (default) and mono output. Use the Mono setting when you have a mono ampliÞer or only one input to a mixer available. When set to Mono, both Left and Right outputs will have the same signal. The Phones output will be mono as well. Note that this setting does not affect any external modules you may be using.

Page 52

Global Parameters

Access to the Global Parameters

Touch

1–5

This parameter affects the response of the keyboard to your playing effort as follows:

1 Easier. Little effort is required to play notes loudly. Also, softly-played notes are

louder than the other settings. Best for ensemble playing.

2 Easy. Less effort is required to play notes loudly than with the Normal setting.

Softly played notes remain soft.

3 Normal. This is the default setting and is suitable for most players and

circumstances where a wide dynamic range is desirable.

4 Hard. More effort is required to play notes loudly than with the Normal setting.

The volume of the loudest possible note remains the same however.

5 Harder. Much effort is required to play notes loudly. The volume of the loudest

possible note is also reduced somewhat.

Figure 5-1 is a graphical representation of what these settings do. The numbers on the Velocity axis represent MIDI velocity values.

Velocity

127 115

0 Max

Figure 5-1 Effect of Touch Parameter

Effort

5-2

Page 53

Global Parameters

Access to the Global Parameters

Effect

Snd, Set, Off

This parameter speciÞes how the effects processor in the internal sound module responds to MIDI Setup changes. The possibilities are:

Snd Sound. The effect associated with the internal sound as deÞned for Internal

Set Setup. The effect speciÞed by a setup is what is used for the internal sound.

Off Off. The internal effects processor is turned off.

Voices mode is selected regardless of the Effect speciÞed by a setup. This is the default setting.

MIDI In

Nrm, Mrg

This controls what happens to MIDI messages received by the MIDI In port. Nrm (Normal) means that received messages are only interpreted, not resent. Mrg (Merge) means that all MIDI messages (except System Exclusive) are merged with internally generated messages and then resent to the MIDI Out port.

Set Change Channel

Set Chg Chan: Off, 1–16

You can use a sequencer or external MIDI processor to automatically change MIDI setups on your Stage Piano. By default, this feature is off. To enable it, change this parameterÕs value to match the MIDI channel on which you want the Stage Piano to receive MIDI Program Change messages. The MIDI Program Change number should be the same as the setup number, from 1 to 32.

This parameter has an effect only in MIDI Setups mode. In Internal Voices mode, Program Change messages received on MIDI Channel 1 select sounds directly.

NOTE: The Stage Piano must be in Play mode to respond to Program Change messages.

Tune

-50 to +50

You can tune the internal sound module to match an external instrument or alternate tuning standard by using this parameter. The default of 0 gives A=440 tuning to a high degree of precision. Each increment above or below that represents a 1 cent change which is 1/100 of a semitone or about 0.06% frequency change. Thus the total range is a quarter-tone down or up (A=427.1 to A=453.3 Hertz). Note that tuning has an effect only when notes are started.

5-3

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Global Parameters

Access to the Global Parameters

Saving Global Parameters

If you change a global parameterÕs value, the new value remains in effect until you turn the power off. To make your global edits permanent so theyÕll be effective next time your Stage Piano is turned on, you need to save them in the EEPROM memory. The following procedure will save all 7 global parameters as a group:

1. In Edit mode, select any of the global parameters by pressing Col Select until both Parameter-column LEDs turn off.

2. Press the Store button.

3. The display will ask ggggbbbbllll ssssaaaa////.

4. Press Up arrow (Yes) or Store to complete the save; press Down arrow (No) or Cancel to abandon it.

5. The display will ßicker brießy while the global parameters are stored into the EEPROM memory then will change back to the value of the current parameter.

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Page 55

Chapter 6 Advanced Applications

You will Þnd that your SP76 or SP88 is superb for straight-ahead solo or ensemble playing on stage and at home. With the addition of external equipment though it can do much more and can form the core of your own personal MIDI studio.

This chapter will present a few ideas to get you started but there are many, many more possibilities as well. Although Kurzweil equipment is cited in these examples, there is a whole world of possibilities out there and your Stage Piano will be equally adept at using any of them.

External Sound Modules

The simplest advanced application is using your Stage Piano with an external sound module or synthesizer. Refer to page 2-6 for the connections required when using a single external module.

As you have read, the Stage PianoÕs internal sound module is basically a solo (often termed monotimbral) device that can play one voice at a time. Actually, itÕs better to call these voices sound programs because a few, like 7 Piano and Strings 1, are layers of two different voices playing simultaneously. Still, all notes received by the internal module will play the same sound program.

Example: The Kurzweil MicroPiano

Even a very simple external module, like a Kurzweil MicroPiano (which is also monotimbral), will allow you to make use of your Stage PianoÕs two zones. Try this as a starting point for making MIDI Setups:

Internal Sound Set to the sound you wish to use.

MIDI Program Set Zone L to the MicroPiano voice you wish to use.

MIDI Channel Set Zone L to Channel 1 and make sure the MicroPiano is set to

Destination Set Zone L to MID and Zone R to Int.

Key Range Set Low and High parameters in each zone to the key ranges you

Other parameters Unless theyÕve been changed, the default settings for the

receive on Channel 1.

wish each module to respond to.

remaining zones and parameters are suitable for starters.

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Advanced Applications

Computer Sequencers

Once youÕve mastered this simple setup, try the following for some variety in your setups:

¥ Transpose the two zones differently so that you play intervals.

¥ Try different Velocity Curve settings so you can emphasize one zone or the other

according to your playing effort.

¥ Try setting the left or right zone to Both (Bot) so that it plays both modules.

¥ Set the Control Pedal destination in Zone L to 7 and R to Off. Then set the Control

slider in Zone L to Off. Now you can vary the volume of the MicroPiano with the control pedal instead of the slider.

¥ Change the value of B Ribbon Down to 91 (Reverb Depth) or 93 (Chorus Depth) and

use it to vary the effects intensity while playing. Just a tap on the ribbon is all it takes to change (be sure the Hold or Zero parameter is set to Hold).

There are many more possibilities; donÕt hesitate to try them.

Example: The Kurzweil K2600R

At the other end of the sophistication spectrum is a multitimbral module like a K2600R. The main advantage of an advanced instrument like this is that it can play several different voices at once (up to 16 for a K2600). Driven by your Stage Piano in MIDI Setups mode, the left and right zones can therefore play different voices.

When having two zones is not enough, sophisticated sound modules like this can usually do their own keyboard splits and transposition, thus multiplying the effect of the Stage PianoÕs own two zones. The K2600R, for example, can designate one MIDI channel as its Local Keyboard Channel, then treat it the same as the keyboard in the keyboard model which supports up to eight zones.

Even when used with an external sound module much more powerful than its own, your Stage PianoÕs internal module can earn its keep as a polyphony expander. Piano music uses polyphony (voices) faster than almost anything else. By dedicating zone R to the internal module (set Destination to Int) and zone L to the external module (set Destination to MID), you can ofßoad the polyphony demands of the piano parts and leave your module free for more exotic instrument sounds. YouÕll Þnd the quality of the internal piano and other voices equal if not superior to most any external module youÕre likely to encounter.

Computer Sequencers

Adding a computer running MIDI recording software to your setup takes you into the realm of composition and performance beyond what can be played at one time on one keyboard. The common term for MIDI recording software is sequencing software or just sequencer. YouÕve probably already got one that came free with your computerÕs sound card, and it will likely be Þne for getting started. Nevertheless, there are many more-sophisticated programs available on the market that you can grow into.

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MIDI Hookup

The Þrst step in using your Stage Piano with a sequencer is getting the MIDI connections happening. Few sound cards have MIDI ports built-in (the connectors are too big) so youÕll probably have to use an adapter cable that plugs into the cardÕs ÒgameÓ or ÒjoystickÓ port. Check the sound cardÕs manual for information on making MIDI connections. If the computer lacks a sound card or the one present has no way to access MIDI, you can buy a dedicated MIDI interface.

After obtaining MIDI connectors for your computer, youÕll need two MIDI cables to connect to your Stage Piano. Refer to page 2-6 for a drawing showing exactly how to make the connections. Be sure to read the labels on the ports when connecting!

Local Control Off and Patch Thru On

Once MIDI connections are made, youÕll need to get your sequencer and Stage Piano talking to each other correctly. First you need to break the internal signal path between the player controls (keyboard, pedals, etc.) and the internal sound module. You do this by setting the Local parameter to Off (itÕs one of the global parameters). See page 5-1 for instructions if you need help changing the global parameters. Note that after you do this, the sounds will not play unless your computer is on, connected, and the sequencer program is runningÑso you may wish to leave the change temporary.

Next you need to conÞgure your sequencer to combine messages received at the computerÕs MIDI In port with those it creates and send all to the computerÕs MIDI Out port. This function is often called Patch Through or Soft Thru, or perhaps Merge or something similar. After being set correctly, you will be able to play on the keyboard and hear the internal sound module again.

Advanced Applications

Computer Sequencers

Quick summary: If you hear nothing, the sequencerÕs patch through function hasnÕt been set to On. If you hear double notes or a different timbre each time you strike a note, the Stage PianoÕs Local parameter has not been set to Off.

Basic Sequencer Operations

ThereÕs insufÞcient space to describe fully what you can do with a sequencer and your stage piano but the following should give you an idea.

Most fundamental is ÒrecordingÓ a performance and later Òplaying it back.Ó However, since it is MIDI messages that are being recorded rather than the sound itself, you can modify the recording or sequence in ways impossible with a sound recording. Here are just a few of the possibilities:

ReÞne the sequence by editing out mistakes

Record while playing slowly then play back at normal speed

Perform a duet by recording the Þrst part then playing the second part while the sequencer replays the Þrst part

Re-record the duet. Most sequencers can play and record simultaneously

Similarly, build up a song part by part

Using the computerÕs sound card or an external sound module, build up a song that plays several instruments at once.

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Advanced Applications

Computer Sequencers

When using a sequencer keep in mind that although the Stage Piano can be set to send on any MIDI channel, its internal sound module will receive only on Channel 1. This means the sequencer must be instructed to play material intended for the internal sound module on Channel 1. The remaining 15 channels then are available for sound card and external sound modules to play additional instrument parts.

Saving Setup Memory

When connected to a computer sequencer, you can save the entire content of the Stage PianoÕs EEPROM memory as a sequence for backup purposes. You can also use this facility along with the Reload facility described below to effectively extend your Stage PianoÕs memory capacity after itÕs been Þlled.

The data are sent from the Stage PianoÕs MIDI output in a format known as a System Exclusive Dump (SysEx for short). Your sequencer then records it just like any other MIDI sequence. Later, you can play the sequence back to your Stage Piano which recognizes it as memory data and writes it back into the EEPROM memory.

To save the setup memory as a MIDI sequence, perform the following steps:

1. Make sure a MIDI cable is connected from the Stage PianoÕs MIDI Out port to the computer or sequencerÕs MIDI In port.

2. Go to Edit mode (either Internal Voices or MIDI Setups is OK).

3. Press the Ld/Dmp button. The display will show lllldddd////.

4. Press the Down arrow (No) button. The display will then show dddduuuu////.

5. Prepare your computer to record a MIDI song. If recording System Exclusive is optional, be sure it is enabled. If recording System Exclusive timing is optional, be sure that is enabled as well.

6. Press the Up arrow (Yes) button. The memory content will be sent as 116 system exclusive messages spanning about 5 seconds. The display will show the progress of the dump then ddddoooonnnn (done). Finally normal edit mode operation resumes. If you want to abandon the dump before it starts or any time thereafter, press the Cancel button.

7. Stop recording at the sequencer.

NOTE: The entire EEPROM content is saved. There is no way to specify that only some items be saved.

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Reloading Setup Memory

ItÕs even easier to reload saved data by following these steps:

CAUTION: The entire EEPROM content will be reloaded, erasing all of your edits since the last time you reloaded.

1. Make sure a MIDI cable is connected from the computer or sequencerÕs MIDI Out port to the Stage PianoÕs MIDI In port.

2. Go to Edit mode (either Internal Voices or MIDI Setups is OK).

3. Press the Ld/Dmp button. The display will show lllldddd////.

4. Press the Up arrow (Yes) button. The display will then show lllloooodddd while waiting for data to come in.

5. Prepare your computer to play back the previously recorded memory content then start it playing.

6. As data are received, the display will change to show what was received. The display will brießy show ddddoooonnnn after the last of the data have been received. Press the Cancel button to stop loading manually.

7. Stop the sequencer if it doesnÕt do so automatically.

Advanced Applications

External MIDI Processors

The newly loaded global parameters will take effect immediately, but the setup parameters and effects settings for the sounds wonÕt be effective until you change modes or setups.

NOTE: You can ÒcloneÓ your Stage Piano by dumping directly into another unit set up as above to load.

External MIDI Processors

Another class of equipment that will complement your Stage Piano is a MIDI Processor. This is typically a standalone, programmable box although MIDI processing software for computers is also available. Among other things, these devices do the following:

¥ MIDI channel remapping

¥ Zone multiplication

¥ Note pitch transposition

¥ Note velocity remapping

¥ Controller redirection and remapping

¥ Arpeggiation

¥ Inputs for additional pedals, sliders, knobs, and ribbons

¥ Setup storage for itself and attached devices

¥ MIDI signal routing

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Advanced Applications

External MIDI Processors

Zone multiplication, for example, means that a full range of notes can be received on one MIDI channel then the device divides them into zones and retransmits them on a different MIDI channel for each zone. Typically a set of programmable parametersÑ like low/high key, transposition, and velocity curveÑis available for each of the new zones.

Arpeggiation creates a series of musically related notes in response to or inßuenced by each note it receives. Rules for generating the series are usually highly programmable.

Receive Program Change

Setup storage for an entire MIDI system is one typical function of a MIDI processor. Besides conÞguring its own operating parameters, a setup change can conÞgure connected equipment as well. This is accomplished by the MIDI processor sending MIDI Program Change messages to each device connected to it. In response, each device selects a predetermined setup from its own memory. Sequencers can do this as well when they replay recorded program changes.

For the Stage Piano to take advantage of such remote setup changes, it should be set to respond to program changes as follows:

¥ Set the Set Chg Chan global parameter to the MIDI channel the processor will be

sending Program Changes on

¥ Make sure the Stage Piano is in MIDI Setups, Play mode

Example: The Kurzweil ExpressionMate

One MIDI processor/controller that works well with the Stage Piano is the Kurzweil ExpressionMate. Figure 2-8 on page 2-10 shows how it can be connected in a system with a Stage Piano, a sound module, and a computer. The wiring pattern is similar if the sound module and/or computer is omitted; just continue the cable through the missing device. The important feature is that the Stage PianoÕs output Þrst passes through the ExpressionMate where it can be zone multiplied, remapped, arpeggiated, etc. then through the computer, additional sound modules, and Þnally back into the Stage Piano. You will want to turn the Stage PianoÕs Local parameter Off in this conÞguration.

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Chapter 7 Troubleshooting

Maintenance

Aside from normal care in handling and use, your Stage Piano requires no regular maintenance. Clean with a soft cloth dampened with water. Never use abrasives or solvents as they may damage the unitÕs paint, markings, info strip and display lens.

There are no batteries inside to replaceÑever. Instead of volatile SRAM used in most other instruments, your Stage Piano uses nonvolatile EEPROM for storage, which retains information as captured electrons, without power.

Common Problems

Below is a list of the most commonly encountered problems and diagnoses for each.

Power Problems

This is the normal power-up sequence:

1. Short pause (less than one second)

2. All LEDs turn on for 1 second

3. 1 second pause

4. Normal operation (Internal Voices mode, Grand Piano 1 selected).

If nothing at all happens when you turn the power switch on (white dot pressed in), check these items:

¥ Power module not plugged securely in wall outlet.

¥ Cord from power module not fully plugged into Stage Piano.

¥ Input voltage rating of power module does not match your power system.

¥ Incorrect or defective power module. The power module speciÞcations are: 12V

DC, 0.5 amp, center pin positive, 5.5mm OD, 2.5mm ID coax type plug.

¥ Dead wall outlet, power strip, or extension cord.

If thereÕs evidence of life but operation isnÕt quite normal, check these items:

¥ Input voltage rating of power module does not match your power system.

¥ Incorrect or defective power module. See above for power module specs. Voltage or

current rating less than speciÞed will cause unusual or intermittent operation.

¥ Power system voltage abnormally low. Try a different, unused outlet.

¥ Intermittent operation can be caused by a replacement power module with the

wrong size plug. The correct plug Þts snugly into the jack, and doesnÕt wobble.

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Troubleshooting

Common Problems

Audio Problems

NOTE: When diagnosing audio problems, set the Stage Piano to play its demo sequence.

If there is no sound from your Stage Piano, check the following:

¥ Stage Piano Volume/Controller slider turned down. Move the slider to the right.

¥ Volume control on audio system or mixer turned down.

¥ Signal source selection on audio system or mixer is incorrect.

¥ Audio cables not securely plugged in at both ends.

¥ Incorrect type of audio cable.

If you can hear sound but it is low or distorted, look into these possibilities:

¥ Audio cables not securely plugged in at both ends.

¥ Low voltage output from power module. Check Power Problems above.

¥ A received MIDI volume message has speciÞed a low volume.

¥ Current setup has set the Volume/Controller slider to a destination other than

Volume (Destination 7) or another Controller has been assigned to Volume.

¥ Input to audio system is set for low impedance instead of high impedance.

¥ Input trim to audio system or mixer is set too low.

NOTE: The Stage Piano uses digital volume control via MIDI destination 7. For normal operation, leave the default destination setting for the Volume/Controller alone. For best signal-to-noise ratio, use the slider for small adjustments in volume and your audio system for large adjustments.

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MIDI Problems

If you are experiencing problems sending MIDI to an external module, check these:

¥ MIDI cable not securely plugged in at both ends.

¥ Wrong MIDI connections. To send MIDI, plug into the Stage PianoÕs MIDI Out

connector and the moduleÕs MIDI In connector. DonÕt assume; read the jack labels.

¥ Defective MIDI cable (refer to page 7-8 for how you can check MIDI cables with the

Stage PianoÕs diagnostic software).

¥ MIDI Transmit channel speciÞed by current setup does not match that of the

receiving device.

If there are problems with the internal sound module receiving MIDI from an external device like a computer sequencer, try these:

¥ Transmitting device not sending MIDI on Channel 1.

¥ MIDI cable not securely plugged in at both ends.

¥ Wrong MIDI connections. To receive MIDI, plug into the Stage PianoÕs MIDI In

connector and the sourceÕs MIDI Out connector.

Prerecorded General MIDI (or G or XG) sequences may not play through the Stage Piano correctly. Here is a list of differences between the Stage PianoÕs internal sound module and a typical General MIDI module:

Troubleshooting

Common Problems

¥ Most of the sound program numbers are different.

¥ The Stage Piano does not respond to Pitchbend messages.

¥ Effects setting messages are different.

¥ Only received on MIDI Channel 1.

Switch Pedal Problems

If you are having problems with the included switch pedal or an aftermarket pedal, check these:

¥ If Sostenuto is stuck on when using the included pedal, be sure the pedal is plugged

in before switching on the power. Turn power off then on if necessary.

¥ If the pedal is acting backward (active when up instead of down), turn power off

then on. Be sure the pedal is plugged in before turning power on and donÕt use the pedal until after the unit has completed its power up sequence.

¥ If a dual pedal is not working correctly, check its wiring as described below.

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Troubleshooting

Common Problems

A dual switch pedal must be wired as shown below. Any other wiring pattern will not work correctly. In in doubt, check the Switch Pedal diagnostic described on page 7-7.

Sleeve

Left

Pedal

Figure 7-1 Switch Pedal Wiring Diagram

Control Pedal Problems

If you are having problems making a control pedal work properly, give these a try:

¥ If the pedal works backward, operates very abruptly (more like a switch), or not at

all, itÕs most likely a wiring problem. See discussion below.

¥ When using adapter cables to adapt a pedal with two mono cables, verify that the Y

adapter is a stereo splitter type and not just a Y adapter designed to plug two headphones into a single jack.

Ring

Tip

Right Pedal

¥ Volume pedals typically wonÕt work well because of impedance or taper problems.

See below for details. ÒActiveÓ volume pedals wonÕt work at all.

The control pedal must be wired to a single stereo 1/4-inch plug as follows:

¥ Wiper to Tip connection of 1/4-inch plug

¥ Top end of resistance element to Ring connection

¥ Bottom end of resistance element to Sleeve connection

These connections are shown schematically below:

Increasing Foot Pressure

1OK Ohms

Linear T aper

Sleeve

Ring

Tip

Figure 7-2 Control Pedal Wiring Diagram

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Use the Right Impedance, Taper, and Range

For best results, use a Kurzweil CC-1 control pedal, available from your dealer. The CC-1 meets all of the requirements described below at an economical price.

A control pedal should have an impedance between 5,000 and 100,000 ohms. Less than 5,000 may overload the reference voltage source in the Stage Piano and interfere with operation of other controls like the Volume/Controller slider. More than 100,000 may result in electrically noisy operation, which may cause your Stage Piano to send MIDI Controller messages constantly.

The taper of the control should be linear for easy, predictable control. Pedals designed for volume control will typically have most of their range concentrated in the upper half of travel. To check taper, run the Control Pedal diagnostic and check the reading when the pedal is pressed halfway down. If itÕs less than 100, then it has an audio taper and will probably be difÞcult to use.

Pedals may have a control range that is less than 100%. To check this, run the Control Pedal diagnostic and check the reading at both extremes of pedal motion. 100% is a minimum reading of 0 or 1 and a maximum of 254 or 255. If one end is OK but doesnÕt quite reach 100% on the other end, it may be possible to adjust the linkage or gear to properly center its range.

If None of the Above…

If your problem is not covered above, or none of the suggestions seems to work, Þrst check back and review the relevant sections of this manual. Many difÞculties are just programming problems caused by inappropriate settings of setup parameters. If you want to be sure that all of the factory defaults are in place, refer to Restoring Factory Defaults on page 7-6.

Troubleshooting

Service Centers

Also be sure to check out KurzweilÕs Internet web site for additional Stage Piano information that may have been published since this manual was written:

www.youngchang.com/kurzweil

Service Centers

Contact the nearest Young Chang ofÞce listed below to locate your local Young Chang / Kurzweil representative. See page iii for a list of Young Chang distributors worldwide.

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Troubleshooting

Restoring Factory Defaults

1. Turn power off. Then hold down the two buttons labeled Panic and turn power on. Continue holding until the LEDs have ßashed the second time.

2. Wait for the display to show PPPPLLLLCCCC then press the Row Select button once. The display should show ccccppppuuuu.

3. Press Col Select once. The display will ßicker then show rrrroooommmm.

4. Press Row Select 5 times until the display shows iiiinnnniiii; then press Col Select once.

5. The display will then show ooookkkk////. Press the Up arrow button.

6. The display will ßicker again brießy, dim, then show ppppaaaassss.

7. Turn the power off then back on to begin using the Stage Piano.

Diagnostics

The Stage Piano has extensive diagnostic software built-in that can be used to test for proper operation of almost every component. Although this chapter is intended primarily for service personnel, the diagnostic software can also be helpful for identifying problems with cables and external controls.

Starting Diagnostics

1. Turn the power switch off.

2. Press and hold the two buttons marked Panic on the front panel.

3. Turn the power switch on while continuing to hold the buttons.

4. Wait until all of the LEDs ßash the second time then release the buttons.

After the second ßash, the controller software version will be displayed brießy then the main Diagnostic Menu will become active with ppppllllcccc showing on the display.

Main Diagnostic Menu

Each diagnostic group and individual diagnostics in each group have a 3-character name. The diagnostics are controlled using just two buttons: Col Select and Row

Select. In general, Row Select will advance to the next entry in the current menu and Col Select will select the group or execute an individual diagnostic.

The Main Diagnostic Menu has the following items:

ppppllllccccPlayer Control diagnostic

ccccppppuuuuController board diagnostic group

ssssnnnnddddInternal sound module diagnostic group

jjjjpppprrrrJumper settings display

eeeexxxxiiiiExit diagnostics and begin normal operation

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Troubleshooting

Diagnostics

Player Control Diagnostic

The Player Control diagnostic is most likely to be of interest to the user. It displays the response of every user control to being played, moved, pressed, whateverÑexactly as the internal computer sees it. If a control does not respond correctly for the diagnostic, then it will not respond appropriately during normal playing. Since the diagnostic displays the raw data in real time, itÕs easier to Þgure out what might be going wrong.

To start the Player Control diagnostic from the Main Diagnostic Menu, press Row Select until ppppllllcccc shows then press Col Select. The display will blink a couple of times then go blank. You can then test any key, any control, or any button by simply playing, moving, or pressing it and observing the display.

Testing the Keyboard

Each key has two switches under it. The Þrst switch closes when the key is pressed slightly then the second switch closes when the key is nearly all the way down. The display will indicate a partially pressed key (only the Þrst switch closed) by showing its note name dimly. When the key is fully pressed, the note name will brighten. If the Þrst switch is defective, the display will blink when the key is fully pressed. Every key should have the switch points in about the same place. Large differences lead to loud or soft keys and are usually caused by dirt in the switch contacts.

Testing the Ribbons

There are actually 4 sections to the ribbons. When a ribbon section is touched, the left digit of the display indicates which section (lower-left, upper-left, lower-right, upperright) by illuminating the corresponding segment. The right two digits indicate your ÞngerÕs position relative to the center line, using a 2-digit value from 0% to 99%.

A properly functioning ribbon section will activate everywhere with a light touch and immediately deactivate when your Þnger is lifted. The numeric display should react smoothly and linearly to Þnger movement and stop changing when Þnger movement stops. The range should be from 3 or less to 97 or more. Pressing the center ridge should activate the section above and below together and give a reading of 3 or less.

Testing the Switch Pedals

If already plugged in, Þrst unplug the pedal. Now plug it in and check the display. It should read ssssppppiiii (Switch Pedal In). Now operate the pedal. The included pedal should say rrrrppppcccc when stepped on and rrrrppppoooo when released. A dual pedal should react the same when the right pedal is operated and llllppppcccc, llllppppoooo when the left pedal is operated. Aftermarket pedals may show llllppppoooo or rrrrppppoooo when stepped on and llllppppcccc or rrrrppppcccc when released instead. This is OK because the Stage Piano operating system adapts to these when the power is turned on if they are plugged in.

Testing the Control Pedal

If already plugged in, Þrst unplug the pedal. Now plug it in and check the display. I should read ccccppppiiii (Control Pedal In). Now operate the pedal slowly over its range. When fully up (rocked back, toward you), the display should read 0 or 1. When midway down (forward), the reading should be around 130 (100Ð160 is OK if youÕre just estimating the halfway point). When fully down, you should be able to reach 254 or 255. If any of these checks fail, refer to Control Pedal Problems on page 7-4 for suggestions.

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Troubleshooting

Diagnostics

Testing the Buttons and LEDs

When pressed, any button should show a unique number on the display. The number should appear immediately when the button clicks down and should disappear immediately when released. Flickering while down may indicate a problem with the switch while a sluggish release is likely to be an alignment problem between the button and the front panel hole.

The Sound/Setup Select buttons will also turn on their LEDs when pressed. Red and green will show alternately each time pressed and the Þrst press should always show red.

Press the Col Select and Row Select buttons together to exit this test mode.

CPU Diagnostics

This diagnostic group is second on the main diagnostic menu. It tests the controller section of the Stage Piano. Most tests are for service technicians but the MIDI test can be useful for checking MIDI cables.

As with the main menu, the Row Select button scrolls through the available diagnostics and the Col Select button runs the current selection. When a diagnostic runs, the display Þrst ßickers a couple of times then goes blank while the diagnostic runs. When complete, the result, either ppppaaaassss or ffffaaaallll, is displayed. The diagnostic can be immediately rerun by pressing Col Select again or the menu can be advanced to the next diagnostic by pressing Row Select.

ROM T est (

This test calculates the checksum of the controller software code and compares it with the correct value.

EEPROM Test (

This test Þrst veriÞes that a special test pattern is present in a reserved area of the EEPROM. It then modiÞes that pattern and veriÞes that it can be read back. The pattern is different each time it is run. Running this test does not harm user setup data present in the EEPROM.

MIDI Test (

This will test the MIDI ports and whatever cable is used to connect them together. Before starting the diagnostic, connect a MIDI cable directly from the MIDI In port to the MIDI Out port on the rear panel.

CAUTION: Use this diagnostic only for testing cables. The non-MIDI data used for testing may crash other devices like merge boxes and routers.

Timers T est (

This tests the hardware timers used by the controller software.

rrrroooomm

mmmmiiiidd

ttttiiiimm

)

eeeeeeeerr

)

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Troubleshooting

Diagnostics

Burnin Test (

This runs the above diagnostics in a continuous loop for reliability veriÞcation. A cable between MIDI Out and MIDI In must be installed before running it. After each run of the diagnostics, the pass count will be displayed brießy. If more than 255 times, the count will remain at 255.

Initialize EEPROM (

This ÒtestÓ erases the EEPROM and then rewrites all of the factory default setups. The Internal Voices setup, 32 MIDI Setups, effects settings for the 32 sounds, and the global parameters are all restored to their factory default value. If there is a problem rewriting, the test will fail.

CAUTION: This test erases all user edits and replaces them with the original factory defaults.

bbbbuuuurr

)

iiiinnnnii

)

Sound Board Diagnostics

This diagnostic group tests the internal sound module of the Stage Piano. Most tests are for service technicians but the Sine Wave test can be useful for checking audio systems. Individual tests are selected, run, and rerun as described above for the CPU diagnostic group.

When the Sound Board group is Þrst started, a Òsound board presentÓ test is Þrst executed. In the event of a serious malfunction, a nnnnoooossss (No Sound Board) message may be displayed which means that communication with the sound board could not be established.

Interface Test (

This test veriÞes the integrity of message transmission to the sound board by sending thousands of pseudo-random bytes and checking them.

iiiinnnnff

)

ROM T est (

This test calculates the checksum of the sound board software code and compares it with the correct value.

RAM Test (

Read/write memory on the sound board is checked by this test.

Timers T est (

This tests the hardware timers used by the sound board software.

Sound ROM Test (

This test calculates the checksum of the sound ROM content and compares it with the correct value.

Sound Chip Test (

This tests several functions of the sound ASIC.

rrrroooomm

rrrraaaamm

ttttiiiimm

)

ssssnnnnrr

ssssnnnncc

)

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Troubleshooting

Diagnostics

Delay RAM Test (

This tests the memory used for the effects.

Sine Wave Test (

This test produces a 1KHz sine wave until either select button is pressed. The Volume/ Controller slider will very the volume from full scale (3.15Vrms) down to -127dB below that (1.4uV) in steps of 1dB. Viewed on an oscilloscope, there should be no clipping of the full scale signal.

CAUTION: Turn your audio system down before running this test! The level produced is much higher than the Stage PianoÕs normal level.

Burnin Test (

This runs the above diagnostics (except Sine Wave) in a continuous loop for reliability veriÞcation. After each run, the pass count will be displayed brießy. If more than 255 times, the count will remain at 255.

bbbbuuuurr

ddddrrrrmm

ssssiiiinn

)

Jumper Settings Display

This diagnostic displays the settings of the 4 hardware jumpers. These jumpers identify the keyboard length and type plus other conÞguration information to the software. After noting the display, press Row Select to return to the main diagnostic menu.

Exiting Diagnostics

The simplest way to exit diagnostics and resume normal operation is to turn the power off then on again. Alternatively, you can return to the main diagnostic menu from a diagnostic group as follows:

7-10

¥ From the Player Control diagnostic, press the two Panic buttons

¥ From the CPU group, select the bbbbaaaacccc test and run it

¥ From the Sound group select the bbbbaaaacccc test and run it

¥ From either Burnin test, press any button then select bbbbaaaacccc

Once back to the main diagnostic menu, select and execute eeeexxxxiiii (exi). Normal operation should then start in Internal Voices mode with Grand Piano 1 selected.

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Chapter 8 Reference

Display Characters

The 3-character display is often used to communicate nonnumeric information. As it has only 7 display segments, letters are not always well formed. Below is a list of all possible characters the display may be called upon to show.

aaaabbbbccccddddeeeeffffgggghhhhiiiijjjjkkkkllllmmmmnnnnooooppppqqqqrrrrssssttttuuuuvvvvwwwwxxxxyyyyzz

AAAABBBBCCCCDDDDEEEEFFFFGGGGHHHHIIIIJJJJKKKKLLLLMMMMNNNNOOOOPPPPQQQQRRRRSSSSTTTTUUUUVVVVWWWWXXXXYYYYZZ

0000111122223333444455556666777788889999'''';;;;[[[[]]]]----\\\\//

))))!!!!@@@@####$$$$%%%%^^^^&&&&****((((""""::::{{{{}}}}____||||??

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Reference

Factory Default Internal Voices Setup

The Internal Voices Setup deÞnes the MIDI characteristics of Internal Voices mode. You also set the effects parameters for each of the 32 sounds while editing the Internal Voices Setup.

Internal V oices Parameters

Below is a list of the parameters and default values for the Internal Voices setup. The shaded parameters are not available in Internal Voices mode.

The default values of the 3 effects parameters vary according to which sound is selected.

Parameter (Column 1)

Internal Sound Reverb W et/Dry V aries MIDI Program Off Chorus Wet/Dry Varies MIDI Bank Sel Lo Off A Ribbon 128 MIDI Bank Sel Hi Off Hold or Center Ctr MIDI Channel 1 B Ribbon Up 1 Destination Both Hold or Zero Zer

Internal Effect Varies

Key Range Lo Control Slider 7 Key Range Hi Control Pedal 4 Transpose 0 Switch Pedal R 64 Velocity Curve 1 Switch Pedal L 66

Default Value

Parameter (Column 2)

B Ribbon Down 10 Hold or Zero Zer

Default Value

8-2

Page 73

The Internal Voices

Below is a list of the 32 sounds (voices) available from the internal sound module. The list includes the factory default effects setting for each sound.

# Sound Name # Sound Name

1 Grand Piano 1

(Solo, beat tuned)

2 Grand Piano 2

(Ensemble tuned)

3 Stage Piano 1

(Solo, beat tuned)

4 Stage Piano 2

(Ensemble tuned) 5 Bright Piano 21 Rock Organ 1 6 Sustain Piano 22 Rock Organ 2 7 Piano and Strings 1 23 Ballad Organ 1 8 Piano and Strings 2 24 Ballad Organ 2 9 Tack Piano 25 Percussion Organ

10 Tight Electric Grand 26 Organ and Piano 11 Bright Electric Grand 27 Fast Strings 1 12 Warm Electric Grand 28 Fast Strings 2 13 Classic Electric Piano 29 Touch Strings 14 Digital Electric Grand 30 Stereo Slow Strings 15 Dyno Electric Piano 31 Stereo Slow String Pad 16 Hard Dyno Electric Piano 32 Slow Digital Pad

Reference

Factory Default Internal Voices Setup

17 Tremolo Digital E. Piano

18 Stereo Hard E. Piano

19 Digital Electric Piano

20 Digital E. Piano & String Pad

The Þrst two piano voices are beat tuned, like an acoustic piano. Since the higher harmonics of a stretched string tend to be sharper than those of the real harmonic series, beat tuning ensures that the piano remains in tune with itself harmonically. For this reason, beat tuning is sometimes referred to as solo tuning. The second two voices offer straight tuning, where the fundamental of each note is tuned to A440 (if the Tune parameter is set to 0). This allows for better mixing with other acoustic and electronic instruments. This type of tuning, therefore, is sometimes known as ensemble tuning.

8-3

Page 74

Reference

Factory Default MIDI Setups

The 32 factory-default MIDI Setups are all the same except for the Internal Sound parameter which is set to be the same as the setup number. MIDI parameter settings are also similar to the Internal Voices Setup. In particular, only the Left Zone is enabled. In fact, until you edit the MIDI setups to meet your particular needs, there will be little difference between Internal Voices mode and MIDI Setups mode.

MIDI Setup Parameters

The following table lists the parameters and default values for MIDI Setup 1. The other MIDI setups have identical values, except for the Internal Sound parameter.

Values for Key Range Lo and Key Range Hi are given for the SP88. For the SP76, these values are 28Ð103. (E 1ÐG 7).

Noc stands for No Change, which means that a parameter retains its value when you select another MIDI setup.

Parameter (Column 1)

Internal Sound MIDI Program Off Off Chorus Wet/Dry Noc Noc MIDI Bank Sel Lo Off Off A Ribbon 128 128 MIDI Bank Sel Hi Off Off Hold or Center Ctr Ctr MIDI Channel 1 Off B Ribbon Up 1 1 Destination Bot MIDI Hold or Zero Zer Zer

Internal Effect Noc Noc

Key Range Lo 21 (A 0) 21 Control Slider 7 7 Key Range Hi 108 (C 8) 108 Control Pedal 4 4 Transpose 0 0 Switch Pedal R 64 64 Velocity Curve 1 1 Switch Pedal L 66 66

Default Value

Left Right Left Right

Grand Piano 1 Reverb Wet/Dry Noc Noc

Parameter (Column 2)

B Ribbon Down 10 10 Hold or Zero Zer Zer

Default Value

8-4

Page 75

Factory Default Global Parameters

Parameter Default Value Comments

Local On Set Local to On for standalone use Stereo Stereo Requires stereo sound system or phones Touch 3 Normal keyboard touch and dynamic range Effect Snd Sound’s effect settings have priority MIDI In Nrm MIDI In is not resent to MIDI Out Set Chg Chan Off Program Change commands ignored Tune 0 Normal (A=440Hz)

Stage Piano Effects

These are descriptions of the effect programs available from the internal sound moduleÕs effects processor. All programs include both reverberation and chorus components. To suppress one of these, set its corresponding Wet/Dry parameter to 0.

Reference

Factory Default Global Parameters

Effect Name Description

0 None The effects unit is turned off 1 Room & Chorus Short decay, soft reverberation plus chorus 2 Bright Room & Chorus “Harder” (brighter) reverberation than 1 3 Stage & Chorus Medium decay, soft reverberation plus chorus 4 Bright Stage & Chorus “Harder” (brighter) reverberation than 3 5 Hall & Chorus Long decay, soft reverberation plus chorus 6 Bright Hall & Chorus “Harder” (brighter) reverberation than 5 7 Large Hall & Chorus Maximum decay, soft reverberation plus chorus 8 Large Bright Hall & Chorus “Harder” (brighter) than 7 9 Deep Space A unique combination of reverberation and echo

8-5

Page 76

Reference

MIDI Implementation Chart

Manufacturer: Date: 8/1/99 Young Chang Version 1.0

Digital Synthesizers

Function Transmitted Recognized Remarks

Basic Channel

Mode

Note Number

Velocity

After T ouch Pitch Bender

Control Change

Program Change

System Exclusive

System Common

System Real Time

Aux Messages

Default Changed Default Messages Altered Transmitted T rue V oice Note On Note Off Keys Channels

True #

Song Pos. Song Sel. Tune Clock Messages Local Control All Notes Off Active Sense Reset

Model: K2500

1, 2 1

1–16

Multi Poly

Any X

X 0–127 12–108 0–127 12–108

O 0–31

32–63 (LSB)

64–127

O 1–128 O 1–32 Sounds

0–127 1–32

OO XX

XX XX XX XX XX O O Panic sequence only XX XX

SP76: 28–103

Keyboard doesn’t send Aftertouch; controllers can

Controller assignments are programmable

Memory load / dump

8-6

Mode 1: Omni On, Poly Mode 2: Omni On, Mono O = yes Mode 3: Omni Off, Poly Mode 4: Omni Off, Mono X =no

Page 77

Default MIDI Controller Assignments

Transmit Receive Default Destination

1 O O B Ribbon, Upper 4 O X Control Pedal

7 O O Volume / Control Slider 10 O X B ribbon, Lower 64 O O Right Switch Pedal 66 O O Left Switch Pedal 83 O O Effect Selection 91 O O Reverb Wet / Dry Mix 93 O O Chorus Wet / Dry Mix

120 O O Panic Sequence Only 121 O O Panic Sequence Only

Reference

8-7

Page 78

Reference

Speciﬁcations

Controllers

Standard

Keyboard (weighted 76 or 88 keys) One pitch ribbon Two modulation ribbons One control/volume slider One switch pedal

Optional

Dual switch pedal Control pedal

User Interface

Display

3 character, LED, 7-segment plus dot 10 editing LEDs (single color) 16 selection LEDs (dual color)

Buttons

4 editing buttons 16 selection buttons

Audio

Output Connections

Line Outs 2 X 1/4-inch Mono Phone Plug Phones 1 X 1/4-inch Stereo Phone Plug

Impedance

Line Outs 1.0K Ohms Phones 47 Ohms Output Level 3.45 Volts RMS (4.9V peak) Max 1.0 Volts RMS typical Dynamic Range >103 dB ÒAÓ weighted

8-8

Page 79

Electrical Requirements

Input Voltage 12 Volts DC nominal, 16 volts maximum Current Consumption 0.5 Amp maximum

Environment

Operating

Temperature 5*C to 40*C (40*F to 105*F) Humidity 5% to 95% noncondensing

Storage

Temperature -20*C to 70*C (-4*F to 158*F) Humidity 5% to 95% noncondensing

Physical Dimensions

SP76

Height 90.0 mm 3.54" Width 1200.0 mm 47.20" Depth 292.0 mm 11.50" Weight 12.5 kg 27.50 lb

Reference

Speciﬁcations

SP88

Height 90.0 mm 3.54" Width 1353.0 mm 53.30" Depth 292.0 mm 11.50" Weight 13.6 kg 30.0 lb

8-9

Page 80

Page 81

The Kurzweil Stage Piano User’s Guide

Index

A ribbon 3-5, 4-6, 8-2, 8-4 adjusting keyboard response 3-5 All Notes Off 2-13 attack velocity 1-2 audio problems 7-2

B ribbon 1-2, 3-5, 4-7, 8-2, 8-4, 8-7 bank select 3-4, 8-2, 8-4 basic sequencer operations 6-3 battery 2-3, 7-1

blinking

display 3-8, 7-7 LEDs 3-7

buttons 8-8

Cancel 2-14, 3-4, 3-8, 5-4, 6-4 Col Select 2-5, 2-12, 3-2, 3-7, 5-1,

7-6

demo song 2-2, 2-13 digit 3-2, 3-8 direct select 2-13 edit-mode 1-2, 2-12 Enter 3-2, 3-8, 5-1 Internal/Setup 3-1 Ld/Dmp 6-4, 6-5 MIDI Prog Chg 3-4 Panic 2-13, 3-3, 7-6 Play/Edit 2-5, 2-12, 3-1, 3-2, 3-9 Row Select 2-5, 2-12, 3-2, 3-7, 5-1,

7-6

Sound/Setup Select 1-2, 1-3, 2-1,

2-11, 3-7

Store 2-5, 3-3, 3-8 testing 7-8 Up/Down 2-5, 3-2, 3-7, 5-1

Cancel button 2-14, 3-4, 3-8, 5-4, 6-4 chorus 3-2, 3-5, 4-6, 8-2, 8-4, 8-5 Col Select button 2-5, 2-12, 3-2, 3-7, 5-1,

7-6

columns, parameter 2-12, 3-7, 8-4

computers

connecting

Local parameter Off 6-3 MIDI processors 6-5 Patch Thru On 6-3 sequencers 2-4, 2-8, 2-10, 5-1, 6-2

basic operations 6-3 MIDI problems 7-3 reloading setup memory 6-5 saving setup memory 6-4

sound cards 2-8, 6-3 connecting computers 2-10, 3-3, 6-6 connecting MIDI 2-6, 6-3 connectors 1-3, 2-2

MIDI 2-6

adapters 6-3 continuous controllers 1-3 control pedals 1-2, 2-4, 3-6, 4-7, 7-5

impedance, taper, range 7-5 problems 7-4 testing 7-7

Controller destinations 4-7

controllers

continuous 1-3 physical 1-2

curve, velocity 3-5, 8-2, 8-4

2-10, 3-3, 6-3, 6-6

Page 82

The Kurzweil Stage Piano User’s Guide

Index

decrement 3-7, 5-1 decrement/increment editing 3-7 default values 1-2, 2-4, 2-5, 2-8, 3-3,

3-5, 4-6, 4-7, 5-1, 5-2, 5-3

global parameters 8-5 Internal Voices Setup 8-2 MIDI Controllers 8-7 MIDI Setups 8-4

restoring 7-6 demo song 2-2, 2-13, 7-2 depth 4-8, 4-10, 6-2 destination 3-5, 4-2, 4-4, 4-5, 4-7, 8-2,

8-7

diagnostics 7-3, 7-4, 7-5, 7-6–7-10

exiting 7-6, 7-10

starting 7-6 digit buttons 3-2, 3-8 direct numerical editing 3-8 display 1-2, 2-1, 2-11, 8-1

dots 3-9

parameters 2-12 display font 8-1 display, blinking 3-8, 7-7 dots (display) 3-9 dump 6-4, 6-5

edit mode 3-7

entering 3-2 exiting 3-9, 4-3

editing 3-6

direct numerical 3-8 effects 3-2 increment/decrement 3-7 Internal Voices Setup 3-4 MIDI Setups 4-3 MIDI transmit channel 3-3 output mode 2-5

parameters 2-12 edit-mode buttons 1-2, 2-12 EEPROM 2-3, 6-4, 7-1, 7-8 effects 3-5, 4-5, 4-12, 5-3, 8-4, 8-5

editing 3-2

saving 3-3 Enter button 3-2, 3-8, 5-1

entering

edit mode 3-2

numercial values 3-8

exiting

diagnostics 7-6, 7-10

edit mode 3-9, 4-3 expression 3-5, 4-8

Page 83

The Kurzweil Stage Piano User’s Guide

Index

factory defaults 8-2, 8-4, 8-5

restoring 7-6

font, display 8-1

global parameters 3-7, 5-1, 8-5

headphones 1-3, 2-3, 2-6 hold 4-9

impedance 2-5, 2-6, 7-2, 7-4, 8-8

control pedals 7-5 implementation chart 8-6 increment/decrement editing 3-7 info strip 2-12 Internal Voice parameters 3-4, 8-2 Internal Voices mode 3-1 Internal Voices Setup 1-1

editing 3-4 Internal/Setup button 3-1 internet 1-3

jacks 1-3, 2-3, 2-5

keyboard 1-2

range 4-1 split 1-3, 2-12, 4-11 testing 7-7 transposition 4-5

keyboard response 5-2

adjusting 3-5

layer 4-2, 6-1 Ld/Dmp button 6-4, 6-5

LEDs

blinking 3-7 mode 2-12

testing 7-8 load 3-9, 6-4, 6-5 local 2-8, 2-10, 5-1, 6-3, 8-5 Local parameter Off 2-10, 6-3

iii

Page 84

The Kurzweil Stage Piano User’s Guide

Index

maintenance 7-1 memory 1-3, 2-3

reloading 6-5

saving 6-4 merge 5-3, 6-3 messages, paired 4-12

MIDI

bank selection 3-4

channel 1-1

editing 3-3 connecting 2-6, 6-3 Controller destinations 4-7 default Controller assignments 8-7 diagnostics 7-8 Implementation Chart 8-6 ports 1-3, 2-4 problems 7-3 Prog Chg button 3-4 Program 4-4 Program Change commands 1-1, 3-4,

4-4

MIDI Bank Select 4-4 MIDI Channel 3-5, 4-4 MIDI In 5-3 MIDI processing software 6-5 MIDI Setup parameters 4-4 MIDI Setups 1-1, 8-4

default values 8-4 editing 4-3 parameters 8-4 saving 4-3 selecting 4-1

MIDI Setups mode 4-1 mix 3-2, 4-8, 4-10 mode 1-3, 2-2, 3-7

edit 3-7 Internal Voices 3-1

MIDI Setups 4-1 mode LEDs 2-12 modulation 1-2, 3-5, 4-7, 4-8 mono 1-3, 5-1 mono output 2-5 monotimbral 2-7, 6-1 multitimbral 2-6, 2-7, 6-2 mute 4-12

noise 7-2 Note Off 2-13, 4-12, 8-6 Note On 4-12, 8-6 notes, stuck 3-3, 3-5, 4-5 numerical values, entering 3-8

output mode, editing 2-5 output, mono 2-5 overlap 1-1, 4-2, 4-5, 4-11

Page 85

The Kurzweil Stage Piano User’s Guide

Index

paired messages 4-12 pan 3-5 Panic buttons 2-13, 3-3, 7-6 parameter columns 2-12, 3-7, 8-4 parameter display 2-12 parameter rows 2-12

parameters

editing 2-12 global 3-7, 5-1, 8-5 Internal Voices 3-4, 8-2 MIDI Setup mode 4-4 MIDI Setups 8-4

selecting 3-7 Patch Thru 2-9, 6-3 Patch Thru On 6-3

pedals

control 1-2, 2-4, 3-6, 4-7, 7-5

problems 7-4 range 7-5

testing 7-7 sostenuto 2-4, 3-6, 4-7 sustain 2-4, 3-6, 4-7 switch 1-2, 2-4, 3-6, 4-7, 4-12

problems 7-3

testing 7-7 volume 2-4

physical controllers 1-2 pitch bend 1-2 play mode 3-7 Play/Edit button 2-5, 2-12, 3-1, 3-2, 3-9 polyphony 2-6, 6-2 ports, MIDI 1-3, 2-4

power 2-3

problems 7-1 pressure 4-10 problems, MIDI 7-3

program

bank 3-4, 4-4

change 4-11, 5-3, 6-6

number 3-4

sound 6-1 Program Change commands 1-1, 3-4, 4-4

range 4-2, 4-5, 4-11, 6-1, 8-4

control pedals 7-5 receive 5-3 recording 2-8, 2-10, 6-2, 6-3 release velocity 1-2 reload 3-8, 6-5

default values 7-6

Internal Voices Setup 3-9

setup memory 6-5 remapping 6-5 restoring default values 7-6 reverb 3-2, 3-3, 3-5, 4-6, 8-5 ribbon controllers 1-2, 2-6, 3-5

testing 7-7 Row Select button 2-5, 2-12, 3-2, 3-7,

5-1, 7-6

rows, parameter 2-12

Page 86

The Kurzweil Stage Piano User’s Guide

Index

saving 3-8

effects 3-3, 3-8 global parameters 3-8, 5-4 Internal Voices Setups 3-8 MIDI Setups 3-8, 4-3 setup memory 6-4 to different setup number 4-3

selecting

MIDI banks 3-4, 4-4 MIDI Setups 4-1 parameters 3-7 voices, directly 2-13

sequencers 2-4, 2-8, 2-10, 5-1, 6-2

basic operations 6-3 MIDI problems 7-3 reloading setup memory 6-5 saving setup memory 6-4

service 7-5

setups

Internal Voices 1-1

MIDI 1-1, 4-1 signed value 3-8 sostenuto pedal 2-4, 3-6, 4-7 sound cards 2-8, 6-3 Sound/Setup Select buttons 1-2, 1-3, 2-1,

2-11, 3-7

sounds 1-1 specifications 8-8 split keyboard 1-3, 2-12, 4-11 Store button 2-5, 3-3, 3-8 stuck notes 3-3, 3-5, 4-5 sustain pedal 2-4, 3-6, 4-7 switch pedals 1-2, 2-4, 3-6, 4-7, 4-12

problems 7-3

testing 7-7

system exclusive

dump 6-4

load 6-4

taper 7-5

testing

see diagnostics

touch 5-2 transmit 3-3 transposition 3-5, 4-5, 4-11 tune 5-3

Up/Down buttons 2-5, 3-2, 3-7, 5-1

value 2-12

signed 3-8 velocity curve 3-5, 8-2, 8-4 velocity sensitivity 1-2 voice 1-1, 1-3, 3-1 voltage 2-1, 7-1, 7-2, 8-9

reference 7-5 volume 1-2, 2-1, 4-2, 4-6, 4-8, 7-2 volume pedal 2-4

wet/dry 3-2, 3-5, 4-6 wheel 1-2, 3-5 world-wide web 1-3

Young Chang Distributors iii

zero 3-4, 3-6, 4-7 zones 1-1, 4-2

selecting 4-3