Kurzweil Music Systems PC88, PC88mx User's Manual

THE PC88 MADE EASY

A Step by Step Guide

Includes 27 Different Tutorials Designed For Specific Applications

Plus Programming Tips, Tricks, and Shortcuts

by David Fox

PC88 Made Easy

Young Chang Distributors

Young Chang America, Inc. Young Chang Canada Corp.
PO Box 99995 3650 Victoria Park Ave. #105
Lakewood, WA 98499-0995 Toronto, ONT
Tel: [phone] Canada M2H 3P7
Fax: [phone] Tel: [phone]
[e-mail] Fax: [phone]
www.kurzweilmusicsystems.com

YoungChang Akki Co., Europe GmbH Young Chang Akki, Co. Ltd.
Industriering 45 16th Floor Dongwoo-Bldg No. 708-1
D-41751 Viersen Yoksam-Dong, Kangnam-Gu
Germany Seoul, Korea 135-080
Tel: [phone] Tel: [phone]
Fax: [phone] Fax: [phone]
www.kurzweil-europe.de

[e-mail]

PC88 Made Easy

BASIC CONCEPTS & USER INTERFACE ISSUES 1

The Two Play Modes 1
User Interface Basics 2
Sound/Setup Select - 2
Data Entry - 3
Zone Parameters - 3
Zone Select - 4
Effects - 5
Editing Shortcuts - 6

TUTORIALS 8
Intro 8

1. Layering Two or More Programs 10

2. Splitting Two or More Programs 12

3. Assigning Sliders for Volume in Different Zones 13

4. Setting Initial Volume Levels for Different Zones 14

5. Returning Volume Levels to Full Values when Exiting a Setup 15

6. Adjusting Relative Volumes with One Slider 16

7. Crossfading Zones 18

8. Velocity Switching 20

9. Switching from One Setup to Another With a Pedal 21

10. Switching from One Program to Another with a Pedal 22

11. Switching Banks & Programs with a Pedal 23

12. Customizing the Effects Settings 24

13. Transposing a Zone with a Button 26

14. Panning Zones Hard Left & Right 27

15. Using the Arpeggiator 29

16. Using the Various Arpeggiator Latch Modes 33

17. Assigning a Slider to Arpeggiator Velocities 35

18. Using the Arpeggiator with a Sequencer or External Controller 36

19. Using the PC88 to Control External Slaves 37

20. Bank Controller Issues for External Slaves 38

21. Switching Programs on External Slaves without Playing Them 40

22. Playing Programs on External Slaves without sending Program Changes
42

23. Working With an External Sequencer 43

24. Recording Setups to a Sequencer 45

25. Customizing the Internal Voices Mode 46

Rev. B i

PC88 Made Easy

26. Using SysEx to Store Your Setups 47

27. Trouble Shooting 49

ADDITIONAL INFORMATION 50

A Note About the Physical Controllers 50
Some info on the Global Parameters 50
Using the Copy Function 51
Special characters for naming Setups 53

PC88 Made Easy

This guide walks you step-by-step through a variety of typical programming
applications you might use in the creation of Setups on the PC88.

The first part of this document reviews some of the basic concepts of the PC88 design
and user interface, including editing shortcuts. The second part contains a series of step
by step tutorials, each of which demonstrates a different function.

BASIC CONCEPTS & USER INT ERFACE ISSUES

The Two Play Modes

The PC88 has two basic Play Modes - Internal Voices and MIDI S etups. You switch
between these two modes using the Internal Voices and MIDI Setups buttons in the
Sound/Setup Select area.

If you only need to play one Program at a time, use Internal Voices mode. (Typically a
Program will be just one sound, but there are some Programs that have a couple of
sounds layered together, such as Piano & Strings). The PC88 is always in Internal Voices
mode when you first power it up.

If you have a regular PC88, then you have one bank of 64 Programs that you can access.
These are most easily accessed by using the 16 Sound S elect Buttons, which are labeled
by S ound Category. Under each category, there are 4 variations, which you can select
using the Next Group and Previous Group buttons.

You can also select a Program by typing its number on the numeric keypad and then
pressing Enter. Appendix A in the manual lists all the Internal Voice programs and their
numbers. In addition, once you are on a program, you can scroll through them in numeric
order by using the alpha wheel or the + and - buttons under the wheel.

If you have a PC88MX, then you have additional banks of sounds. The banks are as
follows:

Bank 0 Internal Voices
Bank 1 General MIDI
Bank 2 Expansion Voices
Bank 3 64 Note Polyphonic

You will need to know the bank numbers if you are sending the bank controller from an
external MIDI device such as a sequencer, or if you switch banks from the numeric
keypad, which we will discuss below. (Note that Bank 0 - the programs in the basic
PC88, is referred to as the Internal Voices bank, which is not to be confused with
Internal Voices mode. You can play programs from the other banks while in Internal
Voices mode. But you are always playing just one program at a time in Internal Voices
mode.)

MIDI Setups mode is used when you want to split or layer two or more Programs. You
would also use it when you want to control any external MIDI modules or keyboards.
MIDI Setups also allow you to program all of the sliders, wheels, pedals, buttons, etc.
for specific applications.

1

PC88 Made Easy

MIDI Setups mode allows you to have up to 4 zones, with a different program on each
zone. Therefore, the maximum number of programs you can split or layer from the
keyboard is four. (But the instrument can still respond on all 16 MIDI channels from an
external MIDI controller or sequencer.)

MIDI Setups mode and Internal Voices mode function identically, with only a few
exceptions. You will always only have one zone in Internal Voices mode, since you are
playing a single Program. (It is possible to start in Internal Voices mode and add zones,
but when you go to save what you have done, you will have to save it as a Setup.)

User Interface Basics

The following is a review of the information covered in chapter 2 of the manual. If you
read nothing else in the manual, you should go back and read that chapter.

The buttons on the front panel are divided into sections.

Sound/Setup Select -

We already mentioned how you can use these buttons to call up programs when in
Internal Voices mode, but you can also use them for calling up Setups when in MIDI
Setups mode. Notice that the 16 buttons are labeled with the numbers 1-16. By using
these buttons along with the Previous Group and Next Group buttons, you have access
to 16 different Setups at a time with only one button press. The 16 buttons can then be
used to access the Setups as follows:

Group A Setups 1-16
Group B Setups 17-32
Group C Setups 33-48
etc.

There are a total of 128 locations for Setups, which gives you 8 possible groups (A-H).

1. Press the MIDI Setups button.

2. Press the #1 Sound Select button (also labeled Classical Piano). If you have just

turned on the instrument, the top line of the display should say S001 A Piano Trio. If it
doesnÕt, press the Previous Group button repeatedly until it does. You have now called
up Setup #1. Notice that the bottom line says A01, showing you that you are in Group
A on the #1 Sound Select button. Following the A01, it will show a number and a
Program name. This shows you the name of the Program in the currently selected Zone
(more on this later).

3. Press the Next Group button. The top line of the display now shows S017 FluidGtr &

Vibe (Setup #17) and the bottom line shows B01. This tells you that you have moved to
Group B but you are still on the #1 Sound Select button.

4. Press the #2 Sound Select button (also labeled Stage Piano). Now the display shows

S018 Click and Trio on the top line and B02 on the bottom line. Notice that you have

PC88 Made Easy

stayed in the same group - you are still in Group B but are now on the #2 Sound Select
button.

So whatÕs so great about all of this anyway? Lets say that you are creating several
Setups of your own and you need to switch between them quickly in a performance. You
can save them all within the same group, saving them between Setups #65-80 (a PC88
has preset Setups from 1-32 and a PC88MX has preset Setups from 1-64). Once you go
to MIDI S etups mode, you can use the Next Group buttons to get to Group E. Now, you
can switch between any of your Setups (up to 16) with just a single button press by
using the Sound Select buttons!

There is an IMPORTANT DIFFERENCE between MIDI Setups mode and Internal Voices
mode. When you are in MIDI Setups mode, pressing the Sound Select buttons will
always call up the appropriate S etup within the currently Selected Group - the group
wonÕt change unless you press the Previous or Next Group buttons, or use the Data
Entry section to go to a Setup in a different Group. But when you are in Internal Voices
mode, each Sound Select Button remembers whichever group it was last on.

1. Press the Internal Voices button.

2. Press the S ound Select #1 Button. Press the Previous Group button until the top line

of the display says 1: Internal Voice A01.

3. Press the S ound Select #2 Button. Press the Previous or Next Group Button until the

display says 1: Internal Voice B02.

4. Press the Sound Select #1 Button again. Notice that it goes back to Group A. If you go

back to Sound Select #2, you will see it jumps back to Group B.

This feature is useful because it allows you to choose your favorite program out of a
group and be able to call it up with a single button press when in Internal Voices mode.
This is remembered even after you turn the PC88 off.

Data Entry -

This section is very simple and should be familiar to anyone who has used other
electronic instruments as well as automated teller machines (ATMs). The alpha wheel
allows you to scroll through values quickly. The Ò+Ó and Ò-Ó buttons let you increment
or decrement by single values, and the numeric keypad lets you enter a specific value. It
is also used for naming Setups. You always need to press the Enter button when using
the numeric keypad to register the value (except when using the naming function, as
described in Tutorial number 1).

Zone Parameters -

Almost all of the editing features of the PC88 are accessed through this section. Under
each button is a series of parameters, which you access using the << and >> buttons
under the display. You then use the Data Entry section to change the value of the
currently displayed parameter.

3

PC88 Made Easy

1. Press the MIDI Transmit Button. The display shows that you are on the MIDI Channel

parameter.

2. Press the >> button. You are now on the Destination parameter, which by default is

set to Local+MIDI.

3. Press the Ò-Ó button under the alpha wheel. The value changes to MIDI. Rotate the

wheel clockwise. It changes back to Local+MIDI.

Notice that there is an underscore below the letter L in the display. This shows that the
parameter is highlighted. Usually there is only one parameter in the display at a time,
but sometimes there are two.

4. Press the KeyRange button. There are two parameters in the display - Low Note and

High Note. Notice the underscore under the C. Press the >> button and you will see the
underscore move under the G.

Zone Select -

The four zone select buttons have two functions. When playing a S etup, they allow you
to mute and unmute zones. When you are editing a S etup, they allow you to switch
between zones for editing. Since the display has only two lines, there is only enough
room to show the value of 1 zone at a time.

1. Press the MIDI Setups button, then press 1 on the numeric keypad, then press Enter.

You have called up Setup 001 A Piano Trio. On the bottom line of the display, after
A01, it should say 1:Stage Piano 440. If it doesnÕt, press the Zone 1 button once and you
will see this info. This shows you the Program that is on zone 1.

2. Notice that the Zone 1 and Zone 2 buttons are green. This tells you the Setup has 2

zones. If you play the keyboard, you will hear Piano on the right side and Bass+Ride
Cymbal on the left.

3. Press the Zone 1 button. It now turns orange. This means that zone is muted. If you

play the keyboard, the right side makes no sound. Press Zone 1 and the button turns
green again and you will hear the piano.

4. Press the Zone 2 button. The bottom line of the display now says A01 2:Leg Bass

&Ride, showing you the Program in zone 2.

An important point that can lead to confusion: If a specific zone is NOT currently in the
display, pressing that Zone Select button will bring up that zone in the display. But if
the Zone is already in the display, then pressing the same numbered Zone Select button
will mute it.

5. Press the MIDI Transmit button. The top line now shows Zone 2 0:061. When you

are editing any parameter the top line always shows you the current zone, as well as the
bank and program number of the program assigned to that zone (in this case, it is the
Internal Voices bank 0, Program 61 - Legato Bass & Ride. The bottom line says MIDI
Channel:02. showing you zone 2 is assigned to channel 2.

PC88 Made Easy

6. Press the Zone 1 button. It shows you that zone 1 has program 17 from the Internal

Voices bank and is assigned to channel 1.

7. Press the Zone 1 button again. Notice that the Zone 1 button turns orange - the zone is

muted. The display also shows a Ò-Ó after the zone number in the display. The mute
function works both when playing and editing a Setup. This can be useful when you are
creating your Setups - you can temporarily mute a zone to hear the others. Press the
Zone 1 button again to unmute the zone.

8. Press the Solo button. The Zone 1 button turns red, showing that zone is soloed. If you

play the keyboard you will only hear the piano. Press the Zone 2 button. It switches to
red and the Zone 1 button to green, soloing the bass sound.

Effects -

This section is very simple. You can select an effects setting for each Program by pressing
the appropriate buttons. Pressing a button repeatedly toggles through the values of that
button. Additional effects parameters are available through the Effects menu in the Zone
parameters section. Those will be covered in Tutorial #12.

There are two basic parameters for Reverb - Room Type and Quality. The first button
choose the Room Type and the second button chooses the Quality. If you press the
Room Type button enough times so that you turn it off, the Quality button will also turn
off (since no reverb is selected). The third button lets you choose Chorus or Delay. You
can have both Reverb and Chorus/Delay or either one alone.

In Internal Voices mode, each program can have its own effects settings. No special
saving procedure is necessary - the PC88 simply remembers the last setting you chose for
that particular program. This applies to all the programs, including the ones on the VGM
board.

1. Press the Internal Voices button, then 1 on the numeric keypad, then Enter, to choose

the S tage Piano program. Assuming you have not changed the default effects settings,
they will be set to Stage Bright Reverb. If not, switch the values so that they are set to
Stage Bright.

2. Press the Quality button so that it switches from Bright to Normal.

3. Press 3 on the numeric keypad and then Enter, to choose the Digital E. Piano

program. The effects switch to Room Bright Reverb plus Chorus 1.

4. Press 1 on the numeric keypad, then Enter. Notice it returns to Stage Normal, instead

of Stage Bright, its original setting.

In MIDI Setups mode, things are slightly more complicated. In order for the effects
settings to be remembered, you must go through the Store process (which will be covered
in the tutorial section).

Even more important, since there is only one effects processor in the basic PC88, plus
one more on the VGM board, you can only have one or two different effects settings in a
setup. No matter how many zones you have, any zones which use a program from the
Internal Voices bank will have the same settings, and any zones which use a program

5

PC88 Made Easy

from any of the VGM banks will have the same settings. (But the two Internal Voices
bank effects and the VGM bank effects can be entirely different).

Editing Shortcuts -

Following are few tricks to speed up editing of various parameters:

Setting Note Values:

For any parameter whose value is a note, hold Enter and strike the note on the keyboard
that you want and the parameter will switch to that note.

Turning a parameter Off or setting it to None:

Typing 0 and pressing Enter will change most parameters to a value of Off or None.

To quickly edit a specific controller:

Each physical controller (sliders, wheels, etc.) has a number of parameters, and there are
17 different physical controllers. All of those parameters are under the same menu, so
that is a lot of parameters to scroll through!! If you hold the Controllers button and move
a specific controller, the PC88 will jump to the first parameter for that controller. For
example, hold Controllers and move Slider A. The display jumps to Slider A Ctrl Num.

Pressing the << and >> buttons simultaneously will jump to the same parameter for the
next controller in the list. After following the previous example, press both those buttons
and you j ump to Slider B Ctrl Num.

Jumping to a specific channel in the MIDI Receive menu:

Holding MIDI Receive and pressing one of the 16 Sound Select buttons will jump to that
numbered MIDI channel.

Switching Banks when calling up a Program (in Internal Voices mode or in the Program
Menu when editing a Setup):

Type the bank number, then the Ò+/-Ó button, then the program number, then press
Enter.

Using the Copy Function

As you go through the tutorials below, you will find examples of many different things
you can do on the PC88. When you start to create your own S etups, you may find that
you want two or more zones to have the same types of control oriented functions, with
each zone playing a different sound. One way to speed up the creation of your Setups is

PC88 Made Easy

to copy parameters from one zone to another or even from one Setup to another. The
PC88 makes it easy to do this.

Details on using the Copy function can be found at the end of this document, after all
the tutorials.

7

PC88 Made Easy

TUTORIALS

Intr o

These tutorials have been designed to start simply and increase in complexity. To avoid
a great deal of duplication, later tutorials will refer to steps from previous tutorials.

Editing from the Default Setup:

All of the tutorials start from the S etup 127, the Default Setup. One thing you want to
be careful of - if you start from an existing Setup and make changes, some of the
parameters from that original Setup may be set to do specific things, which will affect
what you are trying to do. A good example of this is S etup #1. It has the ÒFÓ button
assigned to a GoTo Program function in zone 1. If you edit Setup #1 and change the
program for zone 1 under the Program button, it will appear that your change doesnÕt
work correctly after you save your Setup. What is happening is that the ÒFÓ button
control function overrides the setting of the Program parameter.

For this reason, it is usually easier to start with the Default Setup. If you do start with
one of the preset Setups, please be sure to look in Appendix E of the manual to see the
controller assignments for that Setup.

Another thing to be aware of - whenever you call up a Setup, the PC88 copies all of the
parameter values into an edit buffer. Any changes you make are made in that edit
buffer, and the changes donÕt go into memory until you Store that Setup. If no Setup
exists at a specific location, then nothing is copied into the edit buffer, and so the data
in the edit buffer is whatever was there from the last real Setup.

For example, lets say you start with a PC88 set to factory defaults (no user Setups
saved in memory). Now you call up Setup 1. All the parameters from S etups 1 are
placed in the edit buffer. Next you call up S etup #67. But there is no Setup #67 yet in
the instrument, so the display says ÒNot FoundÓ. Since nothing existed there, the values
from Setup #1 are still in the edit buffer and if you start editing those values will be
there unless you change them. As you can imagine, this can lead to confusion.

So again, the best way to create your own Setup is to either start with Setup 127, or
start with another existing Setup if you know how its parameters are set and want to
make use of those settings.

There are actually two possible Setups you can start with. Setup 127 Default Setup has
some of the controllers set to default settings for all 4 zones. For example, the Switch
Pedal 1 is set to Sustain and the wheels are set to Mod Wheel and Pitch Bend. Other
controllers are unassigned. Setup 128 A Clear Setup has ALL of the controllers
unassigned. Typically it is easier to start with Setup 127, since you will normally want
those basic controllers set to their default values.

The following tutorials assume you have a switch pedal plugged into the Switch Pedal 1
jack (for Sustain). S ome of these tutorials also require that you have a second switch
pedal plugged in to the Switch Pedal 2 jack. If you donÕt have a second pedal, you can

PC88 Made Easy

still follow the example, using the ÒEÓ, ÒFÓ, and ÒGÓ buttons in the Assignable
Controllers area to do the same thing.

9

PC88 Made Easy

1. Layering Two or More Progr ams

To play two or more programs, you must create a Setup with a zone for each program,
and each zone set to a different MIDI channel.

1. Press the MIDI Setups button, then type 127, then press Enter on the numeric keypad.

2. Press the MIDI Transmit button. If the display doesnÕt show Zone 1, press the Zone 1

button. Press 1, then Enter. The button will now be lit green and the display will show it
is set to channel 1.

3. Press the Program button. Choose the Program you want for the first zone. You can

select it by using the alpha wheel, the + and - buttons, or the numeric keypad. (The
programs and their numbers are listed in Appendices A & B in the manual.) Or you can
use the Sound S elect and Next/Previous Group buttons, as described at the beginning of
this document.

4. Step 3 will allow you to choose any program from the Internal Voice bank. But if you

have the VGM board and want to choose a program from one of the VGM banks, then
you need to switch banks. There are two ways to do this.

If you know exactly which program you want, then the fastest way is to type the bank
number, followed by the Ò+/-Ó button, followed by the program number, then Enter.
(The bank numbers were listed at the beginning of this document.)

OR

If you want to scroll through the programs in a bank, press the << button to get to the
Bank parameter. Use the alpha wheel to choose the bank you want. Then press the >>
button to get back to the Program parameter and use the alpha wheel to scroll through
the programs in that bank.

5. Now that you have chosen your first sound, you will choose your layered sound.

Press the MIDI Transmit button, then press the Zone 2 button. Notice that the channel is
set to Off and the Zone 2 button is unlit. S et it to channel 2. (You can actually choose
any channel but 1, since 1 is being used by zone 1.) The Zone 2 button turns green,
showing that it is active.

6. Press the Program button. Repeat steps 3 or 4 to assign a program for your second

layer. Play the keyboard. You should hear both sounds together. Notice that the sustain
pedal works for both layers.

7. If you want to add a third or fourth layer, just repeat steps 5 and 6. (Just make sure

to choose a different MIDI channel for each zone.)

8. ThatÕs it!. Now all you have to do is Name and Store your S etup. Press Store. The

display says ÒReplace Setup 127?Ó. Press the >> button so that the display says
ÒRename Setup 127?Ó. Press Enter. Now you are in the naming routine.

You will see an underline cursor under the first character (ÒDÓ). Press the <<< or >>>
soft buttons to move the cursor. Press a button on the numeric keypad one or more times

PC88 Made Easy

to enter a character above the cursor. The characters that correspond to the
alphanumeric buttons are labeled under each button. If the character that appears is not
the one you want, press the button again. For example, pressing 1 once will choose an
ÒAÓ. Pressing it again will choose ÒBÓ, and one more time will choose ÒCÓ. Press the +/­button on the alphanumeric pad to switch between upper and lower case characters.
Press 0 one or more times to enter the numerals 0 through 9. Press CLEAR (on the
alphanumeric keypad) to erase the selected character without moving any other
characters. To insert a space, press the ÒEÓ button in the Assignable Controllers section.
To delete a character press the ÒFÓ button, and to move the cursor instantly to the end
of the name in the display, press the ÒGÓ button.

In addition to letter and number characters there are numerous other characters you can
choose. For example, if you layered piano and strings, you might want to name your
Setup ÒPiano & StringsÓ. You can choose these characters by scrolling with the alpha
wheel or the + and - buttons. At the end of this document, is a list of all the characters
and the order in which they appear.

Once you have the name the way you want it, press Enter.

9. The PC88 now jumps back to the Store dialog. The display will read ÒReplace Setup

127?Ó. You donÕt want to save over the preset Setup 127, since you will want to have it
available as a template to start from. So choose a different number. If you havenÕt saved
anything yet, you will find empty locations between 33 and 125 if you have a PC88 or
65 and 125 if you have a PC88MX. If you are on a blank location, the display will
change to say ÒSave Setup xx?Ó (xx is the number you have chosen).

Now press Enter. Congratulations - you have created and stored your first Setup!

A programming note: The steps above take the approach of editing all the parameters in
one zone, then going to the next zone and editing the parameters for that zone. But you
can also work by editing the same parameter for all zones, then going to the next
parameter and editing that for all zones. For instance, you could go to the MIDI
Transmit page and set the MIDI channel for each zone (by pressing the Zone Select
buttons, then go to the Program parameter and choose the programs in each zone. Either
way of working is just as valid - it all depends on how you want to work! All of the
tutorials here use the approach of setting all the parameters for one zone at a time, to
help minimize confusion. Just remember to always check the zone number in the display
so you are aware of which zone you are editing.

11

PC88 Made Easy

2. S p litting Two or More Pro grams

1. Go through steps 1-4 in tutorial #1.

2. Press the Key Range button. The display will show the key range for zone 1, from C-1

to G9. (C4 is middle C on the keyboard.) You are going to make zone 1 be the right side
of the split, so you need to change the lowest note for this zone. The cursor is already
under the Low Note parameter. So, simply press and hold the Enter button, then strike
the key on the keyboard that you want to be the lowest note for the right side of the
split. The display will change to show that note.

3. Go through steps 5 and 6 in tutorial #1 to create the second part of your split.

4. Press the Key Range button. S ince zone 2 is the left side of your split, you need to

change the high note so that it doesnÕt overlap with zone 1. Press the >> to move the
cursor to the High Note parameter. Press and hold the Enter button, then strike the note
on the keyboard that is one note lower than the note you chose for the lowest note in
zone 1. Play the keyboard. You should hear the two sounds split at the notes you chose.

5. Notice that if you press the sustain pedal when playing both sides of the split, both

sides sustain. Although this might be fine in some circumstances, often you wonÕt want
this. For example, if you create a piano and bass split, you will probably want the piano
part to sustain, but not the bass.

Hold the Controllers button and step on the sustain pedal. The display jumps to show
Zone:2 S witchPdl1, Sw Type:Momentary. Press the >> to get to the On Control
parameter for Switch Pedal 1. Currently it is set to Sustain. Press 0, then Enter to set it
to None. Now play the keyboard and notice how the sound in zone 1 will sustain but
the sound in zone 2 does not.

6. Go through steps 8 and 9 in tutorial #1 to name and save your Setup.

You can easily add zones 3 and 4 using the same methods. Each zone can be set to any
range of notes, so you can have various zones layered while they are split with other
zones. Or create a 3 or 4 way split. Or overlap the zones only partially.

PC88 Made Easy

3. A ssi gni ng Sl iders for Vol um e in Di ff erent Zones

1. Go through steps 1-4 in tutorial #1.

2. Hold the Controllers button and move Slider A. The display now shows Zone:1 Slider

A, Ctrl Num:None. Press 7, then Enter to assign Slider A to Volume. (Controller #7 is
MIDI Volume. For a complete list of all the MIDI controllers, see Appendix F in the
manual.)

3. Go through steps 5 and 6 in tutorial #1 to create a second zone.

4. Hold the Controllers button and move Slider B. The display now shows Zone:2 Slider

B, Ctrl Num:None. Press 7, then Enter to assign S lider B to Volume. Play the keyboard
and move the two sliders. You can control the volume of each zone independently.

5. Go through steps 8 and 9 in tutorial #1 to name and save your Setup.

Of course, you can use the C and D sliders to control volumes on the 3rd and 4th zone
in a Setup. We have already created a template Setup, #16 Volume S liders, which does
this. So though we normally suggest you start with Setup 127 when making your own
Setups, you can start with this one and just change the programs to the ones you need
for a quick way to create a Setup.. However, it is good to try making your own from
scratch at least once to see how it is done.

13

PC88 Made Easy

4. Setting Initial Volume Levels for Different Zones

LetÕs say that you want to create a setup with piano and strings layered but you want
the strings to be at much lower volume than the piano, and you need to have the volume
levels set to specific amounts when you call up the Setup. You can use entry values to
set initial volume levels.

1. Go through steps 1-4 of tutorial #3, assigning a piano program to zone 1 and a string

program to zone 2.

2. Press the >> button four times. Since you are still on zone 2, the display should read

Zone:2 S lider B, Entry Value:None. Set the value to 95.

3. Press the Zone 1 button. Hold the Controllers Button and move Slider A. Press the >>

button four times. The display should now read Zone:1 Slider A, Entry Value:None. Set
the value to 127.

4. Go through steps 8 and 9 in tutorial #1 to name and save your Setup.

5. Now go to a different Setup, then call up your saved Setup again. Play the keyboard.

Notice that the strings are quieter than the piano. Since the two sliders are assigned to
volume on the two different MIDI channels, they each send a volume message with the
Entry value (127 on channel 1 and 95 on channel 2) as soon as you call up the Setup. If
you subsequently move the slider, it will send volume messages.

An IMPORTANT point to understand when using Entry values:

Lets say that your B slider happens to be all the way up when you call up the Setup you
just made. Volume is now at 95 on channel 2. Now you want to use the slider to fade
the strings out. If you move the slider, you wouldnÕt want it to suddenly jump to the
current value; since the slider is all the way up (set to 127), it would jump to 126 the
moment you moved the slider down and the volume would suddenly get louder!

To avoid this problem, the PC88 is designed so that once you set an Entry value, the
slider wonÕt become active until you pass the point of the Entry value. So as you move
the slider down, nothing will happen until you reach 95 and at that point, it will follow
the slider as you bring it down, thereby creating a smooth fade out.

HereÕs an extra tip - letÕs say that you want to have a piano & strings S etups like the one
described above, but you donÕt want to hear the strings when you call up the Setup.
Instead, you want to bring them in later with a slider. To do this, you could set the Entry
value for zone 2 to 0. Now letÕs assume the slider is all the way down when you first call
up the Setup. Remember that the slider must go past the Entry value before it becomes
active. So the Entry value is 0 and the current position of the slider is also at 0. When
you move the slider up, it goes to 1, not 0, and therefore nothing happens as you move
the slider up. So you would have to move the slider up slightly, then back down so that
it goes to 0, then the next time you move it up the slider will be active.

To avoid having to move the slider up , down, and up again, set the Entry value to a
very low number other than 0, such as 5. The value is so low that you wonÕt hear the
strings, but as you push up the slider the first time, it will go past 5 and become active.