Kurzweil Music Systems KSP8 User's Manual

™

© Young Chang Co., Ltd. 2001. All rights reserved. Permission is granted to reprint up to two copies of this manual for personal use. Kurzweil ® is a product line of Young Chang Co., Ltd. Young Chang®, Kurzweil ® , V. A. S. T. ®, KDFX®, Pitcher®, and LaserVerb®, KSP8 ™,

K2600™, K2500™, and K2000™ are trademarks of Young Chang Co., Ltd. SmartMedia™ is a trademark of Toshiba Corporation. ADAT® is a registered trademark of Alesis Corporation. All other products and brand names are trademarks or registered trademarks of their respective companies. Product features and speciﬁcations are subject to change without notice.

Part Number: 910358 Rev. B

CAUTION

CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK, DO NOT REMOVE THE COVER

NO USER SERVICEABLE PARTS INSIDE REFER SERVICING TO QUALIFIED SERVICE PERSONNEL

RISK OF ELECTRIC SHOCK

DO NOT OPEN

The lightning flash with the arrowhead symbol, within an equilateral triangle, is intended to alert the user to the presence of uninsulated

"dangerous voltage" within the product's enclosure that may be of sufficient magnitude to constitute a risk of electric shock to persons.

The exclamation point within an equilateral triangle is intended to alert the user to the presence of important operating and

maintenance (servicing) instructions in the literature accompanying the product.

IMPORTANT SAFETY & INSTALLATION INSTRUCTIONS

INSTRUCTIONS PERTAINING TO THE RISK OF FIRE, ELECTRIC SHOCK, OR INJURY TO PERSONS

WARNING - When using electric products, basic precautions should always be followed, including the following:

1) Read these instructions.

2) Keep these instructions.

3) Heed all warnings.

4) Follow all instructions.

5) Do not use this apparatus near water.

6) Clean only with a dry cloth.

7) Do not block any of the ventilation openings. Install in accordance with the manufacturer’s instructions.

8) Do not install near any heat sources such as radiators, heat registers, stoves, or other apparatus (including amplifiers) that produce

9) Do not defeat the safety purpose of the polarized or grounding-type plug. A polarized plug has two blades with one wider than the

10) Protect the power cord from being walked on or pinched, particularly at plugs, convenience receptacles, and the point where they

11) Only use attachments/accessories specified by the manufacturer.

12) Use only with a cart, stand, tripod, bracket, or table specified by the manufacturer, or sold with apparatus. When a cart is used,

13) Unplug this apparatus during lightning storms or when unused for long periods of time.

14) Refer all servicing to qualified service personnel. Servicing is required when the apparatus has been damaged in any way, such

15) Do not expose this apparatus to dripping or splashing and ensure that no objects filled with liquids, such as vases, are placed on

16) WARNING: To reduce the risk of fire or electric shock do not expose this apparatus to rain or moisture.

heat.

other. A grounding type plug has two blades and a third grounding prong. The wide blade or the third prong are provided for your safety. When the provided plug does not fit into your outlet, consult an electrician for replacement of the obsolete outlet.

exit from the apparatus.

use caution when moving the cart/apparatus combination to avoid injury from tip-over.

as power-supply cord or plug is damaged, liquid has been spilled or objects have fallen into the apparatus, the apparatus has been exposed to rain or moisture, does not operate normally, or has been dropped.

the apparatus.

SAVE THESE INSTRUCTIONS

Young Chang International Contacts

Contact the nearest Young Chang ofﬁce listed below to locate your local Young Chang/ Kurzweil representative.

Young Chang America, Inc.

P.O. Box 99995 Lakewood, WA 98499-0995 Tel: 1-253-589-3200 Fax: 1-253-984-0245

Young Chang Co., Ltd.

178-55 Gajwa-Dong Seo-Ku, Inchon, Korea 404-714 Tel: 011-82-32-570-1380 Fax: 011-82-32-570-1218

Young Chang America, Inc. (Canadian Division)

3650 Victoria Park Ave. Suite 105 Toronto, Ontario Canada M2H 3P7 Tel: 1-416-492-9899 Fax: 1-416-492-9299

World Wide Web Home Page

http://www.kurzweilmusicsystems.com

iii

RADIO AND TELEVISION INTERFERENCE

Warning: Changes or modiﬁcations to this instrument not expressly approved by Young Chang could void your authority to operate the instrument. Important: When connecting this product to accessories and/or other equipment use only high quality shielded cables. Note: This instrument has been tested and found to comply with the limits for a Class A digital device, pursuant to Part 15 of the FCC Rules.

These limits are designed to provide reasonable protection against harmful interference in a residential installation. This instrument generates, uses, and can radiate radio frequency energy and, if not installed and used in accordance with the instructions, may cause harmful interference to radio communications. However, there is no guarantee that interference will not occur in a particular installation. If this instrument does cause harmful interference to radio or television reception, which can be determined by turning the instrument off and on, the user is encouraged to try to correct the interference by one or more of the following measures:

• Reorient or relocate the receiving antenna.

• Increase the separation between the instrument and the receiver.

• Connect the instrument into an outlet on a circuit other than the one to which the receiver is connected.

• If necessary consult your dealer or an experienced radio/television technician for additional suggestions.

NOTICE

This apparatus does not exceed the Class A limits for radio noise emissions from digital apparatus set out in the Radio Interference Regulations of the Canadian Department of Communications.

AVIS

Le present appareil numerique n’emet pas de bruits radioelectriques depassant les limites applicables aux appareils numeriques de la class A prescrites dans le Reglement sur le brouillage radioelectrique edicte par le ministere des Communications du Canada.

Manual by Rob Huffman.

Getting to Know Your KSP8 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1-1

What It Is. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1-1

Getting In and Out . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1-1

Kurzweil Digital Effects (KDFX) Algorithms . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1-2

KSP8 Front Panel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1-3

Metering . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1-3

Standby LED. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1-3

Navigation. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1-4

Data Entry . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1-7

SmartMedia Card Slot. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1-9

KSP8 Rear Panel. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1-10

Analog I/O . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1-10

Digital I/O . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1-10

MIDI In, Out, Thru . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1-10

Remote . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1-10

Power Connection. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1-10

KSP8 Option Boards. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1-11

Basic Operations . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1-12

Setting Up the KSP8 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1-12

Studio: STUDIO Page. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1-13

Master Page. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1-13

Signal Routing . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1-14

Syncing your KSP8 with Other Devices. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1-14

Processor Allocation Units (Us) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1-14

KSP8 Objects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1-15

Real-time Control of your KSP8. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1-16

RSP8 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1-16

Quick Parameters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1-16

Using MODs for Real-time Control . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1-16

Upgrading, Updating, and Maintaining your KSP8 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1-17

Adding Options to the KSP8. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1-17

Updating your KSP8’s Software. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1-17

Changing the Battery in your KSP8 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1-17

KSP8 Specifications . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1-18

Dimensions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1-18

Inputs. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1-18

Outputs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1-19

Engine . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1-19

MIDI . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1-19

Power Supply . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1-19

Stay in Touch . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1-20

Table of Contents-1

Connecting your KSP8 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2-1

Getting Started Really Quickly . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2-1

Analog Quick Start . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2-1

Digital Quick Start . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2-3

Cable Connections . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2-5

Analog Connections . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2-5

Output . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2-5

Input . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2-5

Setting Levels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2-5

Digital Connections. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2-6

MIDI Connections. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2-7

SmartMedia Cards. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2-7

KSP8 Options . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2-7

Configuring Your KSP8 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3-1

Signal Routing in the KSP8 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3-1

Hard Inputs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3-1

Input Select . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3-1

EQ Section . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3-2

FX Sends . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3-2

FX Buses . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3-2

Mix Buses . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3-2

Out Select . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3-2

Hard Outputs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3-2

Patch Points. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3-3

Configuration Basics. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3-4

Combining Different Bus Configurations. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3-4

Bus Select Buttons . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3-4

Stereo Buses . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3-5

Mono Buses. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3-6

5.1 Surround Buses . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3-6

Panning and Surround Sound . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3-7

Putting It All Together . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3-8

Meet SID . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3-10

Config Pages . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3-11

The INSEL (Input Select) Page . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3-11

The INLVL (Input Level) Page . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3-11

The INGRP (Input Group) Page . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3-12

The BUSCFG (Bus Configuration) Page . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3-12

The OUTSEL (Output Select) Page . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3-12

The OUTLVL (Output Level) Page . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3-13

EQ/Sends Pages . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3-14

The Bus Select Buttons . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3-14

The IN EQ Page . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3-14

EQ Functions. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3-15

Table of Contents-2

The FXSEND Page. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3-16

The MIXSEND Page . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3-16

Signal Control through FXSENDs and MIXSENDs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3-17

INGRP Send Options for Mono Configurations. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3-18

INGRP Send Options for Stereo Configurations . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3-19

INGRP Send Options for 5.1 Configurations . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3-20

Master or Studio I/O . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3-20

Multi-stage Metering . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4-1

Selecting Meter Stages . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4-1

How to Read the Eight Level LEDs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4-2

Viewing Bar-graph Meters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4-2

Peak or Meters View. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4-2

Gain Staging . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4-3

How to Find and Fix Clipping . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4-4

Distortion Between Meter Stages . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4-5

Working with KSP8 Objects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5-1

Types of Objects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5-1

Object Type and ID. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5-2

Shortcuts . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5-3

Numeric Entry. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5-3

Quick Stops. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5-3

Double and Triple Button Presses. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5-3

Search Feature. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5-4

U Allocation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5-5

Parentheses Around an Object Name . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5-5

Making the Most of Your Us . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5-5

Editing Objects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5-6

Working “side to side,” “up and down,” and “in and out” . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5-6

Studios . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5-6

KSP8 Studios . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5-7

FXBUS Page. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5-8

Presets . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5-9

Chains . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5-9

Algorithms . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5-10

Studio MODs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5-10

Studio Quicks . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5-11

Bypassing Effects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5-11

Contextual Bypass . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5-11

Dependent Objects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5-14

The Compare Button. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5-14

Saving, Loading, Cataloging, Dumping . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5-15

The Store Button. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5-15

Naming Dialog . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5-16

Deleting Objects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5-18

Table of Contents-3

Using and Editing Presets. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6-1

Selecting Presets . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6-1

U Usage. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6-2

Three Ways to Use Presets . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6-2

Overriding Parameter Values with QUICKs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6-3

MIDI Control of Quick Parameters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6-3

Hierarchy of Quick Parameters. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6-4

Selecting Quick Parameters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6-4

Overriding Parameter Values with MODs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6-5

Editing Presets. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6-6

Tempo-Based Effects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6-8

Tap Tempo soft button . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6-8

Chaining Effects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7-1

Studio:FXBUS page . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7-1

Studio and Chain QUICKs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7-1

Chain Editor . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7-2

Chain QUICKs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7-3

Chain MODs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7-3

Getting Inside a Chain. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7-4

Using Algorithms. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8-1

General Parameters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8-1

Reverbs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8-2

Delays . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8-3

Equalizers (EQ). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8-4

Enhancers . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8-5

EQ Morpher . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8-5

Compressors, Expanders, and Gates . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8-5

Expansion . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8-6

Multiband Compression . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8-6

Gates . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8-6

Chorus . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8-7

Flanger . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8-8

Quantize + Flange . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8-8

LaserVerb . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8-8

Filters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8-9

Resonant Filter . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8-9

Envelope Filter . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8-9

Triggered Filter . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8-9

LFO Filter . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8-10

Distortion . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8-10

Polydistort . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8-11

Rotating Speakers . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8-11

Table of Contents-4

Vibrato/Chorus . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8-13

Tremolo and AutoPan . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8-13

Pitcher . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8-14

Ring Modulation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8-14

Stereo Simulation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8-15

Stereo Analyze . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8-15

FXMod Diagnostic . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8-16

Mono Algorithms . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8-16

5.1 Surround Sound Algorithms . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8-16

Controlling the KSP8 in Real Time. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9-1

Sending MIDI Program Change Messages to the KSP8 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9-1

QUICKs and MODS for MIDI control. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9-1

Studio QUICKs. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9-1

Chain QUICKs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9-1

Studio MODs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9-1

Chain MODs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9-1

QUICK and MOD Reference Chart . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9-2

LFOs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9-3

ASRs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9-4

FUNs. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9-5

The Mechanics of Control Sources. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9-5

Programming the FUNs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9-6

Trying Them Out . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9-6

The FUN Equations . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9-7

The List of Equations . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9-7

Warp Equations. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9-13

Sawtooth LFOs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9-17

Chaotic LFOs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9-18

Diode Equations . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9-19

The Order of Evaluation for FUNs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9-20

Master Mode . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10-1

The Master Page . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10-1

StudioChanl . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10-1

I/O Config . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10-1

ClockSource . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10-2

DigWordLen . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10-2

DitherType . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10-3

DigFormat. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10-3

SysEx ID . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10-3

SmartMedia Card Functions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10-4

SmartMedia Error Messages. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10-4

Object Functions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10-5

Move . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10-6

Copy . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10-7

Table of Contents-5

Name . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10-8

Delete . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10-8

Dump. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10-9

Multiple Object Selector Page . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10-9

Multiple Object Selector Soft Buttons . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10-10

Entering Selection Criteria in the Multiple Object Selector . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10-12

Utilities . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10-14

MIDIScope . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10-14

Objects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10-14

Standby mode . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10-14

Reset . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10-15

Loader . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10-15

Soft Reset . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10-15

Hard Reset. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10-15

EQ Reference. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . A-1

EQ Types. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . A-1

Filter Terminology . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . A-1

EQ Functions. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . A-1

LFO Reference . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . B-1

LFO Shapes. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . B-1

Object Reference . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . C-1

Studios. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . C-1

Presets . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . C-2

Chains . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . C-19

Algorithms . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . C-21

KSP8 SysEx . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . D-1

Common Format . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . D-1

Data Formats . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . D-2

Messages . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . D-3

Object Types . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . D-6

Master Parameters. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . D-6

Button Press Equivalence Tables . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . D-7

Screen Display Commands . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . D-8

Boot Block . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E-1

Entering the Boot Block at Startup . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E-1

Entering the Boot Block from the Master Page . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E-1

Boot Block Main Menu. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E-1

Updating KSP8 Software . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E-2

Loading via SmartMedia. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E-2

Loading via MIDI . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E-3

Running Diagnostic Tests . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E-4

Resetting the KSP8 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E-4

Table of Contents-6

MIDI Control Sources . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . F-1

Trying Out the Control Sources . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . F-2

Control Source Lists . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . F-3

Descriptions of Control Sources . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . F-3

MIDI Control Source List. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . F-3

KSP8 Specific Control Source List. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . F-5

Constant Control Sources . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . F-8

Numeric Entry Shortcuts . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . G-1

LFO Shapes. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . G-1

FUN Functions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . G-2

EQs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . G-3

MIDI Implementation Chart . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . H-1

Table of Contents-7

Table of Contents-8

Chapter 1 Getting to Know Your KSP8

Welcome to the world of the KSP8. This manual, along with the accompanying KSP8 Algorithm

Reference Guide (provided electronically), will tell you all you need to know about this powerful

piece of gear. To get the most out of your KSP8, we recommend that you read at least the ﬁrst seven chapters of this manual to understand how to route signals and create dazzling effects. Afterwards you’ll want to keep this manual close at hand for reference at all times. That’s why it’s here.

If you simply can’t wait to hear what the KSP8 can do, we’ve included a section called “Getting Started Really Quickly” on page 2-1.

What It Is

Getting to Know Your KSP8

What It Is

Hard Inputs

(back panel)

The KSP8 multi-bus signal processor is the right tool for today's demanding production needs. Stunning stereo reverbs, surround ambiance and unique surround effects, transparent EQs, responsive dynamic processing, new and exciting effects that transform, morph, and crunch are all provided. Flexible signal routing, conﬁgurable I/O, SmartMedia™ data storage, and superb sound quality are also part of this powerful, easy to use, and compact package. After all, pristine audio demands elegant hardware that meets and exceeds competitive speciﬁcations.

Ease of use is accomplished by an intuitive user interface. Clearly labeled front panel controls, comprehensive LED metering, and a carefully designed software interface give you a box that is as usable as it is powerful.

The KSP8 gives you amazingly powerful real-time control over hundreds of superb sounding effects. Its unique internal bus structure enables you to simultaneously create and route up to eight separate multi-effect chains in combinations of mono, stereo, and surround.

Here’s a quick look at the signal path through the KSP8. For details, see Chapter 3.

Input Select EQ Section

Figure 1-1. Signal path through the KSP8

FX Sends

FX Buses Mix Sends

& Buses

Out Select

Hard Outputs

(back panel)

Getting In and Out

Flexibility is the word when it comes to getting signals in and out of the KSP8. Four balanced/ unbalanced analog audio inputs and outputs are standard, as are an AES digital input/output pair. With an I/O option card installed, the KSP8 is capable of handling up to 14 inputs and 14 outputs.

There’s MIDI In, Out, and Thru, a slot for a SmartMedia card, and an optional remote control called the RSP8.

1-1

Getting to Know Your KSP8

What It Is

Kurzweil Digital Effects (KDFX) Algorithms

The building blocks for the KSP8’s effects are the Kurzweil Digital Effects (KDFX®) algorithms that the engineers at Kurzweil Music Systems developed for the digital effects in the K2500™ and K2600™ series synthesizers. The KSP8 gives you lots more, however, since it’s packed with more than twice the KDFX power of the K2600.

KDFX algorithms from the K2600 are included in the KSP8, of course, augmented by even more algorithms, including newly developed mono, stereo, and 5.1 Surround Sound algorithms. All of the KSP8’s presets are based on these underlying algorithms. The KSP8’s algorithms are divided into these categories:

•

Reverb

•

Delay

•

Chorus

•

Flange

•

Phaser

•

Tremolo

•

Rotary

•

Spatial

•

Distortion

•

Dynamics

•

Filters

•

Oscillators

•

Combinations

If you’d really like to dig in deep and edit algorithm parameters, we’ve provided you with extensive documentation for each algorithm in the KSP8 Algorithm Reference Guide, which you can download at http://www.kurzweilmusicsystems.com/ .

1-2

KSP8 Front Panel

The KSP8 offers a familiar interface for anyone who has used Kurzweil products before. If you’ve used a K2000™, K2500, or K2600, you will recognize the 240 x 64 pixel display, soft buttons, edit and exit buttons, alpha wheel and other useful features. Even if you are not familiar with other Kurzweil products, however, you will have no trouble navigating the KSP8.

Take a moment now to familiarize yourself with the KSP8’s front panel:

MeteringMetering Navigation Data Entry

Getting to Know Your KSP8

KSP8 Front Panel

Smart Media slot

Metering

As you can see, the front panel is clearly divided into three sections: metering, navigation, and data entry. There’s also a slot for Smart Media memory cards that you can use for storing or transferring your work, as well as for loading KSP8 operating system and effect object updates. You can also update the KSP8 using MIDI.

The metering section contains eight tri-color LEDs that let you view signal levels at various stages in the signal chain. These include:

•

input

•

pre FX

•

post FX

•

output

When you momentarily press the

meter stage button in the metering section, you select the

stage in the signal chain for which you wish to activate metering. The topmost eight LEDs show the levels of all eight channels at a given stage. One of the green LEDs immediately to the right of the meter stage button will light to indicate the current stage. There are also four clipping LEDs which turn red to indicate that clipping has occurred on at least one channel at the given stage in the signal path.

If you press and hold the meter stage button, the display screen shows horizontal bar-style meters for all eight channels of the currently selected stage in the signal chain. Press and hold the meter stage button a second time, or press exit , to cancel the meter display.

Standby LED

The standby LED will show you if the KSP8 is currently in standby mode. Standby mode lets you turn off the KSP8’s display and audio output without turning off the unit. Choose Standby from the Master page to put your KSP8 to “sleep.” Press any key on the front panel to “wake up” the KSP8. Turning the alpha wheel does not wake up the unit, however.

1-3

Getting to Know Your KSP8

KSP8 Front Panel

Navigation

The navigation section of the front panel consists of the display and the buttons surrounding it. These navigation buttons will take you to every one of the KSP8’s pages and parameters.

The Display

Your primary interface with the KSP8 is its backlit graphic display. As you press various buttons, this display reﬂects the commands you enter and the editing changes you make.

Contrast knob

You can adjust the KSP8 display for optimum viewing by turning the contrast knob (to the lower left of the KSP8 display).

Pages

The KSP8’s functions and parameters are organized into smaller, related groups that appear together in the display. You move between the various pages using the navigation buttons. There are many pages, but there are a few features common to each page. The diagram below shows the Studio:STUDIO page.

Studio:STUDIO|||||||||||||||||||||||||||

||||||||||||||||||#||98|Default|8|Mono|| FX1-2|||||||||||||#||99|Default|4|Stereo FX3-4|||||||||||||#|||1|4SterIn>4SterFX| FX5-6|||||||||||||#|||2|4MonoIn>4SterFX| FX7-8|||||||||||||#|||3|8MonoIn>8MonoFX| ||||||||||||||||||$|||4|4StIn>4StFX->Mix <more|MASTER|STUDIO|FXBUS||QUICK|||more>

soft buttons

The Top Line

On the top line of most pages, there’s a reminder about the current page. Many pages display additional information in the top line, as well. The top line is almost always “reversed”—that is, it has a white background with blue characters.

Soft Buttons

The bottom line is divided into six (sometimes fewer) sets of reversed characters that serve as labels for the six buttons directly beneath the display. These labels—and the functions of the buttons—change depending on the current page or mode. Consequently the buttons that select these functions are called “soft” buttons; their functions change depending on the currently selected page (that is, the screen currently visible on the KSP8’s display). Sometimes there are more soft buttons available than can be displayed on one page. When this happens, buttons labeled “more” will display on either side of the screen; press one of these soft buttons to display additional soft buttons for the current page.

1-4

Getting to Know Your KSP8

KSP8 Front Panel

The Conﬁg Button

The conﬁg button, to the left of the display, gives you access to the pages where you select and set levels for your inputs and outputs. This is also where you group inputs and conﬁgure the effects buses as stereo, mono, or surround.

The EQ/Sends Button

Press the EQ/sends button to display the EQ and Sends pages. The display will show two channels at a time (as shown below) if you are currently in a stereo input grouping. For a grouping such as this, you would press one of the bus select buttons (to the right of the display) to change the pair of channels being displayed. If these channels were conﬁgured for mono or surround sound, this display would be a little bit different, as would the function of the bus select buttons.

Studio:INEQ||||||||||||I/O|Config=Studio

|||||||||||||||||||||||||||||||||||||||| ||||||||e11111111t|errrrrrrrt||||||||||| In|5-6--kNone||||g-kNone||||g-h||||||||| ||||||||CVVVVVVVVB|CVVVVVVVVB||||||||||| Pad:0dB||||||||||||||||||||||||||||||||| |||||||||||||||||||||||||||||||||||||||| IN|EQ||FXSEND|MIXSEND|||||||||||||||||||

Each KSP8 input group passes through two equalization (EQ) stages before being passed to the effects buses. You can choose from a range of equalization options, as well as distortion, sine and sawtooth waves, and noise generators.

The Bus Select Buttons

There are four bus select buttons to the right of the display. One or more of these will always be lit, indicating which bus(es) is currently displayed and editable. The behavior of the bus select buttons depends on conﬁguration of the KSP8’s current bus: stereo, mono, or 5.1 surround. With stereo buses, each button represents a stereo pair. If the current bus has been conﬁgured for mono effects, pressing the lighted bus select button will toggle between adjacent mono buses. When you conﬁgure the KSP8 for 5.1, the top three bus select buttons will light, telling you that buses 1–6 are conﬁgured together as the six channels required to bring you surround sound.

The complete scoop on bus select buttons is on page 3-14.

The MIDI LED

To the right of the cursor buttons is a red LED labeled MIDI. This LED will light whenever the KSP8 receives MIDI information from a MIDI device.

The Digital Lock LED

Below the MIDI LED is an LED that indicates when the KSP8 is digitally synchronized with another device. This LED will blink during loss of digital lock. The digital clock source is determined by the setting of the Clock Source parameter on the Master page. See “ClockSource” on page 10-2.

1-5

Getting to Know Your KSP8

KSP8 Front Panel

The EDIT Button

The edit button is one of the two blue buttons diagonally beneath the KSP8’s display, and it takes you deeper into the inner workings of the device. Pressing the edit button tells the KSP8 that you want to change some aspect of the object marked by the cursor. For example, when a studio is selected and you press edit, you either gain access to the underlying parameters of the algorithm(s) with the Preset editor, or else you end up on the Chain editor page, depending on the setting of the studio’s FXBUS page. You can then select parameters (navigation) and change their values (data entry). If the value of the selected parameter has its own editing page, pressing the edit button will generally take you to that page.

The EXIT Button

Press the exit button (the other blue button diagonally beneath the KSP8’s display) to leave the current editor or “back out” of an operation. If you’ve changed the value of any parameter while in that editor, the KSP8 will ask you whether you want to save your changes before you can leave the editor. In general, the exit button will move you back up through the KSP8’s operating system until you are at a top level (Studio) page. If you ever ﬁnd yourself lost, you can usually press exit repeatedly until you’re back on familiar ground.

The Cursor Buttons

To the right of the display are four blue buttons arranged in a diamond fashion. These are called the cursor buttons. They move the cursor around the currently selected page, in the direction indicated by their labels. The cursor is a highlighted (reversed) rectangle, or in some cases an underscore. It marks the value of the currently selected parameter.

Programming the KSP8 involves selecting various parameters and changing their values. Parameters are selected by highlighting their values with the cursor. The highlighted value can be changed with any of the data entry methods described in the data entry section below.

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Data Entry

The data entry section of the front panel includes the bypass, compare, store, and tempo buttons, as well as the Alpha wheel, the Plus/Minus buttons, and the 14-button alphanumeric pad.

The Alpha Wheel

The Alpha Wheel is especially useful because it can quickly enter large or small changes in value. If you turn the Alpha Wheel one click to the right, you’ll increase the value of the currently selected parameter by one increment. One click to the left decreases the value by one increment. If you turn it rapidly, you’ll jump by several increments.

The Plus/Minus Buttons

These buttons are located just under the Alpha Wheel, and are sometimes referred to as the increment/decrement buttons. The Plus button increases the value of the currently selected parameter by one, and the Minus button decreases it by one. These buttons are most useful when you’re scrolling through a short list of values, or when you want to be sure you’re changing the value by one increment at a time. One press of the Plus or Minus button corresponds to one click to the right or left with the Alpha Wheel. These buttons will repeat if pressed and held.

Getting to Know Your KSP8

KSP8 Front Panel

Pressing the Plus and Minus buttons simultaneously jumps through the current list of values in large chunks instead of one by one. For example, each time you press the Plus and Minus buttons together while you’re scrolling through the preset list you will fast forward to the part of the list where a new category starts. Similarly, when scrolling through the available values for a parameter, the Plus/Minus double-press will move you through the list in large, logical increments (groups of ten, for example). Don’t confuse these buttons with the +/- button on the alphanumeric pad; that button is used primarily for entering negative numeric values and switching from uppercase to lowercase letters (and vice versa).

The Alphanumeric Pad

As its name implies, this set of 14 buttons lets you enter numeric values, and to enter names one character at a time. Depending on where you are, the KSP8 automatically enters letters or numerals as appropriate (you don’t have to select between alphabetic or numeric entry).

When you’re entering numeric values, press the corresponding numeric buttons, ignoring decimal places if any (to enter 1.16, for example, press 1, 1, 6, ENTER). The display will reﬂect your entries, but the value won’t actually change until you press ENTER. Before pressing ENTER, you can return to the original value by pressing CANCEL. Pressing CLEAR is the same as pressing 0 without pressing ENTER.

When entering names, you’ll use the left/right cursor buttons or the >>End soft button to move the cursor to the character you want to change. Use the labels under the alphanumeric buttons as a guide to character entry. Press the corresponding button one or more times to insert the desired character above the cursor. The cancel button is equivalent to the right cursor button, and enter is the same as OK. The clear button replaces the currently selected character with a space. The “+/-” button toggles between uppercase and lowercase letters.

The alphanumeric pad also provides a nifty search function that’s described along with other useful shortcuts on page 5-3.

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Getting to Know Your KSP8

KSP8 Front Panel

The Bypass Button

The bypass button lets you bypass the entire KSP8 from your signal chain, or individually bypass selected effects, EQs, or sends (to mute audio going to a bus). It’s described on page 5-11 of this manual.

The Compare Button

Use the compare button to listen to the difference between the current sound of an object that you have been editing (e.g., a preset) and the sound of the previously saved version of that object (i.e., how it sounded before you started the current editing session).

The Store Button

Whenever you make changes to an object, you’ll notice that the store button lights. If you are happy with the changes you’ve made to the object and you want to save it, press store. A dialog will display that allows you to name and store the object; other options will be available, too.

If you do not want to save the changes you’ve made to an object, press exit, then press no.

The Tempo Button

Press the tempo button to enter a page where you can tap in a tempo for use with tempo-based effects such as delays or tremolos. Press the tap soft button at least four times at the speed you wish to set. The KSP8 will calculate the tempo you have entered and will show the tempo in beats per minute on the display. Press the exit button to leave this page.

Only presets made with algorithms that have a Tempo parameter can sync to System tempo. These are often marked with the label “BPM”, for “beats per minute”. Presets or algorithms marked “ms”, for “milliseconds” are strictly based on the speciﬁed time, and will not change with the System tempo.

Finally, the Tempo parameter of a preset must be set to System, rather than a speciﬁc tempo, for this to work. You can set this inside a preset, or set it with a Quick or MOD.

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SmartMedia Card Slot

You can use 3.3v SmartMedia memory cards, in a variety of size conﬁgurations, to store and transfer data to or from your KSP8. The cards are inexpensive and are available from a variety of vendors. The SmartMedia card slot uses a built-in spring-loaded mechanism that makes it easy to insert and remove cards.

To use a card, simply insert the notched end into the KSP8’s SmartMedia slot, making sure that the side of the card with the gold plating is towards the bottom, and the notch is towards the right, as shown in the picture below. The SmartMedia logo underneath the slot also has a small image of a card with the notch correctly oriented to remind you of the correct way to insert it.

Getting to Know Your KSP8

KSP8 Front Panel

Note the orientation of the notch on the card

To eject a card, push it in slightly and it will pop out:

Press the CARD soft button on the Master page to access SmartMedia card functions. See Chapter 10 for complete information.

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Getting to Know Your KSP8

KSP8 Rear Panel

From both a hardware and a software point-of-view, the KSP8 is incredibly ﬂexible. You can choose from the standard analog and digital I/O offerings or add one of the available option cards to customize the KSP8 to your liking. Throughout this manual, we’ll refer to the back panel input and output jacks as “hard” inputs and outputs, to distinguish them from the “soft” inputs and outputs on the KSP8’s internal buses.

Take a look at the rear panel of the KSP8 to see where the KSP8 hooks up with the other gear in your rig:

Analog I/O

These are balanced (tip-ring-sleeve) connectors. You can add more with the Analog I/O option.

Digital I/O

These are XLR connectors; they function in either pro (AES/EBU) or consumer (S/PDIF) mode.

MIDI In, Out, Thru

MIDI In lets the KSP8 receive and slave to a sequencer. MIDI In also enables real-time control of the KSP8 through devices such as MIDI slider and pedal boxes.

Use MIDI Out for SysEx dumps and for generating a MIDI master clock with the KSP8.

MIDI Thru duplicates whatever is received on the MIDI In port without altering it in any way.

Remote

This is where you connect either the RSP8 remote or the HUB7 multi-port hub. The RSP8 provides most KSP8 front panel functions, as well as a joystick and eight knobs for adjusting quick parameters on the ﬂy. The HUB7 enables you to use a single RSP8 to control up to seven KSP8s; it also serves as a repeater, allowing you to extend the cable distance between the KSP8 and the RSP8.

Power Connection

Connect one end of the power cable provided with your KSP8 to the power connector on the back panel of the unit; connect the other end to a power source. The type of cable provided will depend on the country in which you’ve purchased your KSP8.

This is also the location of the on/off switch: press the “1” side of the switch to turn the KSP8 on; press the “0” side to turn the KSP8 off. For your convenience, the KSP8 also provides a “standby” mode that you can access from the MASTER page.

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KSP8 Option Boards

To fully realize the KSP8’s eight-channel I/O capabilities, you’ll want to add one of the option boards. The KSP8 options include:

I/O Option Name Channels Added Comments

Getting to Know Your KSP8

KSP8 Option Boards

Analog In/Out 4 channels in /

4 channels out

Increases analog capacity to 8 I/O channels.

ADAT® In/Out 8 channels Allows the connection of products

using the ADAT optical standard.

AES In/Out 8 channels Allows the connection of products

using the AES/EBU digital standard.

TDIF In/Out 8 channels Allows the connection of products

using the TDIF standard.

KDS In/Out 8 channels Kurzweil Digital Stream - allows

direct connection with digitally equipped Kurzweil instruments.

These options are user-installable, but they are NOT hot-swappable, so it is important that you turn off the KSP8 (standby mode won’t be sufﬁcient) if you are installing an option board. Carefully follow the installation instructions provided with each option before you attempt any work on your KSP8.

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Getting to Know Your KSP8

Basic Operations

You will undoubtedly want to spend time experimenting with your KSP8. This section gives you basic setup information. If you simply can’t wait to hear what the KSP8 can do, we’ve also included a section called “Getting Started Really Quickly” on page 2-1.

Setting Up the KSP8

1. Remove the KSP8 from its shipping box and carefully set aside the packing materials.

2. Install the unit into two spaces of a standard 19 inch rack using the supplied hardware to attach the “rack ears,” as shown below:

Or, set the KSP8 on a convenient ﬂat work space. If you will be doing this, attach the four supplied adhesive-backed rubber feet to the bottom of the unit. Locate the rubber feet next to the four sets of small double holes on the bottom of the unit.

3. Make audio connections between the KSP8 and your other gear.

4. Make MIDI connections (if any) from the KSP8 to your other gear.

5. Use the supplied power cable to connect the power connector on the back panel of the KSP8 to an AC power supply.

6. Turn on the KSP8 by pressing the “1” side of the power switch on the back of the unit.

The KSP8 will display the Studio:STUDIO page. If necessary, you should adjust the screen contrast with the contrast knob at this time.

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Studio: STUDIO Page

The ﬁrst time you start up your KSP8 it displays the Studio:STUDIO page. In future sessions, your KSP8 will remember if you were last on the Studio:STUDIO, FXBus or Quick mode page, and will start up displaying the one of those pages that you were on most recently. You can always get to the Studio:STUDIO page, however, by pressing the STUDIO soft button, or by repeatedly pressing the exit button on the front panel to page back through the operating system.

Studio:STUDIO|||||||||||||||||||||||||||

||||||||||||||||||#||98|Default|8|Mono||

Studio

Information

Display (SID)

FX1-2|||||||||||||#||99|Default|4|Stereo FX3-4|||||||||||||#|||1|4SterIn>4SterFX| FX5-6|||||||||||||#|||2|4MonoIn>4SterFX| FX7-8|||||||||||||#|||3|8MonoIn>8MonoFX| ||||||||||||||||||$|||4|4StIn>4StFX->Mix <more|MASTER|STUDIO|FXBUS||QUICK|||more>

The highest level object in a KSP8 is called the studio. The Studio:STUDIO Page shows all of the KSP8 studios, including the ones provided with the KSP8 and any studios you may have created. The Studio Information Display (SID) on the left side of the screen show how much of the KSP8’s processing power is being used on each bus (you can read more about these on page 3-10).

Getting to Know Your KSP8

Basic Operations

Turn the alpha wheel or press a +, -, or cursor button to scroll through the studio list. Notice the soft buttons on the bottom line of the display; press the front panel button beneath one of the more> soft buttons to see the other soft buttons available from this page. A useful fact to bear in mind is that when a soft button label is all capital letters that means that it takes you to another page (rather than immediately performing a function).

Now look for the soft button labeled MASTER. (You may need to press one of the more> buttons a time or two to bring this button into view.) Press the MASTER button to display the KSP8 Master page.

Master Page

The Master page is where you set parameters that affect operation of the KSP8 at every level. These include important things such as clock source and digital word length. Soft buttons on the Master page give you access to the SmartMedia card page, Object page, and Util page. This is also where you can reset the KSP8 to return it to its default state or put the unit into standby mode.

MASTER|||||||||||||||||||||||Memory:749K

StudioChanl:|9|||||||||||||||SysEx|ID:|0 I/O|Config|:|Studio||||||||||||||||||||| ClockSource:|48KHz|Int|||||||||||||||||| DigWordLen|:|16|Bit||||||||||||||||||||| DitherType|:|Minimum|||||||||||||||||||| DigFormat||:|AES/EBU|||||||||||||||||||| <back|||CARD||OBJECT||UTIL|Standby|Reset

When you are on the Master page, as on any page in the KSP8, you can view and change the parameters displayed. If you need to change one of the settings, use the cursor keys to highlight an item, then change its value by turning the alpha wheel or pressing the + or button.

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Getting to Know Your KSP8

Basic Operations

Signal Routing

Once you’ve made all the necessary back panel connections to the KSP8, press the conﬁg button on the front panel to access the Conﬁg pages (these are discussed in detail, starting on page 3-

11).

Studio:INSEL|||||||||||I/O|Config=Studio

|||||||||||||||||||||||||||||||||||||||| In|1:|Analog|1|||||||In|5:AES/EBU|1L|||| In|2:|Analog|2|||||||In|6:AES/EBU|1R|||| In|3:|Analog|3|||||||In|7:None|||||||||| In|4:|Analog|4|||||||In|8:None|||||||||| |||||||||||||||||||||||||||||||||||||||| INSEL||INLVL|INGRP||BUSCFG|OUTSEL|OUTLVL

Use the options on the INSEL and OUTSEL page to route signals through the KSP8.

By default, the KSP8 is set up to handle pro level signals (reference level +4 dBu). Press the INLVL or OUTLVL soft buttons to change these levels.

Your options will be different depending on whether you are working with mono, stereo, or 5.1 surround signals. The pages displayed when you press the INGRP and BUSCFG soft buttons let you set up the KSP8 for one of these conﬁgurations.

Syncing your KSP8 with Other Devices

When digitally synchronizing your KSP8 with other devices, either the KSP8 or another connected device can serve as the clock master. Both 44.1 KHz and 48 KHz clock speeds are supported, whether generated internally or externally. The KSP8 can sync to an external master source via the AES/EBU input, or from a digital I/O option card. Each digital I/O option card (ADAT, TDIF, AES/EBU, KDS) also includes a BNC word clock connector.

The Digital Lock LED on the front panel will light when the KSP8 is synced with another device. The LED will blink if the lock is lost.

Processor Allocation Units (Us)

Each algorithm uses one or more Processor Allocation Units, which the KSP8 refers to simply as “U”s. In general, the more Us an algorithm uses, the more powerful and complex the algorithm. There are 16 Us available, and the KSP8 uses them in different quantities for different algorithms. Depending on how many algorithms you are chaining together on different buses, you may need to keep track of the number of Us you use. Also, it’s important to realize that because of the way the KSP8 allocates U usage you may not be able to use all 16 Us at once.

The documentation for each algorithm indicates the number of Us it requires.

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KSP8 Objects

As we mentioned above, the heart of the KSP8 is its collection of great sounding effects algorithms. These are pre-loaded into the KSP8’s memory and are there for your use in studios, chains, and presets.

The KSP8’s user interface is structured with a hierarchy of objects that (with the exception of algorithms) you can edit and arrange for your effects needs. The illustration below shows this basic hierarchy. If you’d like to check out lists of all the KSP8’s objects, they’re in Appendix C of this manual.

Studio

Chain

Preset

Algorithm

Getting to Know Your KSP8

Basic Operations

you can edit and change copies of these objects.

you cannot edit algorithms

Starting at the top (since that’s how you’ll work with them), let’s take a quick look at each type of KSP8 object:

Studio

A studio is a complete effects signal chain, from the inputs through two stages of equalization and then on to the effects buses (where you make use of presets, chains, and algorithms – objects that you’ll read about below) and outputs. A number of useful studios are provided with the KSP8. You can use these as they are, edit and store them, or create your own studios from scratch.

Chain

A chain is an object that consists of a number of presets (described below), quick parameters, and MODs in a row. A chain can contain up to eight presets per effects bus. Refer to Chapter 7 for information on using chains.

Preset

Although you can’t change the algorithms stored in ROM, you can change the values of an algorithm’s parameters and store that as a preset. A preset, then, is an algorithm, plus the settings of the parameters associated with that algorithm. You can place a preset alone on a bus in a studio, or use a series of presets in a chain. Refer to Chapter 6 for information on using presets.

Algorithm

An algorithm is a speciﬁc type of signal processing, like a reverb, distortion, or ﬂanger. These are stored in ROM, and you cannot change them. You can change the values of an algorithm’s parameters, however, and store them in a preset. The KSP8 is loaded with a few hundred algorithms, and each one requires quite a bit of explaining – so much so, in fact, that the algorithms have their own book, the KSP8 Algorithm Reference Guide which you can download from the Kurzweil Music Systems web site.

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Getting to Know Your KSP8

Real-time Control of your KSP8

You can control your KSP8 in real-time with the RSP8 remote option or use any MIDI controller to access Quick parameters and MODs.

RSP8

The optional RSP8 remote has all the displays and controls from the front panel of the KSP8, as well as eight dedicated knobs for fast access to Quick parameters. The RSP8 also has a joystick, but it’s not a toy (at least as far as the IRS and your spouse are concerned). With the HUB7 multi-port hub/repeater, you can use one of these babies to control up to seven KSP8s. Yow.

Quick Parameters

Press the QUICK soft button to use “quick parameters,” which let you edit parameter values without having to create a new preset. There are eight user-selectable defaults. The RSP8 provides eight knobs for real-time tweaking of the quick parameters.

See page 6-3 for a full explanation of quick parameters.

Using MODs for Real-time Control

You can use Studio MODs (S MODs – described on page 5-10) to control sends and EQs and Chain MODs (C MODs – described on page 7-3) to control effects parameters.

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Upgrading, Updating, and Maintaining your KSP8

Like most of the professional products from Kurzweil Music Systems, the KSP8 is designed so that it can be updated and upgraded in the future. These procedures are described in this section, as well as information about your KSP8’s battery.

Adding Options to the KSP8

As described elsewhere, a number of option boards are available for the KSP8 to increase its number and type of inputs and outputs. Options adding other features may also be available in the future. In general, the KSP8’s options are user-installable. Refer to the instructions included with each option for complete information.

Updating your KSP8’s Software

From time-to-time, Kurzweil Music Systems will release updates to the KSP8’s operating software and soundware objects. Using the KSP8’s boot loader, you will be able to install an update in one of the following ways:

• You can update the software or soundware from a .MID ﬁle, “playing” the data ﬁle on a

MIDI sequencer attached to the KSP8’s MIDI In port.

• You can load the software or soundware as .KOS or .KBB, or .KSP ﬁles from a SmartMedia

card.

Getting to Know Your KSP8

Refer to Appendix E for complete documentation on the KSP8’s Boot Loader.

Changing the Battery in your KSP8

CAUTION: Danger of explosion if battery is incorrectly replaced. Replace only with the same or equivalent type.

Your KSP8 uses battery-backed memory to keep track of settings and programs. The battery is a 3 volt button type (CR 2032), and should last a long time – up to seven years, in fact. A message on the KSP8 display at startup will indicate a low battery. Follow the instructions below to change the KSP8 battery:

1. Back up all KSP8 data. Do this via MIDI with a SysEx dump or by saving to a SmartMedia card.

See Chapter 10 for information on these backup procedures.

2. Remove power from the KSP8

3. Turn the unit over and use a Phillips screwdriver to remove the six screws from the access

panel.

4. Locate the battery, and note the orientation of the + and - sides of the battery.

5. Remove the old battery.

6. Insert the new battery; do not use pliers, since this can short out the battery. Make sure that the

+ and - sides of the battery are oriented correctly. After installation, the + side will be visible under the clip.

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Getting to Know Your KSP8

KSP8 Specifications

KSP8 Speciﬁcations

Dimensions

Height: 3.625 inches (92 mm)

Width: 17.125 inches (435 mm)

Depth: 15.125 inches (384 mm)

Weight: 13.25 lbs. (6 Kg)

Inputs

Analog

Four analog inputs, balanced differential using 1/4” Tip-Ring-Sleeve jacks

Input impedance: 20K ohms balanced, 10K or 20K ohms unbalanced

A/D converter: 24 bit, 128x oversampling

Maximum analog input level is +22 dBu; Minimum input level for 0 dBFS: +4dBu

Analog input level control (gain) of 0 dB to 18 dB in 1.2 dB steps, software programmable on a per channel basis

Common Mode Rejection Ratio (CMRR): >60 dB @ ≤ 1KHz, > 40 dB @ 1 KHz – 20 KHz

Frequency response: 20 Hz - 20 KHz ± 0.15 dB

Dynamic range: > 110 dB unweighted @ 1 KHz

THD+N: <0.0015% @ 1 KHz, +19 dBu

Crosstalk: < -100 dB @ 1 KHz

Digital

Stereo AES/EBU (XLR) digital input pair

Synchronizes to AES or option card input clock or generates 48 or 44.1 kHz (all selected inputs must be in sample rate sync)

Impedance: 110 ohms (AES) or 75 ohms (S/PDIF)

Formats: AES/EBU (AES3-1992) or S/PDIF (IEC 60958-3)

Input word length: up to 24 bits

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